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Speaker 1: Hey, it's Danielle Fischl right or Strong and will Fredell.

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Speaker 1: But you know us best as Tapanga.

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Speaker 2: Sean and Eric from Boy Meets World.

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Speaker 1: And now Pod Meets World, the podcast where we've been

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Speaker 1: sitting down weekly to rewatch the show we starred in

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Speaker 1: as kids, and we've been unpacking well a lot, and.

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Speaker 3: We've been taking the show on the road with the

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Speaker 3: Kids Want to Jump Tour where Every stop in cities

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Speaker 3: across the US has been totally different and pretty hilarious,

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Speaker 3: if I do say so myself.

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Speaker 2: But we know not everyone could join us. So we're

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Speaker 2: happy to announce that our recent thirtieth anniversary of the show,

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Speaker 2: Live from the met in Philadelphia, will now be available

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Speaker 2: to stream no matter where you live.

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Speaker 1: Our biggest show yet in the hometown of the Matthews,

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Speaker 1: featuring appearances by Trina, Angela McGee, Matthew Lawrence aka Jack Hunter,

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Speaker 1: Tony Mister Turner Quinn, and Danny Harley McNulty, who makes

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Speaker 1: a very special surprise visit.

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Speaker 3: It was so much fun and now you can experience

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Speaker 3: it from the comfort of your own home.

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Speaker 2: It will be available on December eleventh at five pm Pacific.

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Speaker 2: You can learn more about how you can watch at

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Speaker 2: Veeps dot Events slash Pod meets World December eleventh, your birthday.

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Speaker 1: That's boy, and this stream will be the only way

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Speaker 1: to see or hear the Philadelphia show. We won't ever

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Speaker 1: be airing it again, and we won't be releasing it

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Speaker 1: as a podcast. Get all the info on streaming the

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Speaker 1: live podmeets World show so you don't miss out. Go

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Speaker 1: to veeps, veeps dot Events, slash Pod meets World now

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Speaker 1: well will for now you've done it again, tell us

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Speaker 1: what you've.

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Speaker 2: Done well for the third time. That's right, threes my

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Speaker 2: lucky number.

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Speaker 1: I have COVID.

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Speaker 4: Uh such a bummer, I mean, will I feel bad

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Speaker 4: for you, but I also feel bad for everyone because

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Speaker 4: we are going to have to postpone our most recent

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Speaker 4: run of shows.

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Speaker 2: I am so sorry.

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Speaker 3: It is so much of a bummer to me, and

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Speaker 3: I feel a lot worse for everybody else than I

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Speaker 3: do for myself.

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Speaker 2: This is just the worst. I'm so sorry, New Orleans, Atlanta,

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Speaker 2: and Durham. We're gonna have to postpone our shows that

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Speaker 2: was on December eighth, ninth, and tenth. We're going to

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Speaker 2: have to push them into next year.

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Speaker 1: So please keep your tickets. You will use these same

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Speaker 1: tickets when we reschedule the shows for next year. We

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Speaker 1: do not have exact dates yet, but when we do,

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Speaker 1: you will get an email from the venue and like

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Speaker 1: I said, hold onto your tickets. You will use these

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Speaker 1: same tickets to get you in. When Will isn't going

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Speaker 1: to infect us all with the COVID.

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Speaker 3: I know, I'm so sorry, and yet I still blame

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Speaker 3: both Danielle and Ryder.

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Speaker 1: I don't know how, but He's found a way to

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Speaker 1: do it. We love you. All shows rescheduled.

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Speaker 2: So for today's episode, Upon Me to World, we will

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Speaker 2: continue our journey to Orlando, Florida, the happiest place on Earth.

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Speaker 2: Episode of Boy Meets World. What should have been a

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Speaker 2: two part episode when we filmed it has become a

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Speaker 2: two part episode of our podcast.

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Speaker 1: Look at us making it right?

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Speaker 2: Please enjoy.

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Speaker 1: And then we're in Disney World in Orlando. We get

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Speaker 1: cool exteriors here, we see the monorail, the Epcot Ball,

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Speaker 1: we see the Castle. We end up at the Living

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Speaker 1: Sea Pavilion. It's a SeaWorld knockoff. A group of people,

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Speaker 1: including to Pangas, is still around.

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Speaker 2: I don't know, I don't I have no idea they

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Speaker 2: still torture animals like seaworlds or did everybody learn their lesson?

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Speaker 2: We can stop this now.

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Speaker 3: I don't know they have for the most part, haven't they.

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Speaker 3: Like you can't see the orco whale stuff anymore, can you?

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Speaker 3: That's all gone, isn't it.

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Speaker 2: I think they've finally governed of that. Oh thank god,

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Speaker 2: Manory Blackfish came out.

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Speaker 1: It's now called The Seas with Nemo and Friends. Okay,

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Speaker 1: so it appears to be there, The Seas with Nemo

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Speaker 1: and Friends. Yeah, it's there still. So they just changed

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Speaker 1: the name.

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Speaker 2: So it's just an aquarium and.

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Speaker 1: They tied it into Disney a little more with calling

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Speaker 1: it Nemo and Friends.

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Speaker 2: Okay. I liked Nemo.

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Speaker 1: Oh yeah, Nemo's great. I liked Albert Bros.

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Speaker 2: Albert just such a good movie.

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Speaker 1: So a group of people including Topanga, Ronnie and Kristin

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Speaker 1: I'll walk in greeted by a dolphin trainer played by

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Speaker 1: the beautiful Debbie Dunning. She tells them for the next

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Speaker 1: week they're going to be studying and observing dolphins. On

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Speaker 1: the other side of the park, Corey and Sean are

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Speaker 1: walking through Epcot as Sean Brown.

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Speaker 2: Everybody in my family by the way, like that dolphin

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Speaker 2: trainer is so beautiful? What is uh?

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Speaker 1: Just look like just And then later we see her

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Speaker 1: in like a Baywatch bathing suits, Like.

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Speaker 2: Yes, I thought the same thing. I'm like, what is

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Speaker 2: she wearing this? She's gorgeous? Do you think she you

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Speaker 2: were there?

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Speaker 3: Did she actually do the diving in the tank and

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Speaker 3: everything and get or did she just get out of

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Speaker 3: the tag? She got swimming with it, So she wasn't

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Speaker 3: actually swimming with the dolphin and doing all the stuff

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Speaker 3: at the beginning.

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Speaker 1: No, okay, was there there?

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Speaker 3: Didn't They start like she she gets out of the water,

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Speaker 3: but they insinuate that she's like there with the dolphin.

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Speaker 1: The water to swim with the dolphins for stuff they

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Speaker 1: shot off camera.

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Speaker 2: Well didn't Ben do that? No, No, they see her.

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Speaker 2: You see her get out of the tank.

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Speaker 1: Right right, and so that she takes.

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Speaker 2: She also lost forty pounds. She didn't have Ben. Didn't

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Speaker 2: Ben train to be able to keep up with the dolphins.

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Speaker 2: She also had to learn the dolphins.

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Speaker 1: And it was a whole unfortunately none of that paid

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Speaker 1: off for the fit into the twenty two minute episode.

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Speaker 2: But here being funny, but she gets out of the

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Speaker 2: tank with all the aquar.

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Speaker 1: She doesn't take a few steps out of a body

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Speaker 1: of water, and.

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Speaker 2: She wrong any good of an actress. She learned she actually.

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Speaker 1: Lived with the dolphins for five months, just just just

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Speaker 1: to get She was bruney, so bruney under there.

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Speaker 3: You hate to please direct all of your letters that

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Speaker 3: are gonna come to know.

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Speaker 2: You saw her swim five camera. She talked like a dolphins.

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Speaker 2: She made she she fluent dolpl flu and dolphin just

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Speaker 2: for this role. She was a thousands just a couple phrases.

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Speaker 2: I mean, but oh goodbye, But she did study. You

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Speaker 2: watch and really the Emmys that you I mean that

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Speaker 2: commitment to not get at least none, at least swim

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Speaker 2: You watch, okay, you watch. Send all your letters, please

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Speaker 2: inundate them with letters. Inundate them with letters.

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Speaker 3: No, it starts with their swimming. No, you and writer

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Speaker 3: the letters. People people going No, she swam like ten feet.

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Speaker 3: You watched her swim ten feet. So did she really

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Speaker 3: do it? I'm saying, did she actually put the equipment

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Speaker 3: on and swim like Ben did?

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Speaker 2: It's a logical question.

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Speaker 1: Thank you will, It's a logical question.

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Speaker 3: Oh I can't wait Oh, I can't wait for the letters.

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Speaker 2: Oh, I can't wait for the letters. I can't wait

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Speaker 2: they're coming.

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Speaker 3: Please everyone, I'm asking all of our dear listeners to

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Speaker 3: inundate Podmets world dot com with letters for Danielle and

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Speaker 3: writer about how she actually swim.

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Speaker 2: You studied the tree for this episode right to be

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Speaker 2: able to move the dummy around, spent at least three weeks.

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Speaker 1: It's one of the reasons we were so overwhelmed as

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Speaker 1: a production is because the dolphins.

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Speaker 2: Had to put a scuba scuba gear on. Yes, yes,

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Speaker 2: and he acts, but that's him in the tank, swimming

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Speaker 2: him in the tank for no reason, because it could

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Speaker 2: have been the dummy. He could have literally brought the

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Speaker 2: Corey dummy exactly.

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Speaker 3: So.

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Speaker 1: On the other side of the park, Corey and Sean

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Speaker 1: are walking through Epcot as Sean brags about his uncle

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Speaker 1: Nikki taking care of their travel arrangements. Corey eels we

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Speaker 1: took a cargo plane. Sean, I sat next to a

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Speaker 1: creative live chickens, pointing out the peck barks on his neck.

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Speaker 1: Sean wants him to calm down. They're at the happiest

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Speaker 1: place on Earth. Corey asks, then, why am I so miserable.

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Speaker 1: Sean reminds him, you're going to find Tapanga and tell

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Speaker 1: her you still love her. Corey agrees, She's the most

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Speaker 1: wonderful thing that's ever happened to me. How can I

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Speaker 1: not have her in my life? Corey complains, there are

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Speaker 1: ten of thousands of people here. They have a very

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Speaker 1: slim chance of finding her, and in a classic sitcom trope,

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Speaker 1: John and Gory turned to scan the area, but just

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Speaker 1: then a golf cart drives behind them with Tapanga in

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Speaker 1: the front seat, but they are looking in the wrong

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Speaker 1: direction so they don't see her. The boys turn around.

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Speaker 1: Oh it's such a shame. The boys turn around right

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Speaker 1: after the cart passes, and Corey says, we better get started.

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Speaker 1: It could take days.

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Speaker 2: Yes, I'm one of those people. I'm sorry.

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Speaker 3: It takes me out of the scene every time when

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Speaker 3: all the extras. I like it when you see things

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Speaker 3: being shot in New York and stuff like that, and

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Speaker 3: all the extras are clearly looking at the cameras and

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Speaker 3: clearly looking at the actors, which is.

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Speaker 2: What happens, and you're so you're seeing all these business.

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Speaker 2: This is classic production overwhelmed moment. Like this scene, it's

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Speaker 2: just you know, and I don't know if everyone we

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Speaker 2: don't maybe have to go into too much detail. But

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Speaker 2: this is the difference between single camera and multi camera

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Speaker 2: is that a single camera crew sets up for exeter

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Speaker 2: shots like this for a lot longer than what we

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Speaker 2: would set up on stage. So like you would have

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Speaker 2: we would do, you would shoot what's called coverage with

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Speaker 2: like you'd only shoot in one direction. You'd have big

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Speaker 2: outdoor lights, you'd have boards and stuff to reduce shadows

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Speaker 2: to make. And that's why, like single camera shows are

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Speaker 2: more expensive and time consuming. Less so now but back then,

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Speaker 2: especially the difference between a multi camera show where you're

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Speaker 2: shooting on stage and I'm sure, oh I'm sure, but

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Speaker 2: it's just it's so hard like and in this just

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Speaker 2: looks awkward. It looks like a multi camera show on location,

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Speaker 2: which never feels right.

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Speaker 3: You know, all you guys were there and I was not.

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Speaker 3: Was was it our crew? Did we have members of

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Speaker 3: our crew filming everything?

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Speaker 1: So it wasn't like a local floor, It was a

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Speaker 1: local Florida crew.

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Speaker 2: I might have been a looking forward. I just remember cracking,

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Speaker 2: being overwhelmed. We had a jib. You can tell that

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Speaker 2: we had a jib, so you know, we use that

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Speaker 2: as much as possible. And a jib is a weighted

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Speaker 2: crane that you can like go up and down.

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Speaker 1: The big famous shot of Core and Banga kissing in

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Speaker 1: front of the fountain, right jib shot. And yes, I

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Speaker 1: think all of the background actors were not actors. They

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Speaker 1: were There were just signs all over the park near

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Speaker 1: where we were shooting that said things like, by being here,

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Speaker 1: you agree to have your face in.

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Speaker 2: A on camera on camera.

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Speaker 1: By the way, if you are one of the people

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Speaker 1: who was in the park while we were shooting, please

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Speaker 1: send us your emails. If you if you can be

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Speaker 1: spotted in this episode of Boy Meets World because you

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Speaker 1: were there with your family, please send us your emails.

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Speaker 1: That's so cool. I want to hear about that. I

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Speaker 1: want to hear about your experience. So that's why people

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Speaker 1: are looking right at the camera because they're not there.

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Speaker 2: They tell them, I'll be honest. I didn't even actually

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Speaker 2: notice that.

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Speaker 1: I don't really either to be honest, but will always does.

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Speaker 2: Yeah, I was so focused on just like the awkwardness

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Speaker 2: of like Ben and I in broad sunlight squinting like

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Speaker 2: it just looks so you know, not know it.

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Speaker 3: I have a question writer for you for your for

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Speaker 3: for just your personal life.

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Speaker 2: I noticed Ben is in shorts. You are not. Was

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Speaker 2: that a choice for actors? Don't like that's you're wearing.

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Speaker 2: That was my question.

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Speaker 3: So you don't wear shorts in boots?

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Speaker 2: I wear excludes sandals. He could do sandals. He has hobbitized.

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Speaker 3: He I've seen I've seen nobody should see my sand.

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Speaker 3: But I've seen your hobbit feet and many times.

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Speaker 2: Yes, you you've had to No.

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Speaker 3: Okay, so that so that was a choice by you.

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Speaker 3: Then where it's like, I'm not wearing.

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Speaker 2: Shorts, I mean you can't. Yeah, you can't get me

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Speaker 2: in shorts. Not unless I'm going into the water. You're

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Speaker 2: not going to be in shorts. No. I recently, I

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Speaker 2: was in Mexico for the last New Year's and I

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Speaker 2: bought new, uh new cool cowboy boots. No, And so

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Speaker 2: I wore my my jeans and boots to the beach

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Speaker 2: while my son and my wife went in the water,

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Speaker 2: and I fit right in. I fit right in.

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Speaker 1: I'm not going to be able to get past that

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Speaker 1: piece of information. So we get the same shaky zoom

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Speaker 1: back at the high school in the as the exterior,

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Speaker 1: and we are back in the school hallway. Eric walks

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Speaker 1: out of a classroom with the Corey doll around his

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Speaker 1: shoulder as a teacher shouts, oh, excellent oral report, Corey Matthews.

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Speaker 1: Eric leans the doll into the classroom, waves its arms,

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Speaker 1: and shouts thank you in a high pitched voice. And

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Speaker 1: I guess we just buy that that that doll is

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Speaker 1: so believable.

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Speaker 2: Well, that's the thing. It's it's I guess that's supposed

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Speaker 2: to be. I get it. It's to be funny. I

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Speaker 2: get it.

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Speaker 1: It's funny.

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Speaker 2: I get it's a weird one to go with, but

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Speaker 2: I get it. I get Well, here's here's the thing.

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Speaker 2: What's what's interesting is like, once you've written this right,

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Speaker 2: then you have to get the production department to make

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Speaker 2: the doll. And if the doll had looked too realistic,

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Speaker 2: it would have been creepy or weird. So the idea

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Speaker 2: is that once you are once you write this joke,

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Speaker 2: you have to make it look pretty bad in.

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Speaker 1: Order for it to be fright, like right, Because yeah,

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Speaker 1: I get it, I get it. Eric then shoves the

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Speaker 1: doll into his locker and turns around to see mister

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Speaker 1: Feenie completely shocked. A disturbed Fhoene asks what Eric is doing.

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Speaker 1: Phoene could have sworn he saw Eric stuffing Corey into

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Speaker 1: his locker. Eric asks, why would I want to do

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Speaker 1: something like that. Phoene's still extremely confused and says, well,

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Speaker 1: I don't know, but I clearly saw a curly haired

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Speaker 1: boy into your locker. Eric asks, but why would I

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Speaker 1: want a curly haired boy in my locker. Phoene responds again,

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Speaker 1: I don't know, I don't know, points to the locker,

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Speaker 1: telling Eric get him out of there right Then, Turner

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Speaker 1: asks mister Feenie to grab a word with him, and

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Speaker 1: while Phoene's back is turned, Eric launches the Cory doll.

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Speaker 1: The locker's wide open with nothing inside. Right as Phoene returns,

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Speaker 1: Phoenie asks, do you think I'm a dummy, mister Matthews.

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Speaker 2: Eric scoffs, well, get it, dummy, dummy, get it.

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Speaker 1: Feenie responds, I'll see you in detention, and I guess

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Speaker 1: we just believe that. As Phoene turns toward that direction,

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Speaker 1: he doesn't see the dummy body on the ground not

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Speaker 1: that far.

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Speaker 2: The fourth wall is no fourth really threw them into it.

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Speaker 2: It is literally a wormhole that once you enter, it's

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Speaker 2: the same text. It's the same vortex that Corey is in.

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Speaker 3: Later, as he walks two feet from Topango, who never

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Speaker 3: sees her.

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Speaker 2: The vortex that Hillary Tuck exists, and she's like she

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Speaker 2: can beam in and out from that vortex. Different people, yes,

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Speaker 2: three different people, And.

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Speaker 1: We're back at Disney World. Corey and Shawn are wading

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Speaker 1: in a long, long line. Corey's trying to find Tapanga

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Speaker 1: on this ride. Sean questions who said anything about a ride?

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Speaker 1: And then he's handed to Chruro. Cory yels, are you

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Speaker 1: kidding me? Come on, let's go, And all those people

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Speaker 1: there are just I think regular background.

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Speaker 2: Did you is that all you saw? Is that really

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Speaker 2: all you saw?

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Speaker 1: Yeah?

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Speaker 2: The two guys behind you are Blackman and bus Gang.

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Speaker 3: What did you never notice that the two guys behind

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Speaker 3: you're looking.

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Speaker 2: At any gang myself?

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Speaker 3: Yes?

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Speaker 2: If Blutman and bus Gang are the two guys directly.

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Speaker 1: Behind you, so cool, both sitting there acting like have

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Speaker 1: not just no attention to detail.

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Speaker 3: Yeah, it's gang sitting right by, standing right behind you,

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Speaker 3: waiting for their turro, giving.

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Speaker 2: Like these exasperated size.

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Speaker 1: Like, oh.

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Speaker 2: I have to go back.

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Speaker 1: I'm going to go back, and all.

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Speaker 2: I saw was the two of them. Yeah, very cool.

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Speaker 1: So then we're at the Living Sea Pavilion. The world's

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Speaker 1: sixiest dolphin trainer, who's now wearing that bay Watch red swimsuit,

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Speaker 1: is explaining to the students that we can't speak the

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Speaker 1: dolphins language. She can.

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Speaker 2: And this is the worst set to film in. Did

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Speaker 2: you get I mean the audio is so echoey, like

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Speaker 2: if you walked into the set, the first thing you'd

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Speaker 2: say is no, we can't, we cannot record it.

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Speaker 3: Entire performance is eighty r. You can tell the lip

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Speaker 3: flaps don't match. She is eighty or entire performance is

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Speaker 3: eight rs. You can see the mouth of flaps ye

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Speaker 3: mouth flaps knuckles and mouth knuckles mouth.

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Speaker 2: Yeap. No this. I was watching this going like why

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Speaker 2: would you make this choice? Like, if you're you're at

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Speaker 2: and also you're at, you fly all the way to

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Speaker 2: Disney to go into a tank, you know, like what

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Speaker 2: we do before they went?

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Speaker 3: So this is I mean they had but the wonder

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Speaker 3: the episode built out on a disney World and all

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Speaker 3: the things to write around Disney World.

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Speaker 2: You decide to go into a dolphin tank. That could

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Speaker 2: because do you.

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Speaker 1: Think they tried to fit something that Topanga would have

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Speaker 1: written about. What would Topanga have won a contest for

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Speaker 1: that would make sense to be at Disney World if

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Speaker 1: not something animal related?

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Speaker 2: The dangers of capitalism? Okay, yeah, true? And a trip

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Speaker 2: to the most Yeah, I don't know.

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Speaker 3: I do think a male dominated world could have won anything.

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Speaker 3: You could have written about anything.

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Speaker 1: I don't know. We'll see. You're right. It doesn't have

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Speaker 1: to tie into something at Disney World. They could have

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Speaker 1: just been writing and write a great essay on such

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Speaker 1: a topic and then go to it.

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Speaker 3: When anybody thinks of Disney World, you don't think of Dolph,

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Speaker 3: animals and environmentalism, No, especially before Animal Kingdom. Now, once

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Speaker 3: Animal Kingdom came out, they tried a little bit more,

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Speaker 3: but this was pre Animal Kingdom, so nobody thinks of

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Speaker 3: dolphins and dis No.

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Speaker 2: I mean, Epico would have been great because you talk

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Speaker 2: about multiculturalism, like different cultures and like absolutely should they

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Speaker 2: wrote reports on different countries and then we could have

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Speaker 2: been in each one of those countries.

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Speaker 1: Get back to the Sexy Dolphin Trainer. She introduces the

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Speaker 1: dolphin amber because amber was found beached. They're nursing her

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Speaker 1: back to health. But because she's been separated from her

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Speaker 1: family and quite possibly her mate, she's lost her appetite.

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Speaker 1: She won't take any food.

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Speaker 2: Metaphor. HiT's a metaphor. It's like the globe rolling over.

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Speaker 1: Corey. Yeah, so you get all those you pick up

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Speaker 1: on all those force I do to Panga is visibly concerned.

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Speaker 1: She asks what will happen to her. The trainer tells

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Speaker 1: her she's not sure, but she hopes Amber will be

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Speaker 1: reunited with her mate soon. Corey and Sean barge into

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Speaker 1: the facility. Corey has a feeling to Panga will be

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Speaker 1: here because they've looked everywhere else. Sean sees Topanga. There

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Speaker 1: she is. I love also that you say, brilliant, there

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Speaker 1: she is.

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Speaker 2: It's hold on, we've looked everywhere everywhere. I think this

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Speaker 2: is also the joke, like they've said.

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Speaker 3: It's like they could be anywhere and you turned your

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Speaker 3: back and they drive behind you.

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Speaker 2: Now you've looked where the dolphin tank is and nobody's

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Speaker 2: allowed about it. Hango would be. It doesn't make sense.

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Speaker 2: It could have just easily been the joke that or

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Speaker 2: we just know that this was part of their tour,

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Speaker 2: Like Why wouldn't we know that if you wrote a

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Speaker 2: nessa and environmentalism, they're going to be backs are going to.

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Speaker 1: Be They're gonna spend a whole week at the Living

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Speaker 1: Seas Pavilion. Yes, part of the announced competition.

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Speaker 2: Sean stole their itinerary. I have managed to rip off

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Speaker 2: the itinerary. I know exactly where they're going to be.

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00:18:36,040 --> 00:18:38,520
Speaker 1: Yeah, but if they know exactly where they're going, you

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Speaker 1: miss out on all the opportunities to see long lines

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Speaker 1: for turos.

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00:18:42,680 --> 00:18:46,080
Speaker 2: But that's the joke that long lines for turos. What else?

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Speaker 2: We have we done? The characters search now not yet

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Speaker 2: so you could still do us chasing you trying to

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Speaker 2: find Okay.

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Speaker 1: Okay, anyway, Corey tell Sean, I'm just gonna go over there,

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Speaker 1: and I'm gonna tell her that I love her. I mean,

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Speaker 1: I've loved her since the day our eyes met, and

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Speaker 1: then I and that I will love her until the

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Speaker 1: day I die.

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Speaker 2: And what do you except for when I broke up

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Speaker 2: with her at the beginning?

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Speaker 1: What other days?

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Speaker 2: But when she wanted to go be French?

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Speaker 1: Who doesn't? And what do you think she's going to

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Speaker 1: say when she hears that? And then Kristen is standing

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Speaker 1: behind Corey, thinking that speech is about her why she

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Speaker 1: was called to Panga. If I were in that situation,

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Speaker 1: I would be like, Corey, it's obvious you still have

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Speaker 1: feelings for your ex and maybe you're acting out even

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Speaker 1: as a fifteen year old. I think maybe I would say,

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Speaker 1: perhaps you should be with Tapanga.

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Speaker 3: She could also just be used to be calling different names,

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Speaker 3: seeing as this is the third name she's been.

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Speaker 2: Called on the show. That's also a possibility where she's like, Okay,

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Speaker 2: maybe that's.

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Speaker 1: She actually likes it.

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Speaker 2: It's her cank. Didn't we help her up with her guy?

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Speaker 2: Like on the radio show? That was like the whole

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Speaker 2: episode with the radio Remember she was on the radio episode, Yes,

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Speaker 2: and we're like helping her because the guy calls in

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Speaker 2: and that's what we become like a dating show. Whatever

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Speaker 2: happened with him.

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Speaker 1: What happened to him? Well, So Kristin is standing behind

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Speaker 1: Corey and she says, I love you too, Corey. She

438
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Speaker 1: can't believe he came all the way to Florida for her.

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00:20:10,520 --> 00:20:13,560
Speaker 1: That's so romantic. She grabs his face and kisses him.

440
00:20:13,760 --> 00:20:16,199
Speaker 1: Corey tries to tell her, you don't understand, just as

441
00:20:16,240 --> 00:20:19,479
Speaker 1: to Panga walks up and again she sees that and

442
00:20:19,520 --> 00:20:22,280
Speaker 1: she says, oh, but I do, and she storms off,

443
00:20:22,960 --> 00:20:26,639
Speaker 1: no questions about why he's there in Florida or anything really,

444
00:20:27,000 --> 00:20:28,879
Speaker 1: and then we see a shot of Epcot and then

445
00:20:28,920 --> 00:20:31,720
Speaker 1: we're on Splash Mountain, which is a ride that's no

446
00:20:31,800 --> 00:20:35,119
Speaker 1: longer at Disney World. We see the sun start to

447
00:20:35,240 --> 00:20:37,639
Speaker 1: rise along we cut to Corey in one of the

448
00:20:37,720 --> 00:20:40,720
Speaker 1: ride's logs. He's slowly getting up, complaining my back every

449
00:20:40,760 --> 00:20:42,959
Speaker 1: disc got a whack. Sean appears in the log right

450
00:20:43,000 --> 00:20:47,360
Speaker 1: behind him, exclaiming best night's sleep I've ever had, so great,

451
00:20:48,000 --> 00:20:49,560
Speaker 1: very funny. Corey's upset. He's a thousand.

452
00:20:49,560 --> 00:20:51,679
Speaker 2: This is a great seat. See this is like this

453
00:20:51,720 --> 00:20:54,400
Speaker 2: should have been more of what this episode is. It's

454
00:20:54,440 --> 00:20:58,480
Speaker 2: like hijinks on rides in Disney World, stuff going on,

455
00:20:59,119 --> 00:21:02,840
Speaker 2: good conversation. Were actually just talking about our character based stuff.

456
00:21:02,880 --> 00:21:03,199
Speaker 2: I don't know.

457
00:21:03,240 --> 00:21:06,840
Speaker 1: Yeah, this is this felt very good. I love this.

458
00:21:07,080 --> 00:21:09,080
Speaker 2: Yeah. And then running around and getting help from the

459
00:21:09,119 --> 00:21:12,359
Speaker 2: characters felt like we're taking advantage of what this episode.

460
00:21:12,440 --> 00:21:14,880
Speaker 1: Did you shoot this before the ride opened for the day?

461
00:21:15,080 --> 00:21:17,000
Speaker 2: Yeah, super early, Like we had to wake up at

462
00:21:17,040 --> 00:21:18,520
Speaker 2: like three or four in the morning to get there

463
00:21:19,000 --> 00:21:21,760
Speaker 2: and then yeah, and then we shot and they because

464
00:21:22,040 --> 00:21:26,560
Speaker 2: they wanted to open the ride up freezing exhaust sure, like, yeah,

465
00:21:27,040 --> 00:21:29,920
Speaker 2: you have to go seven times? Yeah, at least Yeah.

466
00:21:30,040 --> 00:21:31,680
Speaker 2: For some reason, I have the number seven in my head.

467
00:21:32,320 --> 00:21:33,960
Speaker 2: But Ben and I got so sick of the song.

468
00:21:34,080 --> 00:21:37,520
Speaker 1: Oh yeah, couldn't they hut the music off?

469
00:21:38,800 --> 00:21:41,400
Speaker 2: How do you do? How do you do?

470
00:21:41,400 --> 00:21:41,600
Speaker 4: Do?

471
00:21:41,600 --> 00:21:42,080
Speaker 2: Do? Do? Do?

472
00:21:41,960 --> 00:21:42,440
Speaker 3: Do? Do do?

473
00:21:42,720 --> 00:21:45,000
Speaker 2: How do you do? And there's one part where they go,

474
00:21:46,160 --> 00:21:49,920
Speaker 2: how do you do? Pretty good? Shows your bone, sure

475
00:21:49,960 --> 00:21:52,159
Speaker 2: as you're born, is what they're saying. But Ben and

476
00:21:52,160 --> 00:21:54,359
Speaker 2: I were convinced they were saying, shows your balls, so

477
00:21:54,400 --> 00:21:59,600
Speaker 2: it went pretty good, shows your bowls, over and over.

478
00:22:00,480 --> 00:22:02,760
Speaker 2: That's all we so for years, that's what we were

479
00:22:02,800 --> 00:22:07,280
Speaker 2: saying with one another. Pretty good shows your balls.

480
00:22:09,680 --> 00:22:17,560
Speaker 1: At that shirt down me too, pretty good shows you both.

481
00:22:20,440 --> 00:22:22,879
Speaker 2: I can't believe I forgot that until this. I'm like,

482
00:22:22,880 --> 00:22:25,040
Speaker 2: it's literally started to tell the story of it because

483
00:22:25,040 --> 00:22:27,720
Speaker 2: we were I mean, it was like being on acid ride.

484
00:22:27,760 --> 00:22:30,680
Speaker 2: That ride, no one else in it, the other logs

485
00:22:30,840 --> 00:22:33,359
Speaker 2: just over and over again, and then they have to

486
00:22:33,480 --> 00:22:35,880
Speaker 2: dry us all and then we when we get wet enough,

487
00:22:35,920 --> 00:22:37,640
Speaker 2: so then they have to like wet us down before

488
00:22:37,680 --> 00:22:39,800
Speaker 2: it was oh Man, over and over.

489
00:22:51,240 --> 00:22:53,640
Speaker 1: So Corey's upset. He's a thousand miles away from home.

490
00:22:53,680 --> 00:22:55,119
Speaker 1: He didn't get the girl he came for, and he

491
00:22:55,160 --> 00:22:57,119
Speaker 1: slept in a log. He looks at Sean and asks,

492
00:22:57,160 --> 00:22:59,479
Speaker 1: you know what that makes me? A log sleep and loser?

493
00:22:59,680 --> 00:23:01,960
Speaker 1: You know says they should go home. Sean agrees, and

494
00:23:02,040 --> 00:23:04,560
Speaker 1: Corey is disturbed. My heart's been skewed and you're not

495
00:23:04,600 --> 00:23:06,840
Speaker 1: going to talk me into staying. Sean asks why you

496
00:23:06,880 --> 00:23:09,000
Speaker 1: gave it your best shot? Clearly she's more interested in

497
00:23:09,080 --> 00:23:12,040
Speaker 1: Ronnie Waterman. Corey says he has something to offer her passion,

498
00:23:12,119 --> 00:23:14,600
Speaker 1: deep passion and a history. I came here to woo

499
00:23:14,640 --> 00:23:15,760
Speaker 1: her and buy gum.

500
00:23:15,880 --> 00:23:17,080
Speaker 2: Woo her I will.

501
00:23:18,040 --> 00:23:20,479
Speaker 1: I want you to know I looked up the phrase

502
00:23:20,520 --> 00:23:24,440
Speaker 1: by gum because I needed to know when it was developed,

503
00:23:24,480 --> 00:23:27,080
Speaker 1: and it leads you down quite quite a rabbit hole.

504
00:23:27,400 --> 00:23:29,000
Speaker 1: But the only real thing I got out of it

505
00:23:29,080 --> 00:23:32,240
Speaker 1: was that it was coined in the earliest earliest Wow,

506
00:23:32,320 --> 00:23:38,160
Speaker 1: I can't speak early early nineteen cent, which is way

507
00:23:38,160 --> 00:23:39,120
Speaker 1: before Grease came out.

508
00:23:39,200 --> 00:23:41,440
Speaker 2: It was like eighteen fifteen.

509
00:23:41,119 --> 00:23:44,080
Speaker 1: Is the first use of it. And then and then

510
00:23:44,080 --> 00:23:46,399
Speaker 1: it was used in like nineteen twenty one in the

511
00:23:46,440 --> 00:23:50,120
Speaker 1: title of a song. But so anyway, Corey decided.

512
00:23:49,800 --> 00:23:51,560
Speaker 2: I wasn't in the eighteen fifties version of Greeed.

513
00:23:51,600 --> 00:23:54,760
Speaker 1: It wasn't in the it wasn't I don't think. Corey decides,

514
00:23:55,040 --> 00:23:58,159
Speaker 1: if you do your ball show you.

515
00:23:59,760 --> 00:24:03,960
Speaker 2: I was trying to do like Summer Loven. Did she

516
00:24:04,040 --> 00:24:06,800
Speaker 2: put us up at the fight it? I don't know.

517
00:24:10,400 --> 00:24:12,800
Speaker 1: Cory decides they're staying. He looks at Sean and says, Oh,

518
00:24:12,800 --> 00:24:15,240
Speaker 1: I see what you just did reverse psychology. You let

519
00:24:15,240 --> 00:24:16,760
Speaker 1: me think I was a loser to show me I'm

520
00:24:16,760 --> 00:24:19,240
Speaker 1: really not a loser. Sean replies, no, I just think

521
00:24:19,240 --> 00:24:21,439
Speaker 1: she and Ronnie make a really cute couple, but not

522
00:24:21,600 --> 00:24:23,919
Speaker 1: as cute as you and Topanga. Corey explains, it's a

523
00:24:23,960 --> 00:24:26,520
Speaker 1: new day and when I sweep Topi off her.

524
00:24:26,440 --> 00:24:30,879
Speaker 2: Totally yea, Hopey made me uncomfortable.

525
00:24:30,920 --> 00:24:33,520
Speaker 1: I know me too. Don't like it, don't like don't

526
00:24:33,600 --> 00:24:36,480
Speaker 1: like it. I want to be clean and fresh. So

527
00:24:36,520 --> 00:24:38,480
Speaker 1: Sean asks where they're going to find a shower, and

528
00:24:38,600 --> 00:24:42,280
Speaker 1: perfectly timed starts moving. We see them go down the

529
00:24:42,400 --> 00:24:46,160
Speaker 1: huge splash mountain drop and they are soaked Shawn's shot.

530
00:24:46,119 --> 00:24:48,680
Speaker 2: Which India immediately called. He's like, they didn't ride the ride,

531
00:24:48,720 --> 00:24:53,480
Speaker 2: it just cut. He's like they edited that, Wow, Indy, nice,

532
00:24:53,680 --> 00:24:54,600
Speaker 2: they did nice.

533
00:24:56,040 --> 00:24:58,760
Speaker 1: So we see uh now then Shawn shouts, now, where

534
00:24:58,760 --> 00:25:01,240
Speaker 1: do we find a towel? And that's where you get

535
00:25:01,400 --> 00:25:05,879
Speaker 1: peak corporate synergy folks. Right there, the boys from The

536
00:25:05,920 --> 00:25:09,240
Speaker 1: Boy Meets World on the Splash Mountain log ride edited.

537
00:25:10,119 --> 00:25:13,359
Speaker 1: It's the best. And then we're still at Disney World.

538
00:25:13,359 --> 00:25:15,920
Speaker 1: We see main Street and then we join Corey and

539
00:25:15,960 --> 00:25:18,160
Speaker 1: Sean running around the park looking for Topanga. They run

540
00:25:18,160 --> 00:25:19,879
Speaker 1: into The Beast from Beauty and the Beast and then

541
00:25:19,920 --> 00:25:22,679
Speaker 1: goofy asking each if they've seen Tapanga, and then we

542
00:25:23,000 --> 00:25:26,480
Speaker 1: enter a montage to Panga Is on the Utopia car

543
00:25:26,560 --> 00:25:29,280
Speaker 1: ride with Ronnie and Corey is revealed as right behind them,

544
00:25:29,440 --> 00:25:31,919
Speaker 1: following closely and waving, trying to get to Pega's attention.

545
00:25:32,000 --> 00:25:35,439
Speaker 1: Like a true sociopath, She's not interested. This is the

546
00:25:35,480 --> 00:25:38,720
Speaker 1: famous outfit here. It is a very memorable Topanga fit.

547
00:25:38,840 --> 00:25:40,760
Speaker 1: Dozens of people have dressed in it for our lives.

548
00:25:40,760 --> 00:25:42,200
Speaker 2: Shit, Yes, why did I know this?

549
00:25:42,280 --> 00:25:44,760
Speaker 1: Because there is a famous is the only moment? Yes?

550
00:25:44,800 --> 00:25:47,360
Speaker 1: This is it? Through this montage. There's a very famous

551
00:25:47,359 --> 00:25:52,120
Speaker 1: picture of Ben and myself on a bench with Epcot

552
00:25:52,200 --> 00:25:55,080
Speaker 1: behind our Disney World or Epcot behind us, where we're

553
00:25:55,119 --> 00:25:57,679
Speaker 1: sitting next to each other, and it's like a very

554
00:25:57,720 --> 00:26:00,840
Speaker 1: famous BTS shot of the two of us. And I'm

555
00:26:00,880 --> 00:26:02,040
Speaker 1: in that outfit.

556
00:26:02,119 --> 00:26:03,879
Speaker 2: Yeah, because I knew this out yet. The second I

557
00:26:03,920 --> 00:26:06,000
Speaker 2: saw it, I was I've seen that outfit, I remember.

558
00:26:06,119 --> 00:26:07,320
Speaker 2: But then it's equal dress.

559
00:26:08,560 --> 00:26:12,000
Speaker 1: It's a it is a peak to Panga moment, and

560
00:26:12,040 --> 00:26:15,280
Speaker 1: it's the only outfit of the of the episode that

561
00:26:15,400 --> 00:26:18,000
Speaker 1: I loved. I just loved it.

562
00:26:18,480 --> 00:26:19,720
Speaker 2: I missed the chunky white belt.

563
00:26:20,200 --> 00:26:21,400
Speaker 1: You miss it? You liked it a lot?

564
00:26:21,520 --> 00:26:22,360
Speaker 2: Yeah, I liked it.

565
00:26:23,200 --> 00:26:25,680
Speaker 1: So to Panga and Ronnie approach what they think is

566
00:26:25,720 --> 00:26:27,879
Speaker 1: a Disney character, but when he turns around, it's Corey

567
00:26:27,960 --> 00:26:30,399
Speaker 1: dressed up as Aladdin. He smiles, trying to impress her

568
00:26:30,400 --> 00:26:32,800
Speaker 1: with the costume, but she shakes her head and walks away.

569
00:26:33,240 --> 00:26:34,919
Speaker 1: To Panga and Ronnie are sitting at a bench and

570
00:26:34,960 --> 00:26:37,760
Speaker 1: we see a caricature artist in a beret drawing to Panga.

571
00:26:37,840 --> 00:26:39,480
Speaker 1: So that's the bench that Ben and I took the

572
00:26:39,520 --> 00:26:45,080
Speaker 1: photo on, and uh, it's it's really cute. We see

573
00:26:45,119 --> 00:26:48,000
Speaker 1: that it's Corey as the character artist yet again. To

574
00:26:48,040 --> 00:26:50,800
Speaker 1: Pega sees his drawing and runs off and get ready

575
00:26:50,800 --> 00:26:53,840
Speaker 1: for an iconic scene. Alert to Panga and Ronnie are

576
00:26:53,880 --> 00:26:56,560
Speaker 1: now eating dinner next to a giant fish tank and

577
00:26:56,600 --> 00:26:59,240
Speaker 1: to Panga is just staring off in the distance. Ronnie

578
00:26:59,280 --> 00:27:01,040
Speaker 1: asks why she has and touched her food, and to

579
00:27:01,119 --> 00:27:04,439
Speaker 1: Panka says she's just been thinking about something in truly

580
00:27:04,480 --> 00:27:07,040
Speaker 1: a terrible line rate of just maybe.

581
00:27:06,840 --> 00:27:08,840
Speaker 2: Why are you guys dinner by yourself?

582
00:27:08,960 --> 00:27:11,840
Speaker 1: That's what I'm I don't understand. They tried to make

583
00:27:11,880 --> 00:27:15,920
Speaker 1: it seem like there was some sort of potential relationship

584
00:27:15,960 --> 00:27:18,160
Speaker 1: brewing between the two of us, but like I don't

585
00:27:18,200 --> 00:27:20,800
Speaker 1: know why, and I don't know when that happened. And Nope,

586
00:27:21,040 --> 00:27:25,720
Speaker 1: it just it doesn't feel earned at all.

587
00:27:26,000 --> 00:27:27,680
Speaker 2: It's weird. Yeah, it's very strange.

588
00:27:27,840 --> 00:27:29,800
Speaker 1: Ronnie grabs her hand and asks if she's been thinking

589
00:27:29,800 --> 00:27:32,080
Speaker 1: about him. To Panka pulls her hand away, No, what

590
00:27:32,280 --> 00:27:34,040
Speaker 1: is it with you? Ever since we got here, you've

591
00:27:34,080 --> 00:27:35,760
Speaker 1: been trying to kiss me And if I let you,

592
00:27:35,800 --> 00:27:38,240
Speaker 1: then what then you leave? Because you got your prize?

593
00:27:38,280 --> 00:27:40,000
Speaker 1: Well I'm not in this sid nowhere.

594
00:27:40,119 --> 00:27:42,760
Speaker 2: This is where I wanted them more from Andrew, like

595
00:27:43,000 --> 00:27:44,440
Speaker 2: because it was a dream secret.

596
00:27:45,160 --> 00:27:46,720
Speaker 1: I was just going to say the only time he's

597
00:27:46,720 --> 00:27:48,399
Speaker 1: ever tried to kiss her was in Corey's dream that

598
00:27:48,640 --> 00:27:51,879
Speaker 1: they seemed yeah, yeah, so yeah, I don't know. I

599
00:27:51,880 --> 00:27:53,760
Speaker 1: guess you're just supposed to believe it because I say it,

600
00:27:53,920 --> 00:27:55,800
Speaker 1: and so you, Oh, that's what's been happening.

601
00:27:56,920 --> 00:27:58,520
Speaker 2: And I hate it when we're also doing all these

602
00:27:58,600 --> 00:27:59,560
Speaker 2: romantic things with them.

603
00:27:59,600 --> 00:28:01,560
Speaker 3: You're going and having your character, your picture, take, your

604
00:28:01,640 --> 00:28:04,800
Speaker 3: character driven and written then drawn, and then dinner and

605
00:28:04,920 --> 00:28:07,560
Speaker 3: the cars together, and it's like, I don't get it.

606
00:28:07,640 --> 00:28:08,000
Speaker 3: I don't know.

607
00:28:08,040 --> 00:28:10,120
Speaker 1: I don't get it either. It says the more they

608
00:28:10,200 --> 00:28:12,439
Speaker 1: chase me, the more I get turned off. And as

609
00:28:12,440 --> 00:28:14,680
Speaker 1: she's giving Ronnie the business, Corey is in the fish

610
00:28:14,680 --> 00:28:17,359
Speaker 1: tank behind her holding a sign that says, I will

611
00:28:17,520 --> 00:28:21,920
Speaker 1: chase you forever. He's in full scuba gear. And yes,

612
00:28:22,760 --> 00:28:27,600
Speaker 1: Ben had to learn how to scuba dive, at least

613
00:28:27,640 --> 00:28:30,119
Speaker 1: for a very short amount of time. They had to

614
00:28:30,119 --> 00:28:32,399
Speaker 1: give him whatever little lessons he needed to do in

615
00:28:32,520 --> 00:28:33,600
Speaker 1: order to be able to do this.

616
00:28:34,160 --> 00:28:37,200
Speaker 2: And now somebody didn't somebody tell us that they proposed

617
00:28:37,280 --> 00:28:41,240
Speaker 2: this way. Yes, I think you better showing Florida, someone

618
00:28:41,320 --> 00:28:45,200
Speaker 2: was saying that they got proposed. They they proposed by

619
00:28:45,360 --> 00:28:48,880
Speaker 2: going into the tank and how presenting the ring or somebody,

620
00:28:49,160 --> 00:28:50,920
Speaker 2: Oh no, what was the story?

621
00:28:50,960 --> 00:28:51,760
Speaker 1: Do you guys remember this?

622
00:28:51,840 --> 00:28:52,360
Speaker 2: Who was it?

623
00:28:53,760 --> 00:28:56,200
Speaker 1: You have no idea?

624
00:28:54,360 --> 00:28:57,680
Speaker 2: What flurry as my focus?

625
00:28:57,800 --> 00:28:57,960
Speaker 1: Right?

626
00:28:59,360 --> 00:29:01,000
Speaker 2: I think it was when we were in Florida or

627
00:29:01,040 --> 00:29:03,120
Speaker 2: somewhere somebody came up to us and told us the

628
00:29:03,120 --> 00:29:07,440
Speaker 2: story about how they went and had dinner and had

629
00:29:07,480 --> 00:29:11,480
Speaker 2: somebody go in into the tank and propose, like a

630
00:29:11,480 --> 00:29:14,880
Speaker 2: professional scuba diver from Disney held them ring up and

631
00:29:14,920 --> 00:29:17,840
Speaker 2: held the signs saying will you marry me? From within

632
00:29:17,920 --> 00:29:24,440
Speaker 2: the tank's yeah? And something went wrong, like the person

633
00:29:24,600 --> 00:29:27,280
Speaker 2: got like the yeah, like the scuba diver had like

634
00:29:27,320 --> 00:29:30,760
Speaker 2: a life threatening emergency and like was fine. But then

635
00:29:30,760 --> 00:29:33,280
Speaker 2: they had you guys didn't hear this? Where was this

636
00:29:33,320 --> 00:29:34,200
Speaker 2: whole story?

637
00:29:34,400 --> 00:29:34,560
Speaker 1: Oh?

638
00:29:34,600 --> 00:29:35,920
Speaker 2: My god?

639
00:29:35,400 --> 00:29:38,520
Speaker 1: Did something? Did they lose the ring? What happened?

640
00:29:38,680 --> 00:29:40,800
Speaker 2: No, it was like something went wrong with the tank

641
00:29:40,920 --> 00:29:45,200
Speaker 2: or like whatever ke and and then and then the

642
00:29:45,240 --> 00:29:50,040
Speaker 2: person who got proposed, the couple that got engaged tried

643
00:29:50,040 --> 00:29:52,520
Speaker 2: to like contact Disney to find out like who if

644
00:29:52,560 --> 00:29:54,680
Speaker 2: the scuba diver was okay and they were they were

645
00:29:54,720 --> 00:29:56,960
Speaker 2: totally fine, but they never like got to hear the

646
00:29:56,960 --> 00:29:59,520
Speaker 2: whole story about like what happened. But yeah, you guys

647
00:29:59,560 --> 00:30:01,360
Speaker 2: weren't there for this. So I must have been alone

648
00:30:01,400 --> 00:30:03,920
Speaker 2: somewhere and somebody told me this whole story and I

649
00:30:03,960 --> 00:30:06,120
Speaker 2: was like wow, and it was a whole boy meets

650
00:30:06,120 --> 00:30:09,040
Speaker 2: worlds all right, whoever's listening and knows what I'm talking about,

651
00:30:09,080 --> 00:30:12,400
Speaker 2: please please send me, because we obviously had a conversation.

652
00:30:12,520 --> 00:30:14,360
Speaker 1: Send us a letter. That would be take a long

653
00:30:14,440 --> 00:30:16,080
Speaker 1: time and I don't know how to read those. But

654
00:30:16,120 --> 00:30:19,680
Speaker 1: if you have our email address, you can read.

655
00:30:19,800 --> 00:30:21,840
Speaker 2: You seal it, you give it to the Pony Express.

656
00:30:22,160 --> 00:30:25,600
Speaker 2: You can go through Connecticut connect exactly, which is why

657
00:30:25,600 --> 00:30:28,400
Speaker 2: we can all still read in carry your Pigeon to Me,

658
00:30:30,760 --> 00:30:33,120
Speaker 2: okay rider strong care of Bop Magazine.

659
00:30:33,720 --> 00:30:36,160
Speaker 1: Sean walks up to her she's storming off. She asks

660
00:30:36,240 --> 00:30:38,440
Speaker 1: what is it with your friend? And Sean responds, he's

661
00:30:38,440 --> 00:30:40,360
Speaker 1: just showing you how much he loves you. He probably

662
00:30:40,400 --> 00:30:42,040
Speaker 1: points to the tank and says, this one was my

663
00:30:42,120 --> 00:30:44,600
Speaker 1: idea to Pega grabs a cup of water and throws

664
00:30:44,600 --> 00:30:46,920
Speaker 1: it in his face before walking away. Do you remember

665
00:30:46,960 --> 00:30:50,680
Speaker 1: I remember shooting that part? Do you remember that writer. No, oh, okay,

666
00:30:50,800 --> 00:30:52,720
Speaker 1: I remember getting to splash you in the face with water.

667
00:30:52,920 --> 00:30:53,480
Speaker 1: That was fun.

668
00:30:53,680 --> 00:30:55,480
Speaker 2: No, I was surprised. I was like, I feel like

669
00:30:55,480 --> 00:30:56,520
Speaker 2: I would remember.

670
00:30:56,200 --> 00:30:59,040
Speaker 1: This, but no, clue, you don't interesting.

671
00:30:59,200 --> 00:31:00,920
Speaker 2: And then I don't have any line or anything I

672
00:31:01,040 --> 00:31:03,600
Speaker 2: never wanted, like a beat, like nothing.

673
00:31:04,880 --> 00:31:07,920
Speaker 1: So then we're in Epcot. Corey catches up to Tapanga,

674
00:31:07,920 --> 00:31:10,200
Speaker 1: who was furious he's in his wetsuit. He tells her

675
00:31:10,320 --> 00:31:12,320
Speaker 1: maybe he didn't know, but that was me in that tank.

676
00:31:12,600 --> 00:31:15,600
Speaker 1: She screams at him. I mean, she is just screaming.

677
00:31:15,680 --> 00:31:18,800
Speaker 1: But I think it's also because the audio is so

678
00:31:18,960 --> 00:31:21,680
Speaker 1: bad because of the water feature splashing up on the

679
00:31:21,760 --> 00:31:23,960
Speaker 1: rocks behind us. I did know, and I'd like you

680
00:31:24,000 --> 00:31:27,600
Speaker 1: to stop chasing me, all right. And the water feature

681
00:31:27,640 --> 00:31:30,280
Speaker 1: sound is just so awful through this entire scene. It's

682
00:31:30,400 --> 00:31:33,280
Speaker 1: very distracting. I don't know why they picked.

683
00:31:33,120 --> 00:31:35,960
Speaker 2: Why shoot it there? Yeah, why shoot it there? You

684
00:31:35,960 --> 00:31:38,680
Speaker 2: have a whole part, because this is the thing. Nobody

685
00:31:38,680 --> 00:31:40,720
Speaker 2: on our production team was used to single camera work.

686
00:31:41,040 --> 00:31:43,640
Speaker 2: They you know, they were. We were all years and

687
00:31:43,720 --> 00:31:46,360
Speaker 2: years of working in multi camera, which is on stage,

688
00:31:46,360 --> 00:31:49,200
Speaker 2: which is the whole point of a sound stage. Is

689
00:31:49,200 --> 00:31:51,280
Speaker 2: that it's sound proof. That's why you shoot on a stage,

690
00:31:51,320 --> 00:31:52,840
Speaker 2: so you don't have to deal with airplanes, you don't

691
00:31:52,880 --> 00:31:54,600
Speaker 2: have to hold for traffic, you don't have to deal

692
00:31:54,600 --> 00:31:57,760
Speaker 2: with this kind of stuff. Like if a normal regular films,

693
00:31:57,760 --> 00:31:59,880
Speaker 2: our single camera crew would know to never go in

694
00:32:00,080 --> 00:32:02,520
Speaker 2: where near this or that. You're gonna have to ad

695
00:32:02,640 --> 00:32:04,320
Speaker 2: r the entire thing and just figure it out, or

696
00:32:04,360 --> 00:32:06,040
Speaker 2: you figure out the law of Like, we just weren't

697
00:32:06,040 --> 00:32:08,400
Speaker 2: prepared for this kind of production, and it's too bad.

698
00:32:08,640 --> 00:32:10,960
Speaker 1: So Cory is confused. He's done everything for her. I

699
00:32:11,040 --> 00:32:12,960
Speaker 1: flew here dressed in hair and pants and a fez,

700
00:32:13,000 --> 00:32:14,760
Speaker 1: which you know I don't pull off. I swam with

701
00:32:14,800 --> 00:32:17,040
Speaker 1: the fishes to Panga cuts them off. You could hire

702
00:32:17,040 --> 00:32:19,720
Speaker 1: a blimp fly over Florida flashing my name and neon

703
00:32:19,760 --> 00:32:22,360
Speaker 1: and it wouldn't mean a thing to me. Corey nervously,

704
00:32:22,560 --> 00:32:24,640
Speaker 1: nervously says, oh God, please don't look up.

705
00:32:24,760 --> 00:32:27,080
Speaker 2: To great line. Yes, that would I feel like that

706
00:32:27,080 --> 00:32:28,440
Speaker 2: should have just been the end of the scene. I out,

707
00:32:28,440 --> 00:32:30,080
Speaker 2: They're like, oh God, please don't look up, and we

708
00:32:30,200 --> 00:32:32,200
Speaker 2: just killed it. It would have been a great laugh

709
00:32:32,400 --> 00:32:34,680
Speaker 2: end of scene. And then she storms off and we're done,

710
00:32:34,760 --> 00:32:35,800
Speaker 2: like yep, anyway.

711
00:32:36,040 --> 00:32:38,880
Speaker 1: To Pega continues, They're all just meaningless gestures. Corey is

712
00:32:38,920 --> 00:32:41,080
Speaker 1: shocked meaningless. How could they be meaningless? They come from

713
00:32:41,080 --> 00:32:43,080
Speaker 1: my heart to Peka tells them, I really wish I

714
00:32:43,120 --> 00:32:45,080
Speaker 1: could believe you, but every time I turn around, there

715
00:32:45,120 --> 00:32:48,040
Speaker 1: you are with another girl. Corey says, she's overreacting. We've

716
00:32:48,040 --> 00:32:50,520
Speaker 1: already seen Kristen's hands in the shot here she like

717
00:32:50,640 --> 00:32:53,200
Speaker 1: is right behind him, and we see her hands even

718
00:32:53,240 --> 00:32:55,800
Speaker 1: though she's supposed to be a reveal, but we see

719
00:32:55,880 --> 00:32:59,080
Speaker 1: her in a callback to Boy meets World of Yesteryear

720
00:32:59,120 --> 00:33:00,720
Speaker 1: and the she's behind me, isn't she?

721
00:33:00,840 --> 00:33:01,080
Speaker 2: Joke?

722
00:33:01,440 --> 00:33:05,200
Speaker 1: Corey asks Kristen. Right we zoom out, we now officially

723
00:33:05,240 --> 00:33:08,120
Speaker 1: see Kristen standing behind Corey in a wetsuit. Kristen says,

724
00:33:08,160 --> 00:33:10,240
Speaker 1: I was in the tank behind you. You're a fast swimmer.

725
00:33:10,520 --> 00:33:13,040
Speaker 1: To Pega, who is basically completed a five k by

726
00:33:13,120 --> 00:33:17,880
Speaker 1: now just runs away again. Maybe Corey should have just

727
00:33:17,960 --> 00:33:23,680
Speaker 1: gone straight to an explanation about this instead.

728
00:33:23,360 --> 00:33:24,920
Speaker 3: Of in one of the three or four times this

729
00:33:25,000 --> 00:33:26,760
Speaker 3: keeps happening. Maybe explain it a little bit.

730
00:33:26,760 --> 00:33:29,240
Speaker 1: Maybe think maybe, And then we're back in the dolphin

731
00:33:29,280 --> 00:33:31,440
Speaker 1: training center. Corey runs up to a girl that doesn't

732
00:33:31,480 --> 00:33:35,480
Speaker 1: resemble me in the slightest but she is wearing the

733
00:33:35,520 --> 00:33:39,200
Speaker 1: same print as me as a top instead of a dress,

734
00:33:39,320 --> 00:33:41,800
Speaker 1: So I guess that's the similarity. Did you guys notice

735
00:33:41,800 --> 00:33:44,320
Speaker 1: that the dress that Tapega is wearing, that floral dress,

736
00:33:44,360 --> 00:33:47,120
Speaker 1: they used the same material and they made Stacy Keenan

737
00:33:47,120 --> 00:33:49,680
Speaker 1: a shirt out of it. Ah, So when he comes

738
00:33:49,760 --> 00:33:51,840
Speaker 1: running up behind and says to Panga, it's supposed to

739
00:33:51,840 --> 00:33:55,160
Speaker 1: be because he sees the floral print and nothing gotcha?

740
00:33:55,600 --> 00:33:58,800
Speaker 2: Gotcha? And there's no security around this dolphin. No, not

741
00:33:58,880 --> 00:34:02,239
Speaker 2: at all, answer anybody. She wants to get out? Does

742
00:34:02,280 --> 00:34:03,720
Speaker 2: she she doesn't work there? Does she?

743
00:34:03,880 --> 00:34:08,160
Speaker 1: Nope? She actually explains, Uh, she doesn't work there. She

744
00:34:08,280 --> 00:34:10,239
Speaker 1: was on a tour and she decided to hang back

745
00:34:10,280 --> 00:34:13,680
Speaker 1: on her own, which is not something people do.

746
00:34:13,719 --> 00:34:16,880
Speaker 2: This is just to shoehorn. Yes, Stacy Kennan into the

747
00:34:16,880 --> 00:34:21,439
Speaker 2: episode to give some advice to all eighty advice all

748
00:34:21,480 --> 00:34:25,440
Speaker 2: in the mouth flaw makes the whole thing is terrible.

749
00:34:25,719 --> 00:34:28,040
Speaker 2: She know you know what is not terrible? Her acting?

750
00:34:28,560 --> 00:34:32,040
Speaker 2: She's great. She is no like, she's phenomenal, And I

751
00:34:32,120 --> 00:34:34,520
Speaker 2: this is why what I remember about Stacy Keenan is like,

752
00:34:34,560 --> 00:34:36,880
Speaker 2: I had such a talent crush on her. I was

753
00:34:36,880 --> 00:34:38,319
Speaker 2: in meeting up with her from the age of like

754
00:34:38,360 --> 00:34:41,320
Speaker 2: eleven on. She had I don't know why. She always

755
00:34:41,360 --> 00:34:43,839
Speaker 2: stuck out to me as somebody who just had such

756
00:34:43,920 --> 00:34:46,880
Speaker 2: a natural presence. And she also had never there was

757
00:34:46,960 --> 00:34:49,319
Speaker 2: depth to the stuff she said, and she never had

758
00:34:49,320 --> 00:34:51,919
Speaker 2: a false moment, and like and like, no matter how

759
00:34:52,000 --> 00:34:54,120
Speaker 2: bad the scene was or whatever, she would come across.

760
00:34:54,120 --> 00:34:58,000
Speaker 2: And I remember she had done a movie of the

761
00:34:58,040 --> 00:35:00,719
Speaker 2: Week or maybe it was an actual feature where she

762
00:35:00,840 --> 00:35:03,200
Speaker 2: like has a crush on an older guy. It was

763
00:35:03,200 --> 00:35:06,680
Speaker 2: like one of these like early nineties thrillers about like

764
00:35:06,880 --> 00:35:09,160
Speaker 2: a teenage girl and an older guy and he like

765
00:35:09,239 --> 00:35:12,440
Speaker 2: turned psychopathic or like whatever. I don't know, but I

766
00:35:12,480 --> 00:35:15,960
Speaker 2: somehow saw this thing and decided that Stacy Keenan was

767
00:35:16,000 --> 00:35:18,000
Speaker 2: the greatest actor that had ever lived, and that I

768
00:35:18,040 --> 00:35:20,799
Speaker 2: would someday get to work with her and marry her.

769
00:35:20,880 --> 00:35:23,239
Speaker 2: This was this was my plan, and I did end

770
00:35:23,320 --> 00:35:26,200
Speaker 2: up meeting her on I guess the Disney lot at

771
00:35:26,200 --> 00:35:29,000
Speaker 2: some point with my manager, and he knew like how

772
00:35:29,000 --> 00:35:30,840
Speaker 2: I felt about her, and he brought me up to

773
00:35:30,840 --> 00:35:34,520
Speaker 2: her and was like, writer, this is Stacy and this

774
00:35:34,600 --> 00:35:36,520
Speaker 2: is probably like one of the few times in my

775
00:35:36,560 --> 00:35:41,920
Speaker 2: life I completely lost the ability to speak and and

776
00:35:42,080 --> 00:35:44,920
Speaker 2: and my manager was like, right, did you want to

777
00:35:44,920 --> 00:35:47,400
Speaker 2: tell Stacy how you felt about her performance? And you

778
00:35:47,400 --> 00:35:49,080
Speaker 2: know whatever the thriller this was, I think it was

779
00:35:49,080 --> 00:35:50,840
Speaker 2: called like the Crush, No, the Crush was the one

780
00:35:50,880 --> 00:35:54,200
Speaker 2: where the Crush it was. It was basically that movie,

781
00:35:54,239 --> 00:35:57,560
Speaker 2: like before that movie, and Stacy and I I remember

782
00:35:57,640 --> 00:36:01,000
Speaker 2: just being you. You were really really I tell you,

783
00:36:01,080 --> 00:36:03,319
Speaker 2: I mean, your acting was really good, and she just

784
00:36:03,920 --> 00:36:05,799
Speaker 2: she was so nice but could kind of care less.

785
00:36:06,120 --> 00:36:08,359
Speaker 3: Now Michael knew that from the beginning because I said

786
00:36:08,360 --> 00:36:09,920
Speaker 3: about my two dads. I was like, oh, you did

787
00:36:09,920 --> 00:36:11,879
Speaker 3: my two dads. I was like, I think Stacy Keenan

788
00:36:11,960 --> 00:36:15,839
Speaker 3: is amazing. Her acting is incredible. I believed everything she did.

789
00:36:15,880 --> 00:36:17,239
Speaker 3: I have such a crush on her. And that's why

790
00:36:17,239 --> 00:36:18,560
Speaker 3: he's talented.

791
00:36:18,840 --> 00:36:21,120
Speaker 2: Memory service. He goes, I got bad news and worst news.

792
00:36:21,239 --> 00:36:23,000
Speaker 3: I'm like, all right, what's the bad news, Like we're

793
00:36:23,040 --> 00:36:25,000
Speaker 3: going to Florida and you're not coming, Like, oh, okay,

794
00:36:25,080 --> 00:36:27,200
Speaker 3: what's the worst news? Like Stacy Keenan's finally gonna be

795
00:36:27,200 --> 00:36:27,640
Speaker 3: on the show.

796
00:36:27,480 --> 00:36:29,040
Speaker 2: And she's going to be in Florida. It's like, dude,

797
00:36:29,719 --> 00:36:32,600
Speaker 2: come on, yeah, and she left the industry, right she is.

798
00:36:32,640 --> 00:36:34,879
Speaker 2: She's a lawyer. She's a big lawyer in La. Yeah.

799
00:36:35,440 --> 00:36:37,680
Speaker 2: How do you respect that? How do you not respect that?

800
00:36:38,400 --> 00:36:42,640
Speaker 2: But but again, what is the point she's there, she's

801
00:36:43,120 --> 00:36:49,080
Speaker 2: so shes and whistless and whistles.

802
00:36:49,440 --> 00:36:53,399
Speaker 1: I said, too many people have a dolphin. So he's

803
00:36:53,400 --> 00:36:55,200
Speaker 1: going to get out of this girl's beast.

804
00:36:55,040 --> 00:36:56,640
Speaker 2: Shows up, like, what are we doing?

805
00:36:56,840 --> 00:36:59,600
Speaker 1: Let her do the fish work, even though she doesn't

806
00:36:59,600 --> 00:37:00,719
Speaker 1: work there, so it doesn't.

807
00:37:00,520 --> 00:37:06,120
Speaker 3: Know she's feeding the she this seems unsafe for Amber.

808
00:37:06,320 --> 00:37:09,319
Speaker 1: Yep, So she repeats that Amber has been separated from

809
00:37:09,320 --> 00:37:11,680
Speaker 1: her mate. The dolphin is Amber something she was also

810
00:37:11,800 --> 00:37:15,160
Speaker 1: told by the hot trainer comments.

811
00:37:14,640 --> 00:37:16,960
Speaker 2: Disappeared and left her alone. I cared about Amber so

812
00:37:17,040 --> 00:37:22,799
Speaker 2: much as she left her alone with this some maybe

813
00:37:22,880 --> 00:37:25,239
Speaker 2: that's what Amber is really suffering from. You know, Amber

814
00:37:25,320 --> 00:37:27,480
Speaker 2: is being treated horribly by Taurus who just decided to

815
00:37:27,520 --> 00:37:30,120
Speaker 2: hang out and overfeed her. I mean, poor Amber.

816
00:37:30,360 --> 00:37:32,560
Speaker 1: No, Amber's not eating, remember, yes, she's not eating, she's

817
00:37:32,560 --> 00:37:35,640
Speaker 1: on her Corey comments, She's just an animal, and then

818
00:37:36,000 --> 00:37:38,040
Speaker 1: Stacy Keenan is offended. Just an animal how do you

819
00:37:38,080 --> 00:37:40,360
Speaker 1: get off saying something like that? She makes him apologize

820
00:37:40,360 --> 00:37:43,280
Speaker 1: to Amber and Stacy Keenan says, if I've learned one

821
00:37:43,320 --> 00:37:46,160
Speaker 1: thing during my time here, which is an insane thing

822
00:37:46,280 --> 00:37:48,560
Speaker 1: to say, considering what she's been there for fifteen minutes?

823
00:37:48,880 --> 00:37:50,160
Speaker 1: How long she possibly been there?

824
00:37:50,360 --> 00:37:53,120
Speaker 2: Once she knows that's dolphins, all that is is a

825
00:37:53,120 --> 00:37:56,600
Speaker 2: holdover from this obviously was written for the dolphin trainer. Yes,

826
00:37:56,640 --> 00:37:58,319
Speaker 2: and then they were like, well, wait, wait, wait, we

827
00:37:58,360 --> 00:38:00,800
Speaker 2: can get Stacy Keenan. Let's go through the budget. Is

828
00:38:00,840 --> 00:38:02,880
Speaker 2: that worthy. We can fly her to Florida. We can Stacey,

829
00:38:02,920 --> 00:38:04,520
Speaker 2: I'll ask Stacy will get her to do it. Great.

830
00:38:04,560 --> 00:38:06,920
Speaker 2: Now we'll just change lines. We'll just change the character name.

831
00:38:07,320 --> 00:38:09,920
Speaker 2: She was on a tour. Come on, take some time.

832
00:38:11,280 --> 00:38:13,600
Speaker 2: This is bad. It was bad. It was bad.

833
00:38:13,640 --> 00:38:15,960
Speaker 1: So she says she's learned animals are like people with

834
00:38:16,040 --> 00:38:18,439
Speaker 1: real emotions. She just wishes she could get Amber to eat.

835
00:38:18,800 --> 00:38:23,080
Speaker 1: She tells Corey, maybe you'll have better luck. Sure, just

836
00:38:23,160 --> 00:38:26,280
Speaker 1: leave this guy who also just called her an animal

837
00:38:27,040 --> 00:38:31,880
Speaker 1: and who's a kid. But okay, she leaves, and Corey

838
00:38:32,080 --> 00:38:35,400
Speaker 1: is now alone with the dolphin, and Corey has a

839
00:38:35,440 --> 00:38:38,719
Speaker 1: full on conversation with Amber finding common ground. Once you've

840
00:38:38,760 --> 00:38:41,000
Speaker 1: met that special person, it's hard to live knowing they're

841
00:38:41,000 --> 00:38:44,120
Speaker 1: out there and they're the only one you learn about alone.

842
00:38:44,160 --> 00:38:47,960
Speaker 1: Amber squeaks back in agreement. He shrugs, at least I tried,

843
00:38:48,080 --> 00:38:50,400
Speaker 1: and now I'm talking to a fish. He grabs a

844
00:38:50,440 --> 00:38:52,840
Speaker 1: piece of smelt, throws it into Amber's mouth, and she

845
00:38:52,960 --> 00:38:57,880
Speaker 1: eats it. Yuess, because it's nice. It's nice to know

846
00:38:57,920 --> 00:38:59,920
Speaker 1: that somebody else is sad about their mate.

847
00:39:00,360 --> 00:39:01,480
Speaker 2: Misery loves smelt.

848
00:39:02,600 --> 00:39:06,320
Speaker 1: Corey smiled and says goodbye. As Corey is walking away

849
00:39:06,440 --> 00:39:09,719
Speaker 1: to Pega appears it's directly behind him. Half a second later,

850
00:39:10,840 --> 00:39:14,520
Speaker 1: the timing unbelievable. Panga sees that Amber has eaten and

851
00:39:14,560 --> 00:39:17,719
Speaker 1: she seems excited by this. And now we are outside

852
00:39:17,760 --> 00:39:20,959
Speaker 1: near the Disney World fountains, which is a better water

853
00:39:21,040 --> 00:39:24,839
Speaker 1: feature for sound, I guess. Apparently, Tapega runs after him,

854
00:39:24,920 --> 00:39:27,000
Speaker 1: yelling at Corey. Corey tells her, I heard you loud

855
00:39:27,040 --> 00:39:28,839
Speaker 1: and clear. I'm not going to chase you anymore. We'll

856
00:39:28,880 --> 00:39:30,600
Speaker 1: just go back to being friends or whatever it is

857
00:39:30,600 --> 00:39:32,880
Speaker 1: you want to be. Tapega reminds him he flew across

858
00:39:32,880 --> 00:39:35,000
Speaker 1: the country to see her. He admits he's embarrassed by this.

859
00:39:35,080 --> 00:39:38,120
Speaker 1: He didn't even get the free miles. Tapega continues, you

860
00:39:38,200 --> 00:39:40,799
Speaker 1: dressed in silly outfits, you swam with sharks. Corey cuts

861
00:39:40,800 --> 00:39:42,200
Speaker 1: her off. There were sharks in there.

862
00:39:42,680 --> 00:39:44,919
Speaker 2: She was funny line, very funny, good line.

863
00:39:45,080 --> 00:39:47,080
Speaker 1: Yeah, She says she wasn't going to give up. She

864
00:39:47,120 --> 00:39:49,000
Speaker 1: says he wasn't going to give up no matter what.

865
00:39:49,200 --> 00:39:51,880
Speaker 1: Corey asks how many times he has to say sorry?

866
00:39:51,960 --> 00:39:55,200
Speaker 1: She admits it's her turn to say sorry. No, it's

867
00:39:55,239 --> 00:39:58,160
Speaker 1: not it really is not. She didn't realize all of

868
00:39:58,200 --> 00:40:00,600
Speaker 1: these things came from his heart until now. She leans

869
00:40:00,600 --> 00:40:03,080
Speaker 1: in to kiss him. Corey says he's really confused, and

870
00:40:03,120 --> 00:40:05,560
Speaker 1: to Pega admits she is too. He asks, are we

871
00:40:05,640 --> 00:40:08,839
Speaker 1: friends or what? She smiles and says or what, then

872
00:40:08,960 --> 00:40:11,920
Speaker 1: leans in again to kiss to kiss him. I mostly

873
00:40:12,120 --> 00:40:16,080
Speaker 1: just kiss him in this show, just kissing him.

874
00:40:16,680 --> 00:40:17,319
Speaker 2: Yeah.

875
00:40:17,440 --> 00:40:18,920
Speaker 1: Debya asks, we did break.

876
00:40:18,760 --> 00:40:21,879
Speaker 2: Up counteract aggressiveness in a way, you know, like it's

877
00:40:21,960 --> 00:40:23,920
Speaker 2: it's kind of it's a way to mitigate because if

878
00:40:23,960 --> 00:40:25,080
Speaker 2: Corey were like grabbing you.

879
00:40:25,080 --> 00:40:27,840
Speaker 1: And kiss I just grabbing me and kissing me. I

880
00:40:27,880 --> 00:40:30,359
Speaker 1: mean he kind of just stands there and I kiss him,

881
00:40:30,560 --> 00:40:32,080
Speaker 1: I kiss and he just stay.

882
00:40:32,239 --> 00:40:33,640
Speaker 2: But that's what I mean, That's what I mean, Like

883
00:40:33,680 --> 00:40:36,640
Speaker 2: I feel like that's actually the only way that it

884
00:40:36,680 --> 00:40:38,040
Speaker 2: can help mitigate the like.

885
00:40:38,200 --> 00:40:40,200
Speaker 3: Because he's chased you a crown there across the cross

886
00:40:40,239 --> 00:40:41,560
Speaker 3: the country exactly.

887
00:40:41,560 --> 00:40:45,840
Speaker 2: He's demanding shouldn't emotionally manipulative. I guess so. But I

888
00:40:46,080 --> 00:40:48,319
Speaker 2: think the part of it is like, oh now, now

889
00:40:48,360 --> 00:40:51,040
Speaker 2: he's sort of like you're you're in charge, and you're

890
00:40:51,120 --> 00:40:52,480
Speaker 2: coming at him, and it's.

891
00:40:52,320 --> 00:40:53,919
Speaker 1: Like I'm behind.

892
00:40:54,239 --> 00:40:56,879
Speaker 2: He was like all right, no. But I think if

893
00:40:57,040 --> 00:40:59,480
Speaker 2: even if, if if Corey were like all right, let's

894
00:40:59,480 --> 00:41:01,719
Speaker 2: get it would be a little like okay, you know,

895
00:41:02,400 --> 00:41:04,399
Speaker 2: I'm sure it was a conscious thing. They're like no, no, no, no,

896
00:41:04,520 --> 00:41:07,360
Speaker 2: don't kiss her back, Okay, let her kiss you. This

897
00:41:07,400 --> 00:41:10,960
Speaker 2: is about Tapanga expressing her desires finally and having her

898
00:41:11,000 --> 00:41:14,439
Speaker 2: opinion and apologizing for all that she's done wrong, well

899
00:41:15,520 --> 00:41:19,720
Speaker 2: so many things. She's gone to Florida and been herself

900
00:41:19,760 --> 00:41:21,280
Speaker 2: and had her own opinions and thoughts.

901
00:41:21,120 --> 00:41:24,719
Speaker 1: And yeah, they kiss again. Now is the camera and

902
00:41:24,800 --> 00:41:27,960
Speaker 1: our first jib shot ever shows the fountains behind them

903
00:41:28,000 --> 00:41:30,600
Speaker 1: going off with happy music playing in the background, and

904
00:41:30,760 --> 00:41:32,800
Speaker 1: us and making out by gum.

905
00:41:32,880 --> 00:41:34,760
Speaker 2: They did it, bye gum.

906
00:41:35,080 --> 00:41:37,520
Speaker 1: And then we're in the tag. We're in the Matthew's kitchen.

907
00:41:37,600 --> 00:41:39,920
Speaker 1: Amy and Allan are scolding Corey at the kitchen table.

908
00:41:39,960 --> 00:41:41,879
Speaker 1: Alan asks, you were gone for two days? What did

909
00:41:41,880 --> 00:41:43,600
Speaker 1: you think you were going to tell us? I was

910
00:41:43,640 --> 00:41:46,520
Speaker 1: out front ship and golf balls. Corey tries, Alan grounds

911
00:41:46,560 --> 00:41:48,560
Speaker 1: him for the next month. Morgan hops down from the

912
00:41:48,600 --> 00:41:51,320
Speaker 1: counter asks a month. I got more time when I said,

913
00:41:51,360 --> 00:41:54,000
Speaker 1: and then there's a loud bleep covering the bad words.

914
00:41:54,040 --> 00:41:55,919
Speaker 1: She said, this is our first bleep ever.

915
00:41:56,120 --> 00:41:59,280
Speaker 2: Best line of the show besides Corey looking on my hand.

916
00:41:59,239 --> 00:42:01,600
Speaker 1: To say, he's actually saying no.

917
00:42:01,760 --> 00:42:04,319
Speaker 3: Do you I remember what she said during the run through,

918
00:42:05,040 --> 00:42:07,239
Speaker 3: during during the table read. During the table read, she

919
00:42:07,360 --> 00:42:08,520
Speaker 3: said asshole?

920
00:42:08,640 --> 00:42:11,040
Speaker 1: Okay, right, but she.

921
00:42:10,960 --> 00:42:14,200
Speaker 2: Clearly says like three words. She doesn't and I couldn't

922
00:42:14,200 --> 00:42:17,680
Speaker 2: tell you so much smarter to make it virtually impossible

923
00:42:17,680 --> 00:42:17,920
Speaker 2: to know.

924
00:42:18,000 --> 00:42:20,839
Speaker 1: And that's why they didn't Disney or was not going

925
00:42:20,880 --> 00:42:23,400
Speaker 1: to have something that looks very clearly.

926
00:42:23,920 --> 00:42:26,040
Speaker 2: It also makes it seem even.

927
00:42:25,880 --> 00:42:30,120
Speaker 1: More filthy that it's like, yes, vacuum cleaner of the rug.

928
00:42:33,440 --> 00:42:35,719
Speaker 2: I wonder somebody out there must have figured out try

929
00:42:35,800 --> 00:42:40,480
Speaker 2: to like live Actually, sure if you have please, I'm

930
00:42:40,480 --> 00:42:43,120
Speaker 2: sure you let us know. Reddit thread dedicated to it,

931
00:42:44,000 --> 00:42:44,560
Speaker 2: Debbie Dunning.

932
00:42:44,600 --> 00:42:46,839
Speaker 1: If you're out there and you remember after you get

933
00:42:46,880 --> 00:42:48,640
Speaker 1: done telling us about how you lived with the know

934
00:42:48,719 --> 00:42:49,359
Speaker 1: what you.

935
00:42:49,360 --> 00:42:51,040
Speaker 2: Know, you could let us know also what you know

936
00:42:51,160 --> 00:42:53,879
Speaker 2: what you know what? Don't get me started. You made

937
00:42:53,920 --> 00:42:58,080
Speaker 2: Amber stop eating You your fault, Morgan. This is so

938
00:42:58,120 --> 00:43:00,399
Speaker 2: funny and this is such a great way to like

939
00:43:00,800 --> 00:43:03,560
Speaker 2: involve Morgan again. Like, I just love that. Morgan is

940
00:43:03,760 --> 00:43:06,440
Speaker 2: like the sort of smart Alec you know, who swears

941
00:43:06,440 --> 00:43:07,560
Speaker 2: and gets in trouble.

942
00:43:07,800 --> 00:43:09,120
Speaker 1: And then she has a little bit of a sweet

943
00:43:09,160 --> 00:43:11,640
Speaker 1: moment where as she leaves, she tells Corey, I thought

944
00:43:11,680 --> 00:43:13,560
Speaker 1: what she did for Tapanga was really sweet. I hope

945
00:43:13,560 --> 00:43:14,759
Speaker 1: someday a boy does that for me.

946
00:43:15,120 --> 00:43:16,320
Speaker 2: Corey, I don't think it's very sweet.

947
00:43:16,360 --> 00:43:18,160
Speaker 1: No, it's not. I don't think it's weet. Corey pulls

948
00:43:18,160 --> 00:43:18,480
Speaker 1: out too.

949
00:43:18,520 --> 00:43:20,320
Speaker 2: So I think it's weird. And I think that the

950
00:43:21,160 --> 00:43:23,920
Speaker 2: parents actually and Feenie and all that, Like, I think

951
00:43:23,920 --> 00:43:27,360
Speaker 2: there's a responsibility to like maybe comment on that, like, hey, dude, chill,

952
00:43:27,440 --> 00:43:31,960
Speaker 2: chill out right. I don't know, seems pretty crappy to me, Yeah, great,

953
00:43:32,000 --> 00:43:34,200
Speaker 2: so he got the girl like that seems like a

954
00:43:34,239 --> 00:43:37,520
Speaker 2: really not so healthy thing to support. I don't know, man,

955
00:43:37,680 --> 00:43:38,160
Speaker 2: it sucks.

956
00:43:38,560 --> 00:43:40,879
Speaker 1: Corey pulls out two snow domes from his bag from

957
00:43:40,880 --> 00:43:43,040
Speaker 1: disney World, hoping it'll make his parents go easy on him.

958
00:43:43,080 --> 00:43:45,120
Speaker 1: Amy tells Corey to go upstairs, so Corey takes the

959
00:43:45,160 --> 00:43:47,359
Speaker 1: snow globes back, really having to yank it from Alan.

960
00:43:47,640 --> 00:43:49,719
Speaker 1: Amy tells Corey, I'm glad everything worked out for you

961
00:43:49,760 --> 00:43:52,000
Speaker 1: into Panga. He smiles and says me too, mom. Then

962
00:43:52,040 --> 00:43:53,799
Speaker 1: he hands her back the snow globe, saying you may

963
00:43:53,880 --> 00:43:57,479
Speaker 1: keep yours, but not Alan. He gets nothing. Corey makes

964
00:43:57,480 --> 00:43:59,640
Speaker 1: his way upstairs. I know, I thought that was kidy.

965
00:44:00,160 --> 00:44:02,399
Speaker 1: Corey makes his way upstairs and Eric walks in. Alan

966
00:44:02,440 --> 00:44:04,480
Speaker 1: immediately tells him to sit down. They know he covered

967
00:44:04,480 --> 00:44:06,520
Speaker 1: for Corey, but Eric says without evidence, there's no way

968
00:44:06,520 --> 00:44:08,319
Speaker 1: to time me to this messy affair. So I bid

969
00:44:08,360 --> 00:44:11,919
Speaker 1: you farewell. And then Feene, dressed in his cute gardening gear,

970
00:44:12,000 --> 00:44:13,520
Speaker 1: arrives through the back door.

971
00:44:13,760 --> 00:44:15,279
Speaker 2: He says, I was with a dead body of one

972
00:44:15,280 --> 00:44:19,279
Speaker 2: of the kids. That one of the kids reason down

973
00:44:19,320 --> 00:44:21,960
Speaker 2: that deep. The only reason to dig down to the sheep. Yes,

974
00:44:22,440 --> 00:44:25,799
Speaker 2: I yelled it. Feine was digging in his garden and

975
00:44:25,920 --> 00:44:28,080
Speaker 2: found he was going six feet under it and it

976
00:44:28,239 --> 00:44:28,800
Speaker 2: just happened.

977
00:44:29,239 --> 00:44:30,840
Speaker 3: He was going to throw another one on top, and

978
00:44:30,880 --> 00:44:32,520
Speaker 3: when then he was like, wait, I didn't kill anyone

979
00:44:32,560 --> 00:44:33,320
Speaker 3: with a red shirt.

980
00:44:33,440 --> 00:44:34,799
Speaker 2: Wait, what's going on?

981
00:44:35,000 --> 00:44:37,160
Speaker 1: We were on to something.

982
00:44:37,520 --> 00:44:39,839
Speaker 2: Yeah, I'm telling me azaleas haven't been growing. They must

983
00:44:39,880 --> 00:44:43,239
Speaker 2: not be mulching the bodies. They're not doing their Oh

984
00:44:43,280 --> 00:44:44,400
Speaker 2: it's not a real body.

985
00:44:45,560 --> 00:44:48,440
Speaker 1: So everyone is shocked, and Phoene asks, I believe this

986
00:44:48,560 --> 00:44:51,440
Speaker 1: is yours. Eric laughs at the mannequin and asks, come on,

987
00:44:51,640 --> 00:44:53,560
Speaker 1: is this the best you can do? See? And so

988
00:44:53,680 --> 00:44:56,279
Speaker 1: there we get another little moment where the mannequin. He

989
00:44:56,320 --> 00:44:58,479
Speaker 1: thinks the mannequin isn't good. It's one of those moments

990
00:44:58,480 --> 00:44:59,799
Speaker 1: where I thought they were trying to have it both

991
00:44:59,840 --> 00:45:00,760
Speaker 1: wa with the mannequin.

992
00:45:00,840 --> 00:45:03,240
Speaker 3: But yeah, that's the one part of this whole episode

993
00:45:03,239 --> 00:45:04,200
Speaker 3: that didn't sit right with me.

994
00:45:04,400 --> 00:45:05,120
Speaker 1: Oh that one part.

995
00:45:05,200 --> 00:45:12,359
Speaker 2: Yeah, they had me everything understandable and character based. I'm sorry, but.

996
00:45:12,320 --> 00:45:14,160
Speaker 3: The more I'm talking about it, this is one of

997
00:45:14,200 --> 00:45:15,840
Speaker 3: my least favorite episodes we've watched so far.

998
00:45:15,840 --> 00:45:16,680
Speaker 2: I'm gonna be totally.

999
00:45:16,520 --> 00:45:20,520
Speaker 3: Honest, and it's a strange thing where it shows how

1000
00:45:20,760 --> 00:45:23,359
Speaker 3: an iconic episode because people remember it a certain way

1001
00:45:23,520 --> 00:45:25,839
Speaker 3: might not be that great an episode because this is

1002
00:45:25,880 --> 00:45:27,200
Speaker 3: not a great episode.

1003
00:45:27,200 --> 00:45:29,120
Speaker 2: So no, it's you know. The problem is also it's

1004
00:45:29,120 --> 00:45:32,279
Speaker 2: not super funny along the way, like because even like

1005
00:45:32,320 --> 00:45:34,399
Speaker 2: the Subway episode, which I rolled my eyes at all

1006
00:45:34,400 --> 00:45:38,520
Speaker 2: the contrivances there, there are so many like it's wrong,

1007
00:45:38,560 --> 00:45:41,880
Speaker 2: and there are actually memorable lines even if you know

1008
00:45:42,000 --> 00:45:44,480
Speaker 2: I don't love them, they're trying, whereas this one is

1009
00:45:44,560 --> 00:45:48,000
Speaker 2: going for that earnestness, and that earnestness is Corey's obsessiveness,

1010
00:45:48,000 --> 00:45:50,080
Speaker 2: and that's just not that interesting to me.

1011
00:45:50,120 --> 00:45:52,400
Speaker 3: It's yeah, the whole episode was very weird. Love Blufman

1012
00:45:52,440 --> 00:45:55,719
Speaker 3: and bus Gang. They are amazing guys. And I'm sure

1013
00:45:55,760 --> 00:45:59,160
Speaker 3: this went through the ringer with this episode, so but yeah,

1014
00:45:59,280 --> 00:46:01,960
Speaker 3: not not one of the tough production week, top production

1015
00:46:02,000 --> 00:46:02,960
Speaker 3: week or two weeks.

1016
00:46:03,480 --> 00:46:05,560
Speaker 1: Thank you for joining us for this episode of Podmeets World.

1017
00:46:05,600 --> 00:46:07,680
Speaker 1: As always, you can follow us on Instagram pod meets

1018
00:46:07,719 --> 00:46:10,440
Speaker 1: World Show. You can send us your emails podmeets Worldshow

1019
00:46:10,440 --> 00:46:12,719
Speaker 1: at gmail dot com, and we have.

1020
00:46:12,719 --> 00:46:16,680
Speaker 2: Merch Bye up March.

1021
00:46:19,040 --> 00:46:22,680
Speaker 1: Podmeetsworldshow dot com. Join us for our next episode. Season three,

1022
00:46:22,760 --> 00:46:26,160
Speaker 1: episode twenty two, Brother Brother. It is our season finale

1023
00:46:26,239 --> 00:46:30,960
Speaker 1: of season three aired May seventeenth, nineteen ninety six. Well,

1024
00:46:31,200 --> 00:46:33,680
Speaker 1: since you didn't get to go to Florida, send us off.

1025
00:46:33,840 --> 00:46:35,719
Speaker 2: We love you all, pod dismissed.

1026
00:46:37,040 --> 00:46:40,600
Speaker 3: Podmeets World is nheart podcast producer and hosted by Danielle Fischel,

1027
00:46:40,680 --> 00:46:44,920
Speaker 3: Wilfordell and Ryder Strong executive producers, Jensencarp and Amy Sugarman

1028
00:46:45,200 --> 00:46:48,720
Speaker 3: Executive in charge of production, Danielle Romo, producer and editor,

1029
00:46:48,800 --> 00:46:52,600
Speaker 3: Tara Sudbacks producer, Maddy Moore, engineer and boy Meets World

1030
00:46:52,640 --> 00:46:55,200
Speaker 3: super fan Easton Allen. Our theme song is by Kyle

1031
00:46:55,239 --> 00:46:57,560
Speaker 3: Morton of Typhoon and you can follow us on Instagram

1032
00:46:57,560 --> 00:47:00,359
Speaker 3: at podmeets World Show or email us at podmes World

1033
00:47:00,360 --> 00:47:02,920
Speaker 3: Show at gmail dot com