WEBVTT - Selects: How Rodney Dangerfield Worked, Live From LA

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<v Speaker 1>Hi friends, Chuck here with your Saturday Selects episode. This

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<v Speaker 1>is a live when, Live from the l A Podcast

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<v Speaker 1>Festival in This is from November eight when we talked

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<v Speaker 1>about comedy legend Rodney Dangerfield. This episode, Everybody is notable

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<v Speaker 1>because this is where we met Mr Kevin Pollock for

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<v Speaker 1>the first time, when he jumped up on stage in

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<v Speaker 1>the middle of our podcast to refill our water classes

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<v Speaker 1>that had become empty. And that's how we met Kevin.

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<v Speaker 1>And now he's become a real pal and he's a

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<v Speaker 1>great guy and a good industry friend, and uh I

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<v Speaker 1>just think the world of him. So support Kevin and

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<v Speaker 1>the stuff that he does. He's in a lot of

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<v Speaker 1>great movies and a lot of great TV shows right now,

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<v Speaker 1>including one of my favorite shows on television called Better Things,

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<v Speaker 1>where Kevin plays Pamela at Lan's brother, and the wonderful,

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<v Speaker 1>wonderful show Marvelous Mrs Mazel and check out both of

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<v Speaker 1>those if you haven't checked out Kevin's work before. And again,

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<v Speaker 1>a long way of setting up the episode where we

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<v Speaker 1>met Kevin when we talked all about how Rodney Dangerfield

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<v Speaker 1>worked Live from the l A Podcast Welcome to Stuff

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<v Speaker 1>you Should know A production of I Heart Radio. Hey

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<v Speaker 1>and well, hey, I guess I want to say hey

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<v Speaker 1>and welcome to the podcast. But this is a little

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<v Speaker 1>different because this is a this is the intro to

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<v Speaker 1>the podcast. That's right. We recorded a live episode at

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<v Speaker 1>the l A Podcast Festival, and uh, this is it. Yeah,

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<v Speaker 1>this is it. We did one on Rodney Dangerfield. It

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<v Speaker 1>was September nineteen fifteen with the Sophie Tell and Beverly Hills.

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<v Speaker 1>Very chic, very chic, and it was a lot of fun. Greed.

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<v Speaker 1>We hope you guys have fun listening to it. How

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<v Speaker 1>are you guys doing? Thank you very much for coming

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<v Speaker 1>to our show. But we do this normally, but um,

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<v Speaker 1>it's usually just two of us and Jerry sitting here

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<v Speaker 1>on Facebook while we record like eating me so soup yea,

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<v Speaker 1>she loves me so souper um. And then you know,

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<v Speaker 1>we do live shows too, but normally there's like a

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<v Speaker 1>gulf of a stage between us and like, you guys

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<v Speaker 1>are right here, so we're watching YouTube. I guess that's

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<v Speaker 1>what I'm saying. She's got one of our shirts. Nice

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<v Speaker 1>nice shirt, and she's the only one. Oh I like that.

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<v Speaker 1>I oh, there, of course they are he says I

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<v Speaker 1>listened to podcasts before Cereal burn. Yeah, and on the

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<v Speaker 1>back it says, but I love serially right we should.

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<v Speaker 1>We should also say hi to everybody in lives Oh yeah,

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<v Speaker 1>streaming folks, Hello, and of course thanks to Audible and

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<v Speaker 1>square Space and the rest of those people don't sponsor us,

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<v Speaker 1>so I don't feel n mention anything. Does that count

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<v Speaker 1>as a mid role land? Sure? Okay? Cool with a

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<v Speaker 1>stack of money waiting outside, Mr Monopolies, just hanging out outside? Okay,

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<v Speaker 1>So um, what do you got anything to start with?

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<v Speaker 1>I've got nothing to start with. I usually don't drink

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<v Speaker 1>this early in the day, but coming the nerves and

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<v Speaker 1>is I felt it would be fitting as a tribute

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<v Speaker 1>to our our topic, which we're gonna get into. So

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<v Speaker 1>I decided to work up a heavy sweat because Rodney

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<v Speaker 1>Dangerfield is known for drinking and sweating. Yeah, you're basically

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<v Speaker 1>missing the tie. Got everything else covered? Thanks you guys

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<v Speaker 1>familiar with the one Mr Rodney Dangerfield. Yeah that's good.

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<v Speaker 1>I'm glad to hear that he's a an increasingly underappreciated comedian.

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<v Speaker 1>Like I've talked to it at least a couple of

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<v Speaker 1>people who have not seen back to school? I know boom.

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<v Speaker 1>And I was actually talking to someone who works here

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<v Speaker 1>at the festival who said, is he dead? And I said, yeah,

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<v Speaker 1>that happens a lot to that, because she said, why

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<v Speaker 1>don't I remember that? Alan? It's no respect? No respect.

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<v Speaker 1>That's the cool thing about the guy like he That

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<v Speaker 1>was his whole stick, that was his whole um hook. Right, Well,

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<v Speaker 1>we need to start in the traditional way. Okay, you're ready,

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<v Speaker 1>very nice, hey, and welcome to the podcast. I'm Josh Clark,

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<v Speaker 1>There's Charles W. Chuckers Bryant, and we are here at

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<v Speaker 1>l A popfest and uh all you lovely people, give

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<v Speaker 1>yourselves a hand. Thank Is that better? You feel a

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<v Speaker 1>little more? You guys happy with that too? Okay, Um, well,

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<v Speaker 1>now we have to start over. How people, how many

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<v Speaker 1>people have seen back to school? Great start? So, as

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<v Speaker 1>we were saying, um, the weird thing about Rodney Dangerfield

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<v Speaker 1>is that, um, he was his whole his whole stick

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<v Speaker 1>about um no respect was actually really really close to

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<v Speaker 1>accurate as a matter of fact, and and not just

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<v Speaker 1>while he was growing up he had a really tragic,

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<v Speaker 1>terrible childhood, but also as he got older and older

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<v Speaker 1>and even after he blew up. Um he's still people

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<v Speaker 1>just kind of took what he was saying and ran

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<v Speaker 1>with it. Like he he had this one story where, um,

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<v Speaker 1>he opened a club which we'll talk about called danger Fields,

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<v Speaker 1>so it's very obviously his club, and he was on

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<v Speaker 1>his way up to the stage. He'd just been like

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<v Speaker 1>called up there, and on his way some guy stops

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<v Speaker 1>him and says, Rodney, can I have your autograph? And

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<v Speaker 1>can you also give me some more butter? And like

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<v Speaker 1>this this happened to this guy quite a bit. Actually, Yeah,

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<v Speaker 1>so it does turn out that you will see even

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<v Speaker 1>after death, the guy got no respect. But um, as

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<v Speaker 1>Chuck will assert later, I predict um he he is.

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<v Speaker 1>He's a comedians comedian and very actually well respected by

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<v Speaker 1>the ones that count. And uh, I don't know if

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<v Speaker 1>you guys know this, but a lot of comedians have

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<v Speaker 1>in her pain, uh, which is the reason a lot

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<v Speaker 1>of them get into comedy and a reason that many

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<v Speaker 1>of them drink until they black out on many nights. Uh.

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<v Speaker 1>Inter pain is no secret to the comedy world. But

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<v Speaker 1>you'd be hard pressed to find someone who was as

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<v Speaker 1>legitimately depressed and sad as Rodney Dangerfield. He was like

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<v Speaker 1>a crying clown for real, he was. He often talked

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<v Speaker 1>about the heaviness he felt every day when he woke up.

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<v Speaker 1>He said he would wake up and every day and

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<v Speaker 1>there it was lingering above him, was his heaviness. Yeah.

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<v Speaker 1>And if you've ever if you ever want to go

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<v Speaker 1>down a YouTube rat hole, just look up some interviews

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<v Speaker 1>with the guy on YouTube from like the eighties, and

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<v Speaker 1>you know, he does a lot of interviews that just

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<v Speaker 1>like local TV stations promoting movies and stuff. And when

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<v Speaker 1>he's out of his stick element, it's one of the

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<v Speaker 1>saddest things you've ever seen. Man, it's really depressing. Uh.

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<v Speaker 1>He's he just had this air about him. You could

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<v Speaker 1>tell he had the weight of life on his shoulders.

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<v Speaker 1>And it all pretty much stems from his awful, awful,

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<v Speaker 1>awful childhood. Child It is Hilary us so far, everybody. Uh,

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<v Speaker 1>so we should start at the beginning with him. Um.

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<v Speaker 1>He was born in n on Long Island, Not in

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<v Speaker 1>Long Island, Chuck tells me. Um, And uh, he was

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<v Speaker 1>born to a vaudevillian father who took off with one

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<v Speaker 1>of Rodney's brothers to go hit the circuit. And that

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<v Speaker 1>was that, Like he I think he saw him like

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<v Speaker 1>once or twice a year for a half hour, an

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<v Speaker 1>hour or something like that. Yeah, he said he saw

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<v Speaker 1>his dad literally like twice a year growing up. And

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<v Speaker 1>uh he was born Jacob Cohen. Uh, and his dad

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<v Speaker 1>was a juggler and a comic who um apparently hit

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<v Speaker 1>the road because of his wife, Um, who was. You know,

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<v Speaker 1>we were talking about what an awful person she was,

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<v Speaker 1>and we were going over this stuff and that she was.

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<v Speaker 1>But the more I thought about it, um, she she

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<v Speaker 1>had a serious problem. It was you know, back in

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<v Speaker 1>the nineteen twenties, you didn't diagnose things like they do today.

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<v Speaker 1>You just ran off to the vaudeville pretty much. But

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<v Speaker 1>she was clearly depressed, like foundly depressed and uh sadly

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<v Speaker 1>completely abandoned emotionally and neglected a little rot or I

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<v Speaker 1>guess little Jacob Uh he was. He was left on

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<v Speaker 1>his own from the time he could remember. His mom

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<v Speaker 1>literally never hugged him once, never kissed him once. He

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<v Speaker 1>swore up and down, Yeah, and never complimented him or

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<v Speaker 1>like tried to build him up. She Uh, she was

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<v Speaker 1>a bad lady. And um at starting probably around age

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<v Speaker 1>eight or something like that, he um realized that if

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<v Speaker 1>he was going to eat dinner on a regular basis,

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<v Speaker 1>he was going to have to go get a job

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<v Speaker 1>and go grocery shopping himself. Right, So he basically raised

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<v Speaker 1>himself storrying about age eight or so. Um and uh,

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<v Speaker 1>speaking of grocer's one of the one of the great

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<v Speaker 1>things that stuck out to him about his childhood. He was, um,

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<v Speaker 1>he had to get a job, and after after school job,

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<v Speaker 1>he was still in school. Um. And he lived in

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<v Speaker 1>a fairly wealthy neighborhood, but he was not wealthy, so

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<v Speaker 1>he used to deliver groceries to his classmates, um home,

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<v Speaker 1>which is kind of demoralizing when you're like ten, you know. Um.

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<v Speaker 1>And he also, while he was out there running around

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<v Speaker 1>on the streets, there's a he wrote an autobiography the

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<v Speaker 1>year he died in two thousand and four, and um

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<v Speaker 1>he called this chapter male Prostitute because he was like ten,

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<v Speaker 1>and he was so unsupervised that they were apparently at

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<v Speaker 1>least one or two local molesters that were like, hey, Rodney,

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<v Speaker 1>come on up, I got a nickel for you. Yeah.

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<v Speaker 1>And he swears up and down that it was just uh,

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<v Speaker 1>that it was it was just kissing everybody, don't worry.

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<v Speaker 1>The child was just kissed by the grown man for

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<v Speaker 1>a nickel um, but he and it happened a lot,

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<v Speaker 1>and he was doing it because he needed the money.

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<v Speaker 1>So anyway, Rodney danger feel, let's fast forward out of

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<v Speaker 1>this horrible, horrible funk. And by the way, we're gonna

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<v Speaker 1>pepper in some of his best jokes here and there. Uh,

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<v Speaker 1>and debated on whether or not to try and do

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<v Speaker 1>it as him, because it's hard. I've already promised certain

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<v Speaker 1>people here there, it's hard to do that. It's hard

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<v Speaker 1>to tell a Rodney Dangerfield joke without kind of doing him.

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<v Speaker 1>And I took a little informal pole last night with

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<v Speaker 1>some folks and they're like, yeah, you sort of have to. Yeah,

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<v Speaker 1>I think that's not like it's a good impression. But

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<v Speaker 1>plus it makes me delivering it my flat weirdo affect

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<v Speaker 1>where I'm not even trying it all the weirder, So

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<v Speaker 1>prepare for that too. But one thing that he did,

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<v Speaker 1>and that of course a lot of comics do, is

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<v Speaker 1>they turned that pain into funny and he really relied

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<v Speaker 1>on his uh, his jokes is a way to I mean,

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<v Speaker 1>the only time he was happy was when he was

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<v Speaker 1>on stage performing and as soon as he left that

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<v Speaker 1>heaviness would come back. But he he often joked about

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<v Speaker 1>his mom. He would say, uh, my mom never breastfed me.

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<v Speaker 1>She told me she always thought of me as a friend,

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<v Speaker 1>which is a funny joke. But when you know the

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<v Speaker 1>real pain behind it, it's it's just like the saddest

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<v Speaker 1>thing you've ever heard. It takes a dead bit of

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<v Speaker 1>the funniness away from it. I've got a good apparent one.

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<v Speaker 1>You're ready. Yeah, So I remember the time, and this

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<v Speaker 1>is my Rodney danger. I remember the time I was kidnapped.

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<v Speaker 1>They sent a piece of my finger to my father.

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<v Speaker 1>He said he wanted more proof that probably did not happen.

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<v Speaker 1>But it gets the point across, you know, And plus

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<v Speaker 1>it's funny. And so if you're a one more parent joke, Okay,

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<v Speaker 1>so I tell you my parents hated me. My bath

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<v Speaker 1>toys were a toaster in a radio funny. All right,

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<v Speaker 1>that's going over better than I thought it wouldn't. So,

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<v Speaker 1>so starting about age fifteen, he starts, he realizes he's

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<v Speaker 1>actually kind of hilarious and that he has a talent

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<v Speaker 1>for taking all of this horrible, tragic stuff and turning

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<v Speaker 1>into funny stuff. Um and uh, he started writing jokes

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<v Speaker 1>and he got good pretty quick. He started selling jokes

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<v Speaker 1>age fifteen or sixteen to establish comedians, right, yeah, and

0:11:48.120 --> 0:11:50.000
<v Speaker 1>he kept him He had this stuffel bag. He would

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<v Speaker 1>write jokes by hand his entire career and put him

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<v Speaker 1>in this stuffel bag. So he literally had a duffel

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<v Speaker 1>bag full of like thousands and thousands of jokes. And

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<v Speaker 1>apparently I think, uh you said that during a typical

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<v Speaker 1>performance later, like once he hit the big time, he

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<v Speaker 1>would tell like over three d jokes in a set,

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<v Speaker 1>like three fifty yeah, yeah, in an hour. He ran

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<v Speaker 1>at their quick jokes, but still, but he remembered them

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<v Speaker 1>all and he knew which one's fit best. Like the

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<v Speaker 1>guy was a comic genius. Hopefully that's coming across here

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<v Speaker 1>or will by the end of this, right. So he

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<v Speaker 1>gets this big break at age nineteen. He's written jokes

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<v Speaker 1>for a few years and he's gonna try this out,

0:12:26.720 --> 0:12:29.280
<v Speaker 1>and he gets a job at a cat skills resort

0:12:29.720 --> 0:12:34.000
<v Speaker 1>for twelve bucks a week ten weeks, including room and board,

0:12:34.400 --> 0:12:37.319
<v Speaker 1>like dirty dancing that kind of scene very much. So yeah,

0:12:37.720 --> 0:12:40.800
<v Speaker 1>but he's like the up and coming comic on stage. Right,

0:12:41.120 --> 0:12:43.959
<v Speaker 1>have you guys ever seen Iron Man meets Dirty Dancing

0:12:44.000 --> 0:12:47.440
<v Speaker 1>that mash up? Now go check it out. Actually, it's

0:12:47.559 --> 0:12:50.600
<v Speaker 1>so bizarre. It's one of the better things you'll ever see.

0:12:51.679 --> 0:12:53.680
<v Speaker 1>That has nothing to do with the Rodney Dangerfield. That

0:12:53.760 --> 0:12:57.160
<v Speaker 1>was just an ad on basically. But um, so he's working.

0:12:57.240 --> 0:13:00.880
<v Speaker 1>He's working hard, um the stint of cats skills. Like,

0:13:01.000 --> 0:13:02.800
<v Speaker 1>I don't think he gets ree up, but he he

0:13:02.880 --> 0:13:04.640
<v Speaker 1>keeps going back to the cat skills. It's one of

0:13:04.679 --> 0:13:07.040
<v Speaker 1>his regular gigs. But on the on the side, while

0:13:07.040 --> 0:13:11.160
<v Speaker 1>he's working, he's a singing waiter at the Polish Falcons

0:13:11.280 --> 0:13:15.280
<v Speaker 1>nightclub where, yeah, where Lenny Bruce's mom was the m C.

0:13:15.920 --> 0:13:19.560
<v Speaker 1>He was an acrobatic diver, right, Um, but I don't

0:13:19.600 --> 0:13:23.559
<v Speaker 1>know what you're all thinking, triple indy. No, he did

0:13:23.559 --> 0:13:26.439
<v Speaker 1>not do the triple indy in the movie obviously. Uh

0:13:26.600 --> 0:13:28.520
<v Speaker 1>for those of you who have not seen Back to School,

0:13:28.920 --> 0:13:32.440
<v Speaker 1>that was an in joke. He was a diver in

0:13:32.480 --> 0:13:34.760
<v Speaker 1>the movie, a competitive diver. Yeah. Well, I was going

0:13:34.800 --> 0:13:38.840
<v Speaker 1>to punish them for not having seen it. Okay, sorry,

0:13:38.880 --> 0:13:41.640
<v Speaker 1>I was trying to drive him a point. Uh. So

0:13:41.800 --> 0:13:44.959
<v Speaker 1>in nineteen fifty one, he gets married for the first

0:13:44.960 --> 0:13:48.679
<v Speaker 1>time to a jazz singer name Joyce Indig, and he

0:13:49.200 --> 0:13:51.520
<v Speaker 1>had a couple of kids and moved to New Jersey,

0:13:51.600 --> 0:13:53.400
<v Speaker 1>which we all know is the death knell for any

0:13:53.400 --> 0:13:56.240
<v Speaker 1>comedian trying to work in New York. Kind of means

0:13:56.280 --> 0:14:00.520
<v Speaker 1>you've given up, um. But he didn't give up just yet.

0:14:00.840 --> 0:14:03.360
<v Speaker 1>He did for a minute for sure. Yeah, not not

0:14:03.440 --> 0:14:05.360
<v Speaker 1>at that point though. He was still trying to work.

0:14:06.160 --> 0:14:08.880
<v Speaker 1>But when he turned twenty seven, he quit comedy and

0:14:08.960 --> 0:14:12.920
<v Speaker 1>literally did not perform from the age of forty one.

0:14:13.520 --> 0:14:17.280
<v Speaker 1>And at forty one he was like, let's try this again, right, Well,

0:14:17.360 --> 0:14:19.440
<v Speaker 1>he and his wife divorced, so he's like, I've got

0:14:19.480 --> 0:14:21.600
<v Speaker 1>a little more time. I think I'm gonna go try

0:14:21.680 --> 0:14:24.560
<v Speaker 1>comedy again. And they actually got back together like the

0:14:24.640 --> 0:14:27.400
<v Speaker 1>next year and stayed married for another ten years or

0:14:27.440 --> 0:14:30.360
<v Speaker 1>something like that. But this time around, um, he was like,

0:14:30.440 --> 0:14:31.720
<v Speaker 1>let me see if I can figure out how to

0:14:31.800 --> 0:14:34.200
<v Speaker 1>how to balance home life with this. I'm trying to

0:14:34.200 --> 0:14:36.480
<v Speaker 1>break into comedy, right yeah, and let me try and

0:14:36.520 --> 0:14:38.760
<v Speaker 1>develop an act. I think the first time he flounder

0:14:38.840 --> 0:14:40.720
<v Speaker 1>because he didn't he didn't know what kind of comedian

0:14:40.760 --> 0:14:43.400
<v Speaker 1>he wanted to be. He tried singing, he tried impressions,

0:14:43.440 --> 0:14:45.880
<v Speaker 1>he even tried prop comedy for a little while. But

0:14:45.960 --> 0:14:47.680
<v Speaker 1>he also I mean, and he had these jokes about

0:14:47.720 --> 0:14:49.680
<v Speaker 1>how much his life sucked. Like he used some of

0:14:49.680 --> 0:14:52.240
<v Speaker 1>these same jokes his whole life, um, but they just

0:14:52.280 --> 0:14:54.920
<v Speaker 1>didn't hang on him quite right, because he had his

0:14:54.920 --> 0:14:56.800
<v Speaker 1>whole life ahead of him and he was young and

0:14:56.800 --> 0:14:59.320
<v Speaker 1>full of promise. That second time around, he was right

0:14:59.320 --> 0:15:01.480
<v Speaker 1>there in the sweet spot, like age forty one is

0:15:02.200 --> 0:15:05.920
<v Speaker 1>a little desperate, kind of sweaty, and uh, these jokes

0:15:05.920 --> 0:15:09.080
<v Speaker 1>about how bad is light, these jokes about how bad

0:15:09.160 --> 0:15:12.880
<v Speaker 1>is life where it was going, um like really just

0:15:12.960 --> 0:15:15.840
<v Speaker 1>kind of hit a lot more. He adopted a persona basically,

0:15:16.320 --> 0:15:20.200
<v Speaker 1>and uh that definitely helped. Yeah, I mean it was

0:15:20.320 --> 0:15:22.840
<v Speaker 1>it was sort of him, but it was also a character.

0:15:23.440 --> 0:15:25.600
<v Speaker 1>And when I was researching this, I was like, I

0:15:25.680 --> 0:15:28.000
<v Speaker 1>was kind of thinking about the you don't see a

0:15:28.040 --> 0:15:31.640
<v Speaker 1>lot of character comedians anymore, Like that was the sort

0:15:31.640 --> 0:15:35.480
<v Speaker 1>of the Heyday with like Andrew Dice Clay and uh

0:15:35.480 --> 0:15:39.080
<v Speaker 1>well Rodney Dangerfield and Emo Phillips, and it seemed like

0:15:39.160 --> 0:15:41.040
<v Speaker 1>there were a lot of characters, but now no one.

0:15:41.240 --> 0:15:44.280
<v Speaker 1>Now it's just like, look at this thing that happened

0:15:44.280 --> 0:15:46.680
<v Speaker 1>in my life and how funny it is look at

0:15:46.680 --> 0:15:52.040
<v Speaker 1>all these witty observations about my life. I'd like to

0:15:52.040 --> 0:15:55.080
<v Speaker 1>see some good character comedians. I can't think of it.

0:15:55.200 --> 0:15:58.000
<v Speaker 1>There any out there. I guess Brent Windbag. That's kind

0:15:58.000 --> 0:16:00.280
<v Speaker 1>of wait, wait, what about like Larry the Cave Guy.

0:16:00.320 --> 0:16:04.200
<v Speaker 1>He's total I assume that is a character because he

0:16:04.240 --> 0:16:06.640
<v Speaker 1>started out as as a completely different kind of comedian

0:16:07.000 --> 0:16:09.560
<v Speaker 1>and then adopted that persona. But I don't count him

0:16:09.600 --> 0:16:15.360
<v Speaker 1>as a comedian. So yeah, he's not watching. Don't worry,

0:16:15.640 --> 0:16:22.880
<v Speaker 1>he's not. He's writing bad jokes to start a flame

0:16:22.920 --> 0:16:26.400
<v Speaker 1>war with Larry the I'll totally take him up on

0:16:26.440 --> 0:16:30.000
<v Speaker 1>that flame war. Uh, although kids squashed me with his

0:16:30.160 --> 0:16:34.920
<v Speaker 1>sacks of money. Um. So he adopts his character. Uh.

0:16:35.040 --> 0:16:38.760
<v Speaker 1>He changes his name legally at this point to Jack Roy,

0:16:39.000 --> 0:16:42.760
<v Speaker 1>which was that his father's name. His father's stage name

0:16:42.840 --> 0:16:44.920
<v Speaker 1>was Phil Roy. Yeah, and so he changed his name

0:16:45.000 --> 0:16:47.240
<v Speaker 1>legally to Jack Roy, and that was his real name

0:16:47.360 --> 0:16:49.720
<v Speaker 1>till the day he died. Uh. And he was performing

0:16:49.800 --> 0:16:52.920
<v Speaker 1>under that name for a while until he tried this

0:16:53.000 --> 0:16:56.520
<v Speaker 1>second go and decided I don't want anyone to remember

0:16:56.600 --> 0:16:59.200
<v Speaker 1>Jack Roy. So um, he told this guy that was

0:16:59.240 --> 0:17:01.240
<v Speaker 1>booking him at a up in Manhattan. Could you just

0:17:01.280 --> 0:17:02.800
<v Speaker 1>make up a name for me and put that on

0:17:02.840 --> 0:17:04.919
<v Speaker 1>the on the I guess it would a marquee on

0:17:04.960 --> 0:17:07.399
<v Speaker 1>the play, yeah, or you know in any ad they

0:17:07.440 --> 0:17:10.560
<v Speaker 1>took out. So the guy who ran this place, the

0:17:10.640 --> 0:17:14.320
<v Speaker 1>Inwood Lounge, I think um came up the Rodney Dangerfield, right.

0:17:14.760 --> 0:17:18.400
<v Speaker 1>But the weird thing is, um he had actually lifted

0:17:18.440 --> 0:17:20.680
<v Speaker 1>the name from a Jack Benny character, Like there was

0:17:20.720 --> 0:17:24.000
<v Speaker 1>an original Rodney Dangerfield and it wasn't Rodney Dangerfield, right,

0:17:24.560 --> 0:17:27.920
<v Speaker 1>were the giant twist of of the podcast It's all

0:17:27.960 --> 0:17:32.480
<v Speaker 1>downhill from here. So the the Jack Benny came up

0:17:32.520 --> 0:17:34.439
<v Speaker 1>with his character and I think the forties maybe or

0:17:34.480 --> 0:17:38.920
<v Speaker 1>something like that, UM of this grade Z Western hero

0:17:39.280 --> 0:17:44.120
<v Speaker 1>named Rodney Dangerfield, and UM, I guess the the lounge

0:17:44.119 --> 0:17:46.840
<v Speaker 1>owner remembered it and came up with that Rodney Dangerfield

0:17:46.920 --> 0:17:49.520
<v Speaker 1>had no idea about this. So he's walking around like

0:17:49.800 --> 0:17:53.040
<v Speaker 1>using this name for years. And apparently he met Johnny

0:17:53.080 --> 0:17:55.520
<v Speaker 1>Carson once that one of his shows, and Johnny Carson

0:17:55.600 --> 0:17:57.360
<v Speaker 1>was like, you know where your name came from? Right?

0:17:57.840 --> 0:18:00.960
<v Speaker 1>And he said, what are you talking talking about? Yeah?

0:18:01.000 --> 0:18:03.600
<v Speaker 1>He explained that the whole Jack Benny thing and later

0:18:03.640 --> 0:18:06.760
<v Speaker 1>on he uh saw Jack Benny, and Jack Benny wasn't

0:18:06.800 --> 0:18:09.320
<v Speaker 1>like Matt or anything, actually said I really love what

0:18:09.400 --> 0:18:11.959
<v Speaker 1>you did with the character, and you really, you know,

0:18:12.160 --> 0:18:14.320
<v Speaker 1>you did it just right, So no harm, no felt,

0:18:15.160 --> 0:18:39.000
<v Speaker 1>and they hugged it out from that very famously. So

0:18:39.200 --> 0:18:41.320
<v Speaker 1>uh on the second go round, he was he was

0:18:41.480 --> 0:18:45.000
<v Speaker 1>making a living doing okay, but he got his real

0:18:45.040 --> 0:18:49.760
<v Speaker 1>big break in nine seven with Ed Sullivan. He was, um,

0:18:49.760 --> 0:18:52.520
<v Speaker 1>he couldn't get booked on Ed Sullivan, but at the

0:18:52.560 --> 0:18:55.800
<v Speaker 1>time they would book other comedians for the run throughs

0:18:56.200 --> 0:18:59.800
<v Speaker 1>as like just placeholders for dress rehearsal basically, and so

0:18:59.840 --> 0:19:02.880
<v Speaker 1>he got a spot booked on that and apparently did

0:19:02.920 --> 0:19:05.480
<v Speaker 1>so well and dress rehearsal that Ed Sullivan, you know,

0:19:05.640 --> 0:19:07.440
<v Speaker 1>took note on the side of the stage, which means

0:19:07.440 --> 0:19:12.359
<v Speaker 1>he went like this, you know you're funny. That's how

0:19:12.400 --> 0:19:14.239
<v Speaker 1>you knew Ed Sullivan thought you were funny, because if

0:19:18.680 --> 0:19:23.080
<v Speaker 1>it works for Nixon to do that, Nixon And actually

0:19:23.119 --> 0:19:25.119
<v Speaker 1>that was the result of a huge long shot. He

0:19:25.200 --> 0:19:28.520
<v Speaker 1>told his agent like, just get me on Ed Sullivan,

0:19:28.800 --> 0:19:31.119
<v Speaker 1>and it it played out, panned out very well. He

0:19:31.240 --> 0:19:34.119
<v Speaker 1>ended up being on Ed Sullivan like seventeen times or

0:19:34.119 --> 0:19:35.680
<v Speaker 1>something like that, and it led to all these other

0:19:36.359 --> 0:19:39.440
<v Speaker 1>late night appearances. He was on Carson, like I think

0:19:39.440 --> 0:19:41.679
<v Speaker 1>a record, he holds the record for being on Carson

0:19:41.720 --> 0:19:46.200
<v Speaker 1>the most seventy times something like that. Merv Griffin, Dino,

0:19:46.520 --> 0:19:48.399
<v Speaker 1>like all the dudes who are running late night and

0:19:48.440 --> 0:19:51.280
<v Speaker 1>basically where the tastemakers for all of the comedians were

0:19:51.320 --> 0:19:58.159
<v Speaker 1>suddenly promoting the sweaty, weird, coked up uh pothead, booze hound,

0:19:58.280 --> 0:20:02.320
<v Speaker 1>huge pothead the way Rodney Dangerfield right, and he took

0:20:02.320 --> 0:20:04.560
<v Speaker 1>it and ran with it, like right when he hit

0:20:04.600 --> 0:20:08.680
<v Speaker 1>in nineteen seven he got to work. He was such

0:20:08.680 --> 0:20:11.840
<v Speaker 1>a big pothead. Actually, the original name of his biography

0:20:11.960 --> 0:20:15.359
<v Speaker 1>was going to be My Love Affair with Marijuana, And

0:20:15.400 --> 0:20:17.320
<v Speaker 1>he was serious. He wanted to call it that because

0:20:17.320 --> 0:20:21.760
<v Speaker 1>he smoked potty, said for you know, sixty something years. Uh,

0:20:21.800 --> 0:20:24.359
<v Speaker 1>but well up until the day he died. Really, I

0:20:24.359 --> 0:20:27.000
<v Speaker 1>think from like one on, like he was smoking pot

0:20:27.080 --> 0:20:30.119
<v Speaker 1>in I see you in the hospital, because he had

0:20:30.160 --> 0:20:34.240
<v Speaker 1>an early medical marijuana exemption long before anyone even knew

0:20:34.240 --> 0:20:37.200
<v Speaker 1>it that way, he just wrote his own I don't

0:20:37.200 --> 0:20:39.359
<v Speaker 1>even knew what that was, but if he flashed it

0:20:39.400 --> 0:20:43.720
<v Speaker 1>in your face, you didn't ask questions. So, uh, he

0:20:43.800 --> 0:20:46.480
<v Speaker 1>got his big break. Actually, Carson had blackballed him for

0:20:46.480 --> 0:20:49.639
<v Speaker 1>a while because he accused Carson in a letter of

0:20:49.680 --> 0:20:51.720
<v Speaker 1>stealing or one of his writers of stealing one of

0:20:51.720 --> 0:20:54.359
<v Speaker 1>his jokes. So Carson famously wouldn't have him on the

0:20:54.400 --> 0:20:57.520
<v Speaker 1>show for a long time until they eventually right, until

0:20:57.560 --> 0:21:00.240
<v Speaker 1>they eventually met um and worked it out out, and

0:21:00.240 --> 0:21:03.320
<v Speaker 1>then Johnny became like the biggest fan ever. And if

0:21:03.400 --> 0:21:06.480
<v Speaker 1>you want to enjoy yourself at home on the YouTube's

0:21:06.760 --> 0:21:09.240
<v Speaker 1>just go look up Johnny Carson on Rodney or Rodney

0:21:09.320 --> 0:21:12.480
<v Speaker 1>Dangerfield on Carson. There's a lot of clips where I mean,

0:21:12.720 --> 0:21:16.280
<v Speaker 1>Carson was just like the ultimate set up dude. Just

0:21:16.400 --> 0:21:18.240
<v Speaker 1>let him do his thing. Yeah, and he would laugh

0:21:18.320 --> 0:21:21.120
<v Speaker 1>until he was crying because he couldn't believe that danger

0:21:21.160 --> 0:21:23.000
<v Speaker 1>Fields getting away was saying most of the stuff he

0:21:23.080 --> 0:21:26.119
<v Speaker 1>was saying on TV on Carson's own show, it was good.

0:21:26.880 --> 0:21:29.920
<v Speaker 1>So he's he's married, he's working a lot, and uh,

0:21:29.960 --> 0:21:33.280
<v Speaker 1>he decides that he doesn't want to happen to his

0:21:33.320 --> 0:21:35.639
<v Speaker 1>own kids what happened to him, which was to be neglected.

0:21:36.160 --> 0:21:38.400
<v Speaker 1>So he said, you know what I'm gonna do. Um,

0:21:38.440 --> 0:21:41.200
<v Speaker 1>even though no one's ever done this. I'm gonna borrow

0:21:41.240 --> 0:21:44.320
<v Speaker 1>a bunch of money dollars and I'm gonna open my

0:21:44.359 --> 0:21:46.520
<v Speaker 1>own comedy club in New York City so i can

0:21:46.560 --> 0:21:50.399
<v Speaker 1>stay home with my children, Brian and Melanie, I think, right.

0:21:50.440 --> 0:21:52.200
<v Speaker 1>And it's not like he had any money, right then,

0:21:52.240 --> 0:21:54.440
<v Speaker 1>you know, like this is a huge, huge risk and

0:21:54.720 --> 0:21:56.639
<v Speaker 1>he's doing okay, but he had to borrow all not

0:21:56.720 --> 0:21:59.640
<v Speaker 1>that okay, right, so um, everybody tries to talk him

0:21:59.640 --> 0:22:01.880
<v Speaker 1>out of it. He goes ahead with it, and it's

0:22:01.880 --> 0:22:03.679
<v Speaker 1>such a success. He has a loan paid off in

0:22:03.720 --> 0:22:06.000
<v Speaker 1>like eighteen months. Just a huge success. And this this

0:22:06.160 --> 0:22:09.080
<v Speaker 1>club actually became venerable in its own right. Yeah, still

0:22:09.119 --> 0:22:11.919
<v Speaker 1>there today run the Danger Fields in New York and um,

0:22:11.920 --> 0:22:15.040
<v Speaker 1>it had this HBO special that broadcast out of in

0:22:15.119 --> 0:22:17.800
<v Speaker 1>A bunch of comedians got their big breaks on that show,

0:22:17.840 --> 0:22:23.080
<v Speaker 1>like Seinfeld, Um, Chris Rock I think, yeah, Jim Carey, Uh,

0:22:23.080 --> 0:22:27.840
<v Speaker 1>what's his face? Saget, Jeff Foxworthy, Yeah, Jeff Foxworthy, fans

0:22:27.840 --> 0:22:31.360
<v Speaker 1>in the room, Rita Rudner. Of course, Sam Kennessan completely

0:22:31.359 --> 0:22:34.640
<v Speaker 1>made Sam Kennison's career and that was what he uh,

0:22:34.760 --> 0:22:36.720
<v Speaker 1>and that's why comedians love him so much because it

0:22:36.800 --> 0:22:39.400
<v Speaker 1>meant more to him to play father to these young

0:22:39.440 --> 0:22:42.560
<v Speaker 1>comics and to give them their start than almost anything else.

0:22:42.600 --> 0:22:45.159
<v Speaker 1>He really that was sort of his life's goal, was

0:22:45.200 --> 0:22:47.919
<v Speaker 1>to seek out talent that he thought was original and

0:22:47.920 --> 0:22:51.480
<v Speaker 1>really kind of boost them up. He was a huge Freudian. Yeah, yeah,

0:22:51.560 --> 0:22:57.520
<v Speaker 1>the whole father son thing. And I wonder why, so, Chuck,

0:22:58.240 --> 0:23:02.080
<v Speaker 1>where were we at? Uh? We are at Danger Fields.

0:23:02.080 --> 0:23:07.520
<v Speaker 1>It is nineteen eighty and he decides that, you know what,

0:23:08.440 --> 0:23:12.800
<v Speaker 1>I should start making movies because well he made a

0:23:12.800 --> 0:23:15.200
<v Speaker 1>few movies before that, but nothing that anyone would know.

0:23:15.520 --> 0:23:19.119
<v Speaker 1>He's actually cast first by Stanley Kubrick in nineteen fifty

0:23:19.160 --> 0:23:21.840
<v Speaker 1>six for the movie Uh, the Killer, Yeah, the Killing,

0:23:22.080 --> 0:23:30.320
<v Speaker 1>The Killing, great movie. Who said, yeah, wow, yeah, great movie.

0:23:30.359 --> 0:23:36.640
<v Speaker 1>So he plays onlooker, Um, big part. Uh. And then

0:23:36.640 --> 0:23:38.399
<v Speaker 1>he was in another movie what was that up on?

0:23:38.480 --> 0:23:40.919
<v Speaker 1>Called The Projectionist. Yeah, it was a big part in

0:23:40.920 --> 0:23:42.560
<v Speaker 1>a very small movie. He said that it was the

0:23:42.600 --> 0:23:44.199
<v Speaker 1>type of movie where they went to go shoot on

0:23:44.240 --> 0:23:48.120
<v Speaker 1>location by taking the subway. Um it's probably true, Yeah,

0:23:48.200 --> 0:23:51.800
<v Speaker 1>I think it was. But he played this movie projectionist

0:23:51.840 --> 0:23:54.840
<v Speaker 1>boss and the projectionists had quite an imagination and he

0:23:54.880 --> 0:23:59.719
<v Speaker 1>was a superhero and um, Dangerfield was this arch villain nemesis.

0:24:00.160 --> 0:24:04.480
<v Speaker 1>Didn't it didn't go very far, but he learned almost

0:24:04.560 --> 0:24:06.720
<v Speaker 1>nothing about how to shoot a movie because this was

0:24:06.840 --> 0:24:10.919
<v Speaker 1>seventy seven. And apparently his huge, huge breakthrough came in Caddyshack. Right.

0:24:10.920 --> 0:24:14.560
<v Speaker 1>He was already very much a well respected comedian, but um,

0:24:14.640 --> 0:24:17.719
<v Speaker 1>when he when he shot caddy Shack Harold Ramos right

0:24:18.119 --> 0:24:21.200
<v Speaker 1>when he directed it, he said later on that, Um,

0:24:21.520 --> 0:24:23.480
<v Speaker 1>clearly Dangerfield didn't know what he was doing. He was

0:24:23.600 --> 0:24:27.159
<v Speaker 1>a live performer. So when when Harold Raymos said action,

0:24:27.800 --> 0:24:30.040
<v Speaker 1>Rodney Dangerfield was just stand there and be like, you

0:24:30.040 --> 0:24:33.600
<v Speaker 1>want me to do my bit? Now, Like that's what

0:24:33.640 --> 0:24:36.080
<v Speaker 1>action means, right, do your bit? And uh So then

0:24:36.160 --> 0:24:37.840
<v Speaker 1>Rodney would just turn to the camera and like do

0:24:37.960 --> 0:24:40.879
<v Speaker 1>his whole bit into the camera. He's like, hold on,

0:24:40.880 --> 0:24:43.119
<v Speaker 1>we gotta we gotta get this right here, so pretend

0:24:43.160 --> 0:24:46.360
<v Speaker 1>the camera's not there one and um, he finally got

0:24:46.480 --> 0:24:47.959
<v Speaker 1>to do it because that was the thing that just

0:24:48.000 --> 0:24:51.600
<v Speaker 1>broke him out. Yeah, and he hated making movies. Um,

0:24:52.280 --> 0:24:54.520
<v Speaker 1>like you said, he loved performing live in front of people,

0:24:54.520 --> 0:24:56.840
<v Speaker 1>and that's where he got his his rush. And he

0:24:56.880 --> 0:24:59.639
<v Speaker 1>once compared making movies to um. He said, like you

0:24:59.640 --> 0:25:01.560
<v Speaker 1>know when you make a kid write something a hundred

0:25:01.560 --> 0:25:04.000
<v Speaker 1>times on the chalkboard and they've done something wrong, He's like,

0:25:04.040 --> 0:25:06.520
<v Speaker 1>that's what making the movies Like, he hated doing all

0:25:06.560 --> 0:25:10.200
<v Speaker 1>these takes. He hated standing around and waiting. Uh, that's

0:25:10.240 --> 0:25:12.000
<v Speaker 1>why he didn't make a ton of it. And he

0:25:12.480 --> 0:25:15.040
<v Speaker 1>felt like the live audience is like he compared it

0:25:15.080 --> 0:25:17.359
<v Speaker 1>to a heroin attic, like shooting up. You know, like

0:25:17.440 --> 0:25:20.760
<v Speaker 1>he just loved that rush and uh, he definitely didn't

0:25:20.760 --> 0:25:23.000
<v Speaker 1>get that from movies, which I mean you got like

0:25:23.040 --> 0:25:25.880
<v Speaker 1>the crew standing around looking at you, waiting for lunch.

0:25:25.920 --> 0:25:27.639
<v Speaker 1>You know, it wasn't his bag at all. It was

0:25:27.680 --> 0:25:31.560
<v Speaker 1>not his bag. Uh. You found this um description from

0:25:31.720 --> 0:25:35.920
<v Speaker 1>Rolling Stone editor Ben Fong Torres, which I think describes

0:25:36.040 --> 0:25:40.640
<v Speaker 1>him like to a t Do you want to read that, sir? Okay?

0:25:40.680 --> 0:25:46.520
<v Speaker 1>So Ben Fong Torres, who was in almost famous, Uh

0:25:47.119 --> 0:25:49.600
<v Speaker 1>he uh, he had a quote he says, Uh, Rodney

0:25:49.640 --> 0:25:53.320
<v Speaker 1>Daserfield looks like a midlife crisis. There's a surface orderliness.

0:25:53.359 --> 0:25:56.200
<v Speaker 1>He's groomed and he's dressed like a businessman at a convention.

0:25:56.600 --> 0:25:59.680
<v Speaker 1>Gray hair slicked back over a haggard shades of mayor

0:25:59.800 --> 0:26:04.439
<v Speaker 1>day leaf face, dark suit, white shirt, bright red tie, silks,

0:26:04.520 --> 0:26:08.080
<v Speaker 1>silk stockings, shiny shoes. But the neatness gives way to

0:26:08.160 --> 0:26:11.320
<v Speaker 1>what he calls the heaviness that looms over him. Life

0:26:11.320 --> 0:26:14.560
<v Speaker 1>gives Rodney Dangerfield the jitters. He's in a constant sweat.

0:26:14.720 --> 0:26:17.560
<v Speaker 1>He wipes his brow incessantly, tugs at his tie, herky

0:26:17.640 --> 0:26:20.359
<v Speaker 1>jerky as he recounts the horrors of his daily life.

0:26:20.440 --> 0:26:23.440
<v Speaker 1>He shifts his shoulders uncomfortably, and his eyes bug out

0:26:23.440 --> 0:26:26.520
<v Speaker 1>of their bags. He moves the floor, mic around as

0:26:26.560 --> 0:26:29.679
<v Speaker 1>he roams the comedy store stage looking for sympathy, but

0:26:29.720 --> 0:26:33.960
<v Speaker 1>all he gets their laughs. I just think that's fantastic, man.

0:26:34.000 --> 0:26:38.200
<v Speaker 1>He nailed Rodney dangerfielding absolutely and his shirt and tie

0:26:38.200 --> 0:26:42.800
<v Speaker 1>that came about because well, he hated clothes in fashion. Yeah,

0:26:42.880 --> 0:26:44.440
<v Speaker 1>let's just go ahead and say that. I think it's

0:26:44.520 --> 0:26:47.720
<v Speaker 1>time he was a slab. He was a slab, he

0:26:47.880 --> 0:26:49.919
<v Speaker 1>said in interviews, how much he hated clothes, how he

0:26:49.960 --> 0:26:53.280
<v Speaker 1>never cared about clothes and fashion and was comfortable in

0:26:53.280 --> 0:26:57.679
<v Speaker 1>a robe basically. And uh, but for one of his

0:26:57.720 --> 0:26:59.159
<v Speaker 1>first acts, he put on the red tie in the

0:26:59.200 --> 0:27:01.840
<v Speaker 1>black suit and like dressed all dapper and when it

0:27:01.880 --> 0:27:04.800
<v Speaker 1>came for the second performance, he was like, well, they

0:27:05.119 --> 0:27:07.280
<v Speaker 1>liked me in that, so I'm just gonna wear that.

0:27:07.480 --> 0:27:10.240
<v Speaker 1>And that became his stick. Was you know, this very

0:27:10.400 --> 0:27:14.120
<v Speaker 1>dapper looking guy who's always very well put together. In fact,

0:27:14.200 --> 0:27:16.960
<v Speaker 1>I just saw earlier today, Um, when he gave out

0:27:16.960 --> 0:27:20.040
<v Speaker 1>a Best Makeup award at the I think eight seven

0:27:20.080 --> 0:27:23.159
<v Speaker 1>Academy Awards. Yeah, and he and he walked up and

0:27:23.200 --> 0:27:25.320
<v Speaker 1>he said, hey, nice took seed to everybody, right, and

0:27:25.359 --> 0:27:30.560
<v Speaker 1>he went underneath torn under shorts. You get this feeling

0:27:30.600 --> 0:27:32.879
<v Speaker 1>that like that was the dead truth. Yeah, she probably

0:27:32.880 --> 0:27:36.760
<v Speaker 1>had like holy underwear. You should look at it. Two man,

0:27:36.800 --> 0:27:40.040
<v Speaker 1>that's a great because he basically does five minutes of

0:27:40.119 --> 0:27:43.320
<v Speaker 1>stand up at the Academy Awards and it gives out

0:27:43.320 --> 0:27:46.880
<v Speaker 1>an award. So Iron Man versus dirty dancing. Yeah, take

0:27:46.920 --> 0:27:50.480
<v Speaker 1>some notes and then some danger fields stuff. Um, should

0:27:50.520 --> 0:27:55.360
<v Speaker 1>we take a break here, Chuck, take an ad break? Yeah, yeah,

0:27:55.400 --> 0:28:08.959
<v Speaker 1>and we'll be right back after this big announcement, folks.

0:28:09.880 --> 0:28:13.560
<v Speaker 1>It's called a podcast event called The Message. That's right.

0:28:13.680 --> 0:28:17.119
<v Speaker 1>Thanks to ge Podcast Theater and Panoply, there is an

0:28:17.160 --> 0:28:20.439
<v Speaker 1>eight part series out right now called The Message, and

0:28:20.480 --> 0:28:22.440
<v Speaker 1>you can get it wherever you get your podcasts. Yeah,

0:28:22.440 --> 0:28:25.000
<v Speaker 1>and you know what, it's gonna blow your collective scientific

0:28:25.040 --> 0:28:28.760
<v Speaker 1>minds because it's currently rocking our worlds. Ye. So the

0:28:28.840 --> 0:28:32.520
<v Speaker 1>message follows the story of Nikki Tomlin, who's a PhD

0:28:32.600 --> 0:28:35.440
<v Speaker 1>in linguistics. Right, that's right at the University of Chicago,

0:28:35.480 --> 0:28:37.800
<v Speaker 1>if I'm not mistaken, that's right. And she's following a

0:28:37.840 --> 0:28:41.520
<v Speaker 1>team of cryptologists, which, really, if you say cryptology, you've

0:28:41.520 --> 0:28:44.840
<v Speaker 1>really got me hooked already. Their research thank tank called Cipher,

0:28:45.040 --> 0:28:47.040
<v Speaker 1>and they're trying to dacode a message received from outer

0:28:47.080 --> 0:28:50.280
<v Speaker 1>space from seventy years ago. Yeah, it's from outer space,

0:28:50.400 --> 0:28:52.400
<v Speaker 1>we think. And if you're not familiar with the story,

0:28:52.480 --> 0:28:54.479
<v Speaker 1>well then I guess you better go listen to the message.

0:28:54.480 --> 0:28:56.760
<v Speaker 1>You can get it on iTunes, you can get it

0:28:56.760 --> 0:28:59.719
<v Speaker 1>on any of your podcast apps. Just go search for

0:28:59.720 --> 0:29:02.200
<v Speaker 1>the stage and subscribe today. Yeah. So thanks to the

0:29:02.400 --> 0:29:05.560
<v Speaker 1>podcast theater and Panopoly for pushing the boundaries of the medium.

0:29:05.560 --> 0:29:08.040
<v Speaker 1>You guys are doing a great job. Subscribed to the

0:29:08.040 --> 0:29:23.160
<v Speaker 1>message and listen today and we're back. All right. I

0:29:23.280 --> 0:29:29.040
<v Speaker 1>told you that would work. So he makes Caddy shock, huge,

0:29:29.080 --> 0:29:31.560
<v Speaker 1>huge hit. Um, he's allowed to kind of just do

0:29:31.680 --> 0:29:34.360
<v Speaker 1>his thing in that movie. And I'm sure most people

0:29:34.360 --> 0:29:37.520
<v Speaker 1>have seen that classic comedy, which Josh said would stink

0:29:37.600 --> 0:29:39.840
<v Speaker 1>if it weren't for Rodney Dangerfield and Bill Mury, Bill

0:29:39.920 --> 0:29:42.440
<v Speaker 1>Murray the rest of it. It's like a tepid coming

0:29:42.480 --> 0:29:49.240
<v Speaker 1>of age dramedy sucks. Ted Knight he was fine, But

0:29:49.360 --> 0:29:51.200
<v Speaker 1>I mean, you can watch too close for comfort and

0:29:51.240 --> 0:29:53.680
<v Speaker 1>get just as much as you want. You know, I

0:29:53.760 --> 0:29:56.080
<v Speaker 1>just don't think it needs to be in the movie, right.

0:29:56.400 --> 0:29:59.040
<v Speaker 1>I think it was Bill Murray and Rodney Daingerfield. That's

0:29:59.040 --> 0:30:02.640
<v Speaker 1>what made Caddy Shack a classic little Chevy Chase Tad, Tad.

0:30:02.760 --> 0:30:05.200
<v Speaker 1>You know how I feel about Chevy Chase. My father

0:30:05.280 --> 0:30:09.200
<v Speaker 1>raised me to hate Chevy Chase. Did he really? He

0:30:09.240 --> 0:30:11.560
<v Speaker 1>really did. Your dad didn't like him. Oh man, still

0:30:11.640 --> 0:30:13.800
<v Speaker 1>does not like Chevy Chase. Why. I just didn't think

0:30:13.800 --> 0:30:18.520
<v Speaker 1>it's funny or he thought, yeah, yeah, something about Chevy

0:30:18.560 --> 0:30:22.400
<v Speaker 1>Chase sticks in my dad's craw and he passed it

0:30:22.440 --> 0:30:27.160
<v Speaker 1>on me. Isn't that weird? It is totally weird. That's

0:30:27.160 --> 0:30:29.480
<v Speaker 1>what you get when your dad's not a vaudevillian. They

0:30:29.560 --> 0:30:32.240
<v Speaker 1>pass on weird stuff like that to you. You know,

0:30:33.040 --> 0:30:35.520
<v Speaker 1>So he makes Caddyshack. It was a huge hit. Now

0:30:35.560 --> 0:30:38.960
<v Speaker 1>he was a legitimate Uh, he was sought after for movies. Uh.

0:30:39.000 --> 0:30:41.880
<v Speaker 1>And then a nineteen three he wrote a movie called

0:30:41.880 --> 0:30:46.960
<v Speaker 1>Easy Money. Uh, where's anyway. It's actually pretty cool movie.

0:30:47.080 --> 0:30:49.320
<v Speaker 1>It's not bad. It's a little weird structurally, which kind

0:30:49.320 --> 0:30:51.280
<v Speaker 1>of makes sense that he wrote it because he clearly

0:30:51.280 --> 0:30:53.880
<v Speaker 1>did not how to write it right script, you know,

0:30:53.920 --> 0:30:55.960
<v Speaker 1>how to write a bunch of good jokes though. So

0:30:56.400 --> 0:31:01.280
<v Speaker 1>he played Monte Capuletti, an Italian American drunkie head, uh

0:31:01.520 --> 0:31:04.520
<v Speaker 1>baby photographer because because this is back in the early

0:31:04.560 --> 0:31:08.080
<v Speaker 1>eighties when anyone of any ethnicity could play any one

0:31:08.080 --> 0:31:11.800
<v Speaker 1>of another ethnicity. Sure, right, because he was Hungarian born,

0:31:12.240 --> 0:31:15.600
<v Speaker 1>but hey, play an Italian guy. It's cool. Uh. So

0:31:15.720 --> 0:31:18.800
<v Speaker 1>in the movie, his mother in law was the inspiration

0:31:18.840 --> 0:31:22.280
<v Speaker 1>for twin beds and uh hated her son in law.

0:31:22.320 --> 0:31:24.280
<v Speaker 1>And when she died, she said, all right, you can

0:31:24.360 --> 0:31:26.920
<v Speaker 1>have all this money, Um if for one year, I think,

0:31:27.000 --> 0:31:29.600
<v Speaker 1>like ten million bucks, if for one year you quit

0:31:30.200 --> 0:31:34.160
<v Speaker 1>gambling and boozing and smoking and uh and doing drugs.

0:31:34.400 --> 0:31:37.120
<v Speaker 1>So easy Money was you know, I had Joe Pesci

0:31:37.240 --> 0:31:39.640
<v Speaker 1>it was it was okay, right, Like the first half

0:31:39.640 --> 0:31:42.920
<v Speaker 1>of this movie is just a series of vignettes to

0:31:43.040 --> 0:31:46.760
<v Speaker 1>where he just completely screws everything up and like that

0:31:46.880 --> 0:31:50.560
<v Speaker 1>your stomachs all upset and everything, and like you're really emotional,

0:31:50.600 --> 0:31:54.560
<v Speaker 1>and then nothing comes of it whatsoever. Right, and then

0:31:54.600 --> 0:31:57.800
<v Speaker 1>finally halfway through the plot arrives and then it gets

0:31:57.880 --> 0:32:01.280
<v Speaker 1>kind of good. Actually, yeah, I agreed. Yeah, a lot

0:32:01.280 --> 0:32:03.480
<v Speaker 1>of build up, not a lot of payoff in that one.

0:32:03.800 --> 0:32:07.360
<v Speaker 1>But one Roger Ebert uh like the movie, even though

0:32:07.360 --> 0:32:11.000
<v Speaker 1>it was a little weird, and said, uh, basically the

0:32:11.040 --> 0:32:14.360
<v Speaker 1>movie was about watching Rodney Dangerfield. He said, Rodney Dangerfield

0:32:14.360 --> 0:32:17.200
<v Speaker 1>gloriously playing himself as the nearest thing we are likely

0:32:17.240 --> 0:32:20.120
<v Speaker 1>to get to W. C. Fields in this lifetime. Uh.

0:32:20.160 --> 0:32:22.560
<v Speaker 1>And Rodney himself said that it was that was pretty

0:32:22.600 --> 0:32:24.239
<v Speaker 1>much me on screen. That's as close as you can

0:32:24.240 --> 0:32:27.760
<v Speaker 1>come to my real life. In Easy Money. Yeah right, yeah,

0:32:28.040 --> 0:32:33.880
<v Speaker 1>here's a maybe photographer. So nin six is when he

0:32:33.920 --> 0:32:36.960
<v Speaker 1>finally makes back to School, which was his biggest hit.

0:32:37.280 --> 0:32:42.080
<v Speaker 1>I think it costs like million to eleven million, grows

0:32:42.120 --> 0:32:45.320
<v Speaker 1>swell over a hundred million, which in nineteen eighty six,

0:32:45.760 --> 0:32:48.240
<v Speaker 1>I mean today that's still good money. Yeah, and today dollars,

0:32:48.280 --> 0:32:53.840
<v Speaker 1>that's a hundred fifty billion dollars it's inflation for you, right.

0:32:55.080 --> 0:32:57.560
<v Speaker 1>Uh and uh, this one he played, he he had

0:32:57.600 --> 0:32:59.600
<v Speaker 1>the idea. I think he got a story credit of

0:32:59.600 --> 0:33:01.400
<v Speaker 1>a guy father that goes back to school who was

0:33:01.400 --> 0:33:03.600
<v Speaker 1>a big loser in life. So he goes back to

0:33:03.600 --> 0:33:05.600
<v Speaker 1>school with his son to get his degree and he

0:33:05.760 --> 0:33:07.720
<v Speaker 1>and he told that idea to Harold Ramos and he

0:33:07.800 --> 0:33:10.480
<v Speaker 1>was like, that's good. But what if he was rich?

0:33:10.800 --> 0:33:13.200
<v Speaker 1>What if he was wealthy and had it all and

0:33:13.240 --> 0:33:15.560
<v Speaker 1>still goes back to school like knowing what he knows

0:33:15.640 --> 0:33:18.560
<v Speaker 1>now with a lot of money, and and Ridney was like, Okay,

0:33:18.800 --> 0:33:21.120
<v Speaker 1>that's the movie. Yeah, it's a good idea, and it actually,

0:33:21.200 --> 0:33:23.400
<v Speaker 1>I mean, that was a huge movie when it came out.

0:33:23.440 --> 0:33:27.120
<v Speaker 1>It was the sixth biggest movie of six That was

0:33:27.200 --> 0:33:33.720
<v Speaker 1>behind Top Gun, Platoon, Karate Kid, to Star, Trek four

0:33:34.560 --> 0:33:37.760
<v Speaker 1>and there's one other one that's written down somewhere and here,

0:33:38.800 --> 0:33:40.840
<v Speaker 1>but they're big movies. And it was like the six

0:33:40.920 --> 0:33:43.960
<v Speaker 1>highest grossing movie of the year and it's Rodney Dangerfield,

0:33:44.080 --> 0:33:46.560
<v Speaker 1>right yeah. And so he has hit it big at

0:33:46.600 --> 0:33:50.880
<v Speaker 1>this time and is a huge, huge movie star and

0:33:51.120 --> 0:33:53.040
<v Speaker 1>in the in the biggest comic. I think they did

0:33:53.200 --> 0:33:55.480
<v Speaker 1>a survey in the late seventies, right before his movies

0:33:56.160 --> 0:33:59.840
<v Speaker 1>with college students that said that they were Rodney Danger

0:34:00.200 --> 0:34:04.880
<v Speaker 1>was their favorite comic, and he was sixty one years old,

0:34:05.920 --> 0:34:08.120
<v Speaker 1>fifty eight years old. Same thing basically was when he

0:34:08.200 --> 0:34:11.239
<v Speaker 1>hit it big as a comedian, fifty eight years old, right,

0:34:11.400 --> 0:34:14.760
<v Speaker 1>and like college kids are like into this guy. And actually,

0:34:14.800 --> 0:34:17.960
<v Speaker 1>if you've seen, if all you've seen back to school,

0:34:17.960 --> 0:34:19.640
<v Speaker 1>if that's all you've seen of Rodney Danger, Phil, you

0:34:19.680 --> 0:34:22.360
<v Speaker 1>don't quite have the the understanding of what he was

0:34:22.400 --> 0:34:26.000
<v Speaker 1>actually like. He was pretty edgy comic actually and pretty hilarious,

0:34:26.200 --> 0:34:29.400
<v Speaker 1>and college kids loved him. In the seventies, he hosted

0:34:29.440 --> 0:34:32.719
<v Speaker 1>Sara Live in when when he was I think like

0:34:32.880 --> 0:34:36.040
<v Speaker 1>sixty or something, fifty nine, um, and he started to

0:34:36.040 --> 0:34:40.359
<v Speaker 1>blow up like at about age sixty. Isn't that crazy? Uh?

0:34:40.440 --> 0:34:42.200
<v Speaker 1>Should we tell a few more of his favorite jokes?

0:34:42.200 --> 0:34:44.560
<v Speaker 1>I think it's high time not to you guys. We'll

0:34:44.560 --> 0:34:46.239
<v Speaker 1>go over a few of these. Uh. He has a

0:34:46.280 --> 0:34:50.319
<v Speaker 1>great joke about his psychiatrists. I told my psychiatrist that

0:34:50.400 --> 0:34:52.880
<v Speaker 1>everyone hates me, and he said I was being ridiculous.

0:34:52.920 --> 0:35:00.400
<v Speaker 1>Everyone hasn't met me yet. Classic. Uh, let's see. I

0:35:00.480 --> 0:35:03.440
<v Speaker 1>like this one. It's a little brow, but I like it.

0:35:04.480 --> 0:35:07.360
<v Speaker 1>You know what classes when you were alone you fart,

0:35:07.360 --> 0:35:15.440
<v Speaker 1>you say, excuse me, that's class. That weird. So, if

0:35:15.440 --> 0:35:18.640
<v Speaker 1>you haven't noticed, a lot of his jokes were they

0:35:18.680 --> 0:35:21.200
<v Speaker 1>were self deprecating for himself, but also about his family.

0:35:21.239 --> 0:35:23.960
<v Speaker 1>He talked about his wife was dumb and fat, and

0:35:24.040 --> 0:35:27.359
<v Speaker 1>his son it was stupid. Uh. And even when he

0:35:27.400 --> 0:35:29.200
<v Speaker 1>wasn't I mean, it was all a character. So even

0:35:29.200 --> 0:35:31.520
<v Speaker 1>when he wasn't married, he was telling jokes about his wife,

0:35:31.680 --> 0:35:33.640
<v Speaker 1>which must have made it a lot easier when he

0:35:33.680 --> 0:35:38.000
<v Speaker 1>went home at night. Probably so. But one of my

0:35:38.040 --> 0:35:40.480
<v Speaker 1>favorite wife jokes was, I tell you my wife can't

0:35:40.480 --> 0:35:45.840
<v Speaker 1>cook it all? How can toast have bones? And and

0:35:46.040 --> 0:35:49.680
<v Speaker 1>your impression is getting better as well. I'm drinking whiskey,

0:35:49.760 --> 0:35:55.160
<v Speaker 1>so yeah, I'm not saying that us. Let's see, I've

0:35:55.160 --> 0:35:58.160
<v Speaker 1>got one. Um. So this is so like I said,

0:35:58.200 --> 0:36:00.920
<v Speaker 1>it's a little weird, and I like that in a comic,

0:36:01.080 --> 0:36:04.520
<v Speaker 1>just just bizarre stuff. Um. He was talking about the

0:36:04.560 --> 0:36:06.759
<v Speaker 1>bar that he was doing stand up in that nice says,

0:36:06.800 --> 0:36:09.040
<v Speaker 1>what did joint? I asked the bartender for a double

0:36:09.120 --> 0:36:10.680
<v Speaker 1>and he brought out a guy who looks like me.

0:36:13.480 --> 0:36:17.520
<v Speaker 1>I missed those days, man, where comedians just wrote great jokes,

0:36:17.520 --> 0:36:20.759
<v Speaker 1>set up punchlines, set up punchline over and over. Yeah, uh,

0:36:22.239 --> 0:36:23.879
<v Speaker 1>I'll tell you a drink too much. The last time

0:36:23.920 --> 0:36:25.880
<v Speaker 1>I went to the doctor, I gave him a yurine sample.

0:36:25.880 --> 0:36:31.640
<v Speaker 1>I had an olive in it. So classic. And then

0:36:32.320 --> 0:36:34.560
<v Speaker 1>another thing I've learned about Rodney danger Hild when you

0:36:34.600 --> 0:36:36.959
<v Speaker 1>go back and listen to his stuff, he wasn't like mean.

0:36:37.480 --> 0:36:40.200
<v Speaker 1>He was self deprecating. Even when he was targeting like

0:36:40.280 --> 0:36:43.680
<v Speaker 1>his family mostly non existent family, all of it reflected

0:36:43.680 --> 0:36:46.440
<v Speaker 1>back on him and basically what a loser he was,

0:36:46.600 --> 0:36:49.640
<v Speaker 1>right um, And he didn't have very many mean jokes.

0:36:49.640 --> 0:36:52.399
<v Speaker 1>He didn't tell like many gay jokes. He he didn't

0:36:52.400 --> 0:36:54.879
<v Speaker 1>tell racist jokes or anything like that, which and this

0:36:54.960 --> 0:36:57.839
<v Speaker 1>is like in the seventies when like everybody was telling

0:36:57.960 --> 0:37:00.879
<v Speaker 1>where that right? But he did have this bat choke

0:37:00.960 --> 0:37:04.319
<v Speaker 1>that stuck out to me. Are you fat? Do you

0:37:04.360 --> 0:37:17.200
<v Speaker 1>look at the menu and say, okay, I love love

0:37:17.280 --> 0:37:20.480
<v Speaker 1>getting laughs from Ronnie Daserfields chocks we should just do this.

0:37:20.600 --> 0:37:22.200
<v Speaker 1>I was about to say, I think we have a

0:37:22.239 --> 0:37:24.879
<v Speaker 1>new act. If you should know one day talk about

0:37:24.880 --> 0:37:30.400
<v Speaker 1>a rush. I got one more. I'll tell you I

0:37:30.400 --> 0:37:32.200
<v Speaker 1>was dating a woman. She called and said, come on over,

0:37:32.320 --> 0:37:39.280
<v Speaker 1>nobody's home. I went over and nobody was home. Good stuff.

0:37:40.520 --> 0:37:45.600
<v Speaker 1>I have a new career reading Rodney, Dangerfield Chokes. That's

0:37:45.600 --> 0:37:51.200
<v Speaker 1>the whole. No one's done that cover comedians. Oh, Sharknado,

0:37:51.360 --> 0:37:56.200
<v Speaker 1>and now this you're all aware of? Chuck predicted Sharknado. Right,

0:37:57.320 --> 0:38:04.200
<v Speaker 1>he did, You're welcome. Okay, no more, you got anymore?

0:38:04.280 --> 0:38:06.480
<v Speaker 1>You like the one about his dog, tell that one? Okay,

0:38:06.520 --> 0:38:10.239
<v Speaker 1>all right? My dog is lazy. He's so lazy. He

0:38:10.280 --> 0:38:12.640
<v Speaker 1>doesn't chase cars. He just lays in the driveway taking

0:38:12.680 --> 0:38:20.160
<v Speaker 1>down license plates. All right, So now we're in. Uh,

0:38:20.160 --> 0:38:24.440
<v Speaker 1>that's enough. Stop last. In the early nineteen eighties, he's

0:38:24.480 --> 0:38:28.120
<v Speaker 1>making these movies. He won Best Comedy Album Grammy for

0:38:28.440 --> 0:38:31.800
<v Speaker 1>the album No Respect, beating out Richard Pryor, Monty Python,

0:38:32.520 --> 0:38:36.080
<v Speaker 1>Gilda Radner, and father Guido Sarducci. Uh. And in nineteen

0:38:36.120 --> 0:38:40.319
<v Speaker 1>eight two, the Smithsonian Institution put his red tie and

0:38:40.440 --> 0:38:44.920
<v Speaker 1>his shirt in the Smithsonian. Uh, the American History National

0:38:45.000 --> 0:38:48.799
<v Speaker 1>Museum of American History. Uh, Right, along with Jimmy Dranny's hat,

0:38:48.920 --> 0:38:54.160
<v Speaker 1>Archie Bunker's recliner, and Charles Lindbergh's plane. But the joke

0:38:54.280 --> 0:38:56.200
<v Speaker 1>Briden he said, was he got a feeling after they

0:38:56.239 --> 0:38:58.000
<v Speaker 1>left they were just gonna use the shirt to wipe

0:38:58.000 --> 0:39:02.440
<v Speaker 1>down the plane. Always self deprecating. Yeah, Andy, And when

0:39:02.480 --> 0:39:04.400
<v Speaker 1>he handed him the shirt, he said, this is a big,

0:39:04.480 --> 0:39:08.360
<v Speaker 1>big deal. I only have two shirts, which may have

0:39:08.400 --> 0:39:11.719
<v Speaker 1>been true. Uh. And also in the nineteen eighties, Um,

0:39:11.760 --> 0:39:15.040
<v Speaker 1>who remembers the Miller Lite commercials from the nineteen eighties

0:39:15.560 --> 0:39:18.400
<v Speaker 1>tastes great less spelling. That man back there has his

0:39:18.520 --> 0:39:22.560
<v Speaker 1>hand up all the best, right. They were great commercials.

0:39:22.560 --> 0:39:24.640
<v Speaker 1>They were named it was like named the eight best

0:39:24.719 --> 0:39:29.280
<v Speaker 1>advertising campaign in history, uh, from McCann ericson the ad agency.

0:39:29.880 --> 0:39:32.319
<v Speaker 1>And uh I went and watched a ton of them

0:39:32.400 --> 0:39:35.319
<v Speaker 1>earlier today, and uh I remember them all from being

0:39:35.320 --> 0:39:37.600
<v Speaker 1>a little kid, and it was weird. They were. Um.

0:39:38.000 --> 0:39:40.400
<v Speaker 1>For those of you who haven't seen him, the premise

0:39:40.600 --> 0:39:44.200
<v Speaker 1>was you would get a bunch of ex athletes and

0:39:44.320 --> 0:39:49.320
<v Speaker 1>then Mickey Spillane and Rodney Dangerfield and some other random

0:39:49.400 --> 0:39:53.319
<v Speaker 1>pop cultural icons at the time, and to sell Miller

0:39:53.400 --> 0:39:55.279
<v Speaker 1>Lite and you know, getting a big argument about tastes

0:39:55.320 --> 0:39:57.560
<v Speaker 1>great and less felling. At the end, Rodney would usually

0:39:57.600 --> 0:40:00.719
<v Speaker 1>come in as the ship who does something wrong to

0:40:00.800 --> 0:40:04.320
<v Speaker 1>spoil everything. It was just such a weird like Bubba

0:40:04.360 --> 0:40:09.600
<v Speaker 1>Smith and Dick Buckus and baseball players. I don't know.

0:40:09.840 --> 0:40:12.640
<v Speaker 1>It was so strange, but they were huge and they

0:40:12.719 --> 0:40:15.239
<v Speaker 1>really the one who could score the weed for everybody else.

0:40:15.520 --> 0:40:21.640
<v Speaker 1>They let him, They led him on. Uh January. Um,

0:40:22.120 --> 0:40:27.840
<v Speaker 1>if anyone remembers his hit rap single rapping Rodney, have

0:40:27.960 --> 0:40:31.080
<v Speaker 1>you guys heard this? Really, it's something else it is

0:40:31.280 --> 0:40:33.040
<v Speaker 1>and it was a big hit. Actually it was a

0:40:33.120 --> 0:40:37.960
<v Speaker 1>top sixty hit, just pretty big, top top fifty nine, Chuck,

0:40:37.960 --> 0:40:43.200
<v Speaker 1>give it its due. That means it was number fifty nine. Yeah, yeah,

0:40:43.320 --> 0:40:46.759
<v Speaker 1>so um it was right behind Uptown Girl. And it

0:40:46.920 --> 0:40:51.399
<v Speaker 1>was Rodney Dangerfield rapping about being old, which sounds really

0:40:51.480 --> 0:40:55.080
<v Speaker 1>bizarre now, but like legitimate rappers at the time, like

0:40:55.200 --> 0:40:57.480
<v Speaker 1>say the sugar Hill Gang, we're rapping about like having

0:40:57.600 --> 0:41:00.880
<v Speaker 1>dinner at your friend's mom's house. So it wasn't that

0:41:01.000 --> 0:41:03.160
<v Speaker 1>far off the mark for the time. You know. It's

0:41:03.200 --> 0:41:05.120
<v Speaker 1>like being nice to your family. That's what raps were about.

0:41:05.160 --> 0:41:09.360
<v Speaker 1>It pretty the good old days. Uh. He was on

0:41:09.480 --> 0:41:13.839
<v Speaker 1>The Simpsons I think a couple of times. Whnet Um. Yeah,

0:41:14.920 --> 0:41:16.919
<v Speaker 1>I don't know if he was on more than once.

0:41:17.239 --> 0:41:19.719
<v Speaker 1>I think he's on twice, but in he played Mr

0:41:19.800 --> 0:41:24.560
<v Speaker 1>Burns illegitimate sun herb who got no regard, no regard

0:41:24.640 --> 0:41:27.400
<v Speaker 1>at all. I wonder why they didn't say respect to

0:41:27.520 --> 0:41:32.279
<v Speaker 1>day not. I think there wasn't just a joke messing around. Okay, yeah,

0:41:32.440 --> 0:41:34.280
<v Speaker 1>the man himself was there. I would have been surprised

0:41:34.320 --> 0:41:36.239
<v Speaker 1>if he was like, look, guys, just one thing. I

0:41:36.239 --> 0:41:38.239
<v Speaker 1>don't want to say respect? Maybe not? Can we just

0:41:38.320 --> 0:41:41.480
<v Speaker 1>avoid that. I'm trying new things here, trying to branch out,

0:41:41.520 --> 0:41:43.160
<v Speaker 1>which actually he did branch out. He was actually a

0:41:43.200 --> 0:41:46.600
<v Speaker 1>really creative guy. Um. He had a live Broadway show

0:41:46.840 --> 0:41:50.439
<v Speaker 1>that ran for a couple of weeks in called appropriately

0:41:50.840 --> 0:41:54.719
<v Speaker 1>um Rodney Dangerfield Live on Broadway exclamation point. For a

0:41:54.800 --> 0:42:00.319
<v Speaker 1>couple of weeks, he wrote a romance novel, uh called

0:42:00.400 --> 0:42:03.319
<v Speaker 1>La Contessa. And if you google the image for this, um,

0:42:03.560 --> 0:42:07.720
<v Speaker 1>it's it's disturbing. Yeah. It's basically like uh, your typical.

0:42:07.880 --> 0:42:10.600
<v Speaker 1>It was like it's fabio basically with a woman, except

0:42:10.640 --> 0:42:14.120
<v Speaker 1>it's got Rodney Dangerfield's face on it. Uh. And and

0:42:14.920 --> 0:42:18.040
<v Speaker 1>it's available on audible. Oh is it really? Yes? It

0:42:18.200 --> 0:42:21.360
<v Speaker 1>is with Rodney Dangerfield reading it. No way, I I

0:42:21.520 --> 0:42:27.040
<v Speaker 1>kid you not what I joke about what's on audible. Well,

0:42:27.120 --> 0:42:29.160
<v Speaker 1>his I looked up earlier to see if his autoback

0:42:29.360 --> 0:42:31.359
<v Speaker 1>autobiography was on there. It is not. It's the only

0:42:31.520 --> 0:42:35.160
<v Speaker 1>Rodney Dangerfield thing on there. It's awesome because it has

0:42:35.239 --> 0:42:38.400
<v Speaker 1>the album RT too, so you get that for free

0:42:39.719 --> 0:42:44.080
<v Speaker 1>with the audiobook. He wrote, Uh, and I guess he

0:42:44.120 --> 0:42:47.000
<v Speaker 1>didn't direct it, but he produced and wrote the movie

0:42:47.160 --> 0:42:51.439
<v Speaker 1>Rover danger Field, the animated UM classic about a dog

0:42:51.480 --> 0:42:55.840
<v Speaker 1>who gets no respect. And then, uh, Mr Oliver Stone

0:42:56.120 --> 0:42:58.000
<v Speaker 1>called him up one day and said, I had this

0:42:58.160 --> 0:43:01.200
<v Speaker 1>role for you in a movie called Natural Born Killers.

0:43:01.840 --> 0:43:04.960
<v Speaker 1>And it's about this sadistic father who was molesting his

0:43:05.120 --> 0:43:08.680
<v Speaker 1>daughter raping his daughter, and I think he'd be perfect

0:43:08.719 --> 0:43:12.320
<v Speaker 1>for it. And Rodney didn't get it at first. He

0:43:12.400 --> 0:43:14.000
<v Speaker 1>was like, why do you want me for for this

0:43:14.120 --> 0:43:17.640
<v Speaker 1>kind of role? He's like you'll see yeah, And uh,

0:43:17.840 --> 0:43:20.239
<v Speaker 1>did you guys see that natural Born Killers? You can

0:43:20.280 --> 0:43:22.279
<v Speaker 1>get the scene on YouTube. It's when Oliver Stone did

0:43:22.520 --> 0:43:25.960
<v Speaker 1>the phony sitcom. That's how they portrayed that that part

0:43:26.000 --> 0:43:28.520
<v Speaker 1>of the movie. Uh. So they have a laugh track

0:43:28.600 --> 0:43:32.560
<v Speaker 1>and it's it's really disturbing. It's like three layers of bizarre, right,

0:43:32.600 --> 0:43:35.400
<v Speaker 1>So there's so it's like Rodney Daningerville is a sadistic,

0:43:35.520 --> 0:43:41.839
<v Speaker 1>ancestuous molester um, but it's Rodney Dangerfields. That's the weird part.

0:43:41.960 --> 0:43:44.560
<v Speaker 1>And then there's a laugh track to just throw you

0:43:44.719 --> 0:43:47.359
<v Speaker 1>off that little extra bit. You know it is. It's

0:43:47.440 --> 0:43:49.799
<v Speaker 1>very jarring. It was pretty well done. But the um.

0:43:50.719 --> 0:43:53.799
<v Speaker 1>The notable thing about that is that Oliver Stone let

0:43:53.920 --> 0:43:56.839
<v Speaker 1>Rodney Dangerfield rewrite all of his lines and he got

0:43:56.920 --> 0:43:58.719
<v Speaker 1>a lot of critical acclaim for it, but he was like,

0:43:58.920 --> 0:44:06.040
<v Speaker 1>Rodney danger Field, we had no idea. And he's like, seriously, Uh,

0:44:06.360 --> 0:44:09.320
<v Speaker 1>if you go today and just google, um, the Rodney

0:44:09.440 --> 0:44:12.919
<v Speaker 1>danger Field of you can find a whole list of things.

0:44:13.200 --> 0:44:16.680
<v Speaker 1>He's such a cultural icon that phrase itself has become

0:44:16.719 --> 0:44:20.279
<v Speaker 1>a thing now, like Petitzera is the Rodney danger Field

0:44:20.360 --> 0:44:25.400
<v Speaker 1>of California wines, or the Memphis, Tennessee City Council is

0:44:25.440 --> 0:44:29.640
<v Speaker 1>the Rodney danger Field of local government. Seriously, that's a thing.

0:44:30.480 --> 0:44:33.520
<v Speaker 1>Even saw a guitar pre amp was known as the

0:44:33.600 --> 0:44:37.480
<v Speaker 1>Rodney danger Field of guitar pre amps. My favorite is

0:44:37.600 --> 0:44:40.640
<v Speaker 1>a palladium is the Rodney danger Field of precious metals.

0:44:43.320 --> 0:44:48.600
<v Speaker 1>That's stupid. We're not making this up. So chuck right

0:44:48.640 --> 0:44:51.800
<v Speaker 1>about now, let's uh, let's step back a second, press

0:44:51.840 --> 0:44:54.919
<v Speaker 1>pause on this and have a beautiful little message break.

0:45:15.560 --> 0:45:18.520
<v Speaker 1>Uh So, here's some more examples of the lack of respect,

0:45:18.560 --> 0:45:21.560
<v Speaker 1>and and here's sort of the thing. The irony is,

0:45:21.600 --> 0:45:25.160
<v Speaker 1>he got nothing but respect from his peers throughout his career. Um,

0:45:25.560 --> 0:45:29.680
<v Speaker 1>but outside of that that was still just doses pepper

0:45:29.719 --> 0:45:32.600
<v Speaker 1>throughout his life. And examples of times where he didn't

0:45:32.600 --> 0:45:36.279
<v Speaker 1>get any respect, like when he sued Star Magazine. They

0:45:36.360 --> 0:45:39.480
<v Speaker 1>published a story about him being in Las Vegas, said

0:45:39.480 --> 0:45:42.640
<v Speaker 1>he would drink like tumbler fuls of vodka and smoke

0:45:42.680 --> 0:45:45.680
<v Speaker 1>pot all day long in duke cocaine, which was all

0:45:45.719 --> 0:45:49.080
<v Speaker 1>completely true, but he knew that they couldn't prove it,

0:45:49.200 --> 0:45:52.080
<v Speaker 1>so he sued them for libel and the court ruled

0:45:52.120 --> 0:45:54.759
<v Speaker 1>in his favor. Right, Yeah, so that's respect. Right, So

0:45:55.320 --> 0:45:59.000
<v Speaker 1>they awarded him one dollar for damage to his reputation

0:45:59.680 --> 0:46:03.760
<v Speaker 1>and one dollar for personal distress and then the judge

0:46:03.800 --> 0:46:09.920
<v Speaker 1>went sorry live stream people, I realized he did. He

0:46:10.200 --> 0:46:13.960
<v Speaker 1>did get awarded forty five tho dollars for presumed damages

0:46:14.600 --> 0:46:16.960
<v Speaker 1>and uh, I did a little more research today on that.

0:46:17.160 --> 0:46:20.080
<v Speaker 1>He um. Apparently he blew it all on cocon weed.

0:46:21.000 --> 0:46:23.880
<v Speaker 1>Apparently Star Magazine showed that they didn't turn a profit,

0:46:23.960 --> 0:46:26.120
<v Speaker 1>so he couldn't go after him form Uh, you couldn't

0:46:26.120 --> 0:46:28.239
<v Speaker 1>appeal for more money. So he tried to go after

0:46:28.320 --> 0:46:30.400
<v Speaker 1>their parent company and it went all the way to

0:46:30.440 --> 0:46:33.000
<v Speaker 1>the Supreme Court and they said you you didn't start

0:46:33.080 --> 0:46:39.560
<v Speaker 1>the suit that way, So they were no respect. Uh.

0:46:39.719 --> 0:46:43.120
<v Speaker 1>And even in death, as we mentioned earlier, Rodney Dangerfield

0:46:43.200 --> 0:46:45.480
<v Speaker 1>is dead. Why didn't I know that? Oh? I have

0:46:45.600 --> 0:46:48.040
<v Speaker 1>an example for you, hold on before he dies. He

0:46:48.160 --> 0:46:51.000
<v Speaker 1>was on Howard's during the year he died, and somebody

0:46:51.040 --> 0:46:54.120
<v Speaker 1>watched that interview. Yeah, man, that's depressing. He's eighty one.

0:46:54.280 --> 0:46:57.000
<v Speaker 1>He's clearly like at death store, but he still has

0:46:57.080 --> 0:46:59.880
<v Speaker 1>his his sense of humor about him. Um. But somebody

0:47:00.000 --> 0:47:03.239
<v Speaker 1>called in to Howard Stern and said, hey, Rodney, it's

0:47:03.320 --> 0:47:06.440
<v Speaker 1>Bob Hope. I'll see you in fifteen minutes. And Howard

0:47:06.520 --> 0:47:09.200
<v Speaker 1>Stern is like, well, that's not funny. Bob Hope is dead.

0:47:10.000 --> 0:47:12.000
<v Speaker 1>So they were saying like that Bob Hope was calling

0:47:12.040 --> 0:47:14.120
<v Speaker 1>from behind the grave and would see Rodney Dangerfield in

0:47:14.160 --> 0:47:17.320
<v Speaker 1>fifteen minutes. And if you can't get respect from a

0:47:17.400 --> 0:47:21.120
<v Speaker 1>caller on the Howard Stern show, Where Can You Get Respect?

0:47:22.760 --> 0:47:24.600
<v Speaker 1>So it was actually in that interview, which I said,

0:47:24.719 --> 0:47:27.480
<v Speaker 1>is it's like forty five minutes long and it's completely depressing,

0:47:27.560 --> 0:47:31.200
<v Speaker 1>so don't go watch it. Um but uh, not just

0:47:31.239 --> 0:47:32.800
<v Speaker 1>because he was old, but Howard's trying to talk to

0:47:32.880 --> 0:47:34.640
<v Speaker 1>him about his childhood and stuff, and well, he had

0:47:34.680 --> 0:47:37.520
<v Speaker 1>just written his autobiography and really just laid it all

0:47:37.600 --> 0:47:39.719
<v Speaker 1>out there, like he'd alluded to the rough life that

0:47:39.800 --> 0:47:41.719
<v Speaker 1>he had had in interviews and stuff like that, but

0:47:42.160 --> 0:47:44.600
<v Speaker 1>he published this book right before he died, and it

0:47:44.800 --> 0:47:47.160
<v Speaker 1>was it was rough. Well. I think the saddest thing

0:47:47.200 --> 0:47:50.760
<v Speaker 1>to me about his mom was that despite being completely

0:47:50.880 --> 0:47:54.239
<v Speaker 1>neglected emotionally and getting no love at all as a child,

0:47:54.640 --> 0:47:57.920
<v Speaker 1>he still wanted to be like a good kid, and

0:47:57.960 --> 0:48:00.879
<v Speaker 1>he still worked to support her and like apparently came

0:48:00.920 --> 0:48:02.480
<v Speaker 1>home and showed her his report card. He worked hard

0:48:02.520 --> 0:48:04.120
<v Speaker 1>to get good grades. She wouldn't even look at it.

0:48:04.480 --> 0:48:07.000
<v Speaker 1>She just like signed it without looking. And Uh, that

0:48:07.120 --> 0:48:09.480
<v Speaker 1>was the saddest part is he he still sort of

0:48:09.560 --> 0:48:12.560
<v Speaker 1>defended her in that interview. Uh, like right before he

0:48:12.680 --> 0:48:14.360
<v Speaker 1>was he was dying, and he made up with his

0:48:14.520 --> 0:48:18.560
<v Speaker 1>dad before his dad died. Apparently um, even though he

0:48:18.640 --> 0:48:20.400
<v Speaker 1>never saw him. He said he forgave him for all

0:48:20.440 --> 0:48:24.239
<v Speaker 1>that stuff. Yeah, yeah, really sad stuff. Though. You want

0:48:24.239 --> 0:48:28.279
<v Speaker 1>to hear some more jokes. Uh, well, well, actually, why

0:48:28.320 --> 0:48:31.520
<v Speaker 1>don't you tell him how he died? Okay? Well in

0:48:31.640 --> 0:48:34.719
<v Speaker 1>this interview. In the same interview, he's telling Howard Stern.

0:48:34.800 --> 0:48:37.239
<v Speaker 1>Howard Stern's like, he's about to go in for um

0:48:38.040 --> 0:48:40.840
<v Speaker 1>for the Uh, should I pretend there's not a siren

0:48:40.880 --> 0:48:44.400
<v Speaker 1>in the background. Um, He's going in for surgery, and

0:48:44.440 --> 0:48:47.160
<v Speaker 1>Howard Stern asks him, like, are you afraid you're gonna die?

0:48:47.160 --> 0:48:49.879
<v Speaker 1>And he goes, you know what, dying in surgery would

0:48:49.920 --> 0:48:51.920
<v Speaker 1>be the best way to go, Like I would go

0:48:52.040 --> 0:48:54.480
<v Speaker 1>to they drug me up, I go to sleep, and

0:48:54.560 --> 0:48:56.719
<v Speaker 1>then I just wouldn't wake up. That's like as good

0:48:56.760 --> 0:48:59.160
<v Speaker 1>as it gets, right. So he goes in for this

0:48:59.400 --> 0:49:04.040
<v Speaker 1>very surgery. He falls into a coma during surgery, almost there,

0:49:04.360 --> 0:49:06.880
<v Speaker 1>and then he wakes up. Then he has a heart attack,

0:49:07.120 --> 0:49:11.719
<v Speaker 1>then he dies. That's how Rodney danger Phield went after

0:49:11.800 --> 0:49:13.400
<v Speaker 1>that life that he had. That's how he went. He

0:49:13.480 --> 0:49:15.760
<v Speaker 1>was so close to going the way that he wanted

0:49:15.800 --> 0:49:20.200
<v Speaker 1>to go. And no no respect. You want to hear

0:49:20.280 --> 0:49:23.279
<v Speaker 1>no respect? A year after he died at CNN tried

0:49:23.320 --> 0:49:25.560
<v Speaker 1>to get in touch with him to get his reaction

0:49:25.719 --> 0:49:31.040
<v Speaker 1>about the passing of Johnny Carson and and and if

0:49:31.080 --> 0:49:34.360
<v Speaker 1>you read his obituaries, a lot of them a shocking

0:49:34.400 --> 0:49:36.839
<v Speaker 1>amount mentioned that he was well known for his role

0:49:36.920 --> 0:49:39.600
<v Speaker 1>in The Scout. He wasn't in the Scout. I got

0:49:39.680 --> 0:49:41.719
<v Speaker 1>to the bottom of that. Oh oh late on me.

0:49:42.880 --> 0:49:46.160
<v Speaker 1>He was going to be in The Scout. The role

0:49:46.280 --> 0:49:50.000
<v Speaker 1>was originally intended for him and Sam Kennison, and he

0:49:50.760 --> 0:49:53.319
<v Speaker 1>didn't do it for unknown reasons, and it ended up

0:49:53.320 --> 0:49:56.239
<v Speaker 1>going to Albert Brooks and Brendan Fraser. But it was

0:49:56.320 --> 0:49:58.399
<v Speaker 1>one of those things. I think we're one of those

0:49:58.440 --> 0:50:00.880
<v Speaker 1>Internet neat things. On the Internet, someone prints something that

0:50:00.960 --> 0:50:03.560
<v Speaker 1>everyone else's copies and pays it. So I think one

0:50:03.640 --> 0:50:06.480
<v Speaker 1>person wrote that because everything else I saw was worded

0:50:06.520 --> 0:50:09.760
<v Speaker 1>the exact same way, like list his movies as The Scout,

0:50:09.880 --> 0:50:12.399
<v Speaker 1>which he was never in. Now he wasn't. No thanks

0:50:12.480 --> 0:50:15.200
<v Speaker 1>for looking into that, man. That's what you get when

0:50:15.200 --> 0:50:19.480
<v Speaker 1>you hang with Chuck. But he did find love again,

0:50:19.800 --> 0:50:24.000
<v Speaker 1>um in a in a situation in everyone probably thought

0:50:24.120 --> 0:50:26.400
<v Speaker 1>was like a typical gold digger. He was sixty one

0:50:26.480 --> 0:50:29.040
<v Speaker 1>years old. Uh, and he married a thirty year old

0:50:29.120 --> 0:50:32.200
<v Speaker 1>woman who was really hot and blonde in l A.

0:50:32.680 --> 0:50:36.759
<v Speaker 1>But um, by all accounts everything I looked into, it

0:50:37.000 --> 0:50:39.640
<v Speaker 1>was not that Like, she really really loved him and

0:50:39.840 --> 0:50:42.040
<v Speaker 1>was great for him and they were super happy together,

0:50:42.680 --> 0:50:45.080
<v Speaker 1>um or as happy as he could be. And um,

0:50:45.880 --> 0:50:47.640
<v Speaker 1>it turns out that it wasn't that kind of a

0:50:47.719 --> 0:50:49.840
<v Speaker 1>deal after all, which made me feel good. Yeah. Like,

0:50:49.960 --> 0:50:52.160
<v Speaker 1>for example, when he died, she made sure that his

0:50:52.280 --> 0:50:56.000
<v Speaker 1>funeral wasn't until five or dusk because he always asked

0:50:56.040 --> 0:50:58.680
<v Speaker 1>her not to schedule any appointment for him before five pm,

0:50:59.239 --> 0:51:02.359
<v Speaker 1>so she made sure funeral didn't come until after that. Uh,

0:51:02.520 --> 0:51:04.920
<v Speaker 1>and his funeral was a really big deal. Everyone basically

0:51:05.000 --> 0:51:09.080
<v Speaker 1>came out in droves. Um. His pall bearers included Jim Carey,

0:51:09.120 --> 0:51:11.680
<v Speaker 1>who he took Jim Carey on the road for two

0:51:11.760 --> 0:51:14.080
<v Speaker 1>years when he was a struggling comedian and he opened

0:51:14.080 --> 0:51:16.319
<v Speaker 1>for him in Vegas and Jim Carrey was getting booed

0:51:16.360 --> 0:51:18.840
<v Speaker 1>off the stage. Everyone hated him, and Rodney stuck by

0:51:18.920 --> 0:51:21.320
<v Speaker 1>him for like a full two years, and Jim Carey

0:51:21.400 --> 0:51:25.600
<v Speaker 1>never forgot that. Chris Rock, Tim Allen, Larry David, George Carlin,

0:51:25.680 --> 0:51:29.720
<v Speaker 1>Jay Leno, um Adam Sandler and then your boy Michael Bolton.

0:51:29.800 --> 0:51:34.920
<v Speaker 1>Michael Bolton, he was supposed to sing, wasn't he was,

0:51:35.040 --> 0:51:37.040
<v Speaker 1>but he was too choked up to sing at Rodney

0:51:37.120 --> 0:51:40.759
<v Speaker 1>danger Fields funeral. Apparently they were really, really, really tight

0:51:40.920 --> 0:51:45.799
<v Speaker 1>friends because Michael Bolton's song Everybody's Crazy was in Back

0:51:45.840 --> 0:51:48.360
<v Speaker 1>to School and I guess he parlayed that into a

0:51:48.480 --> 0:51:50.239
<v Speaker 1>trip to the set where he got to meet Riding

0:51:50.320 --> 0:51:52.040
<v Speaker 1>dasent Field and they became friends for the rest of

0:51:52.080 --> 0:51:54.520
<v Speaker 1>the life. So Michael Bolton was too sad to sing

0:51:54.960 --> 0:51:58.160
<v Speaker 1>at danger Fields funeral, and you know, everybody was disappointed.

0:52:01.800 --> 0:52:03.160
<v Speaker 1>I bet there were a couple of people there that

0:52:03.239 --> 0:52:08.480
<v Speaker 1>were like, yeah, it's okay, Michael, we know you're upset.

0:52:09.080 --> 0:52:10.520
<v Speaker 1>You don't you don't have to do this if you

0:52:10.560 --> 0:52:14.640
<v Speaker 1>don't want it's everybody will understand. That's what they said

0:52:14.680 --> 0:52:20.080
<v Speaker 1>to us before we went on. So we're gonna close

0:52:20.160 --> 0:52:23.040
<v Speaker 1>this with with a final nice little cherry on top

0:52:23.120 --> 0:52:26.880
<v Speaker 1>about um Rodney Dangerfield and sort of his outlook on

0:52:27.080 --> 0:52:29.920
<v Speaker 1>his lack of respect with when it comes to the

0:52:30.000 --> 0:52:34.160
<v Speaker 1>Academy of Motion Pictures motion Picture Sciences. Yes, what it's called,

0:52:34.800 --> 0:52:37.719
<v Speaker 1>as you guys call it in l a the Academy. Right,

0:52:38.480 --> 0:52:40.400
<v Speaker 1>he applied for membership because he wanted to be in

0:52:40.440 --> 0:52:42.600
<v Speaker 1>the Academy and he had the credentials. He was in movies,

0:52:43.200 --> 0:52:45.480
<v Speaker 1>and uh, they said, no, no, you you had to

0:52:45.520 --> 0:52:48.160
<v Speaker 1>be in like at least three major roles. He had

0:52:48.320 --> 0:52:51.560
<v Speaker 1>thirteen under his belt by this time, including Natural Born Killers,

0:52:51.560 --> 0:52:53.560
<v Speaker 1>for which he received a lot of critical praise. Right,

0:52:53.719 --> 0:52:56.759
<v Speaker 1>and they turned him down like jerks. Right. He even

0:52:56.800 --> 0:53:00.719
<v Speaker 1>got a letter from Malcolm McDowell, d d He McDowell.

0:53:02.280 --> 0:53:05.359
<v Speaker 1>Which one was Malcolm McDowell, he's the good one. Are

0:53:05.440 --> 0:53:09.279
<v Speaker 1>they brothers? I don't know? Are they no relation? But

0:53:09.440 --> 0:53:14.080
<v Speaker 1>Roddy okay was Roddy? Was Roddy? It was Malcolm McDowell.

0:53:14.920 --> 0:53:17.920
<v Speaker 1>Was Roddy McDowell and Clocker Gorns or Malcolm McDowell. That

0:53:18.040 --> 0:53:20.719
<v Speaker 1>was Malcolm McDowell. Oh well, okay, good, because I felt

0:53:20.760 --> 0:53:23.480
<v Speaker 1>a lot better about this than Rodney McDowell. Wasn't the

0:53:23.480 --> 0:53:27.200
<v Speaker 1>Planet of the Apes? Yeah, so okay good. I'm glad

0:53:27.280 --> 0:53:29.080
<v Speaker 1>that those two were separated in my mind because I was, like,

0:53:29.160 --> 0:53:33.440
<v Speaker 1>I really liked him in Clockercorns. Good Roddy McDowell, who

0:53:33.480 --> 0:53:38.400
<v Speaker 1>everybody hates, wrote a letter to Rodney Dangerfield. This rejection

0:53:38.520 --> 0:53:42.279
<v Speaker 1>letter that said that he um had not he had

0:53:42.320 --> 0:53:44.959
<v Speaker 1>not had enough of the kind of roles that allow

0:53:45.000 --> 0:53:48.400
<v Speaker 1>our performer to demonstrate a mastery of his craft. Basically,

0:53:48.640 --> 0:53:51.080
<v Speaker 1>you're just playing Rodney Dangerfield and we all know it,

0:53:51.280 --> 0:53:53.920
<v Speaker 1>even though he had all the credentials to get in right. So,

0:53:54.160 --> 0:53:57.799
<v Speaker 1>Rodney Jasfield, He's like, let's see what years it? What years?

0:53:59.400 --> 0:54:03.040
<v Speaker 1>What's new? What's on the horizon? Well, the internet. I

0:54:03.160 --> 0:54:06.719
<v Speaker 1>think I'll build the world's first ever entertainment website. And

0:54:06.800 --> 0:54:11.319
<v Speaker 1>he built his own website and realized that this would

0:54:11.320 --> 0:54:13.080
<v Speaker 1>be a great place for his fans to come like

0:54:13.239 --> 0:54:15.759
<v Speaker 1>vent their anger. And it was, as a matter of fact,

0:54:15.840 --> 0:54:19.520
<v Speaker 1>like this guy like think about that, and um, his

0:54:19.680 --> 0:54:22.040
<v Speaker 1>bands came on and were like, to heck with the

0:54:22.120 --> 0:54:26.480
<v Speaker 1>Academy that kind of stuff, and um, the Academy actually

0:54:26.520 --> 0:54:30.319
<v Speaker 1>relented and said, you're in, man, you're in Rodney, come

0:54:30.400 --> 0:54:33.359
<v Speaker 1>on in. That's right. And what do you say, Nope, yep,

0:54:34.600 --> 0:54:42.160
<v Speaker 1>he said, thanks, but no thanks. He still has a website,

0:54:42.440 --> 0:54:44.800
<v Speaker 1>uh Rodney dot com. And if you go to that.

0:54:45.200 --> 0:54:47.879
<v Speaker 1>I just found this out earlier. There's a section called

0:54:47.960 --> 0:54:50.239
<v Speaker 1>jokes and had audio clips. I was like, oh, this

0:54:50.320 --> 0:54:54.640
<v Speaker 1>is great, but it's not him. It's some dude reading

0:54:54.840 --> 0:54:58.040
<v Speaker 1>like as bad as me, really, just saying his little

0:54:58.080 --> 0:55:00.439
<v Speaker 1>one liners over and over. And it's not in front

0:55:00.480 --> 0:55:02.759
<v Speaker 1>of people. It's like dead quiet and it's just some

0:55:02.920 --> 0:55:05.719
<v Speaker 1>dude saying his jokes. It's really weird. I can't tell

0:55:05.760 --> 0:55:11.239
<v Speaker 1>you how much I'd love the cover comedian idea. Just

0:55:11.520 --> 0:55:14.040
<v Speaker 1>you know how stealing from other comics is such a taboo.

0:55:14.120 --> 0:55:15.920
<v Speaker 1>We just need to just to get out in front

0:55:15.960 --> 0:55:19.360
<v Speaker 1>of the Yeah, mix up a little like Mitch Hedberg

0:55:19.440 --> 0:55:23.000
<v Speaker 1>and Rich Little Mind do a little Steven right there

0:55:23.040 --> 0:55:27.840
<v Speaker 1>in the middle. Yea perhaps, Yeah, so that's Rodney Dangerfield. Everybody,

0:55:27.920 --> 0:55:31.279
<v Speaker 1>that's our show. If you want it anymore, you're s

0:55:31.360 --> 0:55:35.000
<v Speaker 1>O l R. Yeah, you can clap if you want

0:55:35.040 --> 0:55:48.399
<v Speaker 1>it's hey that right, that was a lot of one. Yeah,

0:55:48.400 --> 0:55:50.279
<v Speaker 1>we had a great time and big thanks to the

0:55:50.440 --> 0:55:53.399
<v Speaker 1>l A Podcast Festival for having us out and um

0:55:53.680 --> 0:55:55.680
<v Speaker 1>yeah please have us back. We'd love to. Yeah, it

0:55:55.760 --> 0:55:57.440
<v Speaker 1>was really cool. We got to see other shows and

0:55:57.760 --> 0:55:59.959
<v Speaker 1>uh we did our own and had a nice little

0:56:00.000 --> 0:56:03.959
<v Speaker 1>crowd there, very supportive, nice kind people all the way around.

0:56:04.120 --> 0:56:07.120
<v Speaker 1>And look for the next l A Podcast best coming.

0:56:07.480 --> 0:56:11.719
<v Speaker 1>I would imagine next September. Hopefully we'll be there. Yeah,

0:56:11.840 --> 0:56:13.960
<v Speaker 1>keep keep your ears up for it. We'll mention it

0:56:14.040 --> 0:56:16.000
<v Speaker 1>whether we are or not, because we're that kind of guys.

0:56:16.160 --> 0:56:18.480
<v Speaker 1>That's right. No listener mail for me, buddy, No, But

0:56:18.640 --> 0:56:20.000
<v Speaker 1>if you want to get in touch with us, you

0:56:20.120 --> 0:56:22.560
<v Speaker 1>can tweet to us at s Y s K podcast.

0:56:22.680 --> 0:56:24.880
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0:56:24.920 --> 0:56:27.200
<v Speaker 1>you Should Know. You can send us an email to

0:56:27.360 --> 0:56:29.759
<v Speaker 1>Stuff Podcast at how stuff Works dot com and has

0:56:29.760 --> 0:56:32.200
<v Speaker 1>always joined us at our super awesome home on the web,

0:56:32.560 --> 0:56:37.880
<v Speaker 1>Stuff you Should Know dot com. Stuff you Should Know

0:56:38.040 --> 0:56:40.800
<v Speaker 1>is a production of I Heart Radio. For more podcasts

0:56:40.880 --> 0:56:44.239
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0:56:44.400 --> 0:56:46.200
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