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Speaker 1: I am all in that I am all in with

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Speaker 1: Scott Patterson and I heart Radio podcast. Hey everybody, Scott Patterson,

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Speaker 1: I am all in. Podcast recap, Season four, episode sixteen,

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Speaker 1: The Reigning Laurel I and uh It originally aired March two.

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Speaker 1: I am a little under the weather. I apologize, but

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Speaker 1: I'm rallying and I have support from my awesome team

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Speaker 1: Danielle Romo, Tara sued Ami'll join us in a minute.

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Speaker 1: But um, hey, guys, how you doing. You're so dedicated

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Speaker 1: you I know you're sick, and you're just like, you

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Speaker 1: know what. I'm still gonna show up and I'm still

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Speaker 1: gonna watch an episode and we're gonna do. We're gonna

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Speaker 1: do the thing. I'll tell you, man, a little Nike. Well,

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Speaker 1: nice night's sleep right after this. I don't want to

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Speaker 1: do the day quill because it's like it's seven that

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Speaker 1: in you and I just like give my liver a

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Speaker 1: little bit of a rest. But I apologize for the

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Speaker 1: creepy deep voice, and I'm not mad at it. I

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Speaker 1: kind of like it. I can't really breathe right now,

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Speaker 1: so your breath or your mouth mouth, so anyway, Danielle,

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Speaker 1: take it away, synopsizing the way only you know how

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Speaker 1: to alright? Season four, episode sixteen, The Reigning Lorelai air

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Speaker 1: date March second, two thousand four. The unexpected death of

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Speaker 1: Grandma Tricks devastates Richard, plus a secret letter is unveiled

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Speaker 1: that sends Emily over the edge. Lorela is left to

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Speaker 1: finish planning the funeral while Rory writes the obituary for

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Speaker 1: her great grandmother. Man, what do you think of this episode? Oh?

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Speaker 1: I mean, we just see Emily and Richard just go downhill,

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Speaker 1: but at the end that there's hope. There is hope.

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Speaker 1: So I did love that. But I kind of liked

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Speaker 1: seeing their demise for an episode. Yeah, like they were

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Speaker 1: they were not Emily and Richard. Yeah, not at all,

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Speaker 1: like we've never seen them before. Um, did you remember

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Speaker 1: this episode, Scott? Did you remember this? No? Not at all, No,

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Speaker 1: not even a little bit. It was look who decided

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Speaker 1: to join us. I don't even want to talk about it.

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Speaker 1: Technology is so challenging. Did you have to move to

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Speaker 1: twenty different spots in your house too? Well? Yeah, I'm

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Speaker 1: not my mom's and I'm on the floor and then

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Speaker 1: the computer just crashes. But whatever, And I don't want

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Speaker 1: to be a buzz scale. But I did not love

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Speaker 1: this episode, did you, guys? I mean, it's not my

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Speaker 1: top but it it wasn't the worst. It was definitely

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Speaker 1: entertaining for me and not my top two. But I

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Speaker 1: did I did enjoy it. I enjoyed it too well. Yeah,

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Speaker 1: I mean it proves so it kind of it kind

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Speaker 1: of goes against my theory that, you know, just the

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Speaker 1: Gilmore stuff at the Gilmore House can can work as

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Speaker 1: a standalone series. No, I'm saying no. But if if

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Speaker 1: audiences had never experienced Stars Hollow before and this show

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Speaker 1: just came out, it was just like the four of

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Speaker 1: them and then Maids and Friends and things like that, um,

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Speaker 1: it probably could have stood alone, you know what I mean?

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Speaker 1: Those those four are dynamic and interesting enough. Um, and

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Speaker 1: obviously the writing team, you know, we didn't spend very

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Speaker 1: much time in Stars Hollow. I didn't spend very much

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Speaker 1: time at all with anybody else. It was. It was

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Speaker 1: a heavy, heavy, heavy Richard Emily episode, which is you know,

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Speaker 1: kind of great all on its own because it wasn't

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Speaker 1: look it was an easy episode. Not easy, but an

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Speaker 1: easier episode for Lauren and alexis because a lot of

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Speaker 1: the heavy lifting was being done by their parents, and

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Speaker 1: so the onus is on them, and and it's nice

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Speaker 1: to give Lauren and Alexis a little breather, you know

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Speaker 1: what I'm saying, because and I'm not saying that they

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Speaker 1: didn't have to be there all day every day, and

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Speaker 1: of course they did, but um, you know, emotional emotionally speaking,

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Speaker 1: it was on Richard and Emily and they hit it

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Speaker 1: out of the park and it was and it was

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Speaker 1: also for me. Yeah, well, I mean I think acting

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Speaker 1: wise great, Maybe I'm just like grouchy Party of One

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Speaker 1: like it was because it was sad. Maybe it was

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Speaker 1: because it was too sad for me, Yeah, that could

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Speaker 1: be it Like Richard's mother dying, It was sad for me.

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Speaker 1: I was thinking that too. Like you know, this show

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Speaker 1: does death really well. But do you really want to

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Speaker 1: do death on this show? You know what I'm saying,

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Speaker 1: because usually when when somebody dies on this show, and

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Speaker 1: it's happened before, it's been somebody a little distant and

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Speaker 1: for some they always glean the comedy out of it.

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Speaker 1: Somehow you're kind of nailing it, you know, you know

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Speaker 1: what I mean. And and you know, like Suki and

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Speaker 1: Lauren show. I think you're nailing it because I think

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Speaker 1: I think I don't want to have Danielle take her

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Speaker 1: headphones off. But I think that's my problem with it

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Speaker 1: is because it really brought it too close to home

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Speaker 1: for me with what happens later in the movie, right,

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Speaker 1: because this isn't this kind of show. Yeah, and that

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Speaker 1: was so painful, and the other shows do death, Yeah,

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Speaker 1: this doesn't. This show is not about it. It's not

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Speaker 1: even close to being about it, right in a sense,

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Speaker 1: but when they do it, it's it was. It was

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Speaker 1: pretty good, actually, it is good. The way that Emily

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Speaker 1: revealed the death was also such a Gilmore way to

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Speaker 1: do it. Like I I even forgot, like I've seen

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Speaker 1: this episode before, but I forgot. I was like, oh

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Speaker 1: this is this episode, Like I even it was just

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Speaker 1: so blunt, like, hey, have a second to talk on

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Speaker 1: the phone, and your grandmother died. Yeah, it was like, okay,

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Speaker 1: it kind of like three for a loop for a second. Yeah,

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Speaker 1: because it was shocking too because we just bettle with

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Speaker 1: her and she was fine. Yeah. Yeah, So it was

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Speaker 1: like and we knew Marian Ross was fine obviously because

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Speaker 1: she's alive now another character, right, So it's like, why

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Speaker 1: did they do it? Although there's reasons, Well, I feel like,

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Speaker 1: do you think, excuse me, do you think it's mainly

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Speaker 1: because there's so much of the storyline with like Richard

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Speaker 1: and Emily and Richard because you know then not to

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Speaker 1: jump ahead, but the letter comes in place. So I

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Speaker 1: feel like it was more of a storyline for Richard

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Speaker 1: and Emily in their character developed more. They had to

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Speaker 1: bring them back together, and they used her death to

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Speaker 1: do it. Yeah, because because I don't think fans were digging,

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Speaker 1: uh where Richard and Emily were going in the series,

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Speaker 1: because their their beloved. You need that solid base. Yeah,

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Speaker 1: you buckle up, everybody. Yeah, do we all have to

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Speaker 1: take our headphones off? Now? It's not Tara but you two. Yeah.

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Speaker 1: I mean, I I don't know why I think look everybody.

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Speaker 1: I mean, I don't know about you guys, but I've

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Speaker 1: experienced this loss, this type of loss too many times

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Speaker 1: in the last fifteen years. Um, and it's gut wrenching.

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Speaker 1: It's really really tough to get through it. But um

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Speaker 1: it forces you to grow as a person. It's it's

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Speaker 1: but it's it's you know, when you lose your mom,

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Speaker 1: there is nothing like that. Uh, it's it's horrible, and

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Speaker 1: it's it's you know, how did it make I kept thinking,

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Speaker 1: how is this making me feel? And how is it

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Speaker 1: making everybody in the audience feel? Because you know everybody,

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Speaker 1: it made me feel terrible. So that's why you kind

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Speaker 1: of don't do death in this show. And I kept thinking,

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Speaker 1: is there another way something could have happened to Trixie

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Speaker 1: or there could have been a different way to bring

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Speaker 1: Emily and Richard together, right except for like losing like

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Speaker 1: what became for me one of my favorite characters in

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Speaker 1: the show. Uh, And it didn't start out that way,

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Speaker 1: but that last episode she was in, just she it

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Speaker 1: was just so brilliant and I wanted more of that,

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Speaker 1: you know, and now we don't. Now we can't get it. Yeah, yeah, yeah,

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Speaker 1: that conflict between them, Yeah, I think a very useful

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Speaker 1: uh nice tension added to the show. Um, you know,

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Speaker 1: just my opinion. And the letter, I mean, I know,

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Speaker 1: I don't know if you want to start going through

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Speaker 1: the whole episode, but the letter was so horrible. And

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Speaker 1: then I don't Emily is unhinged enough for me, so

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Speaker 1: seeing her so unhinged, Although it was funny the smoking

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Speaker 1: and the drinking. I was like, I don't, why do

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Speaker 1: I not love this? Right? Right? You're seeing a great

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Speaker 1: actress um doing things we haven't seen her do before,

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Speaker 1: and she's she's just so good, isn't she? And she's

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Speaker 1: so funny and she's so I mean, I think of

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Speaker 1: all of the talent in that cast, um, you gotta

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Speaker 1: hand it to Kelly Bishop. Yeah, I mean you just

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Speaker 1: have to give it to her. I mean, she's what

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Speaker 1: a fierce, fierce talent um and that was on full

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Speaker 1: display in this episode. And and I see a little

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Speaker 1: note here by our team that that that Kelly Bishop

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Speaker 1: said to People Magazine, this is her face of an

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Speaker 1: episode of the series. You can see why. Well, yes,

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Speaker 1: okayause she got to come out of that that, you know,

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Speaker 1: the tautness and the tightness of that role she was

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Speaker 1: playing and just let it go get drunk and like,

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Speaker 1: who cared? That's what's making me think is because she

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Speaker 1: was so good in the episode is maybe why I

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Speaker 1: also didn't love the episode, because it was all just

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Speaker 1: way too believable to me. And I don't like Richard

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Speaker 1: being like that. Richard is a force. Richard is the steady,

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Speaker 1: strong father figure. So maybe it was just not that

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Speaker 1: it was not a great episode, it was just setting episode.

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Speaker 1: It was it was definitely different. Um. I was engaged.

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Speaker 1: I was engaged. I was on the edge of my seat.

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Speaker 1: I was all the great lines were coming, all the

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Speaker 1: great acting was there. I mean, you're getting so much

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Speaker 1: from the show, even when it's what we consider to

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Speaker 1: be a little bit off center in terms of tone. Right, Okay,

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Speaker 1: it's still bringing the heat. It's still engaging and great

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Speaker 1: and just filled with great acting. And man, when do

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Speaker 1: you ever see that, um like to that level? When

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Speaker 1: did people ever get to do that? Because that's you're

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Speaker 1: it's like you're watching theater or you're watching really really

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Speaker 1: good film. I just thought this was it was unlike

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Speaker 1: what we're used to on Gilmore Girls. But I think

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Speaker 1: that I think that the writers have trained us as

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Speaker 1: an audience to expect the unexpected, and that's kind of

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Speaker 1: how they write. And this was definitely unexpected, but you know, delightful.

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Speaker 1: Well yeah, maybe it was also because Luke and Nicole.

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Speaker 1: It was just for me, I was like, uh, there's

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Speaker 1: no unhappy and stars right now, right right right. It

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Speaker 1: certainly didn't have the levity, shall we say, um, it

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Speaker 1: was a different kind of humor, right, it was. It

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Speaker 1: was deep, unt wrenching reels. And we come right from

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Speaker 1: the very beginning of her friend dying. It's like, why

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Speaker 1: is already dying? You know what I mean? Like her

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Speaker 1: her friend dies, and then there's that drama and Richard

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Speaker 1: isn't going to go to that funeral because he's gonna

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Speaker 1: go with Mr. Himoto and Digger and yeah, and so

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Speaker 1: I was like, okay, and then then they got another death.

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Speaker 1: What did you find out? A little odd that, um,

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Speaker 1: you know, Richard begged off that funeral. He said he

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Speaker 1: had a business meeting and a lunch golf thing with

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Speaker 1: with clients with Jason, and well, what's it's like so

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Speaker 1: unfeeling and so uncaring. You know, her her good right,

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Speaker 1: you're a good friend passed away, right, and nobody cared.

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Speaker 1: Larela I didn't care, making jokes about it. Richard didn't care,

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Speaker 1: didn't want to go to the funeral. It's like, jeez man. Yeah,

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Speaker 1: it was tracking though, based off the right off of

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Speaker 1: Richard's got going on right now. His work and Digger

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Speaker 1: are so much more important. And look, I just want

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Speaker 1: to say, it's almost like this is one of those

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Speaker 1: episodes where four episodes from now, when we do that,

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Speaker 1: this is going to make a lot of sense. And

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Speaker 1: maybe that's what's clouding me because I'm a little dreading

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Speaker 1: some of the things that are coming. So I don't

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Speaker 1: know what's messing with me. They obviously I thought they

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Speaker 1: needed to build another foundation to the structure and this

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Speaker 1: is it. This was it um and you know that's life, right,

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Speaker 1: People get, people become invisible in relationships at times they

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Speaker 1: have to sort of, you know, shout a little bit

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Speaker 1: and say, hey, you know, take care of me. And

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Speaker 1: that's just sort of this natural cycle of relationships in life.

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Speaker 1: And you know, Emily is in one of those right now.

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Speaker 1: So you're so right, Like I know that we don't

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Speaker 1: like you know, death on Gilmore Girls or you know,

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Speaker 1: problems between Emily and Richard because they are you know,

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Speaker 1: quote unquote the pillars of you know, the show. But

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Speaker 1: I do think Gilmore Girls in general, there's a really

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Speaker 1: good way of of like mirroring what's happening in life

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Speaker 1: for just people, but also making it you know, a

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Speaker 1: little adding a flare to it, a little more dramatic

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Speaker 1: obviously because it's a TV show. But I think people

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Speaker 1: can can watch this and relate to it, you know,

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Speaker 1: whether their grandmother passed away or they feel invisible in

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Speaker 1: you know, their relationship, or um a relative passes away

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Speaker 1: but they're not close to them, so they don't know

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Speaker 1: how to feel. You know. Like all these different elements

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Speaker 1: of this show. Although it does suck, it's centered around death.

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Speaker 1: I think everyone can kind of find a thing that

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Speaker 1: they can relate to. It's almost like, oh, I didn't

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Speaker 1: know they could do that, And look how versatile the writings,

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Speaker 1: look how versatile the acting is. They went there. It's

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Speaker 1: like a band. You know, some bands they're very versatile.

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Speaker 1: They can do all different kinds of styles and oh,

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Speaker 1: nice ballads and then heavy stuff and then cool rock

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Speaker 1: stuff and some bands just do straight rock stuff or whatever.

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Speaker 1: And you know what, you're gonna get this one. It's like,

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Speaker 1: this is a different type of a song that Yeah,

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Speaker 1: that's that's a good analogy, you know what I'm saying.

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Speaker 1: And you still like the band, but you're like, right,

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Speaker 1: it deepens the experience with the band. It's like I

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Speaker 1: didn't know they could do that, or they would do that,

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Speaker 1: Like it was a risk, right, they took a risk

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Speaker 1: and it paid off. I thought. I just thought it

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Speaker 1: deepened the show, deepened the quality of the show, and

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Speaker 1: it deepened our experience as an audience of it because

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Speaker 1: we're going deeper with them. Yeah. I liked loraa Lye,

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Speaker 1: like she was handling everything. Well. I sort of brought

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Speaker 1: it up like Digger kind of bugged. I don't know why. Yeah,

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Speaker 1: that one, that one line he said where he was

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Speaker 1: like someone like ever like was the one lighte he

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Speaker 1: said where he was like it's a bad time my family,

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Speaker 1: where someone's dying once a month or something like that. Yeah,

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Speaker 1: and when he was ten years old. Yeah, Yeah, I

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Speaker 1: just thought Digger didn't really step up. He didn't really

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Speaker 1: step up for Richard, he didn't really step up for

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Speaker 1: lower Lie. Yeah. But do we expect him to We don't.

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Speaker 1: I don't, absolutely not. I sort of always hoped he

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Speaker 1: would be a really great guy. I'm waiting for the

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Speaker 1: funny excuses, and I find him just bizarre and funny.

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Speaker 1: Now you know, he's like the funnier. He was the

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Speaker 1: funniest guy in the episode because he was like, no,

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Speaker 1: I like, you don't understand. I'm really screwed up and

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Speaker 1: I can't do this when I was Tennis Like, it's like, okay, alright,

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Speaker 1: this guy he's like, did you see how long that

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Speaker 1: hug was? Wait? Okay, I know I'm being annoying by

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Speaker 1: like trying to direct so long? Why did that? Luke

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Speaker 1: and Nicole we get that kind of so, so we

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Speaker 1: get the opening scene and they're eating the scargo, which

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Speaker 1: is so gross. I mean, just that scargo was great

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Speaker 1: if it's done well, No, it's just that's so good.

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Speaker 1: Such a Now it's Scot's like such a Yes, I've

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Speaker 1: never tried it, but I want it. Oh, Tara, Tara

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Speaker 1: just opened up the hole. I know you should have

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Speaker 1: said that. I actually why, I'm very like, I'll eat anything,

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Speaker 1: like I really do. I'll try anything, so at least

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Speaker 1: once I've tried it. It's not the taste of it's

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Speaker 1: the thought of it. Yeah, is it like really salty?

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Speaker 1: Like the chew of it? You know, if you combine

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Speaker 1: it with a pesto like a warm pluck. I don't

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Speaker 1: even like pesto. Well, let's talk about Nicole and Luke,

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Speaker 1: because I feel like there's a lot there, and I

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Speaker 1: feel like, Amy, you are passionate about Nicole and Luke,

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Speaker 1: so you go for it. Well, I don't like it.

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Speaker 1: I've never liked it. I'm ready to be done with Nicole.

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Speaker 1: I actual really thought she was done. I forgot that

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Speaker 1: we have to deal with this, so, you know, I'm

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Speaker 1: not feeling like she could like I liked. She's fine,

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Speaker 1: she's fine. No one's right for him. So anyway, I mean, okay, fine,

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Speaker 1: they're fighting. It's really annoying. They should end it. And

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Speaker 1: it was a little sad when he's like, are you

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Speaker 1: going home? And she's just like, yeah, no, are you

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Speaker 1: going back to our place? And she's like whatever she says,

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Speaker 1: what did she say? She said our place? Yeah, because

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Speaker 1: it's not their place, like Luke does not stay there there. Yeah.

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Speaker 1: Well right, I don't even want to know what's going

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Speaker 1: on between those two. I just wanted to end. Yeah,

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Speaker 1: no one cares. Sorry, love Tricia, right, she's great. Yeah,

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Speaker 1: she's a great actress and she was fun on set.

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Speaker 1: It looks great. She's just great every way. But yeah,

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Speaker 1: that relationship is seen better days. Man, it never saw

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Speaker 1: better days. It was bad from the start. I don't know,

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Speaker 1: so anyway, I'm not sure. I guess Look who am I?

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Speaker 1: Who am I to judge? I'm supposed to be fired.

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Speaker 1: But what it's fine. Look, we're all trying, and I'm

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Speaker 1: working on all the things that you guys criticize. I'm

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Speaker 1: working on it also. Anyway, let's get back to it.

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Speaker 1: So Lane is working at the diner, which I like,

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Speaker 1: and how the fish pan got mixed with the eggs?

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Speaker 1: I correct, Yeah, But what I actually I don't know.

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Speaker 1: It's is this weird of me to get territorial because

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Speaker 1: those are my lines? Right? I wanted to deliver those lines.

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Speaker 1: You know what I'm saying, Lanes lines. He means, yeah,

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Speaker 1: it's like, now Lane's taking my lines away from me

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Speaker 1: just because you were fighting the coal. But I want,

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Speaker 1: I want, I want, Then I want Luke any line

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Speaker 1: in the diner's looks, I mean, I agree, I mean

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Speaker 1: you don't. They're not Lane lines. They're lukelines, and having

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Speaker 1: Lane do lukelines is then Lane's not being Lane. So

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Speaker 1: it's sort of all mixed up. Yeah. I feel like

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Speaker 1: when I was watching this, I felt like, Okay, obviously

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Speaker 1: Rory's in Yale and they don't want to like get

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Speaker 1: rid of Lane, so like they're trying to incorporate her

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Speaker 1: in a different way that she can hear in every episode,

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Speaker 1: or of her with the boys at the apartment. I've

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Speaker 1: gotten more of that. Probably she needs money through but

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Speaker 1: we can know she works at the dinner. I think

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Speaker 1: for me maybe it was too much with the death,

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Speaker 1: Emily's meltdown, the letter, Richard heartbroken, and Luke and Nicole

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Speaker 1: are fighting like I didn't have any Luke and lower

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Speaker 1: Lie comfort. As it might be. I think that in

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Speaker 1: the last couple of years, we have all been conditioned,

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Speaker 1: if we're fans of TV watching UM to get ten

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Speaker 1: great episodes and that's it. That's all you get per season.

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Speaker 1: This order when we were doing it, was twenty two,

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Speaker 1: so it's hard. It's so hard to do twenty two.

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Speaker 1: It's really hard to do, like and I think this

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Speaker 1: show does it better than anybody to give you twenty

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Speaker 1: two really quality episodes, even though yes we can point

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Speaker 1: out some um you know, we could do a little

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Speaker 1: Monday morning quarterbacking, which isn't terribly fair because we're not

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Speaker 1: there in the writer's room in the moment, under pressure,

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Speaker 1: taking studio notes, taking network notes, rejecting them, you know,

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Speaker 1: filing through everything. What do we do? What do we do?

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Speaker 1: And then they make these decisions, and we're still getting

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Speaker 1: these great episodes. So it's really tough producing, especially back then,

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Speaker 1: producing all these episodes now a lot of these new

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Speaker 1: ten episode arc things that one season. I don't think

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Speaker 1: that these show runners are getting the level of notes

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Speaker 1: that network television gives their showrunners. I think that since

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Speaker 1: they're coming from the film side, right and creating these

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Speaker 1: wonderful shows, these dynamic, incredibly insightful and beautifully acting and

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Speaker 1: beautifully written shows, you're not getting the kind of uh

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Speaker 1: network or studio notes that one would expect. It's like,

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Speaker 1: hands off. You know, we've got Oscar winning people in here,

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Speaker 1: Oscar nominated writers in here. You know, f off, We're

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Speaker 1: gonna do what we're gonna do. You're gonna and that's

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Speaker 1: the way it is. So it's it's um So I

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Speaker 1: thought they navigated. I thought Gilmore, the Gilmore writing staff

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Speaker 1: navigated this stuff beautifully because it's well, it's really hard

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Speaker 1: to do back then. I'm able to separate myself and say,

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Speaker 1: just because I didn't love it doesn't mean it's not

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Speaker 1: an amazing episode. I think it was an amazing episode. Yeah,

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Speaker 1: I think I maybe it was just in the headspace

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Speaker 1: or it was too two. It almost just made me

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Speaker 1: think too much, and I didn't like where my head

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Speaker 1: was going. Right, It's not what this show does best,

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Speaker 1: but it proved that it can do it if call

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Speaker 1: upon to do it. And what did you think of no,

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Speaker 1: go ahead, go ahead? I mean, what did you think

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Speaker 1: of sort of incorporating a little bit of Yale into

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Speaker 1: this episode with the paper and Doyle. I enjoyed that stuff. Yeah,

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Speaker 1: I didn't mind that. I could have done without it.

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Speaker 1: I'm over. I'm over Doyle, Like well, oh no, really, guys,

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Speaker 1: Doyle is going to be around. He just is. Like

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Speaker 1: so I will say, like, I don't like Doyle. Here,

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Speaker 1: I don't I I like Doyle. Fine, if Rory starts

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Speaker 1: dating Doyle, I'm going to be mad. Not saying anything,

385
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Speaker 1: but again, if they if they cut to a Yale scene,

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Speaker 1: the pull is the pull away from death and into

387
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Speaker 1: life and you know, and youthful life and energy. It's

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Speaker 1: really strong and you want to stay there so you

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Speaker 1: don't want to leave, and then you go back to

390
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Speaker 1: death and it's like, you know, but you're so yeah,

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00:24:04,760 --> 00:24:06,680
Speaker 1: so interesting. You bring that up too, because I thought,

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Speaker 1: and I don't know, i'd be interested to take a

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00:24:09,200 --> 00:24:12,199
Speaker 1: stop watch. I felt like the death anything with the

394
00:24:12,280 --> 00:24:16,600
Speaker 1: death storyline, the scenes felt long, and the other scenes,

395
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Speaker 1: the diner scene, the Doyle scene, the Suki scene, they

396
00:24:20,440 --> 00:24:22,840
Speaker 1: all seemed so short to me. So I don't know

397
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Speaker 1: if they were they actually were shorter, or if it

398
00:24:27,240 --> 00:24:30,919
Speaker 1: was just like I was getting these brief breaths and

399
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Speaker 1: then I had to go back to the terrible and

400
00:24:33,160 --> 00:24:36,520
Speaker 1: then I'm already feeling terrible, and then the letter, I'm like,

401
00:24:36,560 --> 00:24:41,800
Speaker 1: oh my god, And now I don't like Tricks. I

402
00:24:41,800 --> 00:24:44,480
Speaker 1: mean I always thought she was sort of like, we

403
00:24:44,520 --> 00:24:48,119
Speaker 1: have so much to talk about, Okay, go to Suki.

404
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Speaker 1: You know who I did love in this episode, Michelle, Yeah,

405
00:24:53,200 --> 00:24:55,879
Speaker 1: he's always great. Anyone else look up mock turtle soup?

406
00:24:56,000 --> 00:24:59,320
Speaker 1: I think I did. But what I'm confused about is

407
00:24:59,320 --> 00:25:03,720
Speaker 1: they say turtle next soup? Did they not? Well, Richard

408
00:25:03,760 --> 00:25:07,679
Speaker 1: did Emily did? I think she misunderstood from Richard and

409
00:25:07,680 --> 00:25:09,640
Speaker 1: that's why they're like, do you mean mock turtle soup

410
00:25:09,680 --> 00:25:14,040
Speaker 1: because it doesn't correct, and she's like, what is turtlenext soup?

411
00:25:14,160 --> 00:25:17,199
Speaker 1: Like that does not I think that was just didn't exist.

412
00:25:17,280 --> 00:25:19,720
Speaker 1: I think he was supposed to be a funny joke. Yeah,

413
00:25:19,800 --> 00:25:21,600
Speaker 1: it was like Emily didn't know what it was. Like,

414
00:25:21,640 --> 00:25:24,040
Speaker 1: clearly she doesn't cook, she doesn't know what these things are.

415
00:25:24,080 --> 00:25:25,760
Speaker 1: And then that's why Suki was like, oh, you mean

416
00:25:25,760 --> 00:25:29,080
Speaker 1: mock turtle soup? Is it like chili mock turtle soup?

417
00:25:29,760 --> 00:25:31,800
Speaker 1: I looked it up and and yeah, it kind of

418
00:25:31,800 --> 00:25:34,719
Speaker 1: looks like that. It's it's almost like a beef stew soup.

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Speaker 1: It doesn't look It contains chicken thibe and beef and

420
00:25:42,000 --> 00:25:47,320
Speaker 1: is filled with tomatoes, eggs, onions, and peppers. I'm not

421
00:25:47,400 --> 00:25:51,399
Speaker 1: mad about it. That could be one variation. Oh it

422
00:25:51,520 --> 00:25:54,480
Speaker 1: was an article saying eat like a Gilmore mock turtle soup?

423
00:25:58,000 --> 00:26:04,840
Speaker 1: Do you really? Yeah to me? Yeah, that's right. I'm

424
00:26:04,880 --> 00:26:07,280
Speaker 1: still waiting on some pillows and shirts and things like

425
00:26:07,320 --> 00:26:09,320
Speaker 1: that which I'll never can thank you. Oh yeah, I

426
00:26:09,359 --> 00:26:14,280
Speaker 1: haven't gotten mine either, Scott, don't you feel bad getting soon? Yeah?

427
00:26:14,280 --> 00:26:16,280
Speaker 1: And James pettit's on it too. We've been emailing with

428
00:26:16,320 --> 00:26:20,640
Speaker 1: him getting some more merg So okay, I did like Suki.

429
00:26:20,760 --> 00:26:27,160
Speaker 1: I like how they reacted very appropriately to the situation. Yeah,

430
00:26:27,560 --> 00:26:30,880
Speaker 1: they were like, we're here for you. Michelle was so

431
00:26:30,960 --> 00:26:33,400
Speaker 1: cool and even the hug and then the funny joke

432
00:26:33,440 --> 00:26:35,080
Speaker 1: and let's not do that again. The whole thing. I

433
00:26:35,480 --> 00:26:39,240
Speaker 1: thought that whole scene that felt good, and Michelle was

434
00:26:39,280 --> 00:26:41,639
Speaker 1: trying to find the dog show all that. I was

435
00:26:41,720 --> 00:26:44,159
Speaker 1: like that. But it also let us know as an

436
00:26:44,160 --> 00:26:48,080
Speaker 1: audience that we're gonna push the pause button on all

437
00:26:48,160 --> 00:26:52,359
Speaker 1: of these characters, every single one of them, because the

438
00:26:52,400 --> 00:26:59,359
Speaker 1: showcase is going to be Richard had a little bit uh, Lauren, Yeah,

439
00:26:59,480 --> 00:27:01,719
Speaker 1: you know, this is this is who we're dealing with.

440
00:27:01,800 --> 00:27:04,560
Speaker 1: So we're gonna, we're gonna we're gonna do that to

441
00:27:04,600 --> 00:27:06,520
Speaker 1: the rest of them, and we're going to stay here,

442
00:27:06,520 --> 00:27:09,560
Speaker 1: which is which is you know, kind of fine. Right,

443
00:27:10,200 --> 00:27:13,600
Speaker 1: everybody needed to rest, and it was a chance maybe

444
00:27:13,760 --> 00:27:18,320
Speaker 1: for Amy and Dan to see what they could whip

445
00:27:18,440 --> 00:27:24,480
Speaker 1: up for Kelly um and here I go again, here again,

446
00:27:25,600 --> 00:27:30,720
Speaker 1: still be ignored by the Academy. You want to tell

447
00:27:30,720 --> 00:27:33,520
Speaker 1: me they were better performances than what Kelly get Bishop gave.

448
00:27:34,440 --> 00:27:39,480
Speaker 1: There weren't, So maybe that was just sort of a

449
00:27:39,520 --> 00:27:43,560
Speaker 1: measuring and Richard, I mean, like Richard in this episode

450
00:27:43,600 --> 00:27:47,040
Speaker 1: was just so incredible, That's what. So we just get

451
00:27:47,080 --> 00:27:50,360
Speaker 1: to that scene where Laura and Laura Lae brings in

452
00:27:50,400 --> 00:27:53,200
Speaker 1: the soup and Richard's on the couch, and that's when

453
00:27:53,200 --> 00:27:58,920
Speaker 1: you're just like, oh my god, this is brutal and

454
00:27:59,000 --> 00:28:02,520
Speaker 1: he's so sad, and then he has that regret and

455
00:28:02,560 --> 00:28:05,720
Speaker 1: it's just like, which is a very again another thing

456
00:28:05,920 --> 00:28:09,600
Speaker 1: somebody can relate to, like this is morbid. But like

457
00:28:09,680 --> 00:28:11,680
Speaker 1: anytime I see my parents and if I get into

458
00:28:11,720 --> 00:28:13,840
Speaker 1: a fight with them, I cannot let them leave until

459
00:28:13,880 --> 00:28:17,720
Speaker 1: totally we're okay again and happy and giving each other

460
00:28:17,720 --> 00:28:20,439
Speaker 1: a hug. Kill that stress, that the thought of what

461
00:28:20,560 --> 00:28:25,400
Speaker 1: happened to Richard stresses me out, like I I don't

462
00:28:26,080 --> 00:28:28,680
Speaker 1: I don't know. I totally agree, And maybe that's why

463
00:28:28,680 --> 00:28:33,440
Speaker 1: it was so upsetting, Yeah, because you you started thinking

464
00:28:33,480 --> 00:28:37,919
Speaker 1: about all those things. So I almost was like removed

465
00:28:38,040 --> 00:28:41,040
Speaker 1: from the show because I started thinking about so many

466
00:28:41,080 --> 00:28:44,680
Speaker 1: real life things. I don't know if that was my problem,

467
00:28:44,840 --> 00:28:48,320
Speaker 1: probably because it made you actually sad. You know, you're not.

468
00:28:48,600 --> 00:28:51,280
Speaker 1: You're not sad at Emily and Richard. You're sad at

469
00:28:51,320 --> 00:28:53,920
Speaker 1: like how it's actually reality and even in your own

470
00:28:53,960 --> 00:28:57,320
Speaker 1: life too. We're normally and I think Scott, we've talked

471
00:28:57,320 --> 00:29:00,320
Speaker 1: about this. It's like with Gilmour girls, you're so did

472
00:29:00,600 --> 00:29:04,680
Speaker 1: I forget everything happening around me when I'm watching it. Literally,

473
00:29:04,720 --> 00:29:06,560
Speaker 1: sometimes I'll be like, I'm just gonna watch twenty minutes

474
00:29:06,600 --> 00:29:09,560
Speaker 1: and then I'm like, oh, the whole episodes over, whereas

475
00:29:09,640 --> 00:29:12,040
Speaker 1: this one I kept taking me out, maybe because I

476
00:29:12,080 --> 00:29:15,000
Speaker 1: was like, oh, that happened to me. It wasn't. It

477
00:29:15,040 --> 00:29:18,719
Speaker 1: wasn't the escapism that we have grown accustomed to. And

478
00:29:18,800 --> 00:29:22,520
Speaker 1: when Doyle said he goes to call his grandpa or grandma,

479
00:29:22,600 --> 00:29:24,760
Speaker 1: that happens to me all the time. So I think

480
00:29:24,800 --> 00:29:27,200
Speaker 1: maybe it was just too many, like real life things

481
00:29:27,200 --> 00:29:30,600
Speaker 1: were coming in my head because I always try to

482
00:29:30,640 --> 00:29:33,760
Speaker 1: call my grandpa always. I don't know, maybe that was

483
00:29:33,840 --> 00:29:37,640
Speaker 1: the thing. I think so Amy, if it pulled a

484
00:29:37,800 --> 00:29:41,840
Speaker 1: real life you know, sadness from you and it put

485
00:29:41,880 --> 00:29:45,040
Speaker 1: you in that in that headspace, I mean, Luke, oh

486
00:29:45,080 --> 00:29:50,520
Speaker 1: my god, wow, Scott, Scott, you had that with with um,

487
00:29:50,600 --> 00:29:53,120
Speaker 1: your sister, and you talked about that and how you

488
00:29:53,160 --> 00:29:56,880
Speaker 1: were just so upset that episode and that hits such

489
00:29:56,920 --> 00:30:00,560
Speaker 1: a real life moment for you and real life parallel

490
00:30:00,720 --> 00:30:03,000
Speaker 1: and Amy, that's what this episode is doing for you,

491
00:30:05,160 --> 00:30:10,440
Speaker 1: you know, And then you know, Emily, she was eighty six.

492
00:30:10,520 --> 00:30:15,200
Speaker 1: Tricks was eighty six, so it was like great life

493
00:30:15,840 --> 00:30:20,560
Speaker 1: mm hmm. And then I think the pain for Emily.

494
00:30:20,560 --> 00:30:23,080
Speaker 1: Emily is running around like a you know, trying to

495
00:30:23,120 --> 00:30:27,080
Speaker 1: do everything and on her all her wishes when it's like,

496
00:30:27,160 --> 00:30:30,960
Speaker 1: oh my god, this woman. It was so awful. Do

497
00:30:31,080 --> 00:30:34,040
Speaker 1: you imagine what the show would have been like had

498
00:30:34,080 --> 00:30:37,520
Speaker 1: Tricks been a series regular and it was structured like

499
00:30:38,520 --> 00:30:42,520
Speaker 1: Tricksie and her brood and then Richard and Emily and

500
00:30:44,160 --> 00:30:46,480
Speaker 1: too much Tricks. You can only take her in small time.

501
00:30:46,560 --> 00:30:49,600
Speaker 1: I mean the fact that Tricks married her second cousin.

502
00:30:50,040 --> 00:30:53,560
Speaker 1: We talk about that she was so Gilmore. She's like,

503
00:30:53,600 --> 00:30:58,680
Speaker 1: I'm just gonna be a Gilmore Gilmore and I and

504
00:30:58,720 --> 00:31:02,040
Speaker 1: I love that it can come up. I think also

505
00:31:02,120 --> 00:31:05,000
Speaker 1: those phone calls. So then we have the phone call

506
00:31:05,080 --> 00:31:08,680
Speaker 1: where Lorely calls Rory and they sort of chat, because

507
00:31:08,680 --> 00:31:11,880
Speaker 1: you can't just be like, oh, hey, your grandma died,

508
00:31:12,000 --> 00:31:14,040
Speaker 1: like would you almost like why the way Emily, like

509
00:31:14,320 --> 00:31:15,960
Speaker 1: that's how Emily did it, So I think lourely, I

510
00:31:16,000 --> 00:31:18,440
Speaker 1: didn't want to do the same thing to Rory. Emily

511
00:31:18,440 --> 00:31:20,880
Speaker 1: it was better because it's like when someone says, oh,

512
00:31:20,960 --> 00:31:23,760
Speaker 1: I need to tell you something, you have that moment

513
00:31:24,120 --> 00:31:32,560
Speaker 1: of pure and total like that, Ah, that is the worst.

514
00:31:33,120 --> 00:31:34,960
Speaker 1: But there's like no other way to preface it. I

515
00:31:35,000 --> 00:31:38,000
Speaker 1: don't feel Hi, your grandma died. Yeah, it's either the

516
00:31:38,000 --> 00:31:39,880
Speaker 1: way Laurea I did or the way Emily did it,

517
00:31:39,920 --> 00:31:43,960
Speaker 1: Like there's no one between. Yeah. And then Rory trying

518
00:31:44,000 --> 00:31:46,720
Speaker 1: to sort of grapple with how she was feeling. I'm

519
00:31:46,720 --> 00:31:48,760
Speaker 1: not crying, shouldn't be more sad, Like I was just

520
00:31:48,800 --> 00:31:55,960
Speaker 1: getta know her, like, oh, that's funny. At least a

521
00:31:56,080 --> 00:32:00,400
Speaker 1: person called her what she loved and told her right, yeah, uh,

522
00:32:00,560 --> 00:32:04,120
Speaker 1: some family experience, you know, they get an email or

523
00:32:04,160 --> 00:32:07,280
Speaker 1: they got a phone call from a police officer. Oh god,

524
00:32:07,560 --> 00:32:12,320
Speaker 1: oh god. Yeah, and it was there were still good

525
00:32:12,360 --> 00:32:14,720
Speaker 1: moments of levity to where they were like, oh, well,

526
00:32:14,720 --> 00:32:20,120
Speaker 1: you've worked yourself up into a nice panic attack. Rory

527
00:32:20,280 --> 00:32:23,720
Speaker 1: was very relatable sort of how she was dealing. That

528
00:32:23,800 --> 00:32:25,600
Speaker 1: was very because this is not even her. This is

529
00:32:25,600 --> 00:32:30,280
Speaker 1: her great grandmother, so it's like who she didn't even

530
00:32:30,360 --> 00:32:34,440
Speaker 1: know that like, and then her wanting to learn about

531
00:32:34,480 --> 00:32:37,920
Speaker 1: her and wanting to help. I did love that she

532
00:32:38,080 --> 00:32:40,040
Speaker 1: learned about It was a kind of weird things she

533
00:32:40,120 --> 00:32:43,640
Speaker 1: learned about her great grandmother more through like researching for

534
00:32:43,720 --> 00:32:48,360
Speaker 1: her obituary than talking to her. But I feel like

535
00:32:48,560 --> 00:32:51,840
Speaker 1: that in a weird way. Really, I saw a bond

536
00:32:51,880 --> 00:32:55,080
Speaker 1: between Richard and Rory and this episode more than and

537
00:32:55,840 --> 00:32:58,680
Speaker 1: I've always known he's had like a special connection with her,

538
00:32:58,720 --> 00:33:02,920
Speaker 1: but this episode, I was like, oh, they are. They

539
00:33:02,960 --> 00:33:06,440
Speaker 1: are very connected totally. When she said I've got your back, like,

540
00:33:06,480 --> 00:33:08,120
Speaker 1: if you need me to do it all, I can

541
00:33:08,160 --> 00:33:11,000
Speaker 1: do it yea and tie his tie, Hey, grandpa, you're

542
00:33:11,040 --> 00:33:13,880
Speaker 1: not wearing your shoes like and having a piece of

543
00:33:13,920 --> 00:33:17,720
Speaker 1: paper and he's yeah, Like she took care of him

544
00:33:17,800 --> 00:33:21,280
Speaker 1: in a different way of this episode. Yeah, And I

545
00:33:21,640 --> 00:33:25,840
Speaker 1: was happy when Richard got it together. Yeah, I'm only

546
00:33:25,840 --> 00:33:27,920
Speaker 1: was still unhinged. He started to get it together a

547
00:33:27,960 --> 00:33:29,920
Speaker 1: little bit more, and then she really got it together

548
00:33:30,000 --> 00:33:36,040
Speaker 1: for the funeral, thank god. Yeah, I mean I'm skipping ahead,

549
00:33:36,120 --> 00:33:38,920
Speaker 1: but it was very sweet when that scene where she

550
00:33:38,960 --> 00:33:43,160
Speaker 1: talks about make sure he eats, and then he acknowledges it, Yes,

551
00:33:43,160 --> 00:33:44,840
Speaker 1: a woman with a tray is coming over to me

552
00:33:44,880 --> 00:33:48,160
Speaker 1: every eight minutes you're doing. And then they are sort

553
00:33:48,200 --> 00:33:51,560
Speaker 1: of reunited, and and Rory and lower Lie or maybe

554
00:33:51,600 --> 00:33:53,400
Speaker 1: it's just lower Lie. It's so happy to see that

555
00:33:53,920 --> 00:33:57,320
Speaker 1: m hmmm. Well, and the main part of that was

556
00:33:57,520 --> 00:33:59,880
Speaker 1: that Richard was like, I'm you know, I don't think

557
00:34:00,040 --> 00:34:02,400
Speaker 1: she belongs on our mantle. I think she should be

558
00:34:02,440 --> 00:34:07,120
Speaker 1: married next to next to dad. And Emily was like, um,

559
00:34:07,240 --> 00:34:10,399
Speaker 1: but she you know, she had her request and then

560
00:34:10,400 --> 00:34:12,239
Speaker 1: he was like, well, no, like I think she should

561
00:34:12,280 --> 00:34:15,000
Speaker 1: be very next to dad. And then you know, Emily

562
00:34:15,080 --> 00:34:17,400
Speaker 1: was like, whatever you want, Richard, and they like she

563
00:34:17,600 --> 00:34:19,680
Speaker 1: just you can just tell she was like, thank you,

564
00:34:19,719 --> 00:34:22,480
Speaker 1: thank you, thank you, thank you, thank you. And we

565
00:34:22,480 --> 00:34:27,640
Speaker 1: don't even know that Richard knows about the letter. I

566
00:34:27,680 --> 00:34:32,879
Speaker 1: don't think he does. Do you think he doesn't? Um, Well,

567
00:34:33,000 --> 00:34:35,120
Speaker 1: if he doesn't, if he's not aware of the letter,

568
00:34:35,160 --> 00:34:38,960
Speaker 1: he's certainly aware of her feelings about right, he's aware

569
00:34:39,000 --> 00:34:42,040
Speaker 1: of the letter because he got the letter, but he's

570
00:34:42,040 --> 00:34:44,480
Speaker 1: not aware that Emily now knows about well. Do you

571
00:34:44,520 --> 00:34:47,239
Speaker 1: think that he, like, he could have also completely forgot

572
00:34:47,280 --> 00:34:49,880
Speaker 1: about the letter. You know, I didn't remember he saved it.

573
00:34:49,880 --> 00:34:52,320
Speaker 1: It's one of those things where he like threw it.

574
00:34:53,760 --> 00:34:56,680
Speaker 1: Do we know if she even gave him the letter? Like,

575
00:34:56,760 --> 00:35:02,160
Speaker 1: do we know that? We're assuming because that's a carbon copy?

576
00:35:02,280 --> 00:35:08,280
Speaker 1: Do you guys know what that means? Yeah, they don't know,

577
00:35:09,080 --> 00:35:12,360
Speaker 1: like an exact copy. Yeah, well, because it was written

578
00:35:12,400 --> 00:35:17,040
Speaker 1: on carbon paper. So back in like the day, you

579
00:35:17,080 --> 00:35:21,240
Speaker 1: would write something on this paper and then it would

580
00:35:21,600 --> 00:35:23,920
Speaker 1: keep a copy of it, like you know your checkbook.

581
00:35:24,320 --> 00:35:30,080
Speaker 1: You yeah, yeah, I get that, but they don't really know.

582
00:35:30,640 --> 00:35:33,719
Speaker 1: I know, I know what Yeah, yeah, I didn't know.

583
00:35:33,880 --> 00:35:37,920
Speaker 1: Shout out to Easton. That's what CC means and emails

584
00:35:38,360 --> 00:35:44,160
Speaker 1: is it? Yeah? Carbon carbon copy? Me, oh, I don't

585
00:35:44,160 --> 00:35:49,840
Speaker 1: know that. That's so. Is BCC blind? BCC is blind copy.

586
00:35:49,920 --> 00:35:55,319
Speaker 1: I didn't know that a carbon cop. I shouldn't say this.

587
00:35:55,440 --> 00:35:58,680
Speaker 1: Actually I'm going to be a little bit more vague.

588
00:35:58,800 --> 00:36:01,640
Speaker 1: But it was an email that went out where I

589
00:36:01,680 --> 00:36:05,560
Speaker 1: think everyone was supposed to be b C c oh no,

590
00:36:06,000 --> 00:36:11,080
Speaker 1: and everyone was c seed no. You're going through the

591
00:36:11,160 --> 00:36:15,560
Speaker 1: list going well, just on this do I have it?

592
00:36:15,640 --> 00:36:22,680
Speaker 1: I just haven't read it yet. It's like the other

593
00:36:22,719 --> 00:36:25,520
Speaker 1: thing that everyone does and don't act like you don't.

594
00:36:25,760 --> 00:36:29,879
Speaker 1: When you get someone's address immediately, you're all zello zello

595
00:36:32,600 --> 00:36:39,520
Speaker 1: within point oh five seconds, like immediately, coffee in her

596
00:36:39,560 --> 00:36:43,759
Speaker 1: house like so much. I got invited to the houseworving

597
00:36:43,800 --> 00:36:46,279
Speaker 1: party and I was like zillo zila, that thing the

598
00:36:46,320 --> 00:36:49,520
Speaker 1: second I got the housewarming party invite. Oh my god,

599
00:36:49,640 --> 00:36:51,600
Speaker 1: I'm mad at you. When they're like sold off market

600
00:36:51,600 --> 00:37:00,560
Speaker 1: and you're all a really good price, I'll do that,

601
00:37:00,840 --> 00:37:08,440
Speaker 1: Oh my god. Everyone. You know what's interesting about Punel

602
00:37:08,480 --> 00:37:13,200
Speaker 1: and Lot. She was in one episode, right, she is referenced.

603
00:37:15,280 --> 00:37:17,120
Speaker 1: I think actually you can even find out how many

604
00:37:17,239 --> 00:37:22,720
Speaker 1: times she's referenced. She's referenced so many times in this show. Yeah,

605
00:37:22,760 --> 00:37:25,040
Speaker 1: she was. I agree with you. I thought of that too.

606
00:37:25,080 --> 00:37:27,400
Speaker 1: I'm like, how did she only appear once in this

607
00:37:27,600 --> 00:37:38,960
Speaker 1: such a presence in this to show? Um? Yeah the bomb? Yeah, okay, Scott,

608
00:37:38,960 --> 00:37:42,240
Speaker 1: I have a question for you the letter. Let's just say,

609
00:37:42,560 --> 00:37:45,839
Speaker 1: you know your wife got that letter from her dad, like,

610
00:37:46,719 --> 00:37:49,960
Speaker 1: and you found out about it, Like, what does it

611
00:37:50,120 --> 00:37:54,720
Speaker 1: like for me? Personally? I would die? Like I literally

612
00:37:54,760 --> 00:37:59,040
Speaker 1: don't know how I can come back from that. Mm hmm.

613
00:38:00,440 --> 00:38:03,960
Speaker 1: But Graham was already so awful and she's wrong. Richard

614
00:38:04,040 --> 00:38:07,920
Speaker 1: and Emily are meant to be so she was wrong. Well,

615
00:38:08,719 --> 00:38:13,040
Speaker 1: you know, it gives us a clue. So it was like,

616
00:38:13,080 --> 00:38:14,960
Speaker 1: you know, it was this sort of Lady Die and

617
00:38:15,360 --> 00:38:19,200
Speaker 1: Prince Charles scenario. Camilla Parkle balls, right, it reminds you

618
00:38:19,239 --> 00:38:27,440
Speaker 1: of that. Yeah, but obviously Richard was a better man

619
00:38:27,800 --> 00:38:33,920
Speaker 1: at that time and understood more what he needed in

620
00:38:34,040 --> 00:38:37,239
Speaker 1: his life than his own mother. Well, and Graham was

621
00:38:37,280 --> 00:38:39,799
Speaker 1: tough on him. That's the whole fight that he has

622
00:38:39,840 --> 00:38:45,359
Speaker 1: so much regret about, is that she was remember when

623
00:38:45,360 --> 00:38:47,600
Speaker 1: she had to bail him out, which probably was sort

624
00:38:47,640 --> 00:38:49,840
Speaker 1: of fine at the time, but then calling it out

625
00:38:50,520 --> 00:38:54,120
Speaker 1: this many years later and not really honoring all the

626
00:38:54,160 --> 00:38:57,279
Speaker 1: success that he has had on his own. She sort

627
00:38:57,280 --> 00:38:58,840
Speaker 1: of tried to take credit for a lot of the

628
00:38:58,960 --> 00:39:01,560
Speaker 1: air and he was like, I paid you back within

629
00:39:01,680 --> 00:39:07,360
Speaker 1: three months or whatever the time was. Like, she was tough, yeah,

630
00:39:07,440 --> 00:39:10,719
Speaker 1: and you know, at one point, do you do you

631
00:39:11,360 --> 00:39:14,520
Speaker 1: do you lay down your sword and and for the

632
00:39:15,000 --> 00:39:16,920
Speaker 1: for the betterment of all and for the good of

633
00:39:16,920 --> 00:39:21,600
Speaker 1: the family. Uh, you know, embrace Emily and yeah, keep

634
00:39:21,640 --> 00:39:24,800
Speaker 1: your shut. Yeah. It's like and she just kept coming

635
00:39:24,840 --> 00:39:28,360
Speaker 1: in and coming, you know. It's like, that's why I

636
00:39:28,400 --> 00:39:32,200
Speaker 1: didn't like her. It's after Emily, after forty plus years,

637
00:39:32,239 --> 00:39:37,200
Speaker 1: it's like, chill, okay, accept it, grow up totally. Stop

638
00:39:37,280 --> 00:39:41,560
Speaker 1: being such a a fly in the ointment, right, It's like, okay,

639
00:39:41,600 --> 00:39:47,960
Speaker 1: stop castrating your son. Stop degrading Emily in front of

640
00:39:48,000 --> 00:39:51,680
Speaker 1: the granddaughter. In front of the daughter. It's like, you know,

641
00:39:51,800 --> 00:39:56,520
Speaker 1: they had every reason to explode at her prior to

642
00:39:57,120 --> 00:39:59,879
Speaker 1: I mean, it was just inappropriate. That's what you write

643
00:39:59,880 --> 00:40:02,880
Speaker 1: that letter, right, So she writes that letter horbal letter, awful.

644
00:40:03,239 --> 00:40:06,160
Speaker 1: But Richard married Emily anyway, So if you love your kid,

645
00:40:06,239 --> 00:40:09,000
Speaker 1: then you go. I said my piece, and now I

646
00:40:09,080 --> 00:40:14,000
Speaker 1: must move on. But yeah, after all these years, and

647
00:40:14,040 --> 00:40:16,680
Speaker 1: also the fact that it's Emily like cleaning up her

648
00:40:16,880 --> 00:40:19,680
Speaker 1: estate essentially, you know what I mean, Like this person

649
00:40:19,719 --> 00:40:24,160
Speaker 1: that she deemed so bad for her son is taking

650
00:40:24,200 --> 00:40:27,480
Speaker 1: care of everything with her death, you know, like, just

651
00:40:28,160 --> 00:40:31,960
Speaker 1: had that nice lady in that pretty suit do everything exactly,

652
00:40:32,200 --> 00:40:33,920
Speaker 1: Like why is Emily even in there? Just have that

653
00:40:34,040 --> 00:40:40,240
Speaker 1: nice lady who who's packing up the house just do everything. Yeah, yeah,

654
00:40:40,840 --> 00:40:48,920
Speaker 1: well then you don't get that scene right exactly. How

655
00:40:48,920 --> 00:40:57,920
Speaker 1: about grand met three presidents? Pretty good? Okay? Can we

656
00:40:57,960 --> 00:41:00,640
Speaker 1: go back to the fight with Nicole and Luke. The

657
00:41:00,680 --> 00:41:03,040
Speaker 1: one thing that I thought was so hysterical was the

658
00:41:03,239 --> 00:41:11,399
Speaker 1: entire diner it's quiet listening. That was good and Kirk

659
00:41:11,480 --> 00:41:15,040
Speaker 1: saying he can read lips and first of all, yeah,

660
00:41:16,000 --> 00:41:18,640
Speaker 1: my other question is, what is it? A chef salad?

661
00:41:19,280 --> 00:41:22,440
Speaker 1: Our chef salad? Does anyone order a chef salad anymore?

662
00:41:22,480 --> 00:41:27,120
Speaker 1: I feel like they order a cob salad. A chef

663
00:41:27,160 --> 00:41:29,279
Speaker 1: salad is kind of like a cop, right, That's what

664
00:41:29,360 --> 00:41:31,839
Speaker 1: I was bad cob. I think I ordered a Greek

665
00:41:31,880 --> 00:41:35,440
Speaker 1: salad last night. Greek sp It's a great call. That's

666
00:41:35,560 --> 00:41:40,120
Speaker 1: very current. Chef salad seems so it's like it's like

667
00:41:40,200 --> 00:41:43,560
Speaker 1: the B version of a chop. It's a B version.

668
00:41:43,760 --> 00:41:47,040
Speaker 1: It's a that's meant to say, have a cop. Yeah,

669
00:41:47,239 --> 00:41:56,120
Speaker 1: it says it's lettuce, it's Swiss cheese, bad hay um,

670
00:41:57,520 --> 00:42:02,960
Speaker 1: turkey or chicken roast, beef, my god, it's a meat salad,

671
00:42:03,920 --> 00:42:10,160
Speaker 1: meat salad. And then there's eggs, avocado, tomatoes. God does

672
00:42:10,200 --> 00:42:12,920
Speaker 1: anyone when have you guys ever ordered a chef salad

673
00:42:12,960 --> 00:42:16,840
Speaker 1: in your life? I don't think so. Maybe I like

674
00:42:16,960 --> 00:42:20,640
Speaker 1: a good cob. I love the Yeah, I love a chop.

675
00:42:24,360 --> 00:42:34,239
Speaker 1: We know. I hate to miss I've missed out on

676
00:42:34,320 --> 00:42:38,840
Speaker 1: salad conversations before I thought of getting involved. Welcome to

677
00:42:39,320 --> 00:42:44,400
Speaker 1: I am all salad. It's a lot of meat and

678
00:42:44,400 --> 00:42:47,560
Speaker 1: I don't know that Swiss cheese in a salad. I

679
00:42:47,600 --> 00:42:49,879
Speaker 1: gotta call that little chef rider. He's got a lot

680
00:42:49,920 --> 00:42:54,359
Speaker 1: to do. He's gonna have a taste turtles, turtle soup

681
00:42:54,480 --> 00:42:57,160
Speaker 1: and a chef sal He's busy. He's a busy week.

682
00:42:59,239 --> 00:43:02,799
Speaker 1: Jackie came in with a question. Oh yeah, Jackie, what

683
00:43:02,840 --> 00:43:04,440
Speaker 1: was that question you had about what I was going

684
00:43:04,480 --> 00:43:08,560
Speaker 1: to bring up? Yeah, she said, without knowing Marian Ross

685
00:43:08,600 --> 00:43:12,080
Speaker 1: played Maryland, which is Richard's cousin. Would you have noticed

686
00:43:12,120 --> 00:43:15,040
Speaker 1: it was the same actric actress as Trick? It was?

687
00:43:15,120 --> 00:43:18,480
Speaker 1: It was. It was very jarring. Yeah. I feel like

688
00:43:18,520 --> 00:43:20,520
Speaker 1: Gilmore has done that a couple of times though, so

689
00:43:20,880 --> 00:43:24,239
Speaker 1: I've noticed. I was like, just a new wig, that's all.

690
00:43:24,239 --> 00:43:29,919
Speaker 1: You got new inflections. It's like, how Kirk wasn't Kirk?

691
00:43:30,000 --> 00:43:33,080
Speaker 1: Not Kirk in the season season one? He were like, oh,

692
00:43:33,120 --> 00:43:35,880
Speaker 1: you're right, Yeah, it was not Kirk, just for like

693
00:43:35,920 --> 00:43:39,520
Speaker 1: a couple episodes. But yeah, I love that question because

694
00:43:39,520 --> 00:43:44,839
Speaker 1: it's like, of course I would notice Marian Ross like,

695
00:43:45,000 --> 00:43:47,600
Speaker 1: but maybe not, maybe not. I mean, we were we

696
00:43:47,600 --> 00:43:54,239
Speaker 1: were on alert in the world would notice. I know

697
00:43:54,360 --> 00:43:56,920
Speaker 1: you're right, but we were especially on alert. I was

698
00:43:57,000 --> 00:43:58,759
Speaker 1: waiting for her to come back because we knew that

699
00:43:58,800 --> 00:44:01,560
Speaker 1: we didn't got it, Maryland, I don't know, but that's

700
00:44:01,719 --> 00:44:05,440
Speaker 1: sort of had the seeds of a budding horror film,

701
00:44:06,280 --> 00:44:09,000
Speaker 1: you know, all of a sudden she's back from the dead,

702
00:44:09,640 --> 00:44:11,799
Speaker 1: back from the dead and standing there posing as her

703
00:44:12,400 --> 00:44:17,040
Speaker 1: but his cousin, where's this going? Oh Emily in the

704
00:44:17,120 --> 00:44:19,880
Speaker 1: row by the way with the drink and the cigarette.

705
00:44:19,920 --> 00:44:22,480
Speaker 1: It's kind of like with the yeah they say the

706
00:44:22,560 --> 00:44:25,919
Speaker 1: rope too. Oh, the Victoria's Secret scene or the fake

707
00:44:26,040 --> 00:44:32,960
Speaker 1: Victoria's Secret whatever that Laurel becomes unhit underwear and she

708
00:44:33,040 --> 00:44:38,560
Speaker 1: totally just loses it with that poor salesperson, Marylyn. Isn't

709
00:44:38,560 --> 00:44:44,640
Speaker 1: two episodes, We've got one? Yeah? Yeah, death makes people

710
00:44:44,719 --> 00:44:50,120
Speaker 1: lose it? Who does even Laurel? I lost it? Victoria's Secret?

711
00:44:51,080 --> 00:44:57,839
Speaker 1: Yeah she did, But also like what a weird thing

712
00:44:57,960 --> 00:45:04,160
Speaker 1: to do out? Yeah, yeah, I don't think you. I

713
00:45:04,160 --> 00:45:06,480
Speaker 1: think somebody's told you. I was gonna say, isn't someone's

714
00:45:06,560 --> 00:45:09,800
Speaker 1: drop to dress them? Like, unless there's something, there's a

715
00:45:09,960 --> 00:45:13,279
Speaker 1: dress special you want to give? Yeah, you still bring

716
00:45:13,320 --> 00:45:15,359
Speaker 1: the clothes. Did you guys ever see that show six

717
00:45:15,400 --> 00:45:16,960
Speaker 1: ft Under? I never watched it, but I think that

718
00:45:17,040 --> 00:45:23,840
Speaker 1: whole show was about I think they owned but yeah,

719
00:45:24,160 --> 00:45:27,480
Speaker 1: that's like a that's quite a business. I did. I

720
00:45:27,520 --> 00:45:31,400
Speaker 1: did enjoy at the end where Rory was like I

721
00:45:31,440 --> 00:45:33,640
Speaker 1: did see that you put a Hello Kitty bracelet on her,

722
00:45:33,920 --> 00:45:39,919
Speaker 1: like like that was so funny. Oh god, I mean

723
00:45:40,160 --> 00:45:49,080
Speaker 1: Laura I put. Yeah, but that's just the guilt, you know,

724
00:45:49,160 --> 00:45:53,640
Speaker 1: that's the yah. It's a Laura I touch. We talked

725
00:45:53,640 --> 00:45:55,960
Speaker 1: about the scene with Richard and Rory though. That's where

726
00:45:55,960 --> 00:45:59,279
Speaker 1: we're at now. It's like such a great scene. I

727
00:45:59,360 --> 00:46:02,680
Speaker 1: love fourth times the charm with the bow tie looks good.

728
00:46:02,800 --> 00:46:06,960
Speaker 1: Fourth times a charm and again reference references the internet. Oh,

729
00:46:07,040 --> 00:46:10,360
Speaker 1: you can find anything on the internet. I had this

730
00:46:10,800 --> 00:46:13,080
Speaker 1: conversation with my I bumped into a friend the other

731
00:46:13,160 --> 00:46:16,920
Speaker 1: day and she was married, divorced, married again, and I

732
00:46:16,920 --> 00:46:19,560
Speaker 1: hadn't seen her since she got married again. And the

733
00:46:19,680 --> 00:46:24,160
Speaker 1: ring was like so beautiful and I'm like, you're it's amazing,

734
00:46:24,239 --> 00:46:30,560
Speaker 1: and she goes, you only get married twice. That's a

735
00:46:30,760 --> 00:46:36,120
Speaker 1: fourth of times. The charm reminded, um, did you think

736
00:46:36,120 --> 00:46:38,240
Speaker 1: we should have seen the eulogy? Were you happy we didn't?

737
00:46:38,239 --> 00:46:39,680
Speaker 1: It's kind of like all of a sudden we knew

738
00:46:39,680 --> 00:46:42,560
Speaker 1: he got through it. I was fine without it. Yeah,

739
00:46:42,640 --> 00:46:45,920
Speaker 1: me too. Yeah, I'm always like skip skip over the wedding,

740
00:46:46,000 --> 00:46:48,600
Speaker 1: skip over the funeral. Yeah, I think it would have

741
00:46:48,640 --> 00:46:52,040
Speaker 1: been enough. We had enough already with the death. We

742
00:46:52,040 --> 00:46:58,120
Speaker 1: didn't really need. Yea, this is my granddaughter, Laurla. She's

743
00:46:58,160 --> 00:47:06,319
Speaker 1: not married. Yeah, there was that. Somehow Tricks said that.

744
00:47:06,560 --> 00:47:09,879
Speaker 1: I forget who was telling the story, but she's like, oh.

745
00:47:09,960 --> 00:47:12,040
Speaker 1: And then that was so sweet when Marilyn says, am

746
00:47:12,080 --> 00:47:15,680
Speaker 1: I possibly related to you? That was that was cute.

747
00:47:16,040 --> 00:47:19,960
Speaker 1: That was very cute. Did you like I liked her.

748
00:47:20,080 --> 00:47:28,000
Speaker 1: I liked her. She's less annoying than Tricks slightly. What

749
00:47:28,120 --> 00:47:31,440
Speaker 1: a character. Yeah, she's fun and I like that. We

750
00:47:31,480 --> 00:47:34,279
Speaker 1: heard all those stories about Tricks that, you know, like

751
00:47:34,560 --> 00:47:37,359
Speaker 1: we're when she was here and there, she did this

752
00:47:37,480 --> 00:47:45,239
Speaker 1: and that. I don't know, it's kind of cool. There

753
00:47:45,280 --> 00:47:48,200
Speaker 1: were some epic lines when when lord lyon Emily are

754
00:47:48,200 --> 00:47:50,160
Speaker 1: on the couch and she's all, how are you? My

755
00:47:50,239 --> 00:47:56,320
Speaker 1: feet are killing me. How's the rest of you? Oh God?

756
00:47:56,320 --> 00:47:58,040
Speaker 1: And then she says, did you were really wear those

757
00:47:58,040 --> 00:48:02,280
Speaker 1: shoes to a funeral? Still the same old Emily back? Yeah,

758
00:48:02,760 --> 00:48:06,520
Speaker 1: she just had like one day she was off. Yeah,

759
00:48:06,960 --> 00:48:10,239
Speaker 1: I don't know. There was some good stuff yeah, what

760
00:48:10,320 --> 00:48:15,960
Speaker 1: did you think about the reigning Lorelai conversation? Interesting because

761
00:48:16,160 --> 00:48:19,160
Speaker 1: Lorelai is now the rain. But I want to hear

762
00:48:19,280 --> 00:48:28,720
Speaker 1: Scott h Well, I mean talk about a huge responsibility.

763
00:48:28,800 --> 00:48:30,400
Speaker 1: I mean, I don't know what it even means. What

764
00:48:30,440 --> 00:48:38,640
Speaker 1: does that mean? What is she carrying on? I mean

765
00:48:38,719 --> 00:48:41,200
Speaker 1: she couldn't be you know, she's a hundred and eighty

766
00:48:41,239 --> 00:48:47,080
Speaker 1: degrees different from um from Trixie. Does anybody have that

767
00:48:47,160 --> 00:48:50,640
Speaker 1: in their family where like they can't, they can't somebody

768
00:48:50,719 --> 00:48:53,400
Speaker 1: carries on a name like I don't know, that doesn't

769
00:48:53,440 --> 00:48:56,279
Speaker 1: exist in my family. There's not like me, I was

770
00:48:56,320 --> 00:49:02,160
Speaker 1: supposed to be the fifth No, so's my point. It's like,

771
00:49:02,320 --> 00:49:06,439
Speaker 1: what is Lauraa carrying on? What her what will her

772
00:49:06,480 --> 00:49:10,400
Speaker 1: reign include? What will she how will she carry the

773
00:49:10,480 --> 00:49:13,439
Speaker 1: family name? And I know that's probably a big deal,

774
00:49:13,520 --> 00:49:17,440
Speaker 1: but I mean, I mean she is also kind of

775
00:49:18,400 --> 00:49:22,080
Speaker 1: I mean not yet, but the reigning Gilmore in the

776
00:49:22,400 --> 00:49:25,200
Speaker 1: from her, you know, her dad's line, because they don't

777
00:49:25,200 --> 00:49:29,839
Speaker 1: have another kid or anything like that, only child, one granddaughter,

778
00:49:30,280 --> 00:49:36,440
Speaker 1: big responsibility. No, she's she's redefining the d NA. What

779
00:49:36,520 --> 00:49:40,200
Speaker 1: the DNA is capable of? Richard Emily don't have siblings

780
00:49:40,239 --> 00:49:44,040
Speaker 1: that we know of. Who doesn't Richard and Emily? Yeah,

781
00:49:44,040 --> 00:49:47,400
Speaker 1: we never meet them. I mean, was I guess Richard

782
00:49:47,440 --> 00:49:50,160
Speaker 1: was an only child? Wasn't? I said, I'm looking and

783
00:49:50,160 --> 00:49:53,080
Speaker 1: and Emily was an only child? Richard was because they

784
00:49:53,080 --> 00:49:56,560
Speaker 1: had mentioned it. Okay, what about Emily? Emily? Emily? I

785
00:49:56,560 --> 00:49:58,839
Speaker 1: don't know, but I know what Tricks mentioned. I've been

786
00:49:58,840 --> 00:50:04,560
Speaker 1: feeling that Emily was a opted Really, so, Richard, Lorelei,

787
00:50:04,800 --> 00:50:08,839
Speaker 1: and Rory Gilmour were all only children. Emily was not. Oh,

788
00:50:09,000 --> 00:50:15,279
Speaker 1: Emily Gilmour has a sister. Hope she lives in Paris, France. Really, yeah,

789
00:50:15,400 --> 00:50:21,359
Speaker 1: Emily has a sister. She's mentioned in season one, episode eight.

790
00:50:21,400 --> 00:50:25,240
Speaker 1: We must have forgotten it was my mother's name. Oh really,

791
00:50:25,239 --> 00:50:28,479
Speaker 1: it's name. Why did Richard and Emily have only one child?

792
00:50:29,160 --> 00:50:33,880
Speaker 1: They had fertility issues? Wow, they would have had a

793
00:50:33,920 --> 00:50:36,960
Speaker 1: lot of value placed on their bloodline. They would not

794
00:50:37,040 --> 00:50:41,600
Speaker 1: consider adoption a viable alternative, which maybe is another reason

795
00:50:41,640 --> 00:50:46,080
Speaker 1: Tricks doesn't like Emily didn't produce enough airs. How old

796
00:50:46,120 --> 00:50:49,360
Speaker 1: was Emily when when Rory was born? Emone has a

797
00:50:49,400 --> 00:50:52,840
Speaker 1: complicated relationship. Wow, the internet is just I could do

798
00:50:52,880 --> 00:50:55,080
Speaker 1: a deep dive here for days. To get a question,

799
00:50:55,120 --> 00:50:57,160
Speaker 1: and then it gives you a more quick Why is

800
00:50:57,200 --> 00:51:02,959
Speaker 1: Bebett's house so small? Does Rory have a half sister? Yes,

801
00:51:03,040 --> 00:51:06,160
Speaker 1: we already know that. Wow, this you could just really

802
00:51:06,280 --> 00:51:07,880
Speaker 1: go on and not we could do a whole episode

803
00:51:07,920 --> 00:51:10,520
Speaker 1: of this. Let's do one day. We're gonna just type

804
00:51:10,520 --> 00:51:13,440
Speaker 1: gilmore questions into the internet and just do I hope

805
00:51:13,520 --> 00:51:16,840
Speaker 1: Danielle didn't hear that. Just now, by the way, is

806
00:51:16,840 --> 00:51:21,960
Speaker 1: already born. Okay. I was like, no, one Flint and

807
00:51:22,000 --> 00:51:24,520
Speaker 1: I was like, oh Danielle, no I thought. I was like,

808
00:51:25,040 --> 00:51:26,960
Speaker 1: I was like, oh, no, Sherry had a baby. I

809
00:51:27,040 --> 00:51:32,480
Speaker 1: forgot the house after she saved enough money from working

810
00:51:32,480 --> 00:51:35,840
Speaker 1: at the Independence In. Most of the furniture, including the beds,

811
00:51:35,840 --> 00:51:40,320
Speaker 1: are discarded pieces from the Inn courtesy of Mia Wow.

812
00:51:40,800 --> 00:51:43,200
Speaker 1: I mean, all right, what do you what do you

813
00:51:43,320 --> 00:51:44,799
Speaker 1: let's rate this? What do you what do you want

814
00:51:44,840 --> 00:51:46,680
Speaker 1: to give it? It was, by the way, it was

815
00:51:46,719 --> 00:51:48,920
Speaker 1: so funny. I saw a comment saying, why didn't you

816
00:51:48,920 --> 00:51:57,080
Speaker 1: guys rate last week's episode in costco membership card. Okay,

817
00:51:57,120 --> 00:51:59,840
Speaker 1: I have two ideas. We can't either rate it turtle

818
00:52:00,320 --> 00:52:07,000
Speaker 1: turtle or mock turtle soups or what about class car

819
00:52:07,160 --> 00:52:15,240
Speaker 1: glasses or yeah, what about s car go mock turtle soups?

820
00:52:15,320 --> 00:52:20,000
Speaker 1: Is what's hitting it for me? But Chef, why don't

821
00:52:20,040 --> 00:52:22,719
Speaker 1: we just give it our own like that? How you

822
00:52:22,760 --> 00:52:27,480
Speaker 1: pick your own? Okay, good, pick your own. I say

823
00:52:28,880 --> 00:52:34,839
Speaker 1: eight out of ten, Hello kitty bracelets. I'm gonna say

824
00:52:35,520 --> 00:52:43,400
Speaker 1: seven point five, Hello kitty bracelets. Seven chef salads, seven

825
00:52:43,960 --> 00:52:46,839
Speaker 1: let six and a half chef salads. Wow, you really

826
00:52:47,000 --> 00:52:53,680
Speaker 1: like it? Um, I'm gonna give this Uh, I'm actually

827
00:52:53,680 --> 00:52:56,200
Speaker 1: going to award it an extra point for being so

828
00:52:56,280 --> 00:52:59,600
Speaker 1: bold as to go where no man has gone before,

829
00:53:04,760 --> 00:53:10,200
Speaker 1: exploring new planets and planetary solar systems. Um. They explained

830
00:53:10,239 --> 00:53:12,600
Speaker 1: they went to explore death in the starship, and I

831
00:53:14,000 --> 00:53:17,560
Speaker 1: kudos to them for doing it. So I was going

832
00:53:17,640 --> 00:53:22,839
Speaker 1: to give it um seven point five, but I think

833
00:53:22,840 --> 00:53:27,560
Speaker 1: I'm going to add a point for exploration and risk taking.

834
00:53:27,640 --> 00:53:30,520
Speaker 1: I love risk taking. Um, So I'm gonna give it

835
00:53:31,520 --> 00:53:33,359
Speaker 1: not only an eight point five, and I'm gonna give

836
00:53:33,440 --> 00:53:39,719
Speaker 1: an extra point four points for the Emily performance, and

837
00:53:39,719 --> 00:53:43,440
Speaker 1: then another point four points for Richard's performance, so that

838
00:53:43,480 --> 00:53:45,680
Speaker 1: we're up to nine point three now, and are you

839
00:53:45,719 --> 00:53:52,520
Speaker 1: giving it nine point three? What's bar classes that was

840
00:53:52,520 --> 00:53:58,359
Speaker 1: a more important question? Or nine point three open bathrobes?

841
00:54:03,760 --> 00:54:06,280
Speaker 1: Do you know that I learned on TikTok that everyone

842
00:54:06,400 --> 00:54:10,239
Speaker 1: is doing their bathrobes wrong? Wait? Why? Okay, so you

843
00:54:10,239 --> 00:54:12,520
Speaker 1: know you've got your bathrobe right, and you know there's

844
00:54:12,520 --> 00:54:15,839
Speaker 1: that like rope or tie and people put it through

845
00:54:15,880 --> 00:54:17,520
Speaker 1: like it's a belt. Right, They put it through the

846
00:54:17,560 --> 00:54:20,520
Speaker 1: one loop it around their back and put it through

847
00:54:20,560 --> 00:54:24,000
Speaker 1: the other thing and tie it. Nope, you're supposed to

848
00:54:24,040 --> 00:54:27,400
Speaker 1: put it just through the front. So you put the

849
00:54:27,400 --> 00:54:29,840
Speaker 1: bathrob on and you put it through the one on

850
00:54:29,880 --> 00:54:31,719
Speaker 1: the right, and then you don't go around your back.

851
00:54:31,719 --> 00:54:33,600
Speaker 1: You just put it across your stomach and you tie

852
00:54:33,640 --> 00:54:35,800
Speaker 1: it there. And what's the point of all the loops?

853
00:54:36,080 --> 00:54:41,080
Speaker 1: There's only two loops. No, there's always one on your back. Incorrect,

854
00:54:41,320 --> 00:54:45,240
Speaker 1: So listen, I hate to cut into this fascinating diet

855
00:54:47,400 --> 00:54:52,680
Speaker 1: at my room. I am all rope talk, but the

856
00:54:52,800 --> 00:54:59,640
Speaker 1: crack staff has unearthed some very interesting, very interesting observations

857
00:55:00,120 --> 00:55:03,919
Speaker 1: or this episode. People don't want I am off chef

858
00:55:04,000 --> 00:55:06,040
Speaker 1: talk and I'm all road talk. We'll be back. Don't

859
00:55:06,040 --> 00:55:09,560
Speaker 1: you want uh this? No? No, no, we're definitely gonna

860
00:55:09,920 --> 00:55:14,759
Speaker 1: it'll be a thing. Yes, the road talk quite riveting. Uh.

861
00:55:16,080 --> 00:55:19,319
Speaker 1: This episode features several actors who have previously appeared as

862
00:55:19,400 --> 00:55:22,160
Speaker 1: different characters. Of course, there's Marion Ross, who previously played

863
00:55:22,200 --> 00:55:25,920
Speaker 1: Tricks and is now playing cousin Marylyn. Tiffany Frasier appears

864
00:55:26,520 --> 00:55:30,400
Speaker 1: as the sales clerk in the lingerie store. She previously

865
00:55:30,480 --> 00:55:34,800
Speaker 1: appeared as a hostess at the bar that Emily and

866
00:55:34,920 --> 00:55:37,960
Speaker 1: Laurel I went to during their spa trip in season

867
00:55:38,000 --> 00:55:46,360
Speaker 1: two episodes right exactly. Uh. Charles C. Stevenson Jr. Plays

868
00:55:46,400 --> 00:55:49,520
Speaker 1: the reverend that comes to town for Grants funeral. He

869
00:55:49,600 --> 00:55:52,920
Speaker 1: also appeared as one of Richard's golf buddies in season

870
00:55:53,080 --> 00:55:57,360
Speaker 1: one episode three, Kill Me Now, and spoiler alert, he

871
00:55:57,520 --> 00:56:02,279
Speaker 1: will show up again in a year in the life. Ye.

872
00:56:03,480 --> 00:56:08,080
Speaker 1: At twenty nine minutes exactly, look outside the diner window.

873
00:56:08,160 --> 00:56:11,200
Speaker 1: You can see Miss Patty just standing there, waiting for

874
00:56:11,320 --> 00:56:23,480
Speaker 1: her cue to enter the dinner. At nine minutes that

875
00:56:27,640 --> 00:56:33,839
Speaker 1: they do. They're freaking good man. Uh. At one, while

876
00:56:34,320 --> 00:56:38,400
Speaker 1: uh Luca Nicole are arguing, Miss Patty is sneaking a

877
00:56:38,560 --> 00:56:45,000
Speaker 1: taste from the marmalade jar. At thirty, here we go,

878
00:56:45,160 --> 00:56:48,719
Speaker 1: what do we have? Okay? We got twenty nine? Oh yeah,

879
00:56:50,800 --> 00:56:54,080
Speaker 1: that really takes an eagle eye because you could have

880
00:56:54,960 --> 00:56:57,120
Speaker 1: play it, Jackie, so I can see if she's staying,

881
00:56:57,440 --> 00:57:00,000
Speaker 1: like if she like moving or let me tell you something.

882
00:57:00,040 --> 00:57:02,759
Speaker 1: And the correct staff is so juiced up on Scotty Peace.

883
00:57:03,320 --> 00:57:09,520
Speaker 1: Oh yeah she was the seconds. Yeah, go back, go back,

884
00:57:09,560 --> 00:57:12,080
Speaker 1: so we can see her go back, yep, Okay, let's

885
00:57:12,080 --> 00:57:14,080
Speaker 1: see it here. By the way, that kid had the

886
00:57:14,120 --> 00:57:17,880
Speaker 1: funniest line of the episode. Yeah, we're looking at the

887
00:57:17,960 --> 00:57:23,160
Speaker 1: news at the paper. Okay, you're just standing like as

888
00:57:23,240 --> 00:57:25,800
Speaker 1: long as she walked around the corner, and she's just like,

889
00:57:26,320 --> 00:57:32,280
Speaker 1: that's really classic. What's crazy is when we go back again, Jackie,

890
00:57:32,440 --> 00:57:35,880
Speaker 1: when we watch these you really look at all the

891
00:57:36,080 --> 00:57:39,880
Speaker 1: extras out the windows that you would never notice, but

892
00:57:40,040 --> 00:57:43,840
Speaker 1: like they're there. Do you think she was supposed to

893
00:57:43,880 --> 00:57:47,480
Speaker 1: be behind like the green pillar? And yeah, and she

894
00:57:47,680 --> 00:57:51,240
Speaker 1: was just like two steps back. Is that the chef

895
00:57:51,320 --> 00:57:55,120
Speaker 1: salad on the table? No, that looks like a that

896
00:57:55,160 --> 00:57:58,720
Speaker 1: looks like a club sandwich? Okay, all right. At UM

897
00:57:59,480 --> 00:58:02,200
Speaker 1: thirty two thirty five, in the scene where laurel Ie

898
00:58:02,240 --> 00:58:04,400
Speaker 1: visits the Longest Race Star, keep an eye on Lauren

899
00:58:04,960 --> 00:58:10,120
Speaker 1: right after she says the mayflower for a quick second,

900
00:58:10,160 --> 00:58:13,560
Speaker 1: it appears she breaks character and suppresses a laugh with

901
00:58:13,720 --> 00:58:17,800
Speaker 1: her hand, but she recovers and moves on with the scene.

902
00:58:18,440 --> 00:58:20,600
Speaker 1: I feel like that was acting. We're gonna have to

903
00:58:20,720 --> 00:58:25,320
Speaker 1: examine that. We're gonna have um all right, crack staff

904
00:58:25,360 --> 00:58:28,520
Speaker 1: has let's see see can we see it again? We

905
00:58:28,560 --> 00:58:31,520
Speaker 1: couldn't tell anything anyway, alright. Favorite lines from the crack Staff,

906
00:58:32,320 --> 00:58:34,560
Speaker 1: uh kirk. I don't know why everyone in this town

907
00:58:35,440 --> 00:58:40,520
Speaker 1: always thinks I'm crazy. They enjoyed that. Also another one

908
00:58:41,240 --> 00:58:44,680
Speaker 1: favorite line Emily talking about the wake because personally, I

909
00:58:44,760 --> 00:58:47,520
Speaker 1: think she would just toss some cheese cubes in the

910
00:58:47,600 --> 00:58:51,200
Speaker 1: coffee stuff, some toothpicks in her mouth, and let the

911
00:58:51,240 --> 00:58:55,240
Speaker 1: people go to town. Yeah that was good too, all right,

912
00:58:55,280 --> 00:59:01,120
Speaker 1: thank you, crack Steah, well done. Indeed, like kids, I

913
00:59:01,160 --> 00:59:03,919
Speaker 1: think that's it. We're gonna anyone else have favorite lines?

914
00:59:03,960 --> 00:59:07,600
Speaker 1: I did mine. I had one. It was when Rory

915
00:59:07,680 --> 00:59:09,959
Speaker 1: said it was my great grandmother. I dropped the grate

916
00:59:10,200 --> 00:59:15,960
Speaker 1: to make it sound sadder true, just like you could

917
00:59:16,000 --> 00:59:18,160
Speaker 1: tell she was just like felt so bad, like lying

918
00:59:18,200 --> 00:59:21,960
Speaker 1: about it. You're gonna go ahead and give mine. Give

919
00:59:22,000 --> 00:59:25,200
Speaker 1: one from Nicole when she is like I was in

920
00:59:25,240 --> 00:59:29,600
Speaker 1: the middle of the word september. I thought he was like,

921
00:59:29,680 --> 00:59:31,120
Speaker 1: I thought we were done. She was like I was

922
00:59:31,120 --> 00:59:39,360
Speaker 1: in the middle of the word september. Irritates Nicole. I mean,

923
00:59:39,400 --> 00:59:41,320
Speaker 1: I don't know. I said some of them, but this

924
00:59:41,480 --> 00:59:43,480
Speaker 1: wasn't my favorite. But it didn't make me chuckle. How

925
00:59:43,640 --> 00:59:46,919
Speaker 1: when at Victoria's secret Lore like really said she's dead.

926
00:59:47,240 --> 00:59:53,919
Speaker 1: So many times she's dead? That was really God. Wasn't

927
00:59:53,960 --> 00:59:56,920
Speaker 1: there something about nuts with extra nuts or was that

928
00:59:57,080 --> 00:59:59,200
Speaker 1: my line? I kept writing down these people are all

929
00:59:59,320 --> 01:00:03,480
Speaker 1: nuts with extra nuts. What's up in the episode? Where

930
01:00:03,520 --> 01:00:06,520
Speaker 1: did I write that? I don't remember he wrote that?

931
01:00:07,880 --> 01:00:11,560
Speaker 1: Good writing? Don't write it is um? Alright, kids, that's

932
01:00:11,600 --> 01:00:15,720
Speaker 1: gonna do. We're gonna wrap this up next episode, Season four,

933
01:00:15,800 --> 01:00:20,280
Speaker 1: episode seventeen, Girls and became these boys doing the twist?

934
01:00:20,960 --> 01:00:24,280
Speaker 1: Do you remember it? Remember? I remember? Thank you Tara,

935
01:00:24,360 --> 01:00:28,120
Speaker 1: Thank you Danielle, thank you Amy. Alright, kids, thanks best

936
01:00:28,160 --> 01:00:31,520
Speaker 1: fans on the planet. Thanks for tolerating my sickness, my sneezing,

937
01:00:31,600 --> 01:00:33,880
Speaker 1: my coll I didn't want to talk about it, but

938
01:00:33,880 --> 01:00:36,880
Speaker 1: I feel bad for you. I'm going to go back

939
01:00:36,920 --> 01:00:41,560
Speaker 1: to bed right now. I love you guys, all the best,

940
01:00:41,680 --> 01:01:15,040
Speaker 1: but hey, everybody, and don't forget Follow us on Instagram

941
01:01:15,400 --> 01:01:19,080
Speaker 1: at I Am all In podcast, and email us at

942
01:01:19,320 --> 01:01:23,760
Speaker 1: Gilmore at I Heart radio dot com. Oh you Gilmore fans.

943
01:01:23,800 --> 01:01:25,480
Speaker 1: If you're looking for the best cup of coffee in

944
01:01:25,520 --> 01:01:28,960
Speaker 1: the world, go to my website for my company, scott

945
01:01:28,960 --> 01:01:31,120
Speaker 1: EP dot com. S C O T. T y P

946
01:01:31,360 --> 01:01:43,120
Speaker 1: dot com, scott ep dot com Grade one Specialty Coffee. Yeah.