1 00:00:00,680 --> 00:00:03,600 Speaker 1: This is Alec Baldwin and you're listening to Here's the 2 00:00:03,680 --> 00:00:09,480 Speaker 1: Thing from iHeart Radio. Come on, admit it. If you're 3 00:00:09,600 --> 00:00:13,520 Speaker 1: my age, you remember exactly where you were when you 4 00:00:13,560 --> 00:00:27,960 Speaker 1: first heard this. That's the sound of twenty five year 5 00:00:27,960 --> 00:00:31,120 Speaker 1: old Peter Frampton performing what would become one of the 6 00:00:31,160 --> 00:00:34,960 Speaker 1: top selling live records of all time. It was nineteen 7 00:00:35,040 --> 00:00:48,199 Speaker 1: seventy five, and Frampton Comes Alive would change his life. 8 00:00:49,880 --> 00:00:53,080 Speaker 1: He was young, but hardly a newcomer. By then, he'd 9 00:00:53,120 --> 00:00:56,480 Speaker 1: already made four solo records for Herb Albert and Jerry 10 00:00:56,520 --> 00:01:00,120 Speaker 1: Moss of A and M Records. Frampton, who recorded his 11 00:01:00,160 --> 00:01:03,880 Speaker 1: first album when he was fourteen, started Humble Pie when 12 00:01:03,880 --> 00:01:08,160 Speaker 1: he was eighteen. Frampton's signature sound is a mixture of 13 00:01:08,240 --> 00:01:13,039 Speaker 1: virtuasa guitar a powerful voice in this electronic device called 14 00:01:13,160 --> 00:01:16,120 Speaker 1: a talk box. As it turns out, the talk box 15 00:01:16,640 --> 00:01:20,880 Speaker 1: wasn't his first successful foray into the world of musical gadgets. 16 00:01:21,200 --> 00:01:23,920 Speaker 2: I realized that I was a techie when I was 17 00:01:24,040 --> 00:01:28,000 Speaker 2: very young. I got my first real to real tape machine, 18 00:01:28,160 --> 00:01:30,960 Speaker 2: and then I figured out that if I got another one, 19 00:01:31,440 --> 00:01:34,559 Speaker 2: I could go sound on sound, you know, before any 20 00:01:34,920 --> 00:01:38,040 Speaker 2: multi tracking sort of thing. You know, and I figured 21 00:01:38,040 --> 00:01:41,720 Speaker 2: that out pretty early. I was like, you know, ten 22 00:01:41,800 --> 00:01:45,680 Speaker 2: or eleven. So I've been an engineer as long as 23 00:01:46,880 --> 00:01:48,280 Speaker 2: as long as I've been a musician. 24 00:01:48,480 --> 00:01:51,760 Speaker 1: That's helped you as a musician. You know, you're talking 25 00:01:51,760 --> 00:01:54,640 Speaker 1: to somebody who your music is like so important to me. 26 00:01:54,840 --> 00:01:56,520 Speaker 3: Oh you talk about me. 27 00:01:56,640 --> 00:01:58,280 Speaker 1: Growing up when I was a kid and you were 28 00:01:58,400 --> 00:02:01,400 Speaker 1: very young man, I mean humble Pie. Yeah, you know, yeah, yeah, 29 00:02:01,440 --> 00:02:03,080 Speaker 1: you know when I was growing up there was like 30 00:02:03,120 --> 00:02:07,680 Speaker 1: the Beatles, the Stones, Zeppelin, the Who, and humble Pie. 31 00:02:08,639 --> 00:02:10,280 Speaker 1: You don't want to know what I put in my 32 00:02:10,360 --> 00:02:13,960 Speaker 1: body listening doctor, I mean, you don't want to know. 33 00:02:14,200 --> 00:02:15,960 Speaker 1: But anyway, but my point is is that do you 34 00:02:15,960 --> 00:02:18,000 Speaker 1: think that that work has made you a better musician? 35 00:02:18,000 --> 00:02:20,600 Speaker 1: Because you are such a virtuosic guitarist and such a 36 00:02:20,639 --> 00:02:21,480 Speaker 1: great guitarist. 37 00:02:22,520 --> 00:02:27,640 Speaker 2: Sound is very inspirational to me. I remember the reason 38 00:02:27,720 --> 00:02:31,680 Speaker 2: that I wanted to learn guitar was because I heard 39 00:02:31,840 --> 00:02:35,240 Speaker 2: the sounds of all these people on TV and on 40 00:02:35,280 --> 00:02:40,800 Speaker 2: the radio electric guitar very young and something. I have 41 00:02:40,880 --> 00:02:44,280 Speaker 2: a very acute sense of sound, and I've always had 42 00:02:44,320 --> 00:02:47,040 Speaker 2: that if I don't have a good sound, I can't 43 00:02:47,040 --> 00:02:51,840 Speaker 2: play very well. So I've always worked out what makes 44 00:02:51,840 --> 00:02:54,880 Speaker 2: a good sound? How do you get a good sound technically? Technically? 45 00:02:55,000 --> 00:02:57,960 Speaker 2: And then one of the first sessions I ever did, 46 00:02:58,680 --> 00:03:02,200 Speaker 2: Bill Wyman of The Stones produced it when I was fourteen, 47 00:03:02,800 --> 00:03:06,320 Speaker 2: and the first engineer I worked with was Glynn Johns, 48 00:03:06,800 --> 00:03:09,360 Speaker 2: who is if people don't know, he's one of the 49 00:03:09,400 --> 00:03:13,720 Speaker 2: most famous engineers of all Stars engineer, Yeah, Zeppelin, Eagles, 50 00:03:13,880 --> 00:03:19,120 Speaker 2: the Band, Everybody, Yeah, Humble Bye. And then being a 51 00:03:19,160 --> 00:03:22,240 Speaker 2: gadget freak early on, I just was over like a 52 00:03:22,240 --> 00:03:25,040 Speaker 2: little birdie on their shoulder and I was, what's that? 53 00:03:25,080 --> 00:03:25,799 Speaker 3: What are you doing there? 54 00:03:26,360 --> 00:03:30,440 Speaker 2: I just learned how to engineers, So I really enjoy 55 00:03:30,560 --> 00:03:32,919 Speaker 2: that part of it as well, immensely. 56 00:03:34,320 --> 00:03:37,480 Speaker 1: How do you end up as a fourteen year old 57 00:03:38,000 --> 00:03:40,760 Speaker 1: and Wyman wants to produce your. 58 00:03:40,800 --> 00:03:44,320 Speaker 2: Twelve I started playing guitar just before I was eight 59 00:03:44,400 --> 00:03:44,920 Speaker 2: years old. 60 00:03:45,120 --> 00:03:46,920 Speaker 1: And were either your parents musical? 61 00:03:47,640 --> 00:03:47,880 Speaker 3: Yes. 62 00:03:48,880 --> 00:03:52,640 Speaker 2: Grew up in England, Yes, about twelve miles south of 63 00:03:52,640 --> 00:03:59,000 Speaker 2: London in Bromley, Kent, and my mother was definitely would 64 00:03:59,040 --> 00:04:03,280 Speaker 2: have been an entertainer. She was, but my grandparents wouldn't 65 00:04:03,280 --> 00:04:05,200 Speaker 2: allow her to become an actress. She wanted to be 66 00:04:05,240 --> 00:04:08,720 Speaker 2: an actress. Her father was a singer. Yes, we have 67 00:04:08,800 --> 00:04:12,560 Speaker 2: a lot of musical genes. And your dad, my dad 68 00:04:12,600 --> 00:04:17,120 Speaker 2: played his teacher artist. He played guitar in a college 69 00:04:17,200 --> 00:04:19,560 Speaker 2: dance band before the war, before. 70 00:04:19,279 --> 00:04:21,760 Speaker 1: The Second aparing in play guitar, he was. 71 00:04:21,680 --> 00:04:24,039 Speaker 3: More into his art, but he did. 72 00:04:24,160 --> 00:04:27,119 Speaker 2: He was the one that taught me how to sing 73 00:04:27,240 --> 00:04:30,599 Speaker 2: Michael row the boat, you know, with two chords basically 74 00:04:31,040 --> 00:04:33,479 Speaker 2: and then hang down the head. Tom Dooley was another 75 00:04:33,520 --> 00:04:36,560 Speaker 2: biggie for her. Then it was Eddie Cochrane, Buddy Holly 76 00:04:36,680 --> 00:04:40,360 Speaker 2: and our English the Shadows, Cliff Ridge and the Shadows. 77 00:04:40,600 --> 00:04:45,240 Speaker 2: So that's how I started playing guitar because of American music. 78 00:04:45,360 --> 00:04:47,279 Speaker 3: Obviously, that's what we all did. 79 00:04:47,080 --> 00:04:49,919 Speaker 2: And we were all clamoring for American music before the 80 00:04:49,920 --> 00:04:55,160 Speaker 2: Beatles and then so I was known locally as this young, 81 00:04:55,240 --> 00:04:59,080 Speaker 2: little upstart, good guitar player, very young, ended up in 82 00:04:59,120 --> 00:05:01,920 Speaker 2: a semi pro band and still at school that had 83 00:05:01,920 --> 00:05:04,200 Speaker 2: the drummer that was the original drummer of the Rolling 84 00:05:04,240 --> 00:05:07,360 Speaker 2: Stones called Tony Chapman, who introduced Bill to the Stones 85 00:05:07,800 --> 00:05:09,839 Speaker 2: that he didn't end up staying in the Stones, and 86 00:05:09,880 --> 00:05:14,560 Speaker 2: Bill felt he owed him a favor. I would say said, look, 87 00:05:14,680 --> 00:05:17,359 Speaker 2: put a band together and I'll produce it and he 88 00:05:17,440 --> 00:05:20,640 Speaker 2: comes into the music shop. I'm working on the Saturday's 89 00:05:21,160 --> 00:05:24,719 Speaker 2: when I'm about fourteen and restringing guitars for the guy there. 90 00:05:25,360 --> 00:05:28,360 Speaker 2: He said, I want you to be in my band, 91 00:05:28,480 --> 00:05:30,680 Speaker 2: you know. I said, well, I'll have to speak to dad, 92 00:05:30,760 --> 00:05:33,440 Speaker 2: you know sort of thing. The first thing I know, 93 00:05:33,560 --> 00:05:38,040 Speaker 2: we're in a van. We pick up Bill Wyman in Penge, 94 00:05:38,520 --> 00:05:40,720 Speaker 2: who sits in the front of the van, goes very quiet. 95 00:05:40,800 --> 00:05:42,800 Speaker 2: We've got a rolling stone in the front seat. We 96 00:05:42,880 --> 00:05:45,560 Speaker 2: go up to London and I meet Glenn John's and 97 00:05:45,600 --> 00:05:46,920 Speaker 2: we make a record. 98 00:05:49,839 --> 00:05:52,359 Speaker 3: Like everyone's talking about Souldis but you know what. 99 00:05:52,400 --> 00:05:55,960 Speaker 2: I mean record It was called A Hole in My 100 00:05:56,120 --> 00:05:58,919 Speaker 2: Soul and it was a cover of an American song 101 00:05:59,160 --> 00:06:02,719 Speaker 2: and the name of the band the Preachers. 102 00:06:02,760 --> 00:06:05,679 Speaker 3: So that was it, and so music was your entire life. 103 00:06:05,760 --> 00:06:08,920 Speaker 1: Yes, you're in the guitar shop and Kent, Yeah, fixing 104 00:06:08,960 --> 00:06:11,600 Speaker 1: strings on guitars from both shining guitars up And the 105 00:06:11,640 --> 00:06:13,680 Speaker 1: next thing you know, Bill Wyman's in the car and 106 00:06:13,720 --> 00:06:15,400 Speaker 1: you're off to go do Hold in My Soul at 107 00:06:15,440 --> 00:06:15,960 Speaker 1: the Preachers? 108 00:06:16,080 --> 00:06:18,640 Speaker 3: Yes, something so for I mean like you walked around 109 00:06:18,720 --> 00:06:20,640 Speaker 3: us so much a shoe Ville. 110 00:06:22,279 --> 00:06:23,560 Speaker 1: What year is this? 111 00:06:23,560 --> 00:06:25,720 Speaker 3: This is sixty four, So. 112 00:06:25,640 --> 00:06:27,440 Speaker 1: The Stones were and the Beatles were in full swing 113 00:06:27,480 --> 00:06:27,800 Speaker 1: by then. 114 00:06:27,920 --> 00:06:30,039 Speaker 3: Yes, fact we did. That year. 115 00:06:30,839 --> 00:06:33,520 Speaker 2: The Stones were given Ready Steady Go. They took over 116 00:06:33,600 --> 00:06:36,360 Speaker 2: the show Ready Steady Go for one week, and each 117 00:06:36,400 --> 00:06:39,440 Speaker 2: one of the Stones had their choice of act to 118 00:06:39,560 --> 00:06:42,760 Speaker 2: be on, you know. And of course Bill chowse us 119 00:06:42,800 --> 00:06:47,320 Speaker 2: So I'm on TV when I'm just before I turned fifteen. 120 00:06:47,720 --> 00:06:49,440 Speaker 1: Is there any footage of that? Your foot of that? 121 00:06:49,760 --> 00:06:52,880 Speaker 2: If anybody's got it, Bill's got it because he's the historian, 122 00:06:53,000 --> 00:06:53,240 Speaker 2: you know. 123 00:06:53,360 --> 00:06:56,440 Speaker 3: But that was pretty amazing. 124 00:06:56,520 --> 00:06:58,960 Speaker 1: Do you miss living in England? You're such an American 125 00:06:59,000 --> 00:07:01,120 Speaker 1: in so many ways you live for years and two. 126 00:07:01,080 --> 00:07:06,120 Speaker 2: Years seventy five I came to New York. Actually I 127 00:07:06,200 --> 00:07:09,680 Speaker 2: miss my family, my brother and his family. I miss 128 00:07:10,000 --> 00:07:14,440 Speaker 2: friends and stuff, but my children are here. When I 129 00:07:14,480 --> 00:07:18,280 Speaker 2: first came to America with Humble Pie and I turned 130 00:07:18,280 --> 00:07:21,760 Speaker 2: on the radio, I said, I'm moving here, just seemed 131 00:07:21,800 --> 00:07:23,000 Speaker 2: like this was the place that was. 132 00:07:23,000 --> 00:07:24,680 Speaker 1: All happening with the old and this is the new. 133 00:07:24,840 --> 00:07:25,040 Speaker 3: Yeah. 134 00:07:25,040 --> 00:07:27,800 Speaker 2: And I'd lived through the swinging sixties of London, you know, 135 00:07:28,240 --> 00:07:31,320 Speaker 2: and that was exciting too. And I love England, don't 136 00:07:31,320 --> 00:07:33,800 Speaker 2: get me wrong. I just don't think I would ever 137 00:07:33,880 --> 00:07:36,560 Speaker 2: live there again. I'd be too far from my kids. 138 00:07:36,760 --> 00:07:37,760 Speaker 1: This is home now. 139 00:07:37,880 --> 00:07:38,120 Speaker 3: Yeah. 140 00:07:38,480 --> 00:07:41,880 Speaker 1: So when you finish the hole in my soul on 141 00:07:42,720 --> 00:07:44,920 Speaker 1: the show with Bill Wyman, he's your selection there on 142 00:07:44,960 --> 00:07:46,480 Speaker 1: the show. What happens then? 143 00:07:47,600 --> 00:07:53,720 Speaker 2: Then I'm sixteen, it's school holidays. In the summer of 144 00:07:53,920 --> 00:07:58,320 Speaker 2: sixty six, big local band, the Herd, come to me 145 00:07:58,400 --> 00:08:02,400 Speaker 2: and say I saw you in the Preachers and we're 146 00:08:02,440 --> 00:08:05,360 Speaker 2: having a change around. Would you come and help us 147 00:08:05,360 --> 00:08:08,640 Speaker 2: out for the summer sixty So I said, okay. So 148 00:08:08,680 --> 00:08:10,520 Speaker 2: it gets close to September when I'm going to go 149 00:08:10,600 --> 00:08:13,880 Speaker 2: back to school and they said, here's an offer. We 150 00:08:13,880 --> 00:08:17,600 Speaker 2: want you to be the lead guitarist and the lead 151 00:08:17,680 --> 00:08:20,000 Speaker 2: guitarist going to play bass, and we want to be 152 00:08:20,040 --> 00:08:22,640 Speaker 2: a four piece set a five piece, and would you 153 00:08:22,760 --> 00:08:23,400 Speaker 2: join the Herd? 154 00:08:23,520 --> 00:08:26,280 Speaker 3: I said, oh, I hear. I've got to go back 155 00:08:26,320 --> 00:08:27,120 Speaker 3: to school, do my. 156 00:08:27,120 --> 00:08:29,840 Speaker 2: Sixth form, get my A levels and go to Guildhall 157 00:08:29,880 --> 00:08:30,559 Speaker 2: School and music. 158 00:08:30,880 --> 00:08:32,720 Speaker 3: That was my plan to go to music college. 159 00:08:32,720 --> 00:08:34,960 Speaker 1: You know, let me grow a beard, be right at 160 00:08:35,080 --> 00:08:37,160 Speaker 1: least here, I'll call. 161 00:08:37,720 --> 00:08:37,960 Speaker 3: Yeah. 162 00:08:38,320 --> 00:08:42,920 Speaker 2: I haven't even had a shandy yet, you know. So 163 00:08:43,000 --> 00:08:45,080 Speaker 2: I went to dad and mom, and I said, look, 164 00:08:45,080 --> 00:08:47,319 Speaker 2: I really want to do this. It's a professional band. 165 00:08:47,400 --> 00:08:51,520 Speaker 2: You know, they're great, They're a big band. And my 166 00:08:51,640 --> 00:08:54,560 Speaker 2: dad said, well, and they knew that this was on 167 00:08:54,600 --> 00:08:57,400 Speaker 2: the cards, you know, this was coming up. That they 168 00:08:57,480 --> 00:08:59,480 Speaker 2: knew by this time I was going to be a musician. 169 00:08:59,520 --> 00:09:02,920 Speaker 2: And so he said, well, look, if you left here 170 00:09:02,960 --> 00:09:05,280 Speaker 2: and you've got a job at the post office, you'd 171 00:09:05,280 --> 00:09:09,200 Speaker 2: get fifteen pounds a week. I want to get an 172 00:09:09,200 --> 00:09:12,360 Speaker 2: assurance from this man that you're going to get fifteen 173 00:09:12,440 --> 00:09:14,560 Speaker 2: pounds a week. I said, WHOA, If you can do 174 00:09:14,600 --> 00:09:16,439 Speaker 2: that deal, Dad, that'll be great. I don't think they 175 00:09:16,480 --> 00:09:19,240 Speaker 2: earn enough to pay themselves fifteen perds say, well, that's 176 00:09:19,240 --> 00:09:22,080 Speaker 2: what you I'm going minimum wage for you. So that 177 00:09:22,200 --> 00:09:25,720 Speaker 2: was the last deal my dad did for me. Because 178 00:09:26,200 --> 00:09:28,559 Speaker 2: we started to become a little better and earn more 179 00:09:28,640 --> 00:09:31,120 Speaker 2: money beginning, they couldn't pay themselves fifteen. 180 00:09:31,120 --> 00:09:32,840 Speaker 1: Eventually it was a bargain, yeah. 181 00:09:32,720 --> 00:09:35,960 Speaker 2: Because they paid me fifteen, they got fifteen upstein. 182 00:09:36,559 --> 00:09:38,280 Speaker 3: So that was the end of him as a manager. 183 00:09:55,760 --> 00:09:59,800 Speaker 2: Everything changed and the Herd became had like three big 184 00:10:00,200 --> 00:10:05,439 Speaker 2: top ten hits, and I became very well known in 185 00:10:05,480 --> 00:10:07,320 Speaker 2: Europe as a guitar player singer. 186 00:10:08,559 --> 00:10:10,920 Speaker 1: Now, by the time you leave the herd, you leave 187 00:10:10,920 --> 00:10:12,880 Speaker 1: them in what year the herd? 188 00:10:13,040 --> 00:10:18,040 Speaker 2: After these three big hits on an album, we realized 189 00:10:18,040 --> 00:10:22,000 Speaker 2: that we were losing money still and there was no 190 00:10:22,040 --> 00:10:24,760 Speaker 2: reason because we saw the figures what was coming in 191 00:10:24,840 --> 00:10:27,760 Speaker 2: and what we were getting paid and all that. So 192 00:10:27,880 --> 00:10:30,439 Speaker 2: we reached out and Steve Merritt and Ronnie Lane of 193 00:10:30,480 --> 00:10:33,720 Speaker 2: the Small Faces said, look, we've been through this. We've 194 00:10:33,760 --> 00:10:37,440 Speaker 2: been screwed, you know, by management or business manager whatever. 195 00:10:37,800 --> 00:10:39,880 Speaker 2: They clued us in, which was very nice of them, 196 00:10:39,960 --> 00:10:42,600 Speaker 2: and said they'd help us produce a track or two 197 00:10:42,679 --> 00:10:45,040 Speaker 2: on the next album we were going to do, which 198 00:10:45,120 --> 00:10:48,120 Speaker 2: they did. Meanwhile, I'm sitting in with the Small Faces 199 00:10:48,160 --> 00:10:53,520 Speaker 2: now various functions and wanted to join the Small Faces. 200 00:10:53,800 --> 00:10:54,680 Speaker 3: That wasn't to be. 201 00:10:55,360 --> 00:10:57,679 Speaker 2: Steve wanted me to join the Small Faces, but they 202 00:10:57,800 --> 00:11:02,320 Speaker 2: weren't so thrilled with that. So in the end Steve 203 00:11:02,360 --> 00:11:04,360 Speaker 2: called me up and said, look, I've left the Small Faces, 204 00:11:04,480 --> 00:11:07,800 Speaker 2: let's form a band. And that's how Humble Pie basically 205 00:11:08,480 --> 00:11:12,840 Speaker 2: formed in right at the end of in sixty eight. 206 00:11:12,920 --> 00:11:15,800 Speaker 1: So the two of those things closely overlapped. The end 207 00:11:15,840 --> 00:11:18,520 Speaker 1: of Yes I heard and forming the Humble Pie. 208 00:11:18,640 --> 00:11:23,440 Speaker 2: Yes, and it was basically two ex teeny bopustas. Steve 209 00:11:23,480 --> 00:11:25,679 Speaker 2: Merritt was like the face of sixty seven and I 210 00:11:25,720 --> 00:11:27,319 Speaker 2: was the face of sixty eight sort of thing. 211 00:11:27,360 --> 00:11:29,000 Speaker 1: And by sixty eight, how old are you? 212 00:11:29,040 --> 00:11:29,439 Speaker 3: Eighteen? 213 00:11:29,760 --> 00:11:32,480 Speaker 1: Now you're eighteen years old and you've been doing this 214 00:11:32,520 --> 00:11:34,880 Speaker 1: professionally since you were fourteen years old, and you're in 215 00:11:34,920 --> 00:11:36,640 Speaker 1: the world of rock and rolling, especially as we go 216 00:11:36,640 --> 00:11:39,000 Speaker 1: from the sixties, from sixty four to sixty and it 217 00:11:39,040 --> 00:11:41,719 Speaker 1: gets a little more grainy, if you will, Yes, so 218 00:11:41,840 --> 00:11:43,760 Speaker 1: it gets a little more vivid in terms of drugs 219 00:11:43,760 --> 00:11:46,319 Speaker 1: and my size in the culture. Was that difficult for 220 00:11:46,360 --> 00:11:49,520 Speaker 1: you to be the underaged you know, manchild? I mean 221 00:11:49,520 --> 00:11:53,840 Speaker 1: you're like Mozart, You're like this prodigy, but you're a kid, right, 222 00:11:53,880 --> 00:11:55,760 Speaker 1: and you're in this rule with some pretty I would imagine, 223 00:11:55,760 --> 00:11:56,839 Speaker 1: some pretty hard living people. 224 00:11:57,120 --> 00:12:01,400 Speaker 2: Well, yeah, I was pretty much a late bloomer. I 225 00:12:01,440 --> 00:12:03,040 Speaker 2: had to really learn to drink. 226 00:12:03,280 --> 00:12:05,840 Speaker 4: You know, do people expect you to I think so 227 00:12:06,400 --> 00:12:08,680 Speaker 4: there is, Yeah, yeah, it doesn't matter. 228 00:12:08,720 --> 00:12:09,720 Speaker 1: Your age didn't. 229 00:12:09,520 --> 00:12:11,840 Speaker 3: Really like it's like you're in the army, Yeah, exactly. 230 00:12:11,840 --> 00:12:14,680 Speaker 2: You got to swear and drink, you know, and now 231 00:12:14,720 --> 00:12:19,360 Speaker 2: do drugs. But I passed out so many times from 232 00:12:19,559 --> 00:12:24,120 Speaker 2: anxiety attacks from part I'm trying to get high please, 233 00:12:24,480 --> 00:12:28,240 Speaker 2: But anyway, I managed it in the end, right, but 234 00:12:29,160 --> 00:12:30,120 Speaker 2: not really when. 235 00:12:29,920 --> 00:12:30,959 Speaker 3: I was with Humble Pie. 236 00:12:31,080 --> 00:12:31,720 Speaker 1: What changed? 237 00:12:32,200 --> 00:12:35,480 Speaker 2: I think it was my solo career and then getting 238 00:12:35,520 --> 00:12:38,760 Speaker 2: to the point where it was. 239 00:12:38,720 --> 00:12:40,439 Speaker 3: Surreal, we're going to get to that, We're going to 240 00:12:40,520 --> 00:12:42,000 Speaker 3: get well. That was the time. 241 00:12:42,480 --> 00:12:45,079 Speaker 1: So you're with Humble Pie and you're in England, Yes, 242 00:12:45,360 --> 00:12:47,160 Speaker 1: and you perform with them for how many years? 243 00:12:48,120 --> 00:12:50,600 Speaker 3: Sixty eight, sixty nine, seventy one, four years? 244 00:12:50,920 --> 00:12:52,880 Speaker 1: How would you characterize that period for self? Did you 245 00:12:52,960 --> 00:12:53,400 Speaker 1: enjoy it? 246 00:12:54,000 --> 00:12:54,840 Speaker 3: Unbelievable? 247 00:12:55,120 --> 00:12:57,840 Speaker 1: They were very popular Yes, in the States as well. 248 00:12:58,000 --> 00:12:59,720 Speaker 3: Yes, that band brought me to America? 249 00:13:00,000 --> 00:13:01,199 Speaker 1: Did you play films? 250 00:13:02,040 --> 00:13:04,520 Speaker 2: That's what we started I met. I mean probably one 251 00:13:04,520 --> 00:13:09,400 Speaker 2: of the first gigs. I met Bill Graham. You realize 252 00:13:09,480 --> 00:13:12,240 Speaker 2: now when I look back, it was the beginnings of 253 00:13:13,000 --> 00:13:15,440 Speaker 2: the creation of rock and roll shows. 254 00:13:16,120 --> 00:13:19,360 Speaker 3: Truly. Bill Graham was the guy on how to do 255 00:13:19,440 --> 00:13:19,880 Speaker 3: it live? 256 00:13:20,000 --> 00:13:21,840 Speaker 1: Where would you record? Humble Pie in London? 257 00:13:22,480 --> 00:13:26,559 Speaker 2: We recorded an Olympic in the famous Olympic Wheatherstones and 258 00:13:26,640 --> 00:13:30,160 Speaker 2: Zeppelin recorded and I did all my solo stuff there 259 00:13:30,200 --> 00:13:33,840 Speaker 2: as well, either there or Island Studios, which is Chris 260 00:13:33,880 --> 00:13:37,160 Speaker 2: Blackwall's place. You never recorded in the US, No, No, 261 00:13:37,320 --> 00:13:40,160 Speaker 2: The first thing we ever did was record the live 262 00:13:40,240 --> 00:13:43,040 Speaker 2: album of Humble Pie at the film. 263 00:13:42,800 --> 00:13:45,000 Speaker 1: All and why did Humble Pie end? 264 00:13:45,679 --> 00:13:46,720 Speaker 3: A couple of reasons. 265 00:13:48,280 --> 00:13:51,960 Speaker 2: I was feeling claustrophobic in the band because we started 266 00:13:52,000 --> 00:13:55,760 Speaker 2: off very democratic and doing it all different types of music, 267 00:13:56,200 --> 00:14:00,760 Speaker 2: and now our stage act was narrowing and we were 268 00:14:00,920 --> 00:14:04,040 Speaker 2: just doing more more of the heavy rock and roll, 269 00:14:04,040 --> 00:14:10,440 Speaker 2: which I love. Don't get me wrong. That's my riff, 270 00:14:10,600 --> 00:14:13,880 Speaker 2: I Don't need no Doctor. That's me jamming at the 271 00:14:13,960 --> 00:14:18,319 Speaker 2: sound check in Madison Square Garden and Steve just jumped 272 00:14:18,360 --> 00:14:20,240 Speaker 2: up on the stage and started singing I Don't need 273 00:14:20,280 --> 00:14:22,840 Speaker 2: no Doctor over that riff. 274 00:14:32,680 --> 00:14:34,440 Speaker 3: He and I were very much. 275 00:14:34,360 --> 00:14:35,520 Speaker 1: That's him singing yeah. 276 00:14:35,680 --> 00:14:35,920 Speaker 3: Yeah. 277 00:14:36,040 --> 00:14:39,800 Speaker 4: He's the one that says, yeah, we go home on Monday, 278 00:14:40,800 --> 00:14:42,160 Speaker 4: we go home on Monday. 279 00:14:42,520 --> 00:14:43,760 Speaker 1: But I wanted to tell you we're not. 280 00:14:43,760 --> 00:14:45,000 Speaker 4: Better to guess this time. 281 00:14:48,480 --> 00:14:51,120 Speaker 5: Oh he was probably a couple of years old, and okay, 282 00:14:51,200 --> 00:14:52,120 Speaker 5: so he's the one with the kid. 283 00:14:52,200 --> 00:14:55,640 Speaker 2: When you feel claustrophobic, why because we want I wasn't 284 00:14:57,080 --> 00:14:59,520 Speaker 2: being able to do the music, all of this music 285 00:14:59,520 --> 00:15:01,600 Speaker 2: that I wanted to to do. Humble Pie started off 286 00:15:02,080 --> 00:15:06,000 Speaker 2: really split between acoustic and electric. And also I was 287 00:15:06,040 --> 00:15:10,800 Speaker 2: coming into my own and Steve and I fought like brothers. Yes, 288 00:15:10,800 --> 00:15:14,040 Speaker 2: that's which, which is why humble Pie was so fiery. 289 00:15:14,080 --> 00:15:18,480 Speaker 2: I think because musically it was phenomenal. You know, sometimes 290 00:15:18,520 --> 00:15:22,600 Speaker 2: we agree and sometimes we just wouldn't agree. It was 291 00:15:22,720 --> 00:15:25,440 Speaker 2: very sad for me because I knew it would upset them, 292 00:15:25,480 --> 00:15:26,960 Speaker 2: but I just thought that I had to. 293 00:15:27,560 --> 00:15:29,560 Speaker 1: It was time to go on. And did you know 294 00:15:29,600 --> 00:15:30,360 Speaker 1: where you wanted to go? 295 00:15:31,040 --> 00:15:31,640 Speaker 3: No idea. 296 00:15:32,200 --> 00:15:35,240 Speaker 2: I knew that I was. I didn't want to form 297 00:15:35,280 --> 00:15:38,480 Speaker 2: another band. I wanted to become a solo artist. Why 298 00:15:39,240 --> 00:15:41,680 Speaker 2: because I wanted to make all the decisions because I'm 299 00:15:41,720 --> 00:15:43,120 Speaker 2: a complete control freak. 300 00:15:44,480 --> 00:15:46,520 Speaker 1: Did you feel you wanted creative? 301 00:15:46,760 --> 00:15:49,440 Speaker 3: Yeah, to try things that Yeah. 302 00:15:49,520 --> 00:15:53,000 Speaker 2: I wanted to try things that maybe other people wouldn't 303 00:15:53,000 --> 00:15:53,480 Speaker 2: want to try. 304 00:15:53,600 --> 00:15:54,680 Speaker 3: You know, I wanted to do it. 305 00:15:55,080 --> 00:15:57,800 Speaker 2: And I have to say that it wouldn't have been 306 00:15:58,280 --> 00:16:00,200 Speaker 2: I wouldn't have had a solo career had it not 307 00:16:00,240 --> 00:16:03,840 Speaker 2: been for Humble Pie. I learned so much from working 308 00:16:03,880 --> 00:16:06,760 Speaker 2: with Steve Marriott. I have to hand him a lot 309 00:16:06,840 --> 00:16:10,360 Speaker 2: of the credit for the sort of things that he 310 00:16:10,600 --> 00:16:13,360 Speaker 2: introduced me to listen to as well, music blues and 311 00:16:13,640 --> 00:16:17,080 Speaker 2: build black combo and stuff like that. That was really 312 00:16:17,080 --> 00:16:21,600 Speaker 2: influential to me. So that's why it was a bittersweet 313 00:16:21,640 --> 00:16:23,840 Speaker 2: thing leaving. I wanted to leave, but I didn't want 314 00:16:23,840 --> 00:16:25,720 Speaker 2: to leave. And then, of course, as soon as I 315 00:16:25,840 --> 00:16:28,800 Speaker 2: left the live album that I had a big hand 316 00:16:28,840 --> 00:16:31,680 Speaker 2: in mixing, because I'm the gadget freak and the engineer 317 00:16:31,920 --> 00:16:36,120 Speaker 2: with Eddie Kramer rock in the film More comes out. 318 00:16:36,280 --> 00:16:39,880 Speaker 2: I've left right at that point and it zooms up 319 00:16:39,920 --> 00:16:43,720 Speaker 2: the charts. It's Humble Pie's first gold record and I'm going, 320 00:16:44,960 --> 00:16:50,120 Speaker 2: holy crap, that's it. It's the first big blooper of 321 00:16:50,160 --> 00:16:52,640 Speaker 2: my career. You know, I've made a big mistake. 322 00:16:52,640 --> 00:16:56,360 Speaker 1: It seems like Dad's back on the job. Yeah, is 323 00:16:56,400 --> 00:16:59,520 Speaker 1: he in the office again? I've frammed them at this time. 324 00:16:59,440 --> 00:17:00,880 Speaker 3: Yes, absolutely so. 325 00:17:00,920 --> 00:17:04,760 Speaker 2: Then it was four studio albums before we did Comes Alive, 326 00:17:04,880 --> 00:17:08,000 Speaker 2: you know, and a lot of a lot of touring and. 327 00:17:07,960 --> 00:17:10,240 Speaker 1: Where are you living then? You still have a literia. 328 00:17:10,560 --> 00:17:14,480 Speaker 2: I was still living in England until seventy five, when 329 00:17:14,520 --> 00:17:19,200 Speaker 2: I finished the fourth solo record in England and then 330 00:17:19,320 --> 00:17:23,520 Speaker 2: moved over. I actually moved to New York and stayed 331 00:17:23,520 --> 00:17:27,920 Speaker 2: at the Mount Kisco Holiday Inn on New Year's Eve 332 00:17:28,520 --> 00:17:32,800 Speaker 2: nineteen seventy four, swinging, Yeah it was beautiful, and found 333 00:17:32,840 --> 00:17:36,480 Speaker 2: Bob Mayo Bob Mayo on keyboards from the live record 334 00:17:36,840 --> 00:17:39,760 Speaker 2: in the band at the holiday and it's it's a 335 00:17:39,760 --> 00:17:40,720 Speaker 2: long story. 336 00:17:40,400 --> 00:17:41,280 Speaker 3: But yeah. 337 00:17:41,400 --> 00:17:45,080 Speaker 2: So basically the first day of seventy five was I 338 00:17:45,200 --> 00:17:46,600 Speaker 2: was now living in America. 339 00:17:48,440 --> 00:17:51,840 Speaker 1: When you do Comes Alive, how much of the music 340 00:17:51,880 --> 00:17:53,960 Speaker 1: on that is new music on that album? How much 341 00:17:53,960 --> 00:17:55,920 Speaker 1: of it was stuff you mind from the previous four 342 00:17:55,960 --> 00:17:57,040 Speaker 1: solo albums. 343 00:17:57,400 --> 00:18:03,440 Speaker 2: It was basically all stuff that came from the four 344 00:18:03,520 --> 00:18:08,320 Speaker 2: studio albums. And rock On from shine On was a 345 00:18:08,400 --> 00:18:11,359 Speaker 2: humble Pie track that I'd written. It was actually from 346 00:18:11,480 --> 00:18:14,560 Speaker 2: five albums. So it was like six years worth of 347 00:18:15,040 --> 00:18:18,879 Speaker 2: work mining that went into that one live record. 348 00:18:18,880 --> 00:18:21,639 Speaker 1: And for people who don't know that live performance was 349 00:18:21,680 --> 00:18:23,920 Speaker 1: recorded in multiple locations or in. 350 00:18:23,840 --> 00:18:27,199 Speaker 2: One most of it was one location, which was a 351 00:18:27,280 --> 00:18:31,560 Speaker 2: winter Land in San Francisco, a Bell Graham gig where 352 00:18:31,560 --> 00:18:36,119 Speaker 2: the last Waltz was filmed two nights before we'd played 353 00:18:36,720 --> 00:18:39,639 Speaker 2: the Marine Civic Center, and we'd done two shows there, 354 00:18:39,840 --> 00:18:42,840 Speaker 2: so we recorded that. I think a couple of numbers 355 00:18:42,880 --> 00:18:45,920 Speaker 2: came from there. War I think comes from there, maybe 356 00:18:45,920 --> 00:18:50,040 Speaker 2: one of the acoustic songs. But Winterland was the first 357 00:18:50,280 --> 00:18:55,000 Speaker 2: big headline show we'd ever done, I'd ever done with 358 00:18:55,080 --> 00:18:57,560 Speaker 2: my name on the ticket. People were coming to see 359 00:18:57,600 --> 00:19:03,040 Speaker 2: me for because the album right prior to Come to 360 00:19:03,119 --> 00:19:07,240 Speaker 2: Live Just Frampton was the biggest one so far, biggest 361 00:19:07,240 --> 00:19:10,040 Speaker 2: seller they had done, sold like three hundred thousand copies, 362 00:19:10,040 --> 00:19:12,560 Speaker 2: which was mega for me. That was better than all 363 00:19:12,600 --> 00:19:13,320 Speaker 2: the other things in. 364 00:19:13,560 --> 00:19:16,600 Speaker 1: That four album run. Prior to the live album in Winterland, 365 00:19:17,119 --> 00:19:19,159 Speaker 1: things were getting better that the sales. 366 00:19:18,920 --> 00:19:22,040 Speaker 2: Bars, yeah, that they were, but that one was definitely 367 00:19:23,119 --> 00:19:23,880 Speaker 2: setting me up. 368 00:19:24,040 --> 00:19:25,439 Speaker 3: It was setting me up for something. 369 00:19:25,480 --> 00:19:26,639 Speaker 1: How many nights at Winterland? 370 00:19:26,960 --> 00:19:28,080 Speaker 3: One one show? 371 00:19:28,119 --> 00:19:31,680 Speaker 1: Okay, okay, okay, so stop, so let's cut the bullshit. 372 00:19:33,280 --> 00:19:37,600 Speaker 1: Let's cut the bullshit. You're in Winterland, yes, And would 373 00:19:37,600 --> 00:19:39,359 Speaker 1: you say? And the show goes on what time? Eight o'clock, 374 00:19:39,440 --> 00:19:44,840 Speaker 1: nine o'clock, nine o'clock? Yeah? Probably probably, So somewhere between 375 00:19:44,840 --> 00:19:46,399 Speaker 1: you pull up to Winterland and you go out a 376 00:19:46,480 --> 00:19:48,560 Speaker 1: quarter to nine, the devil came in your room and 377 00:19:48,560 --> 00:19:50,200 Speaker 1: made a deal with you. Correct, You signed the deal 378 00:19:50,240 --> 00:19:53,680 Speaker 1: with absolutely. The devil showed up, poured himself a drink, 379 00:19:53,760 --> 00:19:56,560 Speaker 1: sat down, said Peter, Peter, Peter, Peter, Let's cut. Let's cut. 380 00:19:56,600 --> 00:19:57,560 Speaker 3: It was Peter Cook. 381 00:19:57,600 --> 00:20:00,679 Speaker 1: Actually it was Piezza Cook's and he said, let's make 382 00:20:00,720 --> 00:20:04,800 Speaker 1: a deal. Oh I'm the deafaul and the devil makes 383 00:20:04,800 --> 00:20:06,880 Speaker 1: this deal with you. Because what happened. 384 00:20:07,920 --> 00:20:11,760 Speaker 2: First of all, there's probably if I'm not mistaken, if 385 00:20:11,800 --> 00:20:14,959 Speaker 2: there wasn't seventy five hundred people out there, then I 386 00:20:15,000 --> 00:20:17,760 Speaker 2: thought there were set but it definitely sounds like it. 387 00:20:17,760 --> 00:20:21,120 Speaker 2: It's a big room. They go nuts when we walk out, 388 00:20:21,320 --> 00:20:23,840 Speaker 2: and it just takes you to a different level. 389 00:20:23,960 --> 00:20:24,159 Speaker 5: You know. 390 00:20:24,280 --> 00:20:24,880 Speaker 1: It felt good. 391 00:20:25,680 --> 00:20:28,240 Speaker 2: It was one of those shows when you come off 392 00:20:28,240 --> 00:20:29,880 Speaker 2: and you look at the band and you just go, 393 00:20:30,200 --> 00:20:31,520 Speaker 2: I wish we'd recorded that. 394 00:20:31,680 --> 00:20:34,480 Speaker 3: That was like so good man. And then we went, 395 00:20:34,640 --> 00:20:37,760 Speaker 3: oh we did you know we did record that? 396 00:20:37,840 --> 00:20:40,919 Speaker 2: We forgot we were You see, the event was so 397 00:20:41,040 --> 00:20:43,680 Speaker 2: much more important than the recording. 398 00:20:44,080 --> 00:20:46,200 Speaker 3: I don't even remember the truck being there. 399 00:21:03,640 --> 00:21:08,120 Speaker 1: The recording is June of nineteen seventy five minutes released when. 400 00:21:08,640 --> 00:21:13,359 Speaker 2: We're still mixing, right up before Christmas, and then it 401 00:21:13,440 --> 00:21:17,399 Speaker 2: comes out I believe on like January seventeenth or something 402 00:21:17,480 --> 00:21:21,159 Speaker 2: like that January ninth or yeah, of seventy six. 403 00:21:21,240 --> 00:21:22,400 Speaker 1: And what happens. 404 00:21:22,960 --> 00:21:25,480 Speaker 2: Well, I knew we were going to tour the whole year, 405 00:21:26,119 --> 00:21:29,440 Speaker 2: So right after Christmas I went down to the Bahamas 406 00:21:29,760 --> 00:21:34,280 Speaker 2: for ten days and relaxed. Before I left, we had 407 00:21:34,320 --> 00:21:39,680 Speaker 2: put one show on at Cobo Hall in Detroit, which 408 00:21:39,720 --> 00:21:43,919 Speaker 2: is a big rum and that's all I knew. And 409 00:21:43,960 --> 00:21:46,600 Speaker 2: so I go away and I don't call anybody. I'm 410 00:21:46,600 --> 00:21:49,359 Speaker 2: just on the beach and snorkeling whatever. I come back. 411 00:21:49,880 --> 00:21:54,000 Speaker 2: We've sold four shows out, and I said, what happened, 412 00:21:54,359 --> 00:21:56,840 Speaker 2: you know? And the album has just started to be 413 00:21:56,920 --> 00:22:01,879 Speaker 2: on the radio, you know, And that's when everything just 414 00:22:01,920 --> 00:22:05,720 Speaker 2: went through the roof, you know, after all this time. 415 00:22:05,840 --> 00:22:09,879 Speaker 2: People think it is overnight, but it's not overnight in 416 00:22:09,920 --> 00:22:10,919 Speaker 2: the scheme of things. 417 00:22:11,560 --> 00:22:15,359 Speaker 1: But it's a huge leapfere Yes, but it's not overnight success. 418 00:22:15,080 --> 00:22:17,680 Speaker 3: But it is. It's a heady experience. 419 00:22:18,320 --> 00:22:22,240 Speaker 1: Is it still the highest selling live album of all times? 420 00:22:22,280 --> 00:22:23,280 Speaker 3: In dispute way? 421 00:22:23,480 --> 00:22:27,080 Speaker 2: Yeah, but up there, Yeah, because my record is only 422 00:22:27,119 --> 00:22:31,960 Speaker 2: counted as one one album. Certain other artist had it 423 00:22:32,080 --> 00:22:36,240 Speaker 2: made so that you could count if you released six 424 00:22:36,320 --> 00:22:39,960 Speaker 2: CD live set you can count it six times. Well, 425 00:22:40,000 --> 00:22:43,080 Speaker 2: they didn't do that retroactively, so in my mind it's 426 00:22:43,119 --> 00:22:44,359 Speaker 2: still the biggest selling. 427 00:22:44,119 --> 00:22:46,400 Speaker 1: Yes, and eventually how many albums did you sell? 428 00:22:46,760 --> 00:22:48,720 Speaker 3: We're up in the seventeen million. 429 00:22:48,440 --> 00:23:04,040 Speaker 1: Now seventeen million records of this right sound thing. This 430 00:23:04,160 --> 00:23:06,520 Speaker 1: is Alec Baldwin and you're listening to Here's the Thing 431 00:23:06,920 --> 00:23:21,120 Speaker 1: back in a minute with more of Peter Frampton. When 432 00:23:21,160 --> 00:23:24,000 Speaker 1: you come out of that experience and having this huge thing, 433 00:23:24,359 --> 00:23:25,919 Speaker 1: I want to talk to you not about how it 434 00:23:25,960 --> 00:23:28,719 Speaker 1: affected you career wise, because obviously that wasn't important. How 435 00:23:28,720 --> 00:23:31,359 Speaker 1: did it affect you personally? Were you married at the time. 436 00:23:31,840 --> 00:23:33,320 Speaker 3: I had a girlfriend at the time. 437 00:23:35,200 --> 00:23:37,800 Speaker 2: I don't think anybody can be ready for that kind 438 00:23:37,840 --> 00:23:41,960 Speaker 2: of success, and I'm pretty down to earth person. I 439 00:23:42,040 --> 00:23:45,280 Speaker 2: take things as they come. As I said earlier to you, 440 00:23:45,920 --> 00:23:49,320 Speaker 2: I was a late bloomer when it came to dulling anything. 441 00:23:49,920 --> 00:23:53,520 Speaker 2: You know, it was almost unbelievable the amount of success 442 00:23:54,560 --> 00:23:58,280 Speaker 2: you get these phone calls in quick succession. You're number 443 00:23:58,320 --> 00:24:02,080 Speaker 2: one in the charts, know and I'm going wait a second, 444 00:24:02,640 --> 00:24:05,480 Speaker 2: say that one more time and who are you? And 445 00:24:05,520 --> 00:24:11,359 Speaker 2: then within three or four weeks of that, I get 446 00:24:11,359 --> 00:24:14,600 Speaker 2: the call saying it's the biggest selling record of all time. 447 00:24:15,280 --> 00:24:20,119 Speaker 2: You've just outsold Carol King's Tapestry and it's. 448 00:24:20,400 --> 00:24:21,520 Speaker 1: Was that the time you thought of you had to 449 00:24:21,520 --> 00:24:22,480 Speaker 1: start numbing yourself. 450 00:24:22,720 --> 00:24:26,959 Speaker 2: Yeah, it was crazy because people just wanted no. 451 00:24:27,000 --> 00:24:28,600 Speaker 1: It was very don't know how to deal with how 452 00:24:28,600 --> 00:24:30,400 Speaker 1: people treat you differently exactly. 453 00:24:30,920 --> 00:24:36,000 Speaker 2: I'm being always being respectful and never really thinking of 454 00:24:36,080 --> 00:24:39,000 Speaker 2: myself as anything special because I've never been. 455 00:24:40,359 --> 00:24:41,480 Speaker 3: That's just not my carent. 456 00:24:41,680 --> 00:24:42,600 Speaker 1: What good does it do you? 457 00:24:42,680 --> 00:24:46,879 Speaker 2: I felt embarrassed that I was that this entity became 458 00:24:47,359 --> 00:24:48,440 Speaker 2: it was me over here. 459 00:24:48,560 --> 00:24:48,760 Speaker 1: You know. 460 00:24:49,400 --> 00:24:51,159 Speaker 3: Yes, it was very hard to deal with. 461 00:24:51,440 --> 00:24:53,040 Speaker 1: Yeah, but were you proud of the record? 462 00:24:53,160 --> 00:24:55,679 Speaker 3: Oh my god, Yeah. I'm still one thing when. 463 00:24:55,520 --> 00:24:59,359 Speaker 1: People become famous and have a regardless of their of 464 00:24:59,400 --> 00:25:02,159 Speaker 1: the ramper, regardless of the whole timeline of their career, 465 00:25:02,840 --> 00:25:04,639 Speaker 1: and then they have some seismic event like that and 466 00:25:04,640 --> 00:25:07,280 Speaker 1: they don't really deserve it. I mean, in your case, 467 00:25:07,640 --> 00:25:11,560 Speaker 1: you're great, I mean you really are phenomenal. But aside 468 00:25:11,560 --> 00:25:14,840 Speaker 1: from your own gifts, who helped really really make the 469 00:25:14,920 --> 00:25:16,120 Speaker 1: record roll out that way? 470 00:25:16,440 --> 00:25:18,640 Speaker 3: Jerry, Jerry definitely. Well. 471 00:25:18,680 --> 00:25:21,920 Speaker 2: I have to say Jerry and Herb for sticking with 472 00:25:22,040 --> 00:25:25,560 Speaker 2: me as long. They stuck with Humble Pie too, they 473 00:25:25,640 --> 00:25:28,800 Speaker 2: stuck with Police, they stuck with well Police happened pretty quickly. 474 00:25:28,840 --> 00:25:32,199 Speaker 2: But there's a lot of acts in those days that 475 00:25:32,760 --> 00:25:37,080 Speaker 2: needed nurturing, needed nurturing. And it was like a club, 476 00:25:37,320 --> 00:25:39,960 Speaker 2: you know. You come over here, and Jerry and Herb 477 00:25:40,119 --> 00:25:43,040 Speaker 2: never told us what to write or what to record. 478 00:25:43,320 --> 00:25:46,439 Speaker 2: They let us do our thing and find ourselves. And 479 00:25:46,480 --> 00:25:50,480 Speaker 2: I have to say Deanthony the manager, was a great promoter. 480 00:25:50,760 --> 00:25:55,400 Speaker 2: He wasn't terrific with finances, but especially mine. And then 481 00:25:55,600 --> 00:25:59,760 Speaker 2: Frank Barcelona, the agent, who was if you want with Frank, 482 00:25:59,800 --> 00:26:02,399 Speaker 2: you weren't anybody you know that was premiere talent was 483 00:26:02,520 --> 00:26:08,720 Speaker 2: the utrosity handle everybody Springsteen, let's up, I mean everybody, 484 00:26:08,800 --> 00:26:10,200 Speaker 2: the who the lot? 485 00:26:10,720 --> 00:26:13,639 Speaker 1: Everybody did that plague you at that time about finances. 486 00:26:13,680 --> 00:26:15,399 Speaker 1: Did you find that that that you didn't get what 487 00:26:15,480 --> 00:26:16,200 Speaker 1: you thought was fair? 488 00:26:16,920 --> 00:26:17,280 Speaker 3: Well? 489 00:26:18,440 --> 00:26:20,840 Speaker 2: I was ripped off, I mean, but but I would 490 00:26:20,840 --> 00:26:22,560 Speaker 2: go back and talk to Bill Wyman, you know, because 491 00:26:22,560 --> 00:26:25,480 Speaker 2: he's sort of like my mentor my my older brother. 492 00:26:26,240 --> 00:26:29,879 Speaker 2: He said, oh, we all get ripped off, Stones, the Beatles, 493 00:26:29,920 --> 00:26:32,040 Speaker 2: we all got ripped off, you know. And then you 494 00:26:32,119 --> 00:26:33,639 Speaker 2: learn and you go and do it again. You know, 495 00:26:34,160 --> 00:26:38,800 Speaker 2: I'll tell you why it happens. It's because I'm a musician. 496 00:26:38,800 --> 00:26:43,240 Speaker 2: I'm a creative person. I've never done what I do 497 00:26:43,880 --> 00:26:47,320 Speaker 2: for money. I'm stupid when it comes to money, you know. 498 00:26:47,920 --> 00:26:49,600 Speaker 1: And there's a lot of money on the table. 499 00:26:49,960 --> 00:26:54,879 Speaker 2: Yes, so I trusted people to look after things for me, 500 00:26:55,000 --> 00:26:55,639 Speaker 2: and they didn't. 501 00:26:55,920 --> 00:26:56,760 Speaker 3: They took it. 502 00:26:56,920 --> 00:26:59,160 Speaker 1: Did that change after you had the number one selling 503 00:26:59,240 --> 00:26:59,960 Speaker 1: album in the world. 504 00:27:00,400 --> 00:27:02,840 Speaker 2: But that's when it happened. That's when it started, and 505 00:27:02,880 --> 00:27:04,879 Speaker 2: some people don't happen to over and over again. But 506 00:27:05,280 --> 00:27:08,120 Speaker 2: I have a team now that I wish I had then, obviously, 507 00:27:08,200 --> 00:27:11,720 Speaker 2: But and I become I actually tutored myself in math 508 00:27:11,760 --> 00:27:15,080 Speaker 2: a little bit after that. No, but it's you know 509 00:27:15,119 --> 00:27:17,800 Speaker 2: what I mean, I have to blame myself as much 510 00:27:17,800 --> 00:27:19,240 Speaker 2: as I blame everybody else. 511 00:27:19,359 --> 00:27:21,000 Speaker 1: I mean, you most want to believe as I do, 512 00:27:21,080 --> 00:27:23,880 Speaker 1: that I couldn't do. You might not have been able 513 00:27:23,920 --> 00:27:25,359 Speaker 1: to do the work you did on the level you 514 00:27:25,359 --> 00:27:27,040 Speaker 1: did if your mind was on something else. Yeah. 515 00:27:27,440 --> 00:27:32,080 Speaker 2: Yeah, When something really big hits in the entertainment business, 516 00:27:32,480 --> 00:27:35,800 Speaker 2: it's like feast or famine. It's either it's not a 517 00:27:35,920 --> 00:27:41,640 Speaker 2: hit movie, record whatever, and nothing comes in, or it's 518 00:27:41,720 --> 00:27:45,320 Speaker 2: like a blockbuster and all this money comes in and 519 00:27:45,440 --> 00:27:47,320 Speaker 2: it all comes into one place. 520 00:27:47,960 --> 00:27:49,120 Speaker 3: And when you see a. 521 00:27:49,080 --> 00:27:52,119 Speaker 2: Pile of money like this, it brings out thoughts that 522 00:27:52,200 --> 00:27:54,160 Speaker 2: people didn't normally have before. 523 00:27:54,720 --> 00:27:58,880 Speaker 3: You know what I mean. It's the availability of all 524 00:27:58,920 --> 00:28:00,600 Speaker 3: that cash all at once. 525 00:28:00,920 --> 00:28:03,600 Speaker 1: You know that, well, especially in the music business, because 526 00:28:03,600 --> 00:28:06,000 Speaker 1: there's nothing like the music business for making money. 527 00:28:05,840 --> 00:28:07,960 Speaker 3: Except for the fact that music is free. 528 00:28:08,000 --> 00:28:11,520 Speaker 1: Now, well it is different now, yeah, I mean you. 529 00:28:11,480 --> 00:28:17,359 Speaker 2: Used to tour to promote the record, and now now you 530 00:28:18,000 --> 00:28:21,240 Speaker 2: make the record to promote the tour. The record is 531 00:28:21,280 --> 00:28:23,399 Speaker 2: a giveaway, the CD is a giveaway. 532 00:28:23,680 --> 00:28:26,119 Speaker 1: The dollars are in the live performing. Yes, that's how 533 00:28:26,160 --> 00:28:26,560 Speaker 1: it is for you. 534 00:28:26,720 --> 00:28:28,560 Speaker 3: Well, yeah, that's all that's a startists. 535 00:28:28,800 --> 00:28:31,960 Speaker 2: Yeah, And luckily my reputation is as a live performer, 536 00:28:32,040 --> 00:28:35,840 Speaker 2: So it's been phenomenal for me. But it's hard work touring, 537 00:28:35,880 --> 00:28:38,120 Speaker 2: but I love it, so that's not hard work for me. 538 00:28:38,480 --> 00:28:41,160 Speaker 1: You came into New York recently and you did that 539 00:28:41,200 --> 00:28:43,040 Speaker 1: at the Beacon here in New York. Yes, and how 540 00:28:43,040 --> 00:28:43,920 Speaker 1: many shows did you do? 541 00:28:44,360 --> 00:28:48,760 Speaker 2: For most of thirteen months, we were doing five shows 542 00:28:49,040 --> 00:28:51,600 Speaker 2: a week. And it's a three hour show. So we 543 00:28:51,600 --> 00:28:54,240 Speaker 2: were doing Coms Alive first, which is an hour and 544 00:28:54,280 --> 00:28:58,880 Speaker 2: forty and then we were doing excerpts from everything else 545 00:28:58,920 --> 00:29:01,920 Speaker 2: in my career as well other Aron fifteen or twenty, 546 00:29:02,000 --> 00:29:02,200 Speaker 2: you know. 547 00:29:02,360 --> 00:29:06,280 Speaker 3: So it was we were killing ourselves. 548 00:29:06,320 --> 00:29:07,720 Speaker 1: How did it feel? Well? 549 00:29:07,800 --> 00:29:11,760 Speaker 2: It felt great. The first show we did was in 550 00:29:11,840 --> 00:29:12,920 Speaker 2: New Jersey. 551 00:29:12,640 --> 00:29:14,720 Speaker 1: The first time you did comes a live contests. 552 00:29:14,760 --> 00:29:17,840 Speaker 2: First time we played it since seventy six, you know. 553 00:29:18,720 --> 00:29:22,720 Speaker 2: And then the second show was the Beacon, the place 554 00:29:22,760 --> 00:29:24,120 Speaker 2: when nuts, you know, they. 555 00:29:24,040 --> 00:29:24,800 Speaker 3: Just went bizik. 556 00:29:24,960 --> 00:29:26,000 Speaker 1: You know you're going to do it again. 557 00:29:27,320 --> 00:29:30,160 Speaker 3: I don't know whether I'll do the entire thing again. 558 00:29:30,320 --> 00:29:31,560 Speaker 1: I've just alive again. 559 00:29:33,360 --> 00:29:35,560 Speaker 3: Not for a while anyway, damn it. 560 00:29:35,720 --> 00:29:38,960 Speaker 2: No, No, you've made no we filmed it and film it, 561 00:29:39,120 --> 00:29:40,160 Speaker 2: yeah at the Beacon. 562 00:29:40,280 --> 00:29:41,720 Speaker 3: And in what are you gonna do with that? 563 00:29:41,760 --> 00:29:42,480 Speaker 1: Where is that going? 564 00:29:42,840 --> 00:29:43,680 Speaker 3: It's going to be a DVD. 565 00:29:43,800 --> 00:29:46,800 Speaker 2: In fact, that's where I'm going on Sunday to go 566 00:29:47,000 --> 00:29:49,040 Speaker 2: back home to my studio to mix the audio. 567 00:29:49,280 --> 00:29:50,520 Speaker 1: What are you gonna do when you're gonna release it 568 00:29:50,520 --> 00:29:51,760 Speaker 1: as as as a DVD or. 569 00:29:53,400 --> 00:29:55,320 Speaker 3: Now it'll probably just be a DVD. 570 00:29:56,120 --> 00:29:57,960 Speaker 1: And you don't want to do this on TV? 571 00:29:58,640 --> 00:30:01,320 Speaker 3: Oh, I'd love to. Yeah, have you gotten in there? Maybe? 572 00:30:01,400 --> 00:30:03,240 Speaker 1: Oh, I can't believe if it's a doctor. Are there 573 00:30:03,280 --> 00:30:04,440 Speaker 1: any backstage footage? 574 00:30:05,080 --> 00:30:07,720 Speaker 2: I've got the story and it's filmed of when my 575 00:30:07,800 --> 00:30:08,840 Speaker 2: guitar was returned. 576 00:30:09,760 --> 00:30:11,680 Speaker 1: What happened to that guitar? What's the story? 577 00:30:12,600 --> 00:30:16,400 Speaker 2: Well, first of all, we're talking about the guitar that's 578 00:30:16,480 --> 00:30:19,080 Speaker 2: on the front cover of Comes Alive, which I got 579 00:30:19,120 --> 00:30:22,360 Speaker 2: given to me by Mark Marianna in nineteen seventy when 580 00:30:22,360 --> 00:30:25,160 Speaker 2: I was playing the film All West with Humble Pie, 581 00:30:25,840 --> 00:30:28,720 Speaker 2: and I was having a terrible time with the guitar 582 00:30:28,760 --> 00:30:32,280 Speaker 2: that I had at that night, and Mark said to me, 583 00:30:33,200 --> 00:30:35,000 Speaker 2: you know, I could see you having problems with that. 584 00:30:35,480 --> 00:30:37,400 Speaker 2: You want to try my Les Paul tomorrow. I said, well, 585 00:30:37,400 --> 00:30:39,520 Speaker 2: I'm not really big on Les Paul's, but okay, all right, 586 00:30:39,600 --> 00:30:40,440 Speaker 2: anything's better than this. 587 00:30:40,560 --> 00:30:41,880 Speaker 3: So you brought it to me. I played it. 588 00:30:42,560 --> 00:30:44,480 Speaker 2: I don't think my feet touched the ground the entire 589 00:30:44,600 --> 00:30:47,520 Speaker 2: It's the best guitar I've ever played, you know, fifty 590 00:30:47,520 --> 00:30:51,680 Speaker 2: four as Paul. So then I played that guitar on 591 00:30:52,440 --> 00:30:55,760 Speaker 2: Rock On and also of Humble Pie and also Rock 592 00:30:55,800 --> 00:30:57,880 Speaker 2: in the film On. That's the guitar I use on there. 593 00:30:58,280 --> 00:31:02,520 Speaker 2: Basically I used that exclusively. It's the only guitar I 594 00:31:02,640 --> 00:31:06,320 Speaker 2: play all the way through all my solo records and 595 00:31:06,560 --> 00:31:09,000 Speaker 2: including Frampton Comes Alive. 596 00:31:09,080 --> 00:31:11,120 Speaker 1: And you were never tempted to put that down. That 597 00:31:11,240 --> 00:31:12,920 Speaker 1: was it. That was Marry that guitar. 598 00:31:13,120 --> 00:31:15,440 Speaker 3: Yes, yes, it was just this one. 599 00:31:15,560 --> 00:31:17,960 Speaker 2: I had a fifty five strat that I would always 600 00:31:18,040 --> 00:31:20,000 Speaker 2: use for Show Me the Way because I needed a 601 00:31:20,040 --> 00:31:22,479 Speaker 2: cleaner sound, you know. So that was that was on 602 00:31:22,560 --> 00:31:26,960 Speaker 2: Show Me the Way. So then we get to touring 603 00:31:27,040 --> 00:31:31,200 Speaker 2: South America in nineteen eighty. We just finished playing Caracas, 604 00:31:31,320 --> 00:31:34,720 Speaker 2: Venezuela and we had a day off and so we 605 00:31:34,840 --> 00:31:40,120 Speaker 2: flew commercially to Panama waiting for the gear to arrive 606 00:31:40,200 --> 00:31:43,000 Speaker 2: on a cargo plane where it never got off the 607 00:31:43,080 --> 00:31:44,400 Speaker 2: runway in Caracas. 608 00:31:44,880 --> 00:31:46,120 Speaker 3: It crashed on takeoff. 609 00:31:46,760 --> 00:31:49,360 Speaker 2: My road manager came to me, I'm having this huge 610 00:31:49,400 --> 00:31:52,440 Speaker 2: meal on my day off with my wife at the time, 611 00:31:53,000 --> 00:31:55,200 Speaker 2: and he said, I got some bad news and he says, 612 00:31:55,320 --> 00:32:00,480 Speaker 2: the plane crashed on takeoff. I said, my guitar, he said, 613 00:32:01,840 --> 00:32:05,520 Speaker 2: and like six people loading people, the pilot, the copilot, 614 00:32:05,520 --> 00:32:06,640 Speaker 2: loading inspector, all that. 615 00:32:07,120 --> 00:32:10,280 Speaker 3: So I mean, yeah, yeah, people died. So that took 616 00:32:10,360 --> 00:32:11,479 Speaker 3: precedent over everything. 617 00:32:11,520 --> 00:32:13,920 Speaker 2: Then it put it in perspective, you know, and there's 618 00:32:13,920 --> 00:32:17,600 Speaker 2: the pilot's wife sitting at the bar who doesn't know yet. 619 00:32:17,880 --> 00:32:18,960 Speaker 3: It was horrendous. 620 00:32:19,280 --> 00:32:22,800 Speaker 2: So anyway, we limped through the end of that tour 621 00:32:23,000 --> 00:32:27,640 Speaker 2: basically with borrowed equipment. Sent someone down my guitar tech 622 00:32:27,680 --> 00:32:30,320 Speaker 2: at the time, a week later to see what was left. 623 00:32:30,360 --> 00:32:34,560 Speaker 2: Nothing was left, supposedly, and what had happened. The tail 624 00:32:34,600 --> 00:32:39,600 Speaker 2: had broken off. Guitars were actually in a trunk in cases, 625 00:32:39,720 --> 00:32:43,680 Speaker 2: in cases, And the way the story goes is they 626 00:32:43,720 --> 00:32:46,560 Speaker 2: had a guard to guard the crash site, the debris side, 627 00:32:46,640 --> 00:32:49,760 Speaker 2: till the insurance people came down and he decided that 628 00:32:49,760 --> 00:32:53,240 Speaker 2: the guitars would be much safer at his house. No, yes, 629 00:32:53,680 --> 00:32:56,440 Speaker 2: and then Caracas, Yes, in Caracas. 630 00:32:56,640 --> 00:32:57,920 Speaker 1: This is nineteen eighty. 631 00:32:57,760 --> 00:33:02,160 Speaker 3: Nineteen eighty, two years ago, which is thirty. 632 00:33:01,960 --> 00:33:03,560 Speaker 1: Years thirty years later. 633 00:33:03,960 --> 00:33:09,280 Speaker 2: I opened my info at Frampton dot com email because 634 00:33:09,320 --> 00:33:12,160 Speaker 2: anybody can email me and I see them all. I 635 00:33:12,240 --> 00:33:16,080 Speaker 2: open up this one and there's a picture, a photograph 636 00:33:16,280 --> 00:33:18,640 Speaker 2: of my guitar slightly. 637 00:33:18,200 --> 00:33:23,520 Speaker 5: Singed, but it's my lastly siged right at the top, 638 00:33:23,640 --> 00:33:28,000 Speaker 5: you know, slightly singed, but there it is there's a picture, 639 00:33:28,000 --> 00:33:29,800 Speaker 5: and I thought, could this. 640 00:33:29,840 --> 00:33:30,520 Speaker 1: See the picture? 641 00:33:30,560 --> 00:33:34,200 Speaker 2: Where in an email to me from someone who had 642 00:33:35,080 --> 00:33:39,160 Speaker 2: got a hold of the guitar. As it happens in Kurusau, 643 00:33:39,240 --> 00:33:42,480 Speaker 2: which is a little island off the coast of Caracas. 644 00:33:43,320 --> 00:33:49,040 Speaker 2: Someone had sold it to this gentleman and he took 645 00:33:49,080 --> 00:33:51,960 Speaker 2: it to someone who fixed guitars, and they knew what 646 00:33:52,040 --> 00:33:55,560 Speaker 2: it was. And it took two years of a very 647 00:33:55,600 --> 00:33:56,720 Speaker 2: gray area. 648 00:33:56,920 --> 00:33:58,760 Speaker 1: And was he saying like, I don't want to get process. 649 00:33:58,800 --> 00:34:00,280 Speaker 1: I want to get this guitar, but I'm to go 650 00:34:00,280 --> 00:34:00,640 Speaker 1: to jail. 651 00:34:00,800 --> 00:34:03,680 Speaker 3: That was the thing. No one wanted to actually come money. 652 00:34:03,800 --> 00:34:05,080 Speaker 1: It wasn't about him who he wanted to do. 653 00:34:05,200 --> 00:34:08,840 Speaker 4: There was money involved, but he would have appreciated a gratuity. 654 00:34:08,960 --> 00:34:11,520 Speaker 4: There was a reward talked about, but every time it 655 00:34:11,560 --> 00:34:15,160 Speaker 4: would get close to someone coming in, they'd find something 656 00:34:15,280 --> 00:34:16,520 Speaker 4: reason why they couldn't come in. 657 00:34:16,560 --> 00:34:18,319 Speaker 2: So that's why it took two years. And then in 658 00:34:18,400 --> 00:34:21,279 Speaker 2: the end the guy actually checked to see if we 659 00:34:21,360 --> 00:34:23,920 Speaker 2: had booked him a hotel because he just saw himself 660 00:34:23,960 --> 00:34:27,759 Speaker 2: in handcuffs at Miami Airport. You know, he knew who 661 00:34:27,840 --> 00:34:30,720 Speaker 2: had it, and the person who had it needed some money, 662 00:34:30,800 --> 00:34:34,000 Speaker 2: and so he went to the tourist Bureau of Currosau 663 00:34:34,080 --> 00:34:37,560 Speaker 2: and said, look, if you lend me the money or 664 00:34:37,560 --> 00:34:39,399 Speaker 2: give me the money to go buy this, I can 665 00:34:39,400 --> 00:34:42,759 Speaker 2: find this. This will be a great tourism story for Currosow. 666 00:34:43,520 --> 00:34:46,759 Speaker 2: And they did, and they did, and they came and 667 00:34:46,920 --> 00:34:50,040 Speaker 2: the two of them, the tourism president of the tourism 668 00:34:50,120 --> 00:34:53,920 Speaker 2: board from the government and the gentleman who found the guitar, 669 00:34:54,160 --> 00:34:56,600 Speaker 2: knew where it was, brought it to Nashville. 670 00:34:56,960 --> 00:34:59,680 Speaker 3: We had three cameras as soon as he waited. 671 00:35:00,719 --> 00:35:04,799 Speaker 2: And what happens, Well, the two gentlemen walk in and 672 00:35:05,320 --> 00:35:09,000 Speaker 2: he's got it in this probably one of the worst 673 00:35:09,000 --> 00:35:12,040 Speaker 2: looking gigbags I've ever seen in my life, cheap, old 674 00:35:12,040 --> 00:35:15,359 Speaker 2: plastic thing. He puts it beside him, you know, and 675 00:35:15,400 --> 00:35:18,440 Speaker 2: he tells the story in broken English of how this 676 00:35:18,480 --> 00:35:20,920 Speaker 2: person had it and the whole thing. He hands it 677 00:35:20,920 --> 00:35:23,440 Speaker 2: to me and he goes feel it to Peter feelith 678 00:35:23,520 --> 00:35:26,640 Speaker 2: so and I know that he knows because it was 679 00:35:26,680 --> 00:35:29,920 Speaker 2: the lightest les Paul I'd ever played. So I just 680 00:35:30,000 --> 00:35:32,120 Speaker 2: felt it in the case and knowing, oh, this could 681 00:35:32,160 --> 00:35:35,120 Speaker 2: be it, you know, opened it up. I just looked 682 00:35:35,120 --> 00:35:37,719 Speaker 2: at it and I just feel it like that and 683 00:35:37,719 --> 00:35:38,720 Speaker 2: I go, it's my guitar. 684 00:35:39,440 --> 00:35:41,520 Speaker 1: How badly was it siniged where just. 685 00:35:41,560 --> 00:35:46,239 Speaker 2: Round the very top it lost the binding around the headstock. 686 00:35:46,440 --> 00:35:47,360 Speaker 1: Did you get that replaced? 687 00:35:47,680 --> 00:35:48,760 Speaker 3: No? I didn't. 688 00:35:49,120 --> 00:35:51,960 Speaker 2: I left it. I've left it with its battle scars. 689 00:35:52,840 --> 00:35:56,480 Speaker 2: Gibson made it playable, so we refretted. 690 00:35:56,000 --> 00:36:00,440 Speaker 1: It at the caracas. Kiss is how the same as 691 00:36:00,440 --> 00:36:03,920 Speaker 1: a field? The same? Almost just that cinch. 692 00:36:04,800 --> 00:36:09,600 Speaker 2: Yeah, And when I first played it at rehearsals with 693 00:36:09,719 --> 00:36:14,560 Speaker 2: the band, everybody had this like cheshire cat grin on 694 00:36:14,600 --> 00:36:18,560 Speaker 2: their face because it has this sound and it sounds 695 00:36:18,640 --> 00:36:20,080 Speaker 2: like Crampton comes alive. 696 00:36:22,040 --> 00:36:23,800 Speaker 3: You know, you don't have to try too hard. 697 00:36:23,840 --> 00:36:26,960 Speaker 2: And you got that back when I got it back 698 00:36:27,760 --> 00:36:31,319 Speaker 2: just before we started touring in February and March for 699 00:36:31,400 --> 00:36:34,040 Speaker 2: the last American leg. I used it a little bit 700 00:36:34,040 --> 00:36:36,480 Speaker 2: at rehearsals, and then I brought it out for the 701 00:36:36,520 --> 00:36:37,600 Speaker 2: first night at the Beacon. 702 00:36:38,200 --> 00:36:40,480 Speaker 3: I think the guitar is more famous than I am now. 703 00:36:40,560 --> 00:36:43,799 Speaker 1: So when you were meant to play that music with 704 00:36:43,920 --> 00:36:44,799 Speaker 1: that guitar. 705 00:36:44,840 --> 00:36:45,799 Speaker 3: Yeah, and I'm going to cry. 706 00:36:45,920 --> 00:36:49,120 Speaker 2: I remember saying someone that before I went out that night. 707 00:36:49,920 --> 00:36:53,120 Speaker 2: I just hope emotionally I'm going to be able to 708 00:36:53,239 --> 00:36:55,960 Speaker 2: play it, and I brought it out for Do You Feel? 709 00:36:56,040 --> 00:36:58,920 Speaker 2: And I messed up the first leg because I couldn't 710 00:36:58,960 --> 00:37:01,240 Speaker 2: believe I was playing how can you fumble? 711 00:37:01,480 --> 00:37:02,080 Speaker 1: Dead? 712 00:37:03,400 --> 00:37:03,480 Speaker 5: Me? 713 00:37:03,800 --> 00:37:04,200 Speaker 3: I did? 714 00:37:04,480 --> 00:37:04,640 Speaker 1: OK. 715 00:37:05,120 --> 00:37:07,719 Speaker 2: It was like meant to be, you know. And once 716 00:37:07,760 --> 00:37:09,960 Speaker 2: I got it, was saying to me, come on, get 717 00:37:10,000 --> 00:37:12,960 Speaker 2: it together, you know. And yes, it's I'm back. Now 718 00:37:13,000 --> 00:37:14,000 Speaker 2: get over it, you know. 719 00:37:30,520 --> 00:37:34,320 Speaker 1: Peter Frampton has just completed his thirty fifth anniversary tour 720 00:37:34,760 --> 00:37:37,800 Speaker 1: of Frampton Comes Alive, and says he plans to release 721 00:37:37,840 --> 00:37:41,720 Speaker 1: the DVD this fall. In addition to celebrating his past, 722 00:37:42,000 --> 00:37:45,160 Speaker 1: he's also busy with new projects, including a collaboration with 723 00:37:45,200 --> 00:37:49,200 Speaker 1: the Cincinnati Ballet, which will debut next spring. What music 724 00:37:49,239 --> 00:37:49,960 Speaker 1: do you listen to? Now? 725 00:37:49,960 --> 00:37:51,799 Speaker 3: Who do you like right now? This week? 726 00:37:51,920 --> 00:37:55,000 Speaker 2: Band of Skulls. My son term me Onto and daughter 727 00:37:55,120 --> 00:37:56,960 Speaker 2: term me on to them. And I went to Coachella. 728 00:37:57,560 --> 00:38:01,680 Speaker 2: I saw Radiohead. I still I'm Radiohead fanatic. I just 729 00:38:01,800 --> 00:38:06,480 Speaker 2: love them. I think they're so not mainstream, but they 730 00:38:06,520 --> 00:38:10,920 Speaker 2: became mainstream because they're just so unique. I was an 731 00:38:10,960 --> 00:38:12,799 Speaker 2: eye opener for me to go to coach Olla with 732 00:38:12,800 --> 00:38:15,400 Speaker 2: my daughter who's sixteen and just have fun. 733 00:38:17,200 --> 00:38:19,680 Speaker 1: This is Alec Baldwin. And if you haven't figured this 734 00:38:19,760 --> 00:38:25,080 Speaker 1: out by now, I'm one of Peter Frampton's biggest fans. 735 00:38:45,239 --> 00:38:47,719 Speaker 1: I'm Alec Baldwin. Here's the thing that's brought to you 736 00:38:47,760 --> 00:38:49,440 Speaker 1: by iHeart Radio