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Speaker 1: This is your week up Hall Breakfast Club to show

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Speaker 1: you love to hate from the East to the West Coast,

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Speaker 1: dj nd Angela, Ye, Charlomagne, the really show on the planet.

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Speaker 1: This is where I respect this show because this is

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Speaker 1: a voice of society. James in the game, guys are

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Speaker 1: the coveted morning show. What y'all earning inpacting the coach

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Speaker 1: went up in the morning and as day want to

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Speaker 1: hear that Breakfast the world's most dangerous morning show. Good

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Speaker 1: morning Usa. Hey yo yo, yo, yo yo. What's up? Angela, yee,

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Speaker 1: what's ups? And uh, Charlomagne, I'm sure he's running a

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Speaker 1: little late. But guess what day it is? Guess what

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Speaker 1: day it is? Yes, ha ha ha Wednesday Day. How

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Speaker 1: was your little trip? I was in Bermuda. It was

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Speaker 1: Fantasy I stick it with their heroes weekend festival so

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Speaker 1: they had juvee out there, carnival and all of that.

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Speaker 1: I was at my friends from high school, a whole

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Speaker 1: bunch of us, so we had a great time. Uh yeah,

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Speaker 1: it was. It was a lot of fun. Okay, I

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Speaker 1: know my voice is still a little raspie from it,

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Speaker 1: but that's good. That means you have a great time

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Speaker 1: from New York Bermuda's only like a two hour flight,

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Speaker 1: so you know it's a nice quick getaway. Okay, all right,

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Speaker 1: Well today is my son's Logan's graduation. He graduates middle

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Speaker 1: school today. So yesterday all he wanted was these for graduation.

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Speaker 1: He wanted to pay off White. Jordan's not easy. It

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Speaker 1: was that Virgil did. Virgils the one that owns off White.

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Speaker 1: He's also the one that's working for Louis Va time. Well,

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Speaker 1: he did a collaboration with Jordan, and my son has

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Speaker 1: been into these sneakers for like the last six months,

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Speaker 1: and that's all he wanted for graduation. The only problem

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Speaker 1: is when they came out they were like one hundred

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Speaker 1: and fifty dollars. Now they're like two thousand dollars. So

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Speaker 1: I've been trying to find you like it. No, I

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Speaker 1: don't have it and have five kids. So now I've

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Speaker 1: been trying to find somebody who's been trying to sell

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Speaker 1: it and not trying to make that much money off

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Speaker 1: of me. That's not doing your stop. I found a pair,

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Speaker 1: so he'll be happy today. I grab five hunting. That's good.

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Speaker 1: It's a good price. Final selling sneakers five hundred. You

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Speaker 1: should ask for more, you should have but they understood

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Speaker 1: what it was. I told him what it was and

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Speaker 1: they were just like I would let it slide. So

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Speaker 1: he'll he'll get those a little bit later. So I'm

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Speaker 1: excited for him. So today is graduation. So anyway, today

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Speaker 1: on the show, the cast of Sorry to Bother You

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Speaker 1: will be joining us, and that's Terry Crews, Amori Hardwick,

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Speaker 1: and Boots Riley, So we'll kick it with them a

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Speaker 1: little bit later. I haven't seen the movie. I've seen

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Speaker 1: like trailers and it's a little weird. Yeah, you know what.

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Speaker 1: So my friend Jennet is staying with me and she

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Speaker 1: actually went to go see it last night. What did

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Speaker 1: she say? And she told me it was a very

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Speaker 1: strange movie and if she was high, that's what I said,

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Speaker 1: I said, if I was high. She said it was

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Speaker 1: a great movie. But she said she feels like if

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Speaker 1: she was high, it would have been an even better experience.

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Speaker 1: Not that we're promoting people to get high to go

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Speaker 1: see this movie. It's a little weird movie. And we

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Speaker 1: got front pageans what we're talking about, you man, we

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Speaker 1: got to talk about these and I don't know if

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Speaker 1: you guys have been talking about this while I've been gone,

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Speaker 1: but over twenty three hundred kids separated from their parents

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Speaker 1: at the US Mexico border. And that's just in about

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Speaker 1: one month. Wow. Really sad. Sad. And I know we've

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Speaker 1: been talking about this before I left, and I always

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Speaker 1: feel like, um, it's just so important for us to

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Speaker 1: talk about immigration here in the United States and what's

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Speaker 1: going on underneath Donald Trump. All right, we'll get into

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Speaker 1: that when we come back. Keep a lot of this

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Speaker 1: to Breakfast Club, Good Morning in sports. New York Knicks

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Speaker 1: has just recently signed Lebron James. Don't get fake news.

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Speaker 1: That's that's naturue. I was hoping, like I'm praying on

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Speaker 1: that everyone that was true and say you throw that

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Speaker 1: out there, and the way you said, you throw it

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Speaker 1: out there, youdaw some positivity and the comebacks that they

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Speaker 1: weren't weren't. Was that positive for New York? Is it

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Speaker 1: positive for Lebron? I don't know, but exactly so that's natural. No,

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Speaker 1: that's that's natural. Anyway, Let's talk about some real news.

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Speaker 1: What's going on with Trump and this border, this Mexico border,

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Speaker 1: these kids, and I know we've been talking about this

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Speaker 1: up here, and here's the situation. Over twenty three hundred

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Speaker 1: kids have been separated from their parents at the US

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Speaker 1: Mexico border, and that's in the period of about one month.

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Speaker 1: That's under Donald Trump's zero tolerance policy, and they're saying

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Speaker 1: there's no clear system in place to reunite them. Now,

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Speaker 1: if you guys follow Michael Skolnick on Twitter, he posts

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Speaker 1: about this constantly. It has a lot of links to

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Speaker 1: articles in case you don't know exactly what's going on.

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Speaker 1: But immigrants who are arrested near the border are taking

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Speaker 1: to processing centers and they are trying to see if

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Speaker 1: some of them are granted asylum. It's a misdemeanor crime

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Speaker 1: of illegal entry, so a lot of times those immigrants

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Speaker 1: often plead guilty in group hearings. They get a sentence

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Speaker 1: of a few days in prison or time served, and

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Speaker 1: then they get quickly deported unless they have a credible

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Speaker 1: fare of returning to their home country. And I've been

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Speaker 1: watching videos of there's one nine year old kid. They

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Speaker 1: said the gangs told their family they had to leave

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Speaker 1: right away, so they left and came here and hasn't

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Speaker 1: seen his parents since. Now, everybody's been arguing about this.

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Speaker 1: Here is what Fox newses Laura Ingram had to say

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Speaker 1: about there's these immigrant child attention centers. Some of these

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Speaker 1: kids are five years old and younger that are being

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Speaker 1: separated from their parents. And there's been studies done that

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Speaker 1: show how trauma can happen to a child when they're

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Speaker 1: separated from their kids at such an early age. So,

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Speaker 1: since more illegal immigrants are rushing the border, more kids

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Speaker 1: are being separated from their parents and temporarily housed and

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Speaker 1: what are essentially summer camps, or as the San Diego

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Speaker 1: Union Tribune describe them today, is looking like basically boarding schools. Okay,

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Speaker 1: I don't know if they she saw the kids that

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Speaker 1: were it wasn't And yeah, so as you can see,

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Speaker 1: just very tone deaf what's going on now here. This

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Speaker 1: is what Michael Grim had to say about these kids

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Speaker 1: who are in these child detention centers, sitting in cages.

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Speaker 1: I think it's extremely unfortunate. But what people are forgetting

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Speaker 1: They just want to listen to those tapes. You know,

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Speaker 1: I can take it to any nursery and you're going

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Speaker 1: to hear the exact same things as as a mother

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Speaker 1: leaves to go to work and has to leave for

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Speaker 1: child at daycare. You're going to hear those same exact things.

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Speaker 1: So Michael Gramman needs to leave your kids in a

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Speaker 1: child detention center since it's a daycare. Who was the

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Speaker 1: compassion like this? Seems like people just don't care about

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Speaker 1: these kids. Now. Here's what Anne Coats had to say

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Speaker 1: on Fox News. And I would also say one other thing,

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Speaker 1: these child actors weeping and crying on all the other

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Speaker 1: networks twenty four to seven right now, do not fall

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Speaker 1: for it, mister president. She called them child actors. Them

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Speaker 1: child actors. The fact that these five year old, six

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Speaker 1: year olds, eight year olds, nine year olds are crying,

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Speaker 1: holding onto the gate because their parents are going they

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Speaker 1: don't know who to talk to. And I you know,

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Speaker 1: some of these kids aren't being united. And guess what

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Speaker 1: a lot of times when people come here and they're

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Speaker 1: trying to get asylum and maybe they are going to

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Speaker 1: get it, or they're going through the whole process and

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Speaker 1: they have no idea where their kids are. All right.

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Speaker 1: Here is what koy Lewandowski had to say about as

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Speaker 1: he was arguing on Fox News. Also, I mean, look,

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Speaker 1: I read today about a ten year old girl with

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Speaker 1: Down syndrome. Who was taken from her mother and put

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Speaker 1: in a cage. I read about a they just they

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Speaker 1: wan't want to a ten year old with down syndrome anything.

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Speaker 1: You worked, but the bottom line is very scaring you.

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Speaker 1: These people are crazy, man. There's no compassion. And this

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Speaker 1: is America, right, this is the land of the Free.

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Speaker 1: This is where we're supposed to care about people in

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Speaker 1: and take other people's problems and try to help them out, right,

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Speaker 1: That's that's America. A couple in California has raised over

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Speaker 1: four million dollars in Facebook fundraises for immigrant families, and

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Speaker 1: they are set to raise five million dollars in under

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Speaker 1: five days. That's in response to the zero tolerance policy

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Speaker 1: on immigration and the separation of thousands of kids from

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Speaker 1: their families at the borders. Charlotte and Dave Wilner they

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Speaker 1: started their fundraising campaign after seeing a two year old

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Speaker 1: girl crying as her mother, who was seeking asylum from Honduras,

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Speaker 1: was being searched and detained. And they additionally wanted to

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Speaker 1: raise fifteen hundred dollars to help cover the bond fees

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Speaker 1: for one person, but it just grew so much that

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Speaker 1: they raised over four million dollars. If you've ever been

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Speaker 1: to a kennel, and you'll see how they keep the

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Speaker 1: dogs all in chain in gates and you know, all

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Speaker 1: gated up in This section is the pit bulls, and

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Speaker 1: this section is the German shepherds. This section is the

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Speaker 1: little dogs. That's how that picture looked yesterday when I

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Speaker 1: seen it. Discover for anybody who thinks that it's okay

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Speaker 1: and it's illegal what these people are doing trying to

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Speaker 1: come to the country, and then doesn't see an issue

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Speaker 1: with this, then that's the real problem. I mean, it

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Speaker 1: is illegal, but yeah, some people that think some people

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Speaker 1: are taking us in humane, Yeah, but it's inhumane with

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Speaker 1: It's inhumane what they're doing too, the people that are

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Speaker 1: trying to get in here illegally. But I will say

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Speaker 1: it makes me one of the people got kids at all,

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Speaker 1: because how can you have kids and not have empathy

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Speaker 1: for other people's children, passion at all. And it's a misdemeanor.

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Speaker 1: So as some people just get sent right back, and

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Speaker 1: some people actually do get asylum and they're separated and

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Speaker 1: might never see their kids again. My goodness. All right,

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Speaker 1: Well last front page news, Charlemagne, you just got there.

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Speaker 1: Oh man, I overslept last night. I was at UM,

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Speaker 1: I was at well, you know, we got Boots Boots

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Speaker 1: Trille here today, Terry crew Hard, creator and director of

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Speaker 1: Sorry to Bother You. That's the movie that's coming out.

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Speaker 1: So I did July. I did a screening for them

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Speaker 1: last night with Lakeith Stanfield and Tessa Thompson, and then

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Speaker 1: we had a Q and A and I stayed up

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Speaker 1: too late. You really on Good Music's payroll? Bro got

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Speaker 1: another pair of yeasys on yas I don't know what

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Speaker 1: where'd you get it from? What I get them from?

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Speaker 1: If you got to ask a question with a question

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Speaker 1: that means you lying where I get them from? Yes?

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Speaker 1: I think I think I'm pretty sure Good Music. Oh

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Speaker 1: my goodness, this guy here, you gotta payn't I got

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Speaker 1: some leppards door? Oh you're box in the back? Then?

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Speaker 1: All right? All right? And then I guess I'm gonna

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Speaker 1: pay roll to Hey man, they're comfortable, dad. This is

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Speaker 1: a great dad, You great dad? You all right? Okay?

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Speaker 1: They get it off your chests. Eight on drink five

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Speaker 1: eight five one on five one. If you're upset, you

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Speaker 1: need to vent hit us up right now. Maybe you

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Speaker 1: had a bad night or you just need to vent,

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Speaker 1: or maybe you want to spread some positivity. Eight on

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Speaker 1: drink five eight five one on five one Get it

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Speaker 1: off your chest call us now is the breakfast club?

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Speaker 1: Good morning. You're time to get it off your chests.

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Speaker 1: Whether you're Man or blast, better have the same dry.

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Speaker 1: We want to hear from you on the breakfast Club. Hello.

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Speaker 1: Who's this Angel? Angel? Get it off your chests? Bro, Man,

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Speaker 1: I am a blast brother today. Okay, tell us about Angel?

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Speaker 1: What's up? You need to be blessed with the name

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Speaker 1: like Angel. My son about to be a year old.

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Speaker 1: I got my next one coming and about less than

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Speaker 1: a month. Everything's coming together, working hard, busting ass. Congratulations, man,

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Speaker 1: I appreciate it. Man, I gotta stay blasted. Everything's good

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Speaker 1: on this side. How about you guys? Oh man, I'm

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Speaker 1: blessed Black and Holly favorite sir. Enjoy them kids, they

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Speaker 1: grow fast. You please talk to me. I got a

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Speaker 1: I got a white brother right uh huh Man, he

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Speaker 1: did some mayonnaise ass and I couldn't explain to him

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Speaker 1: how man, what mayonnaise means? The way you can You

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Speaker 1: can't know what I mean. You can't explain to him

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Speaker 1: what mayonnaise means, yeah, it's more racist. But it's not, though,

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Speaker 1: because anybody can be mannais. That's right. Telling mayonnaise is

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Speaker 1: just a disgusting, nasty substance, and you don't ever want

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Speaker 1: to be mannais. Okay? All right? Brother? And Charlemagne just

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Speaker 1: pulled out a big jaw. That's right, man. You know

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Speaker 1: what I'm saying? That looks like what size is that?

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Speaker 1: This right here is a one gallon? A one gallon

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Speaker 1: with eight flew it down three point seventy eight leader

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Speaker 1: jar of Helmet's real manis okay? And I'm keeping it

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Speaker 1: here because I wanted to spoil, right, And when it

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Speaker 1: starts getting yellow and starts to steak, then y'all won't

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Speaker 1: understand what I mean when I say you kept the

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Speaker 1: minis out too long? Hello, Hey, what's up. I want

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Speaker 1: to make the point about the illegal immigrant good. I

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Speaker 1: want to see it. I want to see if everybody

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Speaker 1: has the same energy feeling bad about the kids, if

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Speaker 1: they say, hey, let's take this family of five and

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Speaker 1: stick them in your house, and then see if they

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Speaker 1: have that same energy. You know you so you think

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Speaker 1: it's okay to rip kids away from their parents. I

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Speaker 1: don't understand your point. It's not about if it's okay

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Speaker 1: or not. Lets so, why would you take a family

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Speaker 1: of five and put them in your house? I want

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Speaker 1: to hear what you're saying. In your house these kids

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Speaker 1: and they're taking them from their parents. So if you

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Speaker 1: want to keep this together with their parents, and they say,

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Speaker 1: all right, this is the solution, take their family and

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Speaker 1: you stick them in your house and you take care

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Speaker 1: of them until they're able to seek their aside the

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Speaker 1: more whatever it is. And let's see if people have

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Speaker 1: that fame energy, how about the family back? Why don't

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Speaker 1: you not separate them from their children? Well that I

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Speaker 1: don't know. That's their choice that they made, that's their choice.

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Speaker 1: Immigration problem. Oh my god, listen. If you're just not

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Speaker 1: a humane person and you think that this is okay

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Speaker 1: and your solution is will imagine if they were in

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Speaker 1: your house. That's just crazy to me. It's not imaginings.

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Speaker 1: If you would still do it, would you still have

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Speaker 1: that what is the point of that you're entited to? You?

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Speaker 1: You know what? Yes, I would take a family of

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Speaker 1: five with a two year old so that they wouldn't

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Speaker 1: be ripped away from their families and be torn apart

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Speaker 1: all right now, somebody gonna hold you that. Ye don't

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Speaker 1: be just throwing stuff out there if you know, if

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Speaker 1: you're not. I believe in humanity and helping other people

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Speaker 1: out and being a human being and not doing things

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Speaker 1: like that. I believe. I believe, and I think too,

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Speaker 1: and I believe there has to be another solution then

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Speaker 1: taking kids away from their parents. I agree wholeheartedly what

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Speaker 1: I would. If you're a family of five, a family

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Speaker 1: and five of legal immigrants, Angelie has a place for

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Speaker 1: you to stay. I mean, I don't even understand how

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Speaker 1: this could be a joke. I'm not saying it's a joke.

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Speaker 1: I'm just thinking that's something to think about. Absolutely, get

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Speaker 1: it off his chests. Eight hundred and five eight five

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Speaker 1: one oh five one. If you need to vent it

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Speaker 1: is up now. It's the breakfast club. Good morning, the

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Speaker 1: breakfast club. Isn't your time to get it off your chest.

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Speaker 1: Whether you're man black, than from you on the breakfast club.

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Speaker 1: But you got something on your mind? Hello, who's this baby? Hey? Mom?

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Speaker 1: I getting gonee chess um. I really I just uh,

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Speaker 1: my heart is broken right now, like my heart is broken.

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Speaker 1: These families that are fleeing their country. I'm saying I

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Speaker 1: was lucky enough to be just born three hours on

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Speaker 1: this side of the border, and my cousins weren't. No,

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Speaker 1: my cousins aren't. They're they're they're fleeing cartels. They're clean

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Speaker 1: drug cartels, like like they're barely able to to survive

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Speaker 1: over there, and they're just trying to get help. And

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Speaker 1: I wish I could help them. I wish I could

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Speaker 1: do something. I would feel like I'm like, I can't

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Speaker 1: do anything, and it just breaks my heart. It really

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Speaker 1: breaks my heart. As you know, I you can wish,

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Speaker 1: and you can pray, and you can hope, and and

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Speaker 1: it's just I feel like it's never going to change.

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Speaker 1: What do we have to do? Like, what do I have?

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Speaker 1: What can I do? I'm just I'm just here looking

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Speaker 1: and hearing and and I'm have you ever seen a

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Speaker 1: child being ripped from their mother's arms? Like I don't understand.

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Speaker 1: I just don't understand how even drug cartels have more

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Speaker 1: sometimes in some aspects, in some cases, because I could

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Speaker 1: just go on and on about stories of how even

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Speaker 1: they had more heart than our What you can do

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Speaker 1: right now, you can call you you could call your

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Speaker 1: reps at two two two two four three one two

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Speaker 1: one and tell them to end the separation of families.

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Speaker 1: Got the boarders, ask your sending it as the path

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Speaker 1: to keep families together, acting your house rep the path

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Speaker 1: to help separated children. Act. That's something you can do

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Speaker 1: immediately right now? Hello? Who's that? What a big chalkolate

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Speaker 1: the toe sucker house? Everybody? Goodness, I haven't spoke to you,

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Speaker 1: know what. Be nice to me and become on all right?

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Speaker 1: What nice? What's up? Brother? How you doing? I'm good,

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Speaker 1: but I'm good. I'm gonna play another game another round

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Speaker 1: of is it just me? Is that all right? Okay?

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Speaker 1: Get out? Is it just me? Or the Charlotta Magne

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Speaker 1: sound like Daffy Duck when he says that's despicable, that's

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Speaker 1: just Is it just me? Or Do's angel real butter

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Speaker 1: on the Bunyans when they hurt? Is it just me?

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Speaker 1: Or Zenvi's partner's hair played out? Envy's partner's hair played out?

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Speaker 1: What's that mean? I don't have a partner. I did

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Speaker 1: it for the oh. I thought he said your partner's hair.

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Speaker 1: I was like, give's hair? Got to do it? I

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Speaker 1: was like, I have a partner my hair. You have

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Speaker 1: bunyan ge. No, I don't have any bunions, but that's cool.

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Speaker 1: All right. Hello, who's this Nathan Bryan from Florence, South Carolina.

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Speaker 1: What's up, Broke Lawrence? What's happening to flow down? I

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Speaker 1: just wanted to call and talk to get some stuff

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Speaker 1: on my chest. Like, I just really feel like a

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Speaker 1: lot of a lot of black news um coverages is

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Speaker 1: not really giving us the truth on what's really going

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Speaker 1: on in the world. I just think a lot a

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Speaker 1: lot of these a lot of news companies are just

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Speaker 1: really giving us information based on a certain party, and

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Speaker 1: I think that's wrong. So what's really what's really going

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Speaker 1: on in the world? Brother tell us tell us on

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Speaker 1: behalf of the Africa African American delegation, what's going on

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Speaker 1: in the world. Well, just like I was just listening

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Speaker 1: to y'all and y'all was talking about the pictures and stuff.

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Speaker 1: But what they really not telling us is a lot

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Speaker 1: of them pictures came from twenty fourteen. They wasn't like

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Speaker 1: real recent. All the pictures is not new. And I

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Speaker 1: know I heard somebody say something about actors, and what

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Speaker 1: we really got to understand is they do have a

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Speaker 1: lot of stuff that's going on in that stage. Now,

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Speaker 1: I can't say the kids or whoever was actors, but

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Speaker 1: I know that's going on. You believe with and Coult

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Speaker 1: and Coat called the immigrant children child actors. That's what

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Speaker 1: you believe is going on. No, I can't say I

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Speaker 1: believe it, but I know what's going on. You know

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Speaker 1: what I'm saying. Um, I did some research. In two

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Speaker 1: thou twelve, they made it a law where they can

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Speaker 1: pass out on fake news. How you call? How do

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Speaker 1: you call? How you call him? And getting mad at

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Speaker 1: the news networks for reporting fake news, but then you

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Speaker 1: call up here reporting news and you don't know if

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Speaker 1: it's fake or not. You just talking. No, I'm telling

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Speaker 1: you it's real. Oh okay, you ask me about and culture.

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Speaker 1: I've never seen that. I just heard y'all say that,

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Speaker 1: so I wouldn't know about that. Well, twenty three hundred

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Speaker 1: kids have been taken it. Twenty three hundred kids have

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Speaker 1: been taken from their families between May and June. All right,

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00:17:08,280 --> 00:17:11,159
Speaker 1: Well they said xx Tincion still alive too, though, that's

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Speaker 1: the other thing going on. They didn't say that day.

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Speaker 1: So you know whatever, everybody living in their all little simulation.

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Speaker 1: All right, get it off your chests. Eight, don't drink

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Speaker 1: five eight five one oh five one. If you need

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00:17:19,560 --> 00:17:21,080
Speaker 1: to vent, you can hit us up at anytime. You've

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Speaker 1: got rooms all the way. But yeah, we are going

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Speaker 1: to talk about xxx fantasticon. We'll give you an update

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Speaker 1: on what's going on. And fans did pay their final

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Speaker 1: respects at a visible will tell you what happened there.

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Speaker 1: All right, we'll get into all that when we come back.

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Speaker 1: Keeping locked this to Breakfast club. Good morning the Breakfast Club.

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Speaker 1: What do you push you? That's what you thought. The

378
00:17:42,240 --> 00:17:44,679
Speaker 1: beef's over. Let it go over. But we still got

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Speaker 1: to remind people that he holds this out. That's all

380
00:17:48,000 --> 00:17:50,160
Speaker 1: same way we remind Lebron that he's three and six

381
00:17:50,240 --> 00:17:53,040
Speaker 1: in NBA finals. You gotta remind Drake that he's won

382
00:17:53,119 --> 00:17:54,800
Speaker 1: and one in rap battles. Well, let's get to the rooms.

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Speaker 1: Let's talk x x X tenon right, Fantastion. It's about

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00:18:07,600 --> 00:18:12,560
Speaker 1: Angela y on the Breakfast Club. But xxx ten Tassion's

385
00:18:12,680 --> 00:18:15,960
Speaker 1: music has been climbing the charts now. His music is

386
00:18:16,040 --> 00:18:20,520
Speaker 1: dominating on iTunes, on Amazon, on Spotify, everywhere. They said

387
00:18:20,560 --> 00:18:23,000
Speaker 1: his sad song from his latest album is the number

388
00:18:23,040 --> 00:18:27,320
Speaker 1: one song on iTunes, and also the song Changes from

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00:18:27,359 --> 00:18:30,040
Speaker 1: that same album is number five. The album seventeen, which

390
00:18:30,080 --> 00:18:32,560
Speaker 1: came out in twenties seventeen, it's also in the top

391
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Speaker 1: ten at number five. Spotify also did an rip xxx

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Speaker 1: ten tasion banner and featured his playlist at the top

393
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Speaker 1: of its browser. People were mad at spot just took

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00:18:42,240 --> 00:18:44,320
Speaker 1: his music off three weeks ago exactly. They said, if

395
00:18:44,320 --> 00:18:45,919
Speaker 1: he wasn't good enough to be in your issue when

396
00:18:45,960 --> 00:18:48,440
Speaker 1: he was alive, don't switch up now. I agree. Keep

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00:18:48,480 --> 00:18:50,240
Speaker 1: that same energy and the words of the late great

398
00:18:50,320 --> 00:18:53,480
Speaker 1: Notorious Big who was also a gun down, You're nobody

399
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Speaker 1: until somebody kills you, all right. In the meantime, please

400
00:18:56,680 --> 00:18:59,359
Speaker 1: are offering a three thousand dollar reward for any tips

401
00:18:59,440 --> 00:19:01,400
Speaker 1: in the hopes will lead to the arrest of people

402
00:19:02,280 --> 00:19:05,560
Speaker 1: all day. Right, Yeah, just open up a Twitter account, Hey,

403
00:19:05,640 --> 00:19:08,000
Speaker 1: Broward County Police, just open up a Twitter account, Open

404
00:19:08,119 --> 00:19:10,320
Speaker 1: up on Instagram. I think y'all have a lead suspect.

405
00:19:10,640 --> 00:19:12,320
Speaker 1: Well right now they are saying that they think it

406
00:19:12,520 --> 00:19:16,360
Speaker 1: was a random shooting, a random killing, and his team

407
00:19:16,400 --> 00:19:19,280
Speaker 1: has issued a statement on his death. They said that

408
00:19:19,800 --> 00:19:22,680
Speaker 1: the xx Santason touched the lives of millions around the

409
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Speaker 1: globe and will forever reside in the hearts of countless

410
00:19:24,920 --> 00:19:27,639
Speaker 1: fans who listened to his music, attended his concerts, and

411
00:19:27,760 --> 00:19:30,959
Speaker 1: felt the glow of his uncontainable, undeniable and unique spirit.

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Speaker 1: By the way, only three thousand dollars, I know, I

413
00:19:33,840 --> 00:19:37,200
Speaker 1: thought that was really low. Three wrecks. They gotta get

414
00:19:37,200 --> 00:19:39,239
Speaker 1: the money from somewhere. What are you talking about. They

415
00:19:39,240 --> 00:19:40,840
Speaker 1: got to get the money to give it to somebody's

416
00:19:40,840 --> 00:19:43,360
Speaker 1: from from the sheriff's office. They don't have that much money.

417
00:19:43,400 --> 00:19:45,160
Speaker 1: They said a big thank you to our social media

418
00:19:45,200 --> 00:19:47,840
Speaker 1: community for the many tips we received regarding the death

419
00:19:47,920 --> 00:19:51,520
Speaker 1: of local rapper. The officers asking anyone with information to

420
00:19:51,680 --> 00:19:55,679
Speaker 1: contact homicide detectives Foster and John Criscio, and they gave

421
00:19:55,720 --> 00:19:58,119
Speaker 1: the numbers nine five, four, three, two, one four to

422
00:19:58,600 --> 00:20:02,080
Speaker 1: one zero. Probably like for forendics to come back from

423
00:20:02,080 --> 00:20:06,320
Speaker 1: the car and stuff. Yeah, that's what I'm because I

424
00:20:06,400 --> 00:20:09,680
Speaker 1: see your lead suspect now. According to Xxx Tantasion's lawyer,

425
00:20:09,760 --> 00:20:12,080
Speaker 1: he does think that the shooting was a random robbery, said,

426
00:20:12,119 --> 00:20:14,080
Speaker 1: I think he went to the bank before it happened.

427
00:20:14,320 --> 00:20:16,120
Speaker 1: I think the determination was that he wanted to buy

428
00:20:16,160 --> 00:20:19,840
Speaker 1: a motorcycle. But detectives aren't discounting any theory right now,

429
00:20:20,000 --> 00:20:23,160
Speaker 1: so they don't know exactly what happened. But cops believe

430
00:20:23,240 --> 00:20:25,359
Speaker 1: that it was a random shooting, and so does his lawyer.

431
00:20:25,480 --> 00:20:27,280
Speaker 1: And I don't know if that guy is the lead suspect,

432
00:20:27,280 --> 00:20:29,080
Speaker 1: but he definitely should be bought in for questioning after

433
00:20:29,160 --> 00:20:31,399
Speaker 1: what I saw on social and right in the meantime,

434
00:20:31,480 --> 00:20:33,960
Speaker 1: fans did pay a final respect to him at a

435
00:20:34,080 --> 00:20:38,760
Speaker 1: vigil as they were mourning him, and in honor of him,

436
00:20:39,520 --> 00:20:42,399
Speaker 1: dozens of fans actually came to the location outside of

437
00:20:42,880 --> 00:20:45,480
Speaker 1: the location Motorsports where they paid respects to him. They

438
00:20:45,520 --> 00:20:48,960
Speaker 1: bought flowers, photos, candles. Other people threw up the X

439
00:20:49,000 --> 00:20:51,840
Speaker 1: sign and they were coloring the sidewalk with notes, lyrics

440
00:20:51,960 --> 00:20:57,399
Speaker 1: and drawings. Now, his abuse accuser actually showed up. Geneva Iola,

441
00:20:57,440 --> 00:20:59,280
Speaker 1: the woman who accused him of abusing her while she

442
00:20:59,359 --> 00:21:03,760
Speaker 1: carried a child. She actually has broken her silence as well.

443
00:21:03,960 --> 00:21:06,359
Speaker 1: Listen to what she had to say. You know the

444
00:21:06,560 --> 00:21:11,200
Speaker 1: fact that they burned my bro like that's he disrespectable?

445
00:21:11,640 --> 00:21:14,119
Speaker 1: Like how can you guys do that? Run? Okay, how

446
00:21:14,160 --> 00:21:17,000
Speaker 1: many how much you guys hate me, Like, why would

447
00:21:17,040 --> 00:21:19,880
Speaker 1: you guys do that? Oh? When she bought stuff Todividual,

448
00:21:20,160 --> 00:21:23,080
Speaker 1: his fans set it on fire and they actually chased

449
00:21:23,119 --> 00:21:24,600
Speaker 1: her away. She posted, I want to scream at the

450
00:21:24,640 --> 00:21:29,040
Speaker 1: top of my lungs until I can't us then keep screaming.

451
00:21:29,240 --> 00:21:30,879
Speaker 1: I don't want to believe this. No one knows the

452
00:21:31,040 --> 00:21:33,320
Speaker 1: ish I feel for you. Yeah, why would you do

453
00:21:33,440 --> 00:21:36,560
Speaker 1: that to a victim of domestic violence? Right? And M

454
00:21:36,720 --> 00:21:39,080
Speaker 1: Cops did have to fire rubber bullets and tear gas

455
00:21:39,200 --> 00:21:42,240
Speaker 1: to disperse the crowd at his memorial. They said things

456
00:21:42,280 --> 00:21:44,320
Speaker 1: got really crazy. They were at least three hundred people

457
00:21:44,840 --> 00:21:47,920
Speaker 1: and they were filling a stretch of Melrose Avenue in LA.

458
00:21:48,440 --> 00:21:51,080
Speaker 1: Those fans that were there then got rowdy. They were

459
00:21:51,080 --> 00:21:54,200
Speaker 1: climbing on top of building roofs and swarming passing cars,

460
00:21:54,640 --> 00:21:57,200
Speaker 1: throwing rocks at nearby police, and so eventually there was

461
00:21:57,240 --> 00:22:00,680
Speaker 1: tear gas, pepper suet bullets, and rubber bullets to disperse everyone.

462
00:22:00,720 --> 00:22:02,159
Speaker 1: I mean, listen, I don't care how much you love

463
00:22:02,160 --> 00:22:04,760
Speaker 1: your favorite artists or your favorite athlete, your favorite celebrities.

464
00:22:04,800 --> 00:22:07,520
Speaker 1: Sometimes they're just dead wrong and something that they did

465
00:22:07,600 --> 00:22:09,800
Speaker 1: and you can still like them and acknowledge that they're wrong,

466
00:22:09,880 --> 00:22:12,240
Speaker 1: So don't take it out on the victim just because

467
00:22:12,320 --> 00:22:14,200
Speaker 1: that that man did something wrong when he was alive.

468
00:22:14,880 --> 00:22:17,399
Speaker 1: All right, Um, let's s scared for a second. A

469
00:22:17,520 --> 00:22:21,240
Speaker 1: coin is going to be launching a cryptocurrency called a coin.

470
00:22:21,640 --> 00:22:23,879
Speaker 1: You should have called it the black dollar. I actually

471
00:22:23,960 --> 00:22:26,359
Speaker 1: like a coin. That's pretty cute now, he said. I

472
00:22:26,480 --> 00:22:28,560
Speaker 1: think that blockchain and crypto could be the savior for

473
00:22:28,640 --> 00:22:31,440
Speaker 1: Africa in many ways because it brings the power back

474
00:22:31,480 --> 00:22:33,920
Speaker 1: to the people and brings the security back into the

475
00:22:33,960 --> 00:22:36,440
Speaker 1: currency system, and it also allows people to utilize it

476
00:22:36,720 --> 00:22:38,680
Speaker 1: in the ways where they can advance themselves and not

477
00:22:38,760 --> 00:22:41,640
Speaker 1: allow government to do those things that are keeping them down.

478
00:22:41,760 --> 00:22:43,440
Speaker 1: That's the only thing I don't understand that. And I'm

479
00:22:43,480 --> 00:22:47,320
Speaker 1: into business and finance and invested. I just never understand cryptocurrency.

480
00:22:47,400 --> 00:22:49,280
Speaker 1: How can you just create and says okay, I'm going

481
00:22:49,320 --> 00:22:51,119
Speaker 1: to create a coin, and what is the worth of it?

482
00:22:51,960 --> 00:22:54,320
Speaker 1: How do you get the worth of a coin, a

483
00:22:54,440 --> 00:22:56,119
Speaker 1: coin or whatever his name is, whatever you called it.

484
00:22:57,040 --> 00:22:58,600
Speaker 1: You know, how do you get the worth get my coin?

485
00:22:59,359 --> 00:23:00,399
Speaker 1: I don't know about you, but I know how to

486
00:23:00,440 --> 00:23:02,560
Speaker 1: get me an acorn. When you gonna get you get

487
00:23:02,640 --> 00:23:04,399
Speaker 1: me a car. I don't know, I don't how do you?

488
00:23:04,440 --> 00:23:06,600
Speaker 1: How do you like? What's the worth of it? Yeah,

489
00:23:06,720 --> 00:23:08,680
Speaker 1: something that you really would have to I'm gonna create

490
00:23:08,720 --> 00:23:10,760
Speaker 1: my own currency. And then just nobody went on the

491
00:23:10,800 --> 00:23:14,560
Speaker 1: cryptocurrency expert. What would your currency be called the beige dollar?

492
00:23:16,480 --> 00:23:18,600
Speaker 1: I put that point so it dropping a clues bomb

493
00:23:18,640 --> 00:23:21,680
Speaker 1: for Acon. All Acon ever is out here doing is

494
00:23:21,720 --> 00:23:23,640
Speaker 1: the work. When the last time Acon put out music

495
00:23:25,240 --> 00:23:28,520
Speaker 1: even featuring a damn That's why I respect it. Man

496
00:23:28,880 --> 00:23:31,720
Speaker 1: just started doing the work. Man's cryptocurrency will be available

497
00:23:31,760 --> 00:23:35,760
Speaker 1: for sailing two weeks. So I gotta buy money money,

498
00:23:35,760 --> 00:23:38,280
Speaker 1: That's what I said. How do you know? I'm over

499
00:23:38,359 --> 00:23:40,560
Speaker 1: for Sam. I'm not buying no damn money. I'm gonna

500
00:23:40,560 --> 00:23:42,840
Speaker 1: buying money a coin. All right. Somebody got explaining to me.

501
00:23:43,080 --> 00:23:45,400
Speaker 1: I'm just saying, I don't claim to be the highest

502
00:23:45,440 --> 00:23:47,359
Speaker 1: grade of we know, the country. Somebody explaining this to me.

503
00:23:47,440 --> 00:23:49,720
Speaker 1: All right, we'll get into that, all right, I manjla yee.

504
00:23:49,720 --> 00:23:51,760
Speaker 1: And that is your rumor report. All right, thank you,

505
00:23:51,840 --> 00:23:53,920
Speaker 1: miss ye. Now when we come back, we have the

506
00:23:54,160 --> 00:23:56,560
Speaker 1: cast of Sorry to buy to bother you. I did

507
00:23:56,640 --> 00:23:58,679
Speaker 1: a Q and A last night. For the cast. I'm

508
00:23:58,680 --> 00:24:00,240
Speaker 1: sorry to bother you. I mean, this isn't all of

509
00:24:00,280 --> 00:24:03,840
Speaker 1: the cast. We actually have the creator director, which is

510
00:24:03,880 --> 00:24:06,000
Speaker 1: Boots Riley, and we have Terry Crews and a Maria

511
00:24:06,040 --> 00:24:08,439
Speaker 1: Hartwood coming. But the round out the cast, the stars

512
00:24:08,520 --> 00:24:11,560
Speaker 1: mckith Stanfield and Tessa Thompson and my man Jermaine Fowler.

513
00:24:11,720 --> 00:24:13,680
Speaker 1: All right, well, I haven't seen it, but when I

514
00:24:13,760 --> 00:24:15,280
Speaker 1: looked at the trailer looked like I needed to be

515
00:24:15,359 --> 00:24:19,200
Speaker 1: high to watch it. I've seen it, and um, it's interesting.

516
00:24:19,400 --> 00:24:22,359
Speaker 1: You will definitely leave the movie theater asking yourself, what

517
00:24:22,480 --> 00:24:24,600
Speaker 1: the F did I just watch? Good Way or a

518
00:24:24,640 --> 00:24:26,679
Speaker 1: bad Way? Oh? I'm thinking a good way. Okay, I'm

519
00:24:26,680 --> 00:24:27,920
Speaker 1: thinking a good one. All right, we'll kick it with

520
00:24:28,000 --> 00:24:29,280
Speaker 1: them when we come back to Don't Move. It's the

521
00:24:29,280 --> 00:24:33,280
Speaker 1: Breakfast Club. Good morning morning. Everybody is DJ Envy, Angela Yee,

522
00:24:33,400 --> 00:24:36,000
Speaker 1: Charlomagne the guy. We all the Breakfast Club. We got

523
00:24:36,040 --> 00:24:38,920
Speaker 1: some special guests in the building. We have Boots Riley,

524
00:24:39,040 --> 00:24:42,120
Speaker 1: Good morning, what's up? Terry Crews, good morning, Hey, good morning,

525
00:24:42,240 --> 00:24:44,760
Speaker 1: and I'm Mario Hardway. Come on the guys, Morning up,

526
00:24:44,800 --> 00:24:48,440
Speaker 1: New York everything. They're all here promoting. Sorry to bother you.

527
00:24:48,880 --> 00:24:51,199
Speaker 1: I saw the film last week, Boots, and I need

528
00:24:51,240 --> 00:24:53,600
Speaker 1: to ask you one question. All right, did I watch

529
00:24:55,440 --> 00:24:58,440
Speaker 1: Some Crazy? Hopefully we don't give it away to spoilers,

530
00:24:58,520 --> 00:25:02,200
Speaker 1: but you saw Some Crazy. That's different thing the other

531
00:25:02,280 --> 00:25:05,520
Speaker 1: movies you've seen. I didn't, you know what threw me office.

532
00:25:05,560 --> 00:25:08,280
Speaker 1: I didn't realize it was science fiction because the trailer

533
00:25:08,320 --> 00:25:10,560
Speaker 1: didn't give me that cool. So as I'm watching it,

534
00:25:10,640 --> 00:25:12,479
Speaker 1: I'm like, all right, what the hell just happened? Give

535
00:25:12,560 --> 00:25:14,720
Speaker 1: us what the movie is about, because watching the trailer,

536
00:25:14,920 --> 00:25:16,440
Speaker 1: I've seen a little bit. But I don't want to

537
00:25:16,520 --> 00:25:18,880
Speaker 1: land with our give stuff away, so I let Boots. Yeah. Yeah,

538
00:25:18,920 --> 00:25:22,680
Speaker 1: Well so it's an absurdist, dark comedy with magical realism

539
00:25:22,760 --> 00:25:27,920
Speaker 1: and science fiction inspired by the world of telemarketing. Sorry

540
00:25:27,960 --> 00:25:31,520
Speaker 1: to bother you. You know it's funny. Me and Charlemagne

541
00:25:31,520 --> 00:25:33,400
Speaker 1: got into aug. I don't even if Charlomagne remember about

542
00:25:33,800 --> 00:25:37,000
Speaker 1: I said about two years ago. My first job was telemarketing,

543
00:25:37,920 --> 00:25:40,200
Speaker 1: and it was similar when I got there. Everybody in

544
00:25:40,240 --> 00:25:42,920
Speaker 1: there was making money but me. Because I was from

545
00:25:42,960 --> 00:25:45,840
Speaker 1: the hood time, I had to put a white voice.

546
00:25:46,680 --> 00:25:48,240
Speaker 1: My name is Rashawn, so I had to change it

547
00:25:48,320 --> 00:25:50,280
Speaker 1: to Sean. Yeah. My last name is Casey, So I

548
00:25:50,440 --> 00:25:52,200
Speaker 1: we were selling fuels. I was like, all right, this

549
00:25:52,320 --> 00:25:54,439
Speaker 1: is Sean Casey. I'm calling from Pelco Fuel. How are

550
00:25:54,440 --> 00:25:57,840
Speaker 1: you doing wonderful? Yes, I can see if you're a

551
00:25:57,880 --> 00:25:59,800
Speaker 1: bunch of money on your home heating mule and you know,

552
00:26:00,040 --> 00:26:02,800
Speaker 1: and it worked. Yeah, And that's that's that's what Uh

553
00:26:03,480 --> 00:26:07,680
Speaker 1: Danny Glover's character tells to uh mckith is, uh, you know,

554
00:26:07,880 --> 00:26:12,000
Speaker 1: it's not only that you're sounding white, it's this idea

555
00:26:12,200 --> 00:26:14,359
Speaker 1: of what white is. Yeah, And I just I just

556
00:26:14,480 --> 00:26:16,679
Speaker 1: don't ever agree with coach switching because I don't ever

557
00:26:16,760 --> 00:26:19,280
Speaker 1: want to marginalize my blackness. I feel like my blackness

558
00:26:19,359 --> 00:26:22,159
Speaker 1: is great. Well, you know, you are in a position

559
00:26:22,240 --> 00:26:25,800
Speaker 1: where you don't have to like some people. I'm sure

560
00:26:26,200 --> 00:26:28,160
Speaker 1: you know if you would have told that to him, Yeah,

561
00:26:28,280 --> 00:26:30,680
Speaker 1: well you told that to him while he's at the job,

562
00:26:30,760 --> 00:26:32,720
Speaker 1: and it's like you could make more money or not.

563
00:26:33,200 --> 00:26:35,439
Speaker 1: You know, But he pretends to be Dominican. Sometimes I'm

564
00:26:35,480 --> 00:26:37,920
Speaker 1: not weird. It's weird with that guy. He think because

565
00:26:37,920 --> 00:26:40,359
Speaker 1: I wear white jeans, I'm Dominican. I'm not Dominican. Bro,

566
00:26:40,920 --> 00:26:43,440
Speaker 1: not Terry and Amory. Y'all been in the Hollywood for

567
00:26:43,480 --> 00:26:45,240
Speaker 1: a while. Have y'all ever had to coach witch? You

568
00:26:45,320 --> 00:26:47,240
Speaker 1: know what's interesting, I think it's sort of a I

569
00:26:47,320 --> 00:26:50,359
Speaker 1: guess there's a marriage between the two your your point

570
00:26:50,400 --> 00:26:53,680
Speaker 1: and Envy's point, because in reality, the character Ghost is

571
00:26:53,680 --> 00:26:56,640
Speaker 1: coach switching constantly, but without changing the voice. I think

572
00:26:56,720 --> 00:26:58,320
Speaker 1: more so that's what you mean that you don't want

573
00:26:58,320 --> 00:27:00,280
Speaker 1: to have to do. I think, you know, if you

574
00:27:00,359 --> 00:27:02,879
Speaker 1: think about it, President Obama's co switching. But again, his

575
00:27:03,040 --> 00:27:05,920
Speaker 1: voice and his diction and his articulation and the tonality

576
00:27:06,400 --> 00:27:09,280
Speaker 1: has basically remained the same. I would say, Sydney Portier,

577
00:27:09,400 --> 00:27:12,879
Speaker 1: Denzel Harbalafante the same. So Ghost code switched to me

578
00:27:12,960 --> 00:27:16,920
Speaker 1: in a very physical, physically adjusting to the environment type

579
00:27:16,960 --> 00:27:19,000
Speaker 1: of way. You can almost work every room because of

580
00:27:19,080 --> 00:27:22,280
Speaker 1: his IQ. So if co switching is your brain, then

581
00:27:22,359 --> 00:27:24,360
Speaker 1: I think we've all had to do it. But I've

582
00:27:24,400 --> 00:27:27,000
Speaker 1: never had to do what Boots has asked my character

583
00:27:27,160 --> 00:27:29,800
Speaker 1: and la Keith's character and Danny's character to do, and

584
00:27:30,000 --> 00:27:33,639
Speaker 1: in life, never with my voice. No, I've always just

585
00:27:33,800 --> 00:27:36,920
Speaker 1: been me. Um. It's kind of made me who I am,

586
00:27:37,119 --> 00:27:40,840
Speaker 1: made my career. Uh, it made me an activist right now,

587
00:27:41,280 --> 00:27:44,040
Speaker 1: which is kind of wild. Um. You know, because when

588
00:27:44,040 --> 00:27:46,560
Speaker 1: I look at I mean you look at Hollywood, you

589
00:27:46,680 --> 00:27:49,400
Speaker 1: look at you know what the whole thing is, what's

590
00:27:49,400 --> 00:27:51,679
Speaker 1: happening with me? Even with this whole me too thing,

591
00:27:51,680 --> 00:27:53,879
Speaker 1: I'm gonna bring it up because I really want to

592
00:27:53,880 --> 00:27:56,440
Speaker 1: talk about it. Um. The big, big deal is that

593
00:27:57,040 --> 00:27:59,960
Speaker 1: they want me to accept to myself that I'm less

594
00:28:00,119 --> 00:28:02,720
Speaker 1: than a human being. They literally want me to sign

595
00:28:02,800 --> 00:28:05,359
Speaker 1: off and say I am less than you. What you

596
00:28:05,480 --> 00:28:08,760
Speaker 1: did to me is okay, And it's not okay. It's

597
00:28:08,760 --> 00:28:11,600
Speaker 1: not okay to do that to anybody. In fact, you

598
00:28:11,720 --> 00:28:14,080
Speaker 1: get so. And this is what how happens in this

599
00:28:14,280 --> 00:28:17,560
Speaker 1: movie is it's addressed on a social level, it's addressed

600
00:28:17,600 --> 00:28:22,520
Speaker 1: on an economic level. These things are addressed politically. But

601
00:28:22,760 --> 00:28:25,280
Speaker 1: when you're talking about this whole thing is people are

602
00:28:25,320 --> 00:28:28,520
Speaker 1: trying to trick you into your into damaging your own

603
00:28:28,880 --> 00:28:31,399
Speaker 1: self image because if you do it to yourself, you

604
00:28:31,520 --> 00:28:33,320
Speaker 1: already in a cage. And the thing is that they

605
00:28:33,359 --> 00:28:36,160
Speaker 1: do that by spreading shame. They do that by spreading

606
00:28:36,240 --> 00:28:38,320
Speaker 1: these kind of things to make you feel the fact

607
00:28:38,400 --> 00:28:41,400
Speaker 1: that this man feels like I'm gonna just tell you

608
00:28:41,440 --> 00:28:45,320
Speaker 1: the rules you work anywhere you go to work. You

609
00:28:45,480 --> 00:28:49,120
Speaker 1: should not be molested. Whoever molested you should be fired.

610
00:28:50,040 --> 00:28:53,280
Speaker 1: If they don't think that, they're like, oh, man, are

611
00:28:53,360 --> 00:28:55,760
Speaker 1: you who? What kind of person are you to think

612
00:28:55,760 --> 00:28:59,600
Speaker 1: you're even worth saying something like every dime I spend

613
00:29:00,120 --> 00:29:04,120
Speaker 1: on my case actually is increasing my own self worth.

614
00:29:04,800 --> 00:29:06,760
Speaker 1: That's the whole thing. Now. One of the other things

615
00:29:06,840 --> 00:29:08,760
Speaker 1: is that I'm supposed to punch him out, because that's

616
00:29:09,040 --> 00:29:11,640
Speaker 1: the whole trope that we've been talking. I mean, here,

617
00:29:11,640 --> 00:29:15,240
Speaker 1: I am two hundred and forty pound black man, played

618
00:29:15,280 --> 00:29:18,480
Speaker 1: in the NFL. The whole thing the trope is, now

619
00:29:18,880 --> 00:29:21,520
Speaker 1: I'm a big, violent man. I'm supposed to just and

620
00:29:21,720 --> 00:29:23,840
Speaker 1: I ha'tn black men coming at me like, hey man,

621
00:29:23,880 --> 00:29:26,240
Speaker 1: you're supposed to go knock his head off. But the

622
00:29:26,320 --> 00:29:28,200
Speaker 1: thing is, and they're like, man, your career ain't even

623
00:29:28,280 --> 00:29:31,320
Speaker 1: all that for you to be, you know, letting your

624
00:29:31,360 --> 00:29:33,800
Speaker 1: bus get felt on and all this stuff and not

625
00:29:33,960 --> 00:29:36,640
Speaker 1: do nothing. But this is a thing. My family is

626
00:29:36,680 --> 00:29:41,040
Speaker 1: all that. And I had to look at the big

627
00:29:41,520 --> 00:29:43,680
Speaker 1: right and the most important thing. I know who I am.

628
00:29:43,880 --> 00:29:46,760
Speaker 1: I know I'm a father, I know I'm a husband,

629
00:29:47,240 --> 00:29:50,160
Speaker 1: I know who I am as a human being. I

630
00:29:50,320 --> 00:29:56,040
Speaker 1: know how much I'm worth and that affects everything. What

631
00:29:56,120 --> 00:29:58,400
Speaker 1: did your wife say in that moment, like because she

632
00:29:58,560 --> 00:30:00,320
Speaker 1: was with you act she did she said, just gonna

633
00:30:00,360 --> 00:30:02,480
Speaker 1: let him grab your listen. He was the one who

634
00:30:02,520 --> 00:30:06,000
Speaker 1: trained me, she said, first, three years earlier. See, you

635
00:30:06,080 --> 00:30:08,640
Speaker 1: gotta understand, y'all gotta look at the whole picture. A

636
00:30:08,680 --> 00:30:10,080
Speaker 1: lot of times to hold a picture. I hasn't been talk.

637
00:30:10,840 --> 00:30:12,800
Speaker 1: I'm knocked people out. There have been people who've been

638
00:30:12,920 --> 00:30:15,920
Speaker 1: knocked out, and a lot of people have seen the

639
00:30:16,040 --> 00:30:18,320
Speaker 1: wrong end of what I've done. And she pulled me

640
00:30:18,480 --> 00:30:20,480
Speaker 1: to the side, said you can't do it. She said,

641
00:30:20,480 --> 00:30:25,720
Speaker 1: we'll lose everything. Carry a different right now. That's coach.

642
00:30:26,040 --> 00:30:28,400
Speaker 1: By the way, that thing is, if somebody yells up

643
00:30:28,520 --> 00:30:30,480
Speaker 1: white guys up, comes up to me and yells that

644
00:30:30,520 --> 00:30:34,040
Speaker 1: man has called me a nigga, and the whole thing is, okay,

645
00:30:34,080 --> 00:30:35,760
Speaker 1: I'm supposed to hear that, I'm i supposed to smack him.

646
00:30:35,760 --> 00:30:38,000
Speaker 1: But the thing is, I would only get angry if

647
00:30:38,000 --> 00:30:41,400
Speaker 1: I really felt I wasn't it. But I'm not. Sometimes

648
00:30:41,400 --> 00:30:44,720
Speaker 1: you gotta show them that. But that's that's a show.

649
00:30:44,840 --> 00:30:47,360
Speaker 1: See but what you just said, that's a show. But

650
00:30:47,480 --> 00:30:49,760
Speaker 1: the thing is, it's like, somebody come up and called

651
00:30:49,800 --> 00:30:52,400
Speaker 1: me poor. I'm like, I'm not poor. I know I'm

652
00:30:52,400 --> 00:30:54,000
Speaker 1: not poor. How do we need to get angry? How

653
00:30:54,000 --> 00:30:55,280
Speaker 1: do you teach him not to do it again? How

654
00:30:55,320 --> 00:30:56,920
Speaker 1: do you teach that guy who grabbed your brother, the

655
00:30:57,080 --> 00:30:59,880
Speaker 1: white man that calls you not to do that again? First,

656
00:31:00,040 --> 00:31:03,160
Speaker 1: on what I'm doing right now a lawsuit. Straight up,

657
00:31:03,360 --> 00:31:05,280
Speaker 1: I didn't give up. I didn't give up my lawsuit.

658
00:31:05,960 --> 00:31:10,600
Speaker 1: I'm spending hundreds of thousands of dollars to defend myself,

659
00:31:10,680 --> 00:31:12,560
Speaker 1: to be the planiff. Because this is what you everybody

660
00:31:12,600 --> 00:31:14,760
Speaker 1: got to understand. If I hear him, I'd be in

661
00:31:15,240 --> 00:31:18,840
Speaker 1: court anyway. You understand, I'd be spending this money anyway.

662
00:31:19,640 --> 00:31:22,520
Speaker 1: That's what people don't understand. I would be straight up

663
00:31:22,760 --> 00:31:25,480
Speaker 1: the defendant because if I knocked him out, you think

664
00:31:25,520 --> 00:31:30,480
Speaker 1: they would have had any any would have not one

665
00:31:30,600 --> 00:31:32,400
Speaker 1: bit of mercy on me. So the whole point is,

666
00:31:32,920 --> 00:31:36,400
Speaker 1: now I flipped the script. They're like, he didn't do nothing, Well,

667
00:31:36,440 --> 00:31:39,440
Speaker 1: why are you even suing? Then? I'm going man, because

668
00:31:40,040 --> 00:31:42,960
Speaker 1: I'd be here anyway. This is money i'd be spending anyway.

669
00:31:43,040 --> 00:31:44,840
Speaker 1: All right, we got more with the cast. So sorry

670
00:31:44,880 --> 00:31:47,040
Speaker 1: to bother you, which is Terry Cruz and Marie Hardwick

671
00:31:47,080 --> 00:31:49,200
Speaker 1: and Boots Riley. So don't go anywhere. It's to breakfast

672
00:31:49,200 --> 00:31:53,320
Speaker 1: club in the morning, Charlomagne the guy. We are the

673
00:31:53,360 --> 00:31:55,560
Speaker 1: breakfast club. We have the cast of Sorry to Bother

674
00:31:55,640 --> 00:31:58,560
Speaker 1: You in the building is Terry Crews and Marie Hardwick

675
00:31:58,720 --> 00:32:01,320
Speaker 1: and Boots Riley. How do you feel when Russell Simmons

676
00:32:01,480 --> 00:32:04,440
Speaker 1: is said to drop it the whole Russell Simmons thing.

677
00:32:04,760 --> 00:32:06,800
Speaker 1: First of all, First of all, me and Russell don't

678
00:32:06,840 --> 00:32:09,520
Speaker 1: talk like that. Why are you emailing me? You see,

679
00:32:09,680 --> 00:32:11,280
Speaker 1: this is the thing everybody want to be. Now you're

680
00:32:11,320 --> 00:32:14,240
Speaker 1: my buddy, now you're my friend. But this is what

681
00:32:14,400 --> 00:32:16,360
Speaker 1: y'all don't know. A lot of people don't know. Russell

682
00:32:16,440 --> 00:32:19,720
Speaker 1: Hans with them guy, Russell Hans with Adam Vinnett, Russell

683
00:32:19,760 --> 00:32:22,320
Speaker 1: Haynes with Brett Ratner. I know what the whole thing is.

684
00:32:22,400 --> 00:32:25,000
Speaker 1: You cain't gas like me. I'm from Flint, Michigan. All

685
00:32:25,040 --> 00:32:26,720
Speaker 1: these casts men are well, you didn't mean it. I

686
00:32:26,760 --> 00:32:29,360
Speaker 1: didn't mean it like that. No, I know exactly what

687
00:32:29,480 --> 00:32:32,200
Speaker 1: you meant. And you calling me talking about give this

688
00:32:32,280 --> 00:32:36,360
Speaker 1: brother a pass. Nobody gets a pass, nobody, And I'm like,

689
00:32:36,480 --> 00:32:39,000
Speaker 1: why are you even emailing? Well, we don't hang out together.

690
00:32:39,200 --> 00:32:40,920
Speaker 1: We don't do nothing together. I don't know what you're

691
00:32:40,920 --> 00:32:44,479
Speaker 1: talking about, man. And so the fact is, and then

692
00:32:44,680 --> 00:32:46,240
Speaker 1: I saw it for what it was, and believe me,

693
00:32:46,280 --> 00:32:48,200
Speaker 1: when it first came out, I ignored it when he

694
00:32:48,480 --> 00:32:50,640
Speaker 1: he emailed me. At first I ignored. And then all

695
00:32:50,680 --> 00:32:52,600
Speaker 1: of a sudden, he's like, I got zero talents for

696
00:32:52,680 --> 00:32:54,240
Speaker 1: this thing. I'm like, wait a minute, you said you

697
00:32:54,280 --> 00:32:56,360
Speaker 1: guys zero talles, but you told me to get it

698
00:32:56,400 --> 00:32:58,640
Speaker 1: do the pass. When the dude to me, I said,

699
00:32:58,840 --> 00:33:02,800
Speaker 1: that's because a beauty just protect abuses. This culture protected,

700
00:33:03,320 --> 00:33:05,680
Speaker 1: they protect each other like that. And I'm like, I

701
00:33:05,800 --> 00:33:08,160
Speaker 1: have no no time sport. But this is the thing,

702
00:33:08,400 --> 00:33:10,480
Speaker 1: the thing that you served, it's also the thing you

703
00:33:10,560 --> 00:33:14,640
Speaker 1: gotta eat. That's the real deal. And if you serving it,

704
00:33:15,040 --> 00:33:17,240
Speaker 1: you one day it's gonna come back to you. And

705
00:33:17,680 --> 00:33:19,680
Speaker 1: whatever you want to do, you ain't getting away with

706
00:33:19,800 --> 00:33:26,720
Speaker 1: what you say, even if it's as you seen. You know,

707
00:33:26,840 --> 00:33:31,280
Speaker 1: people not mess with you because of this or you. Yeah, well,

708
00:33:31,360 --> 00:33:33,200
Speaker 1: first of all, I walk in and now the room

709
00:33:33,280 --> 00:33:35,320
Speaker 1: is split down the middle. It's cats like, oh man,

710
00:33:35,480 --> 00:33:37,160
Speaker 1: I gotta go this way out. That's good because I

711
00:33:37,200 --> 00:33:39,480
Speaker 1: would have never worked with you anyway. And I man,

712
00:33:39,600 --> 00:33:42,120
Speaker 1: look like I said, I am me. I've always been me.

713
00:33:42,280 --> 00:33:45,160
Speaker 1: I've all you know. It's it's weird because there have

714
00:33:45,240 --> 00:33:47,360
Speaker 1: been times when I do things and I wasn't blocking up.

715
00:33:47,880 --> 00:33:50,640
Speaker 1: There's things that times I've did stuff and they called

716
00:33:50,680 --> 00:33:52,840
Speaker 1: me or you selling out or you do Friday after

717
00:33:52,920 --> 00:33:55,240
Speaker 1: next and they're like, oh, man, now you down. But

718
00:33:55,320 --> 00:33:57,480
Speaker 1: I'm gonna wait a minute. I've always been just me

719
00:33:57,840 --> 00:34:02,680
Speaker 1: from the beginning, and always that's been Terry Crew, you know, guy.

720
00:34:02,720 --> 00:34:05,600
Speaker 1: I saw people victim shaming you. Terry there like, oh,

721
00:34:05,720 --> 00:34:07,480
Speaker 1: Terry always got his shirt off and he always selecting

722
00:34:07,520 --> 00:34:10,160
Speaker 1: his ab So Terry's played gay roles before, as if

723
00:34:10,200 --> 00:34:16,040
Speaker 1: that justifies that man grabbing whatever. Man. Listen again, the arguments,

724
00:34:16,080 --> 00:34:18,520
Speaker 1: every dicula, that stuff is ridiculous. I'm just dealing with

725
00:34:18,760 --> 00:34:23,120
Speaker 1: the facts as they lay. You cannot do this to

726
00:34:23,280 --> 00:34:26,400
Speaker 1: anybody else, anybody, no one. And the problem is, this

727
00:34:26,480 --> 00:34:29,279
Speaker 1: is the thing. If you don't protect the women, it's

728
00:34:29,320 --> 00:34:31,680
Speaker 1: happening to you. They're coming after you. I'm trying to

729
00:34:31,719 --> 00:34:33,360
Speaker 1: tell you I was standing there and I'm going to

730
00:34:33,440 --> 00:34:36,240
Speaker 1: wait a minute. It's got to the point where they tricked.

731
00:34:36,320 --> 00:34:38,880
Speaker 1: Everybody didn't think it's part of the job. You're like, no,

732
00:34:39,000 --> 00:34:42,000
Speaker 1: it's not you, hey, man, it's part about being in Hollywood.

733
00:34:42,080 --> 00:34:44,880
Speaker 1: Commit it ain't. No, it ain't. No, it ain't. And

734
00:34:44,920 --> 00:34:48,920
Speaker 1: you know I would be the first one always saying no, no, no,

735
00:34:49,160 --> 00:34:52,160
Speaker 1: And I'm gonna tell you it's it's hot. It's just

736
00:34:52,360 --> 00:34:54,960
Speaker 1: about to hit. The music industry has been hitting. I

737
00:34:55,080 --> 00:34:58,399
Speaker 1: tell people all the time, this is not which hunt.

738
00:34:58,440 --> 00:35:01,120
Speaker 1: It's a fumigation. If you've been acting like this for

739
00:35:01,200 --> 00:35:03,719
Speaker 1: a long long time, I'm done. I grew up in

740
00:35:03,800 --> 00:35:05,560
Speaker 1: the culture, man, I grew up in pimp culture. I

741
00:35:05,680 --> 00:35:08,319
Speaker 1: know what it is. I know the mollusters. I know them.

742
00:35:08,400 --> 00:35:10,080
Speaker 1: You go to church there, then you go to the

743
00:35:10,160 --> 00:35:12,600
Speaker 1: hood day, then everywhere. I mean, I know these cats,

744
00:35:12,640 --> 00:35:14,200
Speaker 1: and they try to gas like you and make you

745
00:35:14,280 --> 00:35:16,560
Speaker 1: think you all out. You don't know what's going on. Man.

746
00:35:16,680 --> 00:35:18,399
Speaker 1: Look you in church, they try to turn you out.

747
00:35:18,560 --> 00:35:20,160
Speaker 1: You're on the street, they try to turn you out.

748
00:35:20,560 --> 00:35:22,840
Speaker 1: I've been up there. I've seen it, and I know it,

749
00:35:22,960 --> 00:35:25,280
Speaker 1: and I see and I see them casting. I remember

750
00:35:25,320 --> 00:35:27,720
Speaker 1: when I was fourteen and walking around. I'm in school

751
00:35:27,920 --> 00:35:29,919
Speaker 1: and a growing ass man like look at that ass.

752
00:35:29,960 --> 00:35:33,759
Speaker 1: I'm like, wait a minute, ain't you pimptie? Do you

753
00:35:33,840 --> 00:35:36,520
Speaker 1: look at that us? Yes? And I'm fourteen years old

754
00:35:36,680 --> 00:35:38,120
Speaker 1: and I'm like, no, I don't think he was talking

755
00:35:38,160 --> 00:35:39,960
Speaker 1: about he was talking about the girls. You know what

756
00:35:40,000 --> 00:35:48,560
Speaker 1: I'm saying, he's looking at he's looking at women. But

757
00:35:48,640 --> 00:35:51,520
Speaker 1: I putter, what I'm saying is I've seen these kind

758
00:35:51,560 --> 00:35:55,120
Speaker 1: of abuses and people feel like that's just part of

759
00:35:55,200 --> 00:35:57,040
Speaker 1: being a man. But it's got nothing to do with

760
00:35:57,200 --> 00:35:59,239
Speaker 1: being a man. Now, what made you guys take the

761
00:35:59,360 --> 00:36:01,640
Speaker 1: role in this field? Because watching the trailer, I only

762
00:36:01,680 --> 00:36:03,480
Speaker 1: seen a small part of it, but it seemed a

763
00:36:03,560 --> 00:36:05,600
Speaker 1: little like it seems like it's a little high. You

764
00:36:05,640 --> 00:36:08,800
Speaker 1: had to be a little high to watch, Like, you know,

765
00:36:09,040 --> 00:36:11,120
Speaker 1: I'm watching part of it and it's looking it's looking same,

766
00:36:11,280 --> 00:36:12,640
Speaker 1: and then all of a sudden, I said, a guy

767
00:36:12,719 --> 00:36:14,879
Speaker 1: with one eye come out and then a white guy

768
00:36:14,920 --> 00:36:16,600
Speaker 1: with a gun. So what made y'all do this film?

769
00:36:16,680 --> 00:36:19,440
Speaker 1: It was, you know, it was interest in na, it

770
00:36:19,560 --> 00:36:21,719
Speaker 1: was dope as hell listening the terry. Just break all

771
00:36:21,760 --> 00:36:23,520
Speaker 1: of that down. I'm like, this is a different interview

772
00:36:23,560 --> 00:36:25,320
Speaker 1: because I watched you an MV. I mean you and

773
00:36:25,400 --> 00:36:28,040
Speaker 1: Maine all the time. But in reality, the depth of

774
00:36:28,120 --> 00:36:30,840
Speaker 1: which we started this this interview, a lot of that

775
00:36:31,040 --> 00:36:33,120
Speaker 1: was the reason that I chose to do the movie

776
00:36:33,160 --> 00:36:35,320
Speaker 1: because underneath all of the stuff that you say you

777
00:36:35,400 --> 00:36:38,120
Speaker 1: might need some herb to really get through, underneath is

778
00:36:38,400 --> 00:36:43,320
Speaker 1: like a freaking incredibly detailed story about that which we

779
00:36:43,480 --> 00:36:46,520
Speaker 1: go through in this country as it retains, as Terry said,

780
00:36:46,680 --> 00:36:52,239
Speaker 1: social political, socioeconomic, gender realities. It just for me was

781
00:36:52,400 --> 00:36:54,400
Speaker 1: very it was. It was very clear. When I had

782
00:36:54,440 --> 00:36:57,160
Speaker 1: the first conversation with with Boots, this man told my right,

783
00:36:57,160 --> 00:36:59,600
Speaker 1: I was in Italy with the family finally vacan offer

784
00:36:59,640 --> 00:37:03,319
Speaker 1: promote in power with Curtis in Italy too, Yeah, yeah,

785
00:37:03,480 --> 00:37:09,160
Speaker 1: I wasn't. And he was in Oakland and he had

786
00:37:09,200 --> 00:37:10,759
Speaker 1: this conversation with me and me and he told me,

787
00:37:10,800 --> 00:37:13,440
Speaker 1: he said, you know old particularly your role, and we're

788
00:37:13,480 --> 00:37:15,560
Speaker 1: going to create this thing where there's no real name

789
00:37:15,640 --> 00:37:20,000
Speaker 1: to your to your character, me mister just mister. And

790
00:37:20,080 --> 00:37:22,359
Speaker 1: I thought, damn, that's different. And he brought up Tony

791
00:37:22,440 --> 00:37:24,879
Speaker 1: Morrison and her you know, figuring some of that out

792
00:37:24,920 --> 00:37:26,359
Speaker 1: through a book that she had written, and I thought

793
00:37:26,640 --> 00:37:28,200
Speaker 1: that was brilliant. And I thought, well, what do you

794
00:37:28,280 --> 00:37:30,600
Speaker 1: mean about my character sort of being this he said,

795
00:37:30,600 --> 00:37:34,279
Speaker 1: it's unidentifiable because he's still trying to he knows a lot.

796
00:37:34,480 --> 00:37:37,680
Speaker 1: I decided to do the one ipat with boots permission

797
00:37:38,200 --> 00:37:40,520
Speaker 1: because I think he's all seen, even though you think

798
00:37:40,560 --> 00:37:42,719
Speaker 1: he's only seen with one eye. So he's a guy

799
00:37:42,800 --> 00:37:45,759
Speaker 1: that's kind of in the midst of maybe being called

800
00:37:45,760 --> 00:37:47,320
Speaker 1: a set out, but at the same time he actually

801
00:37:47,400 --> 00:37:50,680
Speaker 1: knows what's going on. Next to Army's character, which represents

802
00:37:50,719 --> 00:37:52,840
Speaker 1: the man in America like no get here, this is

803
00:37:52,840 --> 00:37:55,120
Speaker 1: where you want to get to Terry's point, Hollywood's is

804
00:37:55,120 --> 00:37:56,279
Speaker 1: this is where you want to get and you might

805
00:37:56,320 --> 00:37:58,919
Speaker 1: go now. So the Keith's character is kind of going

806
00:37:59,000 --> 00:38:01,760
Speaker 1: against that and the fact that I could play this conduit,

807
00:38:01,880 --> 00:38:04,520
Speaker 1: this bridge between the two and not really be a sellout.

808
00:38:04,560 --> 00:38:06,719
Speaker 1: But actually we didn't want to had the information. That's

809
00:38:06,760 --> 00:38:10,440
Speaker 1: what specifically attracted me. But then the cast Danny Glover,

810
00:38:10,920 --> 00:38:13,600
Speaker 1: this Manding my left who I've known for seventeen years now,

811
00:38:14,160 --> 00:38:17,120
Speaker 1: Lakis Stanfield, one of our young great young actors, Tessa Thompson,

812
00:38:17,160 --> 00:38:19,759
Speaker 1: who I know forever. Once Boots said okay, oh here's

813
00:38:19,760 --> 00:38:21,759
Speaker 1: the cast. He didn't get through three people before I said,

814
00:38:22,320 --> 00:38:24,120
Speaker 1: man this is incredible. Do you think that in the

815
00:38:24,239 --> 00:38:27,480
Speaker 1: movie makes light of real life situations like racism. It's

816
00:38:27,520 --> 00:38:30,480
Speaker 1: not making light of it. What it does is it

817
00:38:30,680 --> 00:38:35,960
Speaker 1: makes things more ridiculous to show the contradiction clearer. And

818
00:38:36,080 --> 00:38:39,960
Speaker 1: that heightening of contradiction happens in two places. When we

819
00:38:40,080 --> 00:38:44,439
Speaker 1: analyze something, we show the contradictions to show how how

820
00:38:44,840 --> 00:38:47,640
Speaker 1: society functions. Like even if you're doing a college lecture,

821
00:38:47,920 --> 00:38:52,600
Speaker 1: you heighten things and exaggerate to show the show the contradiction.

822
00:38:52,840 --> 00:38:55,439
Speaker 1: That's exactly the same thing that's done with comedy. Man.

823
00:38:55,880 --> 00:38:58,480
Speaker 1: I always wonder if the people who are supposed to

824
00:38:58,600 --> 00:39:00,960
Speaker 1: receive the message in this film, which would video pressers,

825
00:39:01,000 --> 00:39:04,920
Speaker 1: the white people, do they received method. No, I'm not

826
00:39:05,080 --> 00:39:10,040
Speaker 1: making a you know, I'm not under the feeling that

827
00:39:10,400 --> 00:39:13,200
Speaker 1: the way that we make social change is we beg

828
00:39:13,360 --> 00:39:17,040
Speaker 1: oppressors to change. In my opinion, the way that you

829
00:39:17,160 --> 00:39:20,760
Speaker 1: make change is you force someone to have to choose

830
00:39:20,880 --> 00:39:23,880
Speaker 1: between you're gonna make less money or you're gonna make

831
00:39:23,960 --> 00:39:28,560
Speaker 1: no money. You know, and and uh So this film

832
00:39:28,960 --> 00:39:32,840
Speaker 1: is not about talking to someone with power and hoping

833
00:39:32,880 --> 00:39:36,799
Speaker 1: they see more. It's about talking to each other. All right,

834
00:39:36,840 --> 00:39:38,560
Speaker 1: we got more with the cast, I'm Sorry to bother you.

835
00:39:38,640 --> 00:39:40,360
Speaker 1: When we come back, keep a lock this to Breakfast

836
00:39:40,360 --> 00:39:44,800
Speaker 1: Club the Morning Horning. Everybody is DJ Envy, Angela Yee, Charlomagne,

837
00:39:44,800 --> 00:39:47,760
Speaker 1: the guy. We are the Breakfast Club. We have the cast.

838
00:39:47,880 --> 00:39:49,719
Speaker 1: I'm Sorry to bother you. A new flick that comes

839
00:39:49,760 --> 00:39:53,120
Speaker 1: out in July. Terry Cruz A, Maori Hardwick, Boots, Riley,

840
00:39:53,520 --> 00:39:55,600
Speaker 1: Vanessa Coffin. Do you ever get tired of that song?

841
00:39:55,960 --> 00:39:58,480
Speaker 1: Because that is such a classic scene from white chicks

842
00:39:58,680 --> 00:40:10,640
Speaker 1: picking lou down to faces passing them homemund never Never.

843
00:40:11,400 --> 00:40:13,560
Speaker 1: I don't understand people get tired of their own stuff.

844
00:40:13,760 --> 00:40:16,840
Speaker 1: I don't understand. I'm so tired. I'm no. I just

845
00:40:16,960 --> 00:40:18,919
Speaker 1: keep doing. But see the thing is, I never stopped working.

846
00:40:19,400 --> 00:40:22,160
Speaker 1: See when you have that and then you put everybody's

847
00:40:22,200 --> 00:40:23,719
Speaker 1: chriss on top of it. Did you put Brookly on

848
00:40:23,880 --> 00:40:25,359
Speaker 1: nine on top of it? And you put all these

849
00:40:25,360 --> 00:40:26,960
Speaker 1: other movies on you put Sorry to Bother on top?

850
00:40:27,160 --> 00:40:29,279
Speaker 1: I'm satisfied, you know what I mean. It's now. If

851
00:40:29,320 --> 00:40:31,960
Speaker 1: it's stopped there, I'd be tired of it. I got

852
00:40:32,000 --> 00:40:34,400
Speaker 1: your mark. Did you have a problem taking this role?

853
00:40:34,440 --> 00:40:36,399
Speaker 1: Since you are very much ghost to a lot of people,

854
00:40:36,480 --> 00:40:37,839
Speaker 1: and it's hard to see you in any other role

855
00:40:37,880 --> 00:40:39,560
Speaker 1: because every time I stay understand, I was like, they're

856
00:40:39,560 --> 00:40:41,680
Speaker 1: gonna go, yeah, he see my name. I'm like, you

857
00:40:41,680 --> 00:40:43,000
Speaker 1: don't even see the movie? I said, no, I said,

858
00:40:43,000 --> 00:40:46,560
Speaker 1: when I see they like, I mean, do you so

859
00:40:46,680 --> 00:40:49,040
Speaker 1: I'm always ghost to you, like I have inability as

860
00:40:49,080 --> 00:40:51,600
Speaker 1: an actor or I'm always ghost in your mind? See ghost?

861
00:40:51,640 --> 00:41:04,920
Speaker 1: Right now? You see? I should? I should? I just

862
00:41:05,080 --> 00:41:09,879
Speaker 1: do power for the rest of my career. Here's a thing,

863
00:41:10,040 --> 00:41:14,040
Speaker 1: but people don't. People don't give him as much credit

864
00:41:14,080 --> 00:41:16,919
Speaker 1: as an actor because he's so good in that good

865
00:41:17,080 --> 00:41:19,719
Speaker 1: and they think he's not acting right. And this man,

866
00:41:20,160 --> 00:41:22,680
Speaker 1: this man is a poet, he's you know man, I

867
00:41:22,800 --> 00:41:26,800
Speaker 1: mean he he might be buff and might knock you

868
00:41:26,880 --> 00:41:30,520
Speaker 1: out if you do something. But here's a hippie. You

869
00:41:30,600 --> 00:41:33,279
Speaker 1: know what I'm saying, Like, does he I feel? I

870
00:41:33,400 --> 00:41:37,480
Speaker 1: feel like, uh man, I'm an amalgamation of Terry Crews

871
00:41:37,520 --> 00:41:40,960
Speaker 1: and Lakeith Stanfield. Wow wow. But think about it if

872
00:41:41,320 --> 00:41:46,120
Speaker 1: I played a homosexual age victim married to Janet Jackson,

873
00:41:46,239 --> 00:41:49,240
Speaker 1: what Tyler Perry movie was that for Color Girls I played?

874
00:41:49,400 --> 00:41:52,520
Speaker 1: I mean, there's fifteen year career is just so funny.

875
00:41:52,600 --> 00:41:58,680
Speaker 1: People goes like guess, and it's like, it's pretty, it's

876
00:41:58,680 --> 00:42:04,719
Speaker 1: pretty fascinating. I never had any This movie is because, yeah,

877
00:42:04,760 --> 00:42:06,800
Speaker 1: I just because I've never had any. I mean, I

878
00:42:06,880 --> 00:42:09,080
Speaker 1: did shot Caller Radio, did Shot Call of season two

879
00:42:09,120 --> 00:42:11,799
Speaker 1: with John Bernthall, and it's funny. I call it. I'm

880
00:42:11,800 --> 00:42:14,400
Speaker 1: awarding in shot Caller. Then I don't know. It's just

881
00:42:14,520 --> 00:42:16,480
Speaker 1: one of those things where I have to remind everybody

882
00:42:17,000 --> 00:42:21,400
Speaker 1: but guy's an actor. So Patton Oswald did so. Patton

883
00:42:21,440 --> 00:42:25,520
Speaker 1: Oswald does his white voice. David Cross does Lakeith white voice.

884
00:42:25,800 --> 00:42:29,600
Speaker 1: And when Patton was in this doing it, he was like,

885
00:42:30,320 --> 00:42:32,600
Speaker 1: so this guy isn't gonna get mad at me. I

886
00:42:32,719 --> 00:42:36,960
Speaker 1: want to fight me. I'm like, well, first of all,

887
00:42:37,080 --> 00:42:42,080
Speaker 1: this it's film, yeah, second of all, but I want

888
00:42:42,080 --> 00:42:43,480
Speaker 1: to I want to say I want to say this

889
00:42:43,640 --> 00:42:47,759
Speaker 1: to uh. I want to say it to Nbus That right, No,

890
00:42:47,840 --> 00:42:50,360
Speaker 1: I asked, Charlemagne asked, I want to say that because

891
00:42:50,400 --> 00:42:52,880
Speaker 1: it's a lob. It's a lob. It's like Charlomagne just

892
00:42:52,920 --> 00:42:55,440
Speaker 1: gave me a Derek Fisher night. I don't remember what year,

893
00:42:55,480 --> 00:42:58,680
Speaker 1: but this is my opportunity to slam it home. Charlomagne

894
00:42:59,239 --> 00:43:02,480
Speaker 1: and envy Charlomagne for sure, because I find Charlomagne to

895
00:43:02,560 --> 00:43:05,800
Speaker 1: be the deep poet of the group. Charlemagne knows the

896
00:43:06,640 --> 00:43:09,840
Speaker 1: talentsable man. Charlemagne even knows that I'm doing music. He

897
00:43:09,960 --> 00:43:12,879
Speaker 1: knows that he knows it. So the lab is, oh,

898
00:43:13,239 --> 00:43:16,080
Speaker 1: you gotta keep strategically doing things that get you away

899
00:43:16,120 --> 00:43:18,760
Speaker 1: from ghosts. But it's scary or is it not scary?

900
00:43:18,840 --> 00:43:22,640
Speaker 1: And I go Charlemagne, it can't be scary because if

901
00:43:22,719 --> 00:43:26,560
Speaker 1: I'm a novice, to Terry's point, then maybe it's scary

902
00:43:27,080 --> 00:43:29,200
Speaker 1: because my bread and butter is this thing. If I'm

903
00:43:29,239 --> 00:43:33,200
Speaker 1: Michael B. Jordan's age and I do ghosts, Oh, but

904
00:43:33,320 --> 00:43:36,319
Speaker 1: if I've done all these things preceding Ghosts, then God

905
00:43:36,360 --> 00:43:39,239
Speaker 1: bless Netflix, because you go back and go, oh, there

906
00:43:39,280 --> 00:43:42,279
Speaker 1: was a lot of before, God bless you. So now

907
00:43:42,360 --> 00:43:45,480
Speaker 1: that I've played ghost which is a beautiful testimony to

908
00:43:45,600 --> 00:43:49,360
Speaker 1: the security of Curtis fifty, Saint Jackson and going, I

909
00:43:49,520 --> 00:43:51,239
Speaker 1: think I know the right person for the part. He

910
00:43:51,280 --> 00:43:53,200
Speaker 1: could have picked the wrong person for the part right,

911
00:43:53,360 --> 00:43:54,680
Speaker 1: And I don't know if we have a show like that.

912
00:43:55,280 --> 00:43:57,879
Speaker 1: So for fifty to be that secure and to get

913
00:43:58,040 --> 00:44:00,279
Speaker 1: Courtney on board and to get stars behind end it.

914
00:44:00,800 --> 00:44:04,439
Speaker 1: Then it makes Charlemagne, it makes Boots, it makes Envy

915
00:44:04,480 --> 00:44:06,920
Speaker 1: and makes Terry go well even as his brother and

916
00:44:07,000 --> 00:44:09,799
Speaker 1: his friend. This was the right pick for this character.

917
00:44:10,520 --> 00:44:13,279
Speaker 1: Sometimes we can't not see him. But in reality, if

918
00:44:13,320 --> 00:44:16,840
Speaker 1: you're the right pick for whatever, Sydney Portier was the

919
00:44:16,920 --> 00:44:19,120
Speaker 1: right pick for four to five times being the right pick.

920
00:44:19,480 --> 00:44:23,560
Speaker 1: We don't really have an opportunity to celebrate Sydney as

921
00:44:23,600 --> 00:44:26,040
Speaker 1: a legend or or the icon that he is if

922
00:44:26,080 --> 00:44:28,719
Speaker 1: he didn't do very good all the other things that

923
00:44:28,800 --> 00:44:31,360
Speaker 1: he's done. So we all want the same thing. You know,

924
00:44:31,600 --> 00:44:33,560
Speaker 1: I'm major in journalism. I was in the world of

925
00:44:33,760 --> 00:44:36,680
Speaker 1: Envy and Charlemagne. That was my major. But I always

926
00:44:36,719 --> 00:44:39,680
Speaker 1: heard God saying, yeah, but your storyteller. So Charlemagne and

927
00:44:39,800 --> 00:44:42,320
Speaker 1: Envy are still limited as to the way they tell stories.

928
00:44:42,600 --> 00:44:45,160
Speaker 1: But Satellite, for example, has allowed y'all to be not

929
00:44:45,280 --> 00:44:47,799
Speaker 1: his limited you know what I mean? So I think

930
00:44:47,840 --> 00:44:50,600
Speaker 1: as ghost, if he's the journalist that's stuck within the

931
00:44:50,680 --> 00:44:53,400
Speaker 1: parameters of what we know him to be, then it

932
00:44:53,520 --> 00:44:56,360
Speaker 1: does tell on brown people as to how wide we

933
00:44:56,520 --> 00:44:59,880
Speaker 1: see and how wide we don't see. What's ironic about it?

934
00:45:00,280 --> 00:45:04,520
Speaker 1: It's ghost envy. It's wide, so you'd almost think it's

935
00:45:04,560 --> 00:45:06,960
Speaker 1: guy has to be a really wide actor because Ghost

936
00:45:07,120 --> 00:45:10,399
Speaker 1: is thirty five feet wide. So it's just that there's

937
00:45:10,440 --> 00:45:12,439
Speaker 1: so much with it. I think Boots makes a great

938
00:45:12,480 --> 00:45:14,879
Speaker 1: point by going, it's hard for folks to see all

939
00:45:14,920 --> 00:45:17,319
Speaker 1: the different ways that those getting too the basket. If

940
00:45:17,360 --> 00:45:20,759
Speaker 1: it's Analogs, analogous the basketball coming off the playoffs, if

941
00:45:20,840 --> 00:45:22,719
Speaker 1: he's Ghosts, because Ghost is getting to the hoops so

942
00:45:22,760 --> 00:45:25,719
Speaker 1: many different ways. It's the coat switching that Charlotta Maine's feet.

943
00:45:26,120 --> 00:45:28,680
Speaker 1: Remember when everybody thought the Finds. A dude that played

944
00:45:28,680 --> 00:45:32,879
Speaker 1: The Finds was like you start seeing them, You're like, oh,

945
00:45:33,239 --> 00:45:36,000
Speaker 1: you're like Missy and a lot of people Charlottage like Ghost.

946
00:45:36,080 --> 00:45:38,000
Speaker 1: Morning omorrow. You hear a lot of people going, I

947
00:45:38,120 --> 00:45:40,919
Speaker 1: like Ghost, and it tells on them. It's like, yeah,

948
00:45:41,200 --> 00:45:43,560
Speaker 1: you needed a guy seventy five feet wide to play

949
00:45:43,600 --> 00:45:45,439
Speaker 1: a guy thirty five foot wide. I'm gonna be honest

950
00:45:45,440 --> 00:45:49,640
Speaker 1: with you. If your friends are saying that and something's wrong, Okay,

951
00:45:49,719 --> 00:45:53,520
Speaker 1: I'm saying that, young social media world, you know what

952
00:45:53,560 --> 00:45:59,680
Speaker 1: I mean. Yeah, you wanted me to wrap you could

953
00:45:59,719 --> 00:46:04,560
Speaker 1: do that, all right. Listen to the shot Sonata from

954
00:46:04,560 --> 00:46:07,160
Speaker 1: Persona's nine Grider would apply to rock harder than the

955
00:46:07,200 --> 00:46:09,839
Speaker 1: second into Fighter. I do drink fire water, but I'm

956
00:46:10,080 --> 00:46:13,480
Speaker 1: like hire water and with slaughter, slaughter, slaughter your almada

957
00:46:13,800 --> 00:46:16,120
Speaker 1: and from your scholars that are Alma Mater, squaldars from

958
00:46:16,160 --> 00:46:17,800
Speaker 1: my squad to put your collar at your black and

959
00:46:17,880 --> 00:46:21,280
Speaker 1: white gallar? What cannon fighter for dollars both under Trump

960
00:46:21,320 --> 00:46:25,160
Speaker 1: and Obama. I don't remember the rest, but check this out.

961
00:46:26,400 --> 00:46:28,719
Speaker 1: Every guest is an abrupt one. Every cop is a

962
00:46:28,760 --> 00:46:32,200
Speaker 1: corrupt one without the cash up and trust fund. Every

963
00:46:32,480 --> 00:46:36,680
Speaker 1: guests one to plus one. I forget the rest in

964
00:46:36,800 --> 00:46:44,880
Speaker 1: this Director Williams Boots Man, Well, here's the thing I

965
00:46:44,920 --> 00:46:47,400
Speaker 1: would I would take I would take that as an insult,

966
00:46:47,440 --> 00:46:50,440
Speaker 1: but I couldn't. No, I mean just because people like

967
00:46:50,880 --> 00:46:58,319
Speaker 1: New York, thank you, thank you all man, Boots, but yeah,

968
00:46:58,400 --> 00:47:01,719
Speaker 1: I mean appreciated. Do the things that Cat Williams has

969
00:47:01,800 --> 00:47:05,839
Speaker 1: done for entertainment, then that'll be cool. On your way,

970
00:47:06,239 --> 00:47:08,879
Speaker 1: you know, we'll see. When's the movie come out? July

971
00:47:09,080 --> 00:47:13,239
Speaker 1: sixth and select theaters July thirteenth, everywhere July six go

972
00:47:13,400 --> 00:47:16,920
Speaker 1: check out. Sorry, and we appreciate you guys for joining us.

973
00:47:17,200 --> 00:47:22,040
Speaker 1: Thank you man, It's the Breakfast Club. Good morning, the

974
00:47:22,280 --> 00:47:26,920
Speaker 1: Breakfast Club. Morning. Everybody is d J, Envy, Angela Yee,

975
00:47:27,040 --> 00:47:29,160
Speaker 1: Charlomagne the guy. We all the Breakfast Club. Let's get

976
00:47:29,160 --> 00:47:36,399
Speaker 1: to rumors to talk, Doctor Dre. This is the rumor

977
00:47:36,480 --> 00:47:41,200
Speaker 1: report with Angela Yee on the Breakfast Club. So doctr

978
00:47:41,320 --> 00:47:44,160
Speaker 1: J is working on a Marvin Jay biopicks should be

979
00:47:44,200 --> 00:47:46,560
Speaker 1: pretty interesting now a lot of people have been trying

980
00:47:46,560 --> 00:47:49,160
Speaker 1: to do this in the past. The most recent was

981
00:47:49,480 --> 00:47:51,600
Speaker 1: Jamie Fox, who actually had landed the rights for a

982
00:47:51,680 --> 00:47:53,960
Speaker 1: limited series back in twenty sixteen, but there's been no

983
00:47:54,120 --> 00:47:56,600
Speaker 1: movement on that. So now it looks like doctor Dre

984
00:47:56,840 --> 00:47:59,320
Speaker 1: is going to be the person that's spearheading this. I

985
00:47:59,400 --> 00:48:01,879
Speaker 1: wonder if Ants can make another biopic about an artist

986
00:48:01,920 --> 00:48:04,840
Speaker 1: without being biased, because he can, because when you do biopics,

987
00:48:04,880 --> 00:48:06,360
Speaker 1: you have to do the good, the bad, and the

988
00:48:06,480 --> 00:48:08,080
Speaker 1: ugly of a person, and that's something that could be

989
00:48:08,120 --> 00:48:11,640
Speaker 1: hard to do if you are indeed a fan of

990
00:48:11,800 --> 00:48:14,680
Speaker 1: said person, it's not your friend. Well, I think the

991
00:48:14,760 --> 00:48:16,800
Speaker 1: most important thing is to work with like the family

992
00:48:16,960 --> 00:48:19,320
Speaker 1: and people that actually knew the person so that you

993
00:48:19,360 --> 00:48:22,000
Speaker 1: can get real inside information. So he can do that.

994
00:48:22,480 --> 00:48:24,960
Speaker 1: I think that's really helpful to have people that actually

995
00:48:25,040 --> 00:48:27,359
Speaker 1: knew the person or interacted with him tell their stories,

996
00:48:27,360 --> 00:48:29,200
Speaker 1: because that's something Drey didn't even do for himself, by

997
00:48:29,200 --> 00:48:30,759
Speaker 1: the way, and create out a company he didn't tell

998
00:48:30,800 --> 00:48:33,120
Speaker 1: the good de bat and the ugly. I do think

999
00:48:33,160 --> 00:48:35,600
Speaker 1: it's hardy to do it for yourself. He made himself

1000
00:48:35,600 --> 00:48:37,600
Speaker 1: look like a full blown superhero and create out of

1001
00:48:37,640 --> 00:48:40,000
Speaker 1: companies he did, but I guess he has other business

1002
00:48:40,080 --> 00:48:41,440
Speaker 1: that he don't want some of that stuff to be

1003
00:48:41,640 --> 00:48:44,920
Speaker 1: to recirculates. Even if you look at a movie like Notorious,

1004
00:48:45,000 --> 00:48:46,960
Speaker 1: how Diddy was portrayed in that movie because he worked

1005
00:48:47,000 --> 00:48:49,800
Speaker 1: on that. Also, that wasn't the good the bad and

1006
00:48:49,920 --> 00:48:52,399
Speaker 1: that either No, it wasn't, but I mean it wasn't

1007
00:48:52,400 --> 00:48:54,400
Speaker 1: really about Diddy though. Yeah, but he was a big

1008
00:48:54,480 --> 00:48:57,120
Speaker 1: part of Biggie like getting discovered, and he was in

1009
00:48:57,200 --> 00:49:00,280
Speaker 1: it a lot. So all right now let's talk about

1010
00:49:00,320 --> 00:49:02,319
Speaker 1: Red Table Tuck. I know you guys loved that show.

1011
00:49:02,440 --> 00:49:05,759
Speaker 1: Jay to Pickett Smith and her daughter and her mom. Well,

1012
00:49:05,880 --> 00:49:11,200
Speaker 1: on Monday's episode, she had EJ. Johnson and Cookie Johnson

1013
00:49:11,320 --> 00:49:14,560
Speaker 1: there and they talked about EJ first coming out about

1014
00:49:14,640 --> 00:49:20,200
Speaker 1: his sexuality. Hawaii check Out what happened. The very next day,

1015
00:49:20,280 --> 00:49:23,719
Speaker 1: he went to your room, you do it and just

1016
00:49:24,040 --> 00:49:27,360
Speaker 1: was like, we're gonna get through this, and you know,

1017
00:49:27,400 --> 00:49:30,160
Speaker 1: I just need time, and then we both just kind

1018
00:49:30,200 --> 00:49:32,880
Speaker 1: of started crying a little bit. Then I moved to

1019
00:49:33,000 --> 00:49:35,200
Speaker 1: New York to go to college, and when he came

1020
00:49:35,239 --> 00:49:37,160
Speaker 1: back to visit, he picked me up for dinner and

1021
00:49:37,600 --> 00:49:39,680
Speaker 1: he was like, you know, like if I have you're

1022
00:49:39,760 --> 00:49:41,759
Speaker 1: here where we love you. I went, you know, I'm

1023
00:49:41,760 --> 00:49:43,680
Speaker 1: just like whatever, I hug you dad and whatever. But

1024
00:49:43,719 --> 00:49:46,560
Speaker 1: he hugged me so hard he almost like broke my back.

1025
00:49:47,400 --> 00:49:50,200
Speaker 1: And at that point I was like, we're gonna be okay.

1026
00:49:50,480 --> 00:49:53,160
Speaker 1: I love e J. Johnson. I've had the pleasure of

1027
00:49:53,160 --> 00:49:55,720
Speaker 1: meeting EJ a couple of times. I saw EJ on Saturday.

1028
00:49:55,760 --> 00:49:58,439
Speaker 1: I get excited when I see EJ. Okay excited. EJ

1029
00:49:58,680 --> 00:50:02,600
Speaker 1: is six foot eight and chiseled. EJ will whip somebody's ass,

1030
00:50:02,719 --> 00:50:05,759
Speaker 1: all right, Only whenever I see EJ. The only disappointment

1031
00:50:05,800 --> 00:50:08,719
Speaker 1: I have he didn't like the best dressed he is.

1032
00:50:08,760 --> 00:50:10,200
Speaker 1: But the only disappointment I have in the fact we

1033
00:50:10,200 --> 00:50:13,239
Speaker 1: would never see him play basketball. We don't know if

1034
00:50:13,239 --> 00:50:15,600
Speaker 1: EJ can play ball, and that you're not much joy

1035
00:50:15,719 --> 00:50:17,680
Speaker 1: urban magic. Johnson has brought the people on that court.

1036
00:50:17,719 --> 00:50:19,719
Speaker 1: We don't know if EJ has skills on that court.

1037
00:50:20,000 --> 00:50:23,959
Speaker 1: I'm sure Eja. Here's EJ's mom, Cookie Johnson also talking

1038
00:50:24,000 --> 00:50:27,960
Speaker 1: about that experience and how she felt like that conversation

1039
00:50:28,120 --> 00:50:30,960
Speaker 1: had turned hurtful. We had to talk with dad and

1040
00:50:31,120 --> 00:50:32,839
Speaker 1: that was a little tough. My husband is the kind

1041
00:50:32,880 --> 00:50:36,359
Speaker 1: of person like he reacts quickly, so everything that came

1042
00:50:36,400 --> 00:50:37,839
Speaker 1: to the top of his head, he just let it out.

1043
00:50:38,040 --> 00:50:40,560
Speaker 1: And I was like, because it hurt my feelings. I

1044
00:50:40,640 --> 00:50:42,439
Speaker 1: know what party hurt his feelings when he was saying,

1045
00:50:42,480 --> 00:50:44,600
Speaker 1: you know, it's not what I wanted for my son,

1046
00:50:45,000 --> 00:50:47,719
Speaker 1: and do you realize what you're saying because you know

1047
00:50:47,800 --> 00:50:49,719
Speaker 1: the world is not gonna like that, and do you

1048
00:50:49,800 --> 00:50:53,080
Speaker 1: want to live this life? So afterwards, you know, I

1049
00:50:53,200 --> 00:50:55,200
Speaker 1: told him, I said, I thought that was a little tough.

1050
00:50:55,360 --> 00:50:58,640
Speaker 1: You know, you know that wasn't right. Whatever. I'm glad EJ.

1051
00:50:58,840 --> 00:51:02,000
Speaker 1: Johnson exists right. That man makes me happy when I

1052
00:51:02,040 --> 00:51:05,200
Speaker 1: see him now. We talked about John Cena and Nikki Bella.

1053
00:51:05,280 --> 00:51:08,320
Speaker 1: They were supposed to get married and then he wanted

1054
00:51:08,360 --> 00:51:10,960
Speaker 1: to not have kids. He got a vasectomy and now

1055
00:51:11,040 --> 00:51:13,560
Speaker 1: he's willing to reverse that procedure because he wants Nicky

1056
00:51:13,600 --> 00:51:16,239
Speaker 1: Bella back so badly. They had split up and that

1057
00:51:16,400 --> 00:51:18,439
Speaker 1: was because John Cena did not want to ever become

1058
00:51:18,480 --> 00:51:20,640
Speaker 1: a parent, and now he's saying that he does want

1059
00:51:20,640 --> 00:51:22,759
Speaker 1: to marry her once that relationship wants to. Marisey said,

1060
00:51:22,800 --> 00:51:25,200
Speaker 1: I will give you a child, I will sacrifice, and

1061
00:51:25,360 --> 00:51:27,279
Speaker 1: he will undo that for sectomy in order to get

1062
00:51:27,360 --> 00:51:32,000
Speaker 1: his girl back. Pipe is just that easy, I can really, Okay,

1063
00:51:32,320 --> 00:51:34,480
Speaker 1: So that's good for them all right. Lauren Hill, her

1064
00:51:34,560 --> 00:51:37,839
Speaker 1: Miss Education tour is going down and starts July fifth

1065
00:51:37,880 --> 00:51:40,120
Speaker 1: at Virginia Beach, and she's going to have a whole

1066
00:51:40,200 --> 00:51:42,400
Speaker 1: lot of openers on that tour. She's celebrating the twentieth

1067
00:51:42,440 --> 00:51:45,960
Speaker 1: anniversary of that legendary album, The Miseducation of Lauren Hill.

1068
00:51:46,040 --> 00:51:47,640
Speaker 1: Some of the people that will be on that tour

1069
00:51:47,719 --> 00:51:51,520
Speaker 1: include Nas and my A, my best Friend, Santy Gold, Asat,

1070
00:51:51,600 --> 00:51:54,200
Speaker 1: Rocky sis A, Big Boy, de La Soul, Bust of Rhymes,

1071
00:51:54,920 --> 00:51:56,759
Speaker 1: amongst others. So there'll be a whole lot of people

1072
00:51:57,160 --> 00:51:59,600
Speaker 1: joining her as well. It was an amazing how Lauren

1073
00:51:59,680 --> 00:52:02,120
Speaker 1: Hill has created a timeless body of work that she

1074
00:52:02,200 --> 00:52:04,319
Speaker 1: has been eaten off for how many years now? It's

1075
00:52:04,320 --> 00:52:07,640
Speaker 1: been twenty years, that's all. Yeah. If that album's a

1076
00:52:07,840 --> 00:52:11,279
Speaker 1: classic album, I was ninety eight. Yeah, absolutely, because you

1077
00:52:11,320 --> 00:52:13,960
Speaker 1: gotta think there was Fuji's albums first and then she

1078
00:52:14,080 --> 00:52:16,560
Speaker 1: did Miss Education. So other people that will be joining

1079
00:52:16,600 --> 00:52:19,920
Speaker 1: her till quality, Dave E's, Dave Chappelle, a whole lot

1080
00:52:19,960 --> 00:52:21,400
Speaker 1: of things going on. So if you guys want to

1081
00:52:21,440 --> 00:52:24,080
Speaker 1: go and see that classic album, make sure, yeah go

1082
00:52:24,280 --> 00:52:26,200
Speaker 1: check out Lauren Hill. All right, I'm manage la yee

1083
00:52:26,280 --> 00:52:28,400
Speaker 1: and that is your rumor report. All right, thank you,

1084
00:52:28,440 --> 00:52:31,719
Speaker 1: miss Charle Yes, sir, who you're giving that? Donkey? Man,

1085
00:52:31,760 --> 00:52:34,640
Speaker 1: I have to take it to my neck of the woods, Charleston,

1086
00:52:34,719 --> 00:52:36,839
Speaker 1: South Carolina. I need a young brother named le Roy

1087
00:52:36,960 --> 00:52:39,239
Speaker 1: Joe Small to come to the front of the congregation. Man.

1088
00:52:39,440 --> 00:52:42,560
Speaker 1: Always remember in life, preparation is key, le Roy. If

1089
00:52:42,600 --> 00:52:44,399
Speaker 1: you stay ready, you don't got to get ready. Okay,

1090
00:52:44,520 --> 00:52:46,560
Speaker 1: you know most Leroy is a little crazy. That is

1091
00:52:46,560 --> 00:52:48,840
Speaker 1: a fact, all right. For Bruce le Roy, he was amazing.

1092
00:52:49,040 --> 00:52:51,759
Speaker 1: We'll get into he was a fake person. We'll get into.

1093
00:52:51,800 --> 00:52:53,160
Speaker 1: Donkey to day up next. Keep a lot to the

1094
00:52:53,160 --> 00:53:13,480
Speaker 1: breakless locomotives. I was going to Donkey a Donkey breakfast club. Yes,

1095
00:53:13,680 --> 00:53:16,000
Speaker 1: don't here today for Wednesday, June twenty if goes to

1096
00:53:16,080 --> 00:53:18,640
Speaker 1: a twenty year old man named Leroy Joe Small. Now

1097
00:53:18,719 --> 00:53:20,960
Speaker 1: Leroy is from my neck of the woods, South Carolina,

1098
00:53:21,080 --> 00:53:23,360
Speaker 1: the low Country, North Charleston, to be exact, dropped one

1099
00:53:23,400 --> 00:53:25,239
Speaker 1: of clues bombs for the eight four three. Damn it,

1100
00:53:26,880 --> 00:53:28,319
Speaker 1: let me tell you something. Man, with all the heavy

1101
00:53:28,320 --> 00:53:30,080
Speaker 1: stuff going on in the world, sometimes you just have

1102
00:53:30,160 --> 00:53:31,799
Speaker 1: to take a break and go seek out a laugh

1103
00:53:31,920 --> 00:53:34,640
Speaker 1: just to keep from crying. And Leroy Joe Small has

1104
00:53:34,640 --> 00:53:36,719
Speaker 1: created some comedy for me to smarn and see. I

1105
00:53:36,800 --> 00:53:39,279
Speaker 1: always say life is a movie. Some of us are

1106
00:53:39,320 --> 00:53:41,360
Speaker 1: living a drama. Some of us are living a tragedy.

1107
00:53:41,440 --> 00:53:43,840
Speaker 1: Some of us are living a romantic film. Some of

1108
00:53:43,960 --> 00:53:46,200
Speaker 1: us an action thrillers, some of us are crime films.

1109
00:53:46,239 --> 00:53:48,960
Speaker 1: Some of us just a full blown comedy. Okay, if

1110
00:53:49,000 --> 00:53:50,600
Speaker 1: you are living a great life, you will probably have

1111
00:53:50,640 --> 00:53:52,920
Speaker 1: a mixture of all those different film genres and in

1112
00:53:53,040 --> 00:53:55,640
Speaker 1: your existence. But Leroy Small has provided us one of

1113
00:53:55,680 --> 00:53:58,520
Speaker 1: the greatest comedic scenes I've heard about in a long time.

1114
00:53:58,560 --> 00:54:01,680
Speaker 1: See Leroy. On Tuesday was charged with failure to stop

1115
00:54:01,719 --> 00:54:04,520
Speaker 1: for blue lights, simple offense, right okay. A lot of

1116
00:54:04,520 --> 00:54:06,680
Speaker 1: people have led police on high speed chases before, a

1117
00:54:06,760 --> 00:54:09,120
Speaker 1: lot of people have hit the gas to shake the police.

1118
00:54:09,200 --> 00:54:11,600
Speaker 1: Right now, let me fake the scene. And shortly after

1119
00:54:11,680 --> 00:54:14,000
Speaker 1: midnight in North Charleston, Okay, police were in the area

1120
00:54:14,040 --> 00:54:15,960
Speaker 1: of King and Romney Street when they stopped the car

1121
00:54:16,080 --> 00:54:18,680
Speaker 1: for a traffic violation. One of the officers said he

1122
00:54:18,719 --> 00:54:22,080
Speaker 1: saw the passenger of the car making movements toward the

1123
00:54:22,200 --> 00:54:24,600
Speaker 1: rear passenger seats. Round of applause to the North Charleston

1124
00:54:24,640 --> 00:54:27,680
Speaker 1: police for not shooting and killing this foolish young man

1125
00:54:27,719 --> 00:54:29,640
Speaker 1: who clearly has not gotten the mimmle to not make

1126
00:54:29,640 --> 00:54:32,279
Speaker 1: any sudden moves around police officers in this climate now,

1127
00:54:32,360 --> 00:54:34,840
Speaker 1: according to a report, when the officer asked the passenger

1128
00:54:35,440 --> 00:54:38,799
Speaker 1: and the driver to get out, this happened a North

1129
00:54:38,920 --> 00:54:41,520
Speaker 1: Charleston man facing the chargers to night after police say

1130
00:54:41,560 --> 00:54:44,560
Speaker 1: he tried to speed away from officers one thing though

1131
00:54:44,800 --> 00:54:47,680
Speaker 1: his car was in park. Twenty year old Leroy Small

1132
00:54:47,880 --> 00:54:50,720
Speaker 1: was arrested and charged with failure to stop the blue lights.

1133
00:54:50,800 --> 00:54:53,520
Speaker 1: Police say just after midnight, officers pulled them over for

1134
00:54:53,640 --> 00:54:56,279
Speaker 1: a traffic stop. When they asked them to get out

1135
00:54:56,320 --> 00:54:59,920
Speaker 1: officers say small looked directly at them, then pressed out

1136
00:55:00,120 --> 00:55:02,799
Speaker 1: on the gas pedal again. The car was in part,

1137
00:55:02,880 --> 00:55:04,960
Speaker 1: police say. Smallest then put the car and drive and

1138
00:55:05,000 --> 00:55:08,080
Speaker 1: then drove down King Street. He was eventually stopped at

1139
00:55:08,160 --> 00:55:11,279
Speaker 1: clementson Sprul Avenue is. According to police, it was given

1140
00:55:11,320 --> 00:55:14,120
Speaker 1: a ten thousand dollars bond. Bro this is like the

1141
00:55:14,280 --> 00:55:16,680
Speaker 1: road run, a yelling beat beat before he runs off,

1142
00:55:16,719 --> 00:55:19,000
Speaker 1: but forgetting he had no legs. Okay. This is like

1143
00:55:19,040 --> 00:55:21,239
Speaker 1: shooting a jump shot and turning around, throwing your hands

1144
00:55:21,239 --> 00:55:22,799
Speaker 1: in the air like it went in and not even

1145
00:55:22,880 --> 00:55:25,240
Speaker 1: realizing that you shot an airball. This is like performing

1146
00:55:25,280 --> 00:55:27,840
Speaker 1: on stage and then running the stage dive and nobody

1147
00:55:27,960 --> 00:55:30,040
Speaker 1: catches you and your ass just hits the floor. What

1148
00:55:30,200 --> 00:55:32,960
Speaker 1: it's so interesting about this situation is that he just

1149
00:55:33,280 --> 00:55:35,080
Speaker 1: knew he was about to be out. The fact he

1150
00:55:35,239 --> 00:55:37,880
Speaker 1: looked the cop dead in his eye it's a telltale

1151
00:55:37,920 --> 00:55:39,840
Speaker 1: sign that he thought he had one up on the

1152
00:55:39,960 --> 00:55:42,040
Speaker 1: police and he was about to get away, but his

1153
00:55:42,160 --> 00:55:44,759
Speaker 1: dumb ass forgot to move that gear shift from P

1154
00:55:45,440 --> 00:55:49,359
Speaker 1: to D. Southwest Airlines I have your new commercial right here.

1155
00:55:49,440 --> 00:55:52,560
Speaker 1: Courtesy at Leroy Joe Smaller, North Chawton, South Carolina. This

1156
00:55:52,680 --> 00:55:54,879
Speaker 1: scene is it? Let's hear it. The officers pulled them

1157
00:55:54,880 --> 00:55:57,480
Speaker 1: over for a traffic stop. When they asked him to

1158
00:55:57,520 --> 00:56:00,640
Speaker 1: get out, officers say, Small looked directly after them, then

1159
00:56:00,960 --> 00:56:04,040
Speaker 1: pressed down on the gas pedal again. The car was

1160
00:56:04,120 --> 00:56:07,600
Speaker 1: in part don't want to get away? Some donkey to

1161
00:56:07,680 --> 00:56:10,560
Speaker 1: days you saw themselves. Please give Leroy Joe Small the

1162
00:56:10,560 --> 00:56:13,680
Speaker 1: sweet signs in the Hamletones fleee oh no you are

1163
00:56:14,360 --> 00:56:26,000
Speaker 1: do gee, oh the do gee oh the day Ye

1164
00:56:29,680 --> 00:56:32,000
Speaker 1: come on North Charleston. You sounded like Florida. Yeah, well

1165
00:56:32,000 --> 00:56:34,800
Speaker 1: that didn't work out all right, Well Charlottagne, thank you

1166
00:56:34,840 --> 00:56:36,960
Speaker 1: so much for that donkey of the day. Yes, and

1167
00:56:37,520 --> 00:56:39,319
Speaker 1: you gotta ask you coming up next right, that's right.

1168
00:56:39,360 --> 00:56:41,320
Speaker 1: Today it's hump day, so you know it's time for asky.

1169
00:56:41,440 --> 00:56:43,080
Speaker 1: So if you have any advice that you might need

1170
00:56:43,120 --> 00:56:44,840
Speaker 1: to get, make sure you call me up one A

1171
00:56:44,880 --> 00:56:46,359
Speaker 1: one hundred and five and five one oh five one

1172
00:56:46,400 --> 00:56:47,960
Speaker 1: and I will help you out. Yep, it's the world

1173
00:56:48,040 --> 00:56:50,319
Speaker 1: most Dangerous morning show to Breakfast Club. Yes, what's up?

1174
00:56:50,360 --> 00:56:52,359
Speaker 1: I'm angela. Ye, it is the Breakfast Club and it's

1175
00:56:52,400 --> 00:56:55,040
Speaker 1: time for ask ye. Now we are going to be

1176
00:56:55,160 --> 00:56:57,640
Speaker 1: taking your cause and I'll give some advice out from

1177
00:56:57,680 --> 00:56:59,560
Speaker 1: my own experiences and for that I seen and what

1178
00:56:59,680 --> 00:57:02,520
Speaker 1: I know. Right now, we have Desiree on the line.

1179
00:57:02,520 --> 00:57:04,960
Speaker 1: What's up, Desiree? Hey, how are you doing good? How

1180
00:57:05,040 --> 00:57:06,960
Speaker 1: are you ye? I just want to say I love

1181
00:57:07,000 --> 00:57:09,520
Speaker 1: you guys. I love the best this club. Okay, thank you.

1182
00:57:09,600 --> 00:57:12,960
Speaker 1: I appreciate you. Desiree. What's your question this morning? I

1183
00:57:13,120 --> 00:57:16,520
Speaker 1: want to know how do you like, not make a

1184
00:57:16,600 --> 00:57:19,720
Speaker 1: man mature but see things your way? Like I want

1185
00:57:19,760 --> 00:57:22,720
Speaker 1: to move to Atlanta and become a lawyer, but my

1186
00:57:22,840 --> 00:57:26,360
Speaker 1: boyfriend is like in this thing where well we gotta

1187
00:57:26,400 --> 00:57:28,080
Speaker 1: kick out. I mean, I understand, we gotta tick out down,

1188
00:57:28,120 --> 00:57:29,960
Speaker 1: but he's like, well, we gotta do this because we

1189
00:57:30,000 --> 00:57:31,920
Speaker 1: gotta do that. But I'm like, we don't really have

1190
00:57:32,160 --> 00:57:33,760
Speaker 1: much time to doing this and doing all that. We

1191
00:57:33,880 --> 00:57:35,600
Speaker 1: need to get ourself together right now and go ahead

1192
00:57:35,640 --> 00:57:37,640
Speaker 1: to move. But he's not. I don't feel like he's

1193
00:57:37,680 --> 00:57:41,240
Speaker 1: really with the move like he's but he's not gonna

1194
00:57:41,240 --> 00:57:44,800
Speaker 1: move to better He's gonna move to party yoursel So

1195
00:57:44,960 --> 00:57:46,960
Speaker 1: you feel like he's just not mature enough. Right now.

1196
00:57:47,040 --> 00:57:49,080
Speaker 1: You have things that you want to do for your

1197
00:57:49,160 --> 00:57:51,160
Speaker 1: career and for yourself for your life and he's not

1198
00:57:51,280 --> 00:57:54,840
Speaker 1: on the same page. Yeah, well, desire, how old are you?

1199
00:57:55,440 --> 00:57:58,840
Speaker 1: I'm twenty five okay, yeah, twenty five years old. Um,

1200
00:57:59,080 --> 00:58:00,960
Speaker 1: And sometimes it it's hard for people to be on

1201
00:58:01,040 --> 00:58:03,120
Speaker 1: the same page when you're in a relationship, and you know,

1202
00:58:03,240 --> 00:58:06,200
Speaker 1: women we do tent to mature a lot faster than men, right,

1203
00:58:06,360 --> 00:58:08,640
Speaker 1: and get it together a lot quicker. I want to

1204
00:58:08,680 --> 00:58:10,920
Speaker 1: say this though, because sometimes I feel like my boyfriend's

1205
00:58:10,960 --> 00:58:14,000
Speaker 1: extremely immature as well in certain ways, and sometimes he

1206
00:58:14,080 --> 00:58:16,960
Speaker 1: does step up to the plate. But I do feel

1207
00:58:17,000 --> 00:58:19,200
Speaker 1: like if there's things that you're really passionate about and

1208
00:58:19,280 --> 00:58:21,640
Speaker 1: that you want to pursue in life, you should make

1209
00:58:21,680 --> 00:58:23,840
Speaker 1: sure that you do those things or you'll have resentment

1210
00:58:23,960 --> 00:58:26,560
Speaker 1: for it. Now, if he decides that he wants to

1211
00:58:26,800 --> 00:58:30,000
Speaker 1: come along and grow up and join you and figure

1212
00:58:30,040 --> 00:58:32,520
Speaker 1: it out, then that's great. If he decides he doesn't

1213
00:58:32,520 --> 00:58:34,040
Speaker 1: want to you when you guys have a long distance

1214
00:58:34,120 --> 00:58:37,560
Speaker 1: relationship while you're pursuing your dreams and your goals, then

1215
00:58:37,640 --> 00:58:40,080
Speaker 1: that could potentially work out also. Or maybe you guys

1216
00:58:40,160 --> 00:58:42,360
Speaker 1: just won't end up being on the same page at all.

1217
00:58:42,480 --> 00:58:45,280
Speaker 1: But I do feel like it's a mistake not to

1218
00:58:45,400 --> 00:58:48,440
Speaker 1: pursue your dreams and the things that you're passionate about. Right,

1219
00:58:48,520 --> 00:58:50,680
Speaker 1: I feel like because I already I already dropped like

1220
00:58:50,680 --> 00:58:52,040
Speaker 1: a card you when I got pretty with my fun

1221
00:58:52,280 --> 00:58:53,600
Speaker 1: and I want to go back now. I want to

1222
00:58:53,640 --> 00:58:55,640
Speaker 1: go back to something more serious so people would take

1223
00:58:55,640 --> 00:58:58,280
Speaker 1: me more serious. And he went to court and he

1224
00:58:58,360 --> 00:59:00,400
Speaker 1: was like, yeah, you could do that. You gotta debate

1225
00:59:00,480 --> 00:59:01,880
Speaker 1: on you could do that. I'm like, yeah, I know

1226
00:59:01,960 --> 00:59:04,200
Speaker 1: I could do that, So what what can I tell

1227
00:59:04,280 --> 00:59:06,800
Speaker 1: him to, like, you know, get him going? Like you

1228
00:59:06,920 --> 00:59:09,000
Speaker 1: need to think that something you need to do, right,

1229
00:59:09,320 --> 00:59:11,880
Speaker 1: and that's hard for people that aren't as self motivated

1230
00:59:11,960 --> 00:59:14,160
Speaker 1: as you are. And maybe you need to give him

1231
00:59:14,200 --> 00:59:16,440
Speaker 1: like that same motivation that he gave you, because he

1232
00:59:16,560 --> 00:59:19,720
Speaker 1: did obviously, um like you just said, support you and

1233
00:59:19,920 --> 00:59:22,080
Speaker 1: actually encourage you to do something that maybe you didn't

1234
00:59:22,080 --> 00:59:24,560
Speaker 1: have the confidence, and maybe he doesn't have the confidence, right,

1235
00:59:24,680 --> 00:59:27,560
Speaker 1: so maybe you maybe you need to brainstorm with him

1236
00:59:27,600 --> 00:59:29,360
Speaker 1: and tell him what you think he's great at and

1237
00:59:29,440 --> 00:59:33,120
Speaker 1: give him that confidence as well. Right right, right, all right,

1238
00:59:33,160 --> 00:59:35,800
Speaker 1: well good luck and again, like you guys could still

1239
00:59:35,840 --> 00:59:38,000
Speaker 1: have a long distance relationship and see how that works.

1240
00:59:38,040 --> 00:59:40,120
Speaker 1: But if there's something that you. I don't think I'm

1241
00:59:40,160 --> 00:59:41,840
Speaker 1: good with the long distance thing. I need to know

1242
00:59:41,920 --> 00:59:44,600
Speaker 1: what you're doing. I can't go like, I'm not type

1243
00:59:44,600 --> 00:59:46,000
Speaker 1: of person like if I don't, if I don't know

1244
00:59:46,080 --> 00:59:48,240
Speaker 1: what you're doing, I'm gonna be mad because I don't

1245
00:59:48,240 --> 00:59:51,200
Speaker 1: know what you're doing. It's sad to say, but right

1246
00:59:51,320 --> 00:59:53,080
Speaker 1: if you don't tech me back, I'm like, oh, who

1247
00:59:53,080 --> 00:59:55,200
Speaker 1: are you're texting? You're not techting me like I'm not tying.

1248
00:59:55,920 --> 00:59:58,120
Speaker 1: You may need to work on that as well. If

1249
00:59:58,160 --> 01:00:00,520
Speaker 1: somebody okay, you may need to know. That's something you

1250
01:00:00,560 --> 01:00:02,479
Speaker 1: got to work on within yourself because if he hasn't

1251
01:00:02,520 --> 01:00:04,480
Speaker 1: given you any reason to feel that way, you can't

1252
01:00:04,560 --> 01:00:07,320
Speaker 1: jump to conclusions all the time. That's not good for

1253
01:00:07,360 --> 01:00:10,160
Speaker 1: a relationship either. So work on some things within yourself.

1254
01:00:10,280 --> 01:00:12,720
Speaker 1: But just make sure you pursue your dreams and hopefully

1255
01:00:12,760 --> 01:00:14,680
Speaker 1: he'll be up for the challenge and support your men

1256
01:00:14,760 --> 01:00:17,200
Speaker 1: and encourage him as well. I do that. Thank you

1257
01:00:17,280 --> 01:00:19,560
Speaker 1: so much, Thank you so much. Guys. All right, let's

1258
01:00:19,680 --> 01:00:21,440
Speaker 1: ask ye one one hundred and five and five one

1259
01:00:21,520 --> 01:00:23,240
Speaker 1: or five one call us up. Let me know if

1260
01:00:23,280 --> 01:00:25,840
Speaker 1: you need some advice. What's up? Its antelo ye and

1261
01:00:25,880 --> 01:00:27,720
Speaker 1: we are in the middle of ask ye where you

1262
01:00:27,800 --> 01:00:29,720
Speaker 1: can call me up and ask me for advice about

1263
01:00:29,720 --> 01:00:33,280
Speaker 1: absolutely anything. No judgment zone. Right now, we got anonymous

1264
01:00:33,320 --> 01:00:36,840
Speaker 1: on the line with your question. So I a hittory

1265
01:00:37,000 --> 01:00:42,880
Speaker 1: of rating showed up boy like for my egg for instance,

1266
01:00:43,280 --> 01:00:46,680
Speaker 1: he looks good at first when we first started dating,

1267
01:00:46,760 --> 01:00:49,400
Speaker 1: we had a job and everything. But when I started

1268
01:00:49,800 --> 01:00:52,760
Speaker 1: working getting a better job. Within the si month of

1269
01:00:52,840 --> 01:00:56,640
Speaker 1: us bating, I had moved up, started getting a federal job,

1270
01:00:56,960 --> 01:01:00,560
Speaker 1: really good money. At an age of twenty one. I'm

1271
01:01:00,560 --> 01:01:03,080
Speaker 1: gonna playing my own deal. Good for you. He don't

1272
01:01:03,120 --> 01:01:06,440
Speaker 1: want to serve for his job fast boards. Now that

1273
01:01:06,560 --> 01:01:09,960
Speaker 1: was back in February, but now I'm single. I knew

1274
01:01:10,000 --> 01:01:12,919
Speaker 1: his way for myself. But every guy that puts my way,

1275
01:01:13,440 --> 01:01:16,040
Speaker 1: he's don't. He don't have nothing gonna for him. So

1276
01:01:16,600 --> 01:01:18,960
Speaker 1: they got a job, but like all they see, Oh

1277
01:01:19,040 --> 01:01:20,920
Speaker 1: I can do for myself, maybe she's gonna do for

1278
01:01:21,040 --> 01:01:23,840
Speaker 1: me too, you know, right, So I deal. But the

1279
01:01:23,960 --> 01:01:27,680
Speaker 1: guy that I deal with on the side decently, he

1280
01:01:27,840 --> 01:01:31,560
Speaker 1: got a job, he makes money, got a good job,

1281
01:01:32,320 --> 01:01:35,080
Speaker 1: just cash that at Beaver. But when I talk about

1282
01:01:35,120 --> 01:01:38,880
Speaker 1: settling down with anybody or anything, he ain't talking about

1283
01:01:38,920 --> 01:01:41,680
Speaker 1: it now that he's talking about it. I'm not a

1284
01:01:41,880 --> 01:01:44,640
Speaker 1: prospect life what So you've been messing with this guy,

1285
01:01:44,760 --> 01:01:46,760
Speaker 1: sleeping with him and everything, But y'all just have a

1286
01:01:46,840 --> 01:01:50,240
Speaker 1: casual relationship and he doesn't want to settle down with you.

1287
01:01:50,360 --> 01:01:54,080
Speaker 1: But he does want to settle down. Yeah, we talk

1288
01:01:54,160 --> 01:01:59,680
Speaker 1: about any everything. We basically have three fomes together everything.

1289
01:02:00,000 --> 01:02:02,880
Speaker 1: But I'm not a prospect for you. But we could

1290
01:02:02,920 --> 01:02:05,560
Speaker 1: do everything else together. Well, yeah, maybe that's what the

1291
01:02:05,640 --> 01:02:07,760
Speaker 1: problem is. The problem is that you're giving him everything

1292
01:02:07,840 --> 01:02:09,920
Speaker 1: that he wants, and so he doesn't feel like it's

1293
01:02:09,920 --> 01:02:12,080
Speaker 1: a challenge in any way at all. You're having three

1294
01:02:12,120 --> 01:02:13,840
Speaker 1: sims with him. He's kind of looking at you. It's

1295
01:02:13,840 --> 01:02:16,960
Speaker 1: just a good time girl, and he's being very honest.

1296
01:02:17,040 --> 01:02:18,760
Speaker 1: But he's being very honest with you about it. So

1297
01:02:18,840 --> 01:02:22,640
Speaker 1: what are you doing to change that? I think? I say,

1298
01:02:22,840 --> 01:02:25,480
Speaker 1: we've talked about being together, and I always tell him

1299
01:02:25,560 --> 01:02:28,720
Speaker 1: like I would see us being together, but I don't

1300
01:02:28,760 --> 01:02:31,160
Speaker 1: want to lose the friendship that we already have because

1301
01:02:31,240 --> 01:02:33,520
Speaker 1: I connection is very strong. Like I talked to him

1302
01:02:33,520 --> 01:02:35,240
Speaker 1: about the guys that I deal, where he talks to

1303
01:02:35,360 --> 01:02:37,720
Speaker 1: me about the girls he's dealing. But at the same

1304
01:02:37,760 --> 01:02:40,040
Speaker 1: time if we wanted so, as he could. But on

1305
01:02:40,240 --> 01:02:42,600
Speaker 1: my end, I just don't want to lose the friendship

1306
01:02:42,680 --> 01:02:45,280
Speaker 1: that we've already, the bond that we've built, and I

1307
01:02:45,360 --> 01:02:48,040
Speaker 1: feel like a relationship with the story day. You know

1308
01:02:48,160 --> 01:02:51,040
Speaker 1: what's interesting, I've heard guys say that they couldn't be

1309
01:02:51,200 --> 01:02:52,920
Speaker 1: with a girl that they've had three sims with. They

1310
01:02:52,920 --> 01:02:55,400
Speaker 1: can't picture that person being their wife. And maybe he's

1311
01:02:55,400 --> 01:02:57,120
Speaker 1: one of those kinds of guys. Some guys love it,

1312
01:02:57,640 --> 01:03:00,000
Speaker 1: and some guys feel like, well, that's not wife material.

1313
01:03:00,600 --> 01:03:02,440
Speaker 1: And it really would be up to you to um

1314
01:03:02,720 --> 01:03:05,000
Speaker 1: if you pull back on giving him everything that he

1315
01:03:05,040 --> 01:03:07,640
Speaker 1: wants and giving him access to you and access to

1316
01:03:07,720 --> 01:03:09,760
Speaker 1: you in the bedroom, and access to being your best

1317
01:03:09,840 --> 01:03:12,760
Speaker 1: friend and access to everything with no host barred without

1318
01:03:12,840 --> 01:03:15,320
Speaker 1: him having to commit. That's what it is. He don't

1319
01:03:15,360 --> 01:03:17,080
Speaker 1: feel like he has to be with you because he

1320
01:03:17,160 --> 01:03:20,040
Speaker 1: has everything he wants from you. Anyway, he probably feels

1321
01:03:20,040 --> 01:03:21,760
Speaker 1: like he could get married to somebody and still be

1322
01:03:21,840 --> 01:03:25,320
Speaker 1: with you if he wanted to. Stuff like that, right,

1323
01:03:25,440 --> 01:03:28,000
Speaker 1: because you haven't put any boundaries on things, because you're

1324
01:03:28,040 --> 01:03:30,320
Speaker 1: just allowing him to do whatever he wants. Everything's on

1325
01:03:30,480 --> 01:03:33,560
Speaker 1: his time, and all you're doing is whatever he pleases.

1326
01:03:33,640 --> 01:03:35,280
Speaker 1: So if you still want to be friends with him,

1327
01:03:35,480 --> 01:03:37,280
Speaker 1: then you need to cut doing all those things out.

1328
01:03:37,280 --> 01:03:39,040
Speaker 1: The only way he'll miss something is if he doesn't

1329
01:03:39,040 --> 01:03:43,960
Speaker 1: have it. All right, thank you, all right, and I

1330
01:03:45,520 --> 01:03:50,080
Speaker 1: list service, Charlmagne. I listen to idiots. I love all y'all. Indy,

1331
01:03:52,000 --> 01:03:54,680
Speaker 1: y'all need a show, so oh yeah, they get they

1332
01:03:54,760 --> 01:03:56,960
Speaker 1: have a show coming to Bravo. So don't you worry.

1333
01:03:57,440 --> 01:04:00,560
Speaker 1: I don't be watching me. So yeah, but thank you,

1334
01:04:00,640 --> 01:04:03,840
Speaker 1: thank you, ann appreciate you. That's asking. You can call

1335
01:04:03,960 --> 01:04:06,520
Speaker 1: us every every what time we do this eight o'clock,

1336
01:04:06,760 --> 01:04:10,760
Speaker 1: It depends on when come on, Charlomagne. We know we

1337
01:04:10,800 --> 01:04:12,280
Speaker 1: just ran out the room, but that doesn't mean we

1338
01:04:12,320 --> 01:04:13,680
Speaker 1: don't know how to do this every day for the

1339
01:04:13,720 --> 01:04:15,960
Speaker 1: past seven year. Whenever we tell you to call for asking,

1340
01:04:15,960 --> 01:04:18,520
Speaker 1: you just call. Okay, one five and five, one oh

1341
01:04:18,600 --> 01:04:20,960
Speaker 1: five one. We got rumor report coming up here. Yes,

1342
01:04:21,040 --> 01:04:24,080
Speaker 1: we'll be talking about vaginas. I know that's exciting. Yes,

1343
01:04:24,200 --> 01:04:26,600
Speaker 1: it always is a pleasure to talk about vaginas. All right,

1344
01:04:26,720 --> 01:04:30,680
Speaker 1: Calm down, Charlomagne. Um, we're talking about boot booms. When

1345
01:04:30,680 --> 01:04:41,040
Speaker 1: we come back. It's listen. Oh, Goshu reports report breakfast

1346
01:04:41,080 --> 01:04:44,880
Speaker 1: club Fritzy Teague and recently posted herself actually getting up

1347
01:04:44,880 --> 01:04:48,800
Speaker 1: a j show. What is that? Well, but it's a

1348
01:04:49,200 --> 01:04:51,720
Speaker 1: vaginal steaming. So she was wearing a face mask and

1349
01:04:51,840 --> 01:04:54,240
Speaker 1: she had a heating pad and it was a spy moment.

1350
01:04:54,320 --> 01:04:56,960
Speaker 1: She put up mask, heat pad, vagina steam. No, I

1351
01:04:57,000 --> 01:04:59,320
Speaker 1: don't know if any of this works, but it can't hurt, right,

1352
01:04:59,760 --> 01:05:01,360
Speaker 1: So a lot of people have been talking about this

1353
01:05:01,600 --> 01:05:04,280
Speaker 1: vagina steaming. You're baking your poem poem a little bit. Yeah,

1354
01:05:04,360 --> 01:05:07,160
Speaker 1: basically you kind of little grill poem cover over a

1355
01:05:07,240 --> 01:05:11,520
Speaker 1: steamed blend of dried herbs, grow that fish, including mugwork,

1356
01:05:11,960 --> 01:05:14,760
Speaker 1: and that can help you manage PMS symptoms, uter and cramping,

1357
01:05:14,840 --> 01:05:18,640
Speaker 1: fertility and menopause symptoms as well. So a lot of

1358
01:05:18,720 --> 01:05:21,680
Speaker 1: spies actually do vagina steaming, but according to health experts,

1359
01:05:21,680 --> 01:05:23,720
Speaker 1: there is no real benefits too. To be honest with you,

1360
01:05:23,760 --> 01:05:26,000
Speaker 1: it sounds like it's no real benefits. That's all mine, treas.

1361
01:05:26,040 --> 01:05:27,560
Speaker 1: It sounds like a hot shower. I'm gonna steam your

1362
01:05:27,600 --> 01:05:29,480
Speaker 1: vagina exactly. I'm a steam your vagina and tell you

1363
01:05:29,560 --> 01:05:31,080
Speaker 1: that it does all these things for you, like a

1364
01:05:31,120 --> 01:05:34,880
Speaker 1: warm shower. Yes, one expert actually says that overheating can

1365
01:05:34,960 --> 01:05:38,280
Speaker 1: promote an overgrowth of unhealthy bugs and yeast infections. And

1366
01:05:38,400 --> 01:05:41,160
Speaker 1: they did say that after having a baby, your vagina

1367
01:05:41,280 --> 01:05:44,200
Speaker 1: undergoes profound change just to prepare for birth, but also

1368
01:05:44,320 --> 01:05:46,440
Speaker 1: to help it heal afterward, and steaming won't change that.

1369
01:05:46,480 --> 01:05:48,080
Speaker 1: And in no way can the steam get to your

1370
01:05:48,200 --> 01:05:51,200
Speaker 1: uterus or other pelvic pelvic organ What if you got

1371
01:05:51,280 --> 01:05:53,600
Speaker 1: a really bad yeast infection and you steam it a lot,

1372
01:05:53,680 --> 01:05:55,400
Speaker 1: and then one day a loafer bridge just comes out

1373
01:05:55,400 --> 01:05:59,440
Speaker 1: of your vagina. That doesn't work like a bunch of

1374
01:05:59,520 --> 01:06:03,040
Speaker 1: yeast roll all right. Well. Jada Pinkett Smith, also on

1375
01:06:03,160 --> 01:06:05,920
Speaker 1: Red Table Talk, was actually talking about things that she

1376
01:06:06,120 --> 01:06:08,880
Speaker 1: had to do for her vagina. She said she underwent

1377
01:06:09,200 --> 01:06:13,680
Speaker 1: this treatment a vaginal rejuvenation, after suffering from bladder problems.

1378
01:06:13,800 --> 01:06:16,760
Speaker 1: Check it out. I can't definitely feel that. I mean,

1379
01:06:17,400 --> 01:06:19,720
Speaker 1: when I tell you that I have manui is like

1380
01:06:19,800 --> 01:06:22,920
Speaker 1: a sixteen year old. I'm not kidding. So it's a

1381
01:06:23,000 --> 01:06:26,320
Speaker 1: technique where they introduce heat which stimulates cellular turnover, which

1382
01:06:26,360 --> 01:06:29,520
Speaker 1: makes you feel younger again. It gets you tight, get

1383
01:06:29,560 --> 01:06:31,760
Speaker 1: you nice. Yeah, but at least say the vagina is eighteen.

1384
01:06:31,840 --> 01:06:33,880
Speaker 1: At least make the vagina of age. Don't say the

1385
01:06:33,920 --> 01:06:36,280
Speaker 1: vagina feel like a sixteen year old. My god, Yeah,

1386
01:06:36,360 --> 01:06:39,680
Speaker 1: that sounds pretty Come on, man, say eighteen next time? Yes,

1387
01:06:40,320 --> 01:06:43,040
Speaker 1: all right. Michael Jackson, there's a Michael Jackson musical that's

1388
01:06:43,080 --> 01:06:45,200
Speaker 1: going to be coming to Broadway. Are you excited about that?

1389
01:06:45,840 --> 01:06:48,240
Speaker 1: That's going to be happening in twenty twenty. Right now,

1390
01:06:48,360 --> 01:06:52,200
Speaker 1: it's untitled, but they're gonna actually have that on Broadway.

1391
01:06:52,200 --> 01:06:54,400
Speaker 1: I think I would go check that out. No, Michael

1392
01:06:54,480 --> 01:06:58,040
Speaker 1: Jackson musical coming in my way. I don't have to

1393
01:06:58,080 --> 01:07:00,920
Speaker 1: wait to review see if it's good, all right. And

1394
01:07:01,040 --> 01:07:04,760
Speaker 1: Farrell is teaming with Blackish creator Kenya Barris. He's going

1395
01:07:04,800 --> 01:07:07,240
Speaker 1: to be doing a musical about Juneteenth, which is the

1396
01:07:07,320 --> 01:07:10,480
Speaker 1: holiday that celebrates the abolition of slavery. So Kenya Barris

1397
01:07:11,000 --> 01:07:13,480
Speaker 1: is going to do this like an opera slash musical,

1398
01:07:14,000 --> 01:07:16,439
Speaker 1: and Farrell is going to write, compose, and produce the music.

1399
01:07:17,360 --> 01:07:21,200
Speaker 1: So yeah, there you go. That's all your different musicals.

1400
01:07:21,240 --> 01:07:24,160
Speaker 1: Are you interested in that? No? No, I'm happy for them,

1401
01:07:24,200 --> 01:07:28,080
Speaker 1: but I'm not interested, all right. And in other news,

1402
01:07:28,200 --> 01:07:31,880
Speaker 1: black China is single again. According to her, I guess

1403
01:07:31,920 --> 01:07:34,600
Speaker 1: former boyfriend, ex boyfriend why being almighty j He posted

1404
01:07:34,880 --> 01:07:36,880
Speaker 1: black China and I and he added her are no

1405
01:07:37,040 --> 01:07:39,720
Speaker 1: longer together, so we don't know what could have potentially happened,

1406
01:07:39,760 --> 01:07:42,240
Speaker 1: but now they are split up. She's thirty years old,

1407
01:07:42,280 --> 01:07:44,320
Speaker 1: he's eighteen years old. So the two of them, I guess,

1408
01:07:44,360 --> 01:07:46,160
Speaker 1: are back on the black. He was young, right, he's

1409
01:07:46,160 --> 01:07:49,000
Speaker 1: like I just said, he's eighteen eighteen. I would like

1410
01:07:49,080 --> 01:07:50,800
Speaker 1: to add to that. I would be interested in the

1411
01:07:50,920 --> 01:07:52,880
Speaker 1: Kenya Barras June Team thing. I just don't know if

1412
01:07:52,880 --> 01:07:54,600
Speaker 1: I want to see in the musical. You know what

1413
01:07:54,640 --> 01:07:57,080
Speaker 1: I'm saying. With Farrell doing all the music, I don't

1414
01:07:57,080 --> 01:07:58,520
Speaker 1: know if I want to see that in the musical.

1415
01:07:58,840 --> 01:08:01,760
Speaker 1: I don't know, like a b because you know, if

1416
01:08:01,800 --> 01:08:03,960
Speaker 1: you know what Junie Team fits June teams when you

1417
01:08:04,040 --> 01:08:07,760
Speaker 1: know when all the slaves were free from from Texas

1418
01:08:07,840 --> 01:08:11,440
Speaker 1: and the Confederate South, if I'm not mistaken, and it's

1419
01:08:11,480 --> 01:08:14,040
Speaker 1: just like I can just imagine how that'll be, like

1420
01:08:14,120 --> 01:08:15,520
Speaker 1: you know what I mean, just a bunch of it'll

1421
01:08:15,520 --> 01:08:18,000
Speaker 1: be like a bunch of happy free I'm free slave songs,

1422
01:08:18,080 --> 01:08:20,240
Speaker 1: like I know what it's going to be. Yeah, I mean,

1423
01:08:20,280 --> 01:08:26,880
Speaker 1: I'm eventually happens much of slave singing. I'm happy, you know, man,

1424
01:08:26,920 --> 01:08:29,160
Speaker 1: you know that's what it's gonna be. I don't think so, huh.

1425
01:08:30,120 --> 01:08:32,639
Speaker 1: I'll give it a chance. All right. I'm Angela Yee

1426
01:08:32,720 --> 01:08:34,960
Speaker 1: and that is your rumor report. All right, thank you,

1427
01:08:35,160 --> 01:08:37,599
Speaker 1: miss Yee. Now I shout out to revote. We'll see

1428
01:08:37,600 --> 01:08:40,920
Speaker 1: you guys tomorrow. Everybody else to People's Choice Mixes Up Next,

1429
01:08:41,000 --> 01:08:44,280
Speaker 1: get your requested at DJ Envy and I'll get your

1430
01:08:44,320 --> 01:08:45,960
Speaker 1: joints for us to Breakfast Club. Good morning,