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Speaker 1: He welcome to Friday show morn Studio Morning coming up,

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Speaker 1: Jason Aldean in studio. Tomorrow, Eddie and I opened for

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Speaker 1: Garth Brooks in Razorback Stadium, eighty thousand people. We are

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Speaker 1: super excited the Raging Idiot's opening for Garth. That's amazing.

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Speaker 1: There's never been a bill like that in history music. Literally,

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Speaker 1: it will never been to be another one because we'll

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Speaker 1: never allow us to open again. But what we're gonna

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Speaker 1: do is heading into this a couple of questions. Do

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Speaker 1: you think Garth comes out during the Raging Idiots set? Okay?

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Speaker 1: Yes or no? Yes? Oh? I hope so I say

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Speaker 1: yes and I say no. Yeah, but you don't like

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Speaker 1: to get your hope set and I don't want to.

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Speaker 1: I don't want the pressure of what the goat standing

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Speaker 1: next to you. Well, we're saying with them before, but

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Speaker 1: we're saying his song. If he comes out doing one

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Speaker 1: of our songs, he used to know the words. Otherwise

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Speaker 1: he's just coming out to be applauded. How hard is it, Hobby, Lobby, Lobby,

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Speaker 1: I agree, hopefully's been out so yes, yes, yes, yes, no,

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Speaker 1: no chance, guys, when he goes out, like Bobby said,

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Speaker 1: he these are real artists that have real songs that

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Speaker 1: people can sing too. If he went out there, he

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Speaker 1: would know nothing about your music. Okay, will the raging

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Speaker 1: idiots be brought out during Garths show? No? No, yes, Yes,

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Speaker 1: I'm gonna go. I'm gonna play one second of a

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Speaker 1: Garth brook song. Oh good, see if you can name it,

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Speaker 1: we'll go down the line. Amy, are you ready name

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Speaker 1: it with one second? Thunder Rolls is correct? Good? Lunchbox

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Speaker 1: ready name this one second of a garth Brook song.

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Speaker 1: Oh we're not gonna playing him? Um the dance frect

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Speaker 1: Good job man, I'll give it to you three times.

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Speaker 1: Thank you. I'll let you think about it first. Okay, Eddie,

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Speaker 1: name one second of a garth Brook song. If tomorrow

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Speaker 1: never comes, I don't know. You get three points if

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Speaker 1: you don't need it again? Oh wow, I know, y'all

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Speaker 1: get three moments. There get three points making the super complicated?

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Speaker 1: Who cares? Okay, it's Friday, baby, Amy, name this garth

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Speaker 1: Brook song putting out Colin Baton Rouge. Correct three points.

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Speaker 1: Lunchbox named this garth Brooks song. Want it again? No friends,

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Speaker 1: a little places and correct it. I wouldn't risk it.

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Speaker 1: I would take the shot and get it again a second. Yeah,

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Speaker 1: one more time. Anybody know what? Yes, but that's summer.

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Speaker 1: Correct that summer. I'm ready to go, you're ready to read.

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Speaker 1: Y'all gonna have so much fun. She was all to

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Speaker 1: make it on her Okay, there was a difference in

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Speaker 1: her laughter, softness in her touch. Next up. Eddie named

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Speaker 1: this Garth Brooks song by one second of it rodeo correct,

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Speaker 1: three points rodeo. Amy named this Garth Brooks song just

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Speaker 1: the other night in our hometown football game. Unanswered, person

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Speaker 1: correct three points. Wow, who's keeping track? Because multiple threes?

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Speaker 1: It's really hard. Okay, I got it? No, you don't

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Speaker 1: got it? Yeah? They all have? You want me to

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Speaker 1: tell you? Amy has nine? No, but I have three?

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Speaker 1: Lunchbox name this yeah, Pavla mama incorrect? What Why don't

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Speaker 1: you ask it again? Because I want three points? But

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Speaker 1: again you would have got two? It's at a zero

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Speaker 1: give me two? No, no, well play it, but you

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Speaker 1: can't get it may know it? Yes, don't say going

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Speaker 1: down to the sun comes out here? All right? Amy? Go?

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Speaker 1: Wait is standing outside the fire? Correct? Good one? Amy

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Speaker 1: named this one? Um, what what's the name of the song. Yeah,

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Speaker 1: you gotta say that. Yeah, I don't even know that.

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Speaker 1: I want to hear it again because I know, I

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Speaker 1: know it's better than three I mean zero. Okay, one

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Speaker 1: more time, you shameless? Correct? Two points, lunch that's what you,

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Speaker 1: lunch Box name this one? Yeah, he come back. I

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Speaker 1: don't even hear it. You didn't hear it all too

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Speaker 1: busy talking. Okay, let's play it again as a depression

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Speaker 1: new you know that one? Yeah, I don't think that's

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Speaker 1: a gross Brooks song. Do you think it is? I

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Speaker 1: don't know. That's a trick. You guys are tricking me.

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Speaker 1: I'm here the second time because I have no idea.

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Speaker 1: One more time? Oh, I mean is this question? But anyway?

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Speaker 1: Go ahead? Three? One point? I did that. That's not

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Speaker 1: it's free, good life, The good Life. Now that's Kanye. Hey, um,

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Speaker 1: can you play the whole intro there from to make

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Speaker 1: you feel my love? All right? Eddie named this one.

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Speaker 1: I'm going need to hear it one more time. It's

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Speaker 1: just a guess Beaches of Cheyenne. Correct, Oh, let's go.

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Speaker 1: You guys are tied up. Eleven eleven, Lunchbox, you can't win.

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Speaker 1: I'm gonna kick you. Out of a couple. Yeah, okay,

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Speaker 1: all right, guys, here we go. There is one, two,

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Speaker 1: there's four left. Come on twelve through sixteen, Ray, twelve thirteen, fourteen, Yeah,

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Speaker 1: in sixteen they're getting harder. Amy, um, so you both

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Speaker 1: get it? Ready, write your answers down? I got it,

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Speaker 1: you got it? Here we go, Ray hit this one?

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Speaker 1: What one more time? Fourth? One point? I mean Amy,

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Speaker 1: black and white? Incorrect? Eddie much too young? Correct? Here's that? Yeah?

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Speaker 1: All right? Next up? Can you name this guard song?

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Speaker 1: In one? One second? And I don't know. Okay, he's

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Speaker 1: gonna win this on sang. I don't Eddie what she's doing? Now?

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Speaker 1: Correct Eddie? Next hard? Name name this next one? Mmmmm?

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Speaker 1: Two of a kind? Working on correct? And finally, Papa, Mama,

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Speaker 1: you want to go to meet him? He ran out

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Speaker 1: you who is ready for guards? Ready? This guy? You're

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Speaker 1: ready to go to the show? Nice shot? All right,

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Speaker 1: let's go. Let's start today's show. Let's go over and

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Speaker 1: open up the mail bag. Can you send the game?

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Speaker 1: We read it all year. Get something we call Bobby's

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Speaker 1: mail bag? Ye? Hello, oh Bobby Bones. I'll be attending

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Speaker 1: the Garth Brooks Show this weekend at Razorback Stadium. Cannot

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Speaker 1: wait to watch you guys open up for Garth. I

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Speaker 1: haven't been to a concert in almost four years, so

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Speaker 1: I'm super excited. I love Garth Brooks, But my husband

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Speaker 1: and I are having a debate that I was hoping

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Speaker 1: you could settle. I want my husband to wear a

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Speaker 1: matching Garth Brooks T shirt to the show. Not only

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Speaker 1: does he hate the idea of matching shirts, he says

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Speaker 1: wearing the shirt of the artist who is playing is redundant.

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Speaker 1: He says it's lame because obviously everyone knows we're there

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Speaker 1: to see that artist. But I think it'll be fun

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Speaker 1: to have pictures in matching T shirts from the concert.

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Speaker 1: Are you team matching Garth shirts or team pick a

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Speaker 1: new outfit from kimberly m. That's an interesting question you ask,

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Speaker 1: because Kaitlin are wearing Garth shirts both does to the

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Speaker 1: show on Saturday. Yeah, we're obviously gonna be wearing our

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Speaker 1: stuff on stage, but matching or just both Garth. If

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Speaker 1: we had matching, we'd probably do that. But I think

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Speaker 1: for me it's not as much about matching, it's wearing

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Speaker 1: the artist to the show. Sure, matching is just a

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Speaker 1: couple's thing. You can decide if you want to do that,

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Speaker 1: because some couples don't want to match. I love matchic

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Speaker 1: Kitlin doesn't something because it's funny that you guys are

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Speaker 1: gonna wear those shirts on Saturday. So can you wear

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Speaker 1: the artist to the concert? The answer, the easy answer

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Speaker 1: is yes, it is absolutely yes, yes, yes, yes, there's

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Speaker 1: nothing wrong with it where you probably won't forever to

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Speaker 1: wear this shirt and actually feel like part of the crew.

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Speaker 1: So yes, you can wear it if you want to match. Absolutely,

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Speaker 1: I'm on that team Amy, Yes, team matching shirts all

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Speaker 1: the way. You can wear it. I know, I know

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Speaker 1: what I'm walking into, but I'm gonna wait, Eddie, go ahead. Yeah.

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Speaker 1: It's like it's like wearing a jersey to the team

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Speaker 1: that you're going to support at a football game. So yes, absolutely,

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Speaker 1: it's fine. Yeah, It's like that's a great analogy because

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Speaker 1: if you're at a home game for Arkansas and I

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Speaker 1: wear an Arkansas well, people know why I'm there, right, No,

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Speaker 1: they don't unless you're sitting in the other section. Yeah, no,

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Speaker 1: because there's people the bid tickets everywhere in arena. There's

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Speaker 1: two teams there, so you got to show which team

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Speaker 1: you're there for. Everybody knows you're there for Garth. If

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Speaker 1: you want to be team losers, team made fun of,

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Speaker 1: wear the matching shirts. You'd a you shouldn't wear a

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Speaker 1: Garth shirt to a Garth concert. That's sit on that first.

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Speaker 1: That is just dorky in its own right. You're right,

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Speaker 1: the husband is right. Everybody knows you are there to

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Speaker 1: see Garth. What if you see the raging idiots that's

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Speaker 1: not true either, that's not happening. So they know you're

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Speaker 1: going to see Garth because people go to see the

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Speaker 1: main act. So you don't need to wear a shirt

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Speaker 1: saying hey, I like Garth. Everybody there likes Garth. Then

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Speaker 1: the fact that you're gonna wear matching shirts absolutely not embarrassing,

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Speaker 1: get made fun of. I love it. Wear what you

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Speaker 1: want to wear or whatever makes you feels good, feel good,

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Speaker 1: feels good whatever, Yeah, exactly. And the husband doesn't feel

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Speaker 1: good matching, he doesn't feel good wearing Garth. So team

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Speaker 1: new Outfit, boom team. If you make the wife happy,

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Speaker 1: life's gonna be easier too. That's very true. So but

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Speaker 1: I'm going to wear a Garth shirt, and so is Kaitlin.

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Speaker 1: Why it's embarrassing. Why because you can't have some great

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Speaker 1: Garth shirts? Oh my gosh, I mean I have some

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Speaker 1: A plus Garth shirts. Dude. There's three verses. One his

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Speaker 1: opinion matters. Do you understand you're probably gonna talk to Garth?

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Speaker 1: And if you're wearing a Garth shirt when you're talking

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Speaker 1: to Garth, how awkward that is? Like how much of

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Speaker 1: a tool you look like? But I'm gonna be that anyway.

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Speaker 1: And I am who I am. That's like Tricia Herewood

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Speaker 1: showing up to a Garth show in a Garth shirt. Yeah,

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Speaker 1: that's okay. Yeah, And I bet Garth would wear a

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Speaker 1: Tricia shirt. And I'm not denying him a tool. So

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Speaker 1: all right, Well, as long as you're okay, An, I'm

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Speaker 1: as tool as again. Let's be honest. Okay, where are

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Speaker 1: your Garths hearts? Help you have fun? We'll see if

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Speaker 1: we'll see u Saturday or tomorrow. Eddie and I are playing.

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Speaker 1: We were very nervous and we hope people understand our jokes. Okay,

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Speaker 1: that's still and that's the mailback we've got. Your now

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Speaker 1: was found the closed Hey it's Bobby Bones. You could

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Speaker 1: save over five hundred dollars on your car insurance with

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Speaker 1: the General Insurance. Take it close to look at the

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Speaker 1: restrictions apply. Our fun fact this week is from Skyler

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Speaker 1: from Colorado. Here you go. If the statue of a

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Speaker 1: person in the park on a horse has both front

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Speaker 1: legs in the air, the person died in battle. If

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Speaker 1: the horse has one front leg in the air, the

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Speaker 1: person died as a result of wounds received in battle.

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Speaker 1: If the horse has all four legs on the ground,

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Speaker 1: the person died of natural causes. That it was a

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Speaker 1: fun facts, right A mind's blown. That's a really good one.

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Speaker 1: Really cool, no idea. Call us with your fun facts

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Speaker 1: eight seven, seven seventy seven. Bobby, here's Amy's now number five.

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Speaker 1: Take note, ladies, when a male lama tries to make

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Speaker 1: a move on a female lama, she'll spit on him

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Speaker 1: if she's not feeling it. Same with Caitlyn the first

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Speaker 1: couple time she spits on right. Number four. This is

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Speaker 1: one I want to try. Putting salt on pineapple will

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Speaker 1: make it taste sweeter. The salt reduces the pineapple's acidity,

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Speaker 1: decreasing the sourness, so it tastes sweeter. It's a bit counterintuitive. Yeah,

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Speaker 1: like salt makes it salty savory. Let's try that. I

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Speaker 1: like saw on a watermelon, but it doesn't make it sweeter.

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Speaker 1: It just kind of gives it like a full flavor.

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Speaker 1: But saw on a pineapple. That's interesting. Number three Shaquille O'Neill.

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Speaker 1: He only made one three point shot during his entire

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Speaker 1: NBA career. Only one, just one. I mean he never

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Speaker 1: he was shot him he did. Couldn't make a free

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Speaker 1: throw either. Well, he attempted a total of twenty two

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Speaker 1: in his career and one, which is kind of crazy.

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Speaker 1: It was against the Milwaukee Bucks. If I flipped out too.

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Speaker 1: Oh yeah, it was a turnaround jumper and a buzzer beater.

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Speaker 1: So I actually have a clip of a buzzer beater.

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Speaker 1: I three the buzzer. That's nice. Number two dang the

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Speaker 1: Chinese government it owns nearly all the giant pandas in

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Speaker 1: American zoos. We rent them for like a million dollars

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Speaker 1: a year per panda. Yeah, we read them from China.

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Speaker 1: So the weekend. Have them here. There aren't that many,

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Speaker 1: Like I think there's like a handful of zoos that

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Speaker 1: have pandas. A million bucks a panda, that's the business.

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Speaker 1: We need to get a million dollars a year to

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Speaker 1: rent the pandas, so every year that adds to get

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Speaker 1: into number one. This story is gonna make you want

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Speaker 1: to read the fine print on things because in twenty nineteen,

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Speaker 1: a Georgia teacher purchased a four hundred dollars travel insurance

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Speaker 1: policy and she was rewarded ten thousand dollars simply because

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Speaker 1: she read the fine print on page seven that said, hey,

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Speaker 1: we got a pays to read contest going on. If

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Speaker 1: you're reading this right now and you're the first person

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Speaker 1: to contact us and let us know, you win ten

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Speaker 1: thousand dollars. She was the first person to catch it,

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Speaker 1: so she actually won. Like they just realized no one

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Speaker 1: was reading their contracts. I would not want anyone to

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Speaker 1: read my contract. If I was making a contract for

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Speaker 1: a fine print, I'd be fine for a reason. Actually yeah,

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Speaker 1: but hey, you never know what you could be missing out.

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Speaker 1: I'm not reading the fine print though. Still do you

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Speaker 1: read all like when you're buying a house. Do you

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Speaker 1: read any of that thing? I was like, say yes,

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Speaker 1: say yes, case people are listening. I read everything. I

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Speaker 1: don't read dank things. Point of the line, I'll sign

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Speaker 1: it the line fright. The latest from Nashville and Tullywood

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Speaker 1: Morgan number two, thirty second Skinny Luke Holm's announced a

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Speaker 1: new album coming out on June twenty fourth, called Growing Up. Today,

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Speaker 1: he released a new song called Tomorrow me Ester d Tomorrow.

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Speaker 1: Bright Eldredge released a new song called Songs about You.

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Speaker 1: I'm just trying to get these songs bad. Carrie Underwood

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Speaker 1: released a new song called Crazy Angels from her upcoming

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Speaker 1: album Deniman Rhinestone. Yes, Crazy angela shop. And Jason Aldean's

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Speaker 1: Georgia album is out today. I'm Morgan number two. That's

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Speaker 1: your skinny call. It's time for the good news. So

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Speaker 1: this girl, Riley, her dog Rip disappeared from her yard

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Speaker 1: last week. She couldn't find him anywhere, so she started

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Speaker 1: posting on social media, spreading the word throughout the community.

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Speaker 1: And then this local bartender Riley was like, huh, I've

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Speaker 1: seen a black German shepherd actually just last night at

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Speaker 1: the bar. A couple at the bar, a couple brought

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Speaker 1: the dog into the bar, so he contacted local police.

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Speaker 1: They pulled surveillance footage from the bar that night. They

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Speaker 1: started to investigate and spread word to try to figure

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Speaker 1: out who this couple was. They found them, the police

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Speaker 1: went got the German shepherd back at the bar. Yeah,

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Speaker 1: they say, it took a lot to make this happen,

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Speaker 1: first social media, then the community. It took a village,

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Speaker 1: the police, just everybody rallying together to find out the

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Speaker 1: couple that have the dog. You steal let and you

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Speaker 1: just take it out like that. Yeah, I don't know

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Speaker 1: if it's like stolen. I mean, I like to think

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Speaker 1: that maybe the dog got out and this couple found

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Speaker 1: the dogs though, I don't know. A dog walks into

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Speaker 1: a bar, Okay, I just write. The dog says, give

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Speaker 1: me a beer. The bartender says, wow, you can talk.

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Speaker 1: You should get a job at the circus. The dog says, nah,

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Speaker 1: they're on comedians at the circus. I don't know did

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Speaker 1: you write that? No, I just just get there. A

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Speaker 1: dog and bar jokes. A dog walks into a bar.

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Speaker 1: The bartender nods it says, hey, dog, haven't seen you

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Speaker 1: in a while. How are things going? The dog looks

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Speaker 1: at him sadly and replies rough. Yeah. A dog walks

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Speaker 1: into a bar and says, bartender, get me a jack

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Speaker 1: and coke. A sure thing, But what's with the small

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Speaker 1: pause as the bartender, Oh, got it? Pause? No, I

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Speaker 1: didn't write those there you go, Amy, good story, glad

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Speaker 1: that dog is bad. That's what it's all about. That

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Speaker 1: was tell me something good. And now a second from

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00:18:16,160 --> 00:18:21,280
Speaker 1: slash bones. Your daughter's birthdays this weekend? Yes, and so

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Speaker 1: what are you guys doing? Technically it's Monday, but we're

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Speaker 1: having the party this weekend and she wants an all

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Speaker 1: girls swim party. What does a fifteen year old want

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Speaker 1: as a gift? Oh, she wants an Apple Watch, but

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Speaker 1: you're not getting her that. What about because back in

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Speaker 1: the day, she wanted a mini fridge and you also

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Speaker 1: didn't get her that. It seems like every year she

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Speaker 1: wants something and doesn't get it. Oh, that has reappeared

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Speaker 1: on the list mini fridge. Why can't she have a

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Speaker 1: mini fridge in her room? She because because there's a

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Speaker 1: fridgerator right downstairs, and if she has a fridge in

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Speaker 1: her room, we won't. Well, there's also a sink downstairs,

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Speaker 1: and there's also probably a bathroom near her room. Yeah,

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Speaker 1: but what does she need her mini fridge? Like? What

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Speaker 1: water it just the ability to have one, Okay, like

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Speaker 1: have your own space. Are you saying I should reconsider?

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Speaker 1: I just don't think there's anything wrong with a mini

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Speaker 1: fridge for a fifteen year old. Yeah, it's not like

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Speaker 1: if someone struggles with giving someone social media, nobody can

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Speaker 1: contact her through the mini fridge, right, I don't know.

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Speaker 1: I mean maybe I need to loosen up about this,

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Speaker 1: But like, she just got the iPhone for Christmas, and

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Speaker 1: now that she has a phone, she's able to take pictures.

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Speaker 1: And every teenager she sees with an Apple Watch, she

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Speaker 1: takes a picture of the wrist and sends it to me.

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Speaker 1: And you're not getting an Apple Watch. No, I just

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Speaker 1: feel like you just got a phone a few months ago.

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Speaker 1: You have to give her the mini fridge if you're

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Speaker 1: not giving her the Apple Watch, you have to because

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Speaker 1: they're not even in the same category. How many fridges?

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Speaker 1: You don't want her to have the Apple Watch? Why?

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Speaker 1: Because she can communicate openly? Just feel like it's another

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Speaker 1: shirty has the phone, Like why do you need all

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Speaker 1: these different ways to communicate with people? I have one? Yea, yeah,

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Speaker 1: why do you need to communicate? Also? I'm it tracks

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Speaker 1: my and I'm forty one, and I don't have to

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Speaker 1: get her one. Don't have to get one. I just

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Speaker 1: felt like your logics little flawed. And why she can't

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Speaker 1: have it because she doesn't want it for to tell

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Speaker 1: time she wants you. Do you want it to tell time? Yeah? Okay, yeah,

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Speaker 1: you already have her. Don't don't say what it is

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Speaker 1: that you have her her gift? Yeah okay, and and

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Speaker 1: even more special, I'm making her her birthday cake from scratch. Okay,

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Speaker 1: that's cool, but it ain't a mini fridge, and it

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Speaker 1: definitely ant an Apple watch. Get her the mini fridge,

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Speaker 1: That's what I say. I beg of you. You say

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Speaker 1: what you say, I will get her the mini fridge

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Speaker 1: if she can have it. I don't do that, No, no,

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Speaker 1: no no, But I'm asking first. Yeah yeah, yeah no.

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Speaker 1: If anyone gets her the fridge, it's gonna be me. Okay,

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Speaker 1: she's already been asking other people for the fridge. Then

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Speaker 1: get her mini fridge. I think that's the move. Then

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Speaker 1: she'll not be hurt by not getting the Apple watch,

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Speaker 1: which is understandable. True, Okay, I can't avoid a lot

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Speaker 1: of yeah, you're right's fifteen. Let us know what happens.

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Speaker 1: Abby by the way, has a question. She's our phone screener.

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Speaker 1: Brett Eldridge is gonna be in a Monday show. Abby,

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Speaker 1: what do you think you want to ask Brett a

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Speaker 1: question when he comes in? What do you want to know?

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Speaker 1: I want to know how he is still single? I

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Speaker 1: feel like everybody wants to know that. Have you seen him? Okay,

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Speaker 1: so to him, Yes, I'm not gonna say it. You

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Speaker 1: have to say it to him like, Okay, Lunchbox, Yes,

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Speaker 1: you're gonna let her hit on an artist. I think

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Speaker 1: it's a question did you hear her? Are you gonna?

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Speaker 1: Are you gonna present it like you're in heat? Like

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Speaker 1: you are? Now? That's what I because she was like,

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Speaker 1: I have seen him? Hey, though, you know what if

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Speaker 1: you let her answer ask that question? Though, you might

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Speaker 1: have to let Lunchbox ask any female artists a question. No,

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Speaker 1: I don't because I think most people ask Brett that

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Speaker 1: same question. They just don't know how to get it

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Speaker 1: to him. Okay, So I will let you ask that question.

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Speaker 1: But you can't be breathy and over the time. I

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Speaker 1: will not be weird. Okay, I'll be fine Monday. I'll

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Speaker 1: give you that. This is Ashley from Missouri. I just

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Speaker 1: wanted to call and say that was so nice of

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Speaker 1: you to let Garth Brooks open up for you on

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Speaker 1: Saturday night. We're coming. I was just calling to see

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Speaker 1: if you knew what time that you all would be

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Speaker 1: going on Saturday night. I think that would be a

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Speaker 1: funny joke if Garth was actually playing before us. Yeah, Hey,

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Speaker 1: we're opening for Garth tomorrow night and we go on

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Speaker 1: before him. And I don't know what time we go on. Oh,

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Speaker 1: I told somewhere between noon, So I was told somewhere

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Speaker 1: around seven, seven thirty. So seven, let just say seven.

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Speaker 1: Seven's good? Okay? Uh? Seven sounds like it's the deal.

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Speaker 1: I appreciate that. We'll see it tomorrow night. All right.

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Speaker 1: Here is Rowan. I just wanted to ask how Ammy's

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Speaker 1: fish is doing. Fish still alive, alive, alive and well okay,

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Speaker 1: I was waiting for Ann. Well, yeah, all right. Next

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Speaker 1: up here is Peyton from Broken Arrow, Oklahoma. I have

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Speaker 1: a morning corny for Amy. What do you call a

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Speaker 1: crow wearing a cowboy hat? A year spring is here,

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00:23:11,200 --> 00:23:13,120
Speaker 1: which means it's time to take advantage of the home

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Speaker 1: Depot low price guarantee. If you find a lower price

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Speaker 1: on the same product from one of our competitors won't

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00:23:19,680 --> 00:23:23,200
Speaker 1: match it the home depot. How doers get more done

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Speaker 1: Amy's Pile of Stories. This year's Brand Intimacy Study was released,

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00:23:31,760 --> 00:23:35,119
Speaker 1: which is a study that ranks brands based on strictly emotion,

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00:23:35,520 --> 00:23:38,320
Speaker 1: like if we feel like we love them? Yes, like

405
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Speaker 1: what are you just emotionally tied to? Of course? Yeah?

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Speaker 1: It makes we loved album number three? Oh really? Yeah? Okay, okay, okay,

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Speaker 1: what would I do even worse than with what product?

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Speaker 1: That's where you hirsh you know what? Good point? What

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Speaker 1: else you got? Okay, I'll go over the top five

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Speaker 1: YouTube is five sony for that must be because of

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Speaker 1: the Yeah, I'm thinking, because yeah, maybe I would have.

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Speaker 1: I'm doing wild stuff right now. I'm bound in leather,

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Speaker 1: Tesla at two and Disney at number one two old

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Speaker 1: and not k no kids. I feel like Disney makes

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Speaker 1: sense though, the emotion, this is what it's all about. Again.

416
00:24:23,440 --> 00:24:25,639
Speaker 1: I never watched Disney movies as a kid. Where my

417
00:24:25,720 --> 00:24:28,720
Speaker 1: emotion is what Disney is. They own ABC and they've

418
00:24:28,760 --> 00:24:32,199
Speaker 1: paid me a lot. Yeah, yes, but there's also Disney

419
00:24:32,280 --> 00:24:34,639
Speaker 1: the parks. I've done some stuff for some money and

420
00:24:35,520 --> 00:24:38,600
Speaker 1: all kinds of things, and then Netflix cracked into the

421
00:24:38,680 --> 00:24:41,080
Speaker 1: top ten this year. They weren't even in it last year.

422
00:24:41,840 --> 00:24:43,680
Speaker 1: I have a bit of bad news. This is like

423
00:24:43,800 --> 00:24:47,040
Speaker 1: telling me something bad. A guy was at the dentist

424
00:24:47,359 --> 00:24:50,879
Speaker 1: and he already had anxiety going into it. He's sixties

425
00:24:51,000 --> 00:24:53,879
Speaker 1: years old. He was getting something removed. So the dentist

426
00:24:53,960 --> 00:24:57,120
Speaker 1: had a drill bit and he took a breath when

427
00:24:57,160 --> 00:24:59,040
Speaker 1: it happened, and a piece of the drill bit he

428
00:24:59,119 --> 00:25:02,159
Speaker 1: inhaled it. So it's not that he swallowed it. He

429
00:25:02,240 --> 00:25:04,520
Speaker 1: inhaled it, so that means it ended up in his lungs.

430
00:25:05,119 --> 00:25:07,639
Speaker 1: They were able to retrieve it. But this is just

431
00:25:07,840 --> 00:25:10,200
Speaker 1: a reminder to floss and brush your teeth so you

432
00:25:10,200 --> 00:25:13,160
Speaker 1: don't to have extreme dental work done and this happen.

433
00:25:13,200 --> 00:25:15,359
Speaker 1: It's an interesting No, No, we're not putting this on

434
00:25:15,520 --> 00:25:19,400
Speaker 1: him for not flossing. I can't well, I can't put

435
00:25:19,480 --> 00:25:22,119
Speaker 1: it on him for not flossing. I think it was

436
00:25:22,160 --> 00:25:25,440
Speaker 1: a cavity situation. Okay, again, this is not his bits

437
00:25:25,560 --> 00:25:29,680
Speaker 1: just don't fall in people's lungs. The cavity is his fault. Yeah,

438
00:25:30,000 --> 00:25:32,680
Speaker 1: the metal and as long as not right, so you

439
00:25:32,800 --> 00:25:36,240
Speaker 1: sue or not sue. Well, I don't sue. I think

440
00:25:36,320 --> 00:25:40,000
Speaker 1: I think it's handled to where I don't have to sue.

441
00:25:40,040 --> 00:25:42,440
Speaker 1: Free dental care for the rest of your life. Possibly

442
00:25:42,560 --> 00:25:45,600
Speaker 1: you're already sixty, and there's oh wow, I finding it

443
00:25:45,680 --> 00:25:48,200
Speaker 1: more than then. And there's a difference too, in swallowing

444
00:25:48,280 --> 00:25:50,520
Speaker 1: and inhaling, because it goes into different parts, which is crazy.

445
00:25:50,560 --> 00:25:53,440
Speaker 1: All right, go ahead. And lastly, Dolly Parton shared the

446
00:25:53,600 --> 00:25:57,240
Speaker 1: worst advice that she ever got, and that was to

447
00:25:57,400 --> 00:26:00,520
Speaker 1: stop dressing like trash. And she said, no, this is

448
00:26:00,560 --> 00:26:02,200
Speaker 1: who I am. I'm going to do it. I love

449
00:26:02,320 --> 00:26:04,840
Speaker 1: going over the top. It represents me and who I am.

450
00:26:05,000 --> 00:26:07,639
Speaker 1: So she didn't listen to the advice. Thank goodness, Thank goodness,

451
00:26:07,680 --> 00:26:11,040
Speaker 1: you like the t No, it's like Dolly's Dolly's style.

452
00:26:11,200 --> 00:26:15,240
Speaker 1: It's her signature. I don't think dresses like yeah, yeah,

453
00:26:15,320 --> 00:26:17,920
Speaker 1: me neither. Right, it was her words, Mamie. That's my pile.

454
00:26:18,840 --> 00:26:22,200
Speaker 1: That was Amy's pile of stories. It's time for the

455
00:26:22,320 --> 00:26:30,320
Speaker 1: good news lunchbox, some good Welcome to Jackie's quest. One Woman,

456
00:26:30,880 --> 00:26:34,160
Speaker 1: one leg, one hundred and two marathons and one hundred

457
00:26:34,160 --> 00:26:37,520
Speaker 1: and two days. That's right, Jackie lost her left leg

458
00:26:37,840 --> 00:26:40,320
Speaker 1: to cancer below the knee, so she got a prosthetic.

459
00:26:40,640 --> 00:26:43,639
Speaker 1: She started running, and one to inspire others, and so

460
00:26:43,840 --> 00:26:46,680
Speaker 1: she has run ninety two marathons in ninety two days

461
00:26:47,000 --> 00:26:48,439
Speaker 1: on her way to one hundred and two and one

462
00:26:48,520 --> 00:26:50,960
Speaker 1: hundred and two to set a world record. I think

463
00:26:51,040 --> 00:26:54,320
Speaker 1: I would be inspired by anyone doing that mini marathon.

464
00:26:54,520 --> 00:26:57,560
Speaker 1: I'm gonna be honest. One marathon, I'm inspired. Amy's done

465
00:26:57,600 --> 00:27:04,280
Speaker 1: a marathon, Yes, just one? Just one? What I'm inspired? Okay? Thanks. However,

466
00:27:04,400 --> 00:27:08,199
Speaker 1: she went through cancer aesthetic leg and she's done ninety

467
00:27:08,240 --> 00:27:11,200
Speaker 1: two in ninety two days. How does your body mean?

468
00:27:11,440 --> 00:27:13,000
Speaker 1: I don't even know how your body doesn't break down?

469
00:27:13,440 --> 00:27:14,920
Speaker 1: I don't know without a date. I mean, if I

470
00:27:15,000 --> 00:27:17,160
Speaker 1: work out three days in a row period, I'm like, oh,

471
00:27:17,240 --> 00:27:19,640
Speaker 1: doctors just shouldn't go. I'm a muscle fibers were breaking down.

472
00:27:20,000 --> 00:27:21,960
Speaker 1: But she's done ninety two and ninety two days. Great,

473
00:27:22,359 --> 00:27:25,000
Speaker 1: it's inspiration. That is inspiration. That is what it's all about.

474
00:27:26,080 --> 00:27:30,000
Speaker 1: That was tell me something good. Let's do an update.

475
00:27:30,760 --> 00:27:32,840
Speaker 1: There's a car parked in front of Lunchbox's house on

476
00:27:32,960 --> 00:27:36,040
Speaker 1: the street. It's been broken down. Lunchbox went to the

477
00:27:36,080 --> 00:27:38,200
Speaker 1: neighbor and said, hey, would you mind moving your car?

478
00:27:38,960 --> 00:27:41,280
Speaker 1: He said, I'll do it right away, said yeah, I'll

479
00:27:41,320 --> 00:27:43,760
Speaker 1: come knock on your door tomorrow. He didn't do it. No,

480
00:27:44,640 --> 00:27:47,800
Speaker 1: So listener was like, why didn't Lunchbox like have the car? Toad?

481
00:27:47,880 --> 00:27:49,639
Speaker 1: Then is he a sissy boy? I thinks what they

482
00:27:49,680 --> 00:27:51,960
Speaker 1: called you sissy boy is exactly what they called me.

483
00:27:52,000 --> 00:27:54,040
Speaker 1: And I'm not a sissy boy. That's one thing we know.

484
00:27:54,520 --> 00:27:57,560
Speaker 1: So you asked him that he didn't do it, and

485
00:27:57,720 --> 00:28:01,040
Speaker 1: so it just sits, there sits, there supdate. So I'm

486
00:28:01,080 --> 00:28:03,400
Speaker 1: out walking the dog right and we're in this area

487
00:28:03,440 --> 00:28:06,680
Speaker 1: where there's restaurants and bars, and he comes walking out

488
00:28:07,280 --> 00:28:10,480
Speaker 1: with the girl and so just boom, happenstance because he's

489
00:28:10,480 --> 00:28:11,879
Speaker 1: been dodging me because I've been knocking on the door

490
00:28:11,880 --> 00:28:14,240
Speaker 1: and he wouldn't answer. And I'm like, hey, man, how's

491
00:28:14,240 --> 00:28:17,000
Speaker 1: it going? Oh good good? And I'm like, hey, you

492
00:28:17,040 --> 00:28:18,760
Speaker 1: know you said you're gonna come knock on my door

493
00:28:18,880 --> 00:28:20,400
Speaker 1: and we were gonna move it the next day. That's

494
00:28:20,440 --> 00:28:23,480
Speaker 1: been weeks ago. What's going on? And you guys will

495
00:28:23,600 --> 00:28:25,600
Speaker 1: never believe what he told me, what his excuse was.

496
00:28:26,119 --> 00:28:29,639
Speaker 1: What he said, Man, I know it's gonna sound crazy,

497
00:28:29,680 --> 00:28:32,000
Speaker 1: but the very next day, my key fell off my

498
00:28:32,119 --> 00:28:35,879
Speaker 1: key ring. I can't find it. Yeah, that's ridiculous. I'm like,

499
00:28:36,200 --> 00:28:39,280
Speaker 1: so the very next day the key happened to somehow.

500
00:28:39,320 --> 00:28:41,160
Speaker 1: I mean, how many times is your key ever falling

501
00:28:41,200 --> 00:28:46,080
Speaker 1: off your key ring? Exactly? Did you accept that? I said, really? Man?

502
00:28:46,160 --> 00:28:47,760
Speaker 1: He goes, I know, I know, it's so hard to

503
00:28:47,840 --> 00:28:50,160
Speaker 1: believe that that's happening, but I promise you that's what happened.

504
00:28:50,200 --> 00:28:54,720
Speaker 1: I was like, dude, there's no way that happened. But okay,

505
00:28:54,840 --> 00:28:56,120
Speaker 1: so when you get in the new key, i' man,

506
00:28:56,320 --> 00:28:58,480
Speaker 1: I'm working on it. I'm working on I'll get a

507
00:28:58,560 --> 00:29:00,560
Speaker 1: new key within the next week. Did you get him

508
00:29:00,560 --> 00:29:03,400
Speaker 1: a deadline? He said a week? So we got one week, okay,

509
00:29:03,480 --> 00:29:06,200
Speaker 1: one week from today today's Friday. By next friday, if

510
00:29:06,320 --> 00:29:09,280
Speaker 1: the car has not moved, what are you going to do? Oh,

511
00:29:09,400 --> 00:29:11,840
Speaker 1: we're gonna just get a toe. You're gonna tell it. Yeah,

512
00:29:11,960 --> 00:29:14,600
Speaker 1: there's no more that's messing around. Oh the key fell

513
00:29:14,640 --> 00:29:17,400
Speaker 1: off the key ring. Like what you have to come

514
00:29:17,480 --> 00:29:18,960
Speaker 1: up with a better excuse than that. He's on the

515
00:29:19,000 --> 00:29:22,840
Speaker 1: clock seven days or a lunchbox, be a sissy boy. Again. Well,

516
00:29:22,840 --> 00:29:25,520
Speaker 1: I think it's convenient that the first time we heard

517
00:29:25,600 --> 00:29:27,840
Speaker 1: about this there was audio and lunchbox down like a

518
00:29:27,880 --> 00:29:31,400
Speaker 1: sissy boy. Now, I didn't have your phone with you

519
00:29:31,440 --> 00:29:33,400
Speaker 1: what you recorded the first time? Right, right? So happened

520
00:29:33,440 --> 00:29:35,440
Speaker 1: to night phone. I had literally knocked on his door

521
00:29:35,480 --> 00:29:36,960
Speaker 1: the first time. This time, I just happened to see

522
00:29:37,040 --> 00:29:38,640
Speaker 1: him in public. I had my phone. Every time I

523
00:29:38,720 --> 00:29:40,440
Speaker 1: go knock on the door and he doesn't answer. But

524
00:29:40,560 --> 00:29:42,200
Speaker 1: I'm out walking the dog. I don't know I'm gonna

525
00:29:42,240 --> 00:29:44,240
Speaker 1: run into him. Maybe before you tell him he knock,

526
00:29:44,240 --> 00:29:45,600
Speaker 1: can you tell him you're gonna tell him, and then

527
00:29:45,800 --> 00:29:48,440
Speaker 1: you record it and then see if sissy boy comes

528
00:29:48,440 --> 00:29:51,040
Speaker 1: back out. Okay, so we have one week. One week.

529
00:29:51,440 --> 00:29:53,400
Speaker 1: Thank you for the update. Now do you believe him?

530
00:29:53,440 --> 00:29:55,959
Speaker 1: That's key fall but whatever. No, But if I were

531
00:29:56,000 --> 00:29:57,880
Speaker 1: gonna be so scared a toy because he's gonna know

532
00:29:57,960 --> 00:29:59,600
Speaker 1: what you and I just don't want to do that.

533
00:30:00,040 --> 00:30:01,280
Speaker 1: Do you know why? You know what? It's not. I'm

534
00:30:01,280 --> 00:30:03,600
Speaker 1: not a sissy boy, That's right. I'm a man. You

535
00:30:03,680 --> 00:30:06,520
Speaker 1: know it is not. That's right. So Aldane's coming in

536
00:30:06,640 --> 00:30:12,800
Speaker 1: just a few minutes. But first, the morning, Corny Morning,

537
00:30:12,960 --> 00:30:16,880
Speaker 1: Corny I had a date last night. It was perfect. Okay,

538
00:30:17,200 --> 00:30:23,240
Speaker 1: tonight I'll try a grape. Oh, a date took me

539
00:30:23,280 --> 00:30:27,480
Speaker 1: a second. It took you a second because that was

540
00:30:27,680 --> 00:30:31,840
Speaker 1: the morning, Corny. Can you explain to me, I don't

541
00:30:31,840 --> 00:30:33,840
Speaker 1: know a date like you eat a date, that it's

542
00:30:33,840 --> 00:30:36,520
Speaker 1: a fruit that's not ahead of date. It was perfect, right,

543
00:30:36,600 --> 00:30:38,760
Speaker 1: It's not always perfect. And then tonight I'll try a

544
00:30:38,840 --> 00:30:40,680
Speaker 1: great perfect like, Yeah, I was right. I thought the

545
00:30:40,720 --> 00:30:43,320
Speaker 1: perfect was the punchline. Anyway, Aldiane's coming in next. Okay.

546
00:30:44,760 --> 00:30:48,640
Speaker 1: The Friday morning conversation with Jason are you no, buddy

547
00:30:48,800 --> 00:30:51,000
Speaker 1: good Man? How are you? I'm doing pretty good. You know,

548
00:30:51,240 --> 00:30:53,800
Speaker 1: You've been the subject of a couple of conversations lately,

549
00:30:54,040 --> 00:30:56,840
Speaker 1: mostly because Eddie saw you in Chucky Cheese and he

550
00:30:57,000 --> 00:30:59,760
Speaker 1: was like, I didn't think Jason would be in Chucky Cheese.

551
00:31:00,040 --> 00:31:02,840
Speaker 1: You were, Yeah, Well, when the kids are screaming in

552
00:31:02,880 --> 00:31:05,360
Speaker 1: the backseat when you pass by and they're like screaming

553
00:31:05,400 --> 00:31:07,239
Speaker 1: telling you to pull over, sometimes you just gotta make

554
00:31:07,280 --> 00:31:08,800
Speaker 1: a pit stop, you know what I mean. So it's

555
00:31:08,880 --> 00:31:11,080
Speaker 1: Chucky Cheese a pit stop place, or it's Chucky Che's

556
00:31:11,080 --> 00:31:14,680
Speaker 1: a destination for a Saturday. Um, I don't know. I

557
00:31:14,760 --> 00:31:16,360
Speaker 1: think it's just kind of like something we do for

558
00:31:16,480 --> 00:31:19,720
Speaker 1: him every now and then, like just to uh, you know,

559
00:31:19,840 --> 00:31:21,240
Speaker 1: get him out and house fun. I mean, there's some

560
00:31:21,280 --> 00:31:23,560
Speaker 1: different stuff we do. We tell them to the trampoline park,

561
00:31:23,880 --> 00:31:26,480
Speaker 1: the zoo, sometimes Chucky whatever it is, you know, just

562
00:31:26,600 --> 00:31:27,960
Speaker 1: kind of get him out and have some fun. Do

563
00:31:28,040 --> 00:31:29,920
Speaker 1: you feel like in places like that people are just

564
00:31:30,080 --> 00:31:32,760
Speaker 1: confused where they're like, that probably is Jason Eltie, but

565
00:31:32,800 --> 00:31:34,760
Speaker 1: there's no way he would be at the trampoline park.

566
00:31:36,080 --> 00:31:39,000
Speaker 1: I don't know, man. I mean, you know, even Eddie

567
00:31:39,080 --> 00:31:41,239
Speaker 1: was confused and we were like, Eddie, you know him.

568
00:31:41,320 --> 00:31:42,880
Speaker 1: I had asked my wife, I'm like to help me

569
00:31:42,880 --> 00:31:45,080
Speaker 1: out here. Is that Jason out, dude? Because I'm pretty

570
00:31:45,080 --> 00:31:47,080
Speaker 1: sure it is. She's like, y, yeah, you know, we

571
00:31:47,200 --> 00:31:49,560
Speaker 1: got kids. We gotta do kids stuff. Right when you

572
00:31:49,720 --> 00:31:51,720
Speaker 1: walk into a place and you buy tokens or you

573
00:31:51,720 --> 00:31:53,440
Speaker 1: give somebody a credit card normally, I just wonder what

574
00:31:53,520 --> 00:31:56,080
Speaker 1: it's like being like a real life celebrity. Where does

575
00:31:56,120 --> 00:31:57,880
Speaker 1: your credit card have your name on it? You know,

576
00:31:58,040 --> 00:32:00,560
Speaker 1: my last name is is actually not al Dean's my

577
00:32:00,600 --> 00:32:03,680
Speaker 1: middle name, but Jason's on there. Yeahson's is Aldan here's

578
00:32:03,680 --> 00:32:06,240
Speaker 1: your middle name on there as part of that, and

579
00:32:06,360 --> 00:32:09,280
Speaker 1: do they go, Jason, Dang, that's looks because I would

580
00:32:09,320 --> 00:32:12,720
Speaker 1: just think you have such a dynamic stage look and

581
00:32:12,880 --> 00:32:15,560
Speaker 1: then you're kind of one of us when you're not

582
00:32:15,680 --> 00:32:18,360
Speaker 1: on stage except for that really expensive watch. Other than that,

583
00:32:18,400 --> 00:32:20,600
Speaker 1: you're like us right now, you know, you're just dude.

584
00:32:20,800 --> 00:32:22,760
Speaker 1: I would think people would just be confused. I think

585
00:32:22,800 --> 00:32:24,720
Speaker 1: that's but I'm not sure. I don't. I mean, I

586
00:32:24,960 --> 00:32:26,960
Speaker 1: think because I look a little different than I do

587
00:32:27,040 --> 00:32:28,880
Speaker 1: on stage. You know, typically if I'm not on stage,

588
00:32:28,880 --> 00:32:31,040
Speaker 1: I got a baseball cap on or whatever. So I

589
00:32:31,160 --> 00:32:32,720
Speaker 1: think a lot of times people kind of do a

590
00:32:32,760 --> 00:32:34,200
Speaker 1: little bit of a double take. But I think my

591
00:32:34,320 --> 00:32:36,560
Speaker 1: wife is one that kind of a lot of times

592
00:32:36,640 --> 00:32:38,880
Speaker 1: they'll look at me and then I think that's I

593
00:32:38,920 --> 00:32:41,080
Speaker 1: think that's him, and then they'll look at Britain go well,

594
00:32:41,120 --> 00:32:43,240
Speaker 1: that's definitely her. So that's yeah, that's who that is,

595
00:32:43,400 --> 00:32:46,040
Speaker 1: you know, and it's uh, I think she's kind of

596
00:32:46,120 --> 00:32:47,800
Speaker 1: she kind of blows my cover a little bit. That

597
00:32:47,960 --> 00:32:51,480
Speaker 1: happens now with Caitlin because I'm such a generic white dude.

598
00:32:51,520 --> 00:32:53,600
Speaker 1: I'm just except for the glasses, you don't get any

599
00:32:53,640 --> 00:32:56,360
Speaker 1: more generic than me, and they're like, Oh, the guy

600
00:32:56,480 --> 00:32:58,680
Speaker 1: that's really dorky who shouldn't have a wife that's that

601
00:32:58,800 --> 00:33:02,400
Speaker 1: pretty and that's her. Like they're like, that's the association. Yeah,

602
00:33:02,440 --> 00:33:05,000
Speaker 1: and then they're like, oh, yeah, so I congrat's another

603
00:33:05,160 --> 00:33:09,520
Speaker 1: yet another album. But this is a double album situation.

604
00:33:09,880 --> 00:33:12,520
Speaker 1: So why put out so much music basically in the

605
00:33:12,640 --> 00:33:15,640
Speaker 1: same period. Man? You know what, for me, this being

606
00:33:15,680 --> 00:33:18,000
Speaker 1: the tenth studio album, we just kind of wanted to

607
00:33:18,080 --> 00:33:21,720
Speaker 1: do something different that we haven't done before. And you know,

608
00:33:21,960 --> 00:33:24,720
Speaker 1: for the previous nine albums, I feel like we've we've

609
00:33:24,760 --> 00:33:26,240
Speaker 1: kind of covered a lot of the basses, you know,

610
00:33:26,320 --> 00:33:28,840
Speaker 1: so it was trying to find something that we haven't done.

611
00:33:29,280 --> 00:33:33,480
Speaker 1: And for me that was a double album, a live album,

612
00:33:34,120 --> 00:33:36,120
Speaker 1: or the greatest hits. We've never done any of those things.

613
00:33:36,160 --> 00:33:38,719
Speaker 1: So to me, being the tenth album, we just kind

614
00:33:38,760 --> 00:33:41,800
Speaker 1: of want to do something different, and we figured that

615
00:33:41,880 --> 00:33:44,360
Speaker 1: was kind of a way to to sort of combine

616
00:33:44,400 --> 00:33:46,600
Speaker 1: all those things. And anymore, I mean, the way people,

617
00:33:47,120 --> 00:33:50,000
Speaker 1: you know, fans consume music, it's you know, they want

618
00:33:50,080 --> 00:33:52,560
Speaker 1: more music more often. Anymore. You used to we put

619
00:33:52,600 --> 00:33:54,520
Speaker 1: an album out and you drop another album a year

620
00:33:54,520 --> 00:33:57,000
Speaker 1: a year and a half later, and now it's just

621
00:33:57,120 --> 00:33:59,040
Speaker 1: like you drop an album, they're ready for something new

622
00:33:59,080 --> 00:34:01,040
Speaker 1: in a few months. So we decided to kind of

623
00:34:01,080 --> 00:34:04,200
Speaker 1: stagger it out, drop part of it a few months ago,

624
00:34:04,280 --> 00:34:06,840
Speaker 1: and then wait and drop the other half now, and

625
00:34:07,320 --> 00:34:09,480
Speaker 1: just to kind of help extend the life of the album.

626
00:34:09,880 --> 00:34:13,600
Speaker 1: You know, the backside of the Georgia track list is live.

627
00:34:13,680 --> 00:34:15,080
Speaker 1: You mentioned that I was gonna get to that, but

628
00:34:15,360 --> 00:34:16,680
Speaker 1: and I want to play one of the live tracks

629
00:34:16,719 --> 00:34:18,600
Speaker 1: and it's entirety in just a second. But do you

630
00:34:18,760 --> 00:34:21,279
Speaker 1: after you record it live, do you go back and

631
00:34:21,400 --> 00:34:24,480
Speaker 1: go man, I did that live? Dang? I wish I

632
00:34:24,520 --> 00:34:26,520
Speaker 1: would have done that, Or do you go mass perfect

633
00:34:26,600 --> 00:34:29,319
Speaker 1: and just let it roll? Well, we didn't record these

634
00:34:29,680 --> 00:34:32,600
Speaker 1: for the record. These were just things that you know,

635
00:34:32,680 --> 00:34:37,120
Speaker 1: we record basically all of our shows, so it wasn't

636
00:34:37,160 --> 00:34:39,440
Speaker 1: recorded with the intention of being on the record. It

637
00:34:39,520 --> 00:34:41,160
Speaker 1: was just kind of like, this is the way it

638
00:34:41,200 --> 00:34:43,080
Speaker 1: went down, and this is what you're gonna get. So

639
00:34:43,280 --> 00:34:44,719
Speaker 1: I think I'd go back in and resing them. Though

640
00:34:44,760 --> 00:34:47,000
Speaker 1: with everything, like everything else live, I like, pull me off,

641
00:34:47,080 --> 00:34:49,160
Speaker 1: let me do this again in a studio. No, no, no, no,

642
00:34:49,280 --> 00:34:50,880
Speaker 1: I mean that's why you're doing with the beauty of it.

643
00:34:50,920 --> 00:34:52,439
Speaker 1: I think that's the beauty of it. You know, people

644
00:34:52,520 --> 00:34:54,960
Speaker 1: that maybe haven't been to a show, it's like, you know,

645
00:34:55,000 --> 00:34:59,040
Speaker 1: they're getting a real performance of what a real shows like. Well,

646
00:34:59,120 --> 00:35:01,600
Speaker 1: people don't know is this is actually a rerecorded version

647
00:35:01,600 --> 00:35:03,879
Speaker 1: of me doing this interview with you. I came back

648
00:35:03,920 --> 00:35:06,360
Speaker 1: in afterward and then layered me over it so it

649
00:35:06,440 --> 00:35:11,200
Speaker 1: sound perfect. Well, actually it's not that far. Okay. A

650
00:35:11,239 --> 00:35:12,839
Speaker 1: lot of you guys reach out and you're like, thank

651
00:35:12,880 --> 00:35:15,440
Speaker 1: you for talking about Hello Fresh. You're the best. The

652
00:35:15,560 --> 00:35:17,840
Speaker 1: thing is, I did not invent Hello Fresh. I like,

653
00:35:18,000 --> 00:35:21,160
Speaker 1: you just use it and love it. So Hello Fresh

654
00:35:21,280 --> 00:35:22,919
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655
00:35:23,239 --> 00:35:27,720
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656
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657
00:35:29,360 --> 00:35:31,880
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658
00:35:31,920 --> 00:35:34,120
Speaker 1: whip one of these up and it's amazing, Like right now,

659
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Speaker 1: juicy salmon, lamona pasta prima vera. I can make that.

660
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661
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662
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663
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664
00:35:50,080 --> 00:35:52,920
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665
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666
00:35:55,520 --> 00:35:59,680
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667
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668
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Speaker 1: Bones sixteen for sixteen free meals plus three free gifts

669
00:36:07,400 --> 00:36:10,600
Speaker 1: at Hello fresh dot com slash Bone sixteen. Hello Fresh

670
00:36:10,640 --> 00:36:15,279
Speaker 1: dot com slash Bone sixteen. The Friday Morning Conversation with

671
00:36:15,800 --> 00:36:18,160
Speaker 1: Jason elteen. You know you and Kerry put out if

672
00:36:18,200 --> 00:36:20,719
Speaker 1: I didn't love you, and you hear the song, You're like,

673
00:36:20,840 --> 00:36:24,080
Speaker 1: oh cool, good song, gonna a number one? But did you?

674
00:36:24,360 --> 00:36:26,759
Speaker 1: I mean, it is such a smash and is now

675
00:36:26,920 --> 00:36:29,920
Speaker 1: up for every award. Was that the expectation when you

676
00:36:30,040 --> 00:36:32,480
Speaker 1: guys got together to do the song? Is that ever

677
00:36:32,560 --> 00:36:34,879
Speaker 1: an expectation? Well, I mean, I don't know. I don't

678
00:36:34,920 --> 00:36:36,680
Speaker 1: know that she can ever kind of predict what a

679
00:36:36,719 --> 00:36:39,719
Speaker 1: song is gonna do. But you know, I think with

680
00:36:39,840 --> 00:36:42,360
Speaker 1: this song when I heard it, it was written by

681
00:36:42,360 --> 00:36:45,040
Speaker 1: a couple of guys in my band and then a

682
00:36:45,160 --> 00:36:47,560
Speaker 1: new artist that we're working with named John Morgan, and

683
00:36:47,760 --> 00:36:51,440
Speaker 1: so when I heard it and decided to get her

684
00:36:51,480 --> 00:36:53,239
Speaker 1: on it or try to get her on it, you know,

685
00:36:53,280 --> 00:36:54,680
Speaker 1: I felt like if we could get her on it,

686
00:36:54,800 --> 00:36:56,560
Speaker 1: it was the song was already good, that would just

687
00:36:56,680 --> 00:36:59,000
Speaker 1: kind of be a kind of a cheery on top.

688
00:36:59,080 --> 00:37:01,640
Speaker 1: And so but again, I mean, you don't know until

689
00:37:01,640 --> 00:37:03,080
Speaker 1: you get in the studio you start to see like

690
00:37:03,160 --> 00:37:05,799
Speaker 1: how it all kind of messes together. And I think

691
00:37:05,880 --> 00:37:08,279
Speaker 1: once you started singing on it, we knew there was

692
00:37:08,920 --> 00:37:12,600
Speaker 1: something pretty pretty special about it. But again, I mean,

693
00:37:12,640 --> 00:37:14,360
Speaker 1: you don't know until it gets out and people are

694
00:37:14,880 --> 00:37:17,200
Speaker 1: listening to it, and you just never know what those

695
00:37:17,200 --> 00:37:18,920
Speaker 1: songs are gonna be. Really, you may think you got

696
00:37:18,960 --> 00:37:21,680
Speaker 1: a big hit that's not out, or in some cases

697
00:37:21,719 --> 00:37:23,439
Speaker 1: with me, that was something I thought was just okay

698
00:37:23,520 --> 00:37:26,439
Speaker 1: that turned out to be a huge hit. So but yeah,

699
00:37:26,520 --> 00:37:30,479
Speaker 1: this was a huge one. I think I got text

700
00:37:30,560 --> 00:37:32,719
Speaker 1: message from one of my reps the other day saying

701
00:37:32,960 --> 00:37:34,360
Speaker 1: I think it had been in the top ten for

702
00:37:34,480 --> 00:37:37,080
Speaker 1: like twenty six weeks or something, which is which is crazy.

703
00:37:37,120 --> 00:37:38,560
Speaker 1: I've never had a song to do that, So it's

704
00:37:38,600 --> 00:37:40,840
Speaker 1: been a big one. Yeah, And any awards show that

705
00:37:41,080 --> 00:37:43,080
Speaker 1: comes out now, it's like and nominated for seventy two

706
00:37:43,120 --> 00:37:47,600
Speaker 1: Awards Jason and Carey and so yeah, congratulations. So with

707
00:37:48,040 --> 00:37:49,759
Speaker 1: I indulge me for a second, because you bring up

708
00:37:49,800 --> 00:37:52,080
Speaker 1: something interesting. Of all of the hits that you've had,

709
00:37:53,320 --> 00:37:55,560
Speaker 1: which one I'm gonna do both? Which one did you

710
00:37:55,760 --> 00:37:59,000
Speaker 1: hear or record and go, yeah, this is gonna be massive?

711
00:37:59,080 --> 00:38:01,000
Speaker 1: And it was? And which one did you go you

712
00:38:01,080 --> 00:38:02,520
Speaker 1: want that as a single? I don't know if it's

713
00:38:02,520 --> 00:38:05,560
Speaker 1: gonna work. And then it was and it did well.

714
00:38:05,600 --> 00:38:08,160
Speaker 1: The one that I that I thought would be a

715
00:38:08,239 --> 00:38:11,239
Speaker 1: big hit, I mean, we've had a couple this this

716
00:38:11,440 --> 00:38:12,880
Speaker 1: was one of them, though the duet was one that

717
00:38:13,040 --> 00:38:15,640
Speaker 1: I really felt like was going to be something special.

718
00:38:17,320 --> 00:38:21,440
Speaker 1: So the one that I thought was was kind of

719
00:38:21,480 --> 00:38:23,200
Speaker 1: a head scratcher to me that I was like, really,

720
00:38:23,239 --> 00:38:25,600
Speaker 1: we're gonna go with that. And and this was kind

721
00:38:25,640 --> 00:38:27,960
Speaker 1: of early in my career where you know, I was

722
00:38:28,040 --> 00:38:30,719
Speaker 1: still kind of getting my legs under me as far

723
00:38:30,800 --> 00:38:33,600
Speaker 1: as like, you know, what songs I was putting out,

724
00:38:33,640 --> 00:38:35,279
Speaker 1: and a lot of times I would let a lot

725
00:38:35,320 --> 00:38:38,880
Speaker 1: of the outside influence kind of help pick those singles,

726
00:38:39,320 --> 00:38:42,640
Speaker 1: and it was Biggeren Tractor was one that I just thought, Man,

727
00:38:42,680 --> 00:38:44,920
Speaker 1: this is kind of corny and cheese. It's not typically

728
00:38:45,000 --> 00:38:48,400
Speaker 1: what I would do, but my producer kept saying, Man,

729
00:38:48,440 --> 00:38:50,560
Speaker 1: I'm telling you this is this is big. David Lee

730
00:38:50,600 --> 00:38:53,000
Speaker 1: Murphy was one of the writers on it, and so

731
00:38:53,400 --> 00:38:54,879
Speaker 1: I was just kind of like, all right, maybe I'm

732
00:38:54,920 --> 00:38:57,319
Speaker 1: missing it. Put it out and to this day, it's

733
00:38:57,360 --> 00:38:59,360
Speaker 1: like the longest number one that I've ever had was

734
00:38:59,480 --> 00:39:01,319
Speaker 1: number one for four weeks and I've never had another

735
00:39:01,360 --> 00:39:03,759
Speaker 1: song do that. So that's what I mean. You just

736
00:39:04,080 --> 00:39:06,839
Speaker 1: sometimes you just you may not think something's gonna be big,

737
00:39:06,880 --> 00:39:08,440
Speaker 1: but it turns out to be huge, and you just

738
00:39:08,640 --> 00:39:10,799
Speaker 1: never know. Do you play that song every night? Still?

739
00:39:11,280 --> 00:39:14,319
Speaker 1: Every night? Bobby? I feel like that is that every night?

740
00:39:14,360 --> 00:39:17,080
Speaker 1: But every night in the last fifteen years. Had you

741
00:39:17,120 --> 00:39:18,919
Speaker 1: got to give it to the people. And what's cool

742
00:39:19,040 --> 00:39:22,239
Speaker 1: is you understand that, even though you would probably rather not,

743
00:39:22,440 --> 00:39:24,480
Speaker 1: you do understand your fans are the reason that you're

744
00:39:24,480 --> 00:39:26,440
Speaker 1: on that stage. Well, I love the song, I mean,

745
00:39:26,480 --> 00:39:29,080
Speaker 1: don't get me wrong, but you've played it so many times, right,

746
00:39:29,160 --> 00:39:32,279
Speaker 1: I mean, I mean, I hear these songs in my sleep,

747
00:39:32,360 --> 00:39:34,520
Speaker 1: I'm telling you. But you know, on the other hand,

748
00:39:34,560 --> 00:39:37,080
Speaker 1: it's like all those songs really were like a stepping

749
00:39:37,120 --> 00:39:39,640
Speaker 1: stone from my career. They were all important at that

750
00:39:39,800 --> 00:39:42,359
Speaker 1: particular point in time to kind of get us here,

751
00:39:42,400 --> 00:39:45,400
Speaker 1: and so I always try to keep in mind, like

752
00:39:45,440 --> 00:39:47,000
Speaker 1: when I'm going to play a show man, maybe it's

753
00:39:47,000 --> 00:39:48,879
Speaker 1: the first time these people are ever hearing this thing live,

754
00:39:48,960 --> 00:39:51,439
Speaker 1: and you try to put yourself in that frame of mind.

755
00:39:51,520 --> 00:39:53,759
Speaker 1: But that's the thing. If you're gonna put a song

756
00:39:53,800 --> 00:39:56,440
Speaker 1: out as a single and you know it becomes a hit,

757
00:39:56,520 --> 00:39:58,279
Speaker 1: you better really like it because you're gonna play it

758
00:39:58,280 --> 00:40:00,680
Speaker 1: a lot. How do you play all twenty source and

759
00:40:00,800 --> 00:40:02,880
Speaker 1: maybe off by one or two number one songs in

760
00:40:02,920 --> 00:40:04,359
Speaker 1: a set. I don't. I don't know how you would

761
00:40:04,360 --> 00:40:06,480
Speaker 1: do that. We don't we uh, you know. And that's

762
00:40:06,520 --> 00:40:08,279
Speaker 1: the thing tricky. I'm actually in the middle of it

763
00:40:08,440 --> 00:40:10,319
Speaker 1: right now, is kind of putting the set list together

764
00:40:10,400 --> 00:40:13,080
Speaker 1: for the new tour, and you know, you try to

765
00:40:13,160 --> 00:40:15,800
Speaker 1: put in maybe some things that we haven't played in

766
00:40:15,920 --> 00:40:18,239
Speaker 1: the last year or two, and you try to incorporate

767
00:40:18,320 --> 00:40:21,360
Speaker 1: those in, and now trying to incorporate some of the

768
00:40:21,440 --> 00:40:24,440
Speaker 1: things off the double album, you know, the new album

769
00:40:24,480 --> 00:40:27,600
Speaker 1: putting those songs in too. So it gets a little tricky,

770
00:40:27,680 --> 00:40:30,560
Speaker 1: and ultimately you just go in and try and put

771
00:40:30,640 --> 00:40:32,080
Speaker 1: together a show you feel like it was going to

772
00:40:32,239 --> 00:40:35,680
Speaker 1: entertain people, and mainly the songs they want to you know,

773
00:40:35,800 --> 00:40:37,279
Speaker 1: they want to hear that you feel like they want

774
00:40:37,280 --> 00:40:39,279
Speaker 1: to hear and kind of go from there. You know.

775
00:40:39,320 --> 00:40:41,640
Speaker 1: I mentioned all the number ones and all the success

776
00:40:41,680 --> 00:40:44,160
Speaker 1: and awards, but I think and if someone just was

777
00:40:44,239 --> 00:40:46,800
Speaker 1: introduced to you, you are Jason Aldean, the country superstar.

778
00:40:47,120 --> 00:40:49,160
Speaker 1: But you know, I talk a lot and have written

779
00:40:49,160 --> 00:40:51,320
Speaker 1: an entire book on failure and how important it is

780
00:40:51,719 --> 00:40:55,200
Speaker 1: to learn. Like if you look at your professional career

781
00:40:55,920 --> 00:40:58,399
Speaker 1: and you look back at a failure that actually made

782
00:40:58,440 --> 00:41:03,239
Speaker 1: you a better entertainer, a better performer, any of that,

783
00:41:03,360 --> 00:41:05,719
Speaker 1: Like what was that thing that didn't work out? Or

784
00:41:05,800 --> 00:41:07,920
Speaker 1: you're like, man, I'm kind of glad they didn't work

785
00:41:07,920 --> 00:41:10,560
Speaker 1: out because I learned from it. Um. I would say

786
00:41:12,000 --> 00:41:15,880
Speaker 1: when I got dropped from Capitol Records early on, I

787
00:41:16,000 --> 00:41:19,920
Speaker 1: got signed to Capitol Records and about two thousand I

788
00:41:20,040 --> 00:41:22,600
Speaker 1: think it was, and I was on the label for

789
00:41:22,680 --> 00:41:25,480
Speaker 1: a year, never even recorded one song for him, and

790
00:41:26,320 --> 00:41:28,960
Speaker 1: got dropped from the label, and and so that was tough. Man.

791
00:41:29,000 --> 00:41:31,600
Speaker 1: It was like I'd spent you know, I mean, that

792
00:41:31,719 --> 00:41:33,719
Speaker 1: was the brass ring. That's what I was after. And

793
00:41:33,800 --> 00:41:36,480
Speaker 1: to finally get that and to not even really get

794
00:41:36,520 --> 00:41:38,880
Speaker 1: a chance to prove myself before I got dropped was

795
00:41:38,920 --> 00:41:41,680
Speaker 1: just I don't know, it did a lot. It was

796
00:41:41,760 --> 00:41:43,800
Speaker 1: like it was sad, but it also like kind of

797
00:41:43,840 --> 00:41:46,360
Speaker 1: pissed me off a little bit. And uh, to me,

798
00:41:46,600 --> 00:41:48,440
Speaker 1: that was the thing that made me like really want

799
00:41:48,440 --> 00:41:50,800
Speaker 1: to go out and and kind of proved myself and

800
00:41:51,040 --> 00:41:55,160
Speaker 1: and and that's why when I got my next record

801
00:41:55,239 --> 00:41:58,320
Speaker 1: deal offer, it was from Broken Boat Records, which was

802
00:41:58,320 --> 00:42:02,839
Speaker 1: a little independent label really didn't even have any superstars.

803
00:42:02,880 --> 00:42:04,919
Speaker 1: I mean, Craig Morgan was over there and was having

804
00:42:04,960 --> 00:42:06,919
Speaker 1: some some just starting to have a couple of hits.

805
00:42:07,640 --> 00:42:09,480
Speaker 1: I think Sharie Austin was over there at the time

806
00:42:09,520 --> 00:42:11,520
Speaker 1: and had a hit or two, but they really didn't

807
00:42:11,520 --> 00:42:15,040
Speaker 1: have a whole lot going on. And so you know,

808
00:42:15,120 --> 00:42:18,480
Speaker 1: I signed over there with no clue how that was

809
00:42:18,520 --> 00:42:20,000
Speaker 1: going to work out, but at least it was somebody

810
00:42:20,080 --> 00:42:22,640
Speaker 1: willing to give me an opportunity. And and I think

811
00:42:22,719 --> 00:42:24,799
Speaker 1: for a long time I sort of carried that chip

812
00:42:24,880 --> 00:42:26,719
Speaker 1: on my shoulder to to go out and really want

813
00:42:26,719 --> 00:42:28,759
Speaker 1: to prove myself, so I would I would say that

814
00:42:28,920 --> 00:42:32,200
Speaker 1: was the main thing. Why would you be signed? And

815
00:42:32,320 --> 00:42:35,040
Speaker 1: I understand why you would get dropped if you had

816
00:42:35,080 --> 00:42:37,000
Speaker 1: put out a single that didn't do well or you,

817
00:42:37,560 --> 00:42:40,040
Speaker 1: but why would they sign you and then drop you

818
00:42:40,120 --> 00:42:42,840
Speaker 1: before giving you a legitimate chance. Well, so I signed

819
00:42:42,920 --> 00:42:48,160
Speaker 1: over there. The head of the label was a guy

820
00:42:48,239 --> 00:42:51,279
Speaker 1: named Pat Quigley. And so when when they signed me,

821
00:42:51,760 --> 00:42:56,560
Speaker 1: and so literally before I could sign my deal, the

822
00:42:56,680 --> 00:42:58,960
Speaker 1: new president came in, which is Mike Dungan, who who

823
00:42:59,080 --> 00:43:01,920
Speaker 1: is there now? And and I've since talked to Mike

824
00:43:02,000 --> 00:43:04,960
Speaker 1: and we were great, Like I love Mike, but he

825
00:43:05,160 --> 00:43:07,560
Speaker 1: came in and I just don't really think he got it.

826
00:43:07,600 --> 00:43:10,000
Speaker 1: I don't think he was a believer in what I

827
00:43:10,120 --> 00:43:15,160
Speaker 1: was doing at that time, and and so I think

828
00:43:15,840 --> 00:43:17,560
Speaker 1: he went ahead and signed the deal, but I don't

829
00:43:17,600 --> 00:43:20,080
Speaker 1: think he was ever really a believer in it. And

830
00:43:20,239 --> 00:43:23,040
Speaker 1: so ultimately it just kind of fizzled out and went away.

831
00:43:23,160 --> 00:43:25,279
Speaker 1: When you came to town though, that was a bit

832
00:43:25,360 --> 00:43:27,480
Speaker 1: of a jolt to the system, And you know, I

833
00:43:27,600 --> 00:43:29,840
Speaker 1: didn't why not much small level like I understand that

834
00:43:29,840 --> 00:43:31,400
Speaker 1: because when I came here, people were like, what is this.

835
00:43:31,520 --> 00:43:34,279
Speaker 1: I don't understand it. It ain't gonna And I kind

836
00:43:34,320 --> 00:43:37,640
Speaker 1: of had to beat it into submission. And here you were.

837
00:43:38,320 --> 00:43:40,640
Speaker 1: You look different, it sounded different, there was a little

838
00:43:40,680 --> 00:43:42,600
Speaker 1: more of an edge. Did you get a lot of that?

839
00:43:42,680 --> 00:43:47,320
Speaker 1: Like I just don't get it. Yeah. I mean I

840
00:43:47,800 --> 00:43:49,160
Speaker 1: go back and listen to some of the stuff we

841
00:43:49,200 --> 00:43:51,960
Speaker 1: were doing early on, and as edgy as I thought

842
00:43:52,000 --> 00:43:53,400
Speaker 1: it was at the time, I listened to it now

843
00:43:53,400 --> 00:43:55,439
Speaker 1: and I'm like, it really wasn't, but at the time

844
00:43:55,480 --> 00:43:58,480
Speaker 1: it was. And so you know, I think there was

845
00:43:58,520 --> 00:44:00,320
Speaker 1: a little bit of that. I mean, we were we

846
00:44:00,440 --> 00:44:02,480
Speaker 1: were different than anything else that was out at the time,

847
00:44:02,560 --> 00:44:06,560
Speaker 1: and so um, but I think the best thing could

848
00:44:06,600 --> 00:44:09,040
Speaker 1: happen to me was like I didn't I didn't really

849
00:44:09,120 --> 00:44:10,719
Speaker 1: know the rules, Like, you know, I didn't know there

850
00:44:11,040 --> 00:44:13,640
Speaker 1: were rules. I didn't know you couldn't. I remember having

851
00:44:13,680 --> 00:44:15,480
Speaker 1: ear rings and that being a huge thing. Ear rings

852
00:44:15,480 --> 00:44:16,880
Speaker 1: and a cowboy hat, and I'm like, really, I've had

853
00:44:16,920 --> 00:44:19,719
Speaker 1: these since I was seventeen years old, Like it wasn't

854
00:44:19,719 --> 00:44:21,680
Speaker 1: that big a deal for me. But um, if you

855
00:44:21,719 --> 00:44:23,239
Speaker 1: don't know the roles, you don't play by it. Yeah,

856
00:44:23,239 --> 00:44:25,080
Speaker 1: And so to me, it was just like, you know,

857
00:44:25,160 --> 00:44:27,480
Speaker 1: it just kind of went went along business as usual.

858
00:44:27,680 --> 00:44:30,719
Speaker 1: And I don't think we really knew at the time

859
00:44:31,200 --> 00:44:33,160
Speaker 1: that what we were doing was kind of you know,

860
00:44:33,360 --> 00:44:35,799
Speaker 1: changing the game a little bit. With you having your

861
00:44:35,840 --> 00:44:38,360
Speaker 1: own label now and Night Train Records, I would assume

862
00:44:38,440 --> 00:44:41,040
Speaker 1: all of that that you've learned along the way, both

863
00:44:41,320 --> 00:44:47,359
Speaker 1: failures and successes, like, has made you a better head

864
00:44:47,400 --> 00:44:49,759
Speaker 1: of a label. Yeah, I mean, I think so. I mean,

865
00:44:49,920 --> 00:44:52,439
Speaker 1: I think it's just experience, you know. I mean, it's

866
00:44:52,800 --> 00:44:55,279
Speaker 1: it's guys. I mean, with with other artists that we have,

867
00:44:56,200 --> 00:44:59,279
Speaker 1: um just having them be prepared for things or if

868
00:44:59,320 --> 00:45:01,359
Speaker 1: something pops up up it's like, you know, I'm sure

869
00:45:01,400 --> 00:45:05,200
Speaker 1: that I've either gone through it or you know, have

870
00:45:05,400 --> 00:45:08,200
Speaker 1: witnessed it, so you know, it's I can talk to

871
00:45:08,280 --> 00:45:10,640
Speaker 1: those guys on a level of like, Okay, I've seen

872
00:45:10,719 --> 00:45:12,440
Speaker 1: this before, I've been through this, this is what's going

873
00:45:12,520 --> 00:45:14,200
Speaker 1: to happen. This is how how you deal with it.

874
00:45:15,400 --> 00:45:18,279
Speaker 1: You're not just an executive like you've actually you are,

875
00:45:18,440 --> 00:45:20,480
Speaker 1: but now you but you've done all of what they're doing.

876
00:45:20,520 --> 00:45:22,320
Speaker 1: You're through every single step up, so you can empathize

877
00:45:22,360 --> 00:45:24,600
Speaker 1: more than just sympathize. Yeah, absolutely, man, I mean, and

878
00:45:24,920 --> 00:45:27,439
Speaker 1: you know I try to be you know, not only

879
00:45:27,520 --> 00:45:30,600
Speaker 1: like kind of run the label but label, but also

880
00:45:30,760 --> 00:45:33,560
Speaker 1: you know, produced those guys and like, um, you know

881
00:45:34,080 --> 00:45:36,440
Speaker 1: a guy we're working with, John Morgan. He's on this

882
00:45:36,600 --> 00:45:41,480
Speaker 1: New America's Songwriter Contest show that's out right now. You know,

883
00:45:41,560 --> 00:45:44,239
Speaker 1: he's representing North Carolina, and so you know, having a

884
00:45:44,280 --> 00:45:45,759
Speaker 1: talk with him, he's like, you know, I don't know,

885
00:45:45,920 --> 00:45:48,239
Speaker 1: this is an opportunity we have, you know, what do

886
00:45:48,320 --> 00:45:50,040
Speaker 1: you think? And sitting down and talking to him about

887
00:45:50,080 --> 00:45:52,080
Speaker 1: those kind of things and um, you know, it's just

888
00:45:52,640 --> 00:45:54,640
Speaker 1: just kind of been there, done that, and can at

889
00:45:54,719 --> 00:45:57,160
Speaker 1: least give some insight into whatever it is they got

890
00:45:57,239 --> 00:46:00,040
Speaker 1: going on. They guy any good, He's great, great. I

891
00:46:00,040 --> 00:46:02,160
Speaker 1: can't wait for you guys to hear him, have we not?

892
00:46:02,520 --> 00:46:05,120
Speaker 1: It's nothing out. He's got a song out. We released

893
00:46:05,160 --> 00:46:07,200
Speaker 1: something last year just because we took him out on

894
00:46:07,280 --> 00:46:09,719
Speaker 1: tour with us. It's called Coldest Beer in Town and

895
00:46:10,840 --> 00:46:12,480
Speaker 1: we just you know, wanted to have something out on

896
00:46:12,560 --> 00:46:13,840
Speaker 1: him while he was out on tour with us for

897
00:46:13,920 --> 00:46:16,759
Speaker 1: people to go get. But but his big launch is

898
00:46:16,800 --> 00:46:19,680
Speaker 1: coming this year. So he's a He was a writer

899
00:46:19,800 --> 00:46:21,520
Speaker 1: on the Carry duet and he's also a writer on

900
00:46:21,600 --> 00:46:24,080
Speaker 1: the new song we Got Trouble with the Heartbreak. I

901
00:46:24,200 --> 00:46:26,480
Speaker 1: look at this. You're You're in everything. You know, I

902
00:46:26,560 --> 00:46:29,480
Speaker 1: saw it. You're trying to keep up with you everywhere. Hey,

903
00:46:29,560 --> 00:46:31,960
Speaker 1: what do you think about my idea? Because I know

904
00:46:32,040 --> 00:46:34,320
Speaker 1: you heard it the award show. We gotta change it

905
00:46:34,400 --> 00:46:36,720
Speaker 1: because ratings going down all the time everywhere. We gotta

906
00:46:36,760 --> 00:46:40,080
Speaker 1: do something to move people from And don't you think

907
00:46:40,120 --> 00:46:42,360
Speaker 1: if you're playing ski ball, it's just a terrible reference.

908
00:46:42,520 --> 00:46:44,719
Speaker 1: But you're with and you're if you the more you win,

909
00:46:45,280 --> 00:46:49,480
Speaker 1: the random fan or listener or gets money and the

910
00:46:49,560 --> 00:46:51,840
Speaker 1: pressure's on you. I'm dialed into that. It's part of

911
00:46:51,840 --> 00:46:53,920
Speaker 1: an award show, right, don't you think people would be

912
00:46:53,960 --> 00:46:56,480
Speaker 1: like Oldan's gonna play skiball to win somebody five thousand dollars.

913
00:46:56,480 --> 00:46:58,400
Speaker 1: I'm gonna watch that in fifteen minutes. Yeah, I mean,

914
00:46:58,440 --> 00:47:00,920
Speaker 1: I don't know if that's the tick. It is, trust

915
00:47:01,040 --> 00:47:04,160
Speaker 1: me it is, but but I'm will you like, I

916
00:47:04,320 --> 00:47:05,880
Speaker 1: think I gotta shake it up a little. Yeah, I

917
00:47:05,920 --> 00:47:09,080
Speaker 1: mean award shows are kind of you know, they're they're

918
00:47:09,239 --> 00:47:15,600
Speaker 1: run the way they are and it's another award. It's,

919
00:47:15,760 --> 00:47:17,799
Speaker 1: you know, same old kind of thing. So I'm down

920
00:47:17,880 --> 00:47:20,560
Speaker 1: to like change it up and do something different. I mean,

921
00:47:21,800 --> 00:47:23,680
Speaker 1: I don't know if ski balls the answered. How about

922
00:47:23,680 --> 00:47:25,560
Speaker 1: I'm open to it. How about we put all these

923
00:47:25,640 --> 00:47:28,080
Speaker 1: games on a wheel. It's spend, you land on it,

924
00:47:28,360 --> 00:47:31,680
Speaker 1: then you got a skeet, shoot and every time you

925
00:47:31,800 --> 00:47:33,960
Speaker 1: hit a skeet, they get money. Every time you missed,

926
00:47:34,000 --> 00:47:35,880
Speaker 1: we hitch in the face of the pie. On TV,

927
00:47:36,080 --> 00:47:38,880
Speaker 1: come on Wow. Or you could spend a wheel, have

928
00:47:38,960 --> 00:47:40,920
Speaker 1: a bunch of karaoke songs, spend a will and the

929
00:47:41,000 --> 00:47:43,000
Speaker 1: fan gets to come up and sing with the artists.

930
00:47:43,040 --> 00:47:44,759
Speaker 1: I've changed it. I've already changed their show. You're a version.

931
00:47:45,280 --> 00:47:47,520
Speaker 1: I have the next channel. That's why you're on TV

932
00:47:47,600 --> 00:47:50,040
Speaker 1: and I'm on radio. Buddy, do you ever you ever

933
00:47:50,719 --> 00:47:54,400
Speaker 1: go I'm not assuming you had a karaoke place, but

934
00:47:54,560 --> 00:47:57,560
Speaker 1: will you get up and seeing if the situation is

935
00:47:57,719 --> 00:47:59,400
Speaker 1: right and be like, yeah, I'll do I'll do a

936
00:47:59,440 --> 00:48:02,520
Speaker 1: little number. Yeah, of course. But I never sing my songs.

937
00:48:02,600 --> 00:48:07,480
Speaker 1: I think that's like super corny. I agree, Yeah, if

938
00:48:07,560 --> 00:48:10,120
Speaker 1: you were to see that. Oh do you ever see

939
00:48:10,160 --> 00:48:14,279
Speaker 1: someone sing your songs and they don't know you're there? Legit? Yeah?

940
00:48:14,320 --> 00:48:16,640
Speaker 1: I mean I've walked into clubs before and you know,

941
00:48:17,000 --> 00:48:20,280
Speaker 1: Broadway Downtown and there's guys in there playing our songs

942
00:48:20,320 --> 00:48:22,759
Speaker 1: and stuff, and I think that's flattering. Honestly, I think

943
00:48:22,800 --> 00:48:25,400
Speaker 1: that you go up, I'll talk to it maybe when

944
00:48:25,400 --> 00:48:27,640
Speaker 1: they come off stage, but I'm not gonna go jump

945
00:48:27,719 --> 00:48:30,000
Speaker 1: on stage. Would imagine if I was singing your song

946
00:48:30,080 --> 00:48:32,680
Speaker 1: and you walked in, I would yearinate right there, right

947
00:48:32,760 --> 00:48:35,000
Speaker 1: in that moment, and be like, oh no. The new

948
00:48:35,080 --> 00:48:38,600
Speaker 1: album is out today. It's the second version of the album.

949
00:48:38,719 --> 00:48:41,440
Speaker 1: This one is called Georgia. Obviously, your hometown and your

950
00:48:41,440 --> 00:48:45,360
Speaker 1: home stage are super important to you. Why has that

951
00:48:45,640 --> 00:48:48,520
Speaker 1: remained such an integral part of your life? I just

952
00:48:48,640 --> 00:48:50,640
Speaker 1: think for me, I mean that's kind of where it

953
00:48:50,800 --> 00:48:52,839
Speaker 1: all started for me. That's where I learned to play music.

954
00:48:52,920 --> 00:48:55,120
Speaker 1: I mean where I'm from us. You know, so rich

955
00:48:55,239 --> 00:48:59,640
Speaker 1: in music history, the Allman Brothers, otis reading Little Richard,

956
00:48:59,680 --> 00:49:03,520
Speaker 1: all those guys from there, and so you know, it's

957
00:49:03,680 --> 00:49:05,200
Speaker 1: it's where I learned to be a musician. I mean,

958
00:49:05,239 --> 00:49:08,040
Speaker 1: when I was sixteen years old, there was a guy

959
00:49:08,160 --> 00:49:10,840
Speaker 1: named Ronnie Hammond that used to be part of a

960
00:49:10,880 --> 00:49:14,319
Speaker 1: band called Atlanta Rhythm Section, and he had an after

961
00:49:14,400 --> 00:49:17,000
Speaker 1: hours bar. And so when I was sixteen, all these

962
00:49:17,040 --> 00:49:19,160
Speaker 1: guys would invite me to this after hours bar to

963
00:49:19,239 --> 00:49:21,799
Speaker 1: have a jam session, and like I mean, I learned

964
00:49:21,840 --> 00:49:24,160
Speaker 1: how to be a musician around all those guys, and

965
00:49:24,200 --> 00:49:26,480
Speaker 1: so it was just a really important part of my

966
00:49:26,640 --> 00:49:29,640
Speaker 1: career and how I learned to kind of do all

967
00:49:29,680 --> 00:49:31,480
Speaker 1: this stuff. And it all kind of goes back to

968
00:49:31,880 --> 00:49:33,840
Speaker 1: my hometown. I've been thinking about it. I think you're right.

969
00:49:33,840 --> 00:49:35,920
Speaker 1: It is pretty good now. The karaoke, yeah, I mean

970
00:49:35,960 --> 00:49:38,000
Speaker 1: to it cool, we'll talk about it. Took me about

971
00:49:38,000 --> 00:49:41,239
Speaker 1: four minutes. That's just just turning. I think that's pretty good.

972
00:49:41,320 --> 00:49:43,320
Speaker 1: I don't want the people to be a good singer though, no,

973
00:49:43,680 --> 00:49:45,319
Speaker 1: right has to be somebody who well sell of us

974
00:49:45,360 --> 00:49:47,160
Speaker 1: in the business aren't even good singers. So it's gonna

975
00:49:47,160 --> 00:49:52,080
Speaker 1: work out great. Included, No, that's not true. Jason Aldan

976
00:49:52,200 --> 00:49:54,320
Speaker 1: is here right now. It's got the new record, the

977
00:49:54,440 --> 00:49:57,160
Speaker 1: second version again is out today. And I when I

978
00:49:57,280 --> 00:49:59,480
Speaker 1: talk about you and Brantley, I saw the picture and

979
00:49:59,560 --> 00:50:02,520
Speaker 1: you redneck and a Rolex Rolex on a redneck? Which

980
00:50:02,520 --> 00:50:06,319
Speaker 1: way is role you? Is that a Rolex? Now? Yeah,

981
00:50:07,400 --> 00:50:09,680
Speaker 1: thanks for bringing that up. Come on, you can't have

982
00:50:09,800 --> 00:50:11,759
Speaker 1: a song. I normally wouldn't address it. You come in,

983
00:50:12,200 --> 00:50:14,440
Speaker 1: you know who you wear a cool stuff. You know

984
00:50:14,840 --> 00:50:17,239
Speaker 1: where this one came from. Actually, here we go. Name

985
00:50:17,280 --> 00:50:21,040
Speaker 1: drop about the name? What is? Let let me read

986
00:50:21,040 --> 00:50:22,479
Speaker 1: it so we know you're not messing with this. Okay,

987
00:50:22,600 --> 00:50:25,120
Speaker 1: here we go. Is it Luke? No, it's not Luke.

988
00:50:25,200 --> 00:50:29,520
Speaker 1: Luke's too cheap. Here we go, it says to Jason

989
00:50:29,719 --> 00:50:34,879
Speaker 1: from John F. Kennedy. Wow, No it doesn't. He doesn't

990
00:50:34,920 --> 00:50:40,000
Speaker 1: say that. It says Jason Diamonds Garth. Yeah, that's awesome.

991
00:50:40,480 --> 00:50:46,239
Speaker 1: Garth got you a rolex for what. So Garth was

992
00:50:46,560 --> 00:50:48,279
Speaker 1: he was playing a show down I think it was

993
00:50:48,400 --> 00:50:52,560
Speaker 1: at a sind downtown at the Amphitheater and asked me

994
00:50:52,640 --> 00:50:54,480
Speaker 1: to come out and just jump on stage with him

995
00:50:54,520 --> 00:50:56,560
Speaker 1: to do a song. And so I was like, okay,

996
00:50:56,600 --> 00:51:00,520
Speaker 1: that's Garth. Hell yeah, I'm in. So went down and

997
00:51:00,560 --> 00:51:02,799
Speaker 1: then when in the dressing room when I got there,

998
00:51:02,880 --> 00:51:05,480
Speaker 1: there was this box of like a thank you card

999
00:51:05,560 --> 00:51:07,960
Speaker 1: of coming for coming out for one song. Yeah, dud

1000
00:51:09,040 --> 00:51:11,719
Speaker 1: Garth is the best gift giver ever. Well, let me

1001
00:51:11,800 --> 00:51:13,560
Speaker 1: say this, I'd like to say a little something here, Jason.

1002
00:51:13,840 --> 00:51:17,480
Speaker 1: Tomorrow night, Garth is playing a stadium show in Fabelle, Arkansas,

1003
00:51:17,600 --> 00:51:20,520
Speaker 1: Razorback Stadium, and Garth called me a few weeks ago,

1004
00:51:20,520 --> 00:51:22,399
Speaker 1: I was like, Hey, would you come and open um

1005
00:51:22,760 --> 00:51:24,919
Speaker 1: for the show, And so now I so we're opening

1006
00:51:24,920 --> 00:51:27,279
Speaker 1: tomorrow night for the stadium, and if there's not a

1007
00:51:27,400 --> 00:51:28,920
Speaker 1: role x, I'd be a little bit disappointed to see.

1008
00:51:30,000 --> 00:51:31,640
Speaker 1: You Gotta hold them to it. I don't, I don't

1009
00:51:31,640 --> 00:51:39,799
Speaker 1: have diamond celebration is fossil well, I mean, yeah, it's true,

1010
00:51:39,880 --> 00:51:43,600
Speaker 1: you are opening on They tour gifts like different things

1011
00:51:43,640 --> 00:51:47,160
Speaker 1: they give their opening acts. What are y'all gonna get? Now,

1012
00:51:47,239 --> 00:51:50,040
Speaker 1: there's an really unfair expectation that Jason has given us.

1013
00:51:50,160 --> 00:51:52,840
Speaker 1: We're playing for Garth tomorrow. Hey, you're welcome if you

1014
00:51:52,880 --> 00:51:55,759
Speaker 1: show up and there's one in there. Though, I'm gonna

1015
00:51:56,120 --> 00:51:58,960
Speaker 1: I'm gonna end with this here at this point in

1016
00:51:59,120 --> 00:52:03,880
Speaker 1: your life and career, like what makes you happy now? Um?

1017
00:52:05,160 --> 00:52:09,040
Speaker 1: You know, I think the fact that I've gotten to

1018
00:52:09,120 --> 00:52:11,400
Speaker 1: a point where I can still go out, I can

1019
00:52:11,680 --> 00:52:14,839
Speaker 1: make records, I can still go tour um. But I've

1020
00:52:14,880 --> 00:52:16,719
Speaker 1: gotten to a point where I don't have to be

1021
00:52:16,840 --> 00:52:19,520
Speaker 1: on the road for you know, two hundred hundred and

1022
00:52:19,520 --> 00:52:21,759
Speaker 1: fifty two hundred days a year. You know, I can

1023
00:52:21,880 --> 00:52:23,960
Speaker 1: kind of like tour for six months and then I

1024
00:52:24,040 --> 00:52:26,040
Speaker 1: get to come home and be at home with my

1025
00:52:26,160 --> 00:52:28,640
Speaker 1: family and hang out and kind of find that balance

1026
00:52:28,760 --> 00:52:32,040
Speaker 1: that I don't think I ever really found early on,

1027
00:52:32,239 --> 00:52:34,360
Speaker 1: or that was kind of impossible to find, you know,

1028
00:52:34,400 --> 00:52:36,480
Speaker 1: when you're out early on and you're trying to get

1029
00:52:36,520 --> 00:52:39,759
Speaker 1: your career going, it's like you're never home. So, um,

1030
00:52:40,280 --> 00:52:41,960
Speaker 1: I think the fact that I'm at a point now

1031
00:52:42,000 --> 00:52:43,400
Speaker 1: where I can still do all the stuff that I

1032
00:52:43,480 --> 00:52:46,320
Speaker 1: want to do professionally and really enjoy that stuff, but

1033
00:52:46,600 --> 00:52:48,560
Speaker 1: but also balance it out and have time at home

1034
00:52:48,640 --> 00:52:51,640
Speaker 1: to to kind of be a dad and husband and

1035
00:52:51,719 --> 00:52:54,840
Speaker 1: all those things and like make it all work together,

1036
00:52:54,960 --> 00:52:57,200
Speaker 1: to me, is is is a cool place to be

1037
00:52:57,360 --> 00:53:00,319
Speaker 1: that that's that's nice for a change. Did you think

1038
00:53:00,320 --> 00:53:04,040
Speaker 1: you would enjoy balance when you were younger. I didn't

1039
00:53:04,080 --> 00:53:06,560
Speaker 1: know what balance was when I was younger. Um, you know,

1040
00:53:06,560 --> 00:53:09,200
Speaker 1: I had one speed and it was all out, you know.

1041
00:53:09,400 --> 00:53:12,960
Speaker 1: So and then especially once you know, the music thing

1042
00:53:13,040 --> 00:53:15,359
Speaker 1: happened and I finally had an opportunity to go out,

1043
00:53:15,400 --> 00:53:17,720
Speaker 1: it was like I wanted to. I was so scared

1044
00:53:17,760 --> 00:53:19,279
Speaker 1: of it going away that I just sort of like,

1045
00:53:20,120 --> 00:53:22,719
Speaker 1: you know, it was kind of all or nothing for me.

1046
00:53:23,080 --> 00:53:25,879
Speaker 1: And so finally I think over the last few years,

1047
00:53:25,880 --> 00:53:27,960
Speaker 1: I've gotten to a point of like being able to

1048
00:53:28,040 --> 00:53:30,600
Speaker 1: kind of sit back and go, Okay, you know, if

1049
00:53:30,719 --> 00:53:33,120
Speaker 1: if I never had another hit tomorrow, I can still

1050
00:53:33,160 --> 00:53:36,480
Speaker 1: go play my shows forever. So it's I think it

1051
00:53:36,640 --> 00:53:39,080
Speaker 1: finally clicked with me of like, you know, you're you're

1052
00:53:39,080 --> 00:53:41,080
Speaker 1: in a good spot and just you know, enjoy it.

1053
00:53:41,560 --> 00:53:45,200
Speaker 1: The Rock and Roll Cowboy Tour thirty four cities. Jason

1054
00:53:45,239 --> 00:53:47,319
Speaker 1: Aldean dot com to get tickets. It's from July all

1055
00:53:47,320 --> 00:53:49,439
Speaker 1: the way to the end of October. But the reason

1056
00:53:49,520 --> 00:53:52,759
Speaker 1: it's here today is the new album is out, so

1057
00:53:53,400 --> 00:53:56,200
Speaker 1: it's there the full release. Gonna do a three like

1058
00:53:56,280 --> 00:54:00,160
Speaker 1: a three vinyl situation. Yes, so the after the the

1059
00:54:00,280 --> 00:54:03,319
Speaker 1: second half drops, we're gonna do uh just today vinyl

1060
00:54:03,360 --> 00:54:06,640
Speaker 1: set today. Yeah, yeah today. Um sorry, I've been talking

1061
00:54:06,680 --> 00:54:09,480
Speaker 1: about it for weeks, um, but uh, but yeah, the

1062
00:54:09,600 --> 00:54:11,840
Speaker 1: vinyl is coming out. It's a it's a you know,

1063
00:54:12,280 --> 00:54:17,440
Speaker 1: three album vinyl set and really cool and and you know,

1064
00:54:17,480 --> 00:54:19,080
Speaker 1: I love the fact that people are going back and

1065
00:54:19,440 --> 00:54:21,360
Speaker 1: listening to to vinyl these days. I think it's a

1066
00:54:21,520 --> 00:54:24,160
Speaker 1: there's a like a limited run of those though, but uh,

1067
00:54:24,960 --> 00:54:26,840
Speaker 1: but it's really cool. I still love going back and

1068
00:54:26,920 --> 00:54:30,320
Speaker 1: listening to old Vinyl records and and um my, my

1069
00:54:30,480 --> 00:54:32,880
Speaker 1: dad's got a record player at his house. Still I

1070
00:54:32,920 --> 00:54:34,160
Speaker 1: think it was the one that from when I was

1071
00:54:34,200 --> 00:54:37,120
Speaker 1: a kid, actually, but um you know, the cracks and

1072
00:54:37,160 --> 00:54:39,160
Speaker 1: the pops. To me, that's the still the coolest way

1073
00:54:39,160 --> 00:54:41,080
Speaker 1: to listen to music. Well, I'm gonna end on this

1074
00:54:41,239 --> 00:54:42,600
Speaker 1: note here, and I was saving it for the end

1075
00:54:42,640 --> 00:54:45,280
Speaker 1: in case it got awkward, but I'm I'm pretty annoyed

1076
00:54:45,320 --> 00:54:50,560
Speaker 1: with you, so shocker. Well, here's the situation. I just

1077
00:54:50,680 --> 00:54:53,560
Speaker 1: think you've you've had too much. You've had too much

1078
00:54:53,600 --> 00:55:00,399
Speaker 1: winning the Braves, Georgia Bulldogs. It's enough. It's enough. Whoa,

1079
00:55:00,640 --> 00:55:03,000
Speaker 1: It's enough. I mean, I'm tired of it. I'm tired

1080
00:55:03,000 --> 00:55:05,799
Speaker 1: of looking at your Instagram. It was one year. Yeah,

1081
00:55:06,040 --> 00:55:08,480
Speaker 1: it's a little too much, too quick. It's been forty

1082
00:55:08,560 --> 00:55:11,160
Speaker 1: years since since Georgia. Wo Hey, come come from Arkansas.

1083
00:55:11,960 --> 00:55:14,520
Speaker 1: So all I'm saying we waited, We had to wait

1084
00:55:14,600 --> 00:55:16,520
Speaker 1: for it too. It's a little too much. Maybe you

1085
00:55:16,600 --> 00:55:19,439
Speaker 1: need to go. You will never get a new team.

1086
00:55:19,520 --> 00:55:23,080
Speaker 1: Let's scale back the celebration. Listen. Congratulations, man, thanks just

1087
00:55:23,239 --> 00:55:25,040
Speaker 1: just killing it. I'm gonna play the new single now,

1088
00:55:25,440 --> 00:55:28,160
Speaker 1: but you guys stream the crap out of it. Jason,

1089
00:55:28,600 --> 00:55:30,919
Speaker 1: you know, doesn't make a bad record, and we're gonna

1090
00:55:30,960 --> 00:55:33,520
Speaker 1: do now trouble with a heartbreak from Jason Aldi and

1091
00:55:33,600 --> 00:55:37,279
Speaker 1: Jason thanks for the time. He appreciate it. Want better

1092
00:55:37,400 --> 00:55:40,480
Speaker 1: skin from your body wash? Try Ola body Wash with

1093
00:55:40,600 --> 00:55:44,840
Speaker 1: Skincare super ingredient Collagen. Ola body Washed hydrates for healthier

1094
00:55:44,880 --> 00:55:48,799
Speaker 1: looking skin in just fourteen days from dry and dull

1095
00:55:48,920 --> 00:55:52,440
Speaker 1: to firm and radiant. With La Body you feel fearless

1096
00:55:52,680 --> 00:55:57,200
Speaker 1: in your skin. It's time for the good news, Bobby.

1097
00:56:01,400 --> 00:56:04,160
Speaker 1: There's this older guy, they says elderly, lives in Tampa.

1098
00:56:04,440 --> 00:56:06,440
Speaker 1: His name is Lonnie Brown, and he's talking about how

1099
00:56:06,800 --> 00:56:09,319
Speaker 1: his property insurance has gone up two thousand bucks a year.

1100
00:56:09,400 --> 00:56:11,239
Speaker 1: And you know why it goes up because they say

1101
00:56:11,280 --> 00:56:15,279
Speaker 1: the land you live on is worthmore, and so with

1102
00:56:15,520 --> 00:56:18,200
Speaker 1: nothing happening because there may have been a development and

1103
00:56:18,440 --> 00:56:21,120
Speaker 1: where you live, it just goes up. Like you can

1104
00:56:21,280 --> 00:56:22,879
Speaker 1: literally do nothing, and all of a sudden, your property

1105
00:56:22,880 --> 00:56:24,880
Speaker 1: insurance goes up, which is a weird thing. And sometimes

1106
00:56:24,920 --> 00:56:27,720
Speaker 1: people have to move because of this. And so Lonnie,

1107
00:56:27,840 --> 00:56:30,880
Speaker 1: again elderly, not really able to work, He's like, I

1108
00:56:31,080 --> 00:56:34,040
Speaker 1: cannot afford this. The news is doing a story on this,

1109
00:56:34,880 --> 00:56:38,439
Speaker 1: and the story's on and people are calling going, wow,

1110
00:56:38,480 --> 00:56:40,400
Speaker 1: this is crazy. How do we help. Two people in

1111
00:56:40,480 --> 00:56:43,879
Speaker 1: particular reached out, and so here is these stations investigative

1112
00:56:43,880 --> 00:56:46,719
Speaker 1: reporter meeting up with him and another guy who had

1113
00:56:46,719 --> 00:56:48,759
Speaker 1: the same problem and presenting each of them with a

1114
00:56:48,880 --> 00:56:52,040
Speaker 1: check from these viewers who saw the story and set

1115
00:56:52,120 --> 00:56:55,960
Speaker 1: it in. I am without words like this dropping in

1116
00:56:56,120 --> 00:57:00,480
Speaker 1: my lap is overwhelming, and I thank you and I

1117
00:57:00,640 --> 00:57:05,120
Speaker 1: thank them. They're truly angels on earth. So Lonnie's gonna

1118
00:57:05,120 --> 00:57:06,839
Speaker 1: be able to stay at his house. Wow, that's cool,

1119
00:57:07,080 --> 00:57:09,480
Speaker 1: Pretty cool. Yeah, there you go. That is what it's

1120
00:57:09,520 --> 00:57:14,000
Speaker 1: all about. That was tell me something good. I want

1121
00:57:14,000 --> 00:57:15,920
Speaker 1: to go on the record and say before he shares this,

1122
00:57:16,120 --> 00:57:19,440
Speaker 1: I don't agree with why Lunchbox is upset at a

1123
00:57:19,520 --> 00:57:22,320
Speaker 1: certain country artist. Okay, don't say who it is first,

1124
00:57:22,360 --> 00:57:25,120
Speaker 1: but what happened. Well, they were having an album release

1125
00:57:25,320 --> 00:57:29,280
Speaker 1: party and so it said RSVP. So I replied to

1126
00:57:29,280 --> 00:57:31,960
Speaker 1: the email, said, yeah, me plus four, I'll be there

1127
00:57:32,160 --> 00:57:35,600
Speaker 1: plus four? Who plus who? Five's are you taking your

1128
00:57:35,680 --> 00:57:39,640
Speaker 1: kids an exclusive like intimate RSVP party? Right? My wife,

1129
00:57:40,240 --> 00:57:43,640
Speaker 1: my three kids, that's my plus four and I said,

1130
00:57:43,880 --> 00:57:46,439
Speaker 1: is a plus four thing, though honestly never heard of it. Okay,

1131
00:57:46,480 --> 00:57:49,200
Speaker 1: go ahead, because it says there's gonna be light bytes

1132
00:57:49,240 --> 00:57:53,160
Speaker 1: and beverages will be available. Bring you know, bring I

1133
00:57:53,160 --> 00:57:55,240
Speaker 1: don't say, you know what did they say? It doesn't

1134
00:57:55,240 --> 00:57:57,760
Speaker 1: say bring anything. It just says, rs VP, join us

1135
00:57:58,040 --> 00:58:01,080
Speaker 1: as we take the journey through this new album that's

1136
00:58:01,160 --> 00:58:04,440
Speaker 1: releasing on this certain date. And I was like, great

1137
00:58:04,800 --> 00:58:09,160
Speaker 1: family affair, let's go. Got rejected, So I am now

1138
00:58:09,240 --> 00:58:12,960
Speaker 1: boycotting this artist. So did they respond to you? Yeah,

1139
00:58:13,040 --> 00:58:16,840
Speaker 1: said sorry, we can't accommodate plus four, which I think

1140
00:58:16,960 --> 00:58:20,200
Speaker 1: is completely understandable. No. Now do you want me to

1141
00:58:20,240 --> 00:58:23,280
Speaker 1: get to the nitty gritty of it. Yes? The reason

1142
00:58:23,640 --> 00:58:27,400
Speaker 1: is the title of the album is all in. Obviously

1143
00:58:27,480 --> 00:58:30,320
Speaker 1: it's not all then because they all couldn't get in,

1144
00:58:30,600 --> 00:58:33,240
Speaker 1: So it's it's like somebody you can get You think

1145
00:58:33,240 --> 00:58:35,440
Speaker 1: he named the album about how many people can get

1146
00:58:35,440 --> 00:58:38,120
Speaker 1: into his release party. You guys know what artists it is? No?

1147
00:58:38,520 --> 00:58:40,000
Speaker 1: I all in? I think I know who it is.

1148
00:58:40,080 --> 00:58:46,840
Speaker 1: Who is it? Jansen? Chris Jansen? Yea from Chris. He's okay,

1149
00:58:46,880 --> 00:58:49,040
Speaker 1: so what happens now? So now I just am not

1150
00:58:49,120 --> 00:58:51,560
Speaker 1: supporting Chris Jansen. I can't listen to his music. I

1151
00:58:52,040 --> 00:58:54,400
Speaker 1: we have a beef because when you say all in,

1152
00:58:54,640 --> 00:58:57,200
Speaker 1: that means everybody can get in. I email and it

1153
00:58:57,280 --> 00:58:59,960
Speaker 1: says no, sorry, only some people can get in. Obviously. Well,

1154
00:59:00,080 --> 00:59:03,160
Speaker 1: I said your album's called all in. Got no response?

1155
00:59:03,200 --> 00:59:05,800
Speaker 1: You're holding his album title against this, Well, it say

1156
00:59:06,280 --> 00:59:08,560
Speaker 1: we're going all in. So what would you like me

1157
00:59:08,640 --> 00:59:10,320
Speaker 1: to do with this boycott? So I would like you

1158
00:59:10,440 --> 00:59:12,680
Speaker 1: to join with me. We don't play his music. We

1159
00:59:12,760 --> 00:59:15,800
Speaker 1: can't talk about Chris Jansen until we get an apology,

1160
00:59:15,880 --> 00:59:17,680
Speaker 1: And what would you like that apology to be in

1161
00:59:17,720 --> 00:59:19,960
Speaker 1: the form of just be like, maybe we should have

1162
00:59:20,000 --> 00:59:22,360
Speaker 1: been more clear and saying when we not titled our

1163
00:59:22,400 --> 00:59:24,600
Speaker 1: album all in, we didn't mean everybody could come to

1164
00:59:24,680 --> 00:59:26,120
Speaker 1: the party. What if someone wants to go to his

1165
00:59:26,160 --> 00:59:28,920
Speaker 1: concert and like it's sold out? Like, well, no, no, no,

1166
00:59:29,040 --> 00:59:31,680
Speaker 1: you said all in exactly. That's why it's a it's

1167
00:59:31,720 --> 00:59:35,880
Speaker 1: a misleading album title. You want him to call or

1168
00:59:36,240 --> 00:59:38,920
Speaker 1: call you personally? I mean he could call and just

1169
00:59:39,040 --> 00:59:40,840
Speaker 1: leave a voicemail. You'll want to talk to him because

1170
00:59:40,840 --> 00:59:43,560
Speaker 1: you're because I'm I'm boycotting. Well, he can call me anytime.

1171
00:59:43,880 --> 00:59:47,120
Speaker 1: Oh oh, and just you know, explain you know he

1172
00:59:47,360 --> 00:59:49,560
Speaker 1: has spent this. I'll bring him into the studio, okay,

1173
00:59:49,960 --> 00:59:54,000
Speaker 1: and he can perform well no, no noll promote his album.

1174
00:59:54,120 --> 00:59:57,680
Speaker 1: No no, no, no. He can't perform until he apologizes, scoobay.

1175
00:59:57,840 --> 00:59:59,880
Speaker 1: Is he coming anytime soon? Yes? I think I have

1176
01:00:00,200 --> 01:00:03,400
Speaker 1: him schedule towards the end of the month, and if

1177
01:00:03,440 --> 01:00:07,280
Speaker 1: he doesn't apologize before then, then he can't perform. So

1178
01:00:07,400 --> 01:00:10,520
Speaker 1: what if he comes in, apologizes, then performs immediately. I

1179
01:00:10,560 --> 01:00:12,360
Speaker 1: don't think he needs to apologize, Guys, I don't need

1180
01:00:12,360 --> 01:00:15,680
Speaker 1: an apologize. I know. Um, I'm not joining this boycott.

1181
01:00:15,680 --> 01:00:17,240
Speaker 1: I'm gonna bring him in. So if he comes in

1182
01:00:17,360 --> 01:00:19,959
Speaker 1: and he's in your mind boycott, are you leaving? Yeah? Okay,

1183
01:00:20,000 --> 01:00:25,040
Speaker 1: bring him tomorrow. But don't you think it was because

1184
01:00:25,080 --> 01:00:29,240
Speaker 1: did you specify that some of your four like children? Yeah?

1185
01:00:29,280 --> 01:00:33,760
Speaker 1: I said me, my wife and three kids three, two

1186
01:00:34,160 --> 01:00:39,200
Speaker 1: and six months, exactly Like I think if he had

1187
01:00:39,240 --> 01:00:40,760
Speaker 1: just said four and it was like four of us

1188
01:00:40,800 --> 01:00:44,400
Speaker 1: from the show or four Dolts, it'd be fine. I'm

1189
01:00:44,440 --> 01:00:46,800
Speaker 1: not joining your boycott. Anyone want to join him his boycott? No, No,

1190
01:00:47,000 --> 01:00:49,439
Speaker 1: he's trying to take it and like feed his kids dinner. There,

1191
01:00:50,200 --> 01:00:54,080
Speaker 1: that's thank you for a small bits for small kids. Exactly, Yes,

1192
01:00:54,200 --> 01:00:58,840
Speaker 1: thank you said. The easiest Tribua game in the whole

1193
01:00:58,880 --> 01:01:07,240
Speaker 1: wide world should number one. Amy, What actor plays Iron Man? Um,

1194
01:01:08,280 --> 01:01:10,880
Speaker 1: that's Robert Downey Junior. Yes, you don't have to get sparcelon,

1195
01:01:11,040 --> 01:01:12,760
Speaker 1: right you, miss? I don't know why I couldn't think

1196
01:01:12,760 --> 01:01:14,320
Speaker 1: of your dad. You have your crown on. By the way,

1197
01:01:14,360 --> 01:01:17,680
Speaker 1: she's the champ the first time she's ever worn, and

1198
01:01:17,800 --> 01:01:19,840
Speaker 1: she's easy. Didn't start out too well with the defense

1199
01:01:19,880 --> 01:01:22,880
Speaker 1: of the crown. Now I would have thought of him. Lunchbox,

1200
01:01:22,960 --> 01:01:26,800
Speaker 1: What color is the incredible Hawk Green Correga Chadwick Bowsman

1201
01:01:26,880 --> 01:01:31,920
Speaker 1: rest in Peace played? What Marvel superhero Eddie Black Panther? Correct? Morgan?

1202
01:01:32,000 --> 01:01:35,680
Speaker 1: What streaming services home of the Marvel Cinematic Universe, Disney Plus.

1203
01:01:35,800 --> 01:01:38,320
Speaker 1: That's correct. So that's the first round. Pretty easy, cool,

1204
01:01:38,560 --> 01:01:40,880
Speaker 1: nobody goes home. By the way, Vegas put out their

1205
01:01:40,920 --> 01:01:44,720
Speaker 1: odds for this season, Eddie is the overwhelming favorite to

1206
01:01:44,800 --> 01:01:47,880
Speaker 1: get the crown back. Amy second Lunchbox at eight to

1207
01:01:47,960 --> 01:01:50,840
Speaker 1: one odds and Morgan at forty to one odds, meaning

1208
01:01:50,840 --> 01:01:52,800
Speaker 1: if you bet one dollar and Morgan wins the whole thing.

1209
01:01:53,160 --> 01:01:56,520
Speaker 1: You went forty bucks, You're own major underdog. I love it.

1210
01:01:56,960 --> 01:01:59,880
Speaker 1: Go Morgan, we love the underdog. Yeah yeah, I don't.

1211
01:02:04,400 --> 01:02:07,840
Speaker 1: All right, here we go, Amy, Yeah, great whites and

1212
01:02:07,960 --> 01:02:11,920
Speaker 1: hammerheads are? What types of animals? Sharks? That's correct? Now,

1213
01:02:12,000 --> 01:02:14,360
Speaker 1: If you guys miss any of these questions, you will

1214
01:02:14,400 --> 01:02:19,600
Speaker 1: hear this sound right here. You've been boomed lunch bokes. Ye,

1215
01:02:20,280 --> 01:02:26,040
Speaker 1: by what name are the young of frauds and toads? Known?

1216
01:02:27,360 --> 01:02:33,680
Speaker 1: What young of frauds? Frogs? Frogs, a young frog, tadpole? Correct? Oh,

1217
01:02:33,800 --> 01:02:39,440
Speaker 1: that's tricky. He nailed it though. What country is the

1218
01:02:39,520 --> 01:02:46,040
Speaker 1: home to the kangaroo? Eddie, Australia? Correct? If you suffer

1219
01:02:46,120 --> 01:02:51,760
Speaker 1: from a ragnophobia, Morgan, what animal are you scared of? Spiders? Correct?

1220
01:02:53,560 --> 01:02:56,720
Speaker 1: Amy hasn't feel wearing the crown sounds good, sounds good,

1221
01:02:57,080 --> 01:03:00,720
Speaker 1: But I don't know. I'm just a little a lot

1222
01:03:00,760 --> 01:03:03,160
Speaker 1: of pressure. Now the other crime, Yeah, I hope it's not,

1223
01:03:03,720 --> 01:03:06,840
Speaker 1: you know, affecting anything inside my brain? Right now? Next round?

1224
01:03:07,640 --> 01:03:13,280
Speaker 1: What school did Harry Potter attend? Amy, the School of Hogwarts? Correct? Lunchbox.

1225
01:03:13,320 --> 01:03:15,720
Speaker 1: In the book series Curious George, what type of animal

1226
01:03:15,840 --> 01:03:21,920
Speaker 1: is George monkey, correct, Eddie. According to the Doctor Seus's

1227
01:03:21,960 --> 01:03:28,560
Speaker 1: book Who Stole Christmas? The Grinch? Correct Morgan. What literary

1228
01:03:28,680 --> 01:03:33,880
Speaker 1: character says, please, sir, I want some more? Oh, Oliver

1229
01:03:34,000 --> 01:03:41,520
Speaker 1: twist correct? Who put your money off? Morgan? Nice? Please more?

1230
01:03:42,400 --> 01:03:43,760
Speaker 1: I don't know. I thought I was thinking winning the

1231
01:03:43,760 --> 01:03:48,080
Speaker 1: pooho want some more, honey? Amy? Yes. A word used

1232
01:03:48,120 --> 01:03:51,280
Speaker 1: to describe an action or state of being and a

1233
01:03:51,400 --> 01:03:55,840
Speaker 1: sentence is called a what. A word used to describe

1234
01:03:55,840 --> 01:03:58,600
Speaker 1: an action or state of being when using the sentence

1235
01:03:58,720 --> 01:04:02,840
Speaker 1: is called what. Okay. An adjective is descriptive. Could you

1236
01:04:02,840 --> 01:04:05,680
Speaker 1: say it one more time? A word used to describe

1237
01:04:05,840 --> 01:04:10,400
Speaker 1: an action drive an action? Um, I don't an action? Is?

1238
01:04:10,560 --> 01:04:19,480
Speaker 1: I think that's a verb? No verb correct? Lunchboxing grammar.

1239
01:04:20,080 --> 01:04:23,520
Speaker 1: A word that is descriptive of a noun is known

1240
01:04:23,560 --> 01:04:30,040
Speaker 1: as what oh adjective. Yeah, she just said yeah, I know.

1241
01:04:30,120 --> 01:04:35,680
Speaker 1: I was making sure that she said welcome. Yeah, we're

1242
01:04:35,720 --> 01:04:41,080
Speaker 1: staying with a grammar. We are. Eddie gave you every

1243
01:04:41,120 --> 01:04:45,200
Speaker 1: answer in this sentence, I would like you to meet

1244
01:04:45,280 --> 01:04:50,960
Speaker 1: my friend Jeremy. What's the proper noun in the sentence

1245
01:04:51,080 --> 01:04:53,960
Speaker 1: I would like you to meet my friend Jeremy. What's

1246
01:04:54,000 --> 01:04:59,280
Speaker 1: the proper noun, Jeremy would be the proper noun correct Morgan.

1247
01:05:00,200 --> 01:05:03,400
Speaker 1: In this sentence, he quietly asked me to leave the house.

1248
01:05:04,040 --> 01:05:08,040
Speaker 1: What's the adverb? He quietly asked me to leave the house?

1249
01:05:10,040 --> 01:05:17,160
Speaker 1: Adverb to leave? He quietly asked me to leave the house.

1250
01:05:17,240 --> 01:05:21,880
Speaker 1: What's the adverb to leave? Your answer is to leave? Yes,

1251
01:05:22,960 --> 01:05:26,760
Speaker 1: you've been an adverb ins and l y. It had

1252
01:05:26,800 --> 01:05:34,360
Speaker 1: been quietly, Oh yeah, Why would you mumble? He lost

1253
01:05:34,440 --> 01:05:38,960
Speaker 1: the crown? That's all I got to That's all it is.

1254
01:05:39,120 --> 01:05:42,040
Speaker 1: Okay um, okay amy. What ocean is on the east

1255
01:05:42,080 --> 01:05:51,200
Speaker 1: coast of the United States? Vick? The Atlantic? Correct? Lunchbox?

1256
01:05:51,960 --> 01:06:03,760
Speaker 1: What US city is the most populated New York City? Eddie?

1257
01:06:03,840 --> 01:06:07,080
Speaker 1: What letter has not included in any of the fifty

1258
01:06:07,160 --> 01:06:12,400
Speaker 1: US state names? What? What letter? There's one letter that's

1259
01:06:12,440 --> 01:06:18,480
Speaker 1: not in any of the fifty state names? What's that letter?

1260
01:06:20,640 --> 01:06:27,320
Speaker 1: Is there a Z? Texas? It's gotta be Z. I

1261
01:06:27,360 --> 01:06:29,680
Speaker 1: don't think there's anything with Z. What is your handsome Z?

1262
01:06:30,280 --> 01:06:39,880
Speaker 1: How about Arizona? You been Arizona is Q to same

1263
01:06:39,920 --> 01:06:46,720
Speaker 1: season state and there were only two remains Texas Texas

1264
01:06:47,000 --> 01:06:52,479
Speaker 1: state you lived in for years? Where you were born?

1265
01:06:52,720 --> 01:07:03,240
Speaker 1: I guess shout of Texas. Let's do letters here, Amy,

1266
01:07:03,880 --> 01:07:08,360
Speaker 1: the H and H two O stands for what? Um,

1267
01:07:09,160 --> 01:07:11,320
Speaker 1: I'm just thinking through this. I don't say too quickly,

1268
01:07:11,400 --> 01:07:17,040
Speaker 1: but hydrogen correct lunchbox letters? Ye? What does the C

1269
01:07:18,120 --> 01:07:35,920
Speaker 1: in COVID nineteen stand for? What in COVID nineteen? H Uh,

1270
01:07:36,600 --> 01:07:47,920
Speaker 1: We'll go with chromosome. I just want cho it's been

1271
01:07:48,000 --> 01:07:51,200
Speaker 1: your way. Yeah it is. It's corona because it's covid

1272
01:07:51,360 --> 01:07:57,160
Speaker 1: Is corona virus disease. Covid is coronavirus disease. That's question

1273
01:07:57,160 --> 01:07:58,640
Speaker 1: we've talked about on the air many times. Yeah, but

1274
01:07:58,720 --> 01:08:02,000
Speaker 1: people call it corona. I mean I just like chromazone. Well,

1275
01:08:02,040 --> 01:08:06,040
Speaker 1: I mean I know, but I was not you see, Okay,

1276
01:08:06,480 --> 01:08:09,640
Speaker 1: and Um I went to Texas A and M. That's right,

1277
01:08:09,760 --> 01:08:17,920
Speaker 1: and she has the crown and wins again. Nice job, Amy,

1278
01:08:19,200 --> 01:08:21,760
Speaker 1: What a week for you? You get a movie role,

1279
01:08:22,080 --> 01:08:27,599
Speaker 1: you win easy trivia again? Yeah? Crazy, that's it right there,

1280
01:08:28,280 --> 01:08:33,040
Speaker 1: Thank you, thank you, thank you. Congratulations. On the phone

1281
01:08:33,360 --> 01:08:37,120
Speaker 1: is Alison in Iowa? Alison? What's going on? Um? So?

1282
01:08:37,240 --> 01:08:38,600
Speaker 1: I think it was a couple of weeks ago. I

1283
01:08:38,720 --> 01:08:43,920
Speaker 1: heard a segment about Chris Stapleton. UM wrote a lot

1284
01:08:44,000 --> 01:08:48,479
Speaker 1: of these songs for other artists, and you played a

1285
01:08:48,520 --> 01:08:51,559
Speaker 1: clip of I think him playing um Your Man by

1286
01:08:51,640 --> 01:08:56,080
Speaker 1: Josh Turner, and I was just curious how that works

1287
01:08:56,160 --> 01:08:59,200
Speaker 1: with artists, Like when they decide to sing a song themselves,

1288
01:08:59,240 --> 01:09:02,960
Speaker 1: because I thought he was awesome on that song, or

1289
01:09:03,320 --> 01:09:05,479
Speaker 1: I think Morgan Walland does the same thing. When do

1290
01:09:05,600 --> 01:09:08,240
Speaker 1: they decide what songs they sing or they give to

1291
01:09:08,360 --> 01:09:11,400
Speaker 1: other artists and then they become huge hits. I think.

1292
01:09:11,800 --> 01:09:14,560
Speaker 1: So everybody's different, but here's generally how it works. Like

1293
01:09:14,680 --> 01:09:16,759
Speaker 1: Chris Stapleton, at the time when he wrote those songs,

1294
01:09:16,840 --> 01:09:18,360
Speaker 1: he was in what they call a publishing deal where

1295
01:09:18,360 --> 01:09:20,479
Speaker 1: he gets paid to write songs, So he was writing

1296
01:09:20,520 --> 01:09:22,679
Speaker 1: songs for other people because that was his everyday job,

1297
01:09:22,880 --> 01:09:26,160
Speaker 1: just writing songs. Now, some artists who are also really

1298
01:09:26,200 --> 01:09:29,840
Speaker 1: good songwriters will write songs pretty much all year long,

1299
01:09:30,200 --> 01:09:33,120
Speaker 1: but then when it comes to doing their project, they'll

1300
01:09:33,200 --> 01:09:35,679
Speaker 1: kind of go, then, Okay, I have to start writing

1301
01:09:35,760 --> 01:09:37,439
Speaker 1: for me, and here's what I want to do and

1302
01:09:37,600 --> 01:09:41,000
Speaker 1: here's my and so they'll just dedicate that time now

1303
01:09:41,120 --> 01:09:44,800
Speaker 1: to writing for them. They could also occasionally save a

1304
01:09:45,000 --> 01:09:49,080
Speaker 1: song in the process, but mostly it's timing and it's

1305
01:09:49,200 --> 01:09:51,519
Speaker 1: if they write all that time. Like a Tyler Hubbard

1306
01:09:51,520 --> 01:09:52,720
Speaker 1: from F g L. He writes on a lot of

1307
01:09:52,760 --> 01:09:55,200
Speaker 1: people's songs. I'd say he writes more songs for other

1308
01:09:55,240 --> 01:09:58,120
Speaker 1: people than he does for himself. But someone like a

1309
01:09:58,240 --> 01:10:00,439
Speaker 1: Dustin Lynch, if he's writing, you know, he's writing for himself.

1310
01:10:00,640 --> 01:10:02,320
Speaker 1: So it depends on the artist. But mostly it's a

1311
01:10:02,400 --> 01:10:05,439
Speaker 1: time thing, and it's you know, do I feel like

1312
01:10:05,479 --> 01:10:07,240
Speaker 1: the song represents me? If so, I'll keep it. If

1313
01:10:07,240 --> 01:10:08,439
Speaker 1: I just think it's a good song and it could

1314
01:10:08,479 --> 01:10:10,800
Speaker 1: be for anybody, I'll ship it away and let somebody

1315
01:10:10,840 --> 01:10:18,880
Speaker 1: else have it. Interesting. I'm happy with that answer, or what, Yeah,

1316
01:10:19,280 --> 01:10:22,280
Speaker 1: makes sense? I always thought he sounded so good on

1317
01:10:22,479 --> 01:10:24,040
Speaker 1: I mean, I love Josh Turner, but I thought he's

1318
01:10:24,040 --> 01:10:25,800
Speaker 1: founded so good on that clip that he sent. So

1319
01:10:25,840 --> 01:10:27,280
Speaker 1: I would love to hear him sing all those other

1320
01:10:27,360 --> 01:10:29,960
Speaker 1: songs you mentioned that he wrote so at the time,

1321
01:10:30,200 --> 01:10:32,000
Speaker 1: I don't believe he had a record deal. So he

1322
01:10:32,040 --> 01:10:33,840
Speaker 1: could have kept a song, but he wouldn't have been

1323
01:10:33,840 --> 01:10:36,479
Speaker 1: able to put groceries on the table, so you know,

1324
01:10:36,520 --> 01:10:38,680
Speaker 1: he was paid to be a songwriter. He didn't have

1325
01:10:38,720 --> 01:10:41,000
Speaker 1: a record deal. He was never gonna cut the song

1326
01:10:41,560 --> 01:10:43,479
Speaker 1: Josh Tarner was killing it, so he gave him the

1327
01:10:43,560 --> 01:10:48,559
Speaker 1: song you know so again it's all timing, all right,

1328
01:10:48,680 --> 01:10:51,400
Speaker 1: well all right, she is so underwhelmed by I feel't

1329
01:10:51,400 --> 01:10:56,040
Speaker 1: like that answer. All right, Alison, have a good day. Okay,

1330
01:10:56,160 --> 01:10:59,840
Speaker 1: thank you to you guys. Spring is here, Saber every

1331
01:11:00,120 --> 01:11:04,000
Speaker 1: moment with Hello Fresh, Hello Fresh as delicious options make

1332
01:11:04,040 --> 01:11:05,960
Speaker 1: it easy to get meals on the table because it's

1333
01:11:06,000 --> 01:11:08,679
Speaker 1: delivered write to your doorstep. Get started today at Hello

1334
01:11:08,800 --> 01:11:12,280
Speaker 1: Fresh dot com. Slash bones at sixteen. Use the codebone

1335
01:11:12,320 --> 01:11:17,599
Speaker 1: sixteen for sixteen free meals plus three gifts. Show down

1336
01:11:18,080 --> 01:11:22,200
Speaker 1: sorry today. This story comes us from the UK. A

1337
01:11:22,479 --> 01:11:25,000
Speaker 1: twenty one year old man recently got a new laser

1338
01:11:25,080 --> 01:11:27,040
Speaker 1: pointer and he thought it'd be fun to point at

1339
01:11:27,120 --> 01:11:30,679
Speaker 1: a helicopter going over. Only problem it was a police

1340
01:11:30,760 --> 01:11:33,280
Speaker 1: helicopter and they were like, man, where's that laser pointer

1341
01:11:33,400 --> 01:11:36,280
Speaker 1: coming from? So they called dispatch and they respond to

1342
01:11:36,360 --> 01:11:38,040
Speaker 1: the house and he's like, oh, man, sorry, I didn't

1343
01:11:38,040 --> 01:11:40,080
Speaker 1: know it was a crime. And they look behind him.

1344
01:11:40,080 --> 01:11:42,000
Speaker 1: They're like, hey, what is all that stuff in your house?

1345
01:11:42,520 --> 01:11:47,640
Speaker 1: Oh it's cocaine marijuana MDMA. So here's a rusted for

1346
01:11:47,720 --> 01:11:51,479
Speaker 1: drug possession. I don't know what. M Is it a

1347
01:11:51,560 --> 01:11:55,479
Speaker 1: group plant. I'm sure it's a drug because it's Yeah,

1348
01:11:56,000 --> 01:12:00,880
Speaker 1: people making really bad decisions often make other really bad decisions. Yeah,

1349
01:12:00,960 --> 01:12:03,120
Speaker 1: and that was one. All right, I'm lunchboxed at your

1350
01:12:03,160 --> 01:12:06,400
Speaker 1: bone head store of the day. I hope everybody has

1351
01:12:06,439 --> 01:12:08,400
Speaker 1: a great weekend. I have nothing going on, so I'm

1352
01:12:08,400 --> 01:12:11,080
Speaker 1: just gonna hang out the house all day the whole weekend. Yeah,

1353
01:12:11,439 --> 01:12:14,400
Speaker 1: bab watching TV, catch up on Netflix. Normal weekend for you.

1354
01:12:15,120 --> 01:12:18,920
Speaker 1: So we are heading to Faytteville, Arkansas, and we're gonna

1355
01:12:18,960 --> 01:12:21,800
Speaker 1: watch Garth Brooks play. But before we watch Garth Brooks play,

1356
01:12:21,800 --> 01:12:23,559
Speaker 1: we're gonna play on the same stage. That's pretty cool.

1357
01:12:23,600 --> 01:12:25,760
Speaker 1: That's crazy. Eddie and I are opening up for Garth

1358
01:12:25,800 --> 01:12:30,400
Speaker 1: Brooks in Razorback Stadium in Arkansas tomorrow. We are very excited.

1359
01:12:30,720 --> 01:12:33,800
Speaker 1: We're a little nervous. We I don't know, I don't

1360
01:12:33,800 --> 01:12:36,479
Speaker 1: know what what's the word. We feel like we're constantly

1361
01:12:36,520 --> 01:12:38,439
Speaker 1: gonna pe just a little It's something like that. Lad,

1362
01:12:38,479 --> 01:12:40,360
Speaker 1: it's a good description. I like pe just a little bit.

1363
01:12:40,360 --> 01:12:42,120
Speaker 1: I get it. It's a good work. Okay, that's it.

1364
01:12:42,360 --> 01:12:44,880
Speaker 1: So we'll let you know Monday how it went. Hopefully

1365
01:12:44,880 --> 01:12:46,400
Speaker 1: you don't see on the news how it went, because

1366
01:12:46,400 --> 01:12:48,720
Speaker 1: that would mean it didn't go good unless we were really,

1367
01:12:48,840 --> 01:12:52,720
Speaker 1: really good. They put us in the new that's not true.

1368
01:12:53,600 --> 01:12:55,200
Speaker 1: You're trying to say any press is a good press.

1369
01:12:55,760 --> 01:12:56,519
Speaker 1: Ain't true either,