WEBVTT - The Fifth Hour: Barn Burner with Cheese

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<v Speaker 1>Kabbooms.

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<v Speaker 2>If you thought four hours a day, twelve hundred minutes

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<v Speaker 2>a week was enough, think again. He's the last remnants

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<v Speaker 2>of the Old Republic, a soul fashion of fairness. He

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<v Speaker 2>treats crackheads in the ghetto gutter the same as the

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<v Speaker 2>rich pill poppers in the penthouse.

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<v Speaker 1>Wow.

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<v Speaker 2>The Clearinghouse of Hot takes break free for something special.

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<v Speaker 2>The Fifth Hour with Ben Maller starts right now in.

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<v Speaker 1>The air everywhere. Welcome to another Pipe and Hot edition

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<v Speaker 1>of the Extra Crispy, Extra Spicy Fifth Hour with me,

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<v Speaker 1>Ben Mahler and Danny g Radio, and a very happy

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<v Speaker 1>Friday to you. The first full weekend in the month

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<v Speaker 1>of September, and more importantly, we are now heading in

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<v Speaker 1>to a full football season. We had last night compelling

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<v Speaker 1>theater as the Baltimore Ravens tried to pull out a tie.

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<v Speaker 1>Actually we're gonna go for the win at the end

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<v Speaker 1>on that Thursday night game last night. We talked about

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<v Speaker 1>it on the Overnight Show, and I don't want to

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<v Speaker 1>rehash that here because we already discussed it. But if

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<v Speaker 1>you missed the original recipe podcast, the Non Extra Country Podcast,

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<v Speaker 1>it was a humdinger, a Barnburner of a finish as

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<v Speaker 1>Lamar Jackson made multiple mistakes at the end of that game.

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<v Speaker 1>And Lamar is a polarizing figure, as we know, because

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<v Speaker 1>he does things that nobody else does in the NFL. Right,

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<v Speaker 1>there are some things that Lamar Jackson does that nobody

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<v Speaker 1>else can do in the NFL, and there's also basic

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<v Speaker 1>things that other quarterbacks are able to do that Lamar

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<v Speaker 1>messes up all the time. And that game was the

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<v Speaker 1>persona ocasion, was the epitome of the Lamar Jackson experience.

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<v Speaker 1>And the Ravens didn't play all that well. There were

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<v Speaker 1>some defensive breakdowns. They have a new defensive coordinator, several

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<v Speaker 1>new coaches on the staff, and they still had a

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<v Speaker 1>chance to tie. And if they had scored the touchdown,

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<v Speaker 1>the lively was out of bounds. If they had scored,

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<v Speaker 1>they would have gone for two. But enough about that.

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<v Speaker 1>We have another game tonight and that is in Brazil.

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<v Speaker 1>The Eagles and the Packers will duke it out as

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<v Speaker 1>there is military security protecting our NFL players in Brazil

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<v Speaker 1>today and that game will be on Peacock later today.

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<v Speaker 1>More on that coming up on this the Friday edition.

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<v Speaker 1>This sixth day of September edition of the podcast here

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<v Speaker 1>will have the wardrobe change or was it the flapping

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<v Speaker 1>your feathers like you just own care, cheeseburger in Paradise,

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<v Speaker 1>and the phrase of the week. So there's a lot

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<v Speaker 1>of stuff to get to. Today's National Read a Book Day.

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<v Speaker 1>Who me and you can read a book while listening

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<v Speaker 1>to the fifth Hour podcast, so you know that, Yes,

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<v Speaker 1>you can multitest. You can read the book and listen

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<v Speaker 1>to this podcast in the back. And while we want

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<v Speaker 1>you to focus on everything that we say, we get

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<v Speaker 1>credit as long as you play the podcast. They have

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<v Speaker 1>ways to track you. As you know, Big Brothers always

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<v Speaker 1>watching or listening, so they can track you and how

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<v Speaker 1>many people are listening. And when you listen to like

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<v Speaker 1>you download the podcast, you listen for like five minutes,

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<v Speaker 1>we get credit, but we get extra credit if you

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<v Speaker 1>listen for ten minutes. I don't even know how it

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<v Speaker 1>all works. I just know we need a minimum of

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<v Speaker 1>like five good minutes. We get a little credit for

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<v Speaker 1>two or three, but we'd like to have more. We'd

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<v Speaker 1>like to have more than that. So that's the deal

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<v Speaker 1>on that.

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<v Speaker 2>Now.

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<v Speaker 1>It is also Fight Procrastination Day, and I am proud

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<v Speaker 1>to say that this is not an issue that I have.

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<v Speaker 1>I wish it was a problem. I just don't in

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<v Speaker 1>terms of work stuff. Now there's other stuff, like the

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<v Speaker 1>day to day monotony of adulting that I do procrastinate

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<v Speaker 1>on it. But in terms of work, I'm very surgical

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<v Speaker 1>with the way I approach things. I have my routine.

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<v Speaker 1>But today is fight procrastination day, and opportunity for you

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<v Speaker 1>and maybe me when it comes to the adulting stuff

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<v Speaker 1>but not work stuff, to face your procrastination issue head on.

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<v Speaker 1>And they are of course saying this is a mental

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<v Speaker 1>health related and all that stuff, and yeah, well, it

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<v Speaker 1>does actually lead to hoarding. I know that from having

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<v Speaker 1>listeners who have gotten in some trouble Cowboy and Windsor

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<v Speaker 1>and some other guys that have gotten to hoarding. And

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<v Speaker 1>it actually originates. Procrastination originates from a Greek poet who

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<v Speaker 1>was among the first people to speak against procrastination. In

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<v Speaker 1>a poem titled Works and Days. The Greek poet spoke

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<v Speaker 1>to his brother who had mismanaged his inheritance, asking him

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<v Speaker 1>not to abandon his duties. And so it goes all

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<v Speaker 1>the way back to Greek times. So it is fight

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<v Speaker 1>procrastination day. Now for us, we take you behind the

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<v Speaker 1>scenes on Benny Versus the Penny. This is our second episode.

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<v Speaker 1>It has already aired in some markets, for example in Philadelphia.

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<v Speaker 1>It has already been broadcast in Philly and a couple

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<v Speaker 1>of other cities. Now the the main hub of this

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<v Speaker 1>every station matters. But in Boston where the show is produced,

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<v Speaker 1>my guy Vinnie and the production team Kevin and those

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<v Speaker 1>guys put the show together. And our first showing on

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<v Speaker 1>NBC Sports Boston will be tonight at six o'clock. We're

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<v Speaker 1>in a great slot. We're on right after Felger and

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<v Speaker 1>Maz So that's the very popular afternoon drive from the

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<v Speaker 1>sports of Michael Felger and Tony Maserati. It is simulcast.

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<v Speaker 1>It's such a popular show that it is simulcast all

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<v Speaker 1>I think all four hours are on NBC Sports Boston

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<v Speaker 1>and then we come on after that. So that's a

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<v Speaker 1>great slot. And Benny Versus the Penny not only if

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<v Speaker 1>you miss it at six o'clock, it airs again at

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<v Speaker 1>eight point thirty and nine to thirty, so there are

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<v Speaker 1>three showings tonight of that program. There's no reason to

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<v Speaker 1>miss in the Boston market on NBC Sports Boston Benny

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<v Speaker 1>versus the Penny. So check that out. Now, I did

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<v Speaker 1>have a bit of a wardrobe issue, not a snaff foo.

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<v Speaker 1>It wasn't a wardrobe malfunction by any means. It was

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<v Speaker 1>a wardrobe change. It certainly was that. So I'll take

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<v Speaker 1>you behind the scenes. Last week, the episode was boomed

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<v Speaker 1>out to the masses, and we get feedback like any

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<v Speaker 1>job to the radio show, and from time to time

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<v Speaker 1>the bosses will say, hey, like this, I don't like this,

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<v Speaker 1>you know, and then it's up to you to figure

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<v Speaker 1>out how you want to approach things. And we have

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<v Speaker 1>a great team that follows the TV show very closely.

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<v Speaker 1>As you might imagine, there's a lot of people involved,

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<v Speaker 1>much more than a radio show where I have pretty

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<v Speaker 1>much total editorial control over the radio show that I do.

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<v Speaker 1>It's not exactly the same. I have a lot of leeway,

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<v Speaker 1>a lot of leeway on the TV show, but I

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<v Speaker 1>do not have complete and total control, nor would you

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<v Speaker 1>expect me to, nor would you expect me to. There's

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<v Speaker 1>a lot of care that goes into it, right, It's

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<v Speaker 1>very surgical the way to put the show together and

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<v Speaker 1>all that stuff. So in terms of the picks, those

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<v Speaker 1>are obviously my picks. And sometimes I might say something

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<v Speaker 1>that is allowed on the radio and not allowed on

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<v Speaker 1>television and for whatever reason, for whatever reason, and so

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<v Speaker 1>we make sure not to do that again, make sure

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<v Speaker 1>to clean that up. But as far as the wardrobe

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<v Speaker 1>is concerned, I did get one comment from one of

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<v Speaker 1>the big bosses at NBC is like, hey, you know,

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<v Speaker 1>I like the show this, that, and the other thing. However, however,

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<v Speaker 1>and then they'll point something out. And if you've known

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<v Speaker 1>me at all from the Overnight Show, you know, in

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<v Speaker 1>terms of that show, I am the fashionista. I just

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<v Speaker 1>am I Eddie. Come on, Eddie wears the same thing

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<v Speaker 1>all the time. Coop no, and Lorena has been away.

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<v Speaker 1>But I'm the snappy dresser. I'm the snappy dresser on

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<v Speaker 1>the show. I'm on camera there, I'm just on the

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<v Speaker 1>YouTube channel for the show, and it's like I'm walking

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<v Speaker 1>down the catwalk all time. So it was odd when

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<v Speaker 1>somebody from NBC contacted me and said, hey, you know,

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<v Speaker 1>I like the show, however, I'd like to update this

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<v Speaker 1>little wrinkle. So it caught my attention. It was hat related.

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<v Speaker 1>It was hat related. So one of the big bosses

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<v Speaker 1>at NBC's like, hey, I would like you to have

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<v Speaker 1>a different hat, and he even went on the interweb

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<v Speaker 1>and found the style of hat that he wanted me

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<v Speaker 1>to have. The look and all that. I said, Okay,

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<v Speaker 1>you're the boss. I mean, you gave me a damn

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<v Speaker 1>TV show. Whatever you want. I'm there, man, I don't know.

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<v Speaker 1>I'm in radio, you know, fashion, even though I'm the

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<v Speaker 1>fashion Nissa on the show. It's like, okay, this is

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<v Speaker 1>a different world from me. I thought, like a wardrobe

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<v Speaker 1>and worry about my appearance and stuff. I can't be

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<v Speaker 1>a disheveled slob and I mean, man, So he sent

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<v Speaker 1>something to me and we immediately bought it. Bought this

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<v Speaker 1>this hat from hand crafted from Ireland to where so

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<v Speaker 1>we got the hat doing the show normal week. In

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<v Speaker 1>terms of prep, you know, sent the stuff where it

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<v Speaker 1>needed to go to Vinnie. I do most of the

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<v Speaker 1>prep for the show. Send it to Vinnie. He then

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<v Speaker 1>puts everything together, the rich tapestry of information. He has

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<v Speaker 1>to sew that together into a rundown where we have

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<v Speaker 1>the A block, the B block, and the C block.

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<v Speaker 1>Because it's half hour show, so you get the beginning,

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<v Speaker 1>the middle, and then the end. Boom boom boom, and

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<v Speaker 1>that's it. Shows over. So I send him the stuff.

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<v Speaker 1>He then sends me back at the end of the day,

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<v Speaker 1>he sends me the rundow. So then at that point

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<v Speaker 1>I have to compile my talking points and I don't

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<v Speaker 1>use it tele a prompter. That's Tom Looney. Tom Looney's prompter. Tom,

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<v Speaker 1>He's Tom the prompter. Don't use a prompter. Probably should

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<v Speaker 1>use a prompter. Don't use a prompter. So it's all

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<v Speaker 1>pretty much muscle memory where I go over my notes

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<v Speaker 1>and I'm trying to remember like key points I want

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<v Speaker 1>to make. But the show is my end is improvised

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<v Speaker 1>what I'm going to say. I have an idea of

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<v Speaker 1>what I want to say, and I way too much

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<v Speaker 1>much information on every game. The show is only half

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<v Speaker 1>an hour, and because of that, as we've talked about

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<v Speaker 1>in previous episodes of this podcast, the fifth hour, a

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<v Speaker 1>lot of stuff does not end up on the show,

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<v Speaker 1>and the same thing happens in radio. It's even more

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<v Speaker 1>exasperated on the television show because there's so many moving

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<v Speaker 1>parts and you're on camera, then you're off camera and

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<v Speaker 1>you're paranoid about how you're looking, and the whole thing.

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<v Speaker 1>And so there's all that involved. There's all that involved,

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<v Speaker 1>but the wardrobe thing. So you get to the point, please, Okay,

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<v Speaker 1>I'll get to the point. So I show up to

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<v Speaker 1>the Universal studios and I'm the first one there because

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<v Speaker 1>what I do is my move is I do the

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<v Speaker 1>radio show and boom, I'm getting off the radio. I

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<v Speaker 1>scoot right over to Universal students. I'm like, hey man,

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<v Speaker 1>I'm at Universe. This is great. But there's no one

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<v Speaker 1>there when I get there, there's no one there, like

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<v Speaker 1>the security guard. There's somebody in the CNBC newsroom, in

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<v Speaker 1>the MSNBC newsroom, because it's kind of where we have

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<v Speaker 1>our studio. It's in the the NBC Tom Brokaw building

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<v Speaker 1>over there, and so we have our own little little

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<v Speaker 1>cubby hole there, and there's a room right across the hall.

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<v Speaker 1>You go out of the studio. We record Benny versus

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<v Speaker 1>the Penny, and it was a big green screen and

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<v Speaker 1>cameras and the lights and all stuff. So you go

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<v Speaker 1>out of there, you make a right turn. There's a

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<v Speaker 1>whole hallway, but you go you don't look at the hallway,

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<v Speaker 1>you just turn right. Then as you're walking down you

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<v Speaker 1>take a few steps down to the right, and then

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<v Speaker 1>to the left there's a door. There's a couple of

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<v Speaker 1>tables in there, and that's where I spend most of

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<v Speaker 1>my time on the Universal Lot. I go in there.

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<v Speaker 1>There's power, there's a whatever you need there. They got

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<v Speaker 1>everything you need. There's a great commissary there down the

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<v Speaker 1>hall where they have all the usual nonsense with water

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<v Speaker 1>and coffee which I don't drink. And there's downstairs there's

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<v Speaker 1>snacks you can you can get you have to buy them,

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<v Speaker 1>I fast, so I don't. I don't buy them. But anyway, well,

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<v Speaker 1>so I go in that room and it's the middle

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<v Speaker 1>of the night. There's no one there whatever, and I'm

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<v Speaker 1>just trying to compile and put together how I want

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<v Speaker 1>the show to go. I and it's like some things

0:13:49.160 --> 0:13:51.120
<v Speaker 1>that I want to make sure I get in. There's

0:13:51.160 --> 0:13:54.280
<v Speaker 1>some things that you know, whether that gets in or not,

0:13:55.320 --> 0:13:58.000
<v Speaker 1>it doesn't matter. It doesn't matter. So I do that,

0:13:58.080 --> 0:13:59.480
<v Speaker 1>and I guess some other stuff I have to take

0:13:59.480 --> 0:14:01.880
<v Speaker 1>care of. So I'm in there a while and kind

0:14:01.880 --> 0:14:05.719
<v Speaker 1>of doing my thing and all that, and then eventually

0:14:06.280 --> 0:14:08.760
<v Speaker 1>Looney strolls in. Now the great thing about when Looney

0:14:08.800 --> 0:14:14.800
<v Speaker 1>shows up to record the show. He's there right before

0:14:15.679 --> 0:14:18.839
<v Speaker 1>we have this call time. They send a sheet down.

0:14:18.880 --> 0:14:20.680
<v Speaker 1>You have a call time, have to be there, and

0:14:20.880 --> 0:14:22.760
<v Speaker 1>I get there real early because I got nothing else

0:14:22.760 --> 0:14:26.040
<v Speaker 1>to do. Looney strolls in. You always hear Looney before

0:14:26.080 --> 0:14:28.040
<v Speaker 1>you see him. You always hee him. He'd be a

0:14:28.160 --> 0:14:32.280
<v Speaker 1>terrible spot. He's the antithesis of a ninja. Okay, So

0:14:32.640 --> 0:14:36.800
<v Speaker 1>you hear him chit chatting, playing grab ass with pretty

0:14:36.840 --> 0:14:40.520
<v Speaker 1>much everybody who's wandering around. And by that time there's

0:14:40.520 --> 0:14:43.640
<v Speaker 1>people that are showing up, and you know, Looney's saying

0:14:43.680 --> 0:14:47.320
<v Speaker 1>hello and he's remembering everyone's name, and you know it's

0:14:47.400 --> 0:14:49.880
<v Speaker 1>Pop Pop Phizz fizz. Oh, what a relief it is.

0:14:49.920 --> 0:14:53.120
<v Speaker 1>Tom Looney's here. So I hear him before I see him.

0:14:53.160 --> 0:14:56.240
<v Speaker 1>He shows up, and then we go over everything. He's

0:14:56.280 --> 0:14:59.560
<v Speaker 1>got a couple of wardrobe options. We do a table

0:15:00.120 --> 0:15:01.720
<v Speaker 1>You think we're kidding, but we don't. We actually do

0:15:01.760 --> 0:15:04.960
<v Speaker 1>a table read, and we go over every segment of

0:15:05.000 --> 0:15:09.000
<v Speaker 1>the show. And what often happens during the table read

0:15:09.600 --> 0:15:13.320
<v Speaker 1>if we haven't mentioned this in previous episodes. So we

0:15:13.360 --> 0:15:16.040
<v Speaker 1>go over things, but there's things that we don't want

0:15:16.080 --> 0:15:19.080
<v Speaker 1>the other person to know, like Looney will drop stuff

0:15:19.120 --> 0:15:21.240
<v Speaker 1>on me when we're actually doing the show that wasn't

0:15:21.240 --> 0:15:24.680
<v Speaker 1>in the table read, and vice versa, and vice versa.

0:15:24.760 --> 0:15:28.520
<v Speaker 1>So well, well, it's you know what it's like. It's

0:15:28.680 --> 0:15:32.040
<v Speaker 1>like exhibition football where you don't want to show the

0:15:32.080 --> 0:15:35.800
<v Speaker 1>other team your playbook, but you want to play the game,

0:15:35.920 --> 0:15:38.720
<v Speaker 1>but you don't want to show what you're going to

0:15:38.760 --> 0:15:41.120
<v Speaker 1>do in the real game. And so that's what it's like.

0:15:41.480 --> 0:15:44.360
<v Speaker 1>But it gives you a sense of what's going to happen,

0:15:44.360 --> 0:15:48.000
<v Speaker 1>but there's always surprises. So we do all that, and this,

0:15:48.120 --> 0:15:51.400
<v Speaker 1>to me is a very important part of the making

0:15:51.400 --> 0:15:54.520
<v Speaker 1>of the show because unlike the radio show, you go

0:15:54.600 --> 0:15:56.080
<v Speaker 1>in there you want to get it done. It's on

0:15:56.160 --> 0:15:59.880
<v Speaker 1>television at lasts for several days, it's everywhere people can

0:16:00.520 --> 0:16:03.400
<v Speaker 1>you want to it's your product. You are putting your

0:16:03.440 --> 0:16:05.800
<v Speaker 1>product out there, so it's important we go over that.

0:16:05.880 --> 0:16:07.800
<v Speaker 1>So fine, we do that, and then it's time to

0:16:07.840 --> 0:16:10.760
<v Speaker 1>put the final pieces to the wardrobe together. And I

0:16:10.840 --> 0:16:13.520
<v Speaker 1>mentioned that one of the big executives at NBC had said, hey,

0:16:13.600 --> 0:16:15.400
<v Speaker 1>we want you to get this hat. So I bought

0:16:15.400 --> 0:16:18.480
<v Speaker 1>the hat, pretty expensive hat, pretty expensive hat, and so

0:16:18.560 --> 0:16:20.960
<v Speaker 1>I put the hat on, I put the sweater on,

0:16:21.200 --> 0:16:23.440
<v Speaker 1>changed up the sweater this week. I got permission from

0:16:23.480 --> 0:16:27.560
<v Speaker 1>the big bosses at NBC to change the wardrobe. So fine,

0:16:27.960 --> 0:16:30.360
<v Speaker 1>So I go into the studio. I sit down, new

0:16:30.400 --> 0:16:34.160
<v Speaker 1>hat on, and there's a lot of conversation going on

0:16:34.240 --> 0:16:36.280
<v Speaker 1>back in Boston. People are going back. I know they're

0:16:36.280 --> 0:16:39.200
<v Speaker 1>talking about the hat. I know, the hat's the point

0:16:39.320 --> 0:16:42.160
<v Speaker 1>of emphasis. And then they're trying to adjust the lighting.

0:16:42.560 --> 0:16:44.600
<v Speaker 1>So I've got people running around behind me and in

0:16:44.600 --> 0:16:46.520
<v Speaker 1>front of me trying to adjust the lighting in there,

0:16:46.680 --> 0:16:49.120
<v Speaker 1>Like what's going on. It's like okay, And I had

0:16:49.160 --> 0:16:53.560
<v Speaker 1>a feeling the hat something was a little off, but

0:16:53.640 --> 0:16:56.440
<v Speaker 1>again it wasn't my decision. This was somebody that wanted

0:16:56.480 --> 0:16:58.600
<v Speaker 1>me to wear the hat. So I don't wear it whatever,

0:16:58.680 --> 0:17:01.280
<v Speaker 1>you know, they want it, whatever they want, I'll wear

0:17:01.360 --> 0:17:03.280
<v Speaker 1>clown makeup if they want, they you know, keep me

0:17:03.320 --> 0:17:05.760
<v Speaker 1>a TV show. I mean, come on, some would argue

0:17:05.800 --> 0:17:09.080
<v Speaker 1>I am wearing clown makeup. So I went in there,

0:17:09.119 --> 0:17:11.639
<v Speaker 1>we sit down, I test the microphones, and we have

0:17:11.720 --> 0:17:14.040
<v Speaker 1>to test the earpiece and all that stuff. And so

0:17:15.440 --> 0:17:21.840
<v Speaker 1>I'm pretty normal minimal things, nominal, nominal stuff. And we

0:17:21.920 --> 0:17:25.280
<v Speaker 1>go through all the trivial stuff and and then I

0:17:25.359 --> 0:17:28.560
<v Speaker 1>get the message, Hey is do you have the hat

0:17:28.560 --> 0:17:33.400
<v Speaker 1>from last week in your in your bag? Why? Yes,

0:17:33.560 --> 0:17:37.680
<v Speaker 1>I do. I absolutely have the hat from last week.

0:17:37.680 --> 0:17:39.160
<v Speaker 1>So I had to go out of this to take

0:17:39.160 --> 0:17:42.120
<v Speaker 1>my mic off and my IFB go out of the studio,

0:17:42.280 --> 0:17:44.240
<v Speaker 1>go make a right turn, go into the room I

0:17:44.280 --> 0:17:48.560
<v Speaker 1>normally hang out at and fiddle with my hat. And

0:17:48.640 --> 0:17:50.399
<v Speaker 1>so fiddle with my hat I did. And so it

0:17:50.440 --> 0:17:53.880
<v Speaker 1>turns out that I will be returning the very expensive

0:17:53.920 --> 0:17:56.760
<v Speaker 1>hat hand crafted from Ireland. It just I have a

0:17:56.880 --> 0:18:01.280
<v Speaker 1>very large head. And you can say because I've got

0:18:01.280 --> 0:18:02.760
<v Speaker 1>a lot of empty space or I have a big brain.

0:18:02.800 --> 0:18:06.480
<v Speaker 1>Either way, and so the bit of a problem to

0:18:06.560 --> 0:18:10.679
<v Speaker 1>find hats that fit right on the big head not easy,

0:18:10.840 --> 0:18:15.560
<v Speaker 1>not easy. So then we use the old hat. You

0:18:15.600 --> 0:18:18.959
<v Speaker 1>can see that today, later today and tomorrow and then

0:18:19.119 --> 0:18:22.560
<v Speaker 1>Sunday morning on this week's edition of Benny Versus the Pennys.

0:18:22.600 --> 0:18:25.679
<v Speaker 1>We like to call it BBP BBP Betty versus Penny.

0:18:26.040 --> 0:18:29.800
<v Speaker 1>So we turned the page on that and I got

0:18:29.840 --> 0:18:31.720
<v Speaker 1>a lot of great feedback, and we're going to do

0:18:31.720 --> 0:18:36.960
<v Speaker 1>the mail bag on Sunday and we'll read your questions

0:18:37.040 --> 0:18:40.080
<v Speaker 1>and go over the quiz of the week from you guys.

0:18:40.160 --> 0:18:42.200
<v Speaker 1>And we got a lot of email this week, which

0:18:42.200 --> 0:18:44.800
<v Speaker 1>is great, and I'm sure we'll get more between now

0:18:45.920 --> 0:18:49.800
<v Speaker 1>and Sunday. You can email Real fifth Hour at gmail

0:18:49.880 --> 0:18:53.880
<v Speaker 1>dot com. Real fifth Hour at gmail dot com. Fine,

0:18:54.000 --> 0:18:56.040
<v Speaker 1>so people are emailing me be like, hey, I want

0:18:56.040 --> 0:18:59.920
<v Speaker 1>to watch the show. I have Peacock and where's the show?

0:19:01.040 --> 0:19:04.280
<v Speaker 1>So I point out where the show is. I go

0:19:04.320 --> 0:19:06.400
<v Speaker 1>over here, the show's shows right there, boom, I'll watch

0:19:06.480 --> 0:19:10.720
<v Speaker 1>watch the show. So fine, and then, uh, I guess

0:19:10.760 --> 0:19:15.119
<v Speaker 1>it was yesterday on Thursday, maybe even Wednesday, might have

0:19:15.200 --> 0:19:16.840
<v Speaker 1>been on Wednesday. I think I think it was actually

0:19:16.880 --> 0:19:19.320
<v Speaker 1>started on Wednesday. I'm getting these messages that are are

0:19:19.320 --> 0:19:26.480
<v Speaker 1>trickling in and people are are annoyed. They're getting progressively

0:19:26.600 --> 0:19:32.040
<v Speaker 1>more upset and know what did what did I do here?

0:19:32.200 --> 0:19:34.800
<v Speaker 1>And I don't think I did. I didn't. I don't

0:19:34.840 --> 0:19:37.960
<v Speaker 1>think I did any anyway. The the tenor of the

0:19:38.080 --> 0:19:40.840
<v Speaker 1>messages where hey, I heard you mentioned on the radio

0:19:40.920 --> 0:19:46.439
<v Speaker 1>show that your TV show is on pot On on

0:19:46.520 --> 0:19:52.200
<v Speaker 1>Peacock on Peacock, uh, and uh, but I couldn't find it.

0:19:53.760 --> 0:19:57.679
<v Speaker 1>Did you lie? Did you make that up? You know

0:19:57.720 --> 0:20:01.560
<v Speaker 1>that whole thing? And one guy even went as far

0:20:01.840 --> 0:20:07.679
<v Speaker 1>as to say. They contacted customer service. They were that

0:20:07.960 --> 0:20:13.159
<v Speaker 1>annoyed they could not find the show on Peacock. So

0:20:13.240 --> 0:20:17.680
<v Speaker 1>then that sparked a minutes long Mallor investigation. As I

0:20:17.760 --> 0:20:21.520
<v Speaker 1>started to freak out what happened to the show, I

0:20:21.640 --> 0:20:25.199
<v Speaker 1>became a bit abrasive, bit abrasive, as they were right.

0:20:25.240 --> 0:20:29.080
<v Speaker 1>The people that were contacting me were there. They were annoyed,

0:20:29.600 --> 0:20:32.400
<v Speaker 1>they were upset, which is I'm honored that you're upset

0:20:32.400 --> 0:20:35.360
<v Speaker 1>because you can't find a TV show that's a week old. Anyway,

0:20:35.400 --> 0:20:38.960
<v Speaker 1>now I know the rest of the story, the rest

0:20:39.119 --> 0:20:42.800
<v Speaker 1>of the story. So it turns out the TV show

0:20:43.680 --> 0:20:51.040
<v Speaker 1>has a rather quick expiration date because we're picking games

0:20:51.080 --> 0:20:54.479
<v Speaker 1>that are played mostly on Sunday and then the Monday

0:20:54.560 --> 0:20:58.640
<v Speaker 1>night game. There's no reason to keep the show up

0:20:58.680 --> 0:21:01.840
<v Speaker 1>other than to make us look like jackasses, you know,

0:21:02.040 --> 0:21:05.240
<v Speaker 1>jack wagons or whatever. So what they do, it's just

0:21:05.240 --> 0:21:09.040
<v Speaker 1>like the TV show, the TV show which is on Peacock.

0:21:09.119 --> 0:21:12.560
<v Speaker 1>It's the same show, but on cable they stop airing

0:21:12.600 --> 0:21:16.480
<v Speaker 1>it at one o'clock Eastern on Sunday because that's when

0:21:16.520 --> 0:21:21.399
<v Speaker 1>they kick off that big television window. So somewhere and

0:21:21.920 --> 0:21:25.760
<v Speaker 1>this is way over my pay grade. Somebody that is

0:21:25.840 --> 0:21:29.760
<v Speaker 1>involved in the Peacock process not only took the show

0:21:29.800 --> 0:21:32.359
<v Speaker 1>off Peacock, which I'm fine with. I get it. Even

0:21:32.400 --> 0:21:38.120
<v Speaker 1>though last week's episode, the week one episode preseason is

0:21:38.600 --> 0:21:41.760
<v Speaker 1>pretty much evergreen in terms of the picks are going

0:21:41.840 --> 0:21:44.520
<v Speaker 1>to last all year. We did win totals, we did

0:21:44.800 --> 0:21:47.520
<v Speaker 1>some player I did some player props. Those bets will

0:21:47.840 --> 0:21:49.880
<v Speaker 1>have a lifespan that will go all the way through

0:21:49.920 --> 0:21:54.160
<v Speaker 1>the regular season. The show this week, which you'll start

0:21:54.359 --> 0:22:00.040
<v Speaker 1>start today, that in the pecking order of television, and

0:22:01.359 --> 0:22:06.760
<v Speaker 1>it's going to be dated on on Sunday. Okay, so fine.

0:22:07.440 --> 0:22:10.280
<v Speaker 1>But the only problem I had I did let the

0:22:10.320 --> 0:22:12.840
<v Speaker 1>people at NBC know is they took the entire beny

0:22:12.960 --> 0:22:18.080
<v Speaker 1>versus the penny page down and one guy contacted their

0:22:18.520 --> 0:22:22.600
<v Speaker 1>customer service and the person wasn't real helpful and that

0:22:22.680 --> 0:22:24.119
<v Speaker 1>you know, they kind of got upset and all that.

0:22:24.160 --> 0:22:26.360
<v Speaker 1>So I just want you to know I do care

0:22:26.440 --> 0:22:32.600
<v Speaker 1>about your feedback, and I have contacted through the proper channels.

0:22:33.680 --> 0:22:36.320
<v Speaker 1>I do know the social order, I know where I

0:22:36.440 --> 0:22:38.840
<v Speaker 1>fall on the food chain, so I feel like I

0:22:38.920 --> 0:22:43.200
<v Speaker 1>was diplomatic and we'll see where the road takes us here, hopefully,

0:22:43.320 --> 0:22:45.440
<v Speaker 1>we'll get this straight now early. This is the first

0:22:45.520 --> 0:22:49.080
<v Speaker 1>year we've been on Peacock and it was really cool.

0:22:49.119 --> 0:22:52.760
<v Speaker 1>They had a great page. My ugly photo was on there,

0:22:53.280 --> 0:22:55.960
<v Speaker 1>and from what I understand, don't hold me to this,

0:22:57.280 --> 0:23:00.919
<v Speaker 1>that page will be back up this afternoon. By this

0:23:01.040 --> 0:23:03.320
<v Speaker 1>afternoon and you'll be able to watch Benny Versus the

0:23:03.359 --> 0:23:07.200
<v Speaker 1>Penny week two week two week. It's week one of

0:23:07.240 --> 0:23:10.680
<v Speaker 1>the NFL season, but week two for the show, episode two,

0:23:11.280 --> 0:23:12.760
<v Speaker 1>and so you'll be able to watch that later today.

0:23:12.760 --> 0:23:15.199
<v Speaker 1>And you know, one thing I have no problem with

0:23:15.280 --> 0:23:19.720
<v Speaker 1>being bashful is is promoting the show, and so I'll

0:23:19.720 --> 0:23:24.240
<v Speaker 1>send that out on all the appropriate social media channels

0:23:24.680 --> 0:23:31.200
<v Speaker 1>and this podcast companion your next level P one if

0:23:31.200 --> 0:23:34.159
<v Speaker 1>you're in here, So that's how I classify you that

0:23:34.960 --> 0:23:36.960
<v Speaker 1>you're even listening to the podcast on the weekends, and

0:23:36.960 --> 0:23:39.679
<v Speaker 1>hopefully you listen to the overnight show. So thank you

0:23:39.800 --> 0:23:44.200
<v Speaker 1>for flapping your feathers about the Peacock. We'll get that

0:23:44.240 --> 0:23:48.239
<v Speaker 1>sorted out again today. It should be back up and

0:23:48.280 --> 0:23:50.240
<v Speaker 1>then remember though, it's only going to be up for

0:23:50.280 --> 0:23:53.600
<v Speaker 1>a few days, so if you're planning on we were

0:23:53.760 --> 0:23:59.080
<v Speaker 1>just talking about this earlier a few minutes ago, procrastinating, well,

0:23:59.200 --> 0:24:01.760
<v Speaker 1>fight procrast nation. If you're planning on pushing back the

0:24:01.760 --> 0:24:06.919
<v Speaker 1>TV show, you have until Sunday morning and then the

0:24:06.960 --> 0:24:11.440
<v Speaker 1>thing vanishes into the into the into the outer space area.

0:24:11.520 --> 0:24:14.560
<v Speaker 1>So who knows. Moving on from that, it is a

0:24:15.480 --> 0:24:27.800
<v Speaker 1>cheeseburger in Paradise. And this is one of those fun

0:24:27.880 --> 0:24:32.119
<v Speaker 1>facts that I had heard years ago and I had forgotten.

0:24:33.000 --> 0:24:34.879
<v Speaker 1>Do you ever have that happen When you hear something

0:24:34.920 --> 0:24:38.040
<v Speaker 1>then you kind of forget about it and then it's back.

0:24:38.640 --> 0:24:41.000
<v Speaker 1>And that's what happened this week. So I fell down

0:24:41.000 --> 0:24:45.919
<v Speaker 1>this rabbit hole. I was reading a story about about

0:24:45.920 --> 0:24:49.760
<v Speaker 1>some some fast food restaurants and how they're price gouging

0:24:49.800 --> 0:24:52.200
<v Speaker 1>people and then they and then I clicked on another

0:24:52.280 --> 0:24:55.479
<v Speaker 1>story and it was about the shake Shack, the burger

0:24:55.560 --> 0:24:58.720
<v Speaker 1>joined from New York. That's a national chain and they're

0:24:58.720 --> 0:25:01.800
<v Speaker 1>closing some location in Los Angeles. So then I checked

0:25:01.840 --> 0:25:05.240
<v Speaker 1>that out, and then I clicked on another story and

0:25:05.880 --> 0:25:10.480
<v Speaker 1>it was about the genesis of the cheeseburger. Now, the hamburger,

0:25:11.080 --> 0:25:13.440
<v Speaker 1>we know the hamburger where it comes from, We've done

0:25:13.440 --> 0:25:16.720
<v Speaker 1>that on the show. But the cheeseburger, this blows me away.

0:25:17.200 --> 0:25:22.920
<v Speaker 1>The cheeseburger only dates back to the early nineteen hundred.

0:25:22.920 --> 0:25:26.240
<v Speaker 1>In fact, this is the one hundredth anniversary of the

0:25:26.359 --> 0:25:30.840
<v Speaker 1>cheeseburger nineteen twenty four. And the cheeseburger where do you

0:25:30.880 --> 0:25:33.640
<v Speaker 1>think it was in? You think it was like New York, Boston, Philly,

0:25:34.240 --> 0:25:37.040
<v Speaker 1>one of those early US towns. Or do you think

0:25:37.080 --> 0:25:41.280
<v Speaker 1>it came from Germany? Hamburg, Germany? What if I told

0:25:41.320 --> 0:25:47.399
<v Speaker 1>you that the cheeseburger came from Pasadena, home of the

0:25:47.560 --> 0:25:52.880
<v Speaker 1>Rose Bowl and the Rose Parade, And in nineteen twenty

0:25:52.920 --> 0:25:56.520
<v Speaker 1>four it was the first time the original hamburger in

0:25:56.640 --> 0:26:01.399
<v Speaker 1>cheese appeared on a menu. Now, the actual term cheeseburger

0:26:01.520 --> 0:26:04.840
<v Speaker 1>was invented somewhere else, I think in Louisiana. I'll have

0:26:04.880 --> 0:26:08.640
<v Speaker 1>to double check that, But the process of putting cheese

0:26:08.680 --> 0:26:11.960
<v Speaker 1>on a burger, the first place that popped up on

0:26:12.000 --> 0:26:15.960
<v Speaker 1>a menu was in Pasadena. The legend is that it

0:26:16.040 --> 0:26:18.800
<v Speaker 1>happened on Colorado Boulevard that was then known as Root

0:26:18.920 --> 0:26:21.720
<v Speaker 1>sixty six. Get your kicks on Root sixty six. They've

0:26:21.720 --> 0:26:24.800
<v Speaker 1>had songs, many songs written about that over the years.

0:26:25.359 --> 0:26:28.800
<v Speaker 1>It was where the right spot that's a restaurant once

0:26:28.840 --> 0:26:32.359
<v Speaker 1>stood and that is where the cheeseburger was born. It

0:26:32.440 --> 0:26:36.480
<v Speaker 1>cost all of fifteen cents. And as the legend goes,

0:26:37.119 --> 0:26:43.360
<v Speaker 1>is it true that a gentleman named hs Sternberger great name,

0:26:44.000 --> 0:26:46.400
<v Speaker 1>and his two sons who happened to be twins, Van

0:26:46.600 --> 0:26:52.119
<v Speaker 1>and Lionel. They were in Pasadena in nineteen sixteen from

0:26:52.440 --> 0:26:58.639
<v Speaker 1>San Diego. The sixteen year old Lionel Sternberger was working

0:26:59.320 --> 0:27:02.320
<v Speaker 1>in the kitchen at his dad's restaurant. There the original

0:27:03.119 --> 0:27:05.320
<v Speaker 1>hamburger and cheese would pop up on the menu there

0:27:05.400 --> 0:27:08.399
<v Speaker 1>at the right spot. So this kid's sixteen, he's working,

0:27:08.600 --> 0:27:12.080
<v Speaker 1>he's in high school. He's working at the restaurant southwest

0:27:12.080 --> 0:27:15.800
<v Speaker 1>corner of Colorado Boulevard on an Avenue sixty four. I

0:27:15.880 --> 0:27:17.879
<v Speaker 1>used to live on Avenue twenty six. It's one of

0:27:17.920 --> 0:27:22.879
<v Speaker 1>my old old homes, so Avenue sixty four in Colorado Boulevard.

0:27:23.480 --> 0:27:25.720
<v Speaker 1>And this this kid's working as a short order cook.

0:27:26.400 --> 0:27:30.680
<v Speaker 1>And one random day in nineteen twenty four, a sixteen

0:27:30.720 --> 0:27:36.040
<v Speaker 1>year old kid introduced cheese to a patty of beef. Now,

0:27:36.119 --> 0:27:38.680
<v Speaker 1>how exactly he decided to do this is a bit

0:27:38.720 --> 0:27:43.160
<v Speaker 1>of a mystery. There are two theories that food historians

0:27:43.640 --> 0:27:45.440
<v Speaker 1>have come up with, but we do know he called

0:27:45.440 --> 0:27:48.879
<v Speaker 1>it not a cheeseburger. He called it the Aristocrat burger.

0:27:49.320 --> 0:27:52.000
<v Speaker 1>The original hamburger with cheese is what they called it.

0:27:52.440 --> 0:27:57.960
<v Speaker 1>So version number one is the story that I like better.

0:27:58.600 --> 0:28:02.840
<v Speaker 1>That I like better. This story is the kids screwed

0:28:02.920 --> 0:28:06.080
<v Speaker 1>up and it was a cover up. Now, often you

0:28:06.080 --> 0:28:08.159
<v Speaker 1>hear the cover up is worse than the crime. This

0:28:08.320 --> 0:28:11.800
<v Speaker 1>time the cover up was better than the crime. So

0:28:12.000 --> 0:28:16.000
<v Speaker 1>Lionel Sternberger, at age sixteen's working his dad's restaurant, short

0:28:16.119 --> 0:28:21.040
<v Speaker 1>order cook. He's behind the counter there flipping burgers and

0:28:21.640 --> 0:28:25.679
<v Speaker 1>uh uh, he accidentally burnt a patty. Now for me,

0:28:25.800 --> 0:28:27.800
<v Speaker 1>that's not an accident. For me, that's what I want.

0:28:28.119 --> 0:28:30.200
<v Speaker 1>When I go to get a burger, I want it burned.

0:28:30.200 --> 0:28:32.960
<v Speaker 1>I cook burgers usually on Fridays. It's burger Day. Today's

0:28:32.960 --> 0:28:35.040
<v Speaker 1>burger day, so I'll have Bobby on the griddle. I

0:28:35.119 --> 0:28:38.280
<v Speaker 1>might make a cheese steak, but so cheat day, cheat meal.

0:28:39.360 --> 0:28:42.200
<v Speaker 1>So I love it burned. I love it well done.

0:28:42.440 --> 0:28:45.320
<v Speaker 1>Most people know. So back in nineteen twenty four, you

0:28:45.360 --> 0:28:48.160
<v Speaker 1>don't even want to burn hamburger patty, but you don't

0:28:48.200 --> 0:28:51.000
<v Speaker 1>want to throw it away because stuff's pricey. I mean,

0:28:51.080 --> 0:28:54.560
<v Speaker 1>fifteen cents that's very expensive for a burger. So this

0:28:54.720 --> 0:28:57.760
<v Speaker 1>kid's like, hey, I got an idea, and a good

0:28:57.760 --> 0:29:02.440
<v Speaker 1>old Lionel Sternberger says, I fed up. So when you

0:29:02.640 --> 0:29:06.720
<v Speaker 1>f up, you got to cover up. And that's exactly

0:29:07.760 --> 0:29:10.320
<v Speaker 1>what he did. He made a mistake and in order

0:29:10.320 --> 0:29:13.720
<v Speaker 1>to hide the mistake, can't put makeup on a burger

0:29:14.040 --> 0:29:18.440
<v Speaker 1>that's burned, so he slapped a slice of cheese to

0:29:18.600 --> 0:29:25.120
<v Speaker 1>conceal the charcoal on the burger. And the rest is

0:29:25.960 --> 0:29:29.880
<v Speaker 1>his story, or is it. Another theory is that this

0:29:29.960 --> 0:29:33.360
<v Speaker 1>kid had nothing to do with the idea and he

0:29:33.440 --> 0:29:38.160
<v Speaker 1>was just following orders that the customer came in. There's

0:29:38.200 --> 0:29:40.440
<v Speaker 1>some random customer and said, hey, I'd like you to

0:29:40.480 --> 0:29:43.520
<v Speaker 1>put a piece of cheese on my burger. And the

0:29:43.600 --> 0:29:45.200
<v Speaker 1>kids say, ah, right, whatever you want. I'm just the

0:29:45.240 --> 0:29:49.600
<v Speaker 1>short order cook dude, and here you go. Knock yourself out.

0:29:49.760 --> 0:29:51.640
<v Speaker 1>And that's how it started. Either way, though, I like

0:29:52.160 --> 0:29:54.880
<v Speaker 1>the first version of the story better. You can decide

0:29:55.160 --> 0:30:01.440
<v Speaker 1>for yourself. We've got the phrase of the way, all right.

0:30:01.480 --> 0:30:03.640
<v Speaker 1>Phrase of the week this week is back to the

0:30:03.760 --> 0:30:08.760
<v Speaker 1>drawing board. This was requested by a listener named Michael,

0:30:09.800 --> 0:30:13.280
<v Speaker 1>who is from Indiana, So thank you Michael for emailing.

0:30:13.400 --> 0:30:17.840
<v Speaker 1>Appreciate your listenership. Michael lives in Indianapolis. He says he's

0:30:17.880 --> 0:30:21.760
<v Speaker 1>a Colts fan, does not like baseball, and likes the

0:30:21.800 --> 0:30:26.440
<v Speaker 1>Indiana Pacers. So pretty standard. Pretty standard, I would say,

0:30:27.320 --> 0:30:30.040
<v Speaker 1>as far as the teams that you like, he wants

0:30:30.080 --> 0:30:32.440
<v Speaker 1>us to break down back to the drawing board. So

0:30:32.480 --> 0:30:38.000
<v Speaker 1>this actually is credited to an artist, a cartoonist. Peter

0:30:38.360 --> 0:30:43.600
<v Speaker 1>Arnault is the name, and it goes back to nineteen

0:30:44.120 --> 0:30:46.840
<v Speaker 1>forty one, so the phrase back to the drawing board

0:30:47.880 --> 0:30:50.680
<v Speaker 1>not that old. It was a New Yorker cartoon New

0:30:50.760 --> 0:30:54.840
<v Speaker 1>Yorker magazine. The cartoon depicted a dude in a suit

0:30:55.520 --> 0:31:00.240
<v Speaker 1>walking away from this crashed plane while carrying rolled up.

0:31:01.640 --> 0:31:05.960
<v Speaker 1>And the way the cartoon was drawn was it was

0:31:05.960 --> 0:31:09.200
<v Speaker 1>a mechanical drawing of an aircraft and there was a

0:31:09.240 --> 0:31:12.760
<v Speaker 1>little cartoon bubble over the head, and the cartoon bubble

0:31:12.800 --> 0:31:15.920
<v Speaker 1>over the head read well, back to the drawing board.

0:31:16.840 --> 0:31:19.960
<v Speaker 1>And supposedly the phrase originated actually during World War Two

0:31:20.200 --> 0:31:24.040
<v Speaker 1>and then made its way into some military dudes, we're

0:31:24.240 --> 0:31:26.240
<v Speaker 1>talking and the cartoon has heard it and put it

0:31:26.240 --> 0:31:28.440
<v Speaker 1>in the New Yorker, and the phrase if you don't

0:31:28.480 --> 0:31:31.120
<v Speaker 1>understand what it means, Kin Bobby's here, it's you screwed

0:31:31.200 --> 0:31:35.520
<v Speaker 1>up something. It was not a success, and you got

0:31:35.560 --> 0:31:39.760
<v Speaker 1>to get a fresh start, you know, begin again, you know,

0:31:39.800 --> 0:31:41.960
<v Speaker 1>make a new beginning. However you want to say it,

0:31:42.000 --> 0:31:44.640
<v Speaker 1>start from scratch. There's so many other ways to say it.

0:31:44.640 --> 0:31:47.680
<v Speaker 1>But back to the drawing board a phrase that originated

0:31:48.720 --> 0:31:55.040
<v Speaker 1>in the New Yorker magazine cartoon in nineteen forty one.

0:31:55.680 --> 0:31:57.960
<v Speaker 1>And now you know the rest of the story. And

0:31:58.000 --> 0:32:01.680
<v Speaker 1>if you want to recommend a phrase or a word

0:32:01.760 --> 0:32:04.840
<v Speaker 1>you'd like us to look up, please do so. We

0:32:04.960 --> 0:32:08.560
<v Speaker 1>love words, love looking up words and trying to dig

0:32:08.640 --> 0:32:11.440
<v Speaker 1>down rabbit holes and find out where things come from.

0:32:11.880 --> 0:32:14.280
<v Speaker 1>But that should do it for us today. Danny will

0:32:14.320 --> 0:32:18.080
<v Speaker 1>be back tomorrow with me Danny G for the Saturday podcast,

0:32:18.480 --> 0:32:20.960
<v Speaker 1>and we'll also have a fresh pod on Sunday. We'll

0:32:21.000 --> 0:32:25.320
<v Speaker 1>have the mail Bag on Sunday. Joy the NFL tonight,

0:32:25.360 --> 0:32:28.480
<v Speaker 1>don't forget Benny versus the Penny again, should be back

0:32:28.560 --> 0:32:32.080
<v Speaker 1>up on Peacock later today, so we're excited about that.

0:32:32.360 --> 0:32:35.880
<v Speaker 1>And watch that NFL game Eagles and Packers, which will

0:32:35.920 --> 0:32:40.120
<v Speaker 1>also be on the Peacock Boy. They should run like

0:32:40.160 --> 0:32:43.480
<v Speaker 1>a promo for the t R show Benny Versus The

0:32:43.480 --> 0:32:47.360
<v Speaker 1>Penny on Peacock Boy. That would be awesome during the game.

0:32:47.560 --> 0:32:50.920
<v Speaker 1>Don't think that's gonna happen. But you can dream, you know, dream,

0:32:50.920 --> 0:32:54.360
<v Speaker 1>Why not dream? But all weekend NBC Sports Boston tonight

0:32:54.400 --> 0:32:56.920
<v Speaker 1>six o'clock obviously in Boston three o'clock in the West.

0:32:56.920 --> 0:32:58.720
<v Speaker 1>If you have a satellite and you can watch it,

0:32:58.720 --> 0:33:01.800
<v Speaker 1>It'll air all weekend and over and over again, several

0:33:01.840 --> 0:33:04.480
<v Speaker 1>showings tonight in Boston, We're on. In Philadelphia, we are

0:33:04.480 --> 0:33:06.959
<v Speaker 1>on in the morning today. Phillies are playing tonight and

0:33:07.000 --> 0:33:09.640
<v Speaker 1>we'll be on again on Saturday morning in Philly and

0:33:09.720 --> 0:33:13.160
<v Speaker 1>in the Bay Area. You're gonna be overwhelmed with Benny

0:33:13.240 --> 0:33:18.000
<v Speaker 1>Versus the Penny. So Andrea and mister nice Guy and

0:33:18.160 --> 0:33:21.959
<v Speaker 1>Matt all you guys, thank you for watching. We'll have

0:33:22.040 --> 0:33:26.120
<v Speaker 1>new episodes up. Even Inka Terror who's blind, loves watching

0:33:26.200 --> 0:33:30.200
<v Speaker 1>Benny Versus the Penny. Have a wonderful rest of your day.

0:33:30.240 --> 0:33:37.400
<v Speaker 1>We will catch you tomorrow, tomorrow, tomorrow later, Skater, Is

0:33:37.440 --> 0:33:40.040
<v Speaker 1>that what Danny says? I think that's what he says, right, Yes,

0:33:41.160 --> 0:33:42.160
<v Speaker 1>got a murder. I gotta go