1 00:00:00,720 --> 00:00:01,480 Speaker 1: Kabbooms. 2 00:00:02,279 --> 00:00:05,400 Speaker 2: If you thought four hours a day, twelve hundred minutes 3 00:00:05,440 --> 00:00:09,160 Speaker 2: a week was enough, think again. He's the last remnants 4 00:00:09,200 --> 00:00:12,480 Speaker 2: of the Old Republic, a soul fashion of fairness. He 5 00:00:12,600 --> 00:00:15,520 Speaker 2: treats crackheads in the ghetto gutter the same as the 6 00:00:15,640 --> 00:00:17,480 Speaker 2: rich pill poppers in the penthouse. 7 00:00:18,079 --> 00:00:18,360 Speaker 1: Wow. 8 00:00:18,600 --> 00:00:22,280 Speaker 2: The Clearinghouse of Hot takes break free for something special. 9 00:00:22,680 --> 00:00:29,280 Speaker 2: The Fifth Hour with Ben Maller starts right now in. 10 00:00:29,280 --> 00:00:37,600 Speaker 1: The air everywhere. Welcome to another Pipe and Hot edition 11 00:00:37,640 --> 00:00:41,559 Speaker 1: of the Extra Crispy, Extra Spicy Fifth Hour with me, 12 00:00:42,320 --> 00:00:46,199 Speaker 1: Ben Mahler and Danny g Radio, and a very happy 13 00:00:47,120 --> 00:00:51,400 Speaker 1: Friday to you. The first full weekend in the month 14 00:00:51,400 --> 00:00:55,400 Speaker 1: of September, and more importantly, we are now heading in 15 00:00:55,440 --> 00:01:01,040 Speaker 1: to a full football season. We had last night compelling 16 00:01:01,160 --> 00:01:06,160 Speaker 1: theater as the Baltimore Ravens tried to pull out a tie. 17 00:01:06,200 --> 00:01:08,160 Speaker 1: Actually we're gonna go for the win at the end 18 00:01:08,640 --> 00:01:11,160 Speaker 1: on that Thursday night game last night. We talked about 19 00:01:11,200 --> 00:01:13,399 Speaker 1: it on the Overnight Show, and I don't want to 20 00:01:13,400 --> 00:01:16,440 Speaker 1: rehash that here because we already discussed it. But if 21 00:01:16,480 --> 00:01:21,720 Speaker 1: you missed the original recipe podcast, the Non Extra Country Podcast, 22 00:01:21,959 --> 00:01:27,360 Speaker 1: it was a humdinger, a Barnburner of a finish as 23 00:01:27,440 --> 00:01:33,000 Speaker 1: Lamar Jackson made multiple mistakes at the end of that game. 24 00:01:33,120 --> 00:01:38,360 Speaker 1: And Lamar is a polarizing figure, as we know, because 25 00:01:38,360 --> 00:01:42,160 Speaker 1: he does things that nobody else does in the NFL. Right, 26 00:01:42,200 --> 00:01:44,759 Speaker 1: there are some things that Lamar Jackson does that nobody 27 00:01:44,800 --> 00:01:48,520 Speaker 1: else can do in the NFL, and there's also basic 28 00:01:48,640 --> 00:01:53,600 Speaker 1: things that other quarterbacks are able to do that Lamar 29 00:01:54,240 --> 00:01:59,360 Speaker 1: messes up all the time. And that game was the 30 00:01:59,400 --> 00:02:04,640 Speaker 1: persona ocasion, was the epitome of the Lamar Jackson experience. 31 00:02:04,680 --> 00:02:07,520 Speaker 1: And the Ravens didn't play all that well. There were 32 00:02:07,560 --> 00:02:11,440 Speaker 1: some defensive breakdowns. They have a new defensive coordinator, several 33 00:02:11,480 --> 00:02:15,120 Speaker 1: new coaches on the staff, and they still had a 34 00:02:15,200 --> 00:02:17,920 Speaker 1: chance to tie. And if they had scored the touchdown, 35 00:02:19,040 --> 00:02:21,120 Speaker 1: the lively was out of bounds. If they had scored, 36 00:02:21,120 --> 00:02:22,600 Speaker 1: they would have gone for two. But enough about that. 37 00:02:22,639 --> 00:02:27,040 Speaker 1: We have another game tonight and that is in Brazil. 38 00:02:27,680 --> 00:02:33,040 Speaker 1: The Eagles and the Packers will duke it out as 39 00:02:33,240 --> 00:02:38,240 Speaker 1: there is military security protecting our NFL players in Brazil 40 00:02:39,160 --> 00:02:44,600 Speaker 1: today and that game will be on Peacock later today. 41 00:02:44,600 --> 00:02:48,000 Speaker 1: More on that coming up on this the Friday edition. 42 00:02:48,800 --> 00:02:53,160 Speaker 1: This sixth day of September edition of the podcast here 43 00:02:53,200 --> 00:02:58,160 Speaker 1: will have the wardrobe change or was it the flapping 44 00:02:58,280 --> 00:03:02,480 Speaker 1: your feathers like you just own care, cheeseburger in Paradise, 45 00:03:02,560 --> 00:03:04,880 Speaker 1: and the phrase of the week. So there's a lot 46 00:03:05,680 --> 00:03:09,320 Speaker 1: of stuff to get to. Today's National Read a Book Day. 47 00:03:09,800 --> 00:03:14,239 Speaker 1: Who me and you can read a book while listening 48 00:03:14,280 --> 00:03:16,280 Speaker 1: to the fifth Hour podcast, so you know that, Yes, 49 00:03:16,480 --> 00:03:20,280 Speaker 1: you can multitest. You can read the book and listen 50 00:03:20,320 --> 00:03:23,840 Speaker 1: to this podcast in the back. And while we want 51 00:03:23,880 --> 00:03:28,200 Speaker 1: you to focus on everything that we say, we get 52 00:03:28,240 --> 00:03:31,639 Speaker 1: credit as long as you play the podcast. They have 53 00:03:32,080 --> 00:03:35,360 Speaker 1: ways to track you. As you know, Big Brothers always 54 00:03:35,600 --> 00:03:38,680 Speaker 1: watching or listening, so they can track you and how 55 00:03:38,720 --> 00:03:41,040 Speaker 1: many people are listening. And when you listen to like 56 00:03:41,080 --> 00:03:43,960 Speaker 1: you download the podcast, you listen for like five minutes, 57 00:03:44,000 --> 00:03:46,120 Speaker 1: we get credit, but we get extra credit if you 58 00:03:46,160 --> 00:03:48,320 Speaker 1: listen for ten minutes. I don't even know how it 59 00:03:48,320 --> 00:03:50,600 Speaker 1: all works. I just know we need a minimum of 60 00:03:50,640 --> 00:03:54,000 Speaker 1: like five good minutes. We get a little credit for 61 00:03:54,120 --> 00:03:57,400 Speaker 1: two or three, but we'd like to have more. We'd 62 00:03:57,440 --> 00:04:01,600 Speaker 1: like to have more than that. So that's the deal 63 00:04:01,680 --> 00:04:01,880 Speaker 1: on that. 64 00:04:01,960 --> 00:04:02,200 Speaker 2: Now. 65 00:04:02,480 --> 00:04:06,760 Speaker 1: It is also Fight Procrastination Day, and I am proud 66 00:04:06,760 --> 00:04:12,240 Speaker 1: to say that this is not an issue that I have. 67 00:04:13,720 --> 00:04:19,200 Speaker 1: I wish it was a problem. I just don't in 68 00:04:19,279 --> 00:04:21,960 Speaker 1: terms of work stuff. Now there's other stuff, like the 69 00:04:22,080 --> 00:04:26,920 Speaker 1: day to day monotony of adulting that I do procrastinate 70 00:04:26,960 --> 00:04:31,520 Speaker 1: on it. But in terms of work, I'm very surgical 71 00:04:32,279 --> 00:04:35,520 Speaker 1: with the way I approach things. I have my routine. 72 00:04:36,000 --> 00:04:40,760 Speaker 1: But today is fight procrastination day, and opportunity for you 73 00:04:41,960 --> 00:04:44,960 Speaker 1: and maybe me when it comes to the adulting stuff 74 00:04:44,960 --> 00:04:49,440 Speaker 1: but not work stuff, to face your procrastination issue head on. 75 00:04:50,600 --> 00:04:52,560 Speaker 1: And they are of course saying this is a mental 76 00:04:52,560 --> 00:04:55,839 Speaker 1: health related and all that stuff, and yeah, well, it 77 00:04:55,880 --> 00:05:00,880 Speaker 1: does actually lead to hoarding. I know that from having 78 00:05:01,480 --> 00:05:04,040 Speaker 1: listeners who have gotten in some trouble Cowboy and Windsor 79 00:05:04,040 --> 00:05:07,560 Speaker 1: and some other guys that have gotten to hoarding. And 80 00:05:08,000 --> 00:05:12,599 Speaker 1: it actually originates. Procrastination originates from a Greek poet who 81 00:05:13,000 --> 00:05:17,800 Speaker 1: was among the first people to speak against procrastination. In 82 00:05:17,880 --> 00:05:23,839 Speaker 1: a poem titled Works and Days. The Greek poet spoke 83 00:05:23,880 --> 00:05:27,840 Speaker 1: to his brother who had mismanaged his inheritance, asking him 84 00:05:28,160 --> 00:05:32,600 Speaker 1: not to abandon his duties. And so it goes all 85 00:05:32,600 --> 00:05:35,600 Speaker 1: the way back to Greek times. So it is fight 86 00:05:35,720 --> 00:05:40,320 Speaker 1: procrastination day. Now for us, we take you behind the 87 00:05:40,360 --> 00:05:45,400 Speaker 1: scenes on Benny Versus the Penny. This is our second episode. 88 00:05:46,080 --> 00:05:50,880 Speaker 1: It has already aired in some markets, for example in Philadelphia. 89 00:05:52,000 --> 00:05:57,719 Speaker 1: It has already been broadcast in Philly and a couple 90 00:05:57,760 --> 00:06:01,600 Speaker 1: of other cities. Now the the main hub of this 91 00:06:03,200 --> 00:06:07,159 Speaker 1: every station matters. But in Boston where the show is produced, 92 00:06:07,160 --> 00:06:09,840 Speaker 1: my guy Vinnie and the production team Kevin and those 93 00:06:09,880 --> 00:06:13,240 Speaker 1: guys put the show together. And our first showing on 94 00:06:13,440 --> 00:06:17,000 Speaker 1: NBC Sports Boston will be tonight at six o'clock. We're 95 00:06:17,040 --> 00:06:21,200 Speaker 1: in a great slot. We're on right after Felger and 96 00:06:21,320 --> 00:06:25,320 Speaker 1: Maz So that's the very popular afternoon drive from the 97 00:06:25,680 --> 00:06:29,520 Speaker 1: sports of Michael Felger and Tony Maserati. It is simulcast. 98 00:06:29,600 --> 00:06:33,359 Speaker 1: It's such a popular show that it is simulcast all 99 00:06:33,680 --> 00:06:36,680 Speaker 1: I think all four hours are on NBC Sports Boston 100 00:06:36,720 --> 00:06:39,240 Speaker 1: and then we come on after that. So that's a 101 00:06:39,279 --> 00:06:42,360 Speaker 1: great slot. And Benny Versus the Penny not only if 102 00:06:42,400 --> 00:06:44,279 Speaker 1: you miss it at six o'clock, it airs again at 103 00:06:44,360 --> 00:06:48,440 Speaker 1: eight point thirty and nine to thirty, so there are 104 00:06:48,560 --> 00:06:54,359 Speaker 1: three showings tonight of that program. There's no reason to 105 00:06:54,640 --> 00:06:58,360 Speaker 1: miss in the Boston market on NBC Sports Boston Benny 106 00:06:58,480 --> 00:07:02,200 Speaker 1: versus the Penny. So check that out. Now, I did 107 00:07:02,240 --> 00:07:06,360 Speaker 1: have a bit of a wardrobe issue, not a snaff foo. 108 00:07:06,360 --> 00:07:09,240 Speaker 1: It wasn't a wardrobe malfunction by any means. It was 109 00:07:09,320 --> 00:07:13,960 Speaker 1: a wardrobe change. It certainly was that. So I'll take 110 00:07:13,960 --> 00:07:20,200 Speaker 1: you behind the scenes. Last week, the episode was boomed 111 00:07:20,200 --> 00:07:24,360 Speaker 1: out to the masses, and we get feedback like any 112 00:07:24,480 --> 00:07:27,320 Speaker 1: job to the radio show, and from time to time 113 00:07:28,000 --> 00:07:30,840 Speaker 1: the bosses will say, hey, like this, I don't like this, 114 00:07:31,120 --> 00:07:33,119 Speaker 1: you know, and then it's up to you to figure 115 00:07:33,120 --> 00:07:36,000 Speaker 1: out how you want to approach things. And we have 116 00:07:36,080 --> 00:07:40,200 Speaker 1: a great team that follows the TV show very closely. 117 00:07:40,240 --> 00:07:42,680 Speaker 1: As you might imagine, there's a lot of people involved, 118 00:07:42,760 --> 00:07:47,120 Speaker 1: much more than a radio show where I have pretty 119 00:07:47,200 --> 00:07:51,880 Speaker 1: much total editorial control over the radio show that I do. 120 00:07:52,520 --> 00:07:56,120 Speaker 1: It's not exactly the same. I have a lot of leeway, 121 00:07:56,760 --> 00:07:59,640 Speaker 1: a lot of leeway on the TV show, but I 122 00:07:59,680 --> 00:08:04,600 Speaker 1: do not have complete and total control, nor would you 123 00:08:04,640 --> 00:08:07,440 Speaker 1: expect me to, nor would you expect me to. There's 124 00:08:07,480 --> 00:08:09,160 Speaker 1: a lot of care that goes into it, right, It's 125 00:08:09,240 --> 00:08:10,960 Speaker 1: very surgical the way to put the show together and 126 00:08:11,000 --> 00:08:12,960 Speaker 1: all that stuff. So in terms of the picks, those 127 00:08:13,000 --> 00:08:15,920 Speaker 1: are obviously my picks. And sometimes I might say something 128 00:08:15,960 --> 00:08:21,400 Speaker 1: that is allowed on the radio and not allowed on 129 00:08:21,800 --> 00:08:26,480 Speaker 1: television and for whatever reason, for whatever reason, and so 130 00:08:27,560 --> 00:08:29,720 Speaker 1: we make sure not to do that again, make sure 131 00:08:29,720 --> 00:08:32,360 Speaker 1: to clean that up. But as far as the wardrobe 132 00:08:32,600 --> 00:08:35,920 Speaker 1: is concerned, I did get one comment from one of 133 00:08:35,920 --> 00:08:38,200 Speaker 1: the big bosses at NBC is like, hey, you know, 134 00:08:38,240 --> 00:08:43,560 Speaker 1: I like the show this, that, and the other thing. However, however, 135 00:08:44,240 --> 00:08:48,560 Speaker 1: and then they'll point something out. And if you've known 136 00:08:48,640 --> 00:08:53,560 Speaker 1: me at all from the Overnight Show, you know, in 137 00:08:53,679 --> 00:09:00,760 Speaker 1: terms of that show, I am the fashionista. I just 138 00:09:00,880 --> 00:09:05,360 Speaker 1: am I Eddie. Come on, Eddie wears the same thing 139 00:09:05,840 --> 00:09:11,840 Speaker 1: all the time. Coop no, and Lorena has been away. 140 00:09:11,880 --> 00:09:15,680 Speaker 1: But I'm the snappy dresser. I'm the snappy dresser on 141 00:09:15,800 --> 00:09:18,760 Speaker 1: the show. I'm on camera there, I'm just on the 142 00:09:18,800 --> 00:09:22,160 Speaker 1: YouTube channel for the show, and it's like I'm walking 143 00:09:22,200 --> 00:09:24,640 Speaker 1: down the catwalk all time. So it was odd when 144 00:09:24,679 --> 00:09:26,760 Speaker 1: somebody from NBC contacted me and said, hey, you know, 145 00:09:26,760 --> 00:09:30,520 Speaker 1: I like the show, however, I'd like to update this 146 00:09:30,600 --> 00:09:36,080 Speaker 1: little wrinkle. So it caught my attention. It was hat related. 147 00:09:36,440 --> 00:09:40,520 Speaker 1: It was hat related. So one of the big bosses 148 00:09:40,559 --> 00:09:42,520 Speaker 1: at NBC's like, hey, I would like you to have 149 00:09:42,600 --> 00:09:48,440 Speaker 1: a different hat, and he even went on the interweb 150 00:09:48,640 --> 00:09:51,760 Speaker 1: and found the style of hat that he wanted me 151 00:09:51,800 --> 00:09:55,680 Speaker 1: to have. The look and all that. I said, Okay, 152 00:09:55,800 --> 00:09:57,920 Speaker 1: you're the boss. I mean, you gave me a damn 153 00:09:57,920 --> 00:10:00,319 Speaker 1: TV show. Whatever you want. I'm there, man, I don't know. 154 00:10:00,960 --> 00:10:04,200 Speaker 1: I'm in radio, you know, fashion, even though I'm the 155 00:10:04,200 --> 00:10:06,040 Speaker 1: fashion Nissa on the show. It's like, okay, this is 156 00:10:06,040 --> 00:10:08,400 Speaker 1: a different world from me. I thought, like a wardrobe 157 00:10:08,440 --> 00:10:11,160 Speaker 1: and worry about my appearance and stuff. I can't be 158 00:10:11,360 --> 00:10:15,079 Speaker 1: a disheveled slob and I mean, man, So he sent 159 00:10:15,160 --> 00:10:19,000 Speaker 1: something to me and we immediately bought it. Bought this 160 00:10:19,000 --> 00:10:25,760 Speaker 1: this hat from hand crafted from Ireland to where so 161 00:10:25,800 --> 00:10:29,280 Speaker 1: we got the hat doing the show normal week. In 162 00:10:29,360 --> 00:10:32,880 Speaker 1: terms of prep, you know, sent the stuff where it 163 00:10:32,880 --> 00:10:34,880 Speaker 1: needed to go to Vinnie. I do most of the 164 00:10:34,880 --> 00:10:36,600 Speaker 1: prep for the show. Send it to Vinnie. He then 165 00:10:37,200 --> 00:10:41,079 Speaker 1: puts everything together, the rich tapestry of information. He has 166 00:10:41,160 --> 00:10:45,520 Speaker 1: to sew that together into a rundown where we have 167 00:10:45,600 --> 00:10:47,760 Speaker 1: the A block, the B block, and the C block. 168 00:10:47,800 --> 00:10:49,559 Speaker 1: Because it's half hour show, so you get the beginning, 169 00:10:49,840 --> 00:10:53,360 Speaker 1: the middle, and then the end. Boom boom boom, and 170 00:10:53,360 --> 00:10:56,320 Speaker 1: that's it. Shows over. So I send him the stuff. 171 00:10:56,840 --> 00:10:58,800 Speaker 1: He then sends me back at the end of the day, 172 00:10:59,000 --> 00:11:01,240 Speaker 1: he sends me the rundow. So then at that point 173 00:11:01,320 --> 00:11:07,680 Speaker 1: I have to compile my talking points and I don't 174 00:11:07,760 --> 00:11:10,800 Speaker 1: use it tele a prompter. That's Tom Looney. Tom Looney's prompter. Tom, 175 00:11:11,280 --> 00:11:14,160 Speaker 1: He's Tom the prompter. Don't use a prompter. Probably should 176 00:11:14,200 --> 00:11:16,360 Speaker 1: use a prompter. Don't use a prompter. So it's all 177 00:11:16,840 --> 00:11:19,640 Speaker 1: pretty much muscle memory where I go over my notes 178 00:11:19,679 --> 00:11:21,559 Speaker 1: and I'm trying to remember like key points I want 179 00:11:21,600 --> 00:11:26,760 Speaker 1: to make. But the show is my end is improvised 180 00:11:27,080 --> 00:11:28,960 Speaker 1: what I'm going to say. I have an idea of 181 00:11:28,960 --> 00:11:30,600 Speaker 1: what I want to say, and I way too much 182 00:11:30,760 --> 00:11:34,040 Speaker 1: much information on every game. The show is only half 183 00:11:34,080 --> 00:11:38,160 Speaker 1: an hour, and because of that, as we've talked about 184 00:11:38,200 --> 00:11:41,920 Speaker 1: in previous episodes of this podcast, the fifth hour, a 185 00:11:42,000 --> 00:11:45,000 Speaker 1: lot of stuff does not end up on the show, 186 00:11:45,040 --> 00:11:49,439 Speaker 1: and the same thing happens in radio. It's even more 187 00:11:49,679 --> 00:11:53,839 Speaker 1: exasperated on the television show because there's so many moving 188 00:11:53,920 --> 00:11:58,760 Speaker 1: parts and you're on camera, then you're off camera and 189 00:11:58,840 --> 00:12:02,080 Speaker 1: you're paranoid about how you're looking, and the whole thing. 190 00:12:02,240 --> 00:12:05,760 Speaker 1: And so there's all that involved. There's all that involved, 191 00:12:06,720 --> 00:12:10,720 Speaker 1: but the wardrobe thing. So you get to the point, please, Okay, 192 00:12:10,760 --> 00:12:12,520 Speaker 1: I'll get to the point. So I show up to 193 00:12:12,520 --> 00:12:15,959 Speaker 1: the Universal studios and I'm the first one there because 194 00:12:16,000 --> 00:12:17,720 Speaker 1: what I do is my move is I do the 195 00:12:17,800 --> 00:12:22,680 Speaker 1: radio show and boom, I'm getting off the radio. I 196 00:12:22,679 --> 00:12:24,679 Speaker 1: scoot right over to Universal students. I'm like, hey man, 197 00:12:24,720 --> 00:12:26,800 Speaker 1: I'm at Universe. This is great. But there's no one 198 00:12:26,800 --> 00:12:28,760 Speaker 1: there when I get there, there's no one there, like 199 00:12:28,800 --> 00:12:34,439 Speaker 1: the security guard. There's somebody in the CNBC newsroom, in 200 00:12:34,480 --> 00:12:37,400 Speaker 1: the MSNBC newsroom, because it's kind of where we have 201 00:12:37,520 --> 00:12:42,000 Speaker 1: our studio. It's in the the NBC Tom Brokaw building 202 00:12:42,240 --> 00:12:45,199 Speaker 1: over there, and so we have our own little little 203 00:12:45,200 --> 00:12:48,560 Speaker 1: cubby hole there, and there's a room right across the hall. 204 00:12:48,679 --> 00:12:51,320 Speaker 1: You go out of the studio. We record Benny versus 205 00:12:51,360 --> 00:12:52,800 Speaker 1: the Penny, and it was a big green screen and 206 00:12:52,880 --> 00:12:54,720 Speaker 1: cameras and the lights and all stuff. So you go 207 00:12:54,880 --> 00:12:58,240 Speaker 1: out of there, you make a right turn. There's a 208 00:12:58,280 --> 00:13:00,000 Speaker 1: whole hallway, but you go you don't look at the hallway, 209 00:13:00,120 --> 00:13:03,320 Speaker 1: you just turn right. Then as you're walking down you 210 00:13:03,360 --> 00:13:05,320 Speaker 1: take a few steps down to the right, and then 211 00:13:05,400 --> 00:13:08,079 Speaker 1: to the left there's a door. There's a couple of 212 00:13:08,120 --> 00:13:10,440 Speaker 1: tables in there, and that's where I spend most of 213 00:13:10,480 --> 00:13:14,760 Speaker 1: my time on the Universal Lot. I go in there. 214 00:13:14,800 --> 00:13:17,360 Speaker 1: There's power, there's a whatever you need there. They got 215 00:13:17,360 --> 00:13:20,640 Speaker 1: everything you need. There's a great commissary there down the 216 00:13:20,640 --> 00:13:23,280 Speaker 1: hall where they have all the usual nonsense with water 217 00:13:23,360 --> 00:13:26,840 Speaker 1: and coffee which I don't drink. And there's downstairs there's 218 00:13:26,840 --> 00:13:29,599 Speaker 1: snacks you can you can get you have to buy them, 219 00:13:30,240 --> 00:13:32,840 Speaker 1: I fast, so I don't. I don't buy them. But anyway, well, 220 00:13:33,000 --> 00:13:36,720 Speaker 1: so I go in that room and it's the middle 221 00:13:36,960 --> 00:13:39,560 Speaker 1: of the night. There's no one there whatever, and I'm 222 00:13:39,679 --> 00:13:45,000 Speaker 1: just trying to compile and put together how I want 223 00:13:45,040 --> 00:13:49,120 Speaker 1: the show to go. I and it's like some things 224 00:13:49,160 --> 00:13:51,120 Speaker 1: that I want to make sure I get in. There's 225 00:13:51,160 --> 00:13:54,280 Speaker 1: some things that you know, whether that gets in or not, 226 00:13:55,320 --> 00:13:58,000 Speaker 1: it doesn't matter. It doesn't matter. So I do that, 227 00:13:58,080 --> 00:13:59,480 Speaker 1: and I guess some other stuff I have to take 228 00:13:59,480 --> 00:14:01,880 Speaker 1: care of. So I'm in there a while and kind 229 00:14:01,880 --> 00:14:05,719 Speaker 1: of doing my thing and all that, and then eventually 230 00:14:06,280 --> 00:14:08,760 Speaker 1: Looney strolls in. Now the great thing about when Looney 231 00:14:08,800 --> 00:14:14,800 Speaker 1: shows up to record the show. He's there right before 232 00:14:15,679 --> 00:14:18,839 Speaker 1: we have this call time. They send a sheet down. 233 00:14:18,880 --> 00:14:20,680 Speaker 1: You have a call time, have to be there, and 234 00:14:20,880 --> 00:14:22,760 Speaker 1: I get there real early because I got nothing else 235 00:14:22,760 --> 00:14:26,040 Speaker 1: to do. Looney strolls in. You always hear Looney before 236 00:14:26,080 --> 00:14:28,040 Speaker 1: you see him. You always hee him. He'd be a 237 00:14:28,160 --> 00:14:32,280 Speaker 1: terrible spot. He's the antithesis of a ninja. Okay, So 238 00:14:32,640 --> 00:14:36,800 Speaker 1: you hear him chit chatting, playing grab ass with pretty 239 00:14:36,840 --> 00:14:40,520 Speaker 1: much everybody who's wandering around. And by that time there's 240 00:14:40,520 --> 00:14:43,640 Speaker 1: people that are showing up, and you know, Looney's saying 241 00:14:43,680 --> 00:14:47,320 Speaker 1: hello and he's remembering everyone's name, and you know it's 242 00:14:47,400 --> 00:14:49,880 Speaker 1: Pop Pop Phizz fizz. Oh, what a relief it is. 243 00:14:49,920 --> 00:14:53,120 Speaker 1: Tom Looney's here. So I hear him before I see him. 244 00:14:53,160 --> 00:14:56,240 Speaker 1: He shows up, and then we go over everything. He's 245 00:14:56,280 --> 00:14:59,560 Speaker 1: got a couple of wardrobe options. We do a table 246 00:15:00,120 --> 00:15:01,720 Speaker 1: You think we're kidding, but we don't. We actually do 247 00:15:01,760 --> 00:15:04,960 Speaker 1: a table read, and we go over every segment of 248 00:15:05,000 --> 00:15:09,000 Speaker 1: the show. And what often happens during the table read 249 00:15:09,600 --> 00:15:13,320 Speaker 1: if we haven't mentioned this in previous episodes. So we 250 00:15:13,360 --> 00:15:16,040 Speaker 1: go over things, but there's things that we don't want 251 00:15:16,080 --> 00:15:19,080 Speaker 1: the other person to know, like Looney will drop stuff 252 00:15:19,120 --> 00:15:21,240 Speaker 1: on me when we're actually doing the show that wasn't 253 00:15:21,240 --> 00:15:24,680 Speaker 1: in the table read, and vice versa, and vice versa. 254 00:15:24,760 --> 00:15:28,520 Speaker 1: So well, well, it's you know what it's like. It's 255 00:15:28,680 --> 00:15:32,040 Speaker 1: like exhibition football where you don't want to show the 256 00:15:32,080 --> 00:15:35,800 Speaker 1: other team your playbook, but you want to play the game, 257 00:15:35,920 --> 00:15:38,720 Speaker 1: but you don't want to show what you're going to 258 00:15:38,760 --> 00:15:41,120 Speaker 1: do in the real game. And so that's what it's like. 259 00:15:41,480 --> 00:15:44,360 Speaker 1: But it gives you a sense of what's going to happen, 260 00:15:44,360 --> 00:15:48,000 Speaker 1: but there's always surprises. So we do all that, and this, 261 00:15:48,120 --> 00:15:51,400 Speaker 1: to me is a very important part of the making 262 00:15:51,400 --> 00:15:54,520 Speaker 1: of the show because unlike the radio show, you go 263 00:15:54,600 --> 00:15:56,080 Speaker 1: in there you want to get it done. It's on 264 00:15:56,160 --> 00:15:59,880 Speaker 1: television at lasts for several days, it's everywhere people can 265 00:16:00,520 --> 00:16:03,400 Speaker 1: you want to it's your product. You are putting your 266 00:16:03,440 --> 00:16:05,800 Speaker 1: product out there, so it's important we go over that. 267 00:16:05,880 --> 00:16:07,800 Speaker 1: So fine, we do that, and then it's time to 268 00:16:07,840 --> 00:16:10,760 Speaker 1: put the final pieces to the wardrobe together. And I 269 00:16:10,840 --> 00:16:13,520 Speaker 1: mentioned that one of the big executives at NBC had said, hey, 270 00:16:13,600 --> 00:16:15,400 Speaker 1: we want you to get this hat. So I bought 271 00:16:15,400 --> 00:16:18,480 Speaker 1: the hat, pretty expensive hat, pretty expensive hat, and so 272 00:16:18,560 --> 00:16:20,960 Speaker 1: I put the hat on, I put the sweater on, 273 00:16:21,200 --> 00:16:23,440 Speaker 1: changed up the sweater this week. I got permission from 274 00:16:23,480 --> 00:16:27,560 Speaker 1: the big bosses at NBC to change the wardrobe. So fine, 275 00:16:27,960 --> 00:16:30,360 Speaker 1: So I go into the studio. I sit down, new 276 00:16:30,400 --> 00:16:34,160 Speaker 1: hat on, and there's a lot of conversation going on 277 00:16:34,240 --> 00:16:36,280 Speaker 1: back in Boston. People are going back. I know they're 278 00:16:36,280 --> 00:16:39,200 Speaker 1: talking about the hat. I know, the hat's the point 279 00:16:39,320 --> 00:16:42,160 Speaker 1: of emphasis. And then they're trying to adjust the lighting. 280 00:16:42,560 --> 00:16:44,600 Speaker 1: So I've got people running around behind me and in 281 00:16:44,600 --> 00:16:46,520 Speaker 1: front of me trying to adjust the lighting in there, 282 00:16:46,680 --> 00:16:49,120 Speaker 1: Like what's going on. It's like okay, And I had 283 00:16:49,160 --> 00:16:53,560 Speaker 1: a feeling the hat something was a little off, but 284 00:16:53,640 --> 00:16:56,440 Speaker 1: again it wasn't my decision. This was somebody that wanted 285 00:16:56,480 --> 00:16:58,600 Speaker 1: me to wear the hat. So I don't wear it whatever, 286 00:16:58,680 --> 00:17:01,280 Speaker 1: you know, they want it, whatever they want, I'll wear 287 00:17:01,360 --> 00:17:03,280 Speaker 1: clown makeup if they want, they you know, keep me 288 00:17:03,320 --> 00:17:05,760 Speaker 1: a TV show. I mean, come on, some would argue 289 00:17:05,800 --> 00:17:09,080 Speaker 1: I am wearing clown makeup. So I went in there, 290 00:17:09,119 --> 00:17:11,639 Speaker 1: we sit down, I test the microphones, and we have 291 00:17:11,720 --> 00:17:14,040 Speaker 1: to test the earpiece and all that stuff. And so 292 00:17:15,440 --> 00:17:21,840 Speaker 1: I'm pretty normal minimal things, nominal, nominal stuff. And we 293 00:17:21,920 --> 00:17:25,280 Speaker 1: go through all the trivial stuff and and then I 294 00:17:25,359 --> 00:17:28,560 Speaker 1: get the message, Hey is do you have the hat 295 00:17:28,560 --> 00:17:33,400 Speaker 1: from last week in your in your bag? Why? Yes, 296 00:17:33,560 --> 00:17:37,680 Speaker 1: I do. I absolutely have the hat from last week. 297 00:17:37,680 --> 00:17:39,160 Speaker 1: So I had to go out of this to take 298 00:17:39,160 --> 00:17:42,120 Speaker 1: my mic off and my IFB go out of the studio, 299 00:17:42,280 --> 00:17:44,240 Speaker 1: go make a right turn, go into the room I 300 00:17:44,280 --> 00:17:48,560 Speaker 1: normally hang out at and fiddle with my hat. And 301 00:17:48,640 --> 00:17:50,399 Speaker 1: so fiddle with my hat I did. And so it 302 00:17:50,440 --> 00:17:53,880 Speaker 1: turns out that I will be returning the very expensive 303 00:17:53,920 --> 00:17:56,760 Speaker 1: hat hand crafted from Ireland. It just I have a 304 00:17:56,880 --> 00:18:01,280 Speaker 1: very large head. And you can say because I've got 305 00:18:01,280 --> 00:18:02,760 Speaker 1: a lot of empty space or I have a big brain. 306 00:18:02,800 --> 00:18:06,480 Speaker 1: Either way, and so the bit of a problem to 307 00:18:06,560 --> 00:18:10,679 Speaker 1: find hats that fit right on the big head not easy, 308 00:18:10,840 --> 00:18:15,560 Speaker 1: not easy. So then we use the old hat. You 309 00:18:15,600 --> 00:18:18,959 Speaker 1: can see that today, later today and tomorrow and then 310 00:18:19,119 --> 00:18:22,560 Speaker 1: Sunday morning on this week's edition of Benny Versus the Pennys. 311 00:18:22,600 --> 00:18:25,679 Speaker 1: We like to call it BBP BBP Betty versus Penny. 312 00:18:26,040 --> 00:18:29,800 Speaker 1: So we turned the page on that and I got 313 00:18:29,840 --> 00:18:31,720 Speaker 1: a lot of great feedback, and we're going to do 314 00:18:31,720 --> 00:18:36,960 Speaker 1: the mail bag on Sunday and we'll read your questions 315 00:18:37,040 --> 00:18:40,080 Speaker 1: and go over the quiz of the week from you guys. 316 00:18:40,160 --> 00:18:42,200 Speaker 1: And we got a lot of email this week, which 317 00:18:42,200 --> 00:18:44,800 Speaker 1: is great, and I'm sure we'll get more between now 318 00:18:45,920 --> 00:18:49,800 Speaker 1: and Sunday. You can email Real fifth Hour at gmail 319 00:18:49,880 --> 00:18:53,880 Speaker 1: dot com. Real fifth Hour at gmail dot com. Fine, 320 00:18:54,000 --> 00:18:56,040 Speaker 1: so people are emailing me be like, hey, I want 321 00:18:56,040 --> 00:18:59,920 Speaker 1: to watch the show. I have Peacock and where's the show? 322 00:19:01,040 --> 00:19:04,280 Speaker 1: So I point out where the show is. I go 323 00:19:04,320 --> 00:19:06,400 Speaker 1: over here, the show's shows right there, boom, I'll watch 324 00:19:06,480 --> 00:19:10,720 Speaker 1: watch the show. So fine, and then, uh, I guess 325 00:19:10,760 --> 00:19:15,119 Speaker 1: it was yesterday on Thursday, maybe even Wednesday, might have 326 00:19:15,200 --> 00:19:16,840 Speaker 1: been on Wednesday. I think I think it was actually 327 00:19:16,880 --> 00:19:19,320 Speaker 1: started on Wednesday. I'm getting these messages that are are 328 00:19:19,320 --> 00:19:26,480 Speaker 1: trickling in and people are are annoyed. They're getting progressively 329 00:19:26,600 --> 00:19:32,040 Speaker 1: more upset and know what did what did I do here? 330 00:19:32,200 --> 00:19:34,800 Speaker 1: And I don't think I did. I didn't. I don't 331 00:19:34,840 --> 00:19:37,960 Speaker 1: think I did any anyway. The the tenor of the 332 00:19:38,080 --> 00:19:40,840 Speaker 1: messages where hey, I heard you mentioned on the radio 333 00:19:40,920 --> 00:19:46,439 Speaker 1: show that your TV show is on pot On on 334 00:19:46,520 --> 00:19:52,200 Speaker 1: Peacock on Peacock, uh, and uh, but I couldn't find it. 335 00:19:53,760 --> 00:19:57,679 Speaker 1: Did you lie? Did you make that up? You know 336 00:19:57,720 --> 00:20:01,560 Speaker 1: that whole thing? And one guy even went as far 337 00:20:01,840 --> 00:20:07,679 Speaker 1: as to say. They contacted customer service. They were that 338 00:20:07,960 --> 00:20:13,159 Speaker 1: annoyed they could not find the show on Peacock. So 339 00:20:13,240 --> 00:20:17,680 Speaker 1: then that sparked a minutes long Mallor investigation. As I 340 00:20:17,760 --> 00:20:21,520 Speaker 1: started to freak out what happened to the show, I 341 00:20:21,640 --> 00:20:25,199 Speaker 1: became a bit abrasive, bit abrasive, as they were right. 342 00:20:25,240 --> 00:20:29,080 Speaker 1: The people that were contacting me were there. They were annoyed, 343 00:20:29,600 --> 00:20:32,400 Speaker 1: they were upset, which is I'm honored that you're upset 344 00:20:32,400 --> 00:20:35,360 Speaker 1: because you can't find a TV show that's a week old. Anyway, 345 00:20:35,400 --> 00:20:38,960 Speaker 1: now I know the rest of the story, the rest 346 00:20:39,119 --> 00:20:42,800 Speaker 1: of the story. So it turns out the TV show 347 00:20:43,680 --> 00:20:51,040 Speaker 1: has a rather quick expiration date because we're picking games 348 00:20:51,080 --> 00:20:54,479 Speaker 1: that are played mostly on Sunday and then the Monday 349 00:20:54,560 --> 00:20:58,640 Speaker 1: night game. There's no reason to keep the show up 350 00:20:58,680 --> 00:21:01,840 Speaker 1: other than to make us look like jackasses, you know, 351 00:21:02,040 --> 00:21:05,240 Speaker 1: jack wagons or whatever. So what they do, it's just 352 00:21:05,240 --> 00:21:09,040 Speaker 1: like the TV show, the TV show which is on Peacock. 353 00:21:09,119 --> 00:21:12,560 Speaker 1: It's the same show, but on cable they stop airing 354 00:21:12,600 --> 00:21:16,480 Speaker 1: it at one o'clock Eastern on Sunday because that's when 355 00:21:16,520 --> 00:21:21,399 Speaker 1: they kick off that big television window. So somewhere and 356 00:21:21,920 --> 00:21:25,760 Speaker 1: this is way over my pay grade. Somebody that is 357 00:21:25,840 --> 00:21:29,760 Speaker 1: involved in the Peacock process not only took the show 358 00:21:29,800 --> 00:21:32,359 Speaker 1: off Peacock, which I'm fine with. I get it. Even 359 00:21:32,400 --> 00:21:38,120 Speaker 1: though last week's episode, the week one episode preseason is 360 00:21:38,600 --> 00:21:41,760 Speaker 1: pretty much evergreen in terms of the picks are going 361 00:21:41,840 --> 00:21:44,520 Speaker 1: to last all year. We did win totals, we did 362 00:21:44,800 --> 00:21:47,520 Speaker 1: some player I did some player props. Those bets will 363 00:21:47,840 --> 00:21:49,880 Speaker 1: have a lifespan that will go all the way through 364 00:21:49,920 --> 00:21:54,160 Speaker 1: the regular season. The show this week, which you'll start 365 00:21:54,359 --> 00:22:00,040 Speaker 1: start today, that in the pecking order of television, and 366 00:22:01,359 --> 00:22:06,760 Speaker 1: it's going to be dated on on Sunday. Okay, so fine. 367 00:22:07,440 --> 00:22:10,280 Speaker 1: But the only problem I had I did let the 368 00:22:10,320 --> 00:22:12,840 Speaker 1: people at NBC know is they took the entire beny 369 00:22:12,960 --> 00:22:18,080 Speaker 1: versus the penny page down and one guy contacted their 370 00:22:18,520 --> 00:22:22,600 Speaker 1: customer service and the person wasn't real helpful and that 371 00:22:22,680 --> 00:22:24,119 Speaker 1: you know, they kind of got upset and all that. 372 00:22:24,160 --> 00:22:26,360 Speaker 1: So I just want you to know I do care 373 00:22:26,440 --> 00:22:32,600 Speaker 1: about your feedback, and I have contacted through the proper channels. 374 00:22:33,680 --> 00:22:36,320 Speaker 1: I do know the social order, I know where I 375 00:22:36,440 --> 00:22:38,840 Speaker 1: fall on the food chain, so I feel like I 376 00:22:38,920 --> 00:22:43,200 Speaker 1: was diplomatic and we'll see where the road takes us here, hopefully, 377 00:22:43,320 --> 00:22:45,440 Speaker 1: we'll get this straight now early. This is the first 378 00:22:45,520 --> 00:22:49,080 Speaker 1: year we've been on Peacock and it was really cool. 379 00:22:49,119 --> 00:22:52,760 Speaker 1: They had a great page. My ugly photo was on there, 380 00:22:53,280 --> 00:22:55,960 Speaker 1: and from what I understand, don't hold me to this, 381 00:22:57,280 --> 00:23:00,919 Speaker 1: that page will be back up this afternoon. By this 382 00:23:01,040 --> 00:23:03,320 Speaker 1: afternoon and you'll be able to watch Benny Versus the 383 00:23:03,359 --> 00:23:07,200 Speaker 1: Penny week two week two week. It's week one of 384 00:23:07,240 --> 00:23:10,680 Speaker 1: the NFL season, but week two for the show, episode two, 385 00:23:11,280 --> 00:23:12,760 Speaker 1: and so you'll be able to watch that later today. 386 00:23:12,760 --> 00:23:15,199 Speaker 1: And you know, one thing I have no problem with 387 00:23:15,280 --> 00:23:19,720 Speaker 1: being bashful is is promoting the show, and so I'll 388 00:23:19,720 --> 00:23:24,240 Speaker 1: send that out on all the appropriate social media channels 389 00:23:24,680 --> 00:23:31,200 Speaker 1: and this podcast companion your next level P one if 390 00:23:31,200 --> 00:23:34,159 Speaker 1: you're in here, So that's how I classify you that 391 00:23:34,960 --> 00:23:36,960 Speaker 1: you're even listening to the podcast on the weekends, and 392 00:23:36,960 --> 00:23:39,679 Speaker 1: hopefully you listen to the overnight show. So thank you 393 00:23:39,800 --> 00:23:44,200 Speaker 1: for flapping your feathers about the Peacock. We'll get that 394 00:23:44,240 --> 00:23:48,239 Speaker 1: sorted out again today. It should be back up and 395 00:23:48,280 --> 00:23:50,240 Speaker 1: then remember though, it's only going to be up for 396 00:23:50,280 --> 00:23:53,600 Speaker 1: a few days, so if you're planning on we were 397 00:23:53,760 --> 00:23:59,080 Speaker 1: just talking about this earlier a few minutes ago, procrastinating, well, 398 00:23:59,200 --> 00:24:01,760 Speaker 1: fight procrast nation. If you're planning on pushing back the 399 00:24:01,760 --> 00:24:06,919 Speaker 1: TV show, you have until Sunday morning and then the 400 00:24:06,960 --> 00:24:11,440 Speaker 1: thing vanishes into the into the into the outer space area. 401 00:24:11,520 --> 00:24:14,560 Speaker 1: So who knows. Moving on from that, it is a 402 00:24:15,480 --> 00:24:27,800 Speaker 1: cheeseburger in Paradise. And this is one of those fun 403 00:24:27,880 --> 00:24:32,119 Speaker 1: facts that I had heard years ago and I had forgotten. 404 00:24:33,000 --> 00:24:34,879 Speaker 1: Do you ever have that happen When you hear something 405 00:24:34,920 --> 00:24:38,040 Speaker 1: then you kind of forget about it and then it's back. 406 00:24:38,640 --> 00:24:41,000 Speaker 1: And that's what happened this week. So I fell down 407 00:24:41,000 --> 00:24:45,919 Speaker 1: this rabbit hole. I was reading a story about about 408 00:24:45,920 --> 00:24:49,760 Speaker 1: some some fast food restaurants and how they're price gouging 409 00:24:49,800 --> 00:24:52,200 Speaker 1: people and then they and then I clicked on another 410 00:24:52,280 --> 00:24:55,479 Speaker 1: story and it was about the shake Shack, the burger 411 00:24:55,560 --> 00:24:58,720 Speaker 1: joined from New York. That's a national chain and they're 412 00:24:58,720 --> 00:25:01,800 Speaker 1: closing some location in Los Angeles. So then I checked 413 00:25:01,840 --> 00:25:05,240 Speaker 1: that out, and then I clicked on another story and 414 00:25:05,880 --> 00:25:10,480 Speaker 1: it was about the genesis of the cheeseburger. Now, the hamburger, 415 00:25:11,080 --> 00:25:13,440 Speaker 1: we know the hamburger where it comes from, We've done 416 00:25:13,440 --> 00:25:16,720 Speaker 1: that on the show. But the cheeseburger, this blows me away. 417 00:25:17,200 --> 00:25:22,920 Speaker 1: The cheeseburger only dates back to the early nineteen hundred. 418 00:25:22,920 --> 00:25:26,240 Speaker 1: In fact, this is the one hundredth anniversary of the 419 00:25:26,359 --> 00:25:30,840 Speaker 1: cheeseburger nineteen twenty four. And the cheeseburger where do you 420 00:25:30,880 --> 00:25:33,640 Speaker 1: think it was in? You think it was like New York, Boston, Philly, 421 00:25:34,240 --> 00:25:37,040 Speaker 1: one of those early US towns. Or do you think 422 00:25:37,080 --> 00:25:41,280 Speaker 1: it came from Germany? Hamburg, Germany? What if I told 423 00:25:41,320 --> 00:25:47,399 Speaker 1: you that the cheeseburger came from Pasadena, home of the 424 00:25:47,560 --> 00:25:52,880 Speaker 1: Rose Bowl and the Rose Parade, And in nineteen twenty 425 00:25:52,920 --> 00:25:56,520 Speaker 1: four it was the first time the original hamburger in 426 00:25:56,640 --> 00:26:01,399 Speaker 1: cheese appeared on a menu. Now, the actual term cheeseburger 427 00:26:01,520 --> 00:26:04,840 Speaker 1: was invented somewhere else, I think in Louisiana. I'll have 428 00:26:04,880 --> 00:26:08,640 Speaker 1: to double check that, But the process of putting cheese 429 00:26:08,680 --> 00:26:11,960 Speaker 1: on a burger, the first place that popped up on 430 00:26:12,000 --> 00:26:15,960 Speaker 1: a menu was in Pasadena. The legend is that it 431 00:26:16,040 --> 00:26:18,800 Speaker 1: happened on Colorado Boulevard that was then known as Root 432 00:26:18,920 --> 00:26:21,720 Speaker 1: sixty six. Get your kicks on Root sixty six. They've 433 00:26:21,720 --> 00:26:24,800 Speaker 1: had songs, many songs written about that over the years. 434 00:26:25,359 --> 00:26:28,800 Speaker 1: It was where the right spot that's a restaurant once 435 00:26:28,840 --> 00:26:32,359 Speaker 1: stood and that is where the cheeseburger was born. It 436 00:26:32,440 --> 00:26:36,480 Speaker 1: cost all of fifteen cents. And as the legend goes, 437 00:26:37,119 --> 00:26:43,360 Speaker 1: is it true that a gentleman named hs Sternberger great name, 438 00:26:44,000 --> 00:26:46,400 Speaker 1: and his two sons who happened to be twins, Van 439 00:26:46,600 --> 00:26:52,119 Speaker 1: and Lionel. They were in Pasadena in nineteen sixteen from 440 00:26:52,440 --> 00:26:58,639 Speaker 1: San Diego. The sixteen year old Lionel Sternberger was working 441 00:26:59,320 --> 00:27:02,320 Speaker 1: in the kitchen at his dad's restaurant. There the original 442 00:27:03,119 --> 00:27:05,320 Speaker 1: hamburger and cheese would pop up on the menu there 443 00:27:05,400 --> 00:27:08,399 Speaker 1: at the right spot. So this kid's sixteen, he's working, 444 00:27:08,600 --> 00:27:12,080 Speaker 1: he's in high school. He's working at the restaurant southwest 445 00:27:12,080 --> 00:27:15,800 Speaker 1: corner of Colorado Boulevard on an Avenue sixty four. I 446 00:27:15,880 --> 00:27:17,879 Speaker 1: used to live on Avenue twenty six. It's one of 447 00:27:17,920 --> 00:27:22,879 Speaker 1: my old old homes, so Avenue sixty four in Colorado Boulevard. 448 00:27:23,480 --> 00:27:25,720 Speaker 1: And this this kid's working as a short order cook. 449 00:27:26,400 --> 00:27:30,680 Speaker 1: And one random day in nineteen twenty four, a sixteen 450 00:27:30,720 --> 00:27:36,040 Speaker 1: year old kid introduced cheese to a patty of beef. Now, 451 00:27:36,119 --> 00:27:38,680 Speaker 1: how exactly he decided to do this is a bit 452 00:27:38,720 --> 00:27:43,160 Speaker 1: of a mystery. There are two theories that food historians 453 00:27:43,640 --> 00:27:45,440 Speaker 1: have come up with, but we do know he called 454 00:27:45,440 --> 00:27:48,879 Speaker 1: it not a cheeseburger. He called it the Aristocrat burger. 455 00:27:49,320 --> 00:27:52,000 Speaker 1: The original hamburger with cheese is what they called it. 456 00:27:52,440 --> 00:27:57,960 Speaker 1: So version number one is the story that I like better. 457 00:27:58,600 --> 00:28:02,840 Speaker 1: That I like better. This story is the kids screwed 458 00:28:02,920 --> 00:28:06,080 Speaker 1: up and it was a cover up. Now, often you 459 00:28:06,080 --> 00:28:08,159 Speaker 1: hear the cover up is worse than the crime. This 460 00:28:08,320 --> 00:28:11,800 Speaker 1: time the cover up was better than the crime. So 461 00:28:12,000 --> 00:28:16,000 Speaker 1: Lionel Sternberger, at age sixteen's working his dad's restaurant, short 462 00:28:16,119 --> 00:28:21,040 Speaker 1: order cook. He's behind the counter there flipping burgers and 463 00:28:21,640 --> 00:28:25,679 Speaker 1: uh uh, he accidentally burnt a patty. Now for me, 464 00:28:25,800 --> 00:28:27,800 Speaker 1: that's not an accident. For me, that's what I want. 465 00:28:28,119 --> 00:28:30,200 Speaker 1: When I go to get a burger, I want it burned. 466 00:28:30,200 --> 00:28:32,960 Speaker 1: I cook burgers usually on Fridays. It's burger Day. Today's 467 00:28:32,960 --> 00:28:35,040 Speaker 1: burger day, so I'll have Bobby on the griddle. I 468 00:28:35,119 --> 00:28:38,280 Speaker 1: might make a cheese steak, but so cheat day, cheat meal. 469 00:28:39,360 --> 00:28:42,200 Speaker 1: So I love it burned. I love it well done. 470 00:28:42,440 --> 00:28:45,320 Speaker 1: Most people know. So back in nineteen twenty four, you 471 00:28:45,360 --> 00:28:48,160 Speaker 1: don't even want to burn hamburger patty, but you don't 472 00:28:48,200 --> 00:28:51,000 Speaker 1: want to throw it away because stuff's pricey. I mean, 473 00:28:51,080 --> 00:28:54,560 Speaker 1: fifteen cents that's very expensive for a burger. So this 474 00:28:54,720 --> 00:28:57,760 Speaker 1: kid's like, hey, I got an idea, and a good 475 00:28:57,760 --> 00:29:02,440 Speaker 1: old Lionel Sternberger says, I fed up. So when you 476 00:29:02,640 --> 00:29:06,720 Speaker 1: f up, you got to cover up. And that's exactly 477 00:29:07,760 --> 00:29:10,320 Speaker 1: what he did. He made a mistake and in order 478 00:29:10,320 --> 00:29:13,720 Speaker 1: to hide the mistake, can't put makeup on a burger 479 00:29:14,040 --> 00:29:18,440 Speaker 1: that's burned, so he slapped a slice of cheese to 480 00:29:18,600 --> 00:29:25,120 Speaker 1: conceal the charcoal on the burger. And the rest is 481 00:29:25,960 --> 00:29:29,880 Speaker 1: his story, or is it. Another theory is that this 482 00:29:29,960 --> 00:29:33,360 Speaker 1: kid had nothing to do with the idea and he 483 00:29:33,440 --> 00:29:38,160 Speaker 1: was just following orders that the customer came in. There's 484 00:29:38,200 --> 00:29:40,440 Speaker 1: some random customer and said, hey, I'd like you to 485 00:29:40,480 --> 00:29:43,520 Speaker 1: put a piece of cheese on my burger. And the 486 00:29:43,600 --> 00:29:45,200 Speaker 1: kids say, ah, right, whatever you want. I'm just the 487 00:29:45,240 --> 00:29:49,600 Speaker 1: short order cook dude, and here you go. Knock yourself out. 488 00:29:49,760 --> 00:29:51,640 Speaker 1: And that's how it started. Either way, though, I like 489 00:29:52,160 --> 00:29:54,880 Speaker 1: the first version of the story better. You can decide 490 00:29:55,160 --> 00:30:01,440 Speaker 1: for yourself. We've got the phrase of the way, all right. 491 00:30:01,480 --> 00:30:03,640 Speaker 1: Phrase of the week this week is back to the 492 00:30:03,760 --> 00:30:08,760 Speaker 1: drawing board. This was requested by a listener named Michael, 493 00:30:09,800 --> 00:30:13,280 Speaker 1: who is from Indiana, So thank you Michael for emailing. 494 00:30:13,400 --> 00:30:17,840 Speaker 1: Appreciate your listenership. Michael lives in Indianapolis. He says he's 495 00:30:17,880 --> 00:30:21,760 Speaker 1: a Colts fan, does not like baseball, and likes the 496 00:30:21,800 --> 00:30:26,440 Speaker 1: Indiana Pacers. So pretty standard. Pretty standard, I would say, 497 00:30:27,320 --> 00:30:30,040 Speaker 1: as far as the teams that you like, he wants 498 00:30:30,080 --> 00:30:32,440 Speaker 1: us to break down back to the drawing board. So 499 00:30:32,480 --> 00:30:38,000 Speaker 1: this actually is credited to an artist, a cartoonist. Peter 500 00:30:38,360 --> 00:30:43,600 Speaker 1: Arnault is the name, and it goes back to nineteen 501 00:30:44,120 --> 00:30:46,840 Speaker 1: forty one, so the phrase back to the drawing board 502 00:30:47,880 --> 00:30:50,680 Speaker 1: not that old. It was a New Yorker cartoon New 503 00:30:50,760 --> 00:30:54,840 Speaker 1: Yorker magazine. The cartoon depicted a dude in a suit 504 00:30:55,520 --> 00:31:00,240 Speaker 1: walking away from this crashed plane while carrying rolled up. 505 00:31:01,640 --> 00:31:05,960 Speaker 1: And the way the cartoon was drawn was it was 506 00:31:05,960 --> 00:31:09,200 Speaker 1: a mechanical drawing of an aircraft and there was a 507 00:31:09,240 --> 00:31:12,760 Speaker 1: little cartoon bubble over the head, and the cartoon bubble 508 00:31:12,800 --> 00:31:15,920 Speaker 1: over the head read well, back to the drawing board. 509 00:31:16,840 --> 00:31:19,960 Speaker 1: And supposedly the phrase originated actually during World War Two 510 00:31:20,200 --> 00:31:24,040 Speaker 1: and then made its way into some military dudes, we're 511 00:31:24,240 --> 00:31:26,240 Speaker 1: talking and the cartoon has heard it and put it 512 00:31:26,240 --> 00:31:28,440 Speaker 1: in the New Yorker, and the phrase if you don't 513 00:31:28,480 --> 00:31:31,120 Speaker 1: understand what it means, Kin Bobby's here, it's you screwed 514 00:31:31,200 --> 00:31:35,520 Speaker 1: up something. It was not a success, and you got 515 00:31:35,560 --> 00:31:39,760 Speaker 1: to get a fresh start, you know, begin again, you know, 516 00:31:39,800 --> 00:31:41,960 Speaker 1: make a new beginning. However you want to say it, 517 00:31:42,000 --> 00:31:44,640 Speaker 1: start from scratch. There's so many other ways to say it. 518 00:31:44,640 --> 00:31:47,680 Speaker 1: But back to the drawing board a phrase that originated 519 00:31:48,720 --> 00:31:55,040 Speaker 1: in the New Yorker magazine cartoon in nineteen forty one. 520 00:31:55,680 --> 00:31:57,960 Speaker 1: And now you know the rest of the story. And 521 00:31:58,000 --> 00:32:01,680 Speaker 1: if you want to recommend a phrase or a word 522 00:32:01,760 --> 00:32:04,840 Speaker 1: you'd like us to look up, please do so. We 523 00:32:04,960 --> 00:32:08,560 Speaker 1: love words, love looking up words and trying to dig 524 00:32:08,640 --> 00:32:11,440 Speaker 1: down rabbit holes and find out where things come from. 525 00:32:11,880 --> 00:32:14,280 Speaker 1: But that should do it for us today. Danny will 526 00:32:14,320 --> 00:32:18,080 Speaker 1: be back tomorrow with me Danny G for the Saturday podcast, 527 00:32:18,480 --> 00:32:20,960 Speaker 1: and we'll also have a fresh pod on Sunday. We'll 528 00:32:21,000 --> 00:32:25,320 Speaker 1: have the mail Bag on Sunday. Joy the NFL tonight, 529 00:32:25,360 --> 00:32:28,480 Speaker 1: don't forget Benny versus the Penny again, should be back 530 00:32:28,560 --> 00:32:32,080 Speaker 1: up on Peacock later today, so we're excited about that. 531 00:32:32,360 --> 00:32:35,880 Speaker 1: And watch that NFL game Eagles and Packers, which will 532 00:32:35,920 --> 00:32:40,120 Speaker 1: also be on the Peacock Boy. They should run like 533 00:32:40,160 --> 00:32:43,480 Speaker 1: a promo for the t R show Benny Versus The 534 00:32:43,480 --> 00:32:47,360 Speaker 1: Penny on Peacock Boy. That would be awesome during the game. 535 00:32:47,560 --> 00:32:50,920 Speaker 1: Don't think that's gonna happen. But you can dream, you know, dream, 536 00:32:50,920 --> 00:32:54,360 Speaker 1: Why not dream? But all weekend NBC Sports Boston tonight 537 00:32:54,400 --> 00:32:56,920 Speaker 1: six o'clock obviously in Boston three o'clock in the West. 538 00:32:56,920 --> 00:32:58,720 Speaker 1: If you have a satellite and you can watch it, 539 00:32:58,720 --> 00:33:01,800 Speaker 1: It'll air all weekend and over and over again, several 540 00:33:01,840 --> 00:33:04,480 Speaker 1: showings tonight in Boston, We're on. In Philadelphia, we are 541 00:33:04,480 --> 00:33:06,959 Speaker 1: on in the morning today. Phillies are playing tonight and 542 00:33:07,000 --> 00:33:09,640 Speaker 1: we'll be on again on Saturday morning in Philly and 543 00:33:09,720 --> 00:33:13,160 Speaker 1: in the Bay Area. You're gonna be overwhelmed with Benny 544 00:33:13,240 --> 00:33:18,000 Speaker 1: Versus the Penny. So Andrea and mister nice Guy and 545 00:33:18,160 --> 00:33:21,959 Speaker 1: Matt all you guys, thank you for watching. We'll have 546 00:33:22,040 --> 00:33:26,120 Speaker 1: new episodes up. Even Inka Terror who's blind, loves watching 547 00:33:26,200 --> 00:33:30,200 Speaker 1: Benny Versus the Penny. Have a wonderful rest of your day. 548 00:33:30,240 --> 00:33:37,400 Speaker 1: We will catch you tomorrow, tomorrow, tomorrow later, Skater, Is 549 00:33:37,440 --> 00:33:40,040 Speaker 1: that what Danny says? I think that's what he says, right, Yes, 550 00:33:41,160 --> 00:33:42,160 Speaker 1: got a murder. I gotta go