WEBVTT - Episode 468 w/ Erykah Badu and Alchemist

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<v Speaker 1>He is Drinks Chants, motherfucking podcast makes He's a legends

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<v Speaker 1>every queen's rapper. He ain't s agreed as your boy

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<v Speaker 1>in O R E.

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<v Speaker 2>He's a Miami hip hop pioneer.

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<v Speaker 3>What up?

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<v Speaker 1>It's d J E f N. Together they drink it

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<v Speaker 1>up with some of the biggest players you know me

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<v Speaker 1>and the most professional unprofessional podcast and your number one

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<v Speaker 1>source for drunk drink chansy days New Year's c That's

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<v Speaker 1>it's time for drink Champs. Drink up. Motherfuck? What a

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<v Speaker 1>good be hoping he should be. It's your boy and

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<v Speaker 1>a O and a one off his DJ E f N.

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<v Speaker 2>And this is Drink Camps yap.

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<v Speaker 1>And when I tell you, when we started this show,

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<v Speaker 1>we said we wanted to give allowers to the people, legends,

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<v Speaker 1>the people who deserve it, people who are icons.

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<v Speaker 2>These two people is icons.

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<v Speaker 1>I mean, I don't I was going through this both

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<v Speaker 1>the discography. I don't think that either one of them

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<v Speaker 1>made a whack record ever. I mean all you hear

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<v Speaker 1>is hits after hits after hits. I don't even know

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<v Speaker 1>how they got together. We're gonna get through it. We're

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<v Speaker 1>gonna ask all the questions. But in case you don't

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<v Speaker 1>know what we're talking about, We're talking about Eric off

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<v Speaker 1>time that's is nothing a single? The first record is Yeah,

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<v Speaker 1>is that a single? Or is that like a warm

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<v Speaker 1>up record that you guys are coming from? Both?

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<v Speaker 2>Okay, first off.

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<v Speaker 1>The record obviously reminds me of you know what I mean.

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<v Speaker 1>I remember when that record came out and I'm just

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<v Speaker 1>listening and I'm like, it sounds so refreshing, like even

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<v Speaker 1>though this beat has been out, but it sounds like

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<v Speaker 1>it right now. Liked, how did you'll, y'all, y'all orchestrate that?

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<v Speaker 4>That was really the catalyst of our working together. I think,

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<v Speaker 4>I mean, she's Erica first of all.

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<v Speaker 2>I I mean I was. It was ninety six, ninety seven.

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<v Speaker 4>I was on tour with Cyprus as a roadie, just

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<v Speaker 4>carrying records for Mugs Smoking Grooves tour and Erica was

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<v Speaker 4>on the tour and I didn't.

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<v Speaker 2>Know it was just a.

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<v Speaker 4>Kid carrying records. I used to be in the crowd

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<v Speaker 4>watching her sets every night.

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<v Speaker 2>This was I think.

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<v Speaker 4>Ninety seven, and I didn't even know her. I was

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<v Speaker 4>just a fan. And so it you know.

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<v Speaker 2>Full circle all the way, all through the years, and

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<v Speaker 2>it was a guy by.

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<v Speaker 4>The name Cole Chris who works in the camp with Erica.

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<v Speaker 4>Shout out to Cole Chris. And he actually was in

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<v Speaker 4>a group in the nineties. Are you're going to remember

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<v Speaker 4>the group? You remember matd Flavor?

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<v Speaker 1>Of course that's not the original a group.

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<v Speaker 4>From the nineties show.

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<v Speaker 2>Long story short.

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<v Speaker 4>My first tour in ninety three with Cyprus Soul Assassin tour,

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<v Speaker 4>the first show as the Hooligans. My first show was

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<v Speaker 4>in Dallas. Who opened for us Mad Flavor. So I

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<v Speaker 4>had met him in ninety three and we didn't keep touch,

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<v Speaker 4>but it was like six years ago. I did a

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<v Speaker 4>show in Dallas with Action. Action. Actually, yeah, backstage six

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<v Speaker 4>years ago, you said, backstage.

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<v Speaker 2>And I meet this dude who comes up?

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<v Speaker 4>He said, Yo, what's up? I'm cold Chris book shows

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<v Speaker 4>out here and I actually met a long time ago.

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<v Speaker 2>I said, no, Matt Flavor. I said, oh shit, how

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<v Speaker 2>you been. He says, yeah, you know, I.

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<v Speaker 4>Work with Erica And I was like, bucket list man,

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<v Speaker 4>like you work with Erica Badu. He said yeah, you

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<v Speaker 4>know because he was from a part of the scene

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<v Speaker 4>in Dallas early on, and from that moment on I

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<v Speaker 4>connected with him and we stayed in touch, and I

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<v Speaker 4>was just like anything, let's just stay in touch.

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<v Speaker 1>Whatever we worked together back then, Okay, yeah, yeah, don't

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<v Speaker 1>work No, this is the first time y'all working together period.

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<v Speaker 5>Me and Cole Chris used to right and listen to

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<v Speaker 5>lots of music.

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<v Speaker 3>I'm a huge Mob Beef fan, of course, and I

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<v Speaker 3>always wanted to sing over this the Realist and he goes,

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<v Speaker 3>I know the guy that produces it.

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<v Speaker 5>He goes, I say okay, and he gets in touch

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<v Speaker 5>with you.

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<v Speaker 3>And that was three or four years ago at least,

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<v Speaker 3>and he just kept the conversation going. How did it

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<v Speaker 3>by sending music every time he thought about me?

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<v Speaker 5>And I finally got around to it.

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<v Speaker 3>And when I wanted to record to the Realist, I

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<v Speaker 3>went to his studio in La. When I got there,

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<v Speaker 3>I just felt like, okay, well this is happening. So

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<v Speaker 3>he had seen me by then about ten fifteen songs,

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<v Speaker 3>and I told him I wouldn't come to the studio

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<v Speaker 3>waste time if I didn't have ten or fifteen songs.

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<v Speaker 2>So you weren't lying. It wasn't that one record was

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<v Speaker 2>the catalystic?

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<v Speaker 6>Was?

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<v Speaker 2>That's right?

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<v Speaker 5>So shout out mob Deep.

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<v Speaker 1>Funny.

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<v Speaker 2>Last week we had ha, it like that lazy.

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<v Speaker 1>So when you first announced the collab album, I remember

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<v Speaker 1>people speculating and everyone's saying Andre three thousands, and they

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<v Speaker 1>saying Jay Electronica, and they saying all people. Everyone was

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<v Speaker 1>kind of thrown off when it was like you and

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<v Speaker 1>the Alchemist, if you had a chance to probably do

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<v Speaker 1>a collab with anybody, what made you choose Alchemists?

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<v Speaker 5>See, I wasn't trying to do a collab per se.

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<v Speaker 3>And I didn't even know that that was like your

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<v Speaker 3>hustle collapsed, right, you know what I'm saying. I was

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<v Speaker 3>and super bow profession, you know, personal collab among other things.

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<v Speaker 3>But I didn't know that. So when I got the

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<v Speaker 3>idea to do it, it was sitting there in the

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<v Speaker 3>in the thing in the studio, and go down, this

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<v Speaker 3>is something we should do. A collapse. And I ain't

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<v Speaker 3>never put nobody else's name on my ship ever.

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<v Speaker 4>I was. I was very I mean, but you have

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<v Speaker 4>to understand, like she and I discovered this once we

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<v Speaker 4>started working. First of all, the first couple of days,

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<v Speaker 4>I was kind of useless, but you know, you first

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<v Speaker 4>meet her, I was useless because when you first meet her,

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<v Speaker 4>everybody you know, I had to work through that first

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<v Speaker 4>couple of days I get to know him, became friends,

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<v Speaker 4>and but once we started working, it was like, yo,

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<v Speaker 4>she does everything. I don't think people know this, Like

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<v Speaker 4>her beats are insane. She basically can do everything. And

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<v Speaker 4>we became friends quick on the way where it was

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<v Speaker 4>like I wasn't playing her beats to sing too, I

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<v Speaker 4>was just playing her ship like I would play evidence

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<v Speaker 4>of one of my people, like YEO, check this beat out.

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<v Speaker 4>We were just and that's how I discovered. I discovered

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<v Speaker 4>how like we produced this album together. Let's just say

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<v Speaker 4>I'm gonna put that route there right now. This album

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<v Speaker 4>is produced by Eric and Alchemistow and she she.

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<v Speaker 2>She had her hands.

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<v Speaker 4>In every record, like everybody knows what I do. I'm

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<v Speaker 4>gonna come to the table and bring the beat. But

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<v Speaker 4>you know, if that is not where production starts, where

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<v Speaker 4>it may started, doesn't end there. And I learned a

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<v Speaker 4>lot working with her, just like in the early days

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<v Speaker 4>working with Mugs when I was a kid. Working with Mugs,

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<v Speaker 4>it was like he used to know how to like

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<v Speaker 4>apply to shoe, string to the shoe and tie the shoe.

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<v Speaker 4>It was like the packaging and the whole He would

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<v Speaker 4>step back and listen to the record in the way

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<v Speaker 4>where I wasn't paying attention producing, and she taught me

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<v Speaker 4>a lot of that on this record, and it's a

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<v Speaker 4>real collap.

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<v Speaker 2>Now, is this is an album or this is a mixtape?

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<v Speaker 2>A album? Full flood? Always okay? So all right? Well?

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<v Speaker 1>Is it more records like that, like samples a hardcore

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<v Speaker 1>beasts like that? And and and that's that's a beat

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<v Speaker 1>you made correct for my originally?

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<v Speaker 2>Yes, for mob and g rapping.

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<v Speaker 1>So is it more of that type of stuff or.

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<v Speaker 2>Or what is it?

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<v Speaker 3>Well? His compositions already kind of tell a story, you know,

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<v Speaker 3>and people are rapping over them and it's so melodic

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<v Speaker 3>and beautiful, atmospheric without even anybody doing anything. So you

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<v Speaker 3>already have that composition and he allowed me to paint

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<v Speaker 3>on it, and anything that I contributed is an extension

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<v Speaker 3>of my voice, whether it's strings or horns or drums

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<v Speaker 3>or whatever it is. And he was a very gracious partner,

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<v Speaker 3>like kind of okay, cool and encouraging, and I love that.

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<v Speaker 5>More of that, but.

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<v Speaker 7>Yeah, I know both of you guys could do anything,

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<v Speaker 7>But did you feel like you might have softened up

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<v Speaker 7>and you might have hardened up working together.

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<v Speaker 3>I know, I don't notice.

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<v Speaker 5>I mean I think you see.

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<v Speaker 4>That I learned a lot working with her in general

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<v Speaker 4>in a short period of time, just how to like,

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<v Speaker 4>you know, I do a lot of my own ship,

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<v Speaker 4>run the show, you know what I mean, do everything

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<v Speaker 4>from ages. And when I got with her, it was like, Wow,

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<v Speaker 4>you could know so much and then you can meet

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<v Speaker 4>someone else and realize like I'm at the age or

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<v Speaker 4>I can still. I learned from my young homies.

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<v Speaker 2>I learned from my older friends.

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<v Speaker 4>I learned from people. I learned, and I realized when

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<v Speaker 4>I linked with her that it was like okay, but

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<v Speaker 4>I didn't change. And I think people when they hear

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<v Speaker 4>the album, they'll see like it sounds like we met

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<v Speaker 4>in the middle. You'll hear my shit, you'll hear her stuff,

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<v Speaker 4>and you're real like, right now, I.

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<v Speaker 2>Ain't gonna lot that thing.

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<v Speaker 1>Wo sounds so good, Like I already I'm already throw

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<v Speaker 1>the pressure on y'all. I already think y'a made the classes,

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<v Speaker 1>like just from a single based alone, Like I know music.

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<v Speaker 2>Bro, that ship is fire, yo.

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<v Speaker 1>I was like, I have to keep listening to it,

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<v Speaker 1>like because I first went out of the.

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<v Speaker 2>I thought it was a mistake.

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<v Speaker 1>I was like, Yo, wait a minute, this is a

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<v Speaker 1>like I was like, Yo, did they blit this? And

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<v Speaker 1>then they was like no, this alchemist on doing it.

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<v Speaker 1>I'm like, holy ship.

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<v Speaker 2>And I was just blown away. And the artwork that

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<v Speaker 2>came out with it is well they did it.

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<v Speaker 4>It reminded me of like the old ron G Yeah,

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<v Speaker 4>you know, and it was like an old classic with

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<v Speaker 4>a melody on it and hip hop R and B

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<v Speaker 4>like just so infectious like her melodies that's missing though nowadays.

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<v Speaker 1>Like you know what I mean, like especially in the summertime,

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<v Speaker 1>like to me, a single dropped at the right time.

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<v Speaker 2>Yes, I'm gonna take a shot to y'all deppinely sock it?

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<v Speaker 2>Would you drink in the SoCon? Ever since? Yeah, that

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<v Speaker 2>was a great turned me out, right, don't we all? So?

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<v Speaker 1>So, how many records were you in the studio together

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<v Speaker 1>on this?

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<v Speaker 8>All?

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<v Speaker 3>All of them? All?

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<v Speaker 2>Yeah?

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<v Speaker 3>We went back and forth between his studio in l

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<v Speaker 3>A and my studio and Dallas, Okay, and we put

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<v Speaker 3>a long time periods in yeah, like I'm sure three

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<v Speaker 3>four months here.

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<v Speaker 4>It's a it's a different process because I'm kind of

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<v Speaker 4>used to going fast and working with her is like stages.

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<v Speaker 4>These records grew like the demos, and in the beginning

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<v Speaker 4>we would lace. She would lay something and I'd be like,

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<v Speaker 4>that's perfect. Let me okay, I got it, let me

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<v Speaker 4>just mix it. She was like, slow, now, this is

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<v Speaker 4>a reference. But it was the references, like her demos

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<v Speaker 4>are gold. You hear the you hear the potential. But

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<v Speaker 4>as I was patient, she just made them better and better,

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<v Speaker 4>and she just kept adding touches and like turning them

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<v Speaker 4>into something magical. So I had to learn how to

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<v Speaker 4>like get out of her way, you know what I'm saying,

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<v Speaker 4>like respectfully, like let me get out of the way

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<v Speaker 4>and support her and all her ideas because they all

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<v Speaker 4>work and I'm seeing it.

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<v Speaker 1>We know you did collab appums before. Is this your

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<v Speaker 1>first R and B collab?

0:12:24.600 --> 0:12:29.920
<v Speaker 4>Am I R and B I you know, like I

0:12:29.960 --> 0:12:38.120
<v Speaker 4>mean this is the first like non like.

0:12:37.600 --> 0:12:38.600
<v Speaker 3>There's nothing wrong with RB.

0:12:39.880 --> 0:12:44.120
<v Speaker 4>I'm sorry, I mean, this is definitely the first non wrap.

0:12:44.960 --> 0:12:47.200
<v Speaker 4>Like I was other for a while, I wanted to

0:12:47.240 --> 0:12:49.439
<v Speaker 4>do something like this, and I would have probably been

0:12:49.480 --> 0:12:54.520
<v Speaker 4>happy just meeting an unknown young artist or who has

0:12:54.600 --> 0:12:57.440
<v Speaker 4>pain and smoked cigarettes in their voice. You know, I

0:12:57.600 --> 0:13:00.840
<v Speaker 4>never imagined that I would be able to connect with Erica.

0:13:01.200 --> 0:13:02.160
<v Speaker 4>You know what I'm saying, Like.

0:13:02.360 --> 0:13:06.559
<v Speaker 2>One song one you know, in the fact that we

0:13:06.679 --> 0:13:09.720
<v Speaker 2>got to this point. Now we're on tour, like we're joints,

0:13:09.720 --> 0:13:12.400
<v Speaker 2>are on the project seventeen.

0:13:14.400 --> 0:13:16.320
<v Speaker 4>Got a show tomorrow here, Yeah, we have a show

0:13:16.360 --> 0:13:20.360
<v Speaker 4>and we've we've been performed the album basically.

0:13:22.080 --> 0:13:22.920
<v Speaker 5>Last week out here.

0:13:23.120 --> 0:13:25.760
<v Speaker 1>Okay, oh last week she's ahead.

0:13:26.480 --> 0:13:30.400
<v Speaker 2>Oh yeah, yeah, yeah, that's right.

0:13:30.600 --> 0:13:34.200
<v Speaker 1>Let me take a shot to that, old boy.

0:13:36.120 --> 0:13:38.600
<v Speaker 7>So how's that reception been to an album people are

0:13:38.640 --> 0:13:39.680
<v Speaker 7>just hearing for the first time.

0:13:41.240 --> 0:13:43.640
<v Speaker 4>I mean, it's it's crazy because I wouldn't have I

0:13:43.640 --> 0:13:46.000
<v Speaker 4>wouldn't have done it. You know, I wouldn't have thought

0:13:46.040 --> 0:13:49.199
<v Speaker 4>to do this. You've never done something like with y'all seen. Okay,

0:13:49.520 --> 0:13:52.240
<v Speaker 4>y'all seen this year. Yes, we have a project and

0:13:52.600 --> 0:13:54.680
<v Speaker 4>we went and did a sold out show in Paris

0:13:54.720 --> 0:13:57.040
<v Speaker 4>and we played out from start to finish.

0:13:56.720 --> 0:13:57.760
<v Speaker 2>The new album.

0:13:58.000 --> 0:14:01.320
<v Speaker 4>And yeah, this was id that Eric also had that

0:14:01.360 --> 0:14:03.240
<v Speaker 4>we were like talking about. And shoot, I was kind

0:14:03.240 --> 0:14:05.760
<v Speaker 4>of nervous because you know, when you do unrelated I.

0:14:05.760 --> 0:14:09.720
<v Speaker 3>Just think y'all seen in are some kind of suit

0:14:09.880 --> 0:14:12.199
<v Speaker 3>solo twins. We always think of the same thing m

0:14:12.880 --> 0:14:13.440
<v Speaker 3>same time.

0:14:14.240 --> 0:14:19.800
<v Speaker 4>Yes shouts y'all seen when the family member you know

0:14:19.840 --> 0:14:20.200
<v Speaker 4>what I mean?

0:14:20.640 --> 0:14:22.720
<v Speaker 1>And you've got an album coming out with ghost Space too.

0:14:23.160 --> 0:14:26.000
<v Speaker 2>No, no, that was a rumor, probably a rumor. I

0:14:26.000 --> 0:14:26.880
<v Speaker 2>have album, y'all seen.

0:14:26.880 --> 0:14:29.920
<v Speaker 4>We have a we have a collective called Forensics, and

0:14:30.160 --> 0:14:32.760
<v Speaker 4>that's gonna be coming out soon as well. But just

0:14:32.800 --> 0:14:35.520
<v Speaker 4>the live like, you know, just to say you know,

0:14:35.800 --> 0:14:37.960
<v Speaker 4>you know this. You know when you perform of course

0:14:38.000 --> 0:14:40.480
<v Speaker 4>and you get to your hits, it's always easy because

0:14:40.520 --> 0:14:41.880
<v Speaker 4>the crowd, you know, you think got them in a

0:14:41.920 --> 0:14:44.160
<v Speaker 4>part of your hand. So when she said we wanted

0:14:44.200 --> 0:14:46.000
<v Speaker 4>she wanted to do the whole album live, I was

0:14:46.440 --> 0:14:47.200
<v Speaker 4>kind of nervous.

0:14:48.480 --> 0:14:51.120
<v Speaker 1>Are y'all recording the album live? Like, oh no, it's

0:14:51.160 --> 0:14:53.440
<v Speaker 1>just just uh we.

0:14:53.480 --> 0:14:58.800
<v Speaker 3>Recorded shows, okay, cool, just in case.

0:14:59.680 --> 0:15:04.280
<v Speaker 4>Yeah, but it's been amazing and it's crazy to see

0:15:05.160 --> 0:15:06.240
<v Speaker 4>like a whole crowd of people.

0:15:06.280 --> 0:15:09.280
<v Speaker 2>Mind you were no phones, no phones.

0:15:09.280 --> 0:15:09.600
<v Speaker 4>Ah.

0:15:10.400 --> 0:15:12.000
<v Speaker 2>I wish we could do this for every show.

0:15:12.080 --> 0:15:15.480
<v Speaker 3>And fresh Head they can't bring equipment either. They have

0:15:15.600 --> 0:15:18.560
<v Speaker 3>to use disposable cameras that we provide.

0:15:18.800 --> 0:15:20.200
<v Speaker 1>So that's awesome.

0:15:20.360 --> 0:15:26.480
<v Speaker 3>It's fun. Who's idea with that.

0:15:29.800 --> 0:15:31.720
<v Speaker 5>I mean I like it, you know, like it.

0:15:32.520 --> 0:15:35.160
<v Speaker 2>Part of it is functional because I'm not out yet.

0:15:35.240 --> 0:15:38.480
<v Speaker 2>So yeah, absolutely, it's not just because you're doing it.

0:15:38.480 --> 0:15:40.080
<v Speaker 2>It's also, hey, we're not leaking.

0:15:39.800 --> 0:15:40.400
<v Speaker 1>This out right.

0:15:40.520 --> 0:15:43.840
<v Speaker 4>The main reason, right, and to create and experience for

0:15:43.920 --> 0:15:45.800
<v Speaker 4>the fans who were there who could really hear.

0:15:45.880 --> 0:15:47.920
<v Speaker 2>It's almost like a listening session. That's what I want

0:15:47.920 --> 0:15:50.600
<v Speaker 2>to say on stage, you know, and if you'll be

0:15:50.600 --> 0:15:51.480
<v Speaker 2>scared of they have to do that.

0:15:51.560 --> 0:15:51.880
<v Speaker 4>See what.

0:15:53.400 --> 0:15:54.600
<v Speaker 5>A little scared but worked.

0:15:55.400 --> 0:15:55.680
<v Speaker 1>Well.

0:15:56.240 --> 0:15:57.880
<v Speaker 3>We're not in the same age as we were in

0:15:57.960 --> 0:16:02.640
<v Speaker 3>the nineties and two thousands is the age of streaming, right, but.

0:16:03.480 --> 0:16:07.000
<v Speaker 5>Even the league would be to our advantage.

0:16:07.000 --> 0:16:10.440
<v Speaker 7>Is something, and I think your fans are your fans

0:16:10.560 --> 0:16:12.560
<v Speaker 7>enough to come out so much.

0:16:13.000 --> 0:16:18.640
<v Speaker 3>We had five shows and no one has done anything.

0:16:19.200 --> 0:16:20.520
<v Speaker 2>They haven't seen any footage.

0:16:20.560 --> 0:16:23.320
<v Speaker 1>Nobody everybody after you, you guys have done with the album?

0:16:23.320 --> 0:16:26.120
<v Speaker 1>Do you guys perform like your hits after that? Or

0:16:26.720 --> 0:16:29.960
<v Speaker 1>that's it the show? I was gonna come tomorrow. I

0:16:29.960 --> 0:16:33.400
<v Speaker 1>thought them last week. I was last week.

0:16:34.600 --> 0:16:41.600
<v Speaker 3>These questions.

0:16:44.520 --> 0:16:49.960
<v Speaker 1>So I gotta ask you, is everybody named Tyroll mad

0:16:50.000 --> 0:16:51.520
<v Speaker 1>at you?

0:16:51.800 --> 0:16:52.440
<v Speaker 3>I don't know.

0:16:54.920 --> 0:16:56.480
<v Speaker 5>Know they seem pretty happy.

0:16:56.520 --> 0:16:57.080
<v Speaker 3>They like it.

0:16:58.080 --> 0:17:00.480
<v Speaker 5>Yeah, because it's just like it.

0:17:00.600 --> 0:17:05.480
<v Speaker 3>Yeah, mom, Tyron, my name is trow Is Tyron a

0:17:05.560 --> 0:17:11.560
<v Speaker 3>real person? No, it was the freestyle, Okay, okay, playing

0:17:11.640 --> 0:17:12.439
<v Speaker 3>around because I.

0:17:12.600 --> 0:17:15.520
<v Speaker 1>Imagine you made it tough for everybody named Tyrone.

0:17:16.560 --> 0:17:17.080
<v Speaker 5>Not tough.

0:17:17.240 --> 0:17:24.680
<v Speaker 3>I think you probably got more pussy there you.

0:17:24.640 --> 0:17:34.240
<v Speaker 1>Go, ty I didn't know she just said that. Holy

0:17:34.320 --> 0:17:37.080
<v Speaker 1>holy okay. Yeah, I don't give man. I know you

0:17:37.119 --> 0:17:39.480
<v Speaker 1>for the years. When did you switch to the killer?

0:17:39.840 --> 0:17:42.399
<v Speaker 1>I was gonna, I sworet you was going to order darker.

0:17:42.880 --> 0:17:46.080
<v Speaker 1>Oh no, No, I was gonna er wine. Yes, remember

0:17:46.119 --> 0:17:47.440
<v Speaker 1>the last time we went that wave?

0:17:47.520 --> 0:17:50.160
<v Speaker 4>You know, we go through different you know, I think

0:17:50.200 --> 0:17:51.840
<v Speaker 4>I want to get on that the saki.

0:17:55.240 --> 0:17:55.760
<v Speaker 1>I think.

0:17:57.160 --> 0:17:59.199
<v Speaker 4>I want to get on the shock. We've had some

0:17:59.240 --> 0:18:00.280
<v Speaker 4>good natural one.

0:18:01.800 --> 0:18:03.240
<v Speaker 1>I think that was the first time I met Action

0:18:03.320 --> 0:18:05.600
<v Speaker 1>Promston at just at your studio, and it was and

0:18:05.640 --> 0:18:08.399
<v Speaker 1>then at first I was I was like this is nasty.

0:18:10.200 --> 0:18:12.159
<v Speaker 1>I was, But then I kept drinking and I was like,

0:18:12.160 --> 0:18:13.520
<v Speaker 1>all right, it's organic wine.

0:18:13.560 --> 0:18:15.600
<v Speaker 2>Like you know what I mean. You gotta used to

0:18:15.600 --> 0:18:17.800
<v Speaker 2>know pesticide. You remember, did we me and Nor We

0:18:17.920 --> 0:18:20.080
<v Speaker 2>go back so many time? Do you remember when we.

0:18:19.960 --> 0:18:22.040
<v Speaker 4>Were talking with Ki Cundy when you first got one,

0:18:22.280 --> 0:18:23.320
<v Speaker 4>you were an honorary hipster.

0:18:23.520 --> 0:18:23.639
<v Speaker 9>Yo.

0:18:26.040 --> 0:18:27.960
<v Speaker 1>Take that he came from that.

0:18:28.359 --> 0:18:31.119
<v Speaker 2>He's like, I didn't even know what it meant. But

0:18:31.160 --> 0:18:34.520
<v Speaker 2>I was just like, hey, I'm like, we didn't know

0:18:34.520 --> 0:18:37.040
<v Speaker 2>what We have stories man, Like this is a real friend,

0:18:37.119 --> 0:18:38.360
<v Speaker 2>like rap music.

0:18:38.760 --> 0:18:39.919
<v Speaker 1>That's same s.

0:18:42.720 --> 0:18:43.520
<v Speaker 2>We have history.

0:18:43.640 --> 0:18:45.520
<v Speaker 1>So you want to explain to them the story. I

0:18:45.560 --> 0:18:48.840
<v Speaker 1>mean the game, the game. Yes, all right, this is

0:18:48.840 --> 0:18:51.600
<v Speaker 1>our drinking game. We're going to give you two choices.

0:18:52.800 --> 0:18:55.920
<v Speaker 1>If you pick one, we don't drink. But if you

0:18:55.960 --> 0:18:58.800
<v Speaker 1>say both and neither, we all drink. The whole table

0:18:58.880 --> 0:19:01.120
<v Speaker 1>drinks and really say, it's not to just anybody.

0:19:01.119 --> 0:19:03.560
<v Speaker 7>We want to just bring up there anything the jogs

0:19:03.600 --> 0:19:05.199
<v Speaker 7>your memory or story that can come up.

0:19:05.240 --> 0:19:06.840
<v Speaker 2>Please, you know, let's talk about it.

0:19:10.160 --> 0:19:10.760
<v Speaker 3>The instruction.

0:19:10.960 --> 0:19:11.360
<v Speaker 2>That's it.

0:19:13.280 --> 0:19:14.359
<v Speaker 1>Usually people don't understand.

0:19:14.400 --> 0:19:18.760
<v Speaker 3>Do you know what I'll do?

0:19:18.840 --> 0:19:26.480
<v Speaker 5>Hockey smart, shocking, sucking me.

0:19:27.160 --> 0:19:30.520
<v Speaker 2>So I take the first one, go for it, buddy?

0:19:30.560 --> 0:19:30.960
<v Speaker 2>You ready?

0:19:32.280 --> 0:19:35.920
<v Speaker 1>No, well, let them get their shot. Okay, my bad,

0:19:36.000 --> 0:19:40.560
<v Speaker 1>what don't matter to play the game whatever, because I'm

0:19:41.200 --> 0:19:46.160
<v Speaker 1>speeding ahead. Alchemist just said she told him so down, Okay,

0:19:46.359 --> 0:19:47.640
<v Speaker 1>I told you, I told you guys.

0:19:49.600 --> 0:19:52.520
<v Speaker 2>Okay, they got their shots right, all right?

0:19:53.560 --> 0:19:57.160
<v Speaker 1>Good, go for the first one. It's not on the board.

0:19:58.320 --> 0:20:02.680
<v Speaker 2>It's big shots you gotta make, but make smaller shots.

0:20:02.680 --> 0:20:05.080
<v Speaker 7>Still the baby oh yeah, yeah, yeah, we're trying to

0:20:05.080 --> 0:20:06.040
<v Speaker 7>do baby shots.

0:20:06.560 --> 0:20:07.639
<v Speaker 2>It's really not like liquor.

0:20:07.680 --> 0:20:11.040
<v Speaker 1>Yeah, it is LIQUI don't get into Yeah, come on,

0:20:12.600 --> 0:20:13.560
<v Speaker 1>Abby or Alan?

0:20:14.760 --> 0:20:15.280
<v Speaker 2>Is that for me?

0:20:16.240 --> 0:20:19.280
<v Speaker 5>It's our question? Abby or Allan?

0:20:21.960 --> 0:20:23.120
<v Speaker 2>Okay?

0:20:23.800 --> 0:20:24.600
<v Speaker 5>What do I have to do?

0:20:24.920 --> 0:20:29.160
<v Speaker 1>Like, you gotta pick one Alan? Okay, you're gonna pick Alan? Yeah,

0:20:29.320 --> 0:20:34.720
<v Speaker 1>so who are you picking both? I'm drinking drink drink

0:20:34.040 --> 0:20:41.080
<v Speaker 1>that I love. I don't pick salute. All rightway, hold

0:20:41.480 --> 0:20:44.399
<v Speaker 1>for the album, right, Abby and A great names?

0:20:44.520 --> 0:20:45.760
<v Speaker 2>That's your real names? Right?

0:20:46.760 --> 0:20:46.960
<v Speaker 1>Great?

0:20:47.040 --> 0:20:47.240
<v Speaker 2>Great?

0:20:47.280 --> 0:20:47.800
<v Speaker 1>Great? Great?

0:20:48.480 --> 0:20:49.520
<v Speaker 4>That's whose idea that was?

0:20:50.880 --> 0:20:55.280
<v Speaker 7>I feel like everything's the idea. What is on this side? Tupocket,

0:20:55.359 --> 0:21:00.639
<v Speaker 7>d m X, both of you, both, both of you,

0:21:00.920 --> 0:21:01.520
<v Speaker 7>both of us.

0:21:01.920 --> 0:21:03.800
<v Speaker 5>Okay, TUPAC or d.

0:21:03.960 --> 0:21:06.360
<v Speaker 2>M X, rest in pieces of both?

0:21:06.400 --> 0:21:11.399
<v Speaker 5>But I like this game. Okay, let's see TUPAC or

0:21:11.440 --> 0:21:12.000
<v Speaker 5>d m X.

0:21:13.200 --> 0:21:14.240
<v Speaker 2>It's any criteria.

0:21:14.440 --> 0:21:24.560
<v Speaker 3>Yeah, in any criteria, Tupac, Okay.

0:21:25.520 --> 0:21:27.680
<v Speaker 2>Both both, Okay, you're going picking.

0:21:27.720 --> 0:21:28.679
<v Speaker 4>I'm not picking between two?

0:21:29.440 --> 0:21:31.880
<v Speaker 2>Yeah, I respect that. I don't understand it, said the game.

0:21:32.080 --> 0:21:35.680
<v Speaker 4>They know though, all right, how I want to drink

0:21:35.720 --> 0:21:37.480
<v Speaker 4>like the I don't want to drink, But that's that's what.

0:21:37.640 --> 0:21:42.439
<v Speaker 1>Happens Michael Jackson or Prince, and we need stories if

0:21:42.440 --> 0:21:43.560
<v Speaker 1>there's stories.

0:21:43.160 --> 0:21:44.560
<v Speaker 2>To be mad anyone.

0:21:44.840 --> 0:21:55.200
<v Speaker 3>Yeah either, Yeah, I met Prince really like Prince. Never

0:21:55.280 --> 0:21:57.200
<v Speaker 3>met Mike, but I can relate to Mike a lot.

0:21:57.320 --> 0:21:59.960
<v Speaker 3>I love Mike both for me both.

0:22:00.560 --> 0:22:02.320
<v Speaker 1>But can you told us the night you met Prince?

0:22:03.880 --> 0:22:07.800
<v Speaker 3>Prince was once my rhythm guitarist on stage wait for

0:22:07.840 --> 0:22:13.760
<v Speaker 3>a one offer like Thomas Gone tour the whole tour. No, just.

0:22:15.320 --> 0:22:17.840
<v Speaker 2>I've seen a clip of it. I've heard Prince on stage.

0:22:18.720 --> 0:22:21.240
<v Speaker 5>Holy, I got a Paisley Park a little bit, I

0:22:21.320 --> 0:22:22.159
<v Speaker 5>recorded some.

0:22:22.040 --> 0:22:23.840
<v Speaker 2>Songs, crazy legend.

0:22:23.960 --> 0:22:24.800
<v Speaker 3>This is very cool.

0:22:26.240 --> 0:22:28.720
<v Speaker 1>Wow, we got to make some noise for that answer.

0:22:31.000 --> 0:22:32.160
<v Speaker 2>You said both both.

0:22:32.440 --> 0:22:35.119
<v Speaker 4>I'm not picking between Prince and fucking so it's one shot,

0:22:35.200 --> 0:22:36.720
<v Speaker 4>right shot.

0:22:38.119 --> 0:22:42.600
<v Speaker 2>You ever met either of them? Never met either, never

0:22:42.640 --> 0:22:44.800
<v Speaker 2>met either. I feel like pretty much popped up in

0:22:45.680 --> 0:22:49.000
<v Speaker 2>Hollywood stories and stuff. I heard stories. I missed them

0:22:49.000 --> 0:22:50.080
<v Speaker 2>one time by fifteen minutes.

0:22:50.119 --> 0:22:53.359
<v Speaker 4>I know he was like notoriously short. Yeah, he wasn't,

0:22:53.680 --> 0:22:56.199
<v Speaker 4>but he could play ball. He did hear that as

0:22:56.480 --> 0:22:59.440
<v Speaker 4>the world heard that. Yeah, yeah, yeah. But I like

0:22:59.480 --> 0:23:03.480
<v Speaker 4>that one where he comes up when I think he

0:23:03.600 --> 0:23:06.119
<v Speaker 4>was James Brown was on stage. You know that clip

0:23:06.119 --> 0:23:07.800
<v Speaker 4>when Princes in the crowd.

0:23:07.560 --> 0:23:09.080
<v Speaker 5>And he comes fame.

0:23:10.200 --> 0:23:12.520
<v Speaker 4>He comes on stage on his security guard shoulders from

0:23:12.520 --> 0:23:12.960
<v Speaker 4>the crowd.

0:23:13.440 --> 0:23:14.080
<v Speaker 2>I never saw that.

0:23:14.119 --> 0:23:18.480
<v Speaker 4>Clipton hype that up later James Brown.

0:23:18.600 --> 0:23:20.000
<v Speaker 3>It was funny.

0:23:20.359 --> 0:23:23.800
<v Speaker 1>Nas came on this story and we asked him, did

0:23:23.840 --> 0:23:26.119
<v Speaker 1>anybody ever tell you no, like you know, to do

0:23:26.160 --> 0:23:28.520
<v Speaker 1>a record? And he said, he asked Prince to do

0:23:28.560 --> 0:23:31.080
<v Speaker 1>a record, and Prince asked him, do you own your

0:23:31.119 --> 0:23:34.439
<v Speaker 1>master's And I said no, So they said he wouldn't

0:23:34.440 --> 0:23:36.160
<v Speaker 1>do the record until he owns his masters.

0:23:36.520 --> 0:23:38.680
<v Speaker 2>That was like the ill stick and he said.

0:23:38.480 --> 0:23:42.200
<v Speaker 7>Because I don't want to put those executives kids through college, yo, And.

0:23:42.600 --> 0:23:45.920
<v Speaker 1>Like that's just crazy, right, Like he was so knowledgeable

0:23:46.080 --> 0:23:48.480
<v Speaker 1>that back then, Like you said, it's crazy.

0:23:48.560 --> 0:23:51.040
<v Speaker 4>You remember young Love the mob deep song came out

0:23:51.080 --> 0:23:51.800
<v Speaker 4>with the Prince sample.

0:23:51.920 --> 0:23:54.439
<v Speaker 2>That was because that came out officially came out that

0:23:54.480 --> 0:23:55.000
<v Speaker 2>white label.

0:23:55.520 --> 0:23:58.159
<v Speaker 4>The story was that they were, like I guess they

0:23:58.200 --> 0:23:59.760
<v Speaker 4>were going to try to clear it, but I guess

0:23:59.760 --> 0:24:02.960
<v Speaker 4>Prince was if he on curses. Do you remember the

0:24:02.960 --> 0:24:03.480
<v Speaker 4>first line in.

0:24:03.440 --> 0:24:05.679
<v Speaker 5>The piece versus I mean, he definitely.

0:24:05.480 --> 0:24:07.800
<v Speaker 2>Was the first line of peace versus fresh out just

0:24:07.800 --> 0:24:13.040
<v Speaker 2>a bitch pussy, But it wasn't. I mean, it was

0:24:13.040 --> 0:24:13.840
<v Speaker 2>a great record, but.

0:24:15.320 --> 0:24:17.520
<v Speaker 4>It would have been I think it would have been

0:24:17.760 --> 0:24:18.479
<v Speaker 4>the genius for that.

0:24:18.480 --> 0:24:20.320
<v Speaker 2>It would have been a hit record. And he wasn't

0:24:20.359 --> 0:24:21.320
<v Speaker 2>gonna change his verse, you.

0:24:21.240 --> 0:24:23.760
<v Speaker 1>Know, Pete, and you didn't have one twelve on that record.

0:24:24.119 --> 0:24:24.879
<v Speaker 2>But I wasn't around it.

0:24:24.960 --> 0:24:26.560
<v Speaker 4>I heard the stories. No that was this was before

0:24:26.720 --> 0:24:28.440
<v Speaker 4>I was with them all. But I heard the story

0:24:28.440 --> 0:24:30.440
<v Speaker 4>that p was. You know how he was. He was rigid.

0:24:30.480 --> 0:24:33.640
<v Speaker 4>He wasn't not not going to change his mind for nothing. Yeah,

0:24:34.680 --> 0:24:44.199
<v Speaker 4>blal or. D'Angelo, Oh solo, cheers, cheers, I'm gonna go

0:24:44.240 --> 0:24:46.919
<v Speaker 4>d Angelo. I'm gonna go d Angelo.

0:24:47.119 --> 0:24:53.679
<v Speaker 2>I used to say, you still got to take the shot.

0:24:54.480 --> 0:24:55.600
<v Speaker 2>I used to say, we did, Dangelo?

0:24:56.200 --> 0:24:56.480
<v Speaker 1>Really?

0:24:56.640 --> 0:24:56.880
<v Speaker 2>Yeah.

0:24:57.920 --> 0:25:00.520
<v Speaker 4>Premiere hooked me up with him, so I first moved

0:25:00.560 --> 0:25:03.719
<v Speaker 4>to New York. And it's a funny story because when

0:25:03.760 --> 0:25:05.600
<v Speaker 4>I went to meet him the first time, Premiere was like,

0:25:05.600 --> 0:25:08.199
<v Speaker 4>can you know, bring some weed? D'Angelo gave me. The

0:25:08.240 --> 0:25:11.160
<v Speaker 4>address was like in around the fashion district in Manhattan,

0:25:11.160 --> 0:25:13.840
<v Speaker 4>like twenty eighth and thirtieth from Broadway, and he was like,

0:25:13.880 --> 0:25:14.480
<v Speaker 4>when you go there.

0:25:14.440 --> 0:25:18.720
<v Speaker 2>Don't have anything in your hand? Anything in your hands. Yeah.

0:25:18.720 --> 0:25:19.560
<v Speaker 2>I didn't know what he meant.

0:25:20.320 --> 0:25:23.400
<v Speaker 4>So I walked in and he it was like literally

0:25:23.440 --> 0:25:24.960
<v Speaker 4>like out of a movie. He was in this big

0:25:25.040 --> 0:25:28.000
<v Speaker 4>law by himself in the middle of the loft, sitting

0:25:28.040 --> 0:25:31.359
<v Speaker 4>in a chair with a guitar, like writing songs. And

0:25:31.440 --> 0:25:32.879
<v Speaker 4>I walked in and shit, I walked in.

0:25:33.920 --> 0:25:34.720
<v Speaker 2>I go up to him.

0:25:35.119 --> 0:25:35.800
<v Speaker 4>He's like, what's up?

0:25:36.040 --> 0:25:39.560
<v Speaker 2>Give him a pound. I'm like, yeah, I'm Premire. He said, oh,

0:25:39.600 --> 0:25:41.040
<v Speaker 2>that's what's up. So gave me another pound.

0:25:41.359 --> 0:25:44.720
<v Speaker 4>Everything I said, you had to give.

0:25:44.680 --> 0:25:45.440
<v Speaker 2>Him a dap with you.

0:25:45.440 --> 0:25:48.280
<v Speaker 4>I don't know if you know people like that is

0:25:48.320 --> 0:25:51.240
<v Speaker 4>adapt And then I understood what Premiere said when he

0:25:51.280 --> 0:25:54.760
<v Speaker 4>was like, don't have under It was crazy, But shout

0:25:54.760 --> 0:25:55.840
<v Speaker 4>out to D'Angelo. I haven't.

0:25:56.200 --> 0:25:58.679
<v Speaker 2>I mean, yeah, D'Angelo, but blood too.

0:25:58.720 --> 0:26:03.919
<v Speaker 4>I mean, it's hard to pick, but could they're both greats?

0:26:03.960 --> 0:26:05.200
<v Speaker 3>Amazing both.

0:26:06.800 --> 0:26:11.119
<v Speaker 2>The Riza or mugs. That's definitely an alchemist's question. No,

0:26:11.359 --> 0:26:13.359
<v Speaker 2>for both of them. They're both of them best ways.

0:26:15.560 --> 0:26:16.600
<v Speaker 2>That's ridiculous.

0:26:18.000 --> 0:26:20.800
<v Speaker 4>I mean, Mugs is my big brother. I got my

0:26:20.880 --> 0:26:22.800
<v Speaker 4>start because of Mugs. But you know what I mean.

0:26:22.800 --> 0:26:24.919
<v Speaker 4>But if I would sit here and lie, if I

0:26:25.000 --> 0:26:28.400
<v Speaker 4>was to say that the Rezar didn't change my way

0:26:28.400 --> 0:26:33.800
<v Speaker 4>of thinking in general, Like they're both behemoth giants, creators

0:26:34.280 --> 0:26:34.760
<v Speaker 4>of the ship.

0:26:34.880 --> 0:26:36.600
<v Speaker 2>Like I wouldn't be shipped without either of them.

0:26:36.640 --> 0:26:43.639
<v Speaker 3>So I've seen ris in action. Battery Studio, nineteen ninety six.

0:26:44.960 --> 0:26:45.639
<v Speaker 2>That's fresh.

0:26:46.080 --> 0:26:48.480
<v Speaker 3>We were in a session. I was in one session.

0:26:48.600 --> 0:26:51.760
<v Speaker 3>Riza was in one session. D'Angelo was in one session.

0:26:52.359 --> 0:26:58.240
<v Speaker 3>Most was in sessions. Yeah, Battery Studio. They had three rooms,

0:26:58.760 --> 0:27:02.000
<v Speaker 3>and it was in one room and he went in

0:27:02.560 --> 0:27:04.240
<v Speaker 3>to listen to the mix. I don't know who the

0:27:04.240 --> 0:27:07.760
<v Speaker 3>engineer was, I don't remember, but he didn't like it,

0:27:08.960 --> 0:27:10.560
<v Speaker 3>and he told him to move out the way and

0:27:10.600 --> 0:27:15.800
<v Speaker 3>he just did the board like Domino's. Then he said,

0:27:15.840 --> 0:27:21.200
<v Speaker 3>put it on the bigs. They played it and.

0:27:21.280 --> 0:27:28.080
<v Speaker 2>He was satisfied that it was incredible, this one, you know.

0:27:28.760 --> 0:27:29.400
<v Speaker 5>Just impressed.

0:27:30.000 --> 0:27:31.119
<v Speaker 3>I try it sometimes.

0:27:33.040 --> 0:27:35.520
<v Speaker 2>He tried to do that on the boards, put it on.

0:27:35.920 --> 0:27:38.720
<v Speaker 5>Just the other part to say, put it on the big.

0:27:39.160 --> 0:27:42.440
<v Speaker 4>The bigs really big, let me hear that, and Riz

0:27:42.640 --> 0:27:45.000
<v Speaker 4>is uh. The fact that he was able to make

0:27:45.240 --> 0:27:47.720
<v Speaker 4>a different sound for every one of them on their

0:27:47.720 --> 0:27:52.760
<v Speaker 4>solo first endeavors, like you know, just an album didn't

0:27:52.800 --> 0:27:54.840
<v Speaker 4>sound like to Cal or whatever.

0:27:54.880 --> 0:27:57.280
<v Speaker 2>They all had like a certain little unique twist.

0:27:57.880 --> 0:27:59.120
<v Speaker 1>You thought he knew them.

0:27:59.400 --> 0:28:01.679
<v Speaker 4>But each one like if it was tapping into this

0:28:01.720 --> 0:28:03.639
<v Speaker 4>type of movies for this one. It were like certain

0:28:03.840 --> 0:28:06.160
<v Speaker 4>nuances of each album that were different.

0:28:07.119 --> 0:28:09.080
<v Speaker 2>An interview in time, he said, he said, I.

0:28:09.040 --> 0:28:13.320
<v Speaker 4>Try to make mephan man beats violence so he has

0:28:13.320 --> 0:28:16.120
<v Speaker 4>to fight back to the beat. I was said, damn,

0:28:16.160 --> 0:28:18.880
<v Speaker 4>I want to listen to Cal. I was like, damh,

0:28:19.520 --> 0:28:20.240
<v Speaker 4>that's crazy.

0:28:20.560 --> 0:28:23.280
<v Speaker 2>And he changed the whole sound at that time, just

0:28:23.280 --> 0:28:26.040
<v Speaker 2>for the first while. There is a man I can't

0:28:26.040 --> 0:28:29.520
<v Speaker 2>even say enough. Now, do you want somebody to roll

0:28:29.600 --> 0:28:30.040
<v Speaker 2>your joint?

0:28:30.680 --> 0:28:34.879
<v Speaker 1>No? Thanks, we gotta try, gotta try.

0:28:37.160 --> 0:28:52.480
<v Speaker 10>J Diller a cute t. J Diller a cute t

0:28:53.520 --> 0:28:56.600
<v Speaker 10>oh uh, rest in piece.

0:28:58.040 --> 0:29:02.040
<v Speaker 3>Yes, rest and beats, Yes, my guy, you know who

0:29:02.080 --> 0:29:06.880
<v Speaker 3>we are almost a Q tip because he's here and

0:29:07.040 --> 0:29:09.880
<v Speaker 3>I want him to know. I want to come all

0:29:09.960 --> 0:29:14.640
<v Speaker 3>to know how his beats inspire me as a as

0:29:14.680 --> 0:29:19.440
<v Speaker 3>a producer, as a beat maker, as a as an

0:29:19.520 --> 0:29:23.640
<v Speaker 3>artist period, how he puts the compositions together. Yeah, he's

0:29:23.640 --> 0:29:24.200
<v Speaker 3>he's bad.

0:29:24.240 --> 0:29:25.400
<v Speaker 5>I can tell what beat is.

0:29:25.440 --> 0:29:30.560
<v Speaker 3>Here is on anybody's album, My deep album, his things up?

0:29:31.480 --> 0:29:31.880
<v Speaker 4>You know.

0:29:33.440 --> 0:29:40.240
<v Speaker 3>He's incredible. You're incredible. Where's the camera, Tamal? You know

0:29:42.200 --> 0:29:48.719
<v Speaker 3>you're incredible. There's no no comparison to what you do.

0:29:49.160 --> 0:29:50.800
<v Speaker 5>Everybody has their own thing, but you.

0:29:51.760 --> 0:29:54.840
<v Speaker 2>I still can't get over when he was looping that record.

0:29:54.600 --> 0:30:00.000
<v Speaker 4>With the needle. Oh my god, I'm gonna go cute

0:30:00.040 --> 0:30:00.840
<v Speaker 4>Tip also.

0:30:00.680 --> 0:30:02.360
<v Speaker 2>Man, I mean Tip.

0:30:04.560 --> 0:30:07.200
<v Speaker 4>Man, thinking about all those records that he produced, like

0:30:07.440 --> 0:30:08.880
<v Speaker 4>because back then I didn't really know.

0:30:09.680 --> 0:30:11.440
<v Speaker 2>Wasn't Jay Dilla under Q Tip anyway?

0:30:11.560 --> 0:30:15.280
<v Speaker 4>Yeah okay, yeah, but like at that time, I didn't really.

0:30:15.120 --> 0:30:16.560
<v Speaker 2>Know about production like that.

0:30:16.680 --> 0:30:18.400
<v Speaker 4>So it was kind of all magical when I heard

0:30:18.440 --> 0:30:20.880
<v Speaker 4>the beats, and later on I discovered the samples and

0:30:20.920 --> 0:30:23.560
<v Speaker 4>the drums, and to think that how he was putting

0:30:23.600 --> 0:30:27.720
<v Speaker 4>certain drums to those loops like electric relaxation or something

0:30:27.720 --> 0:30:29.800
<v Speaker 4>like that, like that's a drum break from another record,

0:30:29.880 --> 0:30:33.120
<v Speaker 4>and the synergy and effusion and he was.

0:30:33.080 --> 0:30:33.920
<v Speaker 2>So ahead of his time.

0:30:34.000 --> 0:30:37.800
<v Speaker 4>Or think about the drum pattern for one love like

0:30:37.960 --> 0:30:39.560
<v Speaker 4>just a fucking drum pattern.

0:30:39.880 --> 0:30:43.560
<v Speaker 2>Like yo, he was the night with heat. Tip.

0:30:43.880 --> 0:30:47.160
<v Speaker 4>Tip is like, uh, he's like the foundation for so much.

0:30:47.200 --> 0:30:49.520
<v Speaker 4>And he was also the way we also discovered like

0:30:49.560 --> 0:30:52.040
<v Speaker 4>I didn't know RAMP. I didn't know about RAMP until

0:30:52.040 --> 0:30:54.200
<v Speaker 4>they sampled it. And you know there's like certain records

0:30:54.400 --> 0:30:59.280
<v Speaker 4>that we discovered later. Yeah, he dug deep and it

0:30:59.440 --> 0:31:01.160
<v Speaker 4>was funny because when we were young, I thought that

0:31:01.880 --> 0:31:03.160
<v Speaker 4>he was doing the beats.

0:31:03.000 --> 0:31:05.400
<v Speaker 2>That's what until one love we didn't realize.

0:31:05.440 --> 0:31:09.200
<v Speaker 4>You know who put me on large Large he was

0:31:09.200 --> 0:31:12.040
<v Speaker 4>a lost professor. Think up Large, that's my best case

0:31:12.080 --> 0:31:15.720
<v Speaker 4>scenario for me. He told me he was like Tip

0:31:16.160 --> 0:31:19.600
<v Speaker 4>was in the crates. Tip was really the one because

0:31:19.600 --> 0:31:22.160
<v Speaker 4>back then we always start to put the DJ jaking

0:31:22.200 --> 0:31:24.800
<v Speaker 4>the beats and shout to Alisi. I'm sure he had

0:31:25.320 --> 0:31:28.160
<v Speaker 4>a hand in it, but cute Tip man can't say,

0:31:28.240 --> 0:31:29.240
<v Speaker 4>you know, he's.

0:31:29.920 --> 0:31:32.120
<v Speaker 1>Sorry, Jada subject a little bit. But you told me

0:31:32.120 --> 0:31:35.800
<v Speaker 1>a great story one night. He said that I believe

0:31:35.840 --> 0:31:38.480
<v Speaker 1>I'm quite sure this was you. You said that Large

0:31:38.480 --> 0:31:41.800
<v Speaker 1>Pro went to a Ray Kawan show and Ray Kawan

0:31:41.800 --> 0:31:44.000
<v Speaker 1>didn't have on the Cuban links and he walked out.

0:31:44.600 --> 0:31:48.240
<v Speaker 4>Yeah, he was he disappeared. We went to the show

0:31:48.400 --> 0:31:52.560
<v Speaker 4>in La. The crowd, Ray came out was gone, where'd

0:31:52.600 --> 0:31:55.120
<v Speaker 4>he go? His man was like, nah, he's outside, he's chilling,

0:31:55.160 --> 0:31:57.959
<v Speaker 4>and I came outside. Afterwards, Ray came out killed it.

0:31:58.440 --> 0:32:01.080
<v Speaker 4>He didn't have his normal big link on. He had

0:32:01.120 --> 0:32:02.320
<v Speaker 4>like a jeweled shirt.

0:32:02.120 --> 0:32:03.080
<v Speaker 2>Or so that's Ray.

0:32:03.160 --> 0:32:05.640
<v Speaker 4>We could do what he wants. The Large was like,

0:32:06.080 --> 0:32:08.520
<v Speaker 4>he went outside, what was up? He's like, God didn't

0:32:08.520 --> 0:32:09.040
<v Speaker 4>have to link.

0:32:11.000 --> 0:32:13.360
<v Speaker 2>He felt like nah, like as a fan, like he

0:32:13.440 --> 0:32:20.600
<v Speaker 2>wanted to. Large is the essence like everything he pop.

0:32:20.680 --> 0:32:23.000
<v Speaker 2>You gotta see he owns a pizza like.

0:32:23.040 --> 0:32:28.720
<v Speaker 1>Yo, yoga, I want, I want, I want to kicking

0:32:28.840 --> 0:32:29.160
<v Speaker 1>on it.

0:32:30.600 --> 0:32:33.240
<v Speaker 4>You know, I took one time we went to a

0:32:33.280 --> 0:32:34.400
<v Speaker 4>Meeba record stores in La.

0:32:34.560 --> 0:32:35.120
<v Speaker 2>This is a store.

0:32:35.840 --> 0:32:39.320
<v Speaker 4>He snuck a turntable in his own table, and he

0:32:39.440 --> 0:32:43.320
<v Speaker 4>had gloves for digging. And then yo, he went he

0:32:43.360 --> 0:32:45.280
<v Speaker 4>went to the dollar section. And this is for the

0:32:45.440 --> 0:32:49.480
<v Speaker 4>people who understand this. He found a Rupert Holmes drum.

0:32:49.280 --> 0:32:51.000
<v Speaker 2>Break, which is like a break we used to all

0:32:51.040 --> 0:32:52.920
<v Speaker 2>chop up. It's a dollar record.

0:32:53.120 --> 0:32:53.280
<v Speaker 1>Yo.

0:32:53.440 --> 0:32:56.080
<v Speaker 4>He hit it so no one else could get this

0:32:56.160 --> 0:32:57.000
<v Speaker 4>is ship we used to do.

0:32:57.080 --> 0:32:59.960
<v Speaker 2>He went and hit the record so nobody else could

0:33:00.080 --> 0:33:00.320
<v Speaker 2>hit it.

0:33:00.320 --> 0:33:02.080
<v Speaker 4>It was like some old b boys ship to do

0:33:02.240 --> 0:33:05.640
<v Speaker 4>like like like there's not more copies of it that exist,

0:33:05.840 --> 0:33:09.480
<v Speaker 4>but the largest is He's the essence of this whole

0:33:09.480 --> 0:33:13.880
<v Speaker 4>ship and rhymes DJing. He always did it all and

0:33:14.000 --> 0:33:16.640
<v Speaker 4>that's been a big inspiration for me because I always

0:33:16.640 --> 0:33:19.680
<v Speaker 4>wanted to have all all sharpened, you know what I'm saying,

0:33:19.760 --> 0:33:21.280
<v Speaker 4>all elements able.

0:33:21.000 --> 0:33:23.000
<v Speaker 2>To And he's been a sort to a lot of folks.

0:33:23.760 --> 0:33:28.880
<v Speaker 3>Six degrees spot like he's coming to my DJ sets

0:33:29.360 --> 0:33:31.600
<v Speaker 3>and I would hear somebody I know when he gets there,

0:33:31.640 --> 0:33:34.640
<v Speaker 3>because I hear somebody over my shoulder going come on,

0:33:35.400 --> 0:33:35.800
<v Speaker 3>come on.

0:33:37.000 --> 0:33:38.600
<v Speaker 5>Yeah, that's what I'm talking about.

0:33:39.840 --> 0:33:40.000
<v Speaker 1>Yo.

0:33:40.720 --> 0:33:42.240
<v Speaker 3>You know he would be there.

0:33:43.320 --> 0:33:47.480
<v Speaker 4>Yea world up that's large, you know, a large, my brother.

0:33:48.440 --> 0:33:52.920
<v Speaker 1>I imagine him like having a baby token to the doctors.

0:33:53.440 --> 0:33:58.720
<v Speaker 1>Make sure you don't look too much. I can see that.

0:33:58.800 --> 0:34:03.680
<v Speaker 2>I'm I don't know what I thought like that, Boldie

0:34:03.760 --> 0:34:08.960
<v Speaker 2>James or Conway.

0:34:07.720 --> 0:34:10.360
<v Speaker 4>But I'm going both on that. Those I'm both both

0:34:10.640 --> 0:34:15.799
<v Speaker 4>solid both to say about that. Two legends.

0:34:20.200 --> 0:34:22.160
<v Speaker 2>Billie Holiday or Nina Simone.

0:34:22.760 --> 0:34:29.480
<v Speaker 3>Billy Holiday Currency or Earl Sweat, very very disrespectful and

0:34:30.800 --> 0:34:34.560
<v Speaker 3>horrible question asked. But I have to answer it. I

0:34:34.560 --> 0:34:36.200
<v Speaker 3>don't want to drink another shot back.

0:34:36.520 --> 0:34:38.680
<v Speaker 2>You would have said both.

0:34:39.400 --> 0:34:39.520
<v Speaker 3>No.

0:34:40.280 --> 0:34:43.640
<v Speaker 2>Yes, you can bring in someone to be your drinker

0:34:43.800 --> 0:34:44.319
<v Speaker 2>if you'd like.

0:34:44.640 --> 0:34:45.759
<v Speaker 3>Is that a part of it?

0:34:45.960 --> 0:34:47.520
<v Speaker 2>I mean you have to drink a little bit.

0:34:48.040 --> 0:34:52.600
<v Speaker 7>Okay, I don't do anything, but you can have some

0:34:52.680 --> 0:34:54.200
<v Speaker 7>We would like you to drink a little.

0:34:54.080 --> 0:35:01.560
<v Speaker 3>You know, I think I'm good soccer smooth though, sock

0:35:01.719 --> 0:35:06.600
<v Speaker 3>smooth cool. It might be a trickery, but.

0:35:06.760 --> 0:35:11.040
<v Speaker 2>It is the episode I was stand up, you stand up,

0:35:11.040 --> 0:35:13.040
<v Speaker 2>and then you realize we took a picture. I went

0:35:13.080 --> 0:35:14.920
<v Speaker 2>to the bathroom. I came back and I said, we.

0:35:14.880 --> 0:35:19.879
<v Speaker 7>Didn't take a picture, and I got mad at everybody.

0:35:20.040 --> 0:35:22.080
<v Speaker 1>He was going hard because I wanted to take a

0:35:22.080 --> 0:35:22.600
<v Speaker 1>picture with it.

0:35:23.120 --> 0:35:25.200
<v Speaker 2>Some thing I brought some prefernt. I was like, this

0:35:25.239 --> 0:35:27.120
<v Speaker 2>is the first flights, Like we took it already, Like nah,

0:35:27.160 --> 0:35:36.319
<v Speaker 2>man the tape Currency or Earl sweatshirt. Wow, I'm gonna

0:35:36.320 --> 0:35:37.080
<v Speaker 2>have to go both.

0:35:37.719 --> 0:35:42.359
<v Speaker 4>Both of them have a significant role in in what

0:35:42.480 --> 0:35:45.480
<v Speaker 4>I've been able to achieve. Like Currency was the one

0:35:45.520 --> 0:35:47.520
<v Speaker 4>that kind of started the run of me doing these

0:35:48.600 --> 0:35:51.040
<v Speaker 4>one person album and at the time I was kind

0:35:51.040 --> 0:35:51.759
<v Speaker 4>of nervous.

0:35:51.440 --> 0:35:53.600
<v Speaker 2>To do it, and he wanted the Cobra Coop, you

0:35:53.640 --> 0:35:54.040
<v Speaker 2>know what I mean.

0:35:54.200 --> 0:35:57.239
<v Speaker 4>He he wanted to just throw it out. I was

0:35:57.280 --> 0:35:59.040
<v Speaker 4>nervous as hell, and he was like, we'll do this

0:35:59.080 --> 0:36:00.960
<v Speaker 4>and we'll sell some which will put it out free.

0:36:00.960 --> 0:36:01.960
<v Speaker 2>And that kind of.

0:36:01.960 --> 0:36:05.359
<v Speaker 4>Was the first time when I started looking at how

0:36:05.360 --> 0:36:09.120
<v Speaker 4>to sell music differently because he had a whole fan

0:36:09.239 --> 0:36:09.400
<v Speaker 4>and we.

0:36:09.760 --> 0:36:13.040
<v Speaker 2>Sold merchant put the music out free with Cobra Coop.

0:36:13.600 --> 0:36:17.480
<v Speaker 2>But he's not your first because turning Back would be

0:36:17.520 --> 0:36:20.040
<v Speaker 2>the first, of course, and then we do Albert Einstein later.

0:36:20.080 --> 0:36:22.359
<v Speaker 4>But I feel like Currency was one of the ones

0:36:22.680 --> 0:36:25.040
<v Speaker 4>because I gave it my all. I remember I wasn't

0:36:25.040 --> 0:36:26.719
<v Speaker 4>holding back with the beats when I when we did

0:36:26.719 --> 0:36:29.200
<v Speaker 4>Cobra Coop, I just met him. It was like a

0:36:29.239 --> 0:36:30.839
<v Speaker 4>new thing, but I was like, fuck it, just put

0:36:30.840 --> 0:36:33.480
<v Speaker 4>my name on it. I gotta, you know, put some

0:36:33.560 --> 0:36:35.640
<v Speaker 4>heat on there, and like it kind of helped start

0:36:35.680 --> 0:36:38.920
<v Speaker 4>the run of doing these like albums with people and Earl,

0:36:39.120 --> 0:36:42.719
<v Speaker 4>Like Earl is like my brother first of all, but

0:36:42.800 --> 0:36:45.560
<v Speaker 4>he's also like I could basically give him an r credit,

0:36:45.680 --> 0:36:48.759
<v Speaker 4>like so much shit the last ten years that you

0:36:48.840 --> 0:36:49.799
<v Speaker 4>see me staying in.

0:36:49.680 --> 0:36:50.799
<v Speaker 2>The loop was because of Earl.

0:36:50.880 --> 0:36:54.520
<v Speaker 4>Really what he put me onto everything, Like he's so ahead.

0:36:55.000 --> 0:37:01.120
<v Speaker 4>Earl is a generational gift. He's not regular, and like

0:37:01.480 --> 0:37:03.759
<v Speaker 4>me being able to he's younger than me, so me

0:37:03.840 --> 0:37:05.520
<v Speaker 4>being able to stay in and loop with him. And

0:37:05.560 --> 0:37:08.319
<v Speaker 4>then he got his young homies. It never ends, you

0:37:08.320 --> 0:37:10.440
<v Speaker 4>know what I'm saying. And and and.

0:37:10.840 --> 0:37:12.680
<v Speaker 7>Like local history in a sense that you guys kind

0:37:12.680 --> 0:37:13.440
<v Speaker 7>of relate to course.

0:37:13.640 --> 0:37:15.479
<v Speaker 4>And I'm just thankful to have him as a friend

0:37:15.480 --> 0:37:18.280
<v Speaker 4>and a mentor and and and and this ship because

0:37:18.880 --> 0:37:21.440
<v Speaker 4>trust me, man a lot of the ship that people

0:37:21.520 --> 0:37:23.080
<v Speaker 4>know me, they say, you know, I always putting me

0:37:23.120 --> 0:37:25.200
<v Speaker 4>up on ship. They don't know he's putting me up

0:37:25.200 --> 0:37:27.799
<v Speaker 4>on it. And then he got his young homie who

0:37:27.840 --> 0:37:29.399
<v Speaker 4>put him up on ship. It never ends.

0:37:29.840 --> 0:37:33.040
<v Speaker 2>So you know, shout out to ear that's the both

0:37:33.080 --> 0:37:39.760
<v Speaker 2>my brothers. You got it. You got Eve or Missy

0:37:41.080 --> 0:37:42.520
<v Speaker 2>Eve or Missy.

0:37:42.680 --> 0:37:45.040
<v Speaker 3>Missy for me.

0:37:45.239 --> 0:37:46.399
<v Speaker 4>Yeah, I'm gonna go Missy too.

0:37:47.480 --> 0:37:48.080
<v Speaker 3>Them in the same.

0:37:50.560 --> 0:37:52.840
<v Speaker 1>Aminican guy Missy.

0:37:52.960 --> 0:37:54.640
<v Speaker 3>That's not even tricky.

0:37:55.600 --> 0:37:57.680
<v Speaker 2>They write it so that you look at us crazy.

0:37:58.280 --> 0:38:04.120
<v Speaker 5>What do y'all know about miss see Elliott dope as

0:38:04.160 --> 0:38:09.680
<v Speaker 5>what performance artists that do what.

0:38:13.920 --> 0:38:15.360
<v Speaker 2>She's an incredible writer.

0:38:15.520 --> 0:38:21.719
<v Speaker 3>She's a producer, she makes beats. Yeah, that's different, that's

0:38:21.760 --> 0:38:22.480
<v Speaker 3>the something else.

0:38:23.680 --> 0:38:43.880
<v Speaker 9>Yeah, what are we comparing tis shout out to Missy Elliott.

0:38:44.680 --> 0:38:46.320
<v Speaker 2>Yes, yes, yes, Missy.

0:38:46.400 --> 0:38:48.000
<v Speaker 7>We need you, We need both of y'all. But miss

0:38:48.200 --> 0:38:50.280
<v Speaker 7>will be a dope episode. We've been trying to figure

0:38:50.280 --> 0:38:52.200
<v Speaker 7>it out. Hopefully we can get it, get it done.

0:38:52.200 --> 0:38:58.959
<v Speaker 2>So see three thousand or the A s R ten ten.

0:39:00.480 --> 0:39:04.840
<v Speaker 3>Yeah, I mean machine okay, back.

0:39:04.760 --> 0:39:10.200
<v Speaker 4>Mountains Okay, yeah, I did all my all my classic.

0:39:12.080 --> 0:39:13.240
<v Speaker 2>MP okay.

0:39:13.440 --> 0:39:13.680
<v Speaker 1>Wow.

0:39:14.640 --> 0:39:17.719
<v Speaker 2>Yeah, so you're still using machines both, y'all.

0:39:18.239 --> 0:39:21.319
<v Speaker 7>Yes, because some people are coming down saying now they're

0:39:21.360 --> 0:39:22.200
<v Speaker 7>just using programs.

0:39:22.560 --> 0:39:24.120
<v Speaker 3>I got sloppy dish everywhere.

0:39:24.960 --> 0:39:27.520
<v Speaker 2>How do you feel about fruity Loops f.

0:39:27.600 --> 0:39:31.640
<v Speaker 3>L I never really learned fl and well I got

0:39:31.719 --> 0:39:32.520
<v Speaker 3>suck it logic.

0:39:33.200 --> 0:39:35.040
<v Speaker 4>Okay, you're saying that ship like you know what fruity

0:39:35.080 --> 0:39:35.440
<v Speaker 4>loops is.

0:39:35.760 --> 0:39:39.760
<v Speaker 2>I mean, you know, you know, you know what. It's funny.

0:39:40.360 --> 0:39:41.520
<v Speaker 1>Regg Don't is made on food.

0:39:41.600 --> 0:39:46.520
<v Speaker 4>Looks a lot of that's out in general through fruity loops.

0:39:46.520 --> 0:39:48.560
<v Speaker 1>Like we just outside on the show too. He's a

0:39:48.560 --> 0:39:49.040
<v Speaker 1>foody loop.

0:39:49.120 --> 0:39:50.960
<v Speaker 2>He's the man. Yeah, outside gets busy with.

0:39:50.960 --> 0:39:53.680
<v Speaker 5>Fruity the word with people who use fl studio.

0:39:53.760 --> 0:39:57.600
<v Speaker 2>But I've never yeah that found It's just another machine.

0:39:57.760 --> 0:39:57.960
<v Speaker 1>You know.

0:39:58.239 --> 0:40:00.000
<v Speaker 4>People get caught up in the machine.

0:40:00.080 --> 0:40:01.440
<v Speaker 2>Is it gets you there?

0:40:01.680 --> 0:40:04.040
<v Speaker 4>If you got to hear, you're gonna make make anything

0:40:04.120 --> 0:40:06.760
<v Speaker 4>sing like you can make any machine work. It doesn't matter.

0:40:08.600 --> 0:40:13.440
<v Speaker 2>We ain't taking a show, Marvin Gay or Stevie Wonder.

0:40:15.120 --> 0:40:15.400
<v Speaker 4>Son.

0:40:17.840 --> 0:40:24.320
<v Speaker 2>And you've got to tell stories, everybody.

0:40:24.600 --> 0:40:29.520
<v Speaker 3>That's why you're doing all this talking stories. Come, what's

0:40:29.520 --> 0:40:38.600
<v Speaker 3>wrong with you?

0:40:38.640 --> 0:40:38.719
<v Speaker 1>Know?

0:40:38.880 --> 0:40:39.760
<v Speaker 5>I'm a slow burn.

0:40:42.360 --> 0:40:43.600
<v Speaker 3>Stevie Wonder or.

0:40:45.560 --> 0:40:45.759
<v Speaker 10>Gay.

0:40:49.239 --> 0:40:51.719
<v Speaker 3>I can pick one today and change my mind tomorrow.

0:40:53.160 --> 0:40:53.440
<v Speaker 4>Yeah.

0:40:53.600 --> 0:40:56.480
<v Speaker 3>So I'm gonna go with Stevie Wonder because you can

0:40:56.520 --> 0:40:59.040
<v Speaker 3>hear me, and he's here, and I want him to

0:40:59.080 --> 0:41:02.040
<v Speaker 3>know as well. He's made maybe one of my biggest

0:41:02.080 --> 0:41:05.000
<v Speaker 3>influences ever in the world. I started listening to Stevie

0:41:05.080 --> 0:41:09.040
<v Speaker 3>Wonder as a toddler. He came out maybe nineteen seventy

0:41:09.080 --> 0:41:12.960
<v Speaker 3>one with an album I think called Talking Book and

0:41:14.440 --> 0:41:17.319
<v Speaker 3>don't quote me, World, don't come on my.

0:41:18.480 --> 0:41:21.880
<v Speaker 2>Drunk, Facts up facts if you get a year off drumpa.

0:41:22.080 --> 0:41:27.160
<v Speaker 3>Nineteen and seventy one, and I've just been listening to him.

0:41:27.200 --> 0:41:30.040
<v Speaker 5>It's a voice. I thought it was my daddy as

0:41:30.080 --> 0:41:30.480
<v Speaker 5>a kid.

0:41:31.040 --> 0:41:34.839
<v Speaker 3>Thought because my mom used to say my husband claim

0:41:34.880 --> 0:41:40.520
<v Speaker 3>my husband out. But it was kind of satire little yeah,

0:41:40.520 --> 0:41:43.719
<v Speaker 3>but yeah, I love Stevie wonder his voice. There are

0:41:43.719 --> 0:41:45.640
<v Speaker 3>billions of atoms of him and me.

0:41:46.280 --> 0:41:47.120
<v Speaker 2>Have you worked with him?

0:41:47.680 --> 0:41:51.160
<v Speaker 3>Never worked with him? Really? No, that kind of surprises me.

0:41:51.239 --> 0:41:58.680
<v Speaker 3>Well nothing public. Yeah, what you said mentor bring me is.

0:41:59.400 --> 0:42:04.640
<v Speaker 11>He seems and the absolutely it'll happen right Well, you

0:42:04.680 --> 0:42:09.800
<v Speaker 11>said that that he can hear you, right, Some arguably

0:42:09.920 --> 0:42:11.000
<v Speaker 11>say here on drinking.

0:42:13.400 --> 0:42:15.200
<v Speaker 1>Do you think that's the rumor that he can see?

0:42:15.680 --> 0:42:20.080
<v Speaker 3>I have no idea, you know, I don't think so, though.

0:42:20.920 --> 0:42:25.560
<v Speaker 1>Snook Snoop came on the show and says, Stevie FaceTime.

0:42:27.920 --> 0:42:28.560
<v Speaker 1>That's doable.

0:42:28.600 --> 0:42:31.600
<v Speaker 2>Someone could have just put him on FaceTime all right.

0:42:33.320 --> 0:42:37.040
<v Speaker 1>In the elevator was oh, yeah, saw in the elevator

0:42:37.520 --> 0:42:40.719
<v Speaker 1>and Shaq walked in and he didn't say that in

0:42:40.719 --> 0:42:43.680
<v Speaker 1>the Stevie and Stevie was like, what's up, Diesel, like

0:42:45.360 --> 0:42:49.520
<v Speaker 1>before you go into yeah, and the Iley Brothers said

0:42:49.520 --> 0:43:00.000
<v Speaker 1>the street crosses the show just no one is playing around,

0:43:00.120 --> 0:43:02.960
<v Speaker 1>by the way, no one. We're laughing, but no one

0:43:03.040 --> 0:43:03.760
<v Speaker 1>is around.

0:43:03.800 --> 0:43:11.440
<v Speaker 3>You can see he's playing along.

0:43:12.680 --> 0:43:24.360
<v Speaker 8>Drinks because, oh, analog and digital.

0:43:25.520 --> 0:43:26.360
<v Speaker 2>My favorite questions.

0:43:30.120 --> 0:43:30.520
<v Speaker 4>Thank you.

0:43:34.200 --> 0:43:36.879
<v Speaker 3>One of my monitors, this analog girl in the digital world.

0:43:37.760 --> 0:43:43.480
<v Speaker 3>Mm hm oh, but uh, I do further warmth childhood

0:43:43.719 --> 0:43:47.880
<v Speaker 3>because it's it's like, you know, nostalgic for me and

0:43:48.040 --> 0:43:51.400
<v Speaker 3>I love you know what we can do and how

0:43:51.520 --> 0:43:54.560
<v Speaker 3>quickly we can do it now too, But I'm gonna

0:43:54.560 --> 0:43:56.719
<v Speaker 3>access cellboard kind of girls, so I'm gonna have to

0:43:56.719 --> 0:44:04.080
<v Speaker 3>say analog, yeah, man long too for sure.

0:44:05.880 --> 0:44:08.719
<v Speaker 1>I can touch this comptability of digital. But I like

0:44:08.760 --> 0:44:11.640
<v Speaker 1>analog like like one thing for short thing for certain

0:44:12.680 --> 0:44:15.120
<v Speaker 1>like us just hearing that y'all both was in the

0:44:15.120 --> 0:44:17.799
<v Speaker 1>studio for as of every record makes me my mind

0:44:17.840 --> 0:44:20.799
<v Speaker 1>me of the analog days used to can't you used

0:44:20.800 --> 0:44:23.680
<v Speaker 1>to can't send in the person a record, the physically

0:44:23.760 --> 0:44:26.120
<v Speaker 1>come to the studio. That was the better.

0:44:26.360 --> 0:44:27.440
<v Speaker 2>That was the better days to me.

0:44:27.680 --> 0:44:29.840
<v Speaker 4>You know, I feel like we're lucky too, because like

0:44:29.920 --> 0:44:32.200
<v Speaker 4>my first beat like keep it thorough, We're gonna make it.

0:44:32.239 --> 0:44:36.160
<v Speaker 2>Those were on two inch tape and those were like that.

0:44:36.239 --> 0:44:37.560
<v Speaker 1>Was right before ship switched over.

0:44:37.600 --> 0:44:39.480
<v Speaker 2>And it's like if I play those beats out of

0:44:39.520 --> 0:44:40.040
<v Speaker 2>the A s R.

0:44:40.480 --> 0:44:43.840
<v Speaker 4>They don't sound the same because that saturation when they

0:44:43.840 --> 0:44:46.640
<v Speaker 4>would hit the tape and go through the S S L. Like,

0:44:46.760 --> 0:44:49.480
<v Speaker 4>I feel blessed to have those first couple of batches

0:44:49.520 --> 0:44:51.120
<v Speaker 4>of beats bang bang we did.

0:44:51.200 --> 0:44:52.920
<v Speaker 2>That was through the ssang.

0:44:54.080 --> 0:44:56.279
<v Speaker 1>The other day, I was sitting there talking to the

0:44:56.719 --> 0:44:59.560
<v Speaker 1>brothers outside and I go, yeah, because you know, there

0:44:59.640 --> 0:45:02.600
<v Speaker 1>was performing on a dat And then I realized no

0:45:02.640 --> 0:45:14.000
<v Speaker 1>one knew what about it was that the two in

0:45:14.239 --> 0:45:16.680
<v Speaker 1>Remember when we were mixing, you'd have to sit there

0:45:16.680 --> 0:45:18.040
<v Speaker 1>in silence when they were rewind it.

0:45:19.520 --> 0:45:22.880
<v Speaker 3>And it wasn't you to like be lucky enough to

0:45:22.960 --> 0:45:26.480
<v Speaker 3>have two reels, two reels so you can drag one

0:45:26.520 --> 0:45:28.400
<v Speaker 3>in order to make a flang sound.

0:45:29.040 --> 0:45:30.400
<v Speaker 4>You got some ship. I don't even know about it.

0:45:30.760 --> 0:45:33.160
<v Speaker 2>Actually, the table that is crazy.

0:45:33.719 --> 0:45:34.359
<v Speaker 1>I don't know nothing.

0:45:34.239 --> 0:45:36.440
<v Speaker 3>About sitting there waiting for the whole ship to rewind

0:45:36.480 --> 0:45:38.000
<v Speaker 3>and you're doing an eight minutes Oh.

0:45:38.000 --> 0:45:41.279
<v Speaker 1>Yeah, I remember, not eight minutes long, but I know.

0:45:43.719 --> 0:45:45.560
<v Speaker 2>Minutes at what I know about.

0:45:45.400 --> 0:45:47.880
<v Speaker 3>Them drops on the board though, those are the best.

0:45:47.960 --> 0:45:51.280
<v Speaker 4>A lot of drops for automation, flying faders.

0:45:51.920 --> 0:45:52.759
<v Speaker 2>Yeah, we're from that.

0:45:52.760 --> 0:45:55.879
<v Speaker 1>We're from that, remember right, track right, that's right track.

0:45:57.560 --> 0:45:59.240
<v Speaker 1>Does the studios still exist?

0:45:59.360 --> 0:46:01.799
<v Speaker 2>Yeah, of course, Man, the right track one and.

0:46:02.040 --> 0:46:05.920
<v Speaker 3>By forty seventh Street, okay, by the music stores.

0:46:05.680 --> 0:46:09.040
<v Speaker 2>Right right, yes, old point. It was a real bad

0:46:09.080 --> 0:46:10.439
<v Speaker 2>strip club next to right track.

0:46:10.480 --> 0:46:10.880
<v Speaker 4>Remember that.

0:46:11.040 --> 0:46:14.080
<v Speaker 1>It was like you talking about sound.

0:46:13.760 --> 0:46:17.120
<v Speaker 2>So we did queens over there.

0:46:17.160 --> 0:46:18.319
<v Speaker 1>Yeah, we did queans over there.

0:46:18.400 --> 0:46:20.200
<v Speaker 2>I maye that beat on the spot. Yeah, that was

0:46:20.200 --> 0:46:24.640
<v Speaker 2>a good time. It was horrible to mar I drank.

0:46:24.719 --> 0:46:26.000
<v Speaker 1>I went there to drink, but I didn't.

0:46:26.760 --> 0:46:27.080
<v Speaker 3>I didn't.

0:46:27.120 --> 0:46:27.879
<v Speaker 2>I didn't have fun.

0:46:27.920 --> 0:46:31.600
<v Speaker 1>It was like it was just you know, back then

0:46:31.640 --> 0:46:33.560
<v Speaker 1>we would come up from my m C and y'all

0:46:34.600 --> 0:46:38.600
<v Speaker 1>hits over there like on downtown, like as they mix

0:46:38.680 --> 0:46:40.239
<v Speaker 1>in and just have a drink, you know what I mean.

0:46:40.280 --> 0:46:42.160
<v Speaker 2>Like what was saying on that Joe was a complexion

0:46:42.400 --> 0:46:45.160
<v Speaker 2>complexity question?

0:46:45.320 --> 0:46:45.520
<v Speaker 3>Yeah.

0:46:45.680 --> 0:46:47.160
<v Speaker 2>Yeah, let's put this quick time with.

0:46:47.200 --> 0:46:50.440
<v Speaker 3>Slung, which is so we say for sure analog right?

0:46:50.520 --> 0:46:50.719
<v Speaker 2>Yeah?

0:46:50.800 --> 0:46:53.720
<v Speaker 1>Yeah, both everybody said it.

0:46:53.560 --> 0:46:56.520
<v Speaker 3>Is that you cannot roll the joint on a digital download.

0:46:58.640 --> 0:47:01.239
<v Speaker 2>You cannot have to have it. That's right. I can't

0:47:01.280 --> 0:47:09.160
<v Speaker 2>roll a joint on air. I don't know what that means.

0:47:10.280 --> 0:47:11.080
<v Speaker 3>You'll get it later.

0:47:12.760 --> 0:47:19.160
<v Speaker 2>Think g rapper slick Rick, mm.

0:47:18.320 --> 0:47:21.000
<v Speaker 5>Cools you Rap, Yes, can we can?

0:47:21.040 --> 0:47:23.400
<v Speaker 3>We can we have an era? Okay do we have

0:47:23.440 --> 0:47:23.839
<v Speaker 3>to just.

0:47:24.480 --> 0:47:27.239
<v Speaker 7>It's whatever criteria. It could be that Coolie Wrap made

0:47:27.280 --> 0:47:31.399
<v Speaker 7>amazing mac and cheese. One day he was like, silet pick.

0:47:31.360 --> 0:47:33.960
<v Speaker 5>Him slick Rick.

0:47:34.640 --> 0:47:37.600
<v Speaker 2>I mean, Coolie Rap shall just slick Rick.

0:47:37.640 --> 0:47:39.440
<v Speaker 4>I mean, I feel like he's the inventor of so

0:47:39.560 --> 0:47:43.120
<v Speaker 4>much style, Like you could just you know what I mean,

0:47:43.280 --> 0:47:48.080
<v Speaker 4>But Coolie Rap, Like I feel like at this moment

0:47:48.239 --> 0:47:51.080
<v Speaker 4>right now, like you could get a verse from him

0:47:51.080 --> 0:47:54.560
<v Speaker 4>and it was smoke. Yeah, he's anybody, and he came

0:47:54.600 --> 0:47:59.719
<v Speaker 4>from an arrow of King Kim just like and he

0:47:59.800 --> 0:48:04.120
<v Speaker 4>never really got that, but g Rap always through every

0:48:04.239 --> 0:48:05.720
<v Speaker 4>era like, so back.

0:48:05.600 --> 0:48:08.160
<v Speaker 2>To go for your guns with Mop and you can

0:48:08.200 --> 0:48:09.160
<v Speaker 2>do the realists.

0:48:09.880 --> 0:48:12.480
<v Speaker 4>The realist that I'll never forget that day is because

0:48:12.520 --> 0:48:14.440
<v Speaker 4>you know, I didn't know MAB but really well at

0:48:14.480 --> 0:48:17.040
<v Speaker 4>the time, and I just met them and Pete called

0:48:17.080 --> 0:48:19.040
<v Speaker 4>me and was like, I knew the beat because I

0:48:19.160 --> 0:48:20.960
<v Speaker 4>played it for him already. He said, come to the studio,

0:48:21.120 --> 0:48:23.360
<v Speaker 4>we want to use that beat. I loaded up the

0:48:23.360 --> 0:48:25.800
<v Speaker 4>fucking SR and the big ass that shit was huge,

0:48:25.840 --> 0:48:27.280
<v Speaker 4>you know what I mean, took it to the studio

0:48:28.040 --> 0:48:30.719
<v Speaker 4>and walked in and Cooolgi Rappers sitting there, and I

0:48:30.840 --> 0:48:32.560
<v Speaker 4>was just like, you know, the fan in me was

0:48:32.600 --> 0:48:34.960
<v Speaker 4>like wow. He didn't tell me. He was like, you know,

0:48:35.000 --> 0:48:37.680
<v Speaker 4>we want to do that beat. I loaded it up instantly.

0:48:37.920 --> 0:48:40.279
<v Speaker 4>I didn't call my manager. I didn't And that's the

0:48:40.320 --> 0:48:42.879
<v Speaker 4>thing I always tell people, because I couldn't. I could

0:48:42.880 --> 0:48:44.680
<v Speaker 4>have fucked that moment up, you know what I mean.

0:48:44.760 --> 0:48:47.040
<v Speaker 4>But I was so so much a fan. I was

0:48:47.080 --> 0:48:47.920
<v Speaker 4>a who's engineer?

0:48:48.760 --> 0:48:49.359
<v Speaker 1>Plug me up.

0:48:49.560 --> 0:48:50.239
<v Speaker 2>I tracked the.

0:48:50.160 --> 0:48:52.520
<v Speaker 4>Beat and g rap went first because he finished his

0:48:52.600 --> 0:48:55.279
<v Speaker 4>rhyme first. And he went in there and laid that ship,

0:48:55.640 --> 0:48:59.800
<v Speaker 4>and everybody in the room was just like, what the hell?

0:48:59.840 --> 0:49:02.480
<v Speaker 4>I remember? You know, P took they both P and

0:49:02.520 --> 0:49:05.879
<v Speaker 4>half took your time and wrote half mother wrote four

0:49:05.960 --> 0:49:08.800
<v Speaker 4>rhymes for that before he laid his verse, you know

0:49:08.840 --> 0:49:09.200
<v Speaker 4>what I mean.

0:49:09.200 --> 0:49:11.120
<v Speaker 2>And at the time, I was kind of insecure because

0:49:11.120 --> 0:49:11.680
<v Speaker 2>it was a loop.

0:49:12.520 --> 0:49:14.840
<v Speaker 4>You know, it's really just a it's a one shot,

0:49:15.640 --> 0:49:18.480
<v Speaker 4>you know. And I had all these like fancy beats

0:49:18.480 --> 0:49:20.120
<v Speaker 4>at the time, and they wanted a rhyme on that,

0:49:20.600 --> 0:49:22.640
<v Speaker 4>and I was kind of insecured because I was like, damn,

0:49:22.680 --> 0:49:26.640
<v Speaker 4>you don't want these to showcase yourself understanding the time.

0:49:26.719 --> 0:49:27.680
<v Speaker 2>Yet now I get it.

0:49:27.719 --> 0:49:29.440
<v Speaker 4>You got to get out of the way sometimes. You know,

0:49:29.520 --> 0:49:31.600
<v Speaker 4>if I can do any style, but if if the

0:49:31.600 --> 0:49:34.680
<v Speaker 4>beat is already there, get out of the way. You

0:49:34.760 --> 0:49:36.080
<v Speaker 4>know what I'm saying. And that was just one of

0:49:36.120 --> 0:49:37.400
<v Speaker 4>those moments. But g rap Man, g.

0:49:37.560 --> 0:49:39.560
<v Speaker 7>Rap was was that the record that opened you up

0:49:39.560 --> 0:49:41.200
<v Speaker 7>to that whole side.

0:49:41.400 --> 0:49:43.799
<v Speaker 4>That I mean, that's when started the connection with Mob Deep.

0:49:43.840 --> 0:49:45.040
<v Speaker 4>It was that ug music.

0:49:45.360 --> 0:49:46.960
<v Speaker 2>It just felt like from then on and just spread

0:49:47.160 --> 0:49:49.120
<v Speaker 2>because from New York.

0:49:49.160 --> 0:49:55.200
<v Speaker 4>I mean on a timeline with Mob Deep and like

0:49:55.200 --> 0:49:57.120
<v Speaker 4>like like BC and a D like.

0:49:57.200 --> 0:49:58.640
<v Speaker 3>You said you was Puerto Rican.

0:49:58.400 --> 0:50:02.760
<v Speaker 2>For Bod, I had the thin.

0:50:04.200 --> 0:50:05.640
<v Speaker 3>He wasn't saying it, but you know.

0:50:08.400 --> 0:50:10.600
<v Speaker 2>I showed her an old picture that had the thin mustache.

0:50:10.640 --> 0:50:11.560
<v Speaker 1>You know that.

0:50:11.840 --> 0:50:13.520
<v Speaker 2>You know when we were that's when we was rocking,

0:50:13.760 --> 0:50:15.160
<v Speaker 2>you know.

0:50:15.880 --> 0:50:17.680
<v Speaker 4>But you know, my whole ship you could put on

0:50:17.680 --> 0:50:19.040
<v Speaker 4>the timeline once I linked.

0:50:18.800 --> 0:50:20.439
<v Speaker 2>It with Mob Deep. I mean, that's how I linked

0:50:20.480 --> 0:50:21.160
<v Speaker 2>with CNN.

0:50:21.680 --> 0:50:24.320
<v Speaker 4>I remember walking into Halves Crib when he used to

0:50:24.320 --> 0:50:26.520
<v Speaker 4>live in Freeport, walk down into the basement. One day

0:50:26.920 --> 0:50:29.400
<v Speaker 4>he said, come over, we're making beats and ship. All

0:50:29.400 --> 0:50:31.799
<v Speaker 4>of a sudden Naves walked in. That's the first day

0:50:31.800 --> 0:50:34.640
<v Speaker 4>I met Naves at Halves Crib, you know, and I

0:50:34.680 --> 0:50:35.560
<v Speaker 4>was making the beat for.

0:50:37.040 --> 0:50:37.480
<v Speaker 2>TikTok.

0:50:39.480 --> 0:50:41.560
<v Speaker 4>I was making the beat in the Halves basement and

0:50:42.120 --> 0:50:44.960
<v Speaker 4>Nas walked down and was like, yo, I came to this.

0:50:45.719 --> 0:50:47.920
<v Speaker 4>He thought like he didn't know me and nothing. He

0:50:48.080 --> 0:50:50.920
<v Speaker 4>just That's when we made that song and it was like,

0:50:50.920 --> 0:50:53.520
<v Speaker 4>like I said, everything happened. I owe so much to

0:50:53.600 --> 0:50:57.399
<v Speaker 4>Mob Deep, Like my whole we wouldn't. Yeah, shout out

0:50:57.440 --> 0:51:01.520
<v Speaker 4>to Mob Deep, rest some peace, my brother Pan come.

0:51:01.440 --> 0:51:04.560
<v Speaker 7>On between Solar Assassins and Mob Deep and that whole site,

0:51:04.600 --> 0:51:06.759
<v Speaker 7>like it's crazy, Yeah, shout out no.

0:51:06.960 --> 0:51:09.480
<v Speaker 1>But when people found out like you was from LA, people.

0:51:09.239 --> 0:51:10.360
<v Speaker 2>Was like, get the fuck out of it.

0:51:10.520 --> 0:51:12.319
<v Speaker 4>Even Snoop when I first worked with him, he didn't

0:51:12.320 --> 0:51:15.200
<v Speaker 4>know until later because I did, you know, I moved

0:51:15.200 --> 0:51:18.080
<v Speaker 4>to New to New York in like ninety five and

0:51:18.120 --> 0:51:20.760
<v Speaker 4>I was going to NYU and I just immersed myself

0:51:20.760 --> 0:51:25.120
<v Speaker 4>and you know, mugs. He basically connected me with Mob Deep,

0:51:25.360 --> 0:51:27.240
<v Speaker 4>right because he was recipes the recipe.

0:51:27.280 --> 0:51:28.920
<v Speaker 2>He's bigger Bee. Let's just shout out Bigger Bee.

0:51:29.000 --> 0:51:31.319
<v Speaker 4>One time, he was an important person on the West

0:51:31.360 --> 0:51:34.719
<v Speaker 4>Coast who worked with Loud Records and Muggs was working

0:51:34.760 --> 0:51:37.080
<v Speaker 4>on Solo Assassin's first album and.

0:51:38.560 --> 0:51:40.600
<v Speaker 2>He connected Bigger Be connected.

0:51:40.200 --> 0:51:43.239
<v Speaker 4>Mob Deep with Mugs and then I was moving to

0:51:43.280 --> 0:51:44.680
<v Speaker 4>New York to go to school. At the time, I

0:51:44.719 --> 0:51:46.600
<v Speaker 4>was working underneath Mugs and he was like, Yo, you

0:51:46.600 --> 0:51:48.960
<v Speaker 4>need to link up with Mob Deep's young homies. You're

0:51:49.000 --> 0:51:49.680
<v Speaker 4>my young homie.

0:51:49.719 --> 0:51:51.319
<v Speaker 2>They got these guys and from a small.

0:51:51.960 --> 0:51:56.279
<v Speaker 4>God Twain and so I linked with them first and

0:51:56.320 --> 0:52:00.279
<v Speaker 4>we did Doug music and then he heard it was like,

0:52:00.320 --> 0:52:01.480
<v Speaker 4>I want to put a verse on it.

0:52:01.960 --> 0:52:04.239
<v Speaker 2>And that's how it, like the whole connection started and

0:52:04.280 --> 0:52:04.560
<v Speaker 2>all that.

0:52:06.160 --> 0:52:09.680
<v Speaker 1>What do you consider your style East Coast style or

0:52:10.160 --> 0:52:12.280
<v Speaker 1>pretty much it's a blend.

0:52:13.000 --> 0:52:14.600
<v Speaker 2>I think I got a little of everything, you know.

0:52:14.640 --> 0:52:17.320
<v Speaker 4>And at this point, I'm I'm on the West and

0:52:17.560 --> 0:52:19.760
<v Speaker 4>I've been there for so long now that I feel

0:52:19.800 --> 0:52:23.120
<v Speaker 4>like but moving to New York was so pivotal and

0:52:23.200 --> 0:52:25.840
<v Speaker 4>important for me, Like I feel like just all the

0:52:25.840 --> 0:52:28.319
<v Speaker 4>people like that era that we caught, we were in

0:52:28.360 --> 0:52:32.000
<v Speaker 4>the tunnel together, Like I caught the New York era

0:52:32.760 --> 0:52:36.320
<v Speaker 4>when it was when when when Nori was hitting records

0:52:36.360 --> 0:52:39.720
<v Speaker 4>market hit records, the biggest Ship, and I feel blessed

0:52:39.719 --> 0:52:43.160
<v Speaker 4>because I just caught the time and I was able

0:52:43.160 --> 0:52:46.200
<v Speaker 4>to link with the right people and showcase my That's

0:52:46.239 --> 0:52:49.040
<v Speaker 4>how me and nor hooked linked up and we ended

0:52:49.120 --> 0:52:51.920
<v Speaker 4>up making Ship some of my biggest records, you know

0:52:51.960 --> 0:52:53.960
<v Speaker 4>what I mean to this day. So I'm just thankful

0:52:54.000 --> 0:52:55.560
<v Speaker 4>to be in the right right place, right time, you

0:52:55.600 --> 0:52:57.600
<v Speaker 4>know what I mean, and just doing the work.

0:52:58.040 --> 0:53:02.839
<v Speaker 2>Legendary man. Yeah, Pete rock or large pro.

0:53:03.520 --> 0:53:12.960
<v Speaker 3>Ah need some more? Okay both.

0:53:12.960 --> 0:53:17.040
<v Speaker 4>I ain't picking between those two man, two greats, Sol

0:53:17.480 --> 0:53:19.000
<v Speaker 4>Sol shout to both.

0:53:21.760 --> 0:53:24.879
<v Speaker 2>All right, comment or y'all seen?

0:53:24.960 --> 0:53:25.120
<v Speaker 4>Ben?

0:53:26.880 --> 0:53:33.400
<v Speaker 3>Mm hmmm, I just had a shot. You would have

0:53:33.480 --> 0:53:35.120
<v Speaker 3>to choose for.

0:53:35.120 --> 0:53:37.000
<v Speaker 7>As quiet as you are, you're very loud right now,

0:53:37.480 --> 0:53:37.759
<v Speaker 7>am I?

0:53:39.120 --> 0:53:40.120
<v Speaker 3>What do you think I'm saying?

0:53:40.200 --> 0:53:43.080
<v Speaker 2>I don't know, but you're contemplating.

0:53:49.680 --> 0:53:50.080
<v Speaker 3>Shoot that.

0:53:54.239 --> 0:53:58.520
<v Speaker 4>I mean both grades, But for me, I'll go with

0:53:58.640 --> 0:54:01.800
<v Speaker 4>y'all seen. I'm gonna pick I've seen Okay, Yeah, I mean.

0:54:04.880 --> 0:54:14.200
<v Speaker 3>I'm gonna say, babe, because the versatility, uh creativity, h

0:54:16.000 --> 0:54:23.160
<v Speaker 3>viability Kayden's voice tone, I would have to say, yeah,

0:54:23.200 --> 0:54:25.080
<v Speaker 3>see see he's.

0:54:24.920 --> 0:54:28.480
<v Speaker 4>The most natural. He's so like he just had a

0:54:28.560 --> 0:54:31.000
<v Speaker 4>rhyme and just effortlessly like it was a conversation.

0:54:31.520 --> 0:54:35.320
<v Speaker 3>Saw him in a commercial with Dion Sanders or somebody

0:54:35.360 --> 0:54:39.120
<v Speaker 3>like m early on an actor before evening.

0:54:39.600 --> 0:54:43.400
<v Speaker 2>Yeah, yeah, we have known to us as so it

0:54:43.480 --> 0:54:43.879
<v Speaker 2>was very.

0:54:43.800 --> 0:54:48.120
<v Speaker 3>Impressive because usually that doesn't really work out. You got anomalies,

0:54:48.239 --> 0:54:51.680
<v Speaker 3>she got Drake, you got Jamie Fox and y'are seen.

0:54:51.880 --> 0:54:54.520
<v Speaker 3>Other than that, it didn't really Does.

0:54:54.440 --> 0:54:55.880
<v Speaker 1>He get mad if like you slip up and call

0:54:56.000 --> 0:54:56.400
<v Speaker 1>him most?

0:54:57.400 --> 0:54:57.760
<v Speaker 2>Uh?

0:54:59.200 --> 0:55:02.560
<v Speaker 5>No, I don't think. I don't slip up. Did I

0:55:02.640 --> 0:55:03.080
<v Speaker 5>just do it?

0:55:03.200 --> 0:55:03.239
<v Speaker 4>No?

0:55:03.280 --> 0:55:04.200
<v Speaker 2>No, no, no go.

0:55:05.280 --> 0:55:09.879
<v Speaker 1>Yeah, because sometimes I see him, I think, man, okay, I.

0:55:09.800 --> 0:55:12.520
<v Speaker 5>Think what he prefers is our scene.

0:55:12.520 --> 0:55:14.600
<v Speaker 2>But if you slip up and called on Most, he

0:55:14.640 --> 0:55:17.640
<v Speaker 2>ain't gonna bug out. Did we slip up when we

0:55:17.680 --> 0:55:17.960
<v Speaker 2>had him?

0:55:18.040 --> 0:55:21.479
<v Speaker 1>Definitely? Like four times.

0:55:22.719 --> 0:55:24.600
<v Speaker 2>I don't think he was great.

0:55:24.640 --> 0:55:25.120
<v Speaker 1>He was great.

0:55:25.680 --> 0:55:29.239
<v Speaker 3>It's both but you know, and he respects that because

0:55:29.280 --> 0:55:30.839
<v Speaker 3>that's why he made it smart for us.

0:55:31.280 --> 0:55:35.160
<v Speaker 4>So, yeah, we we have we have a crazy record.

0:55:35.800 --> 0:55:38.920
<v Speaker 4>I'm excited to put out this record as well. Forensics. Yeah,

0:55:38.960 --> 0:55:41.320
<v Speaker 4>with me and me and y'all scene, it's like nine records.

0:55:41.600 --> 0:55:42.080
<v Speaker 4>He's done.

0:55:43.719 --> 0:55:58.880
<v Speaker 12>Yeah, I'm excited. Shout to Sea or Queen Latifah.

0:55:56.760 --> 0:56:01.279
<v Speaker 3>Both need some more juice h.

0:56:03.760 --> 0:56:03.800
<v Speaker 2>Q.

0:56:04.840 --> 0:56:05.600
<v Speaker 3>Thank you.

0:56:07.920 --> 0:56:08.200
<v Speaker 6>Both.

0:56:08.360 --> 0:56:10.600
<v Speaker 3>I know them both very well.

0:56:11.400 --> 0:56:14.440
<v Speaker 2>Alchemist too, you got a shot.

0:56:14.280 --> 0:56:16.440
<v Speaker 3>Queen latif for Jill Scott and I went out on

0:56:16.480 --> 0:56:23.360
<v Speaker 3>a tour called Sugar Water Tour early two thousands. It

0:56:23.440 --> 0:56:28.280
<v Speaker 3>was all Queen Latifa's relationships, all of her sponsorships and things.

0:56:28.280 --> 0:56:31.600
<v Speaker 3>She was doing a lot of stuff covered girl tam facts.

0:56:31.640 --> 0:56:34.880
<v Speaker 3>She's had a lot of broad relationships that were solid,

0:56:35.200 --> 0:56:38.360
<v Speaker 3>and she brought all the sponsorship for four and invited

0:56:38.640 --> 0:56:44.279
<v Speaker 3>Jill and I to be her coat. Yeah, it was

0:56:44.320 --> 0:56:49.240
<v Speaker 3>a tour and we had a lot of great start

0:56:49.280 --> 0:56:54.640
<v Speaker 3>out neo soul groups open for us, had Floor Tree

0:56:54.920 --> 0:56:59.880
<v Speaker 3>open for us, uh Music, Soul Child you know, you

0:56:59.880 --> 0:57:01.839
<v Speaker 3>know a lot of different artists like that.

0:57:01.920 --> 0:57:03.440
<v Speaker 5>But I love Latifa.

0:57:03.560 --> 0:57:04.520
<v Speaker 2>She's a powerhouse.

0:57:04.960 --> 0:57:07.359
<v Speaker 3>She got in my ass though when I was late

0:57:07.400 --> 0:57:09.360
<v Speaker 3>to the studio, Oh my bad.

0:57:09.360 --> 0:57:10.200
<v Speaker 5>With no hesitation.

0:57:11.200 --> 0:57:14.319
<v Speaker 3>No she did. She said, Hey, I've been waiting here

0:57:14.400 --> 0:57:16.000
<v Speaker 3>for two hours. You told me you were coming at

0:57:16.000 --> 0:57:18.280
<v Speaker 3>a certain time and you didn't come. I mean, I

0:57:18.280 --> 0:57:20.320
<v Speaker 3>don't have time to wait like that. That's not cool.

0:57:20.360 --> 0:57:22.280
<v Speaker 3>You're going to You're going to fix that before we

0:57:22.360 --> 0:57:27.200
<v Speaker 3>do anything together. I was like, okay, yes, queen, Yes,

0:57:27.640 --> 0:57:28.200
<v Speaker 3>she's right.

0:57:28.920 --> 0:57:31.600
<v Speaker 1>So like I'm gonna be honest, I must to work

0:57:32.080 --> 0:57:34.760
<v Speaker 1>because you had the first guest in Drink Champs history

0:57:35.040 --> 0:57:35.720
<v Speaker 1>that came.

0:57:35.600 --> 0:57:44.560
<v Speaker 2>An hour early. Yeah, I was.

0:57:44.680 --> 0:57:46.840
<v Speaker 1>I told you. I was bugging like we're all on

0:57:46.920 --> 0:57:48.760
<v Speaker 1>group chat and they're like, they're here. I don't like,

0:57:48.920 --> 0:57:53.600
<v Speaker 1>wait a minute, somebody come twenty minutes early. They might

0:57:53.720 --> 0:57:57.280
<v Speaker 1>come a half hour early, but it's usually ten minutes early.

0:57:57.680 --> 0:57:59.160
<v Speaker 2>No one came an hour early.

0:57:59.400 --> 0:58:00.520
<v Speaker 1>We was on a hire, like.

0:58:02.840 --> 0:58:03.480
<v Speaker 2>I was here.

0:58:04.720 --> 0:58:06.200
<v Speaker 3>You know, we don't play that late.

0:58:06.400 --> 0:58:10.080
<v Speaker 4>Yeah, Drink Champs man crazy.

0:58:10.280 --> 0:58:12.680
<v Speaker 1>We appreciate it early, but that's super early though.

0:58:12.680 --> 0:58:13.600
<v Speaker 2>I ain't gonna even lie that.

0:58:13.760 --> 0:58:16.400
<v Speaker 1>I was like I was, and so we're always just

0:58:16.400 --> 0:58:19.360
<v Speaker 1>so we know, yeah early, but yeah was another hour earlier. Yeah,

0:58:19.680 --> 0:58:23.080
<v Speaker 1>so just so you know, we we we we we

0:58:23.280 --> 0:58:27.920
<v Speaker 1>judged the guests by uh, what they drink, So we

0:58:27.960 --> 0:58:30.920
<v Speaker 1>say we're gonna know about what how this this this

0:58:31.040 --> 0:58:33.960
<v Speaker 1>interview is gonna go and then we always make best

0:58:34.640 --> 0:58:37.680
<v Speaker 1>on who's.

0:58:36.560 --> 0:58:38.120
<v Speaker 2>Going it's gonna come late.

0:58:38.960 --> 0:58:41.200
<v Speaker 1>Happened one manist he's coming late.

0:58:41.560 --> 0:58:42.240
<v Speaker 2>I said, one.

0:58:42.200 --> 0:58:44.080
<v Speaker 1>Maybe I want I want that, but I said, I

0:58:44.120 --> 0:58:46.440
<v Speaker 1>know having too long, bro like he's coming.

0:58:46.280 --> 0:58:48.480
<v Speaker 2>Annoyed, didn't make it. Annoyed didn't.

0:58:50.800 --> 0:58:51.160
<v Speaker 3>Know, but.

0:58:52.920 --> 0:58:56.400
<v Speaker 1>I didn't know how it was going bet on this one.

0:58:57.160 --> 0:59:01.040
<v Speaker 1>So we usually get here to make the best. Yeah,

0:59:01.040 --> 0:59:01.840
<v Speaker 1>I was here.

0:59:01.720 --> 0:59:04.840
<v Speaker 4>Before, So who lost the bat?

0:59:04.880 --> 0:59:07.680
<v Speaker 1>We get to make the bat because it's usually I'm here.

0:59:07.800 --> 0:59:12.160
<v Speaker 2>Our we do it, how we do it.

0:59:12.240 --> 0:59:15.360
<v Speaker 1>Yes, you guys got here and our tech messages blew

0:59:15.440 --> 0:59:17.680
<v Speaker 1>up boom boom boom, and I want to I want

0:59:17.680 --> 0:59:18.560
<v Speaker 1>to brag about this.

0:59:18.960 --> 0:59:21.960
<v Speaker 3>You want to black strong woman get together comes?

0:59:22.280 --> 0:59:30.200
<v Speaker 1>Yeah, you like to do sour pepper, you know, just.

0:59:30.080 --> 0:59:38.520
<v Speaker 2>Do it black thought or Andre three thousand.

0:59:40.960 --> 0:59:48.479
<v Speaker 3>Now you're messing with my child support. I actually thought,

0:59:48.560 --> 0:59:49.960
<v Speaker 3>y'all gup hit two of.

0:59:49.920 --> 0:59:53.160
<v Speaker 2>The babies, listen out the conversation, and I walked the West.

0:59:53.200 --> 0:59:54.120
<v Speaker 2>I want no parts in this.

0:59:55.400 --> 0:59:56.320
<v Speaker 5>That would have been better.

0:59:57.640 --> 1:00:05.680
<v Speaker 1>I love that it makes The question is do anything.

1:00:08.360 --> 1:00:08.760
<v Speaker 3>Mm hmm?

1:00:10.640 --> 1:00:12.400
<v Speaker 5>Well letot you know I got love.

1:00:16.000 --> 1:00:16.400
<v Speaker 4>Mm hmm.

1:00:17.560 --> 1:00:20.760
<v Speaker 3>But I think I may be one of Andre three

1:00:20.800 --> 1:00:26.920
<v Speaker 3>thousand's biggest fans outside of being family super inspiring. Now

1:00:26.960 --> 1:00:34.520
<v Speaker 3>if we're talking about rhyme, that's gonna even be hard too.

1:00:35.760 --> 1:00:43.440
<v Speaker 3>But y'all going to hell.

1:00:44.760 --> 1:00:46.320
<v Speaker 2>Yeah, you guys are going to hell.

1:00:49.480 --> 1:00:58.600
<v Speaker 3>Save it's of course I'm gonna have to say. Well,

1:00:58.640 --> 1:01:03.200
<v Speaker 3>I'm saying andre uh I follow him a little bit

1:01:03.240 --> 1:01:04.080
<v Speaker 3>tighter than I do.

1:01:05.040 --> 1:01:05.560
<v Speaker 4>Uh h.

1:01:08.000 --> 1:01:08.400
<v Speaker 7>H h.

1:01:10.120 --> 1:01:16.040
<v Speaker 3>I lean more to the creative h h side of art,

1:01:16.280 --> 1:01:21.440
<v Speaker 3>and I am inspired so much by that. Someone has

1:01:21.480 --> 1:01:22.520
<v Speaker 3>to say three thousand.

1:01:23.760 --> 1:01:28.880
<v Speaker 2>I like how he calls everybody by their real name though, Like, I.

1:01:28.800 --> 1:01:37.040
<v Speaker 13>Mean, she has what I'm gonna go both both, Yeah,

1:01:37.040 --> 1:01:39.240
<v Speaker 13>I'm both let me wish my glass.

1:01:39.960 --> 1:01:40.600
<v Speaker 5>We're going to do that.

1:01:40.640 --> 1:01:45.760
<v Speaker 2>I can't do that. What do you think black thought is?

1:01:45.840 --> 1:01:47.080
<v Speaker 3>You think a lot of people are going to see

1:01:47.080 --> 1:01:48.680
<v Speaker 3>this nobody?

1:01:50.160 --> 1:01:52.040
<v Speaker 1>But do you think black thought is a trillion sounds

1:01:52.080 --> 1:01:52.760
<v Speaker 1>better than jay Z?

1:01:53.560 --> 1:01:54.360
<v Speaker 4>Like, who's saying that?

1:01:54.480 --> 1:01:54.640
<v Speaker 1>Well?

1:01:54.680 --> 1:01:56.919
<v Speaker 2>I am where was my guy?

1:01:57.040 --> 1:01:57.280
<v Speaker 3>Man?

1:01:59.280 --> 1:02:01.040
<v Speaker 2>Too much? I think I understand what he was saying.

1:02:01.120 --> 1:02:01.640
<v Speaker 1>They tried to.

1:02:01.680 --> 1:02:04.120
<v Speaker 2>Run with dad. Yeah, come on now, man, I think

1:02:04.160 --> 1:02:06.040
<v Speaker 2>I know what he was trying to say. The Trillian

1:02:06.120 --> 1:02:08.680
<v Speaker 2>thing is the thing is crazy.

1:02:08.720 --> 1:02:12.160
<v Speaker 4>If he prefers black jay Z, I understand that could

1:02:12.200 --> 1:02:12.840
<v Speaker 4>never take.

1:02:14.760 --> 1:02:16.760
<v Speaker 2>Yeah, come on are we talking about here?

1:02:16.760 --> 1:02:16.920
<v Speaker 13>Man?

1:02:17.000 --> 1:02:20.120
<v Speaker 4>That's come on now. That's black thought is a peace.

1:02:20.240 --> 1:02:24.360
<v Speaker 4>Black thought is insane. He's perfect but we're not.

1:02:24.280 --> 1:02:28.320
<v Speaker 3>About black thought the other day doing the freestyle show.

1:02:28.120 --> 1:02:32.080
<v Speaker 4>What it was it wasn't not the flex when Yeah,

1:02:32.560 --> 1:02:33.960
<v Speaker 4>it's like I have to FaceTime.

1:02:35.640 --> 1:02:37.480
<v Speaker 2>That's the old one, that not not not a new one.

1:02:37.520 --> 1:02:41.680
<v Speaker 3>Right, but still that's still goes around maybe within the year.

1:02:42.360 --> 1:02:44.800
<v Speaker 2>Really I didn't see the one within the year.

1:02:45.160 --> 1:02:46.680
<v Speaker 3>Okay three years.

1:02:46.480 --> 1:02:48.240
<v Speaker 1>Ago, yeah, a couple of years old.

1:02:48.400 --> 1:02:51.920
<v Speaker 3>He didn't take a breath. Oh yeah, it went about

1:02:52.640 --> 1:02:53.320
<v Speaker 3>six minutes.

1:02:53.880 --> 1:02:58.000
<v Speaker 2>Yeah, yeah, it was crazy. Yeah, it's sanity. Yeah that

1:02:58.120 --> 1:03:00.560
<v Speaker 2>was pretty Yeah, Black Daughters, it's hard.

1:03:00.600 --> 1:03:03.000
<v Speaker 3>I just I just started out as an MC, so

1:03:03.200 --> 1:03:04.920
<v Speaker 3>I mean I have That's what I wanted to ask you.

1:03:05.280 --> 1:03:08.800
<v Speaker 3>I love that I write all my babies daddy's raps.

1:03:16.360 --> 1:03:17.080
<v Speaker 3>Why y'all left?

1:03:18.800 --> 1:03:19.439
<v Speaker 4>What was the rap?

1:03:20.200 --> 1:03:23.280
<v Speaker 5>My rap name Apples Apples?

1:03:23.520 --> 1:03:24.800
<v Speaker 2>Yeah, I'm not sing Apples.

1:03:24.800 --> 1:03:26.919
<v Speaker 5>I am the big Apple, but I'm not from New York.

1:03:27.360 --> 1:03:30.040
<v Speaker 2>I thought it was knife Betty.

1:03:30.600 --> 1:03:35.760
<v Speaker 3>What oh but nine No, that's just another areas.

1:03:36.040 --> 1:03:39.080
<v Speaker 11>Okay, yeah, but you weren't MC for real though, Yeah,

1:03:39.200 --> 1:03:41.880
<v Speaker 11>carry out thinking, I know I.

1:03:41.720 --> 1:03:43.800
<v Speaker 3>Was a singer until I wrote Apple Tree.

1:03:44.840 --> 1:03:45.520
<v Speaker 4>That's crazy.

1:03:45.760 --> 1:03:47.360
<v Speaker 2>Yeah, you didn't know.

1:03:47.520 --> 1:03:49.640
<v Speaker 3>I didn't know that I was that you had it

1:03:49.640 --> 1:03:52.400
<v Speaker 3>in you. That's crazy singing thing. You know. I was

1:03:52.400 --> 1:03:56.680
<v Speaker 3>a writer, you know, I like writing literature. Yeah, I

1:03:56.720 --> 1:04:00.960
<v Speaker 3>used to write raps, but poetry that saw so much.

1:04:02.400 --> 1:04:05.120
<v Speaker 2>Hm hmm. It's crazy number on it.

1:04:05.200 --> 1:04:10.360
<v Speaker 4>Yeah, Like so would you ever do an all wrap album?

1:04:10.560 --> 1:04:12.320
<v Speaker 3>But you know, if you am, you got to keep

1:04:12.400 --> 1:04:15.280
<v Speaker 3>up with the weather. You gotta. It's a currency. It's

1:04:15.320 --> 1:04:21.520
<v Speaker 3>a feeling, right, a current, Yeah, feeling.

1:04:22.040 --> 1:04:23.400
<v Speaker 4>Some bars on the album.

1:04:24.880 --> 1:04:26.520
<v Speaker 2>Might be there, may or may not be some bars

1:04:26.560 --> 1:04:30.640
<v Speaker 2>on the album. You had to tune in. Okay, Okay,

1:04:31.560 --> 1:04:33.040
<v Speaker 2>we're gonna we're gonna hear something. We don't have to

1:04:33.040 --> 1:04:33.280
<v Speaker 2>put it.

1:04:33.320 --> 1:04:39.080
<v Speaker 5>Maybe we should let him hear the whole album after this.

1:04:40.640 --> 1:04:43.040
<v Speaker 2>Yeah, we have all the time for that.

1:04:43.600 --> 1:04:47.920
<v Speaker 7>Okay, Prodigy are biggie.

1:04:48.720 --> 1:04:53.360
<v Speaker 1>Mm hmm, rest in peace, We'll get my shot ready,

1:04:53.600 --> 1:04:54.680
<v Speaker 1>rest and beats.

1:05:01.000 --> 1:05:05.080
<v Speaker 2>I mean, impossible to pick. It's not impossible to pick.

1:05:07.240 --> 1:05:10.000
<v Speaker 1>You just want to. Let's just if you just want to.

1:05:10.240 --> 1:05:23.360
<v Speaker 2>Let's say game is bullshit a meal?

1:05:25.600 --> 1:05:28.720
<v Speaker 7>Now, that's when the Mamajuna hits lintenders.

1:05:29.280 --> 1:05:30.640
<v Speaker 2>I know, I was like, it wasn't even nothing in

1:05:30.760 --> 1:05:36.880
<v Speaker 2>that fucking thing. Will we uh, okay, take down questions

1:05:37.000 --> 1:05:38.160
<v Speaker 2>you might as well bring a couple more.

1:05:39.440 --> 1:05:44.160
<v Speaker 3>Yeah, she knows, she knows bulls questions.

1:05:44.240 --> 1:05:49.160
<v Speaker 7>So the next bullsh questions is j electronic or jay.

1:05:49.080 --> 1:05:55.480
<v Speaker 4>Z having fun doing this?

1:05:59.200 --> 1:06:01.400
<v Speaker 3>Don't let y'all know in there looking make me sleepy,

1:06:04.040 --> 1:06:04.439
<v Speaker 3>to keep.

1:06:04.360 --> 1:06:05.440
<v Speaker 2>You up upward.

1:06:06.840 --> 1:06:07.280
<v Speaker 1>The words of.

1:06:09.120 --> 1:06:14.080
<v Speaker 3>Believe it. Yeah, yeah, I'm not, as I told you

1:06:14.120 --> 1:06:17.040
<v Speaker 3>that message. With my child support, I can't anything like that.

1:06:19.440 --> 1:06:20.080
<v Speaker 3>So you out.

1:06:20.520 --> 1:06:22.880
<v Speaker 1>Okay, Yeah, that's that's that was great. You can pass

1:06:22.920 --> 1:06:24.360
<v Speaker 1>it about that. That's a new road.

1:06:26.240 --> 1:06:26.840
<v Speaker 2>Matters.

1:06:27.120 --> 1:06:31.840
<v Speaker 4>Yeah, because I ain't thinking that I might.

1:06:31.760 --> 1:06:33.400
<v Speaker 3>Get mad, but my money don't get mad.

1:06:34.520 --> 1:06:35.640
<v Speaker 1>That's a new rule.

1:06:36.440 --> 1:06:42.640
<v Speaker 2>You just passed the cello. Oh mm hmm. All right,

1:06:43.120 --> 1:06:46.680
<v Speaker 2>imagine some new jay Z ship right now. Imagine some

1:06:46.760 --> 1:06:51.840
<v Speaker 2>new jay Z just saying said wringing on something. He

1:06:51.920 --> 1:06:55.160
<v Speaker 2>spilled the beans. Yeah, you're working on it. He could

1:06:55.960 --> 1:07:00.520
<v Speaker 2>have a line. We're going he's working. Then we're gonna

1:07:00.520 --> 1:07:04.400
<v Speaker 2>throw that energy on them. We're gonna sayd in the studio. No,

1:07:04.600 --> 1:07:06.040
<v Speaker 2>it happens, it happened already.

1:07:06.080 --> 1:07:09.439
<v Speaker 1>Okay, So you suld picked, you picked drink we drink

1:07:09.440 --> 1:07:11.360
<v Speaker 1>a ready, Okay, you got to do.

1:07:14.880 --> 1:07:16.440
<v Speaker 2>Jill Scott or a Lisia.

1:07:16.240 --> 1:07:24.320
<v Speaker 3>Keys Jill Scott or Alicia Keys. This is the kind

1:07:24.360 --> 1:07:29.960
<v Speaker 3>of show that like Tears of friendships, that's not about

1:07:30.200 --> 1:07:30.800
<v Speaker 3>you can.

1:07:32.480 --> 1:07:32.760
<v Speaker 1>Drunk.

1:07:33.000 --> 1:07:34.840
<v Speaker 2>It depends on I guess your honesty level.

1:07:34.840 --> 1:07:36.880
<v Speaker 1>And you can say a beautiful story about both.

1:07:37.080 --> 1:07:38.440
<v Speaker 2>We would love to hear stories.

1:07:38.640 --> 1:07:40.200
<v Speaker 3>Can I just tell stories about both?

1:07:40.720 --> 1:07:43.960
<v Speaker 1>You gotta pick one one or both. Give you.

1:07:45.560 --> 1:07:45.880
<v Speaker 2>Have a shot.

1:07:45.920 --> 1:07:49.480
<v Speaker 3>I don't like to pick you sissss. So we just

1:07:49.520 --> 1:07:51.400
<v Speaker 3>take the shot and then we tell a story. Okay,

1:07:51.640 --> 1:07:54.960
<v Speaker 3>let's do it shot first, then story. Yes, can we

1:07:55.000 --> 1:07:56.560
<v Speaker 3>do story first? This show.

1:07:58.160 --> 1:07:59.920
<v Speaker 2>You've got a story verson and show you can leave

1:08:00.480 --> 1:08:01.760
<v Speaker 2>all Well.

1:08:02.400 --> 1:08:05.920
<v Speaker 3>My story with Alicia Keys I was it was nineteen

1:08:06.000 --> 1:08:09.760
<v Speaker 3>ninety seven or eight and Bodyism was going to come out,

1:08:09.920 --> 1:08:12.320
<v Speaker 3>and I lived in Brooklyn. I had an apartment in Brooklyn,

1:08:13.160 --> 1:08:17.120
<v Speaker 3>and a woman called me from Universal I think my label,

1:08:17.479 --> 1:08:20.000
<v Speaker 3>and said I have this young girl, the high school student,

1:08:20.840 --> 1:08:25.559
<v Speaker 3>and she likes you or I think she said she

1:08:25.720 --> 1:08:27.720
<v Speaker 3>I just want you to hear the music, whichever way

1:08:27.760 --> 1:08:30.639
<v Speaker 3>it was, and I heard it and it was Alicia

1:08:30.760 --> 1:08:33.799
<v Speaker 3>Key singing butterflies on acoustic piano.

1:08:34.200 --> 1:08:36.679
<v Speaker 1>Oh wow, before it came out, before it.

1:08:36.720 --> 1:08:41.760
<v Speaker 3>Ever came out, I was like, who is this. It

1:08:41.800 --> 1:08:46.719
<v Speaker 3>was so beautiful and I don't know if I totally

1:08:46.800 --> 1:08:50.200
<v Speaker 3>shad that, but yes I was. I played it for

1:08:50.240 --> 1:08:53.799
<v Speaker 3>all my friends and everything as a way to compare

1:08:53.840 --> 1:08:56.120
<v Speaker 3>myself to you and say, see, this is how we

1:08:56.520 --> 1:08:58.880
<v Speaker 3>do when we have the you know, And I was

1:08:58.920 --> 1:09:02.360
<v Speaker 3>trying to level leveraged myself with you because you were

1:09:02.400 --> 1:09:05.200
<v Speaker 3>so amazing at that point and my music hadn't come

1:09:05.240 --> 1:09:08.000
<v Speaker 3>out yet either. But I'm want to tell you that

1:09:08.479 --> 1:09:12.080
<v Speaker 3>Jillie from Philly, we started off a little rough because

1:09:13.400 --> 1:09:14.560
<v Speaker 3>we were kind of both.

1:09:16.320 --> 1:09:17.280
<v Speaker 5>Played a little bit.

1:09:18.120 --> 1:09:21.880
<v Speaker 3>I sang a song called You Got Me written by

1:09:22.000 --> 1:09:26.639
<v Speaker 3>Jill and I never sung a song written by anybody

1:09:26.680 --> 1:09:30.560
<v Speaker 3>in my life, and it was so amazing that I

1:09:30.600 --> 1:09:32.519
<v Speaker 3>took a chance to do it because the route said

1:09:32.600 --> 1:09:35.240
<v Speaker 3>we want you to sing this song. Well, I didn't

1:09:35.240 --> 1:09:37.920
<v Speaker 3>know it was written by Jill until it was time

1:09:37.960 --> 1:09:41.240
<v Speaker 3>to win a Grammy, and it kind of invertedly knocked

1:09:41.240 --> 1:09:45.840
<v Speaker 3>her out of her opportunity to be this first artist

1:09:45.880 --> 1:09:48.880
<v Speaker 3>with this beautiful music. And I always felt really bad

1:09:48.920 --> 1:09:53.080
<v Speaker 3>about it, and we've talked about it since then.

1:09:53.600 --> 1:09:54.920
<v Speaker 2>How did it knock her out?

1:09:55.120 --> 1:09:58.080
<v Speaker 3>Well, because she didn't come out until two thousand and one.

1:09:58.160 --> 1:10:01.439
<v Speaker 3>I came out in nineteen ninety seven, and I was

1:10:01.479 --> 1:10:07.720
<v Speaker 3>already a recording artist, and she was a writer at

1:10:07.760 --> 1:10:10.960
<v Speaker 3>the time, an aspiring artist whose album would come out soon.

1:10:11.880 --> 1:10:15.000
<v Speaker 3>So when that happened, sometimes I didn't know the writing

1:10:15.080 --> 1:10:15.960
<v Speaker 3>game and all that.

1:10:16.400 --> 1:10:18.800
<v Speaker 5>I just it was a good song. I didn't know

1:10:18.880 --> 1:10:19.720
<v Speaker 5>she did it, but.

1:10:21.280 --> 1:10:25.479
<v Speaker 3>When I when I performed it with the Roots, we

1:10:25.520 --> 1:10:26.600
<v Speaker 3>want a Grammy.

1:10:28.520 --> 1:10:28.840
<v Speaker 2>As well.

1:10:29.000 --> 1:10:31.320
<v Speaker 3>And the night, you know, a couple of nights before

1:10:31.320 --> 1:10:33.679
<v Speaker 3>the Grammys, calm and told me this is the writer

1:10:33.840 --> 1:10:36.960
<v Speaker 3>of it. And you know, I called her, talked to

1:10:36.960 --> 1:10:39.559
<v Speaker 3>her about it, and got up on stage and won

1:10:39.640 --> 1:10:42.680
<v Speaker 3>the Grammy. But I still couldn't help but to feel like,

1:10:42.800 --> 1:10:48.559
<v Speaker 3>oh my, I wish yeah or something, you know. But

1:10:49.960 --> 1:10:51.800
<v Speaker 3>that's my Jill story. Me and Jill are real cool

1:10:51.840 --> 1:10:56.000
<v Speaker 3>now and I love her. She's a great mommy, great friend,

1:10:56.080 --> 1:11:02.360
<v Speaker 3>great listener. Do yeah, I know Alicia as well, but

1:11:02.439 --> 1:11:05.320
<v Speaker 3>we will. You have a lot of chaps alumni. I

1:11:05.360 --> 1:11:07.880
<v Speaker 3>saw her, Yeah, this last one I saw.

1:11:07.960 --> 1:11:08.519
<v Speaker 2>She was amazed.

1:11:09.960 --> 1:11:12.240
<v Speaker 3>She seemed like she wasn't drunk at all. You know,

1:11:12.360 --> 1:11:16.719
<v Speaker 3>she drank drinking the ship down and ship I'm sorry,

1:11:17.720 --> 1:11:19.639
<v Speaker 3>I say both did we drink?

1:11:20.160 --> 1:11:24.920
<v Speaker 2>We say both we didn't drink. We didn't. Yeah, I

1:11:24.960 --> 1:11:25.880
<v Speaker 2>don't know why I'm reminding you.

1:11:25.960 --> 1:11:26.799
<v Speaker 3>This is terrible.

1:11:30.120 --> 1:11:32.240
<v Speaker 2>You want to take a break big time and going

1:11:32.280 --> 1:11:34.840
<v Speaker 2>to the flower Time. No, no, yeah, I've seen it.

1:11:34.880 --> 1:11:35.560
<v Speaker 2>I seen it. I seen that.

1:11:35.760 --> 1:11:41.240
<v Speaker 4>Okay, making sure Dead Press or black Star at the

1:11:41.320 --> 1:11:47.439
<v Speaker 4>DEEPO whoa.

1:11:47.240 --> 1:11:48.240
<v Speaker 2>Very Afro centric.

1:11:48.439 --> 1:11:50.800
<v Speaker 3>Two different kinds of things though, Okay.

1:11:50.800 --> 1:11:59.200
<v Speaker 2>Okay, you can break it down to pass and shout

1:11:59.200 --> 1:12:02.080
<v Speaker 2>out to my Florida that one. In case want to

1:12:02.160 --> 1:12:06.439
<v Speaker 2>drink this one, I'm going to go black Star black Star, Okay.

1:12:06.439 --> 1:12:10.400
<v Speaker 4>And I think they're both just personally, I think I

1:12:10.439 --> 1:12:13.839
<v Speaker 4>think it's just a minor age, but they both represent

1:12:13.960 --> 1:12:17.320
<v Speaker 4>something very important the press, like when they came out

1:12:17.640 --> 1:12:20.240
<v Speaker 4>President that record was we need it right now?

1:12:20.280 --> 1:12:26.400
<v Speaker 3>Really the same kind of energy. Yeah, that's that's uh

1:12:26.960 --> 1:12:29.920
<v Speaker 3>down south. Yeah, I was in the East Coast.

1:12:30.040 --> 1:12:31.560
<v Speaker 5>Yes, yes, things.

1:12:31.479 --> 1:12:34.439
<v Speaker 4>They were early on their ship. Yeah, you know, I

1:12:34.439 --> 1:12:36.200
<v Speaker 4>think Kanye did that beat. A lot of people don't

1:12:36.240 --> 1:12:38.240
<v Speaker 4>know that which one it's bigger than.

1:12:39.600 --> 1:12:40.439
<v Speaker 2>Are you serious?

1:12:41.439 --> 1:12:41.960
<v Speaker 14>They did not.

1:12:44.640 --> 1:12:45.240
<v Speaker 2>I don't believe that.

1:12:48.280 --> 1:12:48.479
<v Speaker 10>Ship.

1:12:49.280 --> 1:12:52.000
<v Speaker 15>You know, you would know, you would know. Yeah, I

1:12:52.000 --> 1:12:54.120
<v Speaker 15>don't know that you'd be surprised. I traveled with dp

1:12:55.120 --> 1:12:59.320
<v Speaker 15>uh dead press. We traveled around together for about a year.

1:13:00.439 --> 1:13:03.040
<v Speaker 15>We had shows, but we also were going to community

1:13:03.120 --> 1:13:09.160
<v Speaker 15>centers and having forearms and you know, reaching out to

1:13:09.680 --> 1:13:13.360
<v Speaker 15>younger artists, building programs and things like that, food banks

1:13:13.840 --> 1:13:17.120
<v Speaker 15>and food deserts and and those kinds of things. And

1:13:17.120 --> 1:13:22.440
<v Speaker 15>and then two thousands, Yes, great works.

1:13:22.720 --> 1:13:23.679
<v Speaker 3>Yeah is it?

1:13:24.400 --> 1:13:29.439
<v Speaker 4>Yeah, it's in the matrix.

1:13:29.479 --> 1:13:32.439
<v Speaker 7>So is that about the time that that Kanye did

1:13:32.520 --> 1:13:33.960
<v Speaker 7>the People's record.

1:13:33.760 --> 1:13:37.280
<v Speaker 4>Was around that time when he was in his back Yeah, yeah,

1:13:37.320 --> 1:13:43.160
<v Speaker 4>making beets. Yes, hmm, good one, Black Star People. That's

1:13:43.160 --> 1:13:45.720
<v Speaker 4>a good trivia ef fect. You know who produced top

1:13:45.760 --> 1:13:49.280
<v Speaker 4>billing massive good trivia.

1:13:49.880 --> 1:13:54.479
<v Speaker 1>Let me think milk is chilling audio.

1:13:54.920 --> 1:13:57.440
<v Speaker 4>She might get it, she might get it. Molly Map,

1:13:59.280 --> 1:14:01.559
<v Speaker 4>did they, Sophie? Yeah, Fan, I think you should know

1:14:01.600 --> 1:14:03.680
<v Speaker 4>this one. I actually and I used to have them

1:14:03.720 --> 1:14:05.160
<v Speaker 4>on my This is one of the greatest beats at

1:14:05.200 --> 1:14:08.759
<v Speaker 4>all time of all time. Drum program insane. That's the beginning.

1:14:09.200 --> 1:14:12.280
<v Speaker 1>We know the producer, but we did the joint and

1:14:12.320 --> 1:14:13.559
<v Speaker 1>so who didn't we know the producer.

1:14:14.800 --> 1:14:22.720
<v Speaker 2>He's a legend. John bar say that again. Wow, just

1:14:22.720 --> 1:14:28.000
<v Speaker 2>trying to get us, like, I just take the shot.

1:14:28.160 --> 1:14:29.760
<v Speaker 2>I want to take a shot for that shout out

1:14:29.800 --> 1:14:34.320
<v Speaker 2>to Daddy know the greatest beats ever in him. That

1:14:34.400 --> 1:14:37.960
<v Speaker 2>drum program is mind blowing. We did the zoom with him,

1:14:38.080 --> 1:14:40.240
<v Speaker 2>Yeah we did. I want to say the shot.

1:14:40.240 --> 1:14:44.559
<v Speaker 1>I want that for what to just what Tom did

1:14:44.600 --> 1:14:46.120
<v Speaker 1>in the beat but not knowing it.

1:14:46.240 --> 1:14:48.920
<v Speaker 7>Yeah, but can I tell you this might be just

1:14:49.080 --> 1:14:52.400
<v Speaker 7>a personal opinion, but I think the people's joint you did,

1:14:53.360 --> 1:14:54.040
<v Speaker 7>that's one of the best.

1:14:55.000 --> 1:14:58.400
<v Speaker 2>Yeah, one of the best. Man. Yeah, great, great time

1:14:59.479 --> 1:15:04.760
<v Speaker 2>talking that we can come back to that. Uh n

1:15:04.880 --> 1:15:06.200
<v Speaker 2>w A or Wu tang plan.

1:15:06.800 --> 1:15:12.400
<v Speaker 14>Oh my god, that's what I say on the show.

1:15:12.520 --> 1:15:13.360
<v Speaker 2>I know this question.

1:15:15.080 --> 1:15:15.760
<v Speaker 4>What do we got here?

1:15:16.320 --> 1:15:18.160
<v Speaker 2>Just get to drink ready. I think it's not the same.

1:15:19.479 --> 1:15:21.160
<v Speaker 2>I think it is the same. I don't think it's.

1:15:22.560 --> 1:15:24.240
<v Speaker 3>Doctor told me a story about n w A.

1:15:24.800 --> 1:15:31.479
<v Speaker 1>When you say doc, you're talking about doctor, Okay, Okay,

1:15:31.479 --> 1:15:32.160
<v Speaker 1>that's that's right.

1:15:32.600 --> 1:15:37.320
<v Speaker 3>He told me that in his understanding and envision that

1:15:37.720 --> 1:15:43.320
<v Speaker 3>n w A was a political group, was a radical

1:15:43.360 --> 1:15:47.480
<v Speaker 3>group who was trying to express what America had created

1:15:48.200 --> 1:15:53.559
<v Speaker 3>through the characters that they portrayed, and where E or

1:15:53.680 --> 1:15:57.280
<v Speaker 3>Eric was really in this you know, in this world,

1:15:58.479 --> 1:16:01.360
<v Speaker 3>and it just became something else. But he said, first day,

1:16:01.360 --> 1:16:05.080
<v Speaker 3>we're trying to balance public enemy.

1:16:05.280 --> 1:16:09.280
<v Speaker 2>To me the same on the different sides of the spectrum.

1:16:09.280 --> 1:16:14.960
<v Speaker 1>But the sac energy the first yeah, publicli those two.

1:16:15.120 --> 1:16:17.680
<v Speaker 4>Drake was a visionary and he definitely took some of

1:16:17.720 --> 1:16:19.240
<v Speaker 4>the East Coast inspirations and.

1:16:20.240 --> 1:16:22.519
<v Speaker 2>Everybody and hip hop at that time was had to

1:16:22.560 --> 1:16:25.120
<v Speaker 2>take that. That was it's a visionary. Let me correct.

1:16:25.600 --> 1:16:26.799
<v Speaker 5>D O c is a visionary.

1:16:26.840 --> 1:16:32.799
<v Speaker 2>D O c s That makes a noise with important people, don't.

1:16:32.680 --> 1:16:35.800
<v Speaker 14>Drink the most important, very important.

1:16:37.000 --> 1:16:40.519
<v Speaker 1>And the fact that he lost his voice and kept

1:16:40.520 --> 1:16:45.400
<v Speaker 1>writing rhymes for for Dre that's like how that Yes,

1:16:46.720 --> 1:16:48.000
<v Speaker 1>see his documentary, right.

1:16:48.680 --> 1:16:50.240
<v Speaker 3>Have I seen it? I think I'm in it.

1:16:50.360 --> 1:16:55.800
<v Speaker 2>Yeah, I know I'm saying yeah, but you know, have

1:16:55.840 --> 1:17:01.760
<v Speaker 2>you seen his children gave to what I'm saying? How good?

1:17:02.320 --> 1:17:06.080
<v Speaker 1>How good that documentary? Like it's it's it's fucking phenomenal,

1:17:06.200 --> 1:17:09.200
<v Speaker 1>Like it is, like he's a great dude.

1:17:09.400 --> 1:17:12.080
<v Speaker 2>His first album, but he seems like a great person

1:17:12.280 --> 1:17:15.040
<v Speaker 2>like WorldWind, Pyramid, Let the Base Go.

1:17:15.280 --> 1:17:17.320
<v Speaker 4>Like in the West Coast, he was like an anomaly,

1:17:18.040 --> 1:17:20.880
<v Speaker 4>like he was. We were just completely fucked up by

1:17:20.880 --> 1:17:21.840
<v Speaker 4>that first album, Like.

1:17:22.520 --> 1:17:24.000
<v Speaker 2>We didn't know he's from Dallas, neither.

1:17:24.120 --> 1:17:25.360
<v Speaker 1>We didn't know that.

1:17:27.120 --> 1:17:29.679
<v Speaker 4>There was there was something that happened. What was he wearing.

1:17:29.800 --> 1:17:32.719
<v Speaker 4>He was wearing the Kings. That's what King's Lauren and Lords.

1:17:32.760 --> 1:17:34.519
<v Speaker 4>He was in front of that, right right, and that's

1:17:34.640 --> 1:17:35.719
<v Speaker 4>that's Los Angeles Hockey.

1:17:35.840 --> 1:17:37.280
<v Speaker 7>Yes, but there was something that he would say in

1:17:37.320 --> 1:17:39.479
<v Speaker 7>the album that would say that he was from Texas.

1:17:39.520 --> 1:17:41.040
<v Speaker 2>I forget what it was, right, he knew what he was.

1:17:41.920 --> 1:17:44.280
<v Speaker 1>I believe he said it, but I believe his his

1:17:44.360 --> 1:17:47.679
<v Speaker 1>attire was like so much looking like that West Coast

1:17:47.680 --> 1:17:49.000
<v Speaker 1>that we just assumed.

1:17:48.560 --> 1:17:51.360
<v Speaker 3>It it was already, but it was already his style

1:17:52.040 --> 1:17:54.320
<v Speaker 3>before he left.

1:17:54.360 --> 1:17:55.240
<v Speaker 2>He was dressing like that.

1:17:56.080 --> 1:17:58.839
<v Speaker 3>He was like he was actually wearing Fela.

1:17:59.640 --> 1:18:01.200
<v Speaker 2>Okay, let's made some noise.

1:18:06.240 --> 1:18:11.519
<v Speaker 3>We say, oh, yeah, he was already wearing that kind

1:18:11.520 --> 1:18:15.000
<v Speaker 3>of stuff. He's in Phila. I mean he was. His

1:18:15.120 --> 1:18:21.400
<v Speaker 3>hats were the same as as the Stallion Boys Crew, right, yes, yeah,

1:18:21.439 --> 1:18:24.160
<v Speaker 3>he was ahead of his time as a kid, you know.

1:18:24.320 --> 1:18:29.759
<v Speaker 3>And well, yeah, we opened the Wrap era in Dallas

1:18:30.080 --> 1:18:31.280
<v Speaker 3>where Cole Chris came up.

1:18:32.439 --> 1:18:34.200
<v Speaker 1>Chris. Yeah.

1:18:34.240 --> 1:18:36.519
<v Speaker 3>So it was only a few like groups that were

1:18:36.560 --> 1:18:41.080
<v Speaker 3>like really thriving in that era, but the whole everything

1:18:41.160 --> 1:18:45.240
<v Speaker 3>was inspired by East Coast, of course, Yeah, but we

1:18:45.360 --> 1:18:49.320
<v Speaker 3>had our own culture of hip hop and in that culture,

1:18:49.439 --> 1:18:54.639
<v Speaker 3>d o C reigned supreme and so did Cole Chris. Yeah,

1:18:54.800 --> 1:18:58.320
<v Speaker 3>and when he got discovered by a man called Doctor

1:18:58.400 --> 1:19:01.439
<v Speaker 3>Rock who was a DJ. Doctor Rock introduced him to

1:19:02.160 --> 1:19:05.880
<v Speaker 3>Doctor Drew And as a kid, he's not even fished

1:19:05.920 --> 1:19:08.479
<v Speaker 3>with high school. He was disenchanted with high school. That's

1:19:08.479 --> 1:19:11.680
<v Speaker 3>how he Yeah, he got introduced like that and they

1:19:11.720 --> 1:19:14.720
<v Speaker 3>went out there. He wrote so much stuff, and this

1:19:14.760 --> 1:19:18.000
<v Speaker 3>is the story I understand to be true. He wrote

1:19:18.040 --> 1:19:21.799
<v Speaker 3>so much stuff and he kind of helped to shape

1:19:21.880 --> 1:19:24.160
<v Speaker 3>and form the minds.

1:19:23.920 --> 1:19:26.240
<v Speaker 5>Of of what we hear as West Coast rap.

1:19:27.600 --> 1:19:31.640
<v Speaker 4>Or in w in the DNA of West the popularity.

1:19:33.479 --> 1:19:35.920
<v Speaker 4>He was so ahead ahead of time, ahead of his time,

1:19:36.080 --> 1:19:37.040
<v Speaker 4>game his flow.

1:19:37.560 --> 1:19:39.960
<v Speaker 2>We were with DJ Quick in the studio recently.

1:19:40.240 --> 1:19:41.760
<v Speaker 4>He came when we were working on the album, and

1:19:42.080 --> 1:19:44.320
<v Speaker 4>the stuff that he said about d OC was like

1:19:44.560 --> 1:19:47.599
<v Speaker 4>someone endearing, like he really said the same thing we're saying,

1:19:47.640 --> 1:19:48.400
<v Speaker 4>Like d OC.

1:19:48.520 --> 1:19:52.320
<v Speaker 2>Was pivotal in the West Coast sound comes from so much.

1:19:52.720 --> 1:19:54.520
<v Speaker 5>DJ Quick is one of my favorite producers.

1:19:54.640 --> 1:19:59.160
<v Speaker 2>Yes and Quick safe to say you got DJ Quick

1:19:59.160 --> 1:19:59.639
<v Speaker 2>on the album.

1:19:59.800 --> 1:20:02.000
<v Speaker 5>He yes, he plays wood block.

1:20:03.360 --> 1:20:04.440
<v Speaker 1>He has block.

1:20:09.680 --> 1:20:13.400
<v Speaker 3>Quick and he did something really important that expanded my

1:20:13.640 --> 1:20:16.640
<v Speaker 3>production game. He gave me Overenheimer.

1:20:17.360 --> 1:20:17.920
<v Speaker 2>He gave her.

1:20:18.000 --> 1:20:20.200
<v Speaker 4>He came to the studio with a keyboard and just

1:20:20.400 --> 1:20:24.680
<v Speaker 4>gave it to Oberheimen, which is I think you're using

1:20:24.720 --> 1:20:25.479
<v Speaker 4>on stage with us?

1:20:25.520 --> 1:20:28.519
<v Speaker 5>I do, and then the album shout out, quick man,

1:20:31.840 --> 1:20:32.439
<v Speaker 5>drink chest.

1:20:34.520 --> 1:20:40.320
<v Speaker 7>Teacher, all right, Larry jun Or two chains.

1:20:40.320 --> 1:20:45.880
<v Speaker 3>Oh you silly, you must be dragging. That's not going

1:20:46.439 --> 1:20:48.799
<v Speaker 3>by the way, that's not going to happen.

1:20:49.760 --> 1:20:53.160
<v Speaker 2>Yeah, drink up. Something to say there.

1:20:53.800 --> 1:20:54.880
<v Speaker 5>This is crazy.

1:20:56.040 --> 1:20:57.840
<v Speaker 2>We're almost done. We're almost at the finish line. Get

1:20:57.920 --> 1:20:58.720
<v Speaker 2>us home, Get us home.

1:20:58.840 --> 1:21:11.479
<v Speaker 7>Your m TV wraps a wrap city.

1:21:06.479 --> 1:21:09.160
<v Speaker 3>You know what TV raps for me? Thanks y Freddy,

1:21:09.160 --> 1:21:10.240
<v Speaker 3>all day.

1:21:10.479 --> 1:21:13.320
<v Speaker 4>Doctor dre Love. That was the beginning of everything. We

1:21:13.360 --> 1:21:17.120
<v Speaker 4>saw everything. Yeah, I saw all the videos first there

1:21:19.360 --> 1:21:24.600
<v Speaker 4>shouted Uncle Ralph. Though you know what, I'm Ralph just because.

1:21:24.680 --> 1:21:27.439
<v Speaker 7>No, absolutely we didn't get him down here, but we

1:21:27.520 --> 1:21:30.800
<v Speaker 7>knew the significant VHS tape.

1:21:33.280 --> 1:21:37.559
<v Speaker 2>Three more havoc, both of you hazard.

1:21:38.479 --> 1:21:44.560
<v Speaker 1>He knows he looks.

1:21:42.920 --> 1:21:49.599
<v Speaker 3>Pretty more havoc. What he just wants to get the game.

1:21:49.760 --> 1:21:52.280
<v Speaker 2>We could have a conversation, Like.

1:21:52.240 --> 1:21:55.519
<v Speaker 3>The conversation and the drinking is kind of like the

1:21:55.640 --> 1:21:59.240
<v Speaker 3>casual part of me, the stories, and then we're taking

1:21:59.240 --> 1:21:59.960
<v Speaker 3>all this personal.

1:22:01.680 --> 1:22:05.479
<v Speaker 4>They're both so important in everything I do, you know

1:22:05.520 --> 1:22:07.799
<v Speaker 4>what I mean? Like first first, first it was Premiere.

1:22:08.360 --> 1:22:14.720
<v Speaker 4>Premiere was my everything, you know, like Premiere. I think

1:22:15.040 --> 1:22:18.640
<v Speaker 4>any producer could say that as like as an inspiration,

1:22:18.960 --> 1:22:21.000
<v Speaker 4>like my first beast. You can ask evidence they were

1:22:21.000 --> 1:22:22.920
<v Speaker 4>fake Premiere beats and he used to be like, no.

1:22:22.960 --> 1:22:24.840
<v Speaker 2>No, no, that sounds like rappers are in danger. Not

1:22:24.880 --> 1:22:28.000
<v Speaker 2>that sounds like whatever. And it was like I had

1:22:28.040 --> 1:22:29.719
<v Speaker 2>to learn to craft moll stout.

1:22:29.840 --> 1:22:33.760
<v Speaker 4>And then later when I moved to New York, I

1:22:33.840 --> 1:22:36.719
<v Speaker 4>became friends with him, so then of course I can't

1:22:36.720 --> 1:22:38.600
<v Speaker 4>make a beat that sounds like him, you know what

1:22:38.640 --> 1:22:39.120
<v Speaker 4>I'm saying.

1:22:39.360 --> 1:22:42.120
<v Speaker 2>And then from there it went to Lincoln would have

1:22:42.280 --> 1:22:46.360
<v Speaker 2>it and Mob Deep and have it. He's a beat.

1:22:46.360 --> 1:22:48.960
<v Speaker 4>I can't even say it because you experienced it at

1:22:48.960 --> 1:22:53.080
<v Speaker 4>the time, Like the Mob Deep days, it was like

1:22:53.280 --> 1:22:55.320
<v Speaker 4>shit you never saw before, Like they used to be

1:22:55.400 --> 1:22:58.120
<v Speaker 4>in a studio twenty thirty deep, and he was like

1:22:58.160 --> 1:23:01.040
<v Speaker 4>a conduit, like a or like he used to come

1:23:01.080 --> 1:23:01.960
<v Speaker 4>in there drunk.

1:23:02.040 --> 1:23:03.800
<v Speaker 2>Ian j throw a.

1:23:03.880 --> 1:23:07.000
<v Speaker 4>Diskin and then he would just start making beats in

1:23:07.080 --> 1:23:10.919
<v Speaker 4>the studio and was it right track, right track, unique

1:23:12.360 --> 1:23:15.400
<v Speaker 4>d n D And he would make sure live and

1:23:15.439 --> 1:23:17.120
<v Speaker 4>then his whole crew would just you know, guy, he

1:23:17.120 --> 1:23:19.040
<v Speaker 4>would be in there swinging his arm and no, he

1:23:19.040 --> 1:23:21.240
<v Speaker 4>would be wilding and it would be like he was

1:23:21.360 --> 1:23:24.439
<v Speaker 4>feeding off of the cruise energy. And I swear I

1:23:24.520 --> 1:23:28.240
<v Speaker 4>learned so much from Havoc, like drum programming, Like if

1:23:28.240 --> 1:23:31.280
<v Speaker 4>you listen to Burn, that's like a perfect that's a

1:23:31.400 --> 1:23:34.200
<v Speaker 4>beat mix baseline.

1:23:35.920 --> 1:23:38.360
<v Speaker 2>He played that ship on the MP. The guitar.

1:23:39.040 --> 1:23:40.840
<v Speaker 4>He played that ship on the MP like he just

1:23:40.840 --> 1:23:44.800
<v Speaker 4>took one chop and went And I just say that

1:23:44.920 --> 1:23:47.559
<v Speaker 4>to say, like I used to sit there and just absorb,

1:23:48.240 --> 1:23:51.639
<v Speaker 4>you know. So both of them are are like are

1:23:51.680 --> 1:23:52.439
<v Speaker 4>in my DNA?

1:23:52.600 --> 1:23:54.519
<v Speaker 2>You know what I'm saying. You can hear it premiere

1:23:54.640 --> 1:23:58.280
<v Speaker 2>and have it. So pour a fucking drink.

1:23:58.160 --> 1:24:00.840
<v Speaker 3>Up, God.

1:24:02.800 --> 1:24:11.240
<v Speaker 2>S Blue. I'm sorry we're drinking tonight. Make sure you

1:24:11.280 --> 1:24:12.639
<v Speaker 2>guys order the mineral water.

1:24:12.800 --> 1:24:15.880
<v Speaker 3>And uh, you know it's a good thing. I have,

1:24:16.160 --> 1:24:19.960
<v Speaker 3>like a ship answered, I have a piece of pea

1:24:19.960 --> 1:24:20.880
<v Speaker 3>bread in my pocket.

1:24:24.680 --> 1:24:26.519
<v Speaker 4>Damn should you want to bite it?

1:24:29.200 --> 1:24:29.400
<v Speaker 1>Oh?

1:24:29.479 --> 1:24:33.320
<v Speaker 4>My god, great bread, Peter bread.

1:24:35.800 --> 1:24:39.679
<v Speaker 2>Some people don't think that we have the I'm little girl.

1:24:39.720 --> 1:24:43.880
<v Speaker 4>Scout makes sure bringing it in her pocket to keep

1:24:43.920 --> 1:24:44.599
<v Speaker 4>up people straight.

1:24:46.040 --> 1:24:46.320
<v Speaker 1>Bread.

1:24:46.960 --> 1:24:49.519
<v Speaker 3>Here, here, I have a piece of Peter bread.

1:24:49.880 --> 1:24:55.880
<v Speaker 1>So dilated people's on Cypress Hills. It's definitely a high question.

1:24:58.880 --> 1:24:59.519
<v Speaker 1>Where's she at?

1:25:00.280 --> 1:25:02.760
<v Speaker 4>Poor up? I'm not thinking between those two, man, those

1:25:02.760 --> 1:25:03.639
<v Speaker 4>are both families.

1:25:03.960 --> 1:25:06.000
<v Speaker 3>Oh my god, pick someone.

1:25:06.160 --> 1:25:06.960
<v Speaker 2>You're gonna have to pick.

1:25:08.160 --> 1:25:09.160
<v Speaker 5>Okay, who is it?

1:25:09.760 --> 1:25:10.439
<v Speaker 2>Dilated people?

1:25:10.640 --> 1:25:15.759
<v Speaker 3>Cypress Dilated people are Cypress Hill, Cypress Hill?

1:25:16.560 --> 1:25:19.679
<v Speaker 7>Oh, David, Oh, so we're still want of y'all said both?

1:25:20.240 --> 1:25:23.680
<v Speaker 2>The ruler again say that, but he could drink a lot.

1:25:23.960 --> 1:25:26.920
<v Speaker 3>I'm gonna say Cypress Hill because when I met you,

1:25:27.640 --> 1:25:30.519
<v Speaker 3>we were on tour Cypreushil nineteen ninety seven. I'm pregnant

1:25:30.560 --> 1:25:33.400
<v Speaker 3>as hell. Andre three thousand is on the tour. He's

1:25:33.400 --> 1:25:37.200
<v Speaker 3>an outcast. They're on the tour. There's Parliament from Cadelic

1:25:37.240 --> 1:25:41.639
<v Speaker 3>on the tour and Cypress Hills on the tour. Far

1:25:41.840 --> 1:25:46.120
<v Speaker 3>Side is on the tour. Who are you at.

1:25:48.200 --> 1:25:48.439
<v Speaker 4>Us?

1:25:48.760 --> 1:25:49.720
<v Speaker 5>Yeah, I'm gonna have to say that.

1:25:49.720 --> 1:25:54.800
<v Speaker 3>I'm gonna have to Cypress Dilated people's eclectic and beautiful

1:25:55.120 --> 1:25:57.400
<v Speaker 3>I just don't know the music as well. Some of

1:25:57.439 --> 1:26:00.000
<v Speaker 3>them choose that what about you, what's say you?

1:26:00.040 --> 1:26:02.840
<v Speaker 4>I'm going to go with both yes, because they are

1:26:03.000 --> 1:26:07.120
<v Speaker 4>both my family. Both. My first beat might have been

1:26:07.200 --> 1:26:09.680
<v Speaker 4>dilated People's. I think third degree might have been one

1:26:09.720 --> 1:26:11.360
<v Speaker 4>of my first actual.

1:26:11.000 --> 1:26:13.080
<v Speaker 2>Beating official Liquid crew.

1:26:13.600 --> 1:26:14.200
<v Speaker 4>We all were.

1:26:17.120 --> 1:26:19.680
<v Speaker 2>We were mad there. We were all l A was

1:26:19.720 --> 1:26:20.759
<v Speaker 2>like a really dope.

1:26:21.360 --> 1:26:24.400
<v Speaker 4>Mix and everybody's sounded different at the time, like Will,

1:26:25.000 --> 1:26:25.360
<v Speaker 4>like Will.

1:26:25.760 --> 1:26:26.519
<v Speaker 2>We grew up together.

1:26:26.920 --> 1:26:29.400
<v Speaker 4>Will and Evidence were in the group together from that

1:26:29.760 --> 1:26:30.680
<v Speaker 4>American neighborhood.

1:26:31.680 --> 1:26:33.720
<v Speaker 2>Will used to get busted in Man. He told the

1:26:33.720 --> 1:26:34.360
<v Speaker 2>story over here.

1:26:34.680 --> 1:26:36.400
<v Speaker 4>Will was on the west side, hanging out for us,

1:26:36.720 --> 1:26:40.080
<v Speaker 4>right he did. Will, Will I am, I swear to gun.

1:26:41.240 --> 1:26:42.920
<v Speaker 4>If he didn't become what he became, it would have

1:26:42.920 --> 1:26:46.200
<v Speaker 4>been criminal. He was so talented when we were young,

1:26:46.920 --> 1:26:47.280
<v Speaker 4>like he was.

1:26:49.880 --> 1:26:50.040
<v Speaker 2>No.

1:26:50.120 --> 1:26:52.000
<v Speaker 4>He used to win the He used to win the deep,

1:26:52.080 --> 1:26:55.000
<v Speaker 4>the dance battle, the freestyle battle. Because it was a

1:26:55.000 --> 1:26:58.960
<v Speaker 4>club called Ballistics. Shout to David Faustino Mud Bundy. He

1:26:59.280 --> 1:27:02.599
<v Speaker 4>used to throw apart in l A Bundy from Yes, Yes,

1:27:02.760 --> 1:27:05.679
<v Speaker 4>they threw up every Thursday night and in the whiskey.

1:27:06.080 --> 1:27:07.240
<v Speaker 5>You look so drunk.

1:27:07.640 --> 1:27:12.040
<v Speaker 2>No, No, I'm getting there. Don't worry, I'll get there.

1:27:13.040 --> 1:27:14.800
<v Speaker 2>I'm saying for real.

1:27:15.080 --> 1:27:20.479
<v Speaker 3>Yeah you solid? Okay, good.

1:27:21.080 --> 1:27:22.760
<v Speaker 4>The west side of l A was just a dope

1:27:22.800 --> 1:27:24.960
<v Speaker 4>mixture of sound for side was there?

1:27:25.000 --> 1:27:27.439
<v Speaker 2>You had sight? Perce had the underground l A seem

1:27:27.479 --> 1:27:29.120
<v Speaker 2>like it was dope. We all grew up underneath that.

1:27:29.240 --> 1:27:30.880
<v Speaker 2>What was the name of like that one club that

1:27:31.040 --> 1:27:42.720
<v Speaker 2>rast cast talks about. Mr talks about this? Okay, this is.

1:27:44.280 --> 1:27:47.160
<v Speaker 4>What was the name of that globe the club Unity?

1:27:47.320 --> 1:27:49.160
<v Speaker 4>But yeah, l A was a great time. Man shouts

1:27:49.200 --> 1:27:51.960
<v Speaker 4>all in. Did we take a shot for that? Because

1:27:52.000 --> 1:27:59.439
<v Speaker 4>he said both if you want right now, Shadow, okay, yeah,

1:27:59.640 --> 1:28:00.559
<v Speaker 4>that's a ginger shop.

1:28:00.640 --> 1:28:01.400
<v Speaker 5>It's the ginger sho.

1:28:04.240 --> 1:28:06.880
<v Speaker 1>It was a juice juice bar.

1:28:07.000 --> 1:28:11.120
<v Speaker 2>Yes, you ginger. Yeah.

1:28:11.360 --> 1:28:13.200
<v Speaker 5>I would love to talk a little bit later.

1:28:13.560 --> 1:28:17.040
<v Speaker 3>M Yeah, thank you. I'd love to talk to you

1:28:17.120 --> 1:28:24.320
<v Speaker 3>later about Yeah. Yeah, I'm an all greenise girl. No fruit,

1:28:24.600 --> 1:28:32.599
<v Speaker 3>no lemon oh wow, kale celery, ginger, cucumber spear.

1:28:32.720 --> 1:28:36.160
<v Speaker 2>Lena can go below.

1:28:36.920 --> 1:28:39.120
<v Speaker 1>This is the last one. No, it is last, the

1:28:39.200 --> 1:28:41.880
<v Speaker 1>last one to get back into the interview. I'm not

1:28:41.920 --> 1:28:43.439
<v Speaker 1>going to say not. I'm not going to lead the

1:28:43.439 --> 1:28:46.759
<v Speaker 1>witness don't loyalty or respect.

1:28:48.680 --> 1:28:55.680
<v Speaker 5>I mean, okay, loyalty respect.

1:28:58.080 --> 1:29:02.559
<v Speaker 3>I'd say respect because you can't have without loyalty, right,

1:29:03.320 --> 1:29:07.280
<v Speaker 3>I say respect because you can have a bunch of

1:29:07.320 --> 1:29:12.160
<v Speaker 3>people loyal to you. Who could be dream killers, Yeah,

1:29:12.200 --> 1:29:15.360
<v Speaker 3>who could be someone who doesn't think you deserve what

1:29:15.520 --> 1:29:20.080
<v Speaker 3>you have who you are. I say respect. I'd rather

1:29:20.120 --> 1:29:23.479
<v Speaker 3>be respected in front of me and from a distance,

1:29:24.439 --> 1:29:27.880
<v Speaker 3>and it's okay, But either way, I don't really care.

1:29:28.520 --> 1:29:32.280
<v Speaker 5>But if I have to choose, I'll say I say respect.

1:29:34.720 --> 1:29:45.519
<v Speaker 2>How about you? Thank you? Neither neither neither. We shouldn't

1:29:45.560 --> 1:29:50.960
<v Speaker 2>need anything. We don't need validation, scholar.

1:29:53.520 --> 1:29:55.920
<v Speaker 1>I don't think no one ever said neither neither. I

1:29:55.920 --> 1:29:56.439
<v Speaker 1>don't think.

1:29:57.800 --> 1:29:58.519
<v Speaker 2>We don't need nothing.

1:29:59.520 --> 1:30:01.200
<v Speaker 1>I don't think no one's ever said that's one of

1:30:01.200 --> 1:30:11.280
<v Speaker 1>these yeah, yeah, now we got a flower.

1:30:11.400 --> 1:30:11.559
<v Speaker 3>Now.

1:30:11.920 --> 1:30:15.400
<v Speaker 1>Now, when you look at hard copy, you know, copies,

1:30:16.400 --> 1:30:20.720
<v Speaker 1>just hard like you know, I'm gonna finish, I'm gonna bad.

1:30:21.200 --> 1:30:24.320
<v Speaker 1>But when you look at hard copies, does that remind

1:30:24.360 --> 1:30:29.040
<v Speaker 1>you of a good time in the industry? Or is

1:30:29.520 --> 1:30:32.479
<v Speaker 1>do we own our masters? Or is it looking at

1:30:32.520 --> 1:30:33.960
<v Speaker 1>saying man? You know.

1:30:35.920 --> 1:30:36.080
<v Speaker 3>Man?

1:30:36.080 --> 1:30:38.519
<v Speaker 1>For years, I couldn't listen to the War Report one

1:30:38.520 --> 1:30:40.600
<v Speaker 1>because I didn't own it, and I just when I

1:30:40.600 --> 1:30:42.439
<v Speaker 1>would look at it and it was just so much

1:30:42.479 --> 1:30:45.840
<v Speaker 1>pain and the person I used to be. So when

1:30:46.000 --> 1:30:47.920
<v Speaker 1>when when you look at these hard copies?

1:30:47.920 --> 1:30:50.240
<v Speaker 2>What what? What do you say to yourself?

1:30:53.479 --> 1:30:59.799
<v Speaker 3>Ladies? First, Yeah, ship, Yeah, I see a green person

1:31:00.040 --> 1:31:05.000
<v Speaker 3>who is very fortunate that got an opportunity that a

1:31:05.000 --> 1:31:10.080
<v Speaker 3>lot of people did not have. I see a partnership

1:31:10.080 --> 1:31:14.519
<v Speaker 3>between a machine and a singular artist that worked out

1:31:14.760 --> 1:31:21.600
<v Speaker 3>very well because both of our plans were demonstrated in

1:31:21.640 --> 1:31:24.920
<v Speaker 3>the collaboration. You know, I got. I wanted people to

1:31:24.960 --> 1:31:30.800
<v Speaker 3>just hear what I have to say. And I'm not

1:31:30.840 --> 1:31:33.519
<v Speaker 3>a big money focused person. I don't really care about that.

1:31:33.640 --> 1:31:36.799
<v Speaker 3>I can tell you that he doesn't think that's very smart.

1:31:36.800 --> 1:31:41.639
<v Speaker 3>All the time I take his advice on it. Yeah,

1:31:41.680 --> 1:31:45.280
<v Speaker 3>I just see that's a good ship. I tell my

1:31:45.400 --> 1:31:47.000
<v Speaker 3>children all the time. If you want to know who

1:31:47.040 --> 1:31:49.479
<v Speaker 3>your mama is listened to, Badu is a Mama's Gun

1:31:50.439 --> 1:31:55.680
<v Speaker 3>world Wide Underground New America one and two. But you

1:31:55.720 --> 1:32:00.240
<v Speaker 3>can't use my phone. And now Abby and Allen. Yeah,

1:32:00.240 --> 1:32:03.120
<v Speaker 3>I expressed myself beast through this music and I'm so

1:32:03.200 --> 1:32:06.880
<v Speaker 3>happy it has a platform and the deals that I

1:32:06.960 --> 1:32:10.479
<v Speaker 3>made are mine and I and I'm good with that.

1:32:13.439 --> 1:32:14.960
<v Speaker 5>I'm proud of that work very much.

1:32:15.040 --> 1:32:23.559
<v Speaker 4>So how about you out, Yeah, Like I'm like, I'm

1:32:23.600 --> 1:32:27.200
<v Speaker 4>thankful for the journey, but you know the whole like

1:32:27.280 --> 1:32:30.559
<v Speaker 4>even looking that's like old mixtapes that was like the

1:32:30.560 --> 1:32:33.479
<v Speaker 4>Bob Perry days and well, just like give fucking what.

1:32:33.520 --> 1:32:34.559
<v Speaker 2>Was that lan?

1:32:36.880 --> 1:32:39.919
<v Speaker 4>And it was like I went through so many phases,

1:32:40.800 --> 1:32:43.320
<v Speaker 4>you know, and then it went from that to Cotch yep.

1:32:44.000 --> 1:32:46.640
<v Speaker 4>That's how I did my first album, Infantry, And it

1:32:46.720 --> 1:32:49.680
<v Speaker 4>was like it was so many stages that I had

1:32:49.680 --> 1:32:52.599
<v Speaker 4>to go through, and it was like one shit started clicking,

1:32:52.800 --> 1:32:56.320
<v Speaker 4>like like maybe five or six years ago. It was like, damn,

1:32:56.320 --> 1:32:58.559
<v Speaker 4>I wish. I wish it was like this twenty years

1:32:58.560 --> 1:33:00.360
<v Speaker 4>ago and I we could have just sped that. But

1:33:00.400 --> 1:33:03.360
<v Speaker 4>it's like you have to go through those steps.

1:33:03.439 --> 1:33:03.960
<v Speaker 1>You have to.

1:33:04.600 --> 1:33:07.519
<v Speaker 2>You can't skip any steps, you know.

1:33:07.640 --> 1:33:09.280
<v Speaker 4>And I don't know how to explain it, but it's

1:33:09.320 --> 1:33:12.599
<v Speaker 4>like it's in the process, you know, And it was

1:33:12.640 --> 1:33:15.400
<v Speaker 4>it was all I learned every step of the way.

1:33:15.920 --> 1:33:18.000
<v Speaker 4>Like I told you with E I'm just learning new ship,

1:33:18.280 --> 1:33:21.200
<v Speaker 4>still learning, and it's like I got into the indie

1:33:21.240 --> 1:33:23.799
<v Speaker 4>stuff and started doing my own thing, and I started realizing,

1:33:23.920 --> 1:33:24.439
<v Speaker 4>we don't.

1:33:24.240 --> 1:33:27.800
<v Speaker 2>Need these companies. They're just giving you money, like we

1:33:27.880 --> 1:33:29.920
<v Speaker 2>have all the ideas. They're just banks. They're just banks.

1:33:31.760 --> 1:33:34.479
<v Speaker 3>Yeah, he told me, Like when I finally I was

1:33:34.520 --> 1:33:41.680
<v Speaker 3>liberated from my label after twenty seven years. Yeah, and

1:33:43.720 --> 1:33:45.439
<v Speaker 3>when we were trying to figure out what we're going

1:33:45.520 --> 1:33:47.200
<v Speaker 3>to do about this album, he said, I'd rather take

1:33:47.240 --> 1:33:49.480
<v Speaker 3>a loan from a bank, straight.

1:33:49.240 --> 1:33:53.040
<v Speaker 2>Real, that's a better deal. The way she thinks is independent.

1:33:53.240 --> 1:33:56.080
<v Speaker 2>And she was telling me stories every step of the way.

1:33:56.439 --> 1:33:59.719
<v Speaker 4>She had to fight the fucking power to label the people,

1:33:59.760 --> 1:34:03.160
<v Speaker 4>in convinced people, and it was like she had the

1:34:03.240 --> 1:34:05.960
<v Speaker 4>independent spirit and she won every time.

1:34:06.600 --> 1:34:08.719
<v Speaker 2>Every time she told me about the ship she went through,

1:34:08.800 --> 1:34:09.439
<v Speaker 2>like with with.

1:34:09.439 --> 1:34:12.120
<v Speaker 4>Even Tyrone, Like she told me they had to convince

1:34:12.160 --> 1:34:16.120
<v Speaker 4>the label, like the fucking record on Tyrone.

1:34:17.040 --> 1:34:19.599
<v Speaker 3>Yeah, I mean, when it's something new, nobody really knows

1:34:19.600 --> 1:34:23.280
<v Speaker 3>the vision. But you I mean, it's it's all a

1:34:23.320 --> 1:34:27.000
<v Speaker 3>part of it, you know, the convincing, it's a big

1:34:27.040 --> 1:34:33.280
<v Speaker 3>part of it, you know, getting everybody on the same teams.

1:34:33.280 --> 1:34:36.600
<v Speaker 3>Thank you for all of these beautiful compliments, and that place.

1:34:36.439 --> 1:34:37.240
<v Speaker 2>I learn a lot.

1:34:37.560 --> 1:34:40.280
<v Speaker 3>But just like he's never said any of this to me.

1:34:40.439 --> 1:34:41.640
<v Speaker 2>No, well, that's what we're here for.

1:34:41.800 --> 1:34:48.759
<v Speaker 4>But look, as artists, that is not want you go ahead.

1:34:50.200 --> 1:34:53.240
<v Speaker 4>We see ship, you know, yes, you know what it is.

1:34:53.400 --> 1:34:55.639
<v Speaker 4>We all created, so we see ship in our mind.

1:34:55.920 --> 1:34:58.760
<v Speaker 4>And she moves at the fucking speed of light like

1:34:58.800 --> 1:35:00.720
<v Speaker 4>she'll see shit in her head and start moving in

1:35:00.720 --> 1:35:03.040
<v Speaker 4>and fill me in later and be like, yo, my bad.

1:35:03.040 --> 1:35:06.320
<v Speaker 4>And I said, it's okay, I trust you, but I

1:35:06.360 --> 1:35:09.920
<v Speaker 4>think sometimes the people don't see the shit that you see,

1:35:10.720 --> 1:35:13.880
<v Speaker 4>and then like, you'll explain some shit to one of

1:35:13.920 --> 1:35:16.400
<v Speaker 4>your people. I got an idea and they'd be like, yo, yo,

1:35:16.400 --> 1:35:20.040
<v Speaker 4>you're bugging right, and then two three years later it

1:35:20.160 --> 1:35:23.759
<v Speaker 4>actually happens, and then those same people come back around

1:35:24.000 --> 1:35:24.360
<v Speaker 4>and be.

1:35:24.360 --> 1:35:25.599
<v Speaker 2>Like, oh, shit is crazy.

1:35:25.600 --> 1:35:28.040
<v Speaker 4>And it's like I had to learn how to be

1:35:28.280 --> 1:35:30.720
<v Speaker 4>humble and just accept it instead of being like I

1:35:30.840 --> 1:35:33.200
<v Speaker 4>told you you should have listened to me, because that's

1:35:33.240 --> 1:35:36.240
<v Speaker 4>not classy. And that's what I learned from her too,

1:35:36.479 --> 1:35:39.800
<v Speaker 4>how to be tasteful and classy and be like, just.

1:35:39.800 --> 1:35:40.880
<v Speaker 2>Follow your ideas.

1:35:41.200 --> 1:35:44.560
<v Speaker 4>Like every idea she had that was insane, it's worked,

1:35:44.880 --> 1:35:45.559
<v Speaker 4>you know what I'm saying.

1:35:45.640 --> 1:35:48.719
<v Speaker 2>So I realized like how.

1:35:48.560 --> 1:35:51.000
<v Speaker 4>To collaborate with somebody to get out the way and

1:35:51.400 --> 1:35:56.519
<v Speaker 4>inspire their ideas. And it's been it's been a crazy journey.

1:35:56.600 --> 1:35:59.200
<v Speaker 3>He's like that across the board though, just with everything,

1:35:59.439 --> 1:36:05.000
<v Speaker 3>every part of his life. Willing to learn or willing

1:36:05.040 --> 1:36:10.000
<v Speaker 3>to share, or willing to step down. Sometimes you have

1:36:10.040 --> 1:36:13.680
<v Speaker 3>a choice between being right or being a good friend.

1:36:14.120 --> 1:36:17.280
<v Speaker 3>And I see him choosing being a good friend, and

1:36:17.760 --> 1:36:23.080
<v Speaker 3>it's inspiring to me as well. So I feel you.

1:36:23.160 --> 1:36:25.600
<v Speaker 3>Thank you for that, thank you for trusting me.

1:36:25.960 --> 1:36:28.280
<v Speaker 4>You know it.

1:36:28.920 --> 1:36:31.000
<v Speaker 3>I have a bit of erica.

1:36:31.200 --> 1:36:36.200
<v Speaker 2>Are you kidding me? This is an amazing collaboration relationship

1:36:36.560 --> 1:36:36.960
<v Speaker 2>for sure.

1:36:38.640 --> 1:36:40.920
<v Speaker 1>When did you start smoking joints with tobacco?

1:36:41.000 --> 1:36:44.280
<v Speaker 2>When you went to Amsterdam? Amsterdam? You have a song?

1:36:44.280 --> 1:36:48.240
<v Speaker 2>What you were saying just got turned out?

1:36:48.280 --> 1:36:48.519
<v Speaker 1>He is.

1:36:52.600 --> 1:36:54.840
<v Speaker 2>He has never turned back. All right, that's right, that's right.

1:36:54.920 --> 1:36:58.479
<v Speaker 1>So our show is about giving people they flowers when

1:36:58.479 --> 1:37:01.719
<v Speaker 1>they could smell them, they thoughts what they could think them,

1:37:01.960 --> 1:37:04.240
<v Speaker 1>and they drinks while they could drink them. We want

1:37:04.280 --> 1:37:08.000
<v Speaker 1>to give y'all both flowers to your face. Snoop said,

1:37:08.000 --> 1:37:13.280
<v Speaker 1>it's better than overdue.

1:37:15.360 --> 1:37:18.720
<v Speaker 2>It's honor man, this honor man. I appreciate you.

1:37:19.160 --> 1:37:19.960
<v Speaker 3>This is yours.

1:37:21.640 --> 1:37:22.479
<v Speaker 1>Let me see what you get.

1:37:23.760 --> 1:37:31.040
<v Speaker 5>Ericau, thank you man, thank you, thank you.

1:37:31.120 --> 1:37:40.839
<v Speaker 3>It's a champion flower base. This is so special.

1:37:42.120 --> 1:37:43.879
<v Speaker 1>No, thank you, guys, thank.

1:37:43.720 --> 1:37:46.320
<v Speaker 3>You so very much. I want to bring you guys

1:37:46.320 --> 1:37:50.320
<v Speaker 3>something to it sold out, it is sometimes it sold

1:37:50.320 --> 1:37:53.000
<v Speaker 3>out whenever I say it is, oh ship.

1:37:53.120 --> 1:37:58.439
<v Speaker 2>Damn Sonny, you got the wrong Google. She just drops

1:37:58.479 --> 1:37:59.960
<v Speaker 2>whenever she wants she do a drop.

1:38:00.080 --> 1:38:06.439
<v Speaker 3>Yeah, okay, So it's kind of when when I think

1:38:06.479 --> 1:38:10.559
<v Speaker 3>you deserve it basically okay, it's bottle pussy instance, and

1:38:10.680 --> 1:38:15.160
<v Speaker 3>the people talking about it on your show Lives, Yes,

1:38:15.439 --> 1:38:16.000
<v Speaker 3>talk about it.

1:38:16.280 --> 1:38:17.000
<v Speaker 1>You're gonna like one.

1:38:17.160 --> 1:38:18.400
<v Speaker 5>I'm going to like one right now.

1:38:19.280 --> 1:38:34.400
<v Speaker 16>I can see this I bought, I brought the torch.

1:38:36.000 --> 1:38:36.439
<v Speaker 2>Help me out.

1:38:36.960 --> 1:38:42.320
<v Speaker 3>Okay, we like it to be like that. Yeah, definitely.

1:38:45.080 --> 1:38:46.360
<v Speaker 2>Sold out everywhere else.

1:38:50.800 --> 1:38:53.880
<v Speaker 3>So so that is like a question, this is the

1:38:53.920 --> 1:38:59.240
<v Speaker 3>point where everything will change. Let you know, everybody got

1:38:59.280 --> 1:39:06.200
<v Speaker 3>seriously jokes and ship everybody got real serious relas joking relax.

1:39:06.720 --> 1:39:10.880
<v Speaker 1>So well, entertainment is like have a product to sell,

1:39:11.560 --> 1:39:16.120
<v Speaker 1>and you know, some people sell liquor, some people sell

1:39:17.680 --> 1:39:22.240
<v Speaker 1>you know, marijuana, some people sell shoes. So what what

1:39:22.240 --> 1:39:22.759
<v Speaker 1>what what.

1:39:22.640 --> 1:39:26.240
<v Speaker 2>Made you want to do incense, And then the sentence.

1:39:27.320 --> 1:39:34.559
<v Speaker 3>The answer, yes, I understand, I understand the question. Okay, Well,

1:39:34.600 --> 1:39:37.519
<v Speaker 3>incense and candles and things have always been a part

1:39:37.560 --> 1:39:41.919
<v Speaker 3>of my esthetic. I did not create it, any of it.

1:39:41.920 --> 1:39:44.240
<v Speaker 3>It was just a part of you know, if you

1:39:44.320 --> 1:39:47.439
<v Speaker 3>came into my world that that's what's happening. But I've

1:39:47.479 --> 1:39:51.080
<v Speaker 3>always been associated with candles and incense. And then there

1:39:51.160 --> 1:39:53.920
<v Speaker 3>was this urban legend, of course, as you all probably

1:39:54.040 --> 1:40:00.720
<v Speaker 3>know about that, my pussy make niggas change gods and jobs.

1:40:02.840 --> 1:40:06.599
<v Speaker 3>I don't know why didn't No, I heard it all

1:40:06.640 --> 1:40:10.240
<v Speaker 3>around the industry. It's like an urban legend.

1:40:09.960 --> 1:40:10.200
<v Speaker 4>Is it.

1:40:10.280 --> 1:40:11.240
<v Speaker 3>Have you heard that before?

1:40:11.880 --> 1:40:12.559
<v Speaker 4>I've heard that.

1:40:13.320 --> 1:40:15.360
<v Speaker 3>Did people tell you when they meant me not to

1:40:15.400 --> 1:40:19.360
<v Speaker 3>look me in the eye? See these are things.

1:40:19.160 --> 1:40:19.679
<v Speaker 1>That I see.

1:40:19.760 --> 1:40:21.320
<v Speaker 7>Did you see where my friend went in to get

1:40:21.880 --> 1:40:25.120
<v Speaker 7>the vinyl autographs.

1:40:25.800 --> 1:40:31.360
<v Speaker 2>Of the room sweating? He said like, oh my god,

1:40:31.760 --> 1:40:33.360
<v Speaker 2>that was so very difficult.

1:40:33.840 --> 1:40:36.439
<v Speaker 3>That is so funny. What a legend can do? You know,

1:40:36.560 --> 1:40:40.560
<v Speaker 3>a legend that I make men change jobs and gods.

1:40:41.160 --> 1:40:47.280
<v Speaker 3>Come on, that's only half the legend. Women too, children

1:40:47.320 --> 1:40:53.080
<v Speaker 3>and animals, any living breathing thing. I feel cheated on

1:40:53.120 --> 1:40:56.840
<v Speaker 3>that legend because they didn't tell the whole story.

1:40:58.360 --> 1:41:01.400
<v Speaker 5>Everything everything.

1:41:02.000 --> 1:41:03.400
<v Speaker 2>I'm not sure we're talking about the.

1:41:04.000 --> 1:41:06.400
<v Speaker 3>I don't know what we're talking about either, but we're

1:41:06.400 --> 1:41:08.520
<v Speaker 3>talking about everything.

1:41:09.520 --> 1:41:10.320
<v Speaker 1>Taking a shot.

1:41:12.479 --> 1:41:20.040
<v Speaker 2>Taking already, but everything. You guys want to drive my ship.

1:41:20.040 --> 1:41:25.200
<v Speaker 4>It's drink Champs, y'all, ain't no champs.

1:41:25.160 --> 1:41:28.479
<v Speaker 1>Say something I knew. I knew when you older.

1:41:31.040 --> 1:41:33.439
<v Speaker 2>But that's that's what it up with it.

1:41:33.439 --> 1:41:34.559
<v Speaker 1>So that's an urban legend.

1:41:34.600 --> 1:41:35.080
<v Speaker 2>You're saying.

1:41:35.640 --> 1:41:39.120
<v Speaker 3>You know that it is about this. You've heard everybody

1:41:39.120 --> 1:41:40.960
<v Speaker 3>come on your show and say this type of thing

1:41:41.040 --> 1:41:42.280
<v Speaker 3>about me, right.

1:41:42.200 --> 1:41:43.519
<v Speaker 2>So what is true and what isn't true?

1:41:43.560 --> 1:41:46.759
<v Speaker 3>Erica, Well, I don't think the magic lies between my thighs.

1:41:46.760 --> 1:41:50.479
<v Speaker 3>I think it lies between my ears. And I think

1:41:50.520 --> 1:41:53.400
<v Speaker 3>that's hard for people to understand or accept that.

1:41:53.520 --> 1:41:54.360
<v Speaker 2>Is a mental connection.

1:41:56.200 --> 1:42:00.519
<v Speaker 3>Perhaps, yeah, it's mental. It has very litt to do

1:42:00.600 --> 1:42:03.800
<v Speaker 3>with any of these other things. But I think it's

1:42:03.800 --> 1:42:05.719
<v Speaker 3>a good thing to sell a bottle puts the instance,

1:42:05.720 --> 1:42:08.840
<v Speaker 3>because I think I'll all deserve it.

1:42:09.040 --> 1:42:11.519
<v Speaker 2>Sunny he said it sold out twice.

1:42:12.400 --> 1:42:13.160
<v Speaker 5>Oh more than that.

1:42:13.320 --> 1:42:16.600
<v Speaker 3>You can get it more than that, baby bout you.

1:42:17.400 --> 1:42:18.920
<v Speaker 2>We've been trying to get it for a long time

1:42:19.240 --> 1:42:20.360
<v Speaker 2>we wanted to support you.

1:42:20.439 --> 1:42:22.120
<v Speaker 3>Well, now you have it, will you.

1:42:22.000 --> 1:42:22.599
<v Speaker 1>Give it to him?

1:42:22.600 --> 1:42:23.720
<v Speaker 2>Now he's never gonna bring it back.

1:42:24.800 --> 1:42:27.800
<v Speaker 3>I'll make sure I give you one to thank you

1:42:27.880 --> 1:42:28.200
<v Speaker 3>very much.

1:42:31.479 --> 1:42:41.800
<v Speaker 7>I'll make sure I get three sticks to Boris.

1:42:38.160 --> 1:42:39.800
<v Speaker 1>Because the first thing I walk in the door, it

1:42:39.960 --> 1:42:43.479
<v Speaker 1>is like your boys, man, you know what.

1:42:43.520 --> 1:42:45.240
<v Speaker 2>I'm not gonna put it all on boards because obviously

1:42:45.280 --> 1:42:46.840
<v Speaker 2>I sent Borys in to get the autographed.

1:42:46.880 --> 1:42:50.920
<v Speaker 8>So I was like, oh, go ahead, Brod.

1:42:51.720 --> 1:42:53.880
<v Speaker 1>Do you do you think do you think people meet

1:42:53.920 --> 1:42:58.000
<v Speaker 1>you and are are nervous of that? Like like you said,

1:42:58.000 --> 1:43:03.320
<v Speaker 1>people get nervous of that, your presence, like you said,

1:43:03.400 --> 1:43:08.000
<v Speaker 1>people tearing your world apart, like people saying like people say,

1:43:08.040 --> 1:43:11.160
<v Speaker 1>don't don't don't look you in the eye, like.

1:43:11.560 --> 1:43:13.599
<v Speaker 3>Breaking up your happy home? What is it?

1:43:13.600 --> 1:43:16.400
<v Speaker 2>What's talking about? More specific?

1:43:16.960 --> 1:43:19.160
<v Speaker 1>That's what they say, Like they say that about Janet Jackson,

1:43:20.040 --> 1:43:23.400
<v Speaker 1>about Janet Jackson too, they say that Jason Cary tells

1:43:23.400 --> 1:43:25.200
<v Speaker 1>you don't look at Janet's eyes.

1:43:25.479 --> 1:43:27.080
<v Speaker 2>You never you never heard of that. I heard that,

1:43:27.280 --> 1:43:28.559
<v Speaker 2>Nikim and I and they would saying.

1:43:29.720 --> 1:43:33.360
<v Speaker 3>Look, well maybe it's a lot of us then more

1:43:33.360 --> 1:43:36.840
<v Speaker 3>than you think. Okay, yeah, but I think the urban

1:43:36.920 --> 1:43:41.800
<v Speaker 3>legend kind of comes from just being a creative person. Yeah,

1:43:41.960 --> 1:43:52.000
<v Speaker 3>creative who is fearless, and it is saki okayak.

1:43:54.680 --> 1:43:58.000
<v Speaker 7>All of what I just said, I think, Mama Juana

1:43:58.080 --> 1:43:59.160
<v Speaker 7>goes more with the conversation.

1:44:00.080 --> 1:44:01.160
<v Speaker 1>With the conversation, it.

1:44:01.160 --> 1:44:02.120
<v Speaker 2>Is for you moment.

1:44:02.520 --> 1:44:04.320
<v Speaker 3>I don't even know what I was saying just now.

1:44:05.160 --> 1:44:09.320
<v Speaker 3>You said, I trying to say, the urban legend is

1:44:09.360 --> 1:44:17.799
<v Speaker 3>what it is because there's something happening here. There's something

1:44:17.880 --> 1:44:21.240
<v Speaker 3>happening here. When I get into the lives of of guys,

1:44:21.640 --> 1:44:25.920
<v Speaker 3>something happening here. Do you see the pattern? No, you

1:44:25.960 --> 1:44:27.960
<v Speaker 3>don't see the pattern. You're fired.

1:44:30.160 --> 1:44:31.320
<v Speaker 1>We do see the pattern.

1:44:33.920 --> 1:44:35.960
<v Speaker 3>Okay, Well, this conversation is over because I don't know

1:44:35.960 --> 1:44:39.920
<v Speaker 3>where it's going. All I'm trying to say is I'm

1:44:39.960 --> 1:44:42.080
<v Speaker 3>giving a gift to body pushing incense, and I want

1:44:42.080 --> 1:44:50.400
<v Speaker 3>everyone to enjoy it. I enjoy making them and enjoy

1:44:50.439 --> 1:44:52.920
<v Speaker 3>sharing them. And you said, but you didn't make it

1:44:53.520 --> 1:44:56.720
<v Speaker 3>make what make it? I made the incense, but I

1:44:56.760 --> 1:44:59.320
<v Speaker 3>didn't make the legend. The legend made itself.

1:44:59.439 --> 1:45:02.840
<v Speaker 7>So the big question was, without being crude, how is

1:45:02.880 --> 1:45:05.000
<v Speaker 7>it made? How did the smell come about?

1:45:05.200 --> 1:45:07.080
<v Speaker 5>How did the smell come about will.

1:45:07.120 --> 1:45:11.120
<v Speaker 3>Most guys say that my vagina smells like strawberries and gunpowder.

1:45:11.880 --> 1:45:14.280
<v Speaker 2>Man, it sounds like the sounds like a nice place

1:45:14.320 --> 1:45:15.120
<v Speaker 2>in the wild, wild West.

1:45:18.400 --> 1:45:24.840
<v Speaker 3>So I tried toplicate there. You know, I don't know,

1:45:25.000 --> 1:45:25.800
<v Speaker 3>that's what they say.

1:45:25.880 --> 1:45:28.320
<v Speaker 2>I don't know, she said, I don't know where they.

1:45:28.280 --> 1:45:32.360
<v Speaker 3>Getting strawberries from. But yeah, that's what they say. So

1:45:32.439 --> 1:45:35.040
<v Speaker 3>I try to do picase smell strawberries and gun powder,

1:45:35.040 --> 1:45:36.719
<v Speaker 3>and I hope that I'm doing that.

1:45:38.160 --> 1:45:41.320
<v Speaker 7>J all right, answer your questions, because they had all

1:45:41.400 --> 1:45:43.240
<v Speaker 7>kinds of reasons of how you got it together, and

1:45:44.160 --> 1:45:44.719
<v Speaker 7>it got weird.

1:45:44.720 --> 1:45:46.800
<v Speaker 1>It got weird, got real weird.

1:45:47.840 --> 1:45:50.599
<v Speaker 3>They were like they didn't have someone make their hands

1:45:50.600 --> 1:45:51.280
<v Speaker 3>their hand up.

1:45:55.320 --> 1:45:55.960
<v Speaker 1>He got a question.

1:45:58.160 --> 1:46:02.720
<v Speaker 2>We're here, God, come on for Haiti bro.

1:46:03.760 --> 1:46:09.880
<v Speaker 1>No, maybe not, because he's gonna up come here and

1:46:09.960 --> 1:46:10.639
<v Speaker 1>sign here.

1:46:11.320 --> 1:46:16.639
<v Speaker 17>He listen, listen that candle is it's not a candle.

1:46:16.840 --> 1:46:21.640
<v Speaker 17>I mean sorry, I was staying and I would definitely

1:46:22.000 --> 1:46:24.000
<v Speaker 17>use those every day in my house for the rest

1:46:24.040 --> 1:46:24.759
<v Speaker 17>of my life.

1:46:26.479 --> 1:46:32.360
<v Speaker 3>Go sit down the legend.

1:46:35.479 --> 1:46:42.559
<v Speaker 2>For the rest of his life, he said, He said,

1:46:42.600 --> 1:46:44.240
<v Speaker 2>strawberries and gunpowder for the rest.

1:46:44.080 --> 1:46:44.759
<v Speaker 1>Of his life.

1:46:45.240 --> 1:46:45.880
<v Speaker 5>That's what it is.

1:46:46.400 --> 1:46:48.320
<v Speaker 2>Oh, man, that was amazing.

1:46:48.560 --> 1:46:52.960
<v Speaker 3>How would legends get started? I don't know, something's happening.

1:46:52.600 --> 1:46:58.479
<v Speaker 14>Though something has definitely happened something. And early on you

1:46:58.520 --> 1:47:02.760
<v Speaker 14>worked with Tom Ford. Yeah, Like, how did that come about?

1:47:03.360 --> 1:47:07.160
<v Speaker 3>Tom is also from Texas, is a designer, and he

1:47:07.280 --> 1:47:13.840
<v Speaker 3>reached out. He's from Houston, Texas, Austin, Texas. He started

1:47:13.840 --> 1:47:18.559
<v Speaker 3>out in soap operas as an actor, but he reached

1:47:18.560 --> 1:47:21.959
<v Speaker 3>out to us and he had a campaign called White Paculi.

1:47:22.560 --> 1:47:25.080
<v Speaker 3>He wanted me to be the face of it, and

1:47:25.120 --> 1:47:26.760
<v Speaker 3>I thought it would be really fun. It was the

1:47:26.800 --> 1:47:29.040
<v Speaker 3>first kind of campaign thing that I did. Like that,

1:47:29.840 --> 1:47:32.680
<v Speaker 3>and I really love and respect Tom. What I love

1:47:32.720 --> 1:47:37.880
<v Speaker 3>about fashion and houses is who the current creative director is,

1:47:38.600 --> 1:47:41.160
<v Speaker 3>and the creative director is kind of the person whose

1:47:41.320 --> 1:47:46.000
<v Speaker 3>vision everyone follows. And it's really cool to have seen

1:47:46.160 --> 1:47:50.920
<v Speaker 3>him grow from Tom Ford or from the creative.

1:47:50.560 --> 1:47:51.360
<v Speaker 5>Director of Gucci.

1:47:52.439 --> 1:47:56.400
<v Speaker 3>Where it comes from, Well, he came from himself, but

1:47:56.560 --> 1:48:00.400
<v Speaker 3>he was hired as the creative director of Gucci and

1:48:00.439 --> 1:48:04.400
<v Speaker 3>then to his own brand and for very classy, very cool.

1:48:05.080 --> 1:48:06.800
<v Speaker 1>Were you the first artist he collabed with?

1:48:07.240 --> 1:48:08.240
<v Speaker 3>I'm not sure about that.

1:48:08.880 --> 1:48:14.439
<v Speaker 1>Yeah, And then you had a collection come out with Yeah.

1:48:14.920 --> 1:48:20.400
<v Speaker 3>After that yeah, Marnie, same thing. The brand reached out

1:48:20.880 --> 1:48:26.400
<v Speaker 3>and wanted to collab. Francesco Riso and I became very

1:48:26.520 --> 1:48:29.360
<v Speaker 3>very good friends because of our same kind of creative

1:48:29.360 --> 1:48:33.640
<v Speaker 3>eye and art and and fashion and shape and sculpture,

1:48:34.360 --> 1:48:38.240
<v Speaker 3>and that's how that happened. And we did a really

1:48:38.439 --> 1:48:43.160
<v Speaker 3>really cool line, very short run, but very fun things.

1:48:43.479 --> 1:48:48.519
<v Speaker 3>He used all my aesthetics basically and created a line

1:48:49.040 --> 1:48:54.840
<v Speaker 3>and gave me permission to create with him, so it

1:48:54.920 --> 1:48:55.920
<v Speaker 3>was his world.

1:48:56.200 --> 1:48:59.960
<v Speaker 2>Yeah, what do you love more? Fashion or music?

1:49:01.840 --> 1:49:06.479
<v Speaker 3>I love art. All of it takes the same process. Yeah,

1:49:07.200 --> 1:49:12.120
<v Speaker 3>I have to be doing it making something. Yeah feels

1:49:12.160 --> 1:49:13.360
<v Speaker 3>good to me. It's my therapy.

1:49:14.600 --> 1:49:15.800
<v Speaker 2>Both of them fall under art.

1:49:16.080 --> 1:49:17.160
<v Speaker 3>Yeah, I would.

1:49:17.840 --> 1:49:24.800
<v Speaker 2>Anything that you're creative. Yeah, I came here. How much

1:49:24.840 --> 1:49:27.200
<v Speaker 2>you drink? I would have never thought you came here

1:49:27.240 --> 1:49:27.559
<v Speaker 2>to drink?

1:49:27.560 --> 1:49:27.960
<v Speaker 1>But he's in.

1:49:28.640 --> 1:49:31.040
<v Speaker 2>He's a smoke really but you know, keeping up.

1:49:31.360 --> 1:49:34.320
<v Speaker 3>He didn't drink the whole thing though she called you out.

1:49:34.320 --> 1:49:38.599
<v Speaker 2>You gotta drink it, bro. Now I get to that man,

1:49:40.000 --> 1:49:40.839
<v Speaker 2>you feel refilm.

1:49:41.000 --> 1:49:42.639
<v Speaker 5>That was the guy.

1:49:43.680 --> 1:49:45.200
<v Speaker 7>Let me let me go into this record because I

1:49:45.240 --> 1:49:47.680
<v Speaker 7>wanted to go into this record. So I got the

1:49:47.720 --> 1:49:52.439
<v Speaker 7>test press of it. A bang bang, this is the

1:49:52.479 --> 1:49:53.080
<v Speaker 7>test press.

1:49:53.560 --> 1:49:55.680
<v Speaker 4>How the funk you have that come on?

1:49:55.800 --> 1:49:56.800
<v Speaker 2>You know?

1:49:58.120 --> 1:50:01.639
<v Speaker 7>And this cause there was a lot of controversy when

1:50:01.640 --> 1:50:03.880
<v Speaker 7>it came out, and I remember you showing it to

1:50:03.920 --> 1:50:05.439
<v Speaker 7>me in the studio when you got I think you

1:50:05.479 --> 1:50:09.080
<v Speaker 7>got the mix here in Miami at Criteria, I believe.

1:50:09.040 --> 1:50:11.680
<v Speaker 2>Okay, And I mixed it in Criteria. No no, no no,

1:50:11.840 --> 1:50:12.640
<v Speaker 2>I think you got it.

1:50:12.680 --> 1:50:14.120
<v Speaker 1>We got it.

1:50:14.600 --> 1:50:17.960
<v Speaker 7>I went to the studio you were playing records and

1:50:18.120 --> 1:50:19.800
<v Speaker 7>then booming and you playing You was.

1:50:19.760 --> 1:50:22.559
<v Speaker 2>Like, this is going to be bananas when it comes out,

1:50:22.800 --> 1:50:26.840
<v Speaker 2>and it was Foxy talking about what she was talking about.

1:50:27.080 --> 1:50:29.439
<v Speaker 2>Did you know when you made the beat when the

1:50:29.640 --> 1:50:30.400
<v Speaker 2>record was made?

1:50:30.600 --> 1:50:32.880
<v Speaker 1>Because you didn't make Quiet Storm, right, I haven't made

1:50:32.920 --> 1:50:33.599
<v Speaker 1>a quire storm.

1:50:33.600 --> 1:50:36.160
<v Speaker 4>But I remember the session for this for Bank Bank

1:50:36.800 --> 1:50:38.080
<v Speaker 4>because I came to the studio.

1:50:39.200 --> 1:50:43.280
<v Speaker 2>And one thing about Nori, like anytime we ever.

1:50:43.160 --> 1:50:47.040
<v Speaker 4>Worked, it was always so easy because it was like

1:50:47.160 --> 1:50:49.800
<v Speaker 4>the second beat that I played, it was never more

1:50:49.840 --> 1:50:52.519
<v Speaker 4>than two beats. He was like, that's it, put that

1:50:52.520 --> 1:50:55.000
<v Speaker 4>ship up, let's go. And I remember that day I

1:50:55.040 --> 1:50:57.320
<v Speaker 4>came to the studio and I played that beat. He

1:50:57.439 --> 1:51:00.720
<v Speaker 4>was like, put it up, and then he was like, yeah,

1:51:00.720 --> 1:51:02.600
<v Speaker 4>this is hard. I'm gonna get my little sister on this.

1:51:02.880 --> 1:51:04.759
<v Speaker 4>And he went on the phone in the studio phone.

1:51:05.160 --> 1:51:06.519
<v Speaker 2>I don't know what the fuck he was calling. He

1:51:06.600 --> 1:51:09.920
<v Speaker 2>called Foxy. You didn't know it was called no Idea Aead.

1:51:10.120 --> 1:51:12.000
<v Speaker 4>She must have been in the neighborhood because she was

1:51:12.040 --> 1:51:15.040
<v Speaker 4>there in like fifteen minutes. He must have been death

1:51:15.120 --> 1:51:20.040
<v Speaker 4>Jam somewhere. She fifteen minutes, she pulled up beach playing.

1:51:20.080 --> 1:51:22.240
<v Speaker 4>She wrote like three different rhymes and I'll never.

1:51:22.160 --> 1:51:26.880
<v Speaker 2>Forget to see see she three rhymes, and.

1:51:26.840 --> 1:51:28.960
<v Speaker 4>Then Johnathan Lighty came through because I had to go

1:51:29.080 --> 1:51:31.120
<v Speaker 4>leave to go to another session. I think it might

1:51:31.120 --> 1:51:33.120
<v Speaker 4>have been even the dude, We're gonna make it with Jada,

1:51:33.160 --> 1:51:33.960
<v Speaker 4>but we stayed.

1:51:34.120 --> 1:51:41.800
<v Speaker 2>Come on, we stayed. It was the same time, it

1:51:41.840 --> 1:51:42.559
<v Speaker 2>was the same era.

1:51:42.840 --> 1:51:45.000
<v Speaker 4>Well, we stayed and waited, and she went in the

1:51:45.080 --> 1:51:47.360
<v Speaker 4>move and laid that rhyme and I was.

1:51:47.360 --> 1:51:52.120
<v Speaker 1>Like she she went in there with bis yes, like

1:51:52.120 --> 1:51:54.719
<v Speaker 1>like like because I sold just in case.

1:51:55.000 --> 1:51:57.040
<v Speaker 2>The stage the stage, Yeah, because I didn't know.

1:51:57.960 --> 1:52:02.160
<v Speaker 1>All of us helped her understand what happen. So Little

1:52:02.280 --> 1:52:08.640
<v Speaker 1>Kim and Mob Deep Drops, Quiet Storm remix. Right, this

1:52:08.760 --> 1:52:12.200
<v Speaker 1>is the remix of quemix the remix. Excuse me, I'm

1:52:12.200 --> 1:52:18.200
<v Speaker 1>bad Foxy At the time, I considered my sister right,

1:52:18.400 --> 1:52:21.880
<v Speaker 1>so I finally she was like, yo, let me get

1:52:21.920 --> 1:52:24.799
<v Speaker 1>on the record with y'all, because like we're mob Deep's competition,

1:52:24.880 --> 1:52:30.000
<v Speaker 1>but we're like not their competition, but but we're trying

1:52:30.000 --> 1:52:34.000
<v Speaker 1>to be up there right so here and it's like

1:52:34.080 --> 1:52:36.320
<v Speaker 1>this is more Deep producer too. It's like so it's

1:52:36.320 --> 1:52:43.120
<v Speaker 1>like it's not they can clearly like that, so they

1:52:43.160 --> 1:52:48.880
<v Speaker 1>can clearly ship that there's not no beef because it's

1:52:48.920 --> 1:52:54.479
<v Speaker 1>Alchemist that did it. So but I didn't in my

1:52:54.680 --> 1:52:57.280
<v Speaker 1>naive mind, I didn't know how far fox he was

1:52:57.320 --> 1:53:01.240
<v Speaker 1>going to take it. But she was just the first book.

1:53:01.360 --> 1:53:04.759
<v Speaker 1>So she was just like she was like I'm talking

1:53:04.840 --> 1:53:08.920
<v Speaker 1>about like she went right in, like talking about in

1:53:08.920 --> 1:53:11.320
<v Speaker 1>the boots. She had three different rhymes like she was

1:53:11.840 --> 1:53:13.400
<v Speaker 1>she was exercising in the boot.

1:53:13.520 --> 1:53:14.320
<v Speaker 2>In my mind, like I.

1:53:15.880 --> 1:53:18.719
<v Speaker 1>Was like, oh, and I just have never seen nothing

1:53:18.760 --> 1:53:22.280
<v Speaker 1>like that, especially from a female. And I wouldn't. I wouldn't.

1:53:22.960 --> 1:53:25.040
<v Speaker 1>And the beating is like I wouldn't edit a man,

1:53:25.760 --> 1:53:27.880
<v Speaker 1>so I wasn't. I couldn't edit her, you know what

1:53:27.920 --> 1:53:30.400
<v Speaker 1>I mean. I couldn't be like, yo, chill, don't say that.

1:53:31.000 --> 1:53:35.360
<v Speaker 1>So it was it was weird because like she just

1:53:35.479 --> 1:53:37.080
<v Speaker 1>puff on and ship like.

1:53:37.040 --> 1:53:41.000
<v Speaker 18>She just went crazy. She just even have to do

1:53:41.160 --> 1:53:45.240
<v Speaker 18>with nothing. Let me REI the mill Man. I was like, oh,

1:53:45.840 --> 1:53:48.759
<v Speaker 18>when you showed me the record, you were uncomfortable. Yeah,

1:53:48.920 --> 1:53:51.960
<v Speaker 18>he was uncomfortable. I really was controversy.

1:53:55.200 --> 1:54:03.200
<v Speaker 2>Stop, Like, I don't know the hook Bang Bang Bank.

1:54:04.520 --> 1:54:09.800
<v Speaker 1>Is one of the best records before, but but we

1:54:09.840 --> 1:54:11.960
<v Speaker 1>had I have it on.

1:54:12.040 --> 1:54:13.840
<v Speaker 2>Here last week and I just had to tell him.

1:54:13.840 --> 1:54:16.120
<v Speaker 1>I was like, yo, bro, if I had to, if

1:54:16.120 --> 1:54:16.920
<v Speaker 1>I had like.

1:54:16.960 --> 1:54:18.000
<v Speaker 2>A more of a like.

1:54:19.960 --> 1:54:23.439
<v Speaker 1>Idea of where life was going, I would have asked.

1:54:23.240 --> 1:54:24.920
<v Speaker 2>Foxy to calm down a little bit.

1:54:26.360 --> 1:54:28.120
<v Speaker 1>I would have asked, but I didn't even know how

1:54:28.240 --> 1:54:30.400
<v Speaker 1>to because I was like, she came in just like

1:54:34.120 --> 1:54:35.640
<v Speaker 1>and then she had three.

1:54:35.480 --> 1:54:36.360
<v Speaker 2>Different ones.

1:54:38.320 --> 1:54:38.960
<v Speaker 1>Because I don't want to.

1:54:41.520 --> 1:54:44.000
<v Speaker 2>The moment she went was the one. Though I loved.

1:54:43.760 --> 1:54:46.520
<v Speaker 1>Making making I loved making the record with Foxy, but

1:54:46.880 --> 1:54:51.879
<v Speaker 1>I do regret making that record because you still regretted

1:54:51.880 --> 1:54:57.520
<v Speaker 1>to the leg to a lot of drama. Let's unnecessary problems.

1:54:57.720 --> 1:54:59.560
<v Speaker 3>Obviously this is a regional thing.

1:55:00.160 --> 1:55:04.360
<v Speaker 1>Yeah, this is it. Yeah, because you have no idea

1:55:04.400 --> 1:55:05.360
<v Speaker 1>what we're talking about.

1:55:07.120 --> 1:55:09.680
<v Speaker 3>But it's an interesting though.

1:55:09.880 --> 1:55:13.320
<v Speaker 1>Yes, and I asked you what you like more performing

1:55:13.520 --> 1:55:15.680
<v Speaker 1>or or recording.

1:55:15.760 --> 1:55:20.640
<v Speaker 3>Yeah, it's it's different things. But I prefer performing. Thus

1:55:20.760 --> 1:55:23.760
<v Speaker 3>why we did this tour this way. A lot of

1:55:23.800 --> 1:55:27.680
<v Speaker 3>times as artists we have to wait. Like myself, I'm

1:55:27.720 --> 1:55:31.160
<v Speaker 3>a performance artist. That's I came from the theater theater.

1:55:31.240 --> 1:55:32.680
<v Speaker 2>Yeah, I got that in my notes.

1:55:32.840 --> 1:55:35.600
<v Speaker 3>Yes, I majored in theater in high school and in

1:55:35.640 --> 1:55:40.680
<v Speaker 3>college HSBCU, I did Grammlin State University GEUS.

1:55:41.920 --> 1:55:43.840
<v Speaker 1>I can't say that, right you round upon right?

1:55:44.360 --> 1:55:47.400
<v Speaker 3>Ought you knew what college is that. I went to

1:55:47.440 --> 1:55:51.840
<v Speaker 3>Grammley and State University, Louisiana HBCU.

1:55:52.360 --> 1:55:55.400
<v Speaker 5>I majored in theater there, and I did that also

1:55:55.440 --> 1:55:56.120
<v Speaker 5>in high school.

1:55:56.160 --> 1:55:56.440
<v Speaker 4>I was.

1:55:57.360 --> 1:56:02.560
<v Speaker 3>I had a lot of fun acting and creating. You know,

1:56:04.600 --> 1:56:07.880
<v Speaker 3>I forgot the question though, what was the full question?

1:56:08.400 --> 1:56:09.160
<v Speaker 3>Do you remember?

1:56:09.520 --> 1:56:09.760
<v Speaker 4>Ship?

1:56:09.840 --> 1:56:11.880
<v Speaker 2>I forgot too, I was. I was into your answer.

1:56:12.680 --> 1:56:19.480
<v Speaker 6>H What do we say performing or perform recording?

1:56:20.240 --> 1:56:22.080
<v Speaker 5>I prefer performing.

1:56:22.560 --> 1:56:27.760
<v Speaker 3>I think recording gives you an opportunity to perfect a moment,

1:56:28.680 --> 1:56:33.360
<v Speaker 3>where performing gives you an opportunity to just create a moment.

1:56:34.160 --> 1:56:36.760
<v Speaker 3>That's why we don't have any cameras in our shows,

1:56:37.720 --> 1:56:41.600
<v Speaker 3>or the press can't have any uh equipment, They can

1:56:41.640 --> 1:56:42.240
<v Speaker 3>only have.

1:56:43.720 --> 1:56:45.040
<v Speaker 5>Digital What was it.

1:56:45.720 --> 1:56:47.720
<v Speaker 2>You said, You said disposable cameras.

1:56:48.440 --> 1:56:50.720
<v Speaker 3>Yes, we want to be able to create that moment,

1:56:50.760 --> 1:56:53.640
<v Speaker 3>to stay in your mind and urge the audience to

1:56:53.640 --> 1:56:56.680
<v Speaker 3>write about it, you know, because I think that it's

1:56:56.800 --> 1:57:01.640
<v Speaker 3>very special, takes us back to another time, and I

1:57:01.680 --> 1:57:04.760
<v Speaker 3>love performing a lot. It's where I get the immediate

1:57:04.800 --> 1:57:07.760
<v Speaker 3>response from the audience. It's kind of like we become

1:57:07.800 --> 1:57:12.120
<v Speaker 3>one living, breathing organism together. It's a feeling that cannot

1:57:12.120 --> 1:57:17.320
<v Speaker 3>be duplicated anywhere else, not even on an album. Yeah,

1:57:17.440 --> 1:57:20.480
<v Speaker 3>it's different. There's a special feeling from a record, recorded

1:57:20.560 --> 1:57:23.360
<v Speaker 3>record or an album because you get to kind of

1:57:23.800 --> 1:57:26.520
<v Speaker 3>relive that over and over again. But the performance is

1:57:26.560 --> 1:57:32.240
<v Speaker 3>one time, and I really like that kind of energy.

1:57:32.520 --> 1:57:39.720
<v Speaker 3>It changes something from Yeah, from another point of view,

1:57:40.840 --> 1:57:43.560
<v Speaker 3>listening to it over and over again, you get the

1:57:43.600 --> 1:57:44.480
<v Speaker 3>perfected version.

1:57:44.680 --> 1:57:48.120
<v Speaker 5>But performing is just once. It's only that time.

1:57:48.480 --> 1:57:49.800
<v Speaker 2>No cameras is crazy.

1:57:52.320 --> 1:57:55.040
<v Speaker 1>It's like the lyricist lounge type of thing, right, but.

1:57:55.040 --> 1:57:58.880
<v Speaker 4>Does it No, It's it's actually better because the crowd

1:57:59.000 --> 1:58:00.120
<v Speaker 4>is completely.

1:58:01.160 --> 1:58:03.040
<v Speaker 2>You forget because we can't from the era.

1:58:02.920 --> 1:58:05.040
<v Speaker 4>When it was no phones, right, and forget it when

1:58:05.080 --> 1:58:08.200
<v Speaker 4>you when you do showing now with no phones, niggas.

1:58:07.920 --> 1:58:11.280
<v Speaker 3>Can't catch nobody crowd surfing with them phones right.

1:58:14.240 --> 1:58:17.600
<v Speaker 2>Hard you try to jump in with the phones, they.

1:58:17.400 --> 1:58:19.640
<v Speaker 3>Had to like protect the phone for.

1:58:21.760 --> 1:58:24.920
<v Speaker 1>So let me ask, because we live in real time, right?

1:58:25.600 --> 1:58:26.600
<v Speaker 1>We live in real time?

1:58:26.720 --> 1:58:26.880
<v Speaker 3>Right?

1:58:27.000 --> 1:58:29.400
<v Speaker 1>So meaning like you know, you guys can perform a

1:58:29.440 --> 1:58:32.880
<v Speaker 1>new album and can see there's great reactions to certain songs,

1:58:33.080 --> 1:58:36.760
<v Speaker 1>but there's like subtle reactions to other songs. Do y'all

1:58:36.800 --> 1:58:38.400
<v Speaker 1>live in real time and say, let me chuck this

1:58:38.480 --> 1:58:41.120
<v Speaker 1>song or let me like replace this or what do

1:58:41.160 --> 1:58:42.600
<v Speaker 1>you do like? Or do you stick with it?

1:58:42.760 --> 1:58:42.880
<v Speaker 2>Like?

1:58:43.080 --> 1:58:45.000
<v Speaker 1>How does this go? Because we live in real time, really,

1:58:45.000 --> 1:58:47.920
<v Speaker 1>we can switch the record like and an album could

1:58:47.960 --> 1:58:49.400
<v Speaker 1>be live in a sense now.

1:58:50.040 --> 1:58:55.200
<v Speaker 3>Yeah, so I haven't experienced any of that yet. Everyone

1:58:55.360 --> 1:59:01.040
<v Speaker 3>is so present because there are no phones that you

1:59:01.160 --> 1:59:05.480
<v Speaker 3>are absorbing every single thing, you know, and we're doing

1:59:05.480 --> 1:59:10.760
<v Speaker 3>the same thing too. We're absorbing the audience's reaction and

1:59:10.880 --> 1:59:15.720
<v Speaker 3>becoming even more inspired by that. What do you think?

1:59:16.440 --> 1:59:19.960
<v Speaker 2>Yeah, not changing nothing, but and is it live band

1:59:20.160 --> 1:59:20.880
<v Speaker 2>or DJ?

1:59:21.280 --> 1:59:24.440
<v Speaker 4>It's like a mix okay, so we like nobody's heard

1:59:24.480 --> 1:59:27.240
<v Speaker 4>anything before anyway, playing with some of the beats live,

1:59:28.720 --> 1:59:31.200
<v Speaker 4>you got to see it. But like, like, like performing

1:59:31.200 --> 1:59:35.280
<v Speaker 4>with her is something I've never done, Like I've done DJing,

1:59:36.320 --> 1:59:39.240
<v Speaker 4>I've wrapped once.

1:59:39.080 --> 1:59:39.480
<v Speaker 2>I got on.

1:59:40.040 --> 1:59:42.560
<v Speaker 4>We we went first before the store, we went to Japan.

1:59:45.360 --> 1:59:47.800
<v Speaker 4>We did perform. We did a whole tour in Japan,

1:59:48.440 --> 1:59:52.280
<v Speaker 4>just practiced. And the crew is called the Cannabinoids. First

1:59:52.280 --> 1:59:54.840
<v Speaker 4>of all, shout out to the cannabin.

1:59:56.600 --> 1:59:56.680
<v Speaker 17>S.

1:59:56.800 --> 1:59:59.280
<v Speaker 2>One job born, Rob Free.

2:00:00.000 --> 2:00:02.080
<v Speaker 4>I don't I don't want to see anybody are seeing

2:00:02.960 --> 2:00:06.360
<v Speaker 4>you know what I'm saying, Leon Brother.

2:00:06.800 --> 2:00:07.320
<v Speaker 1>It's a crew.

2:00:08.640 --> 2:00:08.920
<v Speaker 2>Listen.

2:00:09.760 --> 2:00:14.160
<v Speaker 4>She has the most talented motherfuckers on stage with her.

2:00:14.400 --> 2:00:16.360
<v Speaker 5>We're all we're all digital band.

2:00:17.360 --> 2:00:20.440
<v Speaker 3>We've been performing together for a long time and Alchemists

2:00:20.440 --> 2:00:23.520
<v Speaker 3>came in and just became one part of the thing.

2:00:23.680 --> 2:00:28.040
<v Speaker 4>So she has aliens on stage with her. Everybody on

2:00:28.120 --> 2:00:31.920
<v Speaker 4>stage is like, I feel like an imposter because I'm

2:00:31.960 --> 2:00:33.800
<v Speaker 4>just I'm just triggering.

2:00:35.240 --> 2:00:36.720
<v Speaker 5>So like that's fair.

2:00:37.280 --> 2:00:40.240
<v Speaker 4>We went to Japan first, We did a chour in Japan.

2:00:40.480 --> 2:00:42.800
<v Speaker 4>We did, and when we went to Japan, we didn't

2:00:42.800 --> 2:00:45.320
<v Speaker 4>play the new album. We played like two songs.

2:00:45.920 --> 2:00:48.200
<v Speaker 3>Maybe play two songs, two singles.

2:00:47.800 --> 2:00:51.040
<v Speaker 2>That were testing out the theory of what just.

2:00:51.120 --> 2:00:55.840
<v Speaker 3>Out like our chemistry because we performed totally live on

2:00:56.280 --> 2:00:57.360
<v Speaker 3>digital instruments.

2:00:57.600 --> 2:00:59.680
<v Speaker 4>But you guys had never been so you were that's

2:00:59.720 --> 2:01:03.000
<v Speaker 4>what you're like it out. It's a band like her

2:01:03.040 --> 2:01:08.080
<v Speaker 4>crew to cannabinoids. They are insane. It's everybody has their

2:01:08.120 --> 2:01:09.520
<v Speaker 4>own like production station.

2:01:09.640 --> 2:01:16.360
<v Speaker 2>Were you intimidated by that? Of course everybody is like insane, understand.

2:01:16.000 --> 2:01:18.480
<v Speaker 3>That, but you know, once he gets out there, she.

2:01:18.560 --> 2:01:21.840
<v Speaker 4>Pushed me like, okay, shout out to exile, shout to

2:01:21.880 --> 2:01:25.840
<v Speaker 4>a rad beats you know about the like PC, right,

2:01:26.520 --> 2:01:29.760
<v Speaker 4>I've never done that. So when she had the idea,

2:01:29.920 --> 2:01:31.520
<v Speaker 4>she was like, I want you to play on your

2:01:31.600 --> 2:01:34.160
<v Speaker 4>MP and trigger the beats and like join in with us.

2:01:34.320 --> 2:01:37.320
<v Speaker 2>I was nervous, you know, because that's not my world.

2:01:37.480 --> 2:01:40.440
<v Speaker 2>But she she's the type. She said, you're gonna be

2:01:41.600 --> 2:01:42.240
<v Speaker 2>You'll be ayad.

2:01:42.800 --> 2:01:47.160
<v Speaker 4>And we went to Japan and it was insane, like,

2:01:47.240 --> 2:01:49.960
<v Speaker 4>I'm playing beats out the n P I never played before.

2:01:49.880 --> 2:01:52.560
<v Speaker 2>Triggering ship in sync. Well, the best one is playing

2:01:52.600 --> 2:01:53.200
<v Speaker 2>the drums.

2:01:53.280 --> 2:01:57.240
<v Speaker 4>Job Warren is playing the drums did of course, but.

2:01:57.240 --> 2:01:58.880
<v Speaker 2>You know what she told me. You know what she

2:01:58.960 --> 2:02:00.640
<v Speaker 2>told me, if you fuck up.

2:02:00.680 --> 2:02:04.360
<v Speaker 4>Keep going. She's from the jazz. Well that's analog. She

2:02:04.480 --> 2:02:07.880
<v Speaker 4>fuck up, she's jazz and theater. So she told me

2:02:07.960 --> 2:02:10.560
<v Speaker 4>from the gate, if you fuck up, just keep going,

2:02:10.640 --> 2:02:12.200
<v Speaker 4>pick it up, just keep doing.

2:02:12.280 --> 2:02:13.200
<v Speaker 2>Just no fuck ups.

2:02:13.440 --> 2:02:15.040
<v Speaker 3>Yeah, everyone knows what you're doing.

2:02:15.320 --> 2:02:17.480
<v Speaker 2>Right. The audience is a nose that gave me because

2:02:17.520 --> 2:02:20.360
<v Speaker 2>you are weird than the audience nose. I've never done it,

2:02:20.400 --> 2:02:22.040
<v Speaker 2>so it gets me confidence, you know what I mean.

2:02:22.200 --> 2:02:27.120
<v Speaker 3>And he's amazing on stage. I wouldn't know that you've

2:02:27.120 --> 2:02:28.040
<v Speaker 3>never done that before.

2:02:28.400 --> 2:02:28.640
<v Speaker 2>Never.

2:02:29.440 --> 2:02:32.800
<v Speaker 7>Yeah, and it seems like such an amazing collaboration.

2:02:33.960 --> 2:02:35.200
<v Speaker 3>Yeah, we have so much fun.

2:02:35.680 --> 2:02:37.720
<v Speaker 4>It was great. And now the tours now is like

2:02:38.040 --> 2:02:39.960
<v Speaker 4>we were able to go to Japan first and like

2:02:40.040 --> 2:02:40.640
<v Speaker 4>tune it up.

2:02:41.120 --> 2:02:43.880
<v Speaker 2>Now we're playing the whole new album. You should probably

2:02:43.920 --> 2:02:45.880
<v Speaker 2>go back to Japan and give them the other the

2:02:46.160 --> 2:02:47.320
<v Speaker 2>now the refined version.

2:02:48.440 --> 2:02:52.200
<v Speaker 3>We'll do that too, you know, we're playing it by ear.

2:02:52.280 --> 2:02:55.520
<v Speaker 3>I'm a very intuitive artist and I'm just lucky to

2:02:55.560 --> 2:02:59.280
<v Speaker 3>have people around me who are patient with my pace

2:03:00.280 --> 2:03:04.480
<v Speaker 3>as I am creating. And you have been that so much,

2:03:04.680 --> 2:03:08.000
<v Speaker 3>and I thank you and the Canalinoids and all the

2:03:08.080 --> 2:03:11.440
<v Speaker 3>other members of my Badu world, thank you so much.

2:03:12.680 --> 2:03:19.360
<v Speaker 3>It's a labor of love. Everybody sacrifices so many things too.

2:03:20.400 --> 2:03:22.320
<v Speaker 3>You know, when you have a head like I don't

2:03:22.320 --> 2:03:24.600
<v Speaker 3>know who the head of this thing is. But when

2:03:24.600 --> 2:03:30.400
<v Speaker 3>there's a it could be a duel like us, but

2:03:30.520 --> 2:03:35.320
<v Speaker 3>when there's a vision and the main concern is getting

2:03:35.360 --> 2:03:39.080
<v Speaker 3>everybody on the same page so that everybody moves in

2:03:39.120 --> 2:03:42.280
<v Speaker 3>the same way, and you look like you have a

2:03:42.320 --> 2:03:45.840
<v Speaker 3>group of people here that really believe in what you're

2:03:45.840 --> 2:03:52.520
<v Speaker 3>doing and have found fun inside of it. And that's

2:03:52.520 --> 2:03:55.200
<v Speaker 3>what it's all about, and that's what we try to

2:03:57.120 --> 2:04:00.240
<v Speaker 3>continue to create within our And.

2:04:01.880 --> 2:04:04.080
<v Speaker 1>So did I name it like a new group or

2:04:04.120 --> 2:04:05.840
<v Speaker 1>it's not. It's like, it's just.

2:04:06.240 --> 2:04:08.880
<v Speaker 3>I'm a live performer. So what people know about Eric

2:04:08.880 --> 2:04:11.920
<v Speaker 3>Ibadu are these albums. But what I do for a

2:04:11.920 --> 2:04:15.160
<v Speaker 3>living is perform live. I put out an album when

2:04:15.160 --> 2:04:18.600
<v Speaker 3>I have something to say. But for the past thirty years,

2:04:18.640 --> 2:04:20.680
<v Speaker 3>I've been performing eight months out of the year with

2:04:20.800 --> 2:04:24.480
<v Speaker 3>no brief I have never taken a vacation. Wow, because

2:04:24.560 --> 2:04:27.400
<v Speaker 3>it's what I do and I've been traveling the world

2:04:27.440 --> 2:04:30.080
<v Speaker 3>doing that. It may not get a lot of press

2:04:30.200 --> 2:04:32.880
<v Speaker 3>or everything, but I don't need a validation of that.

2:04:33.880 --> 2:04:38.000
<v Speaker 3>It is so I can live and survive as a

2:04:38.120 --> 2:04:39.520
<v Speaker 3>human spirit person.

2:04:39.600 --> 2:04:41.040
<v Speaker 2>That's what feeds my therapy.

2:04:41.280 --> 2:04:44.400
<v Speaker 3>It feeds, it feeds me. I don't have to feed

2:04:44.440 --> 2:04:48.960
<v Speaker 3>off of others because I have that, and that's what

2:04:49.000 --> 2:04:49.320
<v Speaker 3>I do.

2:04:50.480 --> 2:04:53.800
<v Speaker 2>Can we see a future in a second project?

2:04:54.600 --> 2:04:57.400
<v Speaker 3>I see so many projects, so many different other things.

2:04:57.600 --> 2:04:59.920
<v Speaker 3>He's a genius, and he doesn't want to talk about it.

2:05:00.040 --> 2:05:05.440
<v Speaker 3>He's trying to play this sweet old ship. I don't know.

2:05:06.360 --> 2:05:08.280
<v Speaker 5>This man is a fucking beast.

2:05:08.680 --> 2:05:09.880
<v Speaker 3>I gotta go the restaurant.

2:05:10.000 --> 2:05:11.200
<v Speaker 2>Yes, yes, they know me.

2:05:11.960 --> 2:05:12.120
<v Speaker 1>Yes.

2:05:13.880 --> 2:05:15.480
<v Speaker 2>So do you see another project?

2:05:16.240 --> 2:05:21.440
<v Speaker 1>Y'all working on a project?

2:05:22.320 --> 2:05:25.760
<v Speaker 2>It's yeah, it's a I'm saying new beasts all that.

2:05:33.160 --> 2:05:33.400
<v Speaker 1>About.

2:05:36.400 --> 2:05:42.360
<v Speaker 4>Let me just say this, man, it's been a fucking

2:05:42.440 --> 2:05:43.320
<v Speaker 4>long time man.

2:05:44.200 --> 2:05:46.840
<v Speaker 2>How long have you been working on that fun the album?

2:05:46.880 --> 2:05:50.400
<v Speaker 2>What do you saying album? It's been a long time.

2:05:50.440 --> 2:05:52.320
<v Speaker 2>I came to drink camps one time and I.

2:05:52.320 --> 2:05:55.560
<v Speaker 7>Was a visitor and you didn't say.

2:05:55.240 --> 2:06:01.000
<v Speaker 4>You guys are in that fucking Orion's was old. It

2:06:01.080 --> 2:06:03.000
<v Speaker 4>was that it was with earthquake.

2:06:03.520 --> 2:06:06.200
<v Speaker 2>Yeah, he just he came through. But listen, let me

2:06:06.280 --> 2:06:09.440
<v Speaker 2>just say this man, I known you a long time.

2:06:09.480 --> 2:06:09.600
<v Speaker 3>Bro.

2:06:09.720 --> 2:06:12.400
<v Speaker 2>You we made history. We did all that.

2:06:12.520 --> 2:06:15.040
<v Speaker 4>This ship y'all got is special and I'm glad that

2:06:15.080 --> 2:06:17.240
<v Speaker 4>I was able to be a part of it.

2:06:17.080 --> 2:06:18.440
<v Speaker 2>It has been a long time.

2:06:18.480 --> 2:06:18.680
<v Speaker 11>Man.

2:06:18.800 --> 2:06:24.160
<v Speaker 2>Shout the Drink Champ All right, what kind don't forget

2:06:24.480 --> 2:06:27.640
<v Speaker 2>you made the Drink Champs record. He was just hearing

2:06:27.680 --> 2:06:31.480
<v Speaker 2>the work drink around the office. Did you know that?

2:06:31.720 --> 2:06:33.560
<v Speaker 2>Let me let me tell you how real nor is

2:06:34.440 --> 2:06:36.040
<v Speaker 2>take a shot. Let me just shot.

2:06:39.280 --> 2:06:40.320
<v Speaker 1>Yeah.

2:06:40.400 --> 2:06:43.280
<v Speaker 19>I did the original beat for the Drink Champs beat. Yes,

2:06:43.360 --> 2:06:45.520
<v Speaker 19>right now, the Drink Champs beat in the place. It

2:06:45.600 --> 2:06:48.680
<v Speaker 19>was a song called Drink Champion here in my studio.

2:06:48.960 --> 2:06:52.600
<v Speaker 19>Defeat was for we Originally me and Norri did it.

2:06:52.600 --> 2:06:55.240
<v Speaker 19>It was like Carton said, Yo, little Wayne. He was

2:06:55.520 --> 2:07:00.800
<v Speaker 19>Wayne Wayne. He was just goddamn God, was so gangster.

2:07:00.920 --> 2:07:04.760
<v Speaker 19>He said, I don't give a funk beat, and we're good,

2:07:05.240 --> 2:07:07.920
<v Speaker 19>and I have a picture. I did a contract for

2:07:08.120 --> 2:07:09.720
<v Speaker 19>one dollar.

2:07:10.480 --> 2:07:13.839
<v Speaker 4>One dollar because we had to put some money under contract,

2:07:13.880 --> 2:07:16.360
<v Speaker 4>and we cut it for one dollar for the other

2:07:16.440 --> 2:07:19.560
<v Speaker 4>remix for Drinks Camps. That's what I say, Bro, I

2:07:19.560 --> 2:07:21.640
<v Speaker 4>appreciate you because that was one of my biggest records.

2:07:21.640 --> 2:07:27.200
<v Speaker 1>Man, Wayne, you want friend, and you called me, he said,

2:07:27.280 --> 2:07:27.880
<v Speaker 1>Lil Wayne.

2:07:28.080 --> 2:07:29.880
<v Speaker 2>I was like, yo, you got to do that. Just

2:07:29.880 --> 2:07:32.160
<v Speaker 2>swist the beat and that's it. Like it was quite

2:07:32.200 --> 2:07:33.440
<v Speaker 2>more mad than him though.

2:07:33.400 --> 2:07:34.000
<v Speaker 1>Oh yeah yeah.

2:07:36.200 --> 2:07:37.240
<v Speaker 2>It was like drink second.

2:07:37.800 --> 2:07:39.360
<v Speaker 7>That's the thing we were saying at the time of

2:07:39.440 --> 2:07:41.680
<v Speaker 7>the studio record.

2:07:45.840 --> 2:07:50.320
<v Speaker 1>This was show, but the second bet, the second was

2:07:50.480 --> 2:07:51.040
<v Speaker 1>It wasn't.

2:07:50.840 --> 2:07:53.080
<v Speaker 2>A it was waiting for the podcast was a night

2:07:53.080 --> 2:07:54.080
<v Speaker 2>idea for everything.

2:07:54.280 --> 2:07:56.040
<v Speaker 4>But like yo, I just want to say, man, I

2:07:56.080 --> 2:07:56.680
<v Speaker 4>appreciate you.

2:07:56.760 --> 2:07:58.720
<v Speaker 2>I love you, bro, man. I appreciate you for letting

2:07:58.720 --> 2:07:59.040
<v Speaker 2>me live.

2:07:59.080 --> 2:08:01.520
<v Speaker 1>I appreciate you holding me that. Remember that's my that's

2:08:01.560 --> 2:08:03.240
<v Speaker 1>my that's my little son that I brought.

2:08:03.160 --> 2:08:03.800
<v Speaker 2>To your studio.

2:08:04.240 --> 2:08:08.520
<v Speaker 1>He's older now, yeah, yeah, yeah, remember he was little

2:08:08.920 --> 2:08:11.200
<v Speaker 1>that my wife brought them to studio and we played

2:08:11.200 --> 2:08:14.400
<v Speaker 1>ping pong all day and you know your organic wine.

2:08:14.920 --> 2:08:18.680
<v Speaker 2>I appreciate I love is a staple, man.

2:08:18.880 --> 2:08:19.720
<v Speaker 4>I like it. Man.

2:08:19.840 --> 2:08:23.400
<v Speaker 2>I appreciate why you doing this? Love the game. I

2:08:23.440 --> 2:08:24.440
<v Speaker 2>got my partner.

2:08:27.160 --> 2:08:31.720
<v Speaker 7>Listen easily, both of y'all separately, Like Eric could be

2:08:31.720 --> 2:08:35.560
<v Speaker 7>here by herself. We needed her by herself. You by yourself, Yes,

2:08:35.840 --> 2:08:40.280
<v Speaker 7>but this is amazing together. Yes, yes, I appreciate y'all.

2:08:42.000 --> 2:08:44.400
<v Speaker 1>Both. So you're not change the group like you know

2:08:44.440 --> 2:08:47.640
<v Speaker 1>how like Bruno Mars and what you called they named

2:08:47.640 --> 2:08:50.480
<v Speaker 1>the group. You're not gonna name different. It's just it's

2:08:50.880 --> 2:08:52.920
<v Speaker 1>what is it? Abby, Al that's the name of the album.

2:08:53.520 --> 2:08:58.680
<v Speaker 1>Abby Allen know named the group bad too. I followed her, Lady,

2:08:58.800 --> 2:09:01.320
<v Speaker 1>she's my fear of this, this leader. Okay, you know what

2:09:01.320 --> 2:09:01.879
<v Speaker 1>I'm saying.

2:09:02.520 --> 2:09:03.960
<v Speaker 5>It seems like that's what's happening.

2:09:04.200 --> 2:09:08.960
<v Speaker 1>Okay, all right, yeah, Now who you think got more hats?

2:09:09.360 --> 2:09:11.240
<v Speaker 2>Alchemists or you and what?

2:09:11.760 --> 2:09:15.440
<v Speaker 7>Like hats just like the words you know, he's saying.

2:09:15.520 --> 2:09:17.960
<v Speaker 1>No, we don't have no hats, real hats, like real

2:09:18.160 --> 2:09:27.080
<v Speaker 1>like hatt because you guys are because I don't remember

2:09:27.080 --> 2:09:31.120
<v Speaker 1>seeing Alchemists without a hat never never, And I don't.

2:09:30.920 --> 2:09:32.880
<v Speaker 2>Remember seeing throw it out there.

2:09:33.440 --> 2:09:35.840
<v Speaker 1>I haven't seen you without a hat in a long time.

2:09:36.280 --> 2:09:36.959
<v Speaker 3>I understand.

2:09:37.080 --> 2:09:41.760
<v Speaker 1>Okay, So, so who you think has more hats?

2:09:41.800 --> 2:09:46.880
<v Speaker 3>We not. We don't separate that anymore. Our hats are one.

2:09:47.480 --> 2:09:49.560
<v Speaker 2>One happened equal hats.

2:09:49.560 --> 2:09:51.520
<v Speaker 5>Okay, it's just our hats now.

2:09:52.080 --> 2:09:54.600
<v Speaker 3>That's because of Abby and Al And it's kind of

2:09:54.640 --> 2:09:57.080
<v Speaker 3>like we don't try to fight about it. Anymore.

2:09:57.120 --> 2:09:57.760
<v Speaker 5>At first, we.

2:09:57.680 --> 2:10:00.840
<v Speaker 3>Did you know we would.

2:10:01.080 --> 2:10:10.280
<v Speaker 1>Established Christopher Columbia, Chris Columbia, Columbia is.

2:10:13.560 --> 2:10:14.640
<v Speaker 3>Columbius is crazy.

2:10:16.760 --> 2:10:19.880
<v Speaker 2>So you have this represent before.

2:10:20.880 --> 2:10:23.440
<v Speaker 4>But she had a crazy outfit she wanted me to

2:10:23.520 --> 2:10:26.680
<v Speaker 4>wear that was like it looked like a mixing and Luigi.

2:10:28.720 --> 2:10:31.800
<v Speaker 2>Okay, I thought you would be really cute and it

2:10:31.920 --> 2:10:32.520
<v Speaker 2>was really.

2:10:34.720 --> 2:10:35.080
<v Speaker 3>Pressing.

2:10:35.600 --> 2:10:38.480
<v Speaker 1>I thought you she is a style king.

2:10:38.960 --> 2:10:41.440
<v Speaker 2>I follow her lead. Okay, it's nobody, but not in

2:10:41.520 --> 2:10:43.920
<v Speaker 2>the c Let me just say. Let me just say this.

2:10:45.000 --> 2:10:47.720
<v Speaker 2>There's nobody Ilert in the whole fucking world with.

2:10:48.200 --> 2:10:51.240
<v Speaker 3>The lepar tites. Not for me, not for me.

2:10:51.720 --> 2:10:54.560
<v Speaker 2>I'm just saying, I can't you got wearing Leopard.

2:10:59.760 --> 2:11:21.360
<v Speaker 3>He is good in everything. He's like sample size ladies.

2:11:23.920 --> 2:11:24.920
<v Speaker 3>Anything else too big?

2:11:25.440 --> 2:11:31.360
<v Speaker 2>Oh ship, I ever heard of my life like.

2:11:31.480 --> 2:11:36.480
<v Speaker 3>A strong like six seven sample size. And I tried

2:11:36.520 --> 2:11:39.000
<v Speaker 3>things on him and he lets me a couple.

2:11:38.760 --> 2:11:42.240
<v Speaker 2>Of crazy faces. I had the yeah, are you suspended?

2:11:42.560 --> 2:11:44.200
<v Speaker 3>And I'm not gonna get mad if he doesn't like it,

2:11:44.320 --> 2:11:46.360
<v Speaker 3>as long as you let me try to take a picture.

2:11:47.560 --> 2:11:48.440
<v Speaker 1>You just take a picture.

2:11:49.120 --> 2:11:50.920
<v Speaker 2>The album cover you're gonna throw, You're gonna throw on

2:11:51.040 --> 2:11:51.360
<v Speaker 2>that ship.

2:11:51.440 --> 2:11:53.200
<v Speaker 3>You don't know what's gonna happen for the album cover.

2:11:53.280 --> 2:11:53.680
<v Speaker 4>You don't know?

2:11:55.280 --> 2:11:57.520
<v Speaker 2>Yeh, so you got young divisions for the alcohol he

2:11:57.680 --> 2:12:00.320
<v Speaker 2>leaves man. Okay, no, but come on, but.

2:12:00.360 --> 2:12:03.120
<v Speaker 3>If he tells me something like, hey, this makes me

2:12:03.480 --> 2:12:07.480
<v Speaker 3>tell it, Toby, I don't. I don't push it. I

2:12:07.560 --> 2:12:08.160
<v Speaker 3>don't push it.

2:12:11.960 --> 2:12:12.680
<v Speaker 2>I wasn't ready.

2:12:13.960 --> 2:12:18.240
<v Speaker 3>I couldn't see wearing some crazy ship now thatt Ill style,

2:12:20.600 --> 2:12:21.160
<v Speaker 3>very subtle.

2:12:24.080 --> 2:12:24.800
<v Speaker 2>That want to laugh.

2:12:26.920 --> 2:12:31.400
<v Speaker 1>Yeah, we'll take a shot for ours.

2:12:31.920 --> 2:12:33.400
<v Speaker 2>You see them over empty shot?

2:12:33.960 --> 2:12:36.120
<v Speaker 1>You see the mobs, this one that.

2:12:38.320 --> 2:12:44.200
<v Speaker 2>She did, you get She's a good deal. So your meal.

2:12:45.720 --> 2:12:49.800
<v Speaker 2>Here's the super major question. This is a super major

2:12:50.200 --> 2:12:51.200
<v Speaker 2>Wait what you didn't pour that?

2:12:51.360 --> 2:12:52.400
<v Speaker 5>I'm looking right at you.

2:12:55.840 --> 2:12:56.440
<v Speaker 2>You're not going to be.

2:12:56.480 --> 2:12:58.360
<v Speaker 1>Looking over me? Is this major?

2:12:58.600 --> 2:12:59.720
<v Speaker 2>I'm looking at you, looking at me.

2:13:00.040 --> 2:13:03.480
<v Speaker 3>I'm looking at you. I'm looking at you. Go and

2:13:03.640 --> 2:13:04.920
<v Speaker 3>drink and see all too shot?

2:13:05.640 --> 2:13:06.120
<v Speaker 1>You did not?

2:13:06.720 --> 2:13:11.800
<v Speaker 3>Absolutely did anybody see that? Yeah, okay, we ain't gonna

2:13:11.840 --> 2:13:17.320
<v Speaker 3>argue about this show. Yeah it's okay, I see it.

2:13:17.960 --> 2:13:20.080
<v Speaker 2>Okay, okay, but you have to drink.

2:13:20.120 --> 2:13:24.600
<v Speaker 1>Some of this is fully independent. This album is fully independent.

2:13:24.800 --> 2:13:30.600
<v Speaker 7>Yes, that's amazing, but not so Who's disbute beauty, though

2:13:31.160 --> 2:13:34.520
<v Speaker 7>you don't distributed disabuted like you.

2:13:34.520 --> 2:13:36.879
<v Speaker 2>Can be invidio, but still you have distribution.

2:13:37.320 --> 2:13:38.839
<v Speaker 1>It still you have to have distribution.

2:13:38.920 --> 2:13:42.120
<v Speaker 3>Are using the empire you I'm not gonnswer watching until

2:13:42.160 --> 2:13:43.800
<v Speaker 3>you use the right terminology.

2:13:44.560 --> 2:13:49.440
<v Speaker 1>You know it's Les Lex, right, I just listening. So

2:13:50.320 --> 2:13:51.120
<v Speaker 1>who's the distribution?

2:13:51.280 --> 2:13:52.560
<v Speaker 3>We can't really discuss.

2:13:54.600 --> 2:13:55.560
<v Speaker 2>Why you take over.

2:13:58.600 --> 2:13:59.920
<v Speaker 1>Distribute to discusion.

2:14:02.360 --> 2:14:11.560
<v Speaker 2>You say you just the ship. This ship is amazing.

2:14:11.760 --> 2:14:14.240
<v Speaker 3>You don't have to worry about that. Yeah, yeah, yeah, okay,

2:14:14.560 --> 2:14:16.240
<v Speaker 3>all right, you're worried.

2:14:16.320 --> 2:14:18.360
<v Speaker 2>And then are we looking at a date? If we

2:14:18.480 --> 2:14:19.200
<v Speaker 2>have a date or no?

2:14:19.760 --> 2:14:20.840
<v Speaker 3>Yeah, we do have to day.

2:14:20.920 --> 2:14:25.200
<v Speaker 2>It's late this month, right, Yeah that sounded like forgotcha, bro.

2:14:25.360 --> 2:14:28.360
<v Speaker 2>She's like, yeah, yeah, whatever, buddy, Yeah yeah you gotta

2:14:29.120 --> 2:14:30.280
<v Speaker 2>I thought I heard the twenty eighth.

2:14:30.360 --> 2:14:31.920
<v Speaker 5>No it's on the way something like that.

2:14:32.520 --> 2:14:33.760
<v Speaker 2>No that means not this month.

2:14:33.920 --> 2:14:34.960
<v Speaker 3>No, it doesn't mean that.

2:14:35.160 --> 2:14:37.280
<v Speaker 2>I could tell I can tell stop this.

2:14:38.640 --> 2:14:39.280
<v Speaker 1>Is it this month?

2:14:40.960 --> 2:14:41.920
<v Speaker 2>If it comes to the show.

2:14:42.680 --> 2:14:45.560
<v Speaker 3>No, you find out we say you guys in this

2:14:45.840 --> 2:14:47.280
<v Speaker 3>like we say everything in the show.

2:14:47.200 --> 2:14:52.840
<v Speaker 2>Thriller, take a shot for the show. No, absolutely not

2:14:53.400 --> 2:14:53.680
<v Speaker 2>the show.

2:14:54.440 --> 2:14:57.000
<v Speaker 1>I know you can't got this is my last one.

2:14:57.040 --> 2:14:58.720
<v Speaker 3>When is the show gonna be? When is this gonna

2:14:58.720 --> 2:14:58.920
<v Speaker 3>be over?

2:14:59.120 --> 2:15:07.480
<v Speaker 6>Twenty four hours? We got right here, episode me have

2:15:08.040 --> 2:15:11.240
<v Speaker 6>ten hours left. What is your favorite song to perform

2:15:12.440 --> 2:15:15.760
<v Speaker 6>for this album or just period period period.

2:15:17.400 --> 2:15:22.360
<v Speaker 3>Other side of the game from Bodyism. You look, you're

2:15:22.440 --> 2:15:24.000
<v Speaker 3>not familiar with that album.

2:15:24.880 --> 2:15:26.280
<v Speaker 2>I was gonna be wrong.

2:15:26.560 --> 2:15:27.640
<v Speaker 5>You think it's gonna be Tyron.

2:15:29.120 --> 2:15:38.040
<v Speaker 3>I think Tyrone is my least album to perform. The song, yeah, yeah, perform.

2:15:38.120 --> 2:15:41.640
<v Speaker 3>I think it's the most popular one, and people yelled

2:15:41.680 --> 2:15:43.320
<v Speaker 3>it out in the middle of ship.

2:15:44.840 --> 2:15:46.320
<v Speaker 2>Shut the fun up. I don't want to do that.

2:15:46.480 --> 2:15:49.120
<v Speaker 2>I'm not like, shut the fuck up kind of in

2:15:49.200 --> 2:15:49.880
<v Speaker 2>your mind a little bit.

2:15:50.000 --> 2:15:51.720
<v Speaker 5>I'm just like, shut the fuck up.

2:15:52.920 --> 2:15:55.520
<v Speaker 2>I just said kind of in your mind kind of

2:15:56.080 --> 2:15:57.320
<v Speaker 2>that sounded like that a little bit in.

2:15:57.360 --> 2:16:00.880
<v Speaker 5>Your mind in my mind a little bit. Yeah, I don't.

2:16:01.080 --> 2:16:04.600
<v Speaker 3>Yeah, Tyrone is so popular that I've written all these

2:16:04.720 --> 2:16:08.480
<v Speaker 3>really thoughtful lyrics over all time, and it seems like

2:16:09.360 --> 2:16:13.080
<v Speaker 3>a joke God is playing on me. Right, Called tyrone

2:16:13.240 --> 2:16:16.040
<v Speaker 3>is what they want to hear. We don't care about that.

2:16:16.280 --> 2:16:19.240
<v Speaker 3>We want to hear called tyrone. So it's hard to

2:16:19.280 --> 2:16:23.760
<v Speaker 3>get out of the call tyrone box or any of

2:16:23.960 --> 2:16:28.560
<v Speaker 3>any kind of box when people really enjoyed and championed

2:16:28.640 --> 2:16:32.360
<v Speaker 3>what you've done. But working with Al has given me

2:16:32.400 --> 2:16:35.520
<v Speaker 3>an opportunity to at least be seen in another light,

2:16:35.959 --> 2:16:39.280
<v Speaker 3>a freedom as a producer. That's what I am. And

2:16:40.680 --> 2:16:43.120
<v Speaker 3>I don't really get to say that a lot because

2:16:43.120 --> 2:16:43.440
<v Speaker 3>there's no.

2:16:43.520 --> 2:16:46.440
<v Speaker 5>Place to say it. But in his world, I'm writing

2:16:46.520 --> 2:16:47.520
<v Speaker 5>Al's wave right now.

2:16:47.600 --> 2:16:49.600
<v Speaker 7>Really, I think we got to say it again as

2:16:49.640 --> 2:16:55.879
<v Speaker 7>a producer, Erica as a producer, yes, yeah, it always

2:16:55.920 --> 2:16:57.360
<v Speaker 7>be too many together on the album.

2:16:58.120 --> 2:17:02.280
<v Speaker 4>Like I was about to play her beat, she was like,

2:17:02.440 --> 2:17:04.680
<v Speaker 4>let me see that ship came to the NPS, started

2:17:04.760 --> 2:17:07.720
<v Speaker 4>pressing keys, and I was just like, yo, go ahead,

2:17:08.720 --> 2:17:12.280
<v Speaker 4>and she remixed the beat that I made, like like

2:17:12.360 --> 2:17:14.199
<v Speaker 4>your beat ain't ship, and made.

2:17:17.000 --> 2:17:17.600
<v Speaker 2>Don't do that.

2:17:20.680 --> 2:17:24.240
<v Speaker 4>Effect it's on the album, Like, she made a whole

2:17:24.280 --> 2:17:26.400
<v Speaker 4>different beat to it. And then I played my beat

2:17:26.440 --> 2:17:29.279
<v Speaker 4>and she was like, I like this one too. I enjoyed.

2:17:29.800 --> 2:17:33.360
<v Speaker 3>I enjoy making beats, I enjoy creating, and I felt

2:17:33.440 --> 2:17:37.560
<v Speaker 3>safe in that space with you because unfortunately, you know,

2:17:37.640 --> 2:17:40.040
<v Speaker 3>I'm in a room full of dudes and some girls,

2:17:40.600 --> 2:17:44.800
<v Speaker 3>but it's very hard to be in a left brain

2:17:45.000 --> 2:17:47.720
<v Speaker 3>game as a girl, you know, because I enjoyed it

2:17:47.879 --> 2:17:49.320
<v Speaker 3>just as much and.

2:17:51.760 --> 2:17:52.800
<v Speaker 5>I am just as good.

2:17:53.760 --> 2:17:54.000
<v Speaker 4>M h.

2:17:54.600 --> 2:17:57.039
<v Speaker 2>Literally yeah, And you.

2:17:57.040 --> 2:17:58.800
<v Speaker 3>Don't get to really say that a lot because not

2:17:58.920 --> 2:18:01.520
<v Speaker 3>a lot of people are like Alchemist, who knows that

2:18:01.680 --> 2:18:06.800
<v Speaker 3>he has a history of beautiful things behind him and

2:18:06.879 --> 2:18:09.640
<v Speaker 3>that me saying that I love what I do doesn't

2:18:09.680 --> 2:18:13.360
<v Speaker 3>take anything away from him. And that's you know, it's

2:18:13.360 --> 2:18:15.480
<v Speaker 3>a different kind of thing that I've dealt with in

2:18:15.600 --> 2:18:18.800
<v Speaker 3>my life. In this world of music, it's a very

2:18:19.160 --> 2:18:23.840
<v Speaker 3>left brain, male dominated thing, and I get it. I

2:18:23.920 --> 2:18:28.880
<v Speaker 3>also respect it, but I'm also here, I also have

2:18:29.040 --> 2:18:32.600
<v Speaker 3>something to say in this space. Yea, in this space.

2:18:32.879 --> 2:18:37.119
<v Speaker 7>Yes, yeah, Oh, how did you come up with Alchemists?

2:18:37.400 --> 2:18:41.160
<v Speaker 7>Because when she was talking, that's that's I never thought

2:18:41.200 --> 2:18:41.360
<v Speaker 7>of that.

2:18:41.800 --> 2:18:44.400
<v Speaker 2>It was like a friend when I was young gave

2:18:44.440 --> 2:18:47.080
<v Speaker 2>me the name and then based on the book. Nah,

2:18:47.520 --> 2:18:49.879
<v Speaker 2>that book is great. Yeah, it is a great book

2:18:50.280 --> 2:18:51.760
<v Speaker 2>to read. That book. It's a great book.

2:18:51.840 --> 2:18:53.240
<v Speaker 1>Great, you can read it one night.

2:18:53.400 --> 2:18:55.720
<v Speaker 2>In my life, you can read it one night. Yeah. No,

2:18:55.760 --> 2:18:57.640
<v Speaker 2>it's an easy book to read. Yeah, great book.

2:18:57.959 --> 2:18:58.160
<v Speaker 4>Yeah.

2:18:58.360 --> 2:19:02.959
<v Speaker 2>Yeah, but I take it serious, you know what I'm saying.

2:19:03.000 --> 2:19:05.840
<v Speaker 4>But someone just said call yourself, my friend. Yeah, rest

2:19:05.879 --> 2:19:09.640
<v Speaker 4>in peace, my man Bernard. Yeah, it was like, that's

2:19:09.680 --> 2:19:10.840
<v Speaker 4>your name, alchemist.

2:19:11.680 --> 2:19:14.520
<v Speaker 2>But did you know what that meant over time? You

2:19:14.560 --> 2:19:15.960
<v Speaker 2>know what I mean? Not in that moment.

2:19:16.080 --> 2:19:20.800
<v Speaker 4>No, no, okay, it sounded good, right, was it when

2:19:20.800 --> 2:19:23.320
<v Speaker 4>you and the Hooligans after that, like a couple of

2:19:23.400 --> 2:19:25.800
<v Speaker 4>years after, but he was around us around those days.

2:19:25.879 --> 2:19:30.640
<v Speaker 2>Yeah, so we can't bloss over the Hooligans. That was

2:19:30.800 --> 2:19:32.000
<v Speaker 2>early listen early.

2:19:32.120 --> 2:19:34.920
<v Speaker 7>You don't understand how long I was going through my

2:19:35.080 --> 2:19:38.440
<v Speaker 7>records to find the Hooligans records that I have.

2:19:38.879 --> 2:19:42.480
<v Speaker 2>I have that record, Yeah, I have doubles. Yeah, ef

2:19:44.240 --> 2:19:48.560
<v Speaker 2>I e eighth EFN is a hip hopologist. I could

2:19:48.640 --> 2:19:51.600
<v Speaker 2>not get it because I have my records spread amongst

2:19:51.920 --> 2:19:56.560
<v Speaker 2>my crib, my home office, my my fucking living room,

2:19:57.040 --> 2:19:59.320
<v Speaker 2>my outside office, the studio.

2:19:59.360 --> 2:20:02.040
<v Speaker 7>I couldn't find. And if I'm pissed right now. And

2:20:02.080 --> 2:20:03.840
<v Speaker 7>I have the stickers too as well. That was the

2:20:04.240 --> 2:20:06.760
<v Speaker 7>stickers getting signed as whack. So I'm gonna bring the stickers.

2:20:06.840 --> 2:20:11.760
<v Speaker 4>But the Hooligans early days, you know, I was rapping

2:20:12.040 --> 2:20:17.800
<v Speaker 4>and you know, uh boy, Tommy Wyn, what are you

2:20:17.920 --> 2:20:18.200
<v Speaker 4>just like?

2:20:19.360 --> 2:20:20.080
<v Speaker 2>Who?

2:20:20.520 --> 2:20:21.040
<v Speaker 3>Absolutely?

2:20:21.120 --> 2:20:30.600
<v Speaker 7>Theligan is amazing man, shots shots, don't get fired yo.

2:20:30.800 --> 2:20:33.240
<v Speaker 2>And first of all, who's your partner in the hooligans again?

2:20:34.160 --> 2:20:36.480
<v Speaker 2>Sky Scott comm Yeah, my brother.

2:20:37.000 --> 2:20:39.480
<v Speaker 1>Yeah, you guys know who that is. Yeah, you we

2:20:39.600 --> 2:20:40.840
<v Speaker 1>met him at the Juice Bay.

2:20:40.840 --> 2:20:45.039
<v Speaker 2>We hung out. Yeah, I was bugging er yeah, Lemon

2:20:46.480 --> 2:20:48.760
<v Speaker 2>actress back then.

2:20:48.800 --> 2:20:51.560
<v Speaker 1>That I want to thank both of y'all, man, because

2:20:52.360 --> 2:20:53.720
<v Speaker 1>I don't know. Did you have to do an interview

2:20:53.840 --> 2:20:54.320
<v Speaker 1>yet together?

2:20:54.640 --> 2:20:55.240
<v Speaker 2>Nothing else?

2:20:55.760 --> 2:21:01.520
<v Speaker 1>Just the first in this is special.

2:21:01.720 --> 2:21:04.480
<v Speaker 2>This is your first interview together. Oh my god.

2:21:04.560 --> 2:21:10.480
<v Speaker 1>Like I wanted to brag on Twitter it's so bad,

2:21:10.600 --> 2:21:12.200
<v Speaker 1>but I was like, you know what, I don't even

2:21:12.240 --> 2:21:13.280
<v Speaker 1>want somebody to hate on me.

2:21:13.760 --> 2:21:14.880
<v Speaker 3>No, no, no, no no.

2:21:15.040 --> 2:21:16.800
<v Speaker 1>This is the one time, you know, every guest that

2:21:16.920 --> 2:21:19.120
<v Speaker 1>we go on, I go on Twitter and I asked it,

2:21:19.200 --> 2:21:20.800
<v Speaker 1>but do you have any questions?

2:21:21.240 --> 2:21:21.800
<v Speaker 2>But I don't want.

2:21:22.160 --> 2:21:24.200
<v Speaker 1>I was like, I'm listening to the algorithms and I'm saying,

2:21:24.200 --> 2:21:26.800
<v Speaker 1>IM gonna skip that question on Twitter because I go

2:21:26.879 --> 2:21:28.640
<v Speaker 1>on black Twitter and it's not it's not the best.

2:21:28.720 --> 2:21:32.400
<v Speaker 2>Sometimes what you ever go on best?

2:21:32.640 --> 2:21:32.800
<v Speaker 1>Yeah?

2:21:32.840 --> 2:21:33.680
<v Speaker 2>Yeah, I love it.

2:21:33.720 --> 2:21:35.560
<v Speaker 1>I love it, but it's very negative.

2:21:35.680 --> 2:21:38.279
<v Speaker 3>Jo, It's very it's very negative.

2:21:38.320 --> 2:21:42.040
<v Speaker 5>It is so some positive and hilarious and it's hilarious.

2:21:42.240 --> 2:21:44.039
<v Speaker 1>So you're going you go on black Twitter. I look,

2:21:46.440 --> 2:21:53.080
<v Speaker 1>can I go on? Listen? I really need to claim

2:21:53.200 --> 2:21:55.800
<v Speaker 1>black Twitter like like it's it's like a it's like

2:21:55.920 --> 2:21:59.160
<v Speaker 1>a it's a really different place.

2:22:01.080 --> 2:22:02.959
<v Speaker 2>This regular Twitter. Right, I'm just being honest.

2:22:02.959 --> 2:22:05.280
<v Speaker 5>I'm not trying to be on any particular.

2:22:04.920 --> 2:22:08.240
<v Speaker 2>Twitter, right, but when you go on Twitter, you gotta.

2:22:08.280 --> 2:22:12.080
<v Speaker 3>Go on Twitter. Yes, I guess I'm on black Twitter.

2:22:16.800 --> 2:22:18.760
<v Speaker 3>So I'll be getting canceled.

2:22:20.680 --> 2:22:21.160
<v Speaker 2>Everywhere.

2:22:21.520 --> 2:22:23.200
<v Speaker 1>I heard you say that. I heard you say that

2:22:25.000 --> 2:22:27.640
<v Speaker 1>that you felt this was a year ago or nine

2:22:27.680 --> 2:22:29.760
<v Speaker 1>months ago that you said that you felt like it

2:22:29.920 --> 2:22:33.119
<v Speaker 1>was tough to be an artist because of this cancelation thing.

2:22:33.240 --> 2:22:34.720
<v Speaker 1>Do you feel still feel like that?

2:22:34.920 --> 2:22:40.400
<v Speaker 3>Like, I think it's the kind of equilateral against across

2:22:40.520 --> 2:22:43.320
<v Speaker 3>the board. Now you know where the fans have just

2:22:43.400 --> 2:22:47.040
<v Speaker 3>as much. Say I want to say fans to say that,

2:22:47.879 --> 2:22:50.640
<v Speaker 3>I want to say the people who are responding to

2:22:50.800 --> 2:22:54.520
<v Speaker 3>the music in the art. It's not just fans, it's

2:22:54.879 --> 2:22:58.480
<v Speaker 3>human beings who are very intelligent. When we are on

2:22:58.800 --> 2:23:03.840
<v Speaker 3>equal playing field, everyone is the celebrity.

2:23:04.360 --> 2:23:10.480
<v Speaker 2>So right, even the fan fan can't be Yeah, So.

2:23:10.760 --> 2:23:14.720
<v Speaker 3>If you choose to play that game, then you are

2:23:15.280 --> 2:23:19.360
<v Speaker 3>willing to be challenged in some type of way or

2:23:19.520 --> 2:23:23.840
<v Speaker 3>be held accountable in some type of way. And it's

2:23:23.840 --> 2:23:26.560
<v Speaker 3>not a bad thing, you know, because everyone keeps growing

2:23:26.640 --> 2:23:29.640
<v Speaker 3>and learning and talking and dialoguing. And the purpose of

2:23:29.760 --> 2:23:32.800
<v Speaker 3>my art is to create dialogue. That's what I want

2:23:32.840 --> 2:23:37.000
<v Speaker 3>to do. I want could be chaotic, but guess what

2:23:37.160 --> 2:23:44.880
<v Speaker 3>it sells. Bottle puts the in sense, oh ship about

2:23:44.959 --> 2:23:46.400
<v Speaker 3>said you didn't hear the bottom.

2:23:50.400 --> 2:23:51.160
<v Speaker 1>An aggressive cub.

2:23:51.400 --> 2:23:52.160
<v Speaker 2>It sells this.

2:23:52.920 --> 2:23:56.560
<v Speaker 3>So whether the people are talking about negativity or positively

2:23:56.800 --> 2:24:00.240
<v Speaker 3>or in any kind of way, it's going to create

2:24:00.320 --> 2:24:04.720
<v Speaker 3>a dialogue that will lead you directly to my pussy.

2:24:05.720 --> 2:24:07.680
<v Speaker 3>This is just the way it goes.

2:24:07.840 --> 2:24:12.720
<v Speaker 5>And I'm so sorry, but Buster Rhymes wouldn't like that either.

2:24:16.120 --> 2:24:16.680
<v Speaker 2>No, he doesn't.

2:24:17.280 --> 2:24:17.880
<v Speaker 4>I mean, what is it?

2:24:17.959 --> 2:24:20.160
<v Speaker 3>It's just a word, pussy? What's the word? I mean,

2:24:20.200 --> 2:24:23.440
<v Speaker 3>it's I'm so sorry I didn't create it.

2:24:23.560 --> 2:24:26.480
<v Speaker 2>Listen, just stop being worried about pussy.

2:24:27.160 --> 2:24:27.320
<v Speaker 13>Man.

2:24:27.560 --> 2:24:30.119
<v Speaker 1>We we just did a wellmans retreat and we couldn't

2:24:30.120 --> 2:24:32.680
<v Speaker 1>even curse personally, curse. You couldn't take it.

2:24:33.120 --> 2:24:35.760
<v Speaker 2>We couldn't use the N word every time we did it. Buppy,

2:24:35.840 --> 2:24:37.119
<v Speaker 2>I think it was not the word.

2:24:38.440 --> 2:24:40.360
<v Speaker 5>Pussy, but y'all couldn't say nigga.

2:24:41.840 --> 2:24:44.960
<v Speaker 2>I don't think pussy came up, mister. I'm gonna be

2:24:45.040 --> 2:24:45.560
<v Speaker 2>honest with you.

2:24:46.000 --> 2:24:47.959
<v Speaker 1>I think but we were, you know, we were jogging,

2:24:48.120 --> 2:24:51.920
<v Speaker 1>we were doing things, but it was unnecessarily in words

2:24:52.000 --> 2:24:53.800
<v Speaker 1>being thrown out there. So every time you say an

2:24:53.879 --> 2:24:55.800
<v Speaker 1>N word, we had to have to do fifteen burpees

2:24:56.280 --> 2:24:58.359
<v Speaker 1>and uh we all stopped.

2:24:58.080 --> 2:25:01.480
<v Speaker 3>Saying that because she didn't want to do the exercise.

2:25:03.400 --> 2:25:06.720
<v Speaker 1>Damn the Yeah, but that is Christmas.

2:25:06.879 --> 2:25:10.320
<v Speaker 2>She don't want to exercize, like you just didn't.

2:25:10.040 --> 2:25:12.959
<v Speaker 1>Want to do this. But shouldn't that be the month frame?

2:25:13.120 --> 2:25:14.880
<v Speaker 1>Like how you're going to exercise and still have a

2:25:14.920 --> 2:25:17.680
<v Speaker 1>filthy mouth and we're going to be We want to

2:25:17.720 --> 2:25:18.320
<v Speaker 1>be well missed.

2:25:18.320 --> 2:25:19.960
<v Speaker 2>We want to be you want to be better.

2:25:20.160 --> 2:25:20.760
<v Speaker 1>We want to drink.

2:25:20.879 --> 2:25:24.840
<v Speaker 3>You know, you say this as just as a human,

2:25:25.120 --> 2:25:30.280
<v Speaker 3>as Erica, as a person. Filthy is relative any word

2:25:30.920 --> 2:25:34.240
<v Speaker 3>we are, any word, it's relative. I mean, funk is

2:25:34.320 --> 2:25:38.600
<v Speaker 3>a great sentence, enhandswer no matter where you are, She's

2:25:38.600 --> 2:25:39.400
<v Speaker 3>a great adjective.

2:25:40.000 --> 2:25:42.039
<v Speaker 2>Yeah, all right, I never thought.

2:25:44.240 --> 2:25:46.280
<v Speaker 3>I know you don't. You never thought a lot of things.

2:25:49.640 --> 2:25:51.360
<v Speaker 3>We can build a whole wear all the.

2:25:51.400 --> 2:25:54.400
<v Speaker 2>Ship you have. I'm taking the shot because I think

2:25:54.480 --> 2:25:56.320
<v Speaker 2>that that's what I take.

2:25:56.360 --> 2:25:59.119
<v Speaker 1>Your wish you okay, and you're not skipping record.

2:25:59.280 --> 2:26:00.440
<v Speaker 2>I'm to stop.

2:26:00.520 --> 2:26:01.240
<v Speaker 1>That's at one point.

2:26:01.440 --> 2:26:04.000
<v Speaker 2>Hold on, let me get my man one on together together.

2:26:05.120 --> 2:26:06.080
<v Speaker 2>I'm an escapist.

2:26:07.200 --> 2:26:07.960
<v Speaker 3>Will never stop.

2:26:10.160 --> 2:26:14.240
<v Speaker 2>Mm hmm. You gotta sure, Mohanna.

2:26:16.400 --> 2:26:20.680
<v Speaker 3>I'm not gonna be white. This is what you're trying

2:26:20.720 --> 2:26:22.560
<v Speaker 3>to do, but we not.

2:26:22.800 --> 2:26:29.840
<v Speaker 1>I'm not trying to do it. Come and hang out, no, Satan.

2:26:30.160 --> 2:26:34.440
<v Speaker 1>So let me ask you, do you still do you

2:26:34.520 --> 2:26:36.000
<v Speaker 1>still love this game? Hell?

2:26:36.160 --> 2:26:36.880
<v Speaker 3>Yeah you do.

2:26:37.520 --> 2:26:38.119
<v Speaker 2>I want to end.

2:26:38.600 --> 2:26:41.680
<v Speaker 3>It's a sport to most of us who are really creative,

2:26:43.080 --> 2:26:46.560
<v Speaker 3>who create every single day. Every day I make something

2:26:47.520 --> 2:26:50.640
<v Speaker 3>in the studio, whether it's a beat or music or

2:26:50.680 --> 2:26:51.440
<v Speaker 3>a piece of art.

2:26:51.800 --> 2:26:52.920
<v Speaker 2>That's how buster is.

2:26:53.040 --> 2:26:56.520
<v Speaker 3>Yeah anything. Yeah, it's a sport to us. And it's

2:26:56.560 --> 2:26:59.560
<v Speaker 3>a friendly competition because we love the competitors. We love

2:26:59.640 --> 2:27:05.320
<v Speaker 3>who we are levering, leveraging ourselves with. So it's a

2:27:05.879 --> 2:27:06.480
<v Speaker 3>it's a sport.

2:27:06.560 --> 2:27:07.560
<v Speaker 2>I like the sport.

2:27:08.800 --> 2:27:12.760
<v Speaker 3>Yeah I did. It keeps me on my a game.

2:27:13.760 --> 2:27:18.880
<v Speaker 2>Yeah do you still love the sport? Of course? Every

2:27:18.959 --> 2:27:23.040
<v Speaker 2>day everything you're better like I'm still. You know what

2:27:23.120 --> 2:27:23.360
<v Speaker 2>I mean.

2:27:24.200 --> 2:27:24.560
<v Speaker 14>I want.

2:27:24.640 --> 2:27:28.920
<v Speaker 2>I'm going to sit to me. I think we can

2:27:29.000 --> 2:27:32.720
<v Speaker 2>make somebody any time. Every time we work a new

2:27:32.840 --> 2:27:34.400
<v Speaker 2>CNN listen.

2:27:34.560 --> 2:27:36.959
<v Speaker 1>I just did because you know, we've got a run club.

2:27:37.000 --> 2:27:39.800
<v Speaker 1>I did a run club, so I know when componere

2:27:39.959 --> 2:27:46.520
<v Speaker 1>age because we've been trying to do it's just hasn't

2:27:46.560 --> 2:27:47.119
<v Speaker 1>been together.

2:27:47.280 --> 2:27:48.400
<v Speaker 2>But a little bit.

2:27:48.480 --> 2:27:54.720
<v Speaker 1>That's what I do. It's eventually do a little bit.

2:27:56.080 --> 2:27:59.160
<v Speaker 1>We're gonna do it right now. We're in the house, boy,

2:27:59.160 --> 2:28:00.840
<v Speaker 1>and have fun.

2:28:01.640 --> 2:28:01.800
<v Speaker 3>Just go.

2:28:01.920 --> 2:28:03.760
<v Speaker 2>I'll have a couple of drinks with you, guys. Okay,

2:28:03.840 --> 2:28:04.840
<v Speaker 2>A couple of drinks.

2:28:05.000 --> 2:28:08.120
<v Speaker 1>A couple all right, that means we gotta do it.

2:28:11.120 --> 2:28:15.160
<v Speaker 2>So in a certain way related that you came today. Yes, yes,

2:28:15.360 --> 2:28:18.600
<v Speaker 2>thank you, thank you so much. We're honored.

2:28:18.959 --> 2:28:22.080
<v Speaker 3>Yeah, I've enjoyed myself today. I appreciate you guys.

2:28:22.400 --> 2:28:24.080
<v Speaker 1>I'm gonna take a shot for you enjoying yourself.

2:28:24.120 --> 2:28:25.360
<v Speaker 2>You don't have to, that's okay.

2:28:25.400 --> 2:28:28.640
<v Speaker 1>I will drink absolutely.

2:28:28.959 --> 2:28:31.080
<v Speaker 5>I definitely don't want to mix these two things.

2:28:31.120 --> 2:28:33.240
<v Speaker 2>I get I get I get it, I get it.

2:28:33.360 --> 2:28:34.920
<v Speaker 2>But I just want you to try.

2:28:35.760 --> 2:28:38.760
<v Speaker 1>Black folks who don't do that. Black folks don't do

2:28:38.800 --> 2:28:39.680
<v Speaker 1>that don't make drinks.

2:28:39.760 --> 2:28:43.199
<v Speaker 2>Listen, Latino people don't do everything you clear.

2:28:43.440 --> 2:28:46.000
<v Speaker 3>Time I ever drank in my life, I was in

2:28:46.080 --> 2:28:46.720
<v Speaker 3>my forties.

2:28:47.360 --> 2:28:48.400
<v Speaker 5>I'm now in my fifties.

2:28:49.040 --> 2:28:51.720
<v Speaker 2>The first time you drank fellas? Wait, wait, the first

2:28:51.760 --> 2:28:52.360
<v Speaker 2>time you drank?

2:28:52.600 --> 2:28:54.800
<v Speaker 3>Yeah, I was in my forties and it was with

2:28:55.640 --> 2:29:01.519
<v Speaker 3>Ringo Vershod Tomblin, Dice Smith, that's a mouthful, and Thundercat.

2:29:02.560 --> 2:29:04.880
<v Speaker 3>We were on tour together, all of us, and we

2:29:04.959 --> 2:29:06.720
<v Speaker 3>were in a hotel and they had a mini bar

2:29:07.440 --> 2:29:09.080
<v Speaker 3>and I was like, well, hey, I just want to

2:29:09.120 --> 2:29:09.760
<v Speaker 3>try drinks.

2:29:09.879 --> 2:29:12.160
<v Speaker 2>Wait, Erica, you never drank until that point.

2:29:12.440 --> 2:29:15.480
<v Speaker 5>No, I didn't into your forties my forties.

2:29:15.680 --> 2:29:19.599
<v Speaker 2>Yeah, and psychedelics or so psychedelics.

2:29:19.840 --> 2:29:23.440
<v Speaker 3>Well, I started everything pretty late. Yeah, I was really

2:29:23.600 --> 2:29:24.400
<v Speaker 3>very very pretty.

2:29:24.400 --> 2:29:25.879
<v Speaker 2>Didn't psychedelics or something.

2:29:25.959 --> 2:29:29.480
<v Speaker 3>No, okay, never until my forties all of that.

2:29:31.160 --> 2:29:33.240
<v Speaker 1>Well, we're sorry for that's okay.

2:29:33.120 --> 2:29:34.360
<v Speaker 3>I missed out. I'm catching up.

2:29:35.160 --> 2:29:36.400
<v Speaker 2>No, I shouldn't do this either.

2:29:36.879 --> 2:29:40.000
<v Speaker 3>Yeah, you mean I'm in my fifties now.

2:29:40.480 --> 2:29:41.720
<v Speaker 2>Yeah, Well fuck drink champs.

2:29:42.000 --> 2:29:42.879
<v Speaker 3>I'm fine.

2:29:45.640 --> 2:29:45.760
<v Speaker 4>Now.

2:29:47.200 --> 2:29:52.720
<v Speaker 3>I mean this man is he on y'all side? What

2:29:52.879 --> 2:29:53.520
<v Speaker 3>you're trying to do?

2:29:53.680 --> 2:29:56.720
<v Speaker 2>Manson? He's not he wears no hats.

2:29:56.800 --> 2:29:58.160
<v Speaker 3>Well, I'm drinking the point.

2:29:59.440 --> 2:30:01.880
<v Speaker 2>Goddamn, I can't get this fucking mic to work. I

2:30:01.959 --> 2:30:03.440
<v Speaker 2>think the poison is sucking up my mic.

2:30:03.920 --> 2:30:07.200
<v Speaker 3>And I'm fine, but I didn't start to drink to

2:30:07.760 --> 2:30:10.480
<v Speaker 3>about my forties. And the first time was with a

2:30:10.720 --> 2:30:16.360
<v Speaker 3>Thundercat and Ringover Shot Tom and Dice Smith. We was

2:30:16.440 --> 2:30:20.360
<v Speaker 3>on tour and we there was a mini bar and

2:30:20.440 --> 2:30:22.320
<v Speaker 3>we had a mini bar and I was like, okay, yeah,

2:30:22.360 --> 2:30:25.120
<v Speaker 3>all my kids are like, go on, take care of

2:30:25.400 --> 2:30:28.560
<v Speaker 3>so now I can kind of be who I am.

2:30:29.360 --> 2:30:32.720
<v Speaker 3>And we took these shots of different liquors, the coors

2:30:32.800 --> 2:30:37.039
<v Speaker 3>and different bottles in the mini bar, and I can't

2:30:37.080 --> 2:30:41.199
<v Speaker 3>guess I was drunk because I told the guys, listen,

2:30:41.920 --> 2:30:44.400
<v Speaker 3>if a fire breaks out in this building, we're going

2:30:44.480 --> 2:30:50.560
<v Speaker 3>to have to know the route. Yeah, so I said,

2:30:50.600 --> 2:30:52.640
<v Speaker 3>this is how we do it. And we started crawling

2:30:52.720 --> 2:30:57.600
<v Speaker 3>down the hallway and they were crawling right behind me. Yeah,

2:30:57.600 --> 2:31:04.440
<v Speaker 3>it was growling in our forties. No, in our forties, no,

2:31:04.640 --> 2:31:09.879
<v Speaker 3>girls don't fart. Comparently with in our forties.

2:31:11.480 --> 2:31:13.080
<v Speaker 5>Forties you're trying to get some raidings.

2:31:13.400 --> 2:31:18.520
<v Speaker 3>I don't whooping your ass. Later on, in our forties,

2:31:18.760 --> 2:31:21.800
<v Speaker 3>we're crawling, and then we crawled down the hall. We're

2:31:21.879 --> 2:31:26.640
<v Speaker 3>in the the hotel was called the The Park Hotel.

2:31:27.080 --> 2:31:30.280
<v Speaker 3>It's in La It's popular. Artists stay there. And we

2:31:30.440 --> 2:31:34.840
<v Speaker 3>run into Spliff Star. It split yeah, bust runs with

2:31:34.959 --> 2:31:37.720
<v Speaker 3>slip Star throws what's going on? I said, we're doing

2:31:37.760 --> 2:31:38.680
<v Speaker 3>a fire trill.

2:31:40.520 --> 2:31:43.040
<v Speaker 2>And you need to know the route to go.

2:31:43.520 --> 2:31:44.879
<v Speaker 1>So he got behind.

2:31:46.959 --> 2:31:49.039
<v Speaker 2>Crawling too, and we.

2:31:49.120 --> 2:31:50.760
<v Speaker 3>Had a good time, and we crawled all the way

2:31:50.760 --> 2:31:53.240
<v Speaker 3>down the hall till we just got tired of that

2:31:54.000 --> 2:31:56.360
<v Speaker 3>and we sat in the little circle and started talking

2:31:56.400 --> 2:31:57.280
<v Speaker 3>about our feelings.

2:31:58.720 --> 2:32:03.160
<v Speaker 2>What the fuck, I'm sorry about your feelings?

2:32:03.400 --> 2:32:04.360
<v Speaker 5>Want to talk about that?

2:32:05.000 --> 2:32:06.520
<v Speaker 3>Yeah, so we're just kind of chilling.

2:32:07.080 --> 2:32:07.760
<v Speaker 1>An awesome night.

2:32:07.959 --> 2:32:12.680
<v Speaker 2>It was amazing.

2:32:13.160 --> 2:32:14.400
<v Speaker 1>There was nothing I saw wrong in that.

2:32:14.760 --> 2:32:17.160
<v Speaker 3>Yes, and Mes and Flipp became kind of best friends

2:32:17.200 --> 2:32:19.600
<v Speaker 3>after that. You know, we were just great about feelings

2:32:19.600 --> 2:32:22.480
<v Speaker 3>and after how moms can give us cookies and ship

2:32:22.760 --> 2:32:22.960
<v Speaker 3>like that.

2:32:23.480 --> 2:32:25.920
<v Speaker 1>You know, let's take a shot.

2:32:28.320 --> 2:32:37.400
<v Speaker 2>Okay, how did we do this? Everybody? Salute shot? I

2:32:37.480 --> 2:32:37.960
<v Speaker 2>love you? Brother?

2:32:42.000 --> 2:32:44.039
<v Speaker 4>What's the f of these?

2:32:44.080 --> 2:32:51.040
<v Speaker 3>Who owns this? This is? Okay?

2:32:51.840 --> 2:32:56.200
<v Speaker 5>Give me about all of this one time? Oh yeah, yeah, flash,

2:32:56.240 --> 2:32:57.240
<v Speaker 5>it's exquisite.

2:32:57.840 --> 2:33:05.160
<v Speaker 3>Actually, that's the commercial right there. It's exquisite. Yeah, is

2:33:05.240 --> 2:33:06.959
<v Speaker 3>exquisite to me? A bottle?

2:33:07.360 --> 2:33:10.760
<v Speaker 2>Just yes? Yeah, and I'm gonna take a shot to that.

2:33:11.320 --> 2:33:12.080
<v Speaker 3>Oh my god.

2:33:12.240 --> 2:33:14.720
<v Speaker 2>Yeah, you don't got to take a shot a long time.

2:33:15.440 --> 2:33:16.080
<v Speaker 3>I'm no Twitter.

2:33:16.360 --> 2:33:18.720
<v Speaker 2>Yes, I'm glad we got a chance to make this happen.

2:33:18.800 --> 2:33:20.480
<v Speaker 2>Had what up?

2:33:20.520 --> 2:33:22.959
<v Speaker 1>Man? I love you brother, mister Lee.

2:33:23.120 --> 2:33:25.000
<v Speaker 2>Where are you at here somewhere?

2:33:25.040 --> 2:33:28.120
<v Speaker 1>I think the coog don't want to take bro you know?

2:33:28.280 --> 2:33:28.520
<v Speaker 2>Yeah?

2:33:28.640 --> 2:33:29.200
<v Speaker 4>I love y'all.

2:33:29.240 --> 2:33:33.240
<v Speaker 2>Man, you're alleged you're allerged, so are you? Yeah? And

2:33:33.320 --> 2:33:39.640
<v Speaker 2>you're so funny to you ain't take some of this?

2:33:39.800 --> 2:33:43.840
<v Speaker 1>Is my wife, My wife been we've been together seventeen years.

2:33:43.920 --> 2:33:47.879
<v Speaker 3>Right, Oh wow, you you're lucky mother fucker.

2:33:48.040 --> 2:33:54.040
<v Speaker 1>So a shot. Since we've been doing the show, I

2:33:54.120 --> 2:33:55.200
<v Speaker 1>have never not once.

2:33:55.959 --> 2:33:56.400
<v Speaker 2>I told her.

2:33:56.440 --> 2:33:57.760
<v Speaker 1>I was like, do you know?

2:33:58.320 --> 2:33:59.920
<v Speaker 2>She said, I know all of her song?

2:34:00.480 --> 2:34:00.520
<v Speaker 11>What?

2:34:02.440 --> 2:34:05.080
<v Speaker 1>Yes? So let's do it.

2:34:18.959 --> 2:34:20.680
<v Speaker 3>Yes, thank you for welcoming us.

2:34:23.360 --> 2:34:23.920
<v Speaker 2>All right, cool?

2:34:23.959 --> 2:34:26.480
<v Speaker 1>Liv let me taking pictures and then new drops.

2:34:26.560 --> 2:34:28.240
<v Speaker 2>Right yeah, okay, cool.

2:34:29.600 --> 2:34:31.520
<v Speaker 3>It's a beautiful show. It's not nice spirits.

2:34:31.920 --> 2:34:36.320
<v Speaker 7>Yes, Drink Champs is a Drink Champs LLC. Production hosts

2:34:36.360 --> 2:34:39.200
<v Speaker 7>and executive producers n O r E and d j

2:34:39.400 --> 2:34:43.200
<v Speaker 7>E f FN. Listen to Drink Champs on Apple Podcast,

2:34:43.440 --> 2:34:48.560
<v Speaker 7>Amazon Music, Spotify, or wherever you get your podcasts. Thanks

2:34:48.600 --> 2:34:51.080
<v Speaker 7>for joining us for another episode of Drink Champs, hosted

2:34:51.120 --> 2:34:53.440
<v Speaker 7>by Yours Truly, dj e f N and n O

2:34:53.640 --> 2:34:55.680
<v Speaker 7>r E. Please make sure to follow us on all

2:34:55.720 --> 2:34:59.360
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2:34:59.440 --> 2:34:59.879
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2:34:59.800 --> 2:35:02.959
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2:35:03.120 --> 2:35:06.520
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2:35:06.720 --> 2:35:09.040
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2:35:09.120 --> 2:35:12.440
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<v Speaker 7>to drink Champs dot com