1
00:00:00,080 --> 00:00:01,320
Speaker 1: First of all, you don't know me.

2
00:00:02,279 --> 00:00:05,640
Speaker 2: Were all about that high school drama, Girl Drama Girl,

3
00:00:05,720 --> 00:00:08,840
Speaker 2: all about them high school queens. We'll take you for

4
00:00:08,960 --> 00:00:12,320
Speaker 2: a ride, and our comic girl shared for the right team.

5
00:00:12,480 --> 00:00:16,520
Speaker 2: Drama Queens, Jaylie's my girl Girl Fashion, but your tough girl,

6
00:00:16,600 --> 00:00:17,520
Speaker 2: you could sit with us.

7
00:00:17,560 --> 00:00:21,680
Speaker 1: Girl Drama, Queens Drama, Queise Drama, Queens Drama, John McQueen's

8
00:00:21,720 --> 00:00:24,720
Speaker 1: drama Queens.

9
00:00:25,079 --> 00:00:28,400
Speaker 3: Hi Friends, Welcome back to season seven, episode eight, I

10
00:00:28,560 --> 00:00:31,320
Speaker 3: Just Died in Your Arms Tonight. We are very excited

11
00:00:31,320 --> 00:00:34,200
Speaker 3: to talk about this episode, which originally aired November two,

12
00:00:34,360 --> 00:00:38,640
Speaker 3: two thousand and nine. It revolves around Julian agreeing to

13
00:00:38,640 --> 00:00:41,320
Speaker 3: go on a weekend camping trip, but he struggles to

14
00:00:41,360 --> 00:00:43,880
Speaker 3: fit in with Nathan and the guys back in Tree Hill,

15
00:00:44,240 --> 00:00:46,480
Speaker 3: Brook and Haley spend a girls night doing a little

16
00:00:46,520 --> 00:00:49,640
Speaker 3: bonding of their own, and Quinn helps Clay come to

17
00:00:49,720 --> 00:00:53,720
Speaker 3: terms with a tragic loss. Meanwhile, Dan and Rachel's shared

18
00:00:53,840 --> 00:00:58,040
Speaker 3: past catches up to them. This episode was directed by

19
00:00:58,120 --> 00:01:01,240
Speaker 3: Michael Leone, who was our script revisor for all nine

20
00:01:01,280 --> 00:01:05,320
Speaker 3: seasons of the show, Who We Adore and My God.

21
00:01:05,240 --> 00:01:06,520
Speaker 4: This was so fun.

22
00:01:06,920 --> 00:01:09,800
Speaker 5: This episode was a blast to watch.

23
00:01:10,160 --> 00:01:13,759
Speaker 6: What an episode. I was blown away by the opening

24
00:01:14,280 --> 00:01:17,800
Speaker 6: Paul in Mexico with these like the surgeons over him

25
00:01:17,840 --> 00:01:20,480
Speaker 6: and then the music in the I mean everything was

26
00:01:21,000 --> 00:01:23,560
Speaker 6: where are we? What is going on? What the heck

27
00:01:23,640 --> 00:01:26,440
Speaker 6: episode is this? I loved it.

28
00:01:27,000 --> 00:01:30,000
Speaker 5: Listen, we could do an entire episode on the depiction

29
00:01:30,120 --> 00:01:34,360
Speaker 5: of the Mexican hospital. So again, I mean, I'm watching

30
00:01:34,880 --> 00:01:37,480
Speaker 5: as a new viewer, and so I assumed this is

31
00:01:37,520 --> 00:01:40,960
Speaker 5: a really weird dream sequence. Yeah. And it wasn't until

32
00:01:41,040 --> 00:01:44,479
Speaker 5: later in my notes that I wrote, holy that that's

33
00:01:44,560 --> 00:01:46,880
Speaker 5: actually a real memory, Like that's it.

34
00:01:46,840 --> 00:01:48,360
Speaker 6: Was like a morphed memory, right.

35
00:01:48,320 --> 00:01:51,520
Speaker 5: What in the Spanish telenovella is happening?

36
00:01:53,720 --> 00:01:56,520
Speaker 3: I also, and look, maybe I'm a little being a

37
00:01:56,520 --> 00:01:58,840
Speaker 3: little too sensitive, but I was like, I don't know

38
00:01:59,000 --> 00:02:03,400
Speaker 3: why this has to be the dream I don't I

39
00:02:03,440 --> 00:02:04,120
Speaker 3: was like, why are we?

40
00:02:05,320 --> 00:02:06,400
Speaker 4: What's happening here?

41
00:02:07,120 --> 00:02:12,320
Speaker 3: This feels not classy of us.

42
00:02:12,560 --> 00:02:15,079
Speaker 5: Well it's not a dream though, but it was cartoon.

43
00:02:15,120 --> 00:02:18,280
Speaker 5: It was like when bugs Bunny's about to do surgery

44
00:02:18,320 --> 00:02:22,160
Speaker 5: on someone when they when he works out half the syringe. Yeah,

45
00:02:22,160 --> 00:02:25,680
Speaker 5: and he's like, Okay, Sen, you're so tacky.

46
00:02:25,840 --> 00:02:26,600
Speaker 3: It's terrible.

47
00:02:26,960 --> 00:02:31,440
Speaker 5: I didn't understand why that had to be so exaggerated

48
00:02:32,040 --> 00:02:34,040
Speaker 5: and like comedically bad.

49
00:02:34,360 --> 00:02:35,720
Speaker 6: It was so ridiculous.

50
00:02:36,000 --> 00:02:41,320
Speaker 3: Well, it was ridiculous and harmfully sterio, yes, And I

51
00:02:41,440 --> 00:02:43,200
Speaker 3: was like, oh no, because when you get to the

52
00:02:43,280 --> 00:02:45,880
Speaker 3: end of the episode and then you realize it's some

53
00:02:46,040 --> 00:02:49,559
Speaker 3: version of real, I'm like, this is just so insulting

54
00:02:50,320 --> 00:02:54,040
Speaker 3: and it plays into these horrible stereotypes that we know

55
00:02:55,080 --> 00:02:59,720
Speaker 3: hurt people. And I was like, why how nobody ever

56
00:02:59,760 --> 00:03:02,240
Speaker 3: wants to hear this feedback from us as actors on

57
00:03:02,280 --> 00:03:04,440
Speaker 3: the show. But I'm like, isn't this the reason there's

58
00:03:04,440 --> 00:03:09,600
Speaker 3: the standards in Practices department? Should someone have been like,

59
00:03:10,560 --> 00:03:12,960
Speaker 3: we're not doing that. You have to figure out a

60
00:03:13,200 --> 00:03:17,359
Speaker 3: more creative way to say that he bought an organ

61
00:03:17,440 --> 00:03:19,480
Speaker 3: on the black market, like guys.

62
00:03:20,080 --> 00:03:23,720
Speaker 5: Well, so first of all, he would have died if

63
00:03:23,760 --> 00:03:25,960
Speaker 5: that actual doctor come out.

64
00:03:27,400 --> 00:03:28,720
Speaker 6: Well yeah, that was like like.

65
00:03:28,680 --> 00:03:33,200
Speaker 5: A haunted househorror thing. But also it was I thought,

66
00:03:33,440 --> 00:03:37,680
Speaker 5: so just dumb and offensive. And then it the button

67
00:03:38,080 --> 00:03:42,280
Speaker 5: the cherry on top of the crap. Sunday is Rachel going, Yeah,

68
00:03:42,360 --> 00:03:44,240
Speaker 5: there was a family whose teenage son was on life

69
00:03:44,240 --> 00:03:46,160
Speaker 5: support and I paid him five grand to take him off.

70
00:03:46,280 --> 00:03:46,520
Speaker 6: Yeah.

71
00:03:46,680 --> 00:03:50,560
Speaker 5: I was like, come on, come on.

72
00:03:51,480 --> 00:03:54,520
Speaker 3: Well yeah, and by the way, watching that my note,

73
00:03:54,600 --> 00:03:55,960
Speaker 3: I mean, I know we're skipping ahead to the end.

74
00:03:56,000 --> 00:03:57,640
Speaker 3: I was like, could we not have had her say

75
00:03:57,680 --> 00:03:58,640
Speaker 3: he was brain dead?

76
00:03:59,040 --> 00:04:02,400
Speaker 5: Yes, I think she kind of says like he wasn't

77
00:04:02,400 --> 00:04:05,240
Speaker 5: gonna make it. But I'm with you, like make it terrible.

78
00:04:05,400 --> 00:04:08,320
Speaker 3: I'm like, no, you have to be very clear because families,

79
00:04:09,640 --> 00:04:12,320
Speaker 3: you know, in the most tragic thing that could happen

80
00:04:12,360 --> 00:04:17,080
Speaker 3: to you, make that generous decision. Oftentimes they will say, Okay,

81
00:04:17,120 --> 00:04:20,200
Speaker 3: we know that this person, you know, God forbid, knock

82
00:04:20,200 --> 00:04:21,800
Speaker 3: on what I don't even want to like conjure this,

83
00:04:21,920 --> 00:04:26,360
Speaker 3: but someone was in an accident. You know, there's their

84
00:04:26,400 --> 00:04:30,000
Speaker 3: neck broke, you know, no activity in the brainstem. They

85
00:04:30,040 --> 00:04:33,440
Speaker 3: will never ever, ever, there's nothing, there's no medical miracle

86
00:04:33,440 --> 00:04:36,240
Speaker 3: that could help this person. But if the family makes

87
00:04:36,279 --> 00:04:41,239
Speaker 3: this decision, you know, their organs could save thirteen people.

88
00:04:41,440 --> 00:04:45,960
Speaker 3: Like that's an incredible thing that does happen. And you know,

89
00:04:45,960 --> 00:04:47,880
Speaker 3: I'm one of those people who reads the stories about

90
00:04:47,880 --> 00:04:50,760
Speaker 3: people who have organ transplants and then suddenly the person

91
00:04:50,800 --> 00:04:53,799
Speaker 3: whose heart or lungs they got, their favorite food becomes

92
00:04:54,000 --> 00:04:56,919
Speaker 3: the transplant pat's favorite food. Like I cry, like a

93
00:04:56,960 --> 00:04:59,880
Speaker 3: baby at that stuff. There could have been some sort

94
00:04:59,920 --> 00:05:03,159
Speaker 3: of way to have told a beautiful story of what

95
00:05:03,279 --> 00:05:07,120
Speaker 3: happened to Dan Scott, and we did this thinly veiled, racist,

96
00:05:07,320 --> 00:05:12,960
Speaker 3: gross stereotype thing. And Rachel's a monster who paid a

97
00:05:13,000 --> 00:05:15,000
Speaker 3: family to kill their kid. I was like, I gotta go.

98
00:05:15,120 --> 00:05:17,640
Speaker 6: I have to leave, very very different show.

99
00:05:18,160 --> 00:05:20,920
Speaker 5: And what doesn't make sense is all of the offensive

100
00:05:21,000 --> 00:05:23,320
Speaker 5: stuff serves the story in no.

101
00:05:23,440 --> 00:05:26,279
Speaker 3: Way, right, and the rest of the episode's great.

102
00:05:26,640 --> 00:05:28,080
Speaker 6: Yeah, So it doesn't make sense.

103
00:05:28,320 --> 00:05:31,279
Speaker 5: Yeah, even in the sense of the flashbacks, like having

104
00:05:31,320 --> 00:05:34,840
Speaker 5: it be some cartoon character of a doctor. It wasn't

105
00:05:34,880 --> 00:05:37,880
Speaker 5: like the surgery didn't go well. It was a successful

106
00:05:38,000 --> 00:05:41,640
Speaker 5: heart transplant, right, Why did it have to be some

107
00:05:41,839 --> 00:05:43,760
Speaker 5: ridiculous depiction.

108
00:05:43,760 --> 00:05:46,520
Speaker 6: Ceed black market.

109
00:05:46,200 --> 00:05:51,480
Speaker 3: Like dirty walls and no you know, no surgical gloves.

110
00:05:51,480 --> 00:05:52,520
Speaker 3: I was like, what are we doing here?

111
00:05:52,560 --> 00:05:54,559
Speaker 4: This feels not not great.

112
00:05:54,680 --> 00:05:58,159
Speaker 5: It felt like like a Nanny Carey type yes, like

113
00:05:58,240 --> 00:06:01,480
Speaker 5: fever dream, not an act depiction of what happened.

114
00:06:01,720 --> 00:06:04,240
Speaker 3: It was very weird. And why why Rachel was in

115
00:06:04,880 --> 00:06:08,000
Speaker 3: like a out for a night in Vegas club dress

116
00:06:08,000 --> 00:06:11,440
Speaker 3: in said Ceed hospital the whole thing. I was like,

117
00:06:11,480 --> 00:06:14,000
Speaker 3: what are we doing here? I mean, she looks beautiful,

118
00:06:14,040 --> 00:06:15,920
Speaker 3: but I was, like, you're in a room where a

119
00:06:15,960 --> 00:06:18,200
Speaker 3: man just had to open heart surgery, Like what are

120
00:06:18,240 --> 00:06:20,200
Speaker 3: we doing in the leopard print with the titties out?

121
00:06:20,680 --> 00:06:24,039
Speaker 5: Like, well, God forbid the audience forgets that she was

122
00:06:24,080 --> 00:06:25,200
Speaker 5: a stripper for a moment.

123
00:06:25,520 --> 00:06:28,360
Speaker 3: Yeah, exactly, It's like it's hard to forget how hot

124
00:06:28,400 --> 00:06:28,760
Speaker 3: she is.

125
00:06:28,800 --> 00:06:31,760
Speaker 6: We know. The information it does give us is that

126
00:06:31,880 --> 00:06:35,960
Speaker 6: Rachel is much worse than we think she is. That

127
00:06:36,040 --> 00:06:42,479
Speaker 6: she is that she the fact that she would be

128
00:06:42,560 --> 00:06:48,200
Speaker 6: willing to do something that awful, wicked, evil, whatever you

129
00:06:48,240 --> 00:06:52,840
Speaker 6: want to call it, gives us some really valuable information

130
00:06:52,920 --> 00:06:57,440
Speaker 6: about her and any any question mark we maybe had

131
00:06:57,480 --> 00:06:59,920
Speaker 6: in our mind about. Yeah, we know she's kind of

132
00:07:00,320 --> 00:07:02,960
Speaker 6: pulling the puppet strings and she's manipulating a few things.

133
00:07:03,000 --> 00:07:05,840
Speaker 6: But is she also maybe kind of also looking for

134
00:07:05,880 --> 00:07:10,320
Speaker 6: a redemption of some kind? Now that question is officially

135
00:07:10,320 --> 00:07:11,960
Speaker 6: answered for me after that.

136
00:07:12,520 --> 00:07:18,080
Speaker 5: But but is there an argument to be made for

137
00:07:18,200 --> 00:07:22,080
Speaker 5: saving the love of your life? Like is there justification

138
00:07:22,200 --> 00:07:24,840
Speaker 5: and going this kid's probably not gonna make it. The

139
00:07:24,920 --> 00:07:28,440
Speaker 5: love of my life isn't gonna make it. Yeah, maybe

140
00:07:28,440 --> 00:07:31,680
Speaker 5: we can find a win win here, Like I do

141
00:07:32,360 --> 00:07:35,160
Speaker 5: think there's an argument on her side if if I

142
00:07:35,200 --> 00:07:37,840
Speaker 5: agree with you, she's coming across as nothing but cold

143
00:07:37,840 --> 00:07:41,520
Speaker 5: and calculated. Yeah, But I think in her defense, I

144
00:07:41,560 --> 00:07:43,800
Speaker 5: think if she was saying, like the guy I am

145
00:07:43,840 --> 00:07:46,680
Speaker 5: in love with was about to die, desperate times call

146
00:07:46,760 --> 00:07:50,880
Speaker 5: for desperate measures, it muddies the water a bit.

147
00:07:51,040 --> 00:07:53,400
Speaker 6: There's all kinds of complicated decisions that have to be

148
00:07:53,440 --> 00:07:54,720
Speaker 6: made on a daily basis.

149
00:07:54,920 --> 00:07:58,119
Speaker 3: I think if it had been better written, instead of going, eh,

150
00:07:58,920 --> 00:08:01,280
Speaker 3: what we would be doing is is like I would

151
00:08:01,320 --> 00:08:05,080
Speaker 3: imagine joy, you would say I would do anything for Maria. Yeah,

152
00:08:05,160 --> 00:08:07,280
Speaker 3: I'd be like, cut me open, take a kidney tomorrow,

153
00:08:07,800 --> 00:08:09,360
Speaker 3: you need a lung, whatever it is.

154
00:08:09,760 --> 00:08:11,960
Speaker 6: Yeah, but I'm not walking into the hospital room of

155
00:08:12,000 --> 00:08:15,240
Speaker 6: a family whose kids on life supporting exactly. I got

156
00:08:15,320 --> 00:08:16,280
Speaker 6: some money in the bank.

157
00:08:16,720 --> 00:08:19,040
Speaker 3: But that's what I'm saying. If it had been better written,

158
00:08:19,480 --> 00:08:22,640
Speaker 3: they could have actually made us feel the way we

159
00:08:22,680 --> 00:08:27,120
Speaker 3: felt last week, where we went, oh, this whole dynamic

160
00:08:27,280 --> 00:08:31,200
Speaker 3: is really good, and I see is Dan being redeemed

161
00:08:31,240 --> 00:08:34,200
Speaker 3: and does he really feel this? And through the pain

162
00:08:34,400 --> 00:08:36,160
Speaker 3: is he growing? And is he just trying to save

163
00:08:36,200 --> 00:08:38,040
Speaker 3: his son like it.

164
00:08:37,960 --> 00:08:39,320
Speaker 6: Could have been that?

165
00:08:39,640 --> 00:08:41,800
Speaker 3: And we know they're capable of it because they literally

166
00:08:41,840 --> 00:08:45,640
Speaker 3: did it one episode ago, and instead they've done this

167
00:08:45,920 --> 00:08:49,480
Speaker 3: thing that, to your point, feels like they've made a

168
00:08:49,559 --> 00:08:52,880
Speaker 3: character we've grown to really love feel irredeemable.

169
00:08:53,200 --> 00:08:55,240
Speaker 5: Well, how effective would it been if there was a

170
00:08:55,280 --> 00:08:57,880
Speaker 5: scene of her not in a leopard print dress, in

171
00:08:57,960 --> 00:09:00,880
Speaker 5: normal clothes, waiting in the it, just sitting alone in

172
00:09:00,920 --> 00:09:05,160
Speaker 5: the waiting room, like concerned, and a doctor comes out

173
00:09:05,200 --> 00:09:08,079
Speaker 5: and tells the family sitting next to her, Hey, your

174
00:09:08,080 --> 00:09:12,080
Speaker 5: son is a vegetable with zero chance of equality of life. Yes,

175
00:09:12,240 --> 00:09:17,240
Speaker 5: and she's overhearing it all man, It's like, Okay.

176
00:09:16,720 --> 00:09:18,840
Speaker 6: Then you see what she did and why we see

177
00:09:18,840 --> 00:09:20,400
Speaker 6: some humanity in it.

178
00:09:20,480 --> 00:09:21,720
Speaker 4: Yes, yeah, And.

179
00:09:21,640 --> 00:09:23,280
Speaker 6: It doesn't have to be a cartoon. I mean, the

180
00:09:23,280 --> 00:09:25,600
Speaker 6: hospital doesn't have to look like Cedars, but it doesn't

181
00:09:25,640 --> 00:09:29,000
Speaker 6: have to be a cartoon black market. Like the kids

182
00:09:29,000 --> 00:09:31,160
Speaker 6: in a bathtub on ice they're cutting the kidney out,

183
00:09:31,280 --> 00:09:33,040
Speaker 6: I know what I mean, Like what we see in

184
00:09:33,360 --> 00:09:38,080
Speaker 6: What the Equalizer? These movies, like where are we?

185
00:09:38,480 --> 00:09:55,160
Speaker 5: Yeah, changing gears, let's talk about Nathan this episode. Let's

186
00:09:55,240 --> 00:09:58,760
Speaker 5: just leave that. Yeah, we all know it's problematic. It's

187
00:09:58,760 --> 00:10:03,440
Speaker 5: the only part of the episode that is shaky. However,

188
00:10:03,480 --> 00:10:07,599
Speaker 5: I will say I had a genuine beef with Nathan's

189
00:10:07,800 --> 00:10:09,800
Speaker 5: freaking attitude this episode.

190
00:10:10,080 --> 00:10:12,079
Speaker 6: Yeah, why doesn't he like Julian? What's the dud?

191
00:10:12,120 --> 00:10:15,360
Speaker 5: Dude talk about coming out of left field? And it's

192
00:10:15,480 --> 00:10:18,840
Speaker 5: dumb because I think they just want to build runway

193
00:10:18,880 --> 00:10:21,560
Speaker 5: for there to be a turn at the end. Yes,

194
00:10:21,840 --> 00:10:24,680
Speaker 5: but all he is is a giant tool. And here's

195
00:10:24,679 --> 00:10:29,959
Speaker 5: the problem. Julian is infinitely likable and adorable. I have

196
00:10:30,000 --> 00:10:33,480
Speaker 5: a small crush on the character of Julian. Austin plays

197
00:10:33,559 --> 00:10:39,480
Speaker 5: him brilliantly and beautifully. Okay, Yeah, and watching Nathan just

198
00:10:39,640 --> 00:10:44,680
Speaker 5: be a dick at every single opportunity has just makes

199
00:10:44,760 --> 00:10:49,480
Speaker 5: him look terrible. I don't understand it. He's punching down.

200
00:10:49,880 --> 00:10:54,320
Speaker 3: It's such a weird choice, and it's one thing how

201
00:10:54,480 --> 00:10:57,600
Speaker 3: cute it is, especially because we know listen, like a

202
00:10:57,640 --> 00:11:00,920
Speaker 3: lot of guys are lonely. We see this sticks in America.

203
00:11:01,000 --> 00:11:04,439
Speaker 3: I imagine you know, this loneliness epidemic we have now

204
00:11:05,280 --> 00:11:08,600
Speaker 3: easily goes back ten years. But it would have been

205
00:11:08,640 --> 00:11:11,440
Speaker 3: really easy to do what we did in the beginning,

206
00:11:11,520 --> 00:11:13,600
Speaker 3: which is I'm encouraging him to go and you're telling

207
00:11:13,679 --> 00:11:16,800
Speaker 3: Nathan he's got to go and for the women to

208
00:11:16,840 --> 00:11:18,800
Speaker 3: be like, we have our best friends that are like

209
00:11:18,840 --> 00:11:22,320
Speaker 3: our sisters. This guy moved here, he's left his whole

210
00:11:22,320 --> 00:11:25,000
Speaker 3: life behind. All of his friends are in LA and

211
00:11:25,040 --> 00:11:27,480
Speaker 3: he's bombed, Like take him out.

212
00:11:27,800 --> 00:11:28,000
Speaker 7: You know.

213
00:11:28,040 --> 00:11:29,760
Speaker 3: He sits at home and he watches movies and he's

214
00:11:29,800 --> 00:11:33,280
Speaker 3: doing research and he's trying to write scripts. Please get

215
00:11:33,360 --> 00:11:36,760
Speaker 3: him out of the house. And then it could be like, Okay,

216
00:11:37,720 --> 00:11:39,960
Speaker 3: the jokes could have been them trying to talk about

217
00:11:40,000 --> 00:11:42,640
Speaker 3: sports and Julian doesn't know anything about sports, and then

218
00:11:42,720 --> 00:11:45,360
Speaker 3: Julian trying to talk to them about film directors and

219
00:11:45,400 --> 00:11:47,440
Speaker 3: then being like why do we don't know who any

220
00:11:47,440 --> 00:11:50,960
Speaker 3: of those people are. There could have been an inability

221
00:11:50,960 --> 00:11:51,800
Speaker 3: to communicate.

222
00:11:52,080 --> 00:11:54,680
Speaker 6: But even from the get go, he walks up and

223
00:11:54,760 --> 00:11:57,199
Speaker 6: Nathan can't stand him. I don't have they even had

224
00:11:57,200 --> 00:11:58,160
Speaker 6: scenes together.

225
00:11:57,880 --> 00:12:02,520
Speaker 3: Before, not really, and it just isn't track and it's like, well,

226
00:12:02,559 --> 00:12:05,920
Speaker 3: Runnings is an awesome movie. Yes, if you LIKEI Kousier

227
00:12:06,000 --> 00:12:08,560
Speaker 3: is better, fine, but why are you looking at this

228
00:12:08,600 --> 00:12:11,439
Speaker 3: guy like he has four heads because he likes one

229
00:12:11,440 --> 00:12:16,680
Speaker 3: of the most likable films of all time. It's so weird.

230
00:12:16,600 --> 00:12:20,120
Speaker 5: And it's so it doesn't make sense also because again

231
00:12:20,360 --> 00:12:24,200
Speaker 5: like Julian is the new kid and he's earnest and

232
00:12:24,240 --> 00:12:28,680
Speaker 5: he's excited. Yeah, and then Nathan is there with all

233
00:12:28,760 --> 00:12:31,880
Speaker 5: of his friends. He has zero reason to feel threatened,

234
00:12:32,000 --> 00:12:36,120
Speaker 5: every reason to be inclusive and kind, and instead Julie

235
00:12:36,160 --> 00:12:36,880
Speaker 5: walks up and it's a.

236
00:12:38,600 --> 00:12:40,640
Speaker 6: Hey, Julien, Julian's coming.

237
00:12:40,920 --> 00:12:45,800
Speaker 5: Why are you are You're pre bummed? No, And then

238
00:12:45,800 --> 00:12:50,720
Speaker 5: it's just he's an absolute tool. The whole episode to

239
00:12:50,880 --> 00:12:55,160
Speaker 5: him and Julian is nothing but sweet. And also, listen,

240
00:12:55,200 --> 00:12:57,800
Speaker 5: I gotta say I'm jumping ahead a bit, but I

241
00:12:58,040 --> 00:13:04,079
Speaker 5: full on gasped and couldn't believe it. Brooke and Nathan

242
00:13:04,160 --> 00:13:09,080
Speaker 5: made a six our show characters made a sex tape

243
00:13:09,120 --> 00:13:10,120
Speaker 5: in high school?

244
00:13:10,440 --> 00:13:12,640
Speaker 3: Why do you think I felt? When I got the script?

245
00:13:13,120 --> 00:13:15,440
Speaker 3: I was like, I'm not doing that. I am not

246
00:13:15,520 --> 00:13:16,920
Speaker 3: doing that, and they were like, yes you are, and

247
00:13:16,920 --> 00:13:19,280
Speaker 3: here's what I'll tell you. Rob is the episode where

248
00:13:19,280 --> 00:13:26,200
Speaker 3: this gets discovered. The episode opened with Peyton, who was

249
00:13:26,200 --> 00:13:28,600
Speaker 3: like a high school party night. Peyton and Nathan had

250
00:13:28,600 --> 00:13:32,280
Speaker 3: gotten into this huge fight, and when Brooke tried to

251
00:13:32,559 --> 00:13:38,360
Speaker 3: cheer Peyton up, she said something so like, so insulting

252
00:13:38,440 --> 00:13:41,720
Speaker 3: to me that we got in a fight and I

253
00:13:41,800 --> 00:13:45,480
Speaker 3: walked away, and then Nathan sat down on a couch

254
00:13:45,720 --> 00:13:48,640
Speaker 3: next to me, and he talked about how awful Peyton

255
00:13:48,720 --> 00:13:50,760
Speaker 3: was being to him and Brooks. Brooke told Nathan what

256
00:13:51,600 --> 00:13:55,280
Speaker 3: Peyton had said to her, and they were like, basically

257
00:13:55,360 --> 00:13:58,400
Speaker 3: they were like, well, like everyone was kind of drunk,

258
00:13:58,640 --> 00:14:02,839
Speaker 3: and they made this like really appropriate decision together, And

259
00:14:03,040 --> 00:14:07,760
Speaker 3: in the episode that aired, they cut the entire beginning out,

260
00:14:08,080 --> 00:14:10,880
Speaker 3: so the reason that Nathan and Brooke did this went away,

261
00:14:11,280 --> 00:14:13,320
Speaker 3: and then Brooke just looked like the worst friend in

262
00:14:13,400 --> 00:14:18,320
Speaker 3: the world. So like, I'm still bitter for the characters,

263
00:14:19,400 --> 00:14:23,080
Speaker 3: and now it's all coming to light again, and I'm like, granted,

264
00:14:23,120 --> 00:14:24,600
Speaker 3: I did think it was very funny and all the

265
00:14:24,600 --> 00:14:26,040
Speaker 3: boys being like, well, okay, good night.

266
00:14:26,480 --> 00:14:28,600
Speaker 6: Yeah that was funny how it came out, but it.

267
00:14:28,480 --> 00:14:31,320
Speaker 3: Was very funny. But yeah, that's a real punch to

268
00:14:31,360 --> 00:14:31,720
Speaker 3: the gut.

269
00:14:32,200 --> 00:14:36,480
Speaker 6: But also just in high school, high school, this is horrendous.

270
00:14:36,720 --> 00:14:42,240
Speaker 5: Yeah, the fact that even after that devastating news comes

271
00:14:42,240 --> 00:14:47,760
Speaker 5: out that Nathan still for a little while is rude

272
00:14:47,760 --> 00:14:49,400
Speaker 5: to him.

273
00:14:49,480 --> 00:14:50,400
Speaker 4: Yeah, what's the deal?

274
00:14:50,840 --> 00:14:53,160
Speaker 5: It was like, is there a secret jealousy a place

275
00:14:53,240 --> 00:14:55,680
Speaker 5: like I found myself going I must have missed something

276
00:14:55,680 --> 00:14:57,520
Speaker 5: from a previous season. From last season.

277
00:14:57,960 --> 00:14:59,000
Speaker 6: No, he didn't.

278
00:14:59,280 --> 00:15:01,760
Speaker 5: It was so so heavy handed.

279
00:15:01,800 --> 00:15:05,200
Speaker 6: Especially after everything Nathan just went through usually had to

280
00:15:05,280 --> 00:15:07,680
Speaker 6: go through something really intense like that, you know, you're

281
00:15:07,720 --> 00:15:10,720
Speaker 6: eating some humble pie. The fact that he even though

282
00:15:10,720 --> 00:15:13,040
Speaker 6: he didn't do anything wrong, it's like, still you've reassess

283
00:15:13,120 --> 00:15:15,440
Speaker 6: your life, you reassess like the way that your relationships

284
00:15:15,480 --> 00:15:17,880
Speaker 6: are going, all those things. He doesn't have it in

285
00:15:17,960 --> 00:15:21,040
Speaker 6: him to just like welcome somebody, be nice to somebody.

286
00:15:21,360 --> 00:15:22,360
Speaker 6: It's really weird.

287
00:15:22,480 --> 00:15:25,200
Speaker 3: It doesn't track. The only thing I could think about.

288
00:15:25,200 --> 00:15:28,680
Speaker 3: And I did write this down because I thought the

289
00:15:28,840 --> 00:15:32,280
Speaker 3: comedy of be Prepared travel light. They were doing these

290
00:15:32,400 --> 00:15:36,120
Speaker 3: callbacks in separate places very well. And then when they

291
00:15:36,120 --> 00:15:39,240
Speaker 3: all came together and you can tell Julian's not in

292
00:15:39,280 --> 00:15:41,000
Speaker 3: on the joke and he makes the Bill Murray joke.

293
00:15:42,240 --> 00:15:45,200
Speaker 3: It's so funny, and I thought, Oh, here we go.

294
00:15:45,320 --> 00:15:47,640
Speaker 3: And then Nathan comes in with that kind of sucker punch,

295
00:15:48,040 --> 00:15:50,120
Speaker 3: and I wrote, oh, this is when it begins. This

296
00:15:50,200 --> 00:15:53,160
Speaker 3: is when we officially cross into the bullying of Austin

297
00:15:53,240 --> 00:15:59,160
Speaker 3: and season seven like poor sweet human. And then I

298
00:15:59,200 --> 00:16:03,720
Speaker 3: wrote a question to ask you guys. It almost feels

299
00:16:03,760 --> 00:16:07,800
Speaker 3: reminiscent of high school Nathan being so awful to Lucas

300
00:16:08,560 --> 00:16:12,920
Speaker 3: before they become friends, and I was like, is it

301
00:16:13,080 --> 00:16:16,280
Speaker 3: just that we miss Lucas? And the writers think this

302
00:16:16,400 --> 00:16:21,760
Speaker 3: might work because in the end they finally bond over

303
00:16:21,840 --> 00:16:26,320
Speaker 3: having had really terrible fathers, and Julian admits to Nathan

304
00:16:26,360 --> 00:16:27,960
Speaker 3: that he doesn't know if he wants to have kids

305
00:16:28,000 --> 00:16:29,600
Speaker 3: because he doesn't know if he'd be good at it

306
00:16:29,920 --> 00:16:33,600
Speaker 3: because his dad was so terrible, and then Nathan gives

307
00:16:33,680 --> 00:16:36,640
Speaker 3: him that gift of all parenting is is instinct, and

308
00:16:36,640 --> 00:16:39,080
Speaker 3: look how good you are with my kid, Like you

309
00:16:39,200 --> 00:16:41,920
Speaker 3: knew that my kid was actually embarrassed to tell me

310
00:16:42,040 --> 00:16:43,600
Speaker 3: he was afraid and I didn't know that.

311
00:16:43,960 --> 00:16:44,800
Speaker 4: Yeah, I loved that.

312
00:16:45,000 --> 00:16:49,320
Speaker 3: And I thought that was so great, But I didn't

313
00:16:49,400 --> 00:16:53,160
Speaker 3: understand why why we had to go to like season one,

314
00:16:53,280 --> 00:16:57,000
Speaker 3: episode two mean Nathan to get to present day good

315
00:16:57,080 --> 00:17:00,080
Speaker 3: dad Nathan in forty two minutes. It doesn't mean make

316
00:17:00,120 --> 00:17:02,200
Speaker 3: any sense to me. Do you think that that was

317
00:17:02,240 --> 00:17:04,480
Speaker 3: like kind of what they were trying to do, Maybe

318
00:17:04,920 --> 00:17:08,960
Speaker 3: is bring back early Nathan and Lucas vibe, Hey, I

319
00:17:09,000 --> 00:17:09,440
Speaker 3: don't know.

320
00:17:09,680 --> 00:17:13,960
Speaker 5: But that relationship doesn't run parallel to what Nathan and

321
00:17:14,440 --> 00:17:15,040
Speaker 5: Lucas were.

322
00:17:15,600 --> 00:17:17,320
Speaker 3: I love you being like, don't give them any credit.

323
00:17:17,359 --> 00:17:18,920
Speaker 6: They just did a bad job in this episode.

324
00:17:19,000 --> 00:17:20,680
Speaker 5: I just don't think it was I don't think it

325
00:17:20,720 --> 00:17:23,200
Speaker 5: was just well done, like well crafted. It was so odd.

326
00:17:23,240 --> 00:17:26,000
Speaker 5: And also, you know what Julian walks up in the

327
00:17:26,080 --> 00:17:29,960
Speaker 5: first thing he does is he fist bumps someone. How

328
00:17:30,000 --> 00:17:32,240
Speaker 5: are we gonna go then and say, the man doesn't

329
00:17:32,359 --> 00:17:33,800
Speaker 5: know how to high five?

330
00:17:34,440 --> 00:17:37,920
Speaker 3: Well? And why does the episode end with them fist

331
00:17:37,960 --> 00:17:40,560
Speaker 3: bumping and Julian saying to Nathan, that's my first.

332
00:17:40,320 --> 00:17:44,200
Speaker 6: Fist bump exactly. Come on, this guy's been working in Hollywood.

333
00:17:44,280 --> 00:17:45,879
Speaker 6: He was like, you know, and that's the guy that

334
00:17:45,960 --> 00:17:50,639
Speaker 6: works with Vanderbeek's character, Like clearly he's a mover and

335
00:17:50,760 --> 00:17:54,280
Speaker 6: shaker and he knows how to behave in cool social circles.

336
00:17:54,880 --> 00:17:58,680
Speaker 5: It's so bizarre, hey, and listen this this episode. It

337
00:17:59,119 --> 00:18:03,040
Speaker 5: flies the pet flag pretty high a couple times. There's

338
00:18:03,080 --> 00:18:07,120
Speaker 5: another instance where I kind of went, oh, tell us

339
00:18:07,840 --> 00:18:13,200
Speaker 5: when Dan and Rachel are in backstage. I think it's

340
00:18:13,320 --> 00:18:17,200
Speaker 5: Rachel who says we need something big for sweeps. Then

341
00:18:17,240 --> 00:18:20,720
Speaker 5: doctor Phil can suck it, and Dan says well, maybe

342
00:18:20,720 --> 00:18:23,000
Speaker 5: we can get Lucas to do a guest spot. It's

343
00:18:23,000 --> 00:18:26,439
Speaker 5: not like he's doing anything. And I thought, because I

344
00:18:26,760 --> 00:18:30,040
Speaker 5: you know, I thought, hmm, oh, that's that's for sure,

345
00:18:30,240 --> 00:18:34,280
Speaker 5: our boss taking a swipe at check. Yes, And it

346
00:18:34,440 --> 00:18:37,480
Speaker 5: just felt so oh and of course, and there's a

347
00:18:37,480 --> 00:18:39,880
Speaker 5: built in pod where he goes where he says because

348
00:18:39,880 --> 00:18:42,960
Speaker 5: he's not doing anything. And then they they cut to

349
00:18:43,080 --> 00:18:45,879
Speaker 5: Rachel and they give her a beat of air before

350
00:18:45,920 --> 00:18:47,960
Speaker 5: she moves on. They make a point to stick the

351
00:18:48,080 --> 00:18:51,920
Speaker 5: landing on the insult and it just like I said

352
00:18:51,920 --> 00:18:53,480
Speaker 5: that to me, I was like, there's our boss taking

353
00:18:53,520 --> 00:18:57,000
Speaker 5: an unnecessary swipe at like what a twenty five year

354
00:18:57,040 --> 00:18:59,639
Speaker 5: old kid, like, what are you doing?

355
00:19:00,119 --> 00:19:02,880
Speaker 3: It's a very weird vibe.

356
00:19:03,160 --> 00:19:05,879
Speaker 6: Yes, well, the same reason that Julian had to be

357
00:19:05,880 --> 00:19:11,240
Speaker 6: emasculated and turned into this completely goofball. I mean, it's lovable.

358
00:19:11,760 --> 00:19:14,439
Speaker 6: That's a testament to Austin's abilities as an actor.

359
00:19:14,800 --> 00:19:18,399
Speaker 3: Yeah, it felt very unnecessary and it's weird because the

360
00:19:18,480 --> 00:19:21,760
Speaker 3: actual episode is so much fun, the dynamic with all

361
00:19:21,800 --> 00:19:24,280
Speaker 3: of the boys and the ghost stories and the camping

362
00:19:24,440 --> 00:19:28,440
Speaker 3: and us at your house. It's actually such a fun episode.

363
00:19:28,720 --> 00:19:34,280
Speaker 3: So when these when we stoop. When the writing stoops

364
00:19:34,359 --> 00:19:40,080
Speaker 3: that low unnecessarily, it almost packs a bigger punch because

365
00:19:40,119 --> 00:19:41,840
Speaker 3: you know, it doesn't have to be like that.

366
00:19:41,960 --> 00:19:45,160
Speaker 6: Yeah, it doesn't fit. It's like, what doesn't go? Why

367
00:19:45,160 --> 00:19:45,800
Speaker 6: are we doing that?

368
00:19:46,240 --> 00:19:49,119
Speaker 3: We're in season seven, so yeah, we're all in our

369
00:19:49,200 --> 00:19:52,320
Speaker 3: later twenties. We're all probably twenty seven now, which means

370
00:19:52,480 --> 00:19:55,600
Speaker 3: you know, Chad was probably twenty nine because he was

371
00:19:55,600 --> 00:19:56,800
Speaker 3: a little older than us, right is he?

372
00:19:56,880 --> 00:19:57,040
Speaker 5: Yeah?

373
00:19:57,080 --> 00:19:59,600
Speaker 6: But what did he think? He was watching the episode,

374
00:20:00,200 --> 00:20:01,119
Speaker 6: not watching the show.

375
00:20:01,359 --> 00:20:04,200
Speaker 3: And this is what I'm saying, is like everyone's still

376
00:20:04,359 --> 00:20:10,280
Speaker 3: pre thirty and the people writing these jokes are approaching fifty. Like,

377
00:20:11,280 --> 00:20:13,720
Speaker 3: how are we more mature than you guys?

378
00:20:13,880 --> 00:20:16,800
Speaker 6: It's so embarrassing, so embarrassing.

379
00:20:17,280 --> 00:20:20,520
Speaker 3: Okay, I don't just want to focus on the petty

380
00:20:21,200 --> 00:20:25,600
Speaker 3: I want to say how much I love Antoine Comedy Hours.

381
00:20:26,359 --> 00:20:30,440
Speaker 3: I enjoy him so frickin' much. And the genius idea

382
00:20:30,480 --> 00:20:33,320
Speaker 3: of having Skills go to the army surplus store to

383
00:20:33,359 --> 00:20:36,280
Speaker 3: get little army pins so he could give the boys

384
00:20:36,400 --> 00:20:39,800
Speaker 3: badges for getting him fear and making him food badges.

385
00:20:40,000 --> 00:20:44,440
Speaker 6: Genius idea. Yes, yes, I have it, dude, It's so good.

386
00:20:44,560 --> 00:20:46,520
Speaker 6: I was like, why didn't I have that when Maria

387
00:20:46,600 --> 00:20:47,000
Speaker 6: was little?

388
00:20:47,240 --> 00:20:49,160
Speaker 3: I literally was like, I'm gonna save that one.

389
00:20:49,200 --> 00:20:52,280
Speaker 6: That's a great yess for every time your babysitting or

390
00:20:52,320 --> 00:20:54,919
Speaker 6: playing Auntie Sophia to all of your friends with kids

391
00:20:54,920 --> 00:20:56,679
Speaker 6: and you show up and you're like, here's what I

392
00:20:56,720 --> 00:20:59,399
Speaker 6: need you to do. I have a badge?

393
00:21:00,080 --> 00:21:02,359
Speaker 5: How great is the bit where Chuck goes up my

394
00:21:02,400 --> 00:21:04,400
Speaker 5: mom says you can't marry miss Lauren because you don't

395
00:21:04,400 --> 00:21:07,119
Speaker 5: make enough money, and he goes, well, guess who just

396
00:21:07,160 --> 00:21:10,320
Speaker 5: lost there you say, The line is, well, guess who

397
00:21:10,440 --> 00:21:12,919
Speaker 5: just lost their keep their damn mouth shut badge.

398
00:21:17,640 --> 00:21:20,919
Speaker 6: Something else funny on that hike was mouth trying to

399
00:21:20,960 --> 00:21:24,280
Speaker 6: give Julian don't mess up, don't mess with my friend speech,

400
00:21:24,880 --> 00:21:27,880
Speaker 6: and it was so awkward because he did it so nicely.

401
00:21:27,960 --> 00:21:31,640
Speaker 6: It was like with a smile. And then he says, yeah, well,

402
00:21:31,680 --> 00:21:33,960
Speaker 6: if you heard her, you'll answer to me. And he

403
00:21:34,000 --> 00:21:36,320
Speaker 6: says it on this like up note, like you'll answer

404
00:21:36,320 --> 00:21:39,159
Speaker 6: to me, and then walks away very quickly.

405
00:21:40,240 --> 00:21:42,639
Speaker 3: And then Skills comes in with the perfect follow up.

406
00:21:42,680 --> 00:21:45,320
Speaker 3: He goes, hey, he's been working out, trust me, I've

407
00:21:45,320 --> 00:21:48,880
Speaker 3: seen him naked. And everyone's like what what is going on?

408
00:21:49,280 --> 00:21:51,040
Speaker 3: They're so good together.

409
00:22:01,960 --> 00:22:07,200
Speaker 5: The pot party. First of all, we have a weird

410
00:22:07,200 --> 00:22:09,840
Speaker 5: thing going this season with just casual drugging.

411
00:22:10,119 --> 00:22:10,960
Speaker 4: Do what else.

412
00:22:11,320 --> 00:22:13,440
Speaker 5: There's a ton of pot in these brownies and they

413
00:22:13,440 --> 00:22:16,240
Speaker 5: don't tell Haley, which I just I just think is

414
00:22:16,320 --> 00:22:18,480
Speaker 5: it's a dick move. Maybe just maybe it's the forty

415
00:22:18,560 --> 00:22:19,880
Speaker 5: year old in Yeah.

416
00:22:19,920 --> 00:22:22,000
Speaker 6: No, her sister's been feeding her pot since she was

417
00:22:22,080 --> 00:22:23,199
Speaker 6: like six. I think probably.

418
00:22:23,200 --> 00:22:25,000
Speaker 5: I guess it's just on the heels of the fashion

419
00:22:25,040 --> 00:22:27,760
Speaker 5: show where Alex drugged the sh out of the model,

420
00:22:27,880 --> 00:22:32,840
Speaker 5: like just watching you get drugged, I thought like, damn, really,

421
00:22:32,880 --> 00:22:36,560
Speaker 5: like after all you've just been through recently. But I

422
00:22:36,640 --> 00:22:39,600
Speaker 5: will say what I loved though. It opens after like

423
00:22:39,640 --> 00:22:42,920
Speaker 5: the three shot from inside the oven. The oven opens

424
00:22:43,400 --> 00:22:46,680
Speaker 5: and do you guys remember the Sonny D commercials where

425
00:22:46,680 --> 00:22:48,760
Speaker 5: the kids would open the fridge and be like, we

426
00:22:48,880 --> 00:22:53,920
Speaker 5: got orange stuff? Then Sonny D, Yeah, your guys' dialogue

427
00:22:54,000 --> 00:22:57,800
Speaker 5: even fits it so perfect where it's like, uh oh,

428
00:22:57,840 --> 00:23:00,800
Speaker 5: these are like these are like the special recipes. I

429
00:23:00,840 --> 00:23:03,399
Speaker 5: love the sister's special recipe. I was like, this is

430
00:23:03,400 --> 00:23:05,080
Speaker 5: a sunny de commercial with drugs.

431
00:23:05,359 --> 00:23:07,719
Speaker 4: Yeah, this is good, so funny.

432
00:23:08,280 --> 00:23:13,960
Speaker 3: I also really love I don't know again, maybe from

433
00:23:14,000 --> 00:23:20,080
Speaker 3: this stage knowing how intense parenting is because everyone in

434
00:23:20,119 --> 00:23:23,080
Speaker 3: our world is a parent or an adjacent parent or whatever.

435
00:23:23,200 --> 00:23:26,399
Speaker 3: At this point I loved that Brooke was like, you

436
00:23:26,440 --> 00:23:29,000
Speaker 3: deserve this. Your child is out of town. Have a

437
00:23:29,000 --> 00:23:32,280
Speaker 3: good time, like mom night off. And it was so

438
00:23:32,440 --> 00:23:34,399
Speaker 3: funny to me because I was like, oh, yeah, people,

439
00:23:34,520 --> 00:23:37,800
Speaker 3: do you know whether it's getting stoned with your friends

440
00:23:37,880 --> 00:23:40,200
Speaker 3: or like, I don't know, going My speed is more

441
00:23:40,280 --> 00:23:41,840
Speaker 3: like can we go to the spa for the day

442
00:23:41,880 --> 00:23:46,840
Speaker 3: if we're alone, but having like a day off San's

443
00:23:46,920 --> 00:23:51,359
Speaker 3: kids and like letting loose. It's so funny to me

444
00:23:51,480 --> 00:23:53,040
Speaker 3: that Quinn's like, oh, yeah, we used to do this

445
00:23:53,080 --> 00:23:58,280
Speaker 3: to her. Only does it seem less creepy because Quinn

446
00:23:58,280 --> 00:24:00,560
Speaker 3: makes the suggestion that this is like a family thing.

447
00:24:00,680 --> 00:24:01,960
Speaker 3: If someone did this to me, I'd.

448
00:24:01,840 --> 00:24:02,479
Speaker 4: Be so pissed.

449
00:24:02,600 --> 00:24:08,359
Speaker 3: But yeah, spending that disbelief and leaning into it, it's

450
00:24:08,480 --> 00:24:11,640
Speaker 3: just so fun and funny. We're like true Beverly Hills.

451
00:24:11,680 --> 00:24:13,040
Speaker 3: The boys are in the woods and we're home in

452
00:24:13,080 --> 00:24:15,080
Speaker 3: the fancy house totally.

453
00:24:15,320 --> 00:24:18,680
Speaker 6: And it's knowing Haley's parents and how hippy dippy they are.

454
00:24:18,760 --> 00:24:21,720
Speaker 6: I can see, maybe not six I'll go with you know, fifteen,

455
00:24:21,840 --> 00:24:24,600
Speaker 6: sixteen is probably when they started letting her have these brownies.

456
00:24:24,640 --> 00:24:28,439
Speaker 6: But I think I could totally see her Hailey's parents

457
00:24:28,440 --> 00:24:30,159
Speaker 6: being like, yeah, I give her a half a slice.

458
00:24:30,560 --> 00:24:32,760
Speaker 6: Just got a stick up her butt anyway, she's too tense.

459
00:24:32,920 --> 00:24:35,640
Speaker 6: Give Haley a little slice of brownie like that. That

460
00:24:35,800 --> 00:24:38,520
Speaker 6: checks out with this family to me, I just think

461
00:24:38,560 --> 00:24:41,200
Speaker 6: it's really funny that the reveal doesn't come till years later.

462
00:24:41,280 --> 00:24:41,800
Speaker 6: It's great.

463
00:24:42,280 --> 00:24:47,560
Speaker 5: Yeah, you get big points because you committed to eating

464
00:24:47,600 --> 00:24:49,960
Speaker 5: this brownie and it was my favorite thing because you

465
00:24:50,000 --> 00:24:52,680
Speaker 5: guys know, eating on camera is tricky. That's a reason

466
00:24:52,720 --> 00:24:55,959
Speaker 5: you see most actors taking tiny bites of food, but

467
00:24:56,240 --> 00:24:58,359
Speaker 5: because not only is it hard to eat food for

468
00:24:58,440 --> 00:25:01,680
Speaker 5: like thirty takes in a row, but also it's hard

469
00:25:01,720 --> 00:25:05,280
Speaker 5: to look pretty while eating food. Like record yourself eating

470
00:25:05,880 --> 00:25:09,280
Speaker 5: you look like Llama. It's weird. Yeah, you go in

471
00:25:09,400 --> 00:25:12,320
Speaker 5: on that brownie and when there's the reveal about like

472
00:25:12,440 --> 00:25:14,600
Speaker 5: she's having two and it cuts to you and you're

473
00:25:14,640 --> 00:25:17,639
Speaker 5: like looking up while eating it. I was so proud

474
00:25:17,680 --> 00:25:20,199
Speaker 5: of you, ah think, because it's funny as hell, and

475
00:25:20,240 --> 00:25:22,439
Speaker 5: I was like, there's zero vanity in this it's just

476
00:25:22,520 --> 00:25:23,919
Speaker 5: her going for it and she sells the.

477
00:25:24,240 --> 00:25:24,920
Speaker 6: Of it well.

478
00:25:24,960 --> 00:25:28,840
Speaker 3: And that's the perfect moment too, to get you know,

479
00:25:28,880 --> 00:25:32,160
Speaker 3: scene direction where you have to eat because you don't

480
00:25:32,160 --> 00:25:35,440
Speaker 3: also have to talk, so you could really like you

481
00:25:35,520 --> 00:25:37,679
Speaker 3: went for it because you didn't have to take a

482
00:25:37,720 --> 00:25:40,040
Speaker 3: teeny tiny bite so you could deliver your next line

483
00:25:40,080 --> 00:25:43,159
Speaker 3: without the full mouth. And when you look up and

484
00:25:43,240 --> 00:25:46,439
Speaker 3: a chunk of brownie falls onto the plate from your face,

485
00:25:46,720 --> 00:25:48,520
Speaker 3: I was like, that's it, that's it.

486
00:25:49,960 --> 00:25:52,240
Speaker 6: Thank you guys so much. I have I have a

487
00:25:52,280 --> 00:25:53,919
Speaker 6: note that I was like. I literally there was a

488
00:25:53,960 --> 00:25:55,919
Speaker 6: point when I was sitting on the island when I

489
00:25:55,960 --> 00:25:58,720
Speaker 6: looked like a monkey, like just hunched over all of

490
00:25:58,760 --> 00:26:01,879
Speaker 6: this food, and I had like spaghetti hanging in my mouth,

491
00:26:01,920 --> 00:26:04,360
Speaker 6: and I was like, oh my god, this is horrifying,

492
00:26:04,480 --> 00:26:08,240
Speaker 6: but also kind of fun. I was really nervous about

493
00:26:08,280 --> 00:26:10,639
Speaker 6: doing this because I had never gotten high, so I

494
00:26:10,640 --> 00:26:12,840
Speaker 6: didn't know what I mean. I had been drunk before,

495
00:26:12,880 --> 00:26:14,560
Speaker 6: but I had never been high, so I didn't know

496
00:26:14,840 --> 00:26:18,240
Speaker 6: if I was acting correctly. I didn't know what the

497
00:26:18,280 --> 00:26:22,800
Speaker 6: experience was supposed to feel like. So I remember like

498
00:26:23,119 --> 00:26:24,879
Speaker 6: asking a lot of people, what does it feel like?

499
00:26:24,880 --> 00:26:27,080
Speaker 6: What do you do? What happens to your body? What

500
00:26:27,160 --> 00:26:30,159
Speaker 6: do you you know? What does it feel like on

501
00:26:30,200 --> 00:26:32,280
Speaker 6: the end in your brain? What are you seeing things?

502
00:26:32,320 --> 00:26:36,280
Speaker 6: Are you hallucinating? And this one was it was tough.

503
00:26:36,600 --> 00:26:40,000
Speaker 6: I'm really glad that whatever I did worked because watching it,

504
00:26:40,119 --> 00:26:43,440
Speaker 6: I was cringing because I couldn't tell if it was

505
00:26:43,520 --> 00:26:45,960
Speaker 6: realistic or not. I still have never been that hot. No,

506
00:26:46,040 --> 00:26:49,480
Speaker 6: that's not true. I was once, but it didn't do

507
00:26:49,600 --> 00:26:51,479
Speaker 6: that to me. I didn't get hungry like that. But

508
00:26:51,560 --> 00:26:55,879
Speaker 6: I loved europe version of being high, the paranoia hiding

509
00:26:55,880 --> 00:26:56,399
Speaker 6: by it's so.

510
00:26:56,600 --> 00:26:59,800
Speaker 3: Fun well, and I loved that that Quinn's like, oh great,

511
00:27:00,280 --> 00:27:03,560
Speaker 3: she gets shatty, you get paranoid because because it's such

512
00:27:03,600 --> 00:27:07,720
Speaker 3: a true thing. And yeah, I think I finally, I

513
00:27:07,800 --> 00:27:09,959
Speaker 3: finally had to come to terms with like, that's just

514
00:27:10,000 --> 00:27:12,879
Speaker 3: not for me. Every couple of years someone will be like, no,

515
00:27:12,920 --> 00:27:16,160
Speaker 3: but weed's different. Now you'll like this, this is really

516
00:27:16,240 --> 00:27:20,159
Speaker 3: good for inflammation, this will make you know, you'll sleep great, whatever.

517
00:27:20,600 --> 00:27:23,960
Speaker 3: And every time it's been long enough that I'm like, okay,

518
00:27:24,000 --> 00:27:26,760
Speaker 3: I could try something else, I'm like, this is why

519
00:27:26,760 --> 00:27:29,840
Speaker 3: I don't do this, Because I do, I get so hungry.

520
00:27:30,080 --> 00:27:33,119
Speaker 3: I eat everything in the pantry and then I start

521
00:27:33,119 --> 00:27:35,000
Speaker 3: having an existential crisis and I'm like, I have to

522
00:27:35,000 --> 00:27:37,959
Speaker 3: go to bed. It's just not for me. I'm not

523
00:27:38,040 --> 00:27:40,920
Speaker 3: built for that. And I also don't think I knew

524
00:27:40,960 --> 00:27:44,560
Speaker 3: that about myself then. So to watch it now, I'm like, oh,

525
00:27:44,560 --> 00:27:48,359
Speaker 3: I really leaned into what they said happened to Brook

526
00:27:48,400 --> 00:27:50,000
Speaker 3: and actually we're the same.

527
00:27:51,560 --> 00:27:53,760
Speaker 5: Yeah, I'm the same as you say. So if I

528
00:27:53,760 --> 00:27:57,560
Speaker 5: had just eventually realized, I'm just I'm just gonna skip

529
00:27:57,600 --> 00:28:00,639
Speaker 5: the part where I get stoned and just order dominoes

530
00:28:01,080 --> 00:28:03,119
Speaker 5: because it always ended the same. It was like me

531
00:28:03,280 --> 00:28:06,880
Speaker 5: with fifty dollars of dominoes alone in my apartment, eating

532
00:28:06,960 --> 00:28:08,600
Speaker 5: until I had a stomach ache, and I was just like,

533
00:28:08,640 --> 00:28:12,080
Speaker 5: this isn't I never once had that experience and wake

534
00:28:12,119 --> 00:28:14,080
Speaker 5: up the next day and go, good use of my time.

535
00:28:14,320 --> 00:28:16,640
Speaker 6: Yeah, No, this isn't the life I want.

536
00:28:16,920 --> 00:28:18,960
Speaker 5: Yeah, this never ends cool. I never wake up the

537
00:28:18,960 --> 00:28:23,359
Speaker 5: next day going I made some good choices. No, So

538
00:28:23,440 --> 00:28:25,879
Speaker 5: I thought you both played it, the paranoia and the snacking.

539
00:28:25,960 --> 00:28:28,040
Speaker 5: I was like, this all is accurate. I loved it

540
00:28:28,080 --> 00:28:31,280
Speaker 5: as a viewer. I didn't bock at a moment of it.

541
00:28:31,800 --> 00:28:33,600
Speaker 5: I believed it and I enjoyed it.

542
00:28:33,880 --> 00:28:34,480
Speaker 7: Oh good.

543
00:28:34,840 --> 00:28:36,760
Speaker 3: I loved that we got to have a good time.

544
00:28:37,440 --> 00:28:40,040
Speaker 3: I wrote in my notes, God, I missed doing this

545
00:28:40,200 --> 00:28:44,400
Speaker 3: much comedy. Yes, I love the physical comedy. I loved

546
00:28:44,480 --> 00:28:47,600
Speaker 3: all of the jokes and the fact that Quinn ditches

547
00:28:47,680 --> 00:28:49,520
Speaker 3: us and then it's just me and you in a

548
00:28:49,560 --> 00:28:54,000
Speaker 3: baseball bat in the house is dark like thing, and

549
00:28:54,080 --> 00:28:56,480
Speaker 3: I was like, this is exactly what I wanted. And

550
00:28:56,560 --> 00:29:01,160
Speaker 3: I was also as a viewer really enjoying getting to

551
00:29:01,200 --> 00:29:03,560
Speaker 3: see Brooke and Haley have a good time. Yes, it's

552
00:29:03,560 --> 00:29:06,720
Speaker 3: been so long, we've just like been through the wringer.

553
00:29:07,200 --> 00:29:10,400
Speaker 6: Yeah, and it's so lovely. It felt like high school again.

554
00:29:10,800 --> 00:29:13,400
Speaker 3: Yeah, it was really nice to dip back into that feeling.

555
00:29:13,760 --> 00:29:14,760
Speaker 4: I really loved that.

556
00:29:14,880 --> 00:29:18,600
Speaker 5: I love that Quinn got you too super stoned and

557
00:29:18,600 --> 00:29:23,280
Speaker 5: then dipped out. I know that was so funny and perfect.

558
00:29:24,040 --> 00:29:26,600
Speaker 5: It was just you two left alone terrified.

559
00:29:27,400 --> 00:29:30,320
Speaker 6: Oh my god, and then the psychic comes it before

560
00:29:30,360 --> 00:29:37,080
Speaker 6: she ditches us. But it's so It's so good. Although,

561
00:29:37,960 --> 00:29:41,760
Speaker 6: especially with the psychic coming, this episode for the girls

562
00:29:41,800 --> 00:29:44,320
Speaker 6: did not fail. I mean, we did not pass the

563
00:29:44,360 --> 00:29:48,520
Speaker 6: Bechdel test because I mean everything was still all about

564
00:29:48,560 --> 00:29:50,840
Speaker 6: the boys, all about our trouble about the boys, and

565
00:29:50,880 --> 00:29:52,760
Speaker 6: it did feel like a missed opportunity to me. I

566
00:29:52,840 --> 00:29:56,480
Speaker 6: wish that in the moments when we were like worried

567
00:29:56,520 --> 00:29:59,880
Speaker 6: about our greatest talking about our greatest worry, it could

568
00:30:00,160 --> 00:30:03,520
Speaker 6: been something that I don't know that was less about

569
00:30:04,280 --> 00:30:06,360
Speaker 6: what about our boys, what's gonna happen with them?

570
00:30:06,480 --> 00:30:09,720
Speaker 5: Like, I don't know what is the Bechtel test?

571
00:30:10,200 --> 00:30:13,360
Speaker 3: So the Bechtel test, it's a metric by which they

572
00:30:13,400 --> 00:30:17,480
Speaker 3: measure how things are represented on screen. And for us

573
00:30:17,560 --> 00:30:21,680
Speaker 3: as women, they will literally ask can a group of women,

574
00:30:22,320 --> 00:30:25,360
Speaker 3: you know, two to three to five women whatever be

575
00:30:25,520 --> 00:30:29,360
Speaker 3: in a scene and not be talking about men? And

576
00:30:29,600 --> 00:30:34,120
Speaker 3: it's very rare that a group of women in a

577
00:30:34,120 --> 00:30:36,160
Speaker 3: scene are talking about something other than men.

578
00:30:36,400 --> 00:30:39,200
Speaker 6: Wow. Yeah, you'll start to notice it now.

579
00:30:39,440 --> 00:30:40,920
Speaker 3: Yeah, it's pretty wild.

580
00:30:41,040 --> 00:30:43,360
Speaker 6: But for three sisters, yes, we're all going to we

581
00:30:43,400 --> 00:30:46,920
Speaker 6: all had some dramatic things happen with our men. But

582
00:30:47,560 --> 00:30:49,760
Speaker 6: I really can testify it. I mean that by the

583
00:30:49,800 --> 00:30:52,920
Speaker 6: time we were our characters' ages, I don't know what

584
00:30:52,960 --> 00:30:56,280
Speaker 6: were our characters at that point, twenty eight ish, No, I.

585
00:30:56,240 --> 00:30:59,440
Speaker 3: Mean we were twenty seven at the time, and I

586
00:30:59,480 --> 00:31:03,160
Speaker 3: think our characters were. Aren't we all only still twenty two?

587
00:31:04,200 --> 00:31:06,920
Speaker 3: Maybe we're twenty three. That's the whole thing about how

588
00:31:06,960 --> 00:31:09,360
Speaker 3: young you are when you talk to me been in

589
00:31:09,440 --> 00:31:12,640
Speaker 3: episode seven, it's like, you're young, You're supposed to go

590
00:31:12,720 --> 00:31:14,520
Speaker 3: to parties and drink with your friends, like for.

591
00:31:14,720 --> 00:31:18,720
Speaker 6: Sung, Well, I was still talking about boys at twenty two.

592
00:31:18,800 --> 00:31:21,120
Speaker 6: That was still definitely like a big thing on my mind.

593
00:31:21,400 --> 00:31:25,360
Speaker 6: But maybe because that's how we were culturally groomed to think,

594
00:31:25,480 --> 00:31:29,160
Speaker 6: because there was no Vechdel Test back then. I don't

595
00:31:29,160 --> 00:31:32,520
Speaker 6: know when it started, but we had an opportunity to

596
00:31:32,600 --> 00:31:37,360
Speaker 6: show young women how three brilliant, strong women could sit

597
00:31:37,360 --> 00:31:40,200
Speaker 6: in a room together and talk about other things besides men.

598
00:31:40,240 --> 00:31:43,120
Speaker 6: And we didn't quite get there in this episode, although

599
00:31:43,160 --> 00:31:46,840
Speaker 6: it was really fun and I loved the poking at

600
00:31:46,880 --> 00:31:50,600
Speaker 6: this psychic who is just so bizarrely like she comes

601
00:31:50,640 --> 00:31:52,479
Speaker 6: out of know where she was a fun actress. But

602
00:31:52,800 --> 00:31:57,719
Speaker 6: here comes this snake oil salesman psychic who just you know,

603
00:31:58,200 --> 00:32:00,840
Speaker 6: waits for us to tell her everything and then she

604
00:32:00,920 --> 00:32:03,600
Speaker 6: gets to thank you for it. It was great, But.

605
00:32:03,600 --> 00:32:05,520
Speaker 3: She somehow knows there's a bunny in the house.

606
00:32:06,120 --> 00:32:07,640
Speaker 6: She knew about that.

607
00:32:07,640 --> 00:32:10,160
Speaker 5: That was strange, especially since we laid out the fact

608
00:32:10,200 --> 00:32:12,640
Speaker 5: that she's just full of hot air. That it was

609
00:32:12,680 --> 00:32:14,640
Speaker 5: odd that at the end she suddenly knew that there

610
00:32:14,720 --> 00:32:18,520
Speaker 5: was a tiny hamster in an upstairs closet. But it

611
00:32:18,560 --> 00:32:21,680
Speaker 5: did provide Brook the best line of the episode of

612
00:32:21,800 --> 00:32:25,680
Speaker 5: that Zelda's a bitch. I laughed.

613
00:32:25,680 --> 00:32:29,880
Speaker 6: I love that one, or debatable. The Invictus kund lingis

614
00:32:30,440 --> 00:32:33,080
Speaker 6: was also a really great line. Is it Invictus No?

615
00:32:33,880 --> 00:32:36,040
Speaker 3: By the way, when I when I said, I was like,

616
00:32:36,080 --> 00:32:36,920
Speaker 3: we got away with this.

617
00:32:37,280 --> 00:32:40,640
Speaker 6: I know me too. Very funny.

618
00:32:40,840 --> 00:32:42,840
Speaker 5: Do you think when that actress got the breakdown for

619
00:32:42,920 --> 00:32:45,760
Speaker 5: that role, she was like, we got this one in

620
00:32:45,760 --> 00:32:48,440
Speaker 5: the bag because she was She was as perfect as

621
00:32:48,520 --> 00:32:50,520
Speaker 5: Zelda's psychic as you could be.

622
00:32:51,040 --> 00:32:53,200
Speaker 3: She was so great and I like that she was

623
00:32:53,240 --> 00:32:56,840
Speaker 3: able to toe the line. She didn't play it like

624
00:32:57,000 --> 00:33:01,240
Speaker 3: a total stick it was. It was a gimmicky role,

625
00:33:01,400 --> 00:33:05,320
Speaker 3: but she grounded it in a way that when Brook

626
00:33:05,400 --> 00:33:08,040
Speaker 3: is stoned and just telling her everything she's paranoid about

627
00:33:08,080 --> 00:33:11,800
Speaker 3: and asking for validation, it works. But when Quinn is

628
00:33:11,880 --> 00:33:19,040
Speaker 3: talking to her, she gives her real good intel and

629
00:33:19,560 --> 00:33:22,800
Speaker 3: suddenly you go, wait, happened, what's happening here? What does

630
00:33:22,840 --> 00:33:26,400
Speaker 3: this person know? Where's she getting the vibes?

631
00:33:26,520 --> 00:33:26,640
Speaker 7: Like?

632
00:33:26,840 --> 00:33:30,800
Speaker 3: Is she a jokey fake psychic or is she kind

633
00:33:30,800 --> 00:33:31,360
Speaker 3: of psychic?

634
00:33:31,560 --> 00:33:33,680
Speaker 6: Also, Quinn has a psychic in Tree Hill. She just

635
00:33:33,720 --> 00:33:34,120
Speaker 6: moved there.

636
00:33:34,160 --> 00:33:36,840
Speaker 3: I know, it's so random. Who has a psychic here?

637
00:33:37,120 --> 00:33:39,600
Speaker 5: You didn't Quinn just get to town about a week ago?

638
00:33:39,960 --> 00:33:41,040
Speaker 3: A couple of weeks ago.

639
00:33:41,160 --> 00:33:43,840
Speaker 6: Now I guess, like what she was like her first

640
00:33:43,920 --> 00:33:45,760
Speaker 6: order of business she gets to any new town, She's like,

641
00:33:45,800 --> 00:33:47,160
Speaker 6: I need to find a psyche, Like you.

642
00:33:47,200 --> 00:33:50,400
Speaker 5: Gotta find the local gym and the local psychic. Okay,

643
00:33:51,080 --> 00:33:52,400
Speaker 5: that's your priorities, Quinn.

644
00:33:52,680 --> 00:33:54,520
Speaker 3: It's super super strange.

645
00:33:54,920 --> 00:33:57,320
Speaker 6: Okay, let's talk for a minute about some more clay

646
00:33:57,520 --> 00:34:02,200
Speaker 6: And yeah, Sarah, because at first, I was like, wait,

647
00:34:02,200 --> 00:34:03,760
Speaker 6: why are we just doing this again? You're just in

648
00:34:03,920 --> 00:34:06,480
Speaker 6: your house again. It's the same it's not the same thing.

649
00:34:06,520 --> 00:34:09,000
Speaker 6: But why didn't they let you go on this trip?

650
00:34:09,040 --> 00:34:12,440
Speaker 6: That would have been so interesting to see? And by

651
00:34:12,480 --> 00:34:15,160
Speaker 6: the end of it I obviously realized why because it

652
00:34:15,200 --> 00:34:18,279
Speaker 6: was just super helpful in the device of bringing you

653
00:34:18,360 --> 00:34:22,719
Speaker 6: and Quinn together, but also I actually started to really

654
00:34:22,840 --> 00:34:25,840
Speaker 6: enjoy seeing more of it. And it makes sense the

655
00:34:25,840 --> 00:34:28,080
Speaker 6: way that TV was viewed back then that it had

656
00:34:28,120 --> 00:34:31,080
Speaker 6: been a whole week and so people probably needed more

657
00:34:31,120 --> 00:34:33,040
Speaker 6: of it to fill up. It wasn't enough just to

658
00:34:33,080 --> 00:34:35,320
Speaker 6: watch this one thing that we had seen in the

659
00:34:35,400 --> 00:34:41,920
Speaker 6: last episode. I appreciated that you guys seemed to find

660
00:34:42,200 --> 00:34:45,799
Speaker 6: new levels in spite of the fact that a lot

661
00:34:45,800 --> 00:34:48,759
Speaker 6: of the material on the page sounded very similar to

662
00:34:48,800 --> 00:34:51,799
Speaker 6: what you had just done in the previous episode. Your

663
00:34:51,840 --> 00:34:55,040
Speaker 6: emotional levels were varied, and it was surprising that you

664
00:34:55,080 --> 00:34:57,400
Speaker 6: were able to find those. I always appreciate that as

665
00:34:57,400 --> 00:34:59,760
Speaker 6: an actor because, as we know on TV, so often

666
00:34:59,800 --> 00:35:02,239
Speaker 6: we'll we'll get scripts and we're like, why am I

667
00:35:02,280 --> 00:35:05,040
Speaker 6: just saying the same thing like four different times? Yes,

668
00:35:05,320 --> 00:35:08,080
Speaker 6: So it's not always easy to do that. And also,

669
00:35:08,600 --> 00:35:11,400
Speaker 6: I really love Amanda Shall I love sing her on

670
00:35:11,440 --> 00:35:13,600
Speaker 6: my screen like me to Me. More and more and

671
00:35:13,600 --> 00:35:14,960
Speaker 6: more of her, and I know we're going to get more.

672
00:35:15,239 --> 00:35:19,160
Speaker 3: What I really loved about this is, obviously last week

673
00:35:19,280 --> 00:35:24,799
Speaker 3: was so heart wrenchingly sad, and you know in the

674
00:35:24,800 --> 00:35:28,759
Speaker 3: storyline of you two, and I loved that we got

675
00:35:28,800 --> 00:35:31,960
Speaker 3: some comedy with you too. We loved getting to see

676
00:35:31,960 --> 00:35:33,799
Speaker 3: the humor. I loved getting to see the way you

677
00:35:33,840 --> 00:35:37,680
Speaker 3: crack jokes and tease each other. I loved I wrote down,

678
00:35:37,800 --> 00:35:39,120
Speaker 3: you know, when she first started to get out of

679
00:35:39,120 --> 00:35:40,439
Speaker 3: the pool, I go, oh, give me a break. They're

680
00:35:40,440 --> 00:35:42,200
Speaker 3: going to make her do the fast times at Ridgemont High.

681
00:35:42,200 --> 00:35:45,239
Speaker 3: Thing like, it's so stereotypical. And then she makes fun

682
00:35:45,239 --> 00:35:47,600
Speaker 3: of you for being stereotypical. And then in the next

683
00:35:47,640 --> 00:35:50,800
Speaker 3: scene she's in like a turtleneck and a scarf.

684
00:35:50,440 --> 00:35:53,120
Speaker 6: In the pool and she teases you about over correcting

685
00:35:53,440 --> 00:35:54,080
Speaker 6: really smart.

686
00:35:54,480 --> 00:35:59,080
Speaker 3: It was just so great and it made me. It

687
00:35:59,200 --> 00:36:02,000
Speaker 3: made me really love the two of you together in

688
00:36:02,040 --> 00:36:07,400
Speaker 3: a way that suddenly I could understand, not just observe

689
00:36:07,480 --> 00:36:10,799
Speaker 3: and be empathetic with your feelings. But I was like,

690
00:36:11,200 --> 00:36:13,400
Speaker 3: I get why he doesn't want to forget any of this.

691
00:36:13,640 --> 00:36:16,239
Speaker 3: I get why he's afraid to let someone into the

692
00:36:16,320 --> 00:36:19,560
Speaker 3: room that she used to occupy in his heart, because

693
00:36:19,600 --> 00:36:22,800
Speaker 3: look how great she is, Look how great they are.

694
00:36:23,400 --> 00:36:26,600
Speaker 3: It felt really fun, and that's not the typical experience

695
00:36:26,600 --> 00:36:32,200
Speaker 3: of watching, you know, someone grieve a ghost, and I was.

696
00:36:32,680 --> 00:36:35,759
Speaker 3: I found it so refreshing and enjoyable to watch you too.

697
00:36:36,000 --> 00:36:38,959
Speaker 5: I feel like the scenes with Sarah are when we're

698
00:36:39,040 --> 00:36:43,200
Speaker 5: actually really getting to know the true Clay, Like I feel,

699
00:36:43,239 --> 00:36:46,520
Speaker 5: up into this point, we've seen his persona as like

700
00:36:47,560 --> 00:36:51,240
Speaker 5: public facing Clay, and we've seen what he does for work,

701
00:36:52,040 --> 00:36:54,200
Speaker 5: but this is the first time we're like, we really

702
00:36:54,280 --> 00:36:57,480
Speaker 5: see Clay at rest, like this is who he actually is,

703
00:36:58,520 --> 00:37:01,239
Speaker 5: and it's sweet. It softens him up, you know what

704
00:37:01,239 --> 00:37:02,879
Speaker 5: I mean. But it was it was nice to see

705
00:37:02,880 --> 00:37:05,520
Speaker 5: this stuff because it felt like, ah, this is the

706
00:37:05,600 --> 00:37:09,440
Speaker 5: authentic guy underneath all the other stuff. I did have

707
00:37:09,480 --> 00:37:15,240
Speaker 5: a question though, because it gets it's almost a little

708
00:37:15,280 --> 00:37:20,000
Speaker 5: heavy handed with how much Sarah is advocating for Quinn. Yeah,

709
00:37:20,040 --> 00:37:24,000
Speaker 5: because it's she says, like Clay says, uh, I meant

710
00:37:24,040 --> 00:37:26,319
Speaker 5: I could never love anyone as much as I loved you,

711
00:37:26,400 --> 00:37:30,200
Speaker 5: and she says, except for Quinn. And then Clay says,

712
00:37:30,400 --> 00:37:32,719
Speaker 5: it's not like that with Quinn, and she says, I

713
00:37:32,719 --> 00:37:35,000
Speaker 5: could always tell when you were lying, And I just

714
00:37:35,040 --> 00:37:39,680
Speaker 5: found myself going, has there been enough stuff for Clay

715
00:37:39,719 --> 00:37:43,120
Speaker 5: to be in love with Quinn? No, Like they've talked

716
00:37:43,200 --> 00:37:45,719
Speaker 5: and they've maybe connected, but is it It felt a

717
00:37:45,760 --> 00:37:46,600
Speaker 5: little quick.

718
00:37:47,200 --> 00:37:47,520
Speaker 6: Yeah.

719
00:37:47,640 --> 00:37:53,280
Speaker 3: I think it would have been so much better for

720
00:37:53,480 --> 00:37:56,719
Speaker 3: you to say it's not like that with her, and

721
00:37:56,760 --> 00:38:01,319
Speaker 3: for her to say, but it could be yet there's

722
00:38:01,360 --> 00:38:03,560
Speaker 3: something in there that you haven't felt with anyone else,

723
00:38:03,600 --> 00:38:05,319
Speaker 3: And for him to go, no, there isn't and then

724
00:38:05,520 --> 00:38:07,480
Speaker 3: for her to say, I could always tell when you

725
00:38:07,480 --> 00:38:07,879
Speaker 3: were lying.

726
00:38:08,360 --> 00:38:10,640
Speaker 6: That's how I took it. I felt like that was

727
00:38:10,680 --> 00:38:12,439
Speaker 6: the way to make sense of it. But it would

728
00:38:12,480 --> 00:38:14,240
Speaker 6: have been better if it had been on the page

729
00:38:14,239 --> 00:38:14,520
Speaker 6: like that.

730
00:38:14,600 --> 00:38:16,520
Speaker 3: Yeah, yeah, it would have been nice to know that

731
00:38:16,640 --> 00:38:20,839
Speaker 3: she was seeing the seedling of something rather than being like,

732
00:38:20,880 --> 00:38:23,480
Speaker 3: you're in love with her, You're like, I'm not, kind

733
00:38:23,520 --> 00:38:24,160
Speaker 3: of don't know her.

734
00:38:25,880 --> 00:38:26,080
Speaker 6: Yeah.

735
00:38:26,120 --> 00:38:28,600
Speaker 5: It kind of felt to me like it was this

736
00:38:28,800 --> 00:38:32,560
Speaker 5: show rushing the fact of like, are our two new

737
00:38:32,640 --> 00:38:35,800
Speaker 5: characters are going to be a relationship. Yes, so just

738
00:38:35,840 --> 00:38:37,600
Speaker 5: so you guys know they're about they're going to fall

739
00:38:37,600 --> 00:38:39,719
Speaker 5: in love. It was kind of like, oh, we have

740
00:38:40,000 --> 00:38:42,360
Speaker 5: we got twenty two or twenty four episodes, guys, like,

741
00:38:42,920 --> 00:38:44,120
Speaker 5: you don't need to rush up. But it was like,

742
00:38:44,239 --> 00:38:45,920
Speaker 5: just so you all know, we lost a couple, but

743
00:38:45,960 --> 00:38:47,400
Speaker 5: we picked up a couple as well.

744
00:38:47,719 --> 00:38:50,279
Speaker 6: In fact, I think it would have been even it

745
00:38:50,320 --> 00:38:53,160
Speaker 6: would have packed a bigger punch in the scene in

746
00:38:53,200 --> 00:38:54,799
Speaker 6: the rain when you were in front of his in

747
00:38:54,800 --> 00:38:57,440
Speaker 6: front of her car and he gets into her car

748
00:38:58,239 --> 00:38:59,480
Speaker 6: and the two of you are just sitting there in

749
00:38:59,480 --> 00:39:03,680
Speaker 6: the rain top, which was such a great scene, really romantic,

750
00:39:03,960 --> 00:39:07,719
Speaker 6: really like there was so much chemistry and passion and

751
00:39:07,800 --> 00:39:09,960
Speaker 6: power in just the two of you sitting on opposite

752
00:39:10,000 --> 00:39:13,000
Speaker 6: sides of the car talking. It was great, But I

753
00:39:13,000 --> 00:39:15,440
Speaker 6: think it would have even been more powerful if she

754
00:39:15,680 --> 00:39:18,080
Speaker 6: hadn't already spelled it out like this is a very

755
00:39:18,120 --> 00:39:21,520
Speaker 6: common thing I think that we see in soapy TV,

756
00:39:21,760 --> 00:39:24,360
Speaker 6: or when when you've got a room full of writers

757
00:39:24,400 --> 00:39:26,560
Speaker 6: that are just kind of churning out a ton of episodes,

758
00:39:27,160 --> 00:39:31,640
Speaker 6: they will explain something before it happens, and you're like,

759
00:39:31,680 --> 00:39:33,080
Speaker 6: why did you just tell me you were going to

760
00:39:33,120 --> 00:39:33,239
Speaker 6: do that?

761
00:39:33,239 --> 00:39:34,279
Speaker 4: Why didn't you just do it?

762
00:39:34,840 --> 00:39:35,480
Speaker 6: I'm watching.

763
00:39:36,520 --> 00:39:39,000
Speaker 3: There's times for there's times for telling, and then there's

764
00:39:39,000 --> 00:39:43,160
Speaker 3: times for showing. Yeah, And sometimes it's very weird to

765
00:39:43,280 --> 00:39:46,000
Speaker 3: look at to essentially look at an audience and say

766
00:39:46,440 --> 00:39:46,959
Speaker 3: we're going.

767
00:39:46,920 --> 00:39:49,240
Speaker 6: To show you this. It's coming.

768
00:39:49,400 --> 00:39:52,040
Speaker 3: It's like we're literally we're watching.

769
00:39:52,239 --> 00:39:53,200
Speaker 6: I'm here, we're here.

770
00:39:54,040 --> 00:39:57,880
Speaker 5: Just show me a bit behind the scenes of this scene,

771
00:39:57,960 --> 00:40:02,359
Speaker 5: and specifically that the rain scene is. I remember Sean

772
00:40:02,440 --> 00:40:05,440
Speaker 5: Tell and I reading this scene and going this this

773
00:40:05,520 --> 00:40:07,640
Speaker 5: needs to be out of a car, This needs to

774
00:40:07,680 --> 00:40:11,600
Speaker 5: be in the rain. This is a powerful moment, and

775
00:40:12,040 --> 00:40:15,960
Speaker 5: us lobbying really hard to Mike Leone, Hey, dude, let

776
00:40:16,000 --> 00:40:18,279
Speaker 5: this happen. Let me, let me catch her as she's

777
00:40:18,360 --> 00:40:20,520
Speaker 5: running to her car, and let us just be standing

778
00:40:20,520 --> 00:40:26,160
Speaker 5: there in the rain. And thank god he said no.

779
00:40:26,640 --> 00:40:29,120
Speaker 5: And I think he may also just kind of said,

780
00:40:29,200 --> 00:40:31,920
Speaker 5: do you know how cold the water is? And I'm asking,

781
00:40:32,080 --> 00:40:34,320
Speaker 5: I've done rain scenes at this point in my career,

782
00:40:34,400 --> 00:40:38,520
Speaker 5: but I will tell you up to my career at

783
00:40:38,520 --> 00:40:42,680
Speaker 5: that point and every job since, I have never experienced

784
00:40:42,800 --> 00:40:45,359
Speaker 5: rainwater that felt like it had just come from an

785
00:40:45,360 --> 00:40:49,120
Speaker 5: ice melt. It was the coldest water I had ever felt.

786
00:40:49,120 --> 00:40:52,840
Speaker 5: And I remember thinking, thank god he didn't let us

787
00:40:52,840 --> 00:40:54,839
Speaker 5: stand in the rain, because if he did, it would

788
00:40:54,920 --> 00:40:58,399
Speaker 5: have just been way too cold and it would have been, oh,

789
00:40:58,600 --> 00:41:02,839
Speaker 5: just miserable. And it played great in the car. It

790
00:41:02,880 --> 00:41:05,120
Speaker 5: was weird, like you said, it was weirdly intimate, like

791
00:41:05,200 --> 00:41:07,440
Speaker 5: he's just sitting there, not even really looking at each other.

792
00:41:07,480 --> 00:41:09,880
Speaker 6: A whole lot the rain is for it, you know,

793
00:41:09,920 --> 00:41:12,319
Speaker 6: if you're standing in the rain. Plus, that was such

794
00:41:12,320 --> 00:41:15,600
Speaker 6: an iconic thing for Nathan and Haley. I think they

795
00:41:15,680 --> 00:41:18,520
Speaker 6: might have also been protecting that moment and not wanting

796
00:41:18,560 --> 00:41:20,120
Speaker 6: the audience to feel like they were trying to be

797
00:41:20,160 --> 00:41:26,200
Speaker 6: sold something as a redo. Yeah, but there was something

798
00:41:26,239 --> 00:41:29,799
Speaker 6: about big, wild romance in the rain. But the intimacy

799
00:41:29,840 --> 00:41:31,759
Speaker 6: you're write, that's a great word for it, of sitting

800
00:41:31,800 --> 00:41:36,640
Speaker 6: in the car together, buried in buried in the weather,

801
00:41:36,760 --> 00:41:40,000
Speaker 6: buried in water, buried in your environment and surroundings, and

802
00:41:40,040 --> 00:41:42,560
Speaker 6: you have this little cocoon and it's just the two

803
00:41:42,600 --> 00:41:46,200
Speaker 6: of you and it's quiet and you're sharing. It's not

804
00:41:46,239 --> 00:41:50,640
Speaker 6: a big share, it's a quiet like reach out for help,

805
00:41:50,719 --> 00:41:53,520
Speaker 6: like I'm willing to extend my heart in my hand

806
00:41:53,600 --> 00:41:58,000
Speaker 6: a little bit. Can you meet me there? It was

807
00:41:58,080 --> 00:41:58,920
Speaker 6: really nice.

808
00:41:59,280 --> 00:42:00,680
Speaker 3: Yeah, it was really beautiful.

809
00:42:00,880 --> 00:42:04,680
Speaker 5: And that's scene on the beach that comes after that scene.

810
00:42:05,080 --> 00:42:07,279
Speaker 5: First of all, it's funny because both of us are

811
00:42:07,400 --> 00:42:10,160
Speaker 5: very dry, like our hair is a tiny bit damp,

812
00:42:10,160 --> 00:42:12,319
Speaker 5: and it's like we got wet, at least I did.

813
00:42:12,360 --> 00:42:14,080
Speaker 5: I had to run to that car, but I was like, great,

814
00:42:14,120 --> 00:42:16,600
Speaker 5: I love it. Our hair is just slightly damp. That's fine.

815
00:42:16,880 --> 00:42:21,400
Speaker 5: But my favorite part is the payoff is that Clay

816
00:42:21,400 --> 00:42:23,040
Speaker 5: goes at the end of it when they're just talking

817
00:42:23,040 --> 00:42:26,040
Speaker 5: on the beach. Play says, why don't you stay a while,

818
00:42:26,520 --> 00:42:29,600
Speaker 5: and she says, tell me more about Sarah.

819
00:42:29,719 --> 00:42:30,120
Speaker 7: Yeah.

820
00:42:30,320 --> 00:42:35,680
Speaker 5: I thought, oh, man, that is such a loving that

821
00:42:35,760 --> 00:42:37,520
Speaker 5: is there's such that comes from such a place of

822
00:42:37,600 --> 00:42:41,839
Speaker 5: compassion and confidence, Like she's not threatened to buy it

823
00:42:42,200 --> 00:42:44,600
Speaker 5: or worried, she's just like laying on me like I

824
00:42:44,680 --> 00:42:48,000
Speaker 5: want to know. Yeah, And I thought that was so

825
00:42:48,000 --> 00:42:48,840
Speaker 5: so beautiful.

826
00:42:49,040 --> 00:42:51,719
Speaker 6: Same kind of thing Julian does for Brooke in the

827
00:42:51,760 --> 00:42:54,799
Speaker 6: previous episode too, just showing up and listening and being

828
00:42:54,840 --> 00:42:59,839
Speaker 6: there and like, Okay, this is not perfect romance, you know, yeah,

829
00:43:00,120 --> 00:43:04,160
Speaker 6: movie one oh one romance. It's real life, and it's

830
00:43:04,200 --> 00:43:05,960
Speaker 6: real life you really show up for someone.

831
00:43:06,239 --> 00:43:09,880
Speaker 3: Yeah, yeah, I will say because I was going to

832
00:43:09,960 --> 00:43:11,920
Speaker 3: say it earlier when we were talking about the Julian

833
00:43:11,960 --> 00:43:14,560
Speaker 3: and Nathan of it all, and I forgot, and you

834
00:43:14,719 --> 00:43:18,040
Speaker 3: saying that just reminded me. Being able to see Julian's

835
00:43:18,080 --> 00:43:21,560
Speaker 3: emotional maturity is so important for Brooke, but it's also

836
00:43:21,640 --> 00:43:26,560
Speaker 3: really nice as a viewer. And there's there's even a

837
00:43:26,560 --> 00:43:31,160
Speaker 3: beat We've done some inappropriate stereotyping in this episode and

838
00:43:31,239 --> 00:43:36,239
Speaker 3: I really hated at night when you know We're sort

839
00:43:36,280 --> 00:43:37,920
Speaker 3: of at the end of the evening and Nathan's in

840
00:43:37,920 --> 00:43:40,279
Speaker 3: the tent and Julian's in his sleeping bag, and they're

841
00:43:40,360 --> 00:43:44,839
Speaker 3: kind of joking with each other, and Nathan's essentially saying

842
00:43:44,840 --> 00:43:46,759
Speaker 3: he won't let Julian sleep in his tent because he

843
00:43:46,760 --> 00:43:48,759
Speaker 3: made a broke back Mountain joke. And I was like,

844
00:43:49,000 --> 00:43:54,640
Speaker 3: that is so not appropriate, Like are we really doing this?

845
00:43:55,239 --> 00:43:59,799
Speaker 3: And I loved that the maturity that Julian shows is

846
00:43:59,800 --> 00:44:02,920
Speaker 3: like essentially being like, bro, get over yourself. You shower

847
00:44:02,960 --> 00:44:07,400
Speaker 3: with other dudes every day, Like stop sah, stop acting

848
00:44:07,480 --> 00:44:08,120
Speaker 3: like a child.

849
00:44:09,280 --> 00:44:09,480
Speaker 7: Yeah.

850
00:44:09,480 --> 00:44:12,040
Speaker 6: He finally calls him out, you know, he calls him out.

851
00:44:12,160 --> 00:44:17,080
Speaker 3: Yeah, and it's so nice. And whether I think those

852
00:44:17,120 --> 00:44:23,359
Speaker 3: sorts of displays of whether it's you know, rebuffing cruelty

853
00:44:23,520 --> 00:44:28,600
Speaker 3: of something that's inappropriate, or showing up and saying I'm

854
00:44:28,640 --> 00:44:32,600
Speaker 3: a safe space for your emotions, give me more of them,

855
00:44:32,840 --> 00:44:36,040
Speaker 3: those things are really refreshing to see in characters. And

856
00:44:37,760 --> 00:44:40,880
Speaker 3: I loved seeing Julian handle that situation with Nathan in

857
00:44:40,920 --> 00:44:43,520
Speaker 3: that way, and I loved where they went because that

858
00:44:43,719 --> 00:44:46,879
Speaker 3: led them to have this whole conversation about both having

859
00:44:46,960 --> 00:44:50,640
Speaker 3: had bad dads and how it's affected them as men.

860
00:44:51,320 --> 00:44:54,880
Speaker 3: And then on this flip side with you guys, when

861
00:44:55,080 --> 00:44:58,760
Speaker 3: when Quinn puts her emotional maturity on display for Clay,

862
00:45:00,560 --> 00:45:02,880
Speaker 3: even it packed more of a punch to me because

863
00:45:03,239 --> 00:45:06,879
Speaker 3: I got to see Clay tell Sarah that he'd never

864
00:45:07,000 --> 00:45:10,440
Speaker 3: told anyone what happened with her. You know, no one

865
00:45:10,440 --> 00:45:13,000
Speaker 3: in his life now, none of his clients, no one

866
00:45:13,040 --> 00:45:17,320
Speaker 3: in Tree Hill knows. And she encourages him to tell someone.

867
00:45:17,840 --> 00:45:19,440
Speaker 3: You know, it's what we do when we talk about

868
00:45:19,440 --> 00:45:22,600
Speaker 3: therapy and mental health, talk to someone about what's going

869
00:45:22,600 --> 00:45:26,120
Speaker 3: on with you. And it's so beautiful that when he

870
00:45:26,920 --> 00:45:29,839
Speaker 3: opens up to Quinn, instead of saying whoa, that's a lot,

871
00:45:30,320 --> 00:45:34,000
Speaker 3: she leans in and says, I can handle it. Yeah,

872
00:45:34,040 --> 00:45:36,040
Speaker 3: it's nice to see safety.

873
00:45:36,080 --> 00:45:39,680
Speaker 6: Did you know Rob that this storyline was originally supposed

874
00:45:39,680 --> 00:45:43,800
Speaker 6: to be in the pilot? What this storyline of the

875
00:45:44,480 --> 00:45:47,320
Speaker 6: dead wife who we think is a real, live person

876
00:45:47,360 --> 00:45:50,279
Speaker 6: and then there's this big reveal that she's actually dead.

877
00:45:51,400 --> 00:45:55,400
Speaker 6: This was a storyline that was created for Whitey that

878
00:45:55,440 --> 00:45:57,120
Speaker 6: we were supposed to meet him with a wife. His

879
00:45:57,120 --> 00:46:02,759
Speaker 6: wife's name Mila Camilla or it was to Camilla, And

880
00:46:02,800 --> 00:46:04,680
Speaker 6: I think they decided that there were just too many

881
00:46:04,719 --> 00:46:07,360
Speaker 6: elements to the pilot, There were too many storylines to follow.

882
00:46:07,840 --> 00:46:10,520
Speaker 6: But this was something that had been they had been

883
00:46:10,520 --> 00:46:13,840
Speaker 6: holding on to for a long time because they wanted

884
00:46:14,360 --> 00:46:16,560
Speaker 6: for whatever reason, they wanted to do it. And so

885
00:46:16,680 --> 00:46:19,640
Speaker 6: you got something that had you inherited the storyline that

886
00:46:19,680 --> 00:46:22,680
Speaker 6: had been tracked and you know, waited for it, set

887
00:46:22,719 --> 00:46:24,919
Speaker 6: on a shelf, glowing, waiting for so long.

888
00:46:25,320 --> 00:46:37,440
Speaker 7: Oh cool.

889
00:46:38,600 --> 00:46:40,400
Speaker 6: Do you have any questions from listeners?

890
00:46:40,719 --> 00:46:43,279
Speaker 5: Oh my gosh, you're never gonna believe it. But our

891
00:46:43,320 --> 00:46:48,960
Speaker 5: listener question this week is from someone literally named Quinn Quinn,

892
00:46:49,560 --> 00:46:53,640
Speaker 5: so points to you. Quinn Quinn's question is, imagine your

893
00:46:53,719 --> 00:46:56,400
Speaker 5: character could host their own podcast. What would be the

894
00:46:56,440 --> 00:46:59,000
Speaker 5: main theme and who would be their first guest?

895
00:47:02,680 --> 00:47:05,000
Speaker 6: I mean, Haley's gonna be It's gonna be like Tutor Girl.

896
00:47:05,040 --> 00:47:10,880
Speaker 6: It's like something something with Tutor Girl, Oh, English, English,

897
00:47:10,880 --> 00:47:11,279
Speaker 6: and math.

898
00:47:11,760 --> 00:47:14,840
Speaker 3: I feel like Brooke would want to do some sort

899
00:47:14,880 --> 00:47:22,480
Speaker 3: of culture podcast, like fashion music, the sort of intersection

900
00:47:22,680 --> 00:47:25,120
Speaker 3: of all of those arenas.

901
00:47:25,480 --> 00:47:27,240
Speaker 4: Yes, don't you think?

902
00:47:27,640 --> 00:47:28,399
Speaker 6: I think so too.

903
00:47:28,520 --> 00:47:29,840
Speaker 3: I think that would be her vibe.

904
00:47:29,880 --> 00:47:33,920
Speaker 6: Maybe Haley and Brooke have a podcast together and it's

905
00:47:33,960 --> 00:47:37,799
Speaker 6: like intersperse, It's a tutoring and then you get your

906
00:47:37,880 --> 00:47:42,160
Speaker 6: five minute break where Brook tells you what's going on

907
00:47:42,280 --> 00:47:44,440
Speaker 6: in different cultural moments, and then you're back.

908
00:47:44,280 --> 00:47:45,560
Speaker 3: To Yeah, we're teaching.

909
00:47:46,080 --> 00:47:46,400
Speaker 7: That's it.

910
00:47:46,440 --> 00:47:49,399
Speaker 3: We're teaching all sorts of things, tutor girls. I feel

911
00:47:49,400 --> 00:47:51,360
Speaker 3: like Clay could have a cool sports podcast.

912
00:47:51,760 --> 00:47:53,239
Speaker 5: Yeah, I was gonna say, I think he would go

913
00:47:53,280 --> 00:47:55,719
Speaker 5: sports podcast because that would also allow him to not

914
00:47:55,760 --> 00:47:59,040
Speaker 5: have to talk about himself. It would be a constant

915
00:47:59,080 --> 00:48:01,840
Speaker 5: source of material that he could just talk about without

916
00:48:01,840 --> 00:48:04,600
Speaker 5: ever having to really get vulnerable. And where Clay is

917
00:48:04,680 --> 00:48:06,239
Speaker 5: right now, he is not in a place to really

918
00:48:06,239 --> 00:48:09,000
Speaker 5: get vulnerable. That's his first guest. Obviously, it's a layup.

919
00:48:09,000 --> 00:48:09,520
Speaker 5: It's Nathan.

920
00:48:10,320 --> 00:48:12,400
Speaker 4: Oh yeah, easy, yeah, first guest.

921
00:48:12,800 --> 00:48:14,440
Speaker 5: Let's spin ourselves a wheel, shall we?

922
00:48:22,760 --> 00:48:25,560
Speaker 7: What do we got kids most.

923
00:48:25,560 --> 00:48:30,440
Speaker 5: Likely to live on Mars? Zelda called it.

924
00:48:30,560 --> 00:48:33,080
Speaker 6: Who would be on that rocket? Who would be like,

925
00:48:33,280 --> 00:48:36,760
Speaker 6: sign me up for the strip? Mall the ad astrap?

926
00:48:36,920 --> 00:48:39,880
Speaker 3: That's a Dan Scott thing. I think he has the

927
00:48:40,239 --> 00:48:42,400
Speaker 3: sized ego that he'd be like, I would love it,

928
00:48:42,440 --> 00:48:44,719
Speaker 3: And I'm like, sir, do you realize you might just

929
00:48:44,800 --> 00:48:47,439
Speaker 3: be signing up for fancy or prison? Like I think

930
00:48:47,480 --> 00:48:51,120
Speaker 3: it's not great, Maybe do work here, fix things here,

931
00:48:51,160 --> 00:48:52,880
Speaker 3: and he'd be like, no, I'm going.

932
00:48:52,640 --> 00:48:54,680
Speaker 4: I'm pioneering, I'm going to space.

933
00:48:55,000 --> 00:48:57,200
Speaker 3: He has that same sort of weird thing that I

934
00:48:57,239 --> 00:49:01,399
Speaker 3: think Elon and those rolagarchs do and listen.

935
00:49:01,520 --> 00:49:03,480
Speaker 5: I don't know if it would make sense for the character,

936
00:49:03,680 --> 00:49:06,440
Speaker 5: but I would love to see an episode of Skills

937
00:49:06,440 --> 00:49:06,960
Speaker 5: in Space.

938
00:49:09,400 --> 00:49:11,960
Speaker 4: Sign me up Space Mars needs skills.

939
00:49:12,360 --> 00:49:14,520
Speaker 5: Yeah, great, he'd be great. It'd be awesome.

940
00:49:15,480 --> 00:49:18,080
Speaker 6: Oh, friends, thank you for joining us. The next episode

941
00:49:18,120 --> 00:49:21,120
Speaker 6: of season seven, episode nine, now you lift your eyes

942
00:49:21,160 --> 00:49:26,280
Speaker 6: to the sun. Very very poetic and dramatic. This was fun.

943
00:49:26,680 --> 00:49:29,000
Speaker 6: Can't wait to see what happens next. We're getting into it.

944
00:49:29,360 --> 00:49:31,800
Speaker 5: Oh yeah, bye friends, have a great week.

945
00:49:32,000 --> 00:49:32,560
Speaker 3: Bye y'all.

946
00:49:32,880 --> 00:49:34,040
Speaker 6: Hey, thanks for listening.

947
00:49:34,160 --> 00:49:36,400
Speaker 3: Don't forget to leave us a review. You can also

948
00:49:36,480 --> 00:49:39,560
Speaker 3: follow us on Instagram at Drama Queen's ot.

949
00:49:39,560 --> 00:49:44,280
Speaker 6: H or email us at Drama Queens at iHeartRadio dot com.

950
00:49:44,520 --> 00:49:45,560
Speaker 6: See you next time.

951
00:49:46,760 --> 00:49:50,560
Speaker 2: We all about that high school drama girl, Drama Girl, all.

952
00:49:50,400 --> 00:49:51,920
Speaker 6: About them high school queens.

953
00:49:52,680 --> 00:49:54,919
Speaker 2: We'll take you for a ride, and our comic girl

954
00:49:55,640 --> 00:50:00,080
Speaker 2: shared for the right team Drama Queens Up girl fast.

955
00:50:00,160 --> 00:50:01,000
Speaker 6: Much your tough girl.

956
00:50:01,080 --> 00:50:04,120
Speaker 1: You could Sit with Us, Girl Drama, Queens Drama, Quease Drama,

957
00:50:04,200 --> 00:50:07,839
Speaker 1: Queens Drama, Drama, Queens Drama, Queens