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Speaker 1: Welcome to This is important a production of I Heart Radio,

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Speaker 1: the show where we only talk about what's the most important,

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Speaker 1: bottom line, critical thing happening on this planet today. This

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Speaker 1: is important. Yeah, I'm figuring my buttole but it's in

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Speaker 1: my living room. Hey, backing up like a terradactyl. It's

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Speaker 1: all pointless and stupid. I don't care how long you've

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Speaker 1: known each other. You can't have your dick out. Buckle up. Hello,

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Speaker 1: welcome back hit us. That's beautiful. Who was the first

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Speaker 1: person to do the Who started that started the air horn? Yeah?

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Speaker 1: I want to say it like originated in like dance halls,

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Speaker 1: like U huh. It's probably like some real, like fucking

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Speaker 1: Jamaica ship. Beanie Man is that? Is that a guy?

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Speaker 1: Beanie Man is probably up there. Yeah, it probably predates

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Speaker 1: Sean Paul. But I bet Sean Paul really got it

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Speaker 1: fucking kicking. I bet Sean Paul really leaned into it.

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Speaker 1: Sean Paul would know who started it. It's probably just

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Speaker 1: something like guy named Tony who's like was like a

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Speaker 1: cool dude who worked like as a car mechanic but

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Speaker 1: then also DJ on the side and was like, oh shit,

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Speaker 1: I know what gets me riled up when I'm tightening

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Speaker 1: those those nuts and bolts under the hood of the car.

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Speaker 1: Yeah yeah, when I fixed the horn on the car

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Speaker 1: and then I go burn per. What's crazy is the

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Speaker 1: it's the bump bump boom. It's not just like it's

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Speaker 1: the three and the law, like you're like when it's like,

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Speaker 1: what about sports? Isn't it sports? Isn't it sports? I

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Speaker 1: feel like there's been air horns at sports forever. Hockey, Well,

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Speaker 1: hockey is a legit like foghorn yea, yeah yeah, and

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Speaker 1: it's so loud. Yeah, that ship's fucking cool. But in

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Speaker 1: the crowd, hasn't there been airhorns like for a while

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Speaker 1: to get it going? For sure, soccer games, But they

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Speaker 1: don't sound like that. Those sound like really, yeah, this

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Speaker 1: is well. I think it's just because it's an electronic

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Speaker 1: version of it. Okay, right, oh, well that's important. That's

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Speaker 1: important as fuck. I feel like they kind of cooled

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Speaker 1: off on the airhorn though, Well, it got obnoxious. It

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Speaker 1: became a punch line, and that's why we brought it back,

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Speaker 1: I believe. Yeah, yeah, I feel like we need to

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Speaker 1: keep it alive because it's fucking great. Yeah, when's the

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Speaker 1: last time you were in the club, like hardcore in

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Speaker 1: the club almost every night it's for Dirt, It's almost

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Speaker 1: every night. I just stopped by for fifteen minutes. Like,

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Speaker 1: when's the last time you really clubbed it? Yeah? Realistically

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Speaker 1: because for a while Dirty you were going to a

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Speaker 1: lot of nightclub you were like trying. You were like

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Speaker 1: Djane and stuff, doing a little DJ action. Uh, when

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Speaker 1: was the last time that you've DJed or done anything

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Speaker 1: like that? I mean pre pandemic. Yeah, yeah, it's been

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Speaker 1: a long time. Was it pre pandemic by like a

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Speaker 1: long time or where was it? Like February you were

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Speaker 1: in the Clerb and then the fourth in the fourteen

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Speaker 1: the pandemic hit and you were like I can't be

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Speaker 1: in the club any longer. It was a while before that, um,

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Speaker 1: but it was, I mean it was always fun, but

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Speaker 1: like going to a club, But it is shocking. Jurors

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Speaker 1: brought me to like a couple of my first like

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Speaker 1: real l A nightclubs where like he would have to

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Speaker 1: tell us to like dress cooler than we were, would

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Speaker 1: be like just there's no way I did that. There's

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Speaker 1: no way I told you how to dress. You might

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Speaker 1: have asked me like, there's no way you told me. Yeah,

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Speaker 1: if there was a dress code, he maybe would have

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Speaker 1: been forced it. Like sometimes you gotta rock a button

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Speaker 1: up and some fucking like shoes shoes, don't you guy?

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Speaker 1: Do that closed toes shoes is for real? Yeah, that's

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Speaker 1: and no hats is real at some places, and that

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Speaker 1: fucking sets me off. This is early two thousands, l A.

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Speaker 1: And that time, Kyle was like braiding his armpit hair

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Speaker 1: and he was like really proud of it. So braiding

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Speaker 1: or maybe it was dreadlocked. It's never been long enough, sir,

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Speaker 1: but I would love to try. Maybe it was dreadlocked.

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Speaker 1: But Kyle always had his armpit hair out, and I

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Speaker 1: feel like they weren't allowing that. As nappy roots. There's

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Speaker 1: a lot of tank tops, Yeah, there was a lot

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Speaker 1: of tank tops. Oh yeah, they would exactly. They would

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Speaker 1: fucking give They would say no tank tops and no hats,

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Speaker 1: and that was like my whole fucking thing. That was

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Speaker 1: my whole thing. By the way they would say it

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Speaker 1: to you, they didn't have to say that to everybody.

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Speaker 1: If you were like a shredded hot ass dude, they'd

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Speaker 1: be like, get in here, man, wait, what what are

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Speaker 1: you saying there's a fucking other level of of rules.

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Speaker 1: There's a double standard in our society. If Michael B.

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Speaker 1: Jordan's came into a club with like his sleeves cut off,

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Speaker 1: they'd be like getting here, I actually do remember this

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Speaker 1: isn't a club, but this is a bar on the

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Speaker 1: West Side called Buzzbes Buzzbyes. It's like a sports place.

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Speaker 1: That place, Fuck that place. Oh are you telling the story?

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Speaker 1: Worry when Kyle came in with a hat and got

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Speaker 1: very upset. No, but we can get there. Uh. I

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Speaker 1: was there in line to watch a Wisconsin game or whatever,

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Speaker 1: and I'm standing like waiting to get in, and there's

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Speaker 1: a sign that says like no hats, no flip flops,

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Speaker 1: and something else, and all of a sudden, this escalade

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Speaker 1: pulls up and I'm like twenty three, I'm I'm out

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Speaker 1: of college. And Matt Leiner, who's in college, comes out

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Speaker 1: of Buzbies with a hat on, with a tank top

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Speaker 1: with flip flops and then just gets in the escalade

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Speaker 1: and drives off as a college child, And I was like,

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Speaker 1: what the fuck? Well, that dude's gonna end up as

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Speaker 1: a pretty good commentator. How piss now? We're talking about

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Speaker 1: a time like over a decade ago, and that story

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Speaker 1: right there. Fuck, piss me off. That was when Lioneheart

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Speaker 1: was gone. Oh that's that's damn near twenty years ago.

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Speaker 1: I mean this was a year after the arguably the

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Speaker 1: greatest game of all time where they played Texas. Oh

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Speaker 1: that was the USC Texas game. I do remember that.

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Speaker 1: I remember Matt Liner was in our living room one time.

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Speaker 1: We I would come home quite a bit and there'd

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Speaker 1: be like random people in our living room because our

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Speaker 1: old roommate, Christine would invite people over and she went

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Speaker 1: to USC. Yeah, yeah, the roommate, and it was Matt

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Speaker 1: Liner was there. And then the offensive line. It was

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Speaker 1: like just a bunch of giant, fucking men in my

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Speaker 1: living room. And then they're acting like this is why

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Speaker 1: I don't funk with USC. I don't like them. Okay,

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Speaker 1: go off, I don't like them. You live in Orange County.

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Speaker 1: Tread carefully. I know, fuck them, they suck. Don't like you.

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Speaker 1: I agree, I don't like the No, not don't like about.

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Speaker 1: They were acting like I'm the asshole for being in

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Speaker 1: my living room, living in my house, like walking around

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Speaker 1: naked in my living room dude, you're walking around buck

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Speaker 1: I was butt ass naked. But it's my living room, dude,

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Speaker 1: when I lived there too, I know. And so I'm

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Speaker 1: in my living room cut to the threesome. Yeah, I'm

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Speaker 1: fingering my butthole. But it's in my living room. And

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Speaker 1: you didn't let the O line hit the train. I

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Speaker 1: get it. I see to buy their pist Oh my god.

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Speaker 1: So I was just like, you know, they're in my

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Speaker 1: living rooms. So I'm trying to chop it up with them,

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Speaker 1: and they're like, they get the funk away from me.

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Speaker 1: You're in your boy shorts. Great and uh. Admittedly some

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Speaker 1: of the offensive linemen were pretty cool, but I remember

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Speaker 1: Matt Liner kind of being rude, pretty offensive rude. Yeah,

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Speaker 1: well he was on top of the world, like he

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Speaker 1: was a huge deal, at least in southern California. Sure,

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Speaker 1: that doesn't give you the right to be a dickhead.

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Speaker 1: This is this is. It also does not give you

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Speaker 1: the right to go to buzz Bees with a fucking

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Speaker 1: hat and a tank top on, okay, and flip flops,

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Speaker 1: open toe shoes, thank you. I remember being with Kyle

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Speaker 1: back in the day where we were going to watch

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Speaker 1: some sporting event at buzz Bees Curling, they told you

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Speaker 1: to take your hat off. You took your hat off

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Speaker 1: to walk in, and then you put your hat back on.

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Speaker 1: Rebel awesome moves right classic, And then they come over

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Speaker 1: and then they asked you to do it again, and

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Speaker 1: I remember you. You got so mad, dude. That's like

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Speaker 1: why I would rock a tank top underneath a button up,

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Speaker 1: because I would button it up and then fucking walk

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Speaker 1: down and then as soon as they do open it

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Speaker 1: and then tied around my waist arms. Look, it's the

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Speaker 1: worst look. You're wearing the tanktop purely for comfort, because

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Speaker 1: you're not going to look cool. If you're tying your

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Speaker 1: fucking button up around your waist like it's a field trip.

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Speaker 1: That's a fantastic look. And if you don't agree, fuck

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Speaker 1: you know. I know where you got that look too.

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Speaker 1: By the way, I don't know that's from your homie Ben.

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Speaker 1: That was his look. You stole his look from Ben

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Speaker 1: from when I was a grip whoever your homie was

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Speaker 1: who wore tank tops and he had the thing tied

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Speaker 1: around the waist and he had like a grip truck

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Speaker 1: and tail. That was your end game. You're like, I'm

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Speaker 1: gonna get a grip truck and live off of that.

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Speaker 1: Then was a legend. Bro. We were partners, so absolutely

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Speaker 1: I could have been influenced by that look. And it's

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Speaker 1: a great look. Influenced. Huh, what do I say? No,

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Speaker 1: you said influence, but I'm saying influence as in, like

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Speaker 1: you just ripped it off. It's a little trickle down

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Speaker 1: for sure. You're like Ben's not here, right, maybe maybe,

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Speaker 1: but I still look fucking good. And I used it

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Speaker 1: to get into buzzbies and then they would catch me

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Speaker 1: with the fucking hat on and the arms out. Kyle,

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Speaker 1: you've got great lines, Okay, No one's denying your shoulders

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Speaker 1: in a nice tan, when you got that tank top going,

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Speaker 1: No one's denying that. And a killer tattoo on the

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Speaker 1: back that's exposed when I rock the tank and when

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Speaker 1: you were doing P ninety X. Yeah, we gotta post

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Speaker 1: on a Kyle's P ninety X. Let's do it. I

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Speaker 1: feel like, let's let's dig in the crates and post

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Speaker 1: add I just died. Covid died from one the thing

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Speaker 1: he loved killed him. Uh, let's let's post all of

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Speaker 1: our P ninety X bods because we would um we

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Speaker 1: would all work out together during the P ninety X days.

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Speaker 1: Tony Horton would inspire us and we would work out

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Speaker 1: in the Workaholics house before we got the show, and

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Speaker 1: I remember Durst would come over and we're like finishing

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Speaker 1: up a workout, like he got there a little earlier,

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Speaker 1: what or maybe we're working out a little late. And

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Speaker 1: he would just be like, what the funk are you

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Speaker 1: guys doing. I'm meeting a burrito from Fresh and Easy,

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Speaker 1: Fresh and Easy r I P. Damn. I mean, that

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Speaker 1: was the first time I had ever like done like

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Speaker 1: a workout regiment. And we were all in all five

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Speaker 1: of us in that house. Tony Horton was a magical guy.

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Speaker 1: We watched those damn DVDs so much that you just

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Speaker 1: start to memorize them and and just fall in love

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Speaker 1: with each character. You would just quote all day long,

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Speaker 1: do your best and forget the rest. What was the

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Speaker 1: one was like German potato, Superman Potato soup, a backing

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Speaker 1: up like a tear act. These dudes were just quoting

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Speaker 1: Peanuts like it was the newest, funniest SNL sketch or

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Speaker 1: some ship. Dude, it was the best. And also Blake

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Speaker 1: that's still your workout regimen, right, You didn't switch it up.

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Speaker 1: No muscle, there's no more muscle confusion over there because

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Speaker 1: you've been doing the same workout for it. Here, I

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Speaker 1: switch it up. But man, if it ain't broke, don't

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Speaker 1: fix it. You do have a hot bod. You do

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Speaker 1: have a really hot big ups for working out broke.

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Speaker 1: Good job so much. Why was the dude from Broken

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Speaker 1: Lizard in the ninety and no one ever talked about

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Speaker 1: this rabbit? And no one ever talked about he only

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Speaker 1: had one leg? Yes, he only has one leg. Sorry, Blake,

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Speaker 1: you just said what was weird about him? No, like that,

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Speaker 1: I didn't know. Wait a second, Wait a second, what

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Speaker 1: is so weird about that? It was like it was

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Speaker 1: like with DJ Paul from three six Mafia. A lot

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Speaker 1: of people didn't realize he's got like a little tiny

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Speaker 1: baby arm. I just didn't even know. Very It's very interesting.

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Speaker 1: It piques my interest. It's not weird. It's not weird.

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Speaker 1: It's just like unexpected. It's like they're functioning in the world.

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Speaker 1: They're succeeding better than anybody. They're just there. You just

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Speaker 1: wouldn't never bro back off. It's science. But like, okay, yes,

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Speaker 1: all what you just said. But I was like, isn't

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Speaker 1: that the guy from super Troopers who was just like

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Speaker 1: fucking throwing weights around? And then yeah, what was what

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Speaker 1: was cool? It was inspiring because he was like a

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Speaker 1: working actor. Super Troopers was only been out of handful

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Speaker 1: of years when uh, when P ninety X came out,

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Speaker 1: and so he was still very relevant mentioned anything and

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Speaker 1: we're like, we're like this guy and he wasn't like,

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Speaker 1: oh and my actor friend from the movie super Troopers

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Speaker 1: is also in the deep background working out. I was

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Speaker 1: just gonna say, producers put his name. I was like,

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Speaker 1: he has like a crazy Scandinavian name, Eric Stolhan. I'm

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Speaker 1: glad you said it because I would have been Eric

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Speaker 1: s is what I would have gone with. How wait,

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Speaker 1: but how would you still hand ski is what how

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Speaker 1: I would have said. I mean they that's you know,

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Speaker 1: that Ellis Islands ship. They might have changed it. So

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Speaker 1: do you think that they recorded P nine X like

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Speaker 1: without him knowing? Super Troopers became like because it didn't

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Speaker 1: super Troopers didn't do well in the theaters. That was

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Speaker 1: like a DVD like Underground Classic. Yes, that was a

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Speaker 1: cult in the theater that was did you really Yeah?

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Speaker 1: That's sick. It was a showtime on all the time.

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Speaker 1: One For me, I saw it in the theater two times.

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Speaker 1: I went once and was like, I wasn't high for it.

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Speaker 1: I just went to the movies for this. And then

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Speaker 1: I was like, I'm running this back with my homies

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Speaker 1: and we got really stone in the parking lot and

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Speaker 1: then went in, can let's give a couple of flowers here?

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Speaker 1: Because the crazy thing that they were able to do

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Speaker 1: with Super Troopers that almost no other movie can do

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Speaker 1: is bring that sense of like camaraderie to the screen.

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Speaker 1: Like the part where they're like slamming the love that

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Speaker 1: that's not funny or cool at all, But when they

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Speaker 1: were doing it, I was like, I love it because

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Speaker 1: they were like watching each other doing They're like, chug it,

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Speaker 1: chug it chug. That's a lot of gif It seems

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Speaker 1: real and like these guys were kicking it. It is interesting.

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Speaker 1: That's the first thing I thought about when I thought

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Speaker 1: about Super Troopers was slamming the syrup. The syrup scene, Yeah, okay,

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Speaker 1: no sugar, what is it? Yeah? No cream? Okay, no cream? Okay,

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Speaker 1: no cream? Like that's great. It's like this new joke form.

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Speaker 1: I think. I think why it resonated is it it's

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Speaker 1: hard when you cast actors and they're not really friends

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Speaker 1: or they're just sort of like Hollywood friends, and so

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Speaker 1: they're not like that close and to try to like

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Speaker 1: have that camaraderie and that feeling of not being afraid

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Speaker 1: to like hurt the other's feelings or like just do something,

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Speaker 1: just call each other bitches a lot since and it

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Speaker 1: seems so real. I would never I've never looked up

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Speaker 1: the history of Broken Lizard, like they must have been

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Speaker 1: a sketch group. There was a sketch group. They're a

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Speaker 1: sketch group, and they're they're college homies. And by the way,

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Speaker 1: you know they're tight because in Club Dread or whatever,

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Speaker 1: Bill Paxson came in. You know, if Bill Paxson Joe

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Speaker 1: or whatever, he kills it O. That was the follow

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Speaker 1: up two super Troopers, right, they had so much heat

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Speaker 1: on him. And then it was beer Fest and then

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Speaker 1: and then it was I thought it was beer Fest,

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Speaker 1: and then now his Club Dread, and then it was

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Speaker 1: beer Fest and then Slam and Salmon and then Slam

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Speaker 1: and Sam or Puddle Jumpers or was that their first movie.

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Speaker 1: Puddle Jumpers was the first one. Puddle Jumpers is what

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Speaker 1: they made on like on like a shoe string, like

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Speaker 1: right out of college. Hard to watch. Why is that?

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Speaker 1: Is that guy's leg bothering you at that time? No, dude,

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Speaker 1: it's just like it's not that funny. What is it called?

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Speaker 1: Is it called puddle cruise or Jumpers? It's called puddle jumper.

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Speaker 1: Was about airplanes, small airplanes, that's uh, yeah, if you're

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Speaker 1: a Yeah, if you're a pilot and you need to

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Speaker 1: like you're not flying, but you're going somewhere and you

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Speaker 1: sit kind of in the seat, right, that's a public

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Speaker 1: I thought. It's just like if you're going from island

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Speaker 1: to island, it's like you're jumping a puddle. Yeah, that's

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Speaker 1: that's what I thought. It's like a small distance. But

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Speaker 1: if you're an island, isn't that's a land puddle? Wait,

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Speaker 1: they're staying. Puddle cruiser. Puddle cruiser? What the fund is

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Speaker 1: puddle cruiser? Maybe it was about guys who like road

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Speaker 1: bikes through like big puddles and it was just, dude,

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Speaker 1: you don't remember at all what the fun was about. Yeah,

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Speaker 1: obviously it was real hard to watch. You didn't even

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Speaker 1: want I did. I did. I don't think I got

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Speaker 1: through it. I remember it being very bad, but maybe

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Speaker 1: I just wasn't in the right mind state. Well, I'm

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Speaker 1: glad we gave him their flowers. No, I'm a huge

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Speaker 1: super Trooper, broken lizard guy. I love Club Dread. I

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Speaker 1: think Beerfest is hell of funny. Like I'm a I'm

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Speaker 1: a fan. I'm a total fan. I mean our key

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Speaker 1: grip on Workaholics. Pat pat Patrick was the older brother

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Speaker 1: or younger brother of Kevin heffern I think older brother, right,

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Speaker 1: I think I think who who played Farva? And he's

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Speaker 1: one of those guys who you're like, oh, you're hilarious,

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Speaker 1: right like, but he's behind the scenes, but he's as

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Speaker 1: funny as you are, funnier whatever of her, like just

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Speaker 1: a comedy machine. And we go, we gotta put you,

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Speaker 1: like in one scene and we're just gonna He's like,

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Speaker 1: I don't really act, and we gave him one line

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Speaker 1: and you fucking killed it. It was from Dr Tell

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Speaker 1: AmeriCorps and we quoted it forever. Are you asking me?

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Speaker 1: I asked him because we asked him something the lights

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Speaker 1: and then he goes, are you asking me and we

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Speaker 1: go yeah, and he goes it was, and we quoted

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Speaker 1: are you asking me? Forever? That's the touch. He had

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Speaker 1: that family, a funny family, and then we had Kevin

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Speaker 1: on as a police officer later. That's right, that's right. Yes,

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Speaker 1: for the one where you guys are like singing Irish songs,

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Speaker 1: what we go to the kid who's ship talking to

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Speaker 1: us on modern warfare to whoop his ass? Right? Oh wait, dude,

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Speaker 1: And that's my favorite bit in more Dog's history where

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Speaker 1: he's like sneaking somebody's sneaking out through a lawn ree

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Speaker 1: hamper and giant pants. Do you remember this? And it

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Speaker 1: totally worked, even though the pants looked insane, but like

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Speaker 1: it actually worked so good. It was like bent over

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Speaker 1: to be hidden in the laundry basket, right, yeah, a

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Speaker 1: torso and head covered in clothes and then the legs

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Speaker 1: were in the pants. Yeah, it worked out. It was

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Speaker 1: like some fucking Jim Henson ship. It was bad ass.

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Speaker 1: And one of my favorite background actors of all time

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Speaker 1: was one of like the other cops in the room.

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Speaker 1: He got like silver hair, like do you guys getting

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Speaker 1: silver hair? He's in every movie. I see him all

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Speaker 1: the time. If if it's in like a boardroom with

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Speaker 1: like executives, he's like at the end of the table.

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Speaker 1: If it's a bunch of like police like sitting around

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Speaker 1: hearing like we got a guy on a run, we

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Speaker 1: gotta hunt him, he's like nodding his head. Yeah, he's

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Speaker 1: in everything. We gotta get him in then, and we

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Speaker 1: know him. He's our friend. By the way, guys, the

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Speaker 1: Broken Lenzer guys have a new movie coming out, oh,

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Speaker 1: starring all of them, directed by Kevin Heffernan, written by

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Speaker 1: all of them. What happened to Jay? Jay didn't do

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Speaker 1: Slam and Samon either, Well, no, he wrote, He wrote.

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Speaker 1: Jay wrote the movie along with Kevin, Steve, Paul, and

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Speaker 1: Eric and Kevin is directing this one. And it's a drama,

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Speaker 1: it says on IMDb. Pro yes called quasi Yes, I'm

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Speaker 1: guessing about quasi motto And here's here's the breakdown. Follow

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Speaker 1: a hapless hunchback who yearns for love but finds himself

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Speaker 1: in the middle of a murderous feud between the Pope

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Speaker 1: and the King of France when each orders the hunchback

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Speaker 1: to kill the other. What I'm all about it? I mean,

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Speaker 1: I'm definitely gonna watch it. I'm in dude, is if

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Speaker 1: it's If it's a straight drama, this is gonna be

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Speaker 1: the craziest movie of all time. But there's another one

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Speaker 1: where the guy who goes I think it's the guy

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Speaker 1: who's like bear fucker, the guy who says bear fucker too.

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Speaker 1: I believe Eric Dolhounds who has one weird leg blake

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Speaker 1: who in the one he is in a horror movie

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Speaker 1: where they like go to some like weird Scandinavian island

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Speaker 1: and then ship gets crazy. I just saw the trailer

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Speaker 1: the other day and I was like, that isn't that

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Speaker 1: barefucker guy? So they're going out on two different levels here.

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Speaker 1: Remember that that one guy was in that movie Open Water.

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Speaker 1: Remember that movie where like they fall off the boat

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Speaker 1: and then there's like that terrifying movie are circling that.

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Speaker 1: I don't know that's worth of rewatch. I remember it

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Speaker 1: being like a super simple premise that that paid off

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Speaker 1: two memories. Two memories. The woman's nipples. They filmed them

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Speaker 1: like super close really, and I'm like, all right, this

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Speaker 1: is a little gratuitous. They have like one little sex

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Speaker 1: sy in the beginning with just nipple real close up. Okay,

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Speaker 1: so that's one. What's number two? Okay? And then the

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Speaker 1: second memory very scary movie. One's a micro memory and

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Speaker 1: is a macro what is that? It is a good movie.

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Speaker 1: And nipples, the nipples it's so close, it's like, what

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Speaker 1: kind of lens was that? I'm gonna have to deal

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Speaker 1: with that tomorrow. I'm I'm hosting Ellen tomorrow. Wait wait

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Speaker 1: wait wait yeah, yeah, I'm hosting Ellen tomorrow. Alright, And

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Speaker 1: who's your guests? Is one of my guests, And I'm

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Speaker 1: excited I get to watch your show tonight. I'm gonna

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Speaker 1: watch an episode tonight of Inventing Anna. Oh I just

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Speaker 1: watched it last night. It's the best television show ever. Alright, excited. Yeah,

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Speaker 1: I'm promoting The Righteous Gemstones, which comes out this Sunday,

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Speaker 1: which it'll it'll be airing by the time this podcast

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Speaker 1: actually comes out. But on HBO, the Righteous Gemstones comes

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Speaker 1: out this week. But I'm they're posting Ellen promoting that

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Speaker 1: and then having all these uh these guests. But one

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Speaker 1: of the episodes, I like, just try it on my clothes.

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Speaker 1: The other day, my nipples. You could just see my

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00:22:04,160 --> 00:22:07,080
Speaker 1: nipples and they're like, now, let's get you a different shirt. Uh,

403
00:22:07,119 --> 00:22:09,560
Speaker 1: your you could just like your nipples are like rock

404
00:22:09,640 --> 00:22:12,199
Speaker 1: hard in this and maybe it's too much and I'm like, na,

405
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Speaker 1: your boobs are huge. Nope, we're keeping it. I'm gonna

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Speaker 1: be nipped out on Ellen. So get ready, get ready

407
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Speaker 1: for that. Should Blake come and just play the soundboard

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Speaker 1: during our interview? I would love that. What do they

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Speaker 1: have a DJ? They have a DJ Blake? If you

410
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Speaker 1: could just send your sound where we don't need you.

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Speaker 1: What's his name? DJ Twist or something. He's a really

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Speaker 1: nice guy. Twitch twitch wit there's what are you promoting?

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Speaker 1: I'm sorry, I gotta get on this. Inventing Anna from

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Speaker 1: Shonda Rhymes on Netflix coming in February. Okay, it's the

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Speaker 1: one I started filming before the pandemic. Um it's finally

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Speaker 1: coming out. Okay. So, Adam, do you have like free

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Speaker 1: rein or do you got to kind of fit into

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Speaker 1: the Ellen Molders just gonna be butt chugging, like what

419
00:22:55,119 --> 00:22:58,960
Speaker 1: can we look forward to? I keep pitching but chugging,

420
00:22:59,200 --> 00:23:02,520
Speaker 1: but they yeah, they haven't really responded. No, they like

421
00:23:02,880 --> 00:23:05,560
Speaker 1: pitched me a bunch of different stuff and then I'm

422
00:23:05,560 --> 00:23:09,919
Speaker 1: working with their writers on the monologue, and you know,

423
00:23:09,960 --> 00:23:12,639
Speaker 1: I'm I'm trying to keep it somewhat Ellen. Uh, you

424
00:23:12,680 --> 00:23:14,920
Speaker 1: know it's because I don't think that their audience would

425
00:23:15,080 --> 00:23:18,040
Speaker 1: totally respond to all the butt chugging that I want

426
00:23:18,040 --> 00:23:20,240
Speaker 1: to do. Well, had to be fair. You don't know,

427
00:23:20,320 --> 00:23:23,800
Speaker 1: still you try. That is true. Yeah, there's some crossover.

428
00:23:23,840 --> 00:23:26,320
Speaker 1: There is some crossover. I can guarantee there's some crossover.

429
00:23:26,400 --> 00:23:29,320
Speaker 1: There is. Do you want to just fit in the

430
00:23:29,359 --> 00:23:31,320
Speaker 1: mold or do you want to change TV forever? Ellen?

431
00:23:31,640 --> 00:23:35,320
Speaker 1: Ellen liked Workaholics. I've talked with her about it before. Yeah,

432
00:23:35,480 --> 00:23:39,960
Speaker 1: on on episodes I've gone on to promote Workaholics. People

433
00:23:40,240 --> 00:23:43,359
Speaker 1: love getting nasty and if anything, like we're only getting

434
00:23:43,440 --> 00:23:49,000
Speaker 1: nastier as a culture, We're kind of nasty. Dude, are

435
00:23:49,080 --> 00:23:51,720
Speaker 1: you just doing one episode or are you doing several?

436
00:23:52,040 --> 00:23:54,760
Speaker 1: I'm gonna I'm doing two episodes in one day tomorrow.

437
00:23:55,400 --> 00:23:58,600
Speaker 1: Do you know who's on with me? Yeah, it's Julie

438
00:23:58,600 --> 00:24:02,720
Speaker 1: Bowen and who you know? And then I think that

439
00:24:02,840 --> 00:24:04,960
Speaker 1: episode we're go, and then we're gonna do like a

440
00:24:05,080 --> 00:24:08,679
Speaker 1: human interest piece. Uh. It was just some teacher that

441
00:24:08,720 --> 00:24:10,800
Speaker 1: we're going to give a bunch of money to and

442
00:24:11,119 --> 00:24:13,159
Speaker 1: has a really cool story, not the one that said you.

443
00:24:13,320 --> 00:24:18,119
Speaker 1: And then I think your episode is Nina Dobrev, who

444
00:24:18,200 --> 00:24:21,159
Speaker 1: I just shot my last movie with the Outlaws, and

445
00:24:21,280 --> 00:24:25,320
Speaker 1: Juliana Huff who they own a wine company together, and

446
00:24:25,440 --> 00:24:28,200
Speaker 1: so they're there to promote their wine company, and then

447
00:24:28,359 --> 00:24:30,840
Speaker 1: my boy Jersey home. So you're telling me we're getting

448
00:24:30,880 --> 00:24:34,120
Speaker 1: some wine. I believe. Yeah, I believe you will probably

449
00:24:34,160 --> 00:24:37,359
Speaker 1: get some wine out of this deal. Dobrev Huff Wine

450
00:24:37,359 --> 00:24:39,720
Speaker 1: are dude. I hope you get that Ellen swag bag

451
00:24:39,760 --> 00:24:42,480
Speaker 1: and get the cool hoodie and the Ellen tequila because

452
00:24:42,560 --> 00:24:46,920
Speaker 1: my gosh, my mom is so fitted with talk show attire.

453
00:24:47,720 --> 00:24:50,400
Speaker 1: Every time I had Facetimer, she's just wearing like teen

454
00:24:50,440 --> 00:24:56,520
Speaker 1: Coco shirts or Ellen sweatpants or whatever else. Yeah. They

455
00:24:57,200 --> 00:24:59,679
Speaker 1: you guys are the same size or the exact same size. Well,

456
00:24:59,760 --> 00:25:03,399
Speaker 1: I us for women's smalls for yourself. That's why your

457
00:25:03,480 --> 00:25:06,000
Speaker 1: nipples be popping and that's why my nipples are always

458
00:25:06,040 --> 00:25:11,360
Speaker 1: popping out. I can't wait. It's gonna be fun. Um,

459
00:25:11,400 --> 00:25:13,919
Speaker 1: it's gonna be fun. Trying not to be who we

460
00:25:13,960 --> 00:25:17,960
Speaker 1: are exactly, it's gonna be it'll be weird. It's good

461
00:25:18,000 --> 00:25:22,800
Speaker 1: to see you, Adam. I've known this guy. For how

462
00:25:22,800 --> 00:25:25,199
Speaker 1: long are you guys gonna dance a whole bunch? Like

463
00:25:25,920 --> 00:25:29,760
Speaker 1: I'm gonna embarrass Dirs by making him dance a lot.

464
00:25:29,880 --> 00:25:33,159
Speaker 1: I'm gonna say, twitch, hit it and then get up

465
00:25:33,200 --> 00:25:35,440
Speaker 1: and then we'll have a little dance off. I'm gonna

466
00:25:35,440 --> 00:25:37,080
Speaker 1: beat you to it. I'm gonna walk out with my

467
00:25:37,160 --> 00:25:42,040
Speaker 1: dick tucked between my legs and everything's gonna stop. Just

468
00:25:42,119 --> 00:25:45,480
Speaker 1: wiggle your way out. That'd be great. Everything stops and

469
00:25:45,440 --> 00:25:47,439
Speaker 1: then they're like, Okay, we're gonna need to take that again.

470
00:25:47,560 --> 00:25:52,280
Speaker 1: Can you put your dick in your pants or goodbye?

471
00:25:52,320 --> 00:25:54,840
Speaker 1: I can't have your dick out. And then I go,

472
00:25:55,359 --> 00:25:57,760
Speaker 1: this isn't live. I don't care how long you've known

473
00:25:57,800 --> 00:26:00,280
Speaker 1: each other. You can't have your dick out. Okay, that's

474
00:26:00,320 --> 00:26:04,359
Speaker 1: not because it's ellen, because daytime, And they're like, yeah,

475
00:26:04,440 --> 00:26:06,439
Speaker 1: just TV in general, you can't do that. Don't have

476
00:26:06,440 --> 00:26:09,800
Speaker 1: your dick out. Can't do that on any show. Why

477
00:26:09,840 --> 00:26:13,640
Speaker 1: aren't they laughing? Uh K, If you do that, I'll

478
00:26:13,720 --> 00:26:15,440
Speaker 1: let it slide. As the host. I think I get

479
00:26:15,440 --> 00:26:18,919
Speaker 1: to make that call. Yeah, Adams, just like no, keep rolling,

480
00:26:19,320 --> 00:26:26,680
Speaker 1: The dick stays, The dick stays in the picture. Thank you.

481
00:26:27,800 --> 00:26:29,760
Speaker 1: Uh yeah, but it is the first time I'm like

482
00:26:29,840 --> 00:26:32,760
Speaker 1: actually hosting something, so it'll be you know, kind of weird.

483
00:26:32,800 --> 00:26:36,639
Speaker 1: You've hosted the MTV Awards besides the MTV Movie Awards. Yeah,

484
00:26:36,840 --> 00:26:39,159
Speaker 1: but I hosted that, But but you don't remember it.

485
00:26:39,720 --> 00:26:42,560
Speaker 1: I don't remember it fair enough. It was like that's

486
00:26:42,600 --> 00:26:46,600
Speaker 1: like a huge event just you're basically just announcing ways

487
00:26:46,880 --> 00:26:50,040
Speaker 1: that the stranger things kids can get awards. This is

488
00:26:50,040 --> 00:26:52,919
Speaker 1: like I have to interview people and ask them questions. Yeah,

489
00:26:53,000 --> 00:26:55,879
Speaker 1: and like I think about it being nervous for like

490
00:26:55,880 --> 00:26:58,480
Speaker 1: the monologue, but it's kind of just like doing stand up, right,

491
00:26:58,480 --> 00:27:01,160
Speaker 1: But you're yeah, it'll be fine, it'll be fun. It'll

492
00:27:01,359 --> 00:27:04,000
Speaker 1: it'll just be like getting shot out of a cannon

493
00:27:04,080 --> 00:27:05,720
Speaker 1: a little bit, where you just don't know what the

494
00:27:05,720 --> 00:27:08,600
Speaker 1: fund is going on and you're just doing stuff. It'll

495
00:27:08,600 --> 00:27:10,880
Speaker 1: be great. How many times can I say, let's go Brandon,

496
00:27:14,080 --> 00:27:20,560
Speaker 1: let's go you have to I love it. Uh yeah,

497
00:27:20,600 --> 00:27:24,879
Speaker 1: please try to sneak in some some polly charged. I

498
00:27:24,920 --> 00:27:28,000
Speaker 1: feel like I can take let's go Brandon away from them.

499
00:27:29,080 --> 00:27:32,239
Speaker 1: It's like, let's go Brandon's it's coming. Yeah, No, I

500
00:27:32,240 --> 00:27:35,160
Speaker 1: feel you there because I'm on board. I think it's cool.

501
00:27:36,040 --> 00:27:39,200
Speaker 1: I'm gonna take it and go, Hey, let's go Brandon. Yeah,

502
00:27:39,200 --> 00:27:41,240
Speaker 1: make it, make it your own, make it your own,

503
00:27:41,600 --> 00:27:44,959
Speaker 1: make it Jerome, Let's go to Rusco, Jerome, Let's go Wi.

504
00:27:45,160 --> 00:27:48,840
Speaker 1: I wish, I wish maybe a twitch name was Brandon,

505
00:27:48,920 --> 00:27:51,080
Speaker 1: so then you could like have it be a organic

506
00:27:51,280 --> 00:27:53,560
Speaker 1: you know it might be Ye, we don't find a

507
00:27:53,760 --> 00:27:56,800
Speaker 1: find if a cameraman his name Brandon, or find somebody

508
00:27:56,880 --> 00:28:00,159
Speaker 1: on set whose name is Brandon, just keep throwing to

509
00:28:00,280 --> 00:28:04,720
Speaker 1: them higher an assistant named Brandon just for tomorrow. There

510
00:28:04,760 --> 00:28:07,680
Speaker 1: was a cool fight in the stands at the Wisconsin

511
00:28:07,720 --> 00:28:12,680
Speaker 1: Arizona State game last week. These two Arizona State guys

512
00:28:12,680 --> 00:28:14,439
Speaker 1: were like getting chippy with each other and it was

513
00:28:14,480 --> 00:28:18,480
Speaker 1: like going on way too long. We're like, they're almost fighting,

514
00:28:18,600 --> 00:28:21,840
Speaker 1: dare you? And then some old like beer belly dad

515
00:28:21,920 --> 00:28:25,160
Speaker 1: from Wisconsin who looked grizzled right like a guy who

516
00:28:25,160 --> 00:28:26,879
Speaker 1: you're like, I don't know if I would work with

517
00:28:26,920 --> 00:28:29,800
Speaker 1: this dude. He like throws hey, hey, baals around or

518
00:28:29,800 --> 00:28:31,400
Speaker 1: some ship comes up and he's like, if you guys

519
00:28:31,440 --> 00:28:34,639
Speaker 1: don't fucking shut up, I'm gonna kick both your grass instead.

520
00:28:35,040 --> 00:28:40,560
Speaker 1: Come on, cut this ship out. Let's go Brandon, shut up, bitch,

521
00:28:40,680 --> 00:28:43,479
Speaker 1: what a fucking idiot. I was like, yeah, all right,

522
00:28:43,600 --> 00:28:45,360
Speaker 1: I was with him and then I and then he

523
00:28:45,440 --> 00:28:47,200
Speaker 1: tried to be like, come on, let's go, Brandon, right,

524
00:28:47,240 --> 00:28:50,000
Speaker 1: and the guys are like, yeah, alright, let's go. Okay,

525
00:28:50,280 --> 00:28:54,560
Speaker 1: bound by there there the hatred of the president. Yeah,

526
00:28:54,760 --> 00:28:58,320
Speaker 1: that stopped it. It stopped that stopped it. Yeah, alright, alright,

527
00:28:58,360 --> 00:29:01,400
Speaker 1: cool way. Well, if that's what brings us together, all

528
00:29:01,440 --> 00:29:05,320
Speaker 1: of us, um freaking punk dude, let's go, Brandon. I

529
00:29:05,360 --> 00:29:08,200
Speaker 1: think that's not how it's intended. But yeah, if that

530
00:29:08,480 --> 00:29:11,800
Speaker 1: brings everyone together, well I'm on board. I've swung over

531
00:29:13,000 --> 00:29:14,680
Speaker 1: you have. I know you are. Can we get it

532
00:29:14,720 --> 00:29:17,120
Speaker 1: on the sound board? Absolutely, we're going to get one

533
00:29:17,160 --> 00:29:21,480
Speaker 1: of those fucking things. Sucks. It's two of my favorite things.

534
00:29:21,600 --> 00:29:23,840
Speaker 1: It's got let's go in there. Oh yeah, did you

535
00:29:23,840 --> 00:29:26,320
Speaker 1: guys do like something where you were abandoning let's go,

536
00:29:26,440 --> 00:29:29,040
Speaker 1: what's going on? Saying let's well, we're trying to get

537
00:29:29,040 --> 00:29:30,880
Speaker 1: the let's why would we tell you? Why would we

538
00:29:30,880 --> 00:29:34,640
Speaker 1: tell you? Don't tell him? Okay, fuck him, I'm sorry,

539
00:29:34,800 --> 00:29:37,520
Speaker 1: I'm sorry trying to talk to my friend. Did you

540
00:29:37,560 --> 00:29:40,080
Speaker 1: try to stop it? Let's stop, let's go. We're trying

541
00:29:40,080 --> 00:29:43,120
Speaker 1: to start. Let's stop, Let's go the movement. You're so lucky.

542
00:29:43,160 --> 00:29:47,080
Speaker 1: We're telling you why because let's go is the worst dude?

543
00:29:47,440 --> 00:29:50,600
Speaker 1: Wait what why because it sucks? Well, here's the tipping

544
00:29:50,640 --> 00:29:53,760
Speaker 1: point is that hurts rent a Car made it their

545
00:29:53,800 --> 00:29:58,120
Speaker 1: official promo. And you know how I don't funk with hurts. Yeah,

546
00:29:58,720 --> 00:30:01,840
Speaker 1: like funck hurts. Obviously, I get that. I get that

547
00:30:01,960 --> 00:30:05,960
Speaker 1: hurts hurts do it. And somebody on Twitter sent me

548
00:30:06,000 --> 00:30:09,480
Speaker 1: one where it was also like Discovery Channel is now

549
00:30:09,560 --> 00:30:13,440
Speaker 1: let's go where it's like true on Discovery Let's go. No,

550
00:30:13,640 --> 00:30:15,560
Speaker 1: I mean, I totally get it. I just was like,

551
00:30:15,760 --> 00:30:18,160
Speaker 1: this is it is weird. It's going corporate. It's going

552
00:30:18,200 --> 00:30:21,120
Speaker 1: corporate weird. The amount of like friends that I know

553
00:30:21,200 --> 00:30:24,400
Speaker 1: that I respect their opinions or like reaching out to

554
00:30:24,440 --> 00:30:28,160
Speaker 1: me about the Righteous Jempstones coming back, uh, and and

555
00:30:28,200 --> 00:30:31,760
Speaker 1: they're they're like, I I posted, uh, like a trailer

556
00:30:31,760 --> 00:30:34,320
Speaker 1: for Righteous Jempstones on my Instagram. And then they will

557
00:30:34,360 --> 00:30:37,560
Speaker 1: like text me or DM me going let's fucking go,

558
00:30:38,400 --> 00:30:42,800
Speaker 1: let's go, dude, January night, Let's go. And I'm like,

559
00:30:43,160 --> 00:30:45,720
Speaker 1: I don't know if I can be your friend anymore. Now,

560
00:30:45,920 --> 00:30:49,960
Speaker 1: let's go. I've just lost about of of my friend

561
00:30:49,960 --> 00:30:54,040
Speaker 1: group over. Let's go. This is what goes on right

562
00:30:54,040 --> 00:30:57,680
Speaker 1: when people are like literally literally literally, it's like it

563
00:30:57,800 --> 00:31:01,280
Speaker 1: just becomes a part of your vernacular or like really

564
00:31:01,760 --> 00:31:05,120
Speaker 1: really really really. My eight year old the other day

565
00:31:05,320 --> 00:31:08,200
Speaker 1: he started saying that, like, um, to be honest, Like

566
00:31:08,240 --> 00:31:10,840
Speaker 1: it was if I'm being honest everyone was saying, and

567
00:31:10,880 --> 00:31:13,400
Speaker 1: then it became to be honest, and my eight year

568
00:31:13,400 --> 00:31:16,400
Speaker 1: old says that, I'm like, this is crazy. Your eight

569
00:31:16,440 --> 00:31:19,400
Speaker 1: year oldest is finally being honesty. I've been lying for

570
00:31:19,480 --> 00:31:23,720
Speaker 1: years to be honest. Blue is no longer my favorite coach.

571
00:31:23,760 --> 00:31:25,920
Speaker 1: Do not know what I'm talking about? I don't not.

572
00:31:26,880 --> 00:31:28,959
Speaker 1: Blake was doing it for a very long time on

573
00:31:29,000 --> 00:31:32,600
Speaker 1: the podcast. That's my catchphrase, if we're being honest. It's

574
00:31:32,600 --> 00:31:35,280
Speaker 1: a preface. It's like a preface you would always say

575
00:31:35,360 --> 00:31:38,040
Speaker 1: before a sentence. You'd say, if I'm being honest. That

576
00:31:38,200 --> 00:31:40,040
Speaker 1: it was the thing people were saying, and then they've

577
00:31:40,360 --> 00:31:43,600
Speaker 1: they've shortened it to be honestly, who throws a shoe?

578
00:31:44,120 --> 00:31:47,920
Speaker 1: It's it's all pointless and stupid, um, you know, which

579
00:31:47,920 --> 00:31:49,400
Speaker 1: is why I had to beat my kids go ahead.

580
00:31:49,440 --> 00:31:53,680
Speaker 1: It's just like a little phrase that people will latch onto.

581
00:31:54,120 --> 00:31:57,280
Speaker 1: It's a preface and then it becomes part of everyone's

582
00:31:57,320 --> 00:31:59,840
Speaker 1: you know, every day lexicon, right, Like like how we

583
00:32:00,000 --> 00:32:04,400
Speaker 1: always used to all say, gea, yeah, yeah, soon enough,

584
00:32:04,720 --> 00:32:07,600
Speaker 1: let's go, we'll cycle through. I'm just really excited to

585
00:32:07,640 --> 00:32:10,440
Speaker 1: see what's next. It's gonna be fucking cool. When's the

586
00:32:10,480 --> 00:32:12,880
Speaker 1: last time you guys heard a real nice I know, right,

587
00:32:13,200 --> 00:32:17,320
Speaker 1: it's been a while, right, I know, right, I know right,

588
00:32:17,480 --> 00:32:20,840
Speaker 1: I know right. Was a fucking pandemic. Yeah, I know right.

589
00:32:21,320 --> 00:32:24,400
Speaker 1: That was I know right, I know right. Was a moment.

590
00:32:25,120 --> 00:32:26,960
Speaker 1: What about a know what I mean? That one? We

591
00:32:27,000 --> 00:32:30,240
Speaker 1: could have that coming up next. That wasn't a thing

592
00:32:30,280 --> 00:32:33,720
Speaker 1: that was a catch phrase. I feel like that didn't

593
00:32:33,760 --> 00:32:36,080
Speaker 1: catch on. I didn't. I don't know if that caught

594
00:32:36,080 --> 00:32:38,800
Speaker 1: on quite as much as you know what I mean?

595
00:32:38,960 --> 00:32:41,560
Speaker 1: That was huge and on our friend group we all say,

596
00:32:41,640 --> 00:32:45,480
Speaker 1: didn't know what I mean, for her, everybody did that though, right, Yeah,

597
00:32:45,920 --> 00:32:49,120
Speaker 1: I feel like Hurts rental car didn't go what I mean,

598
00:32:50,120 --> 00:32:55,880
Speaker 1: great prices, great prices, Yeah they should. That would be

599
00:32:55,920 --> 00:33:02,080
Speaker 1: a great corporate swing if somebody latched onto impossible meat.

600
00:33:02,960 --> 00:33:08,640
Speaker 1: It tastes real, know what I mean? Impossible burgers tastes real?

601
00:33:08,880 --> 00:33:11,160
Speaker 1: What I mean the impossible would be? Is that real? Bam?

602
00:33:11,960 --> 00:33:16,200
Speaker 1: That would be good? A right, he's back, He's back.

603
00:33:16,960 --> 00:33:21,720
Speaker 1: I'm back. Now we're back to la la la. I

604
00:33:21,720 --> 00:33:24,719
Speaker 1: feel like everyone that goes to USC says, let's go

605
00:33:24,920 --> 00:33:27,760
Speaker 1: for sure that they started it university a second to

606
00:33:27,880 --> 00:33:40,200
Speaker 1: oh damn yet theirs. What the heck you were in? Um,

607
00:33:40,480 --> 00:33:43,240
Speaker 1: you were in a George Harrison music video. We didn't

608
00:33:43,240 --> 00:33:46,080
Speaker 1: even cover that. What was that about? Did you guys

609
00:33:46,120 --> 00:33:50,560
Speaker 1: see that? It was like George Harrison like anniversary or something.

610
00:33:50,600 --> 00:33:54,600
Speaker 1: I saw this Lance Bangs. Lance Bangs directed a George

611
00:33:54,640 --> 00:33:58,920
Speaker 1: Harrison video. Our guy, Lance Bangs is a homie of

612
00:33:58,960 --> 00:34:01,320
Speaker 1: a homie and my Homi was one of the producers

613
00:34:01,360 --> 00:34:05,760
Speaker 1: of it. Um My boy DJ christa J. Christos, who

614
00:34:05,800 --> 00:34:09,600
Speaker 1: just knows everybody in l A and social light he does.

615
00:34:10,160 --> 00:34:16,440
Speaker 1: That's not exactly. One of his jobs was deejaying before

616
00:34:16,520 --> 00:34:19,799
Speaker 1: Paul McCartney shows, which is so cool, very cool gay.

617
00:34:19,880 --> 00:34:22,560
Speaker 1: So like if you go to see Paul McCartney mash

618
00:34:22,680 --> 00:34:26,160
Speaker 1: up of how of um like Beatles songs that come together? Yeah,

619
00:34:26,280 --> 00:34:29,799
Speaker 1: wings all that. I just recently got into listening to

620
00:34:29,880 --> 00:34:32,720
Speaker 1: some of the Beatles. They're they're pretty good. Oh dude, Yeah,

621
00:34:32,760 --> 00:34:34,680
Speaker 1: they're not bad. They had a handful of songs. They're

622
00:34:34,719 --> 00:34:37,000
Speaker 1: not bad. Did you guys watch the Did you guys

623
00:34:37,000 --> 00:34:40,520
Speaker 1: watch the fucking the documentary? Yeah? It was. It was

624
00:34:40,680 --> 00:34:44,400
Speaker 1: super boring and long. I turned. I didn't get through it.

625
00:34:44,520 --> 00:34:47,040
Speaker 1: I didn't get through it. No, that ship was so good,

626
00:34:47,320 --> 00:34:51,000
Speaker 1: so good. He's interesting, way long and boring. I love

627
00:34:51,080 --> 00:34:54,040
Speaker 1: that thing. It was interesting just how it made me

628
00:34:54,080 --> 00:34:57,000
Speaker 1: go like I could be the Beatles. I'm as good

629
00:34:57,000 --> 00:34:59,439
Speaker 1: as the Beatles. It was. That's not what I took

630
00:34:59,440 --> 00:35:02,359
Speaker 1: away from it. I was just like, I think, if

631
00:35:02,400 --> 00:35:05,040
Speaker 1: you have any sort of interest in the Beatles, it's

632
00:35:05,080 --> 00:35:08,600
Speaker 1: interesting because they are arguably the greatest band, most prolific

633
00:35:08,600 --> 00:35:10,640
Speaker 1: band of all time. And if you have any interest

634
00:35:10,680 --> 00:35:14,960
Speaker 1: in music, that's a great song. I got the best

635
00:35:14,960 --> 00:35:19,520
Speaker 1: song that any member of the Beatles has ever done. Second,

636
00:35:20,760 --> 00:35:24,799
Speaker 1: turn It Off, and I got lots of money. It's

637
00:35:24,800 --> 00:35:28,080
Speaker 1: like it's this verse. It's this verse, just over and

638
00:35:28,120 --> 00:35:30,879
Speaker 1: over again. And by the way, um so anyway, Blake. Yeah,

639
00:35:30,880 --> 00:35:34,000
Speaker 1: I did a video sending well. I was saying that

640
00:35:34,040 --> 00:35:36,080
Speaker 1: if you don't have any interest in music and you

641
00:35:36,120 --> 00:35:38,520
Speaker 1: don't care for the Beatles. It's not like an interesting

642
00:35:38,600 --> 00:35:42,080
Speaker 1: documentary where you learn anything. It's like you're just watching

643
00:35:42,200 --> 00:35:45,439
Speaker 1: the greatest band ever just exist in a room. Yeah,

644
00:35:45,800 --> 00:35:47,960
Speaker 1: that was what was cool. They were just dudes. It

645
00:35:48,120 --> 00:35:50,680
Speaker 1: was cool. That's what I thought was so beautiful about it.

646
00:35:50,760 --> 00:35:53,280
Speaker 1: That was beautiful. Yeah, it was like you just watched

647
00:35:53,320 --> 00:35:56,480
Speaker 1: them pull these songs out of thin air, Like that's

648
00:35:56,560 --> 00:35:59,799
Speaker 1: like one part that's fantastic, And then you also see

649
00:35:59,840 --> 00:36:02,279
Speaker 1: how much fun they're having to which is this is

650
00:36:02,320 --> 00:36:05,600
Speaker 1: an era in their history where people is it's covered

651
00:36:05,640 --> 00:36:09,120
Speaker 1: in darkness. So it was like they were breaking up

652
00:36:09,120 --> 00:36:11,120
Speaker 1: and all that ship, but really they were. There were

653
00:36:11,200 --> 00:36:13,840
Speaker 1: awesome moments where they were having fun creating together. But

654
00:36:14,080 --> 00:36:16,400
Speaker 1: you have to wait through nine hours exactly. It was

655
00:36:16,440 --> 00:36:19,439
Speaker 1: too long. Adam shut up. It didn't matter. I could

656
00:36:19,440 --> 00:36:24,920
Speaker 1: have watched it forever, forever, forever. I thought it was

657
00:36:25,000 --> 00:36:28,560
Speaker 1: too long. But also, uh, it was kind of cool

658
00:36:28,680 --> 00:36:32,600
Speaker 1: watching them, like seeing how hard they worked. Yeah. Man,

659
00:36:32,920 --> 00:36:35,360
Speaker 1: like when we get together and we're writing something together,

660
00:36:35,440 --> 00:36:38,279
Speaker 1: we're developing a project together. We get together, Let's say

661
00:36:38,320 --> 00:36:40,719
Speaker 1: we have four hours, we bullshit for two and a

662
00:36:40,719 --> 00:36:44,520
Speaker 1: half hours, work for one hour and then bullshit for

663
00:36:44,520 --> 00:36:47,319
Speaker 1: another thirty minutes. We're a good time guy. When they

664
00:36:47,560 --> 00:36:50,719
Speaker 1: like literally would get there and they were working and

665
00:36:50,800 --> 00:36:54,759
Speaker 1: just talking music for ten hours straight every day. And

666
00:36:54,800 --> 00:36:58,120
Speaker 1: it's truly because they have no distractions like other than

667
00:36:58,200 --> 00:37:00,560
Speaker 1: each other. Like they're stuck in the room. Do you

668
00:37:00,600 --> 00:37:03,160
Speaker 1: can't look down on your phone, check Twitter or whatever.

669
00:37:03,280 --> 00:37:07,719
Speaker 1: You're just fucking in a fucking box together. Yeah, but

670
00:37:07,800 --> 00:37:10,240
Speaker 1: we wouldn't. We would kind of have a no phone's

671
00:37:10,320 --> 00:37:12,120
Speaker 1: rule in the writer's from a workaholic. It's not like,

672
00:37:12,440 --> 00:37:13,880
Speaker 1: not like a hard fast rule, but to be like

673
00:37:14,080 --> 00:37:15,400
Speaker 1: maybe they'll be on your phone while we're trying to

674
00:37:15,400 --> 00:37:17,520
Speaker 1: write the story and we would still just bullshit about

675
00:37:17,719 --> 00:37:22,400
Speaker 1: aerobes from the nineties Mission Drift. Mission Drift. It reminded

676
00:37:22,440 --> 00:37:25,680
Speaker 1: me of the workahwks writers room or any writers it was.

677
00:37:26,080 --> 00:37:28,600
Speaker 1: It was kind of like reminiscent of that, where it's

678
00:37:28,640 --> 00:37:31,760
Speaker 1: just like watching the creative process is truly something fucking

679
00:37:31,920 --> 00:37:35,160
Speaker 1: sweet dude when it works. Yeah, I do agree. I

680
00:37:35,200 --> 00:37:37,279
Speaker 1: did like that about it, but I was just like, oh,

681
00:37:37,360 --> 00:37:39,799
Speaker 1: I don't know if I need like nine hours, Like

682
00:37:39,880 --> 00:37:42,160
Speaker 1: what would my mom take away from that documentary? She

683
00:37:42,160 --> 00:37:47,000
Speaker 1: would probably be like Snoozeville nineties seven. I don't understand why, Well,

684
00:37:47,000 --> 00:37:49,840
Speaker 1: it's not informational. You're right, you're just absorbing it. You

685
00:37:49,920 --> 00:37:53,120
Speaker 1: are just kind of absorbing footage and watching. That's I

686
00:37:53,400 --> 00:37:55,880
Speaker 1: got to hear more about Blake's mom not absorbing us.

687
00:37:56,320 --> 00:37:58,880
Speaker 1: I feel like your mom is the generation to actually

688
00:37:59,239 --> 00:38:02,200
Speaker 1: like the Beatles like my generation. I want to hear what,

689
00:38:02,360 --> 00:38:05,799
Speaker 1: like Meg the Stallion's creative process, can we sit in

690
00:38:06,320 --> 00:38:09,600
Speaker 1: or like what is what is Chinese? Like? What did

691
00:38:09,680 --> 00:38:13,480
Speaker 1: he go through? Exactly? What did go through when he's

692
00:38:13,520 --> 00:38:18,040
Speaker 1: doing right there? What was his headspace? Would we like

693
00:38:18,160 --> 00:38:20,320
Speaker 1: the way he did that? Where was her okay? And

694
00:38:20,400 --> 00:38:24,600
Speaker 1: Chris walking it out right there? Yeah? What's up with

695
00:38:24,719 --> 00:38:27,960
Speaker 1: j Quon And I guess that's why I was like,

696
00:38:28,000 --> 00:38:30,799
Speaker 1: I'm not, I I like really only know that one

697
00:38:30,840 --> 00:38:32,800
Speaker 1: George Harrison's Yes, that would be very weird. If you

698
00:38:32,800 --> 00:38:35,040
Speaker 1: don't know the Beatles catalog, then when they make up

699
00:38:35,080 --> 00:38:38,040
Speaker 1: this iconic song, you're not going like, holy sh it,

700
00:38:38,120 --> 00:38:40,480
Speaker 1: that's when Paul made up that song, but you're like,

701
00:38:40,600 --> 00:38:43,440
Speaker 1: this could be it. Well, it was inspiring in the

702
00:38:43,440 --> 00:38:45,840
Speaker 1: way that, like a lot of them started off like

703
00:38:45,880 --> 00:38:49,200
Speaker 1: real shitty and you're just like, oh yeah, Like I

704
00:38:49,239 --> 00:38:51,759
Speaker 1: guess if you do work super hard at something, you

705
00:38:51,800 --> 00:38:55,960
Speaker 1: can't make it much better. Because yeah, but that's everything exactly.

706
00:38:56,040 --> 00:38:57,920
Speaker 1: What's the song that you actually like? Like, you see

707
00:38:57,960 --> 00:38:59,439
Speaker 1: a lot of songs, but the one that you see

708
00:38:59,560 --> 00:39:02,000
Speaker 1: like coming together is like when he's like banging on

709
00:39:02,040 --> 00:39:03,920
Speaker 1: the fucking guitar and then he all of a sudden,

710
00:39:03,960 --> 00:39:06,560
Speaker 1: it's like Jojoe is a man and and and and

711
00:39:06,600 --> 00:39:10,600
Speaker 1: he just is over and over get back. Yeah, but

712
00:39:10,640 --> 00:39:14,400
Speaker 1: that's why Paul's the freaking best dude. It's fucking sweet, dude.

713
00:39:14,600 --> 00:39:17,160
Speaker 1: I quit when they were like, we can't record in here,

714
00:39:17,320 --> 00:39:19,399
Speaker 1: the acoustons aren't good, we gotta go, and I turned

715
00:39:19,440 --> 00:39:22,360
Speaker 1: it off. Also, I love their dynamic. Bro. Paul was

716
00:39:22,400 --> 00:39:26,040
Speaker 1: in the studio, always, always in the studio, Ringo first

717
00:39:26,040 --> 00:39:29,120
Speaker 1: to come in, after that, then George, but George was

718
00:39:29,200 --> 00:39:31,160
Speaker 1: kind of like, yo, I don't know why I'm here.

719
00:39:31,239 --> 00:39:37,360
Speaker 1: And then John with with Yoko and Yoko fucking sat

720
00:39:37,400 --> 00:39:41,239
Speaker 1: there every moment. That's kind of weird. But what's the

721
00:39:41,360 --> 00:39:44,600
Speaker 1: verdict on her after watching the document because obviously everyone

722
00:39:44,640 --> 00:39:46,960
Speaker 1: always said she broke up the Beatles. What's the version

723
00:39:47,040 --> 00:39:49,880
Speaker 1: I don't think she broke up the Beatles at all. No,

724
00:39:50,200 --> 00:39:52,480
Speaker 1: do you guys funk with Yoko? Have you listened to her? Yeah,

725
00:39:52,480 --> 00:39:57,120
Speaker 1: it's kind of cool, it's sick. Take some swings. She's cool,

726
00:39:57,200 --> 00:40:00,640
Speaker 1: she's a good artist. She was like radical man um.

727
00:40:01,080 --> 00:40:02,719
Speaker 1: I don't think she broke him up. I think they

728
00:40:02,760 --> 00:40:04,879
Speaker 1: had other dynamics. They all look at the music they

729
00:40:04,920 --> 00:40:07,279
Speaker 1: made afterwards. They all just had shipped to get out,

730
00:40:07,400 --> 00:40:09,680
Speaker 1: for sure. They needed to get shipped out and they

731
00:40:09,680 --> 00:40:11,879
Speaker 1: were tired of discussing it with each other. That's all

732
00:40:11,920 --> 00:40:13,759
Speaker 1: it is. Are we still talking about the Beatles? Kyle,

733
00:40:14,440 --> 00:40:19,279
Speaker 1: he had to direct. George had his mind set on

734
00:40:19,400 --> 00:40:22,120
Speaker 1: us well. Ringo was making a movie. Ringo was like, hey,

735
00:40:22,120 --> 00:40:23,680
Speaker 1: I gotta get done with this because I got the

736
00:40:23,719 --> 00:40:26,600
Speaker 1: movie The Magic Christian And he was hungover because he

737
00:40:26,680 --> 00:40:32,640
Speaker 1: was producing. And is it true ringoes first like solo

738
00:40:32,760 --> 00:40:36,960
Speaker 1: album out sold Paul McCartney's first solo album. I think

739
00:40:37,000 --> 00:40:40,560
Speaker 1: something like that. We're like, dude. After I watched the documentary,

740
00:40:40,560 --> 00:40:42,520
Speaker 1: I'm like, because I fell in love with Ringo through

741
00:40:42,560 --> 00:40:45,240
Speaker 1: the doc I'm like Ringo. I'd never have like Ringo,

742
00:40:45,320 --> 00:40:47,760
Speaker 1: but after seeing that, I'm like, he's my fucking guy.

743
00:40:48,280 --> 00:40:50,680
Speaker 1: Well he had two normal legs, which we know, you know,

744
00:40:51,920 --> 00:40:54,160
Speaker 1: So I was like, dude, I'm gonna I'm like, I'm

745
00:40:54,160 --> 00:40:56,200
Speaker 1: gonna check out his music because maybe I was just

746
00:40:56,239 --> 00:40:59,120
Speaker 1: being harsh. The dudes pretty cool. Dude. His solo album,

747
00:40:59,400 --> 00:41:04,719
Speaker 1: so they're so bad. Yeah, it's not very good ringo Ing,

748
00:41:06,360 --> 00:41:08,799
Speaker 1: but it was a bigger hit for some reason. Man.

749
00:41:08,960 --> 00:41:11,800
Speaker 1: It's like it's so bad and I love Ringo and

750
00:41:11,840 --> 00:41:14,120
Speaker 1: that that those albums are just not very good. But

751
00:41:14,239 --> 00:41:18,240
Speaker 1: George is good. I I thought George Rocks. I thought

752
00:41:18,800 --> 00:41:21,400
Speaker 1: Paul was kind of just like the pretty boy of

753
00:41:21,480 --> 00:41:23,279
Speaker 1: the group, because I know he was known as like

754
00:41:23,320 --> 00:41:24,960
Speaker 1: the cute one, so I didn't think he was like

755
00:41:25,000 --> 00:41:28,319
Speaker 1: the creative force. And and then watching the documentary, I'm like, oh,

756
00:41:28,360 --> 00:41:30,799
Speaker 1: that's interesting. I didn't know that he was like so

757
00:41:31,120 --> 00:41:33,520
Speaker 1: about his business. He's the Yeah, he's the guy who's

758
00:41:33,520 --> 00:41:35,560
Speaker 1: about the business. He's the guy who turns out like

759
00:41:35,880 --> 00:41:38,239
Speaker 1: the hits that are catchy that you're like, oh my god,

760
00:41:38,280 --> 00:41:40,040
Speaker 1: this is such a good song. And then John is

761
00:41:40,040 --> 00:41:42,640
Speaker 1: the guy who's like, actually my song is about more

762
00:41:43,280 --> 00:41:47,040
Speaker 1: just like the heavy bro and it's still good. Yeah, yeah,

763
00:41:47,239 --> 00:41:49,920
Speaker 1: and it's got more wit like John came with like

764
00:41:50,000 --> 00:41:52,600
Speaker 1: just the hard hitting wit too. Well. He was deep.

765
00:41:52,920 --> 00:41:56,120
Speaker 1: He was deep, bro, you know that that. I thought

766
00:41:56,120 --> 00:41:58,680
Speaker 1: that just coming back to the George Harrison video that

767
00:41:58,719 --> 00:42:03,920
Speaker 1: my boy Jersey congrats playing uh playing a freaking like

768
00:42:04,120 --> 00:42:07,359
Speaker 1: m I b um. I I thought that that ship

769
00:42:07,480 --> 00:42:09,880
Speaker 1: was kind of sick, and it's like, Okay, that's tight.

770
00:42:09,880 --> 00:42:12,560
Speaker 1: They're making a video hell of years later for this, dude.

771
00:42:12,600 --> 00:42:16,359
Speaker 1: But the only gripe here I got one. I got

772
00:42:16,360 --> 00:42:19,200
Speaker 1: one thing. I did not understand why they felt the

773
00:42:19,280 --> 00:42:23,480
Speaker 1: need to put John Hamm's voice over George's song. His

774
00:42:23,640 --> 00:42:26,280
Speaker 1: voice pops through in that and he's like, we're sending

775
00:42:26,320 --> 00:42:28,880
Speaker 1: a lot of uh, we're sending a bunch of people

776
00:42:28,920 --> 00:42:32,200
Speaker 1: in black ties and white shirts to help agents. I

777
00:42:32,239 --> 00:42:37,040
Speaker 1: did not understand it. After so many years, dude, it

778
00:42:37,080 --> 00:42:40,000
Speaker 1: was so weird. I I didn't even know about this.

779
00:42:40,160 --> 00:42:41,920
Speaker 1: I'm excited to watch it. When did you do this?

780
00:42:42,440 --> 00:42:46,000
Speaker 1: I don't know a few a few months ago. It

781
00:42:46,160 --> 00:42:49,080
Speaker 1: was right when I left to go film with you, Adam,

782
00:42:49,080 --> 00:42:51,440
Speaker 1: because there's kind of hit me up, like you want

783
00:42:51,440 --> 00:42:53,040
Speaker 1: to do this? And then I was like, I have

784
00:42:53,160 --> 00:42:56,040
Speaker 1: to go to Atlanta. Okay, now I wish I would

785
00:42:56,040 --> 00:42:58,520
Speaker 1: have been a part of history. They just basically got

786
00:42:58,520 --> 00:43:01,120
Speaker 1: together a bunch of people who they knew to be

787
00:43:01,160 --> 00:43:03,479
Speaker 1: in it, and it was like, oh fuck, I'm down,

788
00:43:03,480 --> 00:43:06,960
Speaker 1: George Harrison. This song, it's a good song. Yeah. I

789
00:43:06,960 --> 00:43:09,680
Speaker 1: got to kick it with the Three Deborahs. Yes, yes,

790
00:43:09,800 --> 00:43:12,400
Speaker 1: oh yeah. Those girls are cool, super funny. I think Adam,

791
00:43:12,440 --> 00:43:16,680
Speaker 1: you worked with um Sandras that right, the shorter one. Yeah,

792
00:43:16,680 --> 00:43:20,680
Speaker 1: she's really funny. We worked on Isn't Romantic Together. They

793
00:43:20,719 --> 00:43:25,040
Speaker 1: reminded me of us because they're like yeah, because they're

794
00:43:25,080 --> 00:43:30,239
Speaker 1: like homies who created something together and uh yeah that's

795
00:43:30,440 --> 00:43:34,640
Speaker 1: very funny and and they talk about so I was like,

796
00:43:34,680 --> 00:43:38,839
Speaker 1: you guys remind me of my guys. Um uh well

797
00:43:38,840 --> 00:43:42,440
Speaker 1: should we um? Should we give some flowers or take

798
00:43:42,520 --> 00:43:45,120
Speaker 1: backs or apologies? Oh yeah, you gotta go. Oh yeah,

799
00:43:45,280 --> 00:43:48,440
Speaker 1: freaking heck and a time flies when you're having a

800
00:43:48,440 --> 00:43:51,200
Speaker 1: great time blake any take back? Yes, hey, I would

801
00:43:51,200 --> 00:43:54,560
Speaker 1: like to take back. Uh, you know whatever. Need jerk

802
00:43:54,640 --> 00:43:58,680
Speaker 1: reaction I had to the guy not okay, now you're

803
00:43:58,719 --> 00:44:05,120
Speaker 1: just come on, ye who are dude? From Broken Lizards?

804
00:44:04,160 --> 00:44:08,719
Speaker 1: Still honks? Not having the leg and pin It inspired

805
00:44:08,760 --> 00:44:12,480
Speaker 1: me to keep pushing play dude, he inspired me. Blake's yeah,

806
00:44:12,480 --> 00:44:14,920
Speaker 1: Blake's like, I have two legs. Imagine how great in

807
00:44:15,239 --> 00:44:17,920
Speaker 1: shape I could get. I could get in fantastic shape

808
00:44:17,960 --> 00:44:21,120
Speaker 1: with both of these legs. That there's my take back. Sorry.

809
00:44:21,320 --> 00:44:23,879
Speaker 1: And they're doing that firefighter show now, they've been doing

810
00:44:23,920 --> 00:44:25,800
Speaker 1: that for a long time, I think. Yeah, the Tacoma

811
00:44:27,080 --> 00:44:30,439
Speaker 1: d f D Yeah exactly, they're doing pretty well. Yeah,

812
00:44:30,440 --> 00:44:33,440
Speaker 1: they're doing great. Anything with mustaches, they're killing it. Uh yeah,

813
00:44:33,520 --> 00:44:38,600
Speaker 1: Flowers to the the um broken Lizard guys. No, I

814
00:44:38,640 --> 00:44:42,280
Speaker 1: was gonna say the Andy Sandberg's crew, the Lonely Island

815
00:44:42,280 --> 00:44:44,760
Speaker 1: guys is whatever's on the tip of them, but broken

816
00:44:44,760 --> 00:44:48,719
Speaker 1: Lizard guys and uh yeah, fucking give them do them both. Yeah,

817
00:44:48,800 --> 00:44:50,680
Speaker 1: I will give Flowers of the Lonely Island. I think

818
00:44:50,680 --> 00:44:53,160
Speaker 1: they're great. Yeah. Who else? Summer Tears? What are we

819
00:44:53,160 --> 00:44:55,400
Speaker 1: doing great? Name? Yeah, A lot of those, A lot

820
00:44:55,440 --> 00:44:59,360
Speaker 1: of those sketch groups early on really inspired us, and

821
00:44:59,360 --> 00:45:02,360
Speaker 1: it's cool. This is uh you know. And then the

822
00:45:02,760 --> 00:45:05,880
Speaker 1: sketch groups that were after us, like the Three Deboras,

823
00:45:06,360 --> 00:45:09,120
Speaker 1: are super funny as well. So the flowers to sketch

824
00:45:09,160 --> 00:45:12,680
Speaker 1: groups out there coming up together and uh and doing

825
00:45:12,680 --> 00:45:15,920
Speaker 1: the damn thing, keep keep it up. Flowers the Sketch Comedy,

826
00:45:16,600 --> 00:45:22,640
Speaker 1: Matt Flowers, Flowers Man, Sandy, Yes, Sandy, Sandy, Mitra, I'm

827
00:45:22,640 --> 00:45:27,280
Speaker 1: forgetting the third deb Flowers to them, Flowers to her, Flowers,

828
00:45:27,600 --> 00:45:33,560
Speaker 1: Flowers to the third Debora Alyssa. Hey, guys, this was

829
00:45:33,600 --> 00:45:39,120
Speaker 1: another episode. Is important, and Kyle's back. Let's see. Let's

830
00:45:39,120 --> 00:45:42,120
Speaker 1: see how many episodes he sticks around. Now we're back

831
00:45:42,200 --> 00:45:45,279
Speaker 1: together again, La la la la. All right, so this

832
00:45:45,360 --> 00:45:48,440
Speaker 1: is the second episode. Yeah, I guess we were going second,

833
00:45:48,440 --> 00:45:51,000
Speaker 1: but we're going over and under seven now, so we

834
00:45:51,160 --> 00:45:53,480
Speaker 1: will see. I'm gonna go under. I'm going under for sure,

835
00:45:53,600 --> 00:45:55,640
Speaker 1: freaky see you wait, what are you guys at? I

836
00:45:55,640 --> 00:45:57,759
Speaker 1: can I can do this. Where are you at? Where

837
00:45:57,760 --> 00:46:01,520
Speaker 1: you just you completed two episodes? We're saying over under seven?

838
00:46:01,640 --> 00:46:04,480
Speaker 1: He looks spent already. To me, what are you saying

839
00:46:04,520 --> 00:46:09,400
Speaker 1: on him? I believe it will be under, but you know,

840
00:46:09,440 --> 00:46:11,440
Speaker 1: I'd like for you to prove me wrong. All right,

841
00:46:13,640 --> 00:46:18,759
Speaker 1: Oh cool, let's go Blake. I think he's in it

842
00:46:18,840 --> 00:46:22,439
Speaker 1: for the long haul. Oh really, very good? Okay, cool,

843
00:46:22,520 --> 00:46:25,600
Speaker 1: make it interesting, very good, very good. Hey, you know,

844
00:46:25,640 --> 00:46:28,719
Speaker 1: the last time I thought that was just before he quit,

845
00:46:30,000 --> 00:46:33,040
Speaker 1: but I like your attitude. There'll be a lot of quitting.

846
00:46:33,200 --> 00:46:36,520
Speaker 1: I'll be quitting a bunch a dynamics to an otherwise

847
00:46:36,560 --> 00:46:40,839
Speaker 1: flat podcast, Kyle, Do you have any takebacks? No? No,

848
00:46:40,920 --> 00:46:43,319
Speaker 1: I'm good. Do you have any take backs, like at

849
00:46:43,320 --> 00:46:47,239
Speaker 1: a larger scale, none whatsoever? Absolutely none. I'm sorry. I

850
00:46:47,280 --> 00:46:49,800
Speaker 1: think you're leading me on something, but I have nothing

851
00:46:49,880 --> 00:46:53,160
Speaker 1: to take back at all. I'm just plowing forward at

852
00:46:53,200 --> 00:46:58,680
Speaker 1: a rapid pace. Alright, alright, And and that's another episode.

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00:46:58,880 --> 00:47:05,400
Speaker 1: An episode of this is important to