WEBVTT - Listener Mail: Vegetable in Sheep's Clothing

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, production of My

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<v Speaker 1>Heart Radio. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>Listener mail. This is Robert Lamb and I'm Joe McCormick,

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<v Speaker 1>and it's Monday, the day of the week that we

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<v Speaker 1>read back some of the messages you've sent into the

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<v Speaker 1>show recently. Uh, let's see, Rob, if you have no objection,

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<v Speaker 1>I think I'm going to jump right in with some

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<v Speaker 1>responses to our Beast War and Apron episodes. These were

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<v Speaker 1>about non human animals doing various things that you might

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<v Speaker 1>call cooking. Let's do it, okay, So we've we've gotten

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<v Speaker 1>so many responses to those studies about apes and apes

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<v Speaker 1>eating raw potatoes and uh and then people writing in

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<v Speaker 1>to say, sometimes I eat raw potatoes, or one time

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<v Speaker 1>when I was a kid at church that made me

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<v Speaker 1>the whole raw potato or something. Uh So, so Chad

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<v Speaker 1>continues the tradition. Chad says, about twenty years ago, I

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<v Speaker 1>worked in h I worked in food service and took

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<v Speaker 1>a serve safe class. I still remember the horror stories

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<v Speaker 1>of what can happen if cooked potatoes are not cooled properly,

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<v Speaker 1>which can lead to botuli is um. I was unfamiliar

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<v Speaker 1>with the effects of raw potatoes, but a Google search

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<v Speaker 1>indicates they can cause gastro intestinal issues. I'd say, cook

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<v Speaker 1>your potatoes and promptly cool any you won't eat right away.

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<v Speaker 1>And on this part of the message, I wanted to

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<v Speaker 1>respond by saying, yeah, chat, I was looking into this,

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<v Speaker 1>and what I was reading about the danger of baked

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<v Speaker 1>potatoes that haven't been cooled properly was specifically with reference

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<v Speaker 1>to those that had been wrapped tightly in aluminum foil,

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<v Speaker 1>potentially creating an anaerobic environment that is favorable to bauchuli

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<v Speaker 1>is um. So, for example, I found a study in

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<v Speaker 1>the Journal of Infectious Diseases. This was or I guess

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<v Speaker 1>this was a case report called a large outbreak of

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<v Speaker 1>bacul is um the hazardous baked potato by Angulo at All.

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<v Speaker 1>So this is tracing an outbreak of baculi is um

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<v Speaker 1>happened in April nineteen in El Paso, Texas that was

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<v Speaker 1>traced back to a restaurant, and specifically the people who

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<v Speaker 1>were affected primarily were those who ate a potato based

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<v Speaker 1>dip or an eggplant based dip. I guess they'd be

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<v Speaker 1>baba ganochol probably and the author's right quote. Botulism toxin

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<v Speaker 1>type A was detected from patients, and in both dips,

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<v Speaker 1>toxin formation resulted from holding aluminum foil wrapped baked potatoes

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<v Speaker 1>at room temperature, apparently for several days before they were

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<v Speaker 1>used in the dips. Consumers should be informed of the

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<v Speaker 1>potential hazards caused by holding foil wrapped potatoes at ambient

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<v Speaker 1>temperatures after cooking. Uh so, yeah, so I guess they

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<v Speaker 1>baked the potato, but it was tightly wrapped in foil,

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<v Speaker 1>and then they just left it out and uh, didn't

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<v Speaker 1>didn't cool it, and and somehow that created an anaerobic

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<v Speaker 1>environment where the baculinum could thrive or the spores, I guess.

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<v Speaker 1>And uh and yeah, that that's no good. So you

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<v Speaker 1>don't want to do that. Now. I was talking about

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<v Speaker 1>this with with my mother. Uh And as it turns out,

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<v Speaker 1>I didn't remember this or I'd never noticed this, but

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<v Speaker 1>her whole life, whilst preparing to potatoes, she always eats

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<v Speaker 1>the ends of the potato raw when slicing up the potatoes. Huh. Yeah,

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<v Speaker 1>she just says that that's what I do like to

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<v Speaker 1>do it, just likes them. Okay, Yeah, cool. But then

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<v Speaker 1>one last note, Rob, you you mentioned in a previous

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<v Speaker 1>episode that you were terrified by your your mandolin or

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<v Speaker 1>I don't know about terrified. Maybe I'm misrepresenting, but you

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<v Speaker 1>you express concerns about the slicing off of your fingertips,

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<v Speaker 1>and Chad comes with a recommendation. He says, as for

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<v Speaker 1>the mandolin, I recommend cut resistant gloves, so they make

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<v Speaker 1>it kind of I don't know if it's a chain

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<v Speaker 1>male sort of thing for your hand, but you can

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<v Speaker 1>just slice away on the mandolin. It's not going through

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<v Speaker 1>those gloves. You know. I just purchased a pair of

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<v Speaker 1>these for my mother, but I didn't even think about

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<v Speaker 1>the fact that I could get a pair of these

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<v Speaker 1>for myself and have some stress free mandolin usage. Because yeah,

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<v Speaker 1>I still haven't bothered to replace the mandolin with the

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<v Speaker 1>safer mandolin. And I'm still just like shredding half a

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<v Speaker 1>carrot and then asking, Hey, who wants to eat this? Uh,

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<v Speaker 1>which often works if if my son is around. Chaz

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<v Speaker 1>is one last thing, which is you might think using

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<v Speaker 1>a glove while using a mandolin as a hassle, but

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<v Speaker 1>I encourage you to take a stab at it. Uh.

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<v Speaker 1>There will be a number of dad jokes in this episode. Actually,

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<v Speaker 1>oh yeah, we did recently rerun that episode. That would

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<v Speaker 1>be why Okay, alright, This next one comes to us

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<v Speaker 1>from Amanda. Amanda writes and and says, Hi, Robert and Joe,

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<v Speaker 1>longtime listener here. Stuff About Your Mind was the very

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<v Speaker 1>first podcast I subscribe to, way back in two thousand

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<v Speaker 1>and twelve. Recently, I've been listening during my commute to

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<v Speaker 1>and from the International Primate Protection League sanctuary, where I

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<v Speaker 1>work as a caregiver for thirty white handed gibbons. I

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<v Speaker 1>was pleased to hear gibbons come up in the episode

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<v Speaker 1>The Beast Warren Apron. I've never observed the water cupping

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<v Speaker 1>behavior you mentioned, but they sometimes dip the backs of

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<v Speaker 1>their hands in water and then suck it from their fur.

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<v Speaker 1>I have read that wild gibbons rarely descend to the

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<v Speaker 1>ground and instead drink the water that collects in their

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<v Speaker 1>hairs as they swing through the dewey forest. Gross. No,

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<v Speaker 1>I don't know if it sounds kind of I mean,

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<v Speaker 1>the the the dewey, it's you know, it's it's it's

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<v Speaker 1>it's fine, It's fine. Okay, next time you're thirsty, just

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<v Speaker 1>wait till you know you get out of the shower

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<v Speaker 1>and then wring your hair out into your mouth. Delicious

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<v Speaker 1>all right? Anyway, they continue on the cooked versus raw question.

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<v Speaker 1>Our Gibbons love cooked sweet potato. They are offered it

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<v Speaker 1>as part of their breakfast each morning, and it is

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<v Speaker 1>usually the first item they pluck from their bucket of

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<v Speaker 1>mostly raw veggies and brows. Uh. They also prefer their

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<v Speaker 1>beats cooked, and some are willing to try healthy muffins, quiche's,

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<v Speaker 1>and other baked goods. If you do decide to do

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<v Speaker 1>an episode on frozen foods, I can also confirm that

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<v Speaker 1>Gibbons eat banana popsicles. One unpopular prepared food item among

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<v Speaker 1>Gibbons is jello. Many fail to recognize it as food.

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<v Speaker 1>Some are even afraid of its jiggling novelty MAUI are

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<v Speaker 1>greediest Gibbon who has earned the nickname the cookie Monster.

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<v Speaker 1>Fled to a high platform the first time I placed

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<v Speaker 1>a cube beside his lunch bucket. I love this. I've

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<v Speaker 1>attached the video of Nicholas with his morning sweet potato.

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<v Speaker 1>Like us, Gibbons think that it's rude to video others

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<v Speaker 1>while they're eating. You can see more videos of Gibbons

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<v Speaker 1>eating things um on the I p p L Instagram

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<v Speaker 1>and that is I p p L Underscore Summerville. So

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<v Speaker 1>I checked out this video and uh, Nicholas the given

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<v Speaker 1>here he's eating a cooked sweet potato and he's peeling

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<v Speaker 1>the skin back. It looks like like he's eating the

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<v Speaker 1>orange flesh and then the the skin is hanging around

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<v Speaker 1>the outside like a candy bar rapper peeled back. So

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<v Speaker 1>I wonder do they eventually eat the scan or do

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<v Speaker 1>they throw it away? Interesting? Well, thanks for writing in.

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<v Speaker 1>That was all that was. That was That was wonderful.

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<v Speaker 1>I know so much more about gibbons now. Yeah, great email,

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<v Speaker 1>Thank you, Amanda. All right, should we move on to

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<v Speaker 1>some responses to the vegetable lamb of Tartari. Let's do

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<v Speaker 1>it all right, Let's see here. This one was from

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<v Speaker 1>This is from James. James says, Hi, guys, love the podcast.

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<v Speaker 1>I've been listening since the early days. Regarding cobwebs, they

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<v Speaker 1>really do work. This was an aside in the episode

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<v Speaker 1>about the traditional remedy of people trying to staunch bleeding

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<v Speaker 1>from wounds by cramming it with cobwebs. James says, my

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<v Speaker 1>grandfather grew up in the slums of Glasgow in the

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<v Speaker 1>thirties and forties and that was all they used on cuts.

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<v Speaker 1>He taught me how to use that and plantain the

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<v Speaker 1>lawn weed, not the banana to stop bleeding when I

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<v Speaker 1>was young. You put a bit on a cut and

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<v Speaker 1>it coagulates and or a minute. Having taken a bit

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<v Speaker 1>of organic chemistry, my guess is it bonds to the

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<v Speaker 1>protein fibroles that form in clotting blood and ties them

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<v Speaker 1>together into a solid mass much more quickly. Not sure

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<v Speaker 1>if any study has been done, but studies have been

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<v Speaker 1>done on using plantain to clot blood. It contains an

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<v Speaker 1>enzyme that accelerates plotting, and I can personally say cobwebs

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<v Speaker 1>are faster. Not a good sample size, but it's very noticeable.

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<v Speaker 1>A great input, James, Thank you. James also says on

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<v Speaker 1>the topic of lab grown meat, a friend of mine

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<v Speaker 1>mentioned and aspect of it that you didn't touch on.

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<v Speaker 1>If you can grow lion meat, you can grow human meat.

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<v Speaker 1>Hear me out. I have no desire to be a cannibal,

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<v Speaker 1>but how long do you think it would be before

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<v Speaker 1>some Hollywood star decided to culture a tissue sample and

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<v Speaker 1>sell steaks seems far fetched, but Nicholas Cage would totally

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<v Speaker 1>do it. Oh yeah, come on a Cage steak. Yeah. Anyway,

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<v Speaker 1>keep it up, love the show and really love weird

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<v Speaker 1>how Cinema cheers James. Well, yeah, that's that's a lot

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<v Speaker 1>to think about what happens when we get into the

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<v Speaker 1>realm of of of cultured human meat and then celebrity

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<v Speaker 1>human meat that has been cultured. Um. Yeah, I mean

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<v Speaker 1>this guy's the limit, right, Who's the most delicious celebrity

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<v Speaker 1>human I mean maybe it's Nicolas Cage. I don't know.

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<v Speaker 1>I guess you would. I don't know. I guess you

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<v Speaker 1>want I'm trying to think about some the logic of

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<v Speaker 1>of of meat. I guess you want good marbling. You know,

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<v Speaker 1>want good marbling. I guess you don't want an actor

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<v Speaker 1>who's giving a lot of really energetic performances like Cage though,

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<v Speaker 1>because he's going to be stringy. Right, Yeah that could

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<v Speaker 1>be ye, it could be a like you don't want

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<v Speaker 1>a high stress level uh actor, you want somebody who's good,

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<v Speaker 1>low energy performer. Rob and I have just been several

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<v Speaker 1>minutes trying to look up character actors. Who's whose body's

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<v Speaker 1>cultures of whose bodies we would apparently, But then, like

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<v Speaker 1>everybody we look up, we find out tragically died and

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<v Speaker 1>we didn't realize it or died, you know, of of

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<v Speaker 1>old age. These guys were cold up in years, so

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<v Speaker 1>anyway that it remains an open discussion, all right. Here's

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<v Speaker 1>another one that comes to us from Albert, Hi, Robert,

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<v Speaker 1>and Joe. Once you started describing the Lamb of Tartary,

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<v Speaker 1>my D and D mind immediately remembered wolf in sheep's clothing,

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<v Speaker 1>a carnivorous plant monster that lures its victims to it

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<v Speaker 1>by presenting a part of itself that resembles a bunny rabbit.

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<v Speaker 1>You can search for images of it, but here is

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<v Speaker 1>a link to the lore No mention of whether Guy

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<v Speaker 1>GaX Gary guy GaX was inspired by the Lamb of Tartary.

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<v Speaker 1>Thanks and keep up the good work, Albert Well. I

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<v Speaker 1>dug up some illustrations for you to look at here. Rob.

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<v Speaker 1>They generally involved like a stump that has a big

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<v Speaker 1>toothy mouth hidden in it, and then a bunny or

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<v Speaker 1>a squirrel on top, maybe some kind of root like tentacles. Yeah, yeah,

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<v Speaker 1>it looks pretty cool, I have to say, I'm a

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<v Speaker 1>little disappointed I haven't seen this before. Um, I wasn't

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<v Speaker 1>familiar with this monster, and looking into it a little

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<v Speaker 1>bit more, it seems this could be because it was

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<v Speaker 1>apparently introduced in the nine eight Adventure Expedition to the

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<v Speaker 1>Barrier Peaks, which I don't know at all, and that

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<v Speaker 1>it was reprinted in Three's Monster Manual two, which I

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<v Speaker 1>also didn't have any exposure too. And if I'm reading

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<v Speaker 1>everything correctly, I do not think this monster has been

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<v Speaker 1>published in an official D n D product since then,

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<v Speaker 1>So that's probably why I've never seen it though. Um

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<v Speaker 1>though even if it had come out, and there are

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<v Speaker 1>some additions like basically I I played a D and

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<v Speaker 1>D second edition, I guess, and then I played fifth edition,

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<v Speaker 1>so uh, there's there's plenty of room for it to

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<v Speaker 1>have appeared and just to be completely off of my

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<v Speaker 1>D n D radar. But it's a cool creature and

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<v Speaker 1>I would I would love to encounter it. The second

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<v Speaker 1>image that you included, and this one looks more recent

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<v Speaker 1>and maybe this is something tied to a homebrew sort

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<v Speaker 1>of thing, but in this one it is a squirrel

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<v Speaker 1>atop the deadly threatening mod stump. So what's the The

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<v Speaker 1>idea is that your heroes would be like, look a squirrel,

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<v Speaker 1>let's approach it with our guard down. I guess. So

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<v Speaker 1>maybe that's why it hasn't popped up as much, because

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<v Speaker 1>it reminds one of the mimic, which is a great

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<v Speaker 1>d n D monster, and you know, has expanded beyond

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<v Speaker 1>d n D, which is of course this thing that

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<v Speaker 1>looks like a treasure chest and then when you get

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<v Speaker 1>close to it or you open it, uh, it's filled

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<v Speaker 1>with teeth because it's a monster that wants to trick

0:12:29.120 --> 0:12:30.959
<v Speaker 1>you into getting close enough to the treasure chests that

0:12:31.000 --> 0:12:33.400
<v Speaker 1>it eats you. And you know that's very it's poetic

0:12:33.480 --> 0:12:35.400
<v Speaker 1>because it's like, oh, your your greed brings you in

0:12:35.600 --> 0:12:38.280
<v Speaker 1>close to the monster's mall. And it's a fun looking

0:12:38.360 --> 0:12:42.000
<v Speaker 1>monster as well. Uh, simple design, every everything works with it,

0:12:42.640 --> 0:12:44.959
<v Speaker 1>but with this, Yeah, like, what's what's the deal? I

0:12:45.000 --> 0:12:47.240
<v Speaker 1>guess If your characters are hungry enough to want to

0:12:47.880 --> 0:12:51.720
<v Speaker 1>eat that squirrel or that rabbit, then it than it works.

0:12:51.800 --> 0:12:54.680
<v Speaker 1>But otherwise, yeah, you just like we could pass these

0:12:54.760 --> 0:12:56.760
<v Speaker 1>by all the day, all the time in the real world,

0:12:57.320 --> 0:13:00.640
<v Speaker 1>and we're just not interested in catching bunny rabbit a

0:13:00.679 --> 0:13:09.520
<v Speaker 1>at squirrel. Okay, now the next message, I gotta warn

0:13:09.559 --> 0:13:12.160
<v Speaker 1>you we got some dad jokes ahead. But this is uh,

0:13:12.400 --> 0:13:15.280
<v Speaker 1>this is from Mark, and Mark says, Dear Joe, Robert

0:13:15.360 --> 0:13:18.880
<v Speaker 1>and Seth. He begins with some nice comments about the podcast,

0:13:18.960 --> 0:13:21.120
<v Speaker 1>but says, you know, I can't believe you would say

0:13:21.160 --> 0:13:24.240
<v Speaker 1>something so ignorant as what you said in the Vegetable

0:13:24.320 --> 0:13:27.079
<v Speaker 1>Lamb of Tartarie episode, which is that you know there

0:13:27.120 --> 0:13:29.680
<v Speaker 1>are no plants that grow animals out of them. There's

0:13:29.720 --> 0:13:32.880
<v Speaker 1>no such thing as a plant animal combination. And he

0:13:33.320 --> 0:13:35.480
<v Speaker 1>goes on to say, I submit the following list a

0:13:35.600 --> 0:13:39.240
<v Speaker 1>partial list. I assure you have actual organisms offering literal

0:13:39.320 --> 0:13:41.920
<v Speaker 1>proof that plants and animals have indeed combined. Have you

0:13:42.040 --> 0:13:47.240
<v Speaker 1>considered the gooseberry, the fruit bat, the eggplant, the cabbage worm,

0:13:47.480 --> 0:13:51.160
<v Speaker 1>the pig nut, the wood tick, the cow pea, the

0:13:51.400 --> 0:13:55.440
<v Speaker 1>dog would, the cat mint, the chickweed, the shad bush,

0:13:55.679 --> 0:13:59.160
<v Speaker 1>the buckwheat, the bird lime, the fruit fly, and the

0:13:59.280 --> 0:14:02.520
<v Speaker 1>crab grass us. Mark, I admit it. I was wrong.

0:14:02.880 --> 0:14:06.520
<v Speaker 1>I stayed corrected. Mark. Mark really had me here with

0:14:06.640 --> 0:14:08.560
<v Speaker 1>this this email because it was it was a real

0:14:08.679 --> 0:14:11.120
<v Speaker 1>roller coaster because I started reading it and I answered

0:14:11.120 --> 0:14:12.600
<v Speaker 1>it was like, Oh my goodness, what would we get wrong?

0:14:12.720 --> 0:14:15.360
<v Speaker 1>We messed something up. Now we got to correct it.

0:14:15.559 --> 0:14:18.199
<v Speaker 1>And and then I quick then I realized, oh, it

0:14:18.360 --> 0:14:20.520
<v Speaker 1>is a joke. It is a joke. He got me. Yeah, yeah,

0:14:20.600 --> 0:14:22.760
<v Speaker 1>me too. I read the beginning and I was like, oh,

0:14:22.880 --> 0:14:26.440
<v Speaker 1>do we screw something up? Okay, well, thank you Mark.

0:14:32.040 --> 0:14:34.520
<v Speaker 1>Oh and maybe while we around the subject of dad jokes,

0:14:34.880 --> 0:14:38.200
<v Speaker 1>I'll move on to this next email. We got a

0:14:38.320 --> 0:14:42.640
<v Speaker 1>response from our listener Anna on the dad Joke episode.

0:14:43.200 --> 0:14:45.640
<v Speaker 1>I'll just read a couple of the jokes she includes

0:14:45.680 --> 0:14:48.000
<v Speaker 1>in this message. The first one she says, I have

0:14:48.120 --> 0:14:50.760
<v Speaker 1>to set up by saying, I enjoy your passing mentions

0:14:51.360 --> 0:14:55.560
<v Speaker 1>of the book Jane Eyre in the movie Wuthering Heights. Question,

0:14:55.880 --> 0:14:58.040
<v Speaker 1>what do you call a dinosaur that gets lost on

0:14:58.120 --> 0:15:00.880
<v Speaker 1>the Yorkshire Moors? Don't know? What do you call a

0:15:00.960 --> 0:15:03.600
<v Speaker 1>dinosaur that gets lost in the Orcshire Moors? It's a

0:15:03.720 --> 0:15:08.240
<v Speaker 1>bronte saurus. And the second one is why are mountains

0:15:08.320 --> 0:15:14.520
<v Speaker 1>funny because their hill areas? Oh? That one hurt, that one,

0:15:14.680 --> 0:15:25.880
<v Speaker 1>that one cut deep. Thank you Anna. Okay. This next

0:15:25.960 --> 0:15:28.800
<v Speaker 1>message we're gonna look at was in response to older

0:15:28.840 --> 0:15:31.000
<v Speaker 1>episodes we did on the Arc of the Covenant. That

0:15:31.120 --> 0:15:34.040
<v Speaker 1>was a bit of background to explain this message. In

0:15:34.120 --> 0:15:36.480
<v Speaker 1>those episodes, we talked about stories of the arc in

0:15:36.520 --> 0:15:39.400
<v Speaker 1>the Hebrew Bible and elsewhere, and at some point we

0:15:39.560 --> 0:15:44.080
<v Speaker 1>discussed this bizarre idea that some professor published in a

0:15:44.160 --> 0:15:47.640
<v Speaker 1>newspaper in the nineteen thirties that the Arc of the

0:15:47.760 --> 0:15:52.960
<v Speaker 1>Covenant did exist but was actually an electrical condenser, and

0:15:53.120 --> 0:15:57.360
<v Speaker 1>that Moses was a was a skilled electrician. Suffice to say,

0:15:57.440 --> 0:15:59.560
<v Speaker 1>there is there is no real evidence that this is

0:15:59.560 --> 0:16:01.600
<v Speaker 1>actually at the Ark of the Covenant story is about.

0:16:02.320 --> 0:16:05.040
<v Speaker 1>I would say this explanation is just operating on the

0:16:05.080 --> 0:16:08.560
<v Speaker 1>ancient aliens principle. You know. It's what if when a

0:16:08.600 --> 0:16:11.440
<v Speaker 1>story describes some magical event from the ancient world, it

0:16:11.560 --> 0:16:14.560
<v Speaker 1>did actually happen, but it was caused by aliens or

0:16:14.640 --> 0:16:18.720
<v Speaker 1>by anachronistic future technology. So in this case, it would

0:16:18.720 --> 0:16:21.160
<v Speaker 1>be when the arc, you know, strikes someone dead for

0:16:21.280 --> 0:16:23.800
<v Speaker 1>touching it, or or kills them with a tongue of

0:16:23.920 --> 0:16:26.680
<v Speaker 1>flame for approaching in the wrong way, it must have

0:16:26.760 --> 0:16:29.920
<v Speaker 1>actually been because this was an electrical condenser and they

0:16:30.000 --> 0:16:32.640
<v Speaker 1>got ten thousand volts of static electricity and so forth,

0:16:32.920 --> 0:16:35.320
<v Speaker 1>which is certainly a fun game to play, not a

0:16:35.400 --> 0:16:38.160
<v Speaker 1>very good way to get an accurate understanding of ancient literature.

0:16:38.360 --> 0:16:42.360
<v Speaker 1>But Lex gets in touch about these episodes. Starts off

0:16:42.400 --> 0:16:45.160
<v Speaker 1>by saying some nice things about the show and then

0:16:45.240 --> 0:16:47.360
<v Speaker 1>goes on with the message Rob, Rob, do you want

0:16:47.400 --> 0:16:50.920
<v Speaker 1>to read this one? Sure? Lex writes, I recently listened

0:16:50.960 --> 0:16:53.120
<v Speaker 1>to some old episodes and love your discussion of the

0:16:53.240 --> 0:16:56.800
<v Speaker 1>arc of the Covenant in your episode from However, I

0:16:56.920 --> 0:16:58.800
<v Speaker 1>did not want to write in about an episode that

0:16:58.880 --> 0:17:02.040
<v Speaker 1>was recorded over three years ago and last aired in

0:17:02.120 --> 0:17:05.679
<v Speaker 1>twenty nine. However, you mentioned Raiders of the Lost arc

0:17:05.800 --> 0:17:08.600
<v Speaker 1>in your recent Weird House episode on the Devil Rides Out,

0:17:08.720 --> 0:17:12.440
<v Speaker 1>so that felt like that was my chance. I especially

0:17:12.560 --> 0:17:15.960
<v Speaker 1>loved part two of the episode, focused on the Electric arc.

0:17:16.240 --> 0:17:18.520
<v Speaker 1>It instantly reminded me of one of my favorite songs

0:17:18.560 --> 0:17:21.440
<v Speaker 1>of late It's called Mercy Seat by Nick Cave and

0:17:21.480 --> 0:17:24.760
<v Speaker 1>the Bad Seeds. But you only should listen to the

0:17:24.880 --> 0:17:27.760
<v Speaker 1>live version that I have linked below, because the studio

0:17:27.920 --> 0:17:31.000
<v Speaker 1>version is inferior. I was not familiar with this song.

0:17:31.080 --> 0:17:33.560
<v Speaker 1>Were you were you? Joe? Oh? Yeah? Uh? And I

0:17:33.640 --> 0:17:35.720
<v Speaker 1>looked up this live version. This is this is a

0:17:35.800 --> 0:17:39.000
<v Speaker 1>great song. Uh. And I've never noticed the connection that

0:17:39.040 --> 0:17:42.040
<v Speaker 1>you're about to make here, Lex, But this is wonderful, Rob.

0:17:42.160 --> 0:17:44.080
<v Speaker 1>You should click on the link and and listen to

0:17:44.160 --> 0:17:46.840
<v Speaker 1>it when you get a chance. Alex continues. The song

0:17:46.960 --> 0:17:49.920
<v Speaker 1>is called Mercy Seat in reference to the Arc, but

0:17:50.000 --> 0:17:53.000
<v Speaker 1>it's primarily about an inmate waiting to be executed in

0:17:53.080 --> 0:17:56.640
<v Speaker 1>an electric chair. I thought that this was fantastic given

0:17:56.680 --> 0:18:00.399
<v Speaker 1>the sometimes electric origin of the alien fire coming from

0:18:00.400 --> 0:18:02.440
<v Speaker 1>the Ark of the Covenant. But I can't help but

0:18:02.560 --> 0:18:05.600
<v Speaker 1>wonder if Nick Cave was exposed to and contemplated this

0:18:05.680 --> 0:18:09.720
<v Speaker 1>mythology when writing the song. It certainly incorporates some other

0:18:09.800 --> 0:18:12.399
<v Speaker 1>religious themes. Either way, I find the song to be

0:18:12.520 --> 0:18:15.200
<v Speaker 1>chilling and emotional and everyone should give it a listen.

0:18:15.560 --> 0:18:18.600
<v Speaker 1>Johnny Cash also covered the song on his album American

0:18:18.720 --> 0:18:21.640
<v Speaker 1>Three Solitary Man, which I think you have talked about

0:18:21.680 --> 0:18:26.320
<v Speaker 1>on the show. Thanks for always giving me such great content, Lex, Well,

0:18:26.359 --> 0:18:28.440
<v Speaker 1>I definitely, yeah, I've definitely listened to that album. So

0:18:28.680 --> 0:18:31.280
<v Speaker 1>I have heard a cover of this song before. I

0:18:31.400 --> 0:18:33.959
<v Speaker 1>just have I'm blanking on it. Oh yeah, okay, well,

0:18:34.080 --> 0:18:36.600
<v Speaker 1>it's it's an excellent song. So Mercy Seed, of course,

0:18:36.720 --> 0:18:39.480
<v Speaker 1>is the the traditional name for the top of the

0:18:39.600 --> 0:18:42.040
<v Speaker 1>Ark of the Covenant the Lid, where it is described

0:18:42.080 --> 0:18:45.399
<v Speaker 1>as the the angels with their wings outstretched towards the

0:18:45.760 --> 0:18:49.119
<v Speaker 1>center of the the arc lid, but also as a

0:18:49.160 --> 0:18:53.120
<v Speaker 1>euphemism for the electric chair. And uh, I never would

0:18:53.119 --> 0:18:56.000
<v Speaker 1>have noticed this connection that like these weird bronze punk

0:18:56.080 --> 0:18:59.560
<v Speaker 1>theories of the electric arc being the the uniting theme.

0:19:00.080 --> 0:19:02.960
<v Speaker 1>So excellent catch, Lex And I have to say, I don't.

0:19:02.960 --> 0:19:06.160
<v Speaker 1>I don't think three years is too old of an episode.

0:19:06.480 --> 0:19:08.720
<v Speaker 1>Now right in about whatever you want. If it's really

0:19:08.760 --> 0:19:11.040
<v Speaker 1>old and we're going to feature it, we we might

0:19:11.119 --> 0:19:13.159
<v Speaker 1>do like a refresher at the top of your message.

0:19:13.280 --> 0:19:21.719
<v Speaker 1>It's no big deal, alright. This next message was about

0:19:21.880 --> 0:19:25.000
<v Speaker 1>our episodes on the three pupil die. Uh. And this

0:19:25.160 --> 0:19:28.280
<v Speaker 1>is from Josh warning this email describes an eye injury.

0:19:28.440 --> 0:19:30.879
<v Speaker 1>But it uh, it's it does actually connect to a

0:19:30.960 --> 0:19:34.160
<v Speaker 1>condition that we talked about in the episode of polychoria

0:19:34.280 --> 0:19:37.760
<v Speaker 1>or pseudo polychoria, where it appears that a person has

0:19:37.840 --> 0:19:41.520
<v Speaker 1>more than one pupil in their iris or in the

0:19:41.600 --> 0:19:45.560
<v Speaker 1>same iris. And so Josh says, Hi, all when I

0:19:45.680 --> 0:19:48.760
<v Speaker 1>was in middle and high school, air soft was very popular.

0:19:48.880 --> 0:19:51.200
<v Speaker 1>If you aren't familiar, there are low power guns that

0:19:51.280 --> 0:19:54.360
<v Speaker 1>shoot plastic bbs about the size of a pencil eraser.

0:19:55.040 --> 0:19:58.600
<v Speaker 1>A particularly popular activity was having air soft wars, which

0:19:58.640 --> 0:20:01.200
<v Speaker 1>were similar to paintball, but with less of a mess.

0:20:01.720 --> 0:20:05.119
<v Speaker 1>Of course, an essential piece of equipment was safety glasses.

0:20:05.520 --> 0:20:08.240
<v Speaker 1>On one occasion, a member of my church congregation was

0:20:08.359 --> 0:20:12.560
<v Speaker 1>engaging in such an air software without safety glasses. There

0:20:12.640 --> 0:20:14.800
<v Speaker 1>was a Murphy's Law moment when he was hit in

0:20:14.920 --> 0:20:17.520
<v Speaker 1>the eye. I wasn't there, so I don't know the

0:20:17.560 --> 0:20:19.800
<v Speaker 1>full story, but after a couple of months with an

0:20:19.840 --> 0:20:22.639
<v Speaker 1>eye patch, he revealed that a small portion of his

0:20:22.760 --> 0:20:26.840
<v Speaker 1>iris had detached, leaving him with a second pupil. I

0:20:26.920 --> 0:20:29.320
<v Speaker 1>think he said it did blur his vision a bit

0:20:29.400 --> 0:20:31.840
<v Speaker 1>in that eye. That goes to show how fragile the

0:20:31.920 --> 0:20:34.199
<v Speaker 1>eyes can be in comparison to pretty much every other

0:20:34.280 --> 0:20:36.920
<v Speaker 1>part of the body. On a less gross note, the

0:20:37.040 --> 0:20:39.320
<v Speaker 1>last time I wrote in you read my message on

0:20:39.400 --> 0:20:42.440
<v Speaker 1>the podcast. Shortly after it dropped, I got a text

0:20:42.520 --> 0:20:45.240
<v Speaker 1>from my mom asking if I had written in. I

0:20:45.320 --> 0:20:48.080
<v Speaker 1>had no idea she listened. This was the second podcast

0:20:48.160 --> 0:20:51.600
<v Speaker 1>that something similar to this happened. Keep up the great work, Josh.

0:20:52.520 --> 0:20:56.960
<v Speaker 1>What was the other podcast? I mean, I I just

0:20:57.040 --> 0:20:59.760
<v Speaker 1>love that Josh's mom is keeping such good tabs on.

0:21:00.119 --> 0:21:03.560
<v Speaker 1>You know, I don't remember what this message was, Josh,

0:21:03.640 --> 0:21:05.240
<v Speaker 1>So so I don't know what you're talking about, but

0:21:05.520 --> 0:21:08.159
<v Speaker 1>I guess your mom knows you well. Yeah, yeah, and

0:21:08.680 --> 0:21:11.200
<v Speaker 1>it's speaking of which you know. It goes without saying

0:21:11.400 --> 0:21:13.479
<v Speaker 1>I would hope, but I'll go and say it. If

0:21:13.560 --> 0:21:15.399
<v Speaker 1>if there's something you want to write in to us

0:21:15.400 --> 0:21:17.560
<v Speaker 1>about and there's something you don't want, if you don't

0:21:17.600 --> 0:21:20.159
<v Speaker 1>want it Red on the air, just say it. Just

0:21:20.400 --> 0:21:22.960
<v Speaker 1>just let us know. Or if there's a portion of

0:21:23.080 --> 0:21:25.320
<v Speaker 1>it you don't on Red on the Air, Uh, just

0:21:25.440 --> 0:21:27.159
<v Speaker 1>let us know and we can we can do that

0:21:27.320 --> 0:21:29.320
<v Speaker 1>so in the future, Josh, we can keep your mom

0:21:29.400 --> 0:21:34.520
<v Speaker 1>out of this entirely. Also shout out to Josh's mom. Yeah,

0:21:40.760 --> 0:21:42.959
<v Speaker 1>all right, here's another one. This one comes to us.

0:21:43.240 --> 0:21:47.239
<v Speaker 1>This is a from a Vault episode on carnivorous plants, Uh,

0:21:47.600 --> 0:21:50.399
<v Speaker 1>which is timely. We're just doing some some a lot

0:21:50.480 --> 0:21:53.680
<v Speaker 1>of plant content recently. Jeremy writes in and says hello,

0:21:53.800 --> 0:21:56.560
<v Speaker 1>Joe and Robert. Jeremy begins by saying he's been listening

0:21:56.600 --> 0:21:59.040
<v Speaker 1>to some older episodes, including the Carnivorous Plant. It's the

0:21:59.119 --> 0:22:05.040
<v Speaker 1>episode that aired in and reran Um, which that's interesting.

0:22:05.160 --> 0:22:08.200
<v Speaker 1>We usually don't that's that correct, We usually don't do

0:22:08.359 --> 0:22:12.200
<v Speaker 1>reruns like that, but I trust him. Anyway, it was

0:22:12.240 --> 0:22:15.840
<v Speaker 1>one of those big playlists. Oh yes, at the beginning

0:22:15.840 --> 0:22:20.520
<v Speaker 1>of We Were We Were, it was requested that shows

0:22:20.560 --> 0:22:24.399
<v Speaker 1>put out some big playwritt playlists, and uh we we

0:22:24.560 --> 0:22:27.800
<v Speaker 1>tried to make it fun and and so that was

0:22:27.880 --> 0:22:31.200
<v Speaker 1>one that probably came out. So anyway, Jeremy says, you

0:22:31.280 --> 0:22:33.359
<v Speaker 1>asked whether there are any plants that have evolved to

0:22:33.520 --> 0:22:37.240
<v Speaker 1>feed on anything other than insects. I believe there's a potential,

0:22:37.800 --> 0:22:42.480
<v Speaker 1>uh evolving. Example in the Personia tree on here An

0:22:42.560 --> 0:22:46.359
<v Speaker 1>Island Great Barrier reef. The tree produces sticky, burr like

0:22:46.600 --> 0:22:50.960
<v Speaker 1>seeds which entangle the naughty turn chicks which hatch in them.

0:22:51.480 --> 0:22:53.879
<v Speaker 1>The chicks become so entangled that they cannot fly or

0:22:54.000 --> 0:22:57.040
<v Speaker 1>escape and hence die beneath the tree, thereby fertilizing the

0:22:57.160 --> 0:23:00.240
<v Speaker 1>soil so the tree grows better. It produces more ease

0:23:00.280 --> 0:23:04.040
<v Speaker 1>and captures more chicks, etcetera, etcetera. Well, not quite up

0:23:04.080 --> 0:23:06.880
<v Speaker 1>to your example of vines lashing out to grab prey.

0:23:07.320 --> 0:23:11.240
<v Speaker 1>The seeds are doing the same job. Cheers Jeremy. I

0:23:11.320 --> 0:23:14.480
<v Speaker 1>believe this tree is sometimes known as the catchbird tree.

0:23:15.280 --> 0:23:17.639
<v Speaker 1>And uh and yeah, there there was an article I

0:23:17.680 --> 0:23:19.600
<v Speaker 1>found about it in j Store Daily that was pretty

0:23:19.600 --> 0:23:22.080
<v Speaker 1>good if you want to look that up. This is interesting. Yeah,

0:23:22.160 --> 0:23:24.000
<v Speaker 1>so this is this is not just local hearsay like

0:23:24.080 --> 0:23:26.640
<v Speaker 1>there's there's been there there, There's been some serious work

0:23:26.680 --> 0:23:30.800
<v Speaker 1>on this. But it also reminds me of the dream

0:23:31.280 --> 0:23:37.280
<v Speaker 1>of G. K. Chesterton that that Borges relates in his

0:23:37.400 --> 0:23:41.639
<v Speaker 1>book that I that I read that passage concerning in

0:23:41.760 --> 0:23:49.479
<v Speaker 1>our episodes on the Vegetable Lamb of Targari. All right,

0:23:49.520 --> 0:23:53.240
<v Speaker 1>should we dip into a little weird house cinema devoted email?

0:23:53.600 --> 0:23:56.560
<v Speaker 1>Oh absolutely, let's go for it, all right. Uh, this

0:23:56.720 --> 0:24:00.360
<v Speaker 1>one from Pat is regarding the Devil Right, it's out.

0:24:00.520 --> 0:24:04.120
<v Speaker 1>This is the The Hammer horror film that we discussed.

0:24:04.680 --> 0:24:07.600
<v Speaker 1>So Pat, ride's another great episode, a favorite film. I

0:24:07.720 --> 0:24:10.280
<v Speaker 1>had fun going over the details. I wonder about your

0:24:10.320 --> 0:24:13.280
<v Speaker 1>review of Christopher Lee. Could it be that you are

0:24:13.320 --> 0:24:16.600
<v Speaker 1>not in tune with British sensitivities. I'm reminded of the

0:24:16.640 --> 0:24:20.200
<v Speaker 1>demeanor of English Bob and unforgiven. I think Bridge would

0:24:20.200 --> 0:24:23.720
<v Speaker 1>expect the Duke to quote unquote take on Airs, highly

0:24:23.760 --> 0:24:28.120
<v Speaker 1>recommend the seven Percent Solution. Nicole Williamson as an over

0:24:28.200 --> 0:24:32.000
<v Speaker 1>the top, coked up Holmes, Alan Arkin is Freud, Robert

0:24:32.080 --> 0:24:35.919
<v Speaker 1>Duval as Watson, and a great cast of support. As always,

0:24:35.960 --> 0:24:39.080
<v Speaker 1>you guys need to keep it up. Thanks a lot, Pat,

0:24:39.920 --> 0:24:41.840
<v Speaker 1>We need to, huh, we need to. We have to.

0:24:42.160 --> 0:24:45.960
<v Speaker 1>It's it's required. Um yeah, I still haven't seen the

0:24:46.000 --> 0:24:48.159
<v Speaker 1>seven percent Solution. I need to. I need to get

0:24:48.200 --> 0:24:52.000
<v Speaker 1>around to it. Um. I love the cast. As for

0:24:52.359 --> 0:24:55.960
<v Speaker 1>Christopher Lee taking on Airs, this is something that I

0:24:56.040 --> 0:24:59.520
<v Speaker 1>think Kim Newman brought up in the extras on that

0:24:59.640 --> 0:25:02.520
<v Speaker 1>Blue for the Devil rides out that there. You know,

0:25:02.800 --> 0:25:05.600
<v Speaker 1>you talked about the the Britishness and ultimately the kind

0:25:05.640 --> 0:25:09.720
<v Speaker 1>of the to a modern view or unlikable upper cross

0:25:09.760 --> 0:25:12.800
<v Speaker 1>Britishness of the Duke. Like there's that scene where he tells,

0:25:12.920 --> 0:25:15.840
<v Speaker 1>I think he's telling Rex to quote unquote take one

0:25:15.880 --> 0:25:17.879
<v Speaker 1>of the automobiles, take one of the cars. You know,

0:25:17.960 --> 0:25:21.480
<v Speaker 1>it's just it's no big deal. And there there's another character,

0:25:21.600 --> 0:25:24.000
<v Speaker 1>you know, more than one character just sort of leaves

0:25:24.000 --> 0:25:26.560
<v Speaker 1>an automobile somewhere like it it doesn't even matter. You've

0:25:26.600 --> 0:25:29.400
<v Speaker 1>got more at home. Simon I'd rather see you dead

0:25:29.520 --> 0:25:33.680
<v Speaker 1>than take the tube. Well, we'll have to come back

0:25:33.720 --> 0:25:35.600
<v Speaker 1>and do a Christopher Lee movie at some point where

0:25:35.600 --> 0:25:38.600
<v Speaker 1>he plays a more more likable character, which is to say,

0:25:38.640 --> 0:25:43.320
<v Speaker 1>even a villain. Well, I mean he's the most lovable

0:25:43.480 --> 0:25:51.440
<v Speaker 1>villain ever in The wicker Man. Yeah, all right, should

0:25:51.440 --> 0:25:54.560
<v Speaker 1>we do one more? Let's do one more? Okay. This

0:25:54.680 --> 0:26:00.520
<v Speaker 1>one from Macarius mccarrius says, Hey, Robin Joe, long time listener,

0:26:00.600 --> 0:26:03.360
<v Speaker 1>first time writer, really enjoyed your podcast on the Mark

0:26:03.440 --> 0:26:06.879
<v Speaker 1>Hamill Geiver movie. I've never seen it personally, but I

0:26:06.960 --> 0:26:10.520
<v Speaker 1>have a real fondness for the Geiver Too Dark Hero,

0:26:11.480 --> 0:26:15.080
<v Speaker 1>which is the sequel. My uncle actually owned the VHS

0:26:15.160 --> 0:26:18.359
<v Speaker 1>copy from the nineties, but I didn't ever watch the movie.

0:26:18.680 --> 0:26:21.120
<v Speaker 1>I was just kind of entranced by the alien looking

0:26:21.200 --> 0:26:23.800
<v Speaker 1>dude on the cover. It was only many years later

0:26:23.920 --> 0:26:26.119
<v Speaker 1>that I actually sought out the film a little bit

0:26:26.160 --> 0:26:28.840
<v Speaker 1>of trivia. The main actor in it, David Hayter, who

0:26:28.920 --> 0:26:32.240
<v Speaker 1>plays Sean, is the voice behind Solid Snake in the

0:26:32.320 --> 0:26:35.399
<v Speaker 1>Metal Gear Solid series of games. I knew for years

0:26:35.520 --> 0:26:38.240
<v Speaker 1>that he was at first an actor and had heard

0:26:38.320 --> 0:26:41.240
<v Speaker 1>it was this anime esque Geiver movie, but didn't put

0:26:41.280 --> 0:26:43.880
<v Speaker 1>two and two together until watching the film on YouTube

0:26:44.119 --> 0:26:47.640
<v Speaker 1>it's still there and searching on the internet and recognizing

0:26:47.680 --> 0:26:51.919
<v Speaker 1>the cover from my childhood. It's not an especially great movie.

0:26:52.440 --> 0:26:55.240
<v Speaker 1>It's a very low budget, wooden acting kind of stilted

0:26:55.280 --> 0:26:59.480
<v Speaker 1>action sequences, but I still have an overbearing fondness for it.

0:26:59.800 --> 0:27:02.000
<v Speaker 1>It helps that there was a two month long span

0:27:02.440 --> 0:27:05.359
<v Speaker 1>where my wife was working very early mornings and it

0:27:05.440 --> 0:27:08.840
<v Speaker 1>became something of a morning ritual that following her five

0:27:08.880 --> 0:27:12.480
<v Speaker 1>am alarm, I'd wake up, pop Geiver, too Dark, hero

0:27:12.720 --> 0:27:15.040
<v Speaker 1>On and try to get a couple of hours dozing

0:27:15.160 --> 0:27:20.879
<v Speaker 1>before heading to work. Anyways, love the show Macarious. Oh wow, wow,

0:27:21.240 --> 0:27:25.639
<v Speaker 1>that that's such a heartwarming story. I I love hearing

0:27:26.200 --> 0:27:29.840
<v Speaker 1>when people have some sort of a very particular relationship

0:27:30.240 --> 0:27:33.520
<v Speaker 1>with an ultimately kind of obscure film like this. Um

0:27:33.760 --> 0:27:37.719
<v Speaker 1>you know where it's it's it's not it's not everybody's tradition,

0:27:37.800 --> 0:27:40.000
<v Speaker 1>but it has become this person's tradition or it was

0:27:40.040 --> 0:27:44.240
<v Speaker 1>their tradition at some point. So so that's great. Um yeah,

0:27:44.280 --> 0:27:47.959
<v Speaker 1>the David Hayter detail about solid Snake, that's that's fascinating

0:27:48.040 --> 0:27:54.280
<v Speaker 1>as well. The Geiver what does that mean? Um? Yeah,

0:27:54.320 --> 0:27:58.000
<v Speaker 1>So this thanks for writing in on this um and

0:27:58.800 --> 0:28:01.359
<v Speaker 1>like I said, I love I love stories like this. Uh.

0:28:01.480 --> 0:28:04.880
<v Speaker 1>We also heard from another listener about the Geiver who

0:28:05.560 --> 0:28:08.639
<v Speaker 1>really uh filled us in on the lore of the Geiver.

0:28:09.200 --> 0:28:11.240
<v Speaker 1>So we're gonna have to save that one for next time.

0:28:11.520 --> 0:28:14.399
<v Speaker 1>So if you want more Geiver listener mail, uh, you

0:28:14.520 --> 0:28:16.560
<v Speaker 1>know you know where where to find it. It's gonna

0:28:16.600 --> 0:28:20.040
<v Speaker 1>be next Monday on Stuff to Blow your Mind listener mail. Perfect.

0:28:20.480 --> 0:28:23.000
<v Speaker 1>In the meantime, what else do we put out in

0:28:23.040 --> 0:28:25.040
<v Speaker 1>the Stuff to Blow Your Mind podcast feed? While we

0:28:25.080 --> 0:28:27.080
<v Speaker 1>put out episodes of Stuff to Blow your Mind, we

0:28:27.160 --> 0:28:30.119
<v Speaker 1>do that on Tuesdays and Thursdays. That's those are the

0:28:30.200 --> 0:28:33.200
<v Speaker 1>core episodes. That's the science and the culture and the

0:28:33.280 --> 0:28:37.680
<v Speaker 1>mythology and and so forth. On Wednesdays we're still doing

0:28:37.880 --> 0:28:41.800
<v Speaker 1>short form artifact or monster fact episodes. And on Friday,

0:28:41.920 --> 0:28:44.560
<v Speaker 1>that's the time for listening. That's the time, No, take

0:28:44.600 --> 0:28:46.520
<v Speaker 1>that back, that's the time for weird how cinema. That's

0:28:46.560 --> 0:28:49.160
<v Speaker 1>when we set aside most serious matters and we just

0:28:49.240 --> 0:28:52.280
<v Speaker 1>talk about a weird film, all right. So, yeah, those

0:28:52.280 --> 0:28:54.840
<v Speaker 1>are the episodes. That's where you find them. Uh, And yeah,

0:28:54.920 --> 0:28:57.040
<v Speaker 1>keep keep writing in. Let us know your thoughts on

0:28:57.560 --> 0:29:01.200
<v Speaker 1>past episodes, potential future episodes, and every thinking between. Huge

0:29:01.240 --> 0:29:05.480
<v Speaker 1>thanks as always to our excellent audio producer Seth Nicholas Johnson.

0:29:05.600 --> 0:29:07.200
<v Speaker 1>If you would like to get in touch with us

0:29:07.280 --> 0:29:09.719
<v Speaker 1>with feedback on this episode or any other, to suggest

0:29:09.840 --> 0:29:11.840
<v Speaker 1>topic for the future, or just to say hello, you

0:29:11.880 --> 0:29:14.880
<v Speaker 1>can email us at contact at stuff to Blow your

0:29:14.920 --> 0:29:24.520
<v Speaker 1>Mind dot com. Stuff to Blow Your Mind is a

0:29:24.520 --> 0:29:27.160
<v Speaker 1>production of I Heart Radio. For more podcasts for my

0:29:27.240 --> 0:29:30.160
<v Speaker 1>heart Radio, visit the i heart Radio app, Apple Podcasts,

0:29:30.240 --> 0:29:32.040
<v Speaker 1>or wherever you listen to your favorite shows.