1 00:00:00,480 --> 00:00:05,280 Speaker 1: Wake that ans up in the morning. Breakfast Club Morning. 2 00:00:05,320 --> 00:00:08,680 Speaker 2: Everybody's the vej n V Jess Hilarius Charlamage, the God. 3 00:00:08,720 --> 00:00:09,719 Speaker 3: We are the Breakfast Club. 4 00:00:09,800 --> 00:00:12,360 Speaker 2: We got some special guests in the building. People are 5 00:00:12,400 --> 00:00:14,520 Speaker 2: nervous about these three individuals and then they gonna ruin 6 00:00:14,560 --> 00:00:15,920 Speaker 2: their lives with this new documentary. 7 00:00:16,000 --> 00:00:18,599 Speaker 3: Ladies and gentlemen, we have Jay Allen, Nicki Bows and 8 00:00:18,840 --> 00:00:19,520 Speaker 3: Uncle Luke. 9 00:00:19,880 --> 00:00:23,800 Speaker 2: The documentary Freaknick The Wildest Party Never Told, streaming now 10 00:00:23,880 --> 00:00:24,400 Speaker 2: on Hulu. 11 00:00:24,680 --> 00:00:27,720 Speaker 3: Welcome, that's good. 12 00:00:27,800 --> 00:00:30,440 Speaker 2: Good. Now we've all seen the doc and a lot 13 00:00:30,480 --> 00:00:32,960 Speaker 2: of people who haven't were very nervous. They thought they 14 00:00:33,000 --> 00:00:34,879 Speaker 2: were gonna see older videos. 15 00:00:34,560 --> 00:00:36,400 Speaker 3: Of Uncle Luke throwing money on him. 16 00:00:36,800 --> 00:00:38,760 Speaker 4: They thought they were gonna send videos. 17 00:00:38,360 --> 00:00:41,239 Speaker 2: Of themselves at Freaknick's, you know, torking on cars. They 18 00:00:41,280 --> 00:00:42,960 Speaker 2: didn't call it torking back then. It was booty shaking 19 00:00:43,000 --> 00:00:45,000 Speaker 2: on cars. They weren't gonna see that. But the doc 20 00:00:45,200 --> 00:00:47,760 Speaker 2: is not really like that. It kind of explains the 21 00:00:47,920 --> 00:00:51,400 Speaker 2: story of the origin, how it started, how it helped 22 00:00:51,440 --> 00:00:53,240 Speaker 2: so many people, how it helped the land of music 23 00:00:53,320 --> 00:00:55,480 Speaker 2: and all that. So break down the documentary and why 24 00:00:55,560 --> 00:00:56,800 Speaker 2: you guys wanted to put this together. 25 00:00:57,440 --> 00:01:00,360 Speaker 1: Yeah, we were a few years behind. You know what. 26 00:01:01,040 --> 00:01:02,880 Speaker 5: The essence of freaking it was to be able to attend. 27 00:01:03,560 --> 00:01:06,720 Speaker 5: So when Nick and I created the original concept, you know, 28 00:01:06,920 --> 00:01:09,400 Speaker 5: we knew we were missing the stories. And that's when 29 00:01:09,440 --> 00:01:11,760 Speaker 5: we went and found Uncle Luke and found Jermaine so 30 00:01:11,840 --> 00:01:14,639 Speaker 5: that we could tell the story the right way. And essentially, 31 00:01:14,800 --> 00:01:16,960 Speaker 5: as we were putting it together, everybody had a freaking story. 32 00:01:17,000 --> 00:01:19,200 Speaker 5: So what you see is a hybrid of everybody from 33 00:01:19,240 --> 00:01:21,880 Speaker 5: the DC Metro Club to you know, the people that 34 00:01:21,959 --> 00:01:23,200 Speaker 5: were at the end telling the story. 35 00:01:23,040 --> 00:01:25,320 Speaker 3: About now what y'all know about Freedman, because y'all weren't that. 36 00:01:25,480 --> 00:01:28,880 Speaker 2: Y'all weren't there, so y'all want to hear stories from uncles, aunties. 37 00:01:28,640 --> 00:01:31,320 Speaker 6: What anybody coming back like, you would wait for them 38 00:01:31,360 --> 00:01:33,000 Speaker 6: to get back so you can see what happened. They 39 00:01:33,080 --> 00:01:37,280 Speaker 6: coming back with the shirts with the big Looney Tune 40 00:01:37,360 --> 00:01:39,560 Speaker 6: characters and the Bart Simpsons and all of that and 41 00:01:39,920 --> 00:01:42,160 Speaker 6: the music, all of that coming back and you're like, oh, 42 00:01:42,240 --> 00:01:44,760 Speaker 6: I can't wait to go, only for it to end 43 00:01:46,080 --> 00:01:47,040 Speaker 6: before you can get there. 44 00:01:47,760 --> 00:01:49,280 Speaker 4: This is interesting though, that I think about it. 45 00:01:49,360 --> 00:01:51,120 Speaker 7: O Ja and Nicky y'all wanted to do the doc 46 00:01:51,400 --> 00:01:54,440 Speaker 7: but the OG's like the Lukes who not just where 47 00:01:54,440 --> 00:01:56,520 Speaker 7: they have provided the soundtrack for it. Did y'all not 48 00:01:56,600 --> 00:01:58,400 Speaker 7: want to tell the story Luke just because you're like, 49 00:01:58,440 --> 00:02:01,080 Speaker 7: you know what, some thing's been left one said, you 50 00:02:01,160 --> 00:02:03,280 Speaker 7: know what I mean, some takes the best left off 51 00:02:03,320 --> 00:02:03,720 Speaker 7: the record. 52 00:02:04,000 --> 00:02:06,640 Speaker 8: Nah, Nah, I mean for me, you know, it's it's 53 00:02:06,680 --> 00:02:09,320 Speaker 8: always telling the stories, you know, because my story has 54 00:02:09,400 --> 00:02:11,679 Speaker 8: never been told, you know. And I looked at my 55 00:02:11,840 --> 00:02:15,600 Speaker 8: whole career, you know, my stories you know, have not 56 00:02:15,760 --> 00:02:19,519 Speaker 8: been documented, you know, for whatever reason, and uh, you know, 57 00:02:19,639 --> 00:02:22,600 Speaker 8: when I jumped on this, it was it was about, 58 00:02:23,120 --> 00:02:26,639 Speaker 8: you know, my whole life story, you know. I was, 59 00:02:26,800 --> 00:02:30,200 Speaker 8: I did a deal with a film company, and I 60 00:02:30,280 --> 00:02:33,440 Speaker 8: looked at the actual script that was written for my 61 00:02:34,560 --> 00:02:37,400 Speaker 8: biopic and then I was like, half of my stories 62 00:02:37,440 --> 00:02:40,160 Speaker 8: ain't being told. So, you know, I didn't enter into 63 00:02:40,240 --> 00:02:43,359 Speaker 8: a deal with Swirl Films to be able to do 64 00:02:43,560 --> 00:02:46,600 Speaker 8: these different parts of my life stories. 65 00:02:46,720 --> 00:02:50,320 Speaker 1: So when Jay and Nicky mentioned Freak nick. 66 00:02:50,400 --> 00:02:52,480 Speaker 8: And I was like, that's another part of my life 67 00:02:52,520 --> 00:02:56,120 Speaker 8: story that wouldn't have been in a long stripted film, 68 00:02:56,680 --> 00:03:01,040 Speaker 8: you know, and so be amongst that story and other stories, 69 00:03:01,480 --> 00:03:05,000 Speaker 8: you know, So you know, that that I'm doing for 70 00:03:05,080 --> 00:03:07,640 Speaker 8: the next couple of years, you know, document those stories 71 00:03:07,720 --> 00:03:08,320 Speaker 8: and put them out. 72 00:03:08,600 --> 00:03:09,919 Speaker 1: You know, this is just one part of it. 73 00:03:10,280 --> 00:03:13,480 Speaker 7: You that would do a proper anything about Uncle Luke 74 00:03:13,520 --> 00:03:15,320 Speaker 7: in this era, everybody's so sensitive. 75 00:03:15,560 --> 00:03:19,000 Speaker 4: People want to cancer folks. Could you ever do that properly? 76 00:03:19,080 --> 00:03:20,680 Speaker 4: Because you would have to you. 77 00:03:20,720 --> 00:03:22,480 Speaker 1: Can only do it one way. Yeah, you could only 78 00:03:22,520 --> 00:03:23,040 Speaker 1: do it one way. 79 00:03:23,080 --> 00:03:26,160 Speaker 8: And that's why, like, like I have a I'm doing 80 00:03:26,200 --> 00:03:30,200 Speaker 8: a biopick with Will Packer, and we negotiating with a 81 00:03:30,280 --> 00:03:33,720 Speaker 8: couple of different companies. And the unique way of how 82 00:03:34,160 --> 00:03:37,400 Speaker 8: we put that together, you know, kind of took the 83 00:03:37,480 --> 00:03:39,800 Speaker 8: sensitivity out of it, because, yeah, you live in a 84 00:03:39,880 --> 00:03:43,280 Speaker 8: different era, you know. And even with this right here, 85 00:03:43,400 --> 00:03:46,040 Speaker 8: you know, Freaknick is a large part of my story, 86 00:03:46,360 --> 00:03:48,440 Speaker 8: you know, and you know I put the freak. 87 00:03:48,280 --> 00:03:50,880 Speaker 1: In Freaknick, and so you know, you had to do 88 00:03:50,960 --> 00:03:52,280 Speaker 1: it in a unique way. 89 00:03:52,240 --> 00:03:54,520 Speaker 8: Because if you did it, if if we did this 90 00:03:54,680 --> 00:03:58,280 Speaker 8: story a certain type of way in this life that 91 00:03:58,400 --> 00:04:00,720 Speaker 8: we live in right now, we're probably be in jail. 92 00:04:04,000 --> 00:04:08,880 Speaker 2: The Uncle Luke ruined Freaknick and changed the HBCU proper 93 00:04:09,040 --> 00:04:12,160 Speaker 2: picnic of what they were trying to do. 94 00:04:12,320 --> 00:04:14,640 Speaker 3: They were trying to be the dc uh. 95 00:04:15,120 --> 00:04:16,800 Speaker 2: People that couldn't afford to go home were trying to 96 00:04:16,880 --> 00:04:20,120 Speaker 2: create this brilliant and nice space. And you know, the 97 00:04:20,200 --> 00:04:23,000 Speaker 2: Greeks were stepping and there was barbecue and there was food. 98 00:04:23,320 --> 00:04:26,000 Speaker 4: And then came let me say. 99 00:04:25,839 --> 00:04:26,359 Speaker 8: You you know. 100 00:04:30,920 --> 00:04:33,200 Speaker 4: You're talking about I would say he enhanced it. 101 00:04:35,760 --> 00:04:38,240 Speaker 3: You would think Atlanta wasn't ready for that, obviously. 102 00:04:39,000 --> 00:04:40,920 Speaker 4: I mean, I'm not gonna say it wasn't ready. 103 00:04:41,240 --> 00:04:44,200 Speaker 6: It just didn't know it was ready because that him 104 00:04:44,279 --> 00:04:46,960 Speaker 6: coming there wild'n out and all of that made other 105 00:04:47,000 --> 00:04:49,080 Speaker 6: people come there and made other acts come there. And 106 00:04:49,440 --> 00:04:51,839 Speaker 6: then that's where the music came from, and the South 107 00:04:51,880 --> 00:04:53,120 Speaker 6: got something to say and all of that. 108 00:04:53,680 --> 00:04:55,560 Speaker 4: And I mean, Uncle Luke, and. 109 00:04:55,640 --> 00:04:57,400 Speaker 3: Look what made you want to go to Freknick? 110 00:04:57,480 --> 00:04:57,520 Speaker 8: Like? 111 00:04:57,640 --> 00:04:59,120 Speaker 2: Was it the buzzing at the time because it was 112 00:04:59,160 --> 00:05:02,120 Speaker 2: small at first, and then you took it to another level. 113 00:05:02,680 --> 00:05:06,080 Speaker 8: I mean, you know, you having a party in Atlanta 114 00:05:06,640 --> 00:05:09,160 Speaker 8: and it's called Freaknick. I got to be the ambassat, 115 00:05:09,960 --> 00:05:12,760 Speaker 8: so I mean, so, I mean, basically, you know, this 116 00:05:13,000 --> 00:05:14,840 Speaker 8: was at the time when I went it was the 117 00:05:14,920 --> 00:05:18,560 Speaker 8: height of my career, our career, or the controversy going 118 00:05:18,640 --> 00:05:20,960 Speaker 8: to jail doing all these different things, you know, and 119 00:05:21,040 --> 00:05:23,920 Speaker 8: then I hear about this little party going on in 120 00:05:24,120 --> 00:05:26,600 Speaker 8: Atlanta called Freaknik. So then when I heard it, I 121 00:05:26,640 --> 00:05:29,520 Speaker 8: thought it was a freak party, you know, real talking 122 00:05:29,600 --> 00:05:31,400 Speaker 8: about I need to be there. 123 00:05:31,520 --> 00:05:33,360 Speaker 1: You know, I'm the king of freakingness. I gotta go 124 00:05:33,480 --> 00:05:35,720 Speaker 1: show my face in this joint, you feel me. 125 00:05:35,800 --> 00:05:37,480 Speaker 8: And then at the end of the day, you know, 126 00:05:37,600 --> 00:05:40,560 Speaker 8: we went there and did that, plus some shot videos 127 00:05:40,600 --> 00:05:43,000 Speaker 8: and all these different things, and come to find out 128 00:05:43,120 --> 00:05:45,160 Speaker 8: later on down the line, it was like no, no, no, 129 00:05:45,320 --> 00:05:48,000 Speaker 8: it wasn't No, it wasn't that type of party. It 130 00:05:48,120 --> 00:05:50,560 Speaker 8: was some people out there with little tps and then 131 00:05:50,600 --> 00:05:52,599 Speaker 8: little you know, candos and all. 132 00:05:52,480 --> 00:05:54,200 Speaker 1: That they would trying to have a little Greek thing. 133 00:05:54,320 --> 00:05:56,800 Speaker 1: And before you know it, you know, I put the 134 00:05:56,839 --> 00:05:58,320 Speaker 1: freaking in the picnic. 135 00:05:58,600 --> 00:06:00,640 Speaker 7: So what was the difference between freak Nick in the 136 00:06:00,680 --> 00:06:03,480 Speaker 7: classic in Florida the closet was was wild too. 137 00:06:03,960 --> 00:06:07,360 Speaker 8: Yeah, well, I mean you you had different you had 138 00:06:07,400 --> 00:06:10,080 Speaker 8: different degrees of it all lot and I lived through 139 00:06:10,440 --> 00:06:11,360 Speaker 8: through through the mall. 140 00:06:11,760 --> 00:06:16,120 Speaker 1: You had Murder Beach, Yes, yeah, same situation. 141 00:06:16,320 --> 00:06:18,800 Speaker 8: You had Murder Beach, then you had Daytona Beach, and 142 00:06:19,120 --> 00:06:22,320 Speaker 8: you know then you from Daytona Beach, you had Carabana 143 00:06:22,440 --> 00:06:26,520 Speaker 8: and uh in Canada, so you had different, uh versions 144 00:06:26,600 --> 00:06:27,680 Speaker 8: of these different parties. 145 00:06:28,040 --> 00:06:30,400 Speaker 1: You know that was generated through young people. Then you 146 00:06:30,480 --> 00:06:34,520 Speaker 1: had Galvestone, uh, the beach week the bike what it was. 147 00:06:34,600 --> 00:06:34,760 Speaker 7: It was. 148 00:06:34,880 --> 00:06:37,080 Speaker 1: It was some sort of beach weekend out there that 149 00:06:37,160 --> 00:06:38,159 Speaker 1: we would go frequent. 150 00:06:38,360 --> 00:06:39,760 Speaker 3: Philly Green Yeah. 151 00:06:39,600 --> 00:06:42,719 Speaker 8: Philly Yeah, Yeah, I remember you know, doing that, doing 152 00:06:42,760 --> 00:06:46,640 Speaker 8: that party, watching people run by my hotel naked. So 153 00:06:46,800 --> 00:06:49,480 Speaker 8: you had all those type of parties and and uh 154 00:06:49,960 --> 00:06:52,440 Speaker 8: you know, and Freak Nick was just one that you had. 155 00:06:52,320 --> 00:06:54,520 Speaker 2: To go to during that time. Did you ever get 156 00:06:54,880 --> 00:06:56,640 Speaker 2: the money you were supposed to get? Because I'm thinking 157 00:06:56,640 --> 00:06:59,200 Speaker 2: about it now. When Uncle Luke pulled up, it wasn't 158 00:06:59,279 --> 00:07:01,280 Speaker 2: like a regular rapper where he could just perform with 159 00:07:01,360 --> 00:07:01,760 Speaker 2: a DJ. 160 00:07:06,800 --> 00:07:09,000 Speaker 3: Yeah, like you had a lot of people to pay. 161 00:07:09,440 --> 00:07:11,520 Speaker 2: Did you actually get what you was because you you 162 00:07:11,640 --> 00:07:14,840 Speaker 2: had mc hammer type staff, like you had mad people. 163 00:07:15,000 --> 00:07:18,440 Speaker 8: No, no, not as type staff. I haven't had a 164 00:07:18,520 --> 00:07:21,280 Speaker 8: whole seven twenty seven. I heard him going to Japan 165 00:07:21,400 --> 00:07:23,400 Speaker 8: and I'm like, man, you got all these people in here, 166 00:07:23,720 --> 00:07:25,920 Speaker 8: war drove and all that stuff, like how you pay him? 167 00:07:26,280 --> 00:07:28,920 Speaker 1: But yeah, I mean, my my crew was a big 168 00:07:29,040 --> 00:07:30,840 Speaker 1: old I mean it was most of the girls. 169 00:07:31,040 --> 00:07:34,200 Speaker 8: It was girls and DJ's and you know, we ain't 170 00:07:34,240 --> 00:07:37,120 Speaker 8: had too many securities. It was it was new artists 171 00:07:37,320 --> 00:07:39,560 Speaker 8: like Pitt Bull would be on the bus, you know, 172 00:07:40,040 --> 00:07:42,200 Speaker 8: Trick Daddy would be on the bus. You know, guys 173 00:07:42,240 --> 00:07:44,720 Speaker 8: that I was breaking along the way, you know, using 174 00:07:44,840 --> 00:07:48,840 Speaker 8: my popularity to spend them off to hopefully had him 175 00:07:48,920 --> 00:07:50,160 Speaker 8: become a hit artist. 176 00:07:51,000 --> 00:07:53,600 Speaker 7: Could you tell me what was the Miami influence on 177 00:07:53,720 --> 00:07:55,440 Speaker 7: Atlanta sound because Atlanta. 178 00:07:55,240 --> 00:07:59,200 Speaker 4: Was known for his base too. But there's always, you know, 179 00:07:59,760 --> 00:08:01,920 Speaker 4: a debate about who came first. 180 00:08:02,280 --> 00:08:05,560 Speaker 8: We came first, no question. I started hip hop in 181 00:08:05,600 --> 00:08:08,200 Speaker 8: the South, yes, no question. I mean it was no 182 00:08:08,360 --> 00:08:10,920 Speaker 8: hip hop and it was no hip hop nowhere in 183 00:08:10,960 --> 00:08:14,080 Speaker 8: the South when I basically started. We was touring those areas. 184 00:08:14,400 --> 00:08:17,520 Speaker 8: We went to Atlanta, they were playing, uh they had 185 00:08:17,600 --> 00:08:19,840 Speaker 8: New York DJs on the radio, so they didn't even 186 00:08:20,120 --> 00:08:22,880 Speaker 8: they didn't even play any music. I mean I signed 187 00:08:23,280 --> 00:08:26,440 Speaker 8: artists out of Atlanta called mc shot d. You know, 188 00:08:27,200 --> 00:08:29,840 Speaker 8: I would go to Sharon showcase they had, you know, 189 00:08:29,960 --> 00:08:33,720 Speaker 8: they had some rappers up in Atlanta, you know, Kizzy Rock, 190 00:08:33,800 --> 00:08:36,599 Speaker 8: They had a few dudes doing some underground stuff. But 191 00:08:36,679 --> 00:08:39,960 Speaker 8: they really wasn't you know, nobody you know, picked them up, 192 00:08:40,080 --> 00:08:43,599 Speaker 8: nobody was, nobody signed them. And so I would go 193 00:08:43,720 --> 00:08:46,079 Speaker 8: there all the time, you know, and pretty much do 194 00:08:46,200 --> 00:08:49,160 Speaker 8: shows at Sharon Showcase, a hot spot that a little 195 00:08:49,240 --> 00:08:52,640 Speaker 8: underground spot, you know. And uh and you know, once 196 00:08:52,720 --> 00:08:54,640 Speaker 8: we went in there, we signed him. He was one 197 00:08:54,679 --> 00:08:57,599 Speaker 8: of the top rappers in town. And then you know, 198 00:08:57,840 --> 00:09:00,720 Speaker 8: Kid blew up and then we just kept on moving around. 199 00:09:00,840 --> 00:09:03,480 Speaker 8: Like even even in New Orleans, we signed a guy 200 00:09:03,600 --> 00:09:04,280 Speaker 8: named bust Down. 201 00:09:04,720 --> 00:09:05,959 Speaker 1: You know, it was a big hit. You know. 202 00:09:06,080 --> 00:09:09,240 Speaker 8: I always you know, I had these conversations with every 203 00:09:09,280 --> 00:09:11,120 Speaker 8: time I see bird Man, he tell me the story 204 00:09:11,520 --> 00:09:13,640 Speaker 8: that he tried to get bust Down and then link 205 00:09:13,720 --> 00:09:15,320 Speaker 8: him up with me and then get him a deal. 206 00:09:15,400 --> 00:09:17,679 Speaker 8: I say, well, it all worked out right for you, 207 00:09:17,880 --> 00:09:18,520 Speaker 8: you know what I'm saying. 208 00:09:18,559 --> 00:09:22,040 Speaker 1: But no, it was it was it was no hip 209 00:09:22,040 --> 00:09:23,000 Speaker 1: hop period, you know. 210 00:09:23,080 --> 00:09:25,920 Speaker 8: And even when we did shows with with New York 211 00:09:26,080 --> 00:09:28,920 Speaker 8: artists like Rock Him and all of them, they gave 212 00:09:29,040 --> 00:09:32,360 Speaker 8: us five minutes on stage. Then we would eventually end 213 00:09:32,480 --> 00:09:35,199 Speaker 8: up in a fight. Uh, run to him see another 214 00:09:35,280 --> 00:09:38,160 Speaker 8: five minutes and almost end up in a fight with 215 00:09:38,280 --> 00:09:40,719 Speaker 8: their management and all that, because we you know, we 216 00:09:40,840 --> 00:09:42,760 Speaker 8: were the only things. So it was like really breaking 217 00:09:42,880 --> 00:09:46,360 Speaker 8: ground in an area that that it was unheard of. 218 00:09:46,600 --> 00:09:47,480 Speaker 4: That makes so much sense. 219 00:09:47,480 --> 00:09:50,600 Speaker 7: I didn't know that because everybody always credits ideas being 220 00:09:50,600 --> 00:09:54,319 Speaker 7: a pioneer for Atlanta Base, but you signed, Yeah, I 221 00:09:54,520 --> 00:09:54,959 Speaker 7: didn't know that. 222 00:09:55,240 --> 00:09:58,400 Speaker 8: Yeah, yeah, yeah, yeah, he and he eventually became a 223 00:09:58,480 --> 00:10:00,439 Speaker 8: pioneer because he was the first one to break out. 224 00:10:00,600 --> 00:10:03,360 Speaker 2: Were you mad at JD back then when he kind 225 00:10:03,400 --> 00:10:05,080 Speaker 2: of you were doing what you were doing and then he. 226 00:10:05,120 --> 00:10:08,120 Speaker 3: Did the Base All Stars, which was very similar to 227 00:10:08,200 --> 00:10:12,600 Speaker 3: what you were doing. Were you mad at him back 228 00:10:12,600 --> 00:10:13,280 Speaker 3: then at all? 229 00:10:13,480 --> 00:10:13,520 Speaker 8: No? 230 00:10:13,840 --> 00:10:16,320 Speaker 1: No, no, because you know, I know this story. 231 00:10:16,360 --> 00:10:18,880 Speaker 8: I knew the story of Lil John, you know, working 232 00:10:18,960 --> 00:10:22,319 Speaker 8: at Social Depth and Little John wanted to do bass, 233 00:10:22,840 --> 00:10:25,840 Speaker 8: you know, and where Lil John got, you know, when 234 00:10:25,880 --> 00:10:28,520 Speaker 8: he got his opportunity, you know, to show JD that 235 00:10:28,679 --> 00:10:31,280 Speaker 8: he was you know, he was a producer. You know, 236 00:10:31,800 --> 00:10:34,640 Speaker 8: he did this vergeon a base, which is we called 237 00:10:34,679 --> 00:10:36,680 Speaker 8: it R and B based, you know, with the mabu 238 00:10:36,800 --> 00:10:38,839 Speaker 8: and all that. Yeah, he put a little twist to 239 00:10:39,000 --> 00:10:40,439 Speaker 8: it instead. 240 00:10:40,160 --> 00:10:41,840 Speaker 1: Of trying to do it the same way we were 241 00:10:41,880 --> 00:10:44,599 Speaker 1: doing it. So you know, I loved it. I respect it. 242 00:10:44,800 --> 00:10:47,040 Speaker 1: I mean my thing is the more to marry you 243 00:10:47,120 --> 00:10:47,680 Speaker 1: for everybody. 244 00:10:47,800 --> 00:10:51,480 Speaker 8: If you diversify anything, then the stand power becomes longer. 245 00:10:51,720 --> 00:10:53,240 Speaker 3: Now, how did y'all get all the footage? 246 00:10:53,920 --> 00:10:57,000 Speaker 2: Because that was when you had big ass cam quarters 247 00:10:57,000 --> 00:10:58,959 Speaker 2: on you. There was no cell phone footage. 248 00:10:59,160 --> 00:11:00,600 Speaker 3: How did y'all get all that footage? 249 00:11:01,160 --> 00:11:04,640 Speaker 6: Were some people that we interviewed actually had their own footage? 250 00:11:04,720 --> 00:11:06,720 Speaker 6: And then so when we saw that it wasn't enough, 251 00:11:07,559 --> 00:11:09,680 Speaker 6: on put up a post and was like, give us 252 00:11:09,720 --> 00:11:17,439 Speaker 6: all of your footage before So it started coming in 253 00:11:17,800 --> 00:11:20,079 Speaker 6: and it was it was footage from there. It was 254 00:11:20,120 --> 00:11:22,679 Speaker 6: footage from I literally went the people's houses who had 255 00:11:22,800 --> 00:11:25,760 Speaker 6: active DVD I mean, what do you call them? Yes, 256 00:11:26,080 --> 00:11:30,439 Speaker 6: active VCRs and yeah, went to their house and got that, 257 00:11:30,880 --> 00:11:32,720 Speaker 6: met people in the in the parking lots. 258 00:11:33,160 --> 00:11:34,800 Speaker 4: However we could get the footage I was getting it. 259 00:11:34,920 --> 00:11:36,600 Speaker 3: Was there any celebrities wilding out back then? 260 00:11:36,600 --> 00:11:38,840 Speaker 2: Because everybody was wilding out back then, and like, let's 261 00:11:38,880 --> 00:11:40,640 Speaker 2: take that one out because did you have to take 262 00:11:40,640 --> 00:11:43,160 Speaker 2: anything out? Like we're not gonna put that up, not 263 00:11:43,360 --> 00:11:45,839 Speaker 2: any celebrities, but you got to take something out? 264 00:11:45,920 --> 00:11:47,480 Speaker 4: Oh yeah, we definitely took footage job. 265 00:11:47,559 --> 00:11:50,559 Speaker 5: Why well, because again I think when people saw this 266 00:11:51,160 --> 00:11:54,319 Speaker 5: the announcement, they thought this was some salacious documentary that 267 00:11:54,480 --> 00:11:57,720 Speaker 5: was being made. But just like Woodstock documentary was made 268 00:11:57,840 --> 00:12:01,000 Speaker 5: and those stores were ale to be told, just like 269 00:12:01,080 --> 00:12:03,559 Speaker 5: we go see you know what happens that Marty grawl, Like, 270 00:12:03,880 --> 00:12:06,679 Speaker 5: black stories deserve the space to be told in a 271 00:12:06,760 --> 00:12:08,559 Speaker 5: way where it's not a gotcha thing. 272 00:12:09,040 --> 00:12:12,839 Speaker 4: Black people gotta stop trying to get motherfuckers. We be 273 00:12:12,960 --> 00:12:14,880 Speaker 4: the main ones on social media ready to get each other. 274 00:12:16,000 --> 00:12:18,120 Speaker 5: But even when we put out there announcement, people like, 275 00:12:18,120 --> 00:12:20,520 Speaker 5: I hope they don't show this picture of me, and 276 00:12:20,800 --> 00:12:23,000 Speaker 5: like you know what I'm saying, like people people presented 277 00:12:23,000 --> 00:12:25,400 Speaker 5: it in that way, and we feel like Freak Nick, 278 00:12:25,720 --> 00:12:27,320 Speaker 5: which is why we have these legends JD. 279 00:12:27,559 --> 00:12:27,800 Speaker 1: Louke. 280 00:12:27,880 --> 00:12:29,960 Speaker 5: We feel like Freak Nick is a story in Black 281 00:12:30,040 --> 00:12:32,839 Speaker 5: history that deserves to be told because it wasn't just 282 00:12:33,800 --> 00:12:37,280 Speaker 5: you know, twrking on Peachtree, you know outcast. These these 283 00:12:37,360 --> 00:12:39,760 Speaker 5: major groups were formed during this time, like these major 284 00:12:39,840 --> 00:12:43,200 Speaker 5: executives like Shanti Das you know and KP like all 285 00:12:43,280 --> 00:12:46,599 Speaker 5: these people came out of this ecosystem and so we 286 00:12:46,640 --> 00:12:48,600 Speaker 5: wanted to make sure we told the full story of Freaknick, 287 00:12:48,720 --> 00:12:51,719 Speaker 5: not just you can't you can't feel ninety minutes of 288 00:12:51,840 --> 00:12:52,800 Speaker 5: just torking on p Stree. 289 00:12:53,000 --> 00:12:54,760 Speaker 7: And the funniest part about this is Uncle looked to 290 00:12:54,800 --> 00:12:56,600 Speaker 7: be having a little smile on his face the whole time, 291 00:12:56,679 --> 00:12:57,880 Speaker 7: like he just reminiscing about it. 292 00:13:02,080 --> 00:13:07,360 Speaker 1: Right here, I do have all we're getting head in 293 00:13:07,400 --> 00:13:09,120 Speaker 1: the back of the US waiting. 294 00:13:14,800 --> 00:13:15,000 Speaker 3: Career. 295 00:13:15,800 --> 00:13:17,120 Speaker 1: It was it was very important. 296 00:13:17,200 --> 00:13:20,360 Speaker 8: I mean, you know, going to Atlanta in the nineties, 297 00:13:20,400 --> 00:13:23,720 Speaker 8: in the early nineties when I heard about the actuals, 298 00:13:24,120 --> 00:13:26,079 Speaker 8: you know, heard about the party, and then going there, 299 00:13:26,640 --> 00:13:30,040 Speaker 8: we did videos there, we marketed. 300 00:13:30,040 --> 00:13:30,839 Speaker 1: New artists there. 301 00:13:31,360 --> 00:13:33,559 Speaker 8: Uh. But at the same time, you know, I was 302 00:13:33,840 --> 00:13:35,880 Speaker 8: right there when it kind of went bad, you know, 303 00:13:35,960 --> 00:13:39,079 Speaker 8: and then trying to work with you know, city officials 304 00:13:39,160 --> 00:13:40,960 Speaker 8: and try to straighten it out and clean it up, 305 00:13:41,000 --> 00:13:43,360 Speaker 8: working with different promoters and all that. So I was 306 00:13:43,440 --> 00:13:46,120 Speaker 8: like really in the thick of things, uh, when it 307 00:13:46,280 --> 00:13:48,760 Speaker 8: when it when it kind of went bad, and then. 308 00:13:48,760 --> 00:13:50,599 Speaker 1: Tried to actually save it. 309 00:13:51,080 --> 00:13:52,880 Speaker 8: But then, you know, like you see in the doc, 310 00:13:53,040 --> 00:13:56,400 Speaker 8: you couldn't save something that when the Olympics was coming in, 311 00:13:56,480 --> 00:13:58,600 Speaker 8: you know, that was too big for everything. 312 00:13:58,720 --> 00:14:02,319 Speaker 1: But but uh, it was. It was really important, you know, 313 00:14:02,720 --> 00:14:05,640 Speaker 1: especially you know the couple. I remember one video I did. 314 00:14:05,679 --> 00:14:07,079 Speaker 8: I think it was Bounce of the Beat and we 315 00:14:07,320 --> 00:14:10,719 Speaker 8: rented the whole Nico Hotel and had helicopters flying and 316 00:14:11,320 --> 00:14:13,839 Speaker 8: had girls over the balcony and all that, and you 317 00:14:13,920 --> 00:14:15,959 Speaker 8: know that became a big, big song for me. 318 00:14:16,160 --> 00:14:17,120 Speaker 4: Did you ever try to move it? 319 00:14:17,160 --> 00:14:19,400 Speaker 7: Like when they when they was talking about canceling, he 320 00:14:19,480 --> 00:14:20,480 Speaker 7: was like, man, let's bring it to Miami. 321 00:14:20,920 --> 00:14:24,760 Speaker 8: Well it was all similar, I mean, because we remember 322 00:14:24,880 --> 00:14:28,040 Speaker 8: we started, uh can Coon, We started doing the parties 323 00:14:28,080 --> 00:14:30,000 Speaker 8: on Tomorrow Day weekend and can Coon and all the 324 00:14:30,040 --> 00:14:31,400 Speaker 8: celebrities would come down there. 325 00:14:31,720 --> 00:14:34,080 Speaker 1: And then we moved to South Beach and then same 326 00:14:34,200 --> 00:14:36,600 Speaker 1: situation right now that you got going on that happened 327 00:14:36,920 --> 00:14:37,640 Speaker 1: with Freaknick. 328 00:14:38,480 --> 00:14:41,040 Speaker 8: Thought about it, but it was it was It was hard, 329 00:14:41,160 --> 00:14:45,320 Speaker 8: I mean because you know Atlanta and just like Jays, 330 00:14:46,440 --> 00:14:49,360 Speaker 8: it became a monster because everybody started using it as 331 00:14:49,400 --> 00:14:52,360 Speaker 8: a promotional to you know, it wasn't just Atlanta going 332 00:14:52,400 --> 00:14:52,960 Speaker 8: to Freaknik. 333 00:14:53,040 --> 00:14:54,760 Speaker 1: Now, it was the world coming to Freak Nick. 334 00:14:54,840 --> 00:14:58,520 Speaker 8: It was everybody from Detroit and every black college on 335 00:14:58,640 --> 00:15:02,520 Speaker 8: that spring break weekend. What a grid lock happened because 336 00:15:02,760 --> 00:15:05,680 Speaker 8: the city just couldn't hold that many people coming to 337 00:15:05,880 --> 00:15:07,360 Speaker 8: uh Atlanta like that. 338 00:15:07,480 --> 00:15:09,120 Speaker 2: They tried to do it a couple of years ago, right, 339 00:15:09,840 --> 00:15:12,200 Speaker 2: it didn't work out. Could ever happened again? 340 00:15:13,520 --> 00:15:14,320 Speaker 4: That's that's tough. 341 00:15:15,440 --> 00:15:15,640 Speaker 1: Yeah. 342 00:15:15,880 --> 00:15:18,520 Speaker 5: Yeah, I don't think free Nick could happen. And everybody 343 00:15:18,520 --> 00:15:20,080 Speaker 5: has a different opinion. I don't think free Nick could 344 00:15:20,080 --> 00:15:21,880 Speaker 5: happen the way it did back then. I just think 345 00:15:21,920 --> 00:15:24,320 Speaker 5: that's impossible. No major metropolitan the city is gonna let 346 00:15:24,320 --> 00:15:26,480 Speaker 5: you shut him down like that. But one of our 347 00:15:26,520 --> 00:15:29,400 Speaker 5: other EPs on the project was twenty one Savage And 348 00:15:29,560 --> 00:15:31,640 Speaker 5: what I love that Savage did. He threw the party 349 00:15:31,960 --> 00:15:36,800 Speaker 5: with Han, who is a monster out here. But what 350 00:15:36,920 --> 00:15:39,520 Speaker 5: he did was a free Nick theme party. And when 351 00:15:39,560 --> 00:15:42,640 Speaker 5: you went to that party, which he graciously allowed us 352 00:15:42,680 --> 00:15:45,920 Speaker 5: to attend, it felt like freed Nick. He had Uncle 353 00:15:45,960 --> 00:15:48,120 Speaker 5: Luke on stage. Drake was there, you know what I'm saying, 354 00:15:48,240 --> 00:15:51,080 Speaker 5: Like it felt like in the nineties. He had a 355 00:15:51,200 --> 00:15:52,720 Speaker 5: car club with the nineties cars. 356 00:15:52,800 --> 00:15:53,480 Speaker 1: I mean it was. 357 00:15:54,960 --> 00:15:57,680 Speaker 6: He had like the artists that were back then doing 358 00:15:57,760 --> 00:15:58,760 Speaker 6: it on stage. 359 00:15:58,800 --> 00:16:02,360 Speaker 1: One. Yeah, I think you, I really think it can. 360 00:16:02,560 --> 00:16:04,280 Speaker 8: It can come back, and it can come back in 361 00:16:04,320 --> 00:16:07,240 Speaker 8: a positive way, because when you really look at the story, 362 00:16:07,640 --> 00:16:10,240 Speaker 8: you see how it started with you know, some some 363 00:16:10,840 --> 00:16:15,880 Speaker 8: HBCU grads and they created something because they couldn't afford it. 364 00:16:16,000 --> 00:16:17,960 Speaker 8: And still to this day, kids can't afford to go 365 00:16:18,040 --> 00:16:21,160 Speaker 8: to go to dusting and I go to Panama City 366 00:16:21,240 --> 00:16:24,880 Speaker 8: out South Beach, you know, And I just think in 367 00:16:24,960 --> 00:16:28,160 Speaker 8: an organized way, because everything is programmed. You know, if 368 00:16:28,160 --> 00:16:31,240 Speaker 8: you program something, it don't get chaotic. If freak Nick 369 00:16:31,400 --> 00:16:33,680 Speaker 8: was programmed, it wouldn't have got chaotic. It would have 370 00:16:33,680 --> 00:16:36,200 Speaker 8: been similar to the Essence Festival right now. We all 371 00:16:36,240 --> 00:16:38,960 Speaker 8: would be, you know, talking about how it started, how 372 00:16:39,000 --> 00:16:40,160 Speaker 8: great it is, you know. 373 00:16:40,400 --> 00:16:41,680 Speaker 1: But again, it just it. 374 00:16:41,760 --> 00:16:45,840 Speaker 8: Takes a programming an organization to do something like that. 375 00:16:46,040 --> 00:16:48,160 Speaker 8: And I think you could kind of bring it back 376 00:16:48,720 --> 00:16:51,880 Speaker 8: and be able to give a large portion of the 377 00:16:51,920 --> 00:16:54,720 Speaker 8: money to HBCUs and things like that, do it in 378 00:16:54,800 --> 00:16:56,880 Speaker 8: a positive way. I'm a firm believer of taking something 379 00:16:56,920 --> 00:16:59,600 Speaker 8: that was so negative and then creating a positive out 380 00:16:59,640 --> 00:16:59,760 Speaker 8: of it. 381 00:17:00,080 --> 00:17:01,880 Speaker 1: If you could do that, you know, it'll be a 382 00:17:01,960 --> 00:17:02,360 Speaker 1: good thing. 383 00:17:02,560 --> 00:17:07,400 Speaker 8: I don't want woke Nick thought you want the girls 384 00:17:07,520 --> 00:17:08,320 Speaker 8: sitting on your face. 385 00:17:08,920 --> 00:17:11,639 Speaker 4: No, I'm married, But I want some young young man 386 00:17:11,800 --> 00:17:13,320 Speaker 4: experience that I. 387 00:17:13,480 --> 00:17:16,639 Speaker 1: Want just send them out on the weekend with you. 388 00:17:18,280 --> 00:17:19,639 Speaker 4: But I do like what you said cause I never 389 00:17:19,680 --> 00:17:21,960 Speaker 4: thought about it. Freak Nick didn't have no programming. It 390 00:17:22,040 --> 00:17:23,080 Speaker 4: was just everybody was just out. 391 00:17:23,359 --> 00:17:24,600 Speaker 1: Yeah, And that's what they do. 392 00:17:24,920 --> 00:17:26,720 Speaker 8: That's what they do when when they want to shut 393 00:17:26,800 --> 00:17:29,720 Speaker 8: something down for young African American kids, no different than 394 00:17:29,760 --> 00:17:32,479 Speaker 8: what's going on on Miami Beach right now, you know, Uh, 395 00:17:33,000 --> 00:17:35,720 Speaker 8: they'll take it and and and when they want to 396 00:17:35,800 --> 00:17:37,359 Speaker 8: gentrified neighborhood. 397 00:17:37,040 --> 00:17:39,960 Speaker 1: They let crime, crime, crime, throw it on TV. 398 00:17:40,119 --> 00:17:42,560 Speaker 8: Crime is bad, it's all this, you know, and let 399 00:17:42,640 --> 00:17:45,719 Speaker 8: it just go real bad so the general public can 400 00:17:45,800 --> 00:17:48,240 Speaker 8: be behind what they getting ready to really do, which 401 00:17:48,359 --> 00:17:51,480 Speaker 8: is shut something down, are going. 402 00:17:51,359 --> 00:17:52,320 Speaker 1: To take over a neighborhood. 403 00:17:52,359 --> 00:17:53,960 Speaker 4: That's how you feel about South Beach canceling. 404 00:17:54,359 --> 00:17:57,119 Speaker 8: Yeah, this South Beach got one of the most racist 405 00:17:57,320 --> 00:18:01,680 Speaker 8: governments ever the mankind. And it's they have a blueprint 406 00:18:02,359 --> 00:18:05,040 Speaker 8: for whatever council come in and whatever mayor comes in 407 00:18:05,560 --> 00:18:08,280 Speaker 8: a spring breaking Memorial Day weekend. 408 00:18:08,680 --> 00:18:10,600 Speaker 1: You know, I always tell people just don't go there, 409 00:18:10,680 --> 00:18:11,840 Speaker 1: don't go spend your money there. 410 00:18:12,200 --> 00:18:14,359 Speaker 2: It always bothered me because when you see the white 411 00:18:14,400 --> 00:18:16,479 Speaker 2: schools and the white people do their spring break, right, 412 00:18:16,880 --> 00:18:18,199 Speaker 2: they got crime, they drinking and. 413 00:18:18,280 --> 00:18:21,000 Speaker 3: Driving, their public intoxfication, it's fighting and all that. 414 00:18:21,359 --> 00:18:23,240 Speaker 2: They kind of get swept under rug they don't have 415 00:18:23,280 --> 00:18:26,040 Speaker 2: a problem, but when it's us, they shut it down 416 00:18:26,160 --> 00:18:26,960 Speaker 2: like and they go hard. 417 00:18:27,040 --> 00:18:29,080 Speaker 3: Like like you said, spring break in Miami where they 418 00:18:29,080 --> 00:18:31,159 Speaker 3: say two hundred and thirty people got arrested. Those are 419 00:18:31,200 --> 00:18:31,720 Speaker 3: college kids. 420 00:18:31,720 --> 00:18:33,640 Speaker 2: How they gonna fee to get it exactly, so we're 421 00:18:33,640 --> 00:18:35,720 Speaker 2: being drunk like that was what spring break was around. 422 00:18:35,720 --> 00:18:37,000 Speaker 3: You walk around with your red cup. 423 00:18:36,880 --> 00:18:38,600 Speaker 1: And have a good time. And what people don't realize 424 00:18:38,760 --> 00:18:40,520 Speaker 1: is you have a white spring break. 425 00:18:41,119 --> 00:18:44,440 Speaker 8: Well white colleges go all at the same time, and 426 00:18:44,520 --> 00:18:48,680 Speaker 8: then later in the springtime, you have all the black 427 00:18:48,760 --> 00:18:52,040 Speaker 8: colleges that have spring break at the same time. So 428 00:18:52,200 --> 00:18:56,320 Speaker 8: they know, you know, they know the schedules of these 429 00:18:56,359 --> 00:18:59,720 Speaker 8: different colleges, and like right now it's black college spring 430 00:18:59,800 --> 00:19:02,760 Speaker 8: break around the world because all of the black college 431 00:19:02,840 --> 00:19:03,119 Speaker 8: kind of. 432 00:19:03,640 --> 00:19:05,720 Speaker 1: Do that, do that spring break the same time, and 433 00:19:05,840 --> 00:19:08,080 Speaker 1: so that's why you have it like that. The same 434 00:19:08,119 --> 00:19:10,080 Speaker 1: thing as Carolina Brother and deal with the myrtle beats. 435 00:19:10,080 --> 00:19:14,400 Speaker 4: The same thing happened black Bike weekend. It's not white 436 00:19:14,400 --> 00:19:16,680 Speaker 4: bike WEGND but it was like two weeks ago. 437 00:19:16,720 --> 00:19:18,440 Speaker 3: It's like it was kind of like white Bike, but 438 00:19:18,520 --> 00:19:18,720 Speaker 3: they just. 439 00:19:18,720 --> 00:19:21,240 Speaker 5: Call this bike week exactly one. It's called Black Bike Week. 440 00:19:21,640 --> 00:19:23,720 Speaker 5: It's you know, completely different and shut down. 441 00:19:23,840 --> 00:19:25,959 Speaker 7: So did you hear earthquake when he was up here 442 00:19:26,640 --> 00:19:29,720 Speaker 7: Luke and he said that he dropped a nuclear missile. 443 00:19:31,600 --> 00:19:36,639 Speaker 1: You can't miss y'all show when he told me. 444 00:19:36,720 --> 00:19:38,680 Speaker 8: When I when I heard that story right here on 445 00:19:38,760 --> 00:19:41,600 Speaker 8: your show, it's like, I'm like, oh lord, this man, 446 00:19:42,119 --> 00:19:43,240 Speaker 8: this man find to blame me. 447 00:19:46,280 --> 00:19:49,680 Speaker 1: My dog too quick. I mean, hey, but that was 448 00:19:49,800 --> 00:19:50,439 Speaker 1: that was funny. 449 00:19:51,040 --> 00:19:51,240 Speaker 8: Yeah. 450 00:19:51,600 --> 00:19:53,639 Speaker 7: Do you still feel like hip hop forgot about Florida 451 00:19:53,880 --> 00:19:55,800 Speaker 7: when fifty celebrations? 452 00:19:56,080 --> 00:19:57,080 Speaker 1: No, no question about it. 453 00:19:57,160 --> 00:20:00,760 Speaker 8: I mean we it was we had the going you know, 454 00:20:00,920 --> 00:20:02,760 Speaker 8: me and Trick that he had to actually go on 455 00:20:02,880 --> 00:20:04,159 Speaker 8: social media and say, hey. 456 00:20:04,600 --> 00:20:06,440 Speaker 1: You forgot about it? That's what the fuck is going on. 457 00:20:06,840 --> 00:20:08,800 Speaker 1: We're part of this, We're major part of this. 458 00:20:09,280 --> 00:20:12,399 Speaker 8: And then people start calling up and like, oh, we're sorry, 459 00:20:12,560 --> 00:20:14,680 Speaker 8: Oh we want to have invite you, we want you 460 00:20:14,800 --> 00:20:15,439 Speaker 8: to be a part of this. 461 00:20:16,000 --> 00:20:18,840 Speaker 1: And everything like that. So I mean that that's that's 462 00:20:18,880 --> 00:20:20,280 Speaker 1: been happening in my entire career. 463 00:20:20,320 --> 00:20:23,480 Speaker 8: And that's that's why I'm you know, before I was mad, 464 00:20:23,840 --> 00:20:26,520 Speaker 8: but like right now, being able to tell all these 465 00:20:26,680 --> 00:20:31,840 Speaker 8: stories in different forms, The Freak Nick Coach, Luke Uh, 466 00:20:32,280 --> 00:20:35,280 Speaker 8: this other show that we're partnering up with Lebron. 467 00:20:35,359 --> 00:20:38,400 Speaker 4: That we get ready to do on you know, scripted 468 00:20:38,480 --> 00:20:40,360 Speaker 4: series that could be the book of Luke. 469 00:20:41,160 --> 00:20:44,880 Speaker 1: Ah, that's gonna be properly the Dark Side of Luke. Okay, yeah, 470 00:20:44,920 --> 00:20:47,919 Speaker 1: and so and and give you a real story of Miami. 471 00:20:48,400 --> 00:20:50,920 Speaker 8: And you know, between that and the in the in 472 00:20:51,000 --> 00:20:53,520 Speaker 8: the movie that we're doing with Will Packer, and then 473 00:20:53,640 --> 00:20:57,480 Speaker 8: the other uh, the other show with me coaching that 474 00:20:57,560 --> 00:21:00,199 Speaker 8: we're doing with Smack and straight Hand and all them. 475 00:21:00,520 --> 00:21:03,920 Speaker 8: So you will see all these different pieces of being 476 00:21:03,960 --> 00:21:07,040 Speaker 8: able to tell these different stories, which I'm happy right now. 477 00:21:07,160 --> 00:21:10,120 Speaker 8: So I pretty much created a damn film company out 478 00:21:10,119 --> 00:21:12,639 Speaker 8: of the whole thing because they didn't tell the story. 479 00:21:13,000 --> 00:21:14,680 Speaker 1: And then I'll get to tell my own story. 480 00:21:14,720 --> 00:21:17,800 Speaker 7: But you hip hop pioneer, Uncle, Look, that's what pisses 481 00:21:17,880 --> 00:21:20,560 Speaker 7: me off when people have these conversations about hip hop 482 00:21:20,600 --> 00:21:24,800 Speaker 7: pioneers and hip hop moguls. You wanted the original ones. 483 00:21:24,840 --> 00:21:26,600 Speaker 7: We don't get down South hip hop without Uncle. 484 00:21:26,600 --> 00:21:28,240 Speaker 3: You don't think they realized what he sacrificed. 485 00:21:28,320 --> 00:21:29,200 Speaker 1: Again went through. 486 00:21:31,880 --> 00:21:34,760 Speaker 4: I don't think you fought the government for hip hop. 487 00:21:37,080 --> 00:21:39,200 Speaker 8: And we got locked up, got locked up like he 488 00:21:39,400 --> 00:21:43,000 Speaker 8: fought for him on many wasn't fight by himself like 489 00:21:43,080 --> 00:21:46,600 Speaker 8: I was literally fighting. Yeah, I mean and and just 490 00:21:46,680 --> 00:21:49,960 Speaker 8: like you say, man, nobody came to my defense. There 491 00:21:50,080 --> 00:21:53,240 Speaker 8: wasn't no nobody in the industry. Matter of fact, people 492 00:21:53,280 --> 00:21:55,280 Speaker 8: in the industry was talking ship about me. I mean 493 00:21:55,359 --> 00:21:58,479 Speaker 8: it would going Donnie Simpson show other rappers and be like, oh, 494 00:21:58,600 --> 00:22:00,560 Speaker 8: that's not hip hop. You know, got to the point 495 00:22:00,600 --> 00:22:04,040 Speaker 8: where when we did shows with hip hop artists that 496 00:22:04,160 --> 00:22:06,000 Speaker 8: they would say, oh, put them on last, and then 497 00:22:06,040 --> 00:22:07,879 Speaker 8: they would all would leave because you know how you 498 00:22:08,000 --> 00:22:10,120 Speaker 8: do a show, everybody on the side seeing who rocked 499 00:22:10,119 --> 00:22:12,800 Speaker 8: the stage and shit. So we we we had to 500 00:22:12,840 --> 00:22:15,240 Speaker 8: go through a lot, you know people, But then people 501 00:22:15,359 --> 00:22:18,119 Speaker 8: start understanding. And that's why, you know, I was happy 502 00:22:18,160 --> 00:22:20,720 Speaker 8: that we put Savager part of this because when he 503 00:22:20,840 --> 00:22:24,000 Speaker 8: looked at you know, you know, this young kid is 504 00:22:24,080 --> 00:22:27,480 Speaker 8: trying to understand, you know, just what went on, you know, 505 00:22:27,640 --> 00:22:31,440 Speaker 8: this part of history, you know, and people like aside Rocket, 506 00:22:31,520 --> 00:22:34,440 Speaker 8: when I'd sit down conversation with him. You know, man, 507 00:22:34,720 --> 00:22:36,879 Speaker 8: I would just embrace the history. So you got some 508 00:22:37,200 --> 00:22:40,280 Speaker 8: artists that go deep into it and then they just 509 00:22:40,359 --> 00:22:43,240 Speaker 8: want the vibe and like know where this shit came from. 510 00:22:43,320 --> 00:22:45,400 Speaker 8: But then you got a lot of people that really 511 00:22:45,480 --> 00:22:48,080 Speaker 8: try to brush it up under the rug. But you know, 512 00:22:48,320 --> 00:22:52,080 Speaker 8: this doctor, this doctor be the beginning of something big. 513 00:22:52,320 --> 00:22:54,560 Speaker 8: I think because this is the only this is the 514 00:22:54,600 --> 00:22:57,600 Speaker 8: only description of the South. You know, on this level, 515 00:22:57,800 --> 00:23:01,000 Speaker 8: you don't have nothing that ever been done on the South. 516 00:23:01,080 --> 00:23:02,719 Speaker 8: And I think a large part of it didn't want 517 00:23:02,760 --> 00:23:04,800 Speaker 8: to tell the story because then a lot of people 518 00:23:04,880 --> 00:23:07,119 Speaker 8: had to give me too much credit, you feel me, 519 00:23:07,160 --> 00:23:09,200 Speaker 8: and so you know, when you do that, then it'll 520 00:23:09,200 --> 00:23:10,960 Speaker 8: be like, Okay, who the fuck was the part of this? 521 00:23:11,119 --> 00:23:12,680 Speaker 1: And not telling these stories. 522 00:23:12,720 --> 00:23:15,040 Speaker 7: I think because so much of the media was in 523 00:23:15,160 --> 00:23:19,040 Speaker 7: New York back then, so that's who they documented as 524 00:23:19,080 --> 00:23:21,119 Speaker 7: opposed to the Lukes that you made the prize? 525 00:23:21,200 --> 00:23:23,200 Speaker 4: Did J Prince's the masterpiece? 526 00:23:23,320 --> 00:23:26,879 Speaker 7: Like it wasn't until maybe early two thousands when you 527 00:23:26,960 --> 00:23:30,119 Speaker 7: started seeing like the South really get his profits and honestly, 528 00:23:30,119 --> 00:23:30,800 Speaker 7: probably because. 529 00:23:30,600 --> 00:23:34,080 Speaker 1: Of cash money, yeah yeah, yeah. 530 00:23:33,359 --> 00:23:34,800 Speaker 4: And denial the numbers was too crazy. 531 00:23:34,840 --> 00:23:35,840 Speaker 1: They numbers was crazy. 532 00:23:35,960 --> 00:23:38,040 Speaker 8: I mean and just like you say they were, you know, 533 00:23:38,680 --> 00:23:41,840 Speaker 8: when you see, I was never affiliated with a major label. 534 00:23:42,000 --> 00:23:43,720 Speaker 1: Only one time I was affiliated with. 535 00:23:46,040 --> 00:23:50,040 Speaker 8: Atlantic Records, and that kind of went bad because Sylvia 536 00:23:50,160 --> 00:23:54,040 Speaker 8: Ron never embraced me, you know, and what we were 537 00:23:54,119 --> 00:23:56,000 Speaker 8: doing as far as the label, and then we kind 538 00:23:56,000 --> 00:23:58,879 Speaker 8: of jumped off of that real quick. But at the 539 00:23:58,920 --> 00:24:02,400 Speaker 8: same time, so everybody got that big machine behind them, 540 00:24:02,720 --> 00:24:04,840 Speaker 8: you know, I never had a big machine in which 541 00:24:04,880 --> 00:24:06,960 Speaker 8: I was happy, you know at the time, because I 542 00:24:07,000 --> 00:24:09,440 Speaker 8: got all the money, you feel me, I you know, shit, 543 00:24:09,480 --> 00:24:12,520 Speaker 8: I we pressed the records and manufactured them and sent 544 00:24:12,640 --> 00:24:14,640 Speaker 8: them out and we pretty much got all the money 545 00:24:14,680 --> 00:24:16,399 Speaker 8: off of the records, and everybody. 546 00:24:16,400 --> 00:24:17,200 Speaker 1: Kind of live good. 547 00:24:17,280 --> 00:24:19,239 Speaker 8: But at the end of the day, you know, that's 548 00:24:19,280 --> 00:24:21,280 Speaker 8: why it leads all the way up up to down 549 00:24:21,400 --> 00:24:23,720 Speaker 8: that I can really tell them stories, you know, because 550 00:24:24,080 --> 00:24:25,480 Speaker 8: a lot of people don't know a lot of people 551 00:24:25,520 --> 00:24:28,800 Speaker 8: don't know my I had the first download record ever 552 00:24:28,920 --> 00:24:31,439 Speaker 8: in the history when you look up the history books, 553 00:24:32,359 --> 00:24:35,840 Speaker 8: which banned in the USA, and when I came up 554 00:24:35,880 --> 00:24:38,960 Speaker 8: with the idea of letting every radio station play it 555 00:24:39,040 --> 00:24:40,720 Speaker 8: on the fourth of July at the same time, and 556 00:24:40,800 --> 00:24:43,720 Speaker 8: then you know, that's when I was with Atlantic and 557 00:24:43,840 --> 00:24:44,960 Speaker 8: they downloaded the ship. 558 00:24:45,000 --> 00:24:46,879 Speaker 1: I was like, how you mean download? You know? And 559 00:24:46,960 --> 00:24:48,560 Speaker 1: I never even knew that existed. 560 00:24:49,000 --> 00:24:51,520 Speaker 8: So it's a lot of different things you know that 561 00:24:51,600 --> 00:24:54,920 Speaker 8: people don't know that, you know, through these projects that 562 00:24:55,520 --> 00:24:56,720 Speaker 8: that I'm doing, that they'll get. 563 00:24:56,680 --> 00:24:59,960 Speaker 4: The story to go to they gotta go more quicks. 564 00:25:00,119 --> 00:25:02,040 Speaker 7: Why do you think they tried to ban what you 565 00:25:02,320 --> 00:25:05,080 Speaker 7: was doing when literally all you was doing was making 566 00:25:05,119 --> 00:25:08,320 Speaker 7: people dance, making people have sex. But you have all 567 00:25:08,320 --> 00:25:10,920 Speaker 7: these artists who are killing people on records, selling drugs 568 00:25:10,960 --> 00:25:11,439 Speaker 7: on records. 569 00:25:11,640 --> 00:25:13,280 Speaker 4: I don't see nobody trying to band them. Why did 570 00:25:13,320 --> 00:25:14,240 Speaker 4: they try to ban you? 571 00:25:14,800 --> 00:25:17,920 Speaker 8: Well, I mean the thing is I was I was 572 00:25:18,000 --> 00:25:19,560 Speaker 8: the first, you know what I'm saying. It was the 573 00:25:19,640 --> 00:25:22,240 Speaker 8: first to cuss on the records, you know. But it 574 00:25:22,359 --> 00:25:25,119 Speaker 8: was really it was really fun because we say, I 575 00:25:25,200 --> 00:25:27,639 Speaker 8: looked at what everybody was doing everywhere else, what they 576 00:25:27,720 --> 00:25:30,160 Speaker 8: was doing in Cali, what they was doing in New York, 577 00:25:30,240 --> 00:25:32,160 Speaker 8: and you know, I was like, Okay, we ain't gonna 578 00:25:32,160 --> 00:25:33,359 Speaker 8: sample James Brown. 579 00:25:33,400 --> 00:25:35,520 Speaker 1: We can't be like somebody else. We gotta be like 580 00:25:35,640 --> 00:25:36,240 Speaker 1: where we're from. 581 00:25:36,560 --> 00:25:39,240 Speaker 8: A lot of people don't understand Miami is half naked 582 00:25:39,359 --> 00:25:42,240 Speaker 8: people walking around everywhere, you know, strip clubs, naked. So 583 00:25:42,760 --> 00:25:46,000 Speaker 8: so when when they came after us, it was because, 584 00:25:46,280 --> 00:25:49,320 Speaker 8: you know, for a couple of reasons. Won the album covers. 585 00:25:49,680 --> 00:25:52,280 Speaker 8: You know, they you know, they were exotic. Then the 586 00:25:52,880 --> 00:25:55,119 Speaker 8: back of the album cover the titles were, you know, 587 00:25:55,359 --> 00:25:57,240 Speaker 8: face down the ass up. Hey, he wants to puts 588 00:25:57,240 --> 00:25:58,679 Speaker 8: me in all that. I do that because I had 589 00:25:58,800 --> 00:26:00,000 Speaker 8: no money, you know what I'm saying. 590 00:26:00,080 --> 00:26:02,320 Speaker 1: And uh, and I had no budget, you know. 591 00:26:02,520 --> 00:26:04,480 Speaker 8: And so at the end of the day, when you 592 00:26:04,600 --> 00:26:06,800 Speaker 8: looked at the music and when you when you listen 593 00:26:06,920 --> 00:26:10,960 Speaker 8: to it, uh, then it started crossing over into white 594 00:26:11,000 --> 00:26:13,959 Speaker 8: households and that became Then I became a target. 595 00:26:14,480 --> 00:26:17,280 Speaker 1: Same time you had the music industry same way. 596 00:26:17,520 --> 00:26:19,399 Speaker 8: You know, the music industry was against what I was 597 00:26:19,440 --> 00:26:22,320 Speaker 8: doing because I was taking sales away from everybody else, 598 00:26:22,640 --> 00:26:24,439 Speaker 8: you know, and then when you take sales away, then 599 00:26:24,480 --> 00:26:26,639 Speaker 8: it's like, Okay, we gotta shut this motherfucker down. So 600 00:26:26,800 --> 00:26:30,440 Speaker 8: then they send Tip of Gore our Gore's wife after me, 601 00:26:30,760 --> 00:26:33,240 Speaker 8: you know, uh, and put me on this list. You know, 602 00:26:33,400 --> 00:26:36,080 Speaker 8: they they tell George Lucas because at the time my 603 00:26:36,200 --> 00:26:38,040 Speaker 8: name was Luke Skywalker Records. 604 00:26:38,760 --> 00:26:39,960 Speaker 1: You gotta suit this motherfucker. 605 00:26:40,000 --> 00:26:42,399 Speaker 8: So they were pulling me from all different angles, you know, 606 00:26:42,400 --> 00:26:45,480 Speaker 8: how to pay him a big ass settlement Lucas. 607 00:26:45,640 --> 00:26:47,840 Speaker 1: Yeah, I had a big ass lawsuit with this motherfucker. 608 00:26:48,119 --> 00:26:50,000 Speaker 8: That's why I don't look at No Star Wars right 609 00:26:50,040 --> 00:26:57,119 Speaker 8: now the UK records did he sued me in and 610 00:26:57,400 --> 00:26:58,080 Speaker 8: uh I had. 611 00:26:58,000 --> 00:26:58,879 Speaker 1: To pay got them? 612 00:26:59,119 --> 00:27:01,159 Speaker 3: Uh then you can tell us now right or now? 613 00:27:01,280 --> 00:27:03,159 Speaker 1: It was a half a million dollars, you know. 614 00:27:03,440 --> 00:27:06,240 Speaker 8: Uh back then, you know, and I kind of you 615 00:27:06,320 --> 00:27:10,680 Speaker 8: know when I saw Kenny Skywalker, okay Looke Skywalker, you know, 616 00:27:10,840 --> 00:27:13,399 Speaker 8: and this you ain't sue this motherus. So I had 617 00:27:13,440 --> 00:27:15,320 Speaker 8: a whole bunch of shit that I was going through 618 00:27:15,800 --> 00:27:18,080 Speaker 8: at the time. And again, you know, a lot of 619 00:27:18,080 --> 00:27:20,359 Speaker 8: people think that it was one case. It was actually 620 00:27:20,440 --> 00:27:24,199 Speaker 8: three cases. It was one the Royal Orpiser case. Uh, 621 00:27:24,280 --> 00:27:25,360 Speaker 8: that went to the spring court. 622 00:27:25,560 --> 00:27:28,240 Speaker 1: I won that. If I don't win that, you don't 623 00:27:28,600 --> 00:27:31,399 Speaker 1: you know, there's the more satire, there's the more Saturday 624 00:27:31,480 --> 00:27:33,760 Speaker 1: Night Live and none of that ship. You can't you know, 625 00:27:34,359 --> 00:27:35,600 Speaker 1: make a joke about somebody. 626 00:27:35,680 --> 00:27:38,480 Speaker 4: Then they had the uh oh so satire that was 627 00:27:38,520 --> 00:27:40,600 Speaker 4: a satire case. That was a satire that didn't just 628 00:27:40,720 --> 00:27:43,000 Speaker 4: change music that changed TV and the. 629 00:27:44,720 --> 00:27:48,080 Speaker 8: Internet, because right now they used my case for any 630 00:27:48,200 --> 00:27:51,760 Speaker 8: Internet claim, whether it's you know, uh, you know, uh, 631 00:27:52,119 --> 00:27:56,359 Speaker 8: intellectual property, it became an intellectual property, uh satire case. 632 00:27:56,600 --> 00:27:59,440 Speaker 1: And so when you had that ship going on, you know, 633 00:27:59,680 --> 00:28:01,800 Speaker 1: now you know, I'm fighting this. 634 00:28:03,240 --> 00:28:06,240 Speaker 8: I got to go get this this ruling overturn that 635 00:28:06,359 --> 00:28:08,080 Speaker 8: the record is deemed I've seen by. 636 00:28:08,000 --> 00:28:08,840 Speaker 1: This federal judge. 637 00:28:09,160 --> 00:28:11,200 Speaker 8: And then I then say fuck him when we go 638 00:28:11,240 --> 00:28:13,120 Speaker 8: down the street and perform, and then go to jail 639 00:28:13,200 --> 00:28:15,320 Speaker 8: for it. So I got three cases going on at 640 00:28:15,359 --> 00:28:18,320 Speaker 8: one time, plus you know, plus all the other shit 641 00:28:18,480 --> 00:28:21,399 Speaker 8: happening around me trying to run a record company and 642 00:28:21,480 --> 00:28:23,639 Speaker 8: all that. And that's why that's why, you know, I 643 00:28:23,760 --> 00:28:27,680 Speaker 8: got really really really deep into the into the politics 644 00:28:27,720 --> 00:28:30,520 Speaker 8: of it though, you know, and uh and seeing where. 645 00:28:30,320 --> 00:28:31,000 Speaker 1: It was coming from. 646 00:28:31,080 --> 00:28:32,679 Speaker 3: How much did you spend a lawyer fees back then? 647 00:28:33,160 --> 00:28:35,880 Speaker 1: Oh shit, millions of dollars. But then the crazy part, 648 00:28:36,000 --> 00:28:38,200 Speaker 1: I ain't had to do it. I wasn't going to jail, 649 00:28:38,640 --> 00:28:38,800 Speaker 1: you know. 650 00:28:39,040 --> 00:28:41,800 Speaker 8: I knew the big picture, and the big picture it 651 00:28:41,920 --> 00:28:44,080 Speaker 8: was really they was coming out to hip hop, you know, 652 00:28:44,120 --> 00:28:46,000 Speaker 8: and they was coming out to me. Yeah, I was 653 00:28:46,040 --> 00:28:48,800 Speaker 8: a part of the game because I was low hanging fruit. 654 00:28:48,840 --> 00:28:51,280 Speaker 8: I'm not affiliated with a major label, because I'm sitting 655 00:28:51,320 --> 00:28:54,800 Speaker 8: there like, motherfucker Andrew Dice Clay saying work shit than 656 00:28:54,840 --> 00:28:58,120 Speaker 8: me on the record, but he's on this label here. 657 00:28:58,200 --> 00:29:01,040 Speaker 8: So you start putting two and two together and all that, 658 00:29:01,200 --> 00:29:03,360 Speaker 8: and before you know it, you know, you see how 659 00:29:03,440 --> 00:29:04,760 Speaker 8: that ship is played out. 660 00:29:04,920 --> 00:29:08,120 Speaker 2: Crazy because you said what you did is really to 661 00:29:08,160 --> 00:29:10,040 Speaker 2: fight for hip hop for the next artist, but the 662 00:29:10,160 --> 00:29:12,320 Speaker 2: artists didn't support you at all. All hip hop artists 663 00:29:12,480 --> 00:29:15,160 Speaker 2: basically said fuck you. But you still knew the bigger picture. 664 00:29:15,360 --> 00:29:17,600 Speaker 8: Yeah, I looked at it from a bigger picture standpoint 665 00:29:17,640 --> 00:29:20,240 Speaker 8: because I know, all right, these motherfuckers stupid right now, 666 00:29:20,600 --> 00:29:21,720 Speaker 8: you know, the industry is. 667 00:29:22,240 --> 00:29:24,760 Speaker 1: Not supporting me. You know. I remember going to the 668 00:29:24,840 --> 00:29:26,120 Speaker 1: Grammys and they was like. 669 00:29:26,440 --> 00:29:28,320 Speaker 8: We want you to go to the Grammys and everything, 670 00:29:28,720 --> 00:29:31,840 Speaker 8: and we're gonna celebrate your fight for free speech and 671 00:29:32,080 --> 00:29:32,720 Speaker 8: all this shit. 672 00:29:32,800 --> 00:29:35,440 Speaker 1: And I go there, I sit down on the third 673 00:29:35,600 --> 00:29:37,640 Speaker 1: row and they man start having this big. 674 00:29:37,520 --> 00:29:41,600 Speaker 8: Speech by you know, artists being attacked and we're fighting, 675 00:29:42,000 --> 00:29:44,800 Speaker 8: you know, we're supporting all this and everything, you know, 676 00:29:44,920 --> 00:29:47,600 Speaker 8: our artists for free expression and everything. And right now, 677 00:29:47,920 --> 00:29:50,160 Speaker 8: we want to honor a person who's out there on 678 00:29:50,360 --> 00:29:52,320 Speaker 8: the road doing it every night. 679 00:29:53,280 --> 00:29:59,920 Speaker 1: Madonna. I ain't never went back to fucking Grammys. 680 00:30:01,400 --> 00:30:04,480 Speaker 8: This was the last time when you know, celebration of 681 00:30:04,520 --> 00:30:06,840 Speaker 8: the fifty I went back there. They said that ship. 682 00:30:06,880 --> 00:30:08,800 Speaker 8: I was like, I don't walked up. 683 00:30:08,760 --> 00:30:11,000 Speaker 1: In there with my ship on. They taking the pictures 684 00:30:11,080 --> 00:30:13,920 Speaker 1: and all that. No, that that it was crazy, man. 685 00:30:14,000 --> 00:30:16,800 Speaker 8: But but again that that's why I got so deep 686 00:30:16,920 --> 00:30:20,480 Speaker 8: into fucking politics, man, because I know everything is political. 687 00:30:20,560 --> 00:30:23,400 Speaker 7: I'd love to see that genre of bass music come back. 688 00:30:23,440 --> 00:30:25,480 Speaker 7: There's a couple of artists that's that's doing it a 689 00:30:25,520 --> 00:30:26,760 Speaker 7: little bit. And I saw that you was in the 690 00:30:26,760 --> 00:30:27,920 Speaker 7: studio with Karsha. 691 00:30:28,360 --> 00:30:31,960 Speaker 8: Yeah, yeah, yeah, yeah, she's bringing it back. She's bringing 692 00:30:31,960 --> 00:30:34,600 Speaker 8: it back. I mean, it's soon that that we did together. 693 00:30:34,760 --> 00:30:36,520 Speaker 8: I mean, you know, because I don't go in the 694 00:30:36,600 --> 00:30:39,600 Speaker 8: studio for no fucking body. I mean people call me 695 00:30:39,680 --> 00:30:41,960 Speaker 8: all the time, you know, go and sample the ship, 696 00:30:42,360 --> 00:30:44,760 Speaker 8: you know, so you know, only two people could get 697 00:30:44,800 --> 00:30:47,200 Speaker 8: me in there, Missy. I went in there with her, 698 00:30:47,560 --> 00:30:51,719 Speaker 8: uh before COVID and then with Kresha, you know, and uh, 699 00:30:52,480 --> 00:30:54,160 Speaker 8: you know, I heard the track and I was like, Okay, 700 00:30:54,640 --> 00:30:56,320 Speaker 8: I could fuck with that, you know what I'm saying. 701 00:30:56,320 --> 00:30:58,320 Speaker 1: And we went in there and not that out, real, 702 00:30:58,920 --> 00:30:59,560 Speaker 1: real easy. 703 00:31:00,080 --> 00:31:03,800 Speaker 8: I think it's gonna be a big summer club banger 704 00:31:04,000 --> 00:31:06,960 Speaker 8: and everything. I'm looking forward to people listening to it. 705 00:31:07,440 --> 00:31:07,560 Speaker 3: Right. 706 00:31:07,560 --> 00:31:10,160 Speaker 2: All right, ladies and gentlemen, make sure you check out 707 00:31:10,240 --> 00:31:11,880 Speaker 2: freak Nick the Wirelace Party. 708 00:31:11,800 --> 00:31:15,200 Speaker 7: Never told now they should build a statue of Uncle 709 00:31:15,280 --> 00:31:16,840 Speaker 7: Luke in every major hip hop city. 710 00:31:17,560 --> 00:31:19,280 Speaker 4: I'm not you of joking New York, l A. 711 00:31:22,560 --> 00:31:24,240 Speaker 1: Do I get to have a Jenitalor's hanging? 712 00:31:24,520 --> 00:31:32,840 Speaker 3: No, you know what, Nikki Bob, Uncle Luke. It's the 713 00:31:32,880 --> 00:31:33,480 Speaker 3: Breakfast Club. 714 00:31:33,520 --> 00:31:36,520 Speaker 1: Good morning, wake till ass up in the morning. The 715 00:31:36,680 --> 00:31:37,480 Speaker 1: Breakfast Club.