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Speaker 1: Look man, oh, I see you my own bow and

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Speaker 1: look over there is that culture. Yes, goodness, Wow, lost culture,

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Speaker 1: ding dog, lost culture. We just watched your fingers on

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Speaker 1: the countdown, and don't you do that every time? I

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Speaker 1: was really like intent on watching the finger countdown because

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Speaker 1: you know, bts everybody Bowen Yang famously every single episode

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Speaker 1: counts three to one with his fingers. But this time

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Speaker 1: I was just like really focused on it. Ypno, I

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Speaker 1: have the dog. I have the dogs. Speaking of, we're

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Speaker 1: recording this on Matt's first day back and the hallowed

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Speaker 1: halls of thirty Rock at the Today Show. I was

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Speaker 1: at the Today Show today. We're recording this on Monday,

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Speaker 1: and we really didn't get into it last week. We

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Speaker 1: just kind of said there was a thing with dogs,

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Speaker 1: but yeah, this is what's been happening. So bad ass.

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Speaker 1: What are they? Bad? Animal Rescue? Bad ass Animal Rescue.

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Speaker 1: This amazing company that's like fostering dogs and helping them

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Speaker 1: get fostered, helping them get adopted in Brooklyn has named

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Speaker 1: two dogs Bowen Yang and Matt Rodgers. Wow. And they

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Speaker 1: are angelic. Yes, and it is truly every whenever they post,

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Speaker 1: I feel I have to repost because we have to

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Speaker 1: get these dogs homes. I know. No, And they're just angels.

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Speaker 1: They're from Alabama. Yeah, they're they're they're rescued from Alabama.

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Speaker 1: So this this company badass. They hire dogs from high

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Speaker 1: kill shelters and you know, bad situations. Did I say

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Speaker 1: that they hire them, they respect them. I said they

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Speaker 1: hire them. What they do is they hire the dog. No.

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Speaker 1: And so there's a bow and Yang and the Matt Rogers,

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Speaker 1: a husky mix that's bowe Yang. Then there's a hound

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Speaker 1: mix that's Matt Rogers. And they brought Matt Rogers the

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Speaker 1: dog to the Today Show. He was such a good boy.

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Speaker 1: I do think you need to think about it, not

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Speaker 1: to pressure you will not like. No, I'm thinking about

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Speaker 1: it because then there was another one you loved. Dabby

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Speaker 1: Wendy explain her. She is a fight. She has perky

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Speaker 1: little ears, gorgeous wide set eyes. It's giving.

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Speaker 2: It's giving, Dabby, it's giving emm a stone, it's giving,

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Speaker 2: you know. Hanny Taylor Joy Wow, a beautiful ange new Doge. No,

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Speaker 2: she is an Angenoux. And yeah, and you look, no

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Speaker 2: DIBs anyone in Brooklyn or who wants to come pick

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Speaker 2: these dogs?

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Speaker 1: Up from Brooklyn. Please just just just just give these

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Speaker 1: dogs forever home. All I want is for them to

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Speaker 1: get adopted. But I will say I told them someone

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Speaker 1: just cracked open there. There there rich cigarette there refresco

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Speaker 1: as it were one of the best words for refreshments,

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Speaker 1: refresco Spanish. Yeah, I deeply want these dogs to just

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Speaker 1: be adopted. But I will say I knew it was

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Speaker 1: going to be dangerous. I laid eyes on that dog

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Speaker 1: and I was like, Oh, you have to be in

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Speaker 1: my life. You have to be in my life, so

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Speaker 1: I I'll I think I would like to be the

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Speaker 1: dog's godfather. I would have to rename him. You couldn't

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Speaker 1: have a dog namedtt Roger, I don't think so. What

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Speaker 1: about Junior?

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Speaker 2: Well, but hey Junior, Well, speaking of Junior, we have

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Speaker 2: to talk about a play in which this figures heavily

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Speaker 2: into y'all y'all, okay, hold on, he maybe saw the

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Speaker 2: best play, one of my favorite plays I've ever seen.

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Speaker 1: Yeah, we're talking about purpose, purpose, and more to say

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Speaker 1: about Last Coat figuring into that Laura as well, Oh, yes,

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Speaker 1: because we got it confirmed.

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Speaker 2: We got it confirmed, I see, But I was also

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Speaker 2: but even like today, I was talking to someone who

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Speaker 2: who'd seen and he was like, I mean that's you.

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Speaker 2: Like there, whatever, there's a reference to toe. The line

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Speaker 2: is she was talking about to gay two intense gay pies.

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Speaker 2: She was asking a podcast fifty hours of two intense girl,

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Speaker 2: intense gay guys who are really invested in pop culture. Yeah,

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Speaker 2: and so you know it is us because our producer

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Speaker 2: went to the show, went backstage and met up met

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Speaker 2: with Brandon Jacobs Drinkins, the phenomenal player right.

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Speaker 1: Of the show, and apparently anecdotally he has confirmed it.

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Speaker 1: He confirmed it, so we knew we had to see

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Speaker 1: the show and we are so late on this one.

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Speaker 1: Oh so, by the way, we're sort of burying the

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Speaker 1: lead here. We are going to talk about the Cultural Awards,

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Speaker 1: which are now out. Thank you for watching it if

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Speaker 1: you did. If you haven't, you can stream it right

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Speaker 1: now on Peacock, which feels crazy crazy, but Bowen and

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Speaker 1: I were able to watch it together and we love it. Yeah,

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Speaker 1: you can watch it now, and so we're going to

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Speaker 1: talk about it at the end. You haven't watched it,

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Speaker 1: no spoilers.

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Speaker 2: We are respecting that backloading so that you guys can

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Speaker 2: tap out and watch if you haven't already.

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Speaker 1: We went to go see Purpose finally. Well, I guess

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Speaker 1: the the Tony winning Best Play this year by Brandon

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Speaker 1: Jacob Jenkins. Yes, I'm directed by al Rashad. Yes.

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Speaker 2: And I really didn't know what to expect. I think

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Speaker 2: that was the way to go in. Obviously knew about

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Speaker 2: the accolades, but I was like, I don't know what

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Speaker 2: this is going to be and was really blown away.

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Speaker 2: I mean it was delighted.

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Speaker 1: It was. It started off with genuine curiosity and then

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Speaker 1: once everything gets established, there's a lot of really important

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Speaker 1: setup that happens in the first I would say hour

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Speaker 1: or so of the show, right, and then DoD it

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Speaker 1: really all just pays off. Yeah, it's just like painting's

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Speaker 1: gorgeous painting and then watching the painting destroy itself. That

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Speaker 1: it's really I mean, it's I think it's loosely based

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Speaker 1: on Reverend Jesse Jackson's family. This family is called the Jaspers,

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Speaker 1: and it's just about like this incredibly important prominent black

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Speaker 1: family in politics and religion and the sort of esteem

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Speaker 1: they hold in their community, and how that esteem is

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Speaker 1: dealt with on the inside while having to project so

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Speaker 1: much to the outside world and every member of the

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Speaker 1: family is dealing with some different strife in relation to

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Speaker 1: their role in the family or their you know, position

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Speaker 1: in their life. And like you were saying when we left,

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Speaker 1: like it's doing a lot.

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Speaker 2: It's expansive and all takes place in one in one

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Speaker 2: sort of set piece, but just the living room of this.

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Speaker 1: Home, the living room in this home. But it covers

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Speaker 1: so much ground in terms of as you mentioned, civil

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Speaker 1: rights and religion and like sexuality and fertility and like

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Speaker 1: neurodivergence and all of these things that like somehow it

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Speaker 1: never gets bogged down by Yeah, also like misogyny within

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Speaker 1: family structures in many different ways. It just took me

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Speaker 1: back to family period.

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Speaker 2: I was thinking about my family the entire time, which

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Speaker 2: you know, not not to center like an Asian experience

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Speaker 2: onto a black one, but it was just like the

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Speaker 2: way this is knailing family is crazy and a way

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Speaker 2: that even like made me think, I said to you,

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Speaker 2: is like God. Like when when the show first started,

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Speaker 2: I was like, Okay, this is like the fellaship thing

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Speaker 2: makes total sense, Like it's it has that sort of

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Speaker 2: air of like that kind of humphort and like that

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Speaker 2: family interest that like she's she's obviously known for, but

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Speaker 2: it's like it completely gets slipped on its head in

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Speaker 2: a crazy way.

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Speaker 1: Yeah, I mean, it's it's really one of those things

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Speaker 1: where it's like pretty much every moment is compelling, and

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Speaker 1: it's a bits a constant build, which is hard to do.

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Speaker 1: And it started it started with a really long monologue

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Speaker 1: by the main character, and I was sitting there and

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Speaker 1: I was like, Okay, is this going to be a

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Speaker 1: monologue driven show, like a show to sustain attention, But

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Speaker 1: it was really just a testament to just how thick

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Speaker 1: and how dynamic the situation between these characters are. That like, yes,

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Speaker 1: of course we did have that you know, monologue set up,

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Speaker 1: but then the scenes just sang like really funny, really smart,

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Speaker 1: really surprising. I didn't think I knew where it was

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Speaker 1: going at any given moment. And there are a number

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Speaker 1: of Chekhov's guns that do literally go off. But it's

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Speaker 1: almost like really fascinating to watch a play. No, that's

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Speaker 1: exactly what it's doing. It's a very smart, very contemporary play.

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Speaker 1: And he also wrote Appropriate with Harrah Paulson. If you

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Speaker 1: guys saw that a couple seasons ago. But I think

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Speaker 1: one of the one of my favorite things about it

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Speaker 1: was I said this to you afterwards. Two shows actually

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Speaker 1: that we've seen in the past weekend. You've seen what

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Speaker 1: I've seen before use this thing to maximum effect, and

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Speaker 1: that is a staircase. There is a staircase in purpose

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Speaker 1: that several different characters when they've just had it like

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Speaker 1: on the first floor of the scene, sort of ascend

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Speaker 1: the staircase and like give it to the rest of

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Speaker 1: the characters like it feels very dramatic and of course

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Speaker 1: in depth becomes her. The staircase scene from the movie

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Speaker 1: is recreated. And I know you just saw that and

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Speaker 1: probably have a ton to say, yes, but don't sleep

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Speaker 1: on the staircase as a set piece. No, it is drama.

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Speaker 1: And it's actually a rule of culture number ten. Sleep

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Speaker 1: on a staircase as that piece. It is drama.

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Speaker 2: I remember one of my formative theater experiences was seeing

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Speaker 2: the Smoky Hill High School production of Hello Dolly the

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Speaker 2: year of the year before I would end up going

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Speaker 2: to that high school. And when to know, a staircase

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Speaker 2: is used to great effect in many iterations of that show.

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Speaker 2: But just on the titular number of Hello Dolly, if

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Speaker 2: you have if Dolly LEVI comes out on a staircase.

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Speaker 1: That's that's all you need to do, jumping for joy.

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Speaker 2: The rest of the show can be dog shit, And

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Speaker 2: I'm happy if I see a woman as Dolly Levi.

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Speaker 2: I doesn't have to be it doesn't have to look

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Speaker 2: age appropriate. She can she can be in high school,

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Speaker 2: she can be ninety five years old. As you know,

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Speaker 2: Carol Channing was in a production.

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Speaker 1: But god it, staircase isn't theater huge. It is a

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Speaker 1: major And don't think I haven't noticed that staircase over

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Speaker 1: in the West End Avida. Yeah, at least at the

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Speaker 1: end of the show there's a staircase. And of course

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Speaker 1: we're playing with levels there because Zegler is up on

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Speaker 1: the balcony giving what they're saying is one of the

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Speaker 1: best performances in recent memory, which this is crazy because

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Speaker 1: they just said that and were right by Lloyd's last work,

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Speaker 1: so he continues to crush. I am really holding myself

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Speaker 1: down in my chair to not fly to the West

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Speaker 1: End and go see it there first, because I'm just

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Speaker 1: gonna pray and hope that they get it together. But

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Speaker 1: I need to see that performance. I need to see

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Speaker 1: that number. I need to see those screens. I need

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Speaker 1: to see that staircase and balcony work come to Broadway.

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Speaker 1: Staircases are very important. Staircases. We might have to do

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Speaker 1: something with that. Yeah, what do we do?

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Speaker 2: I think the next last Culturista's Culture Award should have

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Speaker 2: a staircase.

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Speaker 1: We'll have a staircase. We did have stairs. We did

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Speaker 1: great stairs. I got to utilize the stairs and you

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Speaker 1: kind of did for a second. Yeah, I went down

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Speaker 1: very quickly. I think we should have one on stage.

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Speaker 1: That will be a huge expenditure, but I feel that

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Speaker 1: it will be worth it. I would agree, I would agree.

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Speaker 1: So I just want to before we wrap up talking

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Speaker 1: about purpose, I just want to shout out a lot

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Speaker 1: of arenas, a lot of arenas, because we said, she

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Speaker 1: played Morgan in the movie who's the wife of this

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Speaker 1: sort of disgraced eldest son, and did you know this?

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Speaker 1: So all of the actors got from Tony nominations except

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Speaker 1: for her. Really, and I said to myself, now, this

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Speaker 1: is why she needs extra mentioned almost coach, because we

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Speaker 1: were living for the whole cast, but especially for a lunch.

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Speaker 1: She was ferocious well from the first moment, because they

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Speaker 1: really you it like the way she's written and revealed

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Speaker 1: like there's a slow drip of her and it's a

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Speaker 1: power keg whatever whatever, mixing metaphors, but she really really

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Speaker 1: pops for us, pops for us. I guess it was.

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Speaker 1: It was our show.

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Speaker 2: But by the way, we have to talk about that audience.

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Speaker 2: Oh yeah, this is part I don't think Sony later

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Speaker 2: see it's not.

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Speaker 1: But because I I I need a more measured way

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Speaker 1: to pop off about this. This is the floor so anyway,

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Speaker 1: like these actors are tearing it up and what the

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Speaker 1: a lot? We just had a shout Alana still before

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Speaker 1: I'm me let me put a little comment on that. No,

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Speaker 1: literally shouting her out to to the high heavens. And

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Speaker 1: I'll tell you who else was shouting out from the audience.

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Speaker 1: Was the audience? Was the audience a very engaged audience,

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Speaker 1: which we love, We loved. Here's the thing about the audience.

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Speaker 1: It was a mixture of like such an active crowd,

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Speaker 1: people really reacting to everything, really fun to be there,

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Speaker 1: and some of the most disrespectful people. I'm I'm I

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Speaker 1: turn around an OL friendly sick cell phone, cell phones

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Speaker 1: going off one an our row. I have to say,

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Speaker 1: you need to turn your phone off and off. I

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Speaker 1: get that maybe everyone that we're talking to right now

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Speaker 1: might not be the target audience for this, because I

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Speaker 1: think there was. It was elderly people. It's older people.

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Speaker 1: You need to reach out to the people in your

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Speaker 1: life that are going to these shows and letting you

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Speaker 1: know they're going and just make sure they've got their

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Speaker 1: phones off, because it's crazy. They had Felicia Rashad herself

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Speaker 1: getting on the godmic, like in a taped vo that

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Speaker 1: was like, please turn off the phones. They weren't even

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Speaker 1: allowing snacks into this theater because of noise concerns, Like

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Speaker 1: they were really going the extra mile, and these people

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Speaker 1: are so disrespectful, And if you are sick, do not

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Speaker 1: go to a live theatrical event. If you were sick

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Speaker 1: hacking up, cough hacking up al Vi Ali God turning

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Speaker 1: these lungs inside and out. I said this to you,

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Speaker 1: really really come after me. It's obviously this is not

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Speaker 1: the right take, but it's like, if you know for

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Speaker 1: a fact that you have a coughing problem on the day,

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Speaker 1: I think it's worth considering maybe not going to the theater.

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Speaker 1: Retire the side. You do not have to go if

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Speaker 1: you if you're hacking up coughing. Seriously, I bet even

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Speaker 1: if you called, I actually wonder about this. I wonder

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Speaker 1: if you called the theater and you were like, I

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Speaker 1: am infirmed, Yes, I am unable to to make it

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Speaker 1: to the performance because I will be a distraction and

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Speaker 1: it's it's not a safe atmosphere. Can I get my

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Speaker 1: refund and or reor you know, can I reschedule, et cetera.

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Speaker 1: Would they not do that?

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Speaker 2: I feel like they would unless we really have like

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Speaker 2: had such a crazy amnesia about COVID that like that's

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Speaker 2: just that would be so unconscionable to the theaters. I

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Speaker 2: really hope that there's something in place anyway, like a

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Speaker 2: lot of coughing, lot of coughing so much and I'm

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Speaker 2: not even being like, no, we were, we were in

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Speaker 2: chuck were it was like every two seconds someone was

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Speaker 2: cartoonishly coughing. Because the thing about the cough is it's like, okay,

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Speaker 2: I'm a little bit more lenient with that because it's like,

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Speaker 2: I mean, the seats are tight. Sometimes you might see

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Speaker 2: it's like you're making a whole fuss trying to get

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Speaker 2: out of the seat whatever, Like you know, I have

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Speaker 2: a little bit more grace for that.

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Speaker 1: The cell phones, I have no grace for the because

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Speaker 1: these people are on stage giving it everything, like and

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Speaker 1: you are, and it's it's always like a ring a

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Speaker 1: ding ding, wack a doodle, lack a doodle time ring tone.

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Speaker 1: It's whack a doodle ring tone with a whack doodle person.

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Speaker 1: I'm sorry, yeah, people, I turned, I turned to look

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Speaker 1: at some of these people and I was like, of course,

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Speaker 1: I'm sorry. No. It was very of course vibes because

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Speaker 1: it was what the oldest whitest people in America coming

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Speaker 1: to this play and acting disrespectful. It was crazy irony.

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Speaker 1: There is is ironic. It's just it was just so

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Speaker 1: uncomfortable and disrespectful, and it happened, I'm telling you six

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Speaker 1: six times. It was the most I'd ever seen. I

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Speaker 1: was like, but it's the Year of Our Lord twenty

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Speaker 1: twenty five. This is the Tony Award winner for Best Play.

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Speaker 1: You couldn't even bring a snack in because of the

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Speaker 1: because of the concerns.

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Speaker 2: I thank you for validating this because I felt like

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Speaker 2: I was going crazy.

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Speaker 1: It was actually one of those rare moments where I

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Speaker 1: was like, oh wow, this is something actionable. That I

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Speaker 1: can be upset about and my upset will perhaps affect

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Speaker 1: things for the better. And you were really flustered, and

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Speaker 1: I was like, I just know we're going to make

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Speaker 1: this part of our whole thing going forward. Yes, me

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Speaker 1: at the sign off of everything, turn off the phones

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Speaker 1: in the theater, turn off the phones. Yeah, this is cuckoo.

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Speaker 1: Just do do not disturb. Don't even airplane mode silent

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Speaker 1: has existed for eighteen years on the AD can't be

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Speaker 1: on vibrate even during the show. It has to be

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Speaker 1: you have to ignore the warning and keep it on

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Speaker 1: the volume. Human beings don't deserve technology as we are

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Speaker 1: seeing right, especially as it gets more advanced. We do

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Speaker 1: need it taken away. What say you about them being

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Speaker 1: like kids can't have phones until they're sixteen. I do it,

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Speaker 1: I mean, but there's it's really hard as a pair,

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Speaker 1: I mustn't, but I as a parent, I'm sure it's

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Speaker 1: so hard to draw that to two. Yeah, sure, but

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Speaker 1: they did it before.

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Speaker 2: The parents of today would say, but it's just so

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Speaker 2: part of our world now that like for kids to

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Speaker 2: like shield and deny kids of that up until they're sixteen,

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Speaker 2: while like from it very from the age of four,

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Speaker 2: every screen is being shown in front of their faces.

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Speaker 2: It's like, how do you how do you deny that?

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Speaker 1: Look, I'm not saying it's going to be an easy

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Speaker 1: thing to do. And then maybe this is bordering on me,

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Speaker 1: you know, you know, performing my least favorite expression, which

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Speaker 1: is Devil's Advocate. But like, if the problem is that

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Speaker 1: it's such a fixture in our world, then like you

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Speaker 1: have to start like regulating that from an early age

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Speaker 1: so that like these you know, little people when they

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Speaker 1: become big people don't like need it and require it. Again,

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Speaker 1: I'm on record here and being like I'll never be

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Speaker 1: a parent. I don't see it for myself. I don't

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Speaker 1: think it would be it would work for me. So

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Speaker 1: whatever is working for you. But you know it's another

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Speaker 1: reason it's tension spans are is really zapp right. I

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Speaker 1: can't like it's like a chicken or the egg things

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Speaker 1: for me where I'm just like, well, I don't want

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Speaker 1: kids for this reason because it's like I'm going to

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Speaker 1: bring someone into the world whose brain is going to

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Speaker 1: be liquid by the time there's there's there's they're eight

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Speaker 1: years old.

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Speaker 2: Because of like yes, yeah, yeah, yeah, it's already happening

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Speaker 2: happening to people who are fully grown. Yeah, so I'm like,

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Speaker 2: in no way, I'm not going.

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Speaker 1: To be responsible for an extent, for like an extension

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Speaker 1: of myself out in the world acting that way. And

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Speaker 1: so and this is a lot about what purpose is. Actually,

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Speaker 1: You're gonna be honest with you. It's like it's like

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Speaker 1: I because it is about like purpose and legacy. Yes,

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Speaker 1: it's like you create something in your legacy and then

352
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Speaker 1: you see it when it's become a realized thing, and

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Speaker 1: you're like, holy fucking shit. Can't you say that can't

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Speaker 1: be my fault.

355
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Speaker 2: I can't be my fault. And yeah, it got me

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Speaker 2: thinking though. I was like, my purpose, the meaning that

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Speaker 2: I draw from in my life is the thing that

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Speaker 2: I think is the most direct panacea to despair, which.

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Speaker 1: Is connection community. I don't think you necessarily have to

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Speaker 1: have a child or you know, have to like check

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Speaker 1: off any boxes besides just like connecting with someone. And

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Speaker 1: I was like, my best friend is sitting right next

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Speaker 1: to me, and my purpose is just like our friendship

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Speaker 1: and just trying to like radiate that outward to people

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Speaker 1: and have them be a part of that. That's my purpose. Yeah,

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Speaker 1: you know what I mean, It is kind of interesting

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Speaker 1: to see something that's like, you know about family and

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Speaker 1: like anyone that is in a family, or even a

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Speaker 1: chosen family, I guess like not really, this is really

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Speaker 1: about the blood ties that bind and how that can

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Speaker 1: be restricting even if it feels elevating to everyone else.

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Speaker 1: But it was interesting to watch a piece that like

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Speaker 1: kind of was like arguing anti family, and yet they

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Speaker 1: this is an example of a family that, you know,

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Speaker 1: because of power and influence, like does to be able

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Speaker 1: to have each other's backs in this way that you know,

377
00:19:57,280 --> 00:19:59,439
Speaker 1: maybe in the short term is helping them, but certainly

378
00:19:59,520 --> 00:20:02,439
Speaker 1: in the long term is damaging their souls. Right on

379
00:20:02,560 --> 00:20:04,280
Speaker 1: that point, exactually, like I think this is why we're

380
00:20:04,280 --> 00:20:07,359
Speaker 1: shouting at alone Arenas specifically because that character does so

381
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Speaker 1: much of the sort of clarifying work in the show

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Speaker 1: in terms of, like, wow, this family is really really fucked.

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Speaker 2: Up in terms of how it deals with outside people.

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Speaker 2: And she just has a great scene in the second

385
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Speaker 2: act in the middle of the night. That's all We'll say. Yeah,

386
00:20:23,320 --> 00:20:24,520
Speaker 2: she does have it. She doesn't have a line with that.

387
00:20:24,560 --> 00:20:27,200
Speaker 2: I think we both loved Chris. I'm about to eat

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Speaker 2: this here cake.

389
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Speaker 1: Just at the same time hilarious, devastating, devastating too. Yeah,

390
00:20:34,640 --> 00:20:38,440
Speaker 1: her first line was hello, whatever it's yes, you know

391
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Speaker 1: what I'm talking about. Yeah, she's just she's got We

392
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Speaker 1: really are fans. We're huge fans. We're fans. And also

393
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Speaker 1: shout out to Carrie Young who won the Tony Award

394
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Speaker 1: for this, who is her second Tony Award right in

395
00:20:48,880 --> 00:20:51,159
Speaker 1: a row. She's been nominated in this category several times

396
00:20:51,160 --> 00:20:54,840
Speaker 1: and like an icon, and we are very proud that

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Speaker 1: you gave a performance as a reader. Yes, I turned

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Speaker 1: a man.

399
00:20:58,920 --> 00:21:03,320
Speaker 2: The fact that this carearacter is finalist, then she's a

400
00:21:03,359 --> 00:21:06,040
Speaker 2: reader because because the character is not a spoiler er,

401
00:21:06,119 --> 00:21:07,720
Speaker 2: she's a she's a social where she does she's in

402
00:21:07,800 --> 00:21:10,919
Speaker 2: VOLTI social work, and she's very just you know, aware

403
00:21:10,960 --> 00:21:13,959
Speaker 2: of her community and ben politics and everything, very much

404
00:21:14,000 --> 00:21:14,399
Speaker 2: a reader.

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Speaker 1: Yeah, I think definitely fits the bill. If people want

406
00:21:17,160 --> 00:21:18,520
Speaker 1: to know what a reader is, you got to go

407
00:21:18,560 --> 00:21:21,320
Speaker 1: see purpose. Oh, we can't explain to you anymore. It

408
00:21:21,320 --> 00:21:23,320
Speaker 1: closes end of August, so if you're if you have

409
00:21:23,320 --> 00:21:25,240
Speaker 1: a chance to see it before then please Yeah, now's

410
00:21:25,280 --> 00:21:27,520
Speaker 1: the time, and hopefully you know it tours and has

411
00:21:27,560 --> 00:21:29,680
Speaker 1: a life beyond this, I think it would be really

412
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Speaker 1: worthwhile for people to read. It's just one of those

413
00:21:32,800 --> 00:21:35,639
Speaker 1: like really great new works. And now I think that

414
00:21:35,720 --> 00:21:44,439
Speaker 1: kind of closes, at least for me, the New Discovery

415
00:21:40,000 --> 00:21:49,199
Speaker 1: day you finally saw Death Becomes Her this weekend, so

416
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Speaker 1: long overdue.

417
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Speaker 2: I mean I'd heard for months and months and months

418
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Speaker 2: like this is your kind of show. I'm like, I know,

419
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Speaker 2: I really know. And even saw Paul like after the

420
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Speaker 2: tone and I was like, Paul, I haven't seen it.

421
00:22:04,640 --> 00:22:08,159
Speaker 1: Who did the costumes for Wicked and concert and a

422
00:22:08,240 --> 00:22:11,960
Speaker 1: phenomenal job in both. I mean, every single person on

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00:22:11,960 --> 00:22:14,960
Speaker 1: that stage looks amazing, just like in Wicked. I'm like, oh, same,

424
00:22:15,040 --> 00:22:18,600
Speaker 1: same for not as single, Like yeah, very detailed and

425
00:22:18,760 --> 00:22:21,600
Speaker 1: just gorgeous down to the detail. And he like he's

426
00:22:21,640 --> 00:22:24,159
Speaker 1: so good at like making people stand out in very

427
00:22:24,240 --> 00:22:27,680
Speaker 1: character specific ways. But also he's good at like he

428
00:22:27,680 --> 00:22:30,560
Speaker 1: he says, like he's good at peopling you know, the space,

429
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Speaker 1: like with Odd with Wicked, like he does that in

430
00:22:33,280 --> 00:22:35,840
Speaker 1: every like shiz, I don't city wherever much land, so

431
00:22:35,880 --> 00:22:38,280
Speaker 1: good at that, like this is a group of people

432
00:22:38,320 --> 00:22:40,359
Speaker 1: and how does that look? And whatever? I wonder if

433
00:22:40,359 --> 00:22:44,360
Speaker 1: he sits in on auditions for because because you're kind

434
00:22:44,400 --> 00:22:47,240
Speaker 1: of like when someone like Paul is involved, I would

435
00:22:47,280 --> 00:22:49,440
Speaker 1: imagine that it's almost like you're kind of looking at

436
00:22:49,480 --> 00:22:52,560
Speaker 1: like not only dancers, but also models for your creations,

437
00:22:52,600 --> 00:22:55,080
Speaker 1: and like, I really wonder about that process because he's

438
00:22:55,119 --> 00:22:59,040
Speaker 1: such a huge part of why these things are as successful.

439
00:22:59,080 --> 00:23:01,960
Speaker 1: Like I wonder how creatively improvatorially involved he is.

440
00:23:01,960 --> 00:23:04,080
Speaker 2: I'm sure very because I'm because I'm because I'm like, yeah,

441
00:23:04,119 --> 00:23:07,080
Speaker 2: like I'm referencing like the fact that like everybody on

442
00:23:07,119 --> 00:23:09,400
Speaker 2: that series is just just everybody.

443
00:23:08,960 --> 00:23:14,040
Speaker 1: In that company looks phenomenal. Michael, Yeah, Mikey Recepa you

444
00:23:14,119 --> 00:23:16,879
Speaker 1: might know from Fire Island. We've known him for years.

445
00:23:16,880 --> 00:23:19,680
Speaker 1: He's like one of the Broadway boys. So when he's

446
00:23:19,800 --> 00:23:23,640
Speaker 1: fabulous in the shows, hot as shit of course, and

447
00:23:24,240 --> 00:23:29,679
Speaker 1: oh my god, just there's nothing I love more than comedy. Yeah,

448
00:23:29,960 --> 00:23:31,960
Speaker 1: it's so funny. It's just so funny.

449
00:23:31,960 --> 00:23:34,080
Speaker 2: And when it's when something is funny in that way,

450
00:23:34,119 --> 00:23:36,320
Speaker 2: I just go, oh, thank God.

451
00:23:36,840 --> 00:23:39,800
Speaker 1: Yeah. I feel like I've like gotten cynical over the years,

452
00:23:39,880 --> 00:23:42,560
Speaker 1: just like doing the being lucky enough to do the

453
00:23:42,640 --> 00:23:44,280
Speaker 1: jobs that we do where we really have to like

454
00:23:44,680 --> 00:23:46,879
Speaker 1: buckle down and like think about and pick apart comedy

455
00:23:46,880 --> 00:23:48,800
Speaker 1: in a way that like doesn't take the fun out

456
00:23:48,800 --> 00:23:50,720
Speaker 1: of it but just makes you like take it seriously,

457
00:23:50,760 --> 00:23:53,280
Speaker 1: which is like what you have to do sometimes. But

458
00:23:53,400 --> 00:23:58,800
Speaker 1: sometimes you realize that it's just about like the guttural sensation.

459
00:23:59,119 --> 00:24:03,040
Speaker 1: Yeah huh, that this surprise element of wow. Didn't see

460
00:24:03,080 --> 00:24:07,320
Speaker 1: that coming. And sometimes it's a lot easier to see

461
00:24:07,320 --> 00:24:11,240
Speaker 1: things coming when things are relying on playing emotional beats

462
00:24:11,720 --> 00:24:15,840
Speaker 1: and so something like death becomes Her or something else

463
00:24:15,880 --> 00:24:18,680
Speaker 1: that we saw. I want you to keep talking about

464
00:24:18,720 --> 00:24:21,200
Speaker 1: this is moving into I think a bigger conversation, which

465
00:24:21,240 --> 00:24:24,040
Speaker 1: is where comedy is at and where maybe it should go.

466
00:24:24,400 --> 00:24:27,240
Speaker 1: And I think we are firmly in camp movement towards dumb.

467
00:24:27,440 --> 00:24:29,280
Speaker 1: I mean, if you watch the Cultural Awards last night

468
00:24:29,359 --> 00:24:31,560
Speaker 1: or are going to stream it today, you'll see that

469
00:24:31,760 --> 00:24:35,200
Speaker 1: we are proud to be part of the movement towards

470
00:24:35,240 --> 00:24:39,760
Speaker 1: stupid bullshit. Yes, and death becomes Her is that absolutely,

471
00:24:40,200 --> 00:24:43,520
Speaker 1: and I will also being like incredibly well done and executed.

472
00:24:43,600 --> 00:24:45,960
Speaker 1: But it's also like you know, they take a potion

473
00:24:46,000 --> 00:24:48,280
Speaker 1: and they you know, death becomes her, but it lives

474
00:24:48,280 --> 00:24:54,720
Speaker 1: alongside like a Paul Tazwell, like highly elevated departments. Yes,

475
00:24:54,920 --> 00:24:58,680
Speaker 1: like it lives alongside Paul Tazwell, lives alongside Christopher Gatelly

476
00:24:58,800 --> 00:25:02,360
Speaker 1: directing this like everybody is at the top of their game.

477
00:25:02,640 --> 00:25:04,800
Speaker 1: Chris ciber I thought it was a million is so good.

478
00:25:04,840 --> 00:25:10,480
Speaker 1: I loved his number. Jennifer Samar, Megan Hilty, Yeah, some

479
00:25:10,720 --> 00:25:13,880
Speaker 1: like our too funniest motherfuckers. Yeah, that was crazy. I mean,

480
00:25:13,920 --> 00:25:16,520
Speaker 1: like just the duet that's happening on stage between them

481
00:25:16,520 --> 00:25:18,560
Speaker 1: the whole time to speaking, to say nothing of the

482
00:25:18,600 --> 00:25:20,720
Speaker 1: songs that they actually do share, which are so great,

483
00:25:20,760 --> 00:25:25,080
Speaker 1: but they are so perfect in this And I know

484
00:25:25,119 --> 00:25:26,720
Speaker 1: we've been fans of both of them for such a

485
00:25:26,720 --> 00:25:29,720
Speaker 1: long time, but you know, even in that like crazy

486
00:25:29,800 --> 00:25:33,080
Speaker 1: ass like best actress in the musical Tony Race, Like

487
00:25:33,119 --> 00:25:34,840
Speaker 1: I was like, you know, part of me is not

488
00:25:34,880 --> 00:25:36,840
Speaker 1: going to be upset off one of them just sneaks

489
00:25:36,840 --> 00:25:38,840
Speaker 1: from behind and takes it, because I mean that was

490
00:25:38,840 --> 00:25:42,960
Speaker 1: a stacked Is this a statue is truly stacked? Truly

491
00:25:43,160 --> 00:25:48,520
Speaker 1: like Nicole Oudra, Meghan and and Jennifer and then and

492
00:25:48,520 --> 00:25:53,320
Speaker 1: then miss Jasmine am with you like could have been

493
00:25:53,359 --> 00:25:57,160
Speaker 1: the best of course it was five great nominees. Yeah,

494
00:25:57,440 --> 00:26:00,639
Speaker 1: Samard like just like how confident and you have to

495
00:26:00,640 --> 00:26:03,199
Speaker 1: be to like, of course be performing out on a

496
00:26:03,200 --> 00:26:06,399
Speaker 1: Broadway stage, but also throwing it away and in contrast

497
00:26:06,440 --> 00:26:08,800
Speaker 1: to the bomb bass that is making Hialty, who, by

498
00:26:08,840 --> 00:26:12,920
Speaker 1: the way, reputation like precedes her in many ways and

499
00:26:13,200 --> 00:26:16,359
Speaker 1: still blows it away, I know, still blows it away.

500
00:26:16,560 --> 00:26:18,800
Speaker 1: You know. I wonder how she feels about this, because

501
00:26:18,800 --> 00:26:21,640
Speaker 1: I think it's so fucking cool and I think it's

502
00:26:22,000 --> 00:26:25,320
Speaker 1: very aspirational and they wish like more actors could be

503
00:26:25,320 --> 00:26:27,640
Speaker 1: identified this way. So many of the things that she's

504
00:26:27,640 --> 00:26:31,120
Speaker 1: done two handers yep, like between Wicked and Smash and

505
00:26:31,160 --> 00:26:33,800
Speaker 1: this and like, and of course she has a huge

506
00:26:33,880 --> 00:26:36,520
Speaker 1: array of other work that is singular and yep. It

507
00:26:36,560 --> 00:26:40,400
Speaker 1: showcases her. But I think that's so amazing that she

508
00:26:40,400 --> 00:26:44,080
Speaker 1: she's so comfortable sharing the bill in the space with

509
00:26:44,400 --> 00:26:48,440
Speaker 1: another actor who is on the horizontal to like lateral

510
00:26:48,880 --> 00:26:52,399
Speaker 1: in terms of that kind of whatever positioning. It's like,

511
00:26:52,480 --> 00:26:55,159
Speaker 1: I respect the fuck out of that. Yeah, absolutely, I

512
00:26:55,200 --> 00:26:58,440
Speaker 1: mean she I think you probably first became aware for

513
00:26:58,560 --> 00:27:00,920
Speaker 1: one I did, which was as like a young and

514
00:27:01,000 --> 00:27:04,679
Speaker 1: day boy youtubing Glendy Yes, and then like seeing what

515
00:27:04,840 --> 00:27:07,119
Speaker 1: she was capable of then, and it felt like when

516
00:27:07,200 --> 00:27:09,119
Speaker 1: she booked Smash when we were I guess like in

517
00:27:09,119 --> 00:27:12,840
Speaker 1: college college. It kind of felt like I remember like

518
00:27:13,000 --> 00:27:15,199
Speaker 1: reaching back to my younger gay self and being like,

519
00:27:15,280 --> 00:27:18,800
Speaker 1: oh my god, Megan Hilty is on a big television

520
00:27:18,840 --> 00:27:21,920
Speaker 1: show like we won, We're kicking ass. And then even

521
00:27:21,960 --> 00:27:25,119
Speaker 1: on that show she was so fucking good but so

522
00:27:25,359 --> 00:27:29,760
Speaker 1: underappreciated now like Ivy in terms of like giving a

523
00:27:29,800 --> 00:27:33,720
Speaker 1: performance in a musical show, like no one was doing

524
00:27:33,720 --> 00:27:35,879
Speaker 1: it like that now, and also not that anyone was

525
00:27:35,920 --> 00:27:39,720
Speaker 1: getting opportunities to do it like that, but nobody could

526
00:27:39,880 --> 00:27:42,560
Speaker 1: do it like that. There was a few numbers that

527
00:27:42,640 --> 00:27:44,760
Speaker 1: she did on that show, one called Let's Be Bad.

528
00:27:45,080 --> 00:27:47,360
Speaker 1: Let's Be Bad, which also was then It was then

529
00:27:47,400 --> 00:27:50,480
Speaker 1: in some like It Hot the musical, Yes, yes, yes,

530
00:27:50,960 --> 00:27:55,520
Speaker 1: but she crushed that all the big musical theater set

531
00:27:55,520 --> 00:27:58,960
Speaker 1: pieces she always crushed. And in Death becomes her like

532
00:27:59,200 --> 00:28:01,800
Speaker 1: there's that scene where she first like kind of realizes

533
00:28:01,880 --> 00:28:04,960
Speaker 1: that he's moved on and she's old, right right. I'm like,

534
00:28:05,240 --> 00:28:07,159
Speaker 1: just like the way she was tearing it up and

535
00:28:07,200 --> 00:28:11,320
Speaker 1: belting to God like, but the whole thing was so stupid.

536
00:28:11,400 --> 00:28:13,879
Speaker 1: I was like, is this what made me want to

537
00:28:13,920 --> 00:28:16,600
Speaker 1: do comedy in the first place. I think kinda you

538
00:28:16,640 --> 00:28:19,680
Speaker 1: know what I mean, like that sort of stupid gay

539
00:28:19,880 --> 00:28:22,800
Speaker 1: over the top, very knowing, you know what I mean,

540
00:28:23,119 --> 00:28:26,280
Speaker 1: right on the nose, but like deliciously so. But it

541
00:28:26,359 --> 00:28:28,720
Speaker 1: hits the same nerve as like a gentleman RONI like,

542
00:28:28,760 --> 00:28:32,040
Speaker 1: there's something gay men go crazy for that, you know

543
00:28:32,080 --> 00:28:34,639
Speaker 1: what I mean? And she was totally totally does that

544
00:28:34,680 --> 00:28:39,640
Speaker 1: twenty century Fox mambo? That's also yeah, twentyth century Fox

545
00:28:39,880 --> 00:28:43,040
Speaker 1: mom bo. Yep, I remember the whole thing. But then

546
00:28:43,120 --> 00:28:46,320
Speaker 1: Smash was also so dumb. Sometimes when they liven uh

547
00:28:46,480 --> 00:28:50,000
Speaker 1: sing cheers, I'll drink to that in Times Square, I

548
00:28:50,080 --> 00:28:52,640
Speaker 1: do Like it was like the two characters like hated

549
00:28:52,640 --> 00:28:55,560
Speaker 1: each other, hated and they were like, well, I guess

550
00:28:55,560 --> 00:28:59,440
Speaker 1: we're just out in New York tonight. And then they

551
00:28:59,480 --> 00:29:02,240
Speaker 1: went and said, cheers, drink to that by Rihanna.

552
00:29:02,400 --> 00:29:05,320
Speaker 2: Because this show Let's We Forget was airing at the

553
00:29:05,320 --> 00:29:07,200
Speaker 2: same time as Glee, and so like they were like

554
00:29:07,280 --> 00:29:07,840
Speaker 2: they were trying.

555
00:29:07,920 --> 00:29:09,280
Speaker 1: It was all over the place. I'm sure in the

556
00:29:09,360 --> 00:29:11,160
Speaker 1: rains where they're like, what the fuck do we do? Yeah?

557
00:29:11,200 --> 00:29:13,320
Speaker 1: What are we do? We just do that?

558
00:29:13,400 --> 00:29:15,040
Speaker 2: Can we just try the Glee thing and see if

559
00:29:15,080 --> 00:29:16,960
Speaker 2: that works, even even though it makes no fucking sound

560
00:29:17,000 --> 00:29:18,160
Speaker 2: like sing just like a pop cover.

561
00:29:18,480 --> 00:29:20,360
Speaker 1: Can you imagine getting the scripts and like they're really

562
00:29:20,360 --> 00:29:23,480
Speaker 1: working hard on like we're building our dynamic. It's really tense.

563
00:29:23,560 --> 00:29:25,520
Speaker 1: We both want this job. And they flipped the page

564
00:29:25,520 --> 00:29:28,440
Speaker 1: and it's like, oh, in this scene we get rum

565
00:29:28,520 --> 00:29:33,640
Speaker 1: drunk in Times Square and it and we are singing

566
00:29:33,720 --> 00:29:37,320
Speaker 1: Rihanna cheers drink to that, like like, okay, let's just try.

567
00:29:37,320 --> 00:29:39,720
Speaker 1: I mean, that's network, that is Network TV. Baby, I

568
00:29:39,760 --> 00:29:43,400
Speaker 1: love it from a different era and I got it blest,

569
00:29:43,480 --> 00:29:46,360
Speaker 1: bring it back, bring it back. But I but I

570
00:29:46,400 --> 00:29:49,520
Speaker 1: went to go see it with Gina Gershan. Yes we

571
00:29:49,960 --> 00:29:52,200
Speaker 1: got We had a long, lovely night together. And also

572
00:29:52,240 --> 00:29:53,840
Speaker 1: there at the we got to go see high back

573
00:29:53,840 --> 00:29:56,239
Speaker 1: stage jangs On Soon and Jen Harris. This is the

574
00:29:56,240 --> 00:29:59,840
Speaker 1: weekend before their last girl's date before this is tonight

575
00:29:59,880 --> 00:30:01,800
Speaker 1: to it's the person in the mirror. They were like,

576
00:30:01,920 --> 00:30:05,480
Speaker 1: Camille is amazing, Michael Uri is amazing, Like it's a great,

577
00:30:05,480 --> 00:30:08,440
Speaker 1: I can't wait to see this new cast. But it's

578
00:30:08,480 --> 00:30:11,400
Speaker 1: just so fun, Like Jinx and Meghan go way back,

579
00:30:11,520 --> 00:30:16,680
Speaker 1: and Megan saw Gina when she did cabaret and in

580
00:30:16,720 --> 00:30:18,800
Speaker 1: the early in the early odd had you met Meghan

581
00:30:18,880 --> 00:30:21,240
Speaker 1: hilld before? Oh? That was my first time and I

582
00:30:21,600 --> 00:30:23,920
Speaker 1: really fan girld heard. I was like, well yeah, and

583
00:30:23,960 --> 00:30:24,600
Speaker 1: I caught myself.

584
00:30:24,640 --> 00:30:26,640
Speaker 2: I wanted to be like, I want to be like

585
00:30:27,680 --> 00:30:31,080
Speaker 2: little gay, little gay boy yep, like going on Broadway

586
00:30:31,080 --> 00:30:32,640
Speaker 2: dot Com every day, like that was when I first

587
00:30:32,640 --> 00:30:34,960
Speaker 2: found out about you, or like I really had to

588
00:30:35,000 --> 00:30:36,760
Speaker 2: contain myself and I wanted to be like you're the

589
00:30:36,800 --> 00:30:39,840
Speaker 2: reason why, Like I started researching like Carnegie Mellon when

590
00:30:39,880 --> 00:30:42,200
Speaker 2: I thought like that was like a pathway and obviously

591
00:30:42,200 --> 00:30:43,280
Speaker 2: I'm like it all worked out.

592
00:30:43,320 --> 00:30:45,880
Speaker 1: I would not have done well in a musical theater

593
00:30:45,880 --> 00:30:48,960
Speaker 1: program story, but I'm like, but she went like she

594
00:30:49,360 --> 00:30:51,920
Speaker 1: like her, she opened up the door to all these

595
00:30:51,920 --> 00:30:55,160
Speaker 1: things for me, and she's just so fucking good and great,

596
00:30:55,480 --> 00:30:57,720
Speaker 1: just chill, good vibe. I could tell good vibes. She

597
00:30:57,800 --> 00:31:01,040
Speaker 1: WoT like she like brought us out stage. George was like,

598
00:31:01,200 --> 00:31:02,960
Speaker 1: I'll be your cover, like you guys are in past,

599
00:31:03,960 --> 00:31:07,520
Speaker 1: You're a fucking legend. I feel like if I could

600
00:31:07,560 --> 00:31:10,360
Speaker 1: have wrapped the opportunity to like be myself now and

601
00:31:10,480 --> 00:31:13,160
Speaker 1: visit my little gay self as a ghost. What I

602
00:31:13,200 --> 00:31:15,120
Speaker 1: would just say from the corner of a room is

603
00:31:15,640 --> 00:31:18,280
Speaker 1: Megan Hilty, And I know that little gamy would be

604
00:31:18,600 --> 00:31:22,200
Speaker 1: what who said that? Who said that? How do you

605
00:31:22,240 --> 00:31:24,440
Speaker 1: know I'm gay? How do you know I would know

606
00:31:24,520 --> 00:31:28,360
Speaker 1: that name? That would be me? Just like Megan Hilty. Yes,

607
00:31:28,560 --> 00:31:31,880
Speaker 1: I know it's me from the future, she slays, even

608
00:31:31,920 --> 00:31:33,800
Speaker 1: in twenty twenty five. Don't worry.

609
00:31:34,720 --> 00:31:40,600
Speaker 2: There should be a gay Discovery satellite. Wow, yeah, there should,

610
00:31:40,640 --> 00:31:41,520
Speaker 2: do you know what I mean? Because you know the

611
00:31:41,520 --> 00:31:43,720
Speaker 2: Discovery satellite is like it's just like there's a vinyl

612
00:31:43,760 --> 00:31:45,440
Speaker 2: on it as a golden vinyl on it, and there's

613
00:31:45,480 --> 00:31:47,360
Speaker 2: all these different things from human culture from like the

614
00:31:47,480 --> 00:31:48,280
Speaker 2: like sent it up in the seven.

615
00:31:48,320 --> 00:31:49,760
Speaker 1: Oh yeah, we got to do that. We have to

616
00:31:49,760 --> 00:31:52,120
Speaker 1: do that for gay culture. All right, That'll be the

617
00:31:52,160 --> 00:31:54,479
Speaker 1: next That'll be the next thing we do. Because now

618
00:31:54,520 --> 00:31:56,640
Speaker 1: the Cultural Awards are out, we have a little bit

619
00:31:56,640 --> 00:32:00,239
Speaker 1: more free time. And you have reminded the group, the

620
00:32:00,240 --> 00:32:04,240
Speaker 1: producers and the editors of Lost Culturistas, the award winning

621
00:32:04,240 --> 00:32:07,680
Speaker 1: podcast on iHeartRadio, Quick Click Claim and Big Many Players.

622
00:32:08,160 --> 00:32:11,880
Speaker 1: We are approaching five hundred. We are approaching our five

623
00:32:11,960 --> 00:32:14,040
Speaker 1: hundred episode. You guys, I believe this is like four

624
00:32:14,160 --> 00:32:17,200
Speaker 1: eighty five. It really doesn't feel right, but I have

625
00:32:17,280 --> 00:32:22,080
Speaker 1: to tell you, remember, we absolutely blew past the four hundredth.

626
00:32:22,600 --> 00:32:25,680
Speaker 1: We didn't do our four hundredth until four hundred and forty.

627
00:32:26,200 --> 00:32:31,360
Speaker 1: And again we don't take breaks, no, and we just

628
00:32:31,400 --> 00:32:34,320
Speaker 1: did a one week break, which honestly felt good. So

629
00:32:34,360 --> 00:32:35,840
Speaker 1: it's great. But here's the thing. It's like, when we

630
00:32:35,880 --> 00:32:37,640
Speaker 1: do episodes like this, I do kind of feel like

631
00:32:37,640 --> 00:32:40,200
Speaker 1: we're on a break totally, you know what I'm saying.

632
00:32:40,320 --> 00:32:43,680
Speaker 2: And just just to let everybody know, none are going

633
00:32:43,760 --> 00:32:45,720
Speaker 2: to just be sort of like orbiting around each other,

634
00:32:45,840 --> 00:32:47,840
Speaker 2: not necessarily in the same place all the time. So

635
00:32:48,000 --> 00:32:52,320
Speaker 2: it will be more just just culture catchups, which.

636
00:32:52,120 --> 00:32:54,960
Speaker 1: We're gonna back blog some guest episodes in September. Yes

637
00:32:55,040 --> 00:32:59,440
Speaker 1: that's right, you know, but those will be evergreen by design.

638
00:32:59,440 --> 00:33:02,400
Speaker 1: We're not gonna be any top all stuff on those.

639
00:33:02,520 --> 00:33:03,600
Speaker 1: But can I have it?

640
00:33:03,640 --> 00:33:06,440
Speaker 2: Can I maybe pitch something for the five hundred what's

641
00:33:06,520 --> 00:33:10,160
Speaker 2: what's your the vein of like gay Satellite, the five

642
00:33:10,240 --> 00:33:13,720
Speaker 2: hundred Things, the five hundred Things.

643
00:33:15,920 --> 00:33:20,760
Speaker 1: Lost Culture is this five hundred Things? It could be

644
00:33:20,760 --> 00:33:24,400
Speaker 1: really good. It will be Banana is on there. Banana

645
00:33:24,480 --> 00:33:28,160
Speaker 1: banana might be huge. Banana is top ten? Can I

646
00:33:28,200 --> 00:33:30,480
Speaker 1: start af FYC for one of the things. Of course

647
00:33:30,480 --> 00:33:32,920
Speaker 1: it's yours with Denna bush Haegger today. Of course it's

648
00:33:32,960 --> 00:33:35,520
Speaker 1: your podcast. It's actually really culture number nine. Of course,

649
00:33:35,560 --> 00:33:39,640
Speaker 1: it's your podcast Apple Cinnamon Muffin about it?

650
00:33:39,760 --> 00:33:42,800
Speaker 2: No, I never I never mind it. I always say, yes,

651
00:33:43,600 --> 00:33:44,920
Speaker 2: what do you mean you don't mind it?

652
00:33:45,280 --> 00:33:48,520
Speaker 1: I'm just saying if I have not I can't say

653
00:33:48,560 --> 00:33:51,400
Speaker 1: that I've like pursued it very much in my life,

654
00:33:51,440 --> 00:33:52,959
Speaker 1: But anytime it's in front of me, I go, oh

655
00:33:53,040 --> 00:33:54,840
Speaker 1: my god, I love apple cinnamon muffin. Do you know

656
00:33:54,840 --> 00:33:57,160
Speaker 1: what I just realized in you saying, of course it's

657
00:33:57,160 --> 00:34:00,440
Speaker 1: your podcast. I can kind of use this for anything. Huh.

658
00:34:00,480 --> 00:34:01,800
Speaker 1: So what I'm going to use it for in this

659
00:34:01,880 --> 00:34:07,400
Speaker 1: moment is I need my New York and LA readers,

660
00:34:07,480 --> 00:34:11,920
Speaker 1: Katie's publicized finalists and Kyle's, which, by the way, congratulations

661
00:34:11,960 --> 00:34:16,480
Speaker 1: Kyle's you remain congratulating community, really wonderful messages. I want

662
00:34:16,480 --> 00:34:18,640
Speaker 1: to know where in where I can find an apple

663
00:34:18,640 --> 00:34:21,520
Speaker 1: cinnamon muffin, and I want to know if you have favorites.

664
00:34:22,000 --> 00:34:25,759
Speaker 1: I want to know where they consistently and reliably make

665
00:34:25,920 --> 00:34:29,239
Speaker 1: apple cinnamon muffins. Not an apple muffin. Notice, not a

666
00:34:29,280 --> 00:34:33,359
Speaker 1: cinnamon muffin. You could make it up on your own.

667
00:34:34,120 --> 00:34:36,520
Speaker 1: Don't do this, I'm because you know what you're doing

668
00:34:36,840 --> 00:34:37,560
Speaker 1: being a bitch.

669
00:34:38,040 --> 00:34:41,239
Speaker 2: No, because you make the foods that you love, such

670
00:34:41,239 --> 00:34:42,560
Speaker 2: as buffalo chicken dip.

671
00:34:42,760 --> 00:34:46,200
Speaker 1: Girls, let me get my bag. What is that? I

672
00:34:46,320 --> 00:34:50,319
Speaker 1: need my refer because my girlfriend should be smoking? All right,

673
00:34:50,719 --> 00:34:53,240
Speaker 1: let's get the get the thing. Do you have anything

674
00:34:53,280 --> 00:34:55,680
Speaker 1: else say about death becomes Her? Because yeah, two words

675
00:34:55,760 --> 00:35:03,279
Speaker 1: yet Michelle Williams. Michelle Williams that voice that look I

676
00:35:03,320 --> 00:35:06,920
Speaker 1: just went that that is amused in every way? Do

677
00:35:06,920 --> 00:35:08,680
Speaker 1: you know what I mean? Did you hear about the rumor?

678
00:35:09,080 --> 00:35:12,239
Speaker 1: What's the rumor? The rumor is I took one hit

679
00:35:12,280 --> 00:35:17,560
Speaker 1: and I'm being aspiratorial. The rumor is Act three is

680
00:35:18,280 --> 00:35:23,239
Speaker 1: definitely rock and Destiny's Child is coming. That that last

681
00:35:23,239 --> 00:35:25,360
Speaker 1: part feels too good to be true? But why would

682
00:35:25,400 --> 00:35:27,680
Speaker 1: it be too good to be true? You know what

683
00:35:27,719 --> 00:35:30,480
Speaker 1: I mean? Because it's like, what what else not to say?

684
00:35:30,480 --> 00:35:32,439
Speaker 1: That Kelly and Michelle aren't booked and busy as we're

685
00:35:32,440 --> 00:35:35,080
Speaker 1: literally talking about Michelle, I'm sure there will be Kelly

686
00:35:35,080 --> 00:35:38,000
Speaker 1: and Michelle features on Act three. You're saying the rumor

687
00:35:38,040 --> 00:35:42,040
Speaker 1: is that they're the whole album, non come on tour

688
00:35:42,360 --> 00:35:45,400
Speaker 1: with her. That's great. Sorry, I was not specific idea

689
00:35:45,480 --> 00:35:48,480
Speaker 1: that I think three is a rock album. Yes, perchance

690
00:35:48,760 --> 00:35:50,799
Speaker 1: the girls are featured on it. Yes, but that the

691
00:35:50,880 --> 00:35:52,880
Speaker 1: Act three tour it's gonna be all three of them

692
00:35:52,960 --> 00:35:56,200
Speaker 1: what I had heard. And mind you, we hear so

693
00:35:56,320 --> 00:35:59,719
Speaker 1: many things about half end up being true, half end

694
00:35:59,760 --> 00:36:01,560
Speaker 1: up not. Like the sphere of it all was not

695
00:36:01,680 --> 00:36:05,279
Speaker 1: the visuals. The visuals I mean kind of came, kind

696
00:36:05,280 --> 00:36:07,920
Speaker 1: of didn't. Also, there was that crazy thing about them

697
00:36:07,920 --> 00:36:12,000
Speaker 1: being stolen from the car. That is true. That's crazy, bitch,

698
00:36:13,440 --> 00:36:16,439
Speaker 1: that is the truth. I still don't I still haven't.

699
00:36:16,520 --> 00:36:18,479
Speaker 1: We haven't talked about that. That's like the Mona Lisa

700
00:36:18,520 --> 00:36:21,680
Speaker 1: being stolen. You don't take that. That's actually really Culture

701
00:36:21,719 --> 00:36:25,480
Speaker 1: number ninety. That's like the Mott you don't take that.

702
00:36:26,320 --> 00:36:27,879
Speaker 1: By the way, we should just pause here and say,

703
00:36:27,920 --> 00:36:29,520
Speaker 1: I know we're going to get to the Culture Awards later.

704
00:36:29,560 --> 00:36:32,239
Speaker 1: But Mary m Cosby came to it essentially came to

705
00:36:32,280 --> 00:36:35,759
Speaker 1: a party that we threw and a role and we

706
00:36:35,880 --> 00:36:38,600
Speaker 1: met her and this is what she said. Do you

707
00:36:38,640 --> 00:36:42,720
Speaker 1: remember what she said? All I remember is vaguely her saying,

708
00:36:43,239 --> 00:36:47,279
Speaker 1: who are you guys? This is what it was. We

709
00:36:47,320 --> 00:36:49,719
Speaker 1: came around the corner Mary Cosby, I turned the ball

710
00:36:49,760 --> 00:36:51,920
Speaker 1: and I was like, the look that Mary Cosby pulled afar.

711
00:36:52,040 --> 00:36:55,960
Speaker 1: So she's in a red, big cloaked down yeah, and

712
00:36:56,080 --> 00:37:00,080
Speaker 1: with a red bag and a red gloves. And she

713
00:37:00,080 --> 00:37:02,640
Speaker 1: turned to us and she said, I had the most

714
00:37:02,680 --> 00:37:06,080
Speaker 1: amazing time. And we said it Mary, thank you for

715
00:37:06,120 --> 00:37:08,800
Speaker 1: being here. You elevated the whole thing. And she goes.

716
00:37:09,239 --> 00:37:11,920
Speaker 1: My husband said you better know who they are and

717
00:37:11,960 --> 00:37:15,920
Speaker 1: she goes and I do know Matt and Bowen and

718
00:37:16,080 --> 00:37:19,839
Speaker 1: I was like, you are. She was like, we need

719
00:37:19,880 --> 00:37:22,640
Speaker 1: to get a picture, and so I think we should

720
00:37:23,320 --> 00:37:25,080
Speaker 1: just post that picture too. There's gonna be a lot

721
00:37:25,120 --> 00:37:29,759
Speaker 1: of things posted online that needs its place. That's how

722
00:37:29,800 --> 00:37:31,520
Speaker 1: I knew, lets said Mary Cosby.

723
00:37:31,719 --> 00:37:34,960
Speaker 2: Yeah, the fact that we I was. She enjoyed her

724
00:37:34,960 --> 00:37:38,759
Speaker 2: time there, so you a huge badge of ye well

725
00:37:38,920 --> 00:37:40,399
Speaker 2: quickly before death comes her.

726
00:37:41,000 --> 00:37:42,960
Speaker 1: Yeah, We've been very much a Broadway episode and there's

727
00:37:42,960 --> 00:37:45,279
Speaker 1: so much to get to. Warren Yang he's the one

728
00:37:45,280 --> 00:37:49,760
Speaker 1: who does the tumble down the stairs, Yes, and spoiler. Okay,

729
00:37:49,760 --> 00:37:51,080
Speaker 1: well that's a spoiler. That's a spoiler.

730
00:37:51,120 --> 00:37:52,920
Speaker 2: But it it's been it's been many months. Please go

731
00:37:52,960 --> 00:37:55,800
Speaker 2: see it. I did not ruin anything, trust me. Michelle

732
00:37:55,920 --> 00:38:07,760
Speaker 2: ate them up. The like riff she's doing at the

733
00:38:07,800 --> 00:38:09,360
Speaker 2: top of her belt.

734
00:38:09,560 --> 00:38:13,000
Speaker 1: I love it, absurd and she I love that. She

735
00:38:13,080 --> 00:38:15,439
Speaker 1: kind of comes in sort of laughing the whole time.

736
00:38:15,760 --> 00:38:19,640
Speaker 1: She's like, I'm having fun doing this. She stands, delivers

737
00:38:19,760 --> 00:38:23,080
Speaker 1: absolutely belt these songs like you've never heard, and then

738
00:38:23,200 --> 00:38:26,120
Speaker 1: leaves being like I kill this. She had exit applause

739
00:38:26,239 --> 00:38:31,600
Speaker 1: every time our audience uphold we had a respectful audience. See,

740
00:38:31,719 --> 00:38:34,040
Speaker 1: That's what I'm saying is it's like they showed up.

741
00:38:34,320 --> 00:38:36,839
Speaker 1: And also Death Becomes Her is quite loud, so it's

742
00:38:36,840 --> 00:38:39,040
Speaker 1: like you can't always hear everything going on. If it's

743
00:38:39,040 --> 00:38:41,440
Speaker 1: a play, that's the thing. It was a play, and

744
00:38:41,560 --> 00:38:43,560
Speaker 1: it was a play where you really needed to listen.

745
00:38:44,040 --> 00:38:47,880
Speaker 1: With most plays, you really gotta engage. You can't be

746
00:38:48,000 --> 00:38:54,960
Speaker 1: coming to the theater like cracking, popping, coughing, like chewing, gnawing, ripping.

747
00:38:55,640 --> 00:38:58,480
Speaker 1: There was a lot of dialing where we're browbeating a lot.

748
00:38:58,840 --> 00:39:01,920
Speaker 1: But it's just it's unside. But it's crazy. Does this

749
00:39:01,960 --> 00:39:04,040
Speaker 1: make us like the old faggots in the chair And

750
00:39:04,080 --> 00:39:08,120
Speaker 1: basically basically no, because they were insulted. No, they're actually

751
00:39:08,239 --> 00:39:11,399
Speaker 1: the problem. No, you're right. If Staler and Waldorf were

752
00:39:11,480 --> 00:39:14,800
Speaker 1: still going to the theater today, their phones would be ringing,

753
00:39:14,880 --> 00:39:19,840
Speaker 1: they'd be canceled. That's not what I said. To speak

754
00:39:19,880 --> 00:39:22,520
Speaker 1: more in things that have happened on stages. Have you

755
00:39:22,600 --> 00:39:25,480
Speaker 1: seen the clips of Cynthia giving what looked to be

756
00:39:25,520 --> 00:39:29,040
Speaker 1: the performance of a lifetime in Jesus Christ Superstar? Yeah,

757
00:39:29,040 --> 00:39:32,359
Speaker 1: I mean it looks sacred, it looks religious. Remember when

758
00:39:32,360 --> 00:39:34,080
Speaker 1: she was on and I was like, wow, So you've

759
00:39:34,080 --> 00:39:37,279
Speaker 1: played Aretha, you've played Harriet Tubman, you've played Healtha, but

760
00:39:37,320 --> 00:39:40,960
Speaker 1: you've played Seally. Now she's played Jesus Christ. You can't.

761
00:39:41,080 --> 00:39:47,479
Speaker 1: She can't play a normal woman unlimited whoa. I hadn't

762
00:39:47,520 --> 00:39:51,839
Speaker 1: even thought of that alphabet. Oh, oh my god, life

763
00:39:51,880 --> 00:39:56,080
Speaker 1: imitates aret, life imitates art. Yet again. I saw Josh

764
00:39:56,120 --> 00:39:59,360
Speaker 1: Sharp today. Oh my god, have you talked about it

765
00:39:59,400 --> 00:40:02,000
Speaker 1: yet on the pod? Not? Really, I guess I guess

766
00:40:02,000 --> 00:40:03,800
Speaker 1: I was waiting for you. I'm so proud of Josh.

767
00:40:03,960 --> 00:40:07,000
Speaker 1: He's just he's so great and Honestly, I'm sitting there

768
00:40:07,040 --> 00:40:12,440
Speaker 1: watching the show and the way like it was just unraveling.

769
00:40:12,600 --> 00:40:14,360
Speaker 1: It just it's it's one of those it's like it

770
00:40:14,400 --> 00:40:17,759
Speaker 1: gets better every second because you realize what the no

771
00:40:17,880 --> 00:40:22,040
Speaker 1: pun intended purpose of the slides are. And you know,

772
00:40:22,120 --> 00:40:24,239
Speaker 1: he goes through two thousand slides in the show and

773
00:40:24,280 --> 00:40:26,840
Speaker 1: it is like perfectly exactly on it and ends up telling,

774
00:40:27,400 --> 00:40:31,879
Speaker 1: you know, a really beautiful story and I just love

775
00:40:31,960 --> 00:40:34,960
Speaker 1: him so lot, so much. It's just life affirming. Literally,

776
00:40:35,560 --> 00:40:41,399
Speaker 1: it's a life affirming show and hilarious. Sam Pinkleton, Yeah,

777
00:40:41,400 --> 00:40:44,520
Speaker 1: I heard of want a Tony, Want a Tony not guy,

778
00:40:45,120 --> 00:40:48,000
Speaker 1: and uh yeah, I mean we wouldn't want We don't

779
00:40:48,000 --> 00:40:50,080
Speaker 1: want to give it anyway. It's like you can't really

780
00:40:50,080 --> 00:40:53,000
Speaker 1: give it, like you gotta go, you know what, guys.

781
00:40:53,239 --> 00:40:55,680
Speaker 1: Sounds like you're hitting the block. Sounds like you guys

782
00:40:55,680 --> 00:40:58,600
Speaker 1: have shows to go see and that's good. Yeah, that's

783
00:40:58,600 --> 00:41:02,240
Speaker 1: a good thing. Today ticks And you know what, I'm

784
00:41:02,239 --> 00:41:04,440
Speaker 1: being really earnest when I say that. Oh yeah, and

785
00:41:04,480 --> 00:41:06,040
Speaker 1: a lot of times on this podcast when we say

786
00:41:06,040 --> 00:41:08,160
Speaker 1: today ticks, people behind the curtain, it's an.

787
00:41:08,080 --> 00:41:09,920
Speaker 2: Ad, it's a nan and we're getting paid for it

788
00:41:10,000 --> 00:41:12,239
Speaker 2: in some way, in a way that we don't always see,

789
00:41:12,320 --> 00:41:12,759
Speaker 2: you know what.

790
00:41:12,960 --> 00:41:16,120
Speaker 1: We know that someone is making someone is making money somewhere.

791
00:41:16,560 --> 00:41:19,919
Speaker 1: That's all that matters. But yeah, no, get on, get

792
00:41:19,960 --> 00:41:22,239
Speaker 1: on today, ticks. And I wonder if today is on today, ticks,

793
00:41:22,280 --> 00:41:25,040
Speaker 1: it is on today? It is. It is definitely to

794
00:41:25,120 --> 00:41:28,680
Speaker 1: and use code whatever the code is, just put it

795
00:41:28,719 --> 00:41:32,719
Speaker 1: just might be ding dong. Use cod ding dung, or

796
00:41:32,719 --> 00:41:36,960
Speaker 1: it's culturistas or just do monkeys at a typewriter until

797
00:41:37,080 --> 00:41:41,160
Speaker 1: you get it the way we were laughing in the theater,

798
00:41:42,000 --> 00:41:46,120
Speaker 1: not just Broadway varietl but the cinema varietal.

799
00:41:46,239 --> 00:41:51,160
Speaker 2: When movies you your favorite, actual theater is always my favorite.

800
00:41:51,200 --> 00:41:52,759
Speaker 2: Theater is always your favorite. And I and I said

801
00:41:52,800 --> 00:41:55,640
Speaker 2: that to Celestium at Wicked in the West End. I said,

802
00:41:55,680 --> 00:41:58,200
Speaker 2: theater's my favorite medium and they're like, well yeah. I

803
00:41:58,239 --> 00:41:59,520
Speaker 2: was saying this to them as a player and they

804
00:41:59,520 --> 00:42:01,560
Speaker 2: were like, well, yeah, I mean it's the fact that

805
00:42:01,560 --> 00:42:04,000
Speaker 2: you're sharing space with them makes it the most immediate thing.

806
00:42:04,520 --> 00:42:09,160
Speaker 1: That's it to me. It's like this number three film, okay,

807
00:42:09,360 --> 00:42:14,840
Speaker 1: number two theater theatrical r E, Yeah, theater ri E.

808
00:42:14,960 --> 00:42:18,040
Speaker 1: And then number one, number one of course, haunted house,

809
00:42:18,160 --> 00:42:23,680
Speaker 1: escape room that is interesting? Is it interesting? Or is

810
00:42:23,719 --> 00:42:28,479
Speaker 1: it not? If it's not, that's okay too. I don't

811
00:42:28,520 --> 00:42:30,399
Speaker 1: say it because it's interesting. I just say it because

812
00:42:30,400 --> 00:42:32,719
Speaker 1: I like to run around and be chased? Are you

813
00:42:35,200 --> 00:42:37,040
Speaker 1: I want the boys trying to come and get try

814
00:42:37,120 --> 00:42:39,600
Speaker 1: to come and get you? You don't, I guess you do,

815
00:42:39,840 --> 00:42:44,879
Speaker 1: but you remember that what you remember the one went

816
00:42:44,920 --> 00:42:46,920
Speaker 1: to the Poconos. But that's interesting though, Like you want

817
00:42:46,920 --> 00:42:48,480
Speaker 1: to run around and be chased, but like, don't you

818
00:42:48,520 --> 00:42:50,560
Speaker 1: feel don't you get that same sensation of running, like

819
00:42:50,680 --> 00:42:52,879
Speaker 1: running around and being chased while you're watching a horror film,

820
00:42:52,920 --> 00:42:55,640
Speaker 1: Like it's the same. I can't religate this with you.

821
00:42:55,880 --> 00:42:58,880
Speaker 1: I would rather do a haunted house than a scary

822
00:42:58,920 --> 00:43:04,120
Speaker 1: movie because in aunted house things make sense. It's like, Okay,

823
00:43:04,160 --> 00:43:07,040
Speaker 1: that is flying out of that door. Okay, that beast

824
00:43:07,120 --> 00:43:09,680
Speaker 1: is coming at me with that knife. In a film,

825
00:43:09,760 --> 00:43:12,719
Speaker 1: you can edit it to make it crazy, but it

826
00:43:12,760 --> 00:43:16,680
Speaker 1: gives you that same thrill of like, oh my god,

827
00:43:16,920 --> 00:43:20,920
Speaker 1: like I'm terrified. I have to just go along for

828
00:43:20,960 --> 00:43:23,120
Speaker 1: the ride, I suppose, which is what you do in

829
00:43:23,160 --> 00:43:27,960
Speaker 1: every haunted house. Honestly, if we were to actually unpack

830
00:43:28,080 --> 00:43:30,879
Speaker 1: this I want to know. I want to know too.

831
00:43:30,880 --> 00:43:34,719
Speaker 1: Should I reach this subject within my therapist? Yes, and

832
00:43:34,760 --> 00:43:37,080
Speaker 1: be like, Hi, every time I sit down for like

833
00:43:37,080 --> 00:43:39,239
Speaker 1: a scary movie or even a suspensb movie, I have

834
00:43:39,760 --> 00:43:43,680
Speaker 1: dread what is this that something happened to me at

835
00:43:43,680 --> 00:43:48,480
Speaker 1: the theater? Right? Well? Right, well, I'm saying like there's

836
00:43:48,480 --> 00:43:51,960
Speaker 1: something about like I'm learning a lot about my the

837
00:43:52,040 --> 00:43:56,560
Speaker 1: reasons for my anxiety. Really, yes, I feel like I

838
00:43:56,560 --> 00:43:59,080
Speaker 1: share them with you the other night, Like things I'm

839
00:43:59,200 --> 00:44:02,200
Speaker 1: really breaking open, mercury is coming out of retro. It

840
00:44:02,280 --> 00:44:07,120
Speaker 1: was a rhetorical really really, I think you figuring this

841
00:44:07,280 --> 00:44:12,040
Speaker 1: out will unlock so many other doors treasures. I'm told,

842
00:44:12,080 --> 00:44:16,920
Speaker 1: all right, Stacey, I'm coming back to therapy on Friday. Babe.

843
00:44:17,400 --> 00:44:20,200
Speaker 1: She doesn't listen to this. Actually, my therapist did tell me.

844
00:44:20,239 --> 00:44:23,040
Speaker 1: She's like, I purposefully if I see you in something,

845
00:44:23,080 --> 00:44:25,400
Speaker 1: I turn it off right right, No, that's I was like,

846
00:44:25,440 --> 00:44:28,200
Speaker 1: well that sucks. You can't like see some cool stuff.

847
00:44:28,440 --> 00:44:31,400
Speaker 1: That's fair though, right, I guess. So. I had remember

848
00:44:31,440 --> 00:44:33,200
Speaker 1: that period of time, like a couple of years ago,

849
00:44:33,200 --> 00:44:36,520
Speaker 1: where I had two ye therabis. Yes, one of them

850
00:44:36,600 --> 00:44:39,440
Speaker 1: was like, I'm a fan of what you do. And

851
00:44:39,600 --> 00:44:42,759
Speaker 1: the other one was like, I turn off everything I

852
00:44:42,760 --> 00:44:44,440
Speaker 1: see you in and I make a point if you

853
00:44:44,480 --> 00:44:45,719
Speaker 1: say you're going to be in it and I don't

854
00:44:45,719 --> 00:44:47,359
Speaker 1: watch it, and I was like, I have to stay

855
00:44:47,400 --> 00:44:52,120
Speaker 1: with you. I must. That's like that. It's like that

856
00:44:52,200 --> 00:44:57,000
Speaker 1: riddle of you run into a town where there's only

857
00:44:57,000 --> 00:45:01,360
Speaker 1: one barber shop and there's two. This riddle you need

858
00:45:01,760 --> 00:45:03,560
Speaker 1: a haircut for some reason.

859
00:45:03,600 --> 00:45:05,640
Speaker 2: In this rule is you dressed, need a haircut, and

860
00:45:05,640 --> 00:45:07,520
Speaker 2: you go into a barber shop and there's two barbers.

861
00:45:07,560 --> 00:45:10,399
Speaker 2: Oh my god, this is my n One of them

862
00:45:10,960 --> 00:45:12,680
Speaker 2: has an amazing haircut and one of them has an

863
00:45:12,680 --> 00:45:13,560
Speaker 2: awful haircut.

864
00:45:13,560 --> 00:45:17,160
Speaker 1: Which one do you go to? Is there a right answer? Yes,

865
00:45:17,920 --> 00:45:19,760
Speaker 1: if you want to. If you want a good haircut,

866
00:45:19,800 --> 00:45:25,200
Speaker 1: which barber do you pick? Okay? In this world this

867
00:45:25,360 --> 00:45:29,680
Speaker 1: is I if someone has a good haircut and they're

868
00:45:29,680 --> 00:45:31,960
Speaker 1: like i'll cut your hair, well, and someone has a

869
00:45:32,000 --> 00:45:34,560
Speaker 1: bad haircut and they're like, i'll cut your hair To

870
00:45:34,560 --> 00:45:36,560
Speaker 1: be honest with you, I would go with the person

871
00:45:36,719 --> 00:45:39,759
Speaker 1: with the bad haircut. That makes sense because they got

872
00:45:39,760 --> 00:45:45,160
Speaker 1: the haircut from the person with the good haircut. I

873
00:45:45,239 --> 00:45:47,840
Speaker 1: supposed to have like known that. That's like part of

874
00:45:47,880 --> 00:45:50,000
Speaker 1: the reasoning. I'm sorry I maybe didn't set it up

875
00:45:50,040 --> 00:45:51,960
Speaker 1: corrected because it's like, because I think you said it

876
00:45:52,000 --> 00:45:56,120
Speaker 1: was a riddle. It's a riddle. You think that's a riddle.

877
00:45:56,520 --> 00:45:59,560
Speaker 1: Fiddled me the fiddle me this. No, that's a riddle

878
00:45:59,600 --> 00:46:04,320
Speaker 1: that doesn't have enigma wrapped in a riddle in cash.

879
00:46:04,600 --> 00:46:07,880
Speaker 1: Fucking erica. Fucking erica. Wait, what were we talking about earlier?

880
00:46:07,960 --> 00:46:11,080
Speaker 1: We were talking therapist. It's like you had chose the therapist.

881
00:46:11,280 --> 00:46:13,920
Speaker 1: You picked the therapist who it doesn't see you and stuff.

882
00:46:14,320 --> 00:46:15,960
Speaker 1: So you're like it was like the barber with the

883
00:46:16,000 --> 00:46:20,440
Speaker 1: bad haircut, like the one who is understands what she

884
00:46:20,480 --> 00:46:23,960
Speaker 1: does on a more deeper level, honestly, just on a

885
00:46:24,000 --> 00:46:27,920
Speaker 1: more deeper It was weird. It was like I was like, well,

886
00:46:29,200 --> 00:46:34,440
Speaker 1: from the day, hasn't me fly in Back in the day.

887
00:46:34,520 --> 00:46:38,360
Speaker 1: My therapist was like, we were dealing with stuff around

888
00:46:38,400 --> 00:46:40,840
Speaker 1: the shooting of Fire Island, and I was like, I

889
00:46:40,880 --> 00:46:42,960
Speaker 1: think I want you to watch the movie because it's

890
00:46:43,000 --> 00:46:45,160
Speaker 1: relevant to the issues that I did the same with

891
00:46:45,200 --> 00:46:47,680
Speaker 1: my therapist. I gave them homework and she was like,

892
00:46:47,800 --> 00:46:50,600
Speaker 1: I watched it, I enjoyed it, and I was like okay,

893
00:46:50,880 --> 00:46:53,080
Speaker 1: And then we talked about it, like as it related

894
00:46:53,160 --> 00:46:57,319
Speaker 1: to the coming shooting the movie. So I think my

895
00:46:57,360 --> 00:46:59,680
Speaker 1: therapist is the same. I don't. I think he does not.

896
00:47:00,120 --> 00:47:03,239
Speaker 1: Really you have a gay man, and so it makes

897
00:47:03,280 --> 00:47:04,200
Speaker 1: it even weirder, I guess.

898
00:47:04,280 --> 00:47:06,040
Speaker 2: But like I but the only time I've ever told

899
00:47:06,120 --> 00:47:08,040
Speaker 2: him to watch something that I've don't inspire around, I

900
00:47:08,040 --> 00:47:09,560
Speaker 2: was like, I was like, this is going to explain

901
00:47:09,640 --> 00:47:09,960
Speaker 2: a lot.

902
00:47:10,239 --> 00:47:13,759
Speaker 1: Yeah, I think it was really important. Yes, yes, yes, yes,

903
00:47:13,840 --> 00:47:16,799
Speaker 1: yes agree. Also because like I think probably a lot

904
00:47:16,840 --> 00:47:21,640
Speaker 1: of us were talking about each other, bir we No.

905
00:47:21,719 --> 00:47:24,040
Speaker 1: I think we were just like like this movie is

906
00:47:24,080 --> 00:47:26,840
Speaker 1: like something, this is our first time doing this like this, Yeah,

907
00:47:26,880 --> 00:47:30,440
Speaker 1: this is kind of about us. Yeah, anyway, we give

908
00:47:30,440 --> 00:47:38,000
Speaker 1: it that lighter Okay, so we I have one thing

909
00:47:38,040 --> 00:47:40,560
Speaker 1: I wanted to say as we move into as because

910
00:47:40,600 --> 00:47:42,399
Speaker 1: the reason we even started talking about this is because

911
00:47:42,400 --> 00:47:43,960
Speaker 1: I was bringing up that we saw a movie which

912
00:47:43,960 --> 00:47:47,040
Speaker 1: is Naked Gun. You have to go see this, everybody.

913
00:47:47,120 --> 00:47:50,120
Speaker 1: Oh god, it's so good. It's so fucking stupid. I

914
00:47:50,160 --> 00:47:53,160
Speaker 1: need to see it three more times because it really

915
00:47:53,280 --> 00:47:55,480
Speaker 1: is that kind of movie where like the comedy comes

916
00:47:55,480 --> 00:47:59,720
Speaker 1: at you from every which angle and you're just like Okay,

917
00:47:59,719 --> 00:48:03,359
Speaker 1: I I need to process that joke in about like

918
00:48:03,440 --> 00:48:05,640
Speaker 1: two weeks because I need to focus on this other

919
00:48:05,719 --> 00:48:07,120
Speaker 1: joke that's coming up. Do you know what I mean?

920
00:48:07,440 --> 00:48:09,799
Speaker 1: There was there was like it was you really it

921
00:48:09,920 --> 00:48:12,880
Speaker 1: was blink and you miss it in terms of just

922
00:48:12,920 --> 00:48:17,000
Speaker 1: how many jokes there were. And I love Liam Neeson.

923
00:48:17,040 --> 00:48:19,800
Speaker 1: I have to say I was kind of Liam Neeson

924
00:48:19,960 --> 00:48:22,839
Speaker 1: agnostic before this because I'm not like a taken girl,

925
00:48:23,120 --> 00:48:26,840
Speaker 1: right right. All respect to Maggie Grace always and she

926
00:48:26,920 --> 00:48:30,680
Speaker 1: will always be Shannon and lost. But I make the

927
00:48:30,760 --> 00:48:34,240
Speaker 1: leap to the Maggie Grace vehicle taken just because again,

928
00:48:34,320 --> 00:48:36,120
Speaker 1: like didn't seem like a movie. I was going to

929
00:48:36,200 --> 00:48:39,359
Speaker 1: be like bit for be, pound for pound. I enjoy this,

930
00:48:39,360 --> 00:48:42,160
Speaker 1: this pace of film, and Liam kind of to me

931
00:48:42,239 --> 00:48:43,880
Speaker 1: is wrapped up in the taken of it all. So

932
00:48:43,920 --> 00:48:46,640
Speaker 1: to see him in this, he's got a fan for life. Now.

933
00:48:46,840 --> 00:48:47,560
Speaker 1: I love that.

934
00:48:48,400 --> 00:48:52,360
Speaker 2: I love Pam. I love Pam so much. I love

935
00:48:53,120 --> 00:48:55,480
Speaker 2: the guy who played the villain. Oh we were saying,

936
00:48:55,520 --> 00:48:57,759
Speaker 2: his line reads were everything. There is a run about

937
00:48:57,760 --> 00:49:00,960
Speaker 2: the Black Eyed Peas in this, which was really really

938
00:49:01,000 --> 00:49:02,120
Speaker 2: really one for the books.

939
00:49:02,320 --> 00:49:05,239
Speaker 1: It's really good. And then furgolicious comes in as a

940
00:49:05,320 --> 00:49:09,040
Speaker 1: drop at once the movie. Knew something, Akiva Cheffer, you

941
00:49:09,120 --> 00:49:12,760
Speaker 1: know something. You know something about filmmaking. You know something

942
00:49:12,800 --> 00:49:14,880
Speaker 1: the other girls don't, which is that you if you

943
00:49:15,040 --> 00:49:18,400
Speaker 1: can do the fur delicious drop, you do do the

944
00:49:18,400 --> 00:49:24,239
Speaker 1: furglicious drop. It is stupid comedy. It is really see. Yeah,

945
00:49:24,320 --> 00:49:25,960
Speaker 1: the original we need to we need to move in

946
00:49:25,960 --> 00:49:29,360
Speaker 1: this direction. Yes, absolutely, the original movie. I rewatched just

947
00:49:29,400 --> 00:49:30,960
Speaker 1: in the lead up to this new one, and I

948
00:49:31,040 --> 00:49:32,680
Speaker 1: was just like the visual and the first in the

949
00:49:32,719 --> 00:49:34,560
Speaker 1: original trilogy and didn't watched it and it was like,

950
00:49:35,000 --> 00:49:37,840
Speaker 1: I mean a lot of this just still holds up. Yeah,

951
00:49:37,880 --> 00:49:39,920
Speaker 1: like this kind of humor. It's just like, I mean,

952
00:49:39,960 --> 00:49:41,640
Speaker 1: still never go out of style. Some of it is

953
00:49:41,719 --> 00:49:44,880
Speaker 1: like okay, like that's there's a slight patina on that,

954
00:49:44,920 --> 00:49:48,759
Speaker 1: but everything else it's like hilarious. Site first one I

955
00:49:48,800 --> 00:49:50,000
Speaker 1: had a lot more psyche ads.

956
00:49:50,080 --> 00:49:54,239
Speaker 2: Yeah, and just for some reason, like I love that

957
00:49:54,280 --> 00:49:58,600
Speaker 2: they kept in this updated version, like you know, just

958
00:49:58,760 --> 00:50:00,960
Speaker 2: these two people like running away for everybody, like crashing

959
00:50:01,040 --> 00:50:03,440
Speaker 2: into things all the time. So a little bit different

960
00:50:03,440 --> 00:50:05,200
Speaker 2: on seventies cameras or eighties cameras.

961
00:50:05,239 --> 00:50:09,000
Speaker 1: I mean, yeah, like because yeah, I will say, because

962
00:50:09,080 --> 00:50:13,080
Speaker 1: now we know, like how that's a little bit more

963
00:50:13,600 --> 00:50:16,000
Speaker 1: intends to tell like I don't know how to how

964
00:50:16,560 --> 00:50:19,680
Speaker 1: this is what I think it is. Comedy has for

965
00:50:19,719 --> 00:50:23,359
Speaker 1: a while now actually asked a lot of the audience yes,

966
00:50:23,719 --> 00:50:28,680
Speaker 1: And I think watching something done that is just literally

967
00:50:28,920 --> 00:50:32,279
Speaker 1: so much time had to be put into this, but

968
00:50:32,320 --> 00:50:36,759
Speaker 1: it doesn't feel like it like every hard joke is

969
00:50:36,840 --> 00:50:40,640
Speaker 1: what matters and what's important. And I love the sketch

970
00:50:40,680 --> 00:50:43,520
Speaker 1: way that the scenes are all set up. Obviously, maybe

971
00:50:43,680 --> 00:50:46,239
Speaker 1: miss Austin Powers we were even talking about could there

972
00:50:46,360 --> 00:50:49,759
Speaker 1: be another Austin Powers now after this? But that is

973
00:50:49,800 --> 00:50:51,880
Speaker 1: I think the difference is It's like even when I

974
00:50:51,880 --> 00:50:57,400
Speaker 1: saw Superman, I was like, yeah, in this superhero movie,

975
00:50:57,640 --> 00:51:01,799
Speaker 1: like one of the gags is Lois puts sugar in

976
00:51:01,880 --> 00:51:06,440
Speaker 1: her coffee for like approximately fifteen seconds and then just

977
00:51:06,520 --> 00:51:09,279
Speaker 1: drinks the coffee like it's normal, and it's just it's

978
00:51:09,360 --> 00:51:11,680
Speaker 1: just a joke in the movie. And I'm like, hmm.

979
00:51:12,239 --> 00:51:15,960
Speaker 1: Even superhero movies took themselves so fucking seriously there for

980
00:51:16,000 --> 00:51:19,320
Speaker 1: a while, so to see that gag happen, I was like, huh.

981
00:51:19,360 --> 00:51:23,720
Speaker 1: And then with Naked Gun, it's all just so stupid,

982
00:51:23,760 --> 00:51:26,120
Speaker 1: and I was like, well, I having a bigger reaction

983
00:51:26,200 --> 00:51:28,520
Speaker 1: than I've had in a long time. And that's not

984
00:51:28,560 --> 00:51:32,000
Speaker 1: to say that comedy can't be meaningful or shouldn't be meaningful,

985
00:51:32,120 --> 00:51:35,600
Speaker 1: or isn't meaningful in this new way, I'm like exalting,

986
00:51:36,120 --> 00:51:40,200
Speaker 1: but it is really nice to just drop your shoulders,

987
00:51:40,520 --> 00:51:43,839
Speaker 1: not take anything too fucking seriously and just rip one.

988
00:51:44,640 --> 00:51:46,480
Speaker 1: Because I don't know what you were thinking in the

989
00:51:46,520 --> 00:51:49,279
Speaker 1: theater yesterday or two days ago. I was just like,

990
00:51:49,600 --> 00:51:53,680
Speaker 1: this feeling of laughing in a theater feels so foreign, yeah,

991
00:51:53,719 --> 00:51:56,200
Speaker 1: and also so good, so good. But I'm like, it's

992
00:51:56,280 --> 00:51:59,680
Speaker 1: been way too long since I've done dred percent. There

993
00:51:59,719 --> 00:52:01,919
Speaker 1: you still reliably be able to go to the movie

994
00:52:02,000 --> 00:52:05,239
Speaker 1: theaters and like laugh at something like Bridesmaids. Yes, yes,

995
00:52:05,520 --> 00:52:07,960
Speaker 1: you know what I mean, Like those are formative memories.

996
00:52:08,360 --> 00:52:11,440
Speaker 1: This and honestly, this is this is I think a

997
00:52:11,480 --> 00:52:14,759
Speaker 1: real thing. Like Horrors continued to do fine at the

998
00:52:14,800 --> 00:52:18,800
Speaker 1: box office, but comedies not actually drives away a whole

999
00:52:19,320 --> 00:52:22,520
Speaker 1: kind of person that goes to the movies. When the

1000
00:52:22,600 --> 00:52:25,520
Speaker 1: only thing you can really reliably go to the movies

1001
00:52:25,560 --> 00:52:29,239
Speaker 1: for is like shock or Wonder. It's like a lot

1002
00:52:29,239 --> 00:52:31,400
Speaker 1: of people aren't interested in that. A lot of people

1003
00:52:31,400 --> 00:52:34,160
Speaker 1: are interested in a different kind of reaction and going

1004
00:52:34,160 --> 00:52:36,880
Speaker 1: to the movies. And I get that, like, you know,

1005
00:52:37,000 --> 00:52:39,880
Speaker 1: because of streaming, you can it's easier to provide that

1006
00:52:39,920 --> 00:52:42,640
Speaker 1: sort of comfort viewing, or it's more acceptable to get

1007
00:52:42,680 --> 00:52:45,480
Speaker 1: away with it going straight to people's homes. But we're

1008
00:52:45,560 --> 00:52:49,680
Speaker 1: really missing out on putting hard comedies in theaters because

1009
00:52:49,960 --> 00:52:52,560
Speaker 1: those are some of the most formative experiences of my

1010
00:52:52,800 --> 00:52:56,359
Speaker 1: life my life, and they we don't have that. And

1011
00:52:56,560 --> 00:52:59,280
Speaker 1: I'm sorry, but that type of human that would enjoy

1012
00:52:59,320 --> 00:53:01,560
Speaker 1: that is still far looking out there and there's still

1013
00:53:01,600 --> 00:53:04,560
Speaker 1: that age and there's still you know, I get that

1014
00:53:04,600 --> 00:53:07,200
Speaker 1: the world has changed, but like, I just don't believe

1015
00:53:07,239 --> 00:53:09,040
Speaker 1: that there's no desire for people to go see good

1016
00:53:09,040 --> 00:53:12,279
Speaker 1: comedy at the theaters. I just don't, because, as you're saying,

1017
00:53:12,280 --> 00:53:15,000
Speaker 1: it's it's like that does drive away whole kind of

1018
00:53:15,000 --> 00:53:17,439
Speaker 1: people who goes to the movies. And so the way

1019
00:53:17,440 --> 00:53:19,960
Speaker 1: that we you and I and a whole generation of

1020
00:53:19,960 --> 00:53:23,680
Speaker 1: people defines comedies now is that like, okay, we still

1021
00:53:23,680 --> 00:53:25,160
Speaker 1: we're still attached to this thing of going to the

1022
00:53:25,160 --> 00:53:28,280
Speaker 1: theater and laughing with everybody. It's just a different sensation.

1023
00:53:28,719 --> 00:53:31,880
Speaker 1: You're just aware of the people around you anyway, obviously,

1024
00:53:32,000 --> 00:53:35,120
Speaker 1: But I'm just saying like it then defines what comedy

1025
00:53:35,239 --> 00:53:37,239
Speaker 1: is for a generation of people growing up who all

1026
00:53:37,280 --> 00:53:40,840
Speaker 1: they think comedy is like some person on TikTok yeah,

1027
00:53:41,080 --> 00:53:46,040
Speaker 1: doing a very like refracted kind of memey thing, right,

1028
00:53:46,120 --> 00:53:49,480
Speaker 1: which it is. But it's just like, that's not all

1029
00:53:49,520 --> 00:53:52,719
Speaker 1: of comedy. It's not direct hard comedy exactly. It is

1030
00:53:52,840 --> 00:53:55,600
Speaker 1: it is. It is in reference to something where there's

1031
00:53:55,640 --> 00:53:59,799
Speaker 1: almost no like exactly or or this generation things comedy

1032
00:53:59,840 --> 00:54:03,239
Speaker 1: is like someone a stand up comedian quote unquote going

1033
00:54:03,280 --> 00:54:05,239
Speaker 1: up on a mic and just saying whatever slurs they

1034
00:54:05,280 --> 00:54:08,600
Speaker 1: want to kill Tony. It's like, that's not comedy either,

1035
00:54:08,600 --> 00:54:11,560
Speaker 1: but they think that's comedy. And it's like, you mean,

1036
00:54:11,680 --> 00:54:15,680
Speaker 1: movies like this that reach every audience, and that is

1037
00:54:15,719 --> 00:54:17,880
Speaker 1: what the example should be. This is not gonna be

1038
00:54:17,920 --> 00:54:20,359
Speaker 1: to everyone's taste. But what I am saying is you

1039
00:54:20,400 --> 00:54:22,919
Speaker 1: can be any kind of person and think this movie

1040
00:54:23,000 --> 00:54:24,640
Speaker 1: is fun. Yes, you know what I mean, and that's

1041
00:54:25,280 --> 00:54:27,640
Speaker 1: you might not love it like I even I'm in

1042
00:54:27,680 --> 00:54:29,600
Speaker 1: a group thread where a couple of people were like,

1043
00:54:30,000 --> 00:54:31,920
Speaker 1: I thought the movie actually could have been funny and

1044
00:54:32,000 --> 00:54:35,920
Speaker 1: everything landed. No, it doesn't happen. But there's almost about

1045
00:54:35,960 --> 00:54:38,399
Speaker 1: that too, is it's like, okay, that bit went by,

1046
00:54:38,440 --> 00:54:40,120
Speaker 1: and maybe it didn't work for me as what much

1047
00:54:40,160 --> 00:54:43,799
Speaker 1: as the last ever. But the fact is, like your

1048
00:54:43,880 --> 00:54:46,480
Speaker 1: batting average can be a little bit lower when you're

1049
00:54:46,560 --> 00:54:48,680
Speaker 1: taking a lot of swings, you know what I mean.

1050
00:54:48,760 --> 00:54:54,040
Speaker 1: This movie is constantly jam packed with the goal of

1051
00:54:54,239 --> 00:54:57,640
Speaker 1: every single fucking thing being funny. So yeah, if it's

1052
00:54:57,640 --> 00:55:01,040
Speaker 1: batting averages like a seven sixty instead of a nine

1053
00:55:01,080 --> 00:55:04,759
Speaker 1: to ninety, that's pretty fucking good either way. It's crazy, yeah,

1054
00:55:04,760 --> 00:55:07,440
Speaker 1: because there's some quote unquote comedy out here which are

1055
00:55:07,480 --> 00:55:11,439
Speaker 1: taking no swings of comedy. And I'm sorry, but when

1056
00:55:11,520 --> 00:55:15,160
Speaker 1: you when everything is comedy, you do dilute things out

1057
00:55:15,200 --> 00:55:18,480
Speaker 1: of that, Like I don't know, moratorium on what is comedy?

1058
00:55:18,600 --> 00:55:19,799
Speaker 1: And I think everyone.

1059
00:55:19,680 --> 00:55:21,520
Speaker 2: But I think you and I just figured it out

1060
00:55:21,880 --> 00:55:25,280
Speaker 2: for real the way we.

1061
00:55:26,320 --> 00:55:30,200
Speaker 1: For a second there were number three on the comedy

1062
00:55:30,239 --> 00:55:34,920
Speaker 1: podcast list. Behind we said eat it, and Rogan eat it,

1063
00:55:35,000 --> 00:55:40,240
Speaker 1: Alex Cooper eat it, eat it. We went right below

1064
00:55:40,320 --> 00:55:43,160
Speaker 1: her right away. Of course, that's okay. We respect all

1065
00:55:43,200 --> 00:55:47,839
Speaker 1: these girls. No, we just think, for a second, we had,

1066
00:55:47,960 --> 00:55:49,920
Speaker 1: we had the number three spot, and I think we

1067
00:55:50,040 --> 00:55:57,360
Speaker 1: just creak'd why absolutely right now we are wearing all white.

1068
00:55:57,560 --> 00:56:00,440
Speaker 1: We are in an all white room, and we're like

1069
00:56:00,440 --> 00:56:03,839
Speaker 1: a little angels. And that's how I want you guys

1070
00:56:03,840 --> 00:56:06,399
Speaker 1: to think of us whenever we don't have a visual aid,

1071
00:56:06,719 --> 00:56:09,680
Speaker 1: Just like two little angels in like a white room.

1072
00:56:09,719 --> 00:56:12,720
Speaker 1: Like it's like it's heaven or something, huh, just talking

1073
00:56:12,719 --> 00:56:14,760
Speaker 1: to each other, floating around like little heads.

1074
00:56:15,040 --> 00:56:22,839
Speaker 2: And we're wearing white button downs with like a Chiffon's.

1075
00:56:24,600 --> 00:56:29,360
Speaker 1: With the safon chaffon pant. Speaking of music and pants,

1076
00:56:29,560 --> 00:56:33,040
Speaker 1: Oh you know who's wearing the pants? In terms of

1077
00:56:33,080 --> 00:56:40,040
Speaker 1: my Spotify most streamed lately? Interesting expression. Sometimes I really

1078
00:56:40,200 --> 00:56:43,640
Speaker 1: segues in me go great, and then other times it

1079
00:56:43,680 --> 00:56:45,520
Speaker 1: goes like that, I love it. Who's wearing the pants?

1080
00:56:46,040 --> 00:56:50,040
Speaker 1: Have you been streaming the Subway? Absolutely so good.

1081
00:56:50,480 --> 00:56:53,480
Speaker 2: I just I love that it is so different from

1082
00:56:53,520 --> 00:56:56,319
Speaker 2: what like the version of song she's been performing at

1083
00:56:56,360 --> 00:56:59,000
Speaker 2: the concerts, because I feel like it's more like acoustic

1084
00:56:59,080 --> 00:57:02,680
Speaker 2: and like not quite as lush and like, I don't know,

1085
00:57:02,680 --> 00:57:04,239
Speaker 2: I feel like when she was doing it live only

1086
00:57:04,280 --> 00:57:06,480
Speaker 2: at her concert before she released it and recorded it

1087
00:57:06,560 --> 00:57:08,839
Speaker 2: like recording released it, it just felt like a different song,

1088
00:57:08,840 --> 00:57:10,839
Speaker 2: and this just feels like it's gives it a whole

1089
00:57:10,840 --> 00:57:11,280
Speaker 2: new life.

1090
00:57:11,400 --> 00:57:14,799
Speaker 1: Yeah. I mean, my confession is I actually wasn't very

1091
00:57:14,800 --> 00:57:18,120
Speaker 1: familiar with the live version because I just really wanted

1092
00:57:18,120 --> 00:57:20,400
Speaker 1: to at the time. I remember being like, I really

1093
00:57:20,400 --> 00:57:23,480
Speaker 1: want to wait because I'm sure that this is coming soon. Yeah,

1094
00:57:23,520 --> 00:57:25,240
Speaker 1: and then it just kind of never came, so I

1095
00:57:25,280 --> 00:57:27,320
Speaker 1: didn't really have like much of a vocabulary for it.

1096
00:57:27,320 --> 00:57:29,600
Speaker 1: So I'm kind of experiencing it as an Oh, that's correct,

1097
00:57:29,600 --> 00:57:31,080
Speaker 1: and that's a great thing. Of course. I had listened

1098
00:57:31,120 --> 00:57:33,000
Speaker 1: to it like when it came out at first, and

1099
00:57:33,040 --> 00:57:35,160
Speaker 1: then a couple of times when she was coming on

1100
00:57:35,400 --> 00:57:39,360
Speaker 1: like it hasn't been in rotation. I fucking loved that

1101
00:57:39,600 --> 00:57:44,920
Speaker 1: good and just how grand it is and how long

1102
00:57:44,960 --> 00:57:47,840
Speaker 1: it is. I just love that she feels like she

1103
00:57:48,080 --> 00:57:50,720
Speaker 1: can get away with something like this because she can.

1104
00:57:50,840 --> 00:57:53,720
Speaker 1: She doesn't feel emboldened. I mean, she doesn't feel encumbered

1105
00:57:54,200 --> 00:57:57,480
Speaker 1: by any expectation about like what a pop song is.

1106
00:57:57,560 --> 00:58:00,240
Speaker 1: I think because like everything she's done has been on

1107
00:58:00,280 --> 00:58:03,760
Speaker 1: her own terms. Anyway. I love that like casual has

1108
00:58:03,800 --> 00:58:07,280
Speaker 1: like this little sister song. I do think Ultimately it

1109
00:58:07,400 --> 00:58:10,680
Speaker 1: is the best song on I think Casual is the

1110
00:58:10,680 --> 00:58:14,440
Speaker 1: best song. I mean when you see her do a

1111
00:58:14,480 --> 00:58:16,360
Speaker 1: live and you feel that song live, and it is

1112
00:58:16,640 --> 00:58:18,520
Speaker 1: the song that made me first really turn my head

1113
00:58:18,520 --> 00:58:21,960
Speaker 1: to her. There's just something so special about it. But

1114
00:58:24,520 --> 00:58:26,840
Speaker 1: are you kidding me? Like that whole fucking thing anyway, Yeah,

1115
00:58:27,320 --> 00:58:29,200
Speaker 1: I mean this feels like that song. I need to

1116
00:58:29,200 --> 00:58:32,240
Speaker 1: give it. The music video another I love, but just

1117
00:58:32,280 --> 00:58:35,040
Speaker 1: the shot of her of like those butterflies like flying

1118
00:58:35,080 --> 00:58:38,040
Speaker 1: around her as it pans up, like she's a great actor.

1119
00:58:38,120 --> 00:58:41,400
Speaker 1: I'm just like, this is an incredible visual, just period.

1120
00:58:41,480 --> 00:58:44,680
Speaker 1: I think it's I think that the Subway video and

1121
00:58:44,720 --> 00:58:50,240
Speaker 1: the Manchild video both were feats in pop girly music

1122
00:58:50,320 --> 00:58:53,640
Speaker 1: video history, recent history. I love the man Child video.

1123
00:58:53,680 --> 00:58:57,000
Speaker 1: I love that every single shot is different. I love that,

1124
00:58:57,560 --> 00:59:01,800
Speaker 1: like literally, I love this choice with the hair in

1125
00:59:01,840 --> 00:59:05,000
Speaker 1: the subway, Like I she serrated it. She serrated it,

1126
00:59:05,040 --> 00:59:07,120
Speaker 1: and these girls are serrating. I think we have to

1127
00:59:07,200 --> 00:59:09,920
Speaker 1: we all have to serraate. We better. Oh it's not

1128
00:59:09,960 --> 00:59:12,560
Speaker 1: the butterflies, Sorry, it's the garbage when she's yeah in

1129
00:59:12,600 --> 00:59:13,240
Speaker 1: the intersection.

1130
00:59:13,440 --> 00:59:16,560
Speaker 2: Fuck, I'm just got that. That's that's amazing. Yeah, start

1131
00:59:16,640 --> 00:59:20,520
Speaker 2: being dragged by the car. H Like, are you kidding me?

1132
00:59:20,760 --> 00:59:23,040
Speaker 2: You can do that in a music video. I'm so

1133
00:59:23,200 --> 00:59:25,960
Speaker 2: happy that they're being intentional about music videos.

1134
00:59:26,000 --> 00:59:27,760
Speaker 1: I know you know what I mean, because that's another

1135
00:59:27,800 --> 00:59:30,400
Speaker 1: thing that's gone the way of the DODO is sort

1136
00:59:30,400 --> 00:59:33,320
Speaker 1: of the music video. Like you know, you're right, it's

1137
00:59:33,360 --> 00:59:36,320
Speaker 1: only the girls. The girls so like Rianna is always

1138
00:59:36,440 --> 00:59:38,880
Speaker 1: really really good about But I was saying that, I like,

1139
00:59:39,040 --> 00:59:40,800
Speaker 1: were you gonna say it's always the girls? I'm sorry, Yes,

1140
00:59:40,840 --> 00:59:42,720
Speaker 1: I agree with any interrupted. No, you didn't at all.

1141
00:59:42,840 --> 00:59:45,040
Speaker 1: Are you saying that it's the girls who like have

1142
00:59:45,160 --> 00:59:47,080
Speaker 1: the studio backing, because it's just like somebod these girls

1143
00:59:47,160 --> 00:59:48,760
Speaker 1: just don't have the money. The ones that have, like

1144
00:59:48,800 --> 00:59:51,480
Speaker 1: the big guns, I think that can crank out these videos.

1145
00:59:51,520 --> 00:59:53,240
Speaker 1: And then it's the girls who like don't get the

1146
00:59:53,280 --> 00:59:55,120
Speaker 1: money from the label. Yeah. But you know what though,

1147
00:59:55,160 --> 00:59:58,000
Speaker 1: like I said, studios, I'm late. You don't need that

1148
00:59:58,440 --> 01:00:03,040
Speaker 1: much money to do something like cute and interesting, and

1149
01:00:03,160 --> 01:00:05,400
Speaker 1: I just don't think you do. Like I think you

1150
01:00:05,520 --> 01:00:08,240
Speaker 1: just picked something that's like you're being so Michelle visage

1151
01:00:08,320 --> 01:00:08,520
Speaker 1: right now.

1152
01:00:08,600 --> 01:00:09,040
Speaker 3: I love it.

1153
01:00:10,400 --> 01:00:12,880
Speaker 1: You don't need I'm telling them, I'm refusing to give

1154
01:00:12,920 --> 01:00:17,600
Speaker 1: them a budget. Girls, I'm not giving you a budget. No,

1155
01:00:18,160 --> 01:00:21,040
Speaker 1: make your own videos. I'm not giving you a budget.

1156
01:00:21,080 --> 01:00:22,920
Speaker 1: You're not getting a budget of the season. I also

1157
01:00:23,960 --> 01:00:28,440
Speaker 1: speaking of Dan Nigro his other song that's Coden Gray's spot.

1158
01:00:29,160 --> 01:00:33,040
Speaker 1: I am supporting this young girl, Codin Gray, I am

1159
01:00:33,080 --> 01:00:39,280
Speaker 1: supporting I think we need to really be listening to

1160
01:00:39,320 --> 01:00:43,280
Speaker 1: this one bright Star. I'm only streaming this. That's so cute.

1161
01:00:43,840 --> 01:00:48,120
Speaker 1: I love my god, I am very I love it.

1162
01:00:48,720 --> 01:00:51,320
Speaker 1: I love that we I love that. Like listen, there's

1163
01:00:51,320 --> 01:00:53,720
Speaker 1: a singer like that. Yeah, I mean the belt at

1164
01:00:53,720 --> 01:00:56,360
Speaker 1: the end of the bridge. It's crazy.

1165
01:00:56,960 --> 01:00:59,040
Speaker 4: And then he puts together a cute little video too,

1166
01:00:59,440 --> 01:01:04,440
Speaker 4: where the boy friend leaves him. Sorry, no, he he

1167
01:01:04,520 --> 01:01:07,160
Speaker 4: gets to he gets to put together a saucy little

1168
01:01:07,240 --> 01:01:09,880
Speaker 4: video where he's got like his like little gay love interest.

1169
01:01:10,000 --> 01:01:12,919
Speaker 4: Then there's like a you know, an errant single tear

1170
01:01:12,960 --> 01:01:14,680
Speaker 4: at the end when they know it's not working, they

1171
01:01:14,680 --> 01:01:15,200
Speaker 4: break up.

1172
01:01:15,560 --> 01:01:21,000
Speaker 1: We love it, punching the guy, little gay singer, little

1173
01:01:21,040 --> 01:01:24,640
Speaker 1: gay singers everywhere Conan's wanted to watch. Have you listened

1174
01:01:24,680 --> 01:01:30,200
Speaker 1: to the demio? What a cool fast and it's like

1175
01:01:30,440 --> 01:01:33,840
Speaker 1: giving it home. It's like locked and Loaded for the

1176
01:01:33,880 --> 01:01:37,960
Speaker 1: gay guys. Is it as the music video out? I'm

1177
01:01:37,960 --> 01:01:39,880
Speaker 1: sure no, but she's been doing a lot of like

1178
01:01:40,120 --> 01:01:43,720
Speaker 1: visual she's sort of giving this describe to everyone what

1179
01:01:43,760 --> 01:01:45,200
Speaker 1: I'm doing just.

1180
01:01:45,160 --> 01:01:48,560
Speaker 2: Walking through a claw a lot of Yeah. Man, that's

1181
01:01:48,560 --> 01:01:51,440
Speaker 2: just kind of posing seductively. I look like Jins from Pokemon.

1182
01:01:51,880 --> 01:01:56,160
Speaker 1: Yes, yes, and like you just give them a little

1183
01:01:56,680 --> 01:02:04,240
Speaker 1: reference gol fast this she Demi. I want a big

1184
01:02:04,240 --> 01:02:06,760
Speaker 1: Demi moment. Cool for the Summer was one of the

1185
01:02:06,760 --> 01:02:11,720
Speaker 1: great peaks of my life. It continues to reappear in

1186
01:02:12,360 --> 01:02:17,360
Speaker 1: beautiful ways. Cool with summer. Should we just like, really,

1187
01:02:17,400 --> 01:02:21,760
Speaker 1: we're going to Petetown? Should we make Cool for the

1188
01:02:21,800 --> 01:02:27,120
Speaker 1: Summer a big thing in Peetown? Yes, just like whenever

1189
01:02:27,200 --> 01:02:30,040
Speaker 1: we get ready. It's always cool for the summer. We

1190
01:02:30,080 --> 01:02:34,200
Speaker 1: can't leave any place without playing it as we leave.

1191
01:02:34,680 --> 01:02:37,360
Speaker 1: This is how I feel about apple cinnamon muffin, which

1192
01:02:37,400 --> 01:02:39,920
Speaker 1: I was gonna say, is your beef stew? How'd you

1193
01:02:39,960 --> 01:02:46,240
Speaker 1: feel huh? How'd you feel? Good? Yeah, I'm but Cool

1194
01:02:46,240 --> 01:02:49,280
Speaker 1: for the Summer is like apple cinnamon muffin. I will

1195
01:02:49,440 --> 01:03:04,240
Speaker 1: never mind it. Yep, you're edged? How about that? You

1196
01:03:04,240 --> 01:03:06,640
Speaker 1: thought we were actually gonna play it. No, it was

1197
01:03:07,320 --> 01:03:10,160
Speaker 1: you're edged you're not getting it. See, and this is

1198
01:03:10,160 --> 01:03:13,240
Speaker 1: what we've been saying for a really long time. Our

1199
01:03:13,400 --> 01:03:18,400
Speaker 1: grandparents will have somewhere over the rambow, our grandchildren will

1200
01:03:18,400 --> 01:03:22,040
Speaker 1: have Cool for the Summer, and we have been saying this.

1201
01:03:22,720 --> 01:03:26,600
Speaker 1: It is number one on the Great Global Song Book.

1202
01:03:26,680 --> 01:03:31,040
Speaker 1: I don't think you're hearing me. I really don't think

1203
01:03:31,080 --> 01:03:36,320
Speaker 1: you're hearing me correctly. The Summer the Summer is number

1204
01:03:36,440 --> 01:03:43,240
Speaker 1: one on the Great Not American Grbal never Americans. So

1205
01:03:44,400 --> 01:03:48,160
Speaker 1: this song stands tall with other winners of our lists,

1206
01:03:48,400 --> 01:03:50,640
Speaker 1: the Iconic four hundred. The number one person of the

1207
01:03:50,680 --> 01:03:54,640
Speaker 1: list is Mariah Carey. The Top two hundred moments in culture,

1208
01:03:54,680 --> 01:03:58,919
Speaker 1: The number one moment in culture was adel Do you Understand?

1209
01:03:59,400 --> 01:04:04,200
Speaker 1: Is the song equivalent of to those to those oh

1210
01:04:04,200 --> 01:04:06,920
Speaker 1: my god, I still don't think they get it is

1211
01:04:06,960 --> 01:04:10,919
Speaker 1: the sick part. You will get it even more. There

1212
01:04:10,920 --> 01:04:13,520
Speaker 1: are a lot of people that are just like you know,

1213
01:04:13,960 --> 01:04:16,600
Speaker 1: like Demila Letto, fast comes out and they don't remember

1214
01:04:16,680 --> 01:04:19,560
Speaker 1: what a Demi era can give. And that's the heart

1215
01:04:19,680 --> 01:04:22,480
Speaker 1: this song is going to get. Chokes me up. It

1216
01:04:22,640 --> 01:04:26,280
Speaker 1: chokes me up. Cool for the Summer. You will understand

1217
01:04:26,360 --> 01:04:26,960
Speaker 1: even more.

1218
01:04:27,480 --> 01:04:32,040
Speaker 2: When we release the five hundred Objects of Culture, Yeah,

1219
01:04:32,200 --> 01:04:34,640
Speaker 2: you will, it will be the equivalent to the number

1220
01:04:34,680 --> 01:04:37,560
Speaker 2: one of that. Let's just say demil Leo's top in

1221
01:04:37,600 --> 01:04:40,880
Speaker 2: that music video is on it. Okay, the top that

1222
01:04:40,960 --> 01:04:44,840
Speaker 2: she wore in that music video is on the list

1223
01:04:44,880 --> 01:04:46,480
Speaker 2: of five hundred things of culture.

1224
01:04:46,520 --> 01:04:50,080
Speaker 1: Should we drink flower Boy? Yes? Okay? So happy birthday,

1225
01:04:50,160 --> 01:04:56,160
Speaker 1: Kyle Cook, Happy birthday. Kyle is birthagey actually is, mister Butula,

1226
01:04:56,560 --> 01:04:59,600
Speaker 1: we are so we're gonna have so did Coyle send

1227
01:04:59,640 --> 01:05:02,680
Speaker 1: you this? Yes? I'm sorry, Kyle. You're in the doghouse

1228
01:05:02,720 --> 01:05:05,960
Speaker 1: with me because Kyle Cook, I was supposed to get

1229
01:05:05,960 --> 01:05:11,600
Speaker 1: some flower Boy and you know I'm a little stoner. Amanda, mister, mister,

1230
01:05:12,280 --> 01:05:15,400
Speaker 1: can I say? Can I say something? What I texted

1231
01:05:15,440 --> 01:05:19,120
Speaker 1: Amanda Batula happy birthday and I did not get a response.

1232
01:05:19,520 --> 01:05:23,400
Speaker 1: I think she's like that cool. Wait, what do you

1233
01:05:23,400 --> 01:05:25,160
Speaker 1: mean she loves you? She was She's gonna text by

1234
01:05:25,240 --> 01:05:27,600
Speaker 1: epy birthday? No she No. I'm saying she doesn't have to.

1235
01:05:27,880 --> 01:05:30,800
Speaker 1: And I'm saying the Kyle that these people, the Kyle

1236
01:05:30,840 --> 01:05:34,560
Speaker 1: and Amanda, while we love them, maybe and maybe it's

1237
01:05:34,600 --> 01:05:36,120
Speaker 1: not meant to be that we're friends with them, you

1238
01:05:36,200 --> 01:05:37,920
Speaker 1: know what I mean, as much as we would like to,

1239
01:05:38,040 --> 01:05:39,960
Speaker 1: maybe it's not. Maybe they're not ready for me. Do

1240
01:05:39,960 --> 01:05:43,280
Speaker 1: you think do you think that our our expectations were

1241
01:05:43,280 --> 01:05:45,640
Speaker 1: too high? I thought we made a real connection with it.

1242
01:05:45,840 --> 01:05:47,640
Speaker 1: We thought we made a real connection with you guys.

1243
01:05:47,840 --> 01:05:49,880
Speaker 1: And we're sitting here, we're drinking flower Boy, and we're

1244
01:05:49,920 --> 01:05:51,040
Speaker 1: just kind of desponding.

1245
01:05:51,040 --> 01:05:52,960
Speaker 2: We just kind of we just missed you, guys, So

1246
01:05:53,000 --> 01:05:56,560
Speaker 2: we we love you. We're gonna drink flower Wed. Happy birthday, Kyle,

1247
01:05:56,600 --> 01:06:00,480
Speaker 2: Cook Cook Watch what happens Like? They asked us if

1248
01:06:00,520 --> 01:06:03,160
Speaker 2: we'd rather fuck you or who was the other?

1249
01:06:03,280 --> 01:06:07,600
Speaker 1: Oh? Jesse, Jesse, And I said you for so many reasons,

1250
01:06:07,720 --> 01:06:10,919
Speaker 1: Yeah no, but your type is Jesse though, And even

1251
01:06:10,920 --> 01:06:12,439
Speaker 1: on the show, I believe that you said your type

1252
01:06:12,480 --> 01:06:14,280
Speaker 1: was Oh no, so it was it wasn't Kyle and Jesse.

1253
01:06:14,400 --> 01:06:16,760
Speaker 1: It was who was it? It was like who would

1254
01:06:16,800 --> 01:06:19,120
Speaker 1: you rather bang? Ky? But it was Kyle's what was

1255
01:06:19,120 --> 01:06:20,760
Speaker 1: just someone else? And Jesse was just someone else? So

1256
01:06:20,880 --> 01:06:26,480
Speaker 1: clearly you ran away with this one. Kyle. Anyway, cheers, cheers,

1257
01:06:27,960 --> 01:06:30,440
Speaker 1: Your skin looks better than ours. I literally said to him.

1258
01:06:30,480 --> 01:06:32,200
Speaker 1: I was like, I turned to him at one point,

1259
01:06:32,240 --> 01:06:33,400
Speaker 1: I think, oh, is this grape?

1260
01:06:33,960 --> 01:06:36,360
Speaker 3: Did you give one?

1261
01:06:36,440 --> 01:06:38,240
Speaker 1: Is that orange? I we can trade? I like the grape.

1262
01:06:38,240 --> 01:06:39,960
Speaker 1: Point I aleast try the sip. Yeah, you don't like

1263
01:06:39,960 --> 01:06:41,840
Speaker 1: the green, Well, this is an ad for flower Boy.

1264
01:06:42,000 --> 01:06:44,480
Speaker 1: I'll take the grape to think. How heart broken we

1265
01:06:44,640 --> 01:06:48,760
Speaker 1: just work? I know, I like the grape. Do you

1266
01:06:48,800 --> 01:06:51,640
Speaker 1: like the orange? I want the orange? Okay, you like

1267
01:06:51,760 --> 01:06:56,440
Speaker 1: the grape. Yes, there's something about grape, the kid grape juice,

1268
01:06:56,440 --> 01:06:59,120
Speaker 1: feeling that like I gotta tell you something. This is

1269
01:06:59,360 --> 01:07:02,760
Speaker 1: actually really fucking good. And I was drinking lover Boy

1270
01:07:02,800 --> 01:07:05,720
Speaker 1: when I when I was just where was that? I

1271
01:07:05,720 --> 01:07:09,880
Speaker 1: guess it was a Memorial Day weekend fourth of July

1272
01:07:10,200 --> 01:07:13,520
Speaker 1: and lover Boy was slapping. Yeah. I was drinking flower

1273
01:07:13,520 --> 01:07:15,680
Speaker 1: Boy during fourth of July as well. Or you were

1274
01:07:15,680 --> 01:07:17,920
Speaker 1: doing lover I was doing flower you were you were

1275
01:07:17,960 --> 01:07:24,960
Speaker 1: on your flower I was on my lover Okay, should

1276
01:07:24,960 --> 01:07:27,120
Speaker 1: we finally talk about culture rewards part? Do we have

1277
01:07:27,120 --> 01:07:27,480
Speaker 1: other things?

1278
01:07:27,640 --> 01:07:27,880
Speaker 3: Okay?

1279
01:07:27,920 --> 01:07:29,440
Speaker 1: So this is I just want to just because I

1280
01:07:29,440 --> 01:07:32,680
Speaker 1: think it's funny. This is the rest of the stuff

1281
01:07:32,960 --> 01:07:36,240
Speaker 1: that I wrote down as potential topics. And I almost

1282
01:07:36,360 --> 01:07:38,640
Speaker 1: never do this, you guys, but this time I was like, yeah,

1283
01:07:38,680 --> 01:07:40,520
Speaker 1: you know, like, let's have a proper culture catchup and

1284
01:07:40,520 --> 01:07:42,800
Speaker 1: talk about all the things. Can you imagine if we

1285
01:07:42,840 --> 01:07:46,800
Speaker 1: commented on Katie Perry and Justin Trudeau's day? I was like,

1286
01:07:47,000 --> 01:07:50,400
Speaker 1: I would what is there even to be said? Two

1287
01:07:50,480 --> 01:07:55,040
Speaker 1: people connected? Okay, can't people just fall in love? Yeah?

1288
01:07:56,240 --> 01:07:59,040
Speaker 1: Leave them alone? Can't people just have a fairy tale

1289
01:07:59,080 --> 01:08:09,000
Speaker 1: romance anymore? Leave them alone? Me? And just like that ended. Yeah, Yeah,

1290
01:08:09,160 --> 01:08:12,919
Speaker 1: it's sad. I think that we will always have Sex

1291
01:08:12,960 --> 01:08:16,680
Speaker 1: and the City and Carrie Bradshaw and watching Sarah Jessica's

1292
01:08:16,720 --> 01:08:22,000
Speaker 1: real about did you watch this so moving? I was

1293
01:08:22,080 --> 01:08:24,679
Speaker 1: just like, wow, that's that's one of the best characters

1294
01:08:24,680 --> 01:08:27,920
Speaker 1: in TV. Honestly, Here's what I'll remember about it, just

1295
01:08:27,960 --> 01:08:33,120
Speaker 1: like that, how hard Sarah Jessica Parker tore, especially in

1296
01:08:33,120 --> 01:08:35,240
Speaker 1: that first season. Ye, when she ran in and she

1297
01:08:35,280 --> 01:08:38,000
Speaker 1: discovered big in that first episode, I'll remember I remember

1298
01:08:38,040 --> 01:08:41,599
Speaker 1: that gagged me. Yep, that they did that so respect

1299
01:08:41,640 --> 01:08:45,360
Speaker 1: on the show's name. For that. I will remember ch Diaz,

1300
01:08:45,479 --> 01:08:49,400
Speaker 1: I will remember Miranda as lesbian in this time capsule.

1301
01:08:50,760 --> 01:08:53,840
Speaker 1: You will you will not only remember, you will cherish it.

1302
01:08:54,360 --> 01:08:59,360
Speaker 1: And I will remember Sema. Yeah, I will remember her,

1303
01:09:00,600 --> 01:09:05,760
Speaker 1: I will remember her. LTW, I wont, but I will

1304
01:09:05,760 --> 01:09:16,200
Speaker 1: remember Sama, I'll remember. Yeah, remember Kristin Davis. There a

1305
01:09:16,200 --> 01:09:21,599
Speaker 1: lot of work opposite animals. Yeah yeah, yeah, well because

1306
01:09:21,600 --> 01:09:25,200
Speaker 1: remember we remember remember when we were like positing, like Okay,

1307
01:09:25,280 --> 01:09:29,599
Speaker 1: if you watch Kristin Davis and LTW scene like it's

1308
01:09:29,640 --> 01:09:33,840
Speaker 1: the Muppets, it's actually really good. But then that just

1309
01:09:33,960 --> 01:09:37,600
Speaker 1: wasn't the same show as the other characters. Can I say, like,

1310
01:09:39,160 --> 01:09:42,680
Speaker 1: we have not talked enough about Charlotte and then just

1311
01:09:42,720 --> 01:09:46,599
Speaker 1: like that as a culture No, I think sometimes it's hard. Well,

1312
01:09:46,960 --> 01:09:52,560
Speaker 1: but there's such a reality distortion around Charlotte and in

1313
01:09:52,840 --> 01:09:58,120
Speaker 1: just like that specifically where like you have you have

1314
01:09:58,320 --> 01:10:02,160
Speaker 1: LTW like forgetting that dad died or having two separate

1315
01:10:02,160 --> 01:10:04,800
Speaker 1: fathers who passed away or just whatever the whole dad.

1316
01:10:04,840 --> 01:10:07,519
Speaker 1: Then my god, then remember in season one, like I

1317
01:10:07,560 --> 01:10:10,360
Speaker 1: took a screen grab of like LG like holding a

1318
01:10:10,439 --> 01:10:12,680
Speaker 1: phone in the wrong way I was speaking of it.

1319
01:10:13,120 --> 01:10:15,400
Speaker 1: Then there's just like a bunch of there's just something busiz.

1320
01:10:15,479 --> 01:10:17,000
Speaker 1: I will just I just will just come out and

1321
01:10:17,040 --> 01:10:21,880
Speaker 1: say there's something bizarre, and any of the story ends

1322
01:10:21,920 --> 01:10:27,400
Speaker 1: involving her child, her children. Yeah, just something I was like,

1323
01:10:27,439 --> 01:10:29,400
Speaker 1: I don't know what's going on. So it happened in

1324
01:10:29,439 --> 01:10:33,160
Speaker 1: another dimension. This is what I'm saying, It's in another demention.

1325
01:10:33,200 --> 01:10:35,240
Speaker 1: This is this is the thing with the lt when

1326
01:10:35,520 --> 01:10:38,720
Speaker 1: with LTW and sometimes when LGW is with Charlotte. And

1327
01:10:38,800 --> 01:10:42,120
Speaker 1: this is my opinion. And listen, I'm on the record

1328
01:10:42,120 --> 01:10:46,960
Speaker 1: as saying lots of things about this show, but this

1329
01:10:47,040 --> 01:10:50,200
Speaker 1: is what I want to leave with. The number one

1330
01:10:50,400 --> 01:10:53,720
Speaker 1: best thing that this show could have done. When it

1331
01:10:53,800 --> 01:10:58,679
Speaker 1: was revealed that LTW had said her father died twice,

1332
01:10:59,000 --> 01:11:02,280
Speaker 1: the number one one thing they should have done absolutely immediately,

1333
01:11:02,320 --> 01:11:05,439
Speaker 1: and I'm disappointed that they didn't, because these are not

1334
01:11:05,479 --> 01:11:08,720
Speaker 1: the third griders that I remember. The third graders that

1335
01:11:08,800 --> 01:11:12,320
Speaker 1: I remember would have made Charlotte wake up in the

1336
01:11:12,360 --> 01:11:16,920
Speaker 1: cold dark of night. She shoots up in bed. She goes,

1337
01:11:16,960 --> 01:11:22,320
Speaker 1: oh my god. Harry says, what what's the matter. She goes,

1338
01:11:22,840 --> 01:11:27,200
Speaker 1: I think I think Lisa Todd has been lying to me.

1339
01:11:27,920 --> 01:11:30,960
Speaker 1: She said her father died two years ago, but she

1340
01:11:31,080 --> 01:11:34,599
Speaker 1: just said he died again. Can't be right, right, Well,

1341
01:11:34,600 --> 01:11:37,040
Speaker 1: I don't know. Why don't you just talk to her? Okay?

1342
01:11:37,680 --> 01:11:39,840
Speaker 1: She wakes up in the morning. She actually goes over

1343
01:11:40,000 --> 01:11:42,840
Speaker 1: lgw's house. She goes, hey, I just wanted to check

1344
01:11:42,840 --> 01:11:45,720
Speaker 1: in because you said your father died twice. Lisa Todd

1345
01:11:45,720 --> 01:11:50,200
Speaker 1: Wikesy goes, oh, did I excuse me a second, leaves

1346
01:11:50,200 --> 01:11:54,000
Speaker 1: the room, comes back with a knife. It's like like

1347
01:11:54,479 --> 01:11:58,559
Speaker 1: full LTW Psycho reveal. Kristin Davis goes and at this

1348
01:11:58,600 --> 01:12:01,280
Speaker 1: point it's like she is it's an action film. She

1349
01:12:01,400 --> 01:12:04,160
Speaker 1: does a dive roll because LTW is throwing the knife.

1350
01:12:04,160 --> 01:12:07,880
Speaker 1: She gets a goune a buzuka. Fuck you, you can't expose me.

1351
01:12:08,439 --> 01:12:14,160
Speaker 1: LTW reveals she's a psycho path. This if you better

1352
01:12:14,200 --> 01:12:15,680
Speaker 1: not be eating on this mic, you're gonna give the

1353
01:12:15,720 --> 01:12:19,400
Speaker 1: mist aphonio girl least a nightmare and a half. Cover

1354
01:12:19,479 --> 01:12:25,719
Speaker 1: your mouth and I and you did get too high.

1355
01:12:26,280 --> 01:12:31,400
Speaker 1: Full Psycho Path LTW reveal is the only way that

1356
01:12:31,400 --> 01:12:33,479
Speaker 1: that show. And I'm sorry it could have kept going,

1357
01:12:33,880 --> 01:12:36,920
Speaker 1: but I'm not seeing the third graders. I remember, should

1358
01:12:36,920 --> 01:12:40,080
Speaker 1: we literally just have this episode be the culture ketchup

1359
01:12:40,160 --> 01:12:42,439
Speaker 1: and then do another one that we put out, which

1360
01:12:42,520 --> 01:12:45,920
Speaker 1: is the Culture Awards recap? Like no, literally, like do

1361
01:12:46,000 --> 01:12:48,360
Speaker 1: it like right after this, like because I don't have

1362
01:12:48,400 --> 01:12:50,559
Speaker 1: that much on here. We did a whole culture catchup.

1363
01:12:50,800 --> 01:12:53,600
Speaker 1: We could in a couple of days do the lost Culture.

1364
01:12:54,240 --> 01:12:56,880
Speaker 1: We're in an hour, seventeen minutes. Okay, yeah, let's let's

1365
01:12:56,880 --> 01:12:59,280
Speaker 1: do Maybe should we do it next week? Should we

1366
01:12:59,320 --> 01:13:02,760
Speaker 1: do what the culture recap? Because maybe we should do

1367
01:13:02,800 --> 01:13:08,120
Speaker 1: that because it gets more people exactly. Okay, Okay, We're

1368
01:13:08,160 --> 01:13:12,240
Speaker 1: not gonna do the Culture Awards recap this time. Hmm.

1369
01:13:12,360 --> 01:13:14,120
Speaker 1: I guess you'll have to. I guess you'll have to

1370
01:13:14,160 --> 01:13:19,280
Speaker 1: really watch it now. This is yes. All I have

1371
01:13:19,360 --> 01:13:22,600
Speaker 1: left on my list is two things. I watched The

1372
01:13:22,680 --> 01:13:28,439
Speaker 1: Hunting Wives on Netflix. Perfect. It's has the potent. I've

1373
01:13:28,479 --> 01:13:30,599
Speaker 1: only watched one episode so far. It has the potential

1374
01:13:30,600 --> 01:13:32,920
Speaker 1: to go full crazy town, and so I think I'm

1375
01:13:32,920 --> 01:13:34,680
Speaker 1: gonna keep going. I think people are this is what

1376
01:13:34,680 --> 01:13:36,880
Speaker 1: people are saying. I have not watched it. I will

1377
01:13:36,920 --> 01:13:40,679
Speaker 1: get to it at some point. Malan Ackerman's character, it's

1378
01:13:40,760 --> 01:13:43,360
Speaker 1: what's that my laundry? I'm sorry, Oh my god, that

1379
01:13:43,479 --> 01:13:51,880
Speaker 1: beautiful song. It's really good. Malan Ackerman's character, I can

1380
01:13:51,880 --> 01:13:55,240
Speaker 1: tell is gonna be some sort of fem fatale, really

1381
01:13:55,360 --> 01:13:57,840
Speaker 1: sort of eating and showing the scenery, and you can

1382
01:13:57,880 --> 01:14:01,799
Speaker 1: tell she fucks everybody and what's Brittany Snow giving. Brittany

1383
01:14:01,840 --> 01:14:04,599
Speaker 1: Snow right now is giving. I'm a little bit nervous

1384
01:14:04,680 --> 01:14:06,120
Speaker 1: to be here, and you can tell I have a

1385
01:14:06,120 --> 01:14:09,000
Speaker 1: little bit of an anxiety problem. Then it's a little

1386
01:14:09,000 --> 01:14:11,639
Speaker 1: bit like meep, you know what I mean. Like, but

1387
01:14:11,640 --> 01:14:14,720
Speaker 1: but I think what's coming is going to be a

1388
01:14:14,840 --> 01:14:18,639
Speaker 1: full opposite of meap situation. You guys know what meat means, right,

1389
01:14:18,680 --> 01:14:22,400
Speaker 1: like mep. You know, imagine the face that Bowen and

1390
01:14:22,439 --> 01:14:26,000
Speaker 1: I are making when we do this. She like, that's

1391
01:14:26,040 --> 01:14:28,559
Speaker 1: you know what I mean, Like the least horny thing

1392
01:14:28,560 --> 01:14:30,800
Speaker 1: in the world is to be meep. It's actually like

1393
01:14:31,240 --> 01:14:33,880
Speaker 1: there's a there's like a one through ten scale, and

1394
01:14:33,880 --> 01:14:38,320
Speaker 1: at a zero is meep, and at a ten is horny, right, meap.

1395
01:14:39,320 --> 01:14:41,680
Speaker 1: So that's sort of like Britney Stow's vibe in the

1396
01:14:41,680 --> 01:14:46,200
Speaker 1: first episode. But she's absolutely licking her chops at Malin Ackerman,

1397
01:14:46,240 --> 01:14:48,680
Speaker 1: who's sort of this like sexy va voom, like so

1398
01:14:48,720 --> 01:14:50,639
Speaker 1: they're gonna get together. I'm gonna get dressed in front

1399
01:14:50,680 --> 01:14:53,479
Speaker 1: of you, like sorry, babe, like that kind of vibe.

1400
01:14:53,800 --> 01:14:57,400
Speaker 1: And we've already seen Melan Ackerman teach Brittany Snow how

1401
01:14:57,439 --> 01:15:01,840
Speaker 1: to drive and how to shoot a gun, so her

1402
01:15:01,880 --> 01:15:05,719
Speaker 1: fingers are basically already inside her and I wow, wait

1403
01:15:05,840 --> 01:15:07,800
Speaker 1: to see this pop off guy. And I think it's

1404
01:15:07,800 --> 01:15:10,160
Speaker 1: really gonna pop off. I realized that's what it was about.

1405
01:15:10,200 --> 01:15:12,519
Speaker 1: Oh yeah, it's like it's I think it's about to

1406
01:15:12,520 --> 01:15:17,080
Speaker 1: be giving, like psycho sexual, lesbian cult crazy. That's at

1407
01:15:17,160 --> 01:15:20,639
Speaker 1: least what the first episode is giving. Because Malan Ackerman

1408
01:15:20,680 --> 01:15:22,400
Speaker 1: has like another female friend that you can tell is

1409
01:15:22,439 --> 01:15:24,920
Speaker 1: like obsessed with her, and so she's like, I'm gonna

1410
01:15:24,920 --> 01:15:26,240
Speaker 1: go hang out with Britney Snow and now I don't

1411
01:15:26,240 --> 01:15:31,719
Speaker 1: see you later. And the other one is like, but wait,

1412
01:15:32,439 --> 01:15:36,240
Speaker 1: I was supposed to go with you tonight, and she's like, whatever,

1413
01:15:36,320 --> 01:15:41,040
Speaker 1: I'm gonna go hang with Brittany Snow. But Malan, Malan,

1414
01:15:42,400 --> 01:15:48,200
Speaker 1: Malan Ackerman, stop stop stepping so uncool. I'm gonna go

1415
01:15:48,200 --> 01:15:50,519
Speaker 1: hang out with Brittany Snow and drive and do donuts

1416
01:15:50,560 --> 01:15:56,160
Speaker 1: in a parking lot in my truck, Malan. And they're there,

1417
01:15:56,240 --> 01:15:58,880
Speaker 1: And where does the hunting and the wives come in?

1418
01:15:59,080 --> 01:16:03,080
Speaker 1: Girl has yet to be seen. Where what are they?

1419
01:16:03,200 --> 01:16:08,040
Speaker 1: They're all like they're like they're like it's more politics,

1420
01:16:08,040 --> 01:16:15,760
Speaker 1: like Dylan Er not Dylan m is like he's like

1421
01:16:15,760 --> 01:16:18,040
Speaker 1: a god in Texas who might be thin't gonna run

1422
01:16:18,040 --> 01:16:20,639
Speaker 1: it for governor And like this is like his wife

1423
01:16:20,680 --> 01:16:23,680
Speaker 1: is Malan Ackerman and her friends, so like we're the wives.

1424
01:16:25,800 --> 01:16:30,320
Speaker 1: Brittany Snow is like, I'm you, but do you not

1425
01:16:30,479 --> 01:16:33,360
Speaker 1: eat on that mic you're expecting I'm sorry, you're expecting

1426
01:16:33,360 --> 01:16:35,960
Speaker 1: a flip Like Brittany Snow is going to be like

1427
01:16:36,479 --> 01:16:39,519
Speaker 1: on that bit. I think Brittany Snow is going to

1428
01:16:39,600 --> 01:16:42,519
Speaker 1: get to be quite frank with you. Her pussy eaten

1429
01:16:42,720 --> 01:16:46,600
Speaker 1: by Malan Ackerman. And I think that's the thing that's shocking.

1430
01:16:46,760 --> 01:16:50,880
Speaker 1: I think that that is going to unlock treasures undoad

1431
01:16:51,600 --> 01:16:54,679
Speaker 1: treasures until it's the second time it's come up. So, yes,

1432
01:16:55,120 --> 01:16:58,400
Speaker 1: treasure isn't told. I'm sure. I'm sure we've said titled

1433
01:16:58,560 --> 01:17:04,360
Speaker 1: the past Treasure's sun Told, High Potential. Now I'm just

1434
01:17:04,400 --> 01:17:07,920
Speaker 1: repeating a title without I don't think Treasures Untold has

1435
01:17:07,920 --> 01:17:11,360
Speaker 1: been a title. I'm saying it. I think it sounds

1436
01:17:11,360 --> 01:17:13,960
Speaker 1: like what which means it's a good idea. I feel

1437
01:17:14,000 --> 01:17:14,280
Speaker 1: like it.

1438
01:17:14,320 --> 01:17:19,960
Speaker 2: Sounds so wonderfully non specific to any other time in

1439
01:17:19,960 --> 01:17:21,640
Speaker 2: her life when we were recording this.

1440
01:17:23,040 --> 01:17:26,600
Speaker 1: I think maybe the word untold, I'm sure untold, and

1441
01:17:26,680 --> 01:17:33,040
Speaker 1: the word treasure is lost culturistus Treasure's untold treasure, like

1442
01:17:33,120 --> 01:17:37,800
Speaker 1: we really could untold. Okay, let's see. I don't think

1443
01:17:37,840 --> 01:17:43,760
Speaker 1: so treasures. No, but there's another podcast called Treasures on Told. Well,

1444
01:17:43,760 --> 01:17:46,080
Speaker 1: it's something to think about. What are title that is

1445
01:17:46,120 --> 01:17:50,400
Speaker 1: going to be? I think treasure's untold? Maybe exclamation point?

1446
01:17:50,680 --> 01:17:55,240
Speaker 1: How about that? I love that Treasure's untold? Treasures untold?

1447
01:17:55,240 --> 01:17:57,519
Speaker 1: What else is on the list of the valley on Bravo?

1448
01:17:57,600 --> 01:17:59,639
Speaker 1: I said, so dark? And this actually does lead into

1449
01:17:59,640 --> 01:18:02,599
Speaker 1: my own so honey. That's great because I knew after

1450
01:18:02,720 --> 01:18:05,800
Speaker 1: season two, episode one, after I started this season, I

1451
01:18:05,880 --> 01:18:12,559
Speaker 1: was like, no, this is gonna be too much. Okay,

1452
01:18:12,600 --> 01:18:13,880
Speaker 1: I have mine. I don't think so, honey. And this

1453
01:18:13,960 --> 01:18:15,640
Speaker 1: is I don't think so honey. It's our segment on

1454
01:18:15,720 --> 01:18:18,000
Speaker 1: the podcast where we take one minute to rail and

1455
01:18:18,040 --> 01:18:22,400
Speaker 1: Morgan something in culture that's been really bad towards us,

1456
01:18:22,880 --> 01:18:26,200
Speaker 1: its own community, and I think kind of this case,

1457
01:18:26,200 --> 01:18:28,559
Speaker 1: it's both. I think it's bad for the world. Okay,

1458
01:18:28,560 --> 01:18:30,320
Speaker 1: here we go. This is Matt Rogers. I don't think

1459
01:18:30,320 --> 01:18:32,360
Speaker 1: so Many's time starts down. I don't think so honey,

1460
01:18:32,479 --> 01:18:36,960
Speaker 1: Jax Taylor, Jax Taylor discourse Jax Taylor on television. It

1461
01:18:37,040 --> 01:18:40,559
Speaker 1: isn't done. It's a rap, I know that, Like it's

1462
01:18:40,600 --> 01:18:44,440
Speaker 1: pretty much already out there like that it is officially

1463
01:18:44,439 --> 01:18:46,240
Speaker 1: a rap on the Jack Taylor of it all. But

1464
01:18:46,760 --> 01:18:49,960
Speaker 1: my god, I think it's actually like just hurting our

1465
01:18:50,000 --> 01:18:53,040
Speaker 1: spirits and souls to watch them in this world where

1466
01:18:53,080 --> 01:18:54,960
Speaker 1: we have to really take stock of how we spend

1467
01:18:55,000 --> 01:18:57,519
Speaker 1: every minute of our life because nothing is promised, Like

1468
01:18:57,960 --> 01:19:02,800
Speaker 1: you can't spend it watching the Valley is Jax Taylor

1469
01:19:02,880 --> 01:19:04,400
Speaker 1: is going to be the center of it. Like I

1470
01:19:04,520 --> 01:19:07,559
Speaker 1: like a lot of those people. I enjoyed the show

1471
01:19:07,600 --> 01:19:11,559
Speaker 1: the first season a lot, just like got so dark

1472
01:19:11,600 --> 01:19:16,040
Speaker 1: with Jackson. He's really really really brutal towards his wife

1473
01:19:16,160 --> 01:19:20,160
Speaker 1: and it's just sad because there's kids involved, and just

1474
01:19:20,200 --> 01:19:23,240
Speaker 1: like yikes, and then elsewhere you look elsewhere and like

1475
01:19:23,560 --> 01:19:26,080
Speaker 1: Jesse and Michelle just trying to ruin each other, Like

1476
01:19:26,240 --> 01:19:30,439
Speaker 1: really it's just second but like Jesse is awful. It's

1477
01:19:30,439 --> 01:19:32,799
Speaker 1: just the whole thing. Wolf. I can't with Jackson anymore.

1478
01:19:32,880 --> 01:19:37,519
Speaker 2: The next one minute, No, there's just secondary I was

1479
01:19:37,680 --> 01:19:40,080
Speaker 2: I was holding the jacks thing obviously, the Jacks thing

1480
01:19:40,160 --> 01:19:42,679
Speaker 2: is as you are saying, much darker. But the Jesse

1481
01:19:42,760 --> 01:19:45,960
Speaker 2: Michelle thing grated on me in such a crazy way.

1482
01:19:46,200 --> 01:19:48,720
Speaker 2: It was like watching the two of them argue or

1483
01:19:48,760 --> 01:19:51,160
Speaker 2: the way the way they were acting individually or together,

1484
01:19:51,840 --> 01:19:52,639
Speaker 2: I was like, this.

1485
01:19:52,800 --> 01:19:59,320
Speaker 1: Is it's justvision. It's like there's nothing, there's no caloric

1486
01:19:59,560 --> 01:20:02,040
Speaker 1: and are value there. It only just makes you feel

1487
01:20:02,040 --> 01:20:05,320
Speaker 1: like empty and bad. Like and also it's like it's

1488
01:20:05,320 --> 01:20:07,800
Speaker 1: a shame because the first season, I don't know what

1489
01:20:07,960 --> 01:20:11,040
Speaker 1: it is sometimes because it's like it might be something

1490
01:20:11,080 --> 01:20:14,600
Speaker 1: with that group in particular, because like it feels like

1491
01:20:14,880 --> 01:20:18,280
Speaker 1: nothing can be light. It's like vander rules had to

1492
01:20:18,439 --> 01:20:21,400
Speaker 1: end the valley. I don't know how that continues. It's

1493
01:20:21,479 --> 01:20:23,800
Speaker 1: just like we don't have fun together. Something about that

1494
01:20:23,880 --> 01:20:27,559
Speaker 1: group of people. Something I'm gonna keep. I'm gonna like

1495
01:20:27,560 --> 01:20:29,600
Speaker 1: excise Kristen.

1496
01:20:29,320 --> 01:20:33,160
Speaker 2: Doty the way like really like I really missed her

1497
01:20:33,240 --> 01:20:36,160
Speaker 2: when she was none on my TV or like just

1498
01:20:36,200 --> 01:20:37,280
Speaker 2: like gone from vander Pump.

1499
01:20:37,360 --> 01:20:39,280
Speaker 1: Yeah, but like not like I don't know, there's just

1500
01:20:39,320 --> 01:20:42,559
Speaker 1: something about it that's just like, oh, that's that's that

1501
01:20:42,400 --> 01:20:46,679
Speaker 1: that vibration is bringing in. Yeah, it's other other other

1502
01:20:47,040 --> 01:20:50,799
Speaker 1: like behavior like that other bad behavior. There's there's people

1503
01:20:50,840 --> 01:20:54,000
Speaker 1: on the show that feel low vibration, yes, like and

1504
01:20:54,520 --> 01:20:57,800
Speaker 1: Jack's the energy is so darkening. Oh, I'm just like,

1505
01:20:58,400 --> 01:21:00,360
Speaker 1: And then there are people on the show that I

1506
01:21:00,400 --> 01:21:05,479
Speaker 1: really like individually and like, you know, like we love

1507
01:21:05,520 --> 01:21:08,880
Speaker 1: Sheena Sheet in this house. But also it's like when

1508
01:21:09,200 --> 01:21:11,680
Speaker 1: when certain people are mixed together, but we also love

1509
01:21:11,720 --> 01:21:14,360
Speaker 1: like Ari Automatics. I'm like, why, It's like we watched

1510
01:21:14,439 --> 01:21:16,680
Speaker 1: the show and it's just like maybe this group of

1511
01:21:16,760 --> 01:21:20,760
Speaker 1: people like is too triggered by each other because all

1512
01:21:20,800 --> 01:21:24,080
Speaker 1: they know is this reality TV experience of like trying

1513
01:21:24,080 --> 01:21:26,760
Speaker 1: to fuck each other up. So it's like, I'm not

1514
01:21:26,840 --> 01:21:31,960
Speaker 1: saying they're not all individually like you know, in most

1515
01:21:31,960 --> 01:21:37,160
Speaker 1: cases certainly not Jackx's, but like you know, should be

1516
01:21:37,280 --> 01:21:39,599
Speaker 1: on television in some way. But I think just this

1517
01:21:39,720 --> 01:21:45,880
Speaker 1: configuration is feeling like it's done. I agree, Yeah, I

1518
01:21:45,960 --> 01:21:47,640
Speaker 1: just I really gave up a long time ago, and

1519
01:21:47,680 --> 01:21:50,760
Speaker 1: I feel bad about it. Don't feel bad because you

1520
01:21:50,880 --> 01:21:54,479
Speaker 1: chose you, Yes, do you have? I don't think so, honey,

1521
01:21:54,640 --> 01:21:59,760
Speaker 1: I do well fabulous because I know everyone's charming at

1522
01:21:59,760 --> 01:22:02,280
Speaker 1: the bit to hear this is bowing. I don't think

1523
01:22:02,280 --> 01:22:05,360
Speaker 1: so honey, as time starts now, I don't think so, Honey, Email,

1524
01:22:05,920 --> 01:22:11,920
Speaker 1: there have been no real meaningful advancements in you for many,

1525
01:22:11,960 --> 01:22:17,280
Speaker 1: many years. The language around you has gotten only worse.

1526
01:22:19,920 --> 01:22:23,639
Speaker 1: For my last I'm not gonna like rattle off office speaking.

1527
01:22:23,720 --> 01:22:25,960
Speaker 1: We're seeing the way that we as human beings have

1528
01:22:27,120 --> 01:22:29,680
Speaker 1: learned to speak to each other through because of the

1529
01:22:29,760 --> 01:22:33,920
Speaker 1: formal limitations of email. Is actually really scared about many seconds,

1530
01:22:34,120 --> 01:22:37,520
Speaker 1: like why do I have to type two full paragraphs

1531
01:22:37,600 --> 01:22:39,599
Speaker 1: of like fluff before I get to the meat, to

1532
01:22:39,640 --> 01:22:41,439
Speaker 1: the to the meet or the mirror or the bone

1533
01:22:41,520 --> 01:22:45,080
Speaker 1: or whatever of why I'm communicating with you? Like other

1534
01:22:45,200 --> 01:22:48,160
Speaker 1: forms of communication are so much more direct, so much faster,

1535
01:22:48,320 --> 01:22:50,960
Speaker 1: there's an expectation of when someone responds to you. There's

1536
01:22:51,000 --> 01:22:52,960
Speaker 1: none of that in email, and is lawless, and it

1537
01:22:53,000 --> 01:22:56,320
Speaker 1: has not advanced, as I've said meaningfully. There was a

1538
01:22:56,479 --> 01:22:59,200
Speaker 1: time when Google was trying to do Google Wave, the

1539
01:22:59,280 --> 01:23:03,160
Speaker 1: answer to anyvating on the way emails should work, threads

1540
01:23:03,200 --> 01:23:05,559
Speaker 1: and docks and all these things. It was a huge failure.

1541
01:23:05,680 --> 01:23:08,840
Speaker 1: But email is the canker in the state, and that

1542
01:23:08,920 --> 01:23:13,160
Speaker 1: is one minute okay, so I'm bad at it, and

1543
01:23:13,160 --> 01:23:15,360
Speaker 1: then I can own that why do you think you're

1544
01:23:15,360 --> 01:23:20,120
Speaker 1: bad because it is a bad medium. Okay, but when

1545
01:23:20,200 --> 01:23:23,120
Speaker 1: you can I ask about your thing that you said

1546
01:23:23,160 --> 01:23:26,920
Speaker 1: about two paragraphs or semi paragraphs of fluff before you

1547
01:23:26,960 --> 01:23:29,479
Speaker 1: get to the marrow or the meat of your email.

1548
01:23:30,280 --> 01:23:32,519
Speaker 1: That's like a lot of initial emails, right like, especially

1549
01:23:32,520 --> 01:23:34,920
Speaker 1: in our industry. But it's like, or you gotta get

1550
01:23:35,000 --> 01:23:37,639
Speaker 1: right to the chase. I do you see me emailing?

1551
01:23:38,439 --> 01:23:39,920
Speaker 2: And I was saying, why do I have to do

1552
01:23:39,960 --> 01:23:42,880
Speaker 2: that in a way that is actually not something that

1553
01:23:42,920 --> 01:23:45,360
Speaker 2: I do. I'm saying, like I'm using, I'm swapping myself

1554
01:23:45,360 --> 01:23:49,320
Speaker 2: and as I would have softened the argument because acatory. Yeah,

1555
01:23:49,360 --> 01:23:52,280
Speaker 2: like so many emails that I get m M are

1556
01:23:52,360 --> 01:23:58,720
Speaker 2: like big chunks of you know, just like introductory lovely pleasantries,

1557
01:23:59,120 --> 01:24:01,400
Speaker 2: which I and it is the thing that you have

1558
01:24:01,479 --> 01:24:01,720
Speaker 2: to do.

1559
01:24:01,760 --> 01:24:04,840
Speaker 1: But we all feel like it's compulsory because that's that's

1560
01:24:04,840 --> 01:24:07,479
Speaker 1: what the rules, the quote unquote rules of email are.

1561
01:24:07,880 --> 01:24:10,320
Speaker 1: I'm sick of them. Do you know what I'm talking about? Yeah,

1562
01:24:10,360 --> 01:24:13,559
Speaker 1: it's like like you're you're talking about the pageantry of

1563
01:24:15,160 --> 01:24:18,240
Speaker 1: hi bowen, hope you're well, hope you're well, and that

1564
01:24:18,400 --> 01:24:24,800
Speaker 1: everything is yep, yep, has been amazing, Miss Holiday. In

1565
01:24:24,880 --> 01:24:28,280
Speaker 1: amidst all this, I hope you're not holding up. Okay,

1566
01:24:28,360 --> 01:24:34,599
Speaker 1: amidst all this is so real looping following up adding

1567
01:24:34,680 --> 01:24:35,120
Speaker 1: this person.

1568
01:24:35,640 --> 01:24:39,720
Speaker 2: There's just there's just bullshit sentences that float around in

1569
01:24:39,720 --> 01:24:42,240
Speaker 2: our brains now because email is fucking dusty.

1570
01:24:42,439 --> 01:24:46,880
Speaker 1: So how would you prefer we act on email? Like

1571
01:24:46,920 --> 01:24:49,560
Speaker 1: if I if I was to add someone to we

1572
01:24:49,920 --> 01:24:52,240
Speaker 1: don't have to do dothing about email. There's no getting out,

1573
01:24:52,240 --> 01:24:54,479
Speaker 1: there's no changing it. I'm just saying I prefer you

1574
01:24:54,680 --> 01:24:58,160
Speaker 1: prefer text. And Matt's asking, Matt's acting the guy like

1575
01:24:58,240 --> 01:25:03,240
Speaker 1: raised Dan to slap him. I just gesticulating scares me.

1576
01:25:04,000 --> 01:25:07,439
Speaker 1: He scares me. Do you know what I'm saying? Yeah?

1577
01:25:07,560 --> 01:25:10,280
Speaker 1: Text is just so much more direct. There's an expectation

1578
01:25:10,360 --> 01:25:12,160
Speaker 1: like within if I don't respond to you in twenty four hours,

1579
01:25:12,200 --> 01:25:15,240
Speaker 1: then something's wrong. You know what I mean? Yeah? Okay.

1580
01:25:15,280 --> 01:25:17,200
Speaker 1: If people can hide in the bushes of emails or

1581
01:25:17,439 --> 01:25:21,559
Speaker 1: strengtabilizing these things differently, I feel like if I don't

1582
01:25:21,600 --> 01:25:24,080
Speaker 1: get back to your text, it's like easier for me

1583
01:25:24,160 --> 01:25:26,840
Speaker 1: to get away with that than it is for me

1584
01:25:26,960 --> 01:25:29,080
Speaker 1: to not respond to your email. I feel like an

1585
01:25:29,080 --> 01:25:33,600
Speaker 1: email I feel like an email is like an official correspondence.

1586
01:25:33,640 --> 01:25:36,439
Speaker 1: It's like I sent you an email. There's like an intention.

1587
01:25:36,600 --> 01:25:39,040
Speaker 1: I'm with you. I'm with you with text. Maybe this

1588
01:25:39,160 --> 01:25:41,120
Speaker 1: is just the way I am about it, but it

1589
01:25:41,120 --> 01:25:43,320
Speaker 1: feels a lot more casual. If I miss your text,

1590
01:25:43,320 --> 01:25:45,320
Speaker 1: if I don't get back to you on your text,

1591
01:25:45,920 --> 01:25:48,840
Speaker 1: a million other things could have happened. If I don't

1592
01:25:48,840 --> 01:25:52,040
Speaker 1: get back to you on email, even more million things

1593
01:25:52,040 --> 01:25:54,680
Speaker 1: could have happened. This is what I'm saying, Like, I

1594
01:25:54,720 --> 01:25:57,400
Speaker 1: don't know why I'm separating these two. I kind of

1595
01:25:57,439 --> 01:25:59,639
Speaker 1: see where you're going with this. Because text is more casual,

1596
01:25:59,680 --> 01:26:02,080
Speaker 1: I guess more person a person direct, I would say,

1597
01:26:02,160 --> 01:26:05,520
Speaker 1: I would say text is less casual, it's more emotional,

1598
01:26:05,600 --> 01:26:09,519
Speaker 1: has a different emotional register for people as they communicate

1599
01:26:09,520 --> 01:26:12,840
Speaker 1: through it. Because having someone's number is a different thing

1600
01:26:12,840 --> 01:26:16,960
Speaker 1: than having someone's email. That's interesting, do you know what

1601
01:26:17,000 --> 01:26:21,320
Speaker 1: I mean? So like if I have someone's if I

1602
01:26:21,320 --> 01:26:24,840
Speaker 1: have this person's number, then it's like, oh, okay, this

1603
01:26:24,880 --> 01:26:27,320
Speaker 1: is where this is where I'm separating from you in

1604
01:26:27,320 --> 01:26:30,240
Speaker 1: the woods. I believe, okay, because for me, email is

1605
01:26:30,280 --> 01:26:33,559
Speaker 1: professional and text is personal. So if you have my

1606
01:26:33,600 --> 01:26:36,240
Speaker 1: phone number, I see I'm with and you reach out

1607
01:26:36,240 --> 01:26:38,760
Speaker 1: to me and you text me, that to me does

1608
01:26:38,800 --> 01:26:41,439
Speaker 1: not fall under professional. It's if you were to be

1609
01:26:41,560 --> 01:26:46,280
Speaker 1: professional with me over text that that would be not inappropriate.

1610
01:26:46,400 --> 01:26:49,599
Speaker 1: But like I'm not taking things over text as seriously

1611
01:26:49,640 --> 01:26:52,200
Speaker 1: as I am over email. So maybe that's the separation.

1612
01:26:52,760 --> 01:26:56,360
Speaker 1: Interesting because and I think where the separation is because

1613
01:26:56,400 --> 01:26:58,160
Speaker 1: I'm with you the whole the whole way.

1614
01:26:58,720 --> 01:27:01,439
Speaker 2: I'm like, if you out to me over email with

1615
01:27:01,479 --> 01:27:04,000
Speaker 2: an official kind of correspondence that I have to like

1616
01:27:04,080 --> 01:27:06,280
Speaker 2: that wade through, that I have to wag through and

1617
01:27:06,280 --> 01:27:08,720
Speaker 2: that is actionable for me in some way where I

1618
01:27:08,760 --> 01:27:14,120
Speaker 2: have to like respond, I'm like, I'm just gonna let

1619
01:27:14,120 --> 01:27:16,200
Speaker 2: this sit here because I've got like more of these

1620
01:27:16,200 --> 01:27:19,519
Speaker 2: coming from people that I don't know from fuckingm you know.

1621
01:27:19,520 --> 01:27:19,960
Speaker 1: What I mean.

1622
01:27:20,439 --> 01:27:22,680
Speaker 2: And then like I like, I'm sure, like it's the

1623
01:27:22,680 --> 01:27:25,200
Speaker 2: same for you, Like a lot of these official correspondences

1624
01:27:26,240 --> 01:27:29,080
Speaker 2: if they do have to do with work in our jobs,

1625
01:27:29,120 --> 01:27:29,920
Speaker 2: and like other.

1626
01:27:29,720 --> 01:27:32,240
Speaker 1: People mediate that for us. Yeah, you know what I mean.

1627
01:27:33,000 --> 01:27:35,479
Speaker 2: So that's why I'm like email is so like low

1628
01:27:35,520 --> 01:27:38,479
Speaker 2: stakes in terms of feel like you communicate on email

1629
01:27:38,520 --> 01:27:43,559
Speaker 2: in a way you never would No, no, no, generally generally, Yeah,

1630
01:27:43,840 --> 01:27:44,480
Speaker 2: the world.

1631
01:27:44,520 --> 01:27:49,120
Speaker 1: The world, Yeah, acts on email like crazy, like crazy

1632
01:27:49,160 --> 01:27:52,639
Speaker 1: fools like the rules of Eve to you and said,

1633
01:27:52,680 --> 01:27:55,160
Speaker 1: hope you're well. You'd be like, where's the call? You'd

1634
01:27:55,160 --> 01:27:58,560
Speaker 1: be hey where you say? Hey Robot, where's Stepford? Wives?

1635
01:27:58,960 --> 01:28:02,360
Speaker 1: What did you do with my that's friend? What did

1636
01:28:02,400 --> 01:28:04,960
Speaker 1: you do with him? And then you see me in

1637
01:28:05,000 --> 01:28:14,840
Speaker 1: the corner? Please you rip off the duct tape? I go, oh,

1638
01:28:14,880 --> 01:28:23,280
Speaker 1: that's an important thing. Ah, he went that way. Your

1639
01:28:23,320 --> 01:28:25,439
Speaker 1: mouth hurts so bad, but you can't touch it because

1640
01:28:25,439 --> 01:28:30,400
Speaker 1: you're still gagged from behind. Not gagged from behind. I

1641
01:28:30,400 --> 01:28:34,960
Speaker 1: guess tied up. Being tied up is being gagged from behind.

1642
01:28:34,960 --> 01:28:37,840
Speaker 1: It's actually really culture number fifty nine. Being tied up,

1643
01:28:38,000 --> 01:28:42,760
Speaker 1: being gagged from behind kind of hot and horny. So listen,

1644
01:28:42,840 --> 01:28:44,880
Speaker 1: we've both I don't think so, No, honeys. We've talked

1645
01:28:44,880 --> 01:28:47,439
Speaker 1: about everything in culture. I think if we missed something.

1646
01:28:47,880 --> 01:28:50,240
Speaker 1: Quite honestly, what I would say to you is fuck off,

1647
01:28:50,640 --> 01:28:54,240
Speaker 1: because we really tried very hard today and you broke ass.

1648
01:28:54,479 --> 01:28:59,679
Speaker 1: We broke ass. Okay, well, stay tuned for our recap episode.

1649
01:28:59,760 --> 01:29:03,519
Speaker 1: Yeah for that, because the thing is, like, there was

1650
01:29:03,560 --> 01:29:05,840
Speaker 1: actually too much pop culture to get to, and I

1651
01:29:05,880 --> 01:29:07,800
Speaker 1: do think it's a good idea to encourage people to

1652
01:29:07,800 --> 01:29:09,479
Speaker 1: still stream the show. I think so, I don't. I

1653
01:29:09,520 --> 01:29:14,320
Speaker 1: think that's not it's not spoil the soup. Sposed to

1654
01:29:14,439 --> 01:29:20,599
Speaker 1: soup next week. This is a reference to the winner

1655
01:29:20,880 --> 01:29:23,439
Speaker 1: of the Matt Rogers Most Matt Rogers Coded Award and

1656
01:29:23,720 --> 01:29:26,639
Speaker 1: a nominee for Record of the Year. And one thing

1657
01:29:26,680 --> 01:29:29,560
Speaker 1: I will say is that Remy Wolf absolutely destroyed her performance.

1658
01:29:29,640 --> 01:29:32,360
Speaker 1: And I'm sure that's so surprise. So talk about this

1659
01:29:32,400 --> 01:29:36,400
Speaker 1: next week when the discourse has settled for now, just

1660
01:29:36,520 --> 01:29:39,720
Speaker 1: discourse about everything else. Bye, Oh we don't we have

1661
01:29:40,160 --> 01:29:44,840
Speaker 1: every episode? What the fuck? It's okay, it's okay. Why

1662
01:29:44,840 --> 01:29:48,680
Speaker 1: did you forget? I'm sorry because you're high. And I

1663
01:29:48,720 --> 01:29:50,400
Speaker 1: want you to know how many times I've had to

1664
01:29:50,400 --> 01:29:53,479
Speaker 1: stop him from eating on the mic. No, no, don't,

1665
01:29:53,560 --> 01:29:56,519
Speaker 1: I don't hear the end every episode of the song

1666
01:29:57,040 --> 01:30:03,280
Speaker 1: so Delicious. They stay in the gym, just working on

1667
01:30:03,479 --> 01:30:07,599
Speaker 1: the fitness. He's witness. I put them boys on and

1668
01:30:07,640 --> 01:30:11,040
Speaker 1: they down the block just watched what I got.

1669
01:30:11,240 --> 01:30:25,280
Speaker 3: So delicious, ilicious, very delicious delicious.

1670
01:30:26,080 --> 01:30:30,519
Speaker 1: That's it's says, But it's amazing, it's so good. And

1671
01:30:30,760 --> 01:30:36,360
Speaker 1: remember glamorous. Oh, I glamorous, I miss glamorous. I missed

1672
01:30:36,439 --> 01:30:39,160
Speaker 1: that year two and seven. Well, did you know how

1673
01:30:39,240 --> 01:30:40,840
Speaker 1: he used to be able to ride the Hollywood Rip

1674
01:30:40,880 --> 01:30:43,280
Speaker 1: Ride Rocket in Universal Studios, Florida and play the song

1675
01:30:43,320 --> 01:30:47,920
Speaker 1: grab Fly Flamorous Glamorous by Ergie. You can't do that anymore.

1676
01:30:47,960 --> 01:30:51,840
Speaker 1: And also they're tearing it down. Have you thought about that? No?

1677
01:30:52,000 --> 01:30:57,560
Speaker 1: I can't think about that. By last. Culturacis is the

1678
01:30:57,560 --> 01:30:59,479
Speaker 1: production by Will Ferrell's Big Money Players in the Heart

1679
01:30:59,560 --> 01:31:03,000
Speaker 1: radio podeat, created and hosted by Matt Rogers and Bowen,

1680
01:31:03,080 --> 01:31:07,000
Speaker 1: yet executive produced by Anna Hasnier and produced by Beck Ramos,

1681
01:31:07,080 --> 01:31:09,360
Speaker 1: edited mixed by Doug Bami and Nikola Board and our

1682
01:31:09,439 --> 01:31:10,920
Speaker 1: music is by Henry Berski