WEBVTT - Jena Rose

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<v Speaker 1>Hello everyone, and welcome to another episode of Inside of

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<v Speaker 1>the Studio on iHeart Radio. My name is Jordan Runt Tug,

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<v Speaker 1>but enough about me. My guest today is an up

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<v Speaker 1>and coming pop prodigy. She began playing piano at age

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<v Speaker 1>five and made her on stage debut as a teen,

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<v Speaker 1>singing a song by fellow Texan Don Henley. She's come

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<v Speaker 1>a long way in the decades since then. Today she's

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<v Speaker 1>making a name for herself by pusing her love of

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<v Speaker 1>seventies singer songwriters, ad sinth rock and rhythms from her

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<v Speaker 1>Cuban heritage into a fresh sound for the dance club charts.

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<v Speaker 1>You can hear the influences on her single Forever Yours

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<v Speaker 1>and her latest song Checkmate, partially inspired by everyone's favorite

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<v Speaker 1>quarantine stream, The Queen's Gambit. It's an infectious and empowering

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<v Speaker 1>anthem in which the Queen takes the King. I'm so

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<v Speaker 1>happy to welcome my guest today, Jenna Rose. Well, I'm

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<v Speaker 1>speaking to you a few days after The Queen's Gambit one.

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<v Speaker 1>I think it was eleven Emmys, so it feels appropriate

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<v Speaker 1>to start with your new single, Checkmate, which is wracked

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<v Speaker 1>up I think five million views on YouTube and two

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<v Speaker 1>point five million streams. Tell me about the background of

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<v Speaker 1>that song. How did it first come together? Yeah, I

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<v Speaker 1>mean you mentioned the Queen's gambit, which was a huge

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<v Speaker 1>influence on the song obviously, So yeah, I just wanted

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<v Speaker 1>to incorporate the strategy of chess into a song, and

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<v Speaker 1>being a songwriter, that's what I try and do with

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<v Speaker 1>every song is be creative and come up with new ideas.

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<v Speaker 1>And so when I saw the Queen's gambit, I was like,

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<v Speaker 1>oh my gosh, and seeing such a strong, powerful woman

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<v Speaker 1>in chess, in a game where men and women are

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<v Speaker 1>on the exact same playing field, it was so powerful

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<v Speaker 1>to me and really resonated, and so I took it

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<v Speaker 1>to a song, and that's how Checkmate came about. That's funny,

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<v Speaker 1>you know, I never really thought about relationships and chess

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<v Speaker 1>as having much in common. I guess the strategy, well,

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<v Speaker 1>what some of the more of the overlap there. Yeah.

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<v Speaker 1>I think with every relationship in your life, whether it's

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<v Speaker 1>I'm a romantic relationship, friendship, family, there's strategy. I think

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<v Speaker 1>we can all admit that. And you talk to people

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<v Speaker 1>differently and you do different things, and so is stress

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<v Speaker 1>With chess. You always have to be three moves ahead,

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<v Speaker 1>and so that's kind of it relates to life. Like

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<v Speaker 1>you said, stress, there is a really good Freudian slip

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<v Speaker 1>right there with relationships, right, I know it makes sense.

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<v Speaker 1>I mean the lyrics, I mean they could be pretty

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<v Speaker 1>cutting at point. My heart is more than a target,

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<v Speaker 1>but I took a bullet regardless. I mean, where did

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<v Speaker 1>that come from? What was this inspired by a real

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<v Speaker 1>relationship or was this this fiction? Where where did that

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<v Speaker 1>come from? You know, with every song, I write it

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<v Speaker 1>for other people, but I take from relationships in my

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<v Speaker 1>life and experiences that I've had. So it definitely has

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<v Speaker 1>stem from relationships in my life and different things that

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<v Speaker 1>I've gone through. So yeah, it's definitely real for me.

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<v Speaker 1>We've all been there, unfortunately. Yeah, it is a great track.

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<v Speaker 1>What was it life working with Nick for long? I

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<v Speaker 1>know he's written with so many great people Blink two

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<v Speaker 1>see Byoki all time low number of really wonderful people.

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<v Speaker 1>What was that collaboration? Like? It was so fun. He's

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<v Speaker 1>so talented and as a fellow songwriter, it's so fun

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<v Speaker 1>to work with people who are like minded, and it

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<v Speaker 1>was just such a smooth process and really really a

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<v Speaker 1>great experience. I probably should have asked us earlier. Do

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<v Speaker 1>you play chess? I do. I do. I grew up

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<v Speaker 1>playing it with my dad. Really, Oh wow, I mean

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<v Speaker 1>it's so funny. It's one of those things that I

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<v Speaker 1>assume I'm Okaya, and then I meet people that like

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<v Speaker 1>have their own chess clocks and like go to like

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<v Speaker 1>park benches in New York and bring their own pieces

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<v Speaker 1>and play with strangers. I'm like, oh, I'm not like that,

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<v Speaker 1>I guess. And then you watch The Queen's Gambit as well,

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<v Speaker 1>and you're like, oh my gosh. Well, oh, I mean

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<v Speaker 1>it's so cool the song that's such an empowering message,

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<v Speaker 1>and the visuals are so amazing. I mean just crazy

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<v Speaker 1>in the best way. I mean, it's like The Queen's

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<v Speaker 1>Gambit meets Alison Wonderland. I think you've said that seemed

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<v Speaker 1>like a blast. Shoot. It was so much fun. It

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<v Speaker 1>was like Christmas the whole day long. I kept saying

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<v Speaker 1>that it like one up the other. Every outfit, every scene,

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<v Speaker 1>it was just like a dream. Oh my god. I

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<v Speaker 1>mean you worked with Richie Jackson, I believe, Lady Gaga's choreographer.

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<v Speaker 1>What was that process like of getting all those steps

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<v Speaker 1>down so much fun. I love to dance, and so

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<v Speaker 1>incorporating that into the music video is something I really

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<v Speaker 1>really wanted to do and Richie was the perfect person

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<v Speaker 1>for that. He's so talented. And also, Lady Gaga has

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<v Speaker 1>been a huge influence for me as an artist, and

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<v Speaker 1>her visuals are so insanely amazing, and so having him

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<v Speaker 1>on the project was just such a blessing. And some

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<v Speaker 1>of the styles in the video too were very very Gaga.

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<v Speaker 1>I mean like, come on that yellow dress when you're

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<v Speaker 1>on the chess board, it's so cool. Like how evolved

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<v Speaker 1>were you with with with picking the outfits? Yeah, I

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<v Speaker 1>have an amazing stylist. Her name is Tiffany Gifford, and

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<v Speaker 1>she's so talented, and we had our fitting and we

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<v Speaker 1>knew that we wanted a crazy cool rest on the

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<v Speaker 1>life size chessboard and she delivered with that. When I

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<v Speaker 1>saw the yellow dress and my jaw dropped, I was

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<v Speaker 1>I was so excited and all the fashion. Fashion is

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<v Speaker 1>so important to me as an artist. I think fashion

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<v Speaker 1>and music go hand in hand, and to so to

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<v Speaker 1>have that in my video so cool. I was gonna say,

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<v Speaker 1>I saw your your countdown, your favorite met Gal looks

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<v Speaker 1>on I think goes on Twitter the other day. You

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<v Speaker 1>feel like you need your own style blog or something

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<v Speaker 1>that was awesome. I should have a style blog. That's

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<v Speaker 1>a good idea. Seriously, did they let you keep the

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<v Speaker 1>yellow dress or any of the outfits from the set?

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<v Speaker 1>Unfortunately No, I did get to keep the body suit,

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<v Speaker 1>the Laclon Smith body suit. That. Oh I have that

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<v Speaker 1>in my closet. Hopefully one day it'll be an amazing

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<v Speaker 1>peace to have. Oh that's so cool. I love going

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<v Speaker 1>to uh to vintage stores and thrift stores me and

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<v Speaker 1>my girlfriend. I love because I'm in New York and

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<v Speaker 1>going out in Brooklyn stuff. I know you're out in

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<v Speaker 1>l A. Are there any favorite thrift shops or vintage

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<v Speaker 1>places you like to hit up? Oh? I love the

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<v Speaker 1>Melrose Trading Post here. But I was actually in New York.

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<v Speaker 1>My brother lives in Brooklyn, and so we went in Boklyn. Oh, well,

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<v Speaker 1>do you remember any of the places? H m hmm.

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<v Speaker 1>I don't remember the names of them. It was really

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<v Speaker 1>fun though, and a great experience there. Oh yeah, I

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<v Speaker 1>mean this is really cool stores. I mentioned the Queen's

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<v Speaker 1>Gambit earlier. What other shows did you kept your company?

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<v Speaker 1>During the pandemic. I think my parents and I watched

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<v Speaker 1>all of Homeland we were just looking for and the

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<v Speaker 1>Outer Bank. Of course, I think everyone watched Outer Banks too,

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<v Speaker 1>But the Queen's Game was a big one for me.

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<v Speaker 1>Oh definitely. I don't know. We did the oh my god, yeah,

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<v Speaker 1>Tiger King of course. Uh, caught up on Succession, getting

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<v Speaker 1>ready for the new season, and uh, and then when

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<v Speaker 1>we wanted to get cheered up. Have you ever seen

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<v Speaker 1>The Wonder Years show? I mean, it's this really sweet.

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<v Speaker 1>It was the show from the late eighties, like a

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<v Speaker 1>sitcom about these these kids growing up in the late sixties.

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<v Speaker 1>It's just like massive, like hallmarky kind of coming of age,

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<v Speaker 1>super sweet. Like every episode, I feel like it was

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<v Speaker 1>like happy tears kind of thing. That was like the

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<v Speaker 1>cheer up moment if you were if the news became

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<v Speaker 1>too much. So I love that. I'm going to give

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<v Speaker 1>it a try. I think they just they started a

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<v Speaker 1>remake of it. In fact, no one's telling me to

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<v Speaker 1>say this, but I think it's premiering this week. Actually

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<v Speaker 1>it's uh, yeah, it's it's very sweet. But but anyway, Uh,

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<v Speaker 1>speaking of the Wonder Years, I want to ask you

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<v Speaker 1>about your early years. How did you first get into music.

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<v Speaker 1>I know you started playing piano, like what age five? Yeah,

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<v Speaker 1>I think I was actually four when I started playing piano.

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<v Speaker 1>I started because my brother was taking lessons. My brother's

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<v Speaker 1>four years older than me, and I was jealous that

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<v Speaker 1>he was taking piano lessons, and so I was like,

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<v Speaker 1>I have to do this too, and so yeah, I

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<v Speaker 1>started piano and guitar when I was four. And then

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<v Speaker 1>when I was nine, my friend asked me if I

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<v Speaker 1>wanted to do joint singing lessons, and I was kind

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<v Speaker 1>of like, sure, I guess I will, and so I

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<v Speaker 1>went with her. We did lessons and we had our

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<v Speaker 1>first performance coming up at the House of Blues in Dallas,

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<v Speaker 1>and she had to go out of town and so

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<v Speaker 1>I did the performance alone and I was yeah, I

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<v Speaker 1>was nine, and I was so terrified because I was

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<v Speaker 1>such a shy kid, and so I stepped up on

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<v Speaker 1>the stage and it was a life changing moment for me,

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<v Speaker 1>just like feeling at home on the stage and singing

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<v Speaker 1>is something that I never thought that I I could do,

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<v Speaker 1>just stemming from just being so scared to talk to

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<v Speaker 1>people and stuff. And I think that's when I realized

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<v Speaker 1>that it's what I'm meant to do when I can

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<v Speaker 1>feel at home on a stage. Wow, that is a

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<v Speaker 1>great mom, Went you remember what you're saying. I sang

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<v Speaker 1>Boys of Summer by Don Henley, Oh Fellow text and

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<v Speaker 1>of course, yeah, yes, exactly. Oh my gosh. There were

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<v Speaker 1>some other people that made you want to, you know,

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<v Speaker 1>pick up an instrument and write. And early influences. Yeah,

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<v Speaker 1>my parents would always have eighties music on in the house,

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<v Speaker 1>and so I take a lot of eighties influences. I

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<v Speaker 1>love Depeche Mode, Echo and The Bunny Man, Blondie, Duran,

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<v Speaker 1>Duran New Order. So there's a lot of eighties influences

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<v Speaker 1>in my music and that's made me want to get

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<v Speaker 1>into music in the first place, as well as Latin

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<v Speaker 1>influences as well, because I'm I'm Cuban American and so

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<v Speaker 1>Latin music has been really big for me as well.

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<v Speaker 1>Oh absolutely, I've big into the eighties. I'm in a

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<v Speaker 1>big cure phase myself. I'm not sure. Oh yeah, I

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<v Speaker 1>mean Disintegration has been on my on my Spotify list

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<v Speaker 1>for not stop the past week. So also good being

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<v Speaker 1>four or five years old, it's amazing for me to

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<v Speaker 1>think that your hands could even be on the keys.

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<v Speaker 1>That's like, that's amazing. Do you remember the first song

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<v Speaker 1>you ever wrote or is that sort of banished to

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<v Speaker 1>a drawer somewhere. Oh my gosh. So I started it

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<v Speaker 1>when I started singing at nine. I also started songwriting

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<v Speaker 1>that year too, So my piano teacher taught me how

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<v Speaker 1>to improvise on the piano, and that same day I

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<v Speaker 1>came home and I wrote my first song because I

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<v Speaker 1>was like, I'm tired of singing covers and I want

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<v Speaker 1>to write something of my own. And it was called

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<v Speaker 1>Summertime Sweetheart, and it was about a crush that I

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<v Speaker 1>had on the boy across the pond for me, like

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<v Speaker 1>a literal pond, or like in England, a pond, like

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<v Speaker 1>there were houses around the pond and he was across

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<v Speaker 1>the pond. Oh my god, that's I mean. Improv is

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<v Speaker 1>something that is just always seems like magic to me.

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<v Speaker 1>I mean I always I got very strict, like I

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<v Speaker 1>want the root, I want I want to know the

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<v Speaker 1>notes to play, I want the chords. Like how do

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<v Speaker 1>you sort of I mean as a songwriter, I mean,

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<v Speaker 1>what is your process like when you sit down to write?

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<v Speaker 1>I mean, do you have something in your head that

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<v Speaker 1>you want to get out through, you know, sort of

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<v Speaker 1>finding your way on the keys around the guitar, or

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<v Speaker 1>do you just experiment and see what happens. It's it's

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<v Speaker 1>so very for me. So sometimes I'll have an idea already,

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<v Speaker 1>I'll have like either a melody or or lyrics, and

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<v Speaker 1>I'll go into it and I'll try for those melodies

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<v Speaker 1>or lyrics. Other times I'll sit down on the piano

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<v Speaker 1>and I'll just start playing whenever I feel or the

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<v Speaker 1>guitar and I'll start strumming chords random. It can be anything,

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<v Speaker 1>and somehow it just starts turning into melodies along with

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<v Speaker 1>it and lyrics and then it's a full song. And

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<v Speaker 1>I was saying earlier to my manager, but I feel

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<v Speaker 1>like when I songwrite, I'm in a completely different headspace.

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<v Speaker 1>And there's been times where I I don't remember the

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<v Speaker 1>process of writing a specific song because I'm just I

0:11:41.360 --> 0:11:43.439
<v Speaker 1>don't know if I dissociate that, I'm just in a

0:11:43.480 --> 0:11:48.440
<v Speaker 1>different headspace and somehow the song comes out, if that

0:11:48.440 --> 0:11:51.880
<v Speaker 1>makes sense, So yeah, that's it's it's kind of a

0:11:51.880 --> 0:11:54.080
<v Speaker 1>crazy process for me. And then other times I go

0:11:54.160 --> 0:11:57.280
<v Speaker 1>into the studio with the producer and he starts on

0:11:57.280 --> 0:11:59.600
<v Speaker 1>a track and then I write the melodies and lyrics

0:11:59.600 --> 0:12:01.600
<v Speaker 1>on top of it or with the co writer as well.

0:12:02.520 --> 0:12:04.400
<v Speaker 1>I love I love hearing about all the different ways

0:12:04.400 --> 0:12:06.720
<v Speaker 1>that people are able to create. Have you ever heard of, uh,

0:12:06.760 --> 0:12:10.560
<v Speaker 1>what's it called synesthesia? No? I have not. It's this

0:12:10.960 --> 0:12:13.320
<v Speaker 1>funny thing and I'm not going to describe it very well.

0:12:13.400 --> 0:12:18.440
<v Speaker 1>It's basically people who see like associate colors with different sounds,

0:12:18.640 --> 0:12:22.480
<v Speaker 1>like there their visual and auditory cortex is or somehow

0:12:22.760 --> 0:12:25.960
<v Speaker 1>like entwined. So it's like, Okay, I wanta, I wanna,

0:12:26.280 --> 0:12:28.040
<v Speaker 1>I want to play this chord. It sounds like it's

0:12:28.080 --> 0:12:30.920
<v Speaker 1>I want something that's read to me, and Okay, this

0:12:30.920 --> 0:12:35.880
<v Speaker 1>one's blue and this one's It's really fascinating. There's um Yeah.

0:12:36.080 --> 0:12:39.240
<v Speaker 1>There's a guy named Oliver Sacks who is a neuro

0:12:39.679 --> 0:12:42.560
<v Speaker 1>surgeon or a neuro scientist, and he wrote a book

0:12:42.600 --> 0:12:46.320
<v Speaker 1>called Music Call Leah. I think I forget what it's called,

0:12:46.360 --> 0:12:48.040
<v Speaker 1>but it's all about just the different ways that the

0:12:48.040 --> 0:12:50.760
<v Speaker 1>brain process is music. And it's just so interesting to me.

0:12:50.800 --> 0:12:52.880
<v Speaker 1>So to hear you talk about how you write and

0:12:52.920 --> 0:12:55.800
<v Speaker 1>you go to this different place, that's just that just

0:12:57.200 --> 0:12:59.680
<v Speaker 1>I love hearing about other people's processes too, and like

0:12:59.760 --> 0:13:02.560
<v Speaker 1>things like that, that just shows me. It just proves

0:13:02.559 --> 0:13:06.960
<v Speaker 1>that music is so amazing and can be so magical

0:13:07.280 --> 0:13:10.600
<v Speaker 1>and for everyone. Is this something that you do every day?

0:13:10.640 --> 0:13:12.600
<v Speaker 1>Almost like people, you know, some people jog and some

0:13:12.640 --> 0:13:14.400
<v Speaker 1>people do yoga. Do you write every day or player

0:13:14.400 --> 0:13:17.920
<v Speaker 1>every day? Oh? Yeah, yeah, I write most days. Do

0:13:17.960 --> 0:13:20.080
<v Speaker 1>you find that you're you're gonna laugh at me for

0:13:20.160 --> 0:13:22.920
<v Speaker 1>asking this? Almost superstitious about it, like as a certain

0:13:22.920 --> 0:13:25.520
<v Speaker 1>time of day or a certain instrument that you know

0:13:25.679 --> 0:13:28.600
<v Speaker 1>is lucky for lack of a better term, you know,

0:13:28.840 --> 0:13:32.439
<v Speaker 1>I have certain things. I have one thing where if

0:13:32.559 --> 0:13:36.920
<v Speaker 1>I write a verse and maybe a chorus and nothing

0:13:36.960 --> 0:13:39.280
<v Speaker 1>else is coming, I I just step right away because

0:13:39.320 --> 0:13:42.199
<v Speaker 1>I don't ever push it too hard, because I don't

0:13:42.240 --> 0:13:44.400
<v Speaker 1>think that's what song writing is about. And like staying

0:13:44.440 --> 0:13:46.400
<v Speaker 1>with the studio, if you're not feeling it that day,

0:13:46.480 --> 0:13:49.040
<v Speaker 1>or like it doesn't come out fully, you you come

0:13:49.080 --> 0:13:51.800
<v Speaker 1>back another day and and you try again. Because it's

0:13:51.800 --> 0:13:54.199
<v Speaker 1>supposed to be a fun process, is supposed to be

0:13:54.240 --> 0:13:55.960
<v Speaker 1>an easy process. So if there's ever a point where

0:13:55.960 --> 0:13:57.880
<v Speaker 1>I get stuck, I step away and I come back

0:13:57.920 --> 0:14:01.000
<v Speaker 1>another day and typically comes out that day. What's your

0:14:01.000 --> 0:14:03.240
<v Speaker 1>favorite way to reset when you're not, you know, involved

0:14:03.240 --> 0:14:04.920
<v Speaker 1>with music. What's your favorite thing to do just kind

0:14:04.920 --> 0:14:06.800
<v Speaker 1>of clear your mind and then put it aside for

0:14:06.840 --> 0:14:10.000
<v Speaker 1>a while. I love going for walks. I walk a lot.

0:14:10.360 --> 0:14:12.920
<v Speaker 1>My parents and I just walked eight miles on the

0:14:12.960 --> 0:14:17.320
<v Speaker 1>beach the other day, so my hurt to walk. It's

0:14:17.440 --> 0:14:20.520
<v Speaker 1>really really relaxing for me. Um, I'd love to get

0:14:20.560 --> 0:14:24.840
<v Speaker 1>into reading more. I know there's there's a bunch of

0:14:24.880 --> 0:14:27.760
<v Speaker 1>ways to relax and clear your head, but walking is

0:14:27.840 --> 0:14:31.320
<v Speaker 1>one for me. Did you do meditation? I do not.

0:14:31.600 --> 0:14:35.800
<v Speaker 1>I really want to. I know it's so hard for

0:14:35.840 --> 0:14:38.440
<v Speaker 1>me because my brain is always going and I'm always

0:14:38.440 --> 0:14:42.040
<v Speaker 1>thinking about things I need to do or things going on.

0:14:42.160 --> 0:14:45.280
<v Speaker 1>It's just it's something I want to get into. Oh yeah,

0:14:45.280 --> 0:14:46.920
<v Speaker 1>I'm always like I could take this ten minutes and

0:14:46.960 --> 0:14:50.080
<v Speaker 1>actually do the things that are stressing me out and

0:14:50.280 --> 0:14:52.280
<v Speaker 1>have checked them off my whist Like. It just seems

0:14:52.320 --> 0:14:55.520
<v Speaker 1>counter intuitive to me, but I guess I'm told that

0:14:55.560 --> 0:14:57.080
<v Speaker 1>it does a lot of good for a lot of people,

0:14:57.280 --> 0:15:00.360
<v Speaker 1>So I guess I should try it. When you're working

0:15:00.400 --> 0:15:01.880
<v Speaker 1>on a song or working on lyrics, I guess I

0:15:01.880 --> 0:15:05.520
<v Speaker 1>should say do you get more inspiration from looking out

0:15:05.600 --> 0:15:09.160
<v Speaker 1>word or looking in word? Hm hmm, that's like a question.

0:15:09.360 --> 0:15:14.320
<v Speaker 1>I being a songwriter from such a young age, there

0:15:14.400 --> 0:15:16.520
<v Speaker 1>is something to say. Like when I was younger, I

0:15:16.520 --> 0:15:18.920
<v Speaker 1>would write these songs and people would be like, how

0:15:18.960 --> 0:15:21.920
<v Speaker 1>can you write songs You've never been through anything, Like

0:15:22.080 --> 0:15:25.320
<v Speaker 1>you don't have these experience, You've never been heartbroken or

0:15:26.080 --> 0:15:29.520
<v Speaker 1>cheated on or whatever. And I would just say that

0:15:29.640 --> 0:15:33.520
<v Speaker 1>I I take inspiration from the world around me, from

0:15:33.560 --> 0:15:36.400
<v Speaker 1>people around me, even TV shows and movies like between

0:15:36.440 --> 0:15:39.800
<v Speaker 1>scams that exactly. So I just take things. I take

0:15:39.840 --> 0:15:43.440
<v Speaker 1>in information, and then whether it's intentional or not, I

0:15:43.480 --> 0:15:47.080
<v Speaker 1>can write songs from it. You mentioned your your Cuban

0:15:47.120 --> 0:15:50.880
<v Speaker 1>American heritage a moment ago. I mean music in Cuba

0:15:50.960 --> 0:15:53.240
<v Speaker 1>it's it's I mean, not only is it the best,

0:15:53.280 --> 0:15:55.800
<v Speaker 1>I mean it's formative. I mean that's what we're gonna

0:15:55.840 --> 0:15:58.240
<v Speaker 1>rock and roll is based on all those Cuban rhythms

0:15:58.280 --> 0:16:00.360
<v Speaker 1>and stuff. I mean, tell me more about did you

0:16:00.400 --> 0:16:02.440
<v Speaker 1>grow up with a lot of Cuban music in the house.

0:16:02.840 --> 0:16:06.680
<v Speaker 1>Oh for sure. My You know, my dad he immigrated

0:16:06.720 --> 0:16:10.560
<v Speaker 1>here from Cuba with my abuolo and abuela and my

0:16:10.560 --> 0:16:15.240
<v Speaker 1>my aunts, myt my aunts, and they came here in

0:16:15.280 --> 0:16:17.240
<v Speaker 1>search of, you know, a better life. It was during

0:16:17.440 --> 0:16:20.440
<v Speaker 1>Castro's reign, but it was very sad for them to

0:16:20.520 --> 0:16:25.040
<v Speaker 1>leave Cuba because of the culture and and the family

0:16:25.160 --> 0:16:29.560
<v Speaker 1>values and the music and everything. And it's such it's

0:16:30.080 --> 0:16:31.800
<v Speaker 1>such a thing that I carry with me in my

0:16:31.920 --> 0:16:34.360
<v Speaker 1>heart every day in my life and in my music.

0:16:34.440 --> 0:16:36.680
<v Speaker 1>It's something that I was really inspired by growing up

0:16:37.160 --> 0:16:40.320
<v Speaker 1>hearing it. You know, my my abueolo always had reggaeton

0:16:40.480 --> 0:16:44.760
<v Speaker 1>and gumbia and in Flamenco music and jazz on the house,

0:16:44.800 --> 0:16:46.360
<v Speaker 1>and so I would go there and it was such

0:16:46.400 --> 0:16:52.280
<v Speaker 1>like a just wonderful blast of culture. And like me

0:16:52.400 --> 0:16:54.520
<v Speaker 1>being a little girl, I just I took from it

0:16:54.560 --> 0:16:57.600
<v Speaker 1>a lot and I learned from it and I love it.

0:16:57.640 --> 0:17:00.720
<v Speaker 1>I love being Cuban American. That's put a Wulman. Yeah,

0:17:00.720 --> 0:17:02.480
<v Speaker 1>that stays with you. Have you ever have you ever been?

0:17:02.520 --> 0:17:05.520
<v Speaker 1>Have you ever been to Cuba? No, My family and

0:17:05.560 --> 0:17:08.440
<v Speaker 1>I have talked about going, especially because it's almost like

0:17:09.080 --> 0:17:11.359
<v Speaker 1>when they left, you know, the cars are the same

0:17:11.560 --> 0:17:15.320
<v Speaker 1>in the music on every corner, and so I think

0:17:15.320 --> 0:17:18.359
<v Speaker 1>going would be a really magical experience. And so We've

0:17:18.400 --> 0:17:21.200
<v Speaker 1>talked about it for sure. Yea, No, that's someplace I'm

0:17:21.240 --> 0:17:22.919
<v Speaker 1>always going to go for that reason. I mean the

0:17:23.000 --> 0:17:26.119
<v Speaker 1>music and just you know, the cars and just all

0:17:26.160 --> 0:17:28.440
<v Speaker 1>the details and everything. It seems like such a fascinating

0:17:28.480 --> 0:17:33.800
<v Speaker 1>place to visit. Wow, I mean, it's so cool. I

0:17:33.800 --> 0:17:36.560
<v Speaker 1>I wanted to ask you. I know, I'm sure you

0:17:36.560 --> 0:17:38.000
<v Speaker 1>get asked this a lot, but I'm so curious to

0:17:38.000 --> 0:17:40.320
<v Speaker 1>hear what you say. You have such an incredible, um

0:17:41.359 --> 0:17:45.040
<v Speaker 1>just diverse list of influences. Who's on your list of

0:17:45.040 --> 0:17:47.680
<v Speaker 1>people that you're absolutely dying to collaborate with? Is there

0:17:47.720 --> 0:17:51.399
<v Speaker 1>a you know, a shortlist? Oh? I have so many?

0:17:51.520 --> 0:17:57.320
<v Speaker 1>Um well, I love to collaborate with Rossell. Yeah, is amazing.

0:17:57.359 --> 0:18:01.159
<v Speaker 1>I think she's an amazing Latin artist. And then you

0:18:01.160 --> 0:18:03.560
<v Speaker 1>know Taylor Swept of course, and people that I grew

0:18:03.640 --> 0:18:07.399
<v Speaker 1>up listening to as well. Even Elton John would be insane,

0:18:07.520 --> 0:18:12.000
<v Speaker 1>you know, being a pianist as well. He's crazy. Carol

0:18:12.080 --> 0:18:15.960
<v Speaker 1>King was another influence for me too. That's a writer.

0:18:16.600 --> 0:18:22.240
<v Speaker 1>She's literally so crazy. But I I really want to

0:18:22.240 --> 0:18:25.800
<v Speaker 1>collaborate with many people. Oh so cool Carol King? Oh

0:18:25.840 --> 0:18:29.800
<v Speaker 1>my god, I mean we uh just watched the performance

0:18:29.840 --> 0:18:35.080
<v Speaker 1>of Beautiful the Broadway show recently. I mean, bow, Oh,

0:18:35.119 --> 0:18:37.560
<v Speaker 1>it's so cool just the number of songs that you

0:18:37.600 --> 0:18:40.080
<v Speaker 1>were not only for other people, but then you start

0:18:40.119 --> 0:18:42.600
<v Speaker 1>getting in stuff like Tapestry she did for herself. I mean,

0:18:42.640 --> 0:18:47.240
<v Speaker 1>what a gift. She She's not human. I don't got

0:18:47.240 --> 0:18:50.920
<v Speaker 1>to be from another world. Have you ever met her? No?

0:18:51.040 --> 0:18:55.560
<v Speaker 1>Oh my gosh, I would die. Oh we gotta set

0:18:55.600 --> 0:18:58.840
<v Speaker 1>that up. We gotta make that happen. That energy out there.

0:18:59.160 --> 0:19:03.000
<v Speaker 1>I'm putting it out there. I'm manifesting it. Well, speaking

0:19:03.040 --> 0:19:05.480
<v Speaker 1>of putting it out there, you have an EP coming shortly,

0:19:05.920 --> 0:19:09.720
<v Speaker 1>Baby Maybe, which I believe the title came partially from

0:19:09.720 --> 0:19:12.040
<v Speaker 1>a dream. Do I have that right? Yes, you have

0:19:12.119 --> 0:19:14.840
<v Speaker 1>that right. My my manager, she is amazing. Her name

0:19:14.840 --> 0:19:17.360
<v Speaker 1>is Veronica Zelie as well as Frank Simmonetti is my

0:19:17.480 --> 0:19:20.879
<v Speaker 1>manager as well. And and Veronica called me and she's like,

0:19:21.080 --> 0:19:23.520
<v Speaker 1>oh my gosh, I had the title idea in my

0:19:23.640 --> 0:19:27.640
<v Speaker 1>dream last night. And I'm like, okay, okay, and yeah,

0:19:27.720 --> 0:19:30.320
<v Speaker 1>baby maybe it stends from a lyric in one of

0:19:30.359 --> 0:19:33.840
<v Speaker 1>my songs. And we just think it's simple and a

0:19:33.840 --> 0:19:36.880
<v Speaker 1>great title for the project. What I was gonna tell

0:19:36.920 --> 0:19:39.680
<v Speaker 1>us about the tracks on I know there's a ballad

0:19:39.760 --> 0:19:43.240
<v Speaker 1>on it that uh, I want to hear more about. Yeah,

0:19:43.280 --> 0:19:45.480
<v Speaker 1>so it's a lot of Checkmate is going to be

0:19:45.480 --> 0:19:48.919
<v Speaker 1>on it, as well as for Ever Yours my my

0:19:49.000 --> 0:19:53.359
<v Speaker 1>previous song with Casper Machico, and there's gonna be a

0:19:53.359 --> 0:19:57.280
<v Speaker 1>lot of it's so hard to discuss. It's it's really fun.

0:19:57.280 --> 0:19:59.439
<v Speaker 1>There's some fun songs on there that I'm super excited

0:19:59.760 --> 0:20:02.439
<v Speaker 1>about all and as well as the ballad, which is

0:20:02.520 --> 0:20:05.359
<v Speaker 1>so special to me. I'm that one I think I

0:20:05.520 --> 0:20:08.560
<v Speaker 1>might be most excited to release, as well as the

0:20:08.600 --> 0:20:11.480
<v Speaker 1>next single I have coming out that's coming very very soon.

0:20:11.840 --> 0:20:14.320
<v Speaker 1>That one is super special. So I'm really excited and

0:20:14.359 --> 0:20:16.400
<v Speaker 1>I think people are going to really connect with the project.

0:20:17.359 --> 0:20:18.879
<v Speaker 1>What's next is there is there a date for that

0:20:18.960 --> 0:20:23.080
<v Speaker 1>yet or no. We we're literally deciding the date right now,

0:20:23.160 --> 0:20:25.600
<v Speaker 1>but it is coming very soon. I'm going to announce

0:20:25.680 --> 0:20:29.800
<v Speaker 1>it very soon. Coming soon, all right. We can't wait. Jennis,

0:20:29.840 --> 0:20:32.000
<v Speaker 1>thank you so much for your time to day. It's

0:20:32.040 --> 0:20:34.920
<v Speaker 1>such a pleasure talk and you. Thank you you You're awesome.

0:20:35.040 --> 0:20:37.680
<v Speaker 1>I really appreciate it. Thank you so much for your

0:20:37.760 --> 0:20:39.960
<v Speaker 1>your music. You can't wait to uh to see on

0:20:40.040 --> 0:20:43.080
<v Speaker 1>the road. Soon hopefully, Yes, I really hope, so I

0:20:43.080 --> 0:20:47.960
<v Speaker 1>hopefully COVID you know, and allow me for that. But

0:20:48.000 --> 0:20:50.800
<v Speaker 1>everyone starting to tour again, so hopefully I will get

0:20:50.800 --> 0:20:53.560
<v Speaker 1>out there soon. Absolutely hope you come through New York.

0:20:54.040 --> 0:21:04.800
<v Speaker 1>Of course, I I definitely want it. Yeah, we hope

0:21:04.840 --> 0:21:07.520
<v Speaker 1>you enjoyed this episode of Inside the Studio, a production

0:21:07.520 --> 0:21:10.359
<v Speaker 1>of I Heart Radio. For more episodes of Inside the

0:21:10.359 --> 0:21:13.280
<v Speaker 1>Studio or other fantastic shows, check out the I Heart

0:21:13.320 --> 0:21:15.840
<v Speaker 1>Radio app, Apple podcast, or wherever you listen to your

0:21:15.840 --> 0:21:16.760
<v Speaker 1>favorite podcasts,