WEBVTT - Steve Erickson Saw Trumpism Coming

0:00:02.880 --> 0:00:06.040
<v Speaker 1>This is Alec Baldwin, and you're listening to Here's the thing.

0:00:08.240 --> 0:00:10.639
<v Speaker 1>People who know me well know that I keep a

0:00:10.680 --> 0:00:14.000
<v Speaker 1>folder of writing that has changed my life in some way.

0:00:15.240 --> 0:00:21.520
<v Speaker 1>Among these personal gospels is Eisenhower's farewell address Vacillation by Yates,

0:00:22.000 --> 0:00:28.160
<v Speaker 1>and essay called American Weimar by novelist Steve Ericsson. Reading

0:00:28.240 --> 0:00:30.840
<v Speaker 1>it for the first time twenty one years ago was

0:00:30.880 --> 0:00:34.800
<v Speaker 1>a bolt of lucid fear, fear for this country and

0:00:34.880 --> 0:00:39.120
<v Speaker 1>fear for the values at its foundation. The piece is

0:00:39.159 --> 0:00:43.520
<v Speaker 1>an indictment not of America but of modern Americans, people

0:00:43.600 --> 0:00:48.040
<v Speaker 1>in denial of our past, still exhausted and divided by Vietnam,

0:00:48.120 --> 0:00:51.320
<v Speaker 1>and too angry at each other to harness any goodwill.

0:00:52.040 --> 0:00:57.280
<v Speaker 1>America wearies of democracy, it begins, and the result is

0:00:57.360 --> 0:01:01.400
<v Speaker 1>a hysteria of which we're barely conscious, a hysteria in

0:01:01.440 --> 0:01:05.520
<v Speaker 1>which democracy appears as a spectacle of impotence and corruption.

0:01:07.560 --> 0:01:11.240
<v Speaker 1>Since writing these words, Ericsson has become one of America's

0:01:11.280 --> 0:01:15.440
<v Speaker 1>foremost novelists. He's got ten books, countless awards, and a

0:01:15.480 --> 0:01:20.520
<v Speaker 1>Guggenheim Fellowship to prove it. But in all I knew

0:01:20.959 --> 0:01:23.600
<v Speaker 1>was that someone had finally put his finger on what

0:01:23.760 --> 0:01:27.600
<v Speaker 1>felt sick about this country. The nation gets meaner and

0:01:27.720 --> 0:01:31.480
<v Speaker 1>more petty, he writes, until rage is the only national

0:01:31.560 --> 0:01:35.960
<v Speaker 1>passion left. Twenty one years later, the national sickness Steve

0:01:36.000 --> 0:01:41.959
<v Speaker 1>Erickson diagnosed has only progressed. The rage has evolved beyond

0:01:42.120 --> 0:01:48.160
<v Speaker 1>what I even anticipated. Then. I've become more aware over

0:01:48.200 --> 0:01:53.040
<v Speaker 1>the years that have passed of this profound division in

0:01:53.120 --> 0:01:57.880
<v Speaker 1>the country that I realized now has always been there. Um.

0:01:58.000 --> 0:02:00.120
<v Speaker 1>You know, if people ask how did we get to

0:02:00.160 --> 0:02:03.680
<v Speaker 1>where we are now, my answer would be, We've actually

0:02:03.720 --> 0:02:08.320
<v Speaker 1>always been here. We've always been these twin Americas, the

0:02:08.320 --> 0:02:12.440
<v Speaker 1>one that made a promise and the one that broke

0:02:12.680 --> 0:02:16.160
<v Speaker 1>the promise the moment it was made. And we've never

0:02:17.120 --> 0:02:20.200
<v Speaker 1>we've never really reconciled the two. And I think it's

0:02:20.240 --> 0:02:22.920
<v Speaker 1>going to be difficult to reconcile the two. I'm not

0:02:23.040 --> 0:02:27.000
<v Speaker 1>sure that the America that elected the first African American

0:02:27.120 --> 0:02:30.880
<v Speaker 1>president can be reconciled with an America that voted for

0:02:30.919 --> 0:02:35.400
<v Speaker 1>the first president and modern memory to be openly endorsed

0:02:35.440 --> 0:02:38.280
<v Speaker 1>by the ku Klux Klan. You reference something here. I'm

0:02:38.280 --> 0:02:42.840
<v Speaker 1>gonna read this um as one historical phenomenon after another

0:02:42.840 --> 0:02:46.360
<v Speaker 1>from the assassination of John F. Kennedy, to the Vietnam War,

0:02:46.520 --> 0:02:49.400
<v Speaker 1>to Watergate, to O. J. Simpson hurtling down the L

0:02:49.440 --> 0:02:52.240
<v Speaker 1>A Freeways is offered as a moment when the country

0:02:52.320 --> 0:02:55.840
<v Speaker 1>lost its innocence. We have not grown up enough to

0:02:55.919 --> 0:02:59.079
<v Speaker 1>accept that America has never been innocent at all. That's

0:02:59.080 --> 0:03:02.440
<v Speaker 1>such an idealist, romantic country was created out of such

0:03:02.520 --> 0:03:08.480
<v Speaker 1>profound transgressions. Is a more complicated paradox than we can entertain. Now.

0:03:09.160 --> 0:03:11.720
<v Speaker 1>I want you to articulate for our when they can

0:03:11.760 --> 0:03:14.320
<v Speaker 1>read other things for written by you. You know what

0:03:14.960 --> 0:03:18.240
<v Speaker 1>happened to us in the wake of Vietnam, You know,

0:03:18.280 --> 0:03:22.600
<v Speaker 1>I think we we had to reconcile ourselves with what

0:03:23.280 --> 0:03:27.480
<v Speaker 1>could not be reconciled with, which was fifty thousand Americans,

0:03:27.560 --> 0:03:31.840
<v Speaker 1>not to mention the countless hundreds of thousands of Vietnamese,

0:03:31.960 --> 0:03:36.400
<v Speaker 1>of Vietnamese who died for what exactly I mean, we

0:03:36.600 --> 0:03:39.520
<v Speaker 1>we don't have an answer to that, and nobody believed

0:03:39.560 --> 0:03:43.640
<v Speaker 1>anymore at that point that national interests that right, the

0:03:43.720 --> 0:03:49.200
<v Speaker 1>collapse of Southeast Asia will somehow to us meant meant

0:03:49.200 --> 0:03:52.800
<v Speaker 1>anything to the national interests, in the same way that

0:03:52.880 --> 0:03:55.520
<v Speaker 1>a hundred years later, we still don't know what World

0:03:55.560 --> 0:03:58.320
<v Speaker 1>War one was really about you were old enough to

0:03:58.360 --> 0:04:01.360
<v Speaker 1>go to Vietnam? Did you go? No? I um was

0:04:01.440 --> 0:04:05.960
<v Speaker 1>in Nixon's lottery, which matched you up with your birthday,

0:04:06.000 --> 0:04:08.600
<v Speaker 1>and you've got a number, and if your number was

0:04:08.680 --> 0:04:13.200
<v Speaker 1>below two hundred, you were probably gonna go. I got

0:04:13.320 --> 0:04:19.520
<v Speaker 1>number three. Your life was hanging in the balance depending

0:04:19.560 --> 0:04:23.800
<v Speaker 1>on this random chance of this lottery. And I think

0:04:23.839 --> 0:04:29.479
<v Speaker 1>that when that can't be reconciled a national people have

0:04:29.680 --> 0:04:35.360
<v Speaker 1>to create some psychic rationalization for it. It's it's because

0:04:35.400 --> 0:04:42.120
<v Speaker 1>the meaninglessness is too overwhelming to live with someone like

0:04:42.320 --> 0:04:47.480
<v Speaker 1>Cruise who say that Vietnam wasn't the problem, the countercultural

0:04:47.560 --> 0:04:49.839
<v Speaker 1>reaction to it and the lawlessness of what happened to it,

0:04:50.400 --> 0:04:54.720
<v Speaker 1>nothing infuriates me more than that. You can take the

0:04:54.760 --> 0:04:59.320
<v Speaker 1>excesses of the drugs, the silliness, the ephemera of the

0:04:59.520 --> 0:05:02.320
<v Speaker 1>represent tations of the countercultural movement in our society and

0:05:02.360 --> 0:05:05.480
<v Speaker 1>stripped those away and say this was when people cared.

0:05:06.360 --> 0:05:13.440
<v Speaker 1>And people who belittle and blame the countercultural protests of

0:05:13.480 --> 0:05:15.799
<v Speaker 1>that period. I don't know why it is that nothing

0:05:15.839 --> 0:05:18.240
<v Speaker 1>infuriates me more than that when I read that, well,

0:05:18.279 --> 0:05:20.760
<v Speaker 1>because they're blaming the wrong thing. But I will make

0:05:21.120 --> 0:05:24.800
<v Speaker 1>this distinction. The first time somebody burned an American flag,

0:05:25.440 --> 0:05:28.200
<v Speaker 1>I think we lost the next fifty years. There were

0:05:28.320 --> 0:05:31.839
<v Speaker 1>bad tactics in the service of good causes that the

0:05:31.960 --> 0:05:36.400
<v Speaker 1>right was then able to But to go back even further,

0:05:36.560 --> 0:05:40.520
<v Speaker 1>you know, talking about what we've choked down and the

0:05:40.560 --> 0:05:44.080
<v Speaker 1>loss of American innocence. A hundred and fifty years after

0:05:44.120 --> 0:05:46.680
<v Speaker 1>the fact, there are still millions of white people who

0:05:46.760 --> 0:05:50.840
<v Speaker 1>will not admit the Civil War was about slavery. That

0:05:51.000 --> 0:05:55.600
<v Speaker 1>is the American version of Holocaust denial. It keeps us

0:05:55.680 --> 0:05:59.520
<v Speaker 1>from becoming what we want to become. It's a lack

0:05:59.560 --> 0:06:03.960
<v Speaker 1>of a knowledgement that keeps us from fulfilling the American idea.

0:06:04.880 --> 0:06:10.200
<v Speaker 1>I think Americans, whether they're trying to rationalize the meaninglessness

0:06:10.240 --> 0:06:15.039
<v Speaker 1>of Vietnam or two and fifty years of slavery, it

0:06:15.240 --> 0:06:20.880
<v Speaker 1>maybe in the American DNA too, always think that everything

0:06:20.960 --> 0:06:25.080
<v Speaker 1>is year zero. It might be in the American DNA

0:06:25.279 --> 0:06:29.680
<v Speaker 1>to have cut ourselves loose from history and therefore not

0:06:29.800 --> 0:06:33.120
<v Speaker 1>ever have to answer for it or to it. Trump

0:06:33.200 --> 0:06:37.359
<v Speaker 1>is not something that happened to America. America happened to America,

0:06:37.720 --> 0:06:40.800
<v Speaker 1>and Trump is the result of that. Trump is um

0:06:41.000 --> 0:06:45.520
<v Speaker 1>was born out of claims, in the face of all evidence,

0:06:46.000 --> 0:06:48.960
<v Speaker 1>that the first African American president was not a real

0:06:49.000 --> 0:06:52.360
<v Speaker 1>American and not a real president, to which the Republican

0:06:52.400 --> 0:06:57.120
<v Speaker 1>Party at the time said almost nothing. And the Republican

0:06:57.160 --> 0:07:00.600
<v Speaker 1>Party deserved what it got. Unfortunately we got it too.

0:07:01.520 --> 0:07:05.359
<v Speaker 1>What is your political process and what's your political rearing

0:07:05.400 --> 0:07:08.960
<v Speaker 1>with your parents when you were young group in southern California,

0:07:09.000 --> 0:07:12.760
<v Speaker 1>your whole life, that's correct, And um, I was raised

0:07:12.760 --> 0:07:17.480
<v Speaker 1>a conservative Republican by my my parents who were you know,

0:07:17.560 --> 0:07:21.000
<v Speaker 1>my were artists, who were artists and who had started

0:07:21.000 --> 0:07:24.440
<v Speaker 1>out when they were very young as FDR Democrats. But

0:07:24.600 --> 0:07:27.200
<v Speaker 1>like a lot of people at that point, we're starting

0:07:27.240 --> 0:07:32.400
<v Speaker 1>to drift right. Word well, I think that Cold War

0:07:32.840 --> 0:07:37.040
<v Speaker 1>Cold War um, and then later on in the sixties

0:07:37.720 --> 0:07:42.000
<v Speaker 1>reaction to the counterculture um, which I you know, I

0:07:42.040 --> 0:07:45.720
<v Speaker 1>think has has defined our politics over half a century

0:07:45.800 --> 0:07:48.800
<v Speaker 1>more than we know. I think a lot of the reason,

0:07:49.240 --> 0:07:53.520
<v Speaker 1>for instance, that working class people are persuaded to not

0:07:53.720 --> 0:07:58.240
<v Speaker 1>vote their economic interest is because of these values that

0:07:58.640 --> 0:08:02.560
<v Speaker 1>came out of this county linked between the culture or

0:08:02.560 --> 0:08:08.560
<v Speaker 1>the mainstream and the states exactly. And and so you know,

0:08:08.680 --> 0:08:14.160
<v Speaker 1>I I was raised a m a Republican conservative, And

0:08:14.200 --> 0:08:17.360
<v Speaker 1>to make a long story short, and number of things happened.

0:08:17.440 --> 0:08:20.000
<v Speaker 1>First of all, by the time I came of age,

0:08:20.080 --> 0:08:23.600
<v Speaker 1>or was seventeen or eighteen, I realized that on the

0:08:23.720 --> 0:08:28.800
<v Speaker 1>great domestic crucible of the day, which was civil rights

0:08:28.800 --> 0:08:32.640
<v Speaker 1>and racial justice, conservatives were on the wrong side morally

0:08:32.679 --> 0:08:38.360
<v Speaker 1>and historically. Um That in turn undercut a basic tenet

0:08:38.480 --> 0:08:43.040
<v Speaker 1>of conservatism, which says that the more that power devolves

0:08:43.160 --> 0:08:45.760
<v Speaker 1>away from the federal government, down to the state, down

0:08:45.840 --> 0:08:50.520
<v Speaker 1>to the locality, the greater individual freedom grows. The problem

0:08:50.559 --> 0:08:53.560
<v Speaker 1>with that is that is contradicted by history. On any

0:08:53.640 --> 0:08:57.880
<v Speaker 1>number of occasions, it's taken the federal government intervening against

0:08:57.960 --> 0:09:03.600
<v Speaker 1>the states to secure the a vidual freedoms of African Americans, women,

0:09:04.040 --> 0:09:09.200
<v Speaker 1>gay people, and and then as my um ideas about

0:09:09.720 --> 0:09:13.920
<v Speaker 1>the role of government in life changed, as I accepted

0:09:13.960 --> 0:09:17.080
<v Speaker 1>that sometimes it takes the federal government to preserve the

0:09:17.120 --> 0:09:22.200
<v Speaker 1>social contract, uh conservatism changed. It became when I was

0:09:22.280 --> 0:09:25.880
<v Speaker 1>identifying as a conservative as a teenager, it was closer

0:09:25.920 --> 0:09:29.320
<v Speaker 1>to what we now think of as libertarianism, and in

0:09:29.360 --> 0:09:31.920
<v Speaker 1>the late seventies and early eighties it starts to become

0:09:31.960 --> 0:09:34.880
<v Speaker 1>On the one hand, more corporate and on the other hand,

0:09:34.880 --> 0:09:38.680
<v Speaker 1>more theocratic. And it felt like, you know that that

0:09:38.800 --> 0:09:44.000
<v Speaker 1>for all the lips service that conservatives give individual freedom,

0:09:44.000 --> 0:09:47.960
<v Speaker 1>what they really cared about was order. And the only

0:09:48.040 --> 0:09:52.120
<v Speaker 1>individual freedoms that I've ever heard conservatives get exercised about

0:09:52.280 --> 0:09:55.200
<v Speaker 1>where the freedom to make a profit and the freedom

0:09:55.240 --> 0:10:01.760
<v Speaker 1>to own a gun. And so generally my polity picks shifted,

0:10:01.880 --> 0:10:07.000
<v Speaker 1>while I think arguably the center of gravity shifted, because

0:10:07.040 --> 0:10:09.199
<v Speaker 1>if you go back and look at, for instance, Barry

0:10:09.280 --> 0:10:14.840
<v Speaker 1>Goldwaters views. Now, I mean, Goldwater was an environmentalist, he

0:10:15.000 --> 0:10:19.680
<v Speaker 1>was pro gay rights, he was pro choice, he was

0:10:20.200 --> 0:10:26.959
<v Speaker 1>he supported the Voting Rights Act. Goldwater rightly identified as

0:10:27.000 --> 0:10:33.080
<v Speaker 1>the most extreme nominee of a party in the twentieth century.

0:10:32.280 --> 0:10:36.719
<v Speaker 1>Is well, I mean, his vote against the sixty four

0:10:36.840 --> 0:10:41.360
<v Speaker 1>Civil Rights Act was a bad vote. Nonetheless, I think

0:10:41.400 --> 0:10:45.160
<v Speaker 1>that his views, which were so extreme in nineteen sixty four,

0:10:45.200 --> 0:10:49.640
<v Speaker 1>are now significantly to the left of the current Republican Party.

0:10:49.760 --> 0:10:54.240
<v Speaker 1>So I shifted one way, the center of our country's

0:10:54.440 --> 0:10:59.520
<v Speaker 1>political gravity shifted another way, and that's why I wound

0:10:59.600 --> 0:11:02.920
<v Speaker 1>up where I'm wound up to me. At the same time, philosophically,

0:11:02.960 --> 0:11:08.000
<v Speaker 1>it's been this fiction between capitalism and democracy, right, like

0:11:08.080 --> 0:11:10.880
<v Speaker 1>how much we're on a boat and which which containers

0:11:10.920 --> 0:11:12.400
<v Speaker 1>to be throw over the side of the boat to

0:11:12.440 --> 0:11:15.040
<v Speaker 1>keep the boat from from capsizing. Yeah, And I think

0:11:15.040 --> 0:11:18.160
<v Speaker 1>the last ten to twenty years have just have just

0:11:18.280 --> 0:11:23.720
<v Speaker 1>confirmed that or or validated unfettered capitalism nearly drove this

0:11:23.840 --> 0:11:27.440
<v Speaker 1>country over a cliff ten years. And you know, I

0:11:27.600 --> 0:11:31.120
<v Speaker 1>think that there's a lot to the argument, the current

0:11:31.240 --> 0:11:34.600
<v Speaker 1>argument that we're pretty close to an oligarchy at this

0:11:34.679 --> 0:11:39.439
<v Speaker 1>point where we're there. It's very demoralizing, it's very depressing.

0:11:39.840 --> 0:11:42.960
<v Speaker 1>Fifty years ago you could use the word capitalism and

0:11:43.000 --> 0:11:47.199
<v Speaker 1>the expression free enterprise in the same sentence. Now it's

0:11:47.360 --> 0:11:51.280
<v Speaker 1>laughable to to think that capitalism is free enterprise. And

0:11:51.320 --> 0:11:57.240
<v Speaker 1>the conservatives, who, um, you know, who are distressed by

0:11:57.400 --> 0:12:02.719
<v Speaker 1>centralized state power, never seemed to feel the same distress

0:12:02.760 --> 0:12:06.720
<v Speaker 1>over centralized corporate power. What was writing in your life?

0:12:06.720 --> 0:12:08.240
<v Speaker 1>I mean, I'm not just saying that you were such

0:12:08.280 --> 0:12:11.720
<v Speaker 1>an amazing writer and you've been reviewed with some of

0:12:11.720 --> 0:12:15.000
<v Speaker 1>the most I mean just glowing. I mean that's a cliche.

0:12:15.480 --> 0:12:18.480
<v Speaker 1>And what was the writing process for you as a

0:12:18.600 --> 0:12:21.440
<v Speaker 1>child and when when did you realize this is what

0:12:21.480 --> 0:12:24.440
<v Speaker 1>I would do? I realized that pretty early. I was

0:12:26.640 --> 0:12:29.960
<v Speaker 1>when I was young, let's say five years old, I

0:12:30.080 --> 0:12:33.959
<v Speaker 1>stuttered very badly, and to the point the teachers I

0:12:34.040 --> 0:12:37.600
<v Speaker 1>thought I couldn't read. And this is actually fairly typical

0:12:37.760 --> 0:12:41.040
<v Speaker 1>of writers. You know, you have a verbal facility, but

0:12:41.120 --> 0:12:45.960
<v Speaker 1>it's being obstructed, shuttered, shuttered in your speech, so you

0:12:46.160 --> 0:12:51.080
<v Speaker 1>retreat inside your head. Uh, the verbal facility manifests itself

0:12:51.480 --> 0:12:56.600
<v Speaker 1>in written words. You're living inside your imagination. It doesn't

0:12:56.640 --> 0:13:00.440
<v Speaker 1>make you more sociable. But um, I the time I

0:13:00.480 --> 0:13:04.280
<v Speaker 1>got to college, I liked college a lot. I went

0:13:04.320 --> 0:13:07.320
<v Speaker 1>to u C. L A. And I was why and

0:13:07.360 --> 0:13:09.960
<v Speaker 1>why so for someone who's open minded, is you? Is

0:13:10.080 --> 0:13:12.600
<v Speaker 1>why so California centric? Was there any thoughts of you,

0:13:12.640 --> 0:13:13.800
<v Speaker 1>I want to go to Berlin, I want to go

0:13:13.880 --> 0:13:16.520
<v Speaker 1>to London. I want to go Yes, but but it

0:13:16.520 --> 0:13:19.480
<v Speaker 1>was far enough and it was and I remember a

0:13:19.640 --> 0:13:21.960
<v Speaker 1>sense of liberation the time where you wining the valley

0:13:22.000 --> 0:13:25.560
<v Speaker 1>again Granada Hill. So for those who don't know Los Angeles,

0:13:25.840 --> 0:13:29.199
<v Speaker 1>he's he's right. The gap between Granada Hills and Westwood

0:13:29.520 --> 0:13:33.480
<v Speaker 1>Westwood really is like Paris. It was absolutely it was

0:13:33.520 --> 0:13:37.200
<v Speaker 1>another world, you know, And I thought Westwood was the

0:13:37.280 --> 0:13:42.400
<v Speaker 1>big city, you know it was, and uh and and

0:13:42.440 --> 0:13:47.040
<v Speaker 1>after that, I um, I actually did go to europe

0:13:47.160 --> 0:13:50.200
<v Speaker 1>Um and I lived there often over a while. So

0:13:51.160 --> 0:13:56.760
<v Speaker 1>U c l A was that step away. Steve Ericson

0:13:57.240 --> 0:13:59.640
<v Speaker 1>is one of our leading thinkers on the legacy of

0:13:59.640 --> 0:14:02.560
<v Speaker 1>the Sick Days and seventies, But a few people had

0:14:02.600 --> 0:14:05.720
<v Speaker 1>more of an impact on how Americans saw that era

0:14:06.040 --> 0:14:09.960
<v Speaker 1>in real time than Dan Rather. When President Nixon was

0:14:09.960 --> 0:14:13.440
<v Speaker 1>elected in Night, I'm frankly vought at the time, here's

0:14:13.480 --> 0:14:16.679
<v Speaker 1>a new breath of air. But I quickly learned that

0:14:16.720 --> 0:14:20.680
<v Speaker 1>the Unixon people, including President Nixon, they had such a

0:14:20.760 --> 0:14:24.040
<v Speaker 1>deep and abiding hatred for the Prince. It revealed to

0:14:24.080 --> 0:14:27.440
<v Speaker 1>me the first time we have a problem here an

0:14:27.480 --> 0:14:32.160
<v Speaker 1>important reminder that America has come through this before. Rather

0:14:32.240 --> 0:14:36.400
<v Speaker 1>his new book What Unites Us answers Ericson's question, can

0:14:36.440 --> 0:14:41.120
<v Speaker 1>the many Americas be reconciled with a resounding yes. Here

0:14:41.160 --> 0:14:44.480
<v Speaker 1>my whole conversation with Dan Rather at Here's the Thing,

0:14:44.680 --> 0:15:00.800
<v Speaker 1>Dot Org, this is Alec Baldwin, and you were listening

0:15:00.840 --> 0:15:04.800
<v Speaker 1>to Here's the Thing. Steve Ericsson's most recent book is

0:15:04.880 --> 0:15:10.240
<v Speaker 1>Shadow Bad, a funny, heartbreaking road trip through our divided country.

0:15:10.400 --> 0:15:15.040
<v Speaker 1>The writing is intensely visual, which reflects Ericson's own alternate

0:15:15.120 --> 0:15:20.440
<v Speaker 1>life path. I majored in film. Well, I started out

0:15:20.480 --> 0:15:23.600
<v Speaker 1>a political science major UM, and I was taking a

0:15:23.600 --> 0:15:27.080
<v Speaker 1>lot of literature courses, and I wanted to take some

0:15:27.120 --> 0:15:31.360
<v Speaker 1>film courses. But the bureaucracy at the time and may

0:15:31.360 --> 0:15:35.400
<v Speaker 1>still be the case, was such that, UM, I could

0:15:35.480 --> 0:15:38.640
<v Speaker 1>still take the political courses and the literature courses if

0:15:38.680 --> 0:15:41.240
<v Speaker 1>I was a film major, but I couldn't take the

0:15:41.240 --> 0:15:44.880
<v Speaker 1>film courses if I was a policy major. So it

0:15:44.960 --> 0:15:48.520
<v Speaker 1>was a completely tactical choice, you know. Um it was

0:15:48.880 --> 0:15:50.600
<v Speaker 1>a way of since since I knew I wanted to

0:15:50.600 --> 0:15:53.440
<v Speaker 1>be a writer, and since what I majored and really

0:15:53.480 --> 0:15:58.280
<v Speaker 1>didn't matter much to me, it was a matter it

0:15:58.320 --> 0:16:01.240
<v Speaker 1>doesn't doesn't matter what you're majoring, right, because I was

0:16:01.280 --> 0:16:03.800
<v Speaker 1>going to go off and do what I was gonna do.

0:16:04.440 --> 0:16:08.240
<v Speaker 1>And so I made the strategic choice that allowed me

0:16:08.320 --> 0:16:12.120
<v Speaker 1>to do all the things. Was film school, top film school.

0:16:13.400 --> 0:16:16.000
<v Speaker 1>It was great, But you didn't pursue that. I didn't

0:16:16.040 --> 0:16:21.720
<v Speaker 1>pursue being a filmmaker. UM, could you have said, do

0:16:21.760 --> 0:16:25.360
<v Speaker 1>you think you were capable? The guy, the stuttering boy

0:16:25.400 --> 0:16:29.280
<v Speaker 1>from Granada Hills who goes inward with that was he

0:16:29.360 --> 0:16:31.120
<v Speaker 1>was he able to express what he wanted to in

0:16:31.200 --> 0:16:34.120
<v Speaker 1>film as well as as writing. I think you nailed

0:16:34.160 --> 0:16:37.440
<v Speaker 1>it with the question. I mean I I realized at

0:16:37.480 --> 0:16:41.200
<v Speaker 1>some point that I probably shouldn't make a choice. That

0:16:41.240 --> 0:16:43.960
<v Speaker 1>both of these things would be really hard. It would

0:16:44.000 --> 0:16:46.840
<v Speaker 1>be impossible to try to do both. And the thing

0:16:46.960 --> 0:16:50.120
<v Speaker 1>that that you're right on about is that film, as

0:16:50.520 --> 0:16:54.720
<v Speaker 1>you would know better than I, is a more collaborative

0:16:54.960 --> 0:16:59.280
<v Speaker 1>highly so ever as being a writer, you lock yourself

0:16:59.320 --> 0:17:03.239
<v Speaker 1>in a room and you have as little um interaction

0:17:03.400 --> 0:17:07.240
<v Speaker 1>with humanity as you can get away with. And you

0:17:07.280 --> 0:17:11.000
<v Speaker 1>know what that suited me? That that's who I was. Um,

0:17:12.359 --> 0:17:15.080
<v Speaker 1>what's the first time you sold a piece and you

0:17:15.160 --> 0:17:17.480
<v Speaker 1>became a professional writer? I sold a piece actually to

0:17:17.520 --> 0:17:21.439
<v Speaker 1>the Los Angeles Times Calendar. The gist of it was

0:17:21.560 --> 0:17:26.000
<v Speaker 1>that the line between reality and fiction was blurring. This

0:17:26.119 --> 0:17:31.159
<v Speaker 1>was the early seventies. How does that work? Well, you

0:17:31.200 --> 0:17:34.040
<v Speaker 1>know it works the way it still works, which is

0:17:34.280 --> 0:17:36.920
<v Speaker 1>that I knew somebody who knew somebody and who could

0:17:36.960 --> 0:17:40.480
<v Speaker 1>get the piece into the hands of the editor of

0:17:40.520 --> 0:17:43.680
<v Speaker 1>what was then the l A Times Calendar and and

0:17:43.680 --> 0:17:47.119
<v Speaker 1>and give it a real read. Because that's what it takes.

0:17:48.200 --> 0:17:51.479
<v Speaker 1>I teach writing, and as I tell my students without

0:17:51.520 --> 0:17:55.520
<v Speaker 1>trying to depress them unduly. You know, editors look for

0:17:55.560 --> 0:17:58.080
<v Speaker 1>a reason to say no. They're not looking for a

0:17:58.119 --> 0:18:00.639
<v Speaker 1>reason to say yes. So you have to be sure

0:18:00.680 --> 0:18:03.800
<v Speaker 1>you don't give them any reasons to say Now, how

0:18:03.800 --> 0:18:07.640
<v Speaker 1>do you do that? When I submit a novel, for instance,

0:18:08.840 --> 0:18:12.120
<v Speaker 1>it's it's pristine, it's so clean you can eat off

0:18:12.160 --> 0:18:16.880
<v Speaker 1>the thing, and um it, it's laid out to look

0:18:17.040 --> 0:18:19.800
<v Speaker 1>the way the book is gonna look, so they can

0:18:19.920 --> 0:18:24.880
<v Speaker 1>visualize how how it's gonna look, you know. And when

0:18:24.880 --> 0:18:27.600
<v Speaker 1>I get papers from students where there are typos and

0:18:27.680 --> 0:18:30.040
<v Speaker 1>that that kind of thing, I just explained to them

0:18:30.080 --> 0:18:32.760
<v Speaker 1>you can't do that, I mean everything can you expect

0:18:32.800 --> 0:18:35.119
<v Speaker 1>people to care if you don't care exactly? And every

0:18:35.440 --> 0:18:40.240
<v Speaker 1>little flaw becomes cumulative, it builds up and it it

0:18:40.400 --> 0:18:45.920
<v Speaker 1>reinforces this, uh, this impulse to turn the thing down.

0:18:46.600 --> 0:18:49.879
<v Speaker 1>So you wrote this piece that did you have books

0:18:49.920 --> 0:18:52.959
<v Speaker 1>you've written, you know, in your pocket. I was writing

0:18:53.000 --> 0:18:56.040
<v Speaker 1>novels all the time. I was writing, since I had

0:18:56.240 --> 0:18:59.720
<v Speaker 1>I was in high school. I mean, I wrote five

0:19:00.040 --> 0:19:03.400
<v Speaker 1>levels before I published one. Your first book that's published

0:19:03.400 --> 0:19:07.600
<v Speaker 1>as what the first book is published in ve That's

0:19:07.680 --> 0:19:11.080
<v Speaker 1>twelve years after I had published the first piece. And

0:19:11.119 --> 0:19:12.760
<v Speaker 1>if you had told me at that time it was

0:19:12.800 --> 0:19:15.040
<v Speaker 1>going to be I'm glad there was nobody to tell

0:19:15.080 --> 0:19:18.320
<v Speaker 1>me it was going to be another twelve years, because

0:19:18.359 --> 0:19:21.440
<v Speaker 1>they they felt like twelve years in the wilderness. And

0:19:21.880 --> 0:19:24.159
<v Speaker 1>by the time I sold the book, I remember the

0:19:24.240 --> 0:19:28.800
<v Speaker 1>feeling was more relief than anything else, because it just

0:19:28.840 --> 0:19:33.640
<v Speaker 1>seemed like it was it was never going to happen.

0:19:33.840 --> 0:19:37.000
<v Speaker 1>And that is the same thing somebody who knows somebody.

0:19:37.240 --> 0:19:40.399
<v Speaker 1>The thing that was instrumental was finding the right agent

0:19:41.000 --> 0:19:43.359
<v Speaker 1>during that twelve years. How do you support yourself? You

0:19:43.400 --> 0:19:45.720
<v Speaker 1>were doing the teaching thing then, were you know? I wasn't.

0:19:45.760 --> 0:19:48.840
<v Speaker 1>I was what does the writer do? Those was right.

0:19:48.960 --> 0:19:53.960
<v Speaker 1>I was working for the PR department of the Auto Club.

0:19:54.760 --> 0:19:57.520
<v Speaker 1>I had a job. I had a job job. I

0:19:57.560 --> 0:20:04.280
<v Speaker 1>was also writing freelance pieces for the l A Times,

0:20:04.359 --> 0:20:07.760
<v Speaker 1>the l A Weekly, which just had just launched in

0:20:07.800 --> 0:20:13.760
<v Speaker 1>the late seventies. The Los Angeles Reader was another so um.

0:20:13.800 --> 0:20:18.000
<v Speaker 1>I was cobbling together a living. But it was always

0:20:18.000 --> 0:20:22.640
<v Speaker 1>clear in my mind that, you know, success for me

0:20:22.640 --> 0:20:25.520
<v Speaker 1>meant becoming a published novelist. And when you got the

0:20:25.520 --> 0:20:30.560
<v Speaker 1>book published because you got a literary agent. And are

0:20:30.600 --> 0:20:33.040
<v Speaker 1>you still with that literary Yes, you are, I am.

0:20:33.080 --> 0:20:36.320
<v Speaker 1>And I had had several agents before her, none of

0:20:36.359 --> 0:20:40.600
<v Speaker 1>them could sell my work. Um, I had gone to

0:20:40.920 --> 0:20:47.000
<v Speaker 1>New York, uh to find an agent. I've interviewed with

0:20:47.240 --> 0:20:50.080
<v Speaker 1>four agents. They had all read this, this novel what

0:20:50.160 --> 0:20:53.320
<v Speaker 1>wound up being my first published novel. They all said,

0:20:53.440 --> 0:20:55.840
<v Speaker 1>you know, it's a really interesting book, but I don't

0:20:55.880 --> 0:20:58.480
<v Speaker 1>think I can sell it. And then I finally found

0:20:58.520 --> 0:21:00.560
<v Speaker 1>somebody who said, I don't know if I and sell it,

0:21:00.640 --> 0:21:04.239
<v Speaker 1>but it's a really interesting book. And she wound up

0:21:04.280 --> 0:21:06.120
<v Speaker 1>selling it to somebody who had turned it down. What's

0:21:06.119 --> 0:21:08.960
<v Speaker 1>her name? Melanie Jackson? Who she? What company is she with?

0:21:09.000 --> 0:21:11.760
<v Speaker 1>Her own? Why have you stayed with her all this time?

0:21:11.800 --> 0:21:14.080
<v Speaker 1>What does she do for you? So here's a quick

0:21:14.119 --> 0:21:18.080
<v Speaker 1>story that revolves around that first novel and how the

0:21:18.119 --> 0:21:21.600
<v Speaker 1>first novel sold. Um. She had submitted it to somebody

0:21:21.640 --> 0:21:23.560
<v Speaker 1>as Simon, and she was who had turned it down,

0:21:24.520 --> 0:21:26.760
<v Speaker 1>And a couple of months passed by and it's gone

0:21:26.800 --> 0:21:29.680
<v Speaker 1>to some other people, and then one afternoon she gets

0:21:29.680 --> 0:21:32.119
<v Speaker 1>a phone call from this editor as Simon, and she

0:21:32.200 --> 0:21:34.800
<v Speaker 1>was through who had turned the book down, and the

0:21:34.960 --> 0:21:39.879
<v Speaker 1>editor was bemoaning the fact that another book that she

0:21:39.920 --> 0:21:43.199
<v Speaker 1>had turned down had gone on to be published and

0:21:43.280 --> 0:21:47.040
<v Speaker 1>had gotten attention and was doing well, and she was thinking,

0:21:47.080 --> 0:21:50.880
<v Speaker 1>I shouldn't have turned that down in my age, and said, yeah,

0:21:50.880 --> 0:21:53.720
<v Speaker 1>and you're gonna feel the same way when somebody publishes

0:21:53.880 --> 0:21:58.080
<v Speaker 1>Ericsson And the next day, the next day Simon and

0:21:58.119 --> 0:22:00.560
<v Speaker 1>Schuster bought the book. That's what a good agent does.

0:22:01.760 --> 0:22:04.879
<v Speaker 1>You're pretty tough on Bill Clinton, and some of your writing,

0:22:06.040 --> 0:22:08.840
<v Speaker 1>it goes to you. On the simplest level, he let

0:22:08.920 --> 0:22:11.760
<v Speaker 1>you down. Yeah. I wound up voting for him twice.

0:22:12.400 --> 0:22:16.480
<v Speaker 1>I still believe that, um uh, he might have done

0:22:16.480 --> 0:22:20.760
<v Speaker 1>the country a favor if he had resigned during Monica.

0:22:21.359 --> 0:22:24.920
<v Speaker 1>It would have put Al Gore in, who probably would

0:22:24.920 --> 0:22:29.520
<v Speaker 1>have won in two thousand. You know, once the issue

0:22:29.640 --> 0:22:33.600
<v Speaker 1>became less about you know, he has a fair and

0:22:33.640 --> 0:22:38.400
<v Speaker 1>became more about impeachment, I switched. I did not think

0:22:38.480 --> 0:22:42.800
<v Speaker 1>what he had done was a constitutionally impeachable offense, and

0:22:43.840 --> 0:22:47.280
<v Speaker 1>it was clear to me that that the Constitution was

0:22:47.359 --> 0:22:51.800
<v Speaker 1>being molested by Republicans. Ken Starr has more conscience for

0:22:51.840 --> 0:22:53.760
<v Speaker 1>what he did to this country. But you know, Bill

0:22:53.800 --> 0:22:58.280
<v Speaker 1>Clinton sure helped them out keep giving them a target.

0:22:58.359 --> 0:23:01.119
<v Speaker 1>As my friends said to me, he's he said to me,

0:23:01.640 --> 0:23:03.840
<v Speaker 1>I had this horrible incident. I'll mention this because I

0:23:03.880 --> 0:23:05.800
<v Speaker 1>throw my own thing on the table. I had this

0:23:05.880 --> 0:23:09.159
<v Speaker 1>horrible incident where I left this blistering voicemail from my

0:23:09.240 --> 0:23:11.480
<v Speaker 1>daughter that my then ex wife put on the internet.

0:23:12.080 --> 0:23:14.600
<v Speaker 1>She released it to a tabloid organization that played it

0:23:14.640 --> 0:23:17.199
<v Speaker 1>on the internet. And as my therapist said back then,

0:23:17.240 --> 0:23:19.320
<v Speaker 1>he said, well, you know that was wrong, and that

0:23:19.440 --> 0:23:21.600
<v Speaker 1>made things worse, and that was terrible. But none of

0:23:21.600 --> 0:23:23.960
<v Speaker 1>this would have happened if you hadn't left the voicemail.

0:23:26.640 --> 0:23:28.360
<v Speaker 1>None of this would have happened if he hadn't done

0:23:28.400 --> 0:23:30.680
<v Speaker 1>what he did. In the time we have left, I

0:23:30.760 --> 0:23:33.280
<v Speaker 1>want to talk to about your books. How does that

0:23:33.320 --> 0:23:35.960
<v Speaker 1>process for? Again, for our six listeners who are writers

0:23:36.000 --> 0:23:41.240
<v Speaker 1>out there? The must be a rabid reader. I used

0:23:41.280 --> 0:23:43.439
<v Speaker 1>to be a rabid reader. I don't always have the

0:23:43.520 --> 0:23:46.119
<v Speaker 1>time to read, and when I'm working on a novel,

0:23:46.200 --> 0:23:50.040
<v Speaker 1>I don't read other fiction. I'll read history, or I

0:23:50.080 --> 0:23:53.280
<v Speaker 1>may read poetry even but I don't I don't want

0:23:53.280 --> 0:23:56.399
<v Speaker 1>to go into somebody else's world. Who are right? Was

0:23:56.440 --> 0:24:06.959
<v Speaker 1>that you admire Pension, Marquez, Faulkner, Henry Miller, the Brontes, um.

0:24:07.160 --> 0:24:10.680
<v Speaker 1>Those those were writers who influenced me in some way.

0:24:10.720 --> 0:24:12.560
<v Speaker 1>Do you have a reading list you give to your

0:24:12.600 --> 0:24:15.960
<v Speaker 1>students in the I do send it to me, Okay,

0:24:16.000 --> 0:24:18.159
<v Speaker 1>I want that if I get one thing out of this.

0:24:18.320 --> 0:24:22.480
<v Speaker 1>I mean they tend to, uh, they tend to form

0:24:22.760 --> 0:24:25.719
<v Speaker 1>object lessons. So you know you want to if I

0:24:25.760 --> 0:24:29.800
<v Speaker 1>want to, for instance, show the students how landscape can

0:24:29.880 --> 0:24:34.399
<v Speaker 1>be a character in um in a story The Sheltering

0:24:34.480 --> 0:24:39.760
<v Speaker 1>sky By by Paul Bulls, or how voice is can

0:24:40.520 --> 0:24:46.040
<v Speaker 1>drive a narrative Miller's Tropic of Cancer. Um. But and

0:24:46.480 --> 0:24:49.680
<v Speaker 1>so that that's the function of the The reading list

0:24:49.760 --> 0:24:52.520
<v Speaker 1>tends to Are you still teaching now? And you teach

0:24:52.560 --> 0:24:56.280
<v Speaker 1>at I teach that you see riverside, and you see riverside,

0:24:57.280 --> 0:25:00.159
<v Speaker 1>and so that's uh, how far off a dry is

0:25:00.160 --> 0:25:04.439
<v Speaker 1>that for you? From? Oh my god? I know? And

0:25:04.480 --> 0:25:07.160
<v Speaker 1>you teach how the class meets how often once a week,

0:25:07.359 --> 0:25:10.080
<v Speaker 1>once a week for three four hours, right? And if

0:25:10.119 --> 0:25:14.200
<v Speaker 1>I have two classes that quarter, um, I'll put them

0:25:14.200 --> 0:25:17.080
<v Speaker 1>both on the same day and I'll have one monster day.

0:25:17.240 --> 0:25:20.280
<v Speaker 1>So just getting it out there, getting it out there

0:25:20.480 --> 0:25:24.000
<v Speaker 1>and and then the class is entitled what well there are?

0:25:24.960 --> 0:25:28.120
<v Speaker 1>I have the luxury of creating my own classes. Sometimes

0:25:28.359 --> 0:25:34.200
<v Speaker 1>I'm teaching workshops, so we're critiquing the work of the students.

0:25:34.359 --> 0:25:37.520
<v Speaker 1>This coming quarter, this would probably be interesting to you.

0:25:37.600 --> 0:25:43.280
<v Speaker 1>I'm teaching UM a course of fiction into film. That is,

0:25:43.359 --> 0:25:45.920
<v Speaker 1>I give them a list of novels and then we

0:25:45.960 --> 0:25:53.280
<v Speaker 1>watch the adaptation that this coming quarter September, October November.

0:25:53.359 --> 0:25:56.120
<v Speaker 1>This this airs said, I'm not going to be out here.

0:25:56.160 --> 0:25:59.840
<v Speaker 1>I can con visit your class again. Come sit on

0:26:00.000 --> 0:26:02.240
<v Speaker 1>it fast. They would be thrilled if you were just

0:26:02.240 --> 0:26:04.639
<v Speaker 1>sitting in the room and listen to you talk. And

0:26:04.760 --> 0:26:06.840
<v Speaker 1>so you do that, and you and how many years

0:26:06.840 --> 0:26:08.639
<v Speaker 1>have you been at UC Riverside Now, I've been at

0:26:08.720 --> 0:26:11.480
<v Speaker 1>u C Riverside now this is going into my fourth year.

0:26:11.520 --> 0:26:12.840
<v Speaker 1>And why do you what do you what is that

0:26:12.880 --> 0:26:16.520
<v Speaker 1>impulse in you to teach UM? Well, it pays my

0:26:16.600 --> 0:26:21.960
<v Speaker 1>bill for starters. And I learned things about writing when

0:26:22.000 --> 0:26:26.639
<v Speaker 1>I'm teaching things about writing, I learned. I do enjoy it,

0:26:26.760 --> 0:26:29.320
<v Speaker 1>and I think I'm getting better at what's hard about it?

0:26:29.359 --> 0:26:32.320
<v Speaker 1>For you? What do you wish you were better at?

0:26:32.960 --> 0:26:38.320
<v Speaker 1>You know, the hardest thing about it is, uh, is

0:26:38.440 --> 0:26:44.719
<v Speaker 1>negotiating the fact that you really can't teach it, that

0:26:44.840 --> 0:26:48.600
<v Speaker 1>writing is not that talent is not a teachable thing.

0:26:48.880 --> 0:26:52.560
<v Speaker 1>Skill is a teachable thing. Um, you know that. But

0:26:52.560 --> 0:26:57.040
<v Speaker 1>but but talent or vision or even voice are are

0:26:57.200 --> 0:27:00.680
<v Speaker 1>things that the students have to bring there. And and

0:27:00.760 --> 0:27:05.240
<v Speaker 1>the other thing about workshops and writing programs in general,

0:27:05.320 --> 0:27:09.160
<v Speaker 1>which I think are generally really valuable, but they do,

0:27:09.800 --> 0:27:14.160
<v Speaker 1>by their nature, tend to socialize what is really anti

0:27:14.320 --> 0:27:18.240
<v Speaker 1>social behavior. You know, you're sitting around with with with

0:27:18.280 --> 0:27:22.159
<v Speaker 1>other people talking about your writing, and that's okay up

0:27:22.200 --> 0:27:25.439
<v Speaker 1>to a point. There, there's also a point where you

0:27:25.520 --> 0:27:30.680
<v Speaker 1>need to have the solitude to grapple with with your

0:27:31.280 --> 0:27:36.840
<v Speaker 1>right that's right. Um, your most recent book is Shadow Bond.

0:27:36.960 --> 0:27:38.239
<v Speaker 1>What to talk to me a little bit about how

0:27:38.240 --> 0:27:42.640
<v Speaker 1>that came about? You know, I just one night I remember, Um,

0:27:42.680 --> 0:27:45.439
<v Speaker 1>the family was gone. I was alone, and I this

0:27:45.480 --> 0:27:48.720
<v Speaker 1>will sound more mystical than I mean, but I had

0:27:48.760 --> 0:27:51.440
<v Speaker 1>this vision if I can use such a grand work

0:27:52.800 --> 0:27:58.480
<v Speaker 1>of of the Twin Towers suddenly reappearing in the Dakota

0:27:58.560 --> 0:28:02.600
<v Speaker 1>Badlands twenty years after their fall, and people start to

0:28:02.680 --> 0:28:08.800
<v Speaker 1>gather and um, uh, they become like this American Stonehenge,

0:28:09.440 --> 0:28:13.800
<v Speaker 1>and people then start hearing music coming out of the towers,

0:28:13.840 --> 0:28:19.040
<v Speaker 1>and and living in the southern tower is Jesse Pressley,

0:28:19.240 --> 0:28:25.320
<v Speaker 1>who was the real life stillborn twin of Elvis, and

0:28:25.480 --> 0:28:30.080
<v Speaker 1>he's going mad hearing a voice in his head that

0:28:30.280 --> 0:28:34.600
<v Speaker 1>sounds like him but he knows isn't his, and imagining

0:28:34.720 --> 0:28:44.680
<v Speaker 1>an America where he survived in his brother's place. That's

0:28:44.680 --> 0:28:49.240
<v Speaker 1>how I will write something, especially when I'm starting and

0:28:49.320 --> 0:28:57.800
<v Speaker 1>it starts slow and it's intermittent and yes, and which

0:28:57.880 --> 0:29:00.120
<v Speaker 1>which is not great. One of the things that I

0:29:00.200 --> 0:29:03.400
<v Speaker 1>try to talk to the kids about is the more

0:29:03.440 --> 0:29:07.840
<v Speaker 1>of a routine you can make it, the better. But um,

0:29:08.160 --> 0:29:10.600
<v Speaker 1>if I can't make it a routine, I'll write it,

0:29:10.600 --> 0:29:14.080
<v Speaker 1>I'll be excited about it, and then as time goes by,

0:29:14.440 --> 0:29:17.320
<v Speaker 1>I start to worry it to death. But you know,

0:29:17.400 --> 0:29:21.760
<v Speaker 1>one of those unteachable things, along with voice and talent

0:29:21.840 --> 0:29:25.040
<v Speaker 1>that we were talking about is is instinct. And after

0:29:25.080 --> 0:29:27.800
<v Speaker 1>you've been doing it a long time, you start to

0:29:27.840 --> 0:29:31.480
<v Speaker 1>develop an an instinct for what's working or what's not working.

0:29:31.840 --> 0:29:36.160
<v Speaker 1>Which isn't to say that after um, a year and

0:29:36.200 --> 0:29:39.880
<v Speaker 1>a half, you're not so sure. You know, you you've

0:29:39.920 --> 0:29:43.720
<v Speaker 1>been living with the material for that long, you've started

0:29:43.760 --> 0:29:48.800
<v Speaker 1>to lose perspective. Um six publishers turned it down, as

0:29:48.960 --> 0:29:51.840
<v Speaker 1>was the case with this novel, and moralize and you go,

0:29:52.240 --> 0:29:55.600
<v Speaker 1>are they right? You know? UM? Am I wrong? Am

0:29:55.600 --> 0:29:59.160
<v Speaker 1>I not seeing it? All those doubts. I don't think

0:29:59.200 --> 0:30:02.040
<v Speaker 1>you ever stopped rappling with and where you're working on

0:30:02.080 --> 0:30:04.560
<v Speaker 1>another book at the moment. I don't have an idea

0:30:04.600 --> 0:30:13.920
<v Speaker 1>in my head. Writer Steve Erickson American Weimar, which we

0:30:14.000 --> 0:30:17.040
<v Speaker 1>linked to and Here's the Thing dot org stands as

0:30:17.080 --> 0:30:20.280
<v Speaker 1>one of the sharpest essays ever written on the country's

0:30:20.360 --> 0:30:24.640
<v Speaker 1>past and present. The current political crisis has only made

0:30:24.640 --> 0:30:28.960
<v Speaker 1>its warning more urgent. But here's something to cheer you up.

0:30:29.720 --> 0:30:35.000
<v Speaker 1>Ericson's Hollywood farce Zeroville is returning to its spiritual home.

0:30:35.720 --> 0:30:38.960
<v Speaker 1>James Franco picked up the rights. He and Seth Rogan

0:30:39.080 --> 0:30:42.320
<v Speaker 1>star that's coming next year at a theater near you.

0:30:43.640 --> 0:30:46.640
<v Speaker 1>This is Alec Baldwin and you're listening to Here's the

0:30:46.720 --> 0:31:05.240
<v Speaker 1>Thing four