1 00:00:01,120 --> 00:00:04,200 Speaker 1: They're from his quiver full of shafts, two arrows? Did 2 00:00:04,240 --> 00:00:08,119 Speaker 1: he take of sundry works? To one causes love? The 3 00:00:08,240 --> 00:00:12,400 Speaker 1: other doth H's slake. That causes love is all of 4 00:00:12,520 --> 00:00:16,599 Speaker 1: gold with point, full, sharp and bright. That chase is 5 00:00:16,760 --> 00:00:26,560 Speaker 1: love is blunt who steal with leaden head? Is Dight. 6 00:00:26,720 --> 00:00:29,560 Speaker 1: Welcome to Stuff to Blow your Mind from how Stuff 7 00:00:29,600 --> 00:00:38,200 Speaker 1: Works dot Com. Hey you welcome to Stuff to Blow 8 00:00:38,240 --> 00:00:41,480 Speaker 1: your mind. My name is Robert Lamb and I'm Joe McCormick. 9 00:00:41,760 --> 00:00:44,639 Speaker 1: And so obviously we're talking about Cupid today. That's right, 10 00:00:44,720 --> 00:00:48,440 Speaker 1: it's Valentine's Day? Is it? Yes? Is it actually Valentine's Yes, 11 00:00:48,680 --> 00:00:51,640 Speaker 1: actual Valentine's Day. Okay, Yeah, so we figured what we 12 00:00:51,680 --> 00:00:53,559 Speaker 1: gotta we gotta do some sort of Valentine's episode. We 13 00:00:53,600 --> 00:00:57,640 Speaker 1: had the the episode where we talked to Tomorrow Heart previously, 14 00:00:57,680 --> 00:01:01,160 Speaker 1: but this is the day itself Towers of Ale sex. Yeah, 15 00:01:01,200 --> 00:01:05,040 Speaker 1: so it seemed proper to get a little mythological here 16 00:01:05,240 --> 00:01:07,480 Speaker 1: as we kick off this episode, and to turn to 17 00:01:07,560 --> 00:01:12,800 Speaker 1: that mythological figure that got of romantic love, Cupid, the 18 00:01:12,880 --> 00:01:16,480 Speaker 1: creepy smooth baby who shoots arrows with heart tips. Yes, 19 00:01:17,000 --> 00:01:18,759 Speaker 1: now that the reading at the top of the episode 20 00:01:18,880 --> 00:01:23,400 Speaker 1: was was ovid that was from the Metamorphosis the Golden Translation, 21 00:01:24,120 --> 00:01:27,240 Speaker 1: So that was how you get words like dit Yeah, 22 00:01:27,440 --> 00:01:30,319 Speaker 1: which means clothed or equipped. I had to look that 23 00:01:30,360 --> 00:01:33,479 Speaker 1: one up. Yeah, it might be not be completely clear, 24 00:01:33,520 --> 00:01:37,399 Speaker 1: but what Ovid is basically saying is, hey, Cupid has 25 00:01:37,600 --> 00:01:40,199 Speaker 1: two different arrows that he may pull from his quiver. 26 00:01:40,520 --> 00:01:43,039 Speaker 1: You often forget this, or maybe he never even learned 27 00:01:43,040 --> 00:01:44,600 Speaker 1: it in the first place. Well, right, if you're just 28 00:01:44,640 --> 00:01:47,319 Speaker 1: going off of cheesy Valentine staate cards, you just think 29 00:01:47,319 --> 00:01:50,000 Speaker 1: of that cartoon baby, and like you said, the arrows 30 00:01:50,040 --> 00:01:52,960 Speaker 1: have just kind of a goofy cartoon heart at the end, 31 00:01:53,080 --> 00:01:55,800 Speaker 1: and cupids launch and those at people and making them 32 00:01:56,480 --> 00:01:59,360 Speaker 1: falling cartoon love with people. Yeah, well, you tend to 33 00:01:59,400 --> 00:02:03,000 Speaker 1: not think cupids arrows literally being an arrow that strikes 34 00:02:03,000 --> 00:02:07,240 Speaker 1: with force and penetrates the flesh. I guess we're to 35 00:02:07,440 --> 00:02:09,920 Speaker 1: understand it that way, at least the ancients did. Like 36 00:02:09,960 --> 00:02:12,560 Speaker 1: there's this poem by Anna Creon that Robert and I 37 00:02:12,600 --> 00:02:15,200 Speaker 1: were talking about before the episode, where it's not actually 38 00:02:15,200 --> 00:02:16,560 Speaker 1: that great of a poem. I don't know if it's 39 00:02:16,600 --> 00:02:19,320 Speaker 1: worth reading, but it makes this joke about cupid gets 40 00:02:19,320 --> 00:02:21,959 Speaker 1: stung by a bee and he starts crying, and his mother, 41 00:02:22,080 --> 00:02:24,800 Speaker 1: I guess this would be Aphrodite or Venus maybe comes 42 00:02:24,840 --> 00:02:27,760 Speaker 1: to him and is trying to console him and says, uh, 43 00:02:27,800 --> 00:02:29,720 Speaker 1: you know, you're crying about being stung by a bee, 44 00:02:29,800 --> 00:02:32,800 Speaker 1: but you shoot people with arrows all the time. That 45 00:02:32,919 --> 00:02:37,160 Speaker 1: must hurt more shot through the heart. Um. Yeah, And 46 00:02:37,520 --> 00:02:39,840 Speaker 1: so he so he has two different arrows that he 47 00:02:39,840 --> 00:02:44,280 Speaker 1: he chooses from when he decides to nail somebody. One 48 00:02:44,320 --> 00:02:47,360 Speaker 1: of these arrows, as the as Ovid says, is tipped 49 00:02:47,360 --> 00:02:50,480 Speaker 1: in gold with a sharp point and bright right, and 50 00:02:50,520 --> 00:02:53,520 Speaker 1: so that's the that's the love arrow, that is the 51 00:02:53,520 --> 00:02:57,480 Speaker 1: the romantic love arrow. But then he has this leaden 52 00:02:57,760 --> 00:03:01,400 Speaker 1: arrow which it sounds like it's it's probably not an 53 00:03:01,600 --> 00:03:06,040 Speaker 1: arrowhead composed entirely of lad for reasons will explain, but 54 00:03:06,160 --> 00:03:09,120 Speaker 1: it is at least coded or tipped in lead somehow well. 55 00:03:09,160 --> 00:03:11,919 Speaker 1: And it also says that as blunt, meaning I assume 56 00:03:11,960 --> 00:03:14,760 Speaker 1: it is not meant to penetrate, but maybe strikes more 57 00:03:14,840 --> 00:03:17,560 Speaker 1: like a like a beanbag gun. Yeah, like just to 58 00:03:17,639 --> 00:03:21,920 Speaker 1: brain you with this dense leaden arrowhead. Yeah, just to 59 00:03:22,200 --> 00:03:25,839 Speaker 1: just smack you hard. And then it Also it imparts aversion, 60 00:03:26,400 --> 00:03:28,880 Speaker 1: so like it hits you and now you you want 61 00:03:28,880 --> 00:03:31,440 Speaker 1: to you want to not be around somebody. I guess right. 62 00:03:31,480 --> 00:03:33,600 Speaker 1: This seems that this seems to be the most popular 63 00:03:33,639 --> 00:03:37,440 Speaker 1: interpretation of the leaden arrows power though I was looking around, uh, 64 00:03:37,520 --> 00:03:40,400 Speaker 1: and I did see at least one description saying that 65 00:03:40,440 --> 00:03:43,560 Speaker 1: the leaden arrow had to do with set with sensual passion. 66 00:03:44,000 --> 00:03:46,480 Speaker 1: But I don't think that's the predominant interpretation. It's certainly 67 00:03:46,520 --> 00:03:48,360 Speaker 1: not the one that we're going to spend much time 68 00:03:48,400 --> 00:03:52,640 Speaker 1: with here today. Consensual passion. There are other gods for that. Uh. 69 00:03:52,920 --> 00:03:57,280 Speaker 1: You know, Cupid's domain is more about that that that 70 00:03:57,280 --> 00:04:01,320 Speaker 1: that romantic passion, the arrows or the philos or I 71 00:04:01,880 --> 00:04:08,840 Speaker 1: lose track of what love is what in Greek philodo? Um. Yeah, 72 00:04:08,920 --> 00:04:10,760 Speaker 1: we'll be we'll be getting into the Greek and Roman 73 00:04:10,840 --> 00:04:14,040 Speaker 1: stuff shortly, but yes, we're gonna be talking about Cupid. 74 00:04:14,040 --> 00:04:16,880 Speaker 1: And I do I do encourage everyone to maybe put 75 00:04:16,920 --> 00:04:22,279 Speaker 1: aside the more cherubic interpretations of of Cupid as we 76 00:04:22,360 --> 00:04:25,520 Speaker 1: discuss this figure, because we have to remember he is 77 00:04:25,560 --> 00:04:30,640 Speaker 1: a god. Um. He is capable of of of wrecking 78 00:04:30,640 --> 00:04:34,720 Speaker 1: people's lives with his mischief and he's not always depicted 79 00:04:34,760 --> 00:04:37,239 Speaker 1: as a as a baby. He's he's often he's usually 80 00:04:37,279 --> 00:04:41,160 Speaker 1: depicted as youthful, certainly, and that may be a male 81 00:04:41,240 --> 00:04:45,160 Speaker 1: youth or a boy. He's very often and you know, 82 00:04:45,240 --> 00:04:49,719 Speaker 1: depicted naked or nearly so. And sometimes he's blindfolded as well. 83 00:04:49,880 --> 00:04:52,840 Speaker 1: I think it's blind right, Oh yeah, I didn't think 84 00:04:52,920 --> 00:04:55,160 Speaker 1: of that. Well, I I think he's often depicted as 85 00:04:55,160 --> 00:04:57,440 Speaker 1: a baby just because if he were an adult, he 86 00:04:57,480 --> 00:05:02,000 Speaker 1: would be a horrifying, gross creep. Right. Well, they're still 87 00:05:02,040 --> 00:05:05,039 Speaker 1: there's still always room to find Cupid creepy for sure. 88 00:05:05,320 --> 00:05:07,200 Speaker 1: All right, Well who is Cupid? Where do you come from? 89 00:05:07,240 --> 00:05:10,359 Speaker 1: In the pantheon and the mythology? Okay, so Cupid is 90 00:05:10,400 --> 00:05:14,040 Speaker 1: the Roman variant of the Greek god Arrows, the prime 91 00:05:14,120 --> 00:05:17,440 Speaker 1: evil god of love, a son of chaos, though in 92 00:05:17,520 --> 00:05:21,359 Speaker 1: later traditions he has depicted as a son of Aphrodite, 93 00:05:21,880 --> 00:05:25,599 Speaker 1: who is the Roman Venus, whose goddess of sexual love 94 00:05:25,720 --> 00:05:29,120 Speaker 1: and beauty. And as far as the father goes, it's 95 00:05:29,120 --> 00:05:33,039 Speaker 1: all across the board. They're very different tellings. Sometimes it's Zeus, 96 00:05:33,120 --> 00:05:36,800 Speaker 1: sometimes it's it's Aries. There's at least one version where 97 00:05:36,839 --> 00:05:39,919 Speaker 1: it's It's It seems like it's Vulcan, the god of 98 00:05:40,080 --> 00:05:43,679 Speaker 1: the forage. But in but then a lot of stories 99 00:05:43,680 --> 00:05:46,760 Speaker 1: have it have hermes as the father, who of course 100 00:05:46,920 --> 00:05:50,640 Speaker 1: is the Roman Mercury. So it's a real Mari show. Yes, yeah, 101 00:05:50,800 --> 00:05:52,720 Speaker 1: you can very much imagine that there being a lot 102 00:05:52,760 --> 00:05:55,480 Speaker 1: of drama around this. But he's a god of passion 103 00:05:56,080 --> 00:05:59,720 Speaker 1: and love but also a fertility to a certain extent. 104 00:05:59,760 --> 00:06:03,200 Speaker 1: As now, in Roman traditions, Cupid is largely described as 105 00:06:03,200 --> 00:06:06,720 Speaker 1: a son of Venus and Mercury, combining their roles into 106 00:06:06,760 --> 00:06:10,279 Speaker 1: that of a divine messenger of love. Okay, so Mercury 107 00:06:10,360 --> 00:06:13,280 Speaker 1: is the messenger, Aphrodite is love. So he brings you 108 00:06:13,400 --> 00:06:17,799 Speaker 1: the love signals, the he's he's the radar love god. Yeah, 109 00:06:17,839 --> 00:06:19,920 Speaker 1: don't you So you can't really hate the messenger, right, 110 00:06:20,480 --> 00:06:22,760 Speaker 1: I guess that's part of the story here as well. 111 00:06:23,040 --> 00:06:25,720 Speaker 1: Now he's often depicted as this kind of cherubic creature 112 00:06:25,760 --> 00:06:27,920 Speaker 1: like we describe, but also sometimes is more of a 113 00:06:28,440 --> 00:06:31,960 Speaker 1: you know, in an androgynous, youthful figure, sometimes clad in 114 00:06:32,120 --> 00:06:37,159 Speaker 1: armor because I guess love is also a battlefield and 115 00:06:37,240 --> 00:06:41,080 Speaker 1: he's sometimes a mischief maker other times a generous patron 116 00:06:41,120 --> 00:06:44,840 Speaker 1: of love. His targets include both mortals and other gods. 117 00:06:45,520 --> 00:06:48,920 Speaker 1: And uh as always, the versions of the myth very 118 00:06:49,000 --> 00:06:52,000 Speaker 1: with the teller and the time. But we certainly want 119 00:06:52,040 --> 00:06:55,479 Speaker 1: to to tell the major Cupid story. Well, tell me 120 00:06:55,520 --> 00:06:58,760 Speaker 1: the story, Robert, all right. So his mother again is Venus, 121 00:06:58,760 --> 00:07:03,559 Speaker 1: and Venus has is subject to bouts of jealousy pretty 122 00:07:03,640 --> 00:07:06,880 Speaker 1: much like all of them, the major gods and the pantheon, right, 123 00:07:07,200 --> 00:07:09,880 Speaker 1: and so she one day she has had enough of 124 00:07:09,960 --> 00:07:12,920 Speaker 1: this beautiful mortal by the name of Psyche. She's just 125 00:07:13,040 --> 00:07:16,920 Speaker 1: too too lovely. She's so lovely that other mortals are 126 00:07:16,960 --> 00:07:20,880 Speaker 1: afraid to approach her. And in Venus isn't having it. 127 00:07:21,080 --> 00:07:25,320 Speaker 1: She tasks her son Cupid, and says, go to this woman, 128 00:07:25,560 --> 00:07:27,920 Speaker 1: shoot her with a golden arrow of love, and then 129 00:07:28,240 --> 00:07:30,520 Speaker 1: make her fall in love with the first thing she sees, 130 00:07:30,960 --> 00:07:32,960 Speaker 1: because that's the power of the arrow in this in 131 00:07:33,000 --> 00:07:36,160 Speaker 1: this interpretation of it. And she adds, make sure that 132 00:07:36,200 --> 00:07:40,119 Speaker 1: the next thing she sees is the most hideous creature imaginable. 133 00:07:40,720 --> 00:07:43,280 Speaker 1: I don't care what it is, usual imagination. She falls 134 00:07:43,280 --> 00:07:48,200 Speaker 1: in love with the font Papyrus. That would have been good, um, 135 00:07:48,240 --> 00:07:51,720 Speaker 1: so Cupid. Cupid goes down to Earth to do this, 136 00:07:51,800 --> 00:07:55,000 Speaker 1: but he can't quite bring himself to finish the task, 137 00:07:55,280 --> 00:07:58,360 Speaker 1: though he was certainly okay with the plan enough to 138 00:07:58,400 --> 00:08:01,120 Speaker 1: trick her parents into a band, dinning her on a 139 00:08:01,200 --> 00:08:04,040 Speaker 1: desolate hilltop so that she could wed a monster, but 140 00:08:04,520 --> 00:08:08,000 Speaker 1: as far as actually yeah, because she's taken. The Psyche 141 00:08:08,000 --> 00:08:10,560 Speaker 1: has taken to this hill and here you go. Sorry, 142 00:08:10,560 --> 00:08:13,120 Speaker 1: the gods wants you to marry a monster. It's gonna happen. 143 00:08:13,160 --> 00:08:15,040 Speaker 1: See you later, because you know you do what do 144 00:08:15,080 --> 00:08:18,560 Speaker 1: what the gods say, or suffer. But then he can't 145 00:08:18,600 --> 00:08:20,720 Speaker 1: actually shoot her with the arrow, so instead he pricks 146 00:08:20,800 --> 00:08:23,960 Speaker 1: himself with the golden arrow and then gazes upon Psyche, 147 00:08:24,240 --> 00:08:27,560 Speaker 1: falls in love with her, and so he takes her away, 148 00:08:27,600 --> 00:08:30,520 Speaker 1: sets her up in a protected place like a palace, 149 00:08:30,560 --> 00:08:34,800 Speaker 1: somewhere where he can visit her safely, but only in darkness. 150 00:08:35,240 --> 00:08:37,480 Speaker 1: And then but then one night she cast light upon 151 00:08:37,600 --> 00:08:40,760 Speaker 1: him and she learns his identity, spilling wax on him 152 00:08:40,760 --> 00:08:45,400 Speaker 1: in the process, and he flees. So Psyche is distraught. 153 00:08:45,480 --> 00:08:48,160 Speaker 1: She's she's in love with this this god, this beautiful 154 00:08:48,920 --> 00:08:52,440 Speaker 1: young god boy, so she searches for him, and finally 155 00:08:52,600 --> 00:08:55,240 Speaker 1: Venus agrees to hand him over, but only if she 156 00:08:55,280 --> 00:08:58,760 Speaker 1: completes a series of trials. Oh yeah, never a good 157 00:08:58,840 --> 00:09:01,120 Speaker 1: sign in a myth, right, you get the feeling that 158 00:09:01,120 --> 00:09:03,720 Speaker 1: a lot of these trials might be tricks. Yes, and 159 00:09:03,800 --> 00:09:08,720 Speaker 1: indeed they are. Uh. The the exact trials can vary 160 00:09:08,760 --> 00:09:12,320 Speaker 1: with the telling, but uh, this is the basic roll 161 00:09:12,360 --> 00:09:14,880 Speaker 1: out here. First of all, she has to sort a 162 00:09:14,880 --> 00:09:18,840 Speaker 1: massive pile of seeds in a single night, and uh, 163 00:09:18,960 --> 00:09:21,680 Speaker 1: fortunately some ants help her. Oh that's a great variation 164 00:09:21,720 --> 00:09:24,000 Speaker 1: on all the tweety birds and scugs in the snow 165 00:09:24,000 --> 00:09:26,640 Speaker 1: White story. You know they'll come in and help with 166 00:09:26,679 --> 00:09:29,840 Speaker 1: the chores. Now it's ants, and who knows, maybe Spider's 167 00:09:29,840 --> 00:09:32,720 Speaker 1: pitch in a bit. Well. The next task is that 168 00:09:32,760 --> 00:09:35,440 Speaker 1: she has to fetch the golden wool from a like 169 00:09:35,480 --> 00:09:39,360 Speaker 1: a monstrous sheep, like a kind of sheep that disembowels 170 00:09:39,400 --> 00:09:42,120 Speaker 1: anyone who gets near it, and a swarm of cockroaches 171 00:09:42,160 --> 00:09:45,440 Speaker 1: assist her. No, actually, a river god helps her out 172 00:09:45,840 --> 00:09:48,199 Speaker 1: um and helps her acquire the wolf. So she turns 173 00:09:48,280 --> 00:09:50,440 Speaker 1: that in. But then she has to venture into the 174 00:09:50,520 --> 00:09:53,760 Speaker 1: underworld and acquire a drop of the Queen of the 175 00:09:53,840 --> 00:09:58,319 Speaker 1: Underworld's beauty. Oh yeah, so uh cupid, it seems ends 176 00:09:58,400 --> 00:10:00,520 Speaker 1: up sort of cluing her in sends her some signals 177 00:10:00,720 --> 00:10:03,560 Speaker 1: because going to the underworld isn't easy, right, yeah, it's 178 00:10:03,640 --> 00:10:07,760 Speaker 1: it's a dangerous proposition. So Cupid clues her in you know, 179 00:10:08,000 --> 00:10:11,000 Speaker 1: secret messages, letting her know, make sure you bring coins 180 00:10:11,040 --> 00:10:16,680 Speaker 1: for torone and treats for service, important things to bring along. 181 00:10:17,640 --> 00:10:20,040 Speaker 1: So she does this. She wins that drop, brings it 182 00:10:20,040 --> 00:10:22,920 Speaker 1: back in a golden box, and brings it to the surface. 183 00:10:23,120 --> 00:10:25,320 Speaker 1: She's on her way to deliver it to Venus, but 184 00:10:25,400 --> 00:10:27,480 Speaker 1: then she decides, well, I'm gonna steal a little bit 185 00:10:27,559 --> 00:10:30,600 Speaker 1: of that beauty from the box for myself, and then 186 00:10:30,640 --> 00:10:34,120 Speaker 1: she discovers the boxes full of sleep. Sleep comes over her, 187 00:10:34,360 --> 00:10:37,040 Speaker 1: Cupid comes to her way and wakes her up, gives 188 00:10:37,040 --> 00:10:38,840 Speaker 1: her the nectar of the gods and makes her a 189 00:10:38,840 --> 00:10:41,440 Speaker 1: god as well the embodiment of the soul, and she 190 00:10:41,559 --> 00:10:44,480 Speaker 1: later gives birth to Pleasure. That's a heck of a story. 191 00:10:44,760 --> 00:10:47,240 Speaker 1: Oh yeah, there are various treatments of the story. The 192 00:10:47,559 --> 00:10:49,720 Speaker 1: various you know, additional stories such as Beauty and the 193 00:10:49,760 --> 00:10:53,360 Speaker 1: Beast take this basic structure and then uh, you know, 194 00:10:53,400 --> 00:10:56,600 Speaker 1: employ it in a slightly different manner. But yeah, that's 195 00:10:56,640 --> 00:11:00,719 Speaker 1: the major Cupid narrative. But there's also a fun one 196 00:11:00,760 --> 00:11:04,520 Speaker 1: that employs his arrows in an interesting way in which 197 00:11:04,520 --> 00:11:06,439 Speaker 1: both of them this time, both of them as he 198 00:11:06,520 --> 00:11:10,880 Speaker 1: messes with the god Apollo. So Apollo is a powerful 199 00:11:10,920 --> 00:11:14,760 Speaker 1: god and he's he's he's lusting after the nymph Daphne. 200 00:11:15,360 --> 00:11:17,920 Speaker 1: And while he's in the midst of this, he taunts 201 00:11:18,000 --> 00:11:21,080 Speaker 1: Cupid's archery ability. He says, you're not much of an archer, 202 00:11:21,120 --> 00:11:23,720 Speaker 1: are you, And so it's always good to taunt people 203 00:11:23,800 --> 00:11:28,320 Speaker 1: holding ranged weapons. Well, again, the gods are vain and 204 00:11:28,559 --> 00:11:30,760 Speaker 1: you know, kind of and it's in vengeful and but 205 00:11:30,800 --> 00:11:34,679 Speaker 1: also kind of stupid at times. So what Cupid does 206 00:11:34,760 --> 00:11:37,520 Speaker 1: is he shoots Apollo with a golden arrow that makes him, 207 00:11:37,520 --> 00:11:40,760 Speaker 1: of course, you know, lust like crazy after Daphney. But 208 00:11:40,800 --> 00:11:44,120 Speaker 1: then he shoots Daphne with a leaden arrow, ensuring that 209 00:11:44,160 --> 00:11:46,600 Speaker 1: she wants nothing to do with exactly. In fact, she 210 00:11:46,720 --> 00:11:49,120 Speaker 1: runs away to her father, who also happens to be 211 00:11:49,120 --> 00:11:52,080 Speaker 1: a river god, and has him turned her into a 212 00:11:52,160 --> 00:11:56,080 Speaker 1: tree so that Apollo will leave her alone. And then 213 00:11:56,160 --> 00:11:59,440 Speaker 1: Cupid you know, goes off and laughs about the whole affair. Now, wait, 214 00:11:59,520 --> 00:12:01,720 Speaker 1: after the us, is Apollo still in love with the 215 00:12:01,760 --> 00:12:05,000 Speaker 1: tree or not? It really depends on the user agreement 216 00:12:05,080 --> 00:12:08,240 Speaker 1: with you on the golden arrow? How does the gold 217 00:12:08,320 --> 00:12:11,000 Speaker 1: narrow magic work? Can you transform the essence of the 218 00:12:11,000 --> 00:12:13,960 Speaker 1: target of the affection? And does that? Can'tcel the spell? 219 00:12:14,480 --> 00:12:15,800 Speaker 1: Or do you have to roll a D twenty to 220 00:12:15,840 --> 00:12:18,040 Speaker 1: find out? I don't know. And then we are the 221 00:12:18,080 --> 00:12:20,800 Speaker 1: effects on God's Is that a little different than an 222 00:12:20,800 --> 00:12:25,280 Speaker 1: effect on immortal Who can say? Now you might think, okay, 223 00:12:26,120 --> 00:12:28,240 Speaker 1: Cupid sounds like he makes some enemies here and there. 224 00:12:28,240 --> 00:12:31,839 Speaker 1: Who's his greatest rival? Is there like a safety god 225 00:12:31,880 --> 00:12:35,600 Speaker 1: who's always trying to take his arrows away? No? No, no, 226 00:12:35,840 --> 00:12:39,800 Speaker 1: it's none other than the great God Pan. What one 227 00:12:39,840 --> 00:12:42,200 Speaker 1: of our favorites. Yeah, In one corner we have the 228 00:12:42,360 --> 00:12:46,920 Speaker 1: flighty arrow shooting Cherubic, son of of of Venus, U, 229 00:12:47,080 --> 00:12:49,079 Speaker 1: the Lord of Love. And in the other corner we 230 00:12:49,120 --> 00:12:53,200 Speaker 1: have the wild rutting he goat, king of fornication, Uh, 231 00:12:53,320 --> 00:12:56,960 Speaker 1: surrounded by nymphs prancing through the forest. And so it's 232 00:12:57,000 --> 00:13:02,240 Speaker 1: divine love versus earthly love, and spoiler alert, Cupid often 233 00:13:02,240 --> 00:13:04,120 Speaker 1: comes out on top. In fact, there are some there 234 00:13:04,120 --> 00:13:09,040 Speaker 1: are paintings that depict Cupid kind of wrestling Pan to 235 00:13:09,080 --> 00:13:11,160 Speaker 1: the ground. Could you also say that this is like 236 00:13:11,280 --> 00:13:14,520 Speaker 1: city love versus country love. I guess you could. Yeah, 237 00:13:14,760 --> 00:13:18,400 Speaker 1: like Pan was sort of envisioned as the representative of 238 00:13:18,440 --> 00:13:20,880 Speaker 1: the I don't know, the the amorous affairs of like 239 00:13:21,000 --> 00:13:23,720 Speaker 1: shepherds and country people. Yeah, it is kind of country 240 00:13:23,720 --> 00:13:28,280 Speaker 1: love versus you know, the divine love of Mount Olympus. Here. 241 00:13:28,559 --> 00:13:31,400 Speaker 1: On the other hand, when you look up artistic interpretations 242 00:13:31,440 --> 00:13:35,320 Speaker 1: of Pan, he is often wrestling or doing something like wrestling, 243 00:13:35,720 --> 00:13:39,120 Speaker 1: so it's it's hard to say he's definitely on the 244 00:13:39,160 --> 00:13:43,720 Speaker 1: losing end of the scenario here. The Pan's a rascal. Yea. Now, 245 00:13:43,800 --> 00:13:46,840 Speaker 1: in terms of other treatments of of Cupid, you know, 246 00:13:47,080 --> 00:13:50,360 Speaker 1: we're not going to go through, you know, all the 247 00:13:50,360 --> 00:13:53,440 Speaker 1: the echoes in popular culture. I did notice just the 248 00:13:53,480 --> 00:13:57,520 Speaker 1: most dignified one. Yes, I did notice that there is 249 00:13:57,640 --> 00:14:01,439 Speaker 1: a There is a Cupid in at DC comics that's 250 00:14:01,480 --> 00:14:04,720 Speaker 1: kind of a feisty redhead and it's a it's a female. 251 00:14:05,280 --> 00:14:08,240 Speaker 1: It's like a cohort of the green arrow. Is she 252 00:14:08,360 --> 00:14:10,599 Speaker 1: a got us or just a human named Cupid? I 253 00:14:10,640 --> 00:14:12,680 Speaker 1: think she's just a human who shoots arrows at people. 254 00:14:13,320 --> 00:14:15,600 Speaker 1: It's not a thor situation. I don't think so. If 255 00:14:15,720 --> 00:14:18,240 Speaker 1: any comic book fans out there that want to, um, 256 00:14:18,960 --> 00:14:21,800 Speaker 1: you know, clue us in on this. We'd love to 257 00:14:21,800 --> 00:14:23,560 Speaker 1: hear more. But I think she just shoots arrows at 258 00:14:23,560 --> 00:14:26,520 Speaker 1: people and tries to kill them, you know. Independent of 259 00:14:26,560 --> 00:14:30,160 Speaker 1: you coming up with this lead, Robert, I immediately was googling, like, 260 00:14:30,280 --> 00:14:35,080 Speaker 1: cupid horror movie? Is there one? I came across something, 261 00:14:35,080 --> 00:14:37,320 Speaker 1: only to discover that you'd already given it a little 262 00:14:37,400 --> 00:14:41,360 Speaker 1: right up here. Yes, two thousand and one slasher film 263 00:14:41,680 --> 00:14:47,280 Speaker 1: titled Valentine. Now have you seen this before? No? I 264 00:14:47,320 --> 00:14:50,480 Speaker 1: looked up a couple of scenes on YouTube. One actually 265 00:14:50,480 --> 00:14:52,720 Speaker 1: had kind of a cool set with like somebody's like 266 00:14:52,760 --> 00:14:55,880 Speaker 1: walking through a maze made out of TV screens or 267 00:14:55,920 --> 00:14:59,280 Speaker 1: something that. Yeah, I kind of like that, but otherwise 268 00:14:59,440 --> 00:15:02,600 Speaker 1: it looks so stupid. And it has the ultimate like 269 00:15:02,960 --> 00:15:06,280 Speaker 1: two thousand one smart Face cast where it's got David 270 00:15:06,320 --> 00:15:10,720 Speaker 1: Boreanaz and Denise Richards. It's like the cast of Starship Troopers. 271 00:15:11,800 --> 00:15:14,320 Speaker 1: It also has a has a two thousand and one 272 00:15:14,440 --> 00:15:17,320 Speaker 1: alternative rock album, like the most two thousand and one 273 00:15:17,800 --> 00:15:22,160 Speaker 1: alternative rock album, Imaginable. Yeah that the soundtrack is, um, 274 00:15:22,800 --> 00:15:25,640 Speaker 1: does it have what down with the sickness? It doesn't 275 00:15:25,640 --> 00:15:29,360 Speaker 1: have that particular track, but Disturbed is present and h 276 00:15:29,480 --> 00:15:32,400 Speaker 1: and yeah, you can pretty much extrapolate from there what 277 00:15:32,440 --> 00:15:35,000 Speaker 1: else is on the soundtrack. But it does have this 278 00:15:35,200 --> 00:15:38,600 Speaker 1: killer stalking around, this slasher character with a Cupid mask, 279 00:15:38,680 --> 00:15:40,920 Speaker 1: and there is one scene at least where he kills 280 00:15:40,920 --> 00:15:43,800 Speaker 1: somebody with arrows, and that's the sequence you're you're talking 281 00:15:43,840 --> 00:15:47,440 Speaker 1: about with all the TVs. So yeah, as far as 282 00:15:47,480 --> 00:15:51,320 Speaker 1: slasher films we're seeing, it's been too long since I've 283 00:15:51,360 --> 00:15:53,600 Speaker 1: seen it to really give it a firm recommendation. But 284 00:15:53,680 --> 00:15:56,200 Speaker 1: as far as slasher films worth looking up the kills 285 00:15:56,240 --> 00:15:58,920 Speaker 1: on YouTube, I give it a give it a thumbs up. 286 00:16:00,360 --> 00:16:04,080 Speaker 1: But in this movie, if unless I'm mistaken, no gold 287 00:16:04,200 --> 00:16:06,880 Speaker 1: arrows and lead blunt arrows right right, I think he 288 00:16:06,960 --> 00:16:09,920 Speaker 1: just has normal killing arrows because he's ultimately not an 289 00:16:09,920 --> 00:16:12,520 Speaker 1: actual god. That would have been a fun twist. Though. 290 00:16:12,680 --> 00:16:16,160 Speaker 1: They don't get deep into the resonances of the mythology, no, 291 00:16:16,600 --> 00:16:18,640 Speaker 1: because if there's a lot there you could really go 292 00:16:18,640 --> 00:16:20,720 Speaker 1: go nuts with. For instance, the fact that Cupid is 293 00:16:20,720 --> 00:16:23,640 Speaker 1: often depicted riding around on dolphins or even sometimes just 294 00:16:23,720 --> 00:16:28,120 Speaker 1: on sea monsters. That's odd. Yeah, and uh, you know, 295 00:16:28,440 --> 00:16:30,520 Speaker 1: you know we mentioned Beauty and the Beast already, but 296 00:16:30,800 --> 00:16:33,360 Speaker 1: I should throw out there even though I haven't read it, 297 00:16:33,400 --> 00:16:35,040 Speaker 1: and I don't know why I haven't read it, because 298 00:16:35,040 --> 00:16:36,960 Speaker 1: I read a whole lot of C. S. Lewis at 299 00:16:37,000 --> 00:16:40,239 Speaker 1: one point in my life. But C. S. Lewis retells 300 00:16:40,280 --> 00:16:43,880 Speaker 1: the story of of Cupid and Psyche in the nine 301 00:16:44,480 --> 00:16:47,680 Speaker 1: novel Till We Have Faces. I've never read that either, 302 00:16:47,720 --> 00:16:50,160 Speaker 1: but that sounds maybe worth check now. So again, we 303 00:16:50,200 --> 00:16:52,280 Speaker 1: could keep going on Cupid, we could keep talking about 304 00:16:52,320 --> 00:16:57,720 Speaker 1: various mythological treatments, different versions of the stories. Um. But basically, 305 00:16:57,720 --> 00:16:59,760 Speaker 1: what we want to drive home here is that, first 306 00:16:59,840 --> 00:17:02,960 Speaker 1: of all, he has these two arrows. He has the 307 00:17:03,520 --> 00:17:05,440 Speaker 1: leaden arrow and the golden arrow, and these are the 308 00:17:05,480 --> 00:17:08,200 Speaker 1: powers associated. And we also just want to drive home 309 00:17:08,240 --> 00:17:12,520 Speaker 1: that he's he is more than just this ridiculous cartoon baby. 310 00:17:12,760 --> 00:17:16,320 Speaker 1: Now he's an epic creep cartoon baby who wrestles goat 311 00:17:16,400 --> 00:17:20,000 Speaker 1: men and rides on seam monsters. Indeed, he is so 312 00:17:20,359 --> 00:17:22,040 Speaker 1: On that note, we're going to take a quick break 313 00:17:22,080 --> 00:17:24,879 Speaker 1: and when we come back, we are going to discuss 314 00:17:25,160 --> 00:17:27,960 Speaker 1: the leaden Arrow of Cupid. We're going to get into 315 00:17:28,240 --> 00:17:31,480 Speaker 1: what ancient people knew of lead, how they used lead, 316 00:17:31,560 --> 00:17:33,960 Speaker 1: what they thought about its properties, And then of course 317 00:17:34,000 --> 00:17:36,240 Speaker 1: we'll well, we'll we'll dive a little bit into the 318 00:17:36,240 --> 00:17:40,760 Speaker 1: periodic table and discuss exactly what lad is. Thank thank you, 319 00:17:41,760 --> 00:17:44,960 Speaker 1: all right, we're back. So, Robert, we have already told 320 00:17:45,000 --> 00:17:49,800 Speaker 1: the story of Cupid as especially as described in Ovid's Metamorphoses. Uh, 321 00:17:49,840 --> 00:17:52,200 Speaker 1: And in the story of these two different arrows, he's 322 00:17:52,240 --> 00:17:55,680 Speaker 1: got the gold arrow, which imparts love, makes people fancy 323 00:17:55,720 --> 00:17:58,320 Speaker 1: one another, and the lead arrow, which is blunt and 324 00:17:58,359 --> 00:18:00,760 Speaker 1: maybe seems to cause a version, at least in some 325 00:18:00,920 --> 00:18:03,000 Speaker 1: tellings of the story. Right, Like if if you were 326 00:18:03,080 --> 00:18:06,159 Speaker 1: hit with the lead arrow and somebody passed you a 327 00:18:06,200 --> 00:18:08,679 Speaker 1: note in in in high school and said will you 328 00:18:08,720 --> 00:18:11,240 Speaker 1: go out with me? Yes and no, you would add 329 00:18:11,240 --> 00:18:14,000 Speaker 1: a third box that said I would rather my father 330 00:18:14,080 --> 00:18:16,720 Speaker 1: turned me into a tree. Yeah, your head would just explode, 331 00:18:16,720 --> 00:18:20,359 Speaker 1: like in Scanners. Yes, Well, other than the general association 332 00:18:20,440 --> 00:18:23,560 Speaker 1: of gold being thought of as good, is there anything 333 00:18:23,840 --> 00:18:27,880 Speaker 1: any reason we can think of why these particular metals 334 00:18:27,920 --> 00:18:30,879 Speaker 1: are picked to have the magical significance they do in 335 00:18:30,880 --> 00:18:33,240 Speaker 1: the arrows in the myth? Well, yeah, exactly what we 336 00:18:33,400 --> 00:18:36,760 Speaker 1: with gold? Obviously, gold is beautiful and humans have thought 337 00:18:36,760 --> 00:18:39,480 Speaker 1: it's beautiful for ages, and we've been perfectly happy to 338 00:18:39,600 --> 00:18:41,600 Speaker 1: squabble over it and kill each other over it. So 339 00:18:41,640 --> 00:18:46,400 Speaker 1: it seems the perfect substance to sum up the appeal 340 00:18:46,520 --> 00:18:49,679 Speaker 1: and then sometimes the dangers of love. Plus knowing what 341 00:18:49,720 --> 00:18:51,959 Speaker 1: we know now, this was an element that was likely 342 00:18:52,000 --> 00:18:55,600 Speaker 1: produced in the collisions of of neutron stars long before 343 00:18:55,640 --> 00:18:59,160 Speaker 1: the formation of the Earth, which is amazing to consider. 344 00:18:59,240 --> 00:19:01,359 Speaker 1: By the way, I mean us to contemplate this for 345 00:19:01,400 --> 00:19:03,840 Speaker 1: a moment. Uh, you know, it was once thought that 346 00:19:04,000 --> 00:19:07,399 Speaker 1: most of the universe's heavy elements, like elements heavier than iron, 347 00:19:07,480 --> 00:19:11,040 Speaker 1: were created in supernovas, which is when a massive star 348 00:19:11,440 --> 00:19:13,959 Speaker 1: at the end of its life cycle collapses on itself 349 00:19:14,000 --> 00:19:17,800 Speaker 1: and then explodes, and supernovas can create some heavy elements. 350 00:19:17,840 --> 00:19:20,159 Speaker 1: But some scientists have argued for a while that there 351 00:19:20,160 --> 00:19:23,600 Speaker 1: are too many heavy elements that the proportion of them 352 00:19:23,640 --> 00:19:26,159 Speaker 1: that we find in the universe is too high to 353 00:19:26,240 --> 00:19:30,600 Speaker 1: be accounted for by what's possible from supernovas alone. So 354 00:19:30,680 --> 00:19:33,200 Speaker 1: in recent years there have been some cool experiments that 355 00:19:33,240 --> 00:19:36,520 Speaker 1: have shown that the collision of neutron stars, like you say, 356 00:19:36,600 --> 00:19:39,400 Speaker 1: could be the alternative. For example, I was looking at 357 00:19:39,400 --> 00:19:42,840 Speaker 1: there was a study published in and the Astrophysical Journal 358 00:19:42,880 --> 00:19:46,080 Speaker 1: by Coat at All that looked at data from a 359 00:19:46,200 --> 00:19:50,679 Speaker 1: neutron star merger and I love that's the technology they use, 360 00:19:51,040 --> 00:19:54,440 Speaker 1: like two companies like mergers and acquisitions. What they should 361 00:19:54,480 --> 00:19:57,040 Speaker 1: have used the language of love, because we are creating 362 00:19:57,040 --> 00:19:59,800 Speaker 1: a substance that will one day be used by the 363 00:20:00,040 --> 00:20:02,480 Speaker 1: out of love, right it is it should be neutron 364 00:20:02,600 --> 00:20:09,239 Speaker 1: star copulation, yes, neutron starter course, but anyway, that this 365 00:20:09,320 --> 00:20:12,119 Speaker 1: collision was between eighty five and a hundred and sixty 366 00:20:12,119 --> 00:20:15,440 Speaker 1: million light years away, and the researchers calculated that this 367 00:20:15,480 --> 00:20:19,600 Speaker 1: one event, these two neutron stars colliding, produced between one 368 00:20:19,640 --> 00:20:23,960 Speaker 1: and five earth masses of an element called europium and 369 00:20:24,040 --> 00:20:29,040 Speaker 1: between three and thirteen earth masses of gold earth masses 370 00:20:29,160 --> 00:20:32,800 Speaker 1: of gold. So just think about a solid gold Earth 371 00:20:33,280 --> 00:20:36,040 Speaker 1: and then between three and thirteen of them, and then 372 00:20:36,040 --> 00:20:38,840 Speaker 1: it just like spits a bunch of this out into 373 00:20:38,840 --> 00:20:41,639 Speaker 1: the universe to get bound up with other gases and 374 00:20:41,680 --> 00:20:44,440 Speaker 1: stuff like that and eventually end up in maybe say 375 00:20:44,440 --> 00:20:47,320 Speaker 1: a planetary accretion disk, where it becomes part of the 376 00:20:47,320 --> 00:20:49,879 Speaker 1: crust of an Earth. So if you're wearing like a 377 00:20:49,960 --> 00:20:52,520 Speaker 1: gold ring or any other piece of gold right now, 378 00:20:52,640 --> 00:20:55,439 Speaker 1: or if you're maybe maybe say using an electronic device 379 00:20:55,480 --> 00:20:57,320 Speaker 1: that has a bit of gold in it, just think 380 00:20:57,359 --> 00:21:00,560 Speaker 1: about how that element was forged either in the guts 381 00:21:00,600 --> 00:21:04,800 Speaker 1: of a dying star as it exploded, or was probably 382 00:21:04,800 --> 00:21:08,520 Speaker 1: more likely created in the chaos of rapid neutron capture 383 00:21:08,920 --> 00:21:12,160 Speaker 1: when two of the densest objects in the universe, two 384 00:21:12,240 --> 00:21:17,280 Speaker 1: neutron stars, smashed together billions of years ago. And of course, 385 00:21:17,680 --> 00:21:19,639 Speaker 1: I guess the even crazier thing is that that doesn't 386 00:21:19,640 --> 00:21:23,000 Speaker 1: stop at gold, right, Like our amazement at the elements 387 00:21:23,440 --> 00:21:26,240 Speaker 1: shouldn't stop there, because all the heavy elements had to 388 00:21:26,280 --> 00:21:28,320 Speaker 1: be formed at some point. In fact, all the elements 389 00:21:28,320 --> 00:21:30,080 Speaker 1: of any kind had to be formed at some point. 390 00:21:30,320 --> 00:21:32,920 Speaker 1: A few of the lightest ones are primordial, you know, 391 00:21:33,000 --> 00:21:35,520 Speaker 1: you find hydrogen and helium and lithium out in the 392 00:21:35,600 --> 00:21:38,440 Speaker 1: original universe. Uh, And then a few more I think 393 00:21:38,440 --> 00:21:41,240 Speaker 1: are formed by like a cosmic rays and stuff. But 394 00:21:41,520 --> 00:21:44,479 Speaker 1: beyond that, pretty much everything that you could see and 395 00:21:44,520 --> 00:21:46,840 Speaker 1: touch and that your body is made of was in 396 00:21:46,880 --> 00:21:50,919 Speaker 1: some way forged inside a dying star. Uh. You know, 397 00:21:50,960 --> 00:21:53,720 Speaker 1: you've got this dying star forge that has slow neutron 398 00:21:53,760 --> 00:21:56,720 Speaker 1: capture going on inside it. Or it was a supernova 399 00:21:56,800 --> 00:22:00,879 Speaker 1: explosion or the collision of neutron stars or or something 400 00:22:00,960 --> 00:22:02,840 Speaker 1: like that. Yeah, these are the very kind of forges 401 00:22:02,920 --> 00:22:06,840 Speaker 1: one can imagine a god like Vulcan would employ, right exactly. Yeah, 402 00:22:06,880 --> 00:22:09,240 Speaker 1: that's what's happening when he pumps the bellows, he's just 403 00:22:09,320 --> 00:22:12,520 Speaker 1: pumping it to smash neutron stars together. And of course, 404 00:22:12,600 --> 00:22:14,719 Speaker 1: you know you mentioned that in anything heavier than iron 405 00:22:15,560 --> 00:22:17,639 Speaker 1: likely had this this kind of cosmic origin, and that 406 00:22:17,680 --> 00:22:21,120 Speaker 1: includes lead. So even though it's easy to to say, oh, 407 00:22:21,160 --> 00:22:25,359 Speaker 1: the golden arrow forged in in cosmic turmoil in in 408 00:22:25,520 --> 00:22:28,400 Speaker 1: ages past, well, the same story applies to lead, even 409 00:22:28,400 --> 00:22:32,040 Speaker 1: though it's not as shiny, even though you probably don't 410 00:22:32,040 --> 00:22:34,560 Speaker 1: have any lead in jewelry on your body right now, 411 00:22:35,320 --> 00:22:38,040 Speaker 1: uh though, I mean, lead is an amazing element, and 412 00:22:38,119 --> 00:22:40,359 Speaker 1: to consider the same way, I think. I think there 413 00:22:40,359 --> 00:22:44,040 Speaker 1: are two main explanations for lead, as I believe. One 414 00:22:44,200 --> 00:22:47,440 Speaker 1: is that there's slow neutron capture like the s process 415 00:22:47,480 --> 00:22:50,240 Speaker 1: that takes place within dying stars, and the other is 416 00:22:50,400 --> 00:22:57,160 Speaker 1: the the hot dense starter course, the neutron star collision Sunday, Sunday, Sunday. Now, 417 00:22:57,160 --> 00:23:00,040 Speaker 1: to come back to Cupid's arrow, I imagine basically the 418 00:23:00,080 --> 00:23:02,399 Speaker 1: idea of the lead in arrow is that lead is 419 00:23:02,440 --> 00:23:06,680 Speaker 1: not attractive. Lead is not beautiful. Lead is something that 420 00:23:07,080 --> 00:23:11,359 Speaker 1: even in ancient times, it was rarely used in jewelry, 421 00:23:11,520 --> 00:23:14,960 Speaker 1: or at least as the primary aspect of the jewelry. Well. No, 422 00:23:15,119 --> 00:23:18,119 Speaker 1: and and even more, Uh, I don't know if you 423 00:23:18,160 --> 00:23:20,440 Speaker 1: can be mean to lead, but if you if lead 424 00:23:20,440 --> 00:23:23,240 Speaker 1: has feelings, you could hurt its feelings even more by 425 00:23:23,280 --> 00:23:26,640 Speaker 1: pointing out that lead. You know, lead doesn't occur generally 426 00:23:26,680 --> 00:23:30,880 Speaker 1: free in nature. Lead occur is bound up in ores. Uh. 427 00:23:30,920 --> 00:23:34,040 Speaker 1: And so primarily the way lead was created in the 428 00:23:34,040 --> 00:23:37,520 Speaker 1: ancient world was as a byproduct of the creation of silver. 429 00:23:38,080 --> 00:23:40,480 Speaker 1: And so people are trying to extract silver for something 430 00:23:40,520 --> 00:23:43,000 Speaker 1: from something and you melt out some lead as a 431 00:23:43,080 --> 00:23:45,120 Speaker 1: sort of waste product of that. And and it did 432 00:23:45,160 --> 00:23:47,959 Speaker 1: have uses because it's got a high specific weight, So 433 00:23:48,040 --> 00:23:50,639 Speaker 1: you could use it as like a weight for you know, 434 00:23:50,680 --> 00:23:53,600 Speaker 1: if you have like fishing line, fishing nets or something 435 00:23:53,640 --> 00:23:55,880 Speaker 1: you want to hold down that it's useful for that. 436 00:23:56,160 --> 00:23:59,399 Speaker 1: It's not very good for making like solid like weapons 437 00:23:59,480 --> 00:24:03,040 Speaker 1: or anything, right, because it's very soft. Yeah, it's it's 438 00:24:03,080 --> 00:24:05,320 Speaker 1: not gonna be it's not gonna be a good metal 439 00:24:05,400 --> 00:24:09,000 Speaker 1: if you want to actually forge arrows for combat or 440 00:24:09,040 --> 00:24:13,080 Speaker 1: forge any kind of say armor. Um. But but there 441 00:24:13,119 --> 00:24:14,680 Speaker 1: are a lot of uses for it if you want 442 00:24:14,720 --> 00:24:17,760 Speaker 1: to create, say, drinking vessels, or certainly if you want 443 00:24:17,760 --> 00:24:21,520 Speaker 1: to create pipes. We're not advocating that, by the way, no, no, 444 00:24:21,560 --> 00:24:24,040 Speaker 1: but certainly from a very early point humans were figuring 445 00:24:24,040 --> 00:24:26,720 Speaker 1: This outlet is one of the seven Medals of Antiquity. 446 00:24:27,720 --> 00:24:31,920 Speaker 1: Humans were handling lead a long time ago. Cast lead 447 00:24:31,960 --> 00:24:36,840 Speaker 1: beads found in modern day Turkey date from roughly BC. 448 00:24:37,560 --> 00:24:40,200 Speaker 1: The ancient Egyptians use lead as early as five thousand 449 00:24:40,280 --> 00:24:44,000 Speaker 1: BC for pottery glazes, solder and casting. Yeah, and uh 450 00:24:44,119 --> 00:24:47,760 Speaker 1: so I was looking at early examples of lead artifacts. 451 00:24:47,840 --> 00:24:51,959 Speaker 1: One example I found was a sort of maybe aesthetic 452 00:24:52,040 --> 00:24:54,840 Speaker 1: artifact or maybe something that was used in like a 453 00:24:54,880 --> 00:24:59,439 Speaker 1: whirl for for you know, working with textiles. Um. But 454 00:24:59,560 --> 00:25:02,879 Speaker 1: this was the cave in the Negev Desert in Israel, 455 00:25:03,240 --> 00:25:06,480 Speaker 1: and it's supposedly dates to the late fifth millennium BC, 456 00:25:07,440 --> 00:25:11,399 Speaker 1: and it's just basically this wooden wand that's got leaden 457 00:25:11,560 --> 00:25:13,879 Speaker 1: beads at the end of it. And they don't know 458 00:25:13,920 --> 00:25:16,720 Speaker 1: what it's for though I wonder if maybe it's for 459 00:25:16,760 --> 00:25:19,800 Speaker 1: some kind of heavy metal lead magic. Yeah, an anti 460 00:25:19,960 --> 00:25:25,680 Speaker 1: love repulsion ray. Uh, so we can hope. So the 461 00:25:26,040 --> 00:25:30,400 Speaker 1: Babylonians made inscriptions on lead plates soft you can inscribe 462 00:25:30,440 --> 00:25:32,639 Speaker 1: things on it. And just to refer everyone back to 463 00:25:32,760 --> 00:25:36,520 Speaker 1: our October episode on curses, we spend a fair amount 464 00:25:36,520 --> 00:25:40,040 Speaker 1: of time discussing Roman curse tablets. Oh yeah we did. 465 00:25:40,320 --> 00:25:42,560 Speaker 1: And what were those made out of? Well, like the 466 00:25:42,840 --> 00:25:46,000 Speaker 1: ones found in um in like second or third century 467 00:25:46,080 --> 00:25:48,760 Speaker 1: Roman Britain were often they're made in lead. So there 468 00:25:48,760 --> 00:25:51,080 Speaker 1: are these places where you can go around like modern 469 00:25:51,160 --> 00:25:53,919 Speaker 1: day Lester and dig up these ancient sites where there 470 00:25:53,960 --> 00:25:57,160 Speaker 1: would be maybe a shrine or a temple to an 471 00:25:57,160 --> 00:26:00,560 Speaker 1: ancient god, maybe in the syncretic religions of Roman Britain, 472 00:26:00,560 --> 00:26:04,199 Speaker 1: where you'd sort of combined maybe Roman gods with with 473 00:26:04,359 --> 00:26:07,360 Speaker 1: Native Celtic gods or or or the gods of Britain there, 474 00:26:07,880 --> 00:26:10,959 Speaker 1: and people would be going there to say curse somebody 475 00:26:10,960 --> 00:26:14,680 Speaker 1: who stole something from them, like you know, Servandas shows 476 00:26:14,800 --> 00:26:18,119 Speaker 1: up and says, somebody stole my cloak. Whoever stole my cloak, 477 00:26:18,160 --> 00:26:20,119 Speaker 1: I want him to not be able to pee for 478 00:26:20,200 --> 00:26:23,159 Speaker 1: three months unless he gives me my cloak back. And 479 00:26:23,240 --> 00:26:25,760 Speaker 1: this would be inscribed on a lead tablet and hung 480 00:26:25,840 --> 00:26:28,560 Speaker 1: up somewhere. And part of the idea there is that 481 00:26:28,880 --> 00:26:31,840 Speaker 1: it was partially to invoke this power, but also maybe 482 00:26:31,880 --> 00:26:33,760 Speaker 1: just to have it hung up in a public place 483 00:26:33,840 --> 00:26:36,520 Speaker 1: so people could like know what was going on. Now, 484 00:26:36,520 --> 00:26:39,359 Speaker 1: one other important aspect of lead that that I wonder 485 00:26:39,680 --> 00:26:41,359 Speaker 1: and I wonder if it played into the use of 486 00:26:41,640 --> 00:26:44,480 Speaker 1: into the creation of these a curse tablets, is that, uh, 487 00:26:44,720 --> 00:26:48,639 Speaker 1: lead does not corrode like other medals. So if you 488 00:26:48,840 --> 00:26:51,440 Speaker 1: if you, if you inscribe your curse in a piece 489 00:26:51,440 --> 00:26:53,639 Speaker 1: of lead, like, that's a curse that could speak across 490 00:26:53,680 --> 00:26:57,080 Speaker 1: the ages. Right, lead doesn't rust. I mean, well lead 491 00:26:57,359 --> 00:27:00,320 Speaker 1: lead ox sides do form, but they're not they're they're 492 00:27:00,359 --> 00:27:03,560 Speaker 1: not like like iron rust, you know, the red rusty stuff. 493 00:27:04,000 --> 00:27:07,000 Speaker 1: Lead oxide tends to be great, but generally exposed lead 494 00:27:07,040 --> 00:27:11,000 Speaker 1: doesn't corrode. And uh, and yeah, this does make it attractive, 495 00:27:11,119 --> 00:27:13,600 Speaker 1: especially for some purposes, say like if you want to 496 00:27:13,920 --> 00:27:17,119 Speaker 1: make something that holds liquids in it, right, something that 497 00:27:17,320 --> 00:27:20,240 Speaker 1: is not gonna receive a lot of punishment, you don't 498 00:27:20,280 --> 00:27:23,159 Speaker 1: have to worry about that. Uh. That the weakness of it, 499 00:27:23,720 --> 00:27:26,520 Speaker 1: But yeah, you can use it for drinking vessels or 500 00:27:26,600 --> 00:27:30,640 Speaker 1: certainly for plumbing pipes. Here's a gross piece of trivia. 501 00:27:31,000 --> 00:27:33,360 Speaker 1: Next time you have to call a plumber because who 502 00:27:33,400 --> 00:27:35,080 Speaker 1: knows what you tried to flush a whole roll of 503 00:27:35,080 --> 00:27:39,120 Speaker 1: paper towels down the toilet. Consider that the English words 504 00:27:39,280 --> 00:27:44,200 Speaker 1: plumber and plumbing are derived from the Latin word plumb them, 505 00:27:44,440 --> 00:27:47,680 Speaker 1: which means lead. And it's right there in the chemical 506 00:27:47,800 --> 00:27:50,360 Speaker 1: elements symbol for lead on the periodic table. You ever 507 00:27:50,440 --> 00:27:52,600 Speaker 1: noticed that it's one of those weird ones like iron 508 00:27:52,760 --> 00:27:55,080 Speaker 1: is f E. Why is that? Well, you know, it 509 00:27:55,160 --> 00:27:59,040 Speaker 1: comes from an archaic word of like the ferrest metal. Uh. 510 00:27:59,240 --> 00:28:01,920 Speaker 1: Lead on the pure reotic table is PB. Why is 511 00:28:01,960 --> 00:28:05,640 Speaker 1: it pb that comes from plumb them? Because ancient Romans 512 00:28:05,720 --> 00:28:10,320 Speaker 1: loved some lead pipes and lead aqueducts, and lead reservoirs 513 00:28:10,359 --> 00:28:14,720 Speaker 1: and lead cisterns, lead cooking vessels, and lead based even 514 00:28:14,800 --> 00:28:17,200 Speaker 1: lead based food additives. And we'll come back to the 515 00:28:17,480 --> 00:28:21,520 Speaker 1: food additives point now. I was looking at one text 516 00:28:21,600 --> 00:28:25,879 Speaker 1: from Cassis and and sort of titled Lead Chemistry Analytical Aspects, 517 00:28:26,280 --> 00:28:30,000 Speaker 1: Environmental Impact and Health Effects, and they pointed out that 518 00:28:30,080 --> 00:28:33,679 Speaker 1: ancient text showed a bit of confusion over lead and 519 00:28:33,800 --> 00:28:38,280 Speaker 1: other elements, using plumb bum to describe quote any silvery white, 520 00:28:38,400 --> 00:28:42,600 Speaker 1: low melting and easily oxidized metal, including lead, tin, zinc, 521 00:28:42,720 --> 00:28:46,200 Speaker 1: et cetera. They pointed out though, that yeah, lead pipes 522 00:28:46,600 --> 00:28:48,920 Speaker 1: have been used for a very long time. I see 523 00:28:48,960 --> 00:28:54,360 Speaker 1: them in ancient Mesopotamia, Cypress, Persia, Egypt, Greece, Rome, of course, 524 00:28:54,440 --> 00:28:58,040 Speaker 1: and various Roman provinces. So you know, the technology and 525 00:28:58,080 --> 00:29:00,400 Speaker 1: the materials would have spread with the Romans as well, 526 00:29:00,720 --> 00:29:03,640 Speaker 1: and the Romans likely learned it from the Greeks. And 527 00:29:03,880 --> 00:29:07,160 Speaker 1: it wasn't just the pipes. It was used in cases 528 00:29:07,160 --> 00:29:10,760 Speaker 1: where iron wire or wooden hoops are currently used today, 529 00:29:10,800 --> 00:29:16,640 Speaker 1: you know, as reinforcing brands for bands, for tanks, vats, um, amphora, etcetera. 530 00:29:17,080 --> 00:29:21,400 Speaker 1: So you see it also used in masonry, cesspool coverings, roofing, 531 00:29:21,880 --> 00:29:27,320 Speaker 1: damp proofing, foundations, uh, parapet walls, etcetera. Lead vessels were 532 00:29:27,320 --> 00:29:30,640 Speaker 1: widely used and uh this is interesting. Lead was also 533 00:29:30,760 --> 00:29:34,400 Speaker 1: long associated with funeral rites, so Roman era caskets and 534 00:29:34,560 --> 00:29:37,960 Speaker 1: urns are often made at least in part from lead, 535 00:29:38,440 --> 00:29:41,680 Speaker 1: especially apparently in England. Lead was also used in ancient 536 00:29:41,760 --> 00:29:46,200 Speaker 1: China in a variety of uses from glassmaking to cosmetics. 537 00:29:46,840 --> 00:29:48,560 Speaker 1: Of course, and now in the modern world, we know 538 00:29:48,720 --> 00:29:52,920 Speaker 1: that lead can have extremely serious health consequences, can and 539 00:29:53,200 --> 00:29:56,240 Speaker 1: very often does. Like there there are tons of ways 540 00:29:56,320 --> 00:29:58,520 Speaker 1: to get lead in your body, and lead exposure can 541 00:29:58,560 --> 00:30:01,280 Speaker 1: happen through through in jel question when when you eat, 542 00:30:01,320 --> 00:30:04,680 Speaker 1: It can happen through breathing in lead particles can happen 543 00:30:04,880 --> 00:30:08,600 Speaker 1: through absorption through the skin, and lead gets incorporated into 544 00:30:08,640 --> 00:30:10,840 Speaker 1: the body and leads to both short term and long 545 00:30:10,960 --> 00:30:15,560 Speaker 1: term negative consequences. The short term negative consequences are there 546 00:30:15,560 --> 00:30:17,520 Speaker 1: are a lot of different ones, so it can be 547 00:30:17,560 --> 00:30:20,320 Speaker 1: sometimes it's hard to identify lead exposure in people. But 548 00:30:20,400 --> 00:30:23,240 Speaker 1: it might be like you've got stomach distress, like your 549 00:30:23,240 --> 00:30:26,960 Speaker 1: stomach hurts and you're constipated. But it also can lead 550 00:30:26,960 --> 00:30:30,080 Speaker 1: to weakness and fatigue, and like your arms and legs 551 00:30:30,120 --> 00:30:34,320 Speaker 1: are weak, and it can lead to psychological and neurological consequences. 552 00:30:34,360 --> 00:30:38,640 Speaker 1: People can be like like tired and depressed and irritable, 553 00:30:38,800 --> 00:30:43,080 Speaker 1: have loss of appetite, have trouble remembering things. Yeah, I 554 00:30:43,120 --> 00:30:45,320 Speaker 1: mean it's enough to make you think it's my smartphone 555 00:30:45,360 --> 00:30:49,840 Speaker 1: made out of lead, but uh, it is, it's we 556 00:30:49,840 --> 00:30:52,640 Speaker 1: were actually talking about this before we recorded the episode, 557 00:30:52,640 --> 00:30:55,960 Speaker 1: like there's so much to the story of of of 558 00:30:56,000 --> 00:30:59,480 Speaker 1: our realization regarding the harmful effects of lead, that we 559 00:30:59,520 --> 00:31:01,240 Speaker 1: really need to come back to it and devote an 560 00:31:01,360 --> 00:31:04,840 Speaker 1: entire episode. Absolutely, yes, yes, absolutely, We're gonna do a 561 00:31:04,880 --> 00:31:07,360 Speaker 1: whole episode on lead someday soon, I think, maybe with 562 00:31:07,480 --> 00:31:10,160 Speaker 1: a special focus on the Lord of Lead, clar Cy Patterson. 563 00:31:11,200 --> 00:31:12,840 Speaker 1: But yeah, we we now know lead to have all 564 00:31:12,880 --> 00:31:15,560 Speaker 1: these problems, and they're also the long term consequences, right, 565 00:31:15,600 --> 00:31:18,240 Speaker 1: those are just like short term consequences. I was mentioning, 566 00:31:18,280 --> 00:31:20,920 Speaker 1: you know, it can there can be neurological damage from 567 00:31:20,960 --> 00:31:23,800 Speaker 1: long term exposure to lead. Enough lead in a concentrated 568 00:31:23,800 --> 00:31:27,920 Speaker 1: dose can kill you. They're definitely, uh like developmental problems 569 00:31:27,960 --> 00:31:31,520 Speaker 1: that children who have lead exposure experience. So it's uh yeah, 570 00:31:31,720 --> 00:31:33,920 Speaker 1: it's no joke. And the fact that humans have constantly 571 00:31:33,960 --> 00:31:37,720 Speaker 1: surrounded ourselves for centuries or even millennia with just constant 572 00:31:37,800 --> 00:31:41,720 Speaker 1: routes of exposure to to environmental lead is something that 573 00:31:41,920 --> 00:31:45,120 Speaker 1: is really horrifying and ridiculous. But I guess that's just 574 00:31:45,160 --> 00:31:47,120 Speaker 1: what we do. All right. We're gonna take a quick 575 00:31:47,120 --> 00:31:49,200 Speaker 1: break and when we come back We're going to get 576 00:31:49,200 --> 00:31:52,760 Speaker 1: back to this idea of lead as a food headed 577 00:31:53,400 --> 00:31:56,720 Speaker 1: song hanging there. Soon it'll be time to eat some 578 00:31:56,880 --> 00:32:03,080 Speaker 1: lead than Alright, we're back. Okay, it's Valentine's Day. What 579 00:32:03,160 --> 00:32:06,920 Speaker 1: do you get your sweetheart on Valentine's Day? Sometimes they're flowers? 580 00:32:06,960 --> 00:32:09,360 Speaker 1: But oh, I guess it's already there in the name, right, 581 00:32:09,400 --> 00:32:13,360 Speaker 1: you get your sweethearts some sweets. Now here's the question 582 00:32:13,400 --> 00:32:15,440 Speaker 1: I've wondered about before, but I've never found a good 583 00:32:15,480 --> 00:32:19,200 Speaker 1: answer to. Why is it that we associate sweet foods 584 00:32:19,320 --> 00:32:22,520 Speaker 1: with like eroticism but not so much like other flavors? 585 00:32:22,520 --> 00:32:26,280 Speaker 1: Like why isn't it that you get your sweethearts some 586 00:32:26,360 --> 00:32:29,240 Speaker 1: salty foods on Valentine's Day? Or you get them some 587 00:32:29,360 --> 00:32:33,720 Speaker 1: bitter foods or sour foods? Why sweet? I mean sweets 588 00:32:33,720 --> 00:32:36,600 Speaker 1: are a decadent treat, right, I mean I guess that's 589 00:32:36,680 --> 00:32:39,800 Speaker 1: part of it. Um, A sweet is something sweets or 590 00:32:39,840 --> 00:32:43,440 Speaker 1: something we've always were always craving and uh, and we're 591 00:32:43,520 --> 00:32:46,200 Speaker 1: just hardwired to want as much of it as possible, 592 00:32:46,240 --> 00:32:48,520 Speaker 1: given that it would be a rarity in the natural world. 593 00:32:48,560 --> 00:32:51,000 Speaker 1: But we also crave fat and salt. Why not like 594 00:32:51,200 --> 00:32:53,680 Speaker 1: for Valentine's Day, instead of a box of chocolates, it's 595 00:32:53,680 --> 00:32:58,800 Speaker 1: like a bag of pork crimes and a stick of butter. Well. Um, 596 00:32:59,120 --> 00:33:02,000 Speaker 1: I guess it would be harder to keep that secreted 597 00:33:02,000 --> 00:33:03,760 Speaker 1: away in the back of the closet for a week 598 00:33:03,880 --> 00:33:06,200 Speaker 1: or so. Um. But I don't know. I feel like 599 00:33:06,600 --> 00:33:12,440 Speaker 1: they're people celebrate cheeses on Valentine's You know, certainly there 600 00:33:12,440 --> 00:33:14,720 Speaker 1: are other foods that have a like a romantic or 601 00:33:14,760 --> 00:33:18,760 Speaker 1: afrodisiac uh, you know, vibe to them. Yeah, I guess so. 602 00:33:19,120 --> 00:33:20,880 Speaker 1: Uh you know, I guess part of what I'm wondering 603 00:33:21,040 --> 00:33:24,520 Speaker 1: is is that link between like love and eroticism and 604 00:33:24,560 --> 00:33:28,520 Speaker 1: sweet foods. Is that cultural or is there some biological 605 00:33:28,640 --> 00:33:30,840 Speaker 1: element to it? Oh? Man, We'll have to come back 606 00:33:30,840 --> 00:33:32,760 Speaker 1: and explore that. That would be that would be interesting 607 00:33:32,800 --> 00:33:35,080 Speaker 1: to look at, Like when you look at other cultures, 608 00:33:35,160 --> 00:33:40,520 Speaker 1: is there something else that is considered the romantic flavor profile? Um? 609 00:33:40,560 --> 00:33:43,800 Speaker 1: I don't know. You know, considering how many like Scandinavian 610 00:33:43,840 --> 00:33:46,000 Speaker 1: people have written into the show to to talk about 611 00:33:46,040 --> 00:33:48,440 Speaker 1: the wonders of salty licorice, I bet that's what they 612 00:33:48,520 --> 00:33:52,160 Speaker 1: use over there. Yeah. And plus it makes me wonder about, say, 613 00:33:52,240 --> 00:33:55,320 Speaker 1: Chinese traditions where there's so much emphasis placed on the 614 00:33:55,360 --> 00:34:00,800 Speaker 1: balance of different flavors. Uh, you know, how does impact 615 00:34:01,440 --> 00:34:05,080 Speaker 1: sort of ritualized sweets. All right, well, let's talk about 616 00:34:05,080 --> 00:34:09,120 Speaker 1: the sweetest of all sweets, sweet lead. So I found 617 00:34:09,160 --> 00:34:12,120 Speaker 1: what has got to be the best entry ever in 618 00:34:12,160 --> 00:34:17,160 Speaker 1: any Oxford Companions that was reading the Oxford Companion to 619 00:34:17,360 --> 00:34:21,239 Speaker 1: Sugar and Sweets. Yeah. So it's Oxford University Press, and 620 00:34:21,280 --> 00:34:25,480 Speaker 1: there's an entry in it by the American chemist Michelle M. Francil, 621 00:34:25,880 --> 00:34:27,279 Speaker 1: And this has just got to be one of the 622 00:34:27,280 --> 00:34:30,800 Speaker 1: best like Encyclopedia type entries I've ever read. So francial 623 00:34:30,880 --> 00:34:35,799 Speaker 1: writes about this substance called sugar of lead, also known 624 00:34:35,880 --> 00:34:39,879 Speaker 1: as lead lead acetate or lead to acetate. It looks 625 00:34:39,960 --> 00:34:42,839 Speaker 1: kind of like large salt crystals if you look it up, 626 00:34:42,960 --> 00:34:46,279 Speaker 1: or it looks maybe like translucent rock candy, the kind 627 00:34:46,280 --> 00:34:48,319 Speaker 1: of stuff you get on a little stick, right, Yeah, 628 00:34:48,360 --> 00:34:51,400 Speaker 1: but like sort of like white, translucent in color. And 629 00:34:51,440 --> 00:34:54,600 Speaker 1: Francile writes, quote, it is sweet roughly as sweet per 630 00:34:54,640 --> 00:34:58,240 Speaker 1: teaspoon as sugar, and only slightly more lethal than stricken. 631 00:35:00,000 --> 00:35:02,560 Speaker 1: So sugar of lead was used as like a medical 632 00:35:02,600 --> 00:35:06,360 Speaker 1: treatment in nineteenth century Europe, And even though it is sweet, 633 00:35:06,640 --> 00:35:09,960 Speaker 1: it is technically a salt, which is an electrically neutral 634 00:35:10,080 --> 00:35:13,440 Speaker 1: collection of positive ions and negative ions. And actually we 635 00:35:13,520 --> 00:35:17,279 Speaker 1: only think of salts as salty in flavor because the 636 00:35:17,320 --> 00:35:20,280 Speaker 1: most common salt that we refer to is sodium chloride 637 00:35:20,280 --> 00:35:23,160 Speaker 1: table salt. But salts don't have to be salty. Salts 638 00:35:23,200 --> 00:35:25,279 Speaker 1: can be bitter, and salts can be sweet, and in 639 00:35:25,320 --> 00:35:28,520 Speaker 1: this case it is sweet. So in lead acetate, this 640 00:35:28,560 --> 00:35:32,320 Speaker 1: collection of oppositely charged ions is made from di positive 641 00:35:32,480 --> 00:35:37,239 Speaker 1: lead ions and negatively charged acetate ions. And it turns 642 00:35:37,239 --> 00:35:40,840 Speaker 1: out sugar of lead is not the only sweet metallic salt. 643 00:35:41,120 --> 00:35:44,160 Speaker 1: Frens Will points out that lots of beryllium salts are 644 00:35:44,320 --> 00:35:47,080 Speaker 1: very sweet, so sweet in fact, that the Greek word 645 00:35:47,160 --> 00:35:52,120 Speaker 1: for the element beryllium is glucinium, from like glucose or glycos, 646 00:35:52,239 --> 00:35:55,959 Speaker 1: the Greek word for sweet. But as good as these 647 00:35:56,000 --> 00:35:58,880 Speaker 1: metal salts that are sweet taste, they are very bad 648 00:35:58,920 --> 00:36:01,440 Speaker 1: for you. Lead a state can be fatal to a 649 00:36:01,480 --> 00:36:04,200 Speaker 1: seventy or a hundred and fifty pound adult at a 650 00:36:04,239 --> 00:36:08,200 Speaker 1: dose of three teaspoons. So basically what you're saying is 651 00:36:08,239 --> 00:36:12,360 Speaker 1: that if anybody has any fancy dining plants this evening 652 00:36:12,960 --> 00:36:16,880 Speaker 1: and they see lead based sweeteners on the menu, I 653 00:36:16,880 --> 00:36:21,160 Speaker 1: would advise against it. Nevertheless, there is some evidence that 654 00:36:21,200 --> 00:36:25,719 Speaker 1: the ancient Romans used indirectly, I would say indirectly used 655 00:36:25,719 --> 00:36:28,839 Speaker 1: this lead salt as a kind of sweetener, or at 656 00:36:28,880 --> 00:36:31,880 Speaker 1: least as a way of avoiding other types of taste 657 00:36:31,960 --> 00:36:35,520 Speaker 1: imparted into their foods. So here's how this goes. The 658 00:36:35,640 --> 00:36:39,600 Speaker 1: Romans created a syrup that they called sapa, which was 659 00:36:39,680 --> 00:36:43,759 Speaker 1: produced by boiling down a liquid called must. Must is 660 00:36:43,760 --> 00:36:48,560 Speaker 1: basically weak wine. Frontal describes it as quote mildly fermented 661 00:36:48,600 --> 00:36:51,280 Speaker 1: grape juice, so there'll be a little bit of alcohol content, 662 00:36:51,320 --> 00:36:54,320 Speaker 1: maybe kind of like grape beer. Almost. Of course, must, 663 00:36:54,480 --> 00:36:57,880 Speaker 1: like wine, has some acid in it. It has acetic acid, 664 00:36:57,920 --> 00:37:00,760 Speaker 1: and acetic acid is the acid base is of vinegar. 665 00:37:00,880 --> 00:37:04,440 Speaker 1: Vinegar is usually just acetic acid diluted with water or 666 00:37:04,480 --> 00:37:09,320 Speaker 1: some other aqueous substance, and acetic acid provides acetate ions 667 00:37:09,440 --> 00:37:12,279 Speaker 1: which can react with metals in the pots where they 668 00:37:12,280 --> 00:37:16,600 Speaker 1: are boiled and uh and this can result in some salts. 669 00:37:16,640 --> 00:37:19,560 Speaker 1: So if you boil your must in a copper pot, 670 00:37:19,920 --> 00:37:23,719 Speaker 1: the resulting sappa will have some copper acetate salts in it, 671 00:37:24,040 --> 00:37:27,640 Speaker 1: and these taste really bad, like they're bitter. Even ancient 672 00:37:27,760 --> 00:37:31,080 Speaker 1: Roman writers would would comment on this. In the Natural History, 673 00:37:31,160 --> 00:37:34,680 Speaker 1: Plenty discusses the production of sappa and he writes, quote, 674 00:37:34,800 --> 00:37:38,400 Speaker 1: leaden vessels should be used for this purpose, not copper ones. 675 00:37:38,520 --> 00:37:40,799 Speaker 1: So it's like, get that copper out of there, makes 676 00:37:40,840 --> 00:37:44,320 Speaker 1: the sappa taste bad? You want lead? Except no less? 677 00:37:45,600 --> 00:37:48,800 Speaker 1: So why use lead? Because remember lead salts are sweets. 678 00:37:48,840 --> 00:37:51,960 Speaker 1: So not only does cooking in lead pots not foul 679 00:37:52,000 --> 00:37:55,799 Speaker 1: your sappa, it might make it even a little bit sweeter. Uh. 680 00:37:55,920 --> 00:37:58,280 Speaker 1: And this is a quote from This is a quote 681 00:37:58,280 --> 00:38:02,400 Speaker 1: from Francile's injury quote. Chemical analysis of sappa produced according 682 00:38:02,440 --> 00:38:06,440 Speaker 1: to recipes dating from the classical Roman period using kettles 683 00:38:06,440 --> 00:38:09,840 Speaker 1: of similar metallic composition as those found at POMPEII and 684 00:38:09,880 --> 00:38:13,960 Speaker 1: other sites, suggests that the lead content of sappa was 685 00:38:14,040 --> 00:38:18,000 Speaker 1: eight hundred and fifty milligrams per leader, many thousand times 686 00:38:18,080 --> 00:38:21,560 Speaker 1: higher than what is generally allowable in drinking water, even 687 00:38:21,640 --> 00:38:25,600 Speaker 1: diluted and used sparingly. Sweetening with sappa was a serious risk. 688 00:38:26,600 --> 00:38:29,600 Speaker 1: Now I have seen some people phrase this is like 689 00:38:29,800 --> 00:38:34,200 Speaker 1: that the lead pots were used specifically to make the 690 00:38:34,239 --> 00:38:37,440 Speaker 1: sappa sweeter, and Francis sort of disagrees with that because 691 00:38:37,480 --> 00:38:41,160 Speaker 1: she says the lead was probably not really intended to 692 00:38:41,200 --> 00:38:44,719 Speaker 1: add much sweetness to the wine because it wouldn't put 693 00:38:45,000 --> 00:38:47,120 Speaker 1: it wouldn't add that much. Really, you You'd already have 694 00:38:47,320 --> 00:38:50,000 Speaker 1: a pretty sweet substance and would be the equivalent of 695 00:38:50,040 --> 00:38:52,040 Speaker 1: adding like a pinch of sugar to it, So it 696 00:38:52,040 --> 00:38:54,440 Speaker 1: wouldn't make a huge difference. It was more that the 697 00:38:54,520 --> 00:38:57,520 Speaker 1: lead vessels, if they when they did add flavor, would 698 00:38:57,520 --> 00:39:00,960 Speaker 1: sort of complement the existing sweetness ra other than adding 699 00:39:01,000 --> 00:39:04,920 Speaker 1: a foul, bitter flavor like copper vessels would. Okay, so 700 00:39:05,000 --> 00:39:08,319 Speaker 1: in a blind taste test of the in which both 701 00:39:08,440 --> 00:39:13,000 Speaker 1: vessels have the same already sweet or semi sweet wine, 702 00:39:13,760 --> 00:39:16,719 Speaker 1: you're going to find that the leaden vessel is going 703 00:39:16,760 --> 00:39:20,520 Speaker 1: to impart a like a slightly sweeter, less foul experience. Well, 704 00:39:20,560 --> 00:39:24,160 Speaker 1: probably significantly less foul. But yeah, I don't know if 705 00:39:24,200 --> 00:39:27,200 Speaker 1: there's evidence that they thought of it, as the lead 706 00:39:27,280 --> 00:39:29,920 Speaker 1: comes out and makes it a lot sweeter. They just thought, oh, 707 00:39:30,000 --> 00:39:32,960 Speaker 1: you use lead pots it tastes way better. In the end. However, 708 00:39:33,040 --> 00:39:35,320 Speaker 1: this is one of those cases where we also can't 709 00:39:35,440 --> 00:39:38,760 Speaker 1: just make fun of the ancients. Because this this kind 710 00:39:38,800 --> 00:39:41,920 Speaker 1: of thing carried on into a ridiculously recent time. She 711 00:39:42,000 --> 00:39:44,440 Speaker 1: points out that the use of lead as a food 712 00:39:44,480 --> 00:39:47,680 Speaker 1: additive and treatment did not stop in Ancient Rome, and 713 00:39:47,760 --> 00:39:50,840 Speaker 1: that lead equipment and additives were used to prevent spoilage 714 00:39:50,880 --> 00:39:53,600 Speaker 1: in wine in some cases up until the nineteenth century. 715 00:39:53,880 --> 00:39:56,359 Speaker 1: Oh wow, now we do have to just drive home 716 00:39:56,400 --> 00:39:58,600 Speaker 1: for everybody, even though again we're not getting deep into 717 00:39:58,600 --> 00:40:03,560 Speaker 1: the the the the the dangers of lead in this episode. Please, 718 00:40:04,000 --> 00:40:06,440 Speaker 1: if you were, if you were tempted, all tempted it all, 719 00:40:06,640 --> 00:40:09,640 Speaker 1: do not go out and drink a bunch of wine 720 00:40:09,640 --> 00:40:14,000 Speaker 1: out of lead vessels just to to to test the 721 00:40:14,239 --> 00:40:17,200 Speaker 1: sweetening ability of the of the vessel. The amount of 722 00:40:17,239 --> 00:40:20,920 Speaker 1: lead you should be absorbing on purposes zero, whatever you're 723 00:40:20,960 --> 00:40:23,960 Speaker 1: accidentally getting from the environment is still probably more than 724 00:40:24,000 --> 00:40:26,560 Speaker 1: you want. And there's actually a lot more stuff that 725 00:40:26,760 --> 00:40:30,560 Speaker 1: There's been an ongoing argument over the years about the 726 00:40:30,680 --> 00:40:34,319 Speaker 1: role of lead ingestion and lead exposure in ancient Rome, 727 00:40:34,360 --> 00:40:38,080 Speaker 1: because before Ancient Rome there was lead. People did use 728 00:40:38,200 --> 00:40:40,520 Speaker 1: lead to make some objects, but it wasn't used in 729 00:40:40,600 --> 00:40:44,560 Speaker 1: wide like widespread construction and infrastructure and all that. The 730 00:40:44,680 --> 00:40:47,160 Speaker 1: Romans were the ones that really started using lead for 731 00:40:47,200 --> 00:40:50,400 Speaker 1: a lot of stuff, and in nine three, a Canadian 732 00:40:50,440 --> 00:40:55,719 Speaker 1: researcher named Jerome Riyagu argued that lead poisoning actually lead 733 00:40:55,800 --> 00:40:58,160 Speaker 1: to the downfall of the Roman Empire. You've probably heard 734 00:40:58,200 --> 00:41:00,600 Speaker 1: this before, Yeah, the idea that they just they built 735 00:41:00,680 --> 00:41:03,439 Speaker 1: up all of this lead essentially lead infrastructure and then 736 00:41:03,840 --> 00:41:07,160 Speaker 1: poisoned themselves with yeah, and cooked with this, especially the 737 00:41:07,200 --> 00:41:10,880 Speaker 1: cooking with lead vessels, I think. Um. And so this 738 00:41:10,920 --> 00:41:13,359 Speaker 1: has later been called into doubt by others who said, 739 00:41:13,400 --> 00:41:16,080 Speaker 1: you know, it doesn't necessarily seem like we can claim that, 740 00:41:16,680 --> 00:41:19,920 Speaker 1: but there's no doubt that many robins were exposed to 741 00:41:20,160 --> 00:41:22,759 Speaker 1: unsafe levels of lead. I was just looking at a 742 00:41:22,760 --> 00:41:26,360 Speaker 1: study from P and A. S by the by Delisle 743 00:41:26,400 --> 00:41:29,520 Speaker 1: at All called lead in Ancient Rome city waters, and 744 00:41:29,800 --> 00:41:32,960 Speaker 1: they found that the tap water, you know, basically the 745 00:41:32,960 --> 00:41:37,600 Speaker 1: aqueduct delivered water or delivered through some kind of lead infrastructure, 746 00:41:37,640 --> 00:41:40,160 Speaker 1: that water in ancient Rome would have roughly a hundred 747 00:41:40,239 --> 00:41:44,640 Speaker 1: times the lead content of local spring water. It's a 748 00:41:44,680 --> 00:41:47,439 Speaker 1: lot of lead, all right, was we we wind down here, 749 00:41:47,600 --> 00:41:49,719 Speaker 1: Let's just let's just talk once more about just the 750 00:41:49,760 --> 00:41:52,399 Speaker 1: properties of lead, right, And I wonder if in looking 751 00:41:52,480 --> 00:41:55,279 Speaker 1: at these properties, we can figure out what makes it 752 00:41:55,320 --> 00:41:58,520 Speaker 1: so special as as the opposite of the love inducing 753 00:41:58,560 --> 00:42:02,080 Speaker 1: golden arrow. Yeah, and and indeed, why Cupid would have 754 00:42:02,960 --> 00:42:06,560 Speaker 1: walked up to his possible father Vulcan and said, Hey, 755 00:42:07,440 --> 00:42:09,760 Speaker 1: what metal should you use to make my repulsion arrows? 756 00:42:10,040 --> 00:42:12,360 Speaker 1: What would make Vulcans say, oh, yeah, lead, Lead is 757 00:42:12,400 --> 00:42:14,680 Speaker 1: what you want? Okay? Well, one thing we know about 758 00:42:14,719 --> 00:42:16,439 Speaker 1: lead is that, for a metal, has a pretty low 759 00:42:16,440 --> 00:42:19,279 Speaker 1: melting point right right, And this means it's a lot 760 00:42:19,320 --> 00:42:22,080 Speaker 1: easier to cast with requires less equipment, and it made 761 00:42:22,080 --> 00:42:24,920 Speaker 1: an ideal solder component. Ye, So if you want to 762 00:42:24,920 --> 00:42:28,799 Speaker 1: melt something easily to like seal things together, I think yeah, 763 00:42:28,880 --> 00:42:31,200 Speaker 1: and I've read this also makes it like an attractive 764 00:42:31,239 --> 00:42:34,960 Speaker 1: additive if you're like casting something in a mold. Right. 765 00:42:35,000 --> 00:42:37,120 Speaker 1: And then to your point earlier, like it was there 766 00:42:37,160 --> 00:42:40,759 Speaker 1: as a byproduct of going after other metals, so it 767 00:42:40,880 --> 00:42:44,719 Speaker 1: was available, um onto onto. An addition, we've talked about 768 00:42:44,719 --> 00:42:47,640 Speaker 1: this a little bit. Lead is dnse. It is. It's 769 00:42:47,680 --> 00:42:49,920 Speaker 1: a heavy metal, and leads density is due to its 770 00:42:50,000 --> 00:42:54,720 Speaker 1: high atomic mass, short bond lengths, and a small atomic radius. 771 00:42:54,960 --> 00:42:57,759 Speaker 1: And this along with its high number of electrons needed 772 00:42:57,800 --> 00:43:00,960 Speaker 1: to maintain a neutral charge, makes it a useful radiation 773 00:43:01,040 --> 00:43:04,680 Speaker 1: shield in our modern world, a scattering X rays and 774 00:43:04,760 --> 00:43:07,160 Speaker 1: gamma rays. Yeah, and so you'll actually see it in 775 00:43:07,320 --> 00:43:10,160 Speaker 1: use in places where there's a radiation risk. There are 776 00:43:10,200 --> 00:43:13,480 Speaker 1: sometimes lead blocks deployed as a as basically a like 777 00:43:13,520 --> 00:43:17,200 Speaker 1: the sand bags of the radiation world. Yeah. I mean, 778 00:43:17,640 --> 00:43:20,879 Speaker 1: my my father was a dentist and and so I 779 00:43:20,920 --> 00:43:23,880 Speaker 1: was often hanging out in dental offices, and part of 780 00:43:23,920 --> 00:43:26,640 Speaker 1: that is being being near an X ray machine and 781 00:43:26,719 --> 00:43:32,759 Speaker 1: of course that big, big heavy lead line smock that lead. Yeah. 782 00:43:33,320 --> 00:43:35,440 Speaker 1: So so yeah, you see, you see this kind of 783 00:43:35,880 --> 00:43:38,200 Speaker 1: radiation shielding all over. It kind of makes me think 784 00:43:38,239 --> 00:43:40,480 Speaker 1: back to our our our episode on the X ray 785 00:43:40,520 --> 00:43:43,120 Speaker 1: machine that we did for Invention. So certainly if you 786 00:43:43,160 --> 00:43:46,319 Speaker 1: want more on on the use of X rays and 787 00:43:46,400 --> 00:43:48,960 Speaker 1: the dangers of radiation associated with that with X rays, 788 00:43:49,000 --> 00:43:52,520 Speaker 1: I highly recommend that episode of our other show Invention. 789 00:43:52,719 --> 00:43:55,719 Speaker 1: And then the third major attribute of lead is that 790 00:43:55,800 --> 00:43:59,680 Speaker 1: it is soft and it's malleable. Uh, it's limited usage somewhat. 791 00:44:00,200 --> 00:44:02,040 Speaker 1: You know, while God might be able to craft an 792 00:44:02,120 --> 00:44:04,520 Speaker 1: arrow out of it or coat an arrow with lead anyway, 793 00:44:04,680 --> 00:44:06,839 Speaker 1: you're not gonna be able to fashion anything with it 794 00:44:06,880 --> 00:44:10,480 Speaker 1: that can sustain any real stress. But when you're talking 795 00:44:10,520 --> 00:44:13,480 Speaker 1: about something like water and sewage pipes or cooking vessels, 796 00:44:13,960 --> 00:44:16,520 Speaker 1: Uh yeah, that that is an area where lead can 797 00:44:17,239 --> 00:44:20,200 Speaker 1: can excel as long as you're not getting into questions 798 00:44:20,239 --> 00:44:22,279 Speaker 1: of whether it will poison you or not. Just from 799 00:44:22,320 --> 00:44:24,560 Speaker 1: a physical and a physical basis, it can get the 800 00:44:24,640 --> 00:44:27,319 Speaker 1: job done. You wouldn't want like a lead hammer, though, 801 00:44:27,360 --> 00:44:29,759 Speaker 1: I think you can have like lead alloy hammers and 802 00:44:29,800 --> 00:44:32,400 Speaker 1: stuff like. You can use alloys to strengthen metals that 803 00:44:32,440 --> 00:44:35,799 Speaker 1: are inherently soft. So coming back to Cupid, I mean 804 00:44:35,880 --> 00:44:39,760 Speaker 1: maybe the idea is that the leaden arrows or somehow 805 00:44:40,040 --> 00:44:45,880 Speaker 1: combating the radiation of intense passionate love. The power of 806 00:44:46,000 --> 00:44:48,879 Speaker 1: love is actually a it's a it's a type of ray. 807 00:44:49,000 --> 00:44:51,480 Speaker 1: It's what's beyond gamma rays. Yeah, and you've got to 808 00:44:51,520 --> 00:44:53,560 Speaker 1: scatter those love rays. And the only way to do 809 00:44:53,600 --> 00:44:58,200 Speaker 1: it is with with some high end um God forged 810 00:44:58,400 --> 00:45:02,680 Speaker 1: a leaden ammunition. I'm seeing another residence here because one 811 00:45:02,719 --> 00:45:04,960 Speaker 1: of the sources we didn't mention. So we talked about 812 00:45:05,000 --> 00:45:08,480 Speaker 1: how lead can be created in like events in space 813 00:45:08,560 --> 00:45:11,680 Speaker 1: inside like a dying star and the collision of neutron stars. 814 00:45:11,880 --> 00:45:14,200 Speaker 1: We also didn't talk about another. I think it probably 815 00:45:14,200 --> 00:45:16,840 Speaker 1: accounts for a much much smaller percentage of it. But 816 00:45:17,080 --> 00:45:21,560 Speaker 1: lead can be created as the byproduct of radioactive decay sometimes, 817 00:45:21,600 --> 00:45:25,359 Speaker 1: like uranium can decay into some isotopes of lead. So 818 00:45:25,400 --> 00:45:28,640 Speaker 1: maybe if we're considering that love is a type of 819 00:45:28,920 --> 00:45:33,880 Speaker 1: radioactivity or type of ray, they're actually lead represents what 820 00:45:34,040 --> 00:45:37,440 Speaker 1: happens when love dies in decays, you know, like so 821 00:45:37,719 --> 00:45:41,360 Speaker 1: like love fades and eventually it becomes lead. What starts 822 00:45:41,400 --> 00:45:46,400 Speaker 1: as this golden, splendid, sharp arrow becomes this blunt, dull, 823 00:45:46,560 --> 00:45:51,040 Speaker 1: lusterless instrument. We have crucified this myth and taken out 824 00:45:51,080 --> 00:45:55,200 Speaker 1: all of the beauty and turned it into a chemical Frankenstein. 825 00:45:55,239 --> 00:45:57,880 Speaker 1: I'm so proud of us. Yeah, I I feel like 826 00:45:57,960 --> 00:46:00,640 Speaker 1: we have. We've done a good job here today, taking 827 00:46:00,800 --> 00:46:05,879 Speaker 1: the candy coated and kind of lame holiday of Valentine's Day, 828 00:46:06,000 --> 00:46:08,400 Speaker 1: and I think we've injected some fresh life into it. 829 00:46:08,440 --> 00:46:12,359 Speaker 1: We've fed it a lot of lead and uh and 830 00:46:12,360 --> 00:46:14,680 Speaker 1: and there and uh and in doing so, we've we've 831 00:46:14,760 --> 00:46:18,960 Speaker 1: killed off a lot of the the more irritable aspects 832 00:46:19,120 --> 00:46:23,560 Speaker 1: of the holiday. Sweet sweet lead. Yes, so big takeaways 833 00:46:23,640 --> 00:46:27,680 Speaker 1: from from today. Don't eat lead sugar, right, don't do 834 00:46:27,760 --> 00:46:30,680 Speaker 1: not do it. Don't cook in lead pots, right, don't 835 00:46:30,760 --> 00:46:33,360 Speaker 1: drink from lead leading vessels if you have a choice 836 00:46:33,360 --> 00:46:38,200 Speaker 1: in the matter. Be wary of gods with bows and arrows, 837 00:46:39,160 --> 00:46:42,400 Speaker 1: and and keep in mind that, yeah, Cupid has two arrows, 838 00:46:42,440 --> 00:46:44,759 Speaker 1: so if he's aiming at you, uh, it's kind of 839 00:46:44,760 --> 00:46:47,040 Speaker 1: a toss up which one he's trying to hit you with. 840 00:46:47,280 --> 00:46:50,680 Speaker 1: And sometimes even the great God Pan gets out wrestled exactly. 841 00:46:51,440 --> 00:46:54,239 Speaker 1: All right, So we're gonna close out the special Valentine's 842 00:46:54,280 --> 00:46:56,480 Speaker 1: Day episode of Stuff to Blow Your Mind. But as always, 843 00:46:56,480 --> 00:46:58,960 Speaker 1: if you want to check out more episodes of the show, 844 00:46:59,280 --> 00:47:00,839 Speaker 1: you can always head it over to stuff to Blow 845 00:47:00,880 --> 00:47:03,439 Speaker 1: your Mind dot com. That's the mother ship. That's where 846 00:47:03,480 --> 00:47:05,839 Speaker 1: you will find all the episodes of the show. You'll 847 00:47:05,880 --> 00:47:08,680 Speaker 1: find links out to various social media accounts. You can 848 00:47:08,680 --> 00:47:12,600 Speaker 1: of course find us anywhere you get podcasts. That's that's 849 00:47:12,640 --> 00:47:15,480 Speaker 1: true across the board, So just search for us there. 850 00:47:15,719 --> 00:47:18,480 Speaker 1: So wherever you find us, subscribe, and if you have 851 00:47:18,560 --> 00:47:20,880 Speaker 1: the power to do so on these platforms, give us 852 00:47:21,200 --> 00:47:23,799 Speaker 1: a rating. Throw as many stars as possible at us. 853 00:47:23,800 --> 00:47:26,520 Speaker 1: The Golden Kind, not the lead ones uh, and then 854 00:47:26,840 --> 00:47:29,480 Speaker 1: leave a nice message about how how awesome the show is, 855 00:47:29,520 --> 00:47:32,160 Speaker 1: because you know these these may seem like small things, 856 00:47:32,160 --> 00:47:34,000 Speaker 1: but they really help us out in the long run. 857 00:47:34,400 --> 00:47:37,880 Speaker 1: Huge thanks as always to our excellent audio producers Alex 858 00:47:37,920 --> 00:47:40,680 Speaker 1: Williams and try Harrison. If you would like to get 859 00:47:40,719 --> 00:47:43,400 Speaker 1: in touch with us directly with feedback about this episode 860 00:47:43,440 --> 00:47:46,000 Speaker 1: or any other to suggest topic for the future, we're 861 00:47:46,080 --> 00:47:48,320 Speaker 1: just to say hi. You can email us at blow 862 00:47:48,400 --> 00:48:01,000 Speaker 1: the Mind at how stuff works dot com for more 863 00:48:01,080 --> 00:48:03,359 Speaker 1: on this and thousands of other topics. Does it how 864 00:48:03,400 --> 00:48:27,160 Speaker 1: stuff works dot com