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Speaker 1: Uh, it's funny, you know, like you don't know until

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Speaker 1: like until the song hits, like until it starts, like

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Speaker 1: you don't really know, like if it is, it's going

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Speaker 1: to be different than it was before, you know what

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Speaker 1: I mean? And song it's like not not, it's not

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Speaker 1: until like you're in the episode, you know me, because

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Speaker 1: I was like, is it going to be different? She's

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Speaker 1: done all these things like uh huh, well, how is

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Speaker 1: that going to affect the show? Will and affect the show.

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Speaker 2: And the conversation beforehand is different, But when the song starts.

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Speaker 1: You don't know. Until the song starts.

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Speaker 2: Before the song, you don't know.

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Speaker 1: Yes, And it's been interesting to discover that it is different.

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Speaker 1: It's very different. And the show, yes, you know.

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Speaker 3: Cronenberg once described films as living seminary. And I find

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Speaker 3: that song is not the only vehicle for as you

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Speaker 3: said so aptly sean uh, for memory and and and

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Speaker 3: and for sense. In that way, song music can also

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Speaker 3: be a cemetery, a beautiful one at Meg Ryan, you

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Speaker 3: know whoa what does she do for me? What does

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Speaker 3: she do for my memory? And also the body. I'm

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Speaker 3: thinking a lot of the body right now. In terms

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Speaker 3: of performance, in terms of presence. I just want to say,

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Speaker 3: really cute right.

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Speaker 1: Now, the way I am the body, my body is

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Speaker 1: the body. That's so crazy. I didn't even be cute.

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Speaker 3: On purpose, and exactly you know what I mean. You

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Speaker 3: were just there, you were tapped in your present. So

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Speaker 3: then I guess to circle back to me, which sometimes

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Speaker 3: I find so hard to do. Sorry, but yeah, things

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Speaker 3: are different, but they are the same in many ways,

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Speaker 3: aren't they be Sorry, horrible?

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Speaker 2: Yeah, I found a couple of emails about it, which like, actually, like.

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Speaker 1: Great, she's come.

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Speaker 3: I remember the end of my sentence. I just wasn't

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Speaker 3: I felt I was so closed to being Yeah, that's.

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Speaker 2: Well, I can start you at the beginning. You were

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Speaker 2: saying that CHROMEO told you to like the cemetery.

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Speaker 4: No corn, holy once.

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Speaker 3: Yeah, in the cemetery, in the seminary. Corn belongs in

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Speaker 3: the seminary. And as.

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Speaker 1: And that's why he always keeps his head covered.

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Speaker 3: Its shock. Yeah, that's fine, can be as.

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Speaker 1: So don't get on all these you know, labels.

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Speaker 3: Yeah, so that's good. That's good because it means that

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Speaker 3: you're you're I'm always like, we're relatable, we're grounded, You're relatable.

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Speaker 3: We're are a real You're a cool your You're you're

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Speaker 3: kind of the people's princer.

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Speaker 2: I'm just like kind of the people's princeps. I'm not

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Speaker 2: even trying to be the people's primp supps, but I

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Speaker 2: but at the end of the day, like I'm just me.

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Speaker 1: You're the people the people's Pinterest, the people's Pinterest, the

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Speaker 1: people's pimps.

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Speaker 3: Yeah apps as mic Yeah, okay.

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Speaker 1: I'm the people's pimps apps. Sure, as in micp people's

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Speaker 1: pimps app.

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Speaker 3: It's not a long walk to make hop a skip even.

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Speaker 2: But I have been hearing that terrible now that we've

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Speaker 2: been getting a lot of feedback.

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Speaker 3: You said two emails earlier, So I guess I'm just

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Speaker 3: wondering how that's escalated from two emails to a lot

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Speaker 3: of feedback.

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Speaker 1: Well, that's.

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Speaker 3: Oh sure, And I'm.

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Speaker 2: Also we're getting emails people are in the DM.

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Speaker 4: Can I get the levels checked loud?

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Speaker 1: The level and it's it has been Look, it has

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Speaker 1: been very special for us. Can we just learn about

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Speaker 1: all your success from people? Nine eight When I'm trying

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Speaker 1: to read about my own podcast, levels are good and

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Speaker 1: hear what people are saying about it, and everyone's saying, oh,

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Speaker 1: I saw Iowa on the Hollywood Handbook podcast once, and

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Speaker 1: everyone every single mention of that they saw you on

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Speaker 1: the translating into people not translating.

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Speaker 3: I'm just not sure checked. And that's not a knock

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Speaker 3: on what you're doing on your work. I just want

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Speaker 3: to make sure.

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Speaker 1: You say things that get you in trouble on a

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Speaker 1: different podcast. Thanks for not saying it on ours. Excuse me? Yes,

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Speaker 1: well that's the same network at the time.

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Speaker 2: So much fucking ink And it's like you couldn't have

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Speaker 2: been controversial, inappropriate and disrespectful on our podcast.

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Speaker 3: We've never given me the platform. And it's interesting. I'll

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Speaker 3: say it. I'll say what you are tall men in

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Speaker 3: the industry, who are employed, who are booked and busy

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Speaker 3: and blessed even and you are allowed you invite me

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Speaker 3: a I'll say what I am sort of small to

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Speaker 3: average sized woman depending on your vantage point on your podcast,

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Speaker 3: on your space. You don't give me that. Can we

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Speaker 3: circle back on that?

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Speaker 2: I don't see you that way?

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Speaker 3: Can we circle back on that.

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Speaker 2: It's just that you have a horrid personality that has

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Speaker 2: that has fantastasized over the past.

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Speaker 1: Few months, and do you.

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Speaker 3: Think changes the two way street.

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Speaker 1: It's like it's it's as if you can we.

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Speaker 4: Consider that changes the two way street encounter.

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Speaker 3: I used to come on this podcast and we used

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Speaker 3: to laugh, We used to joke, and I wonder if

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Speaker 3: I could even find that episode, if it's even I

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Speaker 3: don't know behind a pay wall, even listen to that

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Speaker 3: original appearance.

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Speaker 4: I came back. I came back and.

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Speaker 3: I would and every.

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Speaker 4: Time I've come back, it's been a hit piece.

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Speaker 3: It's been researched, it's been it's been dug up. There's

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Speaker 3: been papers and files and and and references to besmirch

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Speaker 3: my name.

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Speaker 2: What's interesting we we could possibly findis.

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Speaker 3: Depending on advantage.

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Speaker 2: Could possibly find that old episode for you. But you

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Speaker 2: can't find that old io for us.

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Speaker 1: I wish she's missing.

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Speaker 2: I wish there were paywall, because that we had, I would, Oh,

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Speaker 2: I'd shell out the bucks. There's about money for me.

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Speaker 3: Talk to my legal team, tell you that much.

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Speaker 1: To get to old ioh Okay, I got to talk

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Speaker 1: to legal team.

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Speaker 2: I got to talk to your legal team. Legal, talk

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Speaker 2: to legal my legal team for the pay for the

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Speaker 2: paywall to get to old Ale.

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Speaker 3: It's the PR team at legal seafood.

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Speaker 2: The pr leg so I just can't even.

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Speaker 1: Like, so it must be legal seafood because you're being

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Speaker 1: very fresh and.

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Speaker 3: Things like that.

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Speaker 1: I do I do want to talk about I do

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Speaker 1: want to talk about shrimpy to average size, depending on

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Speaker 1: I do want to talk about the press that we've

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Speaker 1: been out there doing. And I understand why it took you,

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Speaker 1: which we what you took your sweet ass time to

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Speaker 1: come back on this show.

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Speaker 3: I just okay, Yeah, keep going because.

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Speaker 1: You're scared to actually hear the damn truth.

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Speaker 2: Yeah, this is the one show you can go on

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Speaker 2: where we are not going to follow the script right,

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Speaker 2: where we are not willing to play exactly into whatever

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Speaker 2: this narrative is that you've created for yourself. And we

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Speaker 2: just want to talk to you because we're all people,

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Speaker 2: and some of us are on TV shows, some of

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Speaker 2: us aren't. Who knows which is which. I think it's

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Speaker 2: which one.

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Speaker 3: I'm the one on the TV show.

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Speaker 2: Pointing that out is so typical of you?

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Speaker 3: Literally, is that not?

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Speaker 1: And we've had golden globes on this show.

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Speaker 3: Can we check the levels just one more time?

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Speaker 1: Lower? We had John Hamm on this show. It's like, yes,

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Speaker 1: we've had like there's been hardware in this room. This

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Speaker 1: is not like new to us, but we've never had

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Speaker 1: people who have handled it as poorly as you have. Okay,

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Speaker 1: all right, despite every single like we've done it out

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Speaker 1: in the open for everyone to hear, how much we

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Speaker 1: have tried to train you on the press elements.

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Speaker 3: Specifically, that actually is true, and it's.

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Speaker 1: Been a disaster. You need to shut the entire thing down.

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Speaker 1: You need to basically become the gray Man. We gotta

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Speaker 1: go down right now from a press stand point.

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Speaker 2: We do have to activate gray Man protocol, and it's

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Speaker 2: it's really freeing in some ways. Elaborate on what there's

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Speaker 2: not the Survival's concept of the gray Man.

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Speaker 1: What do you want to what do you want to know?

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Speaker 1: Is there any I mean.

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Speaker 2: Okay, I understand, I mean, I'll tell you this. The

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Speaker 2: gray Man wouldn't elaborate because you wouldn't even see him.

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Speaker 2: You may think you've seen the gray Man, but you haven't,

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Speaker 2: because if you've seen him, that's not the gray Man, right, yeah, okay,

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Speaker 2: but it is you know, simple things like well, not

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Speaker 2: allowing yourself to stand out, matching your pace yes to

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Speaker 2: the other people on the sidewalk, So that you're not

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Speaker 2: seen as like a fast walker or a slow walker.

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Speaker 3: Uh.

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Speaker 2: High and tight haircut favored by military law enforcement professionals.

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Speaker 2: You know, just something non descript is always advantageous. You're

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Speaker 2: gonna want to cut the shipping labels off of all

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Speaker 2: of your packages so that people don't know what you're

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Speaker 2: receiving into your home. I do you may want to

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Speaker 2: have a trowel in your backpack in case you need to, Well.

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Speaker 3: I have a tope ex Does that also mean that

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Speaker 3: I have to carry a backpack now?

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Speaker 2: I just, uh, what's what's what do we pushing around

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Speaker 2: town here? Toebag wise? What's the label?

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Speaker 3: It's for a bookstore in New York on Books New York.

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Speaker 2: That's coastal elite.

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Speaker 1: Uh.

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Speaker 2: If we're going to have a bookstore, we're gonna want

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Speaker 2: to go with b Dalton unfamiliar with his work, don't

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Speaker 2: know be Dalton unfamiliar with Walden Books, unfamiliar with her work.

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Speaker 2: Oh okay, Uh, this is going to be harder than

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Speaker 2: I thought. We We've simply got to activate gray Man Protocol.

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Speaker 1: I was grocery shopping yesterday and I was like, oh

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Speaker 1: my god, my life's about to shift and I don't

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Speaker 1: know it whish direction. It's just food. Yeah, is this

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Speaker 1: a place that they sell?

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Speaker 3: You don't do this to John ham You don't.

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Speaker 2: No, no, not at all.

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Speaker 1: He gives me nothing to work with.

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Speaker 4: Great, then that's what I'm gonna.

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Speaker 1: Do now, John, Okay, imagine John Dodge.

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Speaker 3: Given to your paper.

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Speaker 4: I'm done giving gifts.

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Speaker 1: That's what we're saying. You need to you need to

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Speaker 1: make Santa Era.

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Speaker 3: This is John was on my Santa ship.

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Speaker 4: This is John Hamm And now I miss Hannigan.

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Speaker 1: I was going grocery shopping yesterday and I was like,

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Speaker 1: oh my god, my life's about to shift, and I

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Speaker 1: don't know in which direction. The ultimate driving machine literally

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Speaker 1: whoa Iowa Debris is explaining the shock of almost brought

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Speaker 1: a Chrysler. I explaining the shock almost over a spread.

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Speaker 2: You've to fit it in one of the parking spots

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Speaker 2: without ringing.

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Speaker 3: Doing that that we're we're Aaron real.

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Speaker 2: I was here to do a podcast. I didn't know

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Speaker 2: I was also going to have to be the goddamn

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Speaker 2: fucking traffic control here. I didn't realize I had to,

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Speaker 2: you know, put on the orange vest to go out

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Speaker 2: and fucking manage the comings and goings of everybody.

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Speaker 3: You you involved yourself.

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Speaker 2: It was for safe, like for safety.

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Speaker 3: Parallel to what's happening in my life. You involved yourself.

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Speaker 1: So this is the happening in your life.

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Speaker 3: This is the big mons police officer. Inspector, hullo over.

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Speaker 2: Here, Inspector.

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Speaker 3: What I just went in the Criterion closet. You didn't

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Speaker 3: even begin to understand.

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Speaker 2: Oh, believe me, I.

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Speaker 1: Saw bottle rocket, Jesus Christ. I go in there.

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Speaker 3: You want those special features, you want them so bad.

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Speaker 3: I could see it in your eye.

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Speaker 1: This is me in the Criterion closet. Oh, this is

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Speaker 1: the only movie that you have.

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Speaker 3: This is this is you.

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Speaker 1: Don't have, this is Oh, none of these is good movies.

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Speaker 1: This is me. This is me.

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Speaker 2: Oh reminds me of my closet, smaller, worse. It's kind

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Speaker 2: of like my closet, smaller, worse, not as good as movies.

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Speaker 3: This is me in the Criterion closet. Yeah, oh, this

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Speaker 3: is the whole collection. Does everything you collected in the.

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Speaker 1: But but that's not you and the criteria in the Criterion.

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Speaker 3: Closet, I have you haven't even seen. All you saw

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Speaker 3: was the picture.

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Speaker 1: I didn't see any of it. Not because no one

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Speaker 1: replied to it. I saw Iowa on Hollywood handbooks, so

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Speaker 1: that I didn't see it.

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Speaker 3: Check again, talk about actually literally check again, because I

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Speaker 3: think there was a comment that.

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Speaker 1: This big Vanity Fair feature.

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Speaker 3: I'm literally giving you right basically.

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Speaker 1: An entire bandy carnival in Brasil.

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Speaker 3: Basically they read basicly.

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Speaker 1: Higher magazine, the people being like this is here's like me,

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Speaker 1: this is here's what I'm doing. I would never participate

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Speaker 1: in something like this. Number one.

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Speaker 2: Here's me in Vanity Fair. Please talk to someone else, Yes,

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Speaker 2: please talk to someone else. Get these lights out.

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Speaker 3: Of here after the interview and at the photo shoot.

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Speaker 2: Please may I have that camera?

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Speaker 1: Please?

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Speaker 2: You should be the subject photographer.

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Speaker 1: That's me.

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Speaker 2: But it's not you, that's me.

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Speaker 1: Iowa. Debrie is explaining the shock of her fame to

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Speaker 1: me over a spread of do you remember what you

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Speaker 1: ordered at the restaurant?

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Speaker 3: I think there's like a pot pie.

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Speaker 1: It's doc pot pie.

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Speaker 3: Yeah, that's at the restaurant.

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Speaker 1: What are you, elmer fudd quack quack or whatever. The

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Speaker 1: that's not what elmer, that's much closer. That's that's really

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Speaker 1: that's that's huge, and that's duck pot pie.

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Speaker 3: Oh Homie.

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Speaker 1: Throughout dinner the newly minted stars hot, I think I

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Speaker 1: have who's that? Who is? He does do not exactly

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Speaker 1: use it like his lexicons.

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Speaker 3: Like Stu as me as something.

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Speaker 2: Well, we've been anxious for a fresh take on Stewie.

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Speaker 3: You have no idea what's w By the way, I

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Speaker 3: could be helping you right now.

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Speaker 4: I'm in the rooms and I'm working them.

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Speaker 1: You could be helping.

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Speaker 4: I could be giving you hot intel.

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Speaker 1: But instead, okay, say something about say something about Shakira.

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Speaker 1: What do you think about Shakira?

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Speaker 3: Awesome?

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Speaker 2: Well, that's not kidding, absolutely right. I don't know I

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Speaker 2: need you to drag her.

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00:16:10,240 --> 00:16:12,520
Speaker 3: Lord Leptis is a dizzy bitch? What about that?

290
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Speaker 2: We could say that and we have that's that's not

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Speaker 2: bringing anything to the show that we don't already have

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Speaker 2: at the show.

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Speaker 3: Okay, I guess.

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Speaker 2: It's like got to Lampkis go after like somebody really big,

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Speaker 2: you know what I mean?

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Speaker 3: Yeah, I know for sure.

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Speaker 2: Give us a scoop on the new season of the Bear.

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Speaker 2: What's going on y'all finally gonna get freaky with the

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Speaker 2: cheese with in that kitchen? Come on, be.

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Speaker 3: Honest, I'm operating into gray Man protocol. I've been advised

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Speaker 3: by my by my legal team top D green Man protocol.

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00:16:49,240 --> 00:16:51,120
Speaker 3: Check your email. By the way, you've been enlisted.

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Speaker 1: So I've read that a contingent of viewers is rooting

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Speaker 1: for a Sydney KRMEI matchup in hotter places than a kitchen.

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Speaker 2: It's loading.

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Speaker 3: Oh, no, worries. The wife here is pretty bad.

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00:17:03,920 --> 00:17:09,080
Speaker 1: So I've been reading that a contingent of viewers is

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00:17:09,160 --> 00:17:11,879
Speaker 1: rooting for a Sydney CARMEI matchup in hotter places than

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Speaker 1: a kitchen.

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Speaker 3: You have been reading what was right?

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Speaker 1: Will they be getting freaky? What the cheese was in

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Speaker 1: the kitchen? Or hotter?

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00:17:20,640 --> 00:17:21,800
Speaker 2: In hotter places?

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00:17:22,520 --> 00:17:26,920
Speaker 3: I'm unfortunately, unfortunately, I've fortunately been enlisted undergrad Man protocol,

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00:17:26,960 --> 00:17:28,920
Speaker 3: and I'm not legally allowed to answer anything.

316
00:17:29,000 --> 00:17:32,240
Speaker 1: The night we met it, Deborie wore a relaxed pair

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Speaker 1: of jeans, a T shirt, a T shirt featuring the

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Speaker 1: nineteen ninety.

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00:17:38,640 --> 00:17:40,639
Speaker 3: Six Elastic around the ankle.

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Speaker 1: A T shirt featuring the nineteen ninety six Clint East

321
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Speaker 1: with spaghetti.

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Speaker 2: Western got them painted on the good, the bad, the

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Speaker 2: ugly into those freaking.

324
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Speaker 3: Them ginos is stressed no no them about relax Oh,

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00:17:52,600 --> 00:17:55,560
Speaker 3: the good, the bad, and the ugly T shirt deep, Oh,

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00:17:55,680 --> 00:17:57,359
Speaker 3: very deep cut on the T shirt.

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Speaker 1: Oh, very criteria closet. It's actually not the good, the band,

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Speaker 1: the ugly. That's yeah, because that's what I'm saying. I was,

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Speaker 1: and I was, I was lying.

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Speaker 2: Sorry, Am I going to get an email and listening

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Speaker 2: me into the gray Man? Because I'm checking my email

332
00:18:14,320 --> 00:18:16,440
Speaker 2: and that's not what I've got.

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00:18:16,640 --> 00:18:20,000
Speaker 1: Send him. You're going to get him like so distracted.

334
00:18:20,040 --> 00:18:22,480
Speaker 1: Do not send him an email, or don't say you've

335
00:18:22,480 --> 00:18:23,240
Speaker 1: sent him an email.

336
00:18:23,359 --> 00:18:25,200
Speaker 3: I didn't say I sent him an email, but one

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00:18:25,200 --> 00:18:27,520
Speaker 3: should be coming. I sent it to my assistant. She

338
00:18:27,600 --> 00:18:29,679
Speaker 3: sent it to legal. Illegal was going to reach.

339
00:18:29,560 --> 00:18:33,399
Speaker 1: Out to him, hopefully about activating the gray Man protocol.

340
00:18:34,080 --> 00:18:36,120
Speaker 3: I'm literally you're telling me to listen to you. I'm

341
00:18:36,119 --> 00:18:38,080
Speaker 3: trying to listen to you, just don't trying to open.

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00:18:38,240 --> 00:18:39,720
Speaker 4: So, so.

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00:18:40,960 --> 00:18:43,560
Speaker 2: Do you find from my email with what's the.

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00:18:43,520 --> 00:18:46,760
Speaker 3: Screen time looking like these days? What's the screen time

345
00:18:46,760 --> 00:18:48,800
Speaker 3: looking like these days?

346
00:18:49,400 --> 00:18:49,720
Speaker 1: Well?

347
00:18:50,560 --> 00:18:56,439
Speaker 2: Can I first say I haven't been well, I've been

348
00:18:56,480 --> 00:19:03,800
Speaker 2: on well that much is clear, So like maybe I

349
00:19:03,920 --> 00:19:07,000
Speaker 2: needed a little extra you know, screen time.

350
00:19:07,920 --> 00:19:08,639
Speaker 3: You're not crazy.

351
00:19:08,680 --> 00:19:09,560
Speaker 2: Maybe I had earned it.

352
00:19:10,840 --> 00:19:13,560
Speaker 1: And here's what, and here's what. Here's what she says

353
00:19:13,560 --> 00:19:16,000
Speaker 1: about the beefing.

354
00:19:16,280 --> 00:19:19,680
Speaker 2: Right now, let's hear about the beefing, please.

355
00:19:20,400 --> 00:19:22,640
Speaker 1: And this is what you decided to say about the beefing.

356
00:19:23,640 --> 00:19:28,080
Speaker 1: And also, by the way, okay, so there's she goes

357
00:19:28,080 --> 00:19:30,080
Speaker 1: public with a beef and the show is about beef.

358
00:19:30,240 --> 00:19:32,720
Speaker 1: Like this isn't like the most scripted thing I've ever heard.

359
00:19:32,800 --> 00:19:34,720
Speaker 2: She's on the beef and then.

360
00:19:34,560 --> 00:19:39,560
Speaker 3: She's talking about you know, this shows not the beef

361
00:19:41,640 --> 00:19:45,080
Speaker 3: we're going based off marche Well this from this town.

362
00:19:45,720 --> 00:19:49,320
Speaker 2: Excuse me, by the way, this around like it's some

363
00:19:49,400 --> 00:19:50,320
Speaker 2: piece of trend.

364
00:19:50,119 --> 00:19:53,200
Speaker 3: Nice new colorway, by the way, you and your little.

365
00:19:53,160 --> 00:19:58,200
Speaker 2: Cronies over a vulture decided to take a direct attack

366
00:19:58,320 --> 00:19:58,760
Speaker 2: at us.

367
00:19:59,240 --> 00:20:02,159
Speaker 3: Is there a new I'm not in the vulture pocket anymore.

368
00:20:02,640 --> 00:20:02,920
Speaker 1: I'm not.

369
00:20:03,359 --> 00:20:06,919
Speaker 2: But but buddy, buddy, you're two of the You're in

370
00:20:07,000 --> 00:20:09,639
Speaker 2: two of the fucking pack. You you double packed it,

371
00:20:09,920 --> 00:20:13,280
Speaker 2: and there's no mention of the hat pack. I know

372
00:20:13,480 --> 00:20:16,320
Speaker 2: you had the power to change that. I know you

373
00:20:16,359 --> 00:20:18,840
Speaker 2: could have involved us in that story. I know you

374
00:20:19,000 --> 00:20:21,840
Speaker 2: blocked us. And so now you want to sit here

375
00:20:21,880 --> 00:20:25,960
Speaker 2: and act like your personality is not bad I'm sorry.

376
00:20:26,400 --> 00:20:27,160
Speaker 2: I'm sorry.

377
00:20:27,280 --> 00:20:28,640
Speaker 3: Well, that's a jump to make.

378
00:20:29,320 --> 00:20:34,679
Speaker 2: It doesn't the defense's case doesn't hold water. Criterion collection

379
00:20:35,280 --> 00:20:35,760
Speaker 2: not there.

380
00:20:36,080 --> 00:20:40,119
Speaker 1: Instead, you have you joined the package, dear Evan handsome

381
00:20:42,000 --> 00:20:45,240
Speaker 1: instead in the damn platte pack like he needs the help.

382
00:20:46,960 --> 00:20:48,280
Speaker 3: What was the other one?

383
00:20:49,240 --> 00:20:50,640
Speaker 1: I don't even recall.

384
00:20:51,000 --> 00:20:51,359
Speaker 2: It's the.

385
00:20:53,600 --> 00:20:58,200
Speaker 3: Irish I can't even Irish one. Please.

386
00:20:59,040 --> 00:21:01,520
Speaker 1: This is what she said about the beef. She says.

387
00:21:01,720 --> 00:21:04,520
Speaker 1: That would be like mister Bean and Mick Jagger beefing,

388
00:21:04,640 --> 00:21:08,359
Speaker 1: she says, And I'm obviously mister Bean. Can I tell

389
00:21:08,400 --> 00:21:08,840
Speaker 1: you something?

390
00:21:08,960 --> 00:21:09,200
Speaker 3: I know?

391
00:21:11,000 --> 00:21:15,919
Speaker 1: I know you hol my hand. Non fine, there is

392
00:21:15,960 --> 00:21:20,240
Speaker 1: nobody happier for you than me. Okay, look at me. No,

393
00:21:20,280 --> 00:21:21,400
Speaker 1: don't look away, don't look away.

394
00:21:21,440 --> 00:21:21,960
Speaker 2: Look at him.

395
00:21:22,040 --> 00:21:26,159
Speaker 1: I think you're absolutely brilliant. I think your biggest challenge

396
00:21:26,240 --> 00:21:29,040
Speaker 1: right now is to do justice to all the different

397
00:21:29,160 --> 00:21:34,800
Speaker 1: ways you are brilliant. I'm so proud of you. Okay,

398
00:21:37,040 --> 00:21:38,959
Speaker 1: you couldn't see mister Bean with the hubble. Tell us

399
00:21:42,119 --> 00:21:47,800
Speaker 1: he is on a different plane of existence. Okay, that's

400
00:21:47,800 --> 00:21:53,240
Speaker 1: coming for me. I'm so proud of you. You can't

401
00:21:53,280 --> 00:21:54,639
Speaker 1: touch him, You're not on pace.

402
00:21:56,240 --> 00:22:05,639
Speaker 2: Yeah, so I guess one way to think about it

403
00:22:05,680 --> 00:22:09,359
Speaker 2: is like this show is closer to SmartLess than you

404
00:22:09,440 --> 00:22:10,280
Speaker 2: are to be.

405
00:22:10,720 --> 00:22:12,399
Speaker 1: Yes, is that helping?

406
00:22:12,680 --> 00:22:12,840
Speaker 3: You know?

407
00:22:13,560 --> 00:22:17,560
Speaker 2: That's hurting and that is hurting, like and just in

408
00:22:17,640 --> 00:22:20,160
Speaker 2: terms of like viability.

409
00:22:19,600 --> 00:22:21,880
Speaker 3: The way that I kind of walk through this world

410
00:22:21,960 --> 00:22:24,640
Speaker 3: and through this industry, and I think maybe it's also

411
00:22:27,040 --> 00:22:28,480
Speaker 3: now I'm gonna stick with that sentence, the way that

412
00:22:28,520 --> 00:22:30,520
Speaker 3: I walk through this world, and I think this industry

413
00:22:30,880 --> 00:22:34,800
Speaker 3: is a path of my own. You understand, though, I

414
00:22:35,000 --> 00:22:37,920
Speaker 3: it appears that I'm walking on an axis that's similar

415
00:22:38,000 --> 00:22:40,800
Speaker 3: to yours. What I'm experiencing. What the way I go

416
00:22:41,040 --> 00:22:43,919
Speaker 3: through the world. If you could step into my body

417
00:22:43,960 --> 00:22:46,399
Speaker 3: for one second, you die, you wouldn't be able to

418
00:22:46,400 --> 00:22:48,399
Speaker 3: even to do the math that I do on a

419
00:22:48,480 --> 00:22:54,040
Speaker 3: daily basis. Why it's Terrence Howard's math. That's why Okay.

420
00:22:54,119 --> 00:22:56,880
Speaker 2: And I and I and I help respect for that God. Yeah,

421
00:22:56,880 --> 00:22:59,800
Speaker 2: I thought it felt like no, and ending it felt

422
00:23:00,200 --> 00:23:01,879
Speaker 2: you Actually I feel that way to you.

423
00:23:02,240 --> 00:23:04,720
Speaker 1: Skin your teeth out of that one. But what's one

424
00:23:04,760 --> 00:23:08,200
Speaker 1: times one? What's one times one? As much as I want, no,

425
00:23:08,840 --> 00:23:12,359
Speaker 1: you don't know Terrence Howard math. Now it's too don't

426
00:23:12,640 --> 00:23:15,600
Speaker 1: don't be about Terrence Howard math and you brought it

427
00:23:16,280 --> 00:23:17,639
Speaker 1: and you brought it up. You do you know what

428
00:23:17,640 --> 00:23:18,119
Speaker 1: one times?

429
00:23:18,200 --> 00:23:20,960
Speaker 2: One is to go back to school?

430
00:23:21,480 --> 00:23:22,840
Speaker 3: Okay, now I begin.

431
00:23:22,920 --> 00:23:27,600
Speaker 1: Then, well it's different. Now, this is the thing. It's

432
00:23:27,640 --> 00:23:28,919
Speaker 1: it's like a change from.

433
00:23:28,760 --> 00:23:30,800
Speaker 2: The change if you study it changes.

434
00:23:31,000 --> 00:23:34,120
Speaker 3: I know. That's why I said what I said. Okay,

435
00:23:34,520 --> 00:23:37,880
Speaker 3: eight steps ahead. I feel bad for you. I feel bad.

436
00:23:38,280 --> 00:23:39,080
Speaker 1: I'm proud of you.

437
00:23:39,160 --> 00:23:44,600
Speaker 2: So I'm so proud of you. Hey, for what, I'm

438
00:23:44,640 --> 00:23:45,359
Speaker 2: really proud of you.

439
00:23:45,640 --> 00:23:47,400
Speaker 3: Skinny ass pants.

440
00:23:47,160 --> 00:23:49,040
Speaker 1: There, it's just the way I'm sitting that makes them

441
00:23:49,040 --> 00:23:52,040
Speaker 1: look skinny. When I'm standing up, they look normal. They

442
00:23:52,040 --> 00:23:54,560
Speaker 1: look good. Take it, they look they look good.

443
00:23:54,640 --> 00:23:55,120
Speaker 3: Let me see.

444
00:23:55,480 --> 00:23:56,240
Speaker 1: I'm sorry.

445
00:23:56,359 --> 00:24:00,040
Speaker 3: It's not a All I do is lay words.

446
00:23:59,680 --> 00:24:05,040
Speaker 1: Bear leather puzzle effect top, Yeah, puzzle with missing pieces

447
00:24:05,119 --> 00:24:10,400
Speaker 1: the sleeves. I don't remember that slouchy brown suede paints show.

448
00:24:10,840 --> 00:24:13,159
Speaker 1: I was putting that the level leave me out of it.

449
00:24:13,200 --> 00:24:14,879
Speaker 3: Why don't you say that again?

450
00:24:16,040 --> 00:24:16,720
Speaker 1: What'd you say?

451
00:24:17,840 --> 00:24:18,880
Speaker 3: Lever me out of it?

452
00:24:19,400 --> 00:24:21,880
Speaker 1: And you said that's how it's that's how that's how

453
00:24:21,960 --> 00:24:25,600
Speaker 1: it goes. That's how you say it. Right. What did

454
00:24:25,600 --> 00:24:30,359
Speaker 1: you say? Oh God, I wish what do you wish?

455
00:24:30,680 --> 00:24:31,680
Speaker 3: I wish for world peace.

456
00:24:32,680 --> 00:24:35,760
Speaker 1: But no, I could go back to the young lady

457
00:24:36,359 --> 00:24:42,080
Speaker 1: that was tweeting about having hemorrhoids all the time. Let's

458
00:24:42,080 --> 00:24:44,480
Speaker 1: say one day you will be correcting me on the

459
00:24:44,480 --> 00:24:46,520
Speaker 1: pronunciation of lolo.

460
00:24:46,680 --> 00:24:52,960
Speaker 3: Ever also teeted about eggs, and.

461
00:24:52,920 --> 00:24:58,639
Speaker 1: I'll say it wasn't worth it. WHOA, we need the

462
00:24:58,680 --> 00:24:59,320
Speaker 1: tweets back?

463
00:25:00,720 --> 00:25:01,719
Speaker 3: How did lead them?

464
00:25:02,240 --> 00:25:04,560
Speaker 1: We take him down there somewhere.

465
00:25:04,280 --> 00:25:05,400
Speaker 3: They probably are somewhere.

466
00:25:05,920 --> 00:25:06,720
Speaker 1: We need them back.

467
00:25:06,840 --> 00:25:09,280
Speaker 3: I had to take the whole sitting down. I'm operating

468
00:25:09,359 --> 00:25:11,280
Speaker 3: under agreement, being mysterious.

469
00:25:11,440 --> 00:25:12,920
Speaker 1: You can't make that trade.

470
00:25:12,720 --> 00:25:14,000
Speaker 3: Letterbox going to go next?

471
00:25:14,280 --> 00:25:17,359
Speaker 1: Then the Instagram the letterbox should already be.

472
00:25:18,000 --> 00:25:20,320
Speaker 3: I know they won't let me delete it. And reached

473
00:25:20,320 --> 00:25:26,080
Speaker 3: out to them. That's actually true. I reached out to them.

474
00:25:26,160 --> 00:25:29,320
Speaker 2: So what was that exchange? Walk me through the email

475
00:25:29,400 --> 00:25:31,280
Speaker 2: you send and then what they say back.

476
00:25:31,080 --> 00:25:36,200
Speaker 4: With them, And I said, Hey, it feels like this.

477
00:25:36,160 --> 00:25:37,080
Speaker 3: Is freaking me out.

478
00:25:37,359 --> 00:25:39,240
Speaker 1: Guys, this has been so awesome.

479
00:25:39,840 --> 00:25:47,959
Speaker 4: Hey, it's been so special. Everybody's normal. What was I

480
00:25:48,000 --> 00:25:49,480
Speaker 4: was trying to be? I was trying to be old.

481
00:25:49,480 --> 00:25:51,640
Speaker 3: I was trying to tweet and pop my ship off,

482
00:25:52,119 --> 00:25:55,520
Speaker 3: as it were, and then people started being weird, and

483
00:25:55,560 --> 00:25:59,080
Speaker 3: so then I wanted to take away that weirdness.

484
00:25:59,280 --> 00:26:02,679
Speaker 2: Yeah, so you said, like, oh my god, it was

485
00:26:02,720 --> 00:26:05,760
Speaker 2: so fun and funny, like just like talking about movies

486
00:26:05,800 --> 00:26:08,240
Speaker 2: and me like joking around, like saying stuff that I

487
00:26:08,240 --> 00:26:12,760
Speaker 2: didn't even think. And then like what I'm learning is

488
00:26:12,880 --> 00:26:16,399
Speaker 2: like you know what, it would be even crazier as

489
00:26:16,400 --> 00:26:19,800
Speaker 2: if we just got rid of even the whole site,

490
00:26:21,440 --> 00:26:25,760
Speaker 2: be like, oh, so you want to really freak somebody's bean?

491
00:26:26,320 --> 00:26:29,080
Speaker 2: How about everybody wakes up tomorrow and instead of letter box,

492
00:26:29,320 --> 00:26:33,240
Speaker 2: it's just like there's not there anymore.

493
00:26:33,640 --> 00:26:36,480
Speaker 3: Well, my dream is to blow the whole internet up.

494
00:26:36,760 --> 00:26:41,399
Speaker 3: Can I see that? That's good for what you guys want?

495
00:26:41,720 --> 00:26:47,280
Speaker 3: That quote, that's right there, you go, Joe Biden's a

496
00:26:47,280 --> 00:26:47,920
Speaker 3: dizzy bitch.

497
00:26:49,359 --> 00:26:50,359
Speaker 1: This is better.

498
00:26:50,520 --> 00:27:02,240
Speaker 2: I mean, that's actually pretty well documented at this point.

499
00:27:02,000 --> 00:27:07,240
Speaker 1: It shows and photo shoots and interviews that ever was

500
00:27:07,280 --> 00:27:11,720
Speaker 1: doing last year when when she was feeling overwhelmed, she

501
00:27:11,840 --> 00:27:14,680
Speaker 1: had a conversation with a fellow actor and she keeps

502
00:27:15,280 --> 00:27:18,199
Speaker 1: up the ferrier, how did I stay grinded? Called my

503
00:27:18,200 --> 00:27:18,879
Speaker 1: mom a bit.

504
00:27:21,040 --> 00:27:23,560
Speaker 3: Smack me upside the hen love you, Mama.

505
00:27:23,920 --> 00:27:26,400
Speaker 1: She keeps his name a secret, but not his advice.

506
00:27:27,320 --> 00:27:29,760
Speaker 1: He was like, just remember why you're doing.

507
00:27:29,560 --> 00:27:31,679
Speaker 3: This, Daniel de Lewis or having an affair.

508
00:27:31,560 --> 00:27:33,160
Speaker 1: Remember the actual reason why.

509
00:27:32,960 --> 00:27:35,679
Speaker 3: You're doing We're doing together and it'll.

510
00:27:35,400 --> 00:27:39,240
Speaker 1: Be fine and it's bad. You couldn't say who that

511
00:27:39,640 --> 00:27:41,440
Speaker 1: was who gave that quote.

512
00:27:41,560 --> 00:27:43,800
Speaker 3: I literally just said, you couldn't say.

513
00:27:43,840 --> 00:27:45,320
Speaker 1: You couldn't say it in the magazine.

514
00:27:45,560 --> 00:27:48,320
Speaker 3: Listen, so women, it.

515
00:27:48,240 --> 00:27:54,520
Speaker 1: Was Daniel day Lewis. It was obviously Roberto Beanini. That's

516
00:27:54,560 --> 00:27:58,840
Speaker 1: that's Roberto Benini. That's not Dan. Can we codd.

517
00:27:58,640 --> 00:28:01,280
Speaker 3: Why would you say that I'm trying to keep that

518
00:28:01,320 --> 00:28:02,359
Speaker 3: relationship private.

519
00:28:03,000 --> 00:28:05,480
Speaker 1: It doesn't even say that you're in a relationship with.

520
00:28:05,440 --> 00:28:09,879
Speaker 2: The honey then alter mean a romantic friendships.

521
00:28:10,119 --> 00:28:12,600
Speaker 3: This is even like you've changed. I can't even say

522
00:28:12,680 --> 00:28:16,640
Speaker 3: things to you in regular speak, And everything is twisted, twisted,

523
00:28:16,720 --> 00:28:20,600
Speaker 3: twisted twisters. The sequel coming in theaters.

524
00:28:20,240 --> 00:28:25,480
Speaker 1: And i'max, yeah, if you like this, check out the Patriots.

525
00:28:25,480 --> 00:28:30,480
Speaker 2: Hey, you guys gotta go see the pro version. Less Io, Well,

526
00:28:30,520 --> 00:28:33,280
Speaker 2: you don't one of them.

527
00:28:32,960 --> 00:28:36,520
Speaker 3: Out anymore around for that stuff anymore. You don't invite

528
00:28:36,560 --> 00:28:39,080
Speaker 3: me anymore, like the way that you used to to

529
00:28:39,160 --> 00:28:41,000
Speaker 3: know all these things and hang out. What's the heck

530
00:28:41,040 --> 00:28:46,600
Speaker 3: did we even used to talk about? And stupid?

531
00:28:46,600 --> 00:28:48,640
Speaker 1: We talked about that Rebecca Hall movie.

532
00:28:49,120 --> 00:28:51,600
Speaker 3: I know, I remember the Nighthouse.

533
00:28:51,920 --> 00:28:52,320
Speaker 1: Nighthouse.

534
00:28:52,440 --> 00:28:53,760
Speaker 4: I remember the Nighthouse all the time.

535
00:28:53,800 --> 00:28:55,440
Speaker 1: That's what we salt about. We never talked about.

536
00:28:55,520 --> 00:28:57,400
Speaker 4: We never talked about the nighthousemore.

537
00:28:57,440 --> 00:29:00,400
Speaker 1: That's not us. We still talk about the Nighthouse. We're

538
00:29:00,480 --> 00:29:01,120
Speaker 1: still here.

539
00:29:01,280 --> 00:29:04,440
Speaker 3: Maybe you barely remembered the name of the movie until

540
00:29:04,480 --> 00:29:06,480
Speaker 3: I just said it, So how can I?

541
00:29:06,880 --> 00:29:07,440
Speaker 1: There was?

542
00:29:08,160 --> 00:29:10,920
Speaker 3: I did because earlier Sean said night and I almost

543
00:29:10,920 --> 00:29:12,880
Speaker 3: said Nighthouse, but I thought no, No, we just did

544
00:29:12,920 --> 00:29:14,960
Speaker 3: an allusion to a previous episode.

545
00:29:17,840 --> 00:29:24,000
Speaker 1: Well, sometimes clearly only listened to your own episode.

546
00:29:25,240 --> 00:29:26,480
Speaker 2: It was her whole episode.

547
00:29:26,560 --> 00:29:29,200
Speaker 4: Well, I was there, it wasn't.

548
00:29:29,240 --> 00:29:31,720
Speaker 2: I didn't seem like you were.

549
00:29:33,880 --> 00:29:38,720
Speaker 3: Can't be true? Can't be true?

550
00:29:37,240 --> 00:29:38,880
Speaker 1: I I I I.

551
00:29:39,400 --> 00:29:42,440
Speaker 2: I feel like we got off on the wrong foot today,

552
00:29:43,200 --> 00:29:45,200
Speaker 2: and I feel like it's one hundred percent at your fault.

553
00:29:45,320 --> 00:29:47,000
Speaker 3: Huh.

554
00:29:47,480 --> 00:29:50,320
Speaker 2: So I'm going to give you a chance to sort

555
00:29:50,360 --> 00:29:51,680
Speaker 2: of restart this whole thing.

556
00:29:51,760 --> 00:29:56,720
Speaker 3: Okay, the floor is your No.

557
00:29:57,600 --> 00:29:59,160
Speaker 1: Well, Kevin, do you want to play the song again?

558
00:30:06,240 --> 00:30:10,120
Speaker 3: And you know the thing that is always you're talking

559
00:30:10,240 --> 00:30:15,280
Speaker 3: we're talking about Championships basketball game. Who remembers the show

560
00:30:15,760 --> 00:30:20,480
Speaker 3: the game on BT and also the game The Rapper.

561
00:30:24,040 --> 00:30:30,720
Speaker 1: You've gotten better at this, well haven't. This is actually

562
00:30:30,800 --> 00:30:36,560
Speaker 1: like showing real, showing real improvement. Somebody's like extemporaneous talking

563
00:30:36,800 --> 00:30:38,840
Speaker 1: and just like just coming up with something out of

564
00:30:38,880 --> 00:30:41,480
Speaker 1: thin air like that. Yeah, that was clean.

565
00:30:41,600 --> 00:30:46,960
Speaker 2: It was a clean generating connecting things. Yes, that actually

566
00:30:47,840 --> 00:30:50,080
Speaker 2: kind of fucked me up because, like I remember you

567
00:30:50,160 --> 00:30:54,280
Speaker 2: not really being able to do that level. Somebody's been

568
00:30:54,520 --> 00:30:59,880
Speaker 2: uh working on their chops. So that's actually fucking sick.

569
00:31:00,680 --> 00:31:03,240
Speaker 2: And who was it that was talking? Was that Ross Perot?

570
00:31:03,440 --> 00:31:06,120
Speaker 1: I couldn't I couldn't quite.

571
00:31:05,480 --> 00:31:07,239
Speaker 2: Get a sense of what the voice was.

572
00:31:07,640 --> 00:31:08,560
Speaker 1: I knew it was someone.

573
00:31:08,640 --> 00:31:11,120
Speaker 3: It was like a little it was a little Proo inspired.

574
00:31:11,360 --> 00:31:14,080
Speaker 3: It was sort of Carby's Parrot, a bit you.

575
00:31:14,080 --> 00:31:16,440
Speaker 2: Left on the table, of course, David Fincher's the game.

576
00:31:17,960 --> 00:31:19,520
Speaker 2: And I don't know if it was intentional. I don't

577
00:31:19,520 --> 00:31:22,480
Speaker 2: know if you're saving it for the Criterion closet.

578
00:31:22,680 --> 00:31:24,400
Speaker 3: No, I was going to save it for the pro version.

579
00:31:25,040 --> 00:31:28,320
Speaker 1: Mm hmm for us. You're gonna do the pro version?

580
00:31:28,520 --> 00:31:29,120
Speaker 1: Are you gonna?

581
00:31:30,440 --> 00:31:31,760
Speaker 3: I could maybe.

582
00:31:33,080 --> 00:31:35,280
Speaker 2: I have a lot of page for us, you know

583
00:31:35,280 --> 00:31:35,720
Speaker 2: what I mean?

584
00:31:35,880 --> 00:31:38,000
Speaker 1: Pro versions, I like that'd be amazing.

585
00:31:42,880 --> 00:31:47,280
Speaker 2: Pro versions, flat lighting, man, just anything, okay, yeah, even

586
00:31:47,320 --> 00:31:49,960
Speaker 2: a little dead cat bounce from an io appearance could

587
00:31:50,000 --> 00:31:50,840
Speaker 2: be pretty powerful.

588
00:31:50,880 --> 00:31:51,680
Speaker 3: Hey, let me know.

589
00:31:51,920 --> 00:31:56,280
Speaker 1: Yeah, she says of her hobbies, which.

590
00:31:56,080 --> 00:32:02,959
Speaker 3: Include needle point, maybe, scrap booking, s grap booking.

591
00:32:03,240 --> 00:32:05,520
Speaker 1: They went with scrap booking. Did you say needle point?

592
00:32:05,560 --> 00:32:08,640
Speaker 1: And they they they didn't want to include.

593
00:32:08,320 --> 00:32:11,720
Speaker 3: That I had my scrap book with me probably and

594
00:32:12,880 --> 00:32:14,120
Speaker 3: watching movies three.

595
00:32:14,040 --> 00:32:15,240
Speaker 1: D sushi puzzles.

596
00:32:15,800 --> 00:32:17,760
Speaker 3: That's not a hobby. That's one thing that I got

597
00:32:17,800 --> 00:32:19,040
Speaker 3: and I did. But yeah, I.

598
00:32:19,000 --> 00:32:23,400
Speaker 1: Like include scrap booking and three D sushi puzzles.

599
00:32:23,440 --> 00:32:25,000
Speaker 2: Is that code for ivy drug use?

600
00:32:26,000 --> 00:32:26,360
Speaker 1: Okay?

601
00:32:27,040 --> 00:32:30,960
Speaker 2: Just making sure, uh, I like your pants.

602
00:32:31,040 --> 00:32:33,840
Speaker 3: Don't pull up them so.

603
00:32:33,840 --> 00:32:37,640
Speaker 1: Much conversation around. Don't worry about me and the pants.

604
00:32:37,680 --> 00:32:39,160
Speaker 1: We're doing just fine.

605
00:32:39,240 --> 00:32:41,440
Speaker 2: When the loose fit Jeanes first came up, it was

606
00:32:41,480 --> 00:32:45,720
Speaker 2: appropriate and I actually I'm guilty of participating. We're now

607
00:32:45,800 --> 00:32:48,800
Speaker 2: tripling back to the pants in a way that makes

608
00:32:48,840 --> 00:32:52,840
Speaker 2: me feel sort of protective of my friend Hayes. So

609
00:32:53,120 --> 00:32:55,040
Speaker 2: let me tell you what the show is and what

610
00:32:55,120 --> 00:32:57,800
Speaker 2: The show isn't really quickly, Okay. The show is a

611
00:32:57,840 --> 00:33:01,560
Speaker 2: free flow conversation that occasionally touches on sure subjects. The

612
00:33:01,640 --> 00:33:05,160
Speaker 2: show is not and this is the part that you

613
00:33:05,200 --> 00:33:11,000
Speaker 2: want to focus on. The show is not discussing Hayes's

614
00:33:11,040 --> 00:33:15,480
Speaker 2: body and Hayes's pants ad nauseum. When he's made it

615
00:33:15,520 --> 00:33:16,520
Speaker 2: clear that he'd like to.

616
00:33:16,480 --> 00:33:19,239
Speaker 1: Move on, we do it. We do it once, and

617
00:33:19,280 --> 00:33:22,320
Speaker 1: that's by design. Okay, that's I mean. And what are

618
00:33:22,360 --> 00:33:23,520
Speaker 1: we doing when we talk about the pant?

619
00:33:23,520 --> 00:33:25,240
Speaker 3: Well, I guess just like with the reading of the article,

620
00:33:25,280 --> 00:33:26,440
Speaker 3: do you know what I mean? Like, that's something that

621
00:33:26,800 --> 00:33:28,840
Speaker 3: some could say and I'm not saying me necessarily, I'm

622
00:33:28,840 --> 00:33:31,800
Speaker 3: saying some. I'm sort of doing this with exercise here

623
00:33:32,200 --> 00:33:37,480
Speaker 3: could consider the talking about ad nauseum. Just thought, yeah,

624
00:33:37,520 --> 00:33:41,680
Speaker 3: what's up, honey? What's a honey one? What's up? Baby cakes?

625
00:33:42,040 --> 00:33:44,200
Speaker 1: As as we are talking, as we went through this

626
00:33:44,240 --> 00:33:46,520
Speaker 1: whole conversation, people didn't even realize they we're doing this,

627
00:33:46,600 --> 00:33:49,280
Speaker 1: but they're hearing about the pants. They're signing up for

628
00:33:49,320 --> 00:33:50,440
Speaker 1: the Patreon.

629
00:33:50,120 --> 00:33:52,600
Speaker 3: For the video video, they're.

630
00:33:52,440 --> 00:33:54,600
Speaker 1: Paying the ten dollars a month for the video feed.

631
00:33:54,880 --> 00:33:57,360
Speaker 1: They need to see the pants. And so now they're here. Hello,

632
00:33:57,640 --> 00:33:59,400
Speaker 1: I'm waving to the camera. They're all here with us,

633
00:33:59,400 --> 00:34:07,840
Speaker 1: watching us. Yeah, it's all that's You're on schedule. Don't

634
00:34:07,880 --> 00:34:10,200
Speaker 1: worry talking about the pants. The more you are you

635
00:34:10,280 --> 00:34:11,359
Speaker 1: are right on time.

636
00:34:11,480 --> 00:34:13,399
Speaker 2: The more we talk about it, the people who haven't

637
00:34:13,440 --> 00:34:15,040
Speaker 2: signed up yet go, oh, well, they're going to keep

638
00:34:15,040 --> 00:34:16,520
Speaker 2: describing them. I don't need to sign up.

639
00:34:16,640 --> 00:34:17,840
Speaker 3: My shorts are really cool.

640
00:34:18,320 --> 00:34:19,960
Speaker 1: Yes, that's what we need to be doing. We need

641
00:34:19,960 --> 00:34:20,759
Speaker 1: to be moving.

642
00:34:20,520 --> 00:34:22,920
Speaker 2: To video feed that you honor me.

643
00:34:28,200 --> 00:34:31,760
Speaker 1: So we're good, like it's clockwork. We're like, we're.

644
00:34:31,360 --> 00:34:33,719
Speaker 3: Just checking we're on time, simply checking in.

645
00:34:33,960 --> 00:34:36,080
Speaker 1: So you don't like the three D sushi puzzle anymore,

646
00:34:36,160 --> 00:34:36,920
Speaker 1: you've even.

647
00:34:36,840 --> 00:34:42,160
Speaker 3: I just thought one, it's not a hobby. It's not

648
00:34:42,200 --> 00:34:43,160
Speaker 3: my fault of the journalist.

649
00:34:43,160 --> 00:34:44,319
Speaker 1: We're kind of sushi.

650
00:34:44,080 --> 00:34:45,719
Speaker 3: Making leaps and bounds, you know what I mean?

651
00:34:45,800 --> 00:34:46,600
Speaker 1: What kind of sushi?

652
00:34:46,680 --> 00:34:51,880
Speaker 3: Big tuna? So basically it's a big tuna and you

653
00:34:51,920 --> 00:34:56,640
Speaker 3: put it together. People paying for this, Is that a roll?

654
00:34:57,920 --> 00:34:58,160
Speaker 4: No?

655
00:34:58,640 --> 00:35:02,560
Speaker 1: Okay, it's like it's like, okay.

656
00:35:02,280 --> 00:35:03,440
Speaker 2: That's what we were looking for.

657
00:35:03,680 --> 00:35:07,000
Speaker 3: Kay, yeah, yeah.

658
00:35:06,600 --> 00:35:12,480
Speaker 1: So say that and then say less.

659
00:35:14,160 --> 00:35:23,200
Speaker 2: Yeah, uh I have like I don't quite Nah, I

660
00:35:23,200 --> 00:35:24,080
Speaker 2: think I have nothing.

661
00:35:24,200 --> 00:35:26,279
Speaker 3: What was it like, say you say me no?

662
00:35:26,320 --> 00:35:30,359
Speaker 2: It was like say less like less, yeah, like pay

663
00:35:30,480 --> 00:35:35,800
Speaker 2: less like yeah, say Let's shoe stores is what I

664
00:35:35,920 --> 00:35:41,760
Speaker 2: was not stories source source say Let's shoe source.

665
00:35:43,040 --> 00:35:46,759
Speaker 3: Seems like the pro version is both is experiencing both

666
00:35:46,840 --> 00:35:56,839
Speaker 3: say less and pay less. So there some there. I'm

667
00:35:56,880 --> 00:35:59,400
Speaker 3: trying to learn. I'm trying to grow. I'm trying to

668
00:35:59,480 --> 00:36:02,920
Speaker 3: let you too. You know that I consider you mentors.

669
00:36:03,000 --> 00:36:07,680
Speaker 3: I talk about you frequently. It's not my fault. It's

670
00:36:07,800 --> 00:36:13,640
Speaker 3: not mine that keeps being all around this. It's not

671
00:36:13,800 --> 00:36:18,960
Speaker 3: my fault. I only have so much influence. I really do,

672
00:36:19,120 --> 00:36:23,160
Speaker 3: only have so much influence. And I try, I try,

673
00:36:23,560 --> 00:36:27,239
Speaker 3: I try where I can't, but there are forces outside

674
00:36:27,239 --> 00:36:28,960
Speaker 3: of me, believe it or not.

675
00:36:29,400 --> 00:36:31,560
Speaker 2: Yeah, well, this is the kind of thing you could discuss.

676
00:36:31,680 --> 00:36:34,040
Speaker 2: Actually that might be good for the show as well.

677
00:36:34,280 --> 00:36:37,040
Speaker 2: You talk about the way that you're being silenced by

678
00:36:37,040 --> 00:36:38,280
Speaker 2: the big Hollywood machine.

679
00:36:38,960 --> 00:36:42,080
Speaker 3: I've been waiting. I've been waiting and itching and begging

680
00:36:42,120 --> 00:36:43,360
Speaker 3: and emailing Kevin.

681
00:36:44,800 --> 00:36:47,839
Speaker 2: Sorry, am I talking to IO right now? Or am

682
00:36:47,880 --> 00:36:50,120
Speaker 2: I talking to Envy from inside out to.

683
00:36:51,600 --> 00:36:56,839
Speaker 3: In theaters and imax right now? Io's back.

684
00:36:57,400 --> 00:37:00,719
Speaker 1: She arrived in a Cauli studio le their jacket and

685
00:37:00,719 --> 00:37:02,920
Speaker 1: a blue baseball cap. And so what that tells me

686
00:37:03,080 --> 00:37:06,000
Speaker 1: is you elected not to wear the hat. The hat

687
00:37:06,080 --> 00:37:09,600
Speaker 1: pack hat to the senterka was not blue. But even

688
00:37:09,640 --> 00:37:14,040
Speaker 1: if you had, whatever was on there is not getting delivered.

689
00:37:14,080 --> 00:37:16,920
Speaker 2: They're keeping the label to the reader.

690
00:37:17,880 --> 00:37:20,120
Speaker 3: So much we can the blue hat was made by

691
00:37:20,120 --> 00:37:25,160
Speaker 3: my friend cam. So it was of hack by your friend. Yeah, yeah,

692
00:37:25,680 --> 00:37:33,720
Speaker 3: I have Okay, okay, but again I can't wear two hats.

693
00:37:33,920 --> 00:37:35,000
Speaker 1: It just wouldn't have mattered.

694
00:37:35,200 --> 00:37:38,600
Speaker 3: I can't wear two hats that again fall to the journalists.

695
00:37:38,880 --> 00:37:41,320
Speaker 2: My feeling is that as I've watched your career explode,

696
00:37:41,320 --> 00:37:45,600
Speaker 2: you're wearing so many hats I O, and now you're

697
00:37:45,640 --> 00:37:47,520
Speaker 2: telling me that two would be too many.

698
00:37:48,239 --> 00:37:49,800
Speaker 1: Not buying it.

699
00:37:51,000 --> 00:37:52,279
Speaker 3: I don't need you to buy it. I just need

700
00:37:52,320 --> 00:37:54,879
Speaker 3: you to buy tickets to Inside Out too in theaters, in.

701
00:37:54,840 --> 00:37:57,680
Speaker 2: Theaters, and as if that's a different thing.

702
00:37:58,280 --> 00:38:02,760
Speaker 1: Days after au theater, days after our interview, I find

703
00:38:02,760 --> 00:38:05,440
Speaker 1: a selfie of a debris making a ridiculous face on

704
00:38:05,520 --> 00:38:08,040
Speaker 1: my phone. I have no memory of her snapping it.

705
00:38:08,120 --> 00:38:09,680
Speaker 1: Can we see the funny face?

706
00:38:09,800 --> 00:38:10,319
Speaker 4: I don't have.

707
00:38:12,160 --> 00:38:12,600
Speaker 1: The face.

708
00:38:12,680 --> 00:38:14,880
Speaker 3: But also, isn't that very concerning?

709
00:38:15,040 --> 00:38:17,000
Speaker 1: I know you're not making it that you're reading that.

710
00:38:17,040 --> 00:38:20,960
Speaker 3: And that the journalist has no memory of you, of

711
00:38:21,040 --> 00:38:22,160
Speaker 3: you stealing your phone.

712
00:38:22,600 --> 00:38:25,320
Speaker 2: I guess also mentioned your mentors.

713
00:38:25,480 --> 00:38:27,399
Speaker 3: Way, I view this piece is a cry for help

714
00:38:27,560 --> 00:38:31,640
Speaker 3: of a woman who's losing her memory. Still Alice, Still Alice,

715
00:38:31,680 --> 00:38:35,600
Speaker 3: Still still Alice, still is still by still out Yeah,

716
00:38:36,360 --> 00:38:40,680
Speaker 3: by still Alice. Yes, yeah, I talked about you ad nauseum.

717
00:38:41,040 --> 00:38:44,160
Speaker 1: And it does say when a Debury and I leave dinner,

718
00:38:44,239 --> 00:38:46,720
Speaker 1: she clocks a woman nearby trying to take her photo.

719
00:38:46,880 --> 00:38:49,800
Speaker 1: Debrie turns and wigs her finger. No, no, no, no

720
00:38:50,000 --> 00:38:51,000
Speaker 1: sneaky photos.

721
00:38:51,400 --> 00:38:53,000
Speaker 3: Do you remember Dekbembo?

722
00:38:54,040 --> 00:38:57,960
Speaker 2: I remember d Koumbe Mutombo. Yes, no no no, the

723
00:38:58,080 --> 00:39:03,800
Speaker 2: Coombe brother, famous basketball player. Yeah to Kumbe, no no no,

724
00:39:03,960 --> 00:39:05,839
Speaker 2: he would say, so that's sort of what I was doing.

725
00:39:05,880 --> 00:39:07,600
Speaker 3: That was like a like a nod.

726
00:39:08,040 --> 00:39:11,960
Speaker 1: But I mean, the still Alice is clearly because you

727
00:39:12,120 --> 00:39:15,240
Speaker 1: took a sneaky photo earlier in the dinner.

728
00:39:15,440 --> 00:39:17,960
Speaker 3: Yes, or so she things, Well, that was on her

729
00:39:18,120 --> 00:39:18,880
Speaker 3: phone and that.

730
00:39:19,000 --> 00:39:24,200
Speaker 1: Was no sneaky photos. But you just did sneaky photos.

731
00:39:25,160 --> 00:39:27,480
Speaker 1: You wouldn't do something so hypocrisy, would you?

732
00:39:29,080 --> 00:39:31,680
Speaker 3: How could I ever do clepocrisy?

733
00:39:33,360 --> 00:39:38,719
Speaker 2: Like she's misremembering this all, even with you having acknowledged

734
00:39:38,760 --> 00:39:46,239
Speaker 2: that you did the I want, there's still some element, yes,

735
00:39:46,440 --> 00:39:49,040
Speaker 2: of her fabricating this because I know you would never

736
00:39:49,120 --> 00:39:50,120
Speaker 2: do so hypocrisy.

737
00:39:50,280 --> 00:39:54,640
Speaker 3: We if I ever did so hypocrisy, and even in

738
00:39:55,160 --> 00:39:59,520
Speaker 3: the same breath as doing something so dick Tracy Monrola,

739
00:40:00,200 --> 00:40:02,520
Speaker 3: I would never and that was a leap and I

740
00:40:02,600 --> 00:40:04,800
Speaker 3: admitted and that wasn't my cleanness.

741
00:40:06,800 --> 00:40:07,400
Speaker 4: I'm tired.

742
00:40:07,680 --> 00:40:10,200
Speaker 3: I've literally bring on two press tours at the same time.

743
00:40:10,480 --> 00:40:12,120
Speaker 3: I told me, and I have a spare a second,

744
00:40:12,160 --> 00:40:16,799
Speaker 3: I go, you know who else? See the original trace? Amigos,

745
00:40:17,239 --> 00:40:21,400
Speaker 3: my friends, my brother arms.

746
00:40:21,480 --> 00:40:22,160
Speaker 2: Who's the trace?

747
00:40:22,320 --> 00:40:23,160
Speaker 1: You need to stop?

748
00:40:23,719 --> 00:40:24,319
Speaker 2: Who's the trace?

749
00:40:24,400 --> 00:40:25,319
Speaker 1: Are you talking about? Kevin?

750
00:40:25,480 --> 00:40:27,680
Speaker 2: Who are you talking about Kevin? Because I noticed you

751
00:40:27,800 --> 00:40:31,200
Speaker 2: haven't thanked Kevin at all since you've been here, which

752
00:40:31,280 --> 00:40:35,000
Speaker 2: is sort of famous for thanking the assistance, and that's

753
00:40:35,000 --> 00:40:35,600
Speaker 2: what Kevin is.

754
00:40:37,360 --> 00:40:44,920
Speaker 3: I was alluding to myself, but turns out that that's

755
00:40:44,960 --> 00:40:50,040
Speaker 3: not true anymore clearly because here I am under the

756
00:40:50,160 --> 00:41:00,560
Speaker 3: damn head lamp. Two bad cops beside me, said.

757
00:41:00,480 --> 00:41:05,080
Speaker 1: Gum throughout dinner. The newly minted stars hot.

758
00:41:05,000 --> 00:41:07,400
Speaker 3: Take shake the Bostonet that.

759
00:41:08,120 --> 00:41:12,240
Speaker 1: Marshawn Lynch is going to win a Nobel Peace Prize

760
00:41:12,360 --> 00:41:17,200
Speaker 1: one day, someone who's famous for hitting mm.

761
00:41:17,120 --> 00:41:18,719
Speaker 2: Hmm, for smashing.

762
00:41:18,840 --> 00:41:22,560
Speaker 3: If that's how you view what he does, that says

763
00:41:22,680 --> 00:41:26,600
Speaker 3: more about you than it does about the Nobel Peace Prize.

764
00:41:27,200 --> 00:41:28,360
Speaker 1: Hitting and smashing.

765
00:41:29,600 --> 00:41:31,600
Speaker 3: He's also famous for funny quips.

766
00:41:33,200 --> 00:41:35,360
Speaker 1: And so you think you win a Nobel Peace Prize

767
00:41:35,400 --> 00:41:37,760
Speaker 1: for funny, that's why you want. You want the Nobel

768
00:41:37,800 --> 00:41:40,920
Speaker 1: Peace Prize to be about funny quick I want and you.

769
00:41:41,000 --> 00:41:42,719
Speaker 2: Want him to get it instead of us.

770
00:41:43,000 --> 00:41:44,960
Speaker 3: No, I want him to get it for something else.

771
00:41:45,920 --> 00:41:47,839
Speaker 3: I don't know what he's gonna get it for, probably peace,

772
00:41:49,520 --> 00:41:53,680
Speaker 3: but definitely him instead of you guys, because this is

773
00:41:53,840 --> 00:41:56,640
Speaker 3: not giving peace prize. This is giving Actually, oh, I

774
00:41:56,680 --> 00:41:59,000
Speaker 3: do have an award for you guys, the Nobel War Prize.

775
00:41:59,560 --> 00:42:03,560
Speaker 2: Excuse use me, excuse me, you are excuse excuse oh

776
00:42:04,840 --> 00:42:05,560
Speaker 2: you are.

777
00:42:07,680 --> 00:42:08,040
Speaker 1: Thank you.

778
00:42:08,440 --> 00:42:15,960
Speaker 2: Sarcastically, he says, because excuse me for real this time. No,

779
00:42:16,200 --> 00:42:21,080
Speaker 2: Bell would not have done a War Prize. So shows

780
00:42:21,280 --> 00:42:21,880
Speaker 2: to know what.

781
00:42:22,160 --> 00:42:24,520
Speaker 3: You Yeah, it does show you know what I know.

782
00:42:25,400 --> 00:42:28,759
Speaker 4: That doesn't it doesn't It shows to know.

783
00:42:29,239 --> 00:42:33,360
Speaker 1: About Alfred Millbell Iowa Debris Updates is going to have

784
00:42:33,440 --> 00:42:34,480
Speaker 1: a field day with this.

785
00:42:34,880 --> 00:42:38,040
Speaker 2: Oh my god, I remember when I first heard her

786
00:42:38,120 --> 00:42:39,280
Speaker 2: on Hollywood Handbook.

787
00:42:40,719 --> 00:42:43,239
Speaker 3: That wouldn't be so shocked to find out you two

788
00:42:43,320 --> 00:42:45,840
Speaker 3: are in that damn account where I.

789
00:42:46,080 --> 00:42:47,000
Speaker 1: A Debris Updates.

790
00:42:47,040 --> 00:42:52,520
Speaker 3: I don't know. You tell me mm hmm, downdates make

791
00:42:52,600 --> 00:42:56,279
Speaker 3: the page, then, coward make it. Got your first down

792
00:42:56,360 --> 00:42:57,000
Speaker 3: date right here?

793
00:42:58,960 --> 00:42:59,160
Speaker 1: Yeah?

794
00:42:59,719 --> 00:43:07,400
Speaker 3: Well, iow bikes all anticipated a return to a Hollywood

795
00:43:07,520 --> 00:43:09,400
Speaker 3: Handbook has name be smirched.

796
00:43:10,000 --> 00:43:13,600
Speaker 1: Iow down gates happened every time I try to approach

797
00:43:13,800 --> 00:43:14,480
Speaker 1: the house.

798
00:43:17,000 --> 00:43:19,160
Speaker 3: So it happens when I try to park parking.

799
00:43:24,800 --> 00:43:25,279
Speaker 1: Car out of it.

800
00:43:25,640 --> 00:43:27,439
Speaker 3: That should be you're gonna have to do it again.

801
00:43:29,840 --> 00:43:33,120
Speaker 3: That would be a nice feature for pro You can

802
00:43:33,200 --> 00:43:34,120
Speaker 3: park in the parking lot?

803
00:43:35,320 --> 00:43:35,920
Speaker 1: What do you mean?

804
00:43:36,440 --> 00:43:37,920
Speaker 3: And then sehn s.

805
00:43:39,200 --> 00:43:41,400
Speaker 1: That was it? That you can park in the parking

806
00:43:41,480 --> 00:43:43,880
Speaker 1: lot is a feature for oh if people. Okay, if

807
00:43:43,920 --> 00:43:47,680
Speaker 1: you subscribe to the if listeners ascribed to the pro version,

808
00:43:47,840 --> 00:43:49,239
Speaker 1: they can park in the parking lot.

809
00:43:49,200 --> 00:43:51,080
Speaker 3: And Sjohn will help get them out, and I'll help

810
00:43:51,120 --> 00:43:52,320
Speaker 3: get you there.

811
00:43:53,719 --> 00:43:54,560
Speaker 1: You are tired.

812
00:43:55,160 --> 00:43:59,040
Speaker 3: I'm talented, You're I'm literally generating ideas until I die.

813
00:44:04,520 --> 00:44:06,400
Speaker 2: Well, look, this is as good a time as I

814
00:44:06,480 --> 00:44:08,640
Speaker 2: need to take a quick break. Wolf.

815
00:44:09,320 --> 00:44:16,640
Speaker 1: Let's go Meg Ryan, what's next?

816
00:44:18,320 --> 00:44:19,440
Speaker 2: Literally got cooking up?

817
00:44:19,600 --> 00:44:23,160
Speaker 3: Huh yeah, what do you guys cooking up? I know

818
00:44:23,400 --> 00:44:24,080
Speaker 3: what's next for me.

819
00:44:24,360 --> 00:44:26,680
Speaker 2: I know it's not just your character on the Bear

820
00:44:26,719 --> 00:44:30,440
Speaker 2: who's always cooking up something special. And so that's you know,

821
00:44:30,600 --> 00:44:33,000
Speaker 2: that's what thing you do have in common with Sydney.

822
00:44:33,800 --> 00:44:38,359
Speaker 2: So uh, go ahead and let us know what's next,

823
00:44:38,440 --> 00:44:39,200
Speaker 2: what to look out for.

824
00:44:39,760 --> 00:44:42,560
Speaker 1: I'm sorry for that. He forgot the name of the character.

825
00:44:42,680 --> 00:44:46,560
Speaker 1: But well, we'll have him say we've done this before,

826
00:44:47,719 --> 00:44:49,839
Speaker 1: we could. We can cut it back in really clean.

827
00:44:51,880 --> 00:44:53,880
Speaker 1: We'll have it like we honestly will not know.

828
00:44:54,920 --> 00:44:57,919
Speaker 2: It'll sound like the rest of his said, that's good.

829
00:44:58,560 --> 00:45:02,160
Speaker 3: That's good that you have that technical ology, because probably

830
00:45:02,200 --> 00:45:03,600
Speaker 3: I think when I first came and met with you,

831
00:45:03,840 --> 00:45:05,400
Speaker 3: you certainly didn't have that technology.

832
00:45:06,120 --> 00:45:06,160
Speaker 1: No.

833
00:45:07,160 --> 00:45:09,840
Speaker 2: Look, it's advancing all the time. You know, we're always

834
00:45:09,880 --> 00:45:10,600
Speaker 2: innovating here.

835
00:45:10,960 --> 00:45:13,359
Speaker 1: Yeah, you know, And he was kind of he said,

836
00:45:13,440 --> 00:45:16,279
Speaker 1: he said simsy like he was like, well he was.

837
00:45:17,040 --> 00:45:19,440
Speaker 2: It was around the same area. Yeah, some of the

838
00:45:19,520 --> 00:45:21,759
Speaker 2: same sounds there. I think the lip flappball match.

839
00:45:21,880 --> 00:45:23,120
Speaker 3: Yes, for the video.

840
00:45:23,840 --> 00:45:24,719
Speaker 1: Yeah, for the video.

841
00:45:24,920 --> 00:45:26,080
Speaker 2: Yeah, which people should be.

842
00:45:26,400 --> 00:45:34,000
Speaker 1: Hi, Hey, hey, hello, Yeah, so my pants are down

843
00:45:34,040 --> 00:45:34,600
Speaker 1: here everyone?

844
00:45:39,800 --> 00:45:43,200
Speaker 4: Yeah, so probably gonna is everything.

845
00:45:43,200 --> 00:45:47,720
Speaker 2: We'll care about that, just giving you my full attention.

846
00:45:48,560 --> 00:45:49,279
Speaker 3: Oh, thank you.

847
00:45:49,640 --> 00:45:52,320
Speaker 2: Seemed like you were going to say something. Yeah, probably

848
00:45:52,360 --> 00:45:54,560
Speaker 2: gonna what so probably?

849
00:45:54,680 --> 00:45:56,320
Speaker 3: Oh I don't actually remember how I was going to

850
00:45:56,360 --> 00:45:57,839
Speaker 3: start that, So is it okay? But I just start

851
00:45:57,880 --> 00:45:58,440
Speaker 3: a new sentence?

852
00:45:58,520 --> 00:45:58,920
Speaker 1: Go ahead?

853
00:45:59,040 --> 00:46:02,400
Speaker 2: Yeah, sure, we're here for all So the bear.

854
00:46:02,320 --> 00:46:07,080
Speaker 3: Comes out this summer and then we're gonna shoot another season.

855
00:46:08,120 --> 00:46:08,759
Speaker 1: Another one.

856
00:46:08,960 --> 00:46:10,840
Speaker 3: Yeah, remember that?

857
00:46:11,080 --> 00:46:11,360
Speaker 1: Okay?

858
00:46:12,040 --> 00:46:12,720
Speaker 3: DJ Khaled?

859
00:46:13,840 --> 00:46:14,960
Speaker 4: Yeah another one?

860
00:46:15,160 --> 00:46:17,719
Speaker 3: Yes, I don't hold down on my wife. Yes, I

861
00:46:17,800 --> 00:46:21,200
Speaker 3: probably had some tweets about that. M m god, we

862
00:46:21,320 --> 00:46:21,879
Speaker 3: were still young.

863
00:46:23,719 --> 00:46:25,160
Speaker 2: Can't tweet about that anymore.

864
00:46:25,360 --> 00:46:26,040
Speaker 3: Don't have a Twitter?

865
00:46:26,719 --> 00:46:27,920
Speaker 2: Yeah, gotta dig it off.

866
00:46:27,960 --> 00:46:31,600
Speaker 3: Do you guys have Twitter? Still nice? Just because like

867
00:46:31,760 --> 00:46:32,640
Speaker 3: Elon Musk.

868
00:46:32,920 --> 00:46:36,919
Speaker 2: I don't have one because I have an x dot com.

869
00:46:38,680 --> 00:46:40,400
Speaker 2: Twitter doesn't exist anymore.

870
00:46:40,520 --> 00:46:42,280
Speaker 1: Yeah, so like no one has a Twitter?

871
00:46:42,480 --> 00:46:46,360
Speaker 3: So, but uh, are you looking to your friends for support?

872
00:46:47,000 --> 00:46:48,640
Speaker 3: They're not here?

873
00:46:49,040 --> 00:46:51,480
Speaker 2: No, I just can't even look at you right now,

874
00:46:51,680 --> 00:46:53,680
Speaker 2: because you're still calling it Twitter.

875
00:46:54,040 --> 00:46:56,600
Speaker 3: Well, I sort of I'm not as online as I

876
00:46:56,760 --> 00:46:57,120
Speaker 3: used to be.

877
00:46:57,640 --> 00:46:59,320
Speaker 1: I don't have one because I was saying where different

878
00:46:59,360 --> 00:46:59,920
Speaker 1: planes were.

879
00:47:08,960 --> 00:47:10,120
Speaker 3: That's probably for the best.

880
00:47:11,160 --> 00:47:15,719
Speaker 1: Just the idea that it's that it's like now bad

881
00:47:15,880 --> 00:47:18,440
Speaker 1: or scary to do to be like, oh this this,

882
00:47:18,760 --> 00:47:22,160
Speaker 1: this plane is here here huge, Like you're not doing

883
00:47:22,239 --> 00:47:24,960
Speaker 1: a good job if you're trying to hide it. Yeah,

884
00:47:25,239 --> 00:47:27,719
Speaker 1: it's like one of the biggest things in the entire world.

885
00:47:27,760 --> 00:47:29,000
Speaker 2: It's extremely visible.

886
00:47:30,400 --> 00:47:34,400
Speaker 1: Well, so this is the this is the circles that

887
00:47:34,480 --> 00:47:39,239
Speaker 1: she's operating, and now that she's seeing stuff that is like, actually,

888
00:47:40,800 --> 00:47:44,440
Speaker 1: even the plane is like the hugest thing in the world.

889
00:47:44,680 --> 00:47:45,839
Speaker 3: You ever been on a ship?

890
00:47:47,920 --> 00:47:49,959
Speaker 1: Yeah, but probably not the kind you're talking about.

891
00:47:49,960 --> 00:47:53,200
Speaker 2: I'm on white one right now. I'm shipping you and Karmie.

892
00:47:53,640 --> 00:47:55,320
Speaker 1: Are we gonna freaking with the cheese whis or what?

893
00:47:57,160 --> 00:48:00,200
Speaker 2: Come on some place on the kitchet please figures cross.

894
00:48:03,520 --> 00:48:06,480
Speaker 3: Mm hmm. Definitely second song about the kitchen and he.

895
00:48:06,680 --> 00:48:18,319
Speaker 2: Was hoping, Oh gay bye

896
00:48:20,640 --> 00:48:21,560
Speaker 3: Hollywood, hamb