WEBVTT - #127 - Canibus

0:00:03.840 --> 0:00:05.800
<v Speaker 1>Are we sure that the Tony chokbeat was playing on

0:00:05.800 --> 0:00:09.640
<v Speaker 1>all the other intros were recorded? Uh, this is fucking christ.

0:00:10.760 --> 0:00:13.720
<v Speaker 1>Welcome to the fucking bootleg keV podcast. I just got

0:00:13.720 --> 0:00:18.120
<v Speaker 1>done speaking with Cannabis the lyrical spiritual Miracles. We actually

0:00:18.280 --> 0:00:21.560
<v Speaker 1>that's kind of cool. We got to talk about that, right, Cannabis.

0:00:21.920 --> 0:00:24.160
<v Speaker 1>If you all don't know Man, legendary artists from the

0:00:24.280 --> 0:00:26.520
<v Speaker 1>late nineties and all of the two thousands just put

0:00:26.560 --> 0:00:30.680
<v Speaker 1>a new album out called Kaiju, just put a Horseman

0:00:30.760 --> 0:00:34.640
<v Speaker 1>project out alongside Kill a Priest can't well. Cannabis is

0:00:34.640 --> 0:00:40.000
<v Speaker 1>on an obviously corrupt and ras cast and we chopped

0:00:40.000 --> 0:00:43.159
<v Speaker 1>it up. Very interesting conversation, to say the least. It

0:00:43.200 --> 0:00:45.320
<v Speaker 1>was a long one, but a shout out to odd socks.

0:00:45.320 --> 0:00:48.479
<v Speaker 1>Go to odd socksofficial dot com, use the keyword or

0:00:48.560 --> 0:00:51.920
<v Speaker 1>promo code bootleg CAV at checkout save twenty percent off. Man,

0:00:52.280 --> 0:00:54.320
<v Speaker 1>go get you some socks, get you some draws for

0:00:54.360 --> 0:00:58.760
<v Speaker 1>the holidays, odds socksofficial dot Com promo code bootleg cav

0:00:58.840 --> 0:01:01.200
<v Speaker 1>They got the Breaking Bad, they got the Nickelodeon, they

0:01:01.200 --> 0:01:03.400
<v Speaker 1>got whatever the fuck you're looking for, fruit loop socks,

0:01:03.440 --> 0:01:06.320
<v Speaker 1>motherfucker Mountain dew socks. Whatever you need, they got it

0:01:06.440 --> 0:01:09.640
<v Speaker 1>a socksofficial dot com promo co boulet cav twenty percent

0:01:09.680 --> 0:01:13.520
<v Speaker 1>off for the holidays. Let's Talk to Cannabis bule Cav podcast.

0:01:13.600 --> 0:01:16.080
<v Speaker 1>We got a special guest man, this guy someone who

0:01:16.160 --> 0:01:22.360
<v Speaker 1>is a legend, someone who I remember the trip to

0:01:22.440 --> 0:01:26.520
<v Speaker 1>the Warehouse record store when I bought your first album

0:01:27.360 --> 0:01:32.080
<v Speaker 1>and that was it ninety seven? It was it ninety eight. Well,

0:01:32.120 --> 0:01:34.399
<v Speaker 1>if you bought a single would have been in ninety seven. No,

0:01:34.480 --> 0:01:36.880
<v Speaker 1>it was the album, so it was ninety eight, ninety eight, Yeah,

0:01:37.240 --> 0:01:41.279
<v Speaker 1>number eighth. Yeah. I always play my like I'm driving

0:01:41.440 --> 0:01:44.160
<v Speaker 1>in the car and when my son tries to yell

0:01:44.200 --> 0:01:47.680
<v Speaker 1>at me for saying the word retarded, I play your

0:01:47.760 --> 0:01:50.440
<v Speaker 1>song and I'm like, yo, there is a fucking song

0:01:50.520 --> 0:01:53.360
<v Speaker 1>called get retarded when I was a kid. So fuck off.

0:01:53.360 --> 0:01:56.440
<v Speaker 1>We from different eRASS, you know what I mean. But man,

0:01:56.480 --> 0:01:59.360
<v Speaker 1>welcome cannabis the legend. Yes, sir, you got a new

0:01:59.360 --> 0:02:04.120
<v Speaker 1>album out too. Yeah yeah, Kaiju right, Kaiju Kaiju? So

0:02:06.920 --> 0:02:09.600
<v Speaker 1>ask me what you want to know about? Yeah, what

0:02:09.720 --> 0:02:11.840
<v Speaker 1>is what is the what's what's that's what's tell us

0:02:11.840 --> 0:02:13.600
<v Speaker 1>about the title. Well, first of all, start there. Yeah,

0:02:13.639 --> 0:02:17.320
<v Speaker 1>pretty much. Kaiju was so that that's the that's the

0:02:17.360 --> 0:02:21.640
<v Speaker 1>word or the term that was coined to uh, pretty much,

0:02:22.680 --> 0:02:25.840
<v Speaker 1>you know, the umbrella for all those like those gods

0:02:25.919 --> 0:02:29.560
<v Speaker 1>Zilla movies, those big monster movies, you know, you know,

0:02:29.639 --> 0:02:34.119
<v Speaker 1>Japanese folklore and uh, you know before all the animations

0:02:34.320 --> 0:02:37.120
<v Speaker 1>panimations you had. We grew up on it. I mean,

0:02:37.280 --> 0:02:39.560
<v Speaker 1>I don't know where you were born. I was born

0:02:39.600 --> 0:02:41.760
<v Speaker 1>in eighty seven. No, I was I was born in

0:02:41.800 --> 0:02:44.200
<v Speaker 1>eighty seven. You were old enough definitely to like, on

0:02:44.240 --> 0:02:46.519
<v Speaker 1>a Saturday, you know, get up and see like all

0:02:46.520 --> 0:02:48.440
<v Speaker 1>of these you know, all the stuff going on on

0:02:48.440 --> 0:02:51.160
<v Speaker 1>a Saturday with after the cartoons of course, they go

0:02:51.200 --> 0:02:54.280
<v Speaker 1>through the you know, the Mystery Science Theater and they

0:02:54.639 --> 0:02:58.080
<v Speaker 1>and all of these. So Kaiju is the name that

0:02:58.080 --> 0:03:03.080
<v Speaker 1>it embodies all of those types of films. Free it

0:03:03.120 --> 0:03:06.959
<v Speaker 1>means big, means like monster some monster shit. Yeah. Well yeah,

0:03:07.040 --> 0:03:10.720
<v Speaker 1>but sometimes the monsters were good guys though, So I

0:03:10.720 --> 0:03:13.720
<v Speaker 1>don't know if they were monsters you know all the way.

0:03:13.800 --> 0:03:16.160
<v Speaker 1>Sometimes they were good guys. Just sometimes you need a

0:03:16.200 --> 0:03:19.720
<v Speaker 1>really big fix for a big problem. Right, So cads,

0:03:19.760 --> 0:03:22.639
<v Speaker 1>you I'm a good monster. I feel like you've been

0:03:22.680 --> 0:03:27.440
<v Speaker 1>extremely like you know you also the Horsemen project. Finally

0:03:27.440 --> 0:03:29.640
<v Speaker 1>we got that right, shout out to the Horseman team.

0:03:29.680 --> 0:03:32.400
<v Speaker 1>That's right, it's been a long time coming. I just

0:03:32.680 --> 0:03:34.760
<v Speaker 1>I feel like you you you come in and out

0:03:34.760 --> 0:03:36.960
<v Speaker 1>of hip hop, like we won't hear from you, and

0:03:37.000 --> 0:03:39.320
<v Speaker 1>then we'll be like, oh shit, there's there's a Horseman album,

0:03:39.400 --> 0:03:43.920
<v Speaker 1>or there's a new Cannabis album, or like, you know,

0:03:43.960 --> 0:03:46.000
<v Speaker 1>you're what I like to call it. I always say

0:03:46.000 --> 0:03:48.040
<v Speaker 1>that there's a few Jedies in the rap game, and

0:03:48.080 --> 0:03:50.160
<v Speaker 1>I think you are one of the Jedies when it

0:03:50.160 --> 0:03:52.960
<v Speaker 1>comes to just your abilities when it comes to this

0:03:53.080 --> 0:03:58.360
<v Speaker 1>rap shit, Like how passionate are you about making music still?

0:03:59.000 --> 0:04:03.120
<v Speaker 1>So that's a big complishment. I really appreciate you even

0:04:03.160 --> 0:04:07.160
<v Speaker 1>saying it's a big compliment, man, pretty much, huge compliment.

0:04:07.240 --> 0:04:09.200
<v Speaker 1>I was a Star Wars fan growing up. You know,

0:04:09.520 --> 0:04:11.360
<v Speaker 1>you know there's a few there's there's a handful of

0:04:11.440 --> 0:04:15.280
<v Speaker 1>Jedis in the one of them, man is. But to

0:04:15.360 --> 0:04:17.920
<v Speaker 1>be one of them, it's a lot. It's a lot

0:04:17.960 --> 0:04:20.320
<v Speaker 1>of pressure to even take on that title, right, So

0:04:20.520 --> 0:04:22.880
<v Speaker 1>I can't really I can't take credit for it. I

0:04:22.920 --> 0:04:25.320
<v Speaker 1>can't take on that title. But to even be considered

0:04:25.320 --> 0:04:27.440
<v Speaker 1>and you know, have my name in the hat. It's

0:04:27.480 --> 0:04:29.719
<v Speaker 1>a big deal to me. And that's the way I

0:04:29.800 --> 0:04:34.239
<v Speaker 1>kind of kind of run through it now in my mind.

0:04:34.320 --> 0:04:39.880
<v Speaker 1>And also in practice where hip hop, you know, the

0:04:40.000 --> 0:04:43.839
<v Speaker 1>real moguls out there, the ones who make all the decisions,

0:04:43.880 --> 0:04:47.880
<v Speaker 1>you know, the taste makers, the kingmakers, those are I

0:04:47.920 --> 0:04:50.400
<v Speaker 1>guess the real jedis Man because they were able to

0:04:50.520 --> 0:04:53.360
<v Speaker 1>maneuver through a lot of the bear traps, a lot

0:04:53.400 --> 0:04:56.039
<v Speaker 1>of the you know a lot of the things that

0:04:56.080 --> 0:04:59.640
<v Speaker 1>were set up to like derail artists who had certain

0:05:00.080 --> 0:05:03.240
<v Speaker 1>certain elements to them that maybe you know, was wasn't

0:05:03.320 --> 0:05:07.040
<v Speaker 1>uh you know, you know it wasn't wasn't mainstream ready, right,

0:05:07.320 --> 0:05:10.120
<v Speaker 1>you know, certain little facets of people in their music

0:05:10.200 --> 0:05:14.120
<v Speaker 1>that you know, the system didn't really want to. I mean,

0:05:14.279 --> 0:05:15.680
<v Speaker 1>if we take it back to the days of like

0:05:15.760 --> 0:05:19.039
<v Speaker 1>n w A right, the title is an acronym y

0:05:19.920 --> 0:05:22.679
<v Speaker 1>because at that time, no one was able to handle

0:05:22.720 --> 0:05:25.720
<v Speaker 1>with the name really meant actually you know what I mean.

0:05:26.080 --> 0:05:28.400
<v Speaker 1>And then I mean, look at there's that album from

0:05:28.480 --> 0:05:30.599
<v Speaker 1>Nas right there, which originally wasn't going to be called

0:05:30.800 --> 0:05:33.080
<v Speaker 1>n Okay. Yeah, album was going to be called you

0:05:33.120 --> 0:05:37.760
<v Speaker 1>know the Hard R. So you and I we we

0:05:37.839 --> 0:05:41.159
<v Speaker 1>were participating in the culture at the time when we

0:05:41.160 --> 0:05:44.200
<v Speaker 1>couldn't even say the things that people say. Now, we

0:05:44.279 --> 0:05:47.279
<v Speaker 1>kind of took all the heat from making it possible

0:05:47.480 --> 0:05:50.440
<v Speaker 1>to say whatever the hell you want and express yourself.

0:05:50.839 --> 0:05:55.000
<v Speaker 1>And so, you know, like I said, the Moguls are

0:05:55.040 --> 0:05:58.800
<v Speaker 1>probably the real Jedi. We're like me and myself. The

0:05:58.880 --> 0:06:02.640
<v Speaker 1>Mogos can't craft a thirty two bar verse like you can.

0:06:03.440 --> 0:06:05.640
<v Speaker 1>You know what I just mean in terms of like

0:06:05.680 --> 0:06:07.599
<v Speaker 1>your abilities, you're you know, like when we think of

0:06:07.640 --> 0:06:11.040
<v Speaker 1>like NBA two K and we look at someone's rankings,

0:06:11.360 --> 0:06:14.279
<v Speaker 1>like your rapping ability is like a ninety nine. You know,

0:06:14.440 --> 0:06:17.160
<v Speaker 1>it's not. Look, I really do appreciate you and for

0:06:17.279 --> 0:06:20.560
<v Speaker 1>saying that, and I appreciate that, and I appreciate you know,

0:06:20.880 --> 0:06:23.400
<v Speaker 1>the fans, the Brotherhood, people that you know say it

0:06:23.440 --> 0:06:26.039
<v Speaker 1>out loud, they think it out loud. But like I said,

0:06:26.080 --> 0:06:30.640
<v Speaker 1>the moguls in my mind, the moguls like the people

0:06:30.680 --> 0:06:34.760
<v Speaker 1>who are on the phone twenty four hours a day, Like,

0:06:35.200 --> 0:06:36.839
<v Speaker 1>just give you an example of it, like a Jedi

0:06:36.920 --> 0:06:41.200
<v Speaker 1>to me, that would be liked. And yeah, because without

0:06:41.360 --> 0:06:44.960
<v Speaker 1>without people like that, your record doesn't see the light

0:06:45.040 --> 0:06:47.960
<v Speaker 1>of day. See what I'm trying to say, yeah, because

0:06:48.440 --> 0:06:51.800
<v Speaker 1>you know, some if we if we, if we use

0:06:51.839 --> 0:06:56.080
<v Speaker 1>your you know, your perspective, want then these Jedis, man,

0:06:56.120 --> 0:06:59.160
<v Speaker 1>these Jedis can't even get their record played. These Jedis

0:06:59.200 --> 0:07:01.640
<v Speaker 1>can't get an interview right now. These Jedis can't make

0:07:01.760 --> 0:07:04.680
<v Speaker 1>you get what I'm trying to say. That's that's why,

0:07:05.000 --> 0:07:07.760
<v Speaker 1>that's why we you know, that's why I just fall back,

0:07:08.520 --> 0:07:11.560
<v Speaker 1>you know, stay in my lane now. I enjoy it,

0:07:12.240 --> 0:07:14.080
<v Speaker 1>you know what I mean. Life is not all rap,

0:07:14.320 --> 0:07:16.280
<v Speaker 1>no matter what people think. You know what I mean,

0:07:16.320 --> 0:07:18.520
<v Speaker 1>and just spread it out and try to, you know,

0:07:18.600 --> 0:07:20.320
<v Speaker 1>try to try to try to get the best of

0:07:20.360 --> 0:07:22.800
<v Speaker 1>what's what's left for us. You know, we're all we're

0:07:22.840 --> 0:07:26.360
<v Speaker 1>all like nearing half a century now, everybody for my era,

0:07:26.440 --> 0:07:29.480
<v Speaker 1>well near half a century. So you know, you just

0:07:29.520 --> 0:07:32.280
<v Speaker 1>said life isn't all rap. And I feel like you

0:07:32.320 --> 0:07:37.080
<v Speaker 1>are somebody who embraced that concept relatively early on in

0:07:37.120 --> 0:07:39.680
<v Speaker 1>your career. It was all rap for me, but I

0:07:39.680 --> 0:07:43.720
<v Speaker 1>mean for somebody who was so dedicated to being right

0:07:44.160 --> 0:07:47.880
<v Speaker 1>to your craft, right like I feel like you know,

0:07:48.920 --> 0:07:50.680
<v Speaker 1>you know, I feel like you know, when you enlisted

0:07:50.840 --> 0:07:53.080
<v Speaker 1>and to join the you know, the armed services. Like,

0:07:55.000 --> 0:07:59.520
<v Speaker 1>sometimes you get so wrapped up in perception, you know,

0:07:59.560 --> 0:08:02.120
<v Speaker 1>the hip hip hop is all about perception, right, Like

0:08:02.600 --> 0:08:05.120
<v Speaker 1>when we like I had a you know, I'm real

0:08:05.200 --> 0:08:09.520
<v Speaker 1>cool with Little Brother, Okay, so uh, big rapper Big

0:08:09.560 --> 0:08:13.080
<v Speaker 1>Pooh and Fonte a couple of other jedis right, but

0:08:13.120 --> 0:08:15.520
<v Speaker 1>Big Pooh you know, openly talked about her. He was

0:08:15.600 --> 0:08:17.760
<v Speaker 1>driving uber, you know, just for some money on the scrip,

0:08:18.600 --> 0:08:21.120
<v Speaker 1>and like to me, it was like, yeah, that's that's okay,

0:08:21.360 --> 0:08:26.400
<v Speaker 1>because this is not We're all real, real human beings,

0:08:26.840 --> 0:08:30.120
<v Speaker 1>and sometimes we get so wrapped up in like perception,

0:08:30.240 --> 0:08:32.120
<v Speaker 1>because that's really what the hip hop game is. It's

0:08:32.120 --> 0:08:33.720
<v Speaker 1>like it's kind of like it's like it's like a

0:08:33.760 --> 0:08:35.760
<v Speaker 1>weird like here sport and I feel like you kind

0:08:35.760 --> 0:08:37.760
<v Speaker 1>of exist in your own world where you can come in,

0:08:38.679 --> 0:08:41.280
<v Speaker 1>drop an album, yeah, and then we might not hear

0:08:41.320 --> 0:08:43.520
<v Speaker 1>from you for like another year, you know what I mean?

0:08:43.600 --> 0:08:45.679
<v Speaker 1>Like why or how it was like that? That's a

0:08:45.720 --> 0:08:47.720
<v Speaker 1>little bit about my pay grade to even try to

0:08:48.080 --> 0:08:51.360
<v Speaker 1>quantify how it got like that. But I feel like

0:08:51.960 --> 0:08:56.640
<v Speaker 1>at all times, I feel like at all times, all

0:08:56.679 --> 0:08:59.959
<v Speaker 1>of the artists that come from our era multitasking. I mean,

0:09:00.160 --> 0:09:02.200
<v Speaker 1>you know, a lot of us come from single parent

0:09:02.280 --> 0:09:04.559
<v Speaker 1>at homes, you know what I mean, Like we were

0:09:04.640 --> 0:09:08.920
<v Speaker 1>all doing things that we were able to multitask and

0:09:09.080 --> 0:09:12.400
<v Speaker 1>you know, helping Mama pay the bills, or helping grandma

0:09:12.800 --> 0:09:15.400
<v Speaker 1>you know, get this together, and you know, helping Grandpa

0:09:15.520 --> 0:09:18.959
<v Speaker 1>going down. We all from my error, We came from that, right,

0:09:19.080 --> 0:09:21.960
<v Speaker 1>And I'm talking about the things that are favorable and

0:09:22.000 --> 0:09:24.800
<v Speaker 1>the things that are not so favorable. Right. He did

0:09:24.840 --> 0:09:27.760
<v Speaker 1>whatever it took to you know, make o make our

0:09:27.800 --> 0:09:30.679
<v Speaker 1>family proud, or you know, bring home the bacon, right.

0:09:31.200 --> 0:09:35.880
<v Speaker 1>And so you know, I think that during our eraror

0:09:35.960 --> 0:09:37.760
<v Speaker 1>we were all able to jump rope in a lot

0:09:37.800 --> 0:09:40.640
<v Speaker 1>of different ways. You probably had to too, right because

0:09:41.320 --> 0:09:44.680
<v Speaker 1>the deals back then were a lot more predatory as well. Yeah,

0:09:44.840 --> 0:09:46.880
<v Speaker 1>but I mean when it look even when time to

0:09:46.920 --> 0:09:49.960
<v Speaker 1>go to like sam ash or jur Music World or

0:09:50.280 --> 0:09:54.360
<v Speaker 1>you know, uh, you know, you know the Guitar Center. Right. Remember,

0:09:54.840 --> 0:09:56.840
<v Speaker 1>we were the ones that the kid the machines, these

0:09:56.880 --> 0:09:58.800
<v Speaker 1>drumming sheines, and we were the ones that would take

0:09:58.800 --> 0:10:01.960
<v Speaker 1>the dis equipment showing what it could really do. Right.

0:10:02.120 --> 0:10:05.000
<v Speaker 1>They didn't have anybody else who could even work these

0:10:05.040 --> 0:10:07.880
<v Speaker 1>machines out the way that we could, but you still

0:10:07.920 --> 0:10:09.920
<v Speaker 1>had to buy it. Man. You still had to put

0:10:09.960 --> 0:10:11.439
<v Speaker 1>plastic onto somebody that had to come in here and

0:10:11.480 --> 0:10:13.480
<v Speaker 1>out of co sign it. Or you work in one, two,

0:10:13.600 --> 0:10:16.000
<v Speaker 1>three jobs to get the cash. Or you know a

0:10:16.080 --> 0:10:18.400
<v Speaker 1>homie that is already getting it like that and he'll

0:10:18.440 --> 0:10:20.400
<v Speaker 1>spot you the bread to go, get the equipment to go,

0:10:20.480 --> 0:10:22.320
<v Speaker 1>make the samples to go, make the demos to go

0:10:22.360 --> 0:10:24.959
<v Speaker 1>get you know, make the deal. You see what I'm

0:10:24.960 --> 0:10:27.800
<v Speaker 1>trying to say. There were always multiple steps that had

0:10:27.840 --> 0:10:30.680
<v Speaker 1>to be taken to get on. So paying dues was

0:10:30.720 --> 0:10:33.440
<v Speaker 1>not a short It wasn't a short term thing. Man,

0:10:33.520 --> 0:10:35.959
<v Speaker 1>Like you kind of were in it before you knew

0:10:36.559 --> 0:10:40.200
<v Speaker 1>what it was about what you were trying to get to.

0:10:40.640 --> 0:10:42.920
<v Speaker 1>You were looking at it through a telescope. When you

0:10:43.080 --> 0:10:45.360
<v Speaker 1>got to it, you realize that that role was a

0:10:45.400 --> 0:10:48.800
<v Speaker 1>little bit more arduous than you thought it was. And so,

0:10:49.679 --> 0:10:51.480
<v Speaker 1>like I said, man, I just feel like we all

0:10:51.559 --> 0:10:54.000
<v Speaker 1>were doing more at that time to get on. We

0:10:54.000 --> 0:10:56.960
<v Speaker 1>were all more we have more solid footing when we

0:10:57.000 --> 0:11:00.800
<v Speaker 1>got there. But as we grew, so did the majors.

0:11:00.840 --> 0:11:03.520
<v Speaker 1>So did those that you know paid our checks, those

0:11:03.640 --> 0:11:05.520
<v Speaker 1>the buildings that we kept the lights on and they

0:11:05.559 --> 0:11:08.960
<v Speaker 1>also grew, and I guess at some time they started,

0:11:08.960 --> 0:11:11.040
<v Speaker 1>you know, they had to cut weight, right, They had to.

0:11:11.400 --> 0:11:13.120
<v Speaker 1>When it was time for them to get into a

0:11:13.200 --> 0:11:16.000
<v Speaker 1>championship fight, they had to cut weight. And so when

0:11:16.040 --> 0:11:18.679
<v Speaker 1>they cut weight, they would they would always cut what

0:11:19.400 --> 0:11:22.920
<v Speaker 1>maybe wasn't keeping the lights on as long, right, And

0:11:23.400 --> 0:11:27.440
<v Speaker 1>obviously that's going to always gravitate back towards branding, right.

0:11:27.480 --> 0:11:30.320
<v Speaker 1>And the people who were branding were the corporate guys,

0:11:30.360 --> 0:11:33.040
<v Speaker 1>you know, the clothing manufacturers and stuff like that. And

0:11:33.920 --> 0:11:37.280
<v Speaker 1>funny enough because here we are again right back into this.

0:11:37.760 --> 0:11:39.480
<v Speaker 1>You know a lot of new things that are coming out,

0:11:39.520 --> 0:11:41.280
<v Speaker 1>they need people to brand it. But they don't need

0:11:41.400 --> 0:11:45.360
<v Speaker 1>rap anymore. Now. All they need is social media. We

0:11:45.400 --> 0:11:48.120
<v Speaker 1>were hip hop. We were the world's first social media. Yeah,

0:11:48.240 --> 0:11:50.000
<v Speaker 1>rap was, Yeah, for sure. You guys are at the

0:11:50.000 --> 0:11:52.480
<v Speaker 1>first influencers. You were the first man. Because you think

0:11:52.480 --> 0:11:54.720
<v Speaker 1>about it, nowadays, you just find someone who's got you know,

0:11:54.800 --> 0:11:58.839
<v Speaker 1>some kids who's got fifteen million followers on TikTok. It

0:11:58.880 --> 0:12:00.840
<v Speaker 1>doesn't really have a talent, but they can pop your

0:12:00.840 --> 0:12:03.760
<v Speaker 1>ship off. Back then, you needed Ray Kwan to wear Tommy,

0:12:04.800 --> 0:12:07.560
<v Speaker 1>you know what I mean. You needed jay Z to

0:12:07.559 --> 0:12:10.440
<v Speaker 1>pop your crystal. You know what I mean? Now, you

0:12:10.640 --> 0:12:16.560
<v Speaker 1>just like, yeah, it's crazy. You know it's crazy because

0:12:16.760 --> 0:12:20.760
<v Speaker 1>I feel like you when we you know, and maybe

0:12:20.800 --> 0:12:23.880
<v Speaker 1>would know this, we always hear of the lyrical spiritual

0:12:23.920 --> 0:12:27.920
<v Speaker 1>miracle rappers. You've heard that term, right. I feel like

0:12:28.000 --> 0:12:31.520
<v Speaker 1>you are the quintessential when we think of the lyrical spirits.

0:12:31.679 --> 0:12:34.560
<v Speaker 1>I feel like when people say that I think of cannabis.

0:12:36.000 --> 0:12:39.240
<v Speaker 1>You have so many intricate Ryan Patterson, fucking the vocabulary

0:12:39.280 --> 0:12:41.880
<v Speaker 1>is insane. You're fucking I feel like sometimes I'll be

0:12:41.880 --> 0:12:44.320
<v Speaker 1>hearing you wrapping. It's like math problems and all kinds

0:12:44.360 --> 0:12:47.360
<v Speaker 1>of algorithmic shit going on. Like I feel like you

0:12:48.240 --> 0:12:51.679
<v Speaker 1>are that guy, Like what do you like explain to

0:12:51.720 --> 0:12:54.840
<v Speaker 1>me your writing process. So in the beginning, it's funny

0:12:54.840 --> 0:12:57.880
<v Speaker 1>you say that because in the beginning, we were all

0:12:57.920 --> 0:13:00.160
<v Speaker 1>lyrical miracle guys, right, you know what I'm saying. And

0:13:00.160 --> 0:13:02.439
<v Speaker 1>but then because that's what we get on if we

0:13:02.559 --> 0:13:04.800
<v Speaker 1>just say lyrical, because you know, you're saying lyrical, so

0:13:04.840 --> 0:13:06.719
<v Speaker 1>you're look at the next words around with lyrical, you

0:13:06.760 --> 0:13:09.479
<v Speaker 1>know what I'm saying. So the lyrical miracles, spiritual individual

0:13:09.840 --> 0:13:11.640
<v Speaker 1>that we were all that in the beginning, all of

0:13:11.720 --> 0:13:15.040
<v Speaker 1>us were then and then it got to the point

0:13:15.040 --> 0:13:18.800
<v Speaker 1>where some artists came out and they were more you know,

0:13:18.880 --> 0:13:21.440
<v Speaker 1>to the to that the blink I'm not I'm not

0:13:21.520 --> 0:13:24.000
<v Speaker 1>singling out you know, shout out the cash money, but

0:13:24.000 --> 0:13:27.000
<v Speaker 1>I'm not singling them out blink the bling phase because

0:13:27.000 --> 0:13:29.559
<v Speaker 1>they started to bring error, right. So when so when

0:13:29.559 --> 0:13:31.880
<v Speaker 1>the blink ra came and so much bread was being

0:13:31.880 --> 0:13:35.760
<v Speaker 1>made from it that you know, everybody started getting bread

0:13:35.800 --> 0:13:38.640
<v Speaker 1>on that side of things. And then the lyrical miracle

0:13:38.720 --> 0:13:41.880
<v Speaker 1>dudes was just the backpackers, you know, and they lyrical

0:13:41.920 --> 0:13:44.080
<v Speaker 1>miracle dues broke and they had nothing. So then you

0:13:44.160 --> 0:13:48.520
<v Speaker 1>found dudes there were lyrical miracles, you know, laughing at

0:13:48.880 --> 0:13:53.680
<v Speaker 1>other lyrical miracles. Wait a minute, there was a yeah, yeah,

0:13:53.920 --> 0:13:55.800
<v Speaker 1>and then and then and then and then and then.

0:13:55.840 --> 0:13:58.199
<v Speaker 1>So one of my homies does he doesn't say the

0:13:58.240 --> 0:14:00.959
<v Speaker 1>lyrical miracle, he's with the fly died with tired eyed,

0:14:01.000 --> 0:14:04.800
<v Speaker 1>with mind die. Yeah, So that's what that's what it became.

0:14:05.000 --> 0:14:08.959
<v Speaker 1>And you know, it's kind of crazy when you got

0:14:09.000 --> 0:14:11.440
<v Speaker 1>your own you know, dudes come from the same cloth,

0:14:11.960 --> 0:14:15.800
<v Speaker 1>you know, rhym ability wise, laughing at the lyrical miracles.

0:14:15.880 --> 0:14:18.760
<v Speaker 1>So then because you know, the machine helped them get

0:14:18.840 --> 0:14:21.880
<v Speaker 1>the bread. You can't get the bread, and then certain

0:14:21.960 --> 0:14:26.120
<v Speaker 1>things started happening. So yeah, man, I mean, you know,

0:14:26.680 --> 0:14:28.880
<v Speaker 1>I was happy to graduate out of the lyrical miracle

0:14:29.320 --> 0:14:31.680
<v Speaker 1>phase because it was a phase we all go through.

0:14:32.280 --> 0:14:34.640
<v Speaker 1>Then I got into the poetry and I did that

0:14:34.680 --> 0:14:37.560
<v Speaker 1>probably circle around what I say for whom to be

0:14:37.720 --> 0:14:42.280
<v Speaker 1>Tolls seven. That's when it got to where the rhymes

0:14:42.280 --> 0:14:44.840
<v Speaker 1>that were coming out of my mouth no one could

0:14:44.880 --> 0:14:47.480
<v Speaker 1>shadow them. You didn't know what I was gonna say next,

0:14:48.000 --> 0:14:52.560
<v Speaker 1>because you know, lyrical wasn't going round with miracle. I

0:14:52.600 --> 0:14:56.680
<v Speaker 1>was gonna make lyrical rhyme with mo libd in them,

0:14:58.640 --> 0:15:01.720
<v Speaker 1>you know what I mean. So yeah, but that that

0:15:01.800 --> 0:15:04.800
<v Speaker 1>lyrical miracle era was fun. I just think like I think,

0:15:04.880 --> 0:15:09.160
<v Speaker 1>like you know, I guess since since uh you know,

0:15:09.200 --> 0:15:11.200
<v Speaker 1>I think if your era was like guys like yourself,

0:15:11.240 --> 0:15:14.000
<v Speaker 1>like like Raz like obviously a guy who's a partner

0:15:14.000 --> 0:15:17.600
<v Speaker 1>in the Horseman shout to rationals, make sure this friend's amazing.

0:15:18.880 --> 0:15:21.120
<v Speaker 1>But then I think even after that, like I think

0:15:21.160 --> 0:15:23.280
<v Speaker 1>of like at least on the forefront commercially wise, like

0:15:24.080 --> 0:15:26.040
<v Speaker 1>I think Loupe is one of those guys who's just

0:15:26.160 --> 0:15:30.040
<v Speaker 1>like a fucking alien. You know, they didn't let us

0:15:30.120 --> 0:15:32.720
<v Speaker 1>have a lane though, like they we had a lane

0:15:33.000 --> 0:15:37.680
<v Speaker 1>and no one set up an HOV lane force. There

0:15:37.720 --> 0:15:40.480
<v Speaker 1>was no hov lane force. We were we were still

0:15:41.000 --> 0:15:44.040
<v Speaker 1>getting in and out of lanes and really had no place.

0:15:44.080 --> 0:15:47.240
<v Speaker 1>There was no home for us, you know, yeah, no

0:15:47.320 --> 0:15:49.720
<v Speaker 1>for sure. And you know what's crazy is like we

0:15:49.800 --> 0:15:51.960
<v Speaker 1>think back, like what you just said, there was lyrical

0:15:52.400 --> 0:15:56.080
<v Speaker 1>guys calling out lyrics like there was a divide, And

0:15:56.160 --> 0:15:59.960
<v Speaker 1>I think back to how crazy it was when con

0:16:00.080 --> 0:16:05.600
<v Speaker 1>Ye West put Talib quality or I'm sorry when jay

0:16:05.680 --> 0:16:08.840
<v Speaker 1>Z put Tallip Quali in that when he said I'd

0:16:08.840 --> 0:16:12.440
<v Speaker 1>probably be lyrically taylib Kwali And I'm like yo to

0:16:12.560 --> 0:16:14.360
<v Speaker 1>think that there was a point in time where we

0:16:14.640 --> 0:16:17.960
<v Speaker 1>thought that jay Z and Talib were so far apart

0:16:18.800 --> 0:16:22.880
<v Speaker 1>when they aren't at all, and like you know it,

0:16:24.040 --> 0:16:27.360
<v Speaker 1>or when Most Deaf and Freeway were put on that

0:16:27.400 --> 0:16:29.760
<v Speaker 1>record up to was it two words right at the

0:16:29.840 --> 0:16:32.480
<v Speaker 1>end of college Dropout by Kanye West. It was so

0:16:32.680 --> 0:16:36.560
<v Speaker 1>weird because it felt like Kanye brought two worlds together,

0:16:36.800 --> 0:16:39.920
<v Speaker 1>Most Deaf and Freeway when in gen like they're they're

0:16:40.000 --> 0:16:43.120
<v Speaker 1>the same shit. But that's where things are so different now,

0:16:43.680 --> 0:16:47.000
<v Speaker 1>because now there's like real serious divides in hip hop

0:16:47.080 --> 0:16:49.360
<v Speaker 1>as far as like, you know, back then, it was like, hey,

0:16:49.360 --> 0:16:51.720
<v Speaker 1>it's just somebody happened to have a commercial record deal

0:16:51.960 --> 0:16:55.240
<v Speaker 1>and maybe have a club record. But at the same time,

0:16:57.000 --> 0:16:59.880
<v Speaker 1>you know, racist records felt so far away from rock

0:17:00.040 --> 0:17:03.080
<v Speaker 1>Fellow restaurants, but they weren't really were they really like no,

0:17:03.120 --> 0:17:05.280
<v Speaker 1>of course not like and even then, like you mentioned

0:17:05.280 --> 0:17:07.480
<v Speaker 1>cash Money, like Little Wayne's one of the greatest rappers

0:17:07.480 --> 0:17:09.679
<v Speaker 1>of all time, absolutely, you know what I mean. But

0:17:10.000 --> 0:17:12.359
<v Speaker 1>when you heard the Rockers records though, like, but the

0:17:12.359 --> 0:17:14.879
<v Speaker 1>owner of that at the time, it's like it's like

0:17:14.920 --> 0:17:19.680
<v Speaker 1>a super mongul and but no one knew that though, right,

0:17:20.280 --> 0:17:22.000
<v Speaker 1>No one knew that. So it just felt like there

0:17:22.040 --> 0:17:24.560
<v Speaker 1>was this huge divide between like the backpack shit, the

0:17:25.080 --> 0:17:27.720
<v Speaker 1>you know, we would consider the quote unquote real hip

0:17:27.720 --> 0:17:30.320
<v Speaker 1>hop R and the commercial shit, which was also real

0:17:30.400 --> 0:17:33.199
<v Speaker 1>hip hop. Like now I feel like there is a

0:17:33.280 --> 0:17:36.120
<v Speaker 1>serious like, you know, at least maybe not as much

0:17:36.160 --> 0:17:38.520
<v Speaker 1>anymore as there was like a few years ago when

0:17:38.520 --> 0:17:41.040
<v Speaker 1>the SoundCloud shit really went crazy and Little Pump was

0:17:41.160 --> 0:17:45.960
<v Speaker 1>fucking huge, and I was really like, Okay, I'm old, right, Yeah,

0:17:46.080 --> 0:17:48.480
<v Speaker 1>I feel you know, but I do think it's dope

0:17:48.520 --> 0:17:54.280
<v Speaker 1>that now, no matter what, the last ten to twelve years,

0:17:54.359 --> 0:17:58.000
<v Speaker 1>the top four guys are all amazing. Drake J Cole,

0:17:59.080 --> 0:18:03.200
<v Speaker 1>Kendrick Lamar, these guys are all absolutely Yeah, these guys

0:18:03.240 --> 0:18:06.240
<v Speaker 1>are all like at the forefront of hip hop, right,

0:18:06.600 --> 0:18:11.880
<v Speaker 1>and they're all extremely high level, high caliber talented rappers

0:18:12.440 --> 0:18:14.360
<v Speaker 1>keeping the lights on as well, right, Yeah, they keep

0:18:14.359 --> 0:18:16.840
<v Speaker 1>the lights on at every label that they're at. But

0:18:16.840 --> 0:18:19.480
<v Speaker 1>they also are incredibly talented. So I think it just

0:18:19.480 --> 0:18:21.840
<v Speaker 1>says that like, no matter what, like there might be

0:18:21.920 --> 0:18:24.560
<v Speaker 1>eras where people come and go, but that the cream

0:18:24.600 --> 0:18:26.600
<v Speaker 1>is always gonna rusch to the top and be the constant,

0:18:26.600 --> 0:18:28.600
<v Speaker 1>you know what I mean? Right, who are you a

0:18:28.640 --> 0:18:31.479
<v Speaker 1>fan of? Like, who do you listen to that's you know,

0:18:32.200 --> 0:18:33.920
<v Speaker 1>maybe not from your era, that's a little bit newer

0:18:33.960 --> 0:18:35.920
<v Speaker 1>that like you really respect As far as on the mic,

0:18:36.480 --> 0:18:40.480
<v Speaker 1>I mean, you know, got to tell you, man, it

0:18:40.640 --> 0:18:44.200
<v Speaker 1>just it just ranges. Man, It depends on who. Like

0:18:44.280 --> 0:18:46.760
<v Speaker 1>baby might come on, niece's nephews to come over the house.

0:18:46.760 --> 0:18:49.800
<v Speaker 1>They're playing stuff you know they want to listen to

0:18:49.840 --> 0:18:51.600
<v Speaker 1>that you know, I might have to sit and lend

0:18:51.600 --> 0:18:54.280
<v Speaker 1>an ear to it because you know, watching over them

0:18:54.320 --> 0:18:57.280
<v Speaker 1>for a little bit, right and you hear the music

0:18:57.320 --> 0:19:02.720
<v Speaker 1>and what they're saying, Like the delivery now is a

0:19:02.760 --> 0:19:05.360
<v Speaker 1>lot tighter from these little younger than it was when

0:19:05.359 --> 0:19:08.640
<v Speaker 1>we were coming up. Oh yeah, man, yeah, the melodics

0:19:08.880 --> 0:19:11.520
<v Speaker 1>is amazing. People are making great records right now. They're

0:19:11.560 --> 0:19:16.040
<v Speaker 1>making good records. But also you know, and content wise,

0:19:16.080 --> 0:19:17.760
<v Speaker 1>I want to make the distinction, like they don't have

0:19:17.880 --> 0:19:21.240
<v Speaker 1>enough experience to make the poetry that that the area,

0:19:21.600 --> 0:19:24.720
<v Speaker 1>enough life, enough life experiences. There's no way and no

0:19:24.800 --> 0:19:27.560
<v Speaker 1>way for them to put that kind of poetry together.

0:19:28.480 --> 0:19:31.680
<v Speaker 1>They'll get there, but in so far as the delivery,

0:19:31.720 --> 0:19:35.720
<v Speaker 1>you know, it amazes me even how they're able to

0:19:35.760 --> 0:19:38.080
<v Speaker 1>do that. And some of them don't have any classical

0:19:38.160 --> 0:19:42.000
<v Speaker 1>musical training, Like they don't even know people talking about

0:19:42.080 --> 0:19:45.240
<v Speaker 1>bars and don't believe you know, what the bar is, right,

0:19:45.560 --> 0:19:47.800
<v Speaker 1>So that's always going to be something that you got

0:19:47.800 --> 0:19:50.480
<v Speaker 1>to look at, you know, raise a brow or two

0:19:50.640 --> 0:19:53.640
<v Speaker 1>to know that. I guess they're just born with it now,

0:19:54.000 --> 0:19:56.960
<v Speaker 1>like instinctually they come out the womb and they have

0:19:57.000 --> 0:19:59.920
<v Speaker 1>a metronome that they can follow, and they can double time.

0:20:00.000 --> 0:20:02.800
<v Speaker 1>I'm just on que they can double time. They can

0:20:03.080 --> 0:20:05.080
<v Speaker 1>you know they can switch up to time signatures. Like

0:20:05.280 --> 0:20:08.639
<v Speaker 1>what they do now is amazing. But like I said,

0:20:09.560 --> 0:20:13.000
<v Speaker 1>the older generation when it maybe look you know, if

0:20:13.040 --> 0:20:15.760
<v Speaker 1>they were looking for anything from the newer generation, the

0:20:15.840 --> 0:20:18.560
<v Speaker 1>ladies generation, they'll be looking for, you know, certain things

0:20:18.720 --> 0:20:22.520
<v Speaker 1>content wise, but you know they can't provide that yet.

0:20:23.200 --> 0:20:25.480
<v Speaker 1>But they'll get there. And then when they get there,

0:20:25.880 --> 0:20:28.840
<v Speaker 1>the next graduating class will be coming in and they'll

0:20:28.880 --> 0:20:31.800
<v Speaker 1>be speaking about something they'll probably be delivering, you know,

0:20:31.880 --> 0:20:33.920
<v Speaker 1>through some kind of AI metaverse. You know what I'm saying.

0:20:33.960 --> 0:20:36.560
<v Speaker 1>People rhyming with the goggles on for sure. I mean,

0:20:36.640 --> 0:20:39.080
<v Speaker 1>and once you got that and you got backgrounds going on,

0:20:39.160 --> 0:20:42.080
<v Speaker 1>and you got now you know, who can compete with that,

0:20:42.240 --> 0:20:46.200
<v Speaker 1>right because visually you're giving whatever consumers at that time

0:20:46.560 --> 0:20:48.760
<v Speaker 1>is going to be looking You're giving them something that

0:20:49.280 --> 0:20:51.800
<v Speaker 1>you know, the eraror that we're looking at now that's

0:20:51.880 --> 0:20:54.879
<v Speaker 1>maybe two behind us. They wouldn't even be able to

0:20:54.880 --> 0:20:58.160
<v Speaker 1>compete with them. So this is this is a cyclical cycle,

0:20:58.640 --> 0:21:00.760
<v Speaker 1>you know, cyclical, it's going to continue you on and on.

0:21:01.280 --> 0:21:03.360
<v Speaker 1>I really I look at it as like an observer

0:21:03.480 --> 0:21:06.280
<v Speaker 1>man from the outside. Man, I just I just break

0:21:06.320 --> 0:21:08.400
<v Speaker 1>out the popcorn. Bro. I'm say, when you're listening to music,

0:21:08.400 --> 0:21:10.639
<v Speaker 1>you're still listening to a lot of hip hop. Not really,

0:21:11.119 --> 0:21:12.920
<v Speaker 1>not really man, you know what I'm saying. I throw

0:21:13.840 --> 0:21:15.959
<v Speaker 1>to tell you. I know it sounds crazy, man, but

0:21:16.040 --> 0:21:17.320
<v Speaker 1>you know, if I go on you know, if I'm

0:21:17.359 --> 0:21:20.679
<v Speaker 1>on the XFM, I'm just listening to like, uh, you know,

0:21:20.800 --> 0:21:22.720
<v Speaker 1>music that has no words, you know what I mean.

0:21:22.840 --> 0:21:24.920
<v Speaker 1>Like I might sit there and just listening to Nora

0:21:24.920 --> 0:21:27.000
<v Speaker 1>im Pure, you know what I mean, right, because riding

0:21:27.000 --> 0:21:29.080
<v Speaker 1>around it makes me feel rich. You know, if I'm

0:21:29.080 --> 0:21:30.880
<v Speaker 1>listening to Nora and Pure, it makes me feel rich.

0:21:31.119 --> 0:21:33.639
<v Speaker 1>If I'm listening to you know this, this MC or

0:21:33.640 --> 0:21:35.960
<v Speaker 1>this rap kid on here talking about I don't feel rich.

0:21:36.160 --> 0:21:38.520
<v Speaker 1>I feel like, damn, I feel broke as fuck. You know,

0:21:38.680 --> 0:21:40.960
<v Speaker 1>just got just that in the third I don't got that,

0:21:41.040 --> 0:21:42.679
<v Speaker 1>you know what I mean. I'd rather just listen to

0:21:42.720 --> 0:21:44.840
<v Speaker 1>something that, you know, it's just a little bit more

0:21:45.320 --> 0:21:50.360
<v Speaker 1>you know, soundscape, you know, heavy bass, tempo, going crazy,

0:21:50.400 --> 0:21:51.919
<v Speaker 1>you know what I mean, something that you could just

0:21:51.920 --> 0:21:54.320
<v Speaker 1>relax your mind to. Because you really sit down and

0:21:54.359 --> 0:21:55.879
<v Speaker 1>listen to these guys, man, you can feel like you're

0:21:55.920 --> 0:21:58.440
<v Speaker 1>missing out on all the good things in life. Raps

0:21:58.440 --> 0:22:01.240
<v Speaker 1>shouldn't really be like that, man. You shouldn't have to

0:22:01.280 --> 0:22:04.440
<v Speaker 1>listen to rap and feel like you're missing out on life.

0:22:04.800 --> 0:22:07.879
<v Speaker 1>Should be listening to rap and feel like, you know,

0:22:08.200 --> 0:22:09.879
<v Speaker 1>like like Okay, this is where I want to be,

0:22:10.320 --> 0:22:12.440
<v Speaker 1>but rap now makes you feel like you're not where

0:22:12.440 --> 0:22:14.560
<v Speaker 1>you want to be and you made a mistake and

0:22:14.600 --> 0:22:15.920
<v Speaker 1>I need to do what you're doing. It's been like

0:22:15.960 --> 0:22:18.040
<v Speaker 1>that for a while. I mean you mentioned the bling blinger.

0:22:18.080 --> 0:22:20.239
<v Speaker 1>I think it really started pretty pretty heavily, you know,

0:22:20.280 --> 0:22:22.639
<v Speaker 1>with cash money, because it's like your bird man's rapping

0:22:22.640 --> 0:22:26.360
<v Speaker 1>about having a fucking a car with a driver's seat

0:22:26.359 --> 0:22:29.440
<v Speaker 1>in the middle. Yeah. Yeah, but look, you can't put

0:22:29.480 --> 0:22:33.159
<v Speaker 1>it all on you and some people probably listen like

0:22:33.240 --> 0:22:35.000
<v Speaker 1>I love that shit. You're gonna give you an insight.

0:22:35.000 --> 0:22:37.600
<v Speaker 1>I'm gonna give your insight to it. It really, it

0:22:37.640 --> 0:22:40.080
<v Speaker 1>really didn't start with those guys, man, Like those guys

0:22:40.080 --> 0:22:44.640
<v Speaker 1>were just answering a call. It started with our magazines, right,

0:22:45.160 --> 0:22:51.320
<v Speaker 1>So so you had these magazines, like you know the magazines, Yeah, yeah,

0:22:51.440 --> 0:22:55.320
<v Speaker 1>other magazines, others, right, all of them. Right, there was

0:22:55.359 --> 0:22:58.479
<v Speaker 1>a time when those magazines were very thin because there

0:22:58.480 --> 0:23:01.080
<v Speaker 1>were no ads in them. Then they all got loaded up,

0:23:01.080 --> 0:23:03.439
<v Speaker 1>and once they got loaded they got thicker, not just

0:23:03.480 --> 0:23:05.800
<v Speaker 1>in the back, also in the middle of the peel outs.

0:23:06.040 --> 0:23:09.480
<v Speaker 1>Right once they went there, anybody could go look it

0:23:09.560 --> 0:23:12.639
<v Speaker 1>up and see. That's when the article started to go

0:23:12.760 --> 0:23:15.840
<v Speaker 1>from being favorable or agreeable, like like, oh yeah, we

0:23:15.920 --> 0:23:18.560
<v Speaker 1>got such and such most you know, most loved, or

0:23:18.600 --> 0:23:20.879
<v Speaker 1>you know someone who's known for such and such, like

0:23:20.960 --> 0:23:27.399
<v Speaker 1>all accolades and praise right to to oh yeah, the

0:23:27.440 --> 0:23:30.280
<v Speaker 1>East Coast West Coast War started because such and such

0:23:30.320 --> 0:23:32.840
<v Speaker 1>they sent. And then that was in bold lettering, and

0:23:32.840 --> 0:23:36.480
<v Speaker 1>then the division started, right, that's when the division started.

0:23:36.480 --> 0:23:40.119
<v Speaker 1>The division started when magazine started to put in bold

0:23:40.119 --> 0:23:43.639
<v Speaker 1>writing disagreements that people had that had nothing to do

0:23:43.760 --> 0:23:47.480
<v Speaker 1>with the album outright, but they grabbed the narrative. They

0:23:47.480 --> 0:23:52.440
<v Speaker 1>were grabbing narratives and now poisonous, poisonous to us, and

0:23:52.480 --> 0:23:54.919
<v Speaker 1>they fed it back to us. And so you know,

0:23:55.000 --> 0:23:59.280
<v Speaker 1>you know what happens when you feed bovine cow bovine bones, right,

0:23:59.520 --> 0:24:02.879
<v Speaker 1>what happened? It breaks down, It degenerates, right, it turns

0:24:02.920 --> 0:24:06.520
<v Speaker 1>into like you know that mass Yeah, I think I

0:24:06.520 --> 0:24:09.040
<v Speaker 1>think obviously a disease, right, But what they did to

0:24:09.119 --> 0:24:12.119
<v Speaker 1>us they fed us our own dead, right. I mean

0:24:12.160 --> 0:24:14.159
<v Speaker 1>I think when when when when these magazines realized that's

0:24:14.160 --> 0:24:16.879
<v Speaker 1>what sold? Because think about it, back then, you couldn't

0:24:16.880 --> 0:24:19.080
<v Speaker 1>go on social media and address someone directly or in

0:24:19.119 --> 0:24:21.560
<v Speaker 1>real time. Right, it was like I got to wait

0:24:21.600 --> 0:24:23.720
<v Speaker 1>to see what they say in the next vibe or

0:24:24.520 --> 0:24:26.640
<v Speaker 1>I you know, it was so much, he said, she said,

0:24:26.680 --> 0:24:30.160
<v Speaker 1>because there was no direct to consumer way to communicate

0:24:30.200 --> 0:24:32.200
<v Speaker 1>with fans. Well, yeah, but I mean you got to

0:24:32.240 --> 0:24:35.160
<v Speaker 1>take responsibility. You know, everybody's got to be accountable, right,

0:24:35.200 --> 0:24:39.560
<v Speaker 1>like if in other there were other magazines, you know, skiing, biking,

0:24:39.760 --> 0:24:42.240
<v Speaker 1>you know the stuff that William Randolph Hurst did. You

0:24:42.240 --> 0:24:47.320
<v Speaker 1>know everything was for photography, skiing, biking, boating, all the

0:24:47.359 --> 0:24:50.439
<v Speaker 1>I's right, he just got them all and he added

0:24:50.440 --> 0:24:54.320
<v Speaker 1>I G to every hobby, every record, recreational pastime, and

0:24:54.400 --> 0:24:56.600
<v Speaker 1>it sold. You go look at those magazines. They were

0:24:56.760 --> 0:24:59.560
<v Speaker 1>dividing their own culture. You didn't need to see people

0:25:00.040 --> 0:25:05.160
<v Speaker 1>dividing celle craft with you know, diesel engines versus gas.

0:25:05.200 --> 0:25:07.480
<v Speaker 1>You know, people make comparisons, but they didn't make it

0:25:07.520 --> 0:25:11.000
<v Speaker 1>to where like you know, don't buy this, you know, mirror.

0:25:11.040 --> 0:25:14.000
<v Speaker 1>But but like right, look right, it's only in rap,

0:25:14.400 --> 0:25:16.800
<v Speaker 1>and so that's that tells you that there was an

0:25:16.840 --> 0:25:20.639
<v Speaker 1>agenda involved, you know. But what confuses me always is

0:25:20.680 --> 0:25:24.040
<v Speaker 1>that rap just kind of keeps going down the same

0:25:25.600 --> 0:25:31.680
<v Speaker 1>circle that those same bear traps pitfalls. It just they

0:25:31.800 --> 0:25:34.960
<v Speaker 1>just break out the same you know, a recurring pitfall

0:25:35.080 --> 0:25:37.719
<v Speaker 1>every five or ten years, and people fall into it.

0:25:37.760 --> 0:25:42.000
<v Speaker 1>For example. I don't understand how the owners of these

0:25:42.040 --> 0:25:45.280
<v Speaker 1>magazines didn't see ten years ahead in the future, which

0:25:45.280 --> 0:25:49.000
<v Speaker 1>ain't even long. Can't you see that by putting these things,

0:25:49.040 --> 0:25:52.720
<v Speaker 1>by grabbing the narrative and making it negative in your magazine, right,

0:25:52.760 --> 0:25:55.720
<v Speaker 1>can't you see that, all that's gonna do is push

0:25:55.760 --> 0:25:58.960
<v Speaker 1>your magazine out the window eventually to where you're not

0:25:59.000 --> 0:26:02.800
<v Speaker 1>gonna have the staff. You know, you eventually you're going

0:26:02.840 --> 0:26:06.400
<v Speaker 1>to kill your own culture through the magazine. Right, You're

0:26:06.400 --> 0:26:11.560
<v Speaker 1>gonna kill your magazine. The the the platforms are gonna

0:26:11.640 --> 0:26:13.680
<v Speaker 1>change and to go online. Now you don't have a

0:26:13.760 --> 0:26:16.920
<v Speaker 1>staff anymore. Right. And I can say this because I

0:26:16.960 --> 0:26:18.439
<v Speaker 1>was I lived it. Like you know, when you had

0:26:18.480 --> 0:26:21.000
<v Speaker 1>promotion and marketing. Man, there was a time and you're

0:26:21.000 --> 0:26:24.040
<v Speaker 1>from a relatively same era, there was a time when

0:26:25.560 --> 0:26:28.600
<v Speaker 1>craft services used to get money from coming to our videos,

0:26:28.640 --> 0:26:31.160
<v Speaker 1>coming to the you know, to the meet and greets,

0:26:31.359 --> 0:26:34.600
<v Speaker 1>just parking the truck outside the food truck outside the promotions.

0:26:34.640 --> 0:26:37.040
<v Speaker 1>The marketing promotions. Guys used to get bootgoo bucks. Man.

0:26:37.040 --> 0:26:38.280
<v Speaker 1>They used to go, Yeah, they have to go to

0:26:38.359 --> 0:26:40.119
<v Speaker 1>the record stores and make sure you had your your

0:26:40.160 --> 0:26:43.800
<v Speaker 1>setup and your posters in the record stores. Yeah, you know,

0:26:43.960 --> 0:26:46.479
<v Speaker 1>somebody making some clothes. You know, just got some some

0:26:46.560 --> 0:26:49.080
<v Speaker 1>garms and stuff. Like everyone was getting paid. Everybody was

0:26:49.160 --> 0:26:51.680
<v Speaker 1>getting bread or that's what I'm saying. It was coming

0:26:51.680 --> 0:26:55.600
<v Speaker 1>out of your budget. I'm talking about the self I'm about.

0:26:56.240 --> 0:26:57.960
<v Speaker 1>I'm talking about self man, I'm not I'm not talking

0:26:58.000 --> 0:27:01.199
<v Speaker 1>about labels paying people. I'm talking about people making the

0:27:01.280 --> 0:27:03.760
<v Speaker 1>work that you was able to get it all back

0:27:04.400 --> 0:27:07.919
<v Speaker 1>through being busy every day doing what you loved. That

0:27:08.119 --> 0:27:10.000
<v Speaker 1>just the time where we were still doing what we loved,

0:27:10.600 --> 0:27:13.680
<v Speaker 1>and like I said, things just started to get strained

0:27:13.840 --> 0:27:15.359
<v Speaker 1>and it's like they put us through some kind of

0:27:15.359 --> 0:27:17.919
<v Speaker 1>a funnel and what came out the other end was

0:27:18.600 --> 0:27:21.280
<v Speaker 1>all right, well, now you just upload your music and

0:27:21.320 --> 0:27:23.160
<v Speaker 1>we don't need anybody to promote it. You can pay

0:27:23.200 --> 0:27:25.440
<v Speaker 1>for the promoting, But that just means we're just gonna

0:27:25.480 --> 0:27:28.200
<v Speaker 1>digitally send a signal and ping a website and get

0:27:28.320 --> 0:27:32.600
<v Speaker 1>avatars and you get bots right right, so you know,

0:27:33.160 --> 0:27:36.119
<v Speaker 1>and it's it's really alarming. Man. You just look and

0:27:36.119 --> 0:27:40.280
<v Speaker 1>you see how much power does the average rapper have? Man?

0:27:40.840 --> 0:27:44.640
<v Speaker 1>Not much? And that's crazy to me. Yo, you mentioned

0:27:44.680 --> 0:27:47.760
<v Speaker 1>the metaverse a bit earlier, but I know that you

0:27:46.960 --> 0:27:51.080
<v Speaker 1>you you're in the NFT space a bit. Yeah, the metaverse. Yeah,

0:27:51.080 --> 0:27:54.680
<v Speaker 1>I'm listening. But I'm just curious, like what you've always

0:27:54.720 --> 0:27:57.320
<v Speaker 1>kind of been ahead of the curve when it comes

0:27:57.320 --> 0:28:00.800
<v Speaker 1>to be online shit or just certain shit like total

0:28:00.840 --> 0:28:02.840
<v Speaker 1>curse man, talk about the n f T ship man,

0:28:02.840 --> 0:28:05.240
<v Speaker 1>because obviously, I think a lot of artists are still

0:28:05.240 --> 0:28:09.520
<v Speaker 1>trying to figure out the space. It's new, starting to

0:28:09.600 --> 0:28:11.320
<v Speaker 1>kind of understand what it is, but at the same

0:28:11.359 --> 0:28:15.119
<v Speaker 1>time are very disconnected to what it really is. So,

0:28:15.359 --> 0:28:19.240
<v Speaker 1>so you're in the space, how are you feeling about

0:28:19.280 --> 0:28:21.280
<v Speaker 1>like kind of just that whole side of the game. Okay,

0:28:21.320 --> 0:28:23.480
<v Speaker 1>so a lot a lot of it. You know, I'm

0:28:23.520 --> 0:28:26.240
<v Speaker 1>only qualified to speak on a fraction of what what

0:28:26.359 --> 0:28:29.639
<v Speaker 1>an NFT can do or where it's going, right, mainly

0:28:29.720 --> 0:28:34.040
<v Speaker 1>because a lot of the you know, you got to

0:28:34.040 --> 0:28:36.480
<v Speaker 1>be a colder, man like. You really have to you know,

0:28:36.680 --> 0:28:38.760
<v Speaker 1>really know what you're doing, man like, because I've worked

0:28:38.760 --> 0:28:40.760
<v Speaker 1>with some of those guys, and I mean they're like

0:28:40.800 --> 0:28:43.720
<v Speaker 1>brainiacts man, you know, and most of them, from what

0:28:43.800 --> 0:28:46.720
<v Speaker 1>I see, they're like our age. They're not little youngest

0:28:46.760 --> 0:28:49.160
<v Speaker 1>because they had to go and invest the time to

0:28:49.240 --> 0:28:52.680
<v Speaker 1>learn these programs and they have to know how to cold.

0:28:53.560 --> 0:28:55.720
<v Speaker 1>And even now as you talk about like, if you

0:28:55.760 --> 0:28:57.800
<v Speaker 1>want to go build a website, you got to go

0:28:57.800 --> 0:29:01.320
<v Speaker 1>get somebody from India to do it. Right. When I

0:29:01.320 --> 0:29:03.440
<v Speaker 1>remember when I was building spitballs dot com. This is

0:29:03.440 --> 0:29:06.560
<v Speaker 1>a long time ago, this is twenty ten, and you know,

0:29:07.000 --> 0:29:10.120
<v Speaker 1>my team and I, you know, were handling building spitballs

0:29:10.160 --> 0:29:11.800
<v Speaker 1>dot com. And I got to tell you, man like,

0:29:12.160 --> 0:29:15.480
<v Speaker 1>there were only two coders in the country. One was

0:29:15.480 --> 0:29:18.160
<v Speaker 1>in Miami and when it was in Colorado that could

0:29:18.200 --> 0:29:20.880
<v Speaker 1>have built the site. So we had to outsource to India.

0:29:21.520 --> 0:29:24.640
<v Speaker 1>No problem with that. It's just that India has different

0:29:24.640 --> 0:29:26.840
<v Speaker 1>holidays from us, so we were trying to get things done.

0:29:26.840 --> 0:29:28.920
<v Speaker 1>It was like, oh man, they're on holiday. Got to

0:29:29.000 --> 0:29:31.240
<v Speaker 1>hit them back this time, you know, O Ramadan, look,

0:29:31.360 --> 0:29:34.600
<v Speaker 1>can't do your cipher right. So that's kind of crazy

0:29:34.640 --> 0:29:37.320
<v Speaker 1>considering it. And it's been like that for a long time.

0:29:37.680 --> 0:29:41.400
<v Speaker 1>And so NFTs. While there's a lot to it and

0:29:41.440 --> 0:29:44.800
<v Speaker 1>there's a lot that can happen because of it, I

0:29:44.800 --> 0:29:46.880
<v Speaker 1>think Rap's gonna miss the boat with it again, man,

0:29:47.000 --> 0:29:50.479
<v Speaker 1>because once again, you know, they're not our own people

0:29:51.160 --> 0:29:54.840
<v Speaker 1>are not They're not paying attention to the ones who

0:29:55.640 --> 0:29:59.600
<v Speaker 1>stand to gain and lose the most if we don't

0:29:59.600 --> 0:30:02.240
<v Speaker 1>get some thing like that for ourselves and not listening

0:30:02.280 --> 0:30:05.000
<v Speaker 1>to them. They want to go run to just the

0:30:05.040 --> 0:30:10.040
<v Speaker 1>corporate the corporate masters, right that that you know really

0:30:10.280 --> 0:30:11.920
<v Speaker 1>kind of don't care one way or another if you

0:30:11.960 --> 0:30:14.080
<v Speaker 1>make something that your grandchildren are going to be able

0:30:14.160 --> 0:30:17.680
<v Speaker 1>to tap into to you know, go to school, you know,

0:30:17.760 --> 0:30:22.160
<v Speaker 1>get higher education, right. And that's not my acts to grime, man,

0:30:22.320 --> 0:30:25.000
<v Speaker 1>I'm just saying that to even sit up here and

0:30:25.040 --> 0:30:27.880
<v Speaker 1>talk about NFT stuff. I mean, I was talking about

0:30:27.920 --> 0:30:30.520
<v Speaker 1>cannabis dot com and nobody gave a ship you mean

0:30:30.520 --> 0:30:32.680
<v Speaker 1>me to talk about it now? Nobody? I mean people

0:30:32.760 --> 0:30:34.760
<v Speaker 1>people are giving I mean you, I tell you just

0:30:34.760 --> 0:30:37.120
<v Speaker 1>had some NFTs. I mean how many? I tell you?

0:30:37.200 --> 0:30:38.680
<v Speaker 1>Just put up an n f T, right, I don't

0:30:38.680 --> 0:30:41.640
<v Speaker 1>have any NFTs if you go online and you look

0:30:41.680 --> 0:30:44.400
<v Speaker 1>for cannis nts. You don't have any cannabis enttis. But

0:30:44.440 --> 0:30:47.840
<v Speaker 1>the whole thing is that, you know, I'm I'm orbiting

0:30:48.200 --> 0:30:50.440
<v Speaker 1>the technology and I'm orbiting the n f T world

0:30:50.440 --> 0:30:52.640
<v Speaker 1>because there are things that are works of art that

0:30:52.720 --> 0:30:54.520
<v Speaker 1>I would like to you know, I would I would

0:30:54.560 --> 0:30:57.720
<v Speaker 1>like to either ascertain or you know, have investors, you know,

0:30:57.760 --> 0:31:02.840
<v Speaker 1>angel investors come in and as right, because okay, so

0:31:02.880 --> 0:31:06.520
<v Speaker 1>this this board ape you know NFT for y'all clup

0:31:06.520 --> 0:31:08.840
<v Speaker 1>thing right now? Now you look at that right now,

0:31:09.640 --> 0:31:14.080
<v Speaker 1>If you look at it, it's colorful. It does draw

0:31:14.160 --> 0:31:15.920
<v Speaker 1>on you a little bit when you look at it,

0:31:16.000 --> 0:31:17.480
<v Speaker 1>right to at least for you to scroll and look

0:31:17.480 --> 0:31:19.920
<v Speaker 1>at the next one, and you think maybe that, like,

0:31:20.640 --> 0:31:22.440
<v Speaker 1>you know, maybe there's a maybe there's a like a

0:31:23.440 --> 0:31:26.360
<v Speaker 1>a hip you know, someone that has like hip hop

0:31:26.440 --> 0:31:30.560
<v Speaker 1>roots behind it, and it's probably not, probably not, And

0:31:30.960 --> 0:31:33.080
<v Speaker 1>that's kind of like crazy, So where so where are

0:31:33.080 --> 0:31:35.920
<v Speaker 1>the hip hop guys that because the prices of those

0:31:35.960 --> 0:31:41.760
<v Speaker 1>things are insane right so so so how how would

0:31:41.800 --> 0:31:44.240
<v Speaker 1>we ever be able to participate in something like that

0:31:44.280 --> 0:31:47.600
<v Speaker 1>when it's happening right now and none of us are

0:31:47.600 --> 0:31:50.040
<v Speaker 1>in that space? So it's almost like is it too

0:31:50.120 --> 0:31:52.520
<v Speaker 1>late or like do you think it's too late for

0:31:52.600 --> 0:31:54.160
<v Speaker 1>people to get into that. It's too late. It's too

0:31:54.200 --> 0:31:56.560
<v Speaker 1>late because of the division that you talked about earlier,

0:31:56.600 --> 0:31:58.280
<v Speaker 1>because it's like, you know, no one's going to pull

0:31:58.360 --> 0:32:01.520
<v Speaker 1>together enough to go do that everyone else. I mean,

0:32:01.600 --> 0:32:03.760
<v Speaker 1>now that we're speaking about that, let me, let me

0:32:04.240 --> 0:32:07.160
<v Speaker 1>let me pretty much. So I don't have all the

0:32:07.200 --> 0:32:09.040
<v Speaker 1>answers for that, but I do have a place that

0:32:09.080 --> 0:32:11.320
<v Speaker 1>has the answers for it, right that I know of

0:32:11.400 --> 0:32:14.959
<v Speaker 1>that I've that I've all right, so you know this

0:32:15.040 --> 0:32:17.800
<v Speaker 1>is what I just throw this out your ok rippers, investors,

0:32:17.880 --> 0:32:23.040
<v Speaker 1>Hood for lamp Hood for Lampith, philanthropists, Grandpas with big coins,

0:32:23.080 --> 0:32:26.959
<v Speaker 1>Grandmams with shit coins. Look into ee pictorial app available

0:32:27.080 --> 0:32:30.560
<v Speaker 1>on Google Play, i pictoria dot com Secure your future

0:32:30.560 --> 0:32:35.560
<v Speaker 1>with customized I pictorial iovs. That's Internet of Value tools.

0:32:35.840 --> 0:32:40.400
<v Speaker 1>I'm talking cannabis coins, Jurassic five, J five coins, hieroglyphics,

0:32:40.480 --> 0:32:44.920
<v Speaker 1>hydro coins. There's J five coins, yeah right right, every

0:32:44.960 --> 0:32:49.200
<v Speaker 1>coin you can cross chain anything, think bank O pictorial finance.

0:32:49.520 --> 0:32:52.120
<v Speaker 1>There's no one with coins on exchanges. They're going to

0:32:52.160 --> 0:32:56.240
<v Speaker 1>be on coinbase and the NASDA Index, Special rewards coins

0:32:56.240 --> 0:32:59.680
<v Speaker 1>with membership powers O Pictorial Smart Wilets for smart people

0:32:59.720 --> 0:33:03.040
<v Speaker 1>with smart phones, make smart money for smart contracts. Jim

0:33:03.120 --> 0:33:07.479
<v Speaker 1>Code classes begin January twenty twenty two, available on our

0:33:07.520 --> 0:33:11.120
<v Speaker 1>Pictorial Wild. All of this will be available on January first,

0:33:11.120 --> 0:33:14.960
<v Speaker 1>twenty twenty two. Now, this is a small company, right,

0:33:15.560 --> 0:33:18.880
<v Speaker 1>with long reach. Right, I just said that on there, Right,

0:33:19.680 --> 0:33:22.320
<v Speaker 1>I'd be surprised to see how many people go there

0:33:22.480 --> 0:33:25.400
<v Speaker 1>and try to take advantage of or look into what's

0:33:25.440 --> 0:33:28.880
<v Speaker 1>there for them right now, you know, X amount of

0:33:28.920 --> 0:33:32.040
<v Speaker 1>days later after this broadcast, I'll find out, right, and

0:33:32.120 --> 0:33:34.480
<v Speaker 1>most likely, like the way that I see it is

0:33:34.560 --> 0:33:37.560
<v Speaker 1>because I said it, no one cares, right, But this

0:33:37.720 --> 0:33:42.000
<v Speaker 1>company they're building on their own without me saying that, right,

0:33:42.080 --> 0:33:44.960
<v Speaker 1>So they're probably gonna grab onto something else out there

0:33:45.400 --> 0:33:48.760
<v Speaker 1>that's gonna win. And then you know, we're gonna be

0:33:48.800 --> 0:33:50.520
<v Speaker 1>looking at the people who we told about it, like

0:33:50.560 --> 0:33:52.880
<v Speaker 1>but we told you though, right, and they're gonna run

0:33:52.880 --> 0:33:56.720
<v Speaker 1>off with somebody else that's gonna you know, distribute their

0:33:57.320 --> 0:34:00.680
<v Speaker 1>their music's, put their take their names sake, you know,

0:34:00.920 --> 0:34:04.040
<v Speaker 1>you know, get their their crypto world together, you know,

0:34:04.920 --> 0:34:07.720
<v Speaker 1>while it's you know, get all that stuff is very important,

0:34:07.760 --> 0:34:10.479
<v Speaker 1>and I know why, but I can't say it why

0:34:10.560 --> 0:34:13.520
<v Speaker 1>because it doesn't matter unless they go look a look

0:34:13.560 --> 0:34:16.960
<v Speaker 1>into an I pictorial. The I patorial app right. But

0:34:18.800 --> 0:34:20.799
<v Speaker 1>one day, very soon, they're gonna wake up and they're

0:34:20.840 --> 0:34:23.360
<v Speaker 1>gonna be in that world already. You can't buy anything

0:34:23.960 --> 0:34:26.279
<v Speaker 1>in that world. You're not gonna be able to uh

0:34:26.360 --> 0:34:28.560
<v Speaker 1>earn it. You're gonna be able to get any air drops.

0:34:28.560 --> 0:34:30.000
<v Speaker 1>You're not gonna be get it. You're just gonna wake up.

0:34:30.000 --> 0:34:31.800
<v Speaker 1>You're just gonna owe it, and you're gonna have to

0:34:31.840 --> 0:34:34.439
<v Speaker 1>go to work until get it. And in the same

0:34:34.480 --> 0:34:36.080
<v Speaker 1>way we have to do that for the US dollars.

0:34:36.360 --> 0:34:38.120
<v Speaker 1>You got to earn the US dollar. So one day

0:34:38.160 --> 0:34:42.040
<v Speaker 1>you're not gonna be able to purchase into that world, right,

0:34:42.200 --> 0:34:43.920
<v Speaker 1>You're gonna have to work into that world. That's right,

0:34:44.280 --> 0:34:47.040
<v Speaker 1>which is which is a crazy I mean, that's a

0:34:47.080 --> 0:34:50.279
<v Speaker 1>crazy thought. And its eventually for us though, I think

0:34:50.320 --> 0:34:52.880
<v Speaker 1>that us we're gonna still be able to do what

0:34:53.000 --> 0:34:56.239
<v Speaker 1>we do and do we're we're good at doing. It's

0:34:56.239 --> 0:34:58.520
<v Speaker 1>the new generation. Man. We're talking about our kids here,

0:34:58.960 --> 0:35:01.319
<v Speaker 1>about our grant and children. This is what we're really

0:35:01.360 --> 0:35:03.319
<v Speaker 1>talking about. And we're talking about that kind of stuff.

0:35:03.320 --> 0:35:05.520
<v Speaker 1>That's what we're really talking about, because we're able to

0:35:05.640 --> 0:35:07.680
<v Speaker 1>we're able to get it in so many different ways. No,

0:35:07.719 --> 0:35:09.880
<v Speaker 1>you're right, you're right, right, this is probably maybe fifty

0:35:09.880 --> 0:35:13.400
<v Speaker 1>one hundred years away. Yeah, you know, I wanted to

0:35:13.440 --> 0:35:15.600
<v Speaker 1>talk to you, so I know. I'm sure you saw.

0:35:15.920 --> 0:35:19.480
<v Speaker 1>Uh was it? Ll got into the Rock and Roll

0:35:19.520 --> 0:35:21.480
<v Speaker 1>Hall of Fame. That's right, he got inducted, right, he

0:35:21.520 --> 0:35:23.600
<v Speaker 1>got inducted, and he shot it. He shouted you out

0:35:24.040 --> 0:35:25.520
<v Speaker 1>just about a month now, right, he has been a

0:35:25.560 --> 0:35:27.560
<v Speaker 1>month ago, and he shouted you out in the speech,

0:35:27.600 --> 0:35:30.680
<v Speaker 1>which I thought was dope because, in my opinion, bring

0:35:31.239 --> 0:35:36.560
<v Speaker 1>top three battles. As a kid, I remember obviously second

0:35:36.600 --> 0:35:40.400
<v Speaker 1>Round Knockout, and I remember going and buying DMX's It's

0:35:40.480 --> 0:35:44.440
<v Speaker 1>Dark and Hell Is Hot, the bonus disc version, because

0:35:44.480 --> 0:35:46.919
<v Speaker 1>the second there was a there was a Deaf Jam

0:35:47.000 --> 0:35:50.600
<v Speaker 1>version of that album that had a bonus disc in

0:35:50.640 --> 0:35:54.279
<v Speaker 1>it that had the Ripper strikes back on it. Right, right, Yeah,

0:35:54.280 --> 0:35:57.879
<v Speaker 1>that's right. And I just remember knowing both of those

0:35:58.040 --> 0:36:00.920
<v Speaker 1>records by heart and just thinking, like day, like I

0:36:01.080 --> 0:36:03.800
<v Speaker 1>like just it was such a just an epic time,

0:36:04.239 --> 0:36:07.240
<v Speaker 1>epic battle. But I always felt like there was always respect,

0:36:07.680 --> 0:36:09.600
<v Speaker 1>and I thought it was just so dope to see

0:36:09.600 --> 0:36:11.799
<v Speaker 1>all these years later, ll just show you some love,

0:36:11.880 --> 0:36:13.640
<v Speaker 1>you know. I mean, it's a shame that we didn't

0:36:13.800 --> 0:36:17.719
<v Speaker 1>WWF it right. And what I mean by that is like, like,

0:36:18.360 --> 0:36:22.640
<v Speaker 1>why couldn't there have been some wise elder right to

0:36:22.719 --> 0:36:25.239
<v Speaker 1>come out and just say, all right, listen, man, you

0:36:25.280 --> 0:36:30.160
<v Speaker 1>guys kissing makeup right now, right but on the screen. Yeah, yeah, yeah,

0:36:30.239 --> 0:36:32.880
<v Speaker 1>do that, and let's all really just get rich, and

0:36:33.000 --> 0:36:35.560
<v Speaker 1>let's let's go ahead and create to do this, take

0:36:35.560 --> 0:36:38.719
<v Speaker 1>this template and do it every time rap artists getting

0:36:38.760 --> 0:36:43.440
<v Speaker 1>too beef. Instead, for us, there was no WWF. They

0:36:43.520 --> 0:36:46.560
<v Speaker 1>put everybody in a situation like this is real. You

0:36:46.600 --> 0:36:49.279
<v Speaker 1>can't sleep tonight because you got dissed. You know what

0:36:49.320 --> 0:36:52.520
<v Speaker 1>I'm saying. You can't show your face because you got dissed.

0:36:52.719 --> 0:36:56.440
<v Speaker 1>You're under pressure because you got dissed. You you know

0:36:56.440 --> 0:36:59.279
<v Speaker 1>what I mean, You're not You're not the artist that

0:36:59.360 --> 0:37:01.680
<v Speaker 1>we all thought you word because you got dissed. Like

0:37:01.960 --> 0:37:04.479
<v Speaker 1>hip hop kind of did a number on the both

0:37:04.520 --> 0:37:07.880
<v Speaker 1>of us, I think, and every artist thereafter and before

0:37:08.000 --> 0:37:11.359
<v Speaker 1>that got into you know, disagreements with each other. There

0:37:11.440 --> 0:37:15.600
<v Speaker 1>was no at no time there on my watch was

0:37:15.640 --> 0:37:20.359
<v Speaker 1>I able to witness someone that was wise coming into

0:37:20.400 --> 0:37:24.120
<v Speaker 1>the fray right and saying, you know what, there's a

0:37:24.160 --> 0:37:27.320
<v Speaker 1>way the w W F this where everyone gets paid.

0:37:27.440 --> 0:37:30.120
<v Speaker 1>That's right, and we take our wrapper hats off at

0:37:30.120 --> 0:37:32.560
<v Speaker 1>the end of the night. Never happened. Never happened. So

0:37:33.040 --> 0:37:35.200
<v Speaker 1>that's how I look at the whole thing. I don't

0:37:35.680 --> 0:37:38.000
<v Speaker 1>everything y'all talk about what y'all saying to me, man,

0:37:38.040 --> 0:37:43.000
<v Speaker 1>it's Chinese, because what everybody else is talking about it

0:37:43.120 --> 0:37:46.520
<v Speaker 1>is something that still we spent five minutes talking about

0:37:46.560 --> 0:37:49.840
<v Speaker 1>this so far, it makes no money, nobody gets anything

0:37:49.880 --> 0:37:52.840
<v Speaker 1>from it. But on the w w S side of things,

0:37:53.440 --> 0:37:57.560
<v Speaker 1>they eat bro and I'm not slow, yeah, and I'm

0:37:57.560 --> 0:37:59.960
<v Speaker 1>not slow. So I kind of feel I kind of

0:38:00.200 --> 0:38:02.719
<v Speaker 1>I feel assaulted. I feel like I got stuck with

0:38:02.719 --> 0:38:05.040
<v Speaker 1>the dummies, you know what I mean. I got put

0:38:05.120 --> 0:38:07.799
<v Speaker 1>into the genre music guy had to get to do

0:38:07.840 --> 0:38:09.520
<v Speaker 1>that with the dummies, you know what I mean. I

0:38:09.520 --> 0:38:12.080
<v Speaker 1>should have been on another side where it's like, you know,

0:38:12.200 --> 0:38:15.240
<v Speaker 1>somebody the wise man comes down off the off the mountain.

0:38:15.719 --> 0:38:17.799
<v Speaker 1>He's got the plan and he says, I like what

0:38:17.840 --> 0:38:20.319
<v Speaker 1>you guys, just did you know what let's go get

0:38:20.320 --> 0:38:22.799
<v Speaker 1>some money with it instead on this side of thing

0:38:22.840 --> 0:38:25.680
<v Speaker 1>and wrapped, almost like a Paul Hayman. That's right, let's

0:38:25.680 --> 0:38:27.960
<v Speaker 1>do it. But on this side of the thing, we wrap.

0:38:28.239 --> 0:38:30.399
<v Speaker 1>The guy comes off the top of the mountain. He says, man,

0:38:31.400 --> 0:38:33.279
<v Speaker 1>you won't believe what he said to me about you

0:38:33.360 --> 0:38:34.920
<v Speaker 1>up there. Man, if I was you might go up there.

0:38:34.960 --> 0:38:36.160
<v Speaker 1>You see what I'm trying to say. I hear what

0:38:36.200 --> 0:38:37.719
<v Speaker 1>you're saying. And then they just wipe us out. We

0:38:37.760 --> 0:38:41.160
<v Speaker 1>wipe ourselves out, and I and I'm confused as to

0:38:41.239 --> 0:38:45.200
<v Speaker 1>how nobody has can see it yet. Yeah, I mean

0:38:45.239 --> 0:38:47.160
<v Speaker 1>and if and hey, look there might be situations that

0:38:47.200 --> 0:38:49.120
<v Speaker 1>we just aren't privy to where that it might have happened.

0:38:49.560 --> 0:38:51.520
<v Speaker 1>You know, I don't know. I just don't love you

0:38:53.080 --> 0:38:55.279
<v Speaker 1>that bullshit now, I don't know. I don't know the

0:38:55.280 --> 0:38:57.480
<v Speaker 1>way word of mouth goes on and wrap. You're right,

0:38:57.480 --> 0:38:59.640
<v Speaker 1>it's a bunch of commons. B Yeah. So when you

0:38:59.800 --> 0:39:01.520
<v Speaker 1>when when you heard him shout you out, like I mean,

0:39:01.560 --> 0:39:05.440
<v Speaker 1>obviously that was the phone went crazy. The texts were crazy,

0:39:05.800 --> 0:39:10.120
<v Speaker 1>you know, you know, I was I didn't even remember

0:39:10.120 --> 0:39:12.240
<v Speaker 1>what I was doing at the time. Oh, I was writing,

0:39:12.280 --> 0:39:15.400
<v Speaker 1>I was writing for Kaiju. I was writing, I was writing,

0:39:15.400 --> 0:39:17.920
<v Speaker 1>I was I was vocaling, right, I was vocaling, and

0:39:17.960 --> 0:39:20.160
<v Speaker 1>I put the phone on airplane mode. So when I

0:39:20.239 --> 0:39:22.279
<v Speaker 1>took it off, it was like a thing went crazy.

0:39:22.560 --> 0:39:25.480
<v Speaker 1>And then I was like, oh, man, I just not stupid.

0:39:25.520 --> 0:39:27.759
<v Speaker 1>I'm thinking of something stupid. I'm thinking. He got up

0:39:27.800 --> 0:39:29.520
<v Speaker 1>there and said, yo, man, I want to see cannabis

0:39:29.560 --> 0:39:32.319
<v Speaker 1>in the pine box. I'm saying, I'm just telling you

0:39:32.440 --> 0:39:34.719
<v Speaker 1>right what I thought when I looked at it, and

0:39:34.760 --> 0:39:36.960
<v Speaker 1>then when I heard it was the opposite. You know,

0:39:37.080 --> 0:39:40.719
<v Speaker 1>it did feel good, you know, no wild now wow. Now,

0:39:40.719 --> 0:39:43.480
<v Speaker 1>while of course, you know, what if I was like

0:39:43.520 --> 0:39:46.759
<v Speaker 1>stuck somewhere in South Africa, right, and I couldn't get

0:39:46.800 --> 0:39:49.000
<v Speaker 1>back to the States or right, what if I'd been

0:39:49.080 --> 0:39:52.239
<v Speaker 1>human traffic somewhere right, think about this, right, what if

0:39:52.280 --> 0:39:57.719
<v Speaker 1>I was somewhere else unable to communicate back right? But

0:39:57.800 --> 0:40:02.040
<v Speaker 1>I heard about that how you're supposed to feel. You're

0:40:02.040 --> 0:40:04.799
<v Speaker 1>not supposed to feel like this, shout out, it's any

0:40:04.880 --> 0:40:07.360
<v Speaker 1>kind of guiding light from the creator, like, you know,

0:40:07.520 --> 0:40:09.960
<v Speaker 1>just hang in there, kid, you're at it, right, And

0:40:10.000 --> 0:40:13.080
<v Speaker 1>then this is not the way that rap I feel

0:40:13.120 --> 0:40:15.680
<v Speaker 1>in the beginning, this is not the way that it

0:40:15.760 --> 0:40:20.320
<v Speaker 1>was meant to develop. I don't feel that way because

0:40:20.880 --> 0:40:26.440
<v Speaker 1>every other the word team, the word genre, the word group,

0:40:27.160 --> 0:40:32.080
<v Speaker 1>the word I mean, just any synonym to you know,

0:40:32.200 --> 0:40:38.080
<v Speaker 1>like like a group, right people, right, any other synonym

0:40:38.239 --> 0:40:40.799
<v Speaker 1>is going to you look up the examples, or you

0:40:40.840 --> 0:40:44.040
<v Speaker 1>look up something that's comparable. You're going to see that.

0:40:44.960 --> 0:40:47.640
<v Speaker 1>We don't leave nobody behind, you know what I mean?

0:40:47.719 --> 0:40:50.640
<v Speaker 1>All right? You know what. We keep our scuffles inside

0:40:50.640 --> 0:40:53.399
<v Speaker 1>the family. You know what I mean. Everybody all desk,

0:40:53.480 --> 0:40:55.160
<v Speaker 1>got to be paid, so forth and so on. But

0:40:55.200 --> 0:40:59.640
<v Speaker 1>you know what, we don't leave nobody behind. Man, rap, Bro,

0:41:00.640 --> 0:41:03.640
<v Speaker 1>I'm I'm I'm good man, I'm good because you know

0:41:03.680 --> 0:41:07.480
<v Speaker 1>what I mean. I got other things doing and working right.

0:41:07.520 --> 0:41:10.759
<v Speaker 1>But for those who don't, you gotta you gotta guess.

0:41:10.800 --> 0:41:12.880
<v Speaker 1>List so long and wrap of people that can come

0:41:12.960 --> 0:41:16.279
<v Speaker 1>up here and talk about being left behind. I'm telling you, bro,

0:41:17.920 --> 0:41:20.680
<v Speaker 1>it's not something made right with that picture. Man. I agree.

0:41:20.719 --> 0:41:22.360
<v Speaker 1>I mean, I'm not here to fix it either, But

0:41:22.920 --> 0:41:25.279
<v Speaker 1>you're right, you're right, so don't so. I don't want

0:41:25.320 --> 0:41:28.360
<v Speaker 1>anybody to come talk to me like I'm slow about

0:41:28.880 --> 0:41:31.280
<v Speaker 1>a shout out or something like that. I'm not miserable

0:41:31.320 --> 0:41:34.600
<v Speaker 1>about it. I'm saying it. Don't don't even waste my time, man.

0:41:34.800 --> 0:41:37.240
<v Speaker 1>You know what I mean about something that it doesn't

0:41:37.280 --> 0:41:39.880
<v Speaker 1>mean anything. You know what I'm saying it? Wait hold on,

0:41:40.239 --> 0:41:42.200
<v Speaker 1>time to stop the interview because we got to talk

0:41:42.239 --> 0:41:44.920
<v Speaker 1>about our good folks at odd Socks. Man. Listen. If

0:41:44.920 --> 0:41:47.719
<v Speaker 1>you go to odd Socksofficial dot com, that's O D

0:41:47.880 --> 0:41:52.160
<v Speaker 1>D s Oxofficial dot com. Use the keyword keyword. It's

0:41:52.200 --> 0:41:55.360
<v Speaker 1>a fucking promo code. Use the fucking promo code bootleg

0:41:55.480 --> 0:41:58.560
<v Speaker 1>keV all right at check out, you'll save twenty percent off.

0:41:58.760 --> 0:42:03.120
<v Speaker 1>They got Look at these joints, man, the Ninja Turtle boys,

0:42:03.239 --> 0:42:05.560
<v Speaker 1>you know what I'm saying. How about the Naruto guys.

0:42:06.200 --> 0:42:08.319
<v Speaker 1>And then they got the new odd Socks basics that

0:42:08.400 --> 0:42:11.479
<v Speaker 1>are just like they're just so fly man, the tied

0:42:11.560 --> 0:42:15.399
<v Speaker 1>eyed joints. They just listen, man, whatever you need, they

0:42:15.440 --> 0:42:17.560
<v Speaker 1>got it. How about some half baked boys. You know

0:42:17.600 --> 0:42:21.439
<v Speaker 1>what I'm saying. Listen, the most comfortable socks, the most

0:42:21.440 --> 0:42:24.920
<v Speaker 1>affordable socks, the best socks in the world odd Socks

0:42:25.080 --> 0:42:28.239
<v Speaker 1>So go to odd Socksofficial dot com. Use that keyword.

0:42:28.600 --> 0:42:32.040
<v Speaker 1>It's not a keyword. It's a fucking promo code fuck

0:42:32.719 --> 0:42:35.319
<v Speaker 1>bootleg cav at checkout save twenty percent off man. Shout

0:42:35.320 --> 0:42:37.520
<v Speaker 1>out to our family at odd Socks. If you support us,

0:42:37.560 --> 0:42:40.000
<v Speaker 1>go support them. Another thing I wanted to talk to

0:42:40.000 --> 0:42:44.680
<v Speaker 1>you about folklore. It's not folklore because it's on YouTube.

0:42:44.960 --> 0:42:53.360
<v Speaker 1>You Mike Geronimo DMX pun most depth, right, that's correct,

0:42:53.640 --> 0:42:59.080
<v Speaker 1>n Forte. I remember that vaguely anyway. It's like, uh,

0:42:59.640 --> 0:43:02.680
<v Speaker 1>one of the more historical just ciphers that was ever

0:43:02.800 --> 0:43:06.680
<v Speaker 1>captured from that era. Yeah, you know, you know Tore

0:43:07.520 --> 0:43:09.880
<v Speaker 1>Tore should have Tore should have guy gave us like

0:43:10.080 --> 0:43:12.120
<v Speaker 1>he did. Somebody did tell us to due sign offs

0:43:12.160 --> 0:43:15.879
<v Speaker 1>she to should have gave us like a percentage on that. Yeah.

0:43:15.920 --> 0:43:17.560
<v Speaker 1>Tori was the guy he ended up, you know, the

0:43:17.640 --> 0:43:21.279
<v Speaker 1>journalist journalist. Yeah you've been Yeah. I remember seeing his

0:43:21.360 --> 0:43:25.399
<v Speaker 1>face on CNN one day, like, yo, that dude. It's

0:43:25.400 --> 0:43:28.520
<v Speaker 1>like the Beef DVD, right, I remember, so QD three

0:43:28.640 --> 0:43:31.520
<v Speaker 1>shout out to QD three. Yeah, Quincy Jones Sun, that's right,

0:43:31.719 --> 0:43:33.560
<v Speaker 1>that's right. But I mean it's like, you know, a

0:43:33.600 --> 0:43:35.839
<v Speaker 1>percentage on that would have been nice, you know. Yeah,

0:43:35.880 --> 0:43:37.919
<v Speaker 1>the fact that he made so much money on three

0:43:38.000 --> 0:43:40.440
<v Speaker 1>with three or four of those dvs, and no one

0:43:40.480 --> 0:43:43.560
<v Speaker 1>saw anything off of it. Listen to me, man, those

0:43:43.600 --> 0:43:45.799
<v Speaker 1>beef dvs were moving in the morn style playing. I

0:43:45.800 --> 0:43:47.960
<v Speaker 1>got three of them, I got my house. Stop playing.

0:43:48.000 --> 0:43:50.120
<v Speaker 1>So this this, that's all I'm saying. Man. Like when

0:43:50.160 --> 0:43:52.120
<v Speaker 1>it just came, it seemed like when it came to rap, Man,

0:43:52.160 --> 0:43:56.120
<v Speaker 1>it's like win it takes all, you know, And I mean, look,

0:43:56.160 --> 0:43:58.799
<v Speaker 1>the entertainmentdustry in general is very predatory, right yeah, But

0:43:58.840 --> 0:44:02.879
<v Speaker 1>hold on though, man, anywhere else in their entertainment industry, Man,

0:44:03.040 --> 0:44:09.080
<v Speaker 1>there are ancillary you know, like what drops on the head,

0:44:09.160 --> 0:44:12.880
<v Speaker 1>drips on the shoulder, So there are things that drop

0:44:12.960 --> 0:44:14.960
<v Speaker 1>off the tree. Man. It's like it's like, okay, that

0:44:15.000 --> 0:44:18.719
<v Speaker 1>fruit is ripe or it's over ripe, but it's still sustenance.

0:44:19.280 --> 0:44:26.000
<v Speaker 1>But then wrap Listen, man, our VA list you know

0:44:26.160 --> 0:44:30.640
<v Speaker 1>of injured and wounded and you know otherwise is it's

0:44:32.080 --> 0:44:37.239
<v Speaker 1>it's unbearable. That's true. It's unbearable, and I can't do

0:44:37.280 --> 0:44:39.920
<v Speaker 1>anything about it. I don't have the resources do anything

0:44:39.920 --> 0:44:41.640
<v Speaker 1>about it. Every time I try to go get the

0:44:41.680 --> 0:44:44.719
<v Speaker 1>resources to do something about it, I was blocked one

0:44:44.719 --> 0:44:47.040
<v Speaker 1>way or another. Right. The narrative was stolen and taken

0:44:47.080 --> 0:44:50.120
<v Speaker 1>from me, and the narrative changed into something that was

0:44:50.200 --> 0:44:52.279
<v Speaker 1>like a had something to do with beef or drama. Right,

0:44:52.760 --> 0:44:56.839
<v Speaker 1>But I'm only speaking on it now to just kind

0:44:56.840 --> 0:44:59.080
<v Speaker 1>of just say, hey, just build a little bit of

0:44:59.080 --> 0:45:01.719
<v Speaker 1>awareness about it and sort of like kind of like,

0:45:01.880 --> 0:45:03.560
<v Speaker 1>you know, I put my hat cast. No. I think

0:45:03.560 --> 0:45:06.239
<v Speaker 1>there's been a bunch of attempts of like, right, like

0:45:06.280 --> 0:45:08.400
<v Speaker 1>what is like the retirement plan for hip hop or

0:45:08.440 --> 0:45:10.759
<v Speaker 1>then or just there's so many like why are there

0:45:10.760 --> 0:45:13.120
<v Speaker 1>more safety nets for artists, you know, like at the

0:45:13.200 --> 0:45:15.560
<v Speaker 1>end of the day, like if a major label they

0:45:15.680 --> 0:45:16.920
<v Speaker 1>chew you up and spitch you out if you're not

0:45:16.920 --> 0:45:20.279
<v Speaker 1>worth anything. So I've heard that on clubhouse, there's been

0:45:20.360 --> 0:45:25.000
<v Speaker 1>talks about different things like uh, man, I don't want

0:45:25.000 --> 0:45:27.480
<v Speaker 1>to say the wrong name of the double og and

0:45:27.960 --> 0:45:30.960
<v Speaker 1>rap music that is pushing it. I don't want to

0:45:30.960 --> 0:45:33.319
<v Speaker 1>say the wrong name. So I know that there's somebody's

0:45:34.680 --> 0:45:38.560
<v Speaker 1>is behind it. That's not the name, I guess. I

0:45:38.600 --> 0:45:42.000
<v Speaker 1>know there's a few. There's a few, but but but

0:45:42.960 --> 0:45:46.399
<v Speaker 1>something about having like sit before the Supreme Court signed

0:45:46.440 --> 0:45:49.719
<v Speaker 1>the petition, sit before the Supreme Court and try to

0:45:49.719 --> 0:45:55.640
<v Speaker 1>get a like uh uh, benefits, retirement packages, medical things

0:45:55.680 --> 0:46:00.239
<v Speaker 1>like that for artists right now, great ideas, superb idea. Yeah.

0:46:00.280 --> 0:46:03.239
<v Speaker 1>But you know what though, it's too late. And the

0:46:03.280 --> 0:46:07.080
<v Speaker 1>reason I say that is because how can you go

0:46:07.239 --> 0:46:09.640
<v Speaker 1>before like the American people or any type of global

0:46:09.680 --> 0:46:13.160
<v Speaker 1>audience right when you're nearing you know, like I said,

0:46:13.440 --> 0:46:16.880
<v Speaker 1>our era is half a century and right, and then

0:46:17.120 --> 0:46:19.520
<v Speaker 1>those that came a little bit ten years before, it's

0:46:19.560 --> 0:46:22.839
<v Speaker 1>sixty sixty years in or better then you got those

0:46:22.880 --> 0:46:25.719
<v Speaker 1>are the seventy and nearing eighty. How are you going

0:46:25.800 --> 0:46:29.520
<v Speaker 1>to sit in front of you know, three generations later,

0:46:29.560 --> 0:46:31.920
<v Speaker 1>you're sitting in front of them and you're asking them

0:46:31.920 --> 0:46:34.839
<v Speaker 1>for more money. When we travel the globe, we made

0:46:34.880 --> 0:46:37.080
<v Speaker 1>the money. You see what I'm trying to say, it's

0:46:37.120 --> 0:46:40.080
<v Speaker 1>a little bit it's a little bit lopsided. Right, These

0:46:40.120 --> 0:46:42.440
<v Speaker 1>things should have kind of been set up before. So

0:46:42.680 --> 0:46:45.720
<v Speaker 1>now you know the little things we were talking about earlier.

0:46:46.120 --> 0:46:48.439
<v Speaker 1>Now you might want to try to, you know, try

0:46:48.480 --> 0:46:51.880
<v Speaker 1>to steer the youngins in a certain direction to secure

0:46:51.920 --> 0:46:55.720
<v Speaker 1>their own futures, and then you kind of get blocked

0:46:55.719 --> 0:46:58.320
<v Speaker 1>with that too. So it's kind of like we're railroaded

0:46:58.360 --> 0:46:59.920
<v Speaker 1>either way, you know, what I mean, because there are

0:47:00.239 --> 0:47:02.240
<v Speaker 1>things now that they could do to secure their future.

0:47:02.320 --> 0:47:04.719
<v Speaker 1>So I think that there's literacy, right, It's like I

0:47:04.719 --> 0:47:07.399
<v Speaker 1>feel like I feel like unfortunately, like like we're talking

0:47:07.400 --> 0:47:11.200
<v Speaker 1>about retirement plans and stuff, like any artists, they're just

0:47:11.239 --> 0:47:14.959
<v Speaker 1>a little bit more and we're talking about eighteen nineteen

0:47:15.040 --> 0:47:16.879
<v Speaker 1>year old kids, you know what I mean, just trying

0:47:16.880 --> 0:47:21.480
<v Speaker 1>to improve their life conditions. Absolutely, so they're just gonna sign.

0:47:22.000 --> 0:47:24.200
<v Speaker 1>But at the same time, it's like, man, like, we

0:47:24.320 --> 0:47:25.600
<v Speaker 1>just got to do a better job. And I think

0:47:25.600 --> 0:47:28.800
<v Speaker 1>we are part of the first generation that's probably taking

0:47:28.880 --> 0:47:32.240
<v Speaker 1>financial literacy a little bit more serious. Of course, of course,

0:47:32.600 --> 0:47:35.560
<v Speaker 1>but you know a lot of that stuff like Unfortunately,

0:47:35.760 --> 0:47:37.279
<v Speaker 1>like you said, it's probably never gonna happen. So it's

0:47:37.280 --> 0:47:39.120
<v Speaker 1>really up to the artists. Up to the artists. You

0:47:39.560 --> 0:47:42.279
<v Speaker 1>gotta take care of your shit, because because all that

0:47:42.320 --> 0:47:45.600
<v Speaker 1>we could do accumulatively is set up some type of

0:47:45.600 --> 0:47:50.960
<v Speaker 1>safety net for those that they're not done. Their careers

0:47:51.000 --> 0:47:53.880
<v Speaker 1>are not over the music, right, but the safety net

0:47:53.960 --> 0:47:56.040
<v Speaker 1>is there to kind of get them back on track

0:47:56.360 --> 0:47:58.800
<v Speaker 1>if they do want to. You don't get back into

0:47:58.840 --> 0:48:01.120
<v Speaker 1>it right, right, This should be some kind of a

0:48:01.200 --> 0:48:03.560
<v Speaker 1>some kind of a safety net from somewhere, but that

0:48:03.640 --> 0:48:06.880
<v Speaker 1>really doesn't exist. I don't think it it will exist.

0:48:07.320 --> 0:48:11.560
<v Speaker 1>So it's up to the individual literacy, right, So basically

0:48:11.600 --> 0:48:15.560
<v Speaker 1>we're asking, we're asking. We're asking youngins who came and

0:48:15.760 --> 0:48:18.839
<v Speaker 1>you know, dedicated, they committed everything, you know, the hip hop.

0:48:18.880 --> 0:48:21.200
<v Speaker 1>You know, they took on the risk, they took on

0:48:21.360 --> 0:48:24.440
<v Speaker 1>I mean everything. They went into these dark rooms, you know,

0:48:24.480 --> 0:48:26.600
<v Speaker 1>they went in there with these mvgs on. They did

0:48:26.640 --> 0:48:29.280
<v Speaker 1>their best. They they you know, they they did everything

0:48:29.360 --> 0:48:33.080
<v Speaker 1>that you know, most people be scared to do, terrified,

0:48:33.120 --> 0:48:36.040
<v Speaker 1>petrified to do. These little youngers we're here and did this,

0:48:36.320 --> 0:48:37.840
<v Speaker 1>and we're asking them to go in there and do

0:48:37.920 --> 0:48:40.520
<v Speaker 1>all of this and not have any There's nothing on

0:48:40.560 --> 0:48:42.520
<v Speaker 1>the other side for them, you know what I mean.

0:48:42.560 --> 0:48:46.600
<v Speaker 1>And that's kind of I yell, man, I just yo, man.

0:48:46.640 --> 0:48:50.879
<v Speaker 1>I guess so like defeated even thinking about it. I mean, look,

0:48:50.880 --> 0:48:53.279
<v Speaker 1>it's like it's like any any if anybody ever told you, like, hey,

0:48:53.280 --> 0:48:56.080
<v Speaker 1>look this is your career. But there's no you know,

0:48:56.120 --> 0:48:57.759
<v Speaker 1>when you sign up to be a doctor or a

0:48:57.880 --> 0:49:00.960
<v Speaker 1>lawyer or anything, you know that there's a safety net,

0:49:01.400 --> 0:49:03.719
<v Speaker 1>you know what I mean, there might be benefits whatever

0:49:03.760 --> 0:49:06.600
<v Speaker 1>it is, take me back to those that night from

0:49:06.600 --> 0:49:10.879
<v Speaker 1>that cipher Big Pond is one of my favorite ever,

0:49:11.160 --> 0:49:13.040
<v Speaker 1>I mean most, I mean, I mean, this is just

0:49:13.239 --> 0:49:15.919
<v Speaker 1>this is a crazy night in hip hop. DMX is there,

0:49:16.040 --> 0:49:18.640
<v Speaker 1>I mean, you're there, Like, what what do you remember

0:49:18.680 --> 0:49:21.080
<v Speaker 1>about that night in those circumstances from that night? I

0:49:21.120 --> 0:49:29.319
<v Speaker 1>remember that in that room as as as tense as

0:49:29.360 --> 0:49:32.840
<v Speaker 1>it was because of what we all were trying to

0:49:32.880 --> 0:49:35.600
<v Speaker 1>do in our own lives. We all wanted to come

0:49:35.640 --> 0:49:42.160
<v Speaker 1>out make our impacts, you know, playing our flags in

0:49:42.200 --> 0:49:47.520
<v Speaker 1>the ground right and firmly make an impact in hip

0:49:47.560 --> 0:49:50.520
<v Speaker 1>hop across the world. That's what we wanted to do.

0:49:51.680 --> 0:49:54.799
<v Speaker 1>We were all American artists, you know, you know, of course,

0:49:54.840 --> 0:49:58.280
<v Speaker 1>coming from different lineages, right, and everyone on the cusp

0:49:58.320 --> 0:50:00.520
<v Speaker 1>of being the next big thing, and right right right

0:50:00.520 --> 0:50:02.680
<v Speaker 1>and then and then ethnically it was it was really

0:50:02.680 --> 0:50:04.680
<v Speaker 1>spread out all throughout, you know what it was spread

0:50:04.719 --> 0:50:07.319
<v Speaker 1>It was spread out, It was spread out round table, right.

0:50:07.760 --> 0:50:12.000
<v Speaker 1>But in spite of how intense it was, what I

0:50:12.080 --> 0:50:16.680
<v Speaker 1>what I distinctly remember was as much as each one

0:50:16.719 --> 0:50:20.560
<v Speaker 1>of us was willing to go hard with them rhymes

0:50:20.800 --> 0:50:24.880
<v Speaker 1>and other things to make that statement, there was still

0:50:25.440 --> 0:50:29.120
<v Speaker 1>complete love in that room, and you can look at

0:50:29.160 --> 0:50:31.080
<v Speaker 1>it and tell like like there was love for each other,

0:50:31.160 --> 0:50:34.719
<v Speaker 1>in respect for each you know, that's what you didn't

0:50:34.719 --> 0:50:37.680
<v Speaker 1>see anything jump off in there. There was like unbecoming

0:50:37.680 --> 0:50:39.640
<v Speaker 1>of you know, artists that are kind of liking their

0:50:39.680 --> 0:50:43.280
<v Speaker 1>freshmen role trying to get it popping. Like we showed

0:50:43.280 --> 0:50:46.400
<v Speaker 1>love to each other and that and were there was

0:50:46.440 --> 0:50:49.120
<v Speaker 1>no security there. We didn't need any extra There was

0:50:49.120 --> 0:50:52.200
<v Speaker 1>no hype man there, there was no there was no squads.

0:50:52.239 --> 0:50:55.319
<v Speaker 1>Nobody had a whole squad standing outside the door like

0:50:55.440 --> 0:50:57.840
<v Speaker 1>so that much I remember. I remember that there was

0:50:57.880 --> 0:51:00.839
<v Speaker 1>love in that room. And the love I think was

0:51:00.840 --> 0:51:06.720
<v Speaker 1>probably uh, it was probably resonant because of the lyrical

0:51:06.760 --> 0:51:10.520
<v Speaker 1>mirror ability, right everybody we all had that ability, and

0:51:10.560 --> 0:51:15.160
<v Speaker 1>so everybody respected when another's paying game. And we all

0:51:15.239 --> 0:51:18.719
<v Speaker 1>knew consciously and subconsciously that we were kind of like

0:51:18.800 --> 0:51:21.280
<v Speaker 1>all up against the same machine. We weren't up against

0:51:21.320 --> 0:51:23.680
<v Speaker 1>each other. We were up against the same machine because

0:51:23.680 --> 0:51:25.920
<v Speaker 1>we were trying to get something from the machine in

0:51:26.040 --> 0:51:28.360
<v Speaker 1>order to go feed our little huskies in our munchkins

0:51:28.920 --> 0:51:32.520
<v Speaker 1>and you know, and branch out. And so that's what

0:51:32.560 --> 0:51:34.840
<v Speaker 1>I remember from that. Everything else is kind of like

0:51:34.840 --> 0:51:39.080
<v Speaker 1>a blur wow, because I don't think anybody could have

0:51:40.080 --> 0:51:41.880
<v Speaker 1>for seeing how special of a moment that would have

0:51:41.920 --> 0:51:44.120
<v Speaker 1>been in a few like you, like it's lived on

0:51:44.200 --> 0:51:46.200
<v Speaker 1>it's on YouTube, Like no one knew YouTube was gonna

0:51:46.239 --> 0:51:48.799
<v Speaker 1>need You didn't know how that moment was gonna be. Yeah,

0:51:48.840 --> 0:51:51.439
<v Speaker 1>but see twenty years down the line, right and right,

0:51:51.640 --> 0:51:55.120
<v Speaker 1>you're right one percent. And also I feel like no

0:51:55.160 --> 0:51:57.799
<v Speaker 1>one in the room was kind of thinking, you know, well,

0:51:57.840 --> 0:52:00.839
<v Speaker 1>let's come back and do this twenty years later. Let's

0:52:00.920 --> 0:52:03.839
<v Speaker 1>let's do this. Let's let's make it this ten year anniversary.

0:52:03.880 --> 0:52:05.919
<v Speaker 1>Every ten years we come back to a round table.

0:52:06.320 --> 0:52:08.680
<v Speaker 1>You know, tore just took took the percentage of the

0:52:08.719 --> 0:52:11.120
<v Speaker 1>royalty and just ran off. You know, Toray didn't even

0:52:11.400 --> 0:52:13.520
<v Speaker 1>you know, Torey, I'm waiting on my call, man, Like,

0:52:13.600 --> 0:52:17.200
<v Speaker 1>let's let's do round table part two. Let's he did

0:52:17.200 --> 0:52:21.520
<v Speaker 1>he monetize that? Man? Look? Man to see him on CNN, Man,

0:52:21.719 --> 0:52:24.040
<v Speaker 1>I see him on CNN. Yeah, man, you know that

0:52:24.120 --> 0:52:26.880
<v Speaker 1>came from somewhere right. You know, I'm just messing with

0:52:26.920 --> 0:52:28.840
<v Speaker 1>you to Ray like it's all love. Man, I'm just

0:52:28.840 --> 0:52:32.400
<v Speaker 1>saying to you that in general, though no one turned

0:52:32.400 --> 0:52:34.960
<v Speaker 1>it into Like what I'm trying to say is and

0:52:35.080 --> 0:52:41.880
<v Speaker 1>wrap you know everything else. Man, they franchise everything rap.

0:52:42.640 --> 0:52:45.920
<v Speaker 1>You know, we do it late, and if we do it,

0:52:46.600 --> 0:52:50.279
<v Speaker 1>we don't allocate the funds properly. It's just it's crazy. Man,

0:52:50.280 --> 0:52:53.799
<v Speaker 1>we're the trendsetters. But that's not what sets us back.

0:52:53.840 --> 0:52:57.680
<v Speaker 1>What sets us back. It's how we like, how we

0:52:57.840 --> 0:53:02.719
<v Speaker 1>allocate and how we you know, adjudicate. Yeah, I think that,

0:53:02.960 --> 0:53:05.520
<v Speaker 1>like we said earlier, right, I think that finally there's

0:53:05.560 --> 0:53:09.200
<v Speaker 1>a generation of I think the newest generation of artists

0:53:09.280 --> 0:53:12.360
<v Speaker 1>is finally starting to become hip to that, right, you know,

0:53:12.440 --> 0:53:16.040
<v Speaker 1>the fourth wall's kind of broken down. You know, there's

0:53:16.560 --> 0:53:20.800
<v Speaker 1>a direct to consumer connection with fans now that never existed, right, true.

0:53:20.960 --> 0:53:24.399
<v Speaker 1>So imagine if in nineteen ninety eight you had your

0:53:24.440 --> 0:53:28.680
<v Speaker 1>opportunity to talk to your fans directly, address them directly

0:53:28.800 --> 0:53:32.680
<v Speaker 1>or say hey, swipe up on my story and by

0:53:33.640 --> 0:53:36.640
<v Speaker 1>you know, the new fucking cannabacility or whatever, you know

0:53:36.680 --> 0:53:39.400
<v Speaker 1>what I'm saying. Like, it's just I think now that

0:53:39.440 --> 0:53:41.200
<v Speaker 1>the fourth walls kind of start to be broken down.

0:53:41.239 --> 0:53:44.360
<v Speaker 1>Like there are a lot of artists who are taking

0:53:44.360 --> 0:53:46.840
<v Speaker 1>advantage of the things that they try to I guess

0:53:46.880 --> 0:53:51.040
<v Speaker 1>maybe keep from the artists, you know, because yeah, yeah, okay,

0:53:51.080 --> 0:53:53.759
<v Speaker 1>so when I understand exactly what you're saying, and you know,

0:53:54.200 --> 0:53:57.520
<v Speaker 1>I got a caveat to that. So so yeah, right,

0:53:57.719 --> 0:54:00.240
<v Speaker 1>get your record uploaded to this site, and they're going to,

0:54:00.360 --> 0:54:02.080
<v Speaker 1>you know, go ahead and put this out depending on

0:54:02.120 --> 0:54:03.960
<v Speaker 1>what package you buy and so forth and so on. Right,

0:54:04.400 --> 0:54:06.719
<v Speaker 1>but then, but then, but then, you know, then you

0:54:06.800 --> 0:54:10.200
<v Speaker 1>got guys like like eighty who you know, can give

0:54:10.239 --> 0:54:12.560
<v Speaker 1>you can make sure that your records get uploaded to

0:54:12.560 --> 0:54:15.040
<v Speaker 1>these sites or whatever. But there are still hand to hand,

0:54:15.200 --> 0:54:17.440
<v Speaker 1>you know, I visited them. I went to the warehouses today.

0:54:17.600 --> 0:54:19.200
<v Speaker 1>You know, I know I've seen I've seen that many

0:54:19.239 --> 0:54:22.440
<v Speaker 1>posted like there's real physical copies. But that's how it

0:54:22.480 --> 0:54:25.160
<v Speaker 1>has to be done. It can't just be you uploaded

0:54:25.160 --> 0:54:27.160
<v Speaker 1>to a site. You gotta have a middle man that's

0:54:27.200 --> 0:54:29.840
<v Speaker 1>gonna a Jedi that's gonna go out there and get

0:54:29.880 --> 0:54:32.840
<v Speaker 1>these things for you. If you just uploaded to a site.

0:54:33.040 --> 0:54:35.239
<v Speaker 1>I'm here to tell you because I get I get

0:54:35.280 --> 0:54:39.400
<v Speaker 1>the quarterly, the court, I get the quarterly. It's a

0:54:39.440 --> 0:54:41.600
<v Speaker 1>it's a much it's a much higher or more steep

0:54:41.680 --> 0:54:43.439
<v Speaker 1>mountain to climb. To get your money on the street,

0:54:43.480 --> 0:54:46.680
<v Speaker 1>and I'm gonna sewing you. I'm gonna give you the facts.

0:54:47.040 --> 0:54:50.080
<v Speaker 1>I get the envelopes, the quarterly envelopes of the royalties,

0:54:50.480 --> 0:54:55.400
<v Speaker 1>and you know, you know, zero point zero zero zero

0:54:55.440 --> 0:54:58.279
<v Speaker 1>one eight is what you get on a play, right,

0:54:58.680 --> 0:55:01.720
<v Speaker 1>so it's it's an eighth of a penny. So now

0:55:02.280 --> 0:55:06.520
<v Speaker 1>you know, so you get to a million, two million plays? Right?

0:55:06.920 --> 0:55:11.040
<v Speaker 1>What is that? Like? Six thirty thirty eight bands? Right?

0:55:11.320 --> 0:55:15.960
<v Speaker 1>That was fast? All this man's a savant. That was

0:55:16.040 --> 0:55:18.719
<v Speaker 1>freaking fast. I mean a million on Spotify is about

0:55:19.719 --> 0:55:22.080
<v Speaker 1>I like to know, a million on was fast? A

0:55:22.120 --> 0:55:24.799
<v Speaker 1>million on Spotify's about thirty eight hundred dollars, all right,

0:55:24.880 --> 0:55:27.080
<v Speaker 1>So so I'm here to tell you, man, like a

0:55:27.160 --> 0:55:30.680
<v Speaker 1>million on Spotify, that means that you're you're you are

0:55:30.760 --> 0:55:36.120
<v Speaker 1>obscenely popular right now? Right? Not really popular? Yeah, thirty

0:55:36.120 --> 0:55:39.240
<v Speaker 1>eight hundred bucks. Hold on, what does thirty eight hundred

0:55:39.239 --> 0:55:43.680
<v Speaker 1>dollars do for someone who is that popular? Listen, bro

0:55:43.920 --> 0:55:45.480
<v Speaker 1>all you can do is get into trouble with that.

0:55:46.000 --> 0:55:47.759
<v Speaker 1>All you can do is go to the mall right,

0:55:48.440 --> 0:55:51.920
<v Speaker 1>blow it on next week's outfit, right, and be broke

0:55:52.200 --> 0:55:54.359
<v Speaker 1>or go or go or pay your rent for the month.

0:55:54.440 --> 0:55:56.400
<v Speaker 1>That's all you can do. One month, that's all you

0:55:56.440 --> 0:56:00.239
<v Speaker 1>can do. So now all that you know package just

0:56:00.280 --> 0:56:03.320
<v Speaker 1>in the GHLFT stream flying here, and that you're putting

0:56:03.360 --> 0:56:06.879
<v Speaker 1>yourself in harm's way just to catch up to what

0:56:07.000 --> 0:56:10.239
<v Speaker 1>you've already done. You've already sold a million plays. So

0:56:10.840 --> 0:56:13.440
<v Speaker 1>this is what I'm talking to you about. You know,

0:56:13.560 --> 0:56:16.040
<v Speaker 1>let's not let's not let's let's let's call it what

0:56:16.120 --> 0:56:19.759
<v Speaker 1>it is here, man, this is already set up. You're

0:56:19.760 --> 0:56:23.720
<v Speaker 1>already set up for failure. So you know, as opposed

0:56:23.760 --> 0:56:27.480
<v Speaker 1>to focusing on the beefs and you know, all these

0:56:27.520 --> 0:56:30.960
<v Speaker 1>things that can be worked out to disagreements to you know,

0:56:31.040 --> 0:56:33.840
<v Speaker 1>you know what I mean, musical styles. You know who's

0:56:33.880 --> 0:56:35.799
<v Speaker 1>living on this side of the world and who's living

0:56:35.840 --> 0:56:38.200
<v Speaker 1>here and there, like, As opposed to focus and all that,

0:56:38.560 --> 0:56:40.640
<v Speaker 1>there's got to be some kind of a you know

0:56:40.680 --> 0:56:43.439
<v Speaker 1>what I'm saying, regulatory body. And I'm talking about even

0:56:43.520 --> 0:56:45.799
<v Speaker 1>off paper, like nothing that you gotta sign, but just

0:56:45.840 --> 0:56:49.320
<v Speaker 1>some kind of a lodge, something that's put together. The

0:56:49.680 --> 0:56:51.880
<v Speaker 1>brothers can come together I'm talking about from all walks

0:56:51.880 --> 0:56:56.680
<v Speaker 1>of life and try to have strategies that protect us. Right,

0:56:57.040 --> 0:56:59.280
<v Speaker 1>I'm not trying to do that, just for anybody listening

0:56:59.320 --> 0:57:01.520
<v Speaker 1>and thinking, like with somebody I'm trying to get I'm

0:57:01.560 --> 0:57:03.000
<v Speaker 1>not trying to do it. I'm the one to be

0:57:03.040 --> 0:57:04.799
<v Speaker 1>the one to do it. I wouldn't even take a job.

0:57:04.840 --> 0:57:06.840
<v Speaker 1>And then if somebody came to be with something like that.

0:57:07.080 --> 0:57:11.440
<v Speaker 1>But someone out there that's listening, that has the wherewithal

0:57:11.800 --> 0:57:14.240
<v Speaker 1>and the and the and the mental faculty to handle

0:57:14.239 --> 0:57:17.120
<v Speaker 1>the pressure of that should take that on. You know,

0:57:17.480 --> 0:57:21.000
<v Speaker 1>I'm going to nominate you because that math, that mathematic

0:57:21.200 --> 0:57:24.240
<v Speaker 1>maneuver that you just did right now was so fast,

0:57:24.720 --> 0:57:28.200
<v Speaker 1>you know what I'm saying, So fast with so oppressed

0:57:28.200 --> 0:57:37.840
<v Speaker 1>with that, bro, It's crazy. I mean, but ye, what

0:57:38.000 --> 0:57:40.960
<v Speaker 1>year did you enlist in in in in the UH

0:57:41.480 --> 0:57:43.840
<v Speaker 1>with you on the army? Right? Yeah? One o one?

0:57:43.960 --> 0:57:46.920
<v Speaker 1>So that was was that right after BC? It was

0:57:46.960 --> 0:57:50.760
<v Speaker 1>so so two thousand. BC came out in two thousand. Yeah. Yeah,

0:57:50.880 --> 0:57:54.200
<v Speaker 1>so you know, kind of give it, give us like

0:57:54.240 --> 0:57:57.720
<v Speaker 1>a how was your experience? Man like, like like one

0:57:57.720 --> 0:58:01.360
<v Speaker 1>and this is a September eleventh happens yes in the

0:58:01.480 --> 0:58:06.960
<v Speaker 1>army years right after September eleventh, so pretty much you

0:58:07.000 --> 0:58:10.280
<v Speaker 1>know that experience. I mean, what can I say, man

0:58:10.360 --> 0:58:12.520
<v Speaker 1>like I at that time, I made a record. It

0:58:12.640 --> 0:58:16.520
<v Speaker 1>was it was the See True How Stories. That was

0:58:16.520 --> 0:58:19.760
<v Speaker 1>the album. The album was you know, it was satire.

0:58:19.800 --> 0:58:22.280
<v Speaker 1>I've heard people say, yo, satire, it's true. It was.

0:58:22.320 --> 0:58:24.200
<v Speaker 1>It was. It was just done to kind of like,

0:58:26.040 --> 0:58:30.320
<v Speaker 1>uh like allegorically like make an album that was, uh,

0:58:31.120 --> 0:58:33.600
<v Speaker 1>you know, just get under the skin, you know what

0:58:33.680 --> 0:58:36.439
<v Speaker 1>I mean of folks that was saying that, Yo, man,

0:58:36.480 --> 0:58:38.120
<v Speaker 1>I need the records to be harder. I want you

0:58:38.120 --> 0:58:40.280
<v Speaker 1>to spit harder, the beat, the lyrics, you know, I

0:58:40.320 --> 0:58:42.480
<v Speaker 1>want more. And then and then I gave them less

0:58:43.200 --> 0:58:45.720
<v Speaker 1>right by making a record like that. And the record

0:58:45.840 --> 0:58:49.800
<v Speaker 1>was was strictly just something that it wasn't serious, but

0:58:49.880 --> 0:58:52.280
<v Speaker 1>it was like something that it was. It was it

0:58:52.320 --> 0:58:54.880
<v Speaker 1>was still palatable, something that was tangible. You could have

0:58:54.920 --> 0:58:56.480
<v Speaker 1>went out and got the artwork. You look at it,

0:58:56.600 --> 0:58:59.080
<v Speaker 1>open the fold out. You know, who's this guy wearing

0:58:59.120 --> 0:59:01.560
<v Speaker 1>that shirt? Why is he writing that? And then you know,

0:59:01.600 --> 0:59:04.720
<v Speaker 1>we paid twenty five bands for the Source ad, you know,

0:59:04.800 --> 0:59:07.560
<v Speaker 1>to run that ad. Graz the Source and you know what,

0:59:07.920 --> 0:59:10.920
<v Speaker 1>the Source was scared to run the ad because of

0:59:11.000 --> 0:59:14.640
<v Speaker 1>the relationships that they were saying could have been ruined. Right,

0:59:15.320 --> 0:59:17.720
<v Speaker 1>and they did it for the money, of course they did.

0:59:17.920 --> 0:59:19.640
<v Speaker 1>You know, they're just what I'm trying to say. So

0:59:19.720 --> 0:59:22.479
<v Speaker 1>and then after that they turn around and black balled

0:59:22.480 --> 0:59:25.400
<v Speaker 1>me further, you know what I mean, and took money,

0:59:25.520 --> 0:59:27.960
<v Speaker 1>you know what I mean to like black ball me right,

0:59:28.160 --> 0:59:30.880
<v Speaker 1>So you know you're talking about that record was made

0:59:30.880 --> 0:59:33.240
<v Speaker 1>like at the way I felt at that juncture, it

0:59:33.280 --> 0:59:35.920
<v Speaker 1>was like, you know what, rapping it. You know what,

0:59:35.960 --> 0:59:38.000
<v Speaker 1>I'm still young enough to go out and make a

0:59:38.000 --> 0:59:41.280
<v Speaker 1>difference and something else, yes, right, and and pretty much

0:59:41.400 --> 0:59:44.240
<v Speaker 1>like be a guide you in a way, you know,

0:59:44.280 --> 0:59:47.120
<v Speaker 1>try to do something good. Right. But then of course,

0:59:47.320 --> 0:59:49.760
<v Speaker 1>you know, you make records and you know, you do

0:59:49.800 --> 0:59:53.240
<v Speaker 1>a record like and you do record like draft Me,

0:59:53.280 --> 0:59:55.320
<v Speaker 1>and you say a lot of crazy stuff on the record,

0:59:55.680 --> 0:59:57.760
<v Speaker 1>and then you know, you grow, you get older, you

0:59:57.760 --> 1:00:01.400
<v Speaker 1>see things. You know other people see that you. You know,

1:00:01.440 --> 1:00:03.880
<v Speaker 1>you become privy certain things, and you're like, man, wow,

1:00:03.960 --> 1:00:05.840
<v Speaker 1>it's like, you know, everywhere you turn, you're trying to

1:00:05.880 --> 1:00:08.280
<v Speaker 1>make a difference, trying to make a change, and uh,

1:00:09.040 --> 1:00:11.680
<v Speaker 1>you kind of find yourself like adding on to some

1:00:11.840 --> 1:00:14.560
<v Speaker 1>of the things that have made the world more disconnected.

1:00:14.920 --> 1:00:17.440
<v Speaker 1>Right because before and after pictures tell you a lot

1:00:17.480 --> 1:00:21.920
<v Speaker 1>about you know, what what what? How good something was

1:00:22.040 --> 1:00:25.520
<v Speaker 1>right before and after pictures? Right? Yep, So that's all

1:00:25.600 --> 1:00:27.400
<v Speaker 1>really you got to do. Man, that's my answer to

1:00:27.840 --> 1:00:29.840
<v Speaker 1>how many how many years were you in the service?

1:00:29.920 --> 1:00:31.760
<v Speaker 1>I mean, you know, got in and O four is

1:00:31.760 --> 1:00:34.240
<v Speaker 1>supposed to be two, right, We got in O four,

1:00:34.560 --> 1:00:36.800
<v Speaker 1>got in No. One and got out in No. Four

1:00:37.640 --> 1:00:41.000
<v Speaker 1>and then you had did you you went overseas? No,

1:00:41.160 --> 1:00:43.080
<v Speaker 1>that's not you didn't. You didn't end up going over

1:00:43.280 --> 1:00:47.080
<v Speaker 1>I didn't do that. Yeah, it's just an interesting experience,

1:00:47.120 --> 1:00:49.520
<v Speaker 1>you know, because it's like I remember seeing that in

1:00:50.160 --> 1:00:53.280
<v Speaker 1>whatever magazine, like, oh shit, cannabis is in there. I mean,

1:00:53.400 --> 1:00:55.520
<v Speaker 1>you know, I mean I did. I did right doctrine

1:00:55.520 --> 1:00:59.080
<v Speaker 1>for the Strikers bro like the first brigade to have them.

1:00:59.360 --> 1:01:02.960
<v Speaker 1>You know. I always was like a getaway driver kind

1:01:02.960 --> 1:01:06.640
<v Speaker 1>of guy. And even though I was a scout nineteen Delta,

1:01:08.320 --> 1:01:10.439
<v Speaker 1>you know, I got was I was on the three

1:01:10.440 --> 1:01:14.040
<v Speaker 1>truck man Striker Brigade road doctor and help write doctor

1:01:14.160 --> 1:01:18.240
<v Speaker 1>for those vehicles. They perform and they definitely use me

1:01:18.280 --> 1:01:22.000
<v Speaker 1>to test them, test the performance. That's big. Yeah. No,

1:01:22.760 --> 1:01:26.480
<v Speaker 1>do you think that at that point in time mentally

1:01:27.560 --> 1:01:30.440
<v Speaker 1>you were just this rap shit is enough because I

1:01:30.440 --> 1:01:34.000
<v Speaker 1>feel like the you know, the industry wasn't good to you.

1:01:34.000 --> 1:01:36.000
<v Speaker 1>You know what I'm saying after that first outshiate you

1:01:36.080 --> 1:01:38.600
<v Speaker 1>even like, you know what I mean, just just saying that, man,

1:01:38.640 --> 1:01:41.080
<v Speaker 1>You know, I appreciate you, even just saying that, man,

1:01:41.120 --> 1:01:43.640
<v Speaker 1>Like I'm not looking at yo. Listen, man, I'm not

1:01:43.680 --> 1:01:47.640
<v Speaker 1>a bleeding heart myself, so I don't really you know listen, man,

1:01:47.680 --> 1:01:51.040
<v Speaker 1>people have been dealt worse hands, right, true. But the

1:01:51.080 --> 1:01:53.720
<v Speaker 1>thing is just when you just look at the potential

1:01:53.760 --> 1:01:57.800
<v Speaker 1>of certain things, right, some people, it's gonna sting them

1:01:57.840 --> 1:02:03.520
<v Speaker 1>harder because of what they were, you know what they

1:02:03.600 --> 1:02:08.840
<v Speaker 1>were innocently trying to you know, trying to increase or

1:02:08.880 --> 1:02:12.040
<v Speaker 1>help or assist that it's going to sting those folks

1:02:12.160 --> 1:02:15.600
<v Speaker 1>harder because it's like you come into something bright eye Bush.

1:02:15.600 --> 1:02:20.640
<v Speaker 1>You telled, you know, nobody's innocent when they're one hundred

1:02:20.720 --> 1:02:23.880
<v Speaker 1>years old, right, But when you're twenty, you know, you're

1:02:23.920 --> 1:02:26.920
<v Speaker 1>innocent of a lot of the things that you wouldn't

1:02:26.960 --> 1:02:30.320
<v Speaker 1>be at forty or fifty, right, right, So at that age, man,

1:02:31.000 --> 1:02:33.560
<v Speaker 1>come on, man, I was innocent, like in terms of

1:02:33.600 --> 1:02:35.360
<v Speaker 1>like what I was trying to bring to the game

1:02:35.400 --> 1:02:39.840
<v Speaker 1>with music, you know, and yeah, I mean I can't

1:02:39.840 --> 1:02:41.720
<v Speaker 1>say it though, I can't say that the industry wasn't

1:02:41.720 --> 1:02:44.080
<v Speaker 1>good to me when you say it, you know, I

1:02:44.200 --> 1:02:48.240
<v Speaker 1>just say, hey man, and I applaud. I just remember specifically, obviously,

1:02:48.400 --> 1:02:50.520
<v Speaker 1>at a certain point in time, it felt like you

1:02:50.560 --> 1:02:54.400
<v Speaker 1>were like the industry's next guy. Everyone was behind you.

1:02:54.440 --> 1:02:56.120
<v Speaker 1>I mean I remember seeing you had you had your

1:02:56.320 --> 1:03:00.400
<v Speaker 1>source cover. You were you were very much uh you know,

1:03:01.880 --> 1:03:04.520
<v Speaker 1>I remember like the na's main source moment, you know

1:03:04.560 --> 1:03:07.240
<v Speaker 1>what I mean, Like it almost felt like that was

1:03:07.280 --> 1:03:09.320
<v Speaker 1>like the closest thing where it was like yo, live

1:03:09.320 --> 1:03:11.400
<v Speaker 1>at the bar because it's a kid no, And then

1:03:11.600 --> 1:03:14.240
<v Speaker 1>you were kind of like the ninety six ninety seven

1:03:14.360 --> 1:03:18.320
<v Speaker 1>version of that, right, and the first album comes out,

1:03:18.440 --> 1:03:21.240
<v Speaker 1>it's I you know, I thought there was some shit

1:03:21.320 --> 1:03:25.280
<v Speaker 1>on there, like and word nometry and get retarded. I mean,

1:03:25.600 --> 1:03:27.480
<v Speaker 1>you know, there's some fucking amazing records on there. But

1:03:27.520 --> 1:03:32.040
<v Speaker 1>for whatever reason, it felt like you nowadays, people get

1:03:32.080 --> 1:03:34.200
<v Speaker 1>more than one go. I feel like people kind of

1:03:34.240 --> 1:03:38.000
<v Speaker 1>that album came and went, and like maybe the Beef

1:03:38.160 --> 1:03:41.560
<v Speaker 1>was like a even though you want it might have

1:03:41.640 --> 1:03:43.600
<v Speaker 1>been a bigger curse than a you know, it was

1:03:43.600 --> 1:03:45.080
<v Speaker 1>a kind of a gift in a curse. A man,

1:03:45.160 --> 1:03:48.640
<v Speaker 1>it's possible, Like I really, I really will tell you that.

1:03:49.320 --> 1:03:53.320
<v Speaker 1>You know, what what I was up against, I really

1:03:53.360 --> 1:03:56.400
<v Speaker 1>didn't know at that time, right, And then by the

1:03:56.480 --> 1:03:59.000
<v Speaker 1>time I figured it out what I was up against

1:04:00.840 --> 1:04:04.479
<v Speaker 1>everyone of the abandoned ship, I was pretty much by myself, right,

1:04:06.040 --> 1:04:12.400
<v Speaker 1>and it was something that I realized what it was

1:04:12.520 --> 1:04:14.800
<v Speaker 1>or what I thought. It was definitely a heavier pill

1:04:14.840 --> 1:04:19.160
<v Speaker 1>to swallow than you know, didn't then being something simple

1:04:19.160 --> 1:04:21.440
<v Speaker 1>to mitigate, something to figure out and get out of.

1:04:22.160 --> 1:04:23.960
<v Speaker 1>But I was in the middle of it, so I

1:04:23.960 --> 1:04:27.080
<v Speaker 1>couldn't quit. I couldn't lay down and I couldn't just

1:04:27.080 --> 1:04:30.000
<v Speaker 1>sit there and wait for you know that that that

1:04:30.080 --> 1:04:33.440
<v Speaker 1>grindstone that grinds everything to dust, you know what I mean.

1:04:33.480 --> 1:04:35.680
<v Speaker 1>So I had to keep it pushing, and that's what

1:04:35.720 --> 1:04:39.880
<v Speaker 1>I did, and that I'll give you know, I give

1:04:39.960 --> 1:04:43.160
<v Speaker 1>all all all praise to the creator for me still

1:04:43.240 --> 1:04:47.040
<v Speaker 1>being here now, because there were dark times there, things

1:04:47.040 --> 1:04:51.040
<v Speaker 1>that went through and and you know, right now though

1:04:51.560 --> 1:04:53.400
<v Speaker 1>even though you know we talk about your other industry

1:04:53.440 --> 1:04:57.520
<v Speaker 1>this that and yeah, but you know what, though, like

1:04:57.560 --> 1:05:00.480
<v Speaker 1>the Kaiju released this Kaiju record, a record man like

1:05:00.520 --> 1:05:02.560
<v Speaker 1>you got militone of magic, you got like for whom

1:05:02.560 --> 1:05:05.240
<v Speaker 1>to be told you have all lyrical law, you had

1:05:05.320 --> 1:05:07.840
<v Speaker 1>ripped the jacker like there were records they mic clued

1:05:07.880 --> 1:05:09.880
<v Speaker 1>the curriculum. There were a lot of records that came

1:05:09.920 --> 1:05:12.680
<v Speaker 1>out in Time Flies. There were records that came out

1:05:13.040 --> 1:05:17.479
<v Speaker 1>after that that I'd say the brotherhood, like the fan base,

1:05:17.560 --> 1:05:21.240
<v Speaker 1>the listeners, the rippers, like people that they don't care

1:05:21.280 --> 1:05:23.880
<v Speaker 1>what the game talking about, what the industry talking about.

1:05:23.880 --> 1:05:26.400
<v Speaker 1>They want to hear what Candles got to say. They

1:05:26.600 --> 1:05:29.600
<v Speaker 1>came through in the clutch, right, and they stepped up

1:05:29.640 --> 1:05:32.400
<v Speaker 1>to the plate in such a way where I mean,

1:05:32.920 --> 1:05:36.520
<v Speaker 1>if that's all that there is, or that's all that

1:05:36.560 --> 1:05:38.440
<v Speaker 1>you can walk away from with it, I gotta tell

1:05:38.480 --> 1:05:41.880
<v Speaker 1>you that I'm more than blessed to have that, or

1:05:41.920 --> 1:05:45.960
<v Speaker 1>to have secured it through that same innocence older than now.

1:05:46.080 --> 1:05:49.960
<v Speaker 1>I'm not perfect, right, but some of that innocence is

1:05:50.000 --> 1:05:54.360
<v Speaker 1>still there. And this brotherhood that I'm talking about, they

1:05:54.400 --> 1:05:56.919
<v Speaker 1>have reflected that innocence and I see it. And when

1:05:57.000 --> 1:05:59.800
<v Speaker 1>they come to support they knowed it was a lot.

1:06:00.120 --> 1:06:02.880
<v Speaker 1>Don't know exactly what I was burying on my shoulders.

1:06:02.920 --> 1:06:04.920
<v Speaker 1>But they know it was a lot and now they

1:06:05.000 --> 1:06:06.920
<v Speaker 1>kind of like they stepped to the plate. I mean,

1:06:06.960 --> 1:06:09.760
<v Speaker 1>these people they're older now. Like all the rippers that

1:06:09.840 --> 1:06:13.160
<v Speaker 1>were following me back in the nineties, they all got

1:06:13.280 --> 1:06:15.760
<v Speaker 1>kids now, man, mostly all of them. They're all grown.

1:06:15.800 --> 1:06:18.360
<v Speaker 1>They all got you know what I mean, they all

1:06:18.400 --> 1:06:20.640
<v Speaker 1>made it to one of them. You know, I feel

1:06:20.680 --> 1:06:22.480
<v Speaker 1>you I first I was eleven years old when your

1:06:22.480 --> 1:06:25.240
<v Speaker 1>album came, you know what I'm saying, And and and

1:06:25.280 --> 1:06:27.440
<v Speaker 1>you know this pandemic for the last two years. Man,

1:06:27.520 --> 1:06:31.840
<v Speaker 1>like they're still out here getting it popping right, like subsisting,

1:06:32.240 --> 1:06:36.200
<v Speaker 1>you know, like striving right, and then for them to

1:06:36.400 --> 1:06:38.120
<v Speaker 1>set aside, like you know what, I'm gonna get that

1:06:38.160 --> 1:06:40.400
<v Speaker 1>new album whatever, and then to be able to make

1:06:40.440 --> 1:06:43.520
<v Speaker 1>it number two. Of course, all the platforms. It's independent. Man.

1:06:43.560 --> 1:06:45.720
<v Speaker 1>We just went to the warehouse we picked and people

1:06:45.720 --> 1:06:49.800
<v Speaker 1>are buying the physical copies. Yeah. So so so I

1:06:49.840 --> 1:06:51.680
<v Speaker 1>want to I want to. I want to. I want

1:06:51.720 --> 1:06:54.880
<v Speaker 1>to take take a snapshot of that and highlight that,

1:06:54.960 --> 1:06:58.200
<v Speaker 1>because that is the moment where I can like like

1:06:58.320 --> 1:07:01.880
<v Speaker 1>look on what happened, you know, with with more of

1:07:02.000 --> 1:07:05.400
<v Speaker 1>like a you know what I mean. If if if

1:07:05.680 --> 1:07:08.280
<v Speaker 1>it wasn't real and it was all fake, then that

1:07:08.360 --> 1:07:11.080
<v Speaker 1>means the rippers now that I got wouldn't have existed.

1:07:11.400 --> 1:07:15.760
<v Speaker 1>But they're here now. They're here because obviously Angels Man, Yeah,

1:07:15.760 --> 1:07:18.160
<v Speaker 1>I do think like you know, I think back to

1:07:18.280 --> 1:07:21.160
<v Speaker 1>like grateful for that is what I'm saying. And if

1:07:21.200 --> 1:07:24.920
<v Speaker 1>you really think about like I do, think, like the

1:07:24.920 --> 1:07:29.600
<v Speaker 1>big misconception is like your first album wasn't fire, right.

1:07:30.560 --> 1:07:33.440
<v Speaker 1>I always thought it was great, right, And obviously, like

1:07:33.480 --> 1:07:36.600
<v Speaker 1>you said, you look at how many years later there's

1:07:36.640 --> 1:07:39.800
<v Speaker 1>still people who are putting money in your pocket for

1:07:39.880 --> 1:07:42.080
<v Speaker 1>a new album. So it obviously cut through to a

1:07:42.160 --> 1:07:44.600
<v Speaker 1>certain extent. But like I mean, maybe it just wasn't

1:07:44.640 --> 1:07:47.920
<v Speaker 1>the industry success that people would hoped to be. I

1:07:47.920 --> 1:07:50.360
<v Speaker 1>did one hundred and fifty thousand units for a week. Big,

1:07:50.360 --> 1:07:51.880
<v Speaker 1>You know what I'm saying that most people would that

1:07:51.960 --> 1:07:54.120
<v Speaker 1>keeps the lights on. Most people would chop their arm

1:07:54.160 --> 1:07:56.200
<v Speaker 1>off you they keep do that. That's just the first week,

1:07:56.240 --> 1:07:57.720
<v Speaker 1>you know what I'm saying. The first week it was

1:07:57.840 --> 1:07:59.600
<v Speaker 1>number two on the billboard, like it was, it was

1:08:00.280 --> 1:08:03.440
<v Speaker 1>Lauren and you know, right behind his number two on

1:08:03.560 --> 1:08:06.320
<v Speaker 1>Laurn Hell, Laura Hill was number one, right sound scan

1:08:06.480 --> 1:08:10.640
<v Speaker 1>that week. So who can be Laura? Nobody? Right? So, yeah,

1:08:10.720 --> 1:08:13.160
<v Speaker 1>you know what I mean? So, and I remember, you know,

1:08:13.160 --> 1:08:15.840
<v Speaker 1>I remember being told like, yo, it's a failure, you

1:08:15.880 --> 1:08:18.800
<v Speaker 1>know why somebody at the label, right, and then and

1:08:18.800 --> 1:08:21.600
<v Speaker 1>then I remember that person's equal on the other on

1:08:21.680 --> 1:08:23.720
<v Speaker 1>the other wing of the building came and said, what

1:08:23.760 --> 1:08:25.880
<v Speaker 1>are you talking about? Like number two? This is your

1:08:26.000 --> 1:08:29.320
<v Speaker 1>first release. You'll never be able to get it, get

1:08:29.360 --> 1:08:32.040
<v Speaker 1>another first release again. You'll have other releases, but you'll

1:08:32.080 --> 1:08:33.680
<v Speaker 1>never be able no matter what you do, you'll never

1:08:33.760 --> 1:08:36.160
<v Speaker 1>be able to have a first release again. Enjoy it

1:08:36.200 --> 1:08:39.800
<v Speaker 1>for what it is, right, You're a champion, you know,

1:08:40.320 --> 1:08:43.280
<v Speaker 1>you know, you know, enjoy it. Don't be sad, right

1:08:43.320 --> 1:08:46.040
<v Speaker 1>because I was torn when when when the other one

1:08:46.080 --> 1:08:48.840
<v Speaker 1>came to me and said, it's a failure to such

1:08:49.120 --> 1:08:50.840
<v Speaker 1>you know what I mean. So, but but this and

1:08:50.880 --> 1:08:54.120
<v Speaker 1>I was young man, like you gotta understand like psychological

1:08:54.800 --> 1:08:57.840
<v Speaker 1>you know, games and abuse on that level, you know

1:08:57.880 --> 1:08:59.559
<v Speaker 1>what I mean, In a in a in a game

1:08:59.600 --> 1:09:04.160
<v Speaker 1>that was already like you know, everything's big, right, like Neil,

1:09:04.439 --> 1:09:06.880
<v Speaker 1>these these owners and all that, they had everything you

1:09:06.920 --> 1:09:10.280
<v Speaker 1>could ever think of, right, and we had me walking

1:09:10.320 --> 1:09:13.080
<v Speaker 1>in you have nothing. You know, you just want something.

1:09:13.120 --> 1:09:14.720
<v Speaker 1>You don't even want what they got. Like when I

1:09:14.760 --> 1:09:17.559
<v Speaker 1>say innocent, I mean innocent. Like you know a lot

1:09:17.600 --> 1:09:19.200
<v Speaker 1>of the guys I remember from my area, we weren't

1:09:19.240 --> 1:09:21.760
<v Speaker 1>looking to have everything that they had. We were just

1:09:21.760 --> 1:09:26.080
<v Speaker 1>looking to have something right and to see that that

1:09:26.080 --> 1:09:28.639
<v Speaker 1>that kind of that that agreement was made that Okay,

1:09:28.680 --> 1:09:31.160
<v Speaker 1>if you do this, this and this, you'll have this

1:09:31.200 --> 1:09:33.240
<v Speaker 1>and this and this, or you just have this and this,

1:09:33.640 --> 1:09:36.360
<v Speaker 1>or you just have this right And if you open

1:09:36.439 --> 1:09:38.519
<v Speaker 1>the door she was behind doing number one and knew

1:09:39.160 --> 1:09:41.800
<v Speaker 1>you'd have been like, look, man, let me just break

1:09:41.800 --> 1:09:44.360
<v Speaker 1>out right now, go to vocational school. Let me just

1:09:44.360 --> 1:09:47.719
<v Speaker 1>get this out the way right now, you know. So, yeah,

1:09:47.760 --> 1:09:49.680
<v Speaker 1>I want to I want to highlight that, man, like

1:09:50.080 --> 1:09:53.680
<v Speaker 1>you know, you gotta you gotta, you gotta definitely you

1:09:53.680 --> 1:09:56.720
<v Speaker 1>gotta grow with your your fan base and you know

1:09:56.720 --> 1:09:59.960
<v Speaker 1>what I mean, And and sometimes they're growing with you,

1:10:00.160 --> 1:10:04.280
<v Speaker 1>but when when the tables turn, you gotta grow with them. Yeah,

1:10:07.520 --> 1:10:09.519
<v Speaker 1>give me a backstory on how Mike Tyson ended up

1:10:09.560 --> 1:10:12.000
<v Speaker 1>on second round knockot oh man, you know what I'm saying, Like,

1:10:12.040 --> 1:10:15.720
<v Speaker 1>if you want to talk about Sucramar knockout again, then

1:10:16.000 --> 1:10:17.680
<v Speaker 1>we can easily focus on I don't want to talk

1:10:17.680 --> 1:10:18.920
<v Speaker 1>about the beef. I just want to talk about the

1:10:19.240 --> 1:10:21.519
<v Speaker 1>second round knockout. How did Mike Tyson end up on

1:10:21.560 --> 1:10:23.640
<v Speaker 1>the second round knockout? No? No, I mean listen, this

1:10:23.680 --> 1:10:26.240
<v Speaker 1>is Mike second round knock out one more time. I

1:10:26.320 --> 1:10:30.679
<v Speaker 1>just want second round knock ye how did Mike Tyson people? Yeah,

1:10:30.720 --> 1:10:32.600
<v Speaker 1>this is what y'all want, right, So, you know, I

1:10:32.600 --> 1:10:34.160
<v Speaker 1>don't even want to talk about the beef. I just

1:10:34.200 --> 1:10:37.760
<v Speaker 1>want to know Mike Tyson getting on that record, How

1:10:37.760 --> 1:10:40.880
<v Speaker 1>did that happen? I'm story. I'm gonna tell you. I'm

1:10:40.880 --> 1:10:42.720
<v Speaker 1>gonna tell you first. I want you to tell me

1:10:43.479 --> 1:10:45.439
<v Speaker 1>when's the last person you heard somebody ask Mike Tyson

1:10:45.479 --> 1:10:49.599
<v Speaker 1>about cannabis. I don't know. I would, though, no, but

1:10:49.720 --> 1:10:52.479
<v Speaker 1>nobody has. I'm gonna tell you why she punching in

1:10:52.479 --> 1:10:56.920
<v Speaker 1>your neck? You know I would ask him? Yeah? Sure,

1:10:57.040 --> 1:11:00.559
<v Speaker 1>I would. Sure. I just don't think people are talking

1:11:00.560 --> 1:11:03.479
<v Speaker 1>to Mike. You know, they don't want to do that, right.

1:11:03.520 --> 1:11:08.120
<v Speaker 1>But the whole thing is this, At the time, there

1:11:08.120 --> 1:11:10.360
<v Speaker 1>were friends of mine, you know, shout out to like

1:11:10.880 --> 1:11:12.080
<v Speaker 1>you know, I don't even want to say his name.

1:11:12.120 --> 1:11:14.120
<v Speaker 1>Because I say his names, like him throwing his name

1:11:14.200 --> 1:11:16.479
<v Speaker 1>and and something that had so much drama about it.

1:11:16.520 --> 1:11:18.320
<v Speaker 1>But there was a there was a friend of mine

1:11:18.280 --> 1:11:22.120
<v Speaker 1>where was working closely with both business wise and just

1:11:22.200 --> 1:11:25.120
<v Speaker 1>like you know, we we put projects out together, right,

1:11:25.560 --> 1:11:29.320
<v Speaker 1>and you know, he was able to get in contact

1:11:29.640 --> 1:11:32.960
<v Speaker 1>with you know, another close friend of Mike's, uh female,

1:11:33.880 --> 1:11:36.200
<v Speaker 1>you know, and then she had a son, and that son,

1:11:36.240 --> 1:11:37.360
<v Speaker 1>you know, I don't want to say, I don't want

1:11:37.360 --> 1:11:39.240
<v Speaker 1>to say people's names, throw it out there because these

1:11:39.280 --> 1:11:41.559
<v Speaker 1>people don't want to hear about this ship, you do,

1:11:41.600 --> 1:11:43.599
<v Speaker 1>you see what I'm trying to say. So I would say,

1:11:44.000 --> 1:11:46.960
<v Speaker 1>you know, they they wanted to uh, they wanted to

1:11:47.000 --> 1:11:51.360
<v Speaker 1>work with me, so they took it to Mike and

1:11:51.400 --> 1:11:54.080
<v Speaker 1>when the when the son, you know Mike's you know,

1:11:54.120 --> 1:11:58.040
<v Speaker 1>Mike's sister, her son, so his nephew heard the record

1:11:58.040 --> 1:11:59.519
<v Speaker 1>and her her name and it was me. He was like,

1:11:59.560 --> 1:12:01.880
<v Speaker 1>oh man, you gotta listen to what else he's doing,

1:12:01.960 --> 1:12:03.559
<v Speaker 1>and he would throw that up and Mike was like,

1:12:03.600 --> 1:12:05.920
<v Speaker 1>oh man, that sit hard, all right? Yeah, So it

1:12:05.960 --> 1:12:09.000
<v Speaker 1>happened just like that. There was no there was no

1:12:09.160 --> 1:12:12.160
<v Speaker 1>animosity in it. It was a record that was made

1:12:12.360 --> 1:12:15.759
<v Speaker 1>like more out of like Okay, okay, this hip hop's

1:12:15.760 --> 1:12:19.479
<v Speaker 1>getting interested now you understand what I mean. And there

1:12:19.520 --> 1:12:21.880
<v Speaker 1>was innocence to it, is what I'm saying. But just

1:12:21.920 --> 1:12:26.120
<v Speaker 1>because it was like an airstrike of sorts, it felt

1:12:26.200 --> 1:12:29.240
<v Speaker 1>and it was to the big Empire, you know what

1:12:29.240 --> 1:12:32.760
<v Speaker 1>I'm saying. That basically ran rap. It turned into something

1:12:32.800 --> 1:12:34.759
<v Speaker 1>where it's like, man, you just woke up the great

1:12:34.800 --> 1:12:37.479
<v Speaker 1>dinosaur man, like you know, the t Rex Man, and

1:12:38.600 --> 1:12:42.120
<v Speaker 1>it turned into something else. But Mike was just Mike

1:12:42.240 --> 1:12:44.559
<v Speaker 1>was with it just because it sounded dope. It was dope,

1:12:44.760 --> 1:12:46.240
<v Speaker 1>you know what I'm saying. Were you in the studio

1:12:46.240 --> 1:12:48.920
<v Speaker 1>with him when he laid his absolutely you know what

1:12:48.960 --> 1:12:51.000
<v Speaker 1>I mean? What was that like? Because I think off

1:12:51.080 --> 1:12:54.120
<v Speaker 1>like the equivalent would be like if Lebron James jumped

1:12:54.120 --> 1:12:56.000
<v Speaker 1>on someone of the diss record in twenty twenty one,

1:12:56.160 --> 1:13:00.360
<v Speaker 1>because Mike Tyson in ninety eight is i mean roarguably

1:13:00.439 --> 1:13:02.640
<v Speaker 1>the most famous athlete him and Jordan, you know what

1:13:02.680 --> 1:13:04.599
<v Speaker 1>I mean. I was witness to it. So what was that?

1:13:04.760 --> 1:13:06.960
<v Speaker 1>What was that like being in the studio with Mike Tyson? Okay,

1:13:06.960 --> 1:13:09.080
<v Speaker 1>so so so to add clarity to it and be

1:13:09.120 --> 1:13:12.240
<v Speaker 1>fully transparent he didn't come to the studio first and

1:13:12.280 --> 1:13:14.280
<v Speaker 1>do the record. I was in the studio with him

1:13:14.320 --> 1:13:16.800
<v Speaker 1>several times, but he didn't do this the record in

1:13:16.840 --> 1:13:19.879
<v Speaker 1>the studio. That was done on a on a dat recorder,

1:13:20.479 --> 1:13:22.280
<v Speaker 1>you know at the time, that type of dat recorder,

1:13:22.280 --> 1:13:24.479
<v Speaker 1>that piece of qums like two bands man twenty five

1:13:24.560 --> 1:13:27.000
<v Speaker 1>hundred and it was. He did it's part in the

1:13:27.040 --> 1:13:29.840
<v Speaker 1>comfort of his own home. We were in Vegas and

1:13:29.880 --> 1:13:32.520
<v Speaker 1>his home next next door was the Sultan of BRUNEI.

1:13:33.000 --> 1:13:35.519
<v Speaker 1>You know, funny story about that. Mike took me over there.

1:13:35.680 --> 1:13:37.639
<v Speaker 1>You know, I got to see the Sultan Bruni's home

1:13:37.680 --> 1:13:40.639
<v Speaker 1>and all that. You know, yeah, you know, horse track

1:13:40.760 --> 1:13:43.400
<v Speaker 1>on the grounds, you know, pretty much went around the

1:13:43.400 --> 1:13:49.439
<v Speaker 1>whole grounds. Laser being security at the time, satellite laser

1:13:50.040 --> 1:13:53.519
<v Speaker 1>security at the time, like just crazy, right, And Tyson

1:13:54.040 --> 1:13:56.439
<v Speaker 1>did the drops like in the comfort of his own home,

1:13:57.200 --> 1:14:00.640
<v Speaker 1>and we you know he did he said, no one

1:14:00.640 --> 1:14:04.000
<v Speaker 1>told him what to say. He that's what he said. Yeah,

1:14:04.360 --> 1:14:07.559
<v Speaker 1>and then took that and you know, chopped it up.

1:14:08.080 --> 1:14:09.920
<v Speaker 1>And you know when the part in the beginning, when

1:14:10.520 --> 1:14:12.920
<v Speaker 1>when the door is there and I go to the monastery.

1:14:13.040 --> 1:14:14.519
<v Speaker 1>You know, if you look at it, man, it was

1:14:14.920 --> 1:14:18.920
<v Speaker 1>so I really like slide Stallong, you understand what I mean,

1:14:19.000 --> 1:14:24.880
<v Speaker 1>And I built I wrote the treatment for that song

1:14:25.040 --> 1:14:28.880
<v Speaker 1>like out of like a rocky kind of the rocky vibe,

1:14:28.920 --> 1:14:31.320
<v Speaker 1>the vibe from all the rockies with or even like

1:14:31.320 --> 1:14:33.479
<v Speaker 1>the clean East with vibes where you know, somebody shows

1:14:33.560 --> 1:14:37.240
<v Speaker 1>up to the town, they wipe your family out, they

1:14:37.240 --> 1:14:40.679
<v Speaker 1>take everything from you. You know, they break they break

1:14:40.720 --> 1:14:42.920
<v Speaker 1>your strong hand. You know, you gotta come back and

1:14:43.000 --> 1:14:44.880
<v Speaker 1>learn how to shoot with the other one. You know

1:14:44.920 --> 1:14:46.519
<v Speaker 1>what I mean. You gotta you know, you gotta make

1:14:46.560 --> 1:14:49.439
<v Speaker 1>a complete comeback and then you ride back into that town. Right.

1:14:49.760 --> 1:14:53.400
<v Speaker 1>That was That was what the second round knockout record was.

1:14:53.479 --> 1:14:56.040
<v Speaker 1>It wasn't a first assault. It wasn't you know what

1:14:56.080 --> 1:14:59.040
<v Speaker 1>I'm saying. It wasn't an air strike. It in the

1:14:59.040 --> 1:15:01.559
<v Speaker 1>middle of the night. It was a response to something.

1:15:01.840 --> 1:15:04.120
<v Speaker 1>Of course, that's all. I think people forget that too.

1:15:04.320 --> 1:15:06.280
<v Speaker 1>It was a response. You get where I'm coming from,

1:15:06.680 --> 1:15:08.720
<v Speaker 1>and no response. And but but you know what, though,

1:15:08.840 --> 1:15:12.000
<v Speaker 1>we cleaned all that up. We cleaned it all up.

1:15:12.479 --> 1:15:16.120
<v Speaker 1>And I couldn't have made the cleanup any bigger. If

1:15:16.160 --> 1:15:18.160
<v Speaker 1>I could have, I would have. But I couldn't have

1:15:18.200 --> 1:15:21.559
<v Speaker 1>made the cleanup any bigger, that's up to other you know,

1:15:22.080 --> 1:15:25.840
<v Speaker 1>other hands, right, other steady hands. Right. So you know,

1:15:25.880 --> 1:15:28.120
<v Speaker 1>here we are again. Man, we're talking about something that

1:15:28.760 --> 1:15:31.559
<v Speaker 1>was cleaned up, but the cleanup wasn't as big as

1:15:31.640 --> 1:15:35.240
<v Speaker 1>the is the mess, right, So the mess is still there.

1:15:35.479 --> 1:15:37.360
<v Speaker 1>That's why you're asking me about Well, I'm asking about

1:15:37.360 --> 1:15:39.680
<v Speaker 1>Mike Tyson. It's the same ship. No, I think. I

1:15:39.760 --> 1:15:41.439
<v Speaker 1>just I just think like to be able to to

1:15:41.920 --> 1:15:46.160
<v Speaker 1>to have experiences with nineteen ninety eight Mike Tyson. Yeah,

1:15:46.200 --> 1:15:48.760
<v Speaker 1>it's so crazy, Oh, Mike, Mike in ninety eight Mike.

1:15:49.200 --> 1:15:51.559
<v Speaker 1>Mike was firm for it though, right, he was firm

1:15:51.760 --> 1:15:57.120
<v Speaker 1>because he I think that I think that he I

1:15:57.200 --> 1:15:59.080
<v Speaker 1>mean when I went to his home in Vage, Man,

1:15:59.120 --> 1:16:01.680
<v Speaker 1>there was so many books on that bookcase, man, and

1:16:01.720 --> 1:16:04.080
<v Speaker 1>he's read every one of them. And I think people

1:16:04.160 --> 1:16:06.639
<v Speaker 1>now know this, right, But at the time, I don't

1:16:06.640 --> 1:16:10.000
<v Speaker 1>think anyone could have been imagined that he was that studious. Right,

1:16:10.360 --> 1:16:12.360
<v Speaker 1>But when you look back on it, it makes sense.

1:16:13.000 --> 1:16:16.120
<v Speaker 1>It makes sense. He was real strategic. But you know,

1:16:16.200 --> 1:16:18.559
<v Speaker 1>let's think about it, man, During that time in ninety eight,

1:16:18.640 --> 1:16:22.280
<v Speaker 1>he had already gone through some of the real madness

1:16:22.479 --> 1:16:23.960
<v Speaker 1>you know what I mean, in his life and he

1:16:24.040 --> 1:16:25.800
<v Speaker 1>turned all that around, you know what I mean? And

1:16:25.840 --> 1:16:29.360
<v Speaker 1>now people don't even really talk about that madness no more.

1:16:29.640 --> 1:16:31.800
<v Speaker 1>They let him live, I know, but I'm saying they

1:16:31.840 --> 1:16:35.240
<v Speaker 1>let him live, but me, I'm still here. I can't live.

1:16:35.840 --> 1:16:37.680
<v Speaker 1>Y'all still want to talk about the madness, and I

1:16:37.760 --> 1:16:41.000
<v Speaker 1>just don't understand, Like, what the fuck is it? Man?

1:16:41.080 --> 1:16:42.880
<v Speaker 1>I mean, it's just hip hop history. Man, it was

1:16:42.920 --> 1:16:46.880
<v Speaker 1>his hip hop history. But yuah, but everybody has heard

1:16:46.920 --> 1:16:51.000
<v Speaker 1>it already. They just haven't had me sit in front

1:16:51.040 --> 1:16:52.920
<v Speaker 1>of him and say it to him, but they've heard

1:16:52.960 --> 1:16:56.920
<v Speaker 1>it already. I'm confused, man, I'm so disappointed man. Now,

1:16:57.040 --> 1:16:58.840
<v Speaker 1>I mean I think that you know, for me, it's

1:16:58.920 --> 1:17:00.600
<v Speaker 1>just more of the angle of life. So let me

1:17:00.640 --> 1:17:03.519
<v Speaker 1>ask you this. Like I said, it's like if Lebron

1:17:03.640 --> 1:17:05.840
<v Speaker 1>James was on a record, I would want to know

1:17:05.880 --> 1:17:08.720
<v Speaker 1>how did how did Lebron? You know? You know that's

1:17:08.760 --> 1:17:10.240
<v Speaker 1>I'm not I'm not agree with you, man, I'm not

1:17:10.280 --> 1:17:12.040
<v Speaker 1>even kicking the tires. I'm not on you. You know

1:17:12.080 --> 1:17:14.599
<v Speaker 1>what I'm saying. I'm not on you. I'm just I'm

1:17:14.680 --> 1:17:17.920
<v Speaker 1>just I'm just I'm just I just kind of like,

1:17:18.120 --> 1:17:20.040
<v Speaker 1>I get it, yo, I want to figure it out.

1:17:20.479 --> 1:17:22.840
<v Speaker 1>I didn't want to figure it out before you start

1:17:22.880 --> 1:17:25.160
<v Speaker 1>talking about it to this this, but I do want

1:17:25.240 --> 1:17:28.599
<v Speaker 1>that you start talking about it like this. I'm really

1:17:28.640 --> 1:17:30.680
<v Speaker 1>it's like a It's like a Ruby's cube. It's a

1:17:30.720 --> 1:17:33.559
<v Speaker 1>puzzle that I don't know how it can be solved

1:17:33.560 --> 1:17:36.200
<v Speaker 1>where it's like, I mean, you know what I mean?

1:17:36.320 --> 1:17:39.519
<v Speaker 1>Can the nigga just live? But but let me ask

1:17:39.560 --> 1:17:42.160
<v Speaker 1>you this. Though you heard the album to Cadu, I

1:17:42.160 --> 1:17:45.400
<v Speaker 1>haven't listened to it yet. Yeah, I heard, I heard.

1:17:45.479 --> 1:17:47.880
<v Speaker 1>Uh I think I did. I did check out one record.

1:17:47.920 --> 1:17:49.280
<v Speaker 1>I think what was the what was one of the

1:17:49.520 --> 1:17:51.400
<v Speaker 1>what was the first record that came out? Man? That's

1:17:51.920 --> 1:17:54.120
<v Speaker 1>you ain't give a ship about cannabis. Man, that's not true.

1:17:54.520 --> 1:17:56.439
<v Speaker 1>You listened to record. I just got off of a

1:17:56.560 --> 1:17:59.439
<v Speaker 1>ten day vacation with my wife for our anniversary. I

1:17:59.560 --> 1:18:02.040
<v Speaker 1>just got Sunday from Pooth, I got records. You could

1:18:02.040 --> 1:18:04.000
<v Speaker 1>have played the Punt, the Conna and to Loom and

1:18:04.080 --> 1:18:06.439
<v Speaker 1>probably wouldn't wanted to go to I was sitting on

1:18:06.479 --> 1:18:09.000
<v Speaker 1>the beach with the wife for our anniversary. I just

1:18:09.040 --> 1:18:12.519
<v Speaker 1>got back Monday night. I feel you so No, I

1:18:12.560 --> 1:18:14.320
<v Speaker 1>mean listen. It's not that I don't want to listen

1:18:14.360 --> 1:18:16.280
<v Speaker 1>to what I am going to. I just literally, you know,

1:18:16.320 --> 1:18:18.760
<v Speaker 1>I haven't gotten around to it. So it's records on there.

1:18:18.880 --> 1:18:23.599
<v Speaker 1>There's records on Kaiju that some dope features. Yeah, yeah,

1:18:23.640 --> 1:18:27.320
<v Speaker 1>I got I got a DMX, just as ad libs.

1:18:27.400 --> 1:18:29.240
<v Speaker 1>You know, for those out there think I'm trying to

1:18:29.280 --> 1:18:31.439
<v Speaker 1>I'm not trying to tell people to go grab it

1:18:31.479 --> 1:18:33.400
<v Speaker 1>because X is on there. But that was my way

1:18:33.439 --> 1:18:36.280
<v Speaker 1>of paying homage to them and my relationship with them

1:18:36.560 --> 1:18:38.280
<v Speaker 1>and my connection to them, you know what I mean,

1:18:38.320 --> 1:18:42.400
<v Speaker 1>because I never had any way of making that possible

1:18:42.439 --> 1:18:46.240
<v Speaker 1>without without those ad libs, right, right, And you know

1:18:46.280 --> 1:18:49.439
<v Speaker 1>I think, thank uh, thank you, you know what I'm saying, like,

1:18:50.400 --> 1:18:53.920
<v Speaker 1>and are extraordinary for that right, making those connections. But

1:18:54.120 --> 1:18:58.320
<v Speaker 1>uh yeah, you know, there are records on Kaiju that

1:18:58.960 --> 1:19:02.240
<v Speaker 1>I would say, are you know, vastly more important than

1:19:02.840 --> 1:19:05.559
<v Speaker 1>anything that happened in ninety eight, But you know, into

1:19:05.680 --> 1:19:08.240
<v Speaker 1>years you will know. But then for those out there

1:19:08.280 --> 1:19:10.880
<v Speaker 1>who have heard it, they could probably agree. They could

1:19:10.880 --> 1:19:13.120
<v Speaker 1>come on and point out to you maybe five, six

1:19:13.240 --> 1:19:16.760
<v Speaker 1>or seven things inside of records that's the vastly more

1:19:16.760 --> 1:19:19.839
<v Speaker 1>important hapened in ninety eight. Do you feel like with Kaiju,

1:19:19.880 --> 1:19:22.479
<v Speaker 1>because what I'm noticing is like with the Horsemen release

1:19:22.520 --> 1:19:28.160
<v Speaker 1>and the and Kaiju, like you're it feels like you're

1:19:28.200 --> 1:19:30.559
<v Speaker 1>really taking advantage of the fact that, you know what,

1:19:30.720 --> 1:19:35.280
<v Speaker 1>you do, have a core fan base that will break

1:19:35.320 --> 1:19:38.960
<v Speaker 1>bread with whatever Cannabis does. And I think that sometimes

1:19:39.520 --> 1:19:42.240
<v Speaker 1>people forget that right, like, you know, like when you

1:19:42.280 --> 1:19:43.920
<v Speaker 1>put it out like you said earlier, right like, you're

1:19:43.960 --> 1:19:46.479
<v Speaker 1>not just going straight to streaming platforms. You're pressing up records,

1:19:46.479 --> 1:19:52.639
<v Speaker 1>You're you know, you have You're you're essentially giving something

1:19:52.880 --> 1:19:55.439
<v Speaker 1>tangible to fans still when that's not a thing. And

1:19:55.479 --> 1:19:57.479
<v Speaker 1>I think that, you know, shout out to the Griselda

1:19:57.479 --> 1:19:59.000
<v Speaker 1>guys have done a good job of doing that in

1:19:59.160 --> 1:20:01.519
<v Speaker 1>the last few years. I feel like it was dope

1:20:01.520 --> 1:20:03.839
<v Speaker 1>to see, you know, with the last couple of releases,

1:20:03.920 --> 1:20:06.000
<v Speaker 1>that was kind of something on the forefront of like

1:20:06.080 --> 1:20:10.240
<v Speaker 1>the business model of what the Kaiju record is. It's like, hey, look, man,

1:20:10.240 --> 1:20:13.880
<v Speaker 1>I'm still here, and let's make sure that not only

1:20:13.920 --> 1:20:16.519
<v Speaker 1>can you go stream it, but you can also hold

1:20:16.560 --> 1:20:19.519
<v Speaker 1>it well. To be honest, to be absolutely honest, because

1:20:19.640 --> 1:20:24.000
<v Speaker 1>it's all grassroots, there's really no promo money going and

1:20:24.040 --> 1:20:27.160
<v Speaker 1>there's nobody offering up any assistance with that. You know,

1:20:27.200 --> 1:20:29.800
<v Speaker 1>it's just this team, small team too. You can count

1:20:29.840 --> 1:20:32.639
<v Speaker 1>them on. You can count them on one hand, and

1:20:32.720 --> 1:20:34.880
<v Speaker 1>if need be, you can count them on two hands.

1:20:34.880 --> 1:20:37.600
<v Speaker 1>But that's it. And I got to tell you that

1:20:38.320 --> 1:20:42.120
<v Speaker 1>we're not always absolutely sure that you know, there's going

1:20:42.160 --> 1:20:44.080
<v Speaker 1>to be any support for records. I mean, if you

1:20:44.160 --> 1:20:48.040
<v Speaker 1>go on Google right now, you type in cannabis kuiju,

1:20:48.880 --> 1:20:51.200
<v Speaker 1>it's not going to just come up. Bro. The site

1:20:51.200 --> 1:20:54.280
<v Speaker 1>that was built to support the record will come up,

1:20:54.360 --> 1:20:56.720
<v Speaker 1>but it's not coming up nowhere else. You understand what

1:20:56.720 --> 1:21:00.559
<v Speaker 1>I'm trying to say. So let's not take the narrative

1:21:00.560 --> 1:21:02.559
<v Speaker 1>and throw it somewhere else act like oh yeah, Ken's

1:21:02.560 --> 1:21:04.400
<v Speaker 1>got to solid fan base and all that. Like, No,

1:21:04.960 --> 1:21:07.200
<v Speaker 1>I got folks that, you know, by the grace of

1:21:07.200 --> 1:21:11.240
<v Speaker 1>the creator right are able to you know, you know,

1:21:11.479 --> 1:21:14.360
<v Speaker 1>stand on their own and their own lives. And they

1:21:14.479 --> 1:21:17.280
<v Speaker 1>just happening. You know, a little birdie says, hey man, bitch,

1:21:17.320 --> 1:21:20.280
<v Speaker 1>just drop the album. And then they say to themselves,

1:21:20.760 --> 1:21:23.559
<v Speaker 1>you know what I'm kind of going through right now,

1:21:23.800 --> 1:21:26.280
<v Speaker 1>let me see what BIS going through. Because I always

1:21:26.320 --> 1:21:27.960
<v Speaker 1>listen to bits when I want to go work out,

1:21:27.960 --> 1:21:29.640
<v Speaker 1>when I want to get motivated, when I want to

1:21:29.640 --> 1:21:32.200
<v Speaker 1>get inspired to like go out here and deal with

1:21:32.320 --> 1:21:34.639
<v Speaker 1>life and try to you know what I mean, try

1:21:34.640 --> 1:21:36.920
<v Speaker 1>to win, try to get a victory out of you know,

1:21:37.000 --> 1:21:40.040
<v Speaker 1>something that's really really, you know, hampering me right now.

1:21:40.479 --> 1:21:43.320
<v Speaker 1>That's that's where I think it comes from. It's just

1:21:43.400 --> 1:21:45.719
<v Speaker 1>people saying, let me get this a shot to listen

1:21:45.760 --> 1:21:47.880
<v Speaker 1>to it. So the pressure is still on me to

1:21:48.400 --> 1:21:51.559
<v Speaker 1>make a record that's going to give them that extra Yo,

1:21:51.720 --> 1:21:53.840
<v Speaker 1>let me do two more sets, you know what I mean,

1:21:53.960 --> 1:21:55.479
<v Speaker 1>let me do you know what I mean. So that's

1:21:55.520 --> 1:21:58.920
<v Speaker 1>what it is. We're never like, we're never going into

1:21:58.960 --> 1:22:02.920
<v Speaker 1>it thinking it we're gonna certainly get this amount or

1:22:02.960 --> 1:22:04.880
<v Speaker 1>do this amount, because at the end of the day,

1:22:05.000 --> 1:22:07.360
<v Speaker 1>if you see the numbers or whatever, they're still small. Bro.

1:22:08.200 --> 1:22:12.040
<v Speaker 1>It's it's it's nothing compared to you know, like you know,

1:22:12.120 --> 1:22:16.240
<v Speaker 1>a shout out from a megamogul that you know, that's

1:22:16.280 --> 1:22:18.559
<v Speaker 1>that's out here, that's still with everything. I mean, I

1:22:18.560 --> 1:22:22.720
<v Speaker 1>would say, what you can do is what a lot

1:22:22.720 --> 1:22:24.960
<v Speaker 1>of people who might listen. We talked about a million

1:22:25.000 --> 1:22:29.439
<v Speaker 1>streams right right. I haven't done a million streams. But but, but, but,

1:22:29.439 --> 1:22:32.080
<v Speaker 1>but what you can do is something that a lot

1:22:32.120 --> 1:22:36.680
<v Speaker 1>of these kids can't do, and that's sell this and

1:22:37.439 --> 1:22:40.479
<v Speaker 1>you know, sell the pre order's But let's put it

1:22:40.520 --> 1:22:43.599
<v Speaker 1>in perspective. But let's put it in perspective like, they

1:22:43.600 --> 1:22:46.040
<v Speaker 1>can sell this, and they can do a million streams

1:22:46.040 --> 1:22:48.280
<v Speaker 1>and so forth and so on, but they don't have

1:22:48.360 --> 1:22:51.160
<v Speaker 1>somebody asking them about second round knockout and trying to

1:22:51.200 --> 1:22:54.479
<v Speaker 1>constantly box them in. See what I'm saying, like, I

1:22:54.520 --> 1:22:58.800
<v Speaker 1>would trade a clean slate for what you're what you're

1:22:58.800 --> 1:23:02.680
<v Speaker 1>praising me for right now, I trade it for queens.

1:23:02.680 --> 1:23:06.599
<v Speaker 1>That's how crazy all that shit was. But nobody understands that,

1:23:06.960 --> 1:23:09.559
<v Speaker 1>you see what I'm saying. Everybody comes and acts like, oh,

1:23:09.640 --> 1:23:11.760
<v Speaker 1>you got so much, you can do so much, but

1:23:12.120 --> 1:23:15.240
<v Speaker 1>I'm shackled to that ship. Do you feel like that

1:23:15.800 --> 1:23:20.400
<v Speaker 1>you're do you feel like that's like obviously, look at

1:23:20.400 --> 1:23:26.799
<v Speaker 1>the end of the day, if you know, if you've

1:23:26.840 --> 1:23:28.439
<v Speaker 1>made hip hop history, you've been a part of hip

1:23:28.439 --> 1:23:30.880
<v Speaker 1>hop history, right, and you're also someone who's kind of

1:23:31.439 --> 1:23:37.360
<v Speaker 1>not accessible, not very you know, like I said, you

1:23:37.439 --> 1:23:40.599
<v Speaker 1>kind of get in and get approachable, not really accessible, right, Right,

1:23:41.000 --> 1:23:42.680
<v Speaker 1>So you know I think it's you have to kind

1:23:42.720 --> 1:23:46.559
<v Speaker 1>of expect we're sitting here for two hours, I'm gonna

1:23:46.560 --> 1:23:49.559
<v Speaker 1>bring it up. It's a highlight of you know, that's

1:23:49.680 --> 1:23:53.000
<v Speaker 1>that you know what that's if that's if you don't

1:23:53.000 --> 1:23:55.519
<v Speaker 1>really know the whole catalog, bro, Like, if you knew

1:23:55.520 --> 1:23:58.799
<v Speaker 1>the whole catalog. Like so I got like three thousand,

1:24:00.080 --> 1:24:05.040
<v Speaker 1>I've hearndred of some songs registered, right, registered which Nielsen

1:24:05.360 --> 1:24:07.040
<v Speaker 1>like sounds you know how much that is because you

1:24:07.080 --> 1:24:11.560
<v Speaker 1>did the math that fast, right, right? So that's so

1:24:11.840 --> 1:24:14.960
<v Speaker 1>let's let's take let's take registered songs in any rapper

1:24:15.000 --> 1:24:18.040
<v Speaker 1>ever maybe that maybe it is I could, I could

1:24:18.040 --> 1:24:20.640
<v Speaker 1>show you the proof, but and I probably would like

1:24:20.680 --> 1:24:22.720
<v Speaker 1>right after we get off. But now so in my

1:24:22.880 --> 1:24:25.000
<v Speaker 1>mind right and in the mind of the people who

1:24:25.320 --> 1:24:30.120
<v Speaker 1>know me best, that one song that everybody keep talking about,

1:24:30.439 --> 1:24:33.080
<v Speaker 1>if we just subtract that one song from the catalog,

1:24:33.280 --> 1:24:35.679
<v Speaker 1>there's still thirties. You get where I'm coming thirty seven.

1:24:35.800 --> 1:24:37.559
<v Speaker 1>You understand where I'm coming from. I get it. So

1:24:37.720 --> 1:24:41.639
<v Speaker 1>that's exactly where we stand. I understand how that could

1:24:41.640 --> 1:24:45.439
<v Speaker 1>be frustrating. It's not frustrating to me. I'm almost I'm

1:24:45.479 --> 1:24:49.800
<v Speaker 1>almost looking at the rap community, like they're slow, and

1:24:49.840 --> 1:24:52.280
<v Speaker 1>this is why we're in the ship that we're in, right,

1:24:52.320 --> 1:24:56.960
<v Speaker 1>And that's why I've stopped trying to augment the direction

1:24:57.560 --> 1:25:00.400
<v Speaker 1>that that's going to get us, because they're not doing

1:25:00.439 --> 1:25:03.000
<v Speaker 1>it with me. They're doing it with all the artists

1:25:03.000 --> 1:25:07.559
<v Speaker 1>out here. They're taking narratives that will shackle people to

1:25:07.680 --> 1:25:12.519
<v Speaker 1>things that munk up the gears and make it so

1:25:12.600 --> 1:25:16.519
<v Speaker 1>that they can't you know, make an impact of value.

1:25:17.439 --> 1:25:19.519
<v Speaker 1>They make it, they turn it into something that the

1:25:19.600 --> 1:25:22.760
<v Speaker 1>only value that can come from it is like you know,

1:25:22.840 --> 1:25:27.920
<v Speaker 1>the ops right, what they're selling and how they're changing

1:25:27.960 --> 1:25:30.960
<v Speaker 1>the narrative and how you know, maybe something unfortunately can

1:25:31.000 --> 1:25:34.520
<v Speaker 1>happen to the you know, to the to the to

1:25:33.960 --> 1:25:36.920
<v Speaker 1>the light, you know what I mean, or just the

1:25:36.960 --> 1:25:40.800
<v Speaker 1>balancer or the equalizer. They want something to happen to

1:25:40.840 --> 1:25:43.360
<v Speaker 1>the equalizer. Man. Well, listen. The way I look at

1:25:43.400 --> 1:25:46.880
<v Speaker 1>it is this, right. I think that that situation is

1:25:47.000 --> 1:25:48.960
<v Speaker 1>historical in the same way that I think that that

1:25:49.040 --> 1:25:52.920
<v Speaker 1>roundtable the UDMX pun and Mike Jeromino was historical. So

1:25:53.479 --> 1:25:57.120
<v Speaker 1>as a hip hop fan, as someone who participated as

1:25:57.120 --> 1:26:00.880
<v Speaker 1>a consumer in that era, like you know, personally, something

1:26:00.920 --> 1:26:02.200
<v Speaker 1>I want to you know, I want to ask you

1:26:02.240 --> 1:26:04.280
<v Speaker 1>about that day. Okay, you were sitting at that table

1:26:04.320 --> 1:26:05.559
<v Speaker 1>in the same way I want to, you know, ask

1:26:05.600 --> 1:26:11.400
<v Speaker 1>you about I specifically remember participating as a fan in

1:26:11.439 --> 1:26:16.040
<v Speaker 1>that situation. So it's beautiful, man. And yet again I

1:26:16.080 --> 1:26:19.080
<v Speaker 1>can stand here on this side of the fence and say, okay,

1:26:19.120 --> 1:26:23.400
<v Speaker 1>so let's look at the round table, like what happened

1:26:23.400 --> 1:26:26.600
<v Speaker 1>to everybody on the panel, like including me, man, like

1:26:27.040 --> 1:26:30.120
<v Speaker 1>or any of the potentially everybody was on that panel.

1:26:30.479 --> 1:26:34.599
<v Speaker 1>Potentially did any of us even get to like half

1:26:34.720 --> 1:26:38.120
<v Speaker 1>our real potential? I think really it was just X. Right,

1:26:38.720 --> 1:26:40.479
<v Speaker 1>you're saying X got to half of his potential, and

1:26:40.560 --> 1:26:42.280
<v Speaker 1>I think got fully too. I think I meant the

1:26:42.320 --> 1:26:44.040
<v Speaker 1>end of the day, DMX had what five or six

1:26:44.120 --> 1:26:45.840
<v Speaker 1>number one albums in a row? Oh so you're talking

1:26:45.840 --> 1:26:49.200
<v Speaker 1>about materialism then now five five at materialism? No, I

1:26:49.280 --> 1:26:55.040
<v Speaker 1>just means of commercial success. So that's his potential was

1:26:55.080 --> 1:26:57.599
<v Speaker 1>commercial success? I mean, what are we talking about? I mean,

1:26:57.640 --> 1:27:02.320
<v Speaker 1>because I said potentially, they reached half their potential? Like,

1:27:02.760 --> 1:27:06.000
<v Speaker 1>what do you think that anybody on that panel reached

1:27:06.360 --> 1:27:10.880
<v Speaker 1>half of their potential? That's what you think too. I

1:27:10.920 --> 1:27:13.599
<v Speaker 1>don't think he reached half his potential, Like you're talking

1:27:13.600 --> 1:27:17.200
<v Speaker 1>about records and sales and money, right, But even when

1:27:17.200 --> 1:27:21.320
<v Speaker 1>he passed, there were issues like surrounding like what money

1:27:21.360 --> 1:27:24.400
<v Speaker 1>is going where? And what's going to agree? I don't.

1:27:24.520 --> 1:27:26.840
<v Speaker 1>I don't agree because it depends on what what scope

1:27:26.840 --> 1:27:30.400
<v Speaker 1>are we looking at him? It's one scope. It's only

1:27:30.400 --> 1:27:35.760
<v Speaker 1>one scope. Everybody sitting at that table, right, Okay, did

1:27:35.840 --> 1:27:38.880
<v Speaker 1>they reach half their potential? Because I feel like if

1:27:39.960 --> 1:27:42.440
<v Speaker 1>any of us at that table have reached half potential,

1:27:42.880 --> 1:27:46.640
<v Speaker 1>it would be like obscenely visible now and not just

1:27:46.800 --> 1:27:52.400
<v Speaker 1>financially you get and so and so and so. That's

1:27:52.479 --> 1:27:56.479
<v Speaker 1>why I will always push back with that kind of conversations.

1:27:56.520 --> 1:27:58.720
<v Speaker 1>People come with that ship. I just look at it like,

1:27:58.840 --> 1:28:01.280
<v Speaker 1>damn man, hip hop is so look man, I'm gonna

1:28:01.320 --> 1:28:04.720
<v Speaker 1>push back like I always would saying that. You know,

1:28:05.400 --> 1:28:09.519
<v Speaker 1>it's like we're hunted, bro. It's like we're hunted, man,

1:28:10.280 --> 1:28:13.640
<v Speaker 1>you know what I'm saying, And somebody somewhere is not

1:28:13.800 --> 1:28:18.240
<v Speaker 1>satisfied until everybody on the panel. It's like it's like

1:28:18.320 --> 1:28:21.000
<v Speaker 1>some kind of fucked up horror film, man, you know

1:28:21.040 --> 1:28:24.320
<v Speaker 1>what I'm saying, or novel. That's the way I look

1:28:24.360 --> 1:28:25.840
<v Speaker 1>at it, and that's the way. A lot of people

1:28:25.840 --> 1:28:28.240
<v Speaker 1>that listen to my music look at things, man, because

1:28:28.240 --> 1:28:30.680
<v Speaker 1>you know what, unfortunately it looks like that's the way

1:28:30.720 --> 1:28:34.160
<v Speaker 1>it is. Everybody else is slow to catch up. Man.

1:28:34.360 --> 1:28:37.120
<v Speaker 1>Everybody else think that it is just about this material

1:28:37.160 --> 1:28:40.559
<v Speaker 1>stuff or you know, you did reach all this potential

1:28:40.560 --> 1:28:43.160
<v Speaker 1>because your name is everywhere. But you know what, are

1:28:43.200 --> 1:28:46.800
<v Speaker 1>you miserable? It's your family miserable. You know what I mean.

1:28:47.600 --> 1:28:49.960
<v Speaker 1>There's certain things going through, certain hardships where you got

1:28:49.960 --> 1:28:52.040
<v Speaker 1>to look at it and be like, damn, considering all

1:28:52.080 --> 1:28:55.160
<v Speaker 1>of the people that would look up the X and say,

1:28:55.439 --> 1:28:58.040
<v Speaker 1>you got me out of some real rough times, brother,

1:28:58.800 --> 1:29:01.000
<v Speaker 1>and I love you for it, and I'll always support

1:29:01.040 --> 1:29:03.920
<v Speaker 1>you for it. You know sometimes people tell me that

1:29:04.360 --> 1:29:07.240
<v Speaker 1>definitely not as much times as X has heard that, right,

1:29:07.320 --> 1:29:10.120
<v Speaker 1>and so you know, yeah, I mean I think I

1:29:10.720 --> 1:29:13.120
<v Speaker 1>just get sad, Bro. I get sad when people try

1:29:13.160 --> 1:29:17.679
<v Speaker 1>to act like what they've done, like like what what

1:29:17.960 --> 1:29:25.840
<v Speaker 1>the game is? You know, giving back to us is satisfactory? Man,

1:29:25.960 --> 1:29:28.400
<v Speaker 1>I pushed back, Bro. I disagree. I mean, and I

1:29:28.400 --> 1:29:30.200
<v Speaker 1>told you in general, I mean, I think in general,

1:29:30.240 --> 1:29:34.160
<v Speaker 1>the industry, as as as you know, was was rough

1:29:34.200 --> 1:29:36.879
<v Speaker 1>towards you. Okay, well you're telling me that shit stinks.

1:29:37.120 --> 1:29:42.720
<v Speaker 1>I'm telling you though, that that what what happened, that

1:29:43.040 --> 1:29:45.839
<v Speaker 1>the reason behind what happened. I'm pointing in the direction

1:29:45.960 --> 1:29:48.720
<v Speaker 1>at it. I can't isolate what it is because I

1:29:48.760 --> 1:29:52.080
<v Speaker 1>can't breathe air that far up in the clouds. But

1:29:52.320 --> 1:29:56.080
<v Speaker 1>you know, because it's rarefied up there. But trust me

1:29:56.120 --> 1:29:59.240
<v Speaker 1>when I tell you, man, like the fans really do

1:30:00.080 --> 1:30:02.800
<v Speaker 1>you know if it's not if it wasn't for them,

1:30:03.120 --> 1:30:05.320
<v Speaker 1>like you know some of the things that you see,

1:30:05.320 --> 1:30:08.160
<v Speaker 1>Like you look at that panel, dudes wouldn't even being

1:30:08.200 --> 1:30:11.240
<v Speaker 1>able to get what they got, Like now you know

1:30:11.280 --> 1:30:14.360
<v Speaker 1>what I'm saying, And that that's the part that that's

1:30:14.400 --> 1:30:16.200
<v Speaker 1>the part I push back on if somebody's coming to

1:30:16.200 --> 1:30:18.840
<v Speaker 1>try to say, oh, yeah, well you guys, because you're

1:30:18.880 --> 1:30:21.519
<v Speaker 1>not the only one, boss, it's not your fault. You're

1:30:21.520 --> 1:30:23.840
<v Speaker 1>not at fault here you just and then here I

1:30:23.880 --> 1:30:26.439
<v Speaker 1>am like just giving you like, yeah, look at the panel.

1:30:26.720 --> 1:30:30.280
<v Speaker 1>You talk about the panel, Like, look, so how you

1:30:30.320 --> 1:30:32.880
<v Speaker 1>think I feel like being it? I was on the panel.

1:30:33.680 --> 1:30:36.040
<v Speaker 1>I feel like a small part of me is felt

1:30:36.080 --> 1:30:38.840
<v Speaker 1>like I'm carrying a flag for that right, and then

1:30:38.880 --> 1:30:40.639
<v Speaker 1>another part of me is like you'll stay away from

1:30:40.640 --> 1:30:42.640
<v Speaker 1>that shit. You understand what I'm trying to say. But

1:30:42.720 --> 1:30:45.519
<v Speaker 1>you want to know because you think the fans want

1:30:45.520 --> 1:30:47.519
<v Speaker 1>to know, so you drag me into that. Get where

1:30:47.520 --> 1:30:49.800
<v Speaker 1>I'm coming from. I think the fans would want to

1:30:49.800 --> 1:30:51.840
<v Speaker 1>know about that day. Fans don't give a shit about

1:30:51.840 --> 1:30:54.760
<v Speaker 1>that man. That shit has been on YouTube. Yeah, but

1:30:54.800 --> 1:30:57.439
<v Speaker 1>it's not about It's not about that video. It's about like, Yo,

1:30:57.479 --> 1:30:59.200
<v Speaker 1>what's the like, YO, tell me about that night. You

1:30:59.240 --> 1:31:01.280
<v Speaker 1>know what I'm saying. I think people I don'tn't even

1:31:01.360 --> 1:31:03.000
<v Speaker 1>to remember that fucking night, Like if you want to

1:31:03.080 --> 1:31:04.640
<v Speaker 1>keep it all the way a bluck. That ship is

1:31:04.720 --> 1:31:07.000
<v Speaker 1>so much shit that's happened in my life, like like

1:31:07.160 --> 1:31:10.360
<v Speaker 1>that ship is like it's just an At the same time,

1:31:11.200 --> 1:31:13.920
<v Speaker 1>I wasn't even like I said what I say when

1:31:13.920 --> 1:31:16.280
<v Speaker 1>you brought that up. I brought up I remember there

1:31:16.360 --> 1:31:18.360
<v Speaker 1>was no Yeah, I did say that. Yeah, but I

1:31:18.360 --> 1:31:21.280
<v Speaker 1>also said that Torrey, you know he did the sign

1:31:21.280 --> 1:31:24.280
<v Speaker 1>offs and there was no percentage kickbacks. If I got

1:31:24.280 --> 1:31:27.360
<v Speaker 1>a percentage kickback on that, I probably remember it a

1:31:27.400 --> 1:31:29.400
<v Speaker 1>whole lot better. That's real. You see what I'm trying

1:31:29.439 --> 1:31:31.800
<v Speaker 1>to say. So let's let's let's be you know what

1:31:31.840 --> 1:31:34.479
<v Speaker 1>I mean, let's be let's be pragmatic about what we're

1:31:34.520 --> 1:31:37.280
<v Speaker 1>talking about here, man, because I don't even like doing

1:31:37.320 --> 1:31:41.400
<v Speaker 1>interviews because every the narrative, they always grabbed the narror

1:31:41.400 --> 1:31:43.880
<v Speaker 1>and it's always somebody just slower than me. You know

1:31:43.920 --> 1:31:45.920
<v Speaker 1>what I'm saying, that grabs the narrative and takes it

1:31:45.960 --> 1:31:48.479
<v Speaker 1>and go somewhere else with it, and then I end

1:31:48.560 --> 1:31:50.160
<v Speaker 1>up in the middle, and I end up being the

1:31:50.200 --> 1:31:53.360
<v Speaker 1>bad guy when all I'm trying to do is just

1:31:53.400 --> 1:31:56.120
<v Speaker 1>like the Kanju record, I'm trying to I'm trying to

1:31:56.200 --> 1:31:59.439
<v Speaker 1>keep something afloat here, or I'm trying to assist or help,

1:31:59.560 --> 1:32:02.280
<v Speaker 1>you know what I'm trying to say, Like it's always

1:32:02.320 --> 1:32:04.840
<v Speaker 1>been like that, and it just seemed like rap. You

1:32:04.880 --> 1:32:06.559
<v Speaker 1>know what it seems like to me, Man, I don't

1:32:06.560 --> 1:32:08.679
<v Speaker 1>gonna say this one. Shut up about it. It seems

1:32:08.680 --> 1:32:15.200
<v Speaker 1>like rap is the death of us. Rap is the

1:32:15.240 --> 1:32:17.800
<v Speaker 1>death of us bro. You know what I'm jump trying

1:32:17.800 --> 1:32:19.760
<v Speaker 1>to say, Like the artists that come out and they

1:32:19.800 --> 1:32:23.760
<v Speaker 1>make their music and they're impactful and they're you know,

1:32:23.960 --> 1:32:25.680
<v Speaker 1>there's some good in them, and they're out there and

1:32:25.720 --> 1:32:28.240
<v Speaker 1>they're making a difference for the better. Rap is the

1:32:28.280 --> 1:32:34.120
<v Speaker 1>death of them, not something else but rap. I mean

1:32:34.240 --> 1:32:37.680
<v Speaker 1>also literally and figuratively as well, because I mean we've

1:32:37.680 --> 1:32:40.000
<v Speaker 1>seen That's what I mean. That's what I'm and that's

1:32:40.040 --> 1:32:43.800
<v Speaker 1>a goddamn shame. That's all I'm saying. Man, Well, listen, man,

1:32:43.920 --> 1:32:47.040
<v Speaker 1>the new album. But let's not be sad about anything. Right, Well,

1:32:47.080 --> 1:32:49.559
<v Speaker 1>you got a new album out, The Horseman album is out,

1:32:50.000 --> 1:32:51.840
<v Speaker 1>you got a lot of you know, there's there's listen.

1:32:52.080 --> 1:32:56.160
<v Speaker 1>You've had a great twenty twenty one. As far as output,

1:32:56.680 --> 1:32:59.960
<v Speaker 1>what is uh you know is this Are you gonna

1:33:00.040 --> 1:33:02.160
<v Speaker 1>take a break or is this like with this new

1:33:02.240 --> 1:33:03.560
<v Speaker 1>energy of this new record, are you kind of do

1:33:03.560 --> 1:33:05.559
<v Speaker 1>you kind of have the bugs that she's you say

1:33:05.640 --> 1:33:07.960
<v Speaker 1>new energy? Yeah, I feel you. I really feel what

1:33:07.960 --> 1:33:10.360
<v Speaker 1>you're trying to do. What I'm saying is I feel

1:33:10.360 --> 1:33:14.000
<v Speaker 1>you like you've had a crazy year of output. Man,

1:33:14.080 --> 1:33:15.960
<v Speaker 1>Look I feel what you're trying to say. I really

1:33:16.439 --> 1:33:19.720
<v Speaker 1>asking like, like, are you gonna it's not working? Are

1:33:19.760 --> 1:33:22.439
<v Speaker 1>you going to keep staying in the studio? It all depends, man,

1:33:22.920 --> 1:33:25.519
<v Speaker 1>the creator makes that decision, not me, Like the big

1:33:25.560 --> 1:33:28.200
<v Speaker 1>g God makes that decision, not me. And we've seen that,

1:33:28.400 --> 1:33:31.240
<v Speaker 1>right with so many other things, so many other people

1:33:31.280 --> 1:33:34.320
<v Speaker 1>and people that we love, artists we love. Right, we

1:33:34.360 --> 1:33:38.880
<v Speaker 1>don't make I don't make that decision anyway. But the

1:33:39.120 --> 1:33:43.120
<v Speaker 1>twenty twenty one there were some bright moments in it, right,

1:33:43.920 --> 1:33:46.880
<v Speaker 1>But on Kachu So I did a record called Covid Santa. Right,

1:33:47.520 --> 1:33:50.840
<v Speaker 1>when you listen to the record, you hear Covid Santa.

1:33:51.600 --> 1:33:54.080
<v Speaker 1>Covid Centta is a real snapshot to me of what

1:33:54.200 --> 1:33:57.280
<v Speaker 1>things are really like. That's that's the snapshot of what

1:33:57.320 --> 1:33:59.840
<v Speaker 1>things are that's twenty twenty one to me. Listen to

1:33:59.840 --> 1:34:02.759
<v Speaker 1>that record. If you listen to that record, Yeah, yeah,

1:34:02.800 --> 1:34:05.600
<v Speaker 1>you know what I mean. I mean, cod Santa. That

1:34:05.640 --> 1:34:08.519
<v Speaker 1>pretty much sums it up, right, I mean, you know, yeah,

1:34:08.560 --> 1:34:11.519
<v Speaker 1>it's but that to me is a snapshot of where

1:34:11.560 --> 1:34:15.720
<v Speaker 1>things are at. Right. So you know, all I can

1:34:15.760 --> 1:34:18.479
<v Speaker 1>say now is like, hey, we're still in the trenches, right,

1:34:19.920 --> 1:34:22.160
<v Speaker 1>you know, we take it day by day, you know,

1:34:22.560 --> 1:34:25.160
<v Speaker 1>everybody out here pounding pavement to do the best that

1:34:25.200 --> 1:34:27.439
<v Speaker 1>we can. And then sometimes you know, we know that

1:34:27.560 --> 1:34:29.840
<v Speaker 1>something ain't working or whatever, when we keep it pushing

1:34:29.880 --> 1:34:31.240
<v Speaker 1>and we leave it alone. You know what I mean.

1:34:31.320 --> 1:34:33.439
<v Speaker 1>This is not some kind of resurgence to canvas or

1:34:33.479 --> 1:34:35.559
<v Speaker 1>nothing like that. Man, I'm still the same dude. It's

1:34:35.600 --> 1:34:37.519
<v Speaker 1>gonna do what makes sense. If it makes sense, you're

1:34:37.520 --> 1:34:38.960
<v Speaker 1>gonna do it. If you're feeling you're gonna do it,

1:34:39.000 --> 1:34:41.400
<v Speaker 1>and yeah you're not, it's all good because you're still

1:34:41.400 --> 1:34:44.080
<v Speaker 1>the same guy either way. That's what it. Hey, So

1:34:44.200 --> 1:34:46.680
<v Speaker 1>what's the website that everyone can go and like if

1:34:46.720 --> 1:34:50.080
<v Speaker 1>they want to actually physically buy the music. I appreciate that.

1:34:50.680 --> 1:34:54.200
<v Speaker 1>So if you want to just be involved, you know,

1:34:55.000 --> 1:34:58.439
<v Speaker 1>hang out with with with with people who like Canvas music.

1:34:58.479 --> 1:35:00.679
<v Speaker 1>They pumped that. You know, I got I got born

1:35:00.760 --> 1:35:03.840
<v Speaker 1>some with me, I got ah, you know, you know

1:35:03.960 --> 1:35:08.519
<v Speaker 1>the team my rippers pretty much like everybody you can imagine.

1:35:08.560 --> 1:35:10.880
<v Speaker 1>It's like messing with real hip hop. I got body

1:35:10.880 --> 1:35:14.720
<v Speaker 1>Bag been on this album. We're forging new relationships, you know,

1:35:15.080 --> 1:35:18.000
<v Speaker 1>eighties reaching out the new people, forging new relationships, right,

1:35:18.240 --> 1:35:21.080
<v Speaker 1>and then some of the old relationships if they're if

1:35:21.120 --> 1:35:24.120
<v Speaker 1>they're reparable, we can't we repair them, right if they

1:35:24.240 --> 1:35:27.800
<v Speaker 1>if they're beyond approach, we leave them alone. But you

1:35:27.840 --> 1:35:30.600
<v Speaker 1>know Kenny n ft dot com, that's c A n

1:35:30.640 --> 1:35:32.720
<v Speaker 1>I n F T dot com. You can go there

1:35:32.720 --> 1:35:35.800
<v Speaker 1>to like directly, you know, get involved. Yeah, and just

1:35:35.880 --> 1:35:38.360
<v Speaker 1>and get involved with with with what what I'm up

1:35:38.400 --> 1:35:41.439
<v Speaker 1>to next? Right, you got I pictoria dot com. That's

1:35:41.520 --> 1:35:43.920
<v Speaker 1>like the future, as you were talked about earlier. Yeah,

1:35:43.960 --> 1:35:46.280
<v Speaker 1>that's the future. And so for anybody that wants to

1:35:46.400 --> 1:35:49.200
<v Speaker 1>like put the goggles on, right, it's like you was

1:35:49.200 --> 1:35:54.000
<v Speaker 1>talking about Kit Coutie, Like we just say cut cutting

1:35:56.720 --> 1:35:59.160
<v Speaker 1>part in that. Yeah, so Kit cutting, right, So he

1:35:59.240 --> 1:36:02.599
<v Speaker 1>had like something where they perform with the metaverse. Right now,

1:36:02.840 --> 1:36:05.120
<v Speaker 1>we know that's a huge artist, right, brings a lot,

1:36:05.160 --> 1:36:07.559
<v Speaker 1>a whole lot of fanfare and everything. Look, you can

1:36:07.600 --> 1:36:09.720
<v Speaker 1>put the goggles on and go see him, right, Well,

1:36:09.720 --> 1:36:11.320
<v Speaker 1>you can put the goggles on and see me too,

1:36:11.360 --> 1:36:12.920
<v Speaker 1>But you gotta go to I portuary dot com. Here

1:36:12.920 --> 1:36:15.280
<v Speaker 1>it is, man, Well, I appreciate your time, man, real shit.

1:36:15.640 --> 1:36:15.680
<v Speaker 1>I