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Speaker 1: My thing is I said this, you know I can

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Speaker 1: Stephen Worese so like whatever, obviously you don't give a fuck,

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Speaker 1: But no, I'm talking to to James Johnson. Yeah, okay,

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Speaker 1: Like I know there's there's Jimmy Johnson. Yeah right, there's

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Speaker 1: James Johnson. There's the NBA player he karate. Yeah, he's actually.

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Speaker 2: You do not want to mess with him the wrong tree.

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Speaker 2: You get into a little bit of a scuffle with him. Yeah,

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Speaker 2: he's like a black belt in karate.

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Speaker 3: I steer clear of those types of guys.

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Speaker 1: Yeah, guys that have the same name as you. Yeah,

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Speaker 1: guys that have baby Tron.

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Speaker 3: Yeah, Chad Ocho Cinco Johnson.

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Speaker 1: Mm hmmm, no you see so you do you hear

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Speaker 1: I guess you are a chat I hear when you

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Speaker 1: were saying, I guess you are a Chad lowercase, yeah, lowercase.

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Speaker 2: So then you're going like, I'm a Chad, but I'm

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Speaker 2: and I'm a Johnson.

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Speaker 1: My thing is you make them use their middle name.

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Speaker 1: You know what I mean? I said that in put

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Speaker 1: you set that intention from the beginning.

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Speaker 2: You know, I'm the main one.

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Speaker 1: This is my corner.

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Speaker 3: Yeah, two names.

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Speaker 1: Them have to have to throw a middle name or

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Speaker 1: you or you.

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Speaker 2: Do James Johnson senior and then they have no choice

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Speaker 2: but to be junior.

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Speaker 3: And then it's up to oh, yes, it's up to

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Speaker 3: them to be junior.

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Speaker 1: Yeah.

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Speaker 2: M And if they try to go the second you go,

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Speaker 2: can't go the second I'm still alive.

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Speaker 3: Oh does that how seconds and thirds work?

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Speaker 2: I don't know. I'm kind of deciding that it is

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Speaker 2: that like, you're junior unless the senior has passed on,

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Speaker 2: and then you can be the second.

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Speaker 1: I really like that they introduce themselves to parties. Hey,

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Speaker 1: I'm Hey, I'm Jimmy Johnson.

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Speaker 2: Oh my god.

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Speaker 1: The guy that doesn't impress from s n L. There's

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Speaker 1: Trump on SML. Now, I used to be a football coach.

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Speaker 3: I've met that guy and you're not gonna believe this.

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Speaker 3: He talks like that.

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Speaker 2: He does, speaking of which you were talking about his impressions.

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Speaker 1: Yeah, just wow.

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Speaker 3: I little s n L.

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Speaker 2: I don't need I don't want to try.

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Speaker 3: People writers packet but cast yes, yes, yes, yes, yes

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Speaker 3: that's so.

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Speaker 1: And that's actually why I never.

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Speaker 2: Can you get I feel like they're not getting there.

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Speaker 1: Do you want to just like step ups? It always

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Speaker 1: starts with like you just like hop up on the

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Speaker 1: stage for a second. I know you only submitted a

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Speaker 1: writer's back, but do you just want to hop up

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Speaker 1: here they give you something to fix? Hey, you like

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Speaker 1: a justice Michael.

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Speaker 3: Like, that's how it happened for for Hartman, Like I believe.

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Speaker 1: That that's the that's and look what happened. Sorry, I

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Speaker 1: really don't want to even like bring that up, but just.

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Speaker 3: Like flew of every single sketch and was just and.

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Speaker 2: Then obviously they'd tell you what happened.

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Speaker 3: I think that's also how it went down for Cleghorn.

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Speaker 3: And I also want to say what was the was.

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Speaker 2: Was the Austin thing an appeal to the sort of

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Speaker 2: manosphere comic you.

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Speaker 1: Know, like the Mothership.

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Speaker 3: Yeah, adopting the Tony and all that stuff.

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Speaker 2: Yeah, he's just assuming it's to make James Johnson and

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Speaker 2: Jimmy Johnson more comfortable. But I'm wondering if it's actually

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Speaker 2: marketing where it's like, hey, there's James Johnson and then

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Speaker 2: there's James Johnson with a.

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Speaker 3: Little more Austin flavor.

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Speaker 2: Right in the middle of the act, he's going to

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Speaker 2: be killing Tony, He's going to be insulting Puerto.

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Speaker 1: Rico Freezebeach University. Is there.

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Speaker 3: Alex Jones, the host of Call Her Daddy. That's rare, Yes, Yes,

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Speaker 3: which is one of my favorite podcasts.

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Speaker 2: You know, it's crazy you would think all the podcasting

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Speaker 2: that I do, that I wouldn't be able to enjoy

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Speaker 2: other people's shows as much that one Alex Jones is

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Speaker 2: Call Her Dad?

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Speaker 3: Have you listened to that? I'm obsessed with it.

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Speaker 2: I'm addicted to it.

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Speaker 3: And the way she's liked the way that she the

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Speaker 3: way she interviews, the way she interviews.

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Speaker 1: Is like she's like a therapists.

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Speaker 3: It's like a cool theory. Like there's therapists.

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Speaker 2: They're very told me about that, and there's Therapistsy're like, hey,

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Speaker 2: did that feel crazy?

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Speaker 3: And you go, this is how I talk to my

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Speaker 3: fucking friends.

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Speaker 2: But she's actually getting me, you know, uh, to open

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Speaker 2: up in this way that like I normally would never

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Speaker 2: ever do.

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Speaker 3: Have you guys considered that just like full sweats, maybe

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Speaker 3: no shoes and like getting more into BJ technique.

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Speaker 1: I'm thinking about, yeah, to stop more on the show.

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Speaker 1: You know how She'll be doing an interview and someone

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Speaker 1: we'll be talking and she'll.

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Speaker 3: Go, stop, can we can? We can you show me

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Speaker 3: what you mean real quick. So I okay, really, which

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Speaker 3: one says, let's do that letter? So so tell me.

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Speaker 3: So you said that at this at the Sunset Target that.

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Speaker 1: Sorry, you're interviewing.

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Speaker 2: I think this is Sean.

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Speaker 3: Oh you're shun, you're me and you're gonna be got it. Yeah,

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Speaker 3: and I'm a James. You said that you went to

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Speaker 3: the Sunset Target the other day and that they actually

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Speaker 3: had like an SPF that you were looking for. Oh yeah,

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Speaker 3: was sorry.

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Speaker 2: Can you give can you give me like a key

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Speaker 2: phrase or something of how you talk? Because how do

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Speaker 2: you walk into your door kitchen door, kitchen door, kitchen door,

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Speaker 2: kitchen door, kitchen, kitchen door.

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Speaker 3: Okay, and then tennessee, I lived here for ten years, okay,

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Speaker 3: kitchen door. So you were at the Sunset Target and

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Speaker 3: you got a nice Americana right, Sorry.

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Speaker 2: It's my agent, it's Utah potential. Every once in a

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Speaker 2: while they will spam your take that Hey hi you

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Speaker 2: are are you? U?

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Speaker 1: T a fam?

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Speaker 2: I was there for a while and Alan, hey man, Hey,

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Speaker 2: I'm recording Hollywood Handbook right now.

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Speaker 3: Who does your entertainment?

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Speaker 2: Los stuff my entertainment?

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Speaker 3: You know what? I just felt like I had to answer.

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Speaker 2: I didn't put you on speaker just because I know,

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Speaker 2: like a lot of the stuff you guys do confidentially,

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Speaker 2: it's like a big agency. So I didn't want to, like,

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Speaker 2: I didn't want to put you on blast. But if

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Speaker 2: you have something you want to say to the people,

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Speaker 2: I mean, look.

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Speaker 1: They do they do have. We have a client here

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Speaker 1: who left recently. I don't know about recently?

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Speaker 3: Was it?

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Speaker 1: When was it?

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Speaker 2: It's about a year ago?

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Speaker 3: Okay, sorry, okay?

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Speaker 2: Uh? Then you know what later I.

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Speaker 4: Was just like you what, I really liked everybody over there.

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Speaker 1: Then that's obviously not true. Well he left U t

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Speaker 1: A and it's because of crap like this, honestly.

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Speaker 2: What happened there?

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Speaker 3: Everybody?

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Speaker 1: Everybody?

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Speaker 2: Where are you now?

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Speaker 5: Ye?

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Speaker 1: Creative artists?

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Speaker 3: Yeah, well that's more of a pure on camera talent play.

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Speaker 2: I feel like, are we feeling like less of a

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Speaker 2: hyphen it lately? Is we've been getting into.

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Speaker 3: The you know, ever since we had the kids and

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Speaker 3: I got s n L. I just don't have I

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Speaker 3: don't have nine years to be like in the mud

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Speaker 3: puddle of development on some like you know, what's the

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Speaker 3: story that only you can tell?

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Speaker 2: Then it is a mud puddle and they treat you

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Speaker 2: like a pig. And if you your slap and you're

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Speaker 2: goddamn farm animal and they give they give you an

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Speaker 2: old apple cord of muncheon.

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Speaker 3: I know that you're doing e spells out words.

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Speaker 2: Yeah, I know.

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Speaker 3: That you're doing like a little farm scene. But that's

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Speaker 3: what it's that's what it feels feels like. Oh you

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Speaker 3: were comparing it to that?

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Speaker 2: Yeah, yeah, I thought, Wow, where did we disconnect on that?

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Speaker 3: I was waiting for him to say stop because we

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Speaker 3: were doing a little target. Oh yes, but I was sorry,

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Speaker 3: you were going to say kitchens Cooper kitchen, kitchen door,

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Speaker 3: kitchen door.

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Speaker 1: I understand the boundary between the scene and reality, and

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Speaker 1: so we were we were not we were no longer

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Speaker 1: in the scene because you know, I didn't that wasn't James. Obviously,

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Speaker 1: it wasn't James taking that call because James is no

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Speaker 1: longer represented at UTA. But you have some big problems

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Speaker 1: he was having there.

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Speaker 3: Well, anybody over there.

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Speaker 2: I I liked it because I actually I need them

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Speaker 2: to do some things for me. And I don't know

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Speaker 2: if you could hear my agent, but he was very

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Speaker 2: he was very humble. I said, do you have anything

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Speaker 2: you want to say to the people, And he said,

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Speaker 2: you know it as well as anyone. There's nothing to

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Speaker 2: be gained from listening to me.

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Speaker 3: That was beautiful. What a beautiful thing.

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Speaker 2: What a line check though? Yeah, yeah, something's getting gained

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Speaker 2: ten percent. Fine, but it's fine. It's a family, you

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Speaker 2: know what I mean. But yeah, I just feel like

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Speaker 2: if I don't answer and they'll never call me again,

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Speaker 2: you know what I mean.

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Speaker 3: But I mean, yeah, on camera talent, I mean that's

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Speaker 3: you know that that is that's the direction that this

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Speaker 3: ship is headed in. That well, that's exciting.

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Speaker 1: You know.

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Speaker 3: I had the cameo and complete Unknown got not Oscar nominated.

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Speaker 3: You know, I had the I had like a little

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Speaker 3: role in Inside Out to Animating Unknown. Yeah yeah, yeah,

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Speaker 3: so you know it's kind of that's sort of the

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Speaker 3: and they're just one complete Unknown in the cast as well.

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Speaker 2: So I am thinking that I've got this kitchen Door

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Speaker 2: thing down, and I'd like to hear hey, say stop

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Speaker 2: it all right, Hey, James, So I heard that you've

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Speaker 2: gotta I heard you doing Largo tonight with Judd.

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Speaker 3: You know that's exciting.

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Speaker 2: Kitchen door, kitchen door?

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Speaker 1: Is it really just like is that real? I'm just

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Speaker 1: having to anchor myself in like the like in the

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Speaker 1: how I'm recopting like it's like stup.

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Speaker 3: All I need from you is stop because I wanted

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Speaker 3: to show him how okay, what.

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Speaker 1: You need from me? All I need from you is

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Speaker 1: an answer to my fucking question. Yeah, okay, is Judd

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Speaker 1: really in your show? Or are you doing Judd Judge?

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Speaker 1: Judge's on the show tonight because I don't do a

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Speaker 1: very good Jude.

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Speaker 3: So I had to get the real Judd because I

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Speaker 3: don't really do a good Judd, believe it or not.

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Speaker 3: I mean there's people that I can't do.

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Speaker 2: You ain't Judd. People are gonna want to say you

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Speaker 2: ain't Judd, You ain't Jude. People are gonna want me

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Speaker 2: to say you ain't jud Yeah, yeah.

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Speaker 3: Yeah, Well he's on the show. When does this thing

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Speaker 3: come out?

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Speaker 1: Comes out Tuesday?

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Speaker 3: Well that that doesn't do me any good? And you guys,

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Speaker 3: miss you know what doesn't do you? You two misrepresented?

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Speaker 3: Now I know that this was a promise. I like

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Speaker 3: to know just where Judd is gonna be. It's gonna

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Speaker 3: be a largo with me tonight.

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Speaker 1: Okay, that's helpful.

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Speaker 3: Twenty nine.

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Speaker 1: That's helpful. I wish he'd be working on a movie.

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Speaker 2: James, Well, I haven't.

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Speaker 3: I wish this came out.

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Speaker 2: Bring this to Judd. This is so good, James. It's

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Speaker 2: you to me. It's a movie. It's a true to life.

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Speaker 2: Jud likes to do these true stories of comedians, like

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Speaker 2: it's you curing the toxic culture at ut A. It's

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Speaker 2: about your horrible ideally female agent and your bad relationship.

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Speaker 2: It's called misrepresented because you kept saying that we misrepresented,

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Speaker 2: and it kept hitting my ear and I was going.

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Speaker 3: Yeah, this is for Jod, but you were misrepresented. You

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Speaker 3: were you were misrepresented. She's misrepresented. That's your name. I

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Speaker 3: liked everybody over there. See the thing about that, I

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Speaker 3: liked everybody because.

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Speaker 2: Jud left them as well.

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Speaker 1: So like, what where do you guys talk about that?

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Speaker 3: Where's he now? I've talked to him twice and both

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Speaker 3: times briefly sort of in restroom lines the book.

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Speaker 2: I'll tell you what restroom lines are the new golf course.

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Speaker 2: The deals happen in the line at the restroom.

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Speaker 3: That's why I say yes to every Apple event, because

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Speaker 3: you don't know who is going to be needing to,

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Speaker 3: you know, pee pee. Pooh. I mean it just covers

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Speaker 3: a lot of that's a lot of ground. And there's

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Speaker 3: other reasons.

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Speaker 2: Your hands just cold water on your face.

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Speaker 1: Just recess lorror gets psyched up.

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Speaker 3: But I can't cocaine on a jut or a Brian

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Speaker 3: grazer to be just washing their hands at an apple

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Speaker 3: of it. I have to kind of be, you know.

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Speaker 3: I post up in the corner and I'm like, he's

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Speaker 3: had he's had some white wine and go right, and

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Speaker 3: he chased it with some water. I know this guy's

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Speaker 3: about to pee, blasts right out of them. Huh, sure enough,

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Speaker 3: I see it.

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Speaker 2: I mean, white wine and water. Nothing looks more like

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Speaker 2: urine the math.

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Speaker 3: Yeah, you know that that. You know that guy's getting

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Speaker 3: ready to pee, and that gives.

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Speaker 1: You the kidneys are like done and dust.

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Speaker 2: Here we go.

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Speaker 1: Nothing for me to do here through Yeah.

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Speaker 3: I'll just I'm on my break. Tell the bladder.

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Speaker 2: I'm on my break.

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Speaker 3: Yeah, you know, I'm going to take five out of

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Speaker 3: smoke out back. Yeah, but I'm not into that development

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Speaker 3: crap right now. I really just stop.

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Speaker 2: Oh that's not how I think of her saying it.

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Speaker 3: This actually did help me.

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Speaker 2: Oh, it's so it's so aggressive, it's like a real problem.

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Speaker 3: That sounded more like a Red Hulk, And then.

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Speaker 2: I thought it was like I just thought of it

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Speaker 2: as her like kind of getting excited, almost being like

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Speaker 2: I can't even believe what you're saying, Like.

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Speaker 1: No, no, she really really needs people to stop right now,

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Speaker 1: like it's crazy.

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Speaker 2: Oh wow, but that's what you're.

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Speaker 1: Kind of think, and people usually just kind of like

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Speaker 1: keep doing the show. I think she doesn't. She really

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Speaker 1: wants everyone to stop. I think she doesn't want to

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Speaker 1: do the show.

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Speaker 2: She wishes the show was off. When you were saying

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Speaker 2: we should talk about yeah that you feel like we

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Speaker 2: should adopt some of the more of the conversational topics

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Speaker 2: from that show, and your first example I think was

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Speaker 2: BJ technique BJ technique.

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Speaker 1: Yeah.

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Speaker 2: Yeah, Well he's a great comedian. I mean he's Yeah,

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Speaker 2: he's the premise.

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Speaker 3: You know that f X show. There was that movie

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Speaker 3: where he was. It was a podcast type thing with podcasts, yes,

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Speaker 3: with podcasts which are kind of what was it called vindicated?

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Speaker 1: It was called.

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Speaker 3: Valiant Valiant Oh vengans Vengans? Yeah, I didn't see it.

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Speaker 3: I think there basically he's near Austin for some of it.

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Speaker 3: He goes to Texas, not like a city part of Texas.

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Speaker 3: I wasn't clarify I don't have any connection to Austin.

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Speaker 1: We were supposed to telling me And if you had

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Speaker 1: seen it, you you you would know that.

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Speaker 3: Did you guys read for Vangans or no?

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Speaker 2: It was just a request that he wanted his character

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Speaker 2: to be listening to other podcasts at some point I

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Speaker 2: guess to like research what was out in the sway

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Speaker 2: and that we gave him clearance to listen to our podcast, and.

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Speaker 1: They said send us a clip what we forgot to

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Speaker 1: because but also like this is how they I didn't

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Speaker 1: say that though. It's the same thing with them getting

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Speaker 1: you to hop on the stage at SNL. Oh, just

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Speaker 1: like let us use your podcast and the like in

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Speaker 1: the movie do we have clearance to use your podcast?

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Speaker 1: And you go see the movie, it's just a guy

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Speaker 1: listening to a full episode of your podcast Crazy on

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Speaker 1: the Subway.

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Speaker 2: And him like going picking another one just gave I know.

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Speaker 3: Yeah, well, it's really interesting that you bring up SNL

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Speaker 3: because the clipper we're going to send was you. Yeah,

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Speaker 3: it was all you talk.

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Speaker 1: Oh yeah, no, don't worry, it was your Yeah, of

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Speaker 1: course it was your episode, that's the one we'd send him.

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Speaker 2: I just knew he was going to ask.

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Speaker 3: I know, I mean, thank god you didn't. I've been

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Speaker 3: trying to get that thing buried.

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Speaker 2: You know, what were you gonna say about SNL?

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Speaker 3: I was going to say that, I know, you're kind

337
00:17:06,320 --> 00:17:08,439
Speaker 3: of kidding around about like get on up there and

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Speaker 3: hop up up there. I don't think people realize that

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Speaker 3: the Donald Trump segments are basically me up there, no script, yeah,

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Speaker 3: just doing whatever I want. They basically you know that.

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Speaker 3: I mean, you know, and.

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Speaker 1: The writers are great. The writers, it's like it's no

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Speaker 1: shade of the right.

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Speaker 3: Writers are great, but the cast fully improvises every episode.

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Speaker 3: I mean, that's just the truth. The writers are kind

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Speaker 3: of there.

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Speaker 2: To It's nice to kind of have the writers there, right,

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Speaker 2: just encouragement, encouragement, smiling yep.

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Speaker 3: Yeah, I think that.

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Speaker 2: Uh, I think that that is actually something that gets

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Speaker 2: discussed a little bit, is like the way the writers

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Speaker 2: came up with that. Yeah that I mean because you

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Speaker 2: watch the rest of the show and it's nice. Yeah,

354
00:18:02,600 --> 00:18:07,720
Speaker 2: it's nice. Yeah, but you watch that and you go, yeah,

355
00:18:07,760 --> 00:18:15,000
Speaker 2: he's channeling something Jordan. It's Jordan's Yeah, Jordan sparks. M h,

356
00:18:15,480 --> 00:18:16,520
Speaker 2: It's Jordan's sparks.

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Speaker 1: Baby.

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Speaker 3: What I what I say?

359
00:18:19,560 --> 00:18:20,400
Speaker 2: What I like to say.

360
00:18:20,440 --> 00:18:22,399
Speaker 3: I say this to Hayes sister Ruby.

361
00:18:22,600 --> 00:18:25,080
Speaker 2: Yeah, yeah, what I say to Hayes all the time

362
00:18:25,200 --> 00:18:31,680
Speaker 2: is when there's Ja j in a sketch, Jagina sketch.

363
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Speaker 1: Ja sketch.

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00:18:32,680 --> 00:18:37,160
Speaker 2: Right, yeah, I mean, because it feels like having sex

365
00:18:37,359 --> 00:18:41,760
Speaker 2: seeing you, you know, see you like really let loose

366
00:18:41,840 --> 00:18:44,320
Speaker 2: up there and like it is, you know, to go

367
00:18:44,400 --> 00:18:47,400
Speaker 2: off the dome like which it feels like dome as well,

368
00:18:47,560 --> 00:18:50,480
Speaker 2: kind of getting them, but it's yeah, it's even better.

369
00:18:50,520 --> 00:18:58,119
Speaker 2: But to see you glowing is to me, like it's

370
00:18:58,200 --> 00:19:01,800
Speaker 2: like this raw kind of sensual experience where the rest

371
00:19:01,800 --> 00:19:04,360
Speaker 2: of the show is like very planned and they've got

372
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Speaker 2: their costumes and they've got their wigs and they've got

373
00:19:06,880 --> 00:19:10,880
Speaker 2: their you know, little sick design night. We've all agreed

374
00:19:10,960 --> 00:19:13,400
Speaker 2: and it's written on the Q card. And then I'm

375
00:19:13,440 --> 00:19:17,320
Speaker 2: watching this guy and it's dance. It's performative dance, which

376
00:19:17,359 --> 00:19:20,320
Speaker 2: is really just a form of having sex, you know,

377
00:19:21,200 --> 00:19:24,320
Speaker 2: and just like the way you move up there and

378
00:19:24,400 --> 00:19:26,960
Speaker 2: the connections that you make, you.

379
00:19:26,960 --> 00:19:32,000
Speaker 3: Know, it's it's like sex. It's sketch you you you.

380
00:19:32,680 --> 00:19:37,760
Speaker 1: Show up there as dude, and every single one of

381
00:19:37,760 --> 00:19:41,639
Speaker 1: my fucking glands the damn bursts. Yeah you know what

382
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Speaker 1: I mean.

383
00:19:42,000 --> 00:19:45,240
Speaker 3: Oh yeah, no, I need a village is like is

384
00:19:45,480 --> 00:19:46,840
Speaker 3: completely wiped out.

385
00:19:47,000 --> 00:19:52,000
Speaker 1: Yeah, buckets and buckets, bucket another uice man, Yeah, just

386
00:19:52,119 --> 00:19:56,120
Speaker 1: juiced every every gland. There's another one. Oh I thought

387
00:19:56,119 --> 00:19:57,560
Speaker 1: that was all of them. Here goes another one.

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Speaker 2: I need a full of packet of liquid ivy next

389
00:20:02,760 --> 00:20:05,720
Speaker 2: to me for like, just right after watching one sketch,

390
00:20:05,840 --> 00:20:07,760
Speaker 2: because I'm totally depleted.

391
00:20:08,560 --> 00:20:11,000
Speaker 3: Yeah, I'm no more fluids. I imagine how I feel.

392
00:20:11,080 --> 00:20:13,160
Speaker 3: You know, I'm up there doing it.

393
00:20:13,400 --> 00:20:15,159
Speaker 2: I think part of what's happening is I am I

394
00:20:15,200 --> 00:20:17,720
Speaker 2: am that is that's exactly what I am. That's what

395
00:20:18,160 --> 00:20:23,040
Speaker 2: That's what my imagination. Yeah, so some people might, I mean,

396
00:20:23,080 --> 00:20:26,199
Speaker 2: it's crazy because I I just take for granted like

397
00:20:26,400 --> 00:20:28,600
Speaker 2: that other people are having my experience. But then I go, well,

398
00:20:28,640 --> 00:20:31,720
Speaker 2: I'm a creative, like I'm representatives. Yeah, my agent's calling

399
00:20:31,760 --> 00:20:33,280
Speaker 2: me this morning, and I really.

400
00:20:33,080 --> 00:20:36,280
Speaker 3: Liked everybody over there. That I mean, like when I look.

401
00:20:36,200 --> 00:20:41,880
Speaker 1: Back, point just say what went wrong, just be honest

402
00:20:42,200 --> 00:20:44,679
Speaker 1: so they can improve. It's like that like when you

403
00:20:44,720 --> 00:20:46,960
Speaker 1: say it like that. It's like you think there's no

404
00:20:47,080 --> 00:20:50,919
Speaker 1: possibility that they'll be able to earn your business back

405
00:20:51,520 --> 00:20:52,879
Speaker 1: if you don't tell them what happens.

406
00:20:54,280 --> 00:20:54,960
Speaker 3: Not constructive.

407
00:20:55,000 --> 00:20:56,560
Speaker 2: So if you just say what you wish they were

408
00:20:56,560 --> 00:20:59,480
Speaker 2: doing better, what CIA I guess promised to do. And

409
00:20:59,560 --> 00:21:02,120
Speaker 2: I don't know if there's some sort of you know,

410
00:21:03,280 --> 00:21:05,200
Speaker 2: backroom dealing happening.

411
00:21:05,280 --> 00:21:07,600
Speaker 1: Or is it just watching Judd and saying I'm Judd,

412
00:21:07,840 --> 00:21:10,919
Speaker 1: which if that's what you're thinking, I actually have a friend.

413
00:21:11,359 --> 00:21:14,320
Speaker 1: Yeah who who has a message for you? Yeah?

414
00:21:14,440 --> 00:21:17,080
Speaker 3: Right, yeah, I mean not going to be easy to

415
00:21:17,119 --> 00:21:19,359
Speaker 3: hear if you want to know what the story was.

416
00:21:19,440 --> 00:21:22,439
Speaker 3: But Jack, do you want me to say what the

417
00:21:22,480 --> 00:21:24,120
Speaker 3: story was, what happened? What went down?

418
00:21:24,320 --> 00:21:24,760
Speaker 2: Yeah?

419
00:21:24,840 --> 00:21:26,679
Speaker 3: I was too spread out. I was with a million

420
00:21:26,720 --> 00:21:29,200
Speaker 3: different places for a million different things. You know. Ut

421
00:21:29,400 --> 00:21:33,320
Speaker 3: I I was in you know, commercial animation, had three

422
00:21:33,320 --> 00:21:36,760
Speaker 3: people in commercial animation at CIAA, I had you know,

423
00:21:36,840 --> 00:21:42,040
Speaker 3: four people in just like ya sci fi and fantasy

424
00:21:42,080 --> 00:21:46,560
Speaker 3: stuff that I do in at WM that was kind

425
00:21:46,560 --> 00:21:50,920
Speaker 3: of my that was on camera principal commercial and then

426
00:21:51,000 --> 00:21:54,800
Speaker 3: you know, I was I was at I was at McDonald's,

427
00:21:56,000 --> 00:21:56,240
Speaker 3: I was.

428
00:21:56,240 --> 00:21:57,520
Speaker 2: At principal commercial.

429
00:21:57,520 --> 00:22:00,720
Speaker 1: I just want to say. He's like it's so weird,

430
00:22:01,080 --> 00:22:05,200
Speaker 1: Like I whatever, it's a choice, You're making a choice.

431
00:22:05,440 --> 00:22:06,119
Speaker 1: Like it's fine.

432
00:22:06,600 --> 00:22:08,600
Speaker 2: No principal I've ever seen is doing that.

433
00:22:08,720 --> 00:22:11,080
Speaker 1: I just I was surprised that, like, so the gushers

434
00:22:11,119 --> 00:22:15,280
Speaker 1: are exploding and like people are surfing around the entire school,

435
00:22:15,280 --> 00:22:17,480
Speaker 1: which is basically to me when I watch You and

436
00:22:17,520 --> 00:22:21,399
Speaker 1: Play Dude on that show, Like basically like like the

437
00:22:21,480 --> 00:22:23,800
Speaker 1: glands are going so hard, my kids are basically like

438
00:22:23,880 --> 00:22:25,240
Speaker 1: surfing down the hallway.

439
00:22:25,440 --> 00:22:26,360
Speaker 2: Yeah, they float away.

440
00:22:27,400 --> 00:22:27,520
Speaker 3: Uh.

441
00:22:28,640 --> 00:22:33,600
Speaker 1: Principal was like it, like into it. Well, like he's.

442
00:22:32,880 --> 00:22:34,679
Speaker 3: Because other teachers are frustrated.

443
00:22:34,880 --> 00:22:37,440
Speaker 1: Yes, but he's not as engaged as I would think.

444
00:22:37,520 --> 00:22:39,800
Speaker 1: He's like doing other He's theres a lot on the

445
00:22:39,880 --> 00:22:42,520
Speaker 1: carrier work, a lot of interior work. I don't know

446
00:22:42,520 --> 00:22:46,840
Speaker 1: what's like so important on the computer that he wouldn't

447
00:22:46,880 --> 00:22:50,200
Speaker 1: like need to pay attention to the gushers. But also

448
00:22:50,280 --> 00:22:51,480
Speaker 1: he like looks over He's.

449
00:22:51,320 --> 00:22:55,919
Speaker 2: Like, okay, okay, he's in charge of this. He's in

450
00:22:56,000 --> 00:22:58,240
Speaker 2: charge of the school, like he's in charge of the

451
00:22:58,240 --> 00:23:00,879
Speaker 2: safety of the students. True, so I would think that

452
00:23:01,080 --> 00:23:06,000
Speaker 2: he would have at least at least a little awareness

453
00:23:06,000 --> 00:23:09,119
Speaker 2: of like, well, everyone's surfing right now, like and but

454
00:23:09,280 --> 00:23:11,520
Speaker 2: it's not it's not like, okay, I think you'd be

455
00:23:11,560 --> 00:23:14,840
Speaker 2: like I should call someone even if it was that.

456
00:23:14,800 --> 00:23:17,720
Speaker 1: School's going to have to be shut down, right, like

457
00:23:17,800 --> 00:23:22,040
Speaker 1: this is actually probably the end of school at least

458
00:23:22,040 --> 00:23:24,080
Speaker 1: for today. You're just on the computer.

459
00:23:24,760 --> 00:23:27,119
Speaker 2: I mean, if what he's writing on the computer is

460
00:23:28,000 --> 00:23:33,240
Speaker 2: note to self, no gusher's policy at school, if there is,

461
00:23:33,280 --> 00:23:35,439
Speaker 2: but then we should see the screen and that's not

462
00:23:35,520 --> 00:23:36,440
Speaker 2: your job, you're not doing.

463
00:23:36,440 --> 00:23:39,120
Speaker 1: And then and then why is he looking over?

464
00:23:39,320 --> 00:23:45,560
Speaker 2: Where are you for directing McDonald McDonald's Yeah.

465
00:23:44,400 --> 00:23:46,880
Speaker 3: Well, like I'll tell you what I in for gushers

466
00:23:46,880 --> 00:23:49,280
Speaker 3: because that's that's actually so that's like a project. It's

467
00:23:49,320 --> 00:23:52,040
Speaker 3: really important to me and maybe like a bone of

468
00:23:52,040 --> 00:23:55,160
Speaker 3: contention with the whole split from you know, all these agencies.

469
00:23:54,680 --> 00:23:54,840
Speaker 2: But.

470
00:23:56,440 --> 00:24:00,280
Speaker 3: That you know, every day I would be tie you

471
00:24:00,280 --> 00:24:03,280
Speaker 3: saw me typing the commercial the computer. I was typing

472
00:24:03,320 --> 00:24:07,520
Speaker 3: personalized letters to all the kids because we really became

473
00:24:07,560 --> 00:24:09,080
Speaker 3: a tight knit group over the course of that. And

474
00:24:09,160 --> 00:24:12,320
Speaker 3: we and there's a reunion every couple of years we

475
00:24:12,359 --> 00:24:14,520
Speaker 3: get together. Two of the kids actually got married recently.

476
00:24:15,280 --> 00:24:18,439
Speaker 1: The kids and we and you know, we lost a

477
00:24:18,480 --> 00:24:21,000
Speaker 1: bunch of the bunch commercial and you see that happen

478
00:24:21,080 --> 00:24:21,480
Speaker 1: as well.

479
00:24:21,680 --> 00:24:24,240
Speaker 2: Well, I mean basically this sweet the sweet here after,

480
00:24:24,480 --> 00:24:28,879
Speaker 2: and you know that's what's the sweet about it, sticky

481
00:24:28,920 --> 00:24:31,520
Speaker 2: gushers everywhere. The gushers were sweet.

482
00:24:32,200 --> 00:24:35,040
Speaker 1: The movie itself is like, there's nothing really that sweet

483
00:24:35,119 --> 00:24:37,359
Speaker 1: in this, Like it was kind of answering a question

484
00:24:37,400 --> 00:24:42,040
Speaker 1: that had seeing the sweet here after, it's like sweet juice.

485
00:24:42,160 --> 00:24:47,080
Speaker 2: Yeah, And it seems like it seems like what what

486
00:24:47,240 --> 00:24:50,520
Speaker 2: happened actually is someone said here when they handed the gusher,

487
00:24:50,760 --> 00:24:54,560
Speaker 2: and then after there was sweet, and so it feels

488
00:24:54,640 --> 00:25:00,320
Speaker 2: like they kind of fucked up the name, like did

489
00:25:00,400 --> 00:25:01,880
Speaker 2: you be here after.

490
00:25:01,760 --> 00:25:03,400
Speaker 1: Sweet or yeah sweet?

491
00:25:03,680 --> 00:25:09,280
Speaker 3: Right, that's right here after sweet sweet? Yeah here after.

492
00:25:10,240 --> 00:25:10,880
Speaker 1: Yeah.

493
00:25:10,960 --> 00:25:13,359
Speaker 2: Well that's what I wish someone had said after because

494
00:25:13,359 --> 00:25:17,560
Speaker 2: so many people died and the gusher, uh, you know, explosion.

495
00:25:17,040 --> 00:25:19,560
Speaker 3: That nothing could be really done about that. I mean,

496
00:25:19,720 --> 00:25:23,800
Speaker 3: I at the time, it was this big disaster.

497
00:25:23,960 --> 00:25:27,520
Speaker 2: This is you like, I'm noticing a pattern where like

498
00:25:27,760 --> 00:25:29,960
Speaker 2: with you t it's like I liked everyone there was

499
00:25:30,000 --> 00:25:32,239
Speaker 2: nothing they could have done, and like it's just like

500
00:25:32,359 --> 00:25:34,840
Speaker 2: and then it's like there's nothing, no, nothing was wrong.

501
00:25:34,880 --> 00:25:37,399
Speaker 2: And then you know, everyone died in the sort of

502
00:25:37,440 --> 00:25:39,960
Speaker 2: gusher explosion. It's like, and nothing could be done about that,

503
00:25:40,000 --> 00:25:45,440
Speaker 2: and there's no accountability and there's no responsibility.

504
00:25:44,480 --> 00:25:49,080
Speaker 1: Human response to like other people, what's going on and

505
00:25:49,200 --> 00:25:51,160
Speaker 1: anyone else's interior experience.

506
00:25:51,359 --> 00:25:53,719
Speaker 2: Well, this is the thing with the impression, what is it?

507
00:25:53,720 --> 00:25:56,919
Speaker 1: It's good for him. Every conversation with us is like, well,

508
00:25:56,920 --> 00:25:58,760
Speaker 1: here's what I need out of the conversation.

509
00:25:58,800 --> 00:26:00,639
Speaker 2: Is what we talked about with him with the impressions,

510
00:26:00,640 --> 00:26:03,520
Speaker 2: which is like it's fun yeah, it's very funny. Like

511
00:26:03,600 --> 00:26:05,679
Speaker 2: we all do, you know, we all want to do

512
00:26:05,720 --> 00:26:08,879
Speaker 2: an impression, but it's it's objectively cruel.

513
00:26:10,000 --> 00:26:12,639
Speaker 1: And we learned a little something about this. Then I

514
00:26:12,680 --> 00:26:15,240
Speaker 1: don't have to bring it up, but like, obviously we

515
00:26:15,400 --> 00:26:17,920
Speaker 1: learned a lesson. I hope, yes, this.

516
00:26:18,119 --> 00:26:21,119
Speaker 2: Nothing could be done, right, nothing we could have done.

517
00:26:21,840 --> 00:26:24,359
Speaker 2: Here's what I'll say. And I just want to say this,

518
00:26:27,560 --> 00:26:29,920
Speaker 2: you better not do an impression to me on that show.

519
00:26:30,520 --> 00:26:32,480
Speaker 2: God help you if you try to do an impression

520
00:26:32,480 --> 00:26:34,520
Speaker 2: of me on that show. If I turn on SNL

521
00:26:34,560 --> 00:26:39,080
Speaker 2: and I'm on there, yeah and I see myself even

522
00:26:39,119 --> 00:26:41,920
Speaker 2: a character where it's like it's not me, but it's

523
00:26:42,119 --> 00:26:47,840
Speaker 2: obviously me. If I see that James Emily Wood's gonna

524
00:26:47,840 --> 00:26:52,920
Speaker 2: feel like Amy Lou Feathers. It's gonna feel like a Feathers.

525
00:26:52,920 --> 00:26:57,119
Speaker 1: In terms of how it would be. Yeah, that hits you.

526
00:26:57,200 --> 00:26:59,520
Speaker 1: That's pretty hard. Would that's hard?

527
00:26:59,600 --> 00:27:05,199
Speaker 2: Compare you got hit with Heathers. Are you texting U?

528
00:27:05,200 --> 00:27:07,960
Speaker 3: T A. I'm texting one of the writers of the show.

529
00:27:08,000 --> 00:27:10,080
Speaker 3: Can we have a big we have a big dry

530
00:27:10,080 --> 00:27:15,880
Speaker 3: erase board of the impressions that I'm doing, And I'm

531
00:27:15,920 --> 00:27:19,920
Speaker 3: gonna have one of the writers who are there for us. Yeah,

532
00:27:20,320 --> 00:27:22,879
Speaker 3: mm hmm, to just sort of erase it.

533
00:27:22,960 --> 00:27:25,440
Speaker 2: That's your pit crew, it's the pit crew.

534
00:27:27,440 --> 00:27:28,440
Speaker 3: Well, I'm just gonna.

535
00:27:28,200 --> 00:27:30,879
Speaker 1: Text the writer while you're texting. You better not be

536
00:27:30,960 --> 00:27:33,320
Speaker 1: texting them to do an impression of my ass.

537
00:27:33,600 --> 00:27:36,800
Speaker 2: Okay, and Hayes, I didn't want to get him riled up.

538
00:27:36,840 --> 00:27:39,320
Speaker 1: I had to say, there's an impression.

539
00:27:38,800 --> 00:27:45,600
Speaker 2: Of my ass on s n L stop stop all right,

540
00:27:45,640 --> 00:27:46,080
Speaker 2: I'll stop.

541
00:27:46,960 --> 00:27:51,000
Speaker 1: Then you might as well change NBC to NB see

542
00:27:51,000 --> 00:27:56,720
Speaker 1: you later the show and the network will NB cease

543
00:27:56,880 --> 00:27:58,719
Speaker 1: to desist.

544
00:28:00,160 --> 00:28:02,960
Speaker 2: And s n will be taking a major L in

545
00:28:03,119 --> 00:28:03,959
Speaker 2: cour L.

546
00:28:04,520 --> 00:28:07,280
Speaker 1: Take this L. Hold this L for me.

547
00:28:07,440 --> 00:28:10,000
Speaker 3: I get it. You're saying, and l's for lawsuit. I

548
00:28:10,040 --> 00:28:15,359
Speaker 3: get it. Saturday night dead Saturday night. Well, well you

549
00:28:15,400 --> 00:28:17,639
Speaker 3: want to say it, I'm not want to say someone

550
00:28:18,280 --> 00:28:21,800
Speaker 3: you know, So just say it Saturday night killing anybody.

551
00:28:21,840 --> 00:28:24,000
Speaker 1: And you take it to this place of like being

552
00:28:25,000 --> 00:28:27,879
Speaker 1: so brutal.

553
00:28:28,200 --> 00:28:30,440
Speaker 2: So me just disgusting.

554
00:28:31,000 --> 00:28:34,560
Speaker 3: Can we I would hope that you would learn.

555
00:28:34,840 --> 00:28:37,600
Speaker 2: I mean, you're working with Judd. Even just in the

556
00:28:37,600 --> 00:28:43,600
Speaker 2: bathroom line, there's there's a sweetness, there's a heart, there's

557
00:28:44,440 --> 00:28:45,360
Speaker 2: four people.

558
00:28:45,760 --> 00:28:48,480
Speaker 3: Do we mess up? Sometimes?

559
00:28:49,280 --> 00:28:52,960
Speaker 2: Sometimes we do, but we're trying to figure it out.

560
00:28:53,600 --> 00:28:54,840
Speaker 3: Can I grow up a little bit?

561
00:28:55,200 --> 00:28:55,600
Speaker 1: Yeah?

562
00:28:56,400 --> 00:28:58,920
Speaker 2: Can I smoke a little less weed and do work

563
00:28:58,960 --> 00:29:00,280
Speaker 2: more work at my job?

564
00:29:01,040 --> 00:29:01,360
Speaker 5: Sure?

565
00:29:02,920 --> 00:29:05,680
Speaker 2: But like, give me a fucking minute.

566
00:29:05,800 --> 00:29:09,280
Speaker 3: Okay, Well, what you don't see in the montage of

567
00:29:09,320 --> 00:29:12,480
Speaker 3: the movie is all of the work that those characters

568
00:29:12,480 --> 00:29:15,600
Speaker 3: are doing to get to that place. You know, you

569
00:29:15,640 --> 00:29:19,080
Speaker 3: don't see Christopher Min's plas, although.

570
00:29:18,840 --> 00:29:21,280
Speaker 1: That is you kind of do see that in the mind.

571
00:29:23,120 --> 00:29:25,960
Speaker 1: That's been it's been he's been criticized for that. I

572
00:29:26,000 --> 00:29:27,600
Speaker 1: feel like for showing that stuff.

573
00:29:28,440 --> 00:29:30,880
Speaker 3: I like it. But I'm just saying, you want you

574
00:29:30,920 --> 00:29:34,200
Speaker 3: want you want a scene to cut and the very

575
00:29:34,280 --> 00:29:37,920
Speaker 3: next scene is that person half a year later having

576
00:29:39,440 --> 00:29:41,880
Speaker 3: having grown, but you don't get to see any of

577
00:29:41,920 --> 00:29:44,920
Speaker 3: the visual cues that suggest growth is occurrent.

578
00:29:45,040 --> 00:29:47,560
Speaker 1: Is that what you were saying, Well, I'm having grown

579
00:29:47,600 --> 00:29:50,160
Speaker 1: when he goes up that goes up there as a dude,

580
00:29:51,640 --> 00:29:58,200
Speaker 1: mm hmm, I'm having quite a.

581
00:29:57,160 --> 00:30:02,880
Speaker 3: Okay, I'm just feeling a little bit targeted because it

582
00:30:03,240 --> 00:30:05,160
Speaker 3: really is like it do be like that, but like

583
00:30:07,720 --> 00:30:10,880
Speaker 3: I'm feeling a little bit targeted because you guys are

584
00:30:11,760 --> 00:30:13,280
Speaker 3: clearly jealous of my success.

585
00:30:13,680 --> 00:30:15,960
Speaker 2: Speaking of target at the sunset target, you were saying

586
00:30:16,000 --> 00:30:19,600
Speaker 2: you found an SPF that you were Australian sunscreen.

587
00:30:19,640 --> 00:30:26,160
Speaker 3: I think goes down a lot better than stop. See,

588
00:30:27,760 --> 00:30:29,880
Speaker 3: that's like you think that's what I wanted. That's like

589
00:30:29,920 --> 00:30:33,120
Speaker 3: your friends, That's what a friend would do. That's very

590
00:30:33,160 --> 00:30:33,840
Speaker 3: Alex Cooper.

591
00:30:34,240 --> 00:30:41,040
Speaker 2: That's so Alex Cooper Codd.

592
00:30:41,800 --> 00:30:45,040
Speaker 1: So So I think we can I think we can

593
00:30:45,120 --> 00:30:47,480
Speaker 1: get there. I think we can get there, James.

594
00:30:47,560 --> 00:30:56,400
Speaker 2: I think we let's hear a couple, not dude dry

595
00:30:56,080 --> 00:31:00,840
Speaker 2: we just drive this place to handle that. And as

596
00:31:00,920 --> 00:31:06,440
Speaker 2: much as I enjoy obviously the release I get from

597
00:31:06,440 --> 00:31:10,040
Speaker 2: watching you is dude, it is it is. It's not nice.

598
00:31:10,400 --> 00:31:11,800
Speaker 2: It's all cruel.

599
00:31:11,880 --> 00:31:14,600
Speaker 3: You can tell that there's a mean spirited.

600
00:31:14,440 --> 00:31:18,719
Speaker 2: Yes, And I just wonder, can I have one nice impression?

601
00:31:20,360 --> 00:31:21,320
Speaker 1: Just so?

602
00:31:21,360 --> 00:31:22,040
Speaker 5: Who? Like?

603
00:31:22,400 --> 00:31:24,120
Speaker 2: So like give me something else?

604
00:31:24,840 --> 00:31:26,800
Speaker 3: I mean, you know, I've been doing Kamala Harris, I've

605
00:31:26,840 --> 00:31:28,280
Speaker 3: been doing Paul Jamadi.

606
00:31:29,240 --> 00:31:30,480
Speaker 1: Who's in the show tonight?

607
00:31:31,200 --> 00:31:32,080
Speaker 3: Who's in the show tonight.

608
00:31:32,160 --> 00:31:33,960
Speaker 1: Let's get it right for the you know, for.

609
00:31:34,360 --> 00:31:38,880
Speaker 3: People, they don't hear this until Tuesday, well, which you

610
00:31:38,920 --> 00:31:39,560
Speaker 3: could have told.

611
00:31:39,640 --> 00:31:42,040
Speaker 1: What I'm hearing is that the show is not sold out.

612
00:31:42,400 --> 00:31:44,640
Speaker 1: That's what I'm hearing. That's that's what I'm hearing. That

613
00:31:44,680 --> 00:31:48,160
Speaker 1: I'm getting, yes, And can I just say that's fine,

614
00:31:48,880 --> 00:31:54,040
Speaker 1: it's okay from that pain. It's a big venue.

615
00:31:54,280 --> 00:31:58,080
Speaker 2: Don't take on that responsibility. They could have probably promoted

616
00:31:58,120 --> 00:32:00,800
Speaker 2: it better, you know what I mean, Well, we could

617
00:32:00,800 --> 00:32:01,720
Speaker 2: have helped more.

618
00:32:02,600 --> 00:32:05,040
Speaker 3: Don't bring Mike Clargo into this.

619
00:32:06,320 --> 00:32:06,800
Speaker 2: That is.

620
00:32:08,360 --> 00:32:09,680
Speaker 3: That's a buddy of mine.

621
00:32:09,960 --> 00:32:10,280
Speaker 1: M hm.

622
00:32:10,760 --> 00:32:14,800
Speaker 3: You know we've hung out a few times. We both

623
00:32:14,880 --> 00:32:17,800
Speaker 3: left Ut around the same time and that really brought

624
00:32:17,880 --> 00:32:22,520
Speaker 3: us together. WHOA and he did not like everybody over there,

625
00:32:22,560 --> 00:32:23,840
Speaker 3: but I liked everybody over there.

626
00:32:26,360 --> 00:32:31,080
Speaker 1: Who are we gonna hear from Mike Largo tonight, tego baby,

627
00:32:31,280 --> 00:32:34,600
Speaker 1: Why don't we go to creative artist?

628
00:32:35,880 --> 00:32:41,080
Speaker 3: You gitzy, We won't be miss represented.

629
00:32:42,960 --> 00:32:44,640
Speaker 2: This is the opening credits song.

630
00:32:44,800 --> 00:32:48,240
Speaker 3: Yeah way down in James Johnson Town.

631
00:32:48,960 --> 00:32:52,360
Speaker 2: Yes, yeah, John Johnson Senior Town.

632
00:32:52,240 --> 00:32:56,320
Speaker 3: James Jnson Senior Town. But you were Yeah.

633
00:32:56,360 --> 00:32:58,080
Speaker 2: So we're hearing that it's not sold out. But who

634
00:32:58,160 --> 00:32:59,560
Speaker 2: else is going to be doing the show?

635
00:33:01,400 --> 00:33:05,800
Speaker 3: You know, as Judd there's I got uh Dave long

636
00:33:05,840 --> 00:33:07,280
Speaker 3: strutth from Dirty Projectors is there?

637
00:33:08,400 --> 00:33:11,080
Speaker 1: Okay, you're gonna do an impression of him.

638
00:33:11,120 --> 00:33:12,760
Speaker 3: He's on the show, and I think I might even

639
00:33:12,760 --> 00:33:13,280
Speaker 3: do a little whit.

640
00:33:13,400 --> 00:33:15,880
Speaker 2: Oh oh, I'm asking who are we going to be

641
00:33:16,000 --> 00:33:17,080
Speaker 2: seeing at the show?

642
00:33:18,400 --> 00:33:23,800
Speaker 1: From whom guess we did the show?

643
00:33:24,760 --> 00:33:31,240
Speaker 3: I uh, I know Billy Bob Thornton, he might pump

644
00:33:31,320 --> 00:33:31,880
Speaker 3: up on stage.

645
00:33:31,960 --> 00:33:35,280
Speaker 1: Guy who's I mean, this is a guy who and like,

646
00:33:36,560 --> 00:33:38,560
Speaker 1: if we're inhabiting this person and trying to have a

647
00:33:38,600 --> 00:33:41,240
Speaker 1: little sensitivity in our treatment of him, this is a

648
00:33:41,280 --> 00:33:45,120
Speaker 1: man who has gotten divorced, Like, let's just say, yeah,

649
00:33:46,560 --> 00:33:49,160
Speaker 1: he got to the other side of It's a little pricky.

650
00:33:49,240 --> 00:33:52,840
Speaker 2: It doesn't define him necessarily, but it is a part

651
00:33:52,840 --> 00:33:56,200
Speaker 2: of his story, and I think to completely ignore it

652
00:33:56,240 --> 00:33:59,080
Speaker 2: is not to honor his truth. So and I think

653
00:33:59,120 --> 00:34:01,240
Speaker 2: he's been divorced, and.

654
00:34:01,200 --> 00:34:03,240
Speaker 3: The prompt is to be sweet and to not be.

655
00:34:03,920 --> 00:34:06,360
Speaker 2: I would like the impression to feel like it's being

656
00:34:06,440 --> 00:34:08,040
Speaker 2: done with kindness.

657
00:34:07,840 --> 00:34:10,440
Speaker 1: Understanding, just a little bit of greats.

658
00:34:10,080 --> 00:34:12,640
Speaker 2: Just actually knowing like this guy's been through a lot.

659
00:34:12,719 --> 00:34:15,560
Speaker 2: He was divorced, which okay, and they and then that

660
00:34:15,640 --> 00:34:18,200
Speaker 2: thing where they were wearing each other's blood, you remember that.

661
00:34:18,520 --> 00:34:19,000
Speaker 2: Remember that.

662
00:34:20,760 --> 00:34:22,640
Speaker 3: Means that he got like he had a cut of

663
00:34:22,760 --> 00:34:25,759
Speaker 3: some kind or like a vial of very blood or something.

664
00:34:25,920 --> 00:34:26,120
Speaker 1: Yeah.

665
00:34:26,360 --> 00:34:29,720
Speaker 3: Either, yeah, she was but she had he had her blood,

666
00:34:29,760 --> 00:34:31,040
Speaker 3: but she had his, she had his.

667
00:34:31,480 --> 00:34:32,840
Speaker 1: Where that come from? Somewhere?

668
00:34:32,960 --> 00:34:34,680
Speaker 2: Came out of something, you know what I mean?

669
00:34:35,200 --> 00:34:39,520
Speaker 3: All right? Here, here's here's I think because I I

670
00:34:39,560 --> 00:34:41,640
Speaker 3: heard one time he was on the phone with her

671
00:34:41,800 --> 00:34:48,400
Speaker 3: while he was at Kroger Kroger okay, and yeah, okay,

672
00:34:48,600 --> 00:34:51,440
Speaker 3: So I wonder what that would have sounded like that

673
00:34:51,560 --> 00:34:52,479
Speaker 3: what you heard?

674
00:34:52,560 --> 00:34:52,840
Speaker 2: Okay?

675
00:34:54,360 --> 00:34:54,840
Speaker 3: Uh?

676
00:34:55,280 --> 00:34:59,040
Speaker 5: Yeah, Hey Angelina, Uh, I was just I know you

677
00:34:59,080 --> 00:35:03,480
Speaker 5: said that you needed a family pack of strawberry jello,

678
00:35:03,920 --> 00:35:07,320
Speaker 5: but I couldn't remember if you said that that was

679
00:35:07,360 --> 00:35:11,960
Speaker 5: supposed to be the sugar freakin or so just I

680
00:35:12,000 --> 00:35:14,239
Speaker 5: don't know. Whenever you get this, just give me a ring.

681
00:35:14,680 --> 00:35:17,239
Speaker 3: Okay, so stop, so.

682
00:35:19,160 --> 00:35:24,360
Speaker 2: The the I like the impression, I like the area.

683
00:35:24,680 --> 00:35:27,000
Speaker 1: Don't we have to do.

684
00:35:27,000 --> 00:35:31,200
Speaker 2: We have to do these gender roles, right, I can't

685
00:35:31,280 --> 00:35:36,240
Speaker 2: remember what you wanted. Oh, you should figure with the sugar,

686
00:35:37,640 --> 00:35:38,880
Speaker 2: this dumb ass.

687
00:35:38,640 --> 00:35:43,200
Speaker 1: Husband to feed ourselves without our water.

688
00:35:43,600 --> 00:35:45,120
Speaker 2: What if he said this and I'm not going to

689
00:35:45,160 --> 00:35:45,840
Speaker 2: do the impression.

690
00:35:46,480 --> 00:35:52,399
Speaker 3: Hey, I'm not gonna do it.

691
00:35:54,400 --> 00:35:58,759
Speaker 2: But what if he said, I'm I'm here at the

692
00:35:58,800 --> 00:36:02,279
Speaker 2: grocery store. I remember that you said you wanted the

693
00:36:02,680 --> 00:36:08,240
Speaker 2: the family pack of strawberry Jello, and I wrote down

694
00:36:10,440 --> 00:36:15,000
Speaker 2: that you wanted the full sugar version because you deserve

695
00:36:15,080 --> 00:36:18,560
Speaker 2: to indulge yourself, my queen.

696
00:36:18,960 --> 00:36:22,560
Speaker 3: I hope we never get divorced. I mean, would that

697
00:36:22,600 --> 00:36:23,239
Speaker 3: feel better to.

698
00:36:23,360 --> 00:36:25,520
Speaker 1: Something like that? I think he could actually just for her,

699
00:36:25,840 --> 00:36:26,840
Speaker 1: and if you do, it.

700
00:36:26,840 --> 00:36:28,839
Speaker 3: Would probably be what's best for both of us.

701
00:36:28,960 --> 00:36:30,759
Speaker 1: I think he should be honest with her and say

702
00:36:30,880 --> 00:36:33,560
Speaker 1: I will not be buying you the full sugar.

703
00:36:33,800 --> 00:36:40,440
Speaker 2: Again, that's interesting too. Yes, as a means of control. However,

704
00:36:41,040 --> 00:36:44,600
Speaker 2: are you implying that the blood in there.

705
00:36:45,200 --> 00:36:49,160
Speaker 1: Was fake jello? Is that what you're trying to imply?

706
00:36:51,200 --> 00:36:51,480
Speaker 2: Wow?

707
00:36:51,880 --> 00:36:54,160
Speaker 3: Be what I'm saying, Wow, that they.

708
00:36:54,080 --> 00:36:59,400
Speaker 2: Need a whole family pack to experiment wow with making

709
00:36:59,400 --> 00:37:02,040
Speaker 2: it a lot of make it more blood like each

710
00:37:02,080 --> 00:37:08,440
Speaker 2: other's bloods. Yes, yes, because it can't be fully liquid.

711
00:37:08,440 --> 00:37:12,040
Speaker 2: It obviously can't be fully jello, and so getting that

712
00:37:12,160 --> 00:37:15,000
Speaker 2: sort of correct viscosity that they need the Family pack

713
00:37:15,080 --> 00:37:18,840
Speaker 2: to work with. Well, that's the case, then let's just

714
00:37:19,160 --> 00:37:23,520
Speaker 2: say it. I don't know if it's nice, but let's

715
00:37:23,600 --> 00:37:25,400
Speaker 2: kind of say what the process is going to be.

716
00:37:25,440 --> 00:37:29,520
Speaker 1: And let's have him not be like like a Southern guy.

717
00:37:29,760 --> 00:37:30,840
Speaker 2: I know, you know what I mean, you.

718
00:37:32,680 --> 00:37:35,040
Speaker 1: Know, like you you're from there? Do you sound like that?

719
00:37:35,160 --> 00:37:36,200
Speaker 2: You don't sound like that?

720
00:37:36,760 --> 00:37:37,440
Speaker 1: Everyone from there?

721
00:37:39,000 --> 00:37:41,200
Speaker 3: Right now when I'm drinking, you know, if I have

722
00:37:41,239 --> 00:37:41,600
Speaker 3: a couple of.

723
00:37:41,600 --> 00:37:47,680
Speaker 1: Times he was, So you're implying the store taking poles

724
00:37:48,239 --> 00:37:55,520
Speaker 1: of rum off the from the shelf of the Dazzling's

725
00:37:55,760 --> 00:37:57,200
Speaker 1: Dark Rum.

726
00:37:57,280 --> 00:38:01,000
Speaker 3: Yeah yeah, Wow, Yeah. I mean he's a he's a

727
00:38:01,080 --> 00:38:03,800
Speaker 3: rock and roller. I mean, he's a he's a rebel.

728
00:38:03,920 --> 00:38:08,759
Speaker 3: He's an American iconoclast. And you know, I've never met him,

729
00:38:08,760 --> 00:38:12,399
Speaker 3: but we've hung out a few times, and he's he's

730
00:38:12,800 --> 00:38:13,760
Speaker 3: he's somebody.

731
00:38:13,360 --> 00:38:18,600
Speaker 1: Who's friends like that. Yeah, we could hang out.

732
00:38:18,920 --> 00:38:21,040
Speaker 2: Hung out a few times. But I've never met him

733
00:38:21,080 --> 00:38:23,680
Speaker 2: seven nights a week, I've never met him, never really

734
00:38:23,719 --> 00:38:26,120
Speaker 2: met him, never really met him.

735
00:38:26,200 --> 00:38:28,200
Speaker 3: I think I'm that for Kevin.

736
00:38:31,239 --> 00:38:32,520
Speaker 1: I'd certainly like that to be.

737
00:38:34,080 --> 00:38:36,520
Speaker 2: I hope he doesn't feel like he knows me. If

738
00:38:36,520 --> 00:38:38,920
Speaker 2: he does, I've done something wrong.

739
00:38:39,280 --> 00:38:44,840
Speaker 3: Really mm hmm and and and finished that name.

740
00:38:46,200 --> 00:38:50,120
Speaker 2: Kevin would that I could friend.

741
00:38:51,320 --> 00:38:52,719
Speaker 1: Will remain unfinished.

742
00:38:53,320 --> 00:38:56,640
Speaker 2: I've heard, I've gotten it before, but it just it

743
00:38:56,719 --> 00:39:02,200
Speaker 2: will not stick. Just one of those names, faces, personalities.

744
00:39:03,000 --> 00:39:04,800
Speaker 3: George Lucas is gonna be on the show tonight.

745
00:39:05,160 --> 00:39:09,560
Speaker 2: Ah, Lucas George. That's what I'm talking about. That's making

746
00:39:10,239 --> 00:39:14,359
Speaker 2: those other guys put their middle name it, you know, yeah, yeah, yeah, yeah,

747
00:39:14,760 --> 00:39:16,600
Speaker 2: that's got to be like the George.

748
00:39:17,360 --> 00:39:20,120
Speaker 1: Yes, that's a huge it's a huge get for.

749
00:39:22,080 --> 00:39:22,719
Speaker 2: Counter rat.

750
00:39:23,520 --> 00:39:27,600
Speaker 1: Let's hear from him. He's got I mean he's got that.

751
00:39:27,800 --> 00:39:33,360
Speaker 1: Uh this new museum out here, Yeah it's here. Yeah, okay,

752
00:39:34,120 --> 00:39:37,320
Speaker 1: all right, you have your headphones on because that's exactly

753
00:39:37,360 --> 00:39:41,640
Speaker 1: what I just said. Yeah, So is he going to

754
00:39:41,719 --> 00:39:44,400
Speaker 1: talk about that or like, I don't know whatever.

755
00:39:45,080 --> 00:39:48,680
Speaker 3: The original impression is pretty mean, and I'm hearing that

756
00:39:48,680 --> 00:39:49,440
Speaker 3: that that's.

757
00:39:49,400 --> 00:39:49,920
Speaker 1: Let's hear the.

758
00:39:52,000 --> 00:39:57,440
Speaker 2: Original. He's never gonna hear this part will be really nice. Yeah,

759
00:39:57,600 --> 00:39:59,480
Speaker 2: and then we'll be able to make it nice. And

760
00:39:59,520 --> 00:40:01,480
Speaker 2: I think that actually everyone can have a good time

761
00:40:01,520 --> 00:40:05,120
Speaker 2: at the show tonight. Anybody, if anybody comes.

762
00:40:04,840 --> 00:40:09,200
Speaker 3: Okay, so how do I get in there? Kitchen door?

763
00:40:10,280 --> 00:40:11,359
Speaker 3: Kitchen door? All right?

764
00:40:15,360 --> 00:40:17,080
Speaker 4: You know I showed I showed an early cut to

765
00:40:17,160 --> 00:40:21,239
Speaker 4: Brian to Palma and he said, I, I don't care

766
00:40:21,239 --> 00:40:24,720
Speaker 4: about any of these characters. I'm not invested in this story.

767
00:40:24,920 --> 00:40:26,279
Speaker 4: You know, who's a little guy who looks like a

768
00:40:26,320 --> 00:40:30,279
Speaker 4: trash can. I can't relate to this guy. And he said,

769
00:40:30,320 --> 00:40:31,800
Speaker 4: I want to kick him. You know, I want to

770
00:40:31,840 --> 00:40:34,359
Speaker 4: kick him every time I see him on screen. R two,

771
00:40:34,680 --> 00:40:37,319
Speaker 4: whatever the fuck his name is, you know, it just

772
00:40:37,320 --> 00:40:41,279
Speaker 4: makes me want to run up and smash him against a.

773
00:40:42,840 --> 00:40:43,080
Speaker 1: Rock.

774
00:40:43,400 --> 00:40:43,680
Speaker 3: You know.

775
00:40:44,640 --> 00:40:48,440
Speaker 4: We were in Tunisia for a while and it was

776
00:40:48,480 --> 00:40:51,040
Speaker 4: it was really hot, and I remember Anthony was was

777
00:40:51,760 --> 00:40:55,160
Speaker 4: feeling really constricted in the C three po costume. I said,

778
00:40:55,200 --> 00:40:58,200
Speaker 4: you need to push through it because we have we

779
00:40:58,280 --> 00:41:00,160
Speaker 4: have a number of we only have a number of

780
00:41:00,280 --> 00:41:05,879
Speaker 4: days and we have a lot to accomplish.

781
00:41:06,000 --> 00:41:14,279
Speaker 1: James, let him take some of the costume off. Let's

782
00:41:14,320 --> 00:41:17,480
Speaker 1: see three PO take and you can choose which pieces

783
00:41:17,480 --> 00:41:19,520
Speaker 1: he takes off. My suggestion would be just to let

784
00:41:19,520 --> 00:41:23,040
Speaker 1: a little heat out and still maintain the illusion. Just

785
00:41:23,120 --> 00:41:28,880
Speaker 1: the torso plate, so you just see chest, nipples, belly button,

786
00:41:29,600 --> 00:41:33,719
Speaker 1: sort of a Schumacher Batman version of three Pos costume. Yeah,

787
00:41:33,760 --> 00:41:36,560
Speaker 1: but with that one too. That was my thing with

788
00:41:36,600 --> 00:41:39,440
Speaker 1: that costume, exact same thing. Okay, you're showing the nipples,

789
00:41:39,600 --> 00:41:43,200
Speaker 1: just take the whole torso plate or.

790
00:41:43,160 --> 00:41:45,879
Speaker 2: What or what about this because we all know where

791
00:41:45,880 --> 00:41:48,160
Speaker 2: we're getting hot and swampy. Is that he takes off

792
00:41:48,239 --> 00:41:50,799
Speaker 2: the sort of metal con and he just has sort

793
00:41:50,840 --> 00:41:56,279
Speaker 2: of bulging yes, and it's just that's coming out of C.

794
00:41:56,440 --> 00:41:59,359
Speaker 2: Three PO. I actually think that could be more futuristic

795
00:41:59,440 --> 00:42:01,160
Speaker 2: and more sci fi because it.

796
00:42:01,120 --> 00:42:04,279
Speaker 3: Would be a sexually liberated society.

797
00:42:04,360 --> 00:42:09,279
Speaker 1: Yes, and you should have the red kind of long stockings,

798
00:42:09,520 --> 00:42:12,440
Speaker 1: you know all the time fashion of the time, those

799
00:42:12,480 --> 00:42:14,160
Speaker 1: ones that had like a flap on the back and

800
00:42:14,200 --> 00:42:16,000
Speaker 1: a big button and a flap on the front.

801
00:42:16,080 --> 00:42:19,759
Speaker 2: Is like one button open and a little peak of

802
00:42:19,880 --> 00:42:22,320
Speaker 2: like you know, the top of a you know.

803
00:42:22,960 --> 00:42:24,760
Speaker 3: Like the underwear that an old man in the woods

804
00:42:24,800 --> 00:42:25,239
Speaker 3: would wear.

805
00:42:25,400 --> 00:42:30,840
Speaker 1: Yeah, that's right, two big wood buttons, and one of

806
00:42:30,840 --> 00:42:31,200
Speaker 1: them is.

807
00:42:31,200 --> 00:42:34,080
Speaker 2: Undone fashion cyclical. Right. So by the time we get

808
00:42:34,120 --> 00:42:37,239
Speaker 2: to that point in our future, the space travel, the robots,

809
00:42:37,280 --> 00:42:40,360
Speaker 2: all that, we're probably gonna be back around to that underwear,

810
00:42:40,360 --> 00:42:41,680
Speaker 2: which there was nothing wrong with it.

811
00:42:42,360 --> 00:42:42,600
Speaker 3: There was.

812
00:42:42,680 --> 00:42:44,279
Speaker 1: We didn't get rid of it because it would like

813
00:42:44,880 --> 00:42:45,840
Speaker 1: was broken.

814
00:42:46,000 --> 00:42:48,120
Speaker 3: Well, it's all I don't want to be like my dad.

815
00:42:48,840 --> 00:42:50,759
Speaker 3: I don't want to be like my dad. So you

816
00:42:50,800 --> 00:42:53,160
Speaker 3: think revenge of this scyth would have worked a little

817
00:42:53,160 --> 00:42:57,640
Speaker 3: bit better if people were wearing nightgowns and stocking caps,

818
00:42:58,160 --> 00:43:00,960
Speaker 3: And wouldn't I think.

819
00:43:04,000 --> 00:43:08,440
Speaker 1: Were comfortable if they weren't like in like in physical pain.

820
00:43:08,600 --> 00:43:11,640
Speaker 3: And then maybe we're walking around so crazy you think

821
00:43:11,680 --> 00:43:15,359
Speaker 3: an itchy wool body suit is comfortable.

822
00:43:15,600 --> 00:43:18,360
Speaker 2: And that's why we got rid of it. It got

823
00:43:18,400 --> 00:43:21,319
Speaker 2: the job done, didn't it. We got the gold out

824
00:43:21,360 --> 00:43:26,120
Speaker 2: of the river. I noticed there's not much gold left.

825
00:43:26,120 --> 00:43:30,840
Speaker 2: I don't see a lot of gold there any gold.

826
00:43:31,480 --> 00:43:33,880
Speaker 2: So we were able to do that in that underwear.

827
00:43:33,920 --> 00:43:36,719
Speaker 2: But no, no, no one could make your movie in

828
00:43:36,840 --> 00:43:37,640
Speaker 2: that underwear.

829
00:43:38,920 --> 00:43:40,920
Speaker 3: It's really interesting you bring that up, because.

830
00:43:40,719 --> 00:43:42,040
Speaker 2: Ma and movies panning for gold.

831
00:43:43,640 --> 00:43:46,759
Speaker 3: It's all gold b And I couldn't be happier for

832
00:43:47,400 --> 00:43:50,440
Speaker 3: Lelo and Stitch remake. I couldn't be happier for them too,

833
00:43:51,040 --> 00:43:52,239
Speaker 3: because they really hit a vein.

834
00:43:52,360 --> 00:43:53,080
Speaker 2: Finally a win.

835
00:43:53,480 --> 00:43:54,120
Speaker 3: Finally a win.

836
00:43:54,320 --> 00:43:57,360
Speaker 1: Yes, finally win for those guys.

837
00:43:57,440 --> 00:44:02,120
Speaker 2: Jesus, because it's like everyone's just talking about like they

838
00:44:02,120 --> 00:44:06,000
Speaker 2: don't like it. Yeah, just watch it.

839
00:44:06,320 --> 00:44:08,920
Speaker 3: No, it's good for me. It's a little bit bittersweet

840
00:44:08,920 --> 00:44:11,439
Speaker 3: because I was involved with snow White and I ended

841
00:44:11,520 --> 00:44:14,520
Speaker 3: up on the cutting room floor, as you know, as

842
00:44:14,560 --> 00:44:19,520
Speaker 3: common with people in our yeah you know circle. And

843
00:44:19,840 --> 00:44:23,040
Speaker 3: it's an eight U g A. Yeah, get him on.

844
00:44:23,800 --> 00:44:27,360
Speaker 3: Just saw the latest edit of snow White.

845
00:44:28,760 --> 00:44:30,600
Speaker 2: You fired right?

846
00:44:30,880 --> 00:44:33,799
Speaker 3: Yeah, I might, I might. I might write that down.

847
00:44:34,040 --> 00:44:37,040
Speaker 3: Uh yeah, I might write that down for that sounds

848
00:44:37,080 --> 00:44:39,120
Speaker 3: a little cruel though it seems like it goes against

849
00:44:39,280 --> 00:44:42,280
Speaker 3: sort of your whole mission today.

850
00:44:42,880 --> 00:44:47,920
Speaker 1: Well standing up it's you actually him actually like standing

851
00:44:47,960 --> 00:44:50,919
Speaker 1: up for yourself. Yeah, he was mad that he got

852
00:44:50,960 --> 00:44:53,760
Speaker 1: cut out of the snow White movie.

853
00:44:55,760 --> 00:44:58,440
Speaker 2: Advanced Age, growing a backbone.

854
00:44:59,760 --> 00:45:00,560
Speaker 3: The Dwarf.

855
00:45:00,640 --> 00:45:10,279
Speaker 2: They couldn't have dude play a Dwarf James Johnsons o Vertebrate. Yeah, yeah, well,

856
00:45:11,239 --> 00:45:13,760
Speaker 2: you know, I think I had a great time with Rachel.

857
00:45:13,760 --> 00:45:17,160
Speaker 3: I had a great time with you know whoever played

858
00:45:17,160 --> 00:45:17,920
Speaker 3: the other seven.

859
00:45:17,800 --> 00:45:23,360
Speaker 1: Dwarfs, being friends with Rachel and doing George Lucas.

860
00:45:24,200 --> 00:45:24,319
Speaker 2: Bro.

861
00:45:24,719 --> 00:45:28,480
Speaker 3: Rachel Zegler's coming out of the show tonight, Bro, she'll

862
00:45:28,520 --> 00:45:34,440
Speaker 3: be there. Yeah, she'll be there, and her and Judge Madison.

863
00:45:34,800 --> 00:45:35,839
Speaker 3: What would that sound like.

864
00:45:36,880 --> 00:45:40,880
Speaker 2: Her and Judd talking right? Yeah, Hell, here's what it

865
00:45:40,920 --> 00:45:47,480
Speaker 2: sounds like. I think you're in the wrong bathroom line. Yeah,

866
00:45:48,000 --> 00:45:48,880
Speaker 2: not trying to be difficult.

867
00:45:48,960 --> 00:45:51,880
Speaker 3: And then maybe she goes, I think you're in the

868
00:45:51,920 --> 00:46:01,160
Speaker 3: wrong bathroom lane. Judd was mean, and that's you know,

869
00:46:01,360 --> 00:46:02,359
Speaker 3: that's to heighten it.

870
00:46:02,840 --> 00:46:07,280
Speaker 2: Well, yes, now we really created a comedy.

871
00:46:07,280 --> 00:46:08,600
Speaker 3: It's a scene. It's a scene.

872
00:46:08,680 --> 00:46:12,040
Speaker 2: Now, well, it's not just a scene. It's comedic.

873
00:46:12,640 --> 00:46:13,240
Speaker 3: It's comedic.

874
00:46:13,360 --> 00:46:18,439
Speaker 1: Yeah, who's one more guy. I'm sure it's a guy

875
00:46:19,440 --> 00:46:22,920
Speaker 1: who we might hear from at the at the show tonight.

876
00:46:23,280 --> 00:46:25,520
Speaker 3: I feel like I've cuted it twenty times on this

877
00:46:25,560 --> 00:46:30,040
Speaker 3: episode so far. But Paul Jamonty, it's going to be

878
00:46:30,040 --> 00:46:31,680
Speaker 3: coming out at the show probably.

879
00:46:31,360 --> 00:46:34,200
Speaker 2: Yeah, Okay, okay, and what's he talking about?

880
00:46:34,239 --> 00:46:36,239
Speaker 3: Well, you know how like every last guy, you know,

881
00:46:36,320 --> 00:46:42,759
Speaker 3: Billy Bob's got a Taylor Sheridan. What's his nuts? Costner's

882
00:46:42,760 --> 00:46:47,000
Speaker 3: got a Taylor Harrison Ford and Sam Elliott. It's like

883
00:46:47,080 --> 00:46:50,480
Speaker 3: all of these we lioness, like all these people have

884
00:46:50,560 --> 00:46:55,040
Speaker 3: a Taylor Sheridan as a freaking Taylor Sheridan vehicle. True,

885
00:46:55,200 --> 00:46:56,480
Speaker 3: So you know, what would it be like if Paul

886
00:46:56,520 --> 00:47:09,480
Speaker 3: Jamonty had yeah, Taylor Sheridan. So what do you mean, like,

887
00:47:09,520 --> 00:47:10,480
Speaker 3: what would it sound like?

888
00:47:10,760 --> 00:47:10,960
Speaker 1: Yeah?

889
00:47:12,600 --> 00:47:18,520
Speaker 3: I got you, Yeah, yeah, okay, you might want to

890
00:47:18,520 --> 00:47:24,160
Speaker 3: put the sweats on for for this and that's it.

891
00:47:27,400 --> 00:47:28,839
Speaker 3: Kitchen door, kitchen door.

892
00:47:29,880 --> 00:47:34,799
Speaker 6: H I was told that there was a lot of

893
00:47:34,800 --> 00:47:40,040
Speaker 6: oil in this start patch, but you're not texting me

894
00:47:40,200 --> 00:47:40,439
Speaker 6: back

895
00:47:43,040 --> 00:47:47,000
Speaker 2: By Hollywood Hamburg