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Speaker 1: Hey, Discos, need a little more Disgraceland in your life,

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Speaker 1: just to touch to get you through. Yeah, me too.

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Speaker 1: This is the podcast that comes after the podcast. Welcome

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Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode,

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Speaker 1: a little thing we like to call the after party.

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Speaker 1: This is the show after the show, the party after

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Speaker 1: the party, the bridge to get you from one episode

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Speaker 1: of Disgraceland to the other, the backyard to dig into

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Speaker 1: the dirt. On this episode, we are talking about Sonny Rollins,

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Speaker 1: some of the most talented musicians alive, Tom Petty, somewhere

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Speaker 1: you feel free and of course your voicemails, texts, dms

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Speaker 1: and more and as always, a whole lot of roast.

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Speaker 1: All right, Discos, let's get it to Hey, let's go

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Speaker 1: Disco's it Sonny Rowlins week here in Disgraceland, Sonny Rollins

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Speaker 1: was a badass in the purest sense of the word.

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Speaker 1: And I'm not just talking about all the bad things

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Speaker 1: Sonny Rollins got up to pickpocketing, heroin, couple stints, and

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Speaker 1: rikers Island, all things you can hear about in the

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Speaker 1: full episode of Sonny that we just released, but more

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Speaker 1: specifically talking about in his dedication to his craft. At

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Speaker 1: the height of his fame, when he'd already made it,

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Speaker 1: nineteen fifty nine, Downbeat magazine, the authority on jazz music,

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Speaker 1: ranked Sonny Rollins as the number one jazz saxophonist in

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Speaker 1: the world. It's a big deal. When that happened, Sonny disappeared,

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Speaker 1: and he just dropped out of the scene. No one

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Speaker 1: knew where he went largely, and he went to practice,

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Speaker 1: disappeared to go practice. Okay, let me say that again.

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Speaker 1: After conquering his field, after ascending at least critically higher

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Speaker 1: than Miles Davis John Coltrane, Sonny Rollins decided it was

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Speaker 1: time to stop performing and to start practicing. So for

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Speaker 1: two years, Sonny Rollands squirrelled himself away and dedicated himself

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Speaker 1: to becoming even better than he was before, better than

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Speaker 1: everyone in his field already knew that he was. And

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Speaker 1: this was because, I mean not only because of the

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Speaker 1: highly competitive world of jazz music, but Sonny Rowlands just

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Speaker 1: he knew how good his contemporaries were, specifically the aforementioned

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Speaker 1: Miles Davis and John Coltrane. But they're wildly inventive playing

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Speaker 1: these albums there they had or were making or were

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Speaker 1: about to make kind of blue giant steps, respectively, just

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Speaker 1: phenomenal records. So Sonny Rowlands is like, I'm out, I

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Speaker 1: gotta do better. I'm gonna go. I know, I can

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Speaker 1: basically play what I want, do whatever I want creatively,

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Speaker 1: but I'm gonna go just not do any of that,

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Speaker 1: and I'm just going to practice constantly for two years.

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Speaker 1: I don't know, man, it's weird, but it's compelling the

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Speaker 1: idea of walking away from the stage at the peaky

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Speaker 1: your popularity and your acceptance as a performative practice to

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Speaker 1: get better. There's something about it that's maniacal that I love.

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Speaker 1: I'm not going to get into the rest of the

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Speaker 1: story here. You're you have to check out the episode

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Speaker 1: if you have not already to find out what happens.

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Speaker 1: But I am going to use this as a jumping

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Speaker 1: off point to talk about talent and craft in music

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Speaker 1: and to get to a very stupid but fun question

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Speaker 1: for us to answer. So I was watching the bo

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Speaker 1: Jackson thirty for thirty episode with my youngest son last night,

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Speaker 1: and you know, Bo Jackson, that's talent. Bo Jackson had

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Speaker 1: raw athletic talent that no athlete probably in modern history

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Speaker 1: ever displayed up until that point. The things Bo Jackson

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Speaker 1: could do were just otherworldly, both on and off the baseball.

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Speaker 1: In football fields, he could donk at twelve years old.

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Speaker 1: Supposedly he could hurdle volkswagons like literally just jump over

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Speaker 1: the top of a car. He could do all kinds

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Speaker 1: of crazy shit. Okay, that's just raw talent. And then

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Speaker 1: there's craft. Blues musician Robert Johnson, like Bo Jackson, had talent,

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Speaker 1: not as much, but he was talented. And then supposedly

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Speaker 1: the devil taught Robert Johnson his craft. The story goes

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Speaker 1: as you know, that Robert Johnson went away interned at

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Speaker 1: the Crossroads or whatever, learned his craft in the Delta,

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Speaker 1: and re emerged on the blues party scenes sounding like

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Speaker 1: he was playing three guitars at once, And that, of

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Speaker 1: course makes for a nice story, but it isn't likely true.

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Speaker 1: What is more accurate is that Robert Johnson played that

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Speaker 1: guitar of his night and day, stopping only to slip

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Speaker 1: into bed with different women in every town. But I digress.

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Speaker 1: It was the repetitive, constant attention to playing to his

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Speaker 1: craft that made his guitar a new physical appendance to arm,

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Speaker 1: something as familiar to him physically as a limb. That's

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Speaker 1: what made him so damn good. The playing no disrespect

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Speaker 1: to Satan's powers, But I believe it was Robert Johnson's

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Speaker 1: attention to his craft actually that made him so great,

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Speaker 1: not some mythical foust bargain, so talent and craft, which

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Speaker 1: is more important when it comes to music. Sonny Rowlins

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Speaker 1: obviously doubled down on craft, but to what end. If

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Speaker 1: you ask the average person who Sonny Rollins was, I

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Speaker 1: doubt they'd know. Not that that really matters, but most

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Speaker 1: people don't know who Sam Fuller was, and that doesn't

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Speaker 1: make him any less of a great director who Raymond

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Speaker 1: Chandler was, And likewise Chandler is still one of the

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Speaker 1: greatest authors of the twentieth century. But still, if you're

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Speaker 1: going to dedicate nearly every moment of your life to

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Speaker 1: your craft, and you would hope that it would result

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Speaker 1: in some real recognition, do something for twenty minutes every day.

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Speaker 1: It'll be better than ninety percent of the people in

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Speaker 1: the world at that thing. I don't know if that's true,

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Speaker 1: but I believe it, and I preach it to my kids.

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Speaker 1: My sons, and we practice that too. My youngest hits

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Speaker 1: baseballs for at least twenty minutes every day, my oldest

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Speaker 1: reads and draws. Sonny Rawlins practice saxophone on the Brooklyn

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Speaker 1: Bridge every day, not just for twenty minutes, for hours,

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Speaker 1: And surely that made him one of the greats at

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Speaker 1: his craft. But what did Prince do to practice? Or

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Speaker 1: Frank Sinatra or Stevie Wonder or Paul McCartney or Brian Wilson,

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Speaker 1: What if anything, does Taylor Swift do to practice? Or

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Speaker 1: Lady Gaga or Dave Grohl. These are some of the

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Speaker 1: biggest entertainers in the history of modern pop music. How

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Speaker 1: much of their success was due to talent and how

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Speaker 1: much was due to craft? I remember reading that Frank

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Speaker 1: Sinatra would swim to prepare for recording sessions, and that

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Speaker 1: while swimming laps, he would hold his breath for long

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Speaker 1: stretches at a time, and he'd think about the phrases

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Speaker 1: that he would later sing in the studio. And this,

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Speaker 1: of course resulted in Frank's unique phrasing, those long phrases

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Speaker 1: that go uninterrupted by the singer's need to breathe, those

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Speaker 1: phrases that sound so fluid and so smooth and so

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Speaker 1: unique to Frank, It's hard to imagine Prince or Stevie

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Speaker 1: Wonder or Paul McCartney, or even Brian Wilson practicing. Sure,

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Speaker 1: I can see them recording, I can see them composing, writing,

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Speaker 1: sitting around putting songs together, but practicing practice. Quote iverson,

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Speaker 1: Jerry Garcia would sit in front of the television for hours.

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Speaker 1: Jerry Garcia from The Grateful DA would sit in front

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Speaker 1: of his television for hours at a time and just

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Speaker 1: run scales on his guitar, just constantly, just over just

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Speaker 1: watching TV, but aimlessly physically, just practicing, just moving those hands,

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Speaker 1: doing those scales, those bluegrass scales from when he was

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Speaker 1: a kid. He did this right up until the end.

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Speaker 1: He never stopped practicing. I'm sure that for Taylor Swift,

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Speaker 1: Lady Gaga, Dave Grohl, modern performers, performers who are out

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Speaker 1: there on the road for the most part, I'm sure

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Speaker 1: that for them, practice is just built into their daily routines.

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Speaker 1: In his secondary, while they're on the road sound checking,

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Speaker 1: you're playing with your band. When you're sound checking, you're

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Speaker 1: warming up your voice, you're rehearsing the band. They're dancers.

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Speaker 1: That's all preparation. It's not necessarily practice. It's hard to

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Speaker 1: imagine Taylor Swift or Dave Grohl practicing every day with

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Speaker 1: their instruments in the manner that Sonny Rowlins did. But

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Speaker 1: the point I'm getting to is it doesn't matter really.

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Speaker 1: I mentioned Lady Gaga and Frank Sinatra purposefully amongst Prince

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Speaker 1: and Stevie and Brian Wilson. That's because Gaga and Frank

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Speaker 1: are more in the bo Jackson mode. They play, or

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Speaker 1: in Frank's case, played on two different fields, both in

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Speaker 1: music and on screen, and are insanely talented in both cases.

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Speaker 1: Watch Gaga on A Star Is Born and tell me

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Speaker 1: you're not down to watch her and anything else she

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Speaker 1: appears in From Here to Eternity. And speaking of From

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Speaker 1: Here to Eternity, the film that is Sinatra is maji

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Speaker 1: character proves that he's nearly as talented an actor as

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Speaker 1: he is a singer, and that is saying a lot,

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Speaker 1: because Sinatra's likely the greatest pop singer of all time.

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Speaker 1: But here's what I'm getting at. Here's the stupid question

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Speaker 1: whether it was craft that got them there or raw

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Speaker 1: god given skills. Which musician is the greatest of all time?

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Speaker 1: Is it? Prince? I remember I remember thinking this when

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Speaker 1: Prince died, I was like, Wow, did we just lose Jordan?

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Speaker 1: Was he the best ever? He could play nearly everything,

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Speaker 1: he could write, he could sing, he could produce. Sadly,

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Speaker 1: he couldn't act. But I'm just talking about musicianship amongst

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Speaker 1: pop stars. Put the acting aside, and then look at

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Speaker 1: the results. Look at the hits, the albums, look at

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Speaker 1: the cultural impact the guy has had. Stevie Wonder everything

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Speaker 1: I just said about Prince I can say about Stevie too,

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Speaker 1: pretty much. Maybe not as culturally impactful. I don't know.

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Speaker 1: Maybe he is. I'm younger. It's hard to know, is it.

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Speaker 1: Dave Grol You're shaking your head now when you think

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Speaker 1: about Dave Grohl compared to Prince, And I guarantee you

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Speaker 1: Dave Grohl would be shaking his head if he knew

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Speaker 1: he was being compared to Prince as well. But dude

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Speaker 1: played drums in Nirvana and now he fronts the food Fighters.

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Speaker 1: And go ahead and check the stats on the Food

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Speaker 1: Fighters in terms of albums sold and successful singles, and

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Speaker 1: even that aside. Just you know, drive down the road,

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Speaker 1: turn the radio on. It's like listen to a food

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Speaker 1: Fighters song. It's just great. It's incredible. It's still incredible.

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Speaker 1: It's been incredible our whole adult my whole adult life.

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Speaker 1: It's still incredible. Brian Wilson from The Beach Boys is it?

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Speaker 1: Taylor Swift? Her talent is massive, it's undeniable. And when

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Speaker 1: it comes to cultural impact, there isn't anyone I've mentioned

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Speaker 1: so far who can compare. What about Paul McCartney. He

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Speaker 1: wrote teeny bopper hits that made the world burst at

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Speaker 1: the seams and excitement over his cute looks, and then

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Speaker 1: he wrote fucking eleanor Rigby not to mention everything on

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Speaker 1: ram basically in his garage, and he's still going into

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Speaker 1: the eighties. The dude isn't a musician. He's an alien.

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Speaker 1: Six one seven nine oh six sixty six three eight.

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Speaker 1: Who is the greatest musician of all time? I know

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Speaker 1: it's a dumb question, but that's what makes it fun.

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Speaker 1: Who is the greatest? You can pick one the greatest

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Speaker 1: musician of all time? All right at disgrace lampod Twitter, Facebook, Instagram.

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Speaker 1: I want to know who you think, I want to

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Speaker 1: know why you think it. Let me know, I'll be

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Speaker 1: back after this, all right. Six one seven nine oh

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Speaker 1: six six six three eight. That's the number to answer

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Speaker 1: the stupid question of the week This week, it's who

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Speaker 1: do you think is the greatest musician of all time?

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Speaker 1: And why can also just and say what's up? Introduce yourself,

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Speaker 1: let me know a little bit about who you are,

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Speaker 1: what you're into at disgrace. Sam pod works as well,

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Speaker 1: but we like the text. We like the voicemails, just

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Speaker 1: like this one from the five to one two. Lots

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Speaker 1: of talk lately about classic country due to the Merrel

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Speaker 1: Haggard episode that we just dropped, and this listener's call

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Speaker 1: called him to tell us about the famous country singer

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Speaker 1: and his great grandmother. Pretty awesome.

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Speaker 2: Check this out, Hey Jake, It's Nathan from Stace City.

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Speaker 2: It's been fun talking to you on Instagram, but I

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Speaker 2: thought i'd drop you a couple of Whalen Jennings stories.

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Speaker 2: Grew up in the town close to where.

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Speaker 3: He was born and raised.

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Speaker 4: My great grandmother was.

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Speaker 2: Actually one of his babysitters when he was a toddler.

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Speaker 2: Then when he got up to be a teenager, he

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Speaker 2: asked my grandma, my paternal grandmother out on a date

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Speaker 2: and she turned him down because he never kept his

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Speaker 2: fingernails clean, and so you're gonna even look at those

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Speaker 2: old record albums and of course his fingernails are not clean.

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Speaker 2: When he, I guess, got a little bit older and

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Speaker 2: was probably working for the crickets at the time. He

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Speaker 2: was a DJ and for Talas and momb went and left.

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Speaker 3: Seemed flipped the wax.

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Speaker 2: There for a bit, so I thought that was kind

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Speaker 2: of interesting. So there you go. I thought you might

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Speaker 2: enjoy the stories all right later.

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Speaker 1: Dude, amazing story. Your paternal grandmother sounds like a smart

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Speaker 1: lady for turning that date with Wayling down. Thanks for

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Speaker 1: the call, man, appreciate it. Let's check in with Curtis.

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Speaker 2: From eight six h Jake Jersey Starters from Connecticut.

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Speaker 3: I just listened to that podcast and remove did you

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Speaker 3: know you dropped that on my birthday? I turned thirty

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Speaker 3: three on July thirteenth, and I just listened to it

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Speaker 3: and I showed a small rock.

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Speaker 2: Dude.

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Speaker 3: I would love to talk to you anytime. Eight six

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Speaker 3: zero would make my absolute day. But damn man, I

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Speaker 3: appreciate the explanation. I appreciate the podcast, and please continue

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Speaker 3: to rock on.

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Speaker 5: Man.

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Speaker 3: You are absolutely an idle man. I listen to you

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Speaker 3: all the time. I've been busy lately, so I haven't

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Speaker 3: been able to keep up to date, but god damn man,

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Speaker 3: you are absolute fucking legend. Keep on keeping on, Brothers Well.

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Speaker 1: Happy birthday, Curtis. Thanks for the kind words. I had

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Speaker 1: no idea I was responding on your birthday. Love that

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Speaker 1: that worked out. Thank you for the continued support. Let's

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Speaker 1: check out Matthew from the seven to seven.

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Speaker 2: Oh.

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Speaker 6: Hey, this is Matthew from the seven seven oh and

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Speaker 6: everybody at my warehouse listening to your show and then

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Speaker 6: chat about it at lunch, so we appreciate everything you do.

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Speaker 6: We want to hear about meat Love. I'm a textan

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Speaker 6: originally and I'm into Bat out of Hell. He's got

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Speaker 6: a really wild story in the back, and I had

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Speaker 6: a wild life, so I thought you'd be a good

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Speaker 6: choice of a character meat Loaf.

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Speaker 2: Give it a try.

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Speaker 6: Thanks for everything you do.

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Speaker 2: Bye.

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Speaker 1: All right, Matthew and the rest of the guys and

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Speaker 1: gals in the warehouse, hope you aren't working too hard.

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Speaker 1: Your bosses are treating you right. Thanks for listening. Thanks

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Speaker 1: for discussing this Graceland over lunch meat Loaf. Huh. I

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Speaker 1: was sad when Meatloaf died. He was a part of

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Speaker 1: my youth. Those songs were everywhere, even though they were

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Speaker 1: old when I was young, they were still everywhere. They're

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Speaker 1: probably still everywhere. I also thought that Meatloaf was one

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Speaker 1: of the more interesting pop stars we've had. Sounds like

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Speaker 1: you're aware of some interesting drama in this past, so

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Speaker 1: I will look that up and get back to you. Guys.

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Speaker 1: Appreciate the suggestion and the support. Keep it up all right,

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Speaker 1: love the messages, guys. Put the call it a couple

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Speaker 1: weeks back for you guys to introduce yourselves. Like I said,

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Speaker 1: so let's meet Jason from the Bronx.

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Speaker 5: Hey, Jake is JC from the Bronx. I'm a case

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Speaker 5: for the City of New York. I'm also a huge Beetlemannick.

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Speaker 5: I love the Graceland. I have been fans of the Day one.

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Speaker 5: I usually listen to the podcast while cooking. Give my

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Speaker 5: poo flavor anyway, keep up the good work and it's

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Speaker 5: social set out to you see goubla.

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Speaker 1: Yo, dude, I love that you listen to Disgraceland while

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Speaker 1: cooking the team at double Evis is going to be

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Speaker 1: stoked that you shouted them out as well. Thank you.

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Speaker 1: I listened to pods when I cook as well, mainly

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Speaker 1: Breaking Points, but I hate cooking. I'm not good at it.

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Speaker 1: Pro tip Jason, and not to be super cheesy here,

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Speaker 1: but we do have a sponsor, Factor Meals dot com

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Speaker 1: great food, super easy. You don't want to cook, Jason,

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Speaker 1: You just pop this in the microwave and you guys

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Speaker 1: can get this stuff half off fifty percent order off

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Speaker 1: with code Disgraceland fifty. That's Factor Meals dot Com. For

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Speaker 1: those nights you don't want to cook after work your beat, Jason,

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Speaker 1: you come home, you just want to chill. Last thing

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Speaker 1: you want to do is cook. You know, maybe you

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Speaker 1: got other stuff to do while you listen to podcasts.

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Speaker 1: I don't know, all right. Two eight one has an

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Speaker 1: interesting take, Okay.

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Speaker 4: Jacob Disgracelant's renee back out Houston saw this post on

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Speaker 4: the Old Graham that let's talk about like how rockers

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Speaker 4: back in the eighties looked like middle age men and

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Speaker 4: how it was like much better. I don't know what

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Speaker 4: this could be a subject matter for you at all,

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Speaker 4: but I just found the hysterical. They made Trie columns,

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Speaker 4: and I started thinking about like huel Lewising the news,

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Speaker 4: the cars, and I guess first brings me kind of

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Speaker 4: fits in there. But it's kind of funny how like

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Speaker 4: the look has changed a lot. You know, it used

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Speaker 4: to be all these sometimes middle age, rocking looking dudes

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Speaker 4: who look kind of like they could still work as

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Speaker 4: a mechanic or something, as opposed to like today where

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Speaker 4: a lot of these guys just look like young kids. Anyways,

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Speaker 4: just late night thoughts man, love the show, dudes, listen

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Speaker 4: to all this stuff. Totally dig at twenty seven clubs.

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Speaker 4: Don't want to get your logo tattooed on me.

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Speaker 1: You have a going man, bye, brother, I hear you.

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Speaker 1: This is something that I didn't know was real, or

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Speaker 1: if it was my perception, this idea that men today

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Speaker 1: look like babies compared to men from decades past. You know,

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Speaker 1: it's funny to think about in terms of pop stars.

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Speaker 1: Young Bruce Springsteen at twenty eight looks like he could

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Speaker 1: be twenty eight year old Justin Bieber's dad. But here's

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Speaker 1: the reason why this isn't my idea. Someone said this

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Speaker 1: to me. Actually, it wasn't that long ago, a couple

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Speaker 1: of weeks ago, and I heard this thing where you

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Speaker 1: turn into a man the moment you become fully responsible

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Speaker 1: for yourself. So, in other words, you're no longer in

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Speaker 1: college or whatever you or maybe you are in college,

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Speaker 1: but you're just fully responsible for yourself. In college, your

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Speaker 1: parents have no claim over you. They're not helping you out,

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Speaker 1: you have nothing to fall back on, and something clicks

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Speaker 1: in your face apparently where you just adopt this look

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Speaker 1: that is just more grown up. It's an attitude, it's

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Speaker 1: an expression. It's a physicality that comes with the mental

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Speaker 1: part of it behind the scenes. And if you think

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Speaker 1: about if you think about generation's past, and you think

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Speaker 1: about what kids at eighteen did. I've been talking about

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Speaker 1: the World War two generation. You see those pictures, and

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Speaker 1: I look at pictures of my grandfather when he was

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Speaker 1: just graduated high school, and he's a full grown man,

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Speaker 1: and compared to kids now who are twenty eight, twenty nine,

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Speaker 1: thirty years old, it's they look like children. I used

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Speaker 1: to think it was my perception. The older I got,

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Speaker 1: the harder it was to see younger people as being older.

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Speaker 1: But I don't think that's it. I think there's something

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Speaker 1: to do with you know, previous generations you had to

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Speaker 1: become more responsible for yourself earlier than you do nowadays.

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Speaker 1: And I think that has everything to do with it,

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Speaker 1: or something to do with it, not everything. Anyways, That's

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Speaker 1: my half assed take on that subject, all right. Thanks

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Speaker 1: to the voicemails. Keep them coming, guys, six one seven,

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Speaker 1: nine oh six six six three eight. I'm going to

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Speaker 1: read some texts. I'm gonna read some dms. Alrighty. So

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Speaker 1: a couple weeks ago we released this episode on New Order.

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Speaker 1: I think in one of the after parties, I said

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Speaker 1: Joy Division and people are like, where's the Joy Division episode?

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Speaker 1: There isn't one. It's a New Order episode. I made

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Speaker 1: a mistake. But we did post a question what were

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Speaker 1: the top post punk bands England that came after nineteen eighty?

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Speaker 1: Got a lot of incoming on this this one from

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Speaker 1: the six to one nine just right to the point,

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Speaker 1: Smith's Cured, Depeche Mode, Oasis, Joy Division, question Mark, all Time, Timeless,

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Speaker 1: Holy Trinity of Music, though Miles Monk and Train Yeah.

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Speaker 1: Tough to argue with either of those lists on the

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Speaker 1: same subject. To two five six rights in top English

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Speaker 1: bands of the nineties, number two, Blur number one, Bush

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Speaker 1: two words fuck Oasis. I don't know, dude, you're putting

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Speaker 1: Bush over Oasis. I cannot get with that. Let's see

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Speaker 1: what else we got, all right. Sharon from the nine

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Speaker 1: oh five Rights in Hey Jake loved the podcast. It

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Speaker 1: was a little before my time, but I was in

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Speaker 1: a conversation with a bunch of people about seventies music.

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Speaker 1: In the chat turned to David Cassidy and the Partridge

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Speaker 1: Family in the Dark years before he died. I think

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Speaker 1: it would be an interesting episode. That is interesting. I

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Speaker 1: don't know anything about that, but I will check that out.

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Speaker 1: I didn't even realize David Cassidy was dead. That's kind

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Speaker 1: of ridiculous. I should know that. The five to four

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Speaker 1: to one Rights in Hey love hearing the show three

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Speaker 1: times a week. Best music movie is high Fidelity. That's

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Speaker 1: a great choice, she says. The Lollapaluza I saw in

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Speaker 1: nineteen ninety four Gorge Ampitheater, Washington was Green Day, Breeders,

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Speaker 1: l Seven, Nick Cave Tribe, p Funk Piects, Smashing Pumpkins.

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Speaker 1: I saw that one too. Yes, nineteen ninety four is

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Speaker 1: a great year for music, but not the best seventy one,

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Speaker 1: seventy seven, eighty four to ninety one, get my vote. Wow,

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Speaker 1: I need more on that. I need more on that.

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Speaker 1: Why those years? And since you asked, I'm Tom. I'm

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Speaker 1: a seed farmer in southern Oregon. I mostly like punk

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Speaker 1: and metal and I listened to the podcast and music

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Speaker 1: while in the field Peace. That is awesome to know.

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Speaker 1: I love the idea that there's a seed farmer out

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Speaker 1: there with Disgraceland in his ears. So cool. Five seven

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Speaker 1: ozer right saying, Hey, Jake, this is Mark from the

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Speaker 1: five to seven Oh. I was listening to the episode

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Speaker 1: on Who's coud You and he talked about violent fems.

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Speaker 1: I'm wondering if you ever heard of the band called Flipper.

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Speaker 1: I have not really criminal, but a strange band that

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Speaker 1: got little played just because they couldn't play anyway. Please

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Speaker 1: keep up the great content on your shows. And thanks

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Speaker 1: for making me laugh out loud a lot. You got it.

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Speaker 1: Five seven h thanks for saying I'm funny. I don't

399
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Speaker 1: think of myself as funny, but I dig it. Here

400
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Speaker 1: we go, let's see what do we got. This one

401
00:22:12,480 --> 00:22:15,720
Speaker 1: is from the three one two. Hey Jake, Sarah from

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Speaker 1: the three one two and nine two oh, since I

403
00:22:17,720 --> 00:22:19,800
Speaker 1: used to live in Chicago but moved back to Green Bay.

404
00:22:20,080 --> 00:22:21,359
Speaker 1: I know I'm late to the party, but I have

405
00:22:21,440 --> 00:22:23,560
Speaker 1: a fun sort of meet your hero story. My friends

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00:22:23,600 --> 00:22:26,119
Speaker 1: and I were at Summerfest in Milwaukee, which is a

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Speaker 1: huge music festival, just in case he didn't know, and

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Speaker 1: Ringo Starr was one of the headliners, and my friends

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Speaker 1: and I were about three rows back from the front.

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Speaker 1: My one friend shouted a Ringo that we loved him,

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Speaker 1: and I kid you not. He looked directly at us

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Speaker 1: and said he loved us too. We thought that was

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Speaker 1: pretty awesome. Anyway, love love, love the shows you make

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Speaker 1: Tuesdays and Wednesdays. Keep doing what you're doing in RockA Rollo,

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Speaker 1: you got it? Three one two, That's awesome, God, Ringo Star.

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Speaker 1: Can't imagine meeting a Beatle next level I've met. I

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Speaker 1: have friends who have met Paul McCartney, one friend who

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Speaker 1: met Paul, another friend who met Ringo once in a

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Speaker 1: wicked different situation, didn't actually meet him, but was in

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Speaker 1: the same room with him at this thing. I don't

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Speaker 1: know what I do. I think it would be different

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Speaker 1: than meeting a stone a rolling stone, because though I

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Speaker 1: probably like the Rolling Stones more than I like the Beatles.

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Speaker 1: The Beatles are just bigger, more impactful, and culturally just

425
00:23:24,280 --> 00:23:28,400
Speaker 1: I don't even know. There's some sort of something extra there. Wow,

426
00:23:28,440 --> 00:23:30,800
Speaker 1: how in articulate was that I'm recording this first thing

427
00:23:30,840 --> 00:23:34,560
Speaker 1: in the morning. Can you tell hey, Jake it's Anthony

428
00:23:34,640 --> 00:23:36,040
Speaker 1: for the seven two four. I know he's sent you

429
00:23:36,080 --> 00:23:39,440
Speaker 1: an email about me. Well, hey Anthony, and some other

430
00:23:39,480 --> 00:23:42,879
Speaker 1: stuff this week after the pre episode. But listen to

431
00:23:42,960 --> 00:23:45,880
Speaker 1: your other stuff today. I generally listen on fridays at work.

432
00:23:45,960 --> 00:23:48,840
Speaker 1: Do an insurance accounting. Yes, it is that dry, I

433
00:23:48,920 --> 00:23:53,160
Speaker 1: can binge it. Anthony goes out to say you asked

434
00:23:53,200 --> 00:23:57,000
Speaker 1: in disgrace, saying about top five post punk bands. Here's mine,

435
00:23:58,800 --> 00:24:03,480
Speaker 1: depeche Mode, in chot Boys, Oasis and Radiohead, and I

436
00:24:03,640 --> 00:24:06,920
Speaker 1: currently really like Bastile Bastile. All Right, there you go,

437
00:24:07,520 --> 00:24:12,160
Speaker 1: thanks Anthony. All Right the four oh one introducing herself here,

438
00:24:12,359 --> 00:24:15,440
Speaker 1: she says, I'm a hair stylist in Rhode Island. I

439
00:24:15,560 --> 00:24:17,760
Speaker 1: listened to all your podcasts on my commute to and

440
00:24:17,880 --> 00:24:20,840
Speaker 1: from work. I'm all about the brit bands. The Smiths

441
00:24:20,880 --> 00:24:23,160
Speaker 1: and depeche Mode are my favorites from the eighties, although

442
00:24:23,240 --> 00:24:25,800
Speaker 1: Depeche Mode were still making great music in the early nineties.

443
00:24:25,880 --> 00:24:28,720
Speaker 1: That's for damn sure. They sure were. A younger me

444
00:24:28,920 --> 00:24:30,920
Speaker 1: was obsessed with Duran Durant as well. I was in

445
00:24:31,040 --> 00:24:33,960
Speaker 1: a Duran Durant too, as a young child, wouldn't say

446
00:24:33,960 --> 00:24:34,520
Speaker 1: I was obsessed.

447
00:24:34,560 --> 00:24:34,720
Speaker 6: Though.

448
00:24:34,760 --> 00:24:37,840
Speaker 1: My nineties picks would be Pulp and London Swede Stone

449
00:24:37,920 --> 00:24:40,040
Speaker 1: Roses would be a close second. Too many great brit

450
00:24:40,119 --> 00:24:41,960
Speaker 1: bands in the nineties to choose from. I would also

451
00:24:42,040 --> 00:24:45,000
Speaker 1: love some of these bands as subjects for your podcast.

452
00:24:45,240 --> 00:24:47,679
Speaker 1: Keep up the good work, Amy from the four oh

453
00:24:47,800 --> 00:24:51,200
Speaker 1: one Amy, I gotta find a band that's gonna allow

454
00:24:51,280 --> 00:24:53,840
Speaker 1: me to dig deeper into the Manchester scene of the

455
00:24:54,119 --> 00:24:58,000
Speaker 1: late eighties and nineties. That's on my agenda here. Hey

456
00:24:58,080 --> 00:25:00,960
Speaker 1: Jake Sandy from the six to two oh listening to

457
00:25:01,040 --> 00:25:03,560
Speaker 1: the After Party and you just talked about TCM, which

458
00:25:03,600 --> 00:25:05,879
Speaker 1: is one of my favorite channels, texted you about a

459
00:25:05,920 --> 00:25:09,040
Speaker 1: Starsborn remakes and that same night the Barbara Streisand version

460
00:25:09,160 --> 00:25:14,760
Speaker 1: was on. I saw it too, Sandy, Sandy, I saw too.

461
00:25:15,960 --> 00:25:19,200
Speaker 1: God damn it. I even talked about it. It's a

462
00:25:19,320 --> 00:25:21,960
Speaker 1: huge slice of evergreen cheese and ranks number three on

463
00:25:22,040 --> 00:25:24,480
Speaker 1: my list. Number one is Lady Gagat Number two is

464
00:25:24,520 --> 00:25:27,000
Speaker 1: Judy Garland. Have a great one, you too, Sandy, Thanks

465
00:25:27,040 --> 00:25:30,560
Speaker 1: for that. Uh okay. So apparently I asked what wrap

466
00:25:30,640 --> 00:25:35,240
Speaker 1: it up meant relative to the fabulous Thunderbirds. I know

467
00:25:35,560 --> 00:25:38,920
Speaker 1: that's a fabulous Thunderbird song. I guess I just didn't

468
00:25:38,960 --> 00:25:42,040
Speaker 1: make the connection. So all of you who texted in

469
00:25:42,119 --> 00:25:45,720
Speaker 1: about that, I got the message. All right, let's do

470
00:25:45,960 --> 00:25:49,359
Speaker 1: one more here, nine one seven, Hey, Jake Deacon here

471
00:25:49,400 --> 00:25:52,000
Speaker 1: from LA I would love an episode on, in my opinion,

472
00:25:52,080 --> 00:25:55,879
Speaker 1: the greatest live band of all time, Fishbone and how

473
00:25:55,920 --> 00:25:57,800
Speaker 1: they tried to break a band member out of a

474
00:25:57,920 --> 00:26:01,040
Speaker 1: cult and ended up in court for assault. Angelo Moore

475
00:26:01,160 --> 00:26:03,040
Speaker 1: is the most amazing front man I've ever seen, and

476
00:26:03,080 --> 00:26:05,119
Speaker 1: recently I had a dream come true when he joined

477
00:26:05,160 --> 00:26:08,000
Speaker 1: my band Sailor Ripley on stage to play saxophone on

478
00:26:08,080 --> 00:26:11,760
Speaker 1: a song I wrote. Unbelievable. Keep doing what you're doing, man,

479
00:26:11,920 --> 00:26:16,280
Speaker 1: rock a ROLLA hard to argue Deacon with that statement

480
00:26:16,359 --> 00:26:18,960
Speaker 1: that Fishbone is the greatest live band ever. I've seen

481
00:26:19,040 --> 00:26:23,880
Speaker 1: them as well and fucking incredible. Also, why is Truth

482
00:26:23,960 --> 00:26:26,440
Speaker 1: and Soul the Fishbone album so hard to find? What's

483
00:26:26,520 --> 00:26:29,520
Speaker 1: up with that. Yeah, they're on the list. They've been

484
00:26:29,640 --> 00:26:32,000
Speaker 1: on the list, and I'm sure we'll get into it

485
00:26:32,080 --> 00:26:34,359
Speaker 1: at some point. I see all your texts here, guys,

486
00:26:35,080 --> 00:26:38,000
Speaker 1: I will get into them. I love it. Yeah, lots

487
00:26:38,040 --> 00:26:40,480
Speaker 1: of Waylon Jennings. It's apparent to me that Waylon Jennings

488
00:26:40,520 --> 00:26:44,439
Speaker 1: episode has to happen. We will get to that, all right.

489
00:26:44,600 --> 00:26:48,280
Speaker 1: Let me do you some dms here as well. Let's see, Hey, Jake,

490
00:26:48,320 --> 00:26:51,240
Speaker 1: greetings from the four to four UK plus four to

491
00:26:51,280 --> 00:26:54,520
Speaker 1: four UK, and I say it. Top two bands of

492
00:26:54,560 --> 00:26:57,320
Speaker 1: the eighties, the Cure and Wham. Top two bands of

493
00:26:57,400 --> 00:27:00,320
Speaker 1: the nineties, Blur and Pulp. A little bit about me

494
00:27:00,359 --> 00:27:02,679
Speaker 1: and my name's Kat. I'm thirty nine. I'm self employed

495
00:27:02,720 --> 00:27:05,919
Speaker 1: and do classic car in marine upholstery as I work alone.

496
00:27:06,080 --> 00:27:08,959
Speaker 1: I love listening to your podcast and recently started listening

497
00:27:10,280 --> 00:27:13,280
Speaker 1: to some other murder mystery shows. I listened to all

498
00:27:13,400 --> 00:27:15,680
Speaker 1: sorts of music lately. I seem to be stuck in

499
00:27:15,800 --> 00:27:17,920
Speaker 1: nineteen ninety seven, but I'm cool with that. I'm cool

500
00:27:17,920 --> 00:27:20,400
Speaker 1: with that too. Bringing it back to your after party

501
00:27:20,400 --> 00:27:22,240
Speaker 1: about what music you seem to listen to the most.

502
00:27:22,359 --> 00:27:25,119
Speaker 1: Keep up the great work with your team. Cat PS

503
00:27:25,160 --> 00:27:27,320
Speaker 1: here's a pick of my own car that I finished

504
00:27:27,359 --> 00:27:30,400
Speaker 1: earlier this year. Kat looks like doing some great work

505
00:27:30,440 --> 00:27:33,080
Speaker 1: over there. Good job, Kat, thanks for reaching out. What

506
00:27:33,160 --> 00:27:38,200
Speaker 1: else we got here? This one from Crystal Green says

507
00:27:39,080 --> 00:27:41,639
Speaker 1: I recently went to the Netherlands for a huge techno

508
00:27:41,760 --> 00:27:43,520
Speaker 1: music festival, which was a dream come true for me.

509
00:27:43,640 --> 00:27:45,399
Speaker 1: While we were in Amsterdam, we went to a museum

510
00:27:45,480 --> 00:27:47,640
Speaker 1: called Our House. Our House is a history of dance

511
00:27:47,760 --> 00:27:51,320
Speaker 1: music museum. It's fully immersive experience goes throughout the music

512
00:27:51,359 --> 00:27:53,399
Speaker 1: and culture from the beginning to now, shows all the

513
00:27:53,400 --> 00:27:55,800
Speaker 1: equipment instruments. I highly suggest that if any of your

514
00:27:55,840 --> 00:27:58,560
Speaker 1: listeners are at Amsterdam they check it out. All right,

515
00:27:58,600 --> 00:28:00,399
Speaker 1: you got that discos. If you're in a NAMSA, go

516
00:28:00,560 --> 00:28:05,119
Speaker 1: check out this museum called our House. Crystal goes on

517
00:28:05,240 --> 00:28:07,200
Speaker 1: to say sorry for such a long message. Shit man,

518
00:28:07,440 --> 00:28:09,280
Speaker 1: I love what I love and I enjoy talking about it.

519
00:28:09,400 --> 00:28:11,920
Speaker 1: Keep it up, seriously, love, love, love everything you guys

520
00:28:12,000 --> 00:28:15,920
Speaker 1: put out, Peace, love, respect and techno. Xoxo Crystal. We

521
00:28:16,000 --> 00:28:17,560
Speaker 1: all love what we love and you don't have to

522
00:28:17,640 --> 00:28:21,840
Speaker 1: apologize for loving it. That's what we're here for, all right, guys,

523
00:28:22,359 --> 00:28:24,640
Speaker 1: text me call me six one seven nine oh six

524
00:28:24,720 --> 00:28:26,720
Speaker 1: six sixty three eight tell me what you Love at

525
00:28:26,760 --> 00:28:29,960
Speaker 1: disgracelam pod as well on Twitter and Instagram. I'm gonna

526
00:28:29,960 --> 00:28:31,800
Speaker 1: take a quick break. I'll be back in the flash

527
00:28:31,880 --> 00:28:49,720
Speaker 1: with some recommendations, all right, the recommendations part. This is

528
00:28:49,760 --> 00:28:52,200
Speaker 1: the recommendation's part, the part where we recommend the things

529
00:28:52,240 --> 00:28:55,280
Speaker 1: that need recommending, The recommendations part. What I've been listening to.

530
00:28:55,640 --> 00:28:59,800
Speaker 1: So Fiddler, who we talked about a couple episodes ago.

531
00:29:00,000 --> 00:29:02,440
Speaker 1: They have a new single out and it's a new

532
00:29:02,520 --> 00:29:04,560
Speaker 1: single of an old song. It's a song by a

533
00:29:04,640 --> 00:29:07,960
Speaker 1: band called Limp Biscuit. You may have heard of this before.

534
00:29:08,080 --> 00:29:14,400
Speaker 1: The song is called NOOKI. The song is awful, and

535
00:29:14,960 --> 00:29:18,720
Speaker 1: Fiddler is not awful. They're fantastic and their cover of

536
00:29:18,800 --> 00:29:25,000
Speaker 1: this song is a pretty honest goodness stab At doing

537
00:29:25,080 --> 00:29:31,000
Speaker 1: this song justice and it's fucking glorious. It actually made

538
00:29:31,040 --> 00:29:32,840
Speaker 1: me consider, you know. I was like, wow, is that

539
00:29:33,520 --> 00:29:35,760
Speaker 1: that is the original? Actually really good? And I just

540
00:29:35,800 --> 00:29:38,120
Speaker 1: hated Fred Durst so much that I couldn't let myself

541
00:29:38,280 --> 00:29:41,160
Speaker 1: like it. There's something about Fiddler doing this song that

542
00:29:41,240 --> 00:29:44,040
Speaker 1: gives you permission to like it again or for the

543
00:29:44,080 --> 00:29:48,920
Speaker 1: first time. I should say so I highly recommend checking

544
00:29:49,040 --> 00:29:52,200
Speaker 1: this out. If you need a little shot of some

545
00:29:53,000 --> 00:29:57,560
Speaker 1: It's okay to listen to this nineties cheese vibe Fiddler Nookie.

546
00:29:57,560 --> 00:30:00,200
Speaker 1: You can get that wherever. Also, I don't know where

547
00:30:00,200 --> 00:30:02,400
Speaker 1: I saw it, just popped up. I was it might

548
00:30:02,440 --> 00:30:06,640
Speaker 1: have been Instagram. I saw Queens of the Stone Age

549
00:30:06,840 --> 00:30:10,520
Speaker 1: Joshua May on the Juwis Holland show, I forget what

550
00:30:10,520 --> 00:30:11,640
Speaker 1: the name of it is, the one where theyre all

551
00:30:11,680 --> 00:30:17,600
Speaker 1: playing the round, and it was this great queen song

552
00:30:17,720 --> 00:30:20,720
Speaker 1: that I love Make It with You and PJ. Harvey

553
00:30:20,920 --> 00:30:25,760
Speaker 1: was singing the duet part with him, and it just

554
00:30:26,440 --> 00:30:29,840
Speaker 1: was so fucking cool and just one of those moments

555
00:30:29,840 --> 00:30:31,640
Speaker 1: where I'm like, oh, yeah, did you just put two

556
00:30:31,680 --> 00:30:34,560
Speaker 1: of the coolest people in the world on microphones next

557
00:30:34,600 --> 00:30:37,480
Speaker 1: to each other? And it's gonna be interesting. And it

558
00:30:37,640 --> 00:30:40,719
Speaker 1: just got me thinking, like, God, when else has that happened?

559
00:30:40,760 --> 00:30:43,200
Speaker 1: And I immediately thought of stop dragging my heart around

560
00:30:43,240 --> 00:30:46,560
Speaker 1: the Tom Petty Stevie Nicks thing. But there's so many

561
00:30:46,600 --> 00:30:49,160
Speaker 1: great duets and this is a good one to dig into.

562
00:30:50,640 --> 00:30:53,320
Speaker 1: And also there's more. There's more duets with just men

563
00:30:53,560 --> 00:30:55,600
Speaker 1: that are that I than I remember that are that

564
00:30:55,680 --> 00:30:59,880
Speaker 1: are great, in particular Easy Lover talked about that before,

565
00:31:00,080 --> 00:31:03,480
Speaker 1: Philip Bailey, Phil Collins, The song is fucking on Fuego

566
00:31:03,960 --> 00:31:07,040
Speaker 1: never gets old to me, Don't Go Break in My

567
00:31:07,120 --> 00:31:10,600
Speaker 1: Heart Elton John and Keiky d. The Girl is Mine

568
00:31:10,640 --> 00:31:13,680
Speaker 1: by Michael Jackson and Paul McCartney. Say Say Say, also

569
00:31:13,720 --> 00:31:16,120
Speaker 1: by Michael Jackson and Paul McCartney. You know where I'm

570
00:31:16,120 --> 00:31:17,800
Speaker 1: going with this? Who?

571
00:31:18,160 --> 00:31:18,560
Speaker 5: What? What?

572
00:31:18,640 --> 00:31:21,560
Speaker 1: Are the best duets in pop music? Though it's a

573
00:31:21,640 --> 00:31:24,000
Speaker 1: lot in country, but I'm here for the country once too,

574
00:31:24,200 --> 00:31:26,920
Speaker 1: Kenny and Dolly, But give me the pop music once,

575
00:31:27,040 --> 00:31:31,400
Speaker 1: Jay Z and Alicia Keys, John Travolta, Olivia Newton John

576
00:31:31,560 --> 00:31:34,320
Speaker 1: best Duet six one seven nine oh six six six

577
00:31:34,720 --> 00:31:38,560
Speaker 1: three eight. Also what I've been listening to a friend

578
00:31:38,600 --> 00:31:42,280
Speaker 1: of mine, my friend Hugo, my fishing buddy. He sent

579
00:31:42,400 --> 00:31:47,160
Speaker 1: me this copy of never Mind the Bullocks vinyl copy

580
00:31:47,240 --> 00:31:49,840
Speaker 1: I never Mind the Bullocks by the Sex Pistols, And

581
00:31:50,800 --> 00:31:52,680
Speaker 1: I don't know what it is about this record. It's

582
00:31:52,960 --> 00:31:56,120
Speaker 1: it's red vinyl. It's one of only a thousand press

583
00:31:56,200 --> 00:32:00,400
Speaker 1: so that was very cool, Thank you, Hugo. But it's's

584
00:32:00,480 --> 00:32:05,600
Speaker 1: incredible and it's not one of these remastered, you know,

585
00:32:05,720 --> 00:32:09,239
Speaker 1: on thicker vinyl. I don't know, maybe maybe just one

586
00:32:09,240 --> 00:32:11,960
Speaker 1: of these things where this record in particular, this slab

587
00:32:12,000 --> 00:32:15,920
Speaker 1: of vinyl in particular, just sounds fucking bananas on my

588
00:32:16,120 --> 00:32:19,240
Speaker 1: turntable with the needle I have and the receiver I have,

589
00:32:19,520 --> 00:32:22,680
Speaker 1: and just something about it. It's like Wow, just jumps

590
00:32:22,720 --> 00:32:26,080
Speaker 1: out of the speakers, and I go back to this

591
00:32:26,200 --> 00:32:28,800
Speaker 1: record at least once a year. I cannot believe how

592
00:32:29,080 --> 00:32:32,680
Speaker 1: good it is. And in particular, I'm always, always, always

593
00:32:32,800 --> 00:32:36,480
Speaker 1: blown away by John Maiden's vocals. Guy might be the

594
00:32:36,520 --> 00:32:38,400
Speaker 1: greatest rock and roll singer of all time.

595
00:32:38,640 --> 00:32:39,280
Speaker 6: Just great.

596
00:32:40,160 --> 00:32:42,720
Speaker 1: He's got one actually no, he's got two, two gears,

597
00:32:43,040 --> 00:32:45,800
Speaker 1: but he knows how to drive with them. Man, fucking awesome.

598
00:32:46,800 --> 00:32:49,760
Speaker 1: I was in Atlanta last week, down there doing some

599
00:32:50,040 --> 00:32:53,440
Speaker 1: Dead content with my boy Payne Lindsay from Up and

600
00:32:53,560 --> 00:32:56,920
Speaker 1: Vanished and listening to a lot of Dead. I'm always

601
00:32:56,960 --> 00:32:59,560
Speaker 1: going back to Cornell seventy seven. You know, we've had

602
00:32:59,600 --> 00:33:01,760
Speaker 1: this commentation. Not in the after party, I don't think.

603
00:33:01,880 --> 00:33:05,480
Speaker 1: I think just on Instagram, you can listen to one

604
00:33:05,760 --> 00:33:08,800
Speaker 1: Dead album the rest of your life, from here to eternity.

605
00:33:08,920 --> 00:33:11,960
Speaker 1: What record is it or what bootleg is it six

606
00:33:12,120 --> 00:33:14,600
Speaker 1: one seven nine oh six six six three eight. I

607
00:33:14,720 --> 00:33:17,440
Speaker 1: need to break out of this Cornell seventy seven hole.

608
00:33:17,560 --> 00:33:20,480
Speaker 1: It's a great hole. It's a glory hole. It's a

609
00:33:20,560 --> 00:33:25,000
Speaker 1: glorious hole. It's a glorious hole. But I need something else,

610
00:33:26,520 --> 00:33:28,680
Speaker 1: get me out of the dead Head glory hole, the

611
00:33:28,760 --> 00:33:33,840
Speaker 1: Cornell gloryhole. I also watched on the plane, actually on

612
00:33:33,920 --> 00:33:37,840
Speaker 1: the plane ride home, I watched Tom Petties Somewhere You

613
00:33:37,960 --> 00:33:42,520
Speaker 1: Feel Free and this movie. This movie they put this

614
00:33:42,560 --> 00:33:44,440
Speaker 1: movie together. They found all this footage from the making

615
00:33:44,480 --> 00:33:47,080
Speaker 1: of Wildflowers, which is my favorite Tom Petty record, one

616
00:33:47,080 --> 00:33:51,400
Speaker 1: of my favorite records of all time. And I've often

617
00:33:51,560 --> 00:33:54,880
Speaker 1: told my wife, like, when I die, play, I want

618
00:33:54,920 --> 00:33:58,280
Speaker 1: you to play Wildflowers at my funeral. She's so sick

619
00:33:58,320 --> 00:34:02,800
Speaker 1: of me saying this song is incredibly emotional to me

620
00:34:03,120 --> 00:34:05,080
Speaker 1: for some reason, as it is I'm sure to a

621
00:34:05,200 --> 00:34:08,759
Speaker 1: lot of you and most people who hear it. And

622
00:34:10,400 --> 00:34:14,399
Speaker 1: there's so much that I have emotionally atomized in that song.

623
00:34:15,480 --> 00:34:17,080
Speaker 1: I can't even speak to it. I don't even know

624
00:34:17,160 --> 00:34:21,480
Speaker 1: what it is. And then by extension in Tom Petty,

625
00:34:21,600 --> 00:34:25,920
Speaker 1: and then by extension again Tom Petty's death right around

626
00:34:25,960 --> 00:34:27,520
Speaker 1: this time when there was a lot of death in

627
00:34:27,640 --> 00:34:32,480
Speaker 1: my life, and there's just it's just something very heavy

628
00:34:32,560 --> 00:34:34,840
Speaker 1: connected to that record now for me, and seeing the

629
00:34:34,960 --> 00:34:37,719
Speaker 1: making of it on film, you know, in you know,

630
00:34:37,960 --> 00:34:41,440
Speaker 1: at thirty thousand feet, I was a freaking puddle there

631
00:34:41,520 --> 00:34:45,680
Speaker 1: sitting in my seat. It's so sad, but also beautiful,

632
00:34:46,040 --> 00:34:50,360
Speaker 1: also beautiful portrait of a man on a mission to

633
00:34:50,480 --> 00:34:54,359
Speaker 1: make his greatest creative statement ever and he went about

634
00:34:54,400 --> 00:34:56,719
Speaker 1: and did it, and it's just fucking phenomenal. If you

635
00:34:56,800 --> 00:35:00,120
Speaker 1: have not seen this film, somewhere you feel free with

636
00:35:00,200 --> 00:35:03,440
Speaker 1: Tom Petty and most of the Heartbreakers and Rick Rubin,

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Speaker 1: I highly recommend you check it out. All right, let

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00:35:06,840 --> 00:35:08,400
Speaker 1: me know you're watching, let me know you're listening to

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00:35:08,560 --> 00:35:10,879
Speaker 1: six one seven nine oh six six six three eight

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00:35:11,000 --> 00:35:13,400
Speaker 1: at disgracelam pod on the Socials. I'll be back in

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00:35:13,440 --> 00:35:30,080
Speaker 1: a minute. All right, let's recap, shall we. Number one,

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00:35:30,320 --> 00:35:32,759
Speaker 1: Sonny Rollins, is the latest episode of Disgraceland that is

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00:35:32,800 --> 00:35:35,239
Speaker 1: in your feeds right now. Number two got a whole

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00:35:35,320 --> 00:35:37,640
Speaker 1: new season of bad Lands coming up coming up quick

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00:35:37,760 --> 00:35:42,040
Speaker 1: August ninth, season eight premiere. Mister Johnny Depp, you don't

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00:35:42,040 --> 00:35:44,480
Speaker 1: want to miss that number three next week in the

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00:35:44,560 --> 00:35:48,319
Speaker 1: Disgraceland feed it is Velvet Underground number four my number

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00:35:48,480 --> 00:35:50,759
Speaker 1: six one seven nine oh six sixty six three eight

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00:35:50,840 --> 00:35:53,080
Speaker 1: Call me on the telephone or text me all right

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00:35:53,120 --> 00:35:55,680
Speaker 1: my moment to bliss me reading you the phone book

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00:35:55,719 --> 00:35:58,960
Speaker 1: from Birmingham, Alabama, back in nineteen sixty and away we

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00:36:00,120 --> 00:36:05,600
Speaker 1: Ego Thompson Dan eight eight two O eight Court North

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00:36:06,080 --> 00:36:10,759
Speaker 1: eight three three nine zero eight one Thompson Dane Miss

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00:36:11,440 --> 00:36:15,040
Speaker 1: two two five one Highland ave f A four dash

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00:36:15,160 --> 00:36:19,879
Speaker 1: eight one one four, Thompson Dave three three four three

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00:36:20,239 --> 00:36:24,000
Speaker 1: North thirty one v I one dash two one three six,

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00:36:25,160 --> 00:36:28,959
Speaker 1: Thompson The Lowest eight eight two O eight Court North

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00:36:29,239 --> 00:36:33,040
Speaker 1: eight three three nine zero eight one four Thompson The

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00:36:33,120 --> 00:36:37,839
Speaker 1: Wit F four six eight twelve av North five nine

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00:36:38,000 --> 00:36:41,680
Speaker 1: five one dash zero seven nine six one two Thompson

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00:36:42,040 --> 00:36:45,359
Speaker 1: Don Thompson one zero one two south West fifteen eight

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00:36:45,480 --> 00:36:52,560
Speaker 1: cord T six dash zero six five Thompson doth five two.

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Speaker 2: Nine wit talking and start mix saying

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Speaker 3: Yah