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Speaker 1: He is Drinks Chants, motherfucking podcast makes He's a legends

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Speaker 1: every queen's rapper. He ain't s agreed as your boy

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Speaker 1: in O R E.

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Speaker 2: He's a Miami hip hop pioneer.

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Speaker 3: What up?

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Speaker 1: It's d J E f N. Together they drink it

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Speaker 1: up with some of the biggest players you know me

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Speaker 1: and the most professional unprofessional podcast and your number one

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Speaker 1: source for drunk drink chansy days New Year's c That's

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Speaker 1: it's time for drink Champs. Drink up. Motherfuck? What a

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Speaker 1: good be hoping he should be. It's your boy and

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Speaker 1: a O and a one off his DJ E f N.

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Speaker 2: And this is Drink Camps yap.

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Speaker 1: And when I tell you, when we started this show,

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Speaker 1: we said we wanted to give allowers to the people, legends,

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Speaker 1: the people who deserve it, people who are icons.

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Speaker 2: These two people is icons.

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Speaker 1: I mean, I don't I was going through this both

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Speaker 1: the discography. I don't think that either one of them

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Speaker 1: made a whack record ever. I mean all you hear

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Speaker 1: is hits after hits after hits. I don't even know

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Speaker 1: how they got together. We're gonna get through it. We're

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Speaker 1: gonna ask all the questions. But in case you don't

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Speaker 1: know what we're talking about, We're talking about Eric off

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Speaker 1: time that's is nothing a single? The first record is Yeah,

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Speaker 1: is that a single? Or is that like a warm

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Speaker 1: up record that you guys are coming from? Both?

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Speaker 2: Okay, first off.

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Speaker 1: The record obviously reminds me of you know what I mean.

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Speaker 1: I remember when that record came out and I'm just

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Speaker 1: listening and I'm like, it sounds so refreshing, like even

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Speaker 1: though this beat has been out, but it sounds like

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Speaker 1: it right now. Liked, how did you'll, y'all, y'all orchestrate that?

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Speaker 4: That was really the catalyst of our working together. I think,

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Speaker 4: I mean, she's Erica first of all.

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Speaker 2: I I mean I was. It was ninety six, ninety seven.

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Speaker 4: I was on tour with Cyprus as a roadie, just

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Speaker 4: carrying records for Mugs Smoking Grooves tour and Erica was

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Speaker 4: on the tour and I didn't.

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Speaker 2: Know it was just a.

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Speaker 4: Kid carrying records. I used to be in the crowd

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Speaker 4: watching her sets every night.

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Speaker 2: This was I think.

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Speaker 4: Ninety seven, and I didn't even know her. I was

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Speaker 4: just a fan. And so it you know.

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Speaker 2: Full circle all the way, all through the years, and

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Speaker 2: it was a guy by.

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Speaker 4: The name Cole Chris who works in the camp with Erica.

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Speaker 4: Shout out to Cole Chris. And he actually was in

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Speaker 4: a group in the nineties. Are you're going to remember

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Speaker 4: the group? You remember matd Flavor?

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Speaker 1: Of course that's not the original a group.

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Speaker 4: From the nineties show.

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Speaker 2: Long story short.

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Speaker 4: My first tour in ninety three with Cyprus Soul Assassin tour,

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Speaker 4: the first show as the Hooligans. My first show was

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Speaker 4: in Dallas. Who opened for us Mad Flavor. So I

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Speaker 4: had met him in ninety three and we didn't keep touch,

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Speaker 4: but it was like six years ago. I did a

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Speaker 4: show in Dallas with Action. Action. Actually, yeah, backstage six

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Speaker 4: years ago, you said, backstage.

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Speaker 2: And I meet this dude who comes up?

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Speaker 4: He said, Yo, what's up? I'm cold Chris book shows

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Speaker 4: out here and I actually met a long time ago.

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Speaker 2: I said, no, Matt Flavor. I said, oh shit, how

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Speaker 2: you been. He says, yeah, you know, I.

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Speaker 4: Work with Erica And I was like, bucket list man,

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Speaker 4: like you work with Erica Badu. He said yeah, you

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Speaker 4: know because he was from a part of the scene

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Speaker 4: in Dallas early on, and from that moment on I

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Speaker 4: connected with him and we stayed in touch, and I

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Speaker 4: was just like anything, let's just stay in touch.

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Speaker 1: Whatever we worked together back then, Okay, yeah, yeah, don't

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Speaker 1: work No, this is the first time y'all working together period.

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Speaker 5: Me and Cole Chris used to right and listen to

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Speaker 5: lots of music.

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Speaker 3: I'm a huge Mob Beef fan, of course, and I

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Speaker 3: always wanted to sing over this the Realist and he goes,

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Speaker 3: I know the guy that produces it.

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Speaker 5: He goes, I say okay, and he gets in touch

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Speaker 5: with you.

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Speaker 3: And that was three or four years ago at least,

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Speaker 3: and he just kept the conversation going. How did it

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Speaker 3: by sending music every time he thought about me?

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Speaker 5: And I finally got around to it.

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Speaker 3: And when I wanted to record to the Realist, I

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Speaker 3: went to his studio in La. When I got there,

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Speaker 3: I just felt like, okay, well this is happening. So

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Speaker 3: he had seen me by then about ten fifteen songs,

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Speaker 3: and I told him I wouldn't come to the studio

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Speaker 3: waste time if I didn't have ten or fifteen songs.

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Speaker 2: So you weren't lying. It wasn't that one record was

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Speaker 2: the catalystic?

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Speaker 6: Was?

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Speaker 2: That's right?

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Speaker 5: So shout out mob Deep.

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Speaker 1: Funny.

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Speaker 2: Last week we had ha, it like that lazy.

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Speaker 1: So when you first announced the collab album, I remember

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Speaker 1: people speculating and everyone's saying Andre three thousands, and they

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Speaker 1: saying Jay Electronica, and they saying all people. Everyone was

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Speaker 1: kind of thrown off when it was like you and

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Speaker 1: the Alchemist, if you had a chance to probably do

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Speaker 1: a collab with anybody, what made you choose Alchemists?

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Speaker 5: See, I wasn't trying to do a collab per se.

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Speaker 3: And I didn't even know that that was like your

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Speaker 3: hustle collapsed, right, you know what I'm saying. I was

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Speaker 3: and super bow profession, you know, personal collab among other things.

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Speaker 3: But I didn't know that. So when I got the

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Speaker 3: idea to do it, it was sitting there in the

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Speaker 3: in the thing in the studio, and go down, this

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Speaker 3: is something we should do. A collapse. And I ain't

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Speaker 3: never put nobody else's name on my ship ever.

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Speaker 4: I was. I was very I mean, but you have

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Speaker 4: to understand, like she and I discovered this once we

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Speaker 4: started working. First of all, the first couple of days,

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Speaker 4: I was kind of useless, but you know, you first

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Speaker 4: meet her, I was useless because when you first meet her,

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Speaker 4: everybody you know, I had to work through that first

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Speaker 4: couple of days I get to know him, became friends,

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Speaker 4: and but once we started working, it was like, yo,

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Speaker 4: she does everything. I don't think people know this, Like

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Speaker 4: her beats are insane. She basically can do everything. And

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Speaker 4: we became friends quick on the way where it was

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Speaker 4: like I wasn't playing her beats to sing too, I

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Speaker 4: was just playing her ship like I would play evidence

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Speaker 4: of one of my people, like YEO, check this beat out.

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Speaker 4: We were just and that's how I discovered. I discovered

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Speaker 4: how like we produced this album together. Let's just say

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Speaker 4: I'm gonna put that route there right now. This album

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Speaker 4: is produced by Eric and Alchemistow and she she.

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Speaker 2: She had her hands.

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Speaker 4: In every record, like everybody knows what I do. I'm

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Speaker 4: gonna come to the table and bring the beat. But

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Speaker 4: you know, if that is not where production starts, where

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Speaker 4: it may started, doesn't end there. And I learned a

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Speaker 4: lot working with her, just like in the early days

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Speaker 4: working with Mugs when I was a kid. Working with Mugs,

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Speaker 4: it was like he used to know how to like

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Speaker 4: apply to shoe, string to the shoe and tie the shoe.

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Speaker 4: It was like the packaging and the whole He would

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Speaker 4: step back and listen to the record in the way

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Speaker 4: where I wasn't paying attention producing, and she taught me

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Speaker 4: a lot of that on this record, and it's a

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Speaker 4: real collap.

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Speaker 2: Now, is this is an album or this is a mixtape?

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Speaker 2: A album? Full flood? Always okay? So all right? Well?

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Speaker 1: Is it more records like that, like samples a hardcore

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Speaker 1: beasts like that? And and and that's that's a beat

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Speaker 1: you made correct for my originally?

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Speaker 2: Yes, for mob and g rapping.

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Speaker 1: So is it more of that type of stuff or.

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Speaker 2: Or what is it?

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Speaker 3: Well? His compositions already kind of tell a story, you know,

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Speaker 3: and people are rapping over them and it's so melodic

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Speaker 3: and beautiful, atmospheric without even anybody doing anything. So you

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Speaker 3: already have that composition and he allowed me to paint

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Speaker 3: on it, and anything that I contributed is an extension

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Speaker 3: of my voice, whether it's strings or horns or drums

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Speaker 3: or whatever it is. And he was a very gracious partner,

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Speaker 3: like kind of okay, cool and encouraging, and I love that.

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Speaker 5: More of that, but.

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Speaker 7: Yeah, I know both of you guys could do anything,

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Speaker 7: But did you feel like you might have softened up

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Speaker 7: and you might have hardened up working together.

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Speaker 3: I know, I don't notice.

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Speaker 5: I mean I think you see.

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Speaker 4: That I learned a lot working with her in general

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Speaker 4: in a short period of time, just how to like,

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Speaker 4: you know, I do a lot of my own ship,

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Speaker 4: run the show, you know what I mean, do everything

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Speaker 4: from ages. And when I got with her, it was like, Wow,

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Speaker 4: you could know so much and then you can meet

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Speaker 4: someone else and realize like I'm at the age or

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Speaker 4: I can still. I learned from my young homies.

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Speaker 2: I learned from my older friends.

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Speaker 4: I learned from people. I learned, and I realized when

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Speaker 4: I linked with her that it was like okay, but

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Speaker 4: I didn't change. And I think people when they hear

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Speaker 4: the album, they'll see like it sounds like we met

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Speaker 4: in the middle. You'll hear my shit, you'll hear her stuff,

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Speaker 4: and you're real like, right now, I.

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Speaker 2: Ain't gonna lot that thing.

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Speaker 1: Wo sounds so good, Like I already I'm already throw

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Speaker 1: the pressure on y'all. I already think y'a made the classes,

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Speaker 1: like just from a single based alone, Like I know music.

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Speaker 2: Bro, that ship is fire, yo.

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Speaker 1: I was like, I have to keep listening to it,

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Speaker 1: like because I first went out of the.

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Speaker 2: I thought it was a mistake.

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Speaker 1: I was like, Yo, wait a minute, this is a

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Speaker 1: like I was like, Yo, did they blit this? And

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Speaker 1: then they was like no, this alchemist on doing it.

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Speaker 1: I'm like, holy ship.

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Speaker 2: And I was just blown away. And the artwork that

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Speaker 2: came out with it is well they did it.

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Speaker 4: It reminded me of like the old ron G Yeah,

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Speaker 4: you know, and it was like an old classic with

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Speaker 4: a melody on it and hip hop R and B

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Speaker 4: like just so infectious like her melodies that's missing though nowadays.

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Speaker 1: Like you know what I mean, like especially in the summertime,

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Speaker 1: like to me, a single dropped at the right time.

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Speaker 2: Yes, I'm gonna take a shot to y'all deppinely sock it?

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Speaker 2: Would you drink in the SoCon? Ever since? Yeah, that

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Speaker 2: was a great turned me out, right, don't we all? So?

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Speaker 1: So, how many records were you in the studio together

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Speaker 1: on this?

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Speaker 8: All?

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Speaker 3: All of them? All?

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Speaker 2: Yeah?

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Speaker 3: We went back and forth between his studio in l

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Speaker 3: A and my studio and Dallas, Okay, and we put

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Speaker 3: a long time periods in yeah, like I'm sure three

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Speaker 3: four months here.

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Speaker 4: It's a it's a different process because I'm kind of

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Speaker 4: used to going fast and working with her is like stages.

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Speaker 4: These records grew like the demos, and in the beginning

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Speaker 4: we would lace. She would lay something and I'd be like,

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Speaker 4: that's perfect. Let me okay, I got it, let me

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Speaker 4: just mix it. She was like, slow, now, this is

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Speaker 4: a reference. But it was the references, like her demos

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Speaker 4: are gold. You hear the you hear the potential. But

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Speaker 4: as I was patient, she just made them better and better,

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Speaker 4: and she just kept adding touches and like turning them

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Speaker 4: into something magical. So I had to learn how to

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Speaker 4: like get out of her way, you know what I'm saying,

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Speaker 4: like respectfully, like let me get out of the way

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Speaker 4: and support her and all her ideas because they all

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Speaker 4: work and I'm seeing it.

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Speaker 1: We know you did collab appums before. Is this your

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Speaker 1: first R and B collab?

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Speaker 4: Am I R and B I you know, like I

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Speaker 4: mean this is the first like non like.

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Speaker 3: There's nothing wrong with RB.

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Speaker 4: I'm sorry, I mean, this is definitely the first non wrap.

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Speaker 4: Like I was other for a while, I wanted to

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Speaker 4: do something like this, and I would have probably been

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Speaker 4: happy just meeting an unknown young artist or who has

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Speaker 4: pain and smoked cigarettes in their voice. You know, I

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Speaker 4: never imagined that I would be able to connect with Erica.

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Speaker 4: You know what I'm saying, Like.

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Speaker 2: One song one you know, in the fact that we

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Speaker 2: got to this point. Now we're on tour, like we're joints,

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Speaker 2: are on the project seventeen.

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Speaker 4: Got a show tomorrow here, Yeah, we have a show

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Speaker 4: and we've we've been performed the album basically.

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Speaker 5: Last week out here.

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Speaker 1: Okay, oh last week she's ahead.

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Speaker 2: Oh yeah, yeah, yeah, that's right.

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Speaker 1: Let me take a shot to that, old boy.

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Speaker 7: So how's that reception been to an album people are

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Speaker 7: just hearing for the first time.

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Speaker 4: I mean, it's it's crazy because I wouldn't have I

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Speaker 4: wouldn't have done it. You know, I wouldn't have thought

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Speaker 4: to do this. You've never done something like with y'all seen. Okay,

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Speaker 4: y'all seen this year. Yes, we have a project and

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Speaker 4: we went and did a sold out show in Paris

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Speaker 4: and we played out from start to finish.

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Speaker 2: The new album.

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Speaker 4: And yeah, this was id that Eric also had that

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Speaker 4: we were like talking about. And shoot, I was kind

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Speaker 4: of nervous because you know, when you do unrelated I.

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Speaker 3: Just think y'all seen in are some kind of suit

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Speaker 3: solo twins. We always think of the same thing m

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Speaker 3: same time.

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Speaker 4: Yes shouts y'all seen when the family member you know

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Speaker 4: what I mean?

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Speaker 1: And you've got an album coming out with ghost Space too.

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Speaker 2: No, no, that was a rumor, probably a rumor. I

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Speaker 2: have album, y'all seen.

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Speaker 4: We have a we have a collective called Forensics, and

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Speaker 4: that's gonna be coming out soon as well. But just

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Speaker 4: the live like, you know, just to say you know,

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Speaker 4: you know this. You know when you perform of course

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Speaker 4: and you get to your hits, it's always easy because

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Speaker 4: the crowd, you know, you think got them in a

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Speaker 4: part of your hand. So when she said we wanted

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Speaker 4: she wanted to do the whole album live, I was

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Speaker 4: kind of nervous.

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Speaker 1: Are y'all recording the album live? Like, oh no, it's

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Speaker 1: just just uh we.

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Speaker 3: Recorded shows, okay, cool, just in case.

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Speaker 4: Yeah, but it's been amazing and it's crazy to see

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Speaker 4: like a whole crowd of people.

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Speaker 2: Mind you were no phones, no phones.

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Speaker 4: Ah.

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Speaker 2: I wish we could do this for every show.

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Speaker 3: And fresh Head they can't bring equipment either. They have

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Speaker 3: to use disposable cameras that we provide.

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Speaker 1: So that's awesome.

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Speaker 3: It's fun. Who's idea with that.

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Speaker 5: I mean I like it, you know, like it.

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Speaker 2: Part of it is functional because I'm not out yet.

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Speaker 2: So yeah, absolutely, it's not just because you're doing it.

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Speaker 2: It's also, hey, we're not leaking.

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Speaker 1: This out right.

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Speaker 4: The main reason, right, and to create and experience for

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Speaker 4: the fans who were there who could really hear.

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Speaker 2: It's almost like a listening session. That's what I want

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Speaker 2: to say on stage, you know, and if you'll be

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Speaker 2: scared of they have to do that.

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Speaker 4: See what.

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Speaker 5: A little scared but worked.

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Speaker 1: Well.

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Speaker 3: We're not in the same age as we were in

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Speaker 3: the nineties and two thousands is the age of streaming, right, but.

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Speaker 5: Even the league would be to our advantage.

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Speaker 7: Is something, and I think your fans are your fans

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Speaker 7: enough to come out so much.

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Speaker 3: We had five shows and no one has done anything.

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Speaker 2: They haven't seen any footage.

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Speaker 1: Nobody everybody after you, you guys have done with the album?

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Speaker 1: Do you guys perform like your hits after that? Or

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Speaker 1: that's it the show? I was gonna come tomorrow. I

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Speaker 1: thought them last week. I was last week.

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Speaker 3: These questions.

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Speaker 1: So I gotta ask you, is everybody named Tyroll mad

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Speaker 1: at you?

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Speaker 3: I don't know.

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Speaker 5: Know they seem pretty happy.

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Speaker 3: They like it.

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Speaker 5: Yeah, because it's just like it.

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Speaker 3: Yeah, mom, Tyron, my name is trow Is Tyron a

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Speaker 3: real person? No, it was the freestyle, Okay, okay, playing

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Speaker 3: around because I.

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Speaker 1: Imagine you made it tough for everybody named Tyrone.

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Speaker 5: Not tough.

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Speaker 3: I think you probably got more pussy there you.

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Speaker 1: Go, ty I didn't know she just said that. Holy

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Speaker 1: holy okay. Yeah, I don't give man. I know you

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Speaker 1: for the years. When did you switch to the killer?

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Speaker 1: I was gonna, I sworet you was going to order darker.

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00:17:42,880 --> 00:17:46,080
Speaker 1: Oh no, No, I was gonna er wine. Yes, remember

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Speaker 1: the last time we went that wave?

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Speaker 4: You know, we go through different you know, I think

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Speaker 4: I want to get on that the saki.

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Speaker 1: I think.

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Speaker 4: I want to get on the shock. We've had some

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Speaker 4: good natural one.

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Speaker 1: I think that was the first time I met Action

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Speaker 1: Promston at just at your studio, and it was and

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Speaker 1: then at first I was I was like this is nasty.

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00:18:10,200 --> 00:18:12,159
Speaker 1: I was, But then I kept drinking and I was like,

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00:18:12,160 --> 00:18:13,520
Speaker 1: all right, it's organic wine.

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Speaker 2: Like you know what I mean. You gotta used to

346
00:18:15,600 --> 00:18:17,800
Speaker 2: know pesticide. You remember, did we me and Nor We

347
00:18:17,920 --> 00:18:20,080
Speaker 2: go back so many time? Do you remember when we.

348
00:18:19,960 --> 00:18:22,040
Speaker 4: Were talking with Ki Cundy when you first got one,

349
00:18:22,280 --> 00:18:23,320
Speaker 4: you were an honorary hipster.

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Speaker 9: Yo.

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Speaker 1: Take that he came from that.

352
00:18:28,359 --> 00:18:31,119
Speaker 2: He's like, I didn't even know what it meant. But

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00:18:31,160 --> 00:18:34,520
Speaker 2: I was just like, hey, I'm like, we didn't know

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Speaker 2: what We have stories man, Like this is a real friend,

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Speaker 2: like rap music.

356
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Speaker 1: That's same s.

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Speaker 2: We have history.

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Speaker 1: So you want to explain to them the story. I

359
00:18:45,560 --> 00:18:48,840
Speaker 1: mean the game, the game. Yes, all right, this is

360
00:18:48,840 --> 00:18:51,600
Speaker 1: our drinking game. We're going to give you two choices.

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00:18:52,800 --> 00:18:55,920
Speaker 1: If you pick one, we don't drink. But if you

362
00:18:55,960 --> 00:18:58,800
Speaker 1: say both and neither, we all drink. The whole table

363
00:18:58,880 --> 00:19:01,120
Speaker 1: drinks and really say, it's not to just anybody.

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Speaker 7: We want to just bring up there anything the jogs

365
00:19:03,600 --> 00:19:05,199
Speaker 7: your memory or story that can come up.

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Speaker 2: Please, you know, let's talk about it.

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00:19:10,160 --> 00:19:10,760
Speaker 3: The instruction.

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00:19:10,960 --> 00:19:11,360
Speaker 2: That's it.

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Speaker 1: Usually people don't understand.

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Speaker 3: Do you know what I'll do?

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00:19:18,840 --> 00:19:26,480
Speaker 5: Hockey smart, shocking, sucking me.

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00:19:27,160 --> 00:19:30,520
Speaker 2: So I take the first one, go for it, buddy?

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00:19:30,560 --> 00:19:30,960
Speaker 2: You ready?

374
00:19:32,280 --> 00:19:35,920
Speaker 1: No, well, let them get their shot. Okay, my bad,

375
00:19:36,000 --> 00:19:40,560
Speaker 1: what don't matter to play the game whatever, because I'm

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Speaker 1: speeding ahead. Alchemist just said she told him so down, Okay,

377
00:19:46,359 --> 00:19:47,640
Speaker 1: I told you, I told you guys.

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00:19:49,600 --> 00:19:52,520
Speaker 2: Okay, they got their shots right, all right?

379
00:19:53,560 --> 00:19:57,160
Speaker 1: Good, go for the first one. It's not on the board.

380
00:19:58,320 --> 00:20:02,680
Speaker 2: It's big shots you gotta make, but make smaller shots.

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Speaker 7: Still the baby oh yeah, yeah, yeah, we're trying to

382
00:20:05,080 --> 00:20:06,040
Speaker 7: do baby shots.

383
00:20:06,560 --> 00:20:07,639
Speaker 2: It's really not like liquor.

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00:20:07,680 --> 00:20:11,040
Speaker 1: Yeah, it is LIQUI don't get into Yeah, come on,

385
00:20:12,600 --> 00:20:13,560
Speaker 1: Abby or Alan?

386
00:20:14,760 --> 00:20:15,280
Speaker 2: Is that for me?

387
00:20:16,240 --> 00:20:19,280
Speaker 5: It's our question? Abby or Allan?

388
00:20:21,960 --> 00:20:23,120
Speaker 2: Okay?

389
00:20:23,800 --> 00:20:24,600
Speaker 5: What do I have to do?

390
00:20:24,920 --> 00:20:29,160
Speaker 1: Like, you gotta pick one Alan? Okay, you're gonna pick Alan? Yeah,

391
00:20:29,320 --> 00:20:34,720
Speaker 1: so who are you picking both? I'm drinking drink drink

392
00:20:34,040 --> 00:20:41,080
Speaker 1: that I love. I don't pick salute. All rightway, hold

393
00:20:41,480 --> 00:20:44,399
Speaker 1: for the album, right, Abby and A great names?

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00:20:44,520 --> 00:20:45,760
Speaker 2: That's your real names? Right?

395
00:20:46,760 --> 00:20:46,960
Speaker 1: Great?

396
00:20:47,040 --> 00:20:47,240
Speaker 2: Great?

397
00:20:47,280 --> 00:20:47,800
Speaker 1: Great? Great?

398
00:20:48,480 --> 00:20:49,520
Speaker 4: That's whose idea that was?

399
00:20:50,880 --> 00:20:55,280
Speaker 7: I feel like everything's the idea. What is on this side? Tupocket,

400
00:20:55,359 --> 00:21:00,639
Speaker 7: d m X, both of you, both, both of you,

401
00:21:00,920 --> 00:21:01,520
Speaker 7: both of us.

402
00:21:01,920 --> 00:21:03,800
Speaker 5: Okay, TUPAC or d.

403
00:21:03,960 --> 00:21:06,360
Speaker 2: M X, rest in pieces of both?

404
00:21:06,400 --> 00:21:11,399
Speaker 5: But I like this game. Okay, let's see TUPAC or

405
00:21:11,440 --> 00:21:12,000
Speaker 5: d m X.

406
00:21:13,200 --> 00:21:14,240
Speaker 2: It's any criteria.

407
00:21:14,440 --> 00:21:24,560
Speaker 3: Yeah, in any criteria, Tupac, Okay.

408
00:21:25,520 --> 00:21:27,680
Speaker 2: Both both, Okay, you're going picking.

409
00:21:27,720 --> 00:21:28,679
Speaker 4: I'm not picking between two?

410
00:21:29,440 --> 00:21:31,880
Speaker 2: Yeah, I respect that. I don't understand it, said the game.

411
00:21:32,080 --> 00:21:35,680
Speaker 4: They know though, all right, how I want to drink

412
00:21:35,720 --> 00:21:37,480
Speaker 4: like the I don't want to drink, But that's that's what.

413
00:21:37,640 --> 00:21:42,439
Speaker 1: Happens Michael Jackson or Prince, and we need stories if

414
00:21:42,440 --> 00:21:43,560
Speaker 1: there's stories.

415
00:21:43,160 --> 00:21:44,560
Speaker 2: To be mad anyone.

416
00:21:44,840 --> 00:21:55,200
Speaker 3: Yeah either, Yeah, I met Prince really like Prince. Never

417
00:21:55,280 --> 00:21:57,200
Speaker 3: met Mike, but I can relate to Mike a lot.

418
00:21:57,320 --> 00:21:59,960
Speaker 3: I love Mike both for me both.

419
00:22:00,560 --> 00:22:02,320
Speaker 1: But can you told us the night you met Prince?

420
00:22:03,880 --> 00:22:07,800
Speaker 3: Prince was once my rhythm guitarist on stage wait for

421
00:22:07,840 --> 00:22:13,760
Speaker 3: a one offer like Thomas Gone tour the whole tour. No, just.

422
00:22:15,320 --> 00:22:17,840
Speaker 2: I've seen a clip of it. I've heard Prince on stage.

423
00:22:18,720 --> 00:22:21,240
Speaker 5: Holy, I got a Paisley Park a little bit, I

424
00:22:21,320 --> 00:22:22,159
Speaker 5: recorded some.

425
00:22:22,040 --> 00:22:23,840
Speaker 2: Songs, crazy legend.

426
00:22:23,960 --> 00:22:24,800
Speaker 3: This is very cool.

427
00:22:26,240 --> 00:22:28,720
Speaker 1: Wow, we got to make some noise for that answer.

428
00:22:31,000 --> 00:22:32,160
Speaker 2: You said both both.

429
00:22:32,440 --> 00:22:35,119
Speaker 4: I'm not picking between Prince and fucking so it's one shot,

430
00:22:35,200 --> 00:22:36,720
Speaker 4: right shot.

431
00:22:38,119 --> 00:22:42,600
Speaker 2: You ever met either of them? Never met either, never

432
00:22:42,640 --> 00:22:44,800
Speaker 2: met either. I feel like pretty much popped up in

433
00:22:45,680 --> 00:22:49,000
Speaker 2: Hollywood stories and stuff. I heard stories. I missed them

434
00:22:49,000 --> 00:22:50,080
Speaker 2: one time by fifteen minutes.

435
00:22:50,119 --> 00:22:53,359
Speaker 4: I know he was like notoriously short. Yeah, he wasn't,

436
00:22:53,680 --> 00:22:56,199
Speaker 4: but he could play ball. He did hear that as

437
00:22:56,480 --> 00:22:59,440
Speaker 4: the world heard that. Yeah, yeah, yeah. But I like

438
00:22:59,480 --> 00:23:03,480
Speaker 4: that one where he comes up when I think he

439
00:23:03,600 --> 00:23:06,119
Speaker 4: was James Brown was on stage. You know that clip

440
00:23:06,119 --> 00:23:07,800
Speaker 4: when Princes in the crowd.

441
00:23:07,560 --> 00:23:09,080
Speaker 5: And he comes fame.

442
00:23:10,200 --> 00:23:12,520
Speaker 4: He comes on stage on his security guard shoulders from

443
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Speaker 4: the crowd.

444
00:23:13,440 --> 00:23:14,080
Speaker 2: I never saw that.

445
00:23:14,119 --> 00:23:18,480
Speaker 4: Clipton hype that up later James Brown.

446
00:23:18,600 --> 00:23:20,000
Speaker 3: It was funny.

447
00:23:20,359 --> 00:23:23,800
Speaker 1: Nas came on this story and we asked him, did

448
00:23:23,840 --> 00:23:26,119
Speaker 1: anybody ever tell you no, like you know, to do

449
00:23:26,160 --> 00:23:28,520
Speaker 1: a record? And he said, he asked Prince to do

450
00:23:28,560 --> 00:23:31,080
Speaker 1: a record, and Prince asked him, do you own your

451
00:23:31,119 --> 00:23:34,439
Speaker 1: master's And I said no, So they said he wouldn't

452
00:23:34,440 --> 00:23:36,160
Speaker 1: do the record until he owns his masters.

453
00:23:36,520 --> 00:23:38,680
Speaker 2: That was like the ill stick and he said.

454
00:23:38,480 --> 00:23:42,200
Speaker 7: Because I don't want to put those executives kids through college, yo, And.

455
00:23:42,600 --> 00:23:45,920
Speaker 1: Like that's just crazy, right, Like he was so knowledgeable

456
00:23:46,080 --> 00:23:48,480
Speaker 1: that back then, Like you said, it's crazy.

457
00:23:48,560 --> 00:23:51,040
Speaker 4: You remember young Love the mob deep song came out

458
00:23:51,080 --> 00:23:51,800
Speaker 4: with the Prince sample.

459
00:23:51,920 --> 00:23:54,439
Speaker 2: That was because that came out officially came out that

460
00:23:54,480 --> 00:23:55,000
Speaker 2: white label.

461
00:23:55,520 --> 00:23:58,159
Speaker 4: The story was that they were, like I guess they

462
00:23:58,200 --> 00:23:59,760
Speaker 4: were going to try to clear it, but I guess

463
00:23:59,760 --> 00:24:02,960
Speaker 4: Prince was if he on curses. Do you remember the

464
00:24:02,960 --> 00:24:03,480
Speaker 4: first line in.

465
00:24:03,440 --> 00:24:05,679
Speaker 5: The piece versus I mean, he definitely.

466
00:24:05,480 --> 00:24:07,800
Speaker 2: Was the first line of peace versus fresh out just

467
00:24:07,800 --> 00:24:13,040
Speaker 2: a bitch pussy, But it wasn't. I mean, it was

468
00:24:13,040 --> 00:24:13,840
Speaker 2: a great record, but.

469
00:24:15,320 --> 00:24:17,520
Speaker 4: It would have been I think it would have been

470
00:24:17,760 --> 00:24:18,479
Speaker 4: the genius for that.

471
00:24:18,480 --> 00:24:20,320
Speaker 2: It would have been a hit record. And he wasn't

472
00:24:20,359 --> 00:24:21,320
Speaker 2: gonna change his verse, you.

473
00:24:21,240 --> 00:24:23,760
Speaker 1: Know, Pete, and you didn't have one twelve on that record.

474
00:24:24,119 --> 00:24:24,879
Speaker 2: But I wasn't around it.

475
00:24:24,960 --> 00:24:26,560
Speaker 4: I heard the stories. No that was this was before

476
00:24:26,720 --> 00:24:28,440
Speaker 4: I was with them all. But I heard the story

477
00:24:28,440 --> 00:24:30,440
Speaker 4: that p was. You know how he was. He was rigid.

478
00:24:30,480 --> 00:24:33,640
Speaker 4: He wasn't not not going to change his mind for nothing. Yeah,

479
00:24:34,680 --> 00:24:44,199
Speaker 4: blal or. D'Angelo, Oh solo, cheers, cheers, I'm gonna go

480
00:24:44,240 --> 00:24:46,919
Speaker 4: d Angelo. I'm gonna go d Angelo.

481
00:24:47,119 --> 00:24:53,679
Speaker 2: I used to say, you still got to take the shot.

482
00:24:54,480 --> 00:24:55,600
Speaker 2: I used to say, we did, Dangelo?

483
00:24:56,200 --> 00:24:56,480
Speaker 1: Really?

484
00:24:56,640 --> 00:24:56,880
Speaker 2: Yeah.

485
00:24:57,920 --> 00:25:00,520
Speaker 4: Premiere hooked me up with him, so I first moved

486
00:25:00,560 --> 00:25:03,719
Speaker 4: to New York. And it's a funny story because when

487
00:25:03,760 --> 00:25:05,600
Speaker 4: I went to meet him the first time, Premiere was like,

488
00:25:05,600 --> 00:25:08,199
Speaker 4: can you know, bring some weed? D'Angelo gave me. The

489
00:25:08,240 --> 00:25:11,160
Speaker 4: address was like in around the fashion district in Manhattan,

490
00:25:11,160 --> 00:25:13,840
Speaker 4: like twenty eighth and thirtieth from Broadway, and he was like,

491
00:25:13,880 --> 00:25:14,480
Speaker 4: when you go there.

492
00:25:14,440 --> 00:25:18,720
Speaker 2: Don't have anything in your hand? Anything in your hands. Yeah.

493
00:25:18,720 --> 00:25:19,560
Speaker 2: I didn't know what he meant.

494
00:25:20,320 --> 00:25:23,400
Speaker 4: So I walked in and he it was like literally

495
00:25:23,440 --> 00:25:24,960
Speaker 4: like out of a movie. He was in this big

496
00:25:25,040 --> 00:25:28,000
Speaker 4: law by himself in the middle of the loft, sitting

497
00:25:28,040 --> 00:25:31,359
Speaker 4: in a chair with a guitar, like writing songs. And

498
00:25:31,440 --> 00:25:32,879
Speaker 4: I walked in and shit, I walked in.

499
00:25:33,920 --> 00:25:34,720
Speaker 2: I go up to him.

500
00:25:35,119 --> 00:25:35,800
Speaker 4: He's like, what's up?

501
00:25:36,040 --> 00:25:39,560
Speaker 2: Give him a pound. I'm like, yeah, I'm Premire. He said, oh,

502
00:25:39,600 --> 00:25:41,040
Speaker 2: that's what's up. So gave me another pound.

503
00:25:41,359 --> 00:25:44,720
Speaker 4: Everything I said, you had to give.

504
00:25:44,680 --> 00:25:45,440
Speaker 2: Him a dap with you.

505
00:25:45,440 --> 00:25:48,280
Speaker 4: I don't know if you know people like that is

506
00:25:48,320 --> 00:25:51,240
Speaker 4: adapt And then I understood what Premiere said when he

507
00:25:51,280 --> 00:25:54,760
Speaker 4: was like, don't have under It was crazy, But shout

508
00:25:54,760 --> 00:25:55,840
Speaker 4: out to D'Angelo. I haven't.

509
00:25:56,200 --> 00:25:58,679
Speaker 2: I mean, yeah, D'Angelo, but blood too.

510
00:25:58,720 --> 00:26:03,919
Speaker 4: I mean, it's hard to pick, but could they're both greats?

511
00:26:03,960 --> 00:26:05,200
Speaker 3: Amazing both.

512
00:26:06,800 --> 00:26:11,119
Speaker 2: The Riza or mugs. That's definitely an alchemist's question. No,

513
00:26:11,359 --> 00:26:13,359
Speaker 2: for both of them. They're both of them best ways.

514
00:26:15,560 --> 00:26:16,600
Speaker 2: That's ridiculous.

515
00:26:18,000 --> 00:26:20,800
Speaker 4: I mean, Mugs is my big brother. I got my

516
00:26:20,880 --> 00:26:22,800
Speaker 4: start because of Mugs. But you know what I mean.

517
00:26:22,800 --> 00:26:24,919
Speaker 4: But if I would sit here and lie, if I

518
00:26:25,000 --> 00:26:28,400
Speaker 4: was to say that the Rezar didn't change my way

519
00:26:28,400 --> 00:26:33,800
Speaker 4: of thinking in general, Like they're both behemoth giants, creators

520
00:26:34,280 --> 00:26:34,760
Speaker 4: of the ship.

521
00:26:34,880 --> 00:26:36,600
Speaker 2: Like I wouldn't be shipped without either of them.

522
00:26:36,640 --> 00:26:43,639
Speaker 3: So I've seen ris in action. Battery Studio, nineteen ninety six.

523
00:26:44,960 --> 00:26:45,639
Speaker 2: That's fresh.

524
00:26:46,080 --> 00:26:48,480
Speaker 3: We were in a session. I was in one session.

525
00:26:48,600 --> 00:26:51,760
Speaker 3: Riza was in one session. D'Angelo was in one session.

526
00:26:52,359 --> 00:26:58,240
Speaker 3: Most was in sessions. Yeah, Battery Studio. They had three rooms,

527
00:26:58,760 --> 00:27:02,000
Speaker 3: and it was in one room and he went in

528
00:27:02,560 --> 00:27:04,240
Speaker 3: to listen to the mix. I don't know who the

529
00:27:04,240 --> 00:27:07,760
Speaker 3: engineer was, I don't remember, but he didn't like it,

530
00:27:08,960 --> 00:27:10,560
Speaker 3: and he told him to move out the way and

531
00:27:10,600 --> 00:27:15,800
Speaker 3: he just did the board like Domino's. Then he said,

532
00:27:15,840 --> 00:27:21,200
Speaker 3: put it on the bigs. They played it and.

533
00:27:21,280 --> 00:27:28,080
Speaker 2: He was satisfied that it was incredible, this one, you know.

534
00:27:28,760 --> 00:27:29,400
Speaker 5: Just impressed.

535
00:27:30,000 --> 00:27:31,119
Speaker 3: I try it sometimes.

536
00:27:33,040 --> 00:27:35,520
Speaker 2: He tried to do that on the boards, put it on.

537
00:27:35,920 --> 00:27:38,720
Speaker 5: Just the other part to say, put it on the big.

538
00:27:39,160 --> 00:27:42,440
Speaker 4: The bigs really big, let me hear that, and Riz

539
00:27:42,640 --> 00:27:45,000
Speaker 4: is uh. The fact that he was able to make

540
00:27:45,240 --> 00:27:47,720
Speaker 4: a different sound for every one of them on their

541
00:27:47,720 --> 00:27:52,760
Speaker 4: solo first endeavors, like you know, just an album didn't

542
00:27:52,800 --> 00:27:54,840
Speaker 4: sound like to Cal or whatever.

543
00:27:54,880 --> 00:27:57,280
Speaker 2: They all had like a certain little unique twist.

544
00:27:57,880 --> 00:27:59,120
Speaker 1: You thought he knew them.

545
00:27:59,400 --> 00:28:01,679
Speaker 4: But each one like if it was tapping into this

546
00:28:01,720 --> 00:28:03,639
Speaker 4: type of movies for this one. It were like certain

547
00:28:03,840 --> 00:28:06,160
Speaker 4: nuances of each album that were different.

548
00:28:07,119 --> 00:28:09,080
Speaker 2: An interview in time, he said, he said, I.

549
00:28:09,040 --> 00:28:13,320
Speaker 4: Try to make mephan man beats violence so he has

550
00:28:13,320 --> 00:28:16,120
Speaker 4: to fight back to the beat. I was said, damn,

551
00:28:16,160 --> 00:28:18,880
Speaker 4: I want to listen to Cal. I was like, damh,

552
00:28:19,520 --> 00:28:20,240
Speaker 4: that's crazy.

553
00:28:20,560 --> 00:28:23,280
Speaker 2: And he changed the whole sound at that time, just

554
00:28:23,280 --> 00:28:26,040
Speaker 2: for the first while. There is a man I can't

555
00:28:26,040 --> 00:28:29,520
Speaker 2: even say enough. Now, do you want somebody to roll

556
00:28:29,600 --> 00:28:30,040
Speaker 2: your joint?

557
00:28:30,680 --> 00:28:34,879
Speaker 1: No? Thanks, we gotta try, gotta try.

558
00:28:37,160 --> 00:28:52,480
Speaker 10: J Diller a cute t. J Diller a cute t

559
00:28:53,520 --> 00:28:56,600
Speaker 10: oh uh, rest in piece.

560
00:28:58,040 --> 00:29:02,040
Speaker 3: Yes, rest and beats, Yes, my guy, you know who

561
00:29:02,080 --> 00:29:06,880
Speaker 3: we are almost a Q tip because he's here and

562
00:29:07,040 --> 00:29:09,880
Speaker 3: I want him to know. I want to come all

563
00:29:09,960 --> 00:29:14,640
Speaker 3: to know how his beats inspire me as a as

564
00:29:14,680 --> 00:29:19,440
Speaker 3: a producer, as a beat maker, as a as an

565
00:29:19,520 --> 00:29:23,640
Speaker 3: artist period, how he puts the compositions together. Yeah, he's

566
00:29:23,640 --> 00:29:24,200
Speaker 3: he's bad.

567
00:29:24,240 --> 00:29:25,400
Speaker 5: I can tell what beat is.

568
00:29:25,440 --> 00:29:30,560
Speaker 3: Here is on anybody's album, My deep album, his things up?

569
00:29:31,480 --> 00:29:31,880
Speaker 4: You know.

570
00:29:33,440 --> 00:29:40,240
Speaker 3: He's incredible. You're incredible. Where's the camera, Tamal? You know

571
00:29:42,200 --> 00:29:48,719
Speaker 3: you're incredible. There's no no comparison to what you do.

572
00:29:49,160 --> 00:29:50,800
Speaker 5: Everybody has their own thing, but you.

573
00:29:51,760 --> 00:29:54,840
Speaker 2: I still can't get over when he was looping that record.

574
00:29:54,600 --> 00:30:00,000
Speaker 4: With the needle. Oh my god, I'm gonna go cute

575
00:30:00,040 --> 00:30:00,840
Speaker 4: Tip also.

576
00:30:00,680 --> 00:30:02,360
Speaker 2: Man, I mean Tip.

577
00:30:04,560 --> 00:30:07,200
Speaker 4: Man, thinking about all those records that he produced, like

578
00:30:07,440 --> 00:30:08,880
Speaker 4: because back then I didn't really know.

579
00:30:09,680 --> 00:30:11,440
Speaker 2: Wasn't Jay Dilla under Q Tip anyway?

580
00:30:11,560 --> 00:30:15,280
Speaker 4: Yeah okay, yeah, but like at that time, I didn't really.

581
00:30:15,120 --> 00:30:16,560
Speaker 2: Know about production like that.

582
00:30:16,680 --> 00:30:18,400
Speaker 4: So it was kind of all magical when I heard

583
00:30:18,440 --> 00:30:20,880
Speaker 4: the beats, and later on I discovered the samples and

584
00:30:20,920 --> 00:30:23,560
Speaker 4: the drums, and to think that how he was putting

585
00:30:23,600 --> 00:30:27,720
Speaker 4: certain drums to those loops like electric relaxation or something

586
00:30:27,720 --> 00:30:29,800
Speaker 4: like that, like that's a drum break from another record,

587
00:30:29,880 --> 00:30:33,120
Speaker 4: and the synergy and effusion and he was.

588
00:30:33,080 --> 00:30:33,920
Speaker 2: So ahead of his time.

589
00:30:34,000 --> 00:30:37,800
Speaker 4: Or think about the drum pattern for one love like

590
00:30:37,960 --> 00:30:39,560
Speaker 4: just a fucking drum pattern.

591
00:30:39,880 --> 00:30:43,560
Speaker 2: Like yo, he was the night with heat. Tip.

592
00:30:43,880 --> 00:30:47,160
Speaker 4: Tip is like, uh, he's like the foundation for so much.

593
00:30:47,200 --> 00:30:49,520
Speaker 4: And he was also the way we also discovered like

594
00:30:49,560 --> 00:30:52,040
Speaker 4: I didn't know RAMP. I didn't know about RAMP until

595
00:30:52,040 --> 00:30:54,200
Speaker 4: they sampled it. And you know there's like certain records

596
00:30:54,400 --> 00:30:59,280
Speaker 4: that we discovered later. Yeah, he dug deep and it

597
00:30:59,440 --> 00:31:01,160
Speaker 4: was funny because when we were young, I thought that

598
00:31:01,880 --> 00:31:03,160
Speaker 4: he was doing the beats.

599
00:31:03,000 --> 00:31:05,400
Speaker 2: That's what until one love we didn't realize.

600
00:31:05,440 --> 00:31:09,200
Speaker 4: You know who put me on large Large he was

601
00:31:09,200 --> 00:31:12,040
Speaker 4: a lost professor. Think up Large, that's my best case

602
00:31:12,080 --> 00:31:15,720
Speaker 4: scenario for me. He told me he was like Tip

603
00:31:16,160 --> 00:31:19,600
Speaker 4: was in the crates. Tip was really the one because

604
00:31:19,600 --> 00:31:22,160
Speaker 4: back then we always start to put the DJ jaking

605
00:31:22,200 --> 00:31:24,800
Speaker 4: the beats and shout to Alisi. I'm sure he had

606
00:31:25,320 --> 00:31:28,160
Speaker 4: a hand in it, but cute Tip man can't say,

607
00:31:28,240 --> 00:31:29,240
Speaker 4: you know, he's.

608
00:31:29,920 --> 00:31:32,120
Speaker 1: Sorry, Jada subject a little bit. But you told me

609
00:31:32,120 --> 00:31:35,800
Speaker 1: a great story one night. He said that I believe

610
00:31:35,840 --> 00:31:38,480
Speaker 1: I'm quite sure this was you. You said that Large

611
00:31:38,480 --> 00:31:41,800
Speaker 1: Pro went to a Ray Kawan show and Ray Kawan

612
00:31:41,800 --> 00:31:44,000
Speaker 1: didn't have on the Cuban links and he walked out.

613
00:31:44,600 --> 00:31:48,240
Speaker 4: Yeah, he was he disappeared. We went to the show

614
00:31:48,400 --> 00:31:52,560
Speaker 4: in La. The crowd, Ray came out was gone, where'd

615
00:31:52,600 --> 00:31:55,120
Speaker 4: he go? His man was like, nah, he's outside, he's chilling,

616
00:31:55,160 --> 00:31:57,959
Speaker 4: and I came outside. Afterwards, Ray came out killed it.

617
00:31:58,440 --> 00:32:01,080
Speaker 4: He didn't have his normal big link on. He had

618
00:32:01,120 --> 00:32:02,320
Speaker 4: like a jeweled shirt.

619
00:32:02,120 --> 00:32:03,080
Speaker 2: Or so that's Ray.

620
00:32:03,160 --> 00:32:05,640
Speaker 4: We could do what he wants. The Large was like,

621
00:32:06,080 --> 00:32:08,520
Speaker 4: he went outside, what was up? He's like, God didn't

622
00:32:08,520 --> 00:32:09,040
Speaker 4: have to link.

623
00:32:11,000 --> 00:32:13,360
Speaker 2: He felt like nah, like as a fan, like he

624
00:32:13,440 --> 00:32:20,600
Speaker 2: wanted to. Large is the essence like everything he pop.

625
00:32:20,680 --> 00:32:23,000
Speaker 2: You gotta see he owns a pizza like.

626
00:32:23,040 --> 00:32:28,720
Speaker 1: Yo, yoga, I want, I want, I want to kicking

627
00:32:28,840 --> 00:32:29,160
Speaker 1: on it.

628
00:32:30,600 --> 00:32:33,240
Speaker 4: You know, I took one time we went to a

629
00:32:33,280 --> 00:32:34,400
Speaker 4: Meeba record stores in La.

630
00:32:34,560 --> 00:32:35,120
Speaker 2: This is a store.

631
00:32:35,840 --> 00:32:39,320
Speaker 4: He snuck a turntable in his own table, and he

632
00:32:39,440 --> 00:32:43,320
Speaker 4: had gloves for digging. And then yo, he went he

633
00:32:43,360 --> 00:32:45,280
Speaker 4: went to the dollar section. And this is for the

634
00:32:45,440 --> 00:32:49,480
Speaker 4: people who understand this. He found a Rupert Holmes drum.

635
00:32:49,280 --> 00:32:51,000
Speaker 2: Break, which is like a break we used to all

636
00:32:51,040 --> 00:32:52,920
Speaker 2: chop up. It's a dollar record.

637
00:32:53,120 --> 00:32:53,280
Speaker 1: Yo.

638
00:32:53,440 --> 00:32:56,080
Speaker 4: He hit it so no one else could get this

639
00:32:56,160 --> 00:32:57,000
Speaker 4: is ship we used to do.

640
00:32:57,080 --> 00:32:59,960
Speaker 2: He went and hit the record so nobody else could

641
00:33:00,080 --> 00:33:00,320
Speaker 2: hit it.

642
00:33:00,320 --> 00:33:02,080
Speaker 4: It was like some old b boys ship to do

643
00:33:02,240 --> 00:33:05,640
Speaker 4: like like like there's not more copies of it that exist,

644
00:33:05,840 --> 00:33:09,480
Speaker 4: but the largest is He's the essence of this whole

645
00:33:09,480 --> 00:33:13,880
Speaker 4: ship and rhymes DJing. He always did it all and

646
00:33:14,000 --> 00:33:16,640
Speaker 4: that's been a big inspiration for me because I always

647
00:33:16,640 --> 00:33:19,680
Speaker 4: wanted to have all all sharpened, you know what I'm saying,

648
00:33:19,760 --> 00:33:21,280
Speaker 4: all elements able.

649
00:33:21,000 --> 00:33:23,000
Speaker 2: To And he's been a sort to a lot of folks.

650
00:33:23,760 --> 00:33:28,880
Speaker 3: Six degrees spot like he's coming to my DJ sets

651
00:33:29,360 --> 00:33:31,600
Speaker 3: and I would hear somebody I know when he gets there,

652
00:33:31,640 --> 00:33:34,640
Speaker 3: because I hear somebody over my shoulder going come on,

653
00:33:35,400 --> 00:33:35,800
Speaker 3: come on.

654
00:33:37,000 --> 00:33:38,600
Speaker 5: Yeah, that's what I'm talking about.

655
00:33:39,840 --> 00:33:40,000
Speaker 1: Yo.

656
00:33:40,720 --> 00:33:42,240
Speaker 3: You know he would be there.

657
00:33:43,320 --> 00:33:47,480
Speaker 4: Yea world up that's large, you know, a large, my brother.

658
00:33:48,440 --> 00:33:52,920
Speaker 1: I imagine him like having a baby token to the doctors.

659
00:33:53,440 --> 00:33:58,720
Speaker 1: Make sure you don't look too much. I can see that.

660
00:33:58,800 --> 00:34:03,680
Speaker 2: I'm I don't know what I thought like that, Boldie

661
00:34:03,760 --> 00:34:08,960
Speaker 2: James or Conway.

662
00:34:07,720 --> 00:34:10,360
Speaker 4: But I'm going both on that. Those I'm both both

663
00:34:10,640 --> 00:34:15,799
Speaker 4: solid both to say about that. Two legends.

664
00:34:20,200 --> 00:34:22,160
Speaker 2: Billie Holiday or Nina Simone.

665
00:34:22,760 --> 00:34:29,480
Speaker 3: Billy Holiday Currency or Earl Sweat, very very disrespectful and

666
00:34:30,800 --> 00:34:34,560
Speaker 3: horrible question asked. But I have to answer it. I

667
00:34:34,560 --> 00:34:36,200
Speaker 3: don't want to drink another shot back.

668
00:34:36,520 --> 00:34:38,680
Speaker 2: You would have said both.

669
00:34:39,400 --> 00:34:39,520
Speaker 3: No.

670
00:34:40,280 --> 00:34:43,640
Speaker 2: Yes, you can bring in someone to be your drinker

671
00:34:43,800 --> 00:34:44,319
Speaker 2: if you'd like.

672
00:34:44,640 --> 00:34:45,759
Speaker 3: Is that a part of it?

673
00:34:45,960 --> 00:34:47,520
Speaker 2: I mean you have to drink a little bit.

674
00:34:48,040 --> 00:34:52,600
Speaker 7: Okay, I don't do anything, but you can have some

675
00:34:52,680 --> 00:34:54,200
Speaker 7: We would like you to drink a little.

676
00:34:54,080 --> 00:35:01,560
Speaker 3: You know, I think I'm good soccer smooth though, sock

677
00:35:01,719 --> 00:35:06,600
Speaker 3: smooth cool. It might be a trickery, but.

678
00:35:06,760 --> 00:35:11,040
Speaker 2: It is the episode I was stand up, you stand up,

679
00:35:11,040 --> 00:35:13,040
Speaker 2: and then you realize we took a picture. I went

680
00:35:13,080 --> 00:35:14,920
Speaker 2: to the bathroom. I came back and I said, we.

681
00:35:14,880 --> 00:35:19,879
Speaker 7: Didn't take a picture, and I got mad at everybody.

682
00:35:20,040 --> 00:35:22,080
Speaker 1: He was going hard because I wanted to take a

683
00:35:22,080 --> 00:35:22,600
Speaker 1: picture with it.

684
00:35:23,120 --> 00:35:25,200
Speaker 2: Some thing I brought some prefernt. I was like, this

685
00:35:25,239 --> 00:35:27,120
Speaker 2: is the first flights, Like we took it already, Like nah,

686
00:35:27,160 --> 00:35:36,319
Speaker 2: man the tape Currency or Earl sweatshirt. Wow, I'm gonna

687
00:35:36,320 --> 00:35:37,080
Speaker 2: have to go both.

688
00:35:37,719 --> 00:35:42,359
Speaker 4: Both of them have a significant role in in what

689
00:35:42,480 --> 00:35:45,480
Speaker 4: I've been able to achieve. Like Currency was the one

690
00:35:45,520 --> 00:35:47,520
Speaker 4: that kind of started the run of me doing these

691
00:35:48,600 --> 00:35:51,040
Speaker 4: one person album and at the time I was kind

692
00:35:51,040 --> 00:35:51,759
Speaker 4: of nervous.

693
00:35:51,440 --> 00:35:53,600
Speaker 2: To do it, and he wanted the Cobra Coop, you

694
00:35:53,640 --> 00:35:54,040
Speaker 2: know what I mean.

695
00:35:54,200 --> 00:35:57,239
Speaker 4: He he wanted to just throw it out. I was

696
00:35:57,280 --> 00:35:59,040
Speaker 4: nervous as hell, and he was like, we'll do this

697
00:35:59,080 --> 00:36:00,960
Speaker 4: and we'll sell some which will put it out free.

698
00:36:00,960 --> 00:36:01,960
Speaker 2: And that kind of.

699
00:36:01,960 --> 00:36:05,359
Speaker 4: Was the first time when I started looking at how

700
00:36:05,360 --> 00:36:09,120
Speaker 4: to sell music differently because he had a whole fan

701
00:36:09,239 --> 00:36:09,400
Speaker 4: and we.

702
00:36:09,760 --> 00:36:13,040
Speaker 2: Sold merchant put the music out free with Cobra Coop.

703
00:36:13,600 --> 00:36:17,480
Speaker 2: But he's not your first because turning Back would be

704
00:36:17,520 --> 00:36:20,040
Speaker 2: the first, of course, and then we do Albert Einstein later.

705
00:36:20,080 --> 00:36:22,359
Speaker 4: But I feel like Currency was one of the ones

706
00:36:22,680 --> 00:36:25,040
Speaker 4: because I gave it my all. I remember I wasn't

707
00:36:25,040 --> 00:36:26,719
Speaker 4: holding back with the beats when I when we did

708
00:36:26,719 --> 00:36:29,200
Speaker 4: Cobra Coop, I just met him. It was like a

709
00:36:29,239 --> 00:36:30,839
Speaker 4: new thing, but I was like, fuck it, just put

710
00:36:30,840 --> 00:36:33,480
Speaker 4: my name on it. I gotta, you know, put some

711
00:36:33,560 --> 00:36:35,640
Speaker 4: heat on there, and like it kind of helped start

712
00:36:35,680 --> 00:36:38,920
Speaker 4: the run of doing these like albums with people and Earl,

713
00:36:39,120 --> 00:36:42,719
Speaker 4: Like Earl is like my brother first of all, but

714
00:36:42,800 --> 00:36:45,560
Speaker 4: he's also like I could basically give him an r credit,

715
00:36:45,680 --> 00:36:48,759
Speaker 4: like so much shit the last ten years that you

716
00:36:48,840 --> 00:36:49,799
Speaker 4: see me staying in.

717
00:36:49,680 --> 00:36:50,799
Speaker 2: The loop was because of Earl.

718
00:36:50,880 --> 00:36:54,520
Speaker 4: Really what he put me onto everything, Like he's so ahead.

719
00:36:55,000 --> 00:37:01,120
Speaker 4: Earl is a generational gift. He's not regular, and like

720
00:37:01,480 --> 00:37:03,759
Speaker 4: me being able to he's younger than me, so me

721
00:37:03,840 --> 00:37:05,520
Speaker 4: being able to stay in and loop with him. And

722
00:37:05,560 --> 00:37:08,319
Speaker 4: then he got his young homies. It never ends, you

723
00:37:08,320 --> 00:37:10,440
Speaker 4: know what I'm saying. And and and.

724
00:37:10,840 --> 00:37:12,680
Speaker 7: Like local history in a sense that you guys kind

725
00:37:12,680 --> 00:37:13,440
Speaker 7: of relate to course.

726
00:37:13,640 --> 00:37:15,479
Speaker 4: And I'm just thankful to have him as a friend

727
00:37:15,480 --> 00:37:18,280
Speaker 4: and a mentor and and and and this ship because

728
00:37:18,880 --> 00:37:21,440
Speaker 4: trust me, man a lot of the ship that people

729
00:37:21,520 --> 00:37:23,080
Speaker 4: know me, they say, you know, I always putting me

730
00:37:23,120 --> 00:37:25,200
Speaker 4: up on ship. They don't know he's putting me up

731
00:37:25,200 --> 00:37:27,799
Speaker 4: on it. And then he got his young homie who

732
00:37:27,840 --> 00:37:29,399
Speaker 4: put him up on ship. It never ends.

733
00:37:29,840 --> 00:37:33,040
Speaker 2: So you know, shout out to ear that's the both

734
00:37:33,080 --> 00:37:39,760
Speaker 2: my brothers. You got it. You got Eve or Missy

735
00:37:41,080 --> 00:37:42,520
Speaker 2: Eve or Missy.

736
00:37:42,680 --> 00:37:45,040
Speaker 3: Missy for me.

737
00:37:45,239 --> 00:37:46,399
Speaker 4: Yeah, I'm gonna go Missy too.

738
00:37:47,480 --> 00:37:48,080
Speaker 3: Them in the same.

739
00:37:50,560 --> 00:37:52,840
Speaker 1: Aminican guy Missy.

740
00:37:52,960 --> 00:37:54,640
Speaker 3: That's not even tricky.

741
00:37:55,600 --> 00:37:57,680
Speaker 2: They write it so that you look at us crazy.

742
00:37:58,280 --> 00:38:04,120
Speaker 5: What do y'all know about miss see Elliott dope as

743
00:38:04,160 --> 00:38:09,680
Speaker 5: what performance artists that do what.

744
00:38:13,920 --> 00:38:15,360
Speaker 2: She's an incredible writer.

745
00:38:15,520 --> 00:38:21,719
Speaker 3: She's a producer, she makes beats. Yeah, that's different, that's

746
00:38:21,760 --> 00:38:22,480
Speaker 3: the something else.

747
00:38:23,680 --> 00:38:43,880
Speaker 9: Yeah, what are we comparing tis shout out to Missy Elliott.

748
00:38:44,680 --> 00:38:46,320
Speaker 2: Yes, yes, yes, Missy.

749
00:38:46,400 --> 00:38:48,000
Speaker 7: We need you, We need both of y'all. But miss

750
00:38:48,200 --> 00:38:50,280
Speaker 7: will be a dope episode. We've been trying to figure

751
00:38:50,280 --> 00:38:52,200
Speaker 7: it out. Hopefully we can get it, get it done.

752
00:38:52,200 --> 00:38:58,959
Speaker 2: So see three thousand or the A s R ten ten.

753
00:39:00,480 --> 00:39:04,840
Speaker 3: Yeah, I mean machine okay, back.

754
00:39:04,760 --> 00:39:10,200
Speaker 4: Mountains Okay, yeah, I did all my all my classic.

755
00:39:12,080 --> 00:39:13,240
Speaker 2: MP okay.

756
00:39:13,440 --> 00:39:13,680
Speaker 1: Wow.

757
00:39:14,640 --> 00:39:17,719
Speaker 2: Yeah, so you're still using machines both, y'all.

758
00:39:18,239 --> 00:39:21,319
Speaker 7: Yes, because some people are coming down saying now they're

759
00:39:21,360 --> 00:39:22,200
Speaker 7: just using programs.

760
00:39:22,560 --> 00:39:24,120
Speaker 3: I got sloppy dish everywhere.

761
00:39:24,960 --> 00:39:27,520
Speaker 2: How do you feel about fruity Loops f.

762
00:39:27,600 --> 00:39:31,640
Speaker 3: L I never really learned fl and well I got

763
00:39:31,719 --> 00:39:32,520
Speaker 3: suck it logic.

764
00:39:33,200 --> 00:39:35,040
Speaker 4: Okay, you're saying that ship like you know what fruity

765
00:39:35,080 --> 00:39:35,440
Speaker 4: loops is.

766
00:39:35,760 --> 00:39:39,760
Speaker 2: I mean, you know, you know, you know what. It's funny.

767
00:39:40,360 --> 00:39:41,520
Speaker 1: Regg Don't is made on food.

768
00:39:41,600 --> 00:39:46,520
Speaker 4: Looks a lot of that's out in general through fruity loops.

769
00:39:46,520 --> 00:39:48,560
Speaker 1: Like we just outside on the show too. He's a

770
00:39:48,560 --> 00:39:49,040
Speaker 1: foody loop.

771
00:39:49,120 --> 00:39:50,960
Speaker 2: He's the man. Yeah, outside gets busy with.

772
00:39:50,960 --> 00:39:53,680
Speaker 5: Fruity the word with people who use fl studio.

773
00:39:53,760 --> 00:39:57,600
Speaker 2: But I've never yeah that found It's just another machine.

774
00:39:57,760 --> 00:39:57,960
Speaker 1: You know.

775
00:39:58,239 --> 00:40:00,000
Speaker 4: People get caught up in the machine.

776
00:40:00,080 --> 00:40:01,440
Speaker 2: Is it gets you there?

777
00:40:01,680 --> 00:40:04,040
Speaker 4: If you got to hear, you're gonna make make anything

778
00:40:04,120 --> 00:40:06,760
Speaker 4: sing like you can make any machine work. It doesn't matter.

779
00:40:08,600 --> 00:40:13,440
Speaker 2: We ain't taking a show, Marvin Gay or Stevie Wonder.

780
00:40:15,120 --> 00:40:15,400
Speaker 4: Son.

781
00:40:17,840 --> 00:40:24,320
Speaker 2: And you've got to tell stories, everybody.

782
00:40:24,600 --> 00:40:29,520
Speaker 3: That's why you're doing all this talking stories. Come, what's

783
00:40:29,520 --> 00:40:38,600
Speaker 3: wrong with you?

784
00:40:38,640 --> 00:40:38,719
Speaker 1: Know?

785
00:40:38,880 --> 00:40:39,760
Speaker 5: I'm a slow burn.

786
00:40:42,360 --> 00:40:43,600
Speaker 3: Stevie Wonder or.

787
00:40:45,560 --> 00:40:45,759
Speaker 10: Gay.

788
00:40:49,239 --> 00:40:51,719
Speaker 3: I can pick one today and change my mind tomorrow.

789
00:40:53,160 --> 00:40:53,440
Speaker 4: Yeah.

790
00:40:53,600 --> 00:40:56,480
Speaker 3: So I'm gonna go with Stevie Wonder because you can

791
00:40:56,520 --> 00:40:59,040
Speaker 3: hear me, and he's here, and I want him to

792
00:40:59,080 --> 00:41:02,040
Speaker 3: know as well. He's made maybe one of my biggest

793
00:41:02,080 --> 00:41:05,000
Speaker 3: influences ever in the world. I started listening to Stevie

794
00:41:05,080 --> 00:41:09,040
Speaker 3: Wonder as a toddler. He came out maybe nineteen seventy

795
00:41:09,080 --> 00:41:12,960
Speaker 3: one with an album I think called Talking Book and

796
00:41:14,440 --> 00:41:17,319
Speaker 3: don't quote me, World, don't come on my.

797
00:41:18,480 --> 00:41:21,880
Speaker 2: Drunk, Facts up facts if you get a year off drumpa.

798
00:41:22,080 --> 00:41:27,160
Speaker 3: Nineteen and seventy one, and I've just been listening to him.

799
00:41:27,200 --> 00:41:30,040
Speaker 5: It's a voice. I thought it was my daddy as

800
00:41:30,080 --> 00:41:30,480
Speaker 5: a kid.

801
00:41:31,040 --> 00:41:34,839
Speaker 3: Thought because my mom used to say my husband claim

802
00:41:34,880 --> 00:41:40,520
Speaker 3: my husband out. But it was kind of satire little yeah,

803
00:41:40,520 --> 00:41:43,719
Speaker 3: but yeah, I love Stevie wonder his voice. There are

804
00:41:43,719 --> 00:41:45,640
Speaker 3: billions of atoms of him and me.

805
00:41:46,280 --> 00:41:47,120
Speaker 2: Have you worked with him?

806
00:41:47,680 --> 00:41:51,160
Speaker 3: Never worked with him? Really? No, that kind of surprises me.

807
00:41:51,239 --> 00:41:58,680
Speaker 3: Well nothing public. Yeah, what you said mentor bring me is.

808
00:41:59,400 --> 00:42:04,640
Speaker 11: He seems and the absolutely it'll happen right Well, you

809
00:42:04,680 --> 00:42:09,800
Speaker 11: said that that he can hear you, right, Some arguably

810
00:42:09,920 --> 00:42:11,000
Speaker 11: say here on drinking.

811
00:42:13,400 --> 00:42:15,200
Speaker 1: Do you think that's the rumor that he can see?

812
00:42:15,680 --> 00:42:20,080
Speaker 3: I have no idea, you know, I don't think so, though.

813
00:42:20,920 --> 00:42:25,560
Speaker 1: Snook Snoop came on the show and says, Stevie FaceTime.

814
00:42:27,920 --> 00:42:28,560
Speaker 1: That's doable.

815
00:42:28,600 --> 00:42:31,600
Speaker 2: Someone could have just put him on FaceTime all right.

816
00:42:33,320 --> 00:42:37,040
Speaker 1: In the elevator was oh, yeah, saw in the elevator

817
00:42:37,520 --> 00:42:40,719
Speaker 1: and Shaq walked in and he didn't say that in

818
00:42:40,719 --> 00:42:43,680
Speaker 1: the Stevie and Stevie was like, what's up, Diesel, like

819
00:42:45,360 --> 00:42:49,520
Speaker 1: before you go into yeah, and the Iley Brothers said

820
00:42:49,520 --> 00:43:00,000
Speaker 1: the street crosses the show just no one is playing around,

821
00:43:00,120 --> 00:43:02,960
Speaker 1: by the way, no one. We're laughing, but no one

822
00:43:03,040 --> 00:43:03,760
Speaker 1: is around.

823
00:43:03,800 --> 00:43:11,440
Speaker 3: You can see he's playing along.

824
00:43:12,680 --> 00:43:24,360
Speaker 8: Drinks because, oh, analog and digital.

825
00:43:25,520 --> 00:43:26,360
Speaker 2: My favorite questions.

826
00:43:30,120 --> 00:43:30,520
Speaker 4: Thank you.

827
00:43:34,200 --> 00:43:36,879
Speaker 3: One of my monitors, this analog girl in the digital world.

828
00:43:37,760 --> 00:43:43,480
Speaker 3: Mm hm oh, but uh, I do further warmth childhood

829
00:43:43,719 --> 00:43:47,880
Speaker 3: because it's it's like, you know, nostalgic for me and

830
00:43:48,040 --> 00:43:51,400
Speaker 3: I love you know what we can do and how

831
00:43:51,520 --> 00:43:54,560
Speaker 3: quickly we can do it now too, But I'm gonna

832
00:43:54,560 --> 00:43:56,719
Speaker 3: access cellboard kind of girls, so I'm gonna have to

833
00:43:56,719 --> 00:44:04,080
Speaker 3: say analog, yeah, man long too for sure.

834
00:44:05,880 --> 00:44:08,719
Speaker 1: I can touch this comptability of digital. But I like

835
00:44:08,760 --> 00:44:11,640
Speaker 1: analog like like one thing for short thing for certain

836
00:44:12,680 --> 00:44:15,120
Speaker 1: like us just hearing that y'all both was in the

837
00:44:15,120 --> 00:44:17,799
Speaker 1: studio for as of every record makes me my mind

838
00:44:17,840 --> 00:44:20,799
Speaker 1: me of the analog days used to can't you used

839
00:44:20,800 --> 00:44:23,680
Speaker 1: to can't send in the person a record, the physically

840
00:44:23,760 --> 00:44:26,120
Speaker 1: come to the studio. That was the better.

841
00:44:26,360 --> 00:44:27,440
Speaker 2: That was the better days to me.

842
00:44:27,680 --> 00:44:29,840
Speaker 4: You know, I feel like we're lucky too, because like

843
00:44:29,920 --> 00:44:32,200
Speaker 4: my first beat like keep it thorough, We're gonna make it.

844
00:44:32,239 --> 00:44:36,160
Speaker 2: Those were on two inch tape and those were like that.

845
00:44:36,239 --> 00:44:37,560
Speaker 1: Was right before ship switched over.

846
00:44:37,600 --> 00:44:39,480
Speaker 2: And it's like if I play those beats out of

847
00:44:39,520 --> 00:44:40,040
Speaker 2: the A s R.

848
00:44:40,480 --> 00:44:43,840
Speaker 4: They don't sound the same because that saturation when they

849
00:44:43,840 --> 00:44:46,640
Speaker 4: would hit the tape and go through the S S L. Like,

850
00:44:46,760 --> 00:44:49,480
Speaker 4: I feel blessed to have those first couple of batches

851
00:44:49,520 --> 00:44:51,120
Speaker 4: of beats bang bang we did.

852
00:44:51,200 --> 00:44:52,920
Speaker 2: That was through the ssang.

853
00:44:54,080 --> 00:44:56,279
Speaker 1: The other day, I was sitting there talking to the

854
00:44:56,719 --> 00:44:59,560
Speaker 1: brothers outside and I go, yeah, because you know, there

855
00:44:59,640 --> 00:45:02,600
Speaker 1: was performing on a dat And then I realized no

856
00:45:02,640 --> 00:45:14,000
Speaker 1: one knew what about it was that the two in

857
00:45:14,239 --> 00:45:16,680
Speaker 1: Remember when we were mixing, you'd have to sit there

858
00:45:16,680 --> 00:45:18,040
Speaker 1: in silence when they were rewind it.

859
00:45:19,520 --> 00:45:22,880
Speaker 3: And it wasn't you to like be lucky enough to

860
00:45:22,960 --> 00:45:26,480
Speaker 3: have two reels, two reels so you can drag one

861
00:45:26,520 --> 00:45:28,400
Speaker 3: in order to make a flang sound.

862
00:45:29,040 --> 00:45:30,400
Speaker 4: You got some ship. I don't even know about it.

863
00:45:30,760 --> 00:45:33,160
Speaker 2: Actually, the table that is crazy.

864
00:45:33,719 --> 00:45:34,359
Speaker 1: I don't know nothing.

865
00:45:34,239 --> 00:45:36,440
Speaker 3: About sitting there waiting for the whole ship to rewind

866
00:45:36,480 --> 00:45:38,000
Speaker 3: and you're doing an eight minutes Oh.

867
00:45:38,000 --> 00:45:41,279
Speaker 1: Yeah, I remember, not eight minutes long, but I know.

868
00:45:43,719 --> 00:45:45,560
Speaker 2: Minutes at what I know about.

869
00:45:45,400 --> 00:45:47,880
Speaker 3: Them drops on the board though, those are the best.

870
00:45:47,960 --> 00:45:51,280
Speaker 4: A lot of drops for automation, flying faders.

871
00:45:51,920 --> 00:45:52,759
Speaker 2: Yeah, we're from that.

872
00:45:52,760 --> 00:45:55,879
Speaker 1: We're from that, remember right, track right, that's right track.

873
00:45:57,560 --> 00:45:59,240
Speaker 1: Does the studios still exist?

874
00:45:59,360 --> 00:46:01,799
Speaker 2: Yeah, of course, Man, the right track one and.

875
00:46:02,040 --> 00:46:05,920
Speaker 3: By forty seventh Street, okay, by the music stores.

876
00:46:05,680 --> 00:46:09,040
Speaker 2: Right right, yes, old point. It was a real bad

877
00:46:09,080 --> 00:46:10,439
Speaker 2: strip club next to right track.

878
00:46:10,480 --> 00:46:10,880
Speaker 4: Remember that.

879
00:46:11,040 --> 00:46:14,080
Speaker 1: It was like you talking about sound.

880
00:46:13,760 --> 00:46:17,120
Speaker 2: So we did queens over there.

881
00:46:17,160 --> 00:46:18,319
Speaker 1: Yeah, we did queans over there.

882
00:46:18,400 --> 00:46:20,200
Speaker 2: I maye that beat on the spot. Yeah, that was

883
00:46:20,200 --> 00:46:24,640
Speaker 2: a good time. It was horrible to mar I drank.

884
00:46:24,719 --> 00:46:26,000
Speaker 1: I went there to drink, but I didn't.

885
00:46:26,760 --> 00:46:27,080
Speaker 3: I didn't.

886
00:46:27,120 --> 00:46:27,879
Speaker 2: I didn't have fun.

887
00:46:27,920 --> 00:46:31,600
Speaker 1: It was like it was just you know, back then

888
00:46:31,640 --> 00:46:33,560
Speaker 1: we would come up from my m C and y'all

889
00:46:34,600 --> 00:46:38,600
Speaker 1: hits over there like on downtown, like as they mix

890
00:46:38,680 --> 00:46:40,239
Speaker 1: in and just have a drink, you know what I mean.

891
00:46:40,280 --> 00:46:42,160
Speaker 2: Like what was saying on that Joe was a complexion

892
00:46:42,400 --> 00:46:45,160
Speaker 2: complexity question?

893
00:46:45,320 --> 00:46:45,520
Speaker 3: Yeah.

894
00:46:45,680 --> 00:46:47,160
Speaker 2: Yeah, let's put this quick time with.

895
00:46:47,200 --> 00:46:50,440
Speaker 3: Slung, which is so we say for sure analog right?

896
00:46:50,520 --> 00:46:50,719
Speaker 2: Yeah?

897
00:46:50,800 --> 00:46:53,720
Speaker 1: Yeah, both everybody said it.

898
00:46:53,560 --> 00:46:56,520
Speaker 3: Is that you cannot roll the joint on a digital download.

899
00:46:58,640 --> 00:47:01,239
Speaker 2: You cannot have to have it. That's right. I can't

900
00:47:01,280 --> 00:47:09,160
Speaker 2: roll a joint on air. I don't know what that means.

901
00:47:10,280 --> 00:47:11,080
Speaker 3: You'll get it later.

902
00:47:12,760 --> 00:47:19,160
Speaker 2: Think g rapper slick Rick, mm.

903
00:47:18,320 --> 00:47:21,000
Speaker 5: Cools you Rap, Yes, can we can?

904
00:47:21,040 --> 00:47:23,400
Speaker 3: We can we have an era? Okay do we have

905
00:47:23,440 --> 00:47:23,839
Speaker 3: to just.

906
00:47:24,480 --> 00:47:27,239
Speaker 7: It's whatever criteria. It could be that Coolie Wrap made

907
00:47:27,280 --> 00:47:31,399
Speaker 7: amazing mac and cheese. One day he was like, silet pick.

908
00:47:31,360 --> 00:47:33,960
Speaker 5: Him slick Rick.

909
00:47:34,640 --> 00:47:37,600
Speaker 2: I mean, Coolie Rap shall just slick Rick.

910
00:47:37,640 --> 00:47:39,440
Speaker 4: I mean, I feel like he's the inventor of so

911
00:47:39,560 --> 00:47:43,120
Speaker 4: much style, Like you could just you know what I mean,

912
00:47:43,280 --> 00:47:48,080
Speaker 4: But Coolie Rap, Like I feel like at this moment

913
00:47:48,239 --> 00:47:51,080
Speaker 4: right now, like you could get a verse from him

914
00:47:51,080 --> 00:47:54,560
Speaker 4: and it was smoke. Yeah, he's anybody, and he came

915
00:47:54,600 --> 00:47:59,719
Speaker 4: from an arrow of King Kim just like and he

916
00:47:59,800 --> 00:48:04,120
Speaker 4: never really got that, but g Rap always through every

917
00:48:04,239 --> 00:48:05,720
Speaker 4: era like, so back.

918
00:48:05,600 --> 00:48:08,160
Speaker 2: To go for your guns with Mop and you can

919
00:48:08,200 --> 00:48:09,160
Speaker 2: do the realists.

920
00:48:09,880 --> 00:48:12,480
Speaker 4: The realist that I'll never forget that day is because

921
00:48:12,520 --> 00:48:14,440
Speaker 4: you know, I didn't know MAB but really well at

922
00:48:14,480 --> 00:48:17,040
Speaker 4: the time, and I just met them and Pete called

923
00:48:17,080 --> 00:48:19,040
Speaker 4: me and was like, I knew the beat because I

924
00:48:19,160 --> 00:48:20,960
Speaker 4: played it for him already. He said, come to the studio,

925
00:48:21,120 --> 00:48:23,360
Speaker 4: we want to use that beat. I loaded up the

926
00:48:23,360 --> 00:48:25,800
Speaker 4: fucking SR and the big ass that shit was huge,

927
00:48:25,840 --> 00:48:27,280
Speaker 4: you know what I mean, took it to the studio

928
00:48:28,040 --> 00:48:30,719
Speaker 4: and walked in and Cooolgi Rappers sitting there, and I

929
00:48:30,840 --> 00:48:32,560
Speaker 4: was just like, you know, the fan in me was

930
00:48:32,600 --> 00:48:34,960
Speaker 4: like wow. He didn't tell me. He was like, you know,

931
00:48:35,000 --> 00:48:37,680
Speaker 4: we want to do that beat. I loaded it up instantly.

932
00:48:37,920 --> 00:48:40,279
Speaker 4: I didn't call my manager. I didn't And that's the

933
00:48:40,320 --> 00:48:42,879
Speaker 4: thing I always tell people, because I couldn't. I could

934
00:48:42,880 --> 00:48:44,680
Speaker 4: have fucked that moment up, you know what I mean.

935
00:48:44,760 --> 00:48:47,040
Speaker 4: But I was so so much a fan. I was

936
00:48:47,080 --> 00:48:47,920
Speaker 4: a who's engineer?

937
00:48:48,760 --> 00:48:49,359
Speaker 1: Plug me up.

938
00:48:49,560 --> 00:48:50,239
Speaker 2: I tracked the.

939
00:48:50,160 --> 00:48:52,520
Speaker 4: Beat and g rap went first because he finished his

940
00:48:52,600 --> 00:48:55,279
Speaker 4: rhyme first. And he went in there and laid that ship,

941
00:48:55,640 --> 00:48:59,800
Speaker 4: and everybody in the room was just like, what the hell?

942
00:48:59,840 --> 00:49:02,480
Speaker 4: I remember? You know, P took they both P and

943
00:49:02,520 --> 00:49:05,879
Speaker 4: half took your time and wrote half mother wrote four

944
00:49:05,960 --> 00:49:08,800
Speaker 4: rhymes for that before he laid his verse, you know

945
00:49:08,840 --> 00:49:09,200
Speaker 4: what I mean.

946
00:49:09,200 --> 00:49:11,120
Speaker 2: And at the time, I was kind of insecure because

947
00:49:11,120 --> 00:49:11,680
Speaker 2: it was a loop.

948
00:49:12,520 --> 00:49:14,840
Speaker 4: You know, it's really just a it's a one shot,

949
00:49:15,640 --> 00:49:18,480
Speaker 4: you know. And I had all these like fancy beats

950
00:49:18,480 --> 00:49:20,120
Speaker 4: at the time, and they wanted a rhyme on that,

951
00:49:20,600 --> 00:49:22,640
Speaker 4: and I was kind of insecured because I was like, damn,

952
00:49:22,680 --> 00:49:26,640
Speaker 4: you don't want these to showcase yourself understanding the time.

953
00:49:26,719 --> 00:49:27,680
Speaker 2: Yet now I get it.

954
00:49:27,719 --> 00:49:29,440
Speaker 4: You got to get out of the way sometimes. You know,

955
00:49:29,520 --> 00:49:31,600
Speaker 4: if I can do any style, but if if the

956
00:49:31,600 --> 00:49:34,680
Speaker 4: beat is already there, get out of the way. You

957
00:49:34,760 --> 00:49:36,080
Speaker 4: know what I'm saying. And that was just one of

958
00:49:36,120 --> 00:49:37,400
Speaker 4: those moments. But g rap Man, g.

959
00:49:37,560 --> 00:49:39,560
Speaker 7: Rap was was that the record that opened you up

960
00:49:39,560 --> 00:49:41,200
Speaker 7: to that whole side.

961
00:49:41,400 --> 00:49:43,799
Speaker 4: That I mean, that's when started the connection with Mob Deep.

962
00:49:43,840 --> 00:49:45,040
Speaker 4: It was that ug music.

963
00:49:45,360 --> 00:49:46,960
Speaker 2: It just felt like from then on and just spread

964
00:49:47,160 --> 00:49:49,120
Speaker 2: because from New York.

965
00:49:49,160 --> 00:49:55,200
Speaker 4: I mean on a timeline with Mob Deep and like

966
00:49:55,200 --> 00:49:57,120
Speaker 4: like like BC and a D like.

967
00:49:57,200 --> 00:49:58,640
Speaker 3: You said you was Puerto Rican.

968
00:49:58,400 --> 00:50:02,760
Speaker 2: For Bod, I had the thin.

969
00:50:04,200 --> 00:50:05,640
Speaker 3: He wasn't saying it, but you know.

970
00:50:08,400 --> 00:50:10,600
Speaker 2: I showed her an old picture that had the thin mustache.

971
00:50:10,640 --> 00:50:11,560
Speaker 1: You know that.

972
00:50:11,840 --> 00:50:13,520
Speaker 2: You know when we were that's when we was rocking,

973
00:50:13,760 --> 00:50:15,160
Speaker 2: you know.

974
00:50:15,880 --> 00:50:17,680
Speaker 4: But you know, my whole ship you could put on

975
00:50:17,680 --> 00:50:19,040
Speaker 4: the timeline once I linked.

976
00:50:18,800 --> 00:50:20,439
Speaker 2: It with Mob Deep. I mean, that's how I linked

977
00:50:20,480 --> 00:50:21,160
Speaker 2: with CNN.

978
00:50:21,680 --> 00:50:24,320
Speaker 4: I remember walking into Halves Crib when he used to

979
00:50:24,320 --> 00:50:26,520
Speaker 4: live in Freeport, walk down into the basement. One day

980
00:50:26,920 --> 00:50:29,400
Speaker 4: he said, come over, we're making beats and ship. All

981
00:50:29,400 --> 00:50:31,799
Speaker 4: of a sudden Naves walked in. That's the first day

982
00:50:31,800 --> 00:50:34,640
Speaker 4: I met Naves at Halves Crib, you know, and I

983
00:50:34,680 --> 00:50:35,560
Speaker 4: was making the beat for.

984
00:50:37,040 --> 00:50:37,480
Speaker 2: TikTok.

985
00:50:39,480 --> 00:50:41,560
Speaker 4: I was making the beat in the Halves basement and

986
00:50:42,120 --> 00:50:44,960
Speaker 4: Nas walked down and was like, yo, I came to this.

987
00:50:45,719 --> 00:50:47,920
Speaker 4: He thought like he didn't know me and nothing. He

988
00:50:48,080 --> 00:50:50,920
Speaker 4: just That's when we made that song and it was like,

989
00:50:50,920 --> 00:50:53,520
Speaker 4: like I said, everything happened. I owe so much to

990
00:50:53,600 --> 00:50:57,399
Speaker 4: Mob Deep, Like my whole we wouldn't. Yeah, shout out

991
00:50:57,440 --> 00:51:01,520
Speaker 4: to Mob Deep, rest some peace, my brother Pan come.

992
00:51:01,440 --> 00:51:04,560
Speaker 7: On between Solar Assassins and Mob Deep and that whole site,

993
00:51:04,600 --> 00:51:06,759
Speaker 7: like it's crazy, Yeah, shout out no.

994
00:51:06,960 --> 00:51:09,480
Speaker 1: But when people found out like you was from LA, people.

995
00:51:09,239 --> 00:51:10,360
Speaker 2: Was like, get the fuck out of it.

996
00:51:10,520 --> 00:51:12,319
Speaker 4: Even Snoop when I first worked with him, he didn't

997
00:51:12,320 --> 00:51:15,200
Speaker 4: know until later because I did, you know, I moved

998
00:51:15,200 --> 00:51:18,080
Speaker 4: to New to New York in like ninety five and

999
00:51:18,120 --> 00:51:20,760
Speaker 4: I was going to NYU and I just immersed myself

1000
00:51:20,760 --> 00:51:25,120
Speaker 4: and you know, mugs. He basically connected me with Mob Deep,

1001
00:51:25,360 --> 00:51:27,240
Speaker 4: right because he was recipes the recipe.

1002
00:51:27,280 --> 00:51:28,920
Speaker 2: He's bigger Bee. Let's just shout out Bigger Bee.

1003
00:51:29,000 --> 00:51:31,319
Speaker 4: One time, he was an important person on the West

1004
00:51:31,360 --> 00:51:34,719
Speaker 4: Coast who worked with Loud Records and Muggs was working

1005
00:51:34,760 --> 00:51:37,080
Speaker 4: on Solo Assassin's first album and.

1006
00:51:38,560 --> 00:51:40,600
Speaker 2: He connected Bigger Be connected.

1007
00:51:40,200 --> 00:51:43,239
Speaker 4: Mob Deep with Mugs and then I was moving to

1008
00:51:43,280 --> 00:51:44,680
Speaker 4: New York to go to school. At the time, I

1009
00:51:44,719 --> 00:51:46,600
Speaker 4: was working underneath Mugs and he was like, Yo, you

1010
00:51:46,600 --> 00:51:48,960
Speaker 4: need to link up with Mob Deep's young homies. You're

1011
00:51:49,000 --> 00:51:49,680
Speaker 4: my young homie.

1012
00:51:49,719 --> 00:51:51,319
Speaker 2: They got these guys and from a small.

1013
00:51:51,960 --> 00:51:56,279
Speaker 4: God Twain and so I linked with them first and

1014
00:51:56,320 --> 00:52:00,279
Speaker 4: we did Doug music and then he heard it was like,

1015
00:52:00,320 --> 00:52:01,480
Speaker 4: I want to put a verse on it.

1016
00:52:01,960 --> 00:52:04,239
Speaker 2: And that's how it, like the whole connection started and

1017
00:52:04,280 --> 00:52:04,560
Speaker 2: all that.

1018
00:52:06,160 --> 00:52:09,680
Speaker 1: What do you consider your style East Coast style or

1019
00:52:10,160 --> 00:52:12,280
Speaker 1: pretty much it's a blend.

1020
00:52:13,000 --> 00:52:14,600
Speaker 2: I think I got a little of everything, you know.

1021
00:52:14,640 --> 00:52:17,320
Speaker 4: And at this point, I'm I'm on the West and

1022
00:52:17,560 --> 00:52:19,760
Speaker 4: I've been there for so long now that I feel

1023
00:52:19,800 --> 00:52:23,120
Speaker 4: like but moving to New York was so pivotal and

1024
00:52:23,200 --> 00:52:25,840
Speaker 4: important for me, Like I feel like just all the

1025
00:52:25,840 --> 00:52:28,319
Speaker 4: people like that era that we caught, we were in

1026
00:52:28,360 --> 00:52:32,000
Speaker 4: the tunnel together, Like I caught the New York era

1027
00:52:32,760 --> 00:52:36,320
Speaker 4: when it was when when when Nori was hitting records

1028
00:52:36,360 --> 00:52:39,720
Speaker 4: market hit records, the biggest Ship, and I feel blessed

1029
00:52:39,719 --> 00:52:43,160
Speaker 4: because I just caught the time and I was able

1030
00:52:43,160 --> 00:52:46,200
Speaker 4: to link with the right people and showcase my That's

1031
00:52:46,239 --> 00:52:49,040
Speaker 4: how me and nor hooked linked up and we ended

1032
00:52:49,120 --> 00:52:51,920
Speaker 4: up making Ship some of my biggest records, you know

1033
00:52:51,960 --> 00:52:53,960
Speaker 4: what I mean to this day. So I'm just thankful

1034
00:52:54,000 --> 00:52:55,560
Speaker 4: to be in the right right place, right time, you

1035
00:52:55,600 --> 00:52:57,600
Speaker 4: know what I mean, and just doing the work.

1036
00:52:58,040 --> 00:53:02,839
Speaker 2: Legendary man. Yeah, Pete rock or large pro.

1037
00:53:03,520 --> 00:53:12,960
Speaker 3: Ah need some more? Okay both.

1038
00:53:12,960 --> 00:53:17,040
Speaker 4: I ain't picking between those two man, two greats, Sol

1039
00:53:17,480 --> 00:53:19,000
Speaker 4: Sol shout to both.

1040
00:53:21,760 --> 00:53:24,879
Speaker 2: All right, comment or y'all seen?

1041
00:53:24,960 --> 00:53:25,120
Speaker 4: Ben?

1042
00:53:26,880 --> 00:53:33,400
Speaker 3: Mm hmmm, I just had a shot. You would have

1043
00:53:33,480 --> 00:53:35,120
Speaker 3: to choose for.

1044
00:53:35,120 --> 00:53:37,000
Speaker 7: As quiet as you are, you're very loud right now,

1045
00:53:37,480 --> 00:53:37,759
Speaker 7: am I?

1046
00:53:39,120 --> 00:53:40,120
Speaker 3: What do you think I'm saying?

1047
00:53:40,200 --> 00:53:43,080
Speaker 2: I don't know, but you're contemplating.

1048
00:53:49,680 --> 00:53:50,080
Speaker 3: Shoot that.

1049
00:53:54,239 --> 00:53:58,520
Speaker 4: I mean both grades, But for me, I'll go with

1050
00:53:58,640 --> 00:54:01,800
Speaker 4: y'all seen. I'm gonna pick I've seen Okay, Yeah, I mean.

1051
00:54:04,880 --> 00:54:14,200
Speaker 3: I'm gonna say, babe, because the versatility, uh creativity, h

1052
00:54:16,000 --> 00:54:23,160
Speaker 3: viability Kayden's voice tone, I would have to say, yeah,

1053
00:54:23,200 --> 00:54:25,080
Speaker 3: see see he's.

1054
00:54:24,920 --> 00:54:28,480
Speaker 4: The most natural. He's so like he just had a

1055
00:54:28,560 --> 00:54:31,000
Speaker 4: rhyme and just effortlessly like it was a conversation.

1056
00:54:31,520 --> 00:54:35,320
Speaker 3: Saw him in a commercial with Dion Sanders or somebody

1057
00:54:35,360 --> 00:54:39,120
Speaker 3: like m early on an actor before evening.

1058
00:54:39,600 --> 00:54:43,400
Speaker 2: Yeah, yeah, we have known to us as so it

1059
00:54:43,480 --> 00:54:43,879
Speaker 2: was very.

1060
00:54:43,800 --> 00:54:48,120
Speaker 3: Impressive because usually that doesn't really work out. You got anomalies,

1061
00:54:48,239 --> 00:54:51,680
Speaker 3: she got Drake, you got Jamie Fox and y'are seen.

1062
00:54:51,880 --> 00:54:54,520
Speaker 3: Other than that, it didn't really Does.

1063
00:54:54,440 --> 00:54:55,880
Speaker 1: He get mad if like you slip up and call

1064
00:54:56,000 --> 00:54:56,400
Speaker 1: him most?

1065
00:54:57,400 --> 00:54:57,760
Speaker 2: Uh?

1066
00:54:59,200 --> 00:55:02,560
Speaker 5: No, I don't think. I don't slip up. Did I

1067
00:55:02,640 --> 00:55:03,080
Speaker 5: just do it?

1068
00:55:03,200 --> 00:55:03,239
Speaker 4: No?

1069
00:55:03,280 --> 00:55:04,200
Speaker 2: No, no, no go.

1070
00:55:05,280 --> 00:55:09,879
Speaker 1: Yeah, because sometimes I see him, I think, man, okay, I.

1071
00:55:09,800 --> 00:55:12,520
Speaker 5: Think what he prefers is our scene.

1072
00:55:12,520 --> 00:55:14,600
Speaker 2: But if you slip up and called on Most, he

1073
00:55:14,640 --> 00:55:17,640
Speaker 2: ain't gonna bug out. Did we slip up when we

1074
00:55:17,680 --> 00:55:17,960
Speaker 2: had him?

1075
00:55:18,040 --> 00:55:21,479
Speaker 1: Definitely? Like four times.

1076
00:55:22,719 --> 00:55:24,600
Speaker 2: I don't think he was great.

1077
00:55:24,640 --> 00:55:25,120
Speaker 1: He was great.

1078
00:55:25,680 --> 00:55:29,239
Speaker 3: It's both but you know, and he respects that because

1079
00:55:29,280 --> 00:55:30,839
Speaker 3: that's why he made it smart for us.

1080
00:55:31,280 --> 00:55:35,160
Speaker 4: So, yeah, we we have we have a crazy record.

1081
00:55:35,800 --> 00:55:38,920
Speaker 4: I'm excited to put out this record as well. Forensics. Yeah,

1082
00:55:38,960 --> 00:55:41,320
Speaker 4: with me and me and y'all scene, it's like nine records.

1083
00:55:41,600 --> 00:55:42,080
Speaker 4: He's done.

1084
00:55:43,719 --> 00:55:58,880
Speaker 12: Yeah, I'm excited. Shout to Sea or Queen Latifah.

1085
00:55:56,760 --> 00:56:01,279
Speaker 3: Both need some more juice h.

1086
00:56:03,760 --> 00:56:03,800
Speaker 2: Q.

1087
00:56:04,840 --> 00:56:05,600
Speaker 3: Thank you.

1088
00:56:07,920 --> 00:56:08,200
Speaker 6: Both.

1089
00:56:08,360 --> 00:56:10,600
Speaker 3: I know them both very well.

1090
00:56:11,400 --> 00:56:14,440
Speaker 2: Alchemist too, you got a shot.

1091
00:56:14,280 --> 00:56:16,440
Speaker 3: Queen latif for Jill Scott and I went out on

1092
00:56:16,480 --> 00:56:23,360
Speaker 3: a tour called Sugar Water Tour early two thousands. It

1093
00:56:23,440 --> 00:56:28,280
Speaker 3: was all Queen Latifa's relationships, all of her sponsorships and things.

1094
00:56:28,280 --> 00:56:31,600
Speaker 3: She was doing a lot of stuff covered girl tam facts.

1095
00:56:31,640 --> 00:56:34,880
Speaker 3: She's had a lot of broad relationships that were solid,

1096
00:56:35,200 --> 00:56:38,360
Speaker 3: and she brought all the sponsorship for four and invited

1097
00:56:38,640 --> 00:56:44,279
Speaker 3: Jill and I to be her coat. Yeah, it was

1098
00:56:44,320 --> 00:56:49,240
Speaker 3: a tour and we had a lot of great start

1099
00:56:49,280 --> 00:56:54,640
Speaker 3: out neo soul groups open for us, had Floor Tree

1100
00:56:54,920 --> 00:56:59,880
Speaker 3: open for us, uh Music, Soul Child you know, you

1101
00:56:59,880 --> 00:57:01,839
Speaker 3: know a lot of different artists like that.

1102
00:57:01,920 --> 00:57:03,440
Speaker 5: But I love Latifa.

1103
00:57:03,560 --> 00:57:04,520
Speaker 2: She's a powerhouse.

1104
00:57:04,960 --> 00:57:07,359
Speaker 3: She got in my ass though when I was late

1105
00:57:07,400 --> 00:57:09,360
Speaker 3: to the studio, Oh my bad.

1106
00:57:09,360 --> 00:57:10,200
Speaker 5: With no hesitation.

1107
00:57:11,200 --> 00:57:14,319
Speaker 3: No she did. She said, Hey, I've been waiting here

1108
00:57:14,400 --> 00:57:16,000
Speaker 3: for two hours. You told me you were coming at

1109
00:57:16,000 --> 00:57:18,280
Speaker 3: a certain time and you didn't come. I mean, I

1110
00:57:18,280 --> 00:57:20,320
Speaker 3: don't have time to wait like that. That's not cool.

1111
00:57:20,360 --> 00:57:22,280
Speaker 3: You're going to You're going to fix that before we

1112
00:57:22,360 --> 00:57:27,200
Speaker 3: do anything together. I was like, okay, yes, queen, Yes,

1113
00:57:27,640 --> 00:57:28,200
Speaker 3: she's right.

1114
00:57:28,920 --> 00:57:31,600
Speaker 1: So like I'm gonna be honest, I must to work

1115
00:57:32,080 --> 00:57:34,760
Speaker 1: because you had the first guest in Drink Champs history

1116
00:57:35,040 --> 00:57:35,720
Speaker 1: that came.

1117
00:57:35,600 --> 00:57:44,560
Speaker 2: An hour early. Yeah, I was.

1118
00:57:44,680 --> 00:57:46,840
Speaker 1: I told you. I was bugging like we're all on

1119
00:57:46,920 --> 00:57:48,760
Speaker 1: group chat and they're like, they're here. I don't like,

1120
00:57:48,920 --> 00:57:53,600
Speaker 1: wait a minute, somebody come twenty minutes early. They might

1121
00:57:53,720 --> 00:57:57,280
Speaker 1: come a half hour early, but it's usually ten minutes early.

1122
00:57:57,680 --> 00:57:59,160
Speaker 2: No one came an hour early.

1123
00:57:59,400 --> 00:58:00,520
Speaker 1: We was on a hire, like.

1124
00:58:02,840 --> 00:58:03,480
Speaker 2: I was here.

1125
00:58:04,720 --> 00:58:06,200
Speaker 3: You know, we don't play that late.

1126
00:58:06,400 --> 00:58:10,080
Speaker 4: Yeah, Drink Champs man crazy.

1127
00:58:10,280 --> 00:58:12,680
Speaker 1: We appreciate it early, but that's super early though.

1128
00:58:12,680 --> 00:58:13,600
Speaker 2: I ain't gonna even lie that.

1129
00:58:13,760 --> 00:58:16,400
Speaker 1: I was like I was, and so we're always just

1130
00:58:16,400 --> 00:58:19,360
Speaker 1: so we know, yeah early, but yeah was another hour earlier. Yeah,

1131
00:58:19,680 --> 00:58:23,080
Speaker 1: so just so you know, we we we we we

1132
00:58:23,280 --> 00:58:27,920
Speaker 1: judged the guests by uh, what they drink, So we

1133
00:58:27,960 --> 00:58:30,920
Speaker 1: say we're gonna know about what how this this this

1134
00:58:31,040 --> 00:58:33,960
Speaker 1: interview is gonna go and then we always make best

1135
00:58:34,640 --> 00:58:37,680
Speaker 1: on who's.

1136
00:58:36,560 --> 00:58:38,120
Speaker 2: Going it's gonna come late.

1137
00:58:38,960 --> 00:58:41,200
Speaker 1: Happened one manist he's coming late.

1138
00:58:41,560 --> 00:58:42,240
Speaker 2: I said, one.

1139
00:58:42,200 --> 00:58:44,080
Speaker 1: Maybe I want I want that, but I said, I

1140
00:58:44,120 --> 00:58:46,440
Speaker 1: know having too long, bro like he's coming.

1141
00:58:46,280 --> 00:58:48,480
Speaker 2: Annoyed, didn't make it. Annoyed didn't.

1142
00:58:50,800 --> 00:58:51,160
Speaker 3: Know, but.

1143
00:58:52,920 --> 00:58:56,400
Speaker 1: I didn't know how it was going bet on this one.

1144
00:58:57,160 --> 00:59:01,040
Speaker 1: So we usually get here to make the best. Yeah,

1145
00:59:01,040 --> 00:59:01,840
Speaker 1: I was here.

1146
00:59:01,720 --> 00:59:04,840
Speaker 4: Before, So who lost the bat?

1147
00:59:04,880 --> 00:59:07,680
Speaker 1: We get to make the bat because it's usually I'm here.

1148
00:59:07,800 --> 00:59:12,160
Speaker 2: Our we do it, how we do it.

1149
00:59:12,240 --> 00:59:15,360
Speaker 1: Yes, you guys got here and our tech messages blew

1150
00:59:15,440 --> 00:59:17,680
Speaker 1: up boom boom boom, and I want to I want

1151
00:59:17,680 --> 00:59:18,560
Speaker 1: to brag about this.

1152
00:59:18,960 --> 00:59:21,960
Speaker 3: You want to black strong woman get together comes?

1153
00:59:22,280 --> 00:59:30,200
Speaker 1: Yeah, you like to do sour pepper, you know, just.

1154
00:59:30,080 --> 00:59:38,520
Speaker 2: Do it black thought or Andre three thousand.

1155
00:59:40,960 --> 00:59:48,479
Speaker 3: Now you're messing with my child support. I actually thought,

1156
00:59:48,560 --> 00:59:49,960
Speaker 3: y'all gup hit two of.

1157
00:59:49,920 --> 00:59:53,160
Speaker 2: The babies, listen out the conversation, and I walked the West.

1158
00:59:53,200 --> 00:59:54,120
Speaker 2: I want no parts in this.

1159
00:59:55,400 --> 00:59:56,320
Speaker 5: That would have been better.

1160
00:59:57,640 --> 01:00:05,680
Speaker 1: I love that it makes The question is do anything.

1161
01:00:08,360 --> 01:00:08,760
Speaker 3: Mm hmm?

1162
01:00:10,640 --> 01:00:12,400
Speaker 5: Well letot you know I got love.

1163
01:00:16,000 --> 01:00:16,400
Speaker 4: Mm hmm.

1164
01:00:17,560 --> 01:00:20,760
Speaker 3: But I think I may be one of Andre three

1165
01:00:20,800 --> 01:00:26,920
Speaker 3: thousand's biggest fans outside of being family super inspiring. Now

1166
01:00:26,960 --> 01:00:34,520
Speaker 3: if we're talking about rhyme, that's gonna even be hard too.

1167
01:00:35,760 --> 01:00:43,440
Speaker 3: But y'all going to hell.

1168
01:00:44,760 --> 01:00:46,320
Speaker 2: Yeah, you guys are going to hell.

1169
01:00:49,480 --> 01:00:58,600
Speaker 3: Save it's of course I'm gonna have to say. Well,

1170
01:00:58,640 --> 01:01:03,200
Speaker 3: I'm saying andre uh I follow him a little bit

1171
01:01:03,240 --> 01:01:04,080
Speaker 3: tighter than I do.

1172
01:01:05,040 --> 01:01:05,560
Speaker 4: Uh h.

1173
01:01:08,000 --> 01:01:08,400
Speaker 7: H h.

1174
01:01:10,120 --> 01:01:16,040
Speaker 3: I lean more to the creative h h side of art,

1175
01:01:16,280 --> 01:01:21,440
Speaker 3: and I am inspired so much by that. Someone has

1176
01:01:21,480 --> 01:01:22,520
Speaker 3: to say three thousand.

1177
01:01:23,760 --> 01:01:28,880
Speaker 2: I like how he calls everybody by their real name though, Like, I.

1178
01:01:28,800 --> 01:01:37,040
Speaker 13: Mean, she has what I'm gonna go both both, Yeah,

1179
01:01:37,040 --> 01:01:39,240
Speaker 13: I'm both let me wish my glass.

1180
01:01:39,960 --> 01:01:40,600
Speaker 5: We're going to do that.

1181
01:01:40,640 --> 01:01:45,760
Speaker 2: I can't do that. What do you think black thought is?

1182
01:01:45,840 --> 01:01:47,080
Speaker 3: You think a lot of people are going to see

1183
01:01:47,080 --> 01:01:48,680
Speaker 3: this nobody?

1184
01:01:50,160 --> 01:01:52,040
Speaker 1: But do you think black thought is a trillion sounds

1185
01:01:52,080 --> 01:01:52,760
Speaker 1: better than jay Z?

1186
01:01:53,560 --> 01:01:54,360
Speaker 4: Like, who's saying that?

1187
01:01:54,480 --> 01:01:54,640
Speaker 1: Well?

1188
01:01:54,680 --> 01:01:56,919
Speaker 2: I am where was my guy?

1189
01:01:57,040 --> 01:01:57,280
Speaker 3: Man?

1190
01:01:59,280 --> 01:02:01,040
Speaker 2: Too much? I think I understand what he was saying.

1191
01:02:01,120 --> 01:02:01,640
Speaker 1: They tried to.

1192
01:02:01,680 --> 01:02:04,120
Speaker 2: Run with dad. Yeah, come on now, man, I think

1193
01:02:04,160 --> 01:02:06,040
Speaker 2: I know what he was trying to say. The Trillian

1194
01:02:06,120 --> 01:02:08,680
Speaker 2: thing is the thing is crazy.

1195
01:02:08,720 --> 01:02:12,160
Speaker 4: If he prefers black jay Z, I understand that could

1196
01:02:12,200 --> 01:02:12,840
Speaker 4: never take.

1197
01:02:14,760 --> 01:02:16,760
Speaker 2: Yeah, come on are we talking about here?

1198
01:02:16,760 --> 01:02:16,920
Speaker 13: Man?

1199
01:02:17,000 --> 01:02:20,120
Speaker 4: That's come on now. That's black thought is a peace.

1200
01:02:20,240 --> 01:02:24,360
Speaker 4: Black thought is insane. He's perfect but we're not.

1201
01:02:24,280 --> 01:02:28,320
Speaker 3: About black thought the other day doing the freestyle show.

1202
01:02:28,120 --> 01:02:32,080
Speaker 4: What it was it wasn't not the flex when Yeah,

1203
01:02:32,560 --> 01:02:33,960
Speaker 4: it's like I have to FaceTime.

1204
01:02:35,640 --> 01:02:37,480
Speaker 2: That's the old one, that not not not a new one.

1205
01:02:37,520 --> 01:02:41,680
Speaker 3: Right, but still that's still goes around maybe within the year.

1206
01:02:42,360 --> 01:02:44,800
Speaker 2: Really I didn't see the one within the year.

1207
01:02:45,160 --> 01:02:46,680
Speaker 3: Okay three years.

1208
01:02:46,480 --> 01:02:48,240
Speaker 1: Ago, yeah, a couple of years old.

1209
01:02:48,400 --> 01:02:51,920
Speaker 3: He didn't take a breath. Oh yeah, it went about

1210
01:02:52,640 --> 01:02:53,320
Speaker 3: six minutes.

1211
01:02:53,880 --> 01:02:58,000
Speaker 2: Yeah, yeah, it was crazy. Yeah, it's sanity. Yeah that

1212
01:02:58,120 --> 01:03:00,560
Speaker 2: was pretty Yeah, Black Daughters, it's hard.

1213
01:03:00,600 --> 01:03:03,000
Speaker 3: I just I just started out as an MC, so

1214
01:03:03,200 --> 01:03:04,920
Speaker 3: I mean I have That's what I wanted to ask you.

1215
01:03:05,280 --> 01:03:08,800
Speaker 3: I love that I write all my babies daddy's raps.

1216
01:03:16,360 --> 01:03:17,080
Speaker 3: Why y'all left?

1217
01:03:18,800 --> 01:03:19,439
Speaker 4: What was the rap?

1218
01:03:20,200 --> 01:03:23,280
Speaker 5: My rap name Apples Apples?

1219
01:03:23,520 --> 01:03:24,800
Speaker 2: Yeah, I'm not sing Apples.

1220
01:03:24,800 --> 01:03:26,919
Speaker 5: I am the big Apple, but I'm not from New York.

1221
01:03:27,360 --> 01:03:30,040
Speaker 2: I thought it was knife Betty.

1222
01:03:30,600 --> 01:03:35,760
Speaker 3: What oh but nine No, that's just another areas.

1223
01:03:36,040 --> 01:03:39,080
Speaker 11: Okay, yeah, but you weren't MC for real though, Yeah,

1224
01:03:39,200 --> 01:03:41,880
Speaker 11: carry out thinking, I know I.

1225
01:03:41,720 --> 01:03:43,800
Speaker 3: Was a singer until I wrote Apple Tree.

1226
01:03:44,840 --> 01:03:45,520
Speaker 4: That's crazy.

1227
01:03:45,760 --> 01:03:47,360
Speaker 2: Yeah, you didn't know.

1228
01:03:47,520 --> 01:03:49,640
Speaker 3: I didn't know that I was that you had it

1229
01:03:49,640 --> 01:03:52,400
Speaker 3: in you. That's crazy singing thing. You know. I was

1230
01:03:52,400 --> 01:03:56,680
Speaker 3: a writer, you know, I like writing literature. Yeah, I

1231
01:03:56,720 --> 01:04:00,960
Speaker 3: used to write raps, but poetry that saw so much.

1232
01:04:02,400 --> 01:04:05,120
Speaker 2: Hm hmm. It's crazy number on it.

1233
01:04:05,200 --> 01:04:10,360
Speaker 4: Yeah, Like so would you ever do an all wrap album?

1234
01:04:10,560 --> 01:04:12,320
Speaker 3: But you know, if you am, you got to keep

1235
01:04:12,400 --> 01:04:15,280
Speaker 3: up with the weather. You gotta. It's a currency. It's

1236
01:04:15,320 --> 01:04:21,520
Speaker 3: a feeling, right, a current, Yeah, feeling.

1237
01:04:22,040 --> 01:04:23,400
Speaker 4: Some bars on the album.

1238
01:04:24,880 --> 01:04:26,520
Speaker 2: Might be there, may or may not be some bars

1239
01:04:26,560 --> 01:04:30,640
Speaker 2: on the album. You had to tune in. Okay, Okay,

1240
01:04:31,560 --> 01:04:33,040
Speaker 2: we're gonna we're gonna hear something. We don't have to

1241
01:04:33,040 --> 01:04:33,280
Speaker 2: put it.

1242
01:04:33,320 --> 01:04:39,080
Speaker 5: Maybe we should let him hear the whole album after this.

1243
01:04:40,640 --> 01:04:43,040
Speaker 2: Yeah, we have all the time for that.

1244
01:04:43,600 --> 01:04:47,920
Speaker 7: Okay, Prodigy are biggie.

1245
01:04:48,720 --> 01:04:53,360
Speaker 1: Mm hmm, rest in peace, We'll get my shot ready,

1246
01:04:53,600 --> 01:04:54,680
Speaker 1: rest and beats.

1247
01:05:01,000 --> 01:05:05,080
Speaker 2: I mean, impossible to pick. It's not impossible to pick.

1248
01:05:07,240 --> 01:05:10,000
Speaker 1: You just want to. Let's just if you just want to.

1249
01:05:10,240 --> 01:05:23,360
Speaker 2: Let's say game is bullshit a meal?

1250
01:05:25,600 --> 01:05:28,720
Speaker 7: Now, that's when the Mamajuna hits lintenders.

1251
01:05:29,280 --> 01:05:30,640
Speaker 2: I know, I was like, it wasn't even nothing in

1252
01:05:30,760 --> 01:05:36,880
Speaker 2: that fucking thing. Will we uh, okay, take down questions

1253
01:05:37,000 --> 01:05:38,160
Speaker 2: you might as well bring a couple more.

1254
01:05:39,440 --> 01:05:44,160
Speaker 3: Yeah, she knows, she knows bulls questions.

1255
01:05:44,240 --> 01:05:49,160
Speaker 7: So the next bullsh questions is j electronic or jay.

1256
01:05:49,080 --> 01:05:55,480
Speaker 4: Z having fun doing this?

1257
01:05:59,200 --> 01:06:01,400
Speaker 3: Don't let y'all know in there looking make me sleepy,

1258
01:06:04,040 --> 01:06:04,439
Speaker 3: to keep.

1259
01:06:04,360 --> 01:06:05,440
Speaker 2: You up upward.

1260
01:06:06,840 --> 01:06:07,280
Speaker 1: The words of.

1261
01:06:09,120 --> 01:06:14,080
Speaker 3: Believe it. Yeah, yeah, I'm not, as I told you

1262
01:06:14,120 --> 01:06:17,040
Speaker 3: that message. With my child support, I can't anything like that.

1263
01:06:19,440 --> 01:06:20,080
Speaker 3: So you out.

1264
01:06:20,520 --> 01:06:22,880
Speaker 1: Okay, Yeah, that's that's that was great. You can pass

1265
01:06:22,920 --> 01:06:24,360
Speaker 1: it about that. That's a new road.

1266
01:06:26,240 --> 01:06:26,840
Speaker 2: Matters.

1267
01:06:27,120 --> 01:06:31,840
Speaker 4: Yeah, because I ain't thinking that I might.

1268
01:06:31,760 --> 01:06:33,400
Speaker 3: Get mad, but my money don't get mad.

1269
01:06:34,520 --> 01:06:35,640
Speaker 1: That's a new rule.

1270
01:06:36,440 --> 01:06:42,640
Speaker 2: You just passed the cello. Oh mm hmm. All right,

1271
01:06:43,120 --> 01:06:46,680
Speaker 2: imagine some new jay Z ship right now. Imagine some

1272
01:06:46,760 --> 01:06:51,840
Speaker 2: new jay Z just saying said wringing on something. He

1273
01:06:51,920 --> 01:06:55,160
Speaker 2: spilled the beans. Yeah, you're working on it. He could

1274
01:06:55,960 --> 01:07:00,520
Speaker 2: have a line. We're going he's working. Then we're gonna

1275
01:07:00,520 --> 01:07:04,400
Speaker 2: throw that energy on them. We're gonna sayd in the studio. No,

1276
01:07:04,600 --> 01:07:06,040
Speaker 2: it happens, it happened already.

1277
01:07:06,080 --> 01:07:09,439
Speaker 1: Okay, So you suld picked, you picked drink we drink

1278
01:07:09,440 --> 01:07:11,360
Speaker 1: a ready, Okay, you got to do.

1279
01:07:14,880 --> 01:07:16,440
Speaker 2: Jill Scott or a Lisia.

1280
01:07:16,240 --> 01:07:24,320
Speaker 3: Keys Jill Scott or Alicia Keys. This is the kind

1281
01:07:24,360 --> 01:07:29,960
Speaker 3: of show that like Tears of friendships, that's not about

1282
01:07:30,200 --> 01:07:30,800
Speaker 3: you can.

1283
01:07:32,480 --> 01:07:32,760
Speaker 1: Drunk.

1284
01:07:33,000 --> 01:07:34,840
Speaker 2: It depends on I guess your honesty level.

1285
01:07:34,840 --> 01:07:36,880
Speaker 1: And you can say a beautiful story about both.

1286
01:07:37,080 --> 01:07:38,440
Speaker 2: We would love to hear stories.

1287
01:07:38,640 --> 01:07:40,200
Speaker 3: Can I just tell stories about both?

1288
01:07:40,720 --> 01:07:43,960
Speaker 1: You gotta pick one one or both. Give you.

1289
01:07:45,560 --> 01:07:45,880
Speaker 2: Have a shot.

1290
01:07:45,920 --> 01:07:49,480
Speaker 3: I don't like to pick you sissss. So we just

1291
01:07:49,520 --> 01:07:51,400
Speaker 3: take the shot and then we tell a story. Okay,

1292
01:07:51,640 --> 01:07:54,960
Speaker 3: let's do it shot first, then story. Yes, can we

1293
01:07:55,000 --> 01:07:56,560
Speaker 3: do story first? This show.

1294
01:07:58,160 --> 01:07:59,920
Speaker 2: You've got a story verson and show you can leave

1295
01:08:00,480 --> 01:08:01,760
Speaker 2: all Well.

1296
01:08:02,400 --> 01:08:05,920
Speaker 3: My story with Alicia Keys I was it was nineteen

1297
01:08:06,000 --> 01:08:09,760
Speaker 3: ninety seven or eight and Bodyism was going to come out,

1298
01:08:09,920 --> 01:08:12,320
Speaker 3: and I lived in Brooklyn. I had an apartment in Brooklyn,

1299
01:08:13,160 --> 01:08:17,120
Speaker 3: and a woman called me from Universal I think my label,

1300
01:08:17,479 --> 01:08:20,000
Speaker 3: and said I have this young girl, the high school student,

1301
01:08:20,840 --> 01:08:25,559
Speaker 3: and she likes you or I think she said she

1302
01:08:25,720 --> 01:08:27,720
Speaker 3: I just want you to hear the music, whichever way

1303
01:08:27,760 --> 01:08:30,639
Speaker 3: it was, and I heard it and it was Alicia

1304
01:08:30,760 --> 01:08:33,799
Speaker 3: Key singing butterflies on acoustic piano.

1305
01:08:34,200 --> 01:08:36,679
Speaker 1: Oh wow, before it came out, before it.

1306
01:08:36,720 --> 01:08:41,760
Speaker 3: Ever came out, I was like, who is this. It

1307
01:08:41,800 --> 01:08:46,719
Speaker 3: was so beautiful and I don't know if I totally

1308
01:08:46,800 --> 01:08:50,200
Speaker 3: shad that, but yes I was. I played it for

1309
01:08:50,240 --> 01:08:53,799
Speaker 3: all my friends and everything as a way to compare

1310
01:08:53,840 --> 01:08:56,120
Speaker 3: myself to you and say, see, this is how we

1311
01:08:56,520 --> 01:08:58,880
Speaker 3: do when we have the you know, And I was

1312
01:08:58,920 --> 01:09:02,360
Speaker 3: trying to level leveraged myself with you because you were

1313
01:09:02,400 --> 01:09:05,200
Speaker 3: so amazing at that point and my music hadn't come

1314
01:09:05,240 --> 01:09:08,000
Speaker 3: out yet either. But I'm want to tell you that

1315
01:09:08,479 --> 01:09:12,080
Speaker 3: Jillie from Philly, we started off a little rough because

1316
01:09:13,400 --> 01:09:14,560
Speaker 3: we were kind of both.

1317
01:09:16,320 --> 01:09:17,280
Speaker 5: Played a little bit.

1318
01:09:18,120 --> 01:09:21,880
Speaker 3: I sang a song called You Got Me written by

1319
01:09:22,000 --> 01:09:26,639
Speaker 3: Jill and I never sung a song written by anybody

1320
01:09:26,680 --> 01:09:30,560
Speaker 3: in my life, and it was so amazing that I

1321
01:09:30,600 --> 01:09:32,519
Speaker 3: took a chance to do it because the route said

1322
01:09:32,600 --> 01:09:35,240
Speaker 3: we want you to sing this song. Well, I didn't

1323
01:09:35,240 --> 01:09:37,920
Speaker 3: know it was written by Jill until it was time

1324
01:09:37,960 --> 01:09:41,240
Speaker 3: to win a Grammy, and it kind of invertedly knocked

1325
01:09:41,240 --> 01:09:45,840
Speaker 3: her out of her opportunity to be this first artist

1326
01:09:45,880 --> 01:09:48,880
Speaker 3: with this beautiful music. And I always felt really bad

1327
01:09:48,920 --> 01:09:53,080
Speaker 3: about it, and we've talked about it since then.

1328
01:09:53,600 --> 01:09:54,920
Speaker 2: How did it knock her out?

1329
01:09:55,120 --> 01:09:58,080
Speaker 3: Well, because she didn't come out until two thousand and one.

1330
01:09:58,160 --> 01:10:01,439
Speaker 3: I came out in nineteen ninety seven, and I was

1331
01:10:01,479 --> 01:10:07,720
Speaker 3: already a recording artist, and she was a writer at

1332
01:10:07,760 --> 01:10:10,960
Speaker 3: the time, an aspiring artist whose album would come out soon.

1333
01:10:11,880 --> 01:10:15,000
Speaker 3: So when that happened, sometimes I didn't know the writing

1334
01:10:15,080 --> 01:10:15,960
Speaker 3: game and all that.

1335
01:10:16,400 --> 01:10:18,800
Speaker 5: I just it was a good song. I didn't know

1336
01:10:18,880 --> 01:10:19,720
Speaker 5: she did it, but.

1337
01:10:21,280 --> 01:10:25,479
Speaker 3: When I when I performed it with the Roots, we

1338
01:10:25,520 --> 01:10:26,600
Speaker 3: want a Grammy.

1339
01:10:28,520 --> 01:10:28,840
Speaker 2: As well.

1340
01:10:29,000 --> 01:10:31,320
Speaker 3: And the night, you know, a couple of nights before

1341
01:10:31,320 --> 01:10:33,679
Speaker 3: the Grammys, calm and told me this is the writer

1342
01:10:33,840 --> 01:10:36,960
Speaker 3: of it. And you know, I called her, talked to

1343
01:10:36,960 --> 01:10:39,559
Speaker 3: her about it, and got up on stage and won

1344
01:10:39,640 --> 01:10:42,680
Speaker 3: the Grammy. But I still couldn't help but to feel like,

1345
01:10:42,800 --> 01:10:48,559
Speaker 3: oh my, I wish yeah or something, you know. But

1346
01:10:49,960 --> 01:10:51,800
Speaker 3: that's my Jill story. Me and Jill are real cool

1347
01:10:51,840 --> 01:10:56,000
Speaker 3: now and I love her. She's a great mommy, great friend,

1348
01:10:56,080 --> 01:11:02,360
Speaker 3: great listener. Do yeah, I know Alicia as well, but

1349
01:11:02,439 --> 01:11:05,320
Speaker 3: we will. You have a lot of chaps alumni. I

1350
01:11:05,360 --> 01:11:07,880
Speaker 3: saw her, Yeah, this last one I saw.

1351
01:11:07,960 --> 01:11:08,519
Speaker 2: She was amazed.

1352
01:11:09,960 --> 01:11:12,240
Speaker 3: She seemed like she wasn't drunk at all. You know,

1353
01:11:12,360 --> 01:11:16,719
Speaker 3: she drank drinking the ship down and ship I'm sorry,

1354
01:11:17,720 --> 01:11:19,639
Speaker 3: I say both did we drink?

1355
01:11:20,160 --> 01:11:24,920
Speaker 2: We say both we didn't drink. We didn't. Yeah, I

1356
01:11:24,960 --> 01:11:25,880
Speaker 2: don't know why I'm reminding you.

1357
01:11:25,960 --> 01:11:26,799
Speaker 3: This is terrible.

1358
01:11:30,120 --> 01:11:32,240
Speaker 2: You want to take a break big time and going

1359
01:11:32,280 --> 01:11:34,840
Speaker 2: to the flower Time. No, no, yeah, I've seen it.

1360
01:11:34,880 --> 01:11:35,560
Speaker 2: I seen it. I seen that.

1361
01:11:35,760 --> 01:11:41,240
Speaker 4: Okay, making sure Dead Press or black Star at the

1362
01:11:41,320 --> 01:11:47,439
Speaker 4: DEEPO whoa.

1363
01:11:47,240 --> 01:11:48,240
Speaker 2: Very Afro centric.

1364
01:11:48,439 --> 01:11:50,800
Speaker 3: Two different kinds of things though, Okay.

1365
01:11:50,800 --> 01:11:59,200
Speaker 2: Okay, you can break it down to pass and shout

1366
01:11:59,200 --> 01:12:02,080
Speaker 2: out to my Florida that one. In case want to

1367
01:12:02,160 --> 01:12:06,439
Speaker 2: drink this one, I'm going to go black Star black Star, Okay.

1368
01:12:06,439 --> 01:12:10,400
Speaker 4: And I think they're both just personally, I think I

1369
01:12:10,439 --> 01:12:13,839
Speaker 4: think it's just a minor age, but they both represent

1370
01:12:13,960 --> 01:12:17,320
Speaker 4: something very important the press, like when they came out

1371
01:12:17,640 --> 01:12:20,240
Speaker 4: President that record was we need it right now?

1372
01:12:20,280 --> 01:12:26,400
Speaker 3: Really the same kind of energy. Yeah, that's that's uh

1373
01:12:26,960 --> 01:12:29,920
Speaker 3: down south. Yeah, I was in the East Coast.

1374
01:12:30,040 --> 01:12:31,560
Speaker 5: Yes, yes, things.

1375
01:12:31,479 --> 01:12:34,439
Speaker 4: They were early on their ship. Yeah, you know, I

1376
01:12:34,439 --> 01:12:36,200
Speaker 4: think Kanye did that beat. A lot of people don't

1377
01:12:36,240 --> 01:12:38,240
Speaker 4: know that which one it's bigger than.

1378
01:12:39,600 --> 01:12:40,439
Speaker 2: Are you serious?

1379
01:12:41,439 --> 01:12:41,960
Speaker 14: They did not.

1380
01:12:44,640 --> 01:12:45,240
Speaker 2: I don't believe that.

1381
01:12:48,280 --> 01:12:48,479
Speaker 10: Ship.

1382
01:12:49,280 --> 01:12:52,000
Speaker 15: You know, you would know, you would know. Yeah, I

1383
01:12:52,000 --> 01:12:54,120
Speaker 15: don't know that you'd be surprised. I traveled with dp

1384
01:12:55,120 --> 01:12:59,320
Speaker 15: uh dead press. We traveled around together for about a year.

1385
01:13:00,439 --> 01:13:03,040
Speaker 15: We had shows, but we also were going to community

1386
01:13:03,120 --> 01:13:09,160
Speaker 15: centers and having forearms and you know, reaching out to

1387
01:13:09,680 --> 01:13:13,360
Speaker 15: younger artists, building programs and things like that, food banks

1388
01:13:13,840 --> 01:13:17,120
Speaker 15: and food deserts and and those kinds of things. And

1389
01:13:17,120 --> 01:13:22,440
Speaker 15: and then two thousands, Yes, great works.

1390
01:13:22,720 --> 01:13:23,679
Speaker 3: Yeah is it?

1391
01:13:24,400 --> 01:13:29,439
Speaker 4: Yeah, it's in the matrix.

1392
01:13:29,479 --> 01:13:32,439
Speaker 7: So is that about the time that that Kanye did

1393
01:13:32,520 --> 01:13:33,960
Speaker 7: the People's record.

1394
01:13:33,760 --> 01:13:37,280
Speaker 4: Was around that time when he was in his back Yeah, yeah,

1395
01:13:37,320 --> 01:13:43,160
Speaker 4: making beets. Yes, hmm, good one, Black Star People. That's

1396
01:13:43,160 --> 01:13:45,720
Speaker 4: a good trivia ef fect. You know who produced top

1397
01:13:45,760 --> 01:13:49,280
Speaker 4: billing massive good trivia.

1398
01:13:49,880 --> 01:13:54,479
Speaker 1: Let me think milk is chilling audio.

1399
01:13:54,920 --> 01:13:57,440
Speaker 4: She might get it, she might get it. Molly Map,

1400
01:13:59,280 --> 01:14:01,559
Speaker 4: did they, Sophie? Yeah, Fan, I think you should know

1401
01:14:01,600 --> 01:14:03,680
Speaker 4: this one. I actually and I used to have them

1402
01:14:03,720 --> 01:14:05,160
Speaker 4: on my This is one of the greatest beats at

1403
01:14:05,200 --> 01:14:08,759
Speaker 4: all time of all time. Drum program insane. That's the beginning.

1404
01:14:09,200 --> 01:14:12,280
Speaker 1: We know the producer, but we did the joint and

1405
01:14:12,320 --> 01:14:13,559
Speaker 1: so who didn't we know the producer.

1406
01:14:14,800 --> 01:14:22,720
Speaker 2: He's a legend. John bar say that again. Wow, just

1407
01:14:22,720 --> 01:14:28,000
Speaker 2: trying to get us, like, I just take the shot.

1408
01:14:28,160 --> 01:14:29,760
Speaker 2: I want to take a shot for that shout out

1409
01:14:29,800 --> 01:14:34,320
Speaker 2: to Daddy know the greatest beats ever in him. That

1410
01:14:34,400 --> 01:14:37,960
Speaker 2: drum program is mind blowing. We did the zoom with him,

1411
01:14:38,080 --> 01:14:40,240
Speaker 2: Yeah we did. I want to say the shot.

1412
01:14:40,240 --> 01:14:44,559
Speaker 1: I want that for what to just what Tom did

1413
01:14:44,600 --> 01:14:46,120
Speaker 1: in the beat but not knowing it.

1414
01:14:46,240 --> 01:14:48,920
Speaker 7: Yeah, but can I tell you this might be just

1415
01:14:49,080 --> 01:14:52,400
Speaker 7: a personal opinion, but I think the people's joint you did,

1416
01:14:53,360 --> 01:14:54,040
Speaker 7: that's one of the best.

1417
01:14:55,000 --> 01:14:58,400
Speaker 2: Yeah, one of the best. Man. Yeah, great, great time

1418
01:14:59,479 --> 01:15:04,760
Speaker 2: talking that we can come back to that. Uh n

1419
01:15:04,880 --> 01:15:06,200
Speaker 2: w A or Wu tang plan.

1420
01:15:06,800 --> 01:15:12,400
Speaker 14: Oh my god, that's what I say on the show.

1421
01:15:12,520 --> 01:15:13,360
Speaker 2: I know this question.

1422
01:15:15,080 --> 01:15:15,760
Speaker 4: What do we got here?

1423
01:15:16,320 --> 01:15:18,160
Speaker 2: Just get to drink ready. I think it's not the same.

1424
01:15:19,479 --> 01:15:21,160
Speaker 2: I think it is the same. I don't think it's.

1425
01:15:22,560 --> 01:15:24,240
Speaker 3: Doctor told me a story about n w A.

1426
01:15:24,800 --> 01:15:31,479
Speaker 1: When you say doc, you're talking about doctor, Okay, Okay,

1427
01:15:31,479 --> 01:15:32,160
Speaker 1: that's that's right.

1428
01:15:32,600 --> 01:15:37,320
Speaker 3: He told me that in his understanding and envision that

1429
01:15:37,720 --> 01:15:43,320
Speaker 3: n w A was a political group, was a radical

1430
01:15:43,360 --> 01:15:47,480
Speaker 3: group who was trying to express what America had created

1431
01:15:48,200 --> 01:15:53,559
Speaker 3: through the characters that they portrayed, and where E or

1432
01:15:53,680 --> 01:15:57,280
Speaker 3: Eric was really in this you know, in this world,

1433
01:15:58,479 --> 01:16:01,360
Speaker 3: and it just became something else. But he said, first day,

1434
01:16:01,360 --> 01:16:05,080
Speaker 3: we're trying to balance public enemy.

1435
01:16:05,280 --> 01:16:09,280
Speaker 2: To me the same on the different sides of the spectrum.

1436
01:16:09,280 --> 01:16:14,960
Speaker 1: But the sac energy the first yeah, publicli those two.

1437
01:16:15,120 --> 01:16:17,680
Speaker 4: Drake was a visionary and he definitely took some of

1438
01:16:17,720 --> 01:16:19,240
Speaker 4: the East Coast inspirations and.

1439
01:16:20,240 --> 01:16:22,519
Speaker 2: Everybody and hip hop at that time was had to

1440
01:16:22,560 --> 01:16:25,120
Speaker 2: take that. That was it's a visionary. Let me correct.

1441
01:16:25,600 --> 01:16:26,799
Speaker 5: D O c is a visionary.

1442
01:16:26,840 --> 01:16:32,799
Speaker 2: D O c s That makes a noise with important people, don't.

1443
01:16:32,680 --> 01:16:35,800
Speaker 14: Drink the most important, very important.

1444
01:16:37,000 --> 01:16:40,519
Speaker 1: And the fact that he lost his voice and kept

1445
01:16:40,520 --> 01:16:45,400
Speaker 1: writing rhymes for for Dre that's like how that Yes,

1446
01:16:46,720 --> 01:16:48,000
Speaker 1: see his documentary, right.

1447
01:16:48,680 --> 01:16:50,240
Speaker 3: Have I seen it? I think I'm in it.

1448
01:16:50,360 --> 01:16:55,800
Speaker 2: Yeah, I know I'm saying yeah, but you know, have

1449
01:16:55,840 --> 01:17:01,760
Speaker 2: you seen his children gave to what I'm saying? How good?

1450
01:17:02,320 --> 01:17:06,080
Speaker 1: How good that documentary? Like it's it's it's fucking phenomenal,

1451
01:17:06,200 --> 01:17:09,200
Speaker 1: Like it is, like he's a great dude.

1452
01:17:09,400 --> 01:17:12,080
Speaker 2: His first album, but he seems like a great person

1453
01:17:12,280 --> 01:17:15,040
Speaker 2: like WorldWind, Pyramid, Let the Base Go.

1454
01:17:15,280 --> 01:17:17,320
Speaker 4: Like in the West Coast, he was like an anomaly,

1455
01:17:18,040 --> 01:17:20,880
Speaker 4: like he was. We were just completely fucked up by

1456
01:17:20,880 --> 01:17:21,840
Speaker 4: that first album, Like.

1457
01:17:22,520 --> 01:17:24,000
Speaker 2: We didn't know he's from Dallas, neither.

1458
01:17:24,120 --> 01:17:25,360
Speaker 1: We didn't know that.

1459
01:17:27,120 --> 01:17:29,679
Speaker 4: There was there was something that happened. What was he wearing.

1460
01:17:29,800 --> 01:17:32,719
Speaker 4: He was wearing the Kings. That's what King's Lauren and Lords.

1461
01:17:32,760 --> 01:17:34,519
Speaker 4: He was in front of that, right right, and that's

1462
01:17:34,640 --> 01:17:35,719
Speaker 4: that's Los Angeles Hockey.

1463
01:17:35,840 --> 01:17:37,280
Speaker 7: Yes, but there was something that he would say in

1464
01:17:37,320 --> 01:17:39,479
Speaker 7: the album that would say that he was from Texas.

1465
01:17:39,520 --> 01:17:41,040
Speaker 2: I forget what it was, right, he knew what he was.

1466
01:17:41,920 --> 01:17:44,280
Speaker 1: I believe he said it, but I believe his his

1467
01:17:44,360 --> 01:17:47,679
Speaker 1: attire was like so much looking like that West Coast

1468
01:17:47,680 --> 01:17:49,000
Speaker 1: that we just assumed.

1469
01:17:48,560 --> 01:17:51,360
Speaker 3: It it was already, but it was already his style

1470
01:17:52,040 --> 01:17:54,320
Speaker 3: before he left.

1471
01:17:54,360 --> 01:17:55,240
Speaker 2: He was dressing like that.

1472
01:17:56,080 --> 01:17:58,839
Speaker 3: He was like he was actually wearing Fela.

1473
01:17:59,640 --> 01:18:01,200
Speaker 2: Okay, let's made some noise.

1474
01:18:06,240 --> 01:18:11,519
Speaker 3: We say, oh, yeah, he was already wearing that kind

1475
01:18:11,520 --> 01:18:15,000
Speaker 3: of stuff. He's in Phila. I mean he was. His

1476
01:18:15,120 --> 01:18:21,400
Speaker 3: hats were the same as as the Stallion Boys Crew, right, yes, yeah,

1477
01:18:21,439 --> 01:18:24,160
Speaker 3: he was ahead of his time as a kid, you know.

1478
01:18:24,320 --> 01:18:29,759
Speaker 3: And well, yeah, we opened the Wrap era in Dallas

1479
01:18:30,080 --> 01:18:31,280
Speaker 3: where Cole Chris came up.

1480
01:18:32,439 --> 01:18:34,200
Speaker 1: Chris. Yeah.

1481
01:18:34,240 --> 01:18:36,519
Speaker 3: So it was only a few like groups that were

1482
01:18:36,560 --> 01:18:41,080
Speaker 3: like really thriving in that era, but the whole everything

1483
01:18:41,160 --> 01:18:45,240
Speaker 3: was inspired by East Coast, of course, Yeah, but we

1484
01:18:45,360 --> 01:18:49,320
Speaker 3: had our own culture of hip hop and in that culture,

1485
01:18:49,439 --> 01:18:54,639
Speaker 3: d o C reigned supreme and so did Cole Chris. Yeah,

1486
01:18:54,800 --> 01:18:58,320
Speaker 3: and when he got discovered by a man called Doctor

1487
01:18:58,400 --> 01:19:01,439
Speaker 3: Rock who was a DJ. Doctor Rock introduced him to

1488
01:19:02,160 --> 01:19:05,880
Speaker 3: Doctor Drew And as a kid, he's not even fished

1489
01:19:05,920 --> 01:19:08,479
Speaker 3: with high school. He was disenchanted with high school. That's

1490
01:19:08,479 --> 01:19:11,680
Speaker 3: how he Yeah, he got introduced like that and they

1491
01:19:11,720 --> 01:19:14,720
Speaker 3: went out there. He wrote so much stuff, and this

1492
01:19:14,760 --> 01:19:18,000
Speaker 3: is the story I understand to be true. He wrote

1493
01:19:18,040 --> 01:19:21,799
Speaker 3: so much stuff and he kind of helped to shape

1494
01:19:21,880 --> 01:19:24,160
Speaker 3: and form the minds.

1495
01:19:23,920 --> 01:19:26,240
Speaker 5: Of of what we hear as West Coast rap.

1496
01:19:27,600 --> 01:19:31,640
Speaker 4: Or in w in the DNA of West the popularity.

1497
01:19:33,479 --> 01:19:35,920
Speaker 4: He was so ahead ahead of time, ahead of his time,

1498
01:19:36,080 --> 01:19:37,040
Speaker 4: game his flow.

1499
01:19:37,560 --> 01:19:39,960
Speaker 2: We were with DJ Quick in the studio recently.

1500
01:19:40,240 --> 01:19:41,760
Speaker 4: He came when we were working on the album, and

1501
01:19:42,080 --> 01:19:44,320
Speaker 4: the stuff that he said about d OC was like

1502
01:19:44,560 --> 01:19:47,599
Speaker 4: someone endearing, like he really said the same thing we're saying,

1503
01:19:47,640 --> 01:19:48,400
Speaker 4: Like d OC.

1504
01:19:48,520 --> 01:19:52,320
Speaker 2: Was pivotal in the West Coast sound comes from so much.

1505
01:19:52,720 --> 01:19:54,520
Speaker 5: DJ Quick is one of my favorite producers.

1506
01:19:54,640 --> 01:19:59,160
Speaker 2: Yes and Quick safe to say you got DJ Quick

1507
01:19:59,160 --> 01:19:59,639
Speaker 2: on the album.

1508
01:19:59,800 --> 01:20:02,000
Speaker 5: He yes, he plays wood block.

1509
01:20:03,360 --> 01:20:04,440
Speaker 1: He has block.

1510
01:20:09,680 --> 01:20:13,400
Speaker 3: Quick and he did something really important that expanded my

1511
01:20:13,640 --> 01:20:16,640
Speaker 3: production game. He gave me Overenheimer.

1512
01:20:17,360 --> 01:20:17,920
Speaker 2: He gave her.

1513
01:20:18,000 --> 01:20:20,200
Speaker 4: He came to the studio with a keyboard and just

1514
01:20:20,400 --> 01:20:24,680
Speaker 4: gave it to Oberheimen, which is I think you're using

1515
01:20:24,720 --> 01:20:25,479
Speaker 4: on stage with us?

1516
01:20:25,520 --> 01:20:28,519
Speaker 5: I do, and then the album shout out, quick man,

1517
01:20:31,840 --> 01:20:32,439
Speaker 5: drink chest.

1518
01:20:34,520 --> 01:20:40,320
Speaker 7: Teacher, all right, Larry jun Or two chains.

1519
01:20:40,320 --> 01:20:45,880
Speaker 3: Oh you silly, you must be dragging. That's not going

1520
01:20:46,439 --> 01:20:48,799
Speaker 3: by the way, that's not going to happen.

1521
01:20:49,760 --> 01:20:53,160
Speaker 2: Yeah, drink up. Something to say there.

1522
01:20:53,800 --> 01:20:54,880
Speaker 5: This is crazy.

1523
01:20:56,040 --> 01:20:57,840
Speaker 2: We're almost done. We're almost at the finish line. Get

1524
01:20:57,920 --> 01:20:58,720
Speaker 2: us home, Get us home.

1525
01:20:58,840 --> 01:21:11,479
Speaker 7: Your m TV wraps a wrap city.

1526
01:21:06,479 --> 01:21:09,160
Speaker 3: You know what TV raps for me? Thanks y Freddy,

1527
01:21:09,160 --> 01:21:10,240
Speaker 3: all day.

1528
01:21:10,479 --> 01:21:13,320
Speaker 4: Doctor dre Love. That was the beginning of everything. We

1529
01:21:13,360 --> 01:21:17,120
Speaker 4: saw everything. Yeah, I saw all the videos first there

1530
01:21:19,360 --> 01:21:24,600
Speaker 4: shouted Uncle Ralph. Though you know what, I'm Ralph just because.

1531
01:21:24,680 --> 01:21:27,439
Speaker 7: No, absolutely we didn't get him down here, but we

1532
01:21:27,520 --> 01:21:30,800
Speaker 7: knew the significant VHS tape.

1533
01:21:33,280 --> 01:21:37,559
Speaker 2: Three more havoc, both of you hazard.

1534
01:21:38,479 --> 01:21:44,560
Speaker 1: He knows he looks.

1535
01:21:42,920 --> 01:21:49,599
Speaker 3: Pretty more havoc. What he just wants to get the game.

1536
01:21:49,760 --> 01:21:52,280
Speaker 2: We could have a conversation, Like.

1537
01:21:52,240 --> 01:21:55,519
Speaker 3: The conversation and the drinking is kind of like the

1538
01:21:55,640 --> 01:21:59,240
Speaker 3: casual part of me, the stories, and then we're taking

1539
01:21:59,240 --> 01:21:59,960
Speaker 3: all this personal.

1540
01:22:01,680 --> 01:22:05,479
Speaker 4: They're both so important in everything I do, you know

1541
01:22:05,520 --> 01:22:07,799
Speaker 4: what I mean? Like first first, first it was Premiere.

1542
01:22:08,360 --> 01:22:14,720
Speaker 4: Premiere was my everything, you know, like Premiere. I think

1543
01:22:15,040 --> 01:22:18,640
Speaker 4: any producer could say that as like as an inspiration,

1544
01:22:18,960 --> 01:22:21,000
Speaker 4: like my first beast. You can ask evidence they were

1545
01:22:21,000 --> 01:22:22,920
Speaker 4: fake Premiere beats and he used to be like, no.

1546
01:22:22,960 --> 01:22:24,840
Speaker 2: No, no, that sounds like rappers are in danger. Not

1547
01:22:24,880 --> 01:22:28,000
Speaker 2: that sounds like whatever. And it was like I had

1548
01:22:28,040 --> 01:22:29,719
Speaker 2: to learn to craft moll stout.

1549
01:22:29,840 --> 01:22:33,760
Speaker 4: And then later when I moved to New York, I

1550
01:22:33,840 --> 01:22:36,719
Speaker 4: became friends with him, so then of course I can't

1551
01:22:36,720 --> 01:22:38,600
Speaker 4: make a beat that sounds like him, you know what

1552
01:22:38,640 --> 01:22:39,120
Speaker 4: I'm saying.

1553
01:22:39,360 --> 01:22:42,120
Speaker 2: And then from there it went to Lincoln would have

1554
01:22:42,280 --> 01:22:46,360
Speaker 2: it and Mob Deep and have it. He's a beat.

1555
01:22:46,360 --> 01:22:48,960
Speaker 4: I can't even say it because you experienced it at

1556
01:22:48,960 --> 01:22:53,080
Speaker 4: the time, Like the Mob Deep days, it was like

1557
01:22:53,280 --> 01:22:55,320
Speaker 4: shit you never saw before, Like they used to be

1558
01:22:55,400 --> 01:22:58,120
Speaker 4: in a studio twenty thirty deep, and he was like

1559
01:22:58,160 --> 01:23:01,040
Speaker 4: a conduit, like a or like he used to come

1560
01:23:01,080 --> 01:23:01,960
Speaker 4: in there drunk.

1561
01:23:02,040 --> 01:23:03,800
Speaker 2: Ian j throw a.

1562
01:23:03,880 --> 01:23:07,000
Speaker 4: Diskin and then he would just start making beats in

1563
01:23:07,080 --> 01:23:10,919
Speaker 4: the studio and was it right track, right track, unique

1564
01:23:12,360 --> 01:23:15,400
Speaker 4: d n D And he would make sure live and

1565
01:23:15,439 --> 01:23:17,120
Speaker 4: then his whole crew would just you know, guy, he

1566
01:23:17,120 --> 01:23:19,040
Speaker 4: would be in there swinging his arm and no, he

1567
01:23:19,040 --> 01:23:21,240
Speaker 4: would be wilding and it would be like he was

1568
01:23:21,360 --> 01:23:24,439
Speaker 4: feeding off of the cruise energy. And I swear I

1569
01:23:24,520 --> 01:23:28,240
Speaker 4: learned so much from Havoc, like drum programming, Like if

1570
01:23:28,240 --> 01:23:31,280
Speaker 4: you listen to Burn, that's like a perfect that's a

1571
01:23:31,400 --> 01:23:34,200
Speaker 4: beat mix baseline.

1572
01:23:35,920 --> 01:23:38,360
Speaker 2: He played that ship on the MP. The guitar.

1573
01:23:39,040 --> 01:23:40,840
Speaker 4: He played that ship on the MP like he just

1574
01:23:40,840 --> 01:23:44,800
Speaker 4: took one chop and went And I just say that

1575
01:23:44,920 --> 01:23:47,559
Speaker 4: to say, like I used to sit there and just absorb,

1576
01:23:48,240 --> 01:23:51,639
Speaker 4: you know. So both of them are are like are

1577
01:23:51,680 --> 01:23:52,439
Speaker 4: in my DNA?

1578
01:23:52,600 --> 01:23:54,519
Speaker 2: You know what I'm saying. You can hear it premiere

1579
01:23:54,640 --> 01:23:58,280
Speaker 2: and have it. So pour a fucking drink.

1580
01:23:58,160 --> 01:24:00,840
Speaker 3: Up, God.

1581
01:24:02,800 --> 01:24:11,240
Speaker 2: S Blue. I'm sorry we're drinking tonight. Make sure you

1582
01:24:11,280 --> 01:24:12,639
Speaker 2: guys order the mineral water.

1583
01:24:12,800 --> 01:24:15,880
Speaker 3: And uh, you know it's a good thing. I have,

1584
01:24:16,160 --> 01:24:19,960
Speaker 3: like a ship answered, I have a piece of pea

1585
01:24:19,960 --> 01:24:20,880
Speaker 3: bread in my pocket.

1586
01:24:24,680 --> 01:24:26,519
Speaker 4: Damn should you want to bite it?

1587
01:24:29,200 --> 01:24:29,400
Speaker 1: Oh?

1588
01:24:29,479 --> 01:24:33,320
Speaker 4: My god, great bread, Peter bread.

1589
01:24:35,800 --> 01:24:39,679
Speaker 2: Some people don't think that we have the I'm little girl.

1590
01:24:39,720 --> 01:24:43,880
Speaker 4: Scout makes sure bringing it in her pocket to keep

1591
01:24:43,920 --> 01:24:44,599
Speaker 4: up people straight.

1592
01:24:46,040 --> 01:24:46,320
Speaker 1: Bread.

1593
01:24:46,960 --> 01:24:49,519
Speaker 3: Here, here, I have a piece of Peter bread.

1594
01:24:49,880 --> 01:24:55,880
Speaker 1: So dilated people's on Cypress Hills. It's definitely a high question.

1595
01:24:58,880 --> 01:24:59,519
Speaker 1: Where's she at?

1596
01:25:00,280 --> 01:25:02,760
Speaker 4: Poor up? I'm not thinking between those two, man, those

1597
01:25:02,760 --> 01:25:03,639
Speaker 4: are both families.

1598
01:25:03,960 --> 01:25:06,000
Speaker 3: Oh my god, pick someone.

1599
01:25:06,160 --> 01:25:06,960
Speaker 2: You're gonna have to pick.

1600
01:25:08,160 --> 01:25:09,160
Speaker 5: Okay, who is it?

1601
01:25:09,760 --> 01:25:10,439
Speaker 2: Dilated people?

1602
01:25:10,640 --> 01:25:15,759
Speaker 3: Cypress Dilated people are Cypress Hill, Cypress Hill?

1603
01:25:16,560 --> 01:25:19,679
Speaker 7: Oh, David, Oh, so we're still want of y'all said both?

1604
01:25:20,240 --> 01:25:23,680
Speaker 2: The ruler again say that, but he could drink a lot.

1605
01:25:23,960 --> 01:25:26,920
Speaker 3: I'm gonna say Cypress Hill because when I met you,

1606
01:25:27,640 --> 01:25:30,519
Speaker 3: we were on tour Cypreushil nineteen ninety seven. I'm pregnant

1607
01:25:30,560 --> 01:25:33,400
Speaker 3: as hell. Andre three thousand is on the tour. He's

1608
01:25:33,400 --> 01:25:37,200
Speaker 3: an outcast. They're on the tour. There's Parliament from Cadelic

1609
01:25:37,240 --> 01:25:41,639
Speaker 3: on the tour and Cypress Hills on the tour. Far

1610
01:25:41,840 --> 01:25:46,120
Speaker 3: Side is on the tour. Who are you at.

1611
01:25:48,200 --> 01:25:48,439
Speaker 4: Us?

1612
01:25:48,760 --> 01:25:49,720
Speaker 5: Yeah, I'm gonna have to say that.

1613
01:25:49,720 --> 01:25:54,800
Speaker 3: I'm gonna have to Cypress Dilated people's eclectic and beautiful

1614
01:25:55,120 --> 01:25:57,400
Speaker 3: I just don't know the music as well. Some of

1615
01:25:57,439 --> 01:26:00,000
Speaker 3: them choose that what about you, what's say you?

1616
01:26:00,040 --> 01:26:02,840
Speaker 4: I'm going to go with both yes, because they are

1617
01:26:03,000 --> 01:26:07,120
Speaker 4: both my family. Both. My first beat might have been

1618
01:26:07,200 --> 01:26:09,680
Speaker 4: dilated People's. I think third degree might have been one

1619
01:26:09,720 --> 01:26:11,360
Speaker 4: of my first actual.

1620
01:26:11,000 --> 01:26:13,080
Speaker 2: Beating official Liquid crew.

1621
01:26:13,600 --> 01:26:14,200
Speaker 4: We all were.

1622
01:26:17,120 --> 01:26:19,680
Speaker 2: We were mad there. We were all l A was

1623
01:26:19,720 --> 01:26:20,759
Speaker 2: like a really dope.

1624
01:26:21,360 --> 01:26:24,400
Speaker 4: Mix and everybody's sounded different at the time, like Will,

1625
01:26:25,000 --> 01:26:25,360
Speaker 4: like Will.

1626
01:26:25,760 --> 01:26:26,519
Speaker 2: We grew up together.

1627
01:26:26,920 --> 01:26:29,400
Speaker 4: Will and Evidence were in the group together from that

1628
01:26:29,760 --> 01:26:30,680
Speaker 4: American neighborhood.

1629
01:26:31,680 --> 01:26:33,720
Speaker 2: Will used to get busted in Man. He told the

1630
01:26:33,720 --> 01:26:34,360
Speaker 2: story over here.

1631
01:26:34,680 --> 01:26:36,400
Speaker 4: Will was on the west side, hanging out for us,

1632
01:26:36,720 --> 01:26:40,080
Speaker 4: right he did. Will, Will I am, I swear to gun.

1633
01:26:41,240 --> 01:26:42,920
Speaker 4: If he didn't become what he became, it would have

1634
01:26:42,920 --> 01:26:46,200
Speaker 4: been criminal. He was so talented when we were young,

1635
01:26:46,920 --> 01:26:47,280
Speaker 4: like he was.

1636
01:26:49,880 --> 01:26:50,040
Speaker 2: No.

1637
01:26:50,120 --> 01:26:52,000
Speaker 4: He used to win the He used to win the deep,

1638
01:26:52,080 --> 01:26:55,000
Speaker 4: the dance battle, the freestyle battle. Because it was a

1639
01:26:55,000 --> 01:26:58,960
Speaker 4: club called Ballistics. Shout to David Faustino Mud Bundy. He

1640
01:26:59,280 --> 01:27:02,599
Speaker 4: used to throw apart in l A Bundy from Yes, Yes,

1641
01:27:02,760 --> 01:27:05,679
Speaker 4: they threw up every Thursday night and in the whiskey.

1642
01:27:06,080 --> 01:27:07,240
Speaker 5: You look so drunk.

1643
01:27:07,640 --> 01:27:12,040
Speaker 2: No, No, I'm getting there. Don't worry, I'll get there.

1644
01:27:13,040 --> 01:27:14,800
Speaker 2: I'm saying for real.

1645
01:27:15,080 --> 01:27:20,479
Speaker 3: Yeah you solid? Okay, good.

1646
01:27:21,080 --> 01:27:22,760
Speaker 4: The west side of l A was just a dope

1647
01:27:22,800 --> 01:27:24,960
Speaker 4: mixture of sound for side was there?

1648
01:27:25,000 --> 01:27:27,439
Speaker 2: You had sight? Perce had the underground l A seem

1649
01:27:27,479 --> 01:27:29,120
Speaker 2: like it was dope. We all grew up underneath that.

1650
01:27:29,240 --> 01:27:30,880
Speaker 2: What was the name of like that one club that

1651
01:27:31,040 --> 01:27:42,720
Speaker 2: rast cast talks about. Mr talks about this? Okay, this is.

1652
01:27:44,280 --> 01:27:47,160
Speaker 4: What was the name of that globe the club Unity?

1653
01:27:47,320 --> 01:27:49,160
Speaker 4: But yeah, l A was a great time. Man shouts

1654
01:27:49,200 --> 01:27:51,960
Speaker 4: all in. Did we take a shot for that? Because

1655
01:27:52,000 --> 01:27:59,439
Speaker 4: he said both if you want right now, Shadow, okay, yeah,

1656
01:27:59,640 --> 01:28:00,559
Speaker 4: that's a ginger shop.

1657
01:28:00,640 --> 01:28:01,400
Speaker 5: It's the ginger sho.

1658
01:28:04,240 --> 01:28:06,880
Speaker 1: It was a juice juice bar.

1659
01:28:07,000 --> 01:28:11,120
Speaker 2: Yes, you ginger. Yeah.

1660
01:28:11,360 --> 01:28:13,200
Speaker 5: I would love to talk a little bit later.

1661
01:28:13,560 --> 01:28:17,040
Speaker 3: M Yeah, thank you. I'd love to talk to you

1662
01:28:17,120 --> 01:28:24,320
Speaker 3: later about Yeah. Yeah, I'm an all greenise girl. No fruit,

1663
01:28:24,600 --> 01:28:32,599
Speaker 3: no lemon oh wow, kale celery, ginger, cucumber spear.

1664
01:28:32,720 --> 01:28:36,160
Speaker 2: Lena can go below.

1665
01:28:36,920 --> 01:28:39,120
Speaker 1: This is the last one. No, it is last, the

1666
01:28:39,200 --> 01:28:41,880
Speaker 1: last one to get back into the interview. I'm not

1667
01:28:41,920 --> 01:28:43,439
Speaker 1: going to say not. I'm not going to lead the

1668
01:28:43,439 --> 01:28:46,759
Speaker 1: witness don't loyalty or respect.

1669
01:28:48,680 --> 01:28:55,680
Speaker 5: I mean, okay, loyalty respect.

1670
01:28:58,080 --> 01:29:02,559
Speaker 3: I'd say respect because you can't have without loyalty, right,

1671
01:29:03,320 --> 01:29:07,280
Speaker 3: I say respect because you can have a bunch of

1672
01:29:07,320 --> 01:29:12,160
Speaker 3: people loyal to you. Who could be dream killers, Yeah,

1673
01:29:12,200 --> 01:29:15,360
Speaker 3: who could be someone who doesn't think you deserve what

1674
01:29:15,520 --> 01:29:20,080
Speaker 3: you have who you are. I say respect. I'd rather

1675
01:29:20,120 --> 01:29:23,479
Speaker 3: be respected in front of me and from a distance,

1676
01:29:24,439 --> 01:29:27,880
Speaker 3: and it's okay, But either way, I don't really care.

1677
01:29:28,520 --> 01:29:32,280
Speaker 5: But if I have to choose, I'll say I say respect.

1678
01:29:34,720 --> 01:29:45,519
Speaker 2: How about you? Thank you? Neither neither neither. We shouldn't

1679
01:29:45,560 --> 01:29:50,960
Speaker 2: need anything. We don't need validation, scholar.

1680
01:29:53,520 --> 01:29:55,920
Speaker 1: I don't think no one ever said neither neither. I

1681
01:29:55,920 --> 01:29:56,439
Speaker 1: don't think.

1682
01:29:57,800 --> 01:29:58,519
Speaker 2: We don't need nothing.

1683
01:29:59,520 --> 01:30:01,200
Speaker 1: I don't think no one's ever said that's one of

1684
01:30:01,200 --> 01:30:11,280
Speaker 1: these yeah, yeah, now we got a flower.

1685
01:30:11,400 --> 01:30:11,559
Speaker 3: Now.

1686
01:30:11,920 --> 01:30:15,400
Speaker 1: Now, when you look at hard copy, you know, copies,

1687
01:30:16,400 --> 01:30:20,720
Speaker 1: just hard like you know, I'm gonna finish, I'm gonna bad.

1688
01:30:21,200 --> 01:30:24,320
Speaker 1: But when you look at hard copies, does that remind

1689
01:30:24,360 --> 01:30:29,040
Speaker 1: you of a good time in the industry? Or is

1690
01:30:29,520 --> 01:30:32,479
Speaker 1: do we own our masters? Or is it looking at

1691
01:30:32,520 --> 01:30:33,960
Speaker 1: saying man? You know.

1692
01:30:35,920 --> 01:30:36,080
Speaker 3: Man?

1693
01:30:36,080 --> 01:30:38,519
Speaker 1: For years, I couldn't listen to the War Report one

1694
01:30:38,520 --> 01:30:40,600
Speaker 1: because I didn't own it, and I just when I

1695
01:30:40,600 --> 01:30:42,439
Speaker 1: would look at it and it was just so much

1696
01:30:42,479 --> 01:30:45,840
Speaker 1: pain and the person I used to be. So when

1697
01:30:46,000 --> 01:30:47,920
Speaker 1: when when you look at these hard copies?

1698
01:30:47,920 --> 01:30:50,240
Speaker 2: What what? What do you say to yourself?

1699
01:30:53,479 --> 01:30:59,799
Speaker 3: Ladies? First, Yeah, ship, Yeah, I see a green person

1700
01:31:00,040 --> 01:31:05,000
Speaker 3: who is very fortunate that got an opportunity that a

1701
01:31:05,000 --> 01:31:10,080
Speaker 3: lot of people did not have. I see a partnership

1702
01:31:10,080 --> 01:31:14,519
Speaker 3: between a machine and a singular artist that worked out

1703
01:31:14,760 --> 01:31:21,600
Speaker 3: very well because both of our plans were demonstrated in

1704
01:31:21,640 --> 01:31:24,920
Speaker 3: the collaboration. You know, I got. I wanted people to

1705
01:31:24,960 --> 01:31:30,800
Speaker 3: just hear what I have to say. And I'm not

1706
01:31:30,840 --> 01:31:33,519
Speaker 3: a big money focused person. I don't really care about that.

1707
01:31:33,640 --> 01:31:36,799
Speaker 3: I can tell you that he doesn't think that's very smart.

1708
01:31:36,800 --> 01:31:41,639
Speaker 3: All the time I take his advice on it. Yeah,

1709
01:31:41,680 --> 01:31:45,280
Speaker 3: I just see that's a good ship. I tell my

1710
01:31:45,400 --> 01:31:47,000
Speaker 3: children all the time. If you want to know who

1711
01:31:47,040 --> 01:31:49,479
Speaker 3: your mama is listened to, Badu is a Mama's Gun

1712
01:31:50,439 --> 01:31:55,680
Speaker 3: world Wide Underground New America one and two. But you

1713
01:31:55,720 --> 01:32:00,240
Speaker 3: can't use my phone. And now Abby and Allen. Yeah,

1714
01:32:00,240 --> 01:32:03,120
Speaker 3: I expressed myself beast through this music and I'm so

1715
01:32:03,200 --> 01:32:06,880
Speaker 3: happy it has a platform and the deals that I

1716
01:32:06,960 --> 01:32:10,479
Speaker 3: made are mine and I and I'm good with that.

1717
01:32:13,439 --> 01:32:14,960
Speaker 5: I'm proud of that work very much.

1718
01:32:15,040 --> 01:32:23,559
Speaker 4: So how about you out, Yeah, Like I'm like, I'm

1719
01:32:23,600 --> 01:32:27,200
Speaker 4: thankful for the journey, but you know the whole like

1720
01:32:27,280 --> 01:32:30,559
Speaker 4: even looking that's like old mixtapes that was like the

1721
01:32:30,560 --> 01:32:33,479
Speaker 4: Bob Perry days and well, just like give fucking what.

1722
01:32:33,520 --> 01:32:34,559
Speaker 2: Was that lan?

1723
01:32:36,880 --> 01:32:39,919
Speaker 4: And it was like I went through so many phases,

1724
01:32:40,800 --> 01:32:43,320
Speaker 4: you know, and then it went from that to Cotch yep.

1725
01:32:44,000 --> 01:32:46,640
Speaker 4: That's how I did my first album, Infantry, And it

1726
01:32:46,720 --> 01:32:49,680
Speaker 4: was like it was so many stages that I had

1727
01:32:49,680 --> 01:32:52,599
Speaker 4: to go through, and it was like one shit started clicking,

1728
01:32:52,800 --> 01:32:56,320
Speaker 4: like like maybe five or six years ago. It was like, damn,

1729
01:32:56,320 --> 01:32:58,559
Speaker 4: I wish. I wish it was like this twenty years

1730
01:32:58,560 --> 01:33:00,360
Speaker 4: ago and I we could have just sped that. But

1731
01:33:00,400 --> 01:33:03,360
Speaker 4: it's like you have to go through those steps.

1732
01:33:03,439 --> 01:33:03,960
Speaker 1: You have to.

1733
01:33:04,600 --> 01:33:07,519
Speaker 2: You can't skip any steps, you know.

1734
01:33:07,640 --> 01:33:09,280
Speaker 4: And I don't know how to explain it, but it's

1735
01:33:09,320 --> 01:33:12,599
Speaker 4: like it's in the process, you know, And it was

1736
01:33:12,640 --> 01:33:15,400
Speaker 4: it was all I learned every step of the way.

1737
01:33:15,920 --> 01:33:18,000
Speaker 4: Like I told you with E I'm just learning new ship,

1738
01:33:18,280 --> 01:33:21,200
Speaker 4: still learning, and it's like I got into the indie

1739
01:33:21,240 --> 01:33:23,799
Speaker 4: stuff and started doing my own thing, and I started realizing,

1740
01:33:23,920 --> 01:33:24,439
Speaker 4: we don't.

1741
01:33:24,240 --> 01:33:27,800
Speaker 2: Need these companies. They're just giving you money, like we

1742
01:33:27,880 --> 01:33:29,920
Speaker 2: have all the ideas. They're just banks. They're just banks.

1743
01:33:31,760 --> 01:33:34,479
Speaker 3: Yeah, he told me, Like when I finally I was

1744
01:33:34,520 --> 01:33:41,680
Speaker 3: liberated from my label after twenty seven years. Yeah, and

1745
01:33:43,720 --> 01:33:45,439
Speaker 3: when we were trying to figure out what we're going

1746
01:33:45,520 --> 01:33:47,200
Speaker 3: to do about this album, he said, I'd rather take

1747
01:33:47,240 --> 01:33:49,480
Speaker 3: a loan from a bank, straight.

1748
01:33:49,240 --> 01:33:53,040
Speaker 2: Real, that's a better deal. The way she thinks is independent.

1749
01:33:53,240 --> 01:33:56,080
Speaker 2: And she was telling me stories every step of the way.

1750
01:33:56,439 --> 01:33:59,719
Speaker 4: She had to fight the fucking power to label the people,

1751
01:33:59,760 --> 01:34:03,160
Speaker 4: in convinced people, and it was like she had the

1752
01:34:03,240 --> 01:34:05,960
Speaker 4: independent spirit and she won every time.

1753
01:34:06,600 --> 01:34:08,719
Speaker 2: Every time she told me about the ship she went through,

1754
01:34:08,800 --> 01:34:09,439
Speaker 2: like with with.

1755
01:34:09,439 --> 01:34:12,120
Speaker 4: Even Tyrone, Like she told me they had to convince

1756
01:34:12,160 --> 01:34:16,120
Speaker 4: the label, like the fucking record on Tyrone.

1757
01:34:17,040 --> 01:34:19,599
Speaker 3: Yeah, I mean, when it's something new, nobody really knows

1758
01:34:19,600 --> 01:34:23,280
Speaker 3: the vision. But you I mean, it's it's all a

1759
01:34:23,320 --> 01:34:27,000
Speaker 3: part of it, you know, the convincing, it's a big

1760
01:34:27,040 --> 01:34:33,280
Speaker 3: part of it, you know, getting everybody on the same teams.

1761
01:34:33,280 --> 01:34:36,600
Speaker 3: Thank you for all of these beautiful compliments, and that place.

1762
01:34:36,439 --> 01:34:37,240
Speaker 2: I learn a lot.

1763
01:34:37,560 --> 01:34:40,280
Speaker 3: But just like he's never said any of this to me.

1764
01:34:40,439 --> 01:34:41,640
Speaker 2: No, well, that's what we're here for.

1765
01:34:41,800 --> 01:34:48,759
Speaker 4: But look, as artists, that is not want you go ahead.

1766
01:34:50,200 --> 01:34:53,240
Speaker 4: We see ship, you know, yes, you know what it is.

1767
01:34:53,400 --> 01:34:55,639
Speaker 4: We all created, so we see ship in our mind.

1768
01:34:55,920 --> 01:34:58,760
Speaker 4: And she moves at the fucking speed of light like

1769
01:34:58,800 --> 01:35:00,720
Speaker 4: she'll see shit in her head and start moving in

1770
01:35:00,720 --> 01:35:03,040
Speaker 4: and fill me in later and be like, yo, my bad.

1771
01:35:03,040 --> 01:35:06,320
Speaker 4: And I said, it's okay, I trust you, but I

1772
01:35:06,360 --> 01:35:09,920
Speaker 4: think sometimes the people don't see the shit that you see,

1773
01:35:10,720 --> 01:35:13,880
Speaker 4: and then like, you'll explain some shit to one of

1774
01:35:13,920 --> 01:35:16,400
Speaker 4: your people. I got an idea and they'd be like, yo, yo,

1775
01:35:16,400 --> 01:35:20,040
Speaker 4: you're bugging right, and then two three years later it

1776
01:35:20,160 --> 01:35:23,759
Speaker 4: actually happens, and then those same people come back around

1777
01:35:24,000 --> 01:35:24,360
Speaker 4: and be.

1778
01:35:24,360 --> 01:35:25,599
Speaker 2: Like, oh, shit is crazy.

1779
01:35:25,600 --> 01:35:28,040
Speaker 4: And it's like I had to learn how to be

1780
01:35:28,280 --> 01:35:30,720
Speaker 4: humble and just accept it instead of being like I

1781
01:35:30,840 --> 01:35:33,200
Speaker 4: told you you should have listened to me, because that's

1782
01:35:33,240 --> 01:35:36,240
Speaker 4: not classy. And that's what I learned from her too,

1783
01:35:36,479 --> 01:35:39,800
Speaker 4: how to be tasteful and classy and be like, just.

1784
01:35:39,800 --> 01:35:40,880
Speaker 2: Follow your ideas.

1785
01:35:41,200 --> 01:35:44,560
Speaker 4: Like every idea she had that was insane, it's worked,

1786
01:35:44,880 --> 01:35:45,559
Speaker 4: you know what I'm saying.

1787
01:35:45,640 --> 01:35:48,719
Speaker 2: So I realized like how.

1788
01:35:48,560 --> 01:35:51,000
Speaker 4: To collaborate with somebody to get out the way and

1789
01:35:51,400 --> 01:35:56,519
Speaker 4: inspire their ideas. And it's been it's been a crazy journey.

1790
01:35:56,600 --> 01:35:59,200
Speaker 3: He's like that across the board though, just with everything,

1791
01:35:59,439 --> 01:36:05,000
Speaker 3: every part of his life. Willing to learn or willing

1792
01:36:05,040 --> 01:36:10,000
Speaker 3: to share, or willing to step down. Sometimes you have

1793
01:36:10,040 --> 01:36:13,680
Speaker 3: a choice between being right or being a good friend.

1794
01:36:14,120 --> 01:36:17,280
Speaker 3: And I see him choosing being a good friend, and

1795
01:36:17,760 --> 01:36:23,080
Speaker 3: it's inspiring to me as well. So I feel you.

1796
01:36:23,160 --> 01:36:25,600
Speaker 3: Thank you for that, thank you for trusting me.

1797
01:36:25,960 --> 01:36:28,280
Speaker 4: You know it.

1798
01:36:28,920 --> 01:36:31,000
Speaker 3: I have a bit of erica.

1799
01:36:31,200 --> 01:36:36,200
Speaker 2: Are you kidding me? This is an amazing collaboration relationship

1800
01:36:36,560 --> 01:36:36,960
Speaker 2: for sure.

1801
01:36:38,640 --> 01:36:40,920
Speaker 1: When did you start smoking joints with tobacco?

1802
01:36:41,000 --> 01:36:44,280
Speaker 2: When you went to Amsterdam? Amsterdam? You have a song?

1803
01:36:44,280 --> 01:36:48,240
Speaker 2: What you were saying just got turned out?

1804
01:36:48,280 --> 01:36:48,519
Speaker 1: He is.

1805
01:36:52,600 --> 01:36:54,840
Speaker 2: He has never turned back. All right, that's right, that's right.

1806
01:36:54,920 --> 01:36:58,479
Speaker 1: So our show is about giving people they flowers when

1807
01:36:58,479 --> 01:37:01,719
Speaker 1: they could smell them, they thoughts what they could think them,

1808
01:37:01,960 --> 01:37:04,240
Speaker 1: and they drinks while they could drink them. We want

1809
01:37:04,280 --> 01:37:08,000
Speaker 1: to give y'all both flowers to your face. Snoop said,

1810
01:37:08,000 --> 01:37:13,280
Speaker 1: it's better than overdue.

1811
01:37:15,360 --> 01:37:18,720
Speaker 2: It's honor man, this honor man. I appreciate you.

1812
01:37:19,160 --> 01:37:19,960
Speaker 3: This is yours.

1813
01:37:21,640 --> 01:37:22,479
Speaker 1: Let me see what you get.

1814
01:37:23,760 --> 01:37:31,040
Speaker 5: Ericau, thank you man, thank you, thank you.

1815
01:37:31,120 --> 01:37:40,839
Speaker 3: It's a champion flower base. This is so special.

1816
01:37:42,120 --> 01:37:43,879
Speaker 1: No, thank you, guys, thank.

1817
01:37:43,720 --> 01:37:46,320
Speaker 3: You so very much. I want to bring you guys

1818
01:37:46,320 --> 01:37:50,320
Speaker 3: something to it sold out, it is sometimes it sold

1819
01:37:50,320 --> 01:37:53,000
Speaker 3: out whenever I say it is, oh ship.

1820
01:37:53,120 --> 01:37:58,439
Speaker 2: Damn Sonny, you got the wrong Google. She just drops

1821
01:37:58,479 --> 01:37:59,960
Speaker 2: whenever she wants she do a drop.

1822
01:38:00,080 --> 01:38:06,439
Speaker 3: Yeah, okay, So it's kind of when when I think

1823
01:38:06,479 --> 01:38:10,559
Speaker 3: you deserve it basically okay, it's bottle pussy instance, and

1824
01:38:10,680 --> 01:38:15,160
Speaker 3: the people talking about it on your show Lives, Yes,

1825
01:38:15,439 --> 01:38:16,000
Speaker 3: talk about it.

1826
01:38:16,280 --> 01:38:17,000
Speaker 1: You're gonna like one.

1827
01:38:17,160 --> 01:38:18,400
Speaker 5: I'm going to like one right now.

1828
01:38:19,280 --> 01:38:34,400
Speaker 16: I can see this I bought, I brought the torch.

1829
01:38:36,000 --> 01:38:36,439
Speaker 2: Help me out.

1830
01:38:36,960 --> 01:38:42,320
Speaker 3: Okay, we like it to be like that. Yeah, definitely.

1831
01:38:45,080 --> 01:38:46,360
Speaker 2: Sold out everywhere else.

1832
01:38:50,800 --> 01:38:53,880
Speaker 3: So so that is like a question, this is the

1833
01:38:53,920 --> 01:38:59,240
Speaker 3: point where everything will change. Let you know, everybody got

1834
01:38:59,280 --> 01:39:06,200
Speaker 3: seriously jokes and ship everybody got real serious relas joking relax.

1835
01:39:06,720 --> 01:39:10,880
Speaker 1: So well, entertainment is like have a product to sell,

1836
01:39:11,560 --> 01:39:16,120
Speaker 1: and you know, some people sell liquor, some people sell

1837
01:39:17,680 --> 01:39:22,240
Speaker 1: you know, marijuana, some people sell shoes. So what what

1838
01:39:22,240 --> 01:39:22,759
Speaker 1: what what.

1839
01:39:22,640 --> 01:39:26,240
Speaker 2: Made you want to do incense, And then the sentence.

1840
01:39:27,320 --> 01:39:34,559
Speaker 3: The answer, yes, I understand, I understand the question. Okay, Well,

1841
01:39:34,600 --> 01:39:37,519
Speaker 3: incense and candles and things have always been a part

1842
01:39:37,560 --> 01:39:41,919
Speaker 3: of my esthetic. I did not create it, any of it.

1843
01:39:41,920 --> 01:39:44,240
Speaker 3: It was just a part of you know, if you

1844
01:39:44,320 --> 01:39:47,439
Speaker 3: came into my world that that's what's happening. But I've

1845
01:39:47,479 --> 01:39:51,080
Speaker 3: always been associated with candles and incense. And then there

1846
01:39:51,160 --> 01:39:53,920
Speaker 3: was this urban legend, of course, as you all probably

1847
01:39:54,040 --> 01:40:00,720
Speaker 3: know about that, my pussy make niggas change gods and jobs.

1848
01:40:02,840 --> 01:40:06,599
Speaker 3: I don't know why didn't No, I heard it all

1849
01:40:06,640 --> 01:40:10,240
Speaker 3: around the industry. It's like an urban legend.

1850
01:40:09,960 --> 01:40:10,200
Speaker 4: Is it.

1851
01:40:10,280 --> 01:40:11,240
Speaker 3: Have you heard that before?

1852
01:40:11,880 --> 01:40:12,559
Speaker 4: I've heard that.

1853
01:40:13,320 --> 01:40:15,360
Speaker 3: Did people tell you when they meant me not to

1854
01:40:15,400 --> 01:40:19,360
Speaker 3: look me in the eye? See these are things.

1855
01:40:19,160 --> 01:40:19,679
Speaker 1: That I see.

1856
01:40:19,760 --> 01:40:21,320
Speaker 7: Did you see where my friend went in to get

1857
01:40:21,880 --> 01:40:25,120
Speaker 7: the vinyl autographs.

1858
01:40:25,800 --> 01:40:31,360
Speaker 2: Of the room sweating? He said like, oh my god,

1859
01:40:31,760 --> 01:40:33,360
Speaker 2: that was so very difficult.

1860
01:40:33,840 --> 01:40:36,439
Speaker 3: That is so funny. What a legend can do? You know,

1861
01:40:36,560 --> 01:40:40,560
Speaker 3: a legend that I make men change jobs and gods.

1862
01:40:41,160 --> 01:40:47,280
Speaker 3: Come on, that's only half the legend. Women too, children

1863
01:40:47,320 --> 01:40:53,080
Speaker 3: and animals, any living breathing thing. I feel cheated on

1864
01:40:53,120 --> 01:40:56,840
Speaker 3: that legend because they didn't tell the whole story.

1865
01:40:58,360 --> 01:41:01,400
Speaker 5: Everything everything.

1866
01:41:02,000 --> 01:41:03,400
Speaker 2: I'm not sure we're talking about the.

1867
01:41:04,000 --> 01:41:06,400
Speaker 3: I don't know what we're talking about either, but we're

1868
01:41:06,400 --> 01:41:08,520
Speaker 3: talking about everything.

1869
01:41:09,520 --> 01:41:10,320
Speaker 1: Taking a shot.

1870
01:41:12,479 --> 01:41:20,040
Speaker 2: Taking already, but everything. You guys want to drive my ship.

1871
01:41:20,040 --> 01:41:25,200
Speaker 4: It's drink Champs, y'all, ain't no champs.

1872
01:41:25,160 --> 01:41:28,479
Speaker 1: Say something I knew. I knew when you older.

1873
01:41:31,040 --> 01:41:33,439
Speaker 2: But that's that's what it up with it.

1874
01:41:33,439 --> 01:41:34,559
Speaker 1: So that's an urban legend.

1875
01:41:34,600 --> 01:41:35,080
Speaker 2: You're saying.

1876
01:41:35,640 --> 01:41:39,120
Speaker 3: You know that it is about this. You've heard everybody

1877
01:41:39,120 --> 01:41:40,960
Speaker 3: come on your show and say this type of thing

1878
01:41:41,040 --> 01:41:42,280
Speaker 3: about me, right.

1879
01:41:42,200 --> 01:41:43,519
Speaker 2: So what is true and what isn't true?

1880
01:41:43,560 --> 01:41:46,759
Speaker 3: Erica, Well, I don't think the magic lies between my thighs.

1881
01:41:46,760 --> 01:41:50,479
Speaker 3: I think it lies between my ears. And I think

1882
01:41:50,520 --> 01:41:53,400
Speaker 3: that's hard for people to understand or accept that.

1883
01:41:53,520 --> 01:41:54,360
Speaker 2: Is a mental connection.

1884
01:41:56,200 --> 01:42:00,519
Speaker 3: Perhaps, yeah, it's mental. It has very litt to do

1885
01:42:00,600 --> 01:42:03,800
Speaker 3: with any of these other things. But I think it's

1886
01:42:03,800 --> 01:42:05,719
Speaker 3: a good thing to sell a bottle puts the instance,

1887
01:42:05,720 --> 01:42:08,840
Speaker 3: because I think I'll all deserve it.

1888
01:42:09,040 --> 01:42:11,519
Speaker 2: Sunny he said it sold out twice.

1889
01:42:12,400 --> 01:42:13,160
Speaker 5: Oh more than that.

1890
01:42:13,320 --> 01:42:16,600
Speaker 3: You can get it more than that, baby bout you.

1891
01:42:17,400 --> 01:42:18,920
Speaker 2: We've been trying to get it for a long time

1892
01:42:19,240 --> 01:42:20,360
Speaker 2: we wanted to support you.

1893
01:42:20,439 --> 01:42:22,120
Speaker 3: Well, now you have it, will you.

1894
01:42:22,000 --> 01:42:22,599
Speaker 1: Give it to him?

1895
01:42:22,600 --> 01:42:23,720
Speaker 2: Now he's never gonna bring it back.

1896
01:42:24,800 --> 01:42:27,800
Speaker 3: I'll make sure I give you one to thank you

1897
01:42:27,880 --> 01:42:28,200
Speaker 3: very much.

1898
01:42:31,479 --> 01:42:41,800
Speaker 7: I'll make sure I get three sticks to Boris.

1899
01:42:38,160 --> 01:42:39,800
Speaker 1: Because the first thing I walk in the door, it

1900
01:42:39,960 --> 01:42:43,479
Speaker 1: is like your boys, man, you know what.

1901
01:42:43,520 --> 01:42:45,240
Speaker 2: I'm not gonna put it all on boards because obviously

1902
01:42:45,280 --> 01:42:46,840
Speaker 2: I sent Borys in to get the autographed.

1903
01:42:46,880 --> 01:42:50,920
Speaker 8: So I was like, oh, go ahead, Brod.

1904
01:42:51,720 --> 01:42:53,880
Speaker 1: Do you do you think do you think people meet

1905
01:42:53,920 --> 01:42:58,000
Speaker 1: you and are are nervous of that? Like like you said,

1906
01:42:58,000 --> 01:43:03,320
Speaker 1: people get nervous of that, your presence, like you said,

1907
01:43:03,400 --> 01:43:08,000
Speaker 1: people tearing your world apart, like people saying like people say,

1908
01:43:08,040 --> 01:43:11,160
Speaker 1: don't don't don't look you in the eye, like.

1909
01:43:11,560 --> 01:43:13,599
Speaker 3: Breaking up your happy home? What is it?

1910
01:43:13,600 --> 01:43:16,400
Speaker 2: What's talking about? More specific?

1911
01:43:16,960 --> 01:43:19,160
Speaker 1: That's what they say, Like they say that about Janet Jackson,

1912
01:43:20,040 --> 01:43:23,400
Speaker 1: about Janet Jackson too, they say that Jason Cary tells

1913
01:43:23,400 --> 01:43:25,200
Speaker 1: you don't look at Janet's eyes.

1914
01:43:25,479 --> 01:43:27,080
Speaker 2: You never you never heard of that. I heard that,

1915
01:43:27,280 --> 01:43:28,559
Speaker 2: Nikim and I and they would saying.

1916
01:43:29,720 --> 01:43:33,360
Speaker 3: Look, well maybe it's a lot of us then more

1917
01:43:33,360 --> 01:43:36,840
Speaker 3: than you think. Okay, yeah, but I think the urban

1918
01:43:36,920 --> 01:43:41,800
Speaker 3: legend kind of comes from just being a creative person. Yeah,

1919
01:43:41,960 --> 01:43:52,000
Speaker 3: creative who is fearless, and it is saki okayak.

1920
01:43:54,680 --> 01:43:58,000
Speaker 7: All of what I just said, I think, Mama Juana

1921
01:43:58,080 --> 01:43:59,160
Speaker 7: goes more with the conversation.

1922
01:44:00,080 --> 01:44:01,160
Speaker 1: With the conversation, it.

1923
01:44:01,160 --> 01:44:02,120
Speaker 2: Is for you moment.

1924
01:44:02,520 --> 01:44:04,320
Speaker 3: I don't even know what I was saying just now.

1925
01:44:05,160 --> 01:44:09,320
Speaker 3: You said, I trying to say, the urban legend is

1926
01:44:09,360 --> 01:44:17,799
Speaker 3: what it is because there's something happening here. There's something

1927
01:44:17,880 --> 01:44:21,240
Speaker 3: happening here. When I get into the lives of of guys,

1928
01:44:21,640 --> 01:44:25,920
Speaker 3: something happening here. Do you see the pattern? No, you

1929
01:44:25,960 --> 01:44:27,960
Speaker 3: don't see the pattern. You're fired.

1930
01:44:30,160 --> 01:44:31,320
Speaker 1: We do see the pattern.

1931
01:44:33,920 --> 01:44:35,960
Speaker 3: Okay, Well, this conversation is over because I don't know

1932
01:44:35,960 --> 01:44:39,920
Speaker 3: where it's going. All I'm trying to say is I'm

1933
01:44:39,960 --> 01:44:42,080
Speaker 3: giving a gift to body pushing incense, and I want

1934
01:44:42,080 --> 01:44:50,400
Speaker 3: everyone to enjoy it. I enjoy making them and enjoy

1935
01:44:50,439 --> 01:44:52,920
Speaker 3: sharing them. And you said, but you didn't make it

1936
01:44:53,520 --> 01:44:56,720
Speaker 3: make what make it? I made the incense, but I

1937
01:44:56,760 --> 01:44:59,320
Speaker 3: didn't make the legend. The legend made itself.

1938
01:44:59,439 --> 01:45:02,840
Speaker 7: So the big question was, without being crude, how is

1939
01:45:02,880 --> 01:45:05,000
Speaker 7: it made? How did the smell come about?

1940
01:45:05,200 --> 01:45:07,080
Speaker 5: How did the smell come about will.

1941
01:45:07,120 --> 01:45:11,120
Speaker 3: Most guys say that my vagina smells like strawberries and gunpowder.

1942
01:45:11,880 --> 01:45:14,280
Speaker 2: Man, it sounds like the sounds like a nice place

1943
01:45:14,320 --> 01:45:15,120
Speaker 2: in the wild, wild West.

1944
01:45:18,400 --> 01:45:24,840
Speaker 3: So I tried toplicate there. You know, I don't know,

1945
01:45:25,000 --> 01:45:25,800
Speaker 3: that's what they say.

1946
01:45:25,880 --> 01:45:28,320
Speaker 2: I don't know, she said, I don't know where they.

1947
01:45:28,280 --> 01:45:32,360
Speaker 3: Getting strawberries from. But yeah, that's what they say. So

1948
01:45:32,439 --> 01:45:35,040
Speaker 3: I try to do picase smell strawberries and gun powder,

1949
01:45:35,040 --> 01:45:36,719
Speaker 3: and I hope that I'm doing that.

1950
01:45:38,160 --> 01:45:41,320
Speaker 7: J all right, answer your questions, because they had all

1951
01:45:41,400 --> 01:45:43,240
Speaker 7: kinds of reasons of how you got it together, and

1952
01:45:44,160 --> 01:45:44,719
Speaker 7: it got weird.

1953
01:45:44,720 --> 01:45:46,800
Speaker 1: It got weird, got real weird.

1954
01:45:47,840 --> 01:45:50,599
Speaker 3: They were like they didn't have someone make their hands

1955
01:45:50,600 --> 01:45:51,280
Speaker 3: their hand up.

1956
01:45:55,320 --> 01:45:55,960
Speaker 1: He got a question.

1957
01:45:58,160 --> 01:46:02,720
Speaker 2: We're here, God, come on for Haiti bro.

1958
01:46:03,760 --> 01:46:09,880
Speaker 1: No, maybe not, because he's gonna up come here and

1959
01:46:09,960 --> 01:46:10,639
Speaker 1: sign here.

1960
01:46:11,320 --> 01:46:16,639
Speaker 17: He listen, listen that candle is it's not a candle.

1961
01:46:16,840 --> 01:46:21,640
Speaker 17: I mean sorry, I was staying and I would definitely

1962
01:46:22,000 --> 01:46:24,000
Speaker 17: use those every day in my house for the rest

1963
01:46:24,040 --> 01:46:24,759
Speaker 17: of my life.

1964
01:46:26,479 --> 01:46:32,360
Speaker 3: Go sit down the legend.

1965
01:46:35,479 --> 01:46:42,559
Speaker 2: For the rest of his life, he said, He said,

1966
01:46:42,600 --> 01:46:44,240
Speaker 2: strawberries and gunpowder for the rest.

1967
01:46:44,080 --> 01:46:44,759
Speaker 1: Of his life.

1968
01:46:45,240 --> 01:46:45,880
Speaker 5: That's what it is.

1969
01:46:46,400 --> 01:46:48,320
Speaker 2: Oh, man, that was amazing.

1970
01:46:48,560 --> 01:46:52,960
Speaker 3: How would legends get started? I don't know, something's happening.

1971
01:46:52,600 --> 01:46:58,479
Speaker 14: Though something has definitely happened something. And early on you

1972
01:46:58,520 --> 01:47:02,760
Speaker 14: worked with Tom Ford. Yeah, Like, how did that come about?

1973
01:47:03,360 --> 01:47:07,160
Speaker 3: Tom is also from Texas, is a designer, and he

1974
01:47:07,280 --> 01:47:13,840
Speaker 3: reached out. He's from Houston, Texas, Austin, Texas. He started

1975
01:47:13,840 --> 01:47:18,559
Speaker 3: out in soap operas as an actor, but he reached

1976
01:47:18,560 --> 01:47:21,959
Speaker 3: out to us and he had a campaign called White Paculi.

1977
01:47:22,560 --> 01:47:25,080
Speaker 3: He wanted me to be the face of it, and

1978
01:47:25,120 --> 01:47:26,760
Speaker 3: I thought it would be really fun. It was the

1979
01:47:26,800 --> 01:47:29,040
Speaker 3: first kind of campaign thing that I did. Like that,

1980
01:47:29,840 --> 01:47:32,680
Speaker 3: and I really love and respect Tom. What I love

1981
01:47:32,720 --> 01:47:37,880
Speaker 3: about fashion and houses is who the current creative director is,

1982
01:47:38,600 --> 01:47:41,160
Speaker 3: and the creative director is kind of the person whose

1983
01:47:41,320 --> 01:47:46,000
Speaker 3: vision everyone follows. And it's really cool to have seen

1984
01:47:46,160 --> 01:47:50,920
Speaker 3: him grow from Tom Ford or from the creative.

1985
01:47:50,560 --> 01:47:51,360
Speaker 5: Director of Gucci.

1986
01:47:52,439 --> 01:47:56,400
Speaker 3: Where it comes from, Well, he came from himself, but

1987
01:47:56,560 --> 01:48:00,400
Speaker 3: he was hired as the creative director of Gucci and

1988
01:48:00,439 --> 01:48:04,400
Speaker 3: then to his own brand and for very classy, very cool.

1989
01:48:05,080 --> 01:48:06,800
Speaker 1: Were you the first artist he collabed with?

1990
01:48:07,240 --> 01:48:08,240
Speaker 3: I'm not sure about that.

1991
01:48:08,880 --> 01:48:14,439
Speaker 1: Yeah, And then you had a collection come out with Yeah.

1992
01:48:14,920 --> 01:48:20,400
Speaker 3: After that yeah, Marnie, same thing. The brand reached out

1993
01:48:20,880 --> 01:48:26,400
Speaker 3: and wanted to collab. Francesco Riso and I became very

1994
01:48:26,520 --> 01:48:29,360
Speaker 3: very good friends because of our same kind of creative

1995
01:48:29,360 --> 01:48:33,640
Speaker 3: eye and art and and fashion and shape and sculpture,

1996
01:48:34,360 --> 01:48:38,240
Speaker 3: and that's how that happened. And we did a really

1997
01:48:38,439 --> 01:48:43,160
Speaker 3: really cool line, very short run, but very fun things.

1998
01:48:43,479 --> 01:48:48,519
Speaker 3: He used all my aesthetics basically and created a line

1999
01:48:49,040 --> 01:48:54,840
Speaker 3: and gave me permission to create with him, so it

2000
01:48:54,920 --> 01:48:55,920
Speaker 3: was his world.

2001
01:48:56,200 --> 01:48:59,960
Speaker 2: Yeah, what do you love more? Fashion or music?

2002
01:49:01,840 --> 01:49:06,479
Speaker 3: I love art. All of it takes the same process. Yeah,

2003
01:49:07,200 --> 01:49:12,120
Speaker 3: I have to be doing it making something. Yeah feels

2004
01:49:12,160 --> 01:49:13,360
Speaker 3: good to me. It's my therapy.

2005
01:49:14,600 --> 01:49:15,800
Speaker 2: Both of them fall under art.

2006
01:49:16,080 --> 01:49:17,160
Speaker 3: Yeah, I would.

2007
01:49:17,840 --> 01:49:24,800
Speaker 2: Anything that you're creative. Yeah, I came here. How much

2008
01:49:24,840 --> 01:49:27,200
Speaker 2: you drink? I would have never thought you came here

2009
01:49:27,240 --> 01:49:27,559
Speaker 2: to drink?

2010
01:49:27,560 --> 01:49:27,960
Speaker 1: But he's in.

2011
01:49:28,640 --> 01:49:31,040
Speaker 2: He's a smoke really but you know, keeping up.

2012
01:49:31,360 --> 01:49:34,320
Speaker 3: He didn't drink the whole thing though she called you out.

2013
01:49:34,320 --> 01:49:38,599
Speaker 2: You gotta drink it, bro. Now I get to that man,

2014
01:49:40,000 --> 01:49:40,839
Speaker 2: you feel refilm.

2015
01:49:41,000 --> 01:49:42,639
Speaker 5: That was the guy.

2016
01:49:43,680 --> 01:49:45,200
Speaker 7: Let me let me go into this record because I

2017
01:49:45,240 --> 01:49:47,680
Speaker 7: wanted to go into this record. So I got the

2018
01:49:47,720 --> 01:49:52,439
Speaker 7: test press of it. A bang bang, this is the

2019
01:49:52,479 --> 01:49:53,080
Speaker 7: test press.

2020
01:49:53,560 --> 01:49:55,680
Speaker 4: How the funk you have that come on?

2021
01:49:55,800 --> 01:49:56,800
Speaker 2: You know?

2022
01:49:58,120 --> 01:50:01,639
Speaker 7: And this cause there was a lot of controversy when

2023
01:50:01,640 --> 01:50:03,880
Speaker 7: it came out, and I remember you showing it to

2024
01:50:03,920 --> 01:50:05,439
Speaker 7: me in the studio when you got I think you

2025
01:50:05,479 --> 01:50:09,080
Speaker 7: got the mix here in Miami at Criteria, I believe.

2026
01:50:09,040 --> 01:50:11,680
Speaker 2: Okay, And I mixed it in Criteria. No no, no no,

2027
01:50:11,840 --> 01:50:12,640
Speaker 2: I think you got it.

2028
01:50:12,680 --> 01:50:14,120
Speaker 1: We got it.

2029
01:50:14,600 --> 01:50:17,960
Speaker 7: I went to the studio you were playing records and

2030
01:50:18,120 --> 01:50:19,800
Speaker 7: then booming and you playing You was.

2031
01:50:19,760 --> 01:50:22,559
Speaker 2: Like, this is going to be bananas when it comes out,

2032
01:50:22,800 --> 01:50:26,840
Speaker 2: and it was Foxy talking about what she was talking about.

2033
01:50:27,080 --> 01:50:29,439
Speaker 2: Did you know when you made the beat when the

2034
01:50:29,640 --> 01:50:30,400
Speaker 2: record was made?

2035
01:50:30,600 --> 01:50:32,880
Speaker 1: Because you didn't make Quiet Storm, right, I haven't made

2036
01:50:32,920 --> 01:50:33,599
Speaker 1: a quire storm.

2037
01:50:33,600 --> 01:50:36,160
Speaker 4: But I remember the session for this for Bank Bank

2038
01:50:36,800 --> 01:50:38,080
Speaker 4: because I came to the studio.

2039
01:50:39,200 --> 01:50:43,280
Speaker 2: And one thing about Nori, like anytime we ever.

2040
01:50:43,160 --> 01:50:47,040
Speaker 4: Worked, it was always so easy because it was like

2041
01:50:47,160 --> 01:50:49,800
Speaker 4: the second beat that I played, it was never more

2042
01:50:49,840 --> 01:50:52,519
Speaker 4: than two beats. He was like, that's it, put that

2043
01:50:52,520 --> 01:50:55,000
Speaker 4: ship up, let's go. And I remember that day I

2044
01:50:55,040 --> 01:50:57,320
Speaker 4: came to the studio and I played that beat. He

2045
01:50:57,439 --> 01:51:00,720
Speaker 4: was like, put it up, and then he was like, yeah,

2046
01:51:00,720 --> 01:51:02,600
Speaker 4: this is hard. I'm gonna get my little sister on this.

2047
01:51:02,880 --> 01:51:04,759
Speaker 4: And he went on the phone in the studio phone.

2048
01:51:05,160 --> 01:51:06,519
Speaker 2: I don't know what the fuck he was calling. He

2049
01:51:06,600 --> 01:51:09,920
Speaker 2: called Foxy. You didn't know it was called no Idea Aead.

2050
01:51:10,120 --> 01:51:12,000
Speaker 4: She must have been in the neighborhood because she was

2051
01:51:12,040 --> 01:51:15,040
Speaker 4: there in like fifteen minutes. He must have been death

2052
01:51:15,120 --> 01:51:20,040
Speaker 4: Jam somewhere. She fifteen minutes, she pulled up beach playing.

2053
01:51:20,080 --> 01:51:22,240
Speaker 4: She wrote like three different rhymes and I'll never.

2054
01:51:22,160 --> 01:51:26,880
Speaker 2: Forget to see see she three rhymes, and.

2055
01:51:26,840 --> 01:51:28,960
Speaker 4: Then Johnathan Lighty came through because I had to go

2056
01:51:29,080 --> 01:51:31,120
Speaker 4: leave to go to another session. I think it might

2057
01:51:31,120 --> 01:51:33,120
Speaker 4: have been even the dude, We're gonna make it with Jada,

2058
01:51:33,160 --> 01:51:33,960
Speaker 4: but we stayed.

2059
01:51:34,120 --> 01:51:41,800
Speaker 2: Come on, we stayed. It was the same time, it

2060
01:51:41,840 --> 01:51:42,559
Speaker 2: was the same era.

2061
01:51:42,840 --> 01:51:45,000
Speaker 4: Well, we stayed and waited, and she went in the

2062
01:51:45,080 --> 01:51:47,360
Speaker 4: move and laid that rhyme and I was.

2063
01:51:47,360 --> 01:51:52,120
Speaker 1: Like she she went in there with bis yes, like

2064
01:51:52,120 --> 01:51:54,719
Speaker 1: like like because I sold just in case.

2065
01:51:55,000 --> 01:51:57,040
Speaker 2: The stage the stage, Yeah, because I didn't know.

2066
01:51:57,960 --> 01:52:02,160
Speaker 1: All of us helped her understand what happen. So Little

2067
01:52:02,280 --> 01:52:08,640
Speaker 1: Kim and Mob Deep Drops, Quiet Storm remix. Right, this

2068
01:52:08,760 --> 01:52:12,200
Speaker 1: is the remix of quemix the remix. Excuse me, I'm

2069
01:52:12,200 --> 01:52:18,200
Speaker 1: bad Foxy At the time, I considered my sister right,

2070
01:52:18,400 --> 01:52:21,880
Speaker 1: so I finally she was like, yo, let me get

2071
01:52:21,920 --> 01:52:24,799
Speaker 1: on the record with y'all, because like we're mob Deep's competition,

2072
01:52:24,880 --> 01:52:30,000
Speaker 1: but we're like not their competition, but but we're trying

2073
01:52:30,000 --> 01:52:34,000
Speaker 1: to be up there right so here and it's like

2074
01:52:34,080 --> 01:52:36,320
Speaker 1: this is more Deep producer too. It's like so it's

2075
01:52:36,320 --> 01:52:43,120
Speaker 1: like it's not they can clearly like that, so they

2076
01:52:43,160 --> 01:52:48,880
Speaker 1: can clearly ship that there's not no beef because it's

2077
01:52:48,920 --> 01:52:54,479
Speaker 1: Alchemist that did it. So but I didn't in my

2078
01:52:54,680 --> 01:52:57,280
Speaker 1: naive mind, I didn't know how far fox he was

2079
01:52:57,320 --> 01:53:01,240
Speaker 1: going to take it. But she was just the first book.

2080
01:53:01,360 --> 01:53:04,759
Speaker 1: So she was just like she was like I'm talking

2081
01:53:04,840 --> 01:53:08,920
Speaker 1: about like she went right in, like talking about in

2082
01:53:08,920 --> 01:53:11,320
Speaker 1: the boots. She had three different rhymes like she was

2083
01:53:11,840 --> 01:53:13,400
Speaker 1: she was exercising in the boot.

2084
01:53:13,520 --> 01:53:14,320
Speaker 2: In my mind, like I.

2085
01:53:15,880 --> 01:53:18,719
Speaker 1: Was like, oh, and I just have never seen nothing

2086
01:53:18,760 --> 01:53:22,280
Speaker 1: like that, especially from a female. And I wouldn't. I wouldn't.

2087
01:53:22,960 --> 01:53:25,040
Speaker 1: And the beating is like I wouldn't edit a man,

2088
01:53:25,760 --> 01:53:27,880
Speaker 1: so I wasn't. I couldn't edit her, you know what

2089
01:53:27,920 --> 01:53:30,400
Speaker 1: I mean. I couldn't be like, yo, chill, don't say that.

2090
01:53:31,000 --> 01:53:35,360
Speaker 1: So it was it was weird because like she just

2091
01:53:35,479 --> 01:53:37,080
Speaker 1: puff on and ship like.

2092
01:53:37,040 --> 01:53:41,000
Speaker 18: She just went crazy. She just even have to do

2093
01:53:41,160 --> 01:53:45,240
Speaker 18: with nothing. Let me REI the mill Man. I was like, oh,

2094
01:53:45,840 --> 01:53:48,759
Speaker 18: when you showed me the record, you were uncomfortable. Yeah,

2095
01:53:48,920 --> 01:53:51,960
Speaker 18: he was uncomfortable. I really was controversy.

2096
01:53:55,200 --> 01:54:03,200
Speaker 2: Stop, Like, I don't know the hook Bang Bang Bank.

2097
01:54:04,520 --> 01:54:09,800
Speaker 1: Is one of the best records before, but but we

2098
01:54:09,840 --> 01:54:11,960
Speaker 1: had I have it on.

2099
01:54:12,040 --> 01:54:13,840
Speaker 2: Here last week and I just had to tell him.

2100
01:54:13,840 --> 01:54:16,120
Speaker 1: I was like, yo, bro, if I had to, if

2101
01:54:16,120 --> 01:54:16,920
Speaker 1: I had like.

2102
01:54:16,960 --> 01:54:18,000
Speaker 2: A more of a like.

2103
01:54:19,960 --> 01:54:23,439
Speaker 1: Idea of where life was going, I would have asked.

2104
01:54:23,240 --> 01:54:24,920
Speaker 2: Foxy to calm down a little bit.

2105
01:54:26,360 --> 01:54:28,120
Speaker 1: I would have asked, but I didn't even know how

2106
01:54:28,240 --> 01:54:30,400
Speaker 1: to because I was like, she came in just like

2107
01:54:34,120 --> 01:54:35,640
Speaker 1: and then she had three.

2108
01:54:35,480 --> 01:54:36,360
Speaker 2: Different ones.

2109
01:54:38,320 --> 01:54:38,960
Speaker 1: Because I don't want to.

2110
01:54:41,520 --> 01:54:44,000
Speaker 2: The moment she went was the one. Though I loved.

2111
01:54:43,760 --> 01:54:46,520
Speaker 1: Making making I loved making the record with Foxy, but

2112
01:54:46,880 --> 01:54:51,879
Speaker 1: I do regret making that record because you still regretted

2113
01:54:51,880 --> 01:54:57,520
Speaker 1: to the leg to a lot of drama. Let's unnecessary problems.

2114
01:54:57,720 --> 01:54:59,560
Speaker 3: Obviously this is a regional thing.

2115
01:55:00,160 --> 01:55:04,360
Speaker 1: Yeah, this is it. Yeah, because you have no idea

2116
01:55:04,400 --> 01:55:05,360
Speaker 1: what we're talking about.

2117
01:55:07,120 --> 01:55:09,680
Speaker 3: But it's an interesting though.

2118
01:55:09,880 --> 01:55:13,320
Speaker 1: Yes, and I asked you what you like more performing

2119
01:55:13,520 --> 01:55:15,680
Speaker 1: or or recording.

2120
01:55:15,760 --> 01:55:20,640
Speaker 3: Yeah, it's it's different things. But I prefer performing. Thus

2121
01:55:20,760 --> 01:55:23,760
Speaker 3: why we did this tour this way. A lot of

2122
01:55:23,800 --> 01:55:27,680
Speaker 3: times as artists we have to wait. Like myself, I'm

2123
01:55:27,720 --> 01:55:31,160
Speaker 3: a performance artist. That's I came from the theater theater.

2124
01:55:31,240 --> 01:55:32,680
Speaker 2: Yeah, I got that in my notes.

2125
01:55:32,840 --> 01:55:35,600
Speaker 3: Yes, I majored in theater in high school and in

2126
01:55:35,640 --> 01:55:40,680
Speaker 3: college HSBCU, I did Grammlin State University GEUS.

2127
01:55:41,920 --> 01:55:43,840
Speaker 1: I can't say that, right you round upon right?

2128
01:55:44,360 --> 01:55:47,400
Speaker 3: Ought you knew what college is that. I went to

2129
01:55:47,440 --> 01:55:51,840
Speaker 3: Grammley and State University, Louisiana HBCU.

2130
01:55:52,360 --> 01:55:55,400
Speaker 5: I majored in theater there, and I did that also

2131
01:55:55,440 --> 01:55:56,120
Speaker 5: in high school.

2132
01:55:56,160 --> 01:55:56,440
Speaker 4: I was.

2133
01:55:57,360 --> 01:56:02,560
Speaker 3: I had a lot of fun acting and creating. You know,

2134
01:56:04,600 --> 01:56:07,880
Speaker 3: I forgot the question though, what was the full question?

2135
01:56:08,400 --> 01:56:09,160
Speaker 3: Do you remember?

2136
01:56:09,520 --> 01:56:09,760
Speaker 4: Ship?

2137
01:56:09,840 --> 01:56:11,880
Speaker 2: I forgot too, I was. I was into your answer.

2138
01:56:12,680 --> 01:56:19,480
Speaker 6: H What do we say performing or perform recording?

2139
01:56:20,240 --> 01:56:22,080
Speaker 5: I prefer performing.

2140
01:56:22,560 --> 01:56:27,760
Speaker 3: I think recording gives you an opportunity to perfect a moment,

2141
01:56:28,680 --> 01:56:33,360
Speaker 3: where performing gives you an opportunity to just create a moment.

2142
01:56:34,160 --> 01:56:36,760
Speaker 3: That's why we don't have any cameras in our shows,

2143
01:56:37,720 --> 01:56:41,600
Speaker 3: or the press can't have any uh equipment, They can

2144
01:56:41,640 --> 01:56:42,240
Speaker 3: only have.

2145
01:56:43,720 --> 01:56:45,040
Speaker 5: Digital What was it.

2146
01:56:45,720 --> 01:56:47,720
Speaker 2: You said, You said disposable cameras.

2147
01:56:48,440 --> 01:56:50,720
Speaker 3: Yes, we want to be able to create that moment,

2148
01:56:50,760 --> 01:56:53,640
Speaker 3: to stay in your mind and urge the audience to

2149
01:56:53,640 --> 01:56:56,680
Speaker 3: write about it, you know, because I think that it's

2150
01:56:56,800 --> 01:57:01,640
Speaker 3: very special, takes us back to another time, and I

2151
01:57:01,680 --> 01:57:04,760
Speaker 3: love performing a lot. It's where I get the immediate

2152
01:57:04,800 --> 01:57:07,760
Speaker 3: response from the audience. It's kind of like we become

2153
01:57:07,800 --> 01:57:12,120
Speaker 3: one living, breathing organism together. It's a feeling that cannot

2154
01:57:12,120 --> 01:57:17,320
Speaker 3: be duplicated anywhere else, not even on an album. Yeah,

2155
01:57:17,440 --> 01:57:20,480
Speaker 3: it's different. There's a special feeling from a record, recorded

2156
01:57:20,560 --> 01:57:23,360
Speaker 3: record or an album because you get to kind of

2157
01:57:23,800 --> 01:57:26,520
Speaker 3: relive that over and over again. But the performance is

2158
01:57:26,560 --> 01:57:32,240
Speaker 3: one time, and I really like that kind of energy.

2159
01:57:32,520 --> 01:57:39,720
Speaker 3: It changes something from Yeah, from another point of view,

2160
01:57:40,840 --> 01:57:43,560
Speaker 3: listening to it over and over again, you get the

2161
01:57:43,600 --> 01:57:44,480
Speaker 3: perfected version.

2162
01:57:44,680 --> 01:57:48,120
Speaker 5: But performing is just once. It's only that time.

2163
01:57:48,480 --> 01:57:49,800
Speaker 2: No cameras is crazy.

2164
01:57:52,320 --> 01:57:55,040
Speaker 1: It's like the lyricist lounge type of thing, right, but.

2165
01:57:55,040 --> 01:57:58,880
Speaker 4: Does it No, It's it's actually better because the crowd

2166
01:57:59,000 --> 01:58:00,120
Speaker 4: is completely.

2167
01:58:01,160 --> 01:58:03,040
Speaker 2: You forget because we can't from the era.

2168
01:58:02,920 --> 01:58:05,040
Speaker 4: When it was no phones, right, and forget it when

2169
01:58:05,080 --> 01:58:08,200
Speaker 4: you when you do showing now with no phones, niggas.

2170
01:58:07,920 --> 01:58:11,280
Speaker 3: Can't catch nobody crowd surfing with them phones right.

2171
01:58:14,240 --> 01:58:17,600
Speaker 2: Hard you try to jump in with the phones, they.

2172
01:58:17,400 --> 01:58:19,640
Speaker 3: Had to like protect the phone for.

2173
01:58:21,760 --> 01:58:24,920
Speaker 1: So let me ask, because we live in real time, right?

2174
01:58:25,600 --> 01:58:26,600
Speaker 1: We live in real time?

2175
01:58:26,720 --> 01:58:26,880
Speaker 3: Right?

2176
01:58:27,000 --> 01:58:29,400
Speaker 1: So meaning like you know, you guys can perform a

2177
01:58:29,440 --> 01:58:32,880
Speaker 1: new album and can see there's great reactions to certain songs,

2178
01:58:33,080 --> 01:58:36,760
Speaker 1: but there's like subtle reactions to other songs. Do y'all

2179
01:58:36,800 --> 01:58:38,400
Speaker 1: live in real time and say, let me chuck this

2180
01:58:38,480 --> 01:58:41,120
Speaker 1: song or let me like replace this or what do

2181
01:58:41,160 --> 01:58:42,600
Speaker 1: you do like? Or do you stick with it?

2182
01:58:42,760 --> 01:58:42,880
Speaker 2: Like?

2183
01:58:43,080 --> 01:58:45,000
Speaker 1: How does this go? Because we live in real time, really,

2184
01:58:45,000 --> 01:58:47,920
Speaker 1: we can switch the record like and an album could

2185
01:58:47,960 --> 01:58:49,400
Speaker 1: be live in a sense now.

2186
01:58:50,040 --> 01:58:55,200
Speaker 3: Yeah, so I haven't experienced any of that yet. Everyone

2187
01:58:55,360 --> 01:59:01,040
Speaker 3: is so present because there are no phones that you

2188
01:59:01,160 --> 01:59:05,480
Speaker 3: are absorbing every single thing, you know, and we're doing

2189
01:59:05,480 --> 01:59:10,760
Speaker 3: the same thing too. We're absorbing the audience's reaction and

2190
01:59:10,880 --> 01:59:15,720
Speaker 3: becoming even more inspired by that. What do you think?

2191
01:59:16,440 --> 01:59:19,960
Speaker 2: Yeah, not changing nothing, but and is it live band

2192
01:59:20,160 --> 01:59:20,880
Speaker 2: or DJ?

2193
01:59:21,280 --> 01:59:24,440
Speaker 4: It's like a mix okay, so we like nobody's heard

2194
01:59:24,480 --> 01:59:27,240
Speaker 4: anything before anyway, playing with some of the beats live,

2195
01:59:28,720 --> 01:59:31,200
Speaker 4: you got to see it. But like, like, like performing

2196
01:59:31,200 --> 01:59:35,280
Speaker 4: with her is something I've never done, Like I've done DJing,

2197
01:59:36,320 --> 01:59:39,240
Speaker 4: I've wrapped once.

2198
01:59:39,080 --> 01:59:39,480
Speaker 2: I got on.

2199
01:59:40,040 --> 01:59:42,560
Speaker 4: We we went first before the store, we went to Japan.

2200
01:59:45,360 --> 01:59:47,800
Speaker 4: We did perform. We did a whole tour in Japan,

2201
01:59:48,440 --> 01:59:52,280
Speaker 4: just practiced. And the crew is called the Cannabinoids. First

2202
01:59:52,280 --> 01:59:54,840
Speaker 4: of all, shout out to the cannabin.

2203
01:59:56,600 --> 01:59:56,680
Speaker 17: S.

2204
01:59:56,800 --> 01:59:59,280
Speaker 2: One job born, Rob Free.

2205
02:00:00,000 --> 02:00:02,080
Speaker 4: I don't I don't want to see anybody are seeing

2206
02:00:02,960 --> 02:00:06,360
Speaker 4: you know what I'm saying, Leon Brother.

2207
02:00:06,800 --> 02:00:07,320
Speaker 1: It's a crew.

2208
02:00:08,640 --> 02:00:08,920
Speaker 2: Listen.

2209
02:00:09,760 --> 02:00:14,160
Speaker 4: She has the most talented motherfuckers on stage with her.

2210
02:00:14,400 --> 02:00:16,360
Speaker 5: We're all we're all digital band.

2211
02:00:17,360 --> 02:00:20,440
Speaker 3: We've been performing together for a long time and Alchemists

2212
02:00:20,440 --> 02:00:23,520
Speaker 3: came in and just became one part of the thing.

2213
02:00:23,680 --> 02:00:28,040
Speaker 4: So she has aliens on stage with her. Everybody on

2214
02:00:28,120 --> 02:00:31,920
Speaker 4: stage is like, I feel like an imposter because I'm

2215
02:00:31,960 --> 02:00:33,800
Speaker 4: just I'm just triggering.

2216
02:00:35,240 --> 02:00:36,720
Speaker 5: So like that's fair.

2217
02:00:37,280 --> 02:00:40,240
Speaker 4: We went to Japan first, We did a chour in Japan.

2218
02:00:40,480 --> 02:00:42,800
Speaker 4: We did, and when we went to Japan, we didn't

2219
02:00:42,800 --> 02:00:45,320
Speaker 4: play the new album. We played like two songs.

2220
02:00:45,920 --> 02:00:48,200
Speaker 3: Maybe play two songs, two singles.

2221
02:00:47,800 --> 02:00:51,040
Speaker 2: That were testing out the theory of what just.

2222
02:00:51,120 --> 02:00:55,840
Speaker 3: Out like our chemistry because we performed totally live on

2223
02:00:56,280 --> 02:00:57,360
Speaker 3: digital instruments.

2224
02:00:57,600 --> 02:00:59,680
Speaker 4: But you guys had never been so you were that's

2225
02:00:59,720 --> 02:01:03,000
Speaker 4: what you're like it out. It's a band like her

2226
02:01:03,040 --> 02:01:08,080
Speaker 4: crew to cannabinoids. They are insane. It's everybody has their

2227
02:01:08,120 --> 02:01:09,520
Speaker 4: own like production station.

2228
02:01:09,640 --> 02:01:16,360
Speaker 2: Were you intimidated by that? Of course everybody is like insane, understand.

2229
02:01:16,000 --> 02:01:18,480
Speaker 3: That, but you know, once he gets out there, she.

2230
02:01:18,560 --> 02:01:21,840
Speaker 4: Pushed me like, okay, shout out to exile, shout to

2231
02:01:21,880 --> 02:01:25,840
Speaker 4: a rad beats you know about the like PC, right,

2232
02:01:26,520 --> 02:01:29,760
Speaker 4: I've never done that. So when she had the idea,

2233
02:01:29,920 --> 02:01:31,520
Speaker 4: she was like, I want you to play on your

2234
02:01:31,600 --> 02:01:34,160
Speaker 4: MP and trigger the beats and like join in with us.

2235
02:01:34,320 --> 02:01:37,320
Speaker 2: I was nervous, you know, because that's not my world.

2236
02:01:37,480 --> 02:01:40,440
Speaker 2: But she she's the type. She said, you're gonna be

2237
02:01:41,600 --> 02:01:42,240
Speaker 2: You'll be ayad.

2238
02:01:42,800 --> 02:01:47,160
Speaker 4: And we went to Japan and it was insane, like,

2239
02:01:47,240 --> 02:01:49,960
Speaker 4: I'm playing beats out the n P I never played before.

2240
02:01:49,880 --> 02:01:52,560
Speaker 2: Triggering ship in sync. Well, the best one is playing

2241
02:01:52,600 --> 02:01:53,200
Speaker 2: the drums.

2242
02:01:53,280 --> 02:01:57,240
Speaker 4: Job Warren is playing the drums did of course, but.

2243
02:01:57,240 --> 02:01:58,880
Speaker 2: You know what she told me. You know what she

2244
02:01:58,960 --> 02:02:00,640
Speaker 2: told me, if you fuck up.

2245
02:02:00,680 --> 02:02:04,360
Speaker 4: Keep going. She's from the jazz. Well that's analog. She

2246
02:02:04,480 --> 02:02:07,880
Speaker 4: fuck up, she's jazz and theater. So she told me

2247
02:02:07,960 --> 02:02:10,560
Speaker 4: from the gate, if you fuck up, just keep going,

2248
02:02:10,640 --> 02:02:12,200
Speaker 4: pick it up, just keep doing.

2249
02:02:12,280 --> 02:02:13,200
Speaker 2: Just no fuck ups.

2250
02:02:13,440 --> 02:02:15,040
Speaker 3: Yeah, everyone knows what you're doing.

2251
02:02:15,320 --> 02:02:17,480
Speaker 2: Right. The audience is a nose that gave me because

2252
02:02:17,520 --> 02:02:20,360
Speaker 2: you are weird than the audience nose. I've never done it,

2253
02:02:20,400 --> 02:02:22,040
Speaker 2: so it gets me confidence, you know what I mean.

2254
02:02:22,200 --> 02:02:27,120
Speaker 3: And he's amazing on stage. I wouldn't know that you've

2255
02:02:27,120 --> 02:02:28,040
Speaker 3: never done that before.

2256
02:02:28,400 --> 02:02:28,640
Speaker 2: Never.

2257
02:02:29,440 --> 02:02:32,800
Speaker 7: Yeah, and it seems like such an amazing collaboration.

2258
02:02:33,960 --> 02:02:35,200
Speaker 3: Yeah, we have so much fun.

2259
02:02:35,680 --> 02:02:37,720
Speaker 4: It was great. And now the tours now is like

2260
02:02:38,040 --> 02:02:39,960
Speaker 4: we were able to go to Japan first and like

2261
02:02:40,040 --> 02:02:40,640
Speaker 4: tune it up.

2262
02:02:41,120 --> 02:02:43,880
Speaker 2: Now we're playing the whole new album. You should probably

2263
02:02:43,920 --> 02:02:45,880
Speaker 2: go back to Japan and give them the other the

2264
02:02:46,160 --> 02:02:47,320
Speaker 2: now the refined version.

2265
02:02:48,440 --> 02:02:52,200
Speaker 3: We'll do that too, you know, we're playing it by ear.

2266
02:02:52,280 --> 02:02:55,520
Speaker 3: I'm a very intuitive artist and I'm just lucky to

2267
02:02:55,560 --> 02:02:59,280
Speaker 3: have people around me who are patient with my pace

2268
02:03:00,280 --> 02:03:04,480
Speaker 3: as I am creating. And you have been that so much,

2269
02:03:04,680 --> 02:03:08,000
Speaker 3: and I thank you and the Canalinoids and all the

2270
02:03:08,080 --> 02:03:11,440
Speaker 3: other members of my Badu world, thank you so much.

2271
02:03:12,680 --> 02:03:19,360
Speaker 3: It's a labor of love. Everybody sacrifices so many things too.

2272
02:03:20,400 --> 02:03:22,320
Speaker 3: You know, when you have a head like I don't

2273
02:03:22,320 --> 02:03:24,600
Speaker 3: know who the head of this thing is. But when

2274
02:03:24,600 --> 02:03:30,400
Speaker 3: there's a it could be a duel like us, but

2275
02:03:30,520 --> 02:03:35,320
Speaker 3: when there's a vision and the main concern is getting

2276
02:03:35,360 --> 02:03:39,080
Speaker 3: everybody on the same page so that everybody moves in

2277
02:03:39,120 --> 02:03:42,280
Speaker 3: the same way, and you look like you have a

2278
02:03:42,320 --> 02:03:45,840
Speaker 3: group of people here that really believe in what you're

2279
02:03:45,840 --> 02:03:52,520
Speaker 3: doing and have found fun inside of it. And that's

2280
02:03:52,520 --> 02:03:55,200
Speaker 3: what it's all about, and that's what we try to

2281
02:03:57,120 --> 02:04:00,240
Speaker 3: continue to create within our And.

2282
02:04:01,880 --> 02:04:04,080
Speaker 1: So did I name it like a new group or

2283
02:04:04,120 --> 02:04:05,840
Speaker 1: it's not. It's like, it's just.

2284
02:04:06,240 --> 02:04:08,880
Speaker 3: I'm a live performer. So what people know about Eric

2285
02:04:08,880 --> 02:04:11,920
Speaker 3: Ibadu are these albums. But what I do for a

2286
02:04:11,920 --> 02:04:15,160
Speaker 3: living is perform live. I put out an album when

2287
02:04:15,160 --> 02:04:18,600
Speaker 3: I have something to say. But for the past thirty years,

2288
02:04:18,640 --> 02:04:20,680
Speaker 3: I've been performing eight months out of the year with

2289
02:04:20,800 --> 02:04:24,480
Speaker 3: no brief I have never taken a vacation. Wow, because

2290
02:04:24,560 --> 02:04:27,400
Speaker 3: it's what I do and I've been traveling the world

2291
02:04:27,440 --> 02:04:30,080
Speaker 3: doing that. It may not get a lot of press

2292
02:04:30,200 --> 02:04:32,880
Speaker 3: or everything, but I don't need a validation of that.

2293
02:04:33,880 --> 02:04:38,000
Speaker 3: It is so I can live and survive as a

2294
02:04:38,120 --> 02:04:39,520
Speaker 3: human spirit person.

2295
02:04:39,600 --> 02:04:41,040
Speaker 2: That's what feeds my therapy.

2296
02:04:41,280 --> 02:04:44,400
Speaker 3: It feeds, it feeds me. I don't have to feed

2297
02:04:44,440 --> 02:04:48,960
Speaker 3: off of others because I have that, and that's what

2298
02:04:49,000 --> 02:04:49,320
Speaker 3: I do.

2299
02:04:50,480 --> 02:04:53,800
Speaker 2: Can we see a future in a second project?

2300
02:04:54,600 --> 02:04:57,400
Speaker 3: I see so many projects, so many different other things.

2301
02:04:57,600 --> 02:04:59,920
Speaker 3: He's a genius, and he doesn't want to talk about it.

2302
02:05:00,040 --> 02:05:05,440
Speaker 3: He's trying to play this sweet old ship. I don't know.

2303
02:05:06,360 --> 02:05:08,280
Speaker 5: This man is a fucking beast.

2304
02:05:08,680 --> 02:05:09,880
Speaker 3: I gotta go the restaurant.

2305
02:05:10,000 --> 02:05:11,200
Speaker 2: Yes, yes, they know me.

2306
02:05:11,960 --> 02:05:12,120
Speaker 1: Yes.

2307
02:05:13,880 --> 02:05:15,480
Speaker 2: So do you see another project?

2308
02:05:16,240 --> 02:05:21,440
Speaker 1: Y'all working on a project?

2309
02:05:22,320 --> 02:05:25,760
Speaker 2: It's yeah, it's a I'm saying new beasts all that.

2310
02:05:33,160 --> 02:05:33,400
Speaker 1: About.

2311
02:05:36,400 --> 02:05:42,360
Speaker 4: Let me just say this, man, it's been a fucking

2312
02:05:42,440 --> 02:05:43,320
Speaker 4: long time man.

2313
02:05:44,200 --> 02:05:46,840
Speaker 2: How long have you been working on that fun the album?

2314
02:05:46,880 --> 02:05:50,400
Speaker 2: What do you saying album? It's been a long time.

2315
02:05:50,440 --> 02:05:52,320
Speaker 2: I came to drink camps one time and I.

2316
02:05:52,320 --> 02:05:55,560
Speaker 7: Was a visitor and you didn't say.

2317
02:05:55,240 --> 02:06:01,000
Speaker 4: You guys are in that fucking Orion's was old. It

2318
02:06:01,080 --> 02:06:03,000
Speaker 4: was that it was with earthquake.

2319
02:06:03,520 --> 02:06:06,200
Speaker 2: Yeah, he just he came through. But listen, let me

2320
02:06:06,280 --> 02:06:09,440
Speaker 2: just say this man, I known you a long time.

2321
02:06:09,480 --> 02:06:09,600
Speaker 3: Bro.

2322
02:06:09,720 --> 02:06:12,400
Speaker 2: You we made history. We did all that.

2323
02:06:12,520 --> 02:06:15,040
Speaker 4: This ship y'all got is special and I'm glad that

2324
02:06:15,080 --> 02:06:17,240
Speaker 4: I was able to be a part of it.

2325
02:06:17,080 --> 02:06:18,440
Speaker 2: It has been a long time.

2326
02:06:18,480 --> 02:06:18,680
Speaker 11: Man.

2327
02:06:18,800 --> 02:06:24,160
Speaker 2: Shout the Drink Champ All right, what kind don't forget

2328
02:06:24,480 --> 02:06:27,640
Speaker 2: you made the Drink Champs record. He was just hearing

2329
02:06:27,680 --> 02:06:31,480
Speaker 2: the work drink around the office. Did you know that?

2330
02:06:31,720 --> 02:06:33,560
Speaker 2: Let me let me tell you how real nor is

2331
02:06:34,440 --> 02:06:36,040
Speaker 2: take a shot. Let me just shot.

2332
02:06:39,280 --> 02:06:40,320
Speaker 1: Yeah.

2333
02:06:40,400 --> 02:06:43,280
Speaker 19: I did the original beat for the Drink Champs beat. Yes,

2334
02:06:43,360 --> 02:06:45,520
Speaker 19: right now, the Drink Champs beat in the place. It

2335
02:06:45,600 --> 02:06:48,680
Speaker 19: was a song called Drink Champion here in my studio.

2336
02:06:48,960 --> 02:06:52,600
Speaker 19: Defeat was for we Originally me and Norri did it.

2337
02:06:52,600 --> 02:06:55,240
Speaker 19: It was like Carton said, Yo, little Wayne. He was

2338
02:06:55,520 --> 02:07:00,800
Speaker 19: Wayne Wayne. He was just goddamn God, was so gangster.

2339
02:07:00,920 --> 02:07:04,760
Speaker 19: He said, I don't give a funk beat, and we're good,

2340
02:07:05,240 --> 02:07:07,920
Speaker 19: and I have a picture. I did a contract for

2341
02:07:08,120 --> 02:07:09,720
Speaker 19: one dollar.

2342
02:07:10,480 --> 02:07:13,839
Speaker 4: One dollar because we had to put some money under contract,

2343
02:07:13,880 --> 02:07:16,360
Speaker 4: and we cut it for one dollar for the other

2344
02:07:16,440 --> 02:07:19,560
Speaker 4: remix for Drinks Camps. That's what I say, Bro, I

2345
02:07:19,560 --> 02:07:21,640
Speaker 4: appreciate you because that was one of my biggest records.

2346
02:07:21,640 --> 02:07:27,200
Speaker 1: Man, Wayne, you want friend, and you called me, he said,

2347
02:07:27,280 --> 02:07:27,880
Speaker 1: Lil Wayne.

2348
02:07:28,080 --> 02:07:29,880
Speaker 2: I was like, yo, you got to do that. Just

2349
02:07:29,880 --> 02:07:32,160
Speaker 2: swist the beat and that's it. Like it was quite

2350
02:07:32,200 --> 02:07:33,440
Speaker 2: more mad than him though.

2351
02:07:33,400 --> 02:07:34,000
Speaker 1: Oh yeah yeah.

2352
02:07:36,200 --> 02:07:37,240
Speaker 2: It was like drink second.

2353
02:07:37,800 --> 02:07:39,360
Speaker 7: That's the thing we were saying at the time of

2354
02:07:39,440 --> 02:07:41,680
Speaker 7: the studio record.

2355
02:07:45,840 --> 02:07:50,320
Speaker 1: This was show, but the second bet, the second was

2356
02:07:50,480 --> 02:07:51,040
Speaker 1: It wasn't.

2357
02:07:50,840 --> 02:07:53,080
Speaker 2: A it was waiting for the podcast was a night

2358
02:07:53,080 --> 02:07:54,080
Speaker 2: idea for everything.

2359
02:07:54,280 --> 02:07:56,040
Speaker 4: But like yo, I just want to say, man, I

2360
02:07:56,080 --> 02:07:56,680
Speaker 4: appreciate you.

2361
02:07:56,760 --> 02:07:58,720
Speaker 2: I love you, bro, man. I appreciate you for letting

2362
02:07:58,720 --> 02:07:59,040
Speaker 2: me live.

2363
02:07:59,080 --> 02:08:01,520
Speaker 1: I appreciate you holding me that. Remember that's my that's

2364
02:08:01,560 --> 02:08:03,240
Speaker 1: my that's my little son that I brought.

2365
02:08:03,160 --> 02:08:03,800
Speaker 2: To your studio.

2366
02:08:04,240 --> 02:08:08,520
Speaker 1: He's older now, yeah, yeah, yeah, remember he was little

2367
02:08:08,920 --> 02:08:11,200
Speaker 1: that my wife brought them to studio and we played

2368
02:08:11,200 --> 02:08:14,400
Speaker 1: ping pong all day and you know your organic wine.

2369
02:08:14,920 --> 02:08:18,680
Speaker 2: I appreciate I love is a staple, man.

2370
02:08:18,880 --> 02:08:19,720
Speaker 4: I like it. Man.

2371
02:08:19,840 --> 02:08:23,400
Speaker 2: I appreciate why you doing this? Love the game. I

2372
02:08:23,440 --> 02:08:24,440
Speaker 2: got my partner.

2373
02:08:27,160 --> 02:08:31,720
Speaker 7: Listen easily, both of y'all separately, Like Eric could be

2374
02:08:31,720 --> 02:08:35,560
Speaker 7: here by herself. We needed her by herself. You by yourself, Yes,

2375
02:08:35,840 --> 02:08:40,280
Speaker 7: but this is amazing together. Yes, yes, I appreciate y'all.

2376
02:08:42,000 --> 02:08:44,400
Speaker 1: Both. So you're not change the group like you know

2377
02:08:44,440 --> 02:08:47,640
Speaker 1: how like Bruno Mars and what you called they named

2378
02:08:47,640 --> 02:08:50,480
Speaker 1: the group. You're not gonna name different. It's just it's

2379
02:08:50,880 --> 02:08:52,920
Speaker 1: what is it? Abby, Al that's the name of the album.

2380
02:08:53,520 --> 02:08:58,680
Speaker 1: Abby Allen know named the group bad too. I followed her, Lady,

2381
02:08:58,800 --> 02:09:01,320
Speaker 1: she's my fear of this, this leader. Okay, you know what

2382
02:09:01,320 --> 02:09:01,879
Speaker 1: I'm saying.

2383
02:09:02,520 --> 02:09:03,960
Speaker 5: It seems like that's what's happening.

2384
02:09:04,200 --> 02:09:08,960
Speaker 1: Okay, all right, yeah, Now who you think got more hats?

2385
02:09:09,360 --> 02:09:11,240
Speaker 2: Alchemists or you and what?

2386
02:09:11,760 --> 02:09:15,440
Speaker 7: Like hats just like the words you know, he's saying.

2387
02:09:15,520 --> 02:09:17,960
Speaker 1: No, we don't have no hats, real hats, like real

2388
02:09:18,160 --> 02:09:27,080
Speaker 1: like hatt because you guys are because I don't remember

2389
02:09:27,080 --> 02:09:31,120
Speaker 1: seeing Alchemists without a hat never never, And I don't.

2390
02:09:30,920 --> 02:09:32,880
Speaker 2: Remember seeing throw it out there.

2391
02:09:33,440 --> 02:09:35,840
Speaker 1: I haven't seen you without a hat in a long time.

2392
02:09:36,280 --> 02:09:36,959
Speaker 3: I understand.

2393
02:09:37,080 --> 02:09:41,760
Speaker 1: Okay, So, so who you think has more hats?

2394
02:09:41,800 --> 02:09:46,880
Speaker 3: We not. We don't separate that anymore. Our hats are one.

2395
02:09:47,480 --> 02:09:49,560
Speaker 2: One happened equal hats.

2396
02:09:49,560 --> 02:09:51,520
Speaker 5: Okay, it's just our hats now.

2397
02:09:52,080 --> 02:09:54,600
Speaker 3: That's because of Abby and Al And it's kind of

2398
02:09:54,640 --> 02:09:57,080
Speaker 3: like we don't try to fight about it. Anymore.

2399
02:09:57,120 --> 02:09:57,760
Speaker 5: At first, we.

2400
02:09:57,680 --> 02:10:00,840
Speaker 3: Did you know we would.

2401
02:10:01,080 --> 02:10:10,280
Speaker 1: Established Christopher Columbia, Chris Columbia, Columbia is.

2402
02:10:13,560 --> 02:10:14,640
Speaker 3: Columbius is crazy.

2403
02:10:16,760 --> 02:10:19,880
Speaker 2: So you have this represent before.

2404
02:10:20,880 --> 02:10:23,440
Speaker 4: But she had a crazy outfit she wanted me to

2405
02:10:23,520 --> 02:10:26,680
Speaker 4: wear that was like it looked like a mixing and Luigi.

2406
02:10:28,720 --> 02:10:31,800
Speaker 2: Okay, I thought you would be really cute and it

2407
02:10:31,920 --> 02:10:32,520
Speaker 2: was really.

2408
02:10:34,720 --> 02:10:35,080
Speaker 3: Pressing.

2409
02:10:35,600 --> 02:10:38,480
Speaker 1: I thought you she is a style king.

2410
02:10:38,960 --> 02:10:41,440
Speaker 2: I follow her lead. Okay, it's nobody, but not in

2411
02:10:41,520 --> 02:10:43,920
Speaker 2: the c Let me just say. Let me just say this.

2412
02:10:45,000 --> 02:10:47,720
Speaker 2: There's nobody Ilert in the whole fucking world with.

2413
02:10:48,200 --> 02:10:51,240
Speaker 3: The lepar tites. Not for me, not for me.

2414
02:10:51,720 --> 02:10:54,560
Speaker 2: I'm just saying, I can't you got wearing Leopard.

2415
02:10:59,760 --> 02:11:21,360
Speaker 3: He is good in everything. He's like sample size ladies.

2416
02:11:23,920 --> 02:11:24,920
Speaker 3: Anything else too big?

2417
02:11:25,440 --> 02:11:31,360
Speaker 2: Oh ship, I ever heard of my life like.

2418
02:11:31,480 --> 02:11:36,480
Speaker 3: A strong like six seven sample size. And I tried

2419
02:11:36,520 --> 02:11:39,000
Speaker 3: things on him and he lets me a couple.

2420
02:11:38,760 --> 02:11:42,240
Speaker 2: Of crazy faces. I had the yeah, are you suspended?

2421
02:11:42,560 --> 02:11:44,200
Speaker 3: And I'm not gonna get mad if he doesn't like it,

2422
02:11:44,320 --> 02:11:46,360
Speaker 3: as long as you let me try to take a picture.

2423
02:11:47,560 --> 02:11:48,440
Speaker 1: You just take a picture.

2424
02:11:49,120 --> 02:11:50,920
Speaker 2: The album cover you're gonna throw, You're gonna throw on

2425
02:11:51,040 --> 02:11:51,360
Speaker 2: that ship.

2426
02:11:51,440 --> 02:11:53,200
Speaker 3: You don't know what's gonna happen for the album cover.

2427
02:11:53,280 --> 02:11:53,680
Speaker 4: You don't know?

2428
02:11:55,280 --> 02:11:57,520
Speaker 2: Yeh, so you got young divisions for the alcohol he

2429
02:11:57,680 --> 02:12:00,320
Speaker 2: leaves man. Okay, no, but come on, but.

2430
02:12:00,360 --> 02:12:03,120
Speaker 3: If he tells me something like, hey, this makes me

2431
02:12:03,480 --> 02:12:07,480
Speaker 3: tell it, Toby, I don't. I don't push it. I

2432
02:12:07,560 --> 02:12:08,160
Speaker 3: don't push it.

2433
02:12:11,960 --> 02:12:12,680
Speaker 2: I wasn't ready.

2434
02:12:13,960 --> 02:12:18,240
Speaker 3: I couldn't see wearing some crazy ship now thatt Ill style,

2435
02:12:20,600 --> 02:12:21,160
Speaker 3: very subtle.

2436
02:12:24,080 --> 02:12:24,800
Speaker 2: That want to laugh.

2437
02:12:26,920 --> 02:12:31,400
Speaker 1: Yeah, we'll take a shot for ours.

2438
02:12:31,920 --> 02:12:33,400
Speaker 2: You see them over empty shot?

2439
02:12:33,960 --> 02:12:36,120
Speaker 1: You see the mobs, this one that.

2440
02:12:38,320 --> 02:12:44,200
Speaker 2: She did, you get She's a good deal. So your meal.

2441
02:12:45,720 --> 02:12:49,800
Speaker 2: Here's the super major question. This is a super major

2442
02:12:50,200 --> 02:12:51,200
Speaker 2: Wait what you didn't pour that?

2443
02:12:51,360 --> 02:12:52,400
Speaker 5: I'm looking right at you.

2444
02:12:55,840 --> 02:12:56,440
Speaker 2: You're not going to be.

2445
02:12:56,480 --> 02:12:58,360
Speaker 1: Looking over me? Is this major?

2446
02:12:58,600 --> 02:12:59,720
Speaker 2: I'm looking at you, looking at me.

2447
02:13:00,040 --> 02:13:03,480
Speaker 3: I'm looking at you. I'm looking at you. Go and

2448
02:13:03,640 --> 02:13:04,920
Speaker 3: drink and see all too shot?

2449
02:13:05,640 --> 02:13:06,120
Speaker 1: You did not?

2450
02:13:06,720 --> 02:13:11,800
Speaker 3: Absolutely did anybody see that? Yeah, okay, we ain't gonna

2451
02:13:11,840 --> 02:13:17,320
Speaker 3: argue about this show. Yeah it's okay, I see it.

2452
02:13:17,960 --> 02:13:20,080
Speaker 2: Okay, okay, but you have to drink.

2453
02:13:20,120 --> 02:13:24,600
Speaker 1: Some of this is fully independent. This album is fully independent.

2454
02:13:24,800 --> 02:13:30,600
Speaker 7: Yes, that's amazing, but not so Who's disbute beauty, though

2455
02:13:31,160 --> 02:13:34,520
Speaker 7: you don't distributed disabuted like you.

2456
02:13:34,520 --> 02:13:36,879
Speaker 2: Can be invidio, but still you have distribution.

2457
02:13:37,320 --> 02:13:38,839
Speaker 1: It still you have to have distribution.

2458
02:13:38,920 --> 02:13:42,120
Speaker 3: Are using the empire you I'm not gonnswer watching until

2459
02:13:42,160 --> 02:13:43,800
Speaker 3: you use the right terminology.

2460
02:13:44,560 --> 02:13:49,440
Speaker 1: You know it's Les Lex, right, I just listening. So

2461
02:13:50,320 --> 02:13:51,120
Speaker 1: who's the distribution?

2462
02:13:51,280 --> 02:13:52,560
Speaker 3: We can't really discuss.

2463
02:13:54,600 --> 02:13:55,560
Speaker 2: Why you take over.

2464
02:13:58,600 --> 02:13:59,920
Speaker 1: Distribute to discusion.

2465
02:14:02,360 --> 02:14:11,560
Speaker 2: You say you just the ship. This ship is amazing.

2466
02:14:11,760 --> 02:14:14,240
Speaker 3: You don't have to worry about that. Yeah, yeah, yeah, okay,

2467
02:14:14,560 --> 02:14:16,240
Speaker 3: all right, you're worried.

2468
02:14:16,320 --> 02:14:18,360
Speaker 2: And then are we looking at a date? If we

2469
02:14:18,480 --> 02:14:19,200
Speaker 2: have a date or no?

2470
02:14:19,760 --> 02:14:20,840
Speaker 3: Yeah, we do have to day.

2471
02:14:20,920 --> 02:14:25,200
Speaker 2: It's late this month, right, Yeah that sounded like forgotcha, bro.

2472
02:14:25,360 --> 02:14:28,360
Speaker 2: She's like, yeah, yeah, whatever, buddy, Yeah yeah you gotta

2473
02:14:29,120 --> 02:14:30,280
Speaker 2: I thought I heard the twenty eighth.

2474
02:14:30,360 --> 02:14:31,920
Speaker 5: No it's on the way something like that.

2475
02:14:32,520 --> 02:14:33,760
Speaker 2: No that means not this month.

2476
02:14:33,920 --> 02:14:34,960
Speaker 3: No, it doesn't mean that.

2477
02:14:35,160 --> 02:14:37,280
Speaker 2: I could tell I can tell stop this.

2478
02:14:38,640 --> 02:14:39,280
Speaker 1: Is it this month?

2479
02:14:40,960 --> 02:14:41,920
Speaker 2: If it comes to the show.

2480
02:14:42,680 --> 02:14:45,560
Speaker 3: No, you find out we say you guys in this

2481
02:14:45,840 --> 02:14:47,280
Speaker 3: like we say everything in the show.

2482
02:14:47,200 --> 02:14:52,840
Speaker 2: Thriller, take a shot for the show. No, absolutely not

2483
02:14:53,400 --> 02:14:53,680
Speaker 2: the show.

2484
02:14:54,440 --> 02:14:57,000
Speaker 1: I know you can't got this is my last one.

2485
02:14:57,040 --> 02:14:58,720
Speaker 3: When is the show gonna be? When is this gonna

2486
02:14:58,720 --> 02:14:58,920
Speaker 3: be over?

2487
02:14:59,120 --> 02:15:07,480
Speaker 6: Twenty four hours? We got right here, episode me have

2488
02:15:08,040 --> 02:15:11,240
Speaker 6: ten hours left. What is your favorite song to perform

2489
02:15:12,440 --> 02:15:15,760
Speaker 6: for this album or just period period period.

2490
02:15:17,400 --> 02:15:22,360
Speaker 3: Other side of the game from Bodyism. You look, you're

2491
02:15:22,440 --> 02:15:24,000
Speaker 3: not familiar with that album.

2492
02:15:24,880 --> 02:15:26,280
Speaker 2: I was gonna be wrong.

2493
02:15:26,560 --> 02:15:27,640
Speaker 5: You think it's gonna be Tyron.

2494
02:15:29,120 --> 02:15:38,040
Speaker 3: I think Tyrone is my least album to perform. The song, yeah, yeah, perform.

2495
02:15:38,120 --> 02:15:41,640
Speaker 3: I think it's the most popular one, and people yelled

2496
02:15:41,680 --> 02:15:43,320
Speaker 3: it out in the middle of ship.

2497
02:15:44,840 --> 02:15:46,320
Speaker 2: Shut the fun up. I don't want to do that.

2498
02:15:46,480 --> 02:15:49,120
Speaker 2: I'm not like, shut the fuck up kind of in

2499
02:15:49,200 --> 02:15:49,880
Speaker 2: your mind a little bit.

2500
02:15:50,000 --> 02:15:51,720
Speaker 5: I'm just like, shut the fuck up.

2501
02:15:52,920 --> 02:15:55,520
Speaker 2: I just said kind of in your mind kind of

2502
02:15:56,080 --> 02:15:57,320
Speaker 2: that sounded like that a little bit in.

2503
02:15:57,360 --> 02:16:00,880
Speaker 5: Your mind in my mind a little bit. Yeah, I don't.

2504
02:16:01,080 --> 02:16:04,600
Speaker 3: Yeah, Tyrone is so popular that I've written all these

2505
02:16:04,720 --> 02:16:08,480
Speaker 3: really thoughtful lyrics over all time, and it seems like

2506
02:16:09,360 --> 02:16:13,080
Speaker 3: a joke God is playing on me. Right, Called tyrone

2507
02:16:13,240 --> 02:16:16,040
Speaker 3: is what they want to hear. We don't care about that.

2508
02:16:16,280 --> 02:16:19,240
Speaker 3: We want to hear called tyrone. So it's hard to

2509
02:16:19,280 --> 02:16:23,760
Speaker 3: get out of the call tyrone box or any of

2510
02:16:23,960 --> 02:16:28,560
Speaker 3: any kind of box when people really enjoyed and championed

2511
02:16:28,640 --> 02:16:32,360
Speaker 3: what you've done. But working with Al has given me

2512
02:16:32,400 --> 02:16:35,520
Speaker 3: an opportunity to at least be seen in another light,

2513
02:16:35,959 --> 02:16:39,280
Speaker 3: a freedom as a producer. That's what I am. And

2514
02:16:40,680 --> 02:16:43,120
Speaker 3: I don't really get to say that a lot because

2515
02:16:43,120 --> 02:16:43,440
Speaker 3: there's no.

2516
02:16:43,520 --> 02:16:46,440
Speaker 5: Place to say it. But in his world, I'm writing

2517
02:16:46,520 --> 02:16:47,520
Speaker 5: Al's wave right now.

2518
02:16:47,600 --> 02:16:49,600
Speaker 7: Really, I think we got to say it again as

2519
02:16:49,640 --> 02:16:55,879
Speaker 7: a producer, Erica as a producer, yes, yeah, it always

2520
02:16:55,920 --> 02:16:57,360
Speaker 7: be too many together on the album.

2521
02:16:58,120 --> 02:17:02,280
Speaker 4: Like I was about to play her beat, she was like,

2522
02:17:02,440 --> 02:17:04,680
Speaker 4: let me see that ship came to the NPS, started

2523
02:17:04,760 --> 02:17:07,720
Speaker 4: pressing keys, and I was just like, yo, go ahead,

2524
02:17:08,720 --> 02:17:12,280
Speaker 4: and she remixed the beat that I made, like like

2525
02:17:12,360 --> 02:17:14,199
Speaker 4: your beat ain't ship, and made.

2526
02:17:17,000 --> 02:17:17,600
Speaker 2: Don't do that.

2527
02:17:20,680 --> 02:17:24,240
Speaker 4: Effect it's on the album, Like, she made a whole

2528
02:17:24,280 --> 02:17:26,400
Speaker 4: different beat to it. And then I played my beat

2529
02:17:26,440 --> 02:17:29,279
Speaker 4: and she was like, I like this one too. I enjoyed.

2530
02:17:29,800 --> 02:17:33,360
Speaker 3: I enjoy making beats, I enjoy creating, and I felt

2531
02:17:33,440 --> 02:17:37,560
Speaker 3: safe in that space with you because unfortunately, you know,

2532
02:17:37,640 --> 02:17:40,040
Speaker 3: I'm in a room full of dudes and some girls,

2533
02:17:40,600 --> 02:17:44,800
Speaker 3: but it's very hard to be in a left brain

2534
02:17:45,000 --> 02:17:47,720
Speaker 3: game as a girl, you know, because I enjoyed it

2535
02:17:47,879 --> 02:17:49,320
Speaker 3: just as much and.

2536
02:17:51,760 --> 02:17:52,800
Speaker 5: I am just as good.

2537
02:17:53,760 --> 02:17:54,000
Speaker 4: M h.

2538
02:17:54,600 --> 02:17:57,039
Speaker 2: Literally yeah, And you.

2539
02:17:57,040 --> 02:17:58,800
Speaker 3: Don't get to really say that a lot because not

2540
02:17:58,920 --> 02:18:01,520
Speaker 3: a lot of people are like Alchemist, who knows that

2541
02:18:01,680 --> 02:18:06,800
Speaker 3: he has a history of beautiful things behind him and

2542
02:18:06,879 --> 02:18:09,640
Speaker 3: that me saying that I love what I do doesn't

2543
02:18:09,680 --> 02:18:13,360
Speaker 3: take anything away from him. And that's you know, it's

2544
02:18:13,360 --> 02:18:15,480
Speaker 3: a different kind of thing that I've dealt with in

2545
02:18:15,600 --> 02:18:18,800
Speaker 3: my life. In this world of music, it's a very

2546
02:18:19,160 --> 02:18:23,840
Speaker 3: left brain, male dominated thing, and I get it. I

2547
02:18:23,920 --> 02:18:28,880
Speaker 3: also respect it, but I'm also here, I also have

2548
02:18:29,040 --> 02:18:32,600
Speaker 3: something to say in this space. Yea, in this space.

2549
02:18:32,879 --> 02:18:37,119
Speaker 7: Yes, yeah, Oh, how did you come up with Alchemists?

2550
02:18:37,400 --> 02:18:41,160
Speaker 7: Because when she was talking, that's that's I never thought

2551
02:18:41,200 --> 02:18:41,360
Speaker 7: of that.

2552
02:18:41,800 --> 02:18:44,400
Speaker 2: It was like a friend when I was young gave

2553
02:18:44,440 --> 02:18:47,080
Speaker 2: me the name and then based on the book. Nah,

2554
02:18:47,520 --> 02:18:49,879
Speaker 2: that book is great. Yeah, it is a great book

2555
02:18:50,280 --> 02:18:51,760
Speaker 2: to read. That book. It's a great book.

2556
02:18:51,840 --> 02:18:53,240
Speaker 1: Great, you can read it one night.

2557
02:18:53,400 --> 02:18:55,720
Speaker 2: In my life, you can read it one night. Yeah. No,

2558
02:18:55,760 --> 02:18:57,640
Speaker 2: it's an easy book to read. Yeah, great book.

2559
02:18:57,959 --> 02:18:58,160
Speaker 4: Yeah.

2560
02:18:58,360 --> 02:19:02,959
Speaker 2: Yeah, but I take it serious, you know what I'm saying.

2561
02:19:03,000 --> 02:19:05,840
Speaker 4: But someone just said call yourself, my friend. Yeah, rest

2562
02:19:05,879 --> 02:19:09,640
Speaker 4: in peace, my man Bernard. Yeah, it was like, that's

2563
02:19:09,680 --> 02:19:10,840
Speaker 4: your name, alchemist.

2564
02:19:11,680 --> 02:19:14,520
Speaker 2: But did you know what that meant over time? You

2565
02:19:14,560 --> 02:19:15,960
Speaker 2: know what I mean? Not in that moment.

2566
02:19:16,080 --> 02:19:20,800
Speaker 4: No, no, okay, it sounded good, right, was it when

2567
02:19:20,800 --> 02:19:23,320
Speaker 4: you and the Hooligans after that, like a couple of

2568
02:19:23,400 --> 02:19:25,800
Speaker 4: years after, but he was around us around those days.

2569
02:19:25,879 --> 02:19:30,640
Speaker 2: Yeah, so we can't bloss over the Hooligans. That was

2570
02:19:30,800 --> 02:19:32,000
Speaker 2: early listen early.

2571
02:19:32,120 --> 02:19:34,920
Speaker 7: You don't understand how long I was going through my

2572
02:19:35,080 --> 02:19:38,440
Speaker 7: records to find the Hooligans records that I have.

2573
02:19:38,879 --> 02:19:42,480
Speaker 2: I have that record, Yeah, I have doubles. Yeah, ef

2574
02:19:44,240 --> 02:19:48,560
Speaker 2: I e eighth EFN is a hip hopologist. I could

2575
02:19:48,640 --> 02:19:51,600
Speaker 2: not get it because I have my records spread amongst

2576
02:19:51,920 --> 02:19:56,560
Speaker 2: my crib, my home office, my my fucking living room,

2577
02:19:57,040 --> 02:19:59,320
Speaker 2: my outside office, the studio.

2578
02:19:59,360 --> 02:20:02,040
Speaker 7: I couldn't find. And if I'm pissed right now. And

2579
02:20:02,080 --> 02:20:03,840
Speaker 7: I have the stickers too as well. That was the

2580
02:20:04,240 --> 02:20:06,760
Speaker 7: stickers getting signed as whack. So I'm gonna bring the stickers.

2581
02:20:06,840 --> 02:20:11,760
Speaker 4: But the Hooligans early days, you know, I was rapping

2582
02:20:12,040 --> 02:20:17,800
Speaker 4: and you know, uh boy, Tommy Wyn, what are you

2583
02:20:17,920 --> 02:20:18,200
Speaker 4: just like?

2584
02:20:19,360 --> 02:20:20,080
Speaker 2: Who?

2585
02:20:20,520 --> 02:20:21,040
Speaker 3: Absolutely?

2586
02:20:21,120 --> 02:20:30,600
Speaker 7: Theligan is amazing man, shots shots, don't get fired yo.

2587
02:20:30,800 --> 02:20:33,240
Speaker 2: And first of all, who's your partner in the hooligans again?

2588
02:20:34,160 --> 02:20:36,480
Speaker 2: Sky Scott comm Yeah, my brother.

2589
02:20:37,000 --> 02:20:39,480
Speaker 1: Yeah, you guys know who that is. Yeah, you we

2590
02:20:39,600 --> 02:20:40,840
Speaker 1: met him at the Juice Bay.

2591
02:20:40,840 --> 02:20:45,039
Speaker 2: We hung out. Yeah, I was bugging er yeah, Lemon

2592
02:20:46,480 --> 02:20:48,760
Speaker 2: actress back then.

2593
02:20:48,800 --> 02:20:51,560
Speaker 1: That I want to thank both of y'all, man, because

2594
02:20:52,360 --> 02:20:53,720
Speaker 1: I don't know. Did you have to do an interview

2595
02:20:53,840 --> 02:20:54,320
Speaker 1: yet together?

2596
02:20:54,640 --> 02:20:55,240
Speaker 2: Nothing else?

2597
02:20:55,760 --> 02:21:01,520
Speaker 1: Just the first in this is special.

2598
02:21:01,720 --> 02:21:04,480
Speaker 2: This is your first interview together. Oh my god.

2599
02:21:04,560 --> 02:21:10,480
Speaker 1: Like I wanted to brag on Twitter it's so bad,

2600
02:21:10,600 --> 02:21:12,200
Speaker 1: but I was like, you know what, I don't even

2601
02:21:12,240 --> 02:21:13,280
Speaker 1: want somebody to hate on me.

2602
02:21:13,760 --> 02:21:14,880
Speaker 3: No, no, no, no no.

2603
02:21:15,040 --> 02:21:16,800
Speaker 1: This is the one time, you know, every guest that

2604
02:21:16,920 --> 02:21:19,120
Speaker 1: we go on, I go on Twitter and I asked it,

2605
02:21:19,200 --> 02:21:20,800
Speaker 1: but do you have any questions?

2606
02:21:21,240 --> 02:21:21,800
Speaker 2: But I don't want.

2607
02:21:22,160 --> 02:21:24,200
Speaker 1: I was like, I'm listening to the algorithms and I'm saying,

2608
02:21:24,200 --> 02:21:26,800
Speaker 1: IM gonna skip that question on Twitter because I go

2609
02:21:26,879 --> 02:21:28,640
Speaker 1: on black Twitter and it's not it's not the best.

2610
02:21:28,720 --> 02:21:32,400
Speaker 2: Sometimes what you ever go on best?

2611
02:21:32,640 --> 02:21:32,800
Speaker 1: Yeah?

2612
02:21:32,840 --> 02:21:33,680
Speaker 2: Yeah, I love it.

2613
02:21:33,720 --> 02:21:35,560
Speaker 1: I love it, but it's very negative.

2614
02:21:35,680 --> 02:21:38,279
Speaker 3: Jo, It's very it's very negative.

2615
02:21:38,320 --> 02:21:42,040
Speaker 5: It is so some positive and hilarious and it's hilarious.

2616
02:21:42,240 --> 02:21:44,039
Speaker 1: So you're going you go on black Twitter. I look,

2617
02:21:46,440 --> 02:21:53,080
Speaker 1: can I go on? Listen? I really need to claim

2618
02:21:53,200 --> 02:21:55,800
Speaker 1: black Twitter like like it's it's like a it's like

2619
02:21:55,920 --> 02:21:59,160
Speaker 1: a it's a really different place.

2620
02:22:01,080 --> 02:22:02,959
Speaker 2: This regular Twitter. Right, I'm just being honest.

2621
02:22:02,959 --> 02:22:05,280
Speaker 5: I'm not trying to be on any particular.

2622
02:22:04,920 --> 02:22:08,240
Speaker 2: Twitter, right, but when you go on Twitter, you gotta.

2623
02:22:08,280 --> 02:22:12,080
Speaker 3: Go on Twitter. Yes, I guess I'm on black Twitter.

2624
02:22:16,800 --> 02:22:18,760
Speaker 3: So I'll be getting canceled.

2625
02:22:20,680 --> 02:22:21,160
Speaker 2: Everywhere.

2626
02:22:21,520 --> 02:22:23,200
Speaker 1: I heard you say that. I heard you say that

2627
02:22:25,000 --> 02:22:27,640
Speaker 1: that you felt this was a year ago or nine

2628
02:22:27,680 --> 02:22:29,760
Speaker 1: months ago that you said that you felt like it

2629
02:22:29,920 --> 02:22:33,119
Speaker 1: was tough to be an artist because of this cancelation thing.

2630
02:22:33,240 --> 02:22:34,720
Speaker 1: Do you feel still feel like that?

2631
02:22:34,920 --> 02:22:40,400
Speaker 3: Like, I think it's the kind of equilateral against across

2632
02:22:40,520 --> 02:22:43,320
Speaker 3: the board. Now you know where the fans have just

2633
02:22:43,400 --> 02:22:47,040
Speaker 3: as much. Say I want to say fans to say that,

2634
02:22:47,879 --> 02:22:50,640
Speaker 3: I want to say the people who are responding to

2635
02:22:50,800 --> 02:22:54,520
Speaker 3: the music in the art. It's not just fans, it's

2636
02:22:54,879 --> 02:22:58,480
Speaker 3: human beings who are very intelligent. When we are on

2637
02:22:58,800 --> 02:23:03,840
Speaker 3: equal playing field, everyone is the celebrity.

2638
02:23:04,360 --> 02:23:10,480
Speaker 2: So right, even the fan fan can't be Yeah, So.

2639
02:23:10,760 --> 02:23:14,720
Speaker 3: If you choose to play that game, then you are

2640
02:23:15,280 --> 02:23:19,360
Speaker 3: willing to be challenged in some type of way or

2641
02:23:19,520 --> 02:23:23,840
Speaker 3: be held accountable in some type of way. And it's

2642
02:23:23,840 --> 02:23:26,560
Speaker 3: not a bad thing, you know, because everyone keeps growing

2643
02:23:26,640 --> 02:23:29,640
Speaker 3: and learning and talking and dialoguing. And the purpose of

2644
02:23:29,760 --> 02:23:32,800
Speaker 3: my art is to create dialogue. That's what I want

2645
02:23:32,840 --> 02:23:37,000
Speaker 3: to do. I want could be chaotic, but guess what

2646
02:23:37,160 --> 02:23:44,880
Speaker 3: it sells. Bottle puts the in sense, oh ship about

2647
02:23:44,959 --> 02:23:46,400
Speaker 3: said you didn't hear the bottom.

2648
02:23:50,400 --> 02:23:51,160
Speaker 1: An aggressive cub.

2649
02:23:51,400 --> 02:23:52,160
Speaker 2: It sells this.

2650
02:23:52,920 --> 02:23:56,560
Speaker 3: So whether the people are talking about negativity or positively

2651
02:23:56,800 --> 02:24:00,240
Speaker 3: or in any kind of way, it's going to create

2652
02:24:00,320 --> 02:24:04,720
Speaker 3: a dialogue that will lead you directly to my pussy.

2653
02:24:05,720 --> 02:24:07,680
Speaker 3: This is just the way it goes.

2654
02:24:07,840 --> 02:24:12,720
Speaker 5: And I'm so sorry, but Buster Rhymes wouldn't like that either.

2655
02:24:16,120 --> 02:24:16,680
Speaker 2: No, he doesn't.

2656
02:24:17,280 --> 02:24:17,880
Speaker 4: I mean, what is it?

2657
02:24:17,959 --> 02:24:20,160
Speaker 3: It's just a word, pussy? What's the word? I mean,

2658
02:24:20,200 --> 02:24:23,440
Speaker 3: it's I'm so sorry I didn't create it.

2659
02:24:23,560 --> 02:24:26,480
Speaker 2: Listen, just stop being worried about pussy.

2660
02:24:27,160 --> 02:24:27,320
Speaker 13: Man.

2661
02:24:27,560 --> 02:24:30,119
Speaker 1: We we just did a wellmans retreat and we couldn't

2662
02:24:30,120 --> 02:24:32,680
Speaker 1: even curse personally, curse. You couldn't take it.

2663
02:24:33,120 --> 02:24:35,760
Speaker 2: We couldn't use the N word every time we did it. Buppy,

2664
02:24:35,840 --> 02:24:37,119
Speaker 2: I think it was not the word.

2665
02:24:38,440 --> 02:24:40,360
Speaker 5: Pussy, but y'all couldn't say nigga.

2666
02:24:41,840 --> 02:24:44,960
Speaker 2: I don't think pussy came up, mister. I'm gonna be

2667
02:24:45,040 --> 02:24:45,560
Speaker 2: honest with you.

2668
02:24:46,000 --> 02:24:47,959
Speaker 1: I think but we were, you know, we were jogging,

2669
02:24:48,120 --> 02:24:51,920
Speaker 1: we were doing things, but it was unnecessarily in words

2670
02:24:52,000 --> 02:24:53,800
Speaker 1: being thrown out there. So every time you say an

2671
02:24:53,879 --> 02:24:55,800
Speaker 1: N word, we had to have to do fifteen burpees

2672
02:24:56,280 --> 02:24:58,359
Speaker 1: and uh we all stopped.

2673
02:24:58,080 --> 02:25:01,480
Speaker 3: Saying that because she didn't want to do the exercise.

2674
02:25:03,400 --> 02:25:06,720
Speaker 1: Damn the Yeah, but that is Christmas.

2675
02:25:06,879 --> 02:25:10,320
Speaker 2: She don't want to exercize, like you just didn't.

2676
02:25:10,040 --> 02:25:12,959
Speaker 1: Want to do this. But shouldn't that be the month frame?

2677
02:25:13,120 --> 02:25:14,880
Speaker 1: Like how you're going to exercise and still have a

2678
02:25:14,920 --> 02:25:17,680
Speaker 1: filthy mouth and we're going to be We want to

2679
02:25:17,720 --> 02:25:18,320
Speaker 1: be well missed.

2680
02:25:18,320 --> 02:25:19,960
Speaker 2: We want to be you want to be better.

2681
02:25:20,160 --> 02:25:20,760
Speaker 1: We want to drink.

2682
02:25:20,879 --> 02:25:24,840
Speaker 3: You know, you say this as just as a human,

2683
02:25:25,120 --> 02:25:30,280
Speaker 3: as Erica, as a person. Filthy is relative any word

2684
02:25:30,920 --> 02:25:34,240
Speaker 3: we are, any word, it's relative. I mean, funk is

2685
02:25:34,320 --> 02:25:38,600
Speaker 3: a great sentence, enhandswer no matter where you are, She's

2686
02:25:38,600 --> 02:25:39,400
Speaker 3: a great adjective.

2687
02:25:40,000 --> 02:25:42,039
Speaker 2: Yeah, all right, I never thought.

2688
02:25:44,240 --> 02:25:46,280
Speaker 3: I know you don't. You never thought a lot of things.

2689
02:25:49,640 --> 02:25:51,360
Speaker 3: We can build a whole wear all the.

2690
02:25:51,400 --> 02:25:54,400
Speaker 2: Ship you have. I'm taking the shot because I think

2691
02:25:54,480 --> 02:25:56,320
Speaker 2: that that's what I take.

2692
02:25:56,360 --> 02:25:59,119
Speaker 1: Your wish you okay, and you're not skipping record.

2693
02:25:59,280 --> 02:26:00,440
Speaker 2: I'm to stop.

2694
02:26:00,520 --> 02:26:01,240
Speaker 1: That's at one point.

2695
02:26:01,440 --> 02:26:04,000
Speaker 2: Hold on, let me get my man one on together together.

2696
02:26:05,120 --> 02:26:06,080
Speaker 2: I'm an escapist.

2697
02:26:07,200 --> 02:26:07,960
Speaker 3: Will never stop.

2698
02:26:10,160 --> 02:26:14,240
Speaker 2: Mm hmm. You gotta sure, Mohanna.

2699
02:26:16,400 --> 02:26:20,680
Speaker 3: I'm not gonna be white. This is what you're trying

2700
02:26:20,720 --> 02:26:22,560
Speaker 3: to do, but we not.

2701
02:26:22,800 --> 02:26:29,840
Speaker 1: I'm not trying to do it. Come and hang out, no, Satan.

2702
02:26:30,160 --> 02:26:34,440
Speaker 1: So let me ask you, do you still do you

2703
02:26:34,520 --> 02:26:36,000
Speaker 1: still love this game? Hell?

2704
02:26:36,160 --> 02:26:36,880
Speaker 3: Yeah you do.

2705
02:26:37,520 --> 02:26:38,119
Speaker 2: I want to end.

2706
02:26:38,600 --> 02:26:41,680
Speaker 3: It's a sport to most of us who are really creative,

2707
02:26:43,080 --> 02:26:46,560
Speaker 3: who create every single day. Every day I make something

2708
02:26:47,520 --> 02:26:50,640
Speaker 3: in the studio, whether it's a beat or music or

2709
02:26:50,680 --> 02:26:51,440
Speaker 3: a piece of art.

2710
02:26:51,800 --> 02:26:52,920
Speaker 2: That's how buster is.

2711
02:26:53,040 --> 02:26:56,520
Speaker 3: Yeah anything. Yeah, it's a sport to us. And it's

2712
02:26:56,560 --> 02:26:59,560
Speaker 3: a friendly competition because we love the competitors. We love

2713
02:26:59,640 --> 02:27:05,320
Speaker 3: who we are levering, leveraging ourselves with. So it's a

2714
02:27:05,879 --> 02:27:06,480
Speaker 3: it's a sport.

2715
02:27:06,560 --> 02:27:07,560
Speaker 2: I like the sport.

2716
02:27:08,800 --> 02:27:12,760
Speaker 3: Yeah I did. It keeps me on my a game.

2717
02:27:13,760 --> 02:27:18,880
Speaker 2: Yeah do you still love the sport? Of course? Every

2718
02:27:18,959 --> 02:27:23,040
Speaker 2: day everything you're better like I'm still. You know what

2719
02:27:23,120 --> 02:27:23,360
Speaker 2: I mean.

2720
02:27:24,200 --> 02:27:24,560
Speaker 14: I want.

2721
02:27:24,640 --> 02:27:28,920
Speaker 2: I'm going to sit to me. I think we can

2722
02:27:29,000 --> 02:27:32,720
Speaker 2: make somebody any time. Every time we work a new

2723
02:27:32,840 --> 02:27:34,400
Speaker 2: CNN listen.

2724
02:27:34,560 --> 02:27:36,959
Speaker 1: I just did because you know, we've got a run club.

2725
02:27:37,000 --> 02:27:39,800
Speaker 1: I did a run club, so I know when componere

2726
02:27:39,959 --> 02:27:46,520
Speaker 1: age because we've been trying to do it's just hasn't

2727
02:27:46,560 --> 02:27:47,119
Speaker 1: been together.

2728
02:27:47,280 --> 02:27:48,400
Speaker 2: But a little bit.

2729
02:27:48,480 --> 02:27:54,720
Speaker 1: That's what I do. It's eventually do a little bit.

2730
02:27:56,080 --> 02:27:59,160
Speaker 1: We're gonna do it right now. We're in the house, boy,

2731
02:27:59,160 --> 02:28:00,840
Speaker 1: and have fun.

2732
02:28:01,640 --> 02:28:01,800
Speaker 3: Just go.

2733
02:28:01,920 --> 02:28:03,760
Speaker 2: I'll have a couple of drinks with you, guys. Okay,

2734
02:28:03,840 --> 02:28:04,840
Speaker 2: A couple of drinks.

2735
02:28:05,000 --> 02:28:08,120
Speaker 1: A couple all right, that means we gotta do it.

2736
02:28:11,120 --> 02:28:15,160
Speaker 2: So in a certain way related that you came today. Yes, yes,

2737
02:28:15,360 --> 02:28:18,600
Speaker 2: thank you, thank you so much. We're honored.

2738
02:28:18,959 --> 02:28:22,080
Speaker 3: Yeah, I've enjoyed myself today. I appreciate you guys.

2739
02:28:22,400 --> 02:28:24,080
Speaker 1: I'm gonna take a shot for you enjoying yourself.

2740
02:28:24,120 --> 02:28:25,360
Speaker 2: You don't have to, that's okay.

2741
02:28:25,400 --> 02:28:28,640
Speaker 1: I will drink absolutely.

2742
02:28:28,959 --> 02:28:31,080
Speaker 5: I definitely don't want to mix these two things.

2743
02:28:31,120 --> 02:28:33,240
Speaker 2: I get I get I get it, I get it.

2744
02:28:33,360 --> 02:28:34,920
Speaker 2: But I just want you to try.

2745
02:28:35,760 --> 02:28:38,760
Speaker 1: Black folks who don't do that. Black folks don't do

2746
02:28:38,800 --> 02:28:39,680
Speaker 1: that don't make drinks.

2747
02:28:39,760 --> 02:28:43,199
Speaker 2: Listen, Latino people don't do everything you clear.

2748
02:28:43,440 --> 02:28:46,000
Speaker 3: Time I ever drank in my life, I was in

2749
02:28:46,080 --> 02:28:46,720
Speaker 3: my forties.

2750
02:28:47,360 --> 02:28:48,400
Speaker 5: I'm now in my fifties.

2751
02:28:49,040 --> 02:28:51,720
Speaker 2: The first time you drank fellas? Wait, wait, the first

2752
02:28:51,760 --> 02:28:52,360
Speaker 2: time you drank?

2753
02:28:52,600 --> 02:28:54,800
Speaker 3: Yeah, I was in my forties and it was with

2754
02:28:55,640 --> 02:29:01,519
Speaker 3: Ringo Vershod Tomblin, Dice Smith, that's a mouthful, and Thundercat.

2755
02:29:02,560 --> 02:29:04,880
Speaker 3: We were on tour together, all of us, and we

2756
02:29:04,959 --> 02:29:06,720
Speaker 3: were in a hotel and they had a mini bar

2757
02:29:07,440 --> 02:29:09,080
Speaker 3: and I was like, well, hey, I just want to

2758
02:29:09,120 --> 02:29:09,760
Speaker 3: try drinks.

2759
02:29:09,879 --> 02:29:12,160
Speaker 2: Wait, Erica, you never drank until that point.

2760
02:29:12,440 --> 02:29:15,480
Speaker 5: No, I didn't into your forties my forties.

2761
02:29:15,680 --> 02:29:19,599
Speaker 2: Yeah, and psychedelics or so psychedelics.

2762
02:29:19,840 --> 02:29:23,440
Speaker 3: Well, I started everything pretty late. Yeah, I was really

2763
02:29:23,600 --> 02:29:24,400
Speaker 3: very very pretty.

2764
02:29:24,400 --> 02:29:25,879
Speaker 2: Didn't psychedelics or something.

2765
02:29:25,959 --> 02:29:29,480
Speaker 3: No, okay, never until my forties all of that.

2766
02:29:31,160 --> 02:29:33,240
Speaker 1: Well, we're sorry for that's okay.

2767
02:29:33,120 --> 02:29:34,360
Speaker 3: I missed out. I'm catching up.

2768
02:29:35,160 --> 02:29:36,400
Speaker 2: No, I shouldn't do this either.

2769
02:29:36,879 --> 02:29:40,000
Speaker 3: Yeah, you mean I'm in my fifties now.

2770
02:29:40,480 --> 02:29:41,720
Speaker 2: Yeah, Well fuck drink champs.

2771
02:29:42,000 --> 02:29:42,879
Speaker 3: I'm fine.

2772
02:29:45,640 --> 02:29:45,760
Speaker 4: Now.

2773
02:29:47,200 --> 02:29:52,720
Speaker 3: I mean this man is he on y'all side? What

2774
02:29:52,879 --> 02:29:53,520
Speaker 3: you're trying to do?

2775
02:29:53,680 --> 02:29:56,720
Speaker 2: Manson? He's not he wears no hats.

2776
02:29:56,800 --> 02:29:58,160
Speaker 3: Well, I'm drinking the point.

2777
02:29:59,440 --> 02:30:01,880
Speaker 2: Goddamn, I can't get this fucking mic to work. I

2778
02:30:01,959 --> 02:30:03,440
Speaker 2: think the poison is sucking up my mic.

2779
02:30:03,920 --> 02:30:07,200
Speaker 3: And I'm fine, but I didn't start to drink to

2780
02:30:07,760 --> 02:30:10,480
Speaker 3: about my forties. And the first time was with a

2781
02:30:10,720 --> 02:30:16,360
Speaker 3: Thundercat and Ringover Shot Tom and Dice Smith. We was

2782
02:30:16,440 --> 02:30:20,360
Speaker 3: on tour and we there was a mini bar and

2783
02:30:20,440 --> 02:30:22,320
Speaker 3: we had a mini bar and I was like, okay, yeah,

2784
02:30:22,360 --> 02:30:25,120
Speaker 3: all my kids are like, go on, take care of

2785
02:30:25,400 --> 02:30:28,560
Speaker 3: so now I can kind of be who I am.

2786
02:30:29,360 --> 02:30:32,720
Speaker 3: And we took these shots of different liquors, the coors

2787
02:30:32,800 --> 02:30:37,039
Speaker 3: and different bottles in the mini bar, and I can't

2788
02:30:37,080 --> 02:30:41,199
Speaker 3: guess I was drunk because I told the guys, listen,

2789
02:30:41,920 --> 02:30:44,400
Speaker 3: if a fire breaks out in this building, we're going

2790
02:30:44,480 --> 02:30:50,560
Speaker 3: to have to know the route. Yeah, so I said,

2791
02:30:50,600 --> 02:30:52,640
Speaker 3: this is how we do it. And we started crawling

2792
02:30:52,720 --> 02:30:57,600
Speaker 3: down the hallway and they were crawling right behind me. Yeah,

2793
02:30:57,600 --> 02:31:04,440
Speaker 3: it was growling in our forties. No, in our forties, no,

2794
02:31:04,640 --> 02:31:09,879
Speaker 3: girls don't fart. Comparently with in our forties.

2795
02:31:11,480 --> 02:31:13,080
Speaker 5: Forties you're trying to get some raidings.

2796
02:31:13,400 --> 02:31:18,520
Speaker 3: I don't whooping your ass. Later on, in our forties,

2797
02:31:18,760 --> 02:31:21,800
Speaker 3: we're crawling, and then we crawled down the hall. We're

2798
02:31:21,879 --> 02:31:26,640
Speaker 3: in the the hotel was called the The Park Hotel.

2799
02:31:27,080 --> 02:31:30,280
Speaker 3: It's in La It's popular. Artists stay there. And we

2800
02:31:30,440 --> 02:31:34,840
Speaker 3: run into Spliff Star. It split yeah, bust runs with

2801
02:31:34,959 --> 02:31:37,720
Speaker 3: slip Star throws what's going on? I said, we're doing

2802
02:31:37,760 --> 02:31:38,680
Speaker 3: a fire trill.

2803
02:31:40,520 --> 02:31:43,040
Speaker 2: And you need to know the route to go.

2804
02:31:43,520 --> 02:31:44,879
Speaker 1: So he got behind.

2805
02:31:46,959 --> 02:31:49,039
Speaker 2: Crawling too, and we.

2806
02:31:49,120 --> 02:31:50,760
Speaker 3: Had a good time, and we crawled all the way

2807
02:31:50,760 --> 02:31:53,240
Speaker 3: down the hall till we just got tired of that

2808
02:31:54,000 --> 02:31:56,360
Speaker 3: and we sat in the little circle and started talking

2809
02:31:56,400 --> 02:31:57,280
Speaker 3: about our feelings.

2810
02:31:58,720 --> 02:32:03,160
Speaker 2: What the fuck, I'm sorry about your feelings?

2811
02:32:03,400 --> 02:32:04,360
Speaker 5: Want to talk about that?

2812
02:32:05,000 --> 02:32:06,520
Speaker 3: Yeah, so we're just kind of chilling.

2813
02:32:07,080 --> 02:32:07,760
Speaker 1: An awesome night.

2814
02:32:07,959 --> 02:32:12,680
Speaker 2: It was amazing.

2815
02:32:13,160 --> 02:32:14,400
Speaker 1: There was nothing I saw wrong in that.

2816
02:32:14,760 --> 02:32:17,160
Speaker 3: Yes, and Mes and Flipp became kind of best friends

2817
02:32:17,200 --> 02:32:19,600
Speaker 3: after that. You know, we were just great about feelings

2818
02:32:19,600 --> 02:32:22,480
Speaker 3: and after how moms can give us cookies and ship

2819
02:32:22,760 --> 02:32:22,960
Speaker 3: like that.

2820
02:32:23,480 --> 02:32:25,920
Speaker 1: You know, let's take a shot.

2821
02:32:28,320 --> 02:32:37,400
Speaker 2: Okay, how did we do this? Everybody? Salute shot? I

2822
02:32:37,480 --> 02:32:37,960
Speaker 2: love you? Brother?

2823
02:32:42,000 --> 02:32:44,039
Speaker 4: What's the f of these?

2824
02:32:44,080 --> 02:32:51,040
Speaker 3: Who owns this? This is? Okay?

2825
02:32:51,840 --> 02:32:56,200
Speaker 5: Give me about all of this one time? Oh yeah, yeah, flash,

2826
02:32:56,240 --> 02:32:57,240
Speaker 5: it's exquisite.

2827
02:32:57,840 --> 02:33:05,160
Speaker 3: Actually, that's the commercial right there. It's exquisite. Yeah, is

2828
02:33:05,240 --> 02:33:06,959
Speaker 3: exquisite to me? A bottle?

2829
02:33:07,360 --> 02:33:10,760
Speaker 2: Just yes? Yeah, and I'm gonna take a shot to that.

2830
02:33:11,320 --> 02:33:12,080
Speaker 3: Oh my god.

2831
02:33:12,240 --> 02:33:14,720
Speaker 2: Yeah, you don't got to take a shot a long time.

2832
02:33:15,440 --> 02:33:16,080
Speaker 3: I'm no Twitter.

2833
02:33:16,360 --> 02:33:18,720
Speaker 2: Yes, I'm glad we got a chance to make this happen.

2834
02:33:18,800 --> 02:33:20,480
Speaker 2: Had what up?

2835
02:33:20,520 --> 02:33:22,959
Speaker 1: Man? I love you brother, mister Lee.

2836
02:33:23,120 --> 02:33:25,000
Speaker 2: Where are you at here somewhere?

2837
02:33:25,040 --> 02:33:28,120
Speaker 1: I think the coog don't want to take bro you know?

2838
02:33:28,280 --> 02:33:28,520
Speaker 2: Yeah?

2839
02:33:28,640 --> 02:33:29,200
Speaker 4: I love y'all.

2840
02:33:29,240 --> 02:33:33,240
Speaker 2: Man, you're alleged you're allerged, so are you? Yeah? And

2841
02:33:33,320 --> 02:33:39,640
Speaker 2: you're so funny to you ain't take some of this?

2842
02:33:39,800 --> 02:33:43,840
Speaker 1: Is my wife, My wife been we've been together seventeen years.

2843
02:33:43,920 --> 02:33:47,879
Speaker 3: Right, Oh wow, you you're lucky mother fucker.

2844
02:33:48,040 --> 02:33:54,040
Speaker 1: So a shot. Since we've been doing the show, I

2845
02:33:54,120 --> 02:33:55,200
Speaker 1: have never not once.

2846
02:33:55,959 --> 02:33:56,400
Speaker 2: I told her.

2847
02:33:56,440 --> 02:33:57,760
Speaker 1: I was like, do you know?

2848
02:33:58,320 --> 02:33:59,920
Speaker 2: She said, I know all of her song?

2849
02:34:00,480 --> 02:34:00,520
Speaker 11: What?

2850
02:34:02,440 --> 02:34:05,080
Speaker 1: Yes? So let's do it.

2851
02:34:18,959 --> 02:34:20,680
Speaker 3: Yes, thank you for welcoming us.

2852
02:34:23,360 --> 02:34:23,920
Speaker 2: All right, cool?

2853
02:34:23,959 --> 02:34:26,480
Speaker 1: Liv let me taking pictures and then new drops.

2854
02:34:26,560 --> 02:34:28,240
Speaker 2: Right yeah, okay, cool.

2855
02:34:29,600 --> 02:34:31,520
Speaker 3: It's a beautiful show. It's not nice spirits.

2856
02:34:31,920 --> 02:34:36,320
Speaker 7: Yes, Drink Champs is a Drink Champs LLC. Production hosts

2857
02:34:36,360 --> 02:34:39,200
Speaker 7: and executive producers n O r E and d j

2858
02:34:39,400 --> 02:34:43,200
Speaker 7: E f FN. Listen to Drink Champs on Apple Podcast,

2859
02:34:43,440 --> 02:34:48,560
Speaker 7: Amazon Music, Spotify, or wherever you get your podcasts. Thanks

2860
02:34:48,600 --> 02:34:51,080
Speaker 7: for joining us for another episode of Drink Champs, hosted

2861
02:34:51,120 --> 02:34:53,440
Speaker 7: by Yours Truly, dj e f N and n O

2862
02:34:53,640 --> 02:34:55,680
Speaker 7: r E. Please make sure to follow us on all

2863
02:34:55,720 --> 02:34:59,360
Speaker 7: our socials that's at Drink Champs across all platforms at

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Speaker 7: the Real.

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Speaker 2: Nor Rie on i g at Noriega on Twitter.

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Speaker 7: Mineus at Who's Crazy on I g at dj E

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Speaker 7: f N on Twitter, and most importantly, stay up to

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Speaker 7: date with the latest releases, news and merch by going

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Speaker 7: to drink Champs dot com