WEBVTT - RHONJ: Pay Attention, Please! with Danielle Staub

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<v Speaker 1>We're new to filming. We're just like a couple episodes in.

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<v Speaker 1>I don't think we'd been filming for even a month

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<v Speaker 1>at that point, and we weren't getting the scene that

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<v Speaker 1>you guys wanted. And I understand how this works. I've

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<v Speaker 1>been on camera for many, many years or many times

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<v Speaker 1>prior to that, so I'm like, I'm just gonna give

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<v Speaker 1>you what you want. Tell me what you want me

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<v Speaker 1>to do, and I will do it so I can wrap.

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<v Speaker 1>And you're like, put these on and you handed me

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<v Speaker 1>eight or nine inches to the lettles by Gucci open towel. Beautiful.

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<v Speaker 1>But I also think I said, huh, just promise me

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<v Speaker 1>this isn't going to be like the way people think

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<v Speaker 1>of me for all times and like an opening scene.

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<v Speaker 1>And you're like, I can't promise you that, but I'll

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<v Speaker 1>try opening scene me walking to white Pool instill Lettos.

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<v Speaker 1>That is all Carlos, Yes, and I'll be honest with you.

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<v Speaker 1>It did make my legs look super hot.

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<v Speaker 2>Stay tuned look into my conversation with Danielle Stouths right

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<v Speaker 2>after quick ads.

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<v Speaker 3>Welcome to Reality with the King.

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<v Speaker 2>It's me Carlos King, the King of Reality TV and

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<v Speaker 2>one of the most sought after executive producers in reality television.

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<v Speaker 3>With over ten years of production.

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<v Speaker 2>Experience, I've executive produced top rated programs such as eight

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<v Speaker 2>seasons of the.

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<v Speaker 3>Real Housewives of Atlanta.

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<v Speaker 2>Additionally, I have created shows such as Netflix Is Styling,

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<v Speaker 2>Hollywood Owns, number one rated Love and Marriage Franchise, and

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<v Speaker 2>TV one's Hollywood.

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<v Speaker 3>Divas, just to name a few.

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<v Speaker 2>Twice a week on Reality with the King, we'll sit

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<v Speaker 2>down with my friends across the entertainment industry, recap our

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<v Speaker 2>favorite reality shows and revisit I forget about moments that

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<v Speaker 2>we are still talking and tweeting about. Hey, rain drops.

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<v Speaker 2>On today's podcast, Reality with the King, I got someone

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<v Speaker 2>that I considered to be one of the greatest housewives

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<v Speaker 2>of all time. She was actually number ten on my list. Honey,

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<v Speaker 2>that's right. I'm talking about the iconic legend herself, Danielle Style.

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<v Speaker 3>Look I love me some Danielle.

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<v Speaker 2>As you all know, I produced the first two seasons

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<v Speaker 2>of the Real Housewives of New Jersey, and I was

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<v Speaker 2>Danielle's producer season one.

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<v Speaker 3>Season two, she told me not to come to our

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<v Speaker 3>house child. We talk about that.

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<v Speaker 2>We also talk about her experience being on the show

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<v Speaker 2>how I feel she doesn't get the credit she deserves

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<v Speaker 2>for the success of the Real Housewives of New Jersey. Yes,

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<v Speaker 2>Teresa is an icon of the legend and I love

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<v Speaker 2>her too. However, I think Danielle needs to get the

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<v Speaker 2>same exact credit as Teresa because they both made the

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<v Speaker 2>show a hit. And that's coming straight from me. We

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<v Speaker 2>also get into her relationship with Melissa Gorga and whether

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<v Speaker 2>or not she was fired after pulling Margaret's hair. Yes, honey,

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<v Speaker 2>we talk about it all. So without further ado get

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<v Speaker 2>into my conversation.

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<v Speaker 3>With my girl, Danielle Stou.

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<v Speaker 2>Where were you when you found out that I coined

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<v Speaker 2>you as number ten of the greatest housewives of all time?

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<v Speaker 1>Literally sitting about right where I am now, and I'm

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<v Speaker 1>sipping my tea as I am now, and I'm looking

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<v Speaker 1>at my phone. Let's pretend it's here, and I'm like, huh,

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<v Speaker 1>I got an alert Carlos King wait what page six?

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<v Speaker 1>What what's happening? And I'm like, holy shit. Finally he's

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<v Speaker 1>like speaking for me, and I was like, oh my god,

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<v Speaker 1>I'm so honored. I nearly fell off my chair. I

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<v Speaker 1>ran around, like wanting to tell somebody, but when you're alone,

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<v Speaker 1>it's not as like it doesn't have as big of

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<v Speaker 1>a well, but it can today, Like I can tell

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<v Speaker 1>everybody today. I think I reposted it like thirty times.

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<v Speaker 1>I didn't even know what pages I was reposting it from.

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<v Speaker 1>I just ran with it because not for nothing, it's

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<v Speaker 1>huge to me. You came into my life at the

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<v Speaker 1>same time our lives collided on the show. Yes, and

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<v Speaker 1>without you, just like you said, there would be no

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<v Speaker 1>season two without me in season one and no table

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<v Speaker 1>Flip and without all that. There would have been none

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<v Speaker 1>of that without you because you were holding my hand,

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<v Speaker 1>guiding me. I mean, we were fourteen eighteen hours a

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<v Speaker 1>day sometimes go into it.

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<v Speaker 3>Let me tell y'all.

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<v Speaker 2>So I wasn't a social producer.

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<v Speaker 3>You guys know the story.

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<v Speaker 2>My first reality show was The Real Housewalds at Atlanta

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<v Speaker 2>in two thousand and eight, and I did that during

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<v Speaker 2>the summer, I was called to do The Real Housewalts

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<v Speaker 2>of New Jersey, and you guys know that I was

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<v Speaker 2>assigned to Nimi Leagues on Atlanta and on New Jersey.

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<v Speaker 2>I was assigned to Danielle Staub, That's right, and.

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<v Speaker 3>We instantly fell in love.

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<v Speaker 2>And that opening shot of Danielle wearing the heels going

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<v Speaker 2>to the pool was my idea.

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<v Speaker 1>It was all your idea. I mean, I have taken

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<v Speaker 1>so many people have said, you know, you could have

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<v Speaker 1>just like Warren flats or flips. That's what people do.

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<v Speaker 1>I'm like, in my mind, I would say every time

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<v Speaker 1>and reply, but never publicly, like bitch, I wore flip flops.

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<v Speaker 1>They made me put these on because it was either

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<v Speaker 1>that or we would keep filming until we found something

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<v Speaker 1>that would that wow factor. So here's how it went.

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<v Speaker 1>I was getting my you know, my monthly you know,

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<v Speaker 1>a little visitor, and I was becoming very cranky and angry.

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<v Speaker 1>And we're new to filming. We're just like a couple

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<v Speaker 1>episodes in. I don't think we'd been filming for even

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<v Speaker 1>a month at that point, and we weren't getting the

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<v Speaker 1>scene that you guys wanted. And I understand how this works.

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<v Speaker 1>I've been on camera for many, many years and many

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<v Speaker 1>times prior to that. So I'm like, I'm just gonna

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<v Speaker 1>give you what you want. Tell me what you want

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<v Speaker 1>me to do, and I will do it so I

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<v Speaker 1>can wrap. And you're like, put these on, and you

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<v Speaker 1>handed me eight or nine inch stilettos by Gucci, open

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<v Speaker 1>towel beautiful. But I also think I said, huh, just

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<v Speaker 1>promise me, this isn't going to be like the way

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<v Speaker 1>people think of me for all times and like an

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<v Speaker 1>opening scene. And You're like, I can't promise you that,

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<v Speaker 1>but I'll try opening scene me walking to white Pool

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<v Speaker 1>install lettos. That was all Carlos, Yes, and I'll be

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<v Speaker 1>honest with you. It did make my legs look super hot.

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<v Speaker 2>Well, Danielle, you're a hot and that was the thing

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<v Speaker 2>because Danielle was the devorce say on.

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<v Speaker 1>The show Brushley Divorce. It was right on the heels

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<v Speaker 1>of it.

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<v Speaker 2>And when Carlos King is assigned to you, we're going

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<v Speaker 2>to make iconic moments happen.

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<v Speaker 3>And I knew that.

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<v Speaker 2>I wanted to make sure that the moment you saw

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<v Speaker 2>Danielle Stobb, it had to be memorable. So thank you

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<v Speaker 2>for trusting me. You and I were a great team.

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<v Speaker 1>To be honest with you, If they had assigned me

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<v Speaker 1>anybody else, it wouldn't have gone the same way. I

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<v Speaker 1>get where you're coming from when I meet people or

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<v Speaker 1>they meet me at my level, and you met me

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<v Speaker 1>at my level. You knew what I needed to make

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<v Speaker 1>me shine, and I couldn't have felt comfortable doing that

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<v Speaker 1>and owning my own sexuality and sensuality and and my

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<v Speaker 1>you know, my hotness like I was in my forties.

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<v Speaker 1>But I think that, you know, it's just so many

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<v Speaker 1>times that you know, you and crew will get unnoticed

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<v Speaker 1>for the things that they've done. I've always tried to

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<v Speaker 1>acknowledge the fact that, like you guys made me shine,

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<v Speaker 1>were there every day to make me shine.

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<v Speaker 2>Talk to me about that first season, because one thing

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<v Speaker 2>that I revealed on my podcast is I was the

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<v Speaker 2>one who went underneath the table to hand you the

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<v Speaker 2>book that took place on the table.

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<v Speaker 3>But prior to that, talk to the audience about how.

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<v Speaker 2>You even discovered that there were conversations about this book

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<v Speaker 2>unbeknownst to you that the other cast members were shooting

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<v Speaker 2>scenes about it.

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<v Speaker 1>The discovery of the book came about quite frankly, because

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<v Speaker 1>I was told by Jaccolin, you know, that it was

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<v Speaker 1>circulating and that Dina had been at the helm of that.

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<v Speaker 1>And it didn't matter how it came about. I was

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<v Speaker 1>grateful that I knew about it, because here I am

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<v Speaker 1>living a life different from when I was nineteen and

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<v Speaker 1>twenty years old, and you wouldn't think you'd be judged

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<v Speaker 1>for something you did when you were a kid. You

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<v Speaker 1>think you'd be patted on the back for surviving it,

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<v Speaker 1>or maybe just like curious, how did you get through

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<v Speaker 1>something like that?

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<v Speaker 2>And did Jack want to tell you off camera first? Yeah,

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<v Speaker 2>you kept out a secret for a long time, Danielle.

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<v Speaker 1>I kept a lot of secrets. I still have a

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<v Speaker 1>lot of them vested because I'm just not that person.

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<v Speaker 1>But there's a point in my life that I've gotten

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<v Speaker 1>to now where I realize this is not in any

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<v Speaker 1>way an act of getting back at somebody. It's just

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<v Speaker 1>I'm not going to carry their load anymore. It's a

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<v Speaker 1>lot of it was put on me because I didn't

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<v Speaker 1>speak up.

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<v Speaker 2>You found out the other women were talking about the book.

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<v Speaker 2>Tell the listeners how once you learn that this book

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<v Speaker 2>was a top your conversation. It was your idea to

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<v Speaker 2>bring the book to the finale, not the producers.

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<v Speaker 3>It was Danielle.

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<v Speaker 1>So I'll never forget you actually trying to talk me

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<v Speaker 1>out of it in a in a way that would

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<v Speaker 1>have benefited protecting me, like do you really want that

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<v Speaker 1>out there kind of way? Because what they're saying ain't nice,

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<v Speaker 1>and I'm just trying to let you know. When you

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<v Speaker 1>asked me, so what are we going to do? I said,

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<v Speaker 1>I think I'm going to bring the book and just

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<v Speaker 1>find out if anyone would like to ask me questions,

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<v Speaker 1>being as I'm the only other person besides the author

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<v Speaker 1>that would have had that experience, and you have access

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<v Speaker 1>to me, so why not ask me if it's about me?

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<v Speaker 1>I knew it was going to cause what it caused.

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<v Speaker 1>I am smart enough to know that.

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<v Speaker 2>And remember how we were like you were like we Carlos,

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<v Speaker 2>I can't walk in with the book. And then you

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<v Speaker 2>were like, I'm going to have a purse. I said,

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<v Speaker 2>you know what, put the book in your purse. When

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<v Speaker 2>you come to the restaurant, call me. I'll meet you

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<v Speaker 2>outside while they'll mike you up. Hand me your purse

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<v Speaker 2>because you can't walk in with this big ass book.

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<v Speaker 2>We were shooting for maybe an hour or two and

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<v Speaker 2>you know, nothing was happening, and then we were like,

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<v Speaker 2>you know, what is time for the book. So then

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<v Speaker 2>I leave video village where all the producers are.

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<v Speaker 1>We went on a little break. We all had to

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<v Speaker 1>tidy up. I knew what was coming and I knew

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<v Speaker 1>you were setting the stage for it, and I also

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<v Speaker 1>knew that there were still people that didn't leave the

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<v Speaker 1>dining area and were at the dining table, and it

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<v Speaker 1>was gonna be a little difficult for you to do

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<v Speaker 1>it without people still sitting there. So I'm the last

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<v Speaker 1>to enter after the break, and when I sit down,

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<v Speaker 1>you see me reach under the table. Just that same

0:11:31.559 --> 0:11:36.600
<v Speaker 1>motion and film and the timing was just brilliant. All

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<v Speaker 1>of a sudden, all the cameras start realigning, and that's

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<v Speaker 1>when I'm like, Yeah, it's time, just pick up that book.

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<v Speaker 1>A bam, not.

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<v Speaker 2>A word said, No, not a word, step for like maybe,

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<v Speaker 2>well like an a comfortable thirty minutes. And then finally

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<v Speaker 2>the ice was broken and you had a table flip

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<v Speaker 2>in your direction. So when Teresa flipped that table, what

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<v Speaker 2>were you thinking? Because Dan Yell, what I tell people is,

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<v Speaker 2>prior to that, Teresa was sort of like be underdog,

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<v Speaker 2>Like no one looked at Teresa as being the fort

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<v Speaker 2>is today. So when she flipped it, what were you

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<v Speaker 2>literally thinking in that moment?

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<v Speaker 1>Oh, flashes of warnings from a few of the ladies.

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<v Speaker 1>You know, you don't want to piss her off. She'll flip.

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<v Speaker 2>Did you think in that moment that this would be

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<v Speaker 2>the end of your friendship with Jacqueline? Although she defended

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<v Speaker 2>you and had your back, Did you think in that

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<v Speaker 2>present moment that this would be the end? Because you

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<v Speaker 2>and jackelm were such good friends at that time.

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<v Speaker 1>I knew that we were already moving away from that

0:12:43.880 --> 0:12:48.679
<v Speaker 1>friendship because I would never see it in the way

0:12:48.720 --> 0:12:51.720
<v Speaker 1>of family, and I felt her need to be a

0:12:51.720 --> 0:12:55.400
<v Speaker 1>part of that family so desperately, and who wouldn't. I

0:12:55.440 --> 0:12:59.240
<v Speaker 1>thought that she was and still is, you know, a

0:12:59.320 --> 0:13:03.640
<v Speaker 1>quality human. I don't think she knows very well how

0:13:03.679 --> 0:13:06.560
<v Speaker 1>to express yourself sometimes and it's frustrating to her. And

0:13:06.600 --> 0:13:10.480
<v Speaker 1>that's okay, doesn't make her a bad person, just means,

0:13:10.679 --> 0:13:15.400
<v Speaker 1>you know, our journeys and our friendship came to an

0:13:15.480 --> 0:13:16.440
<v Speaker 1>impath at the time.

0:13:16.760 --> 0:13:19.719
<v Speaker 3>When was the last time you've seen or spoken to Jacqueline?

0:13:20.760 --> 0:13:23.240
<v Speaker 1>At the reunion season two, when I said goodbye and

0:13:23.280 --> 0:13:27.480
<v Speaker 1>I hugged her, that was it. That was it. We're

0:13:27.520 --> 0:13:29.560
<v Speaker 1>talking about somebody that I could leave for the diner

0:13:29.600 --> 0:13:31.800
<v Speaker 1>with my kids and leave her on speakerphone in the

0:13:31.800 --> 0:13:34.040
<v Speaker 1>house and come home and she's still talking like I'm there.

0:13:34.080 --> 0:13:37.679
<v Speaker 1>We talked all day, every day, all day, every day.

0:13:37.760 --> 0:13:39.840
<v Speaker 1>There was sometimes I had to like Jacqueline, I'll leave

0:13:39.840 --> 0:13:41.880
<v Speaker 1>you on speaker, but I gotta shoot the scene right now,

0:13:42.400 --> 0:13:47.040
<v Speaker 1>you remember, I literally, true, literally couldn't hang up the phone. No, no, no,

0:13:47.080 --> 0:13:48.439
<v Speaker 1>stay on with me. I want to hear. I want

0:13:48.480 --> 0:13:50.240
<v Speaker 1>to hear, and you guys would be like, nah, you

0:13:50.280 --> 0:13:53.720
<v Speaker 1>gotta go. And that's when I knew things were really

0:13:53.760 --> 0:13:56.120
<v Speaker 1>going in a different direction, when we started to have

0:13:56.200 --> 0:13:59.079
<v Speaker 1>to be private with each other and I could feel

0:13:59.120 --> 0:14:02.600
<v Speaker 1>she wasn't telling me things that were going on with

0:14:02.880 --> 0:14:07.840
<v Speaker 1>her scenes either anymore. So I just I zipped it. Literally,

0:14:07.880 --> 0:14:11.760
<v Speaker 1>the shift came much with a warning, and so that's

0:14:11.760 --> 0:14:14.040
<v Speaker 1>when I did say goodbye. You know, I meant it.

0:14:14.080 --> 0:14:17.440
<v Speaker 1>I just really wanted her to let me go, you know,

0:14:17.720 --> 0:14:22.160
<v Speaker 1>and not not make this energy continue because I didn't

0:14:22.240 --> 0:14:26.520
<v Speaker 1>want that energy between us. It had gotten, you know,

0:14:28.240 --> 0:14:32.640
<v Speaker 1>it had gotten pretty bad and an off camera as well,

0:14:32.760 --> 0:14:36.600
<v Speaker 1>and I didn't want that. I couldn't have known that,

0:14:36.840 --> 0:14:41.960
<v Speaker 1>I mean, letting go is one thing, but not having

0:14:42.040 --> 0:14:45.760
<v Speaker 1>that be reciprocated. I couldn't have known that that would

0:14:45.760 --> 0:14:49.240
<v Speaker 1>still be I'd still be a problem for them. When

0:14:49.440 --> 0:14:55.320
<v Speaker 1>I literally was just I was happy and appreciative that

0:14:55.320 --> 0:14:57.440
<v Speaker 1>we had our time together, and I understood why it

0:14:57.480 --> 0:15:01.000
<v Speaker 1>had to end. I don't understand the you know.

0:15:01.560 --> 0:15:02.360
<v Speaker 3>Do you miss her?

0:15:03.040 --> 0:15:06.440
<v Speaker 1>Do I miss her? Here's the thing, I'm okay with

0:15:06.680 --> 0:15:11.240
<v Speaker 1>people not being in my life that have done certain

0:15:11.280 --> 0:15:13.880
<v Speaker 1>things to make me believe that they prefer not being

0:15:13.920 --> 0:15:17.400
<v Speaker 1>in my life. I will never want to be around

0:15:17.440 --> 0:15:20.920
<v Speaker 1>someone that doesn't value me again. I valued myself much

0:15:21.000 --> 0:15:24.240
<v Speaker 1>less then than I do now, and I'm also much

0:15:24.280 --> 0:15:27.760
<v Speaker 1>older now, and I understand that at this point in

0:15:27.800 --> 0:15:29.560
<v Speaker 1>my life there will be no way I would be

0:15:29.600 --> 0:15:32.240
<v Speaker 1>friends with women like that. I wasn't friends with them

0:15:32.280 --> 0:15:35.200
<v Speaker 1>prior to the show. I think that I was an

0:15:35.240 --> 0:15:39.600
<v Speaker 1>easy pond for them for their story that they wanted

0:15:39.600 --> 0:15:43.560
<v Speaker 1>to drive. If I'm being one hundred percent completely honest,

0:15:44.000 --> 0:15:47.720
<v Speaker 1>I was there, Patsy. I was their person to put

0:15:47.720 --> 0:15:50.520
<v Speaker 1>blame on for all the things that they needed to

0:15:50.600 --> 0:15:54.720
<v Speaker 1>hide while I was in sweep under the rug, while

0:15:54.720 --> 0:15:56.640
<v Speaker 1>I was thinking we were creating a friendship.

0:15:56.840 --> 0:15:59.880
<v Speaker 2>So you think the other women at the time use

0:16:00.160 --> 0:16:03.720
<v Speaker 2>your storyline what you had going on this book to

0:16:04.040 --> 0:16:08.120
<v Speaker 2>hide their secrets or things they were going through.

0:16:10.320 --> 0:16:12.760
<v Speaker 1>Otherwise it wouldn't have happened the way it happened when

0:16:12.800 --> 0:16:15.400
<v Speaker 1>I removed myself. It wasn't the next season that they

0:16:15.400 --> 0:16:20.440
<v Speaker 1>all turned on Teresa. And then on my birthday, you know,

0:16:20.840 --> 0:16:22.840
<v Speaker 1>the forty two counts of fraud, she was arrested for

0:16:22.960 --> 0:16:25.000
<v Speaker 1>my phone. I wouldn't have even known about it, but

0:16:25.040 --> 0:16:27.680
<v Speaker 1>press was blowing up my phone. My daughter's answered the phone,

0:16:27.720 --> 0:16:30.920
<v Speaker 1>like for TMZ or somebody, and they're like, this is TMZ.

0:16:31.040 --> 0:16:33.480
<v Speaker 1>We want to know Danielle's take, and the blah blah blah,

0:16:33.600 --> 0:16:36.480
<v Speaker 1>and my daughter's like, this is her birthday and we

0:16:36.520 --> 0:16:38.760
<v Speaker 1>want to wish her a happy birthday. Wouldn't she want

0:16:38.800 --> 0:16:42.400
<v Speaker 1>this news? I said, tell them, no, I'm not that

0:16:42.600 --> 0:16:45.120
<v Speaker 1>Why would that make me happy. I don't take other

0:16:45.120 --> 0:16:48.240
<v Speaker 1>people's problems as a good thing. Yeah.

0:16:48.600 --> 0:16:51.840
<v Speaker 2>No. One of the things that is so funny is

0:16:51.880 --> 0:16:54.560
<v Speaker 2>so you and I this season went together, and I

0:16:54.600 --> 0:16:58.600
<v Speaker 2>was your producer, and then the episode started airing, and

0:16:58.680 --> 0:17:02.800
<v Speaker 2>then you who were so mad at me. I was

0:17:03.040 --> 0:17:09.200
<v Speaker 2>banned from Danielle's house. I was banned from being Danielle's producer. Yep,

0:17:09.359 --> 0:17:12.400
<v Speaker 2>Danielle sit me up text saying you did not protect

0:17:12.400 --> 0:17:16.000
<v Speaker 2>me and me and Danielle did not film with each

0:17:16.040 --> 0:17:18.560
<v Speaker 2>other for the entirety of season two.

0:17:18.840 --> 0:17:19.280
<v Speaker 3>That's right.

0:17:20.080 --> 0:17:21.960
<v Speaker 1>And they asked me to come back and forth with

0:17:22.080 --> 0:17:25.119
<v Speaker 1>you as my producer, and that's why I didn't come back.

0:17:25.920 --> 0:17:28.439
<v Speaker 1>One of the reasons I didn't come back. I was

0:17:28.520 --> 0:17:31.920
<v Speaker 1>still mad. And then all of a sudden, I realized

0:17:32.200 --> 0:17:35.199
<v Speaker 1>it was like an AHA moment after the show started

0:17:35.240 --> 0:17:37.199
<v Speaker 1>filming when I said I wouldn't come back, when they

0:17:37.200 --> 0:17:39.679
<v Speaker 1>asked me back and four season four, and I'm like,

0:17:40.240 --> 0:17:42.480
<v Speaker 1>oh my god, Carlos is the reason they all want

0:17:42.480 --> 0:17:44.560
<v Speaker 1>to apologize to me? What the fuck did I just do?

0:17:45.200 --> 0:17:48.960
<v Speaker 1>Because you were I was told by you know, your

0:17:49.040 --> 0:17:55.119
<v Speaker 1>higher up, you're superior herself, the owner of production. Yeah,

0:17:55.160 --> 0:17:59.760
<v Speaker 1>they're all like I think they really are sincerely. They've

0:17:59.760 --> 0:18:03.480
<v Speaker 1>been spoken to, and I couldn't figure out. I still

0:18:03.480 --> 0:18:06.040
<v Speaker 1>didn't trust anybody. I was still like, oh my god,

0:18:06.520 --> 0:18:09.119
<v Speaker 1>you know I can't trust anyone. You know, everyone's against me.

0:18:09.280 --> 0:18:13.400
<v Speaker 1>And I was in that mindset of victim, victim victim,

0:18:13.560 --> 0:18:17.560
<v Speaker 1>and I couldn't see that you were fucking raising me up.

0:18:18.200 --> 0:18:21.240
<v Speaker 1>You were trying to and that was my open door

0:18:21.320 --> 0:18:25.359
<v Speaker 1>and I totally missed it because I know it was

0:18:25.400 --> 0:18:28.200
<v Speaker 1>you that had spoken to them like, don't you feel

0:18:28.280 --> 0:18:31.480
<v Speaker 1>kind of bad? Even Caroline wanted to say something, and

0:18:31.520 --> 0:18:34.040
<v Speaker 1>whether it was because she was afraid that there wasn't

0:18:34.080 --> 0:18:36.359
<v Speaker 1>going to be another season unless I came back or not,

0:18:36.560 --> 0:18:39.959
<v Speaker 1>it didn't matter. Someone had gotten in her ear, and

0:18:40.000 --> 0:18:42.359
<v Speaker 1>I believed that you were one of the people that

0:18:42.560 --> 0:18:44.479
<v Speaker 1>was at least one of the people, if not the

0:18:44.520 --> 0:18:47.200
<v Speaker 1>only person that was saying to them, you guys want

0:18:47.240 --> 0:18:49.600
<v Speaker 1>to take another look at what you might have done

0:18:49.600 --> 0:18:51.720
<v Speaker 1>differently with Danielle. Something to that.

0:18:51.920 --> 0:18:54.840
<v Speaker 2>You and I are friends and listen, that's why on

0:18:54.880 --> 0:18:58.160
<v Speaker 2>the bridge, But at that time you felt isolated.

0:18:58.600 --> 0:19:01.080
<v Speaker 1>I thought you were going behind my back and giving

0:19:01.160 --> 0:19:04.760
<v Speaker 1>information that I had. Meanwhile, it was it was them.

0:19:04.880 --> 0:19:07.480
<v Speaker 1>They were looking into me. You had given any of

0:19:07.520 --> 0:19:10.400
<v Speaker 1>my secrets away or the things that I had filmed.

0:19:10.840 --> 0:19:13.800
<v Speaker 1>I just had lost so much trust and there were

0:19:13.920 --> 0:19:17.600
<v Speaker 1>rumors going around about everyone, and I didn't know who

0:19:17.600 --> 0:19:20.399
<v Speaker 1>to believe. I really felt like there was I was

0:19:20.600 --> 0:19:23.800
<v Speaker 1>alone on the island and I needed to isolate myself

0:19:23.840 --> 0:19:27.920
<v Speaker 1>to protect myself. And yeah, I shut you out big time.

0:19:28.480 --> 0:19:32.520
<v Speaker 2>I never took it personally because I always said to

0:19:32.560 --> 0:19:35.960
<v Speaker 2>the producers, because they said to me, Danielle does not.

0:19:35.920 --> 0:19:39.000
<v Speaker 3>Want you around her. You cannot be her producer.

0:19:38.560 --> 0:19:41.200
<v Speaker 2>Anymore, Oh my gosh, and you can't go through any

0:19:41.200 --> 0:19:45.120
<v Speaker 2>of her scenes. And I remember thinking to myself, I

0:19:45.240 --> 0:19:49.000
<v Speaker 2>just want her to know that I understand.

0:19:49.520 --> 0:19:51.560
<v Speaker 3>I listen. I don't know what it feels like to

0:19:51.560 --> 0:19:51.920
<v Speaker 3>be on.

0:19:51.880 --> 0:19:56.720
<v Speaker 2>A show where everybody doesn't like you like that is tough.

0:19:56.920 --> 0:19:59.800
<v Speaker 1>It was really rough. And it wasn't for an episode

0:19:59.880 --> 0:20:02.680
<v Speaker 1>or too like everybody gets their episode where everyone's hating

0:20:02.720 --> 0:20:06.000
<v Speaker 1>on him. I had every episode everyone hating on me.

0:20:06.320 --> 0:20:09.680
<v Speaker 1>I lost trust for everybody, you know. It was it was.

0:20:10.560 --> 0:20:15.960
<v Speaker 1>It was because of the circumstances and carrying that really

0:20:16.000 --> 0:20:19.080
<v Speaker 1>started to mess with my head. That in the physical

0:20:19.080 --> 0:20:22.720
<v Speaker 1>attacks literally, you know, became a little much.

0:20:22.960 --> 0:20:24.800
<v Speaker 2>So let's talk about the physical attacks. So you talk

0:20:24.800 --> 0:20:27.440
<v Speaker 2>about Ashley pulling your hair. A lot of people when

0:20:27.440 --> 0:20:30.200
<v Speaker 2>they watched that episode and you're in your interview chair

0:20:30.280 --> 0:20:32.520
<v Speaker 2>and you have this chunk of hair, a lot of

0:20:32.520 --> 0:20:36.120
<v Speaker 2>people believe, Danielle that you went to party City, bought

0:20:36.119 --> 0:20:39.600
<v Speaker 2>a wig, cut off some hair and have a chuck

0:20:39.760 --> 0:20:40.520
<v Speaker 2>in your interview.

0:20:40.840 --> 0:20:44.720
<v Speaker 3>Yeah, now asked the truth was that your hair.

0:20:44.600 --> 0:20:47.639
<v Speaker 2>That Ashley pulled, that you were holding in your head

0:20:48.040 --> 0:20:48.840
<v Speaker 2>during the interview.

0:20:49.200 --> 0:20:51.640
<v Speaker 1>It was my hair, and it had Leonard, my other

0:20:51.720 --> 0:20:54.480
<v Speaker 1>favorite person in the world, who was the showrunner. Had

0:20:54.480 --> 0:20:58.320
<v Speaker 1>he had admitted that he was at the hospital with me,

0:20:59.560 --> 0:21:02.960
<v Speaker 1>perhaps it would have gone a little differently. So, yes,

0:21:03.440 --> 0:21:07.840
<v Speaker 1>and I did get a concussion, and I was hurt

0:21:08.119 --> 0:21:10.880
<v Speaker 1>being treated like that, first of all by somebody that

0:21:11.080 --> 0:21:14.479
<v Speaker 1>I really cared for and loved and looked at like

0:21:15.080 --> 0:21:18.840
<v Speaker 1>you know, I wanted to mother her at times because

0:21:18.880 --> 0:21:21.760
<v Speaker 1>I knew that's what she needed from me. And then

0:21:23.480 --> 0:21:29.680
<v Speaker 1>to be I don't know she knew. The reasons they

0:21:29.720 --> 0:21:33.480
<v Speaker 1>gave for doing what they did to me wouldn't make

0:21:33.520 --> 0:21:36.879
<v Speaker 1>sense to anybody because the cameras would have let you

0:21:37.000 --> 0:21:40.560
<v Speaker 1>hear me attacking jagulines. So that was just an excuse

0:21:41.240 --> 0:21:43.960
<v Speaker 1>and enough for nothing. When was I ever in the

0:21:44.040 --> 0:21:46.960
<v Speaker 1>lead at any of these fights, I was the one

0:21:47.000 --> 0:21:49.840
<v Speaker 1>trying to walk away. Always, if I had to run

0:21:49.920 --> 0:21:52.959
<v Speaker 1>to get away, I would run. It wasn't because I

0:21:53.080 --> 0:21:55.520
<v Speaker 1>was scared, is because I didn't want to be treated

0:21:55.600 --> 0:21:58.720
<v Speaker 1>like that and have it trigger my PTSD. Didn't want

0:21:58.760 --> 0:22:00.879
<v Speaker 1>to feel like I felt like when I was a child,

0:22:01.480 --> 0:22:05.720
<v Speaker 1>and knowing that they knew all of that made it

0:22:05.920 --> 0:22:09.960
<v Speaker 1>enhance one hundred times more because there was a friendship

0:22:10.080 --> 0:22:12.760
<v Speaker 1>level there where we had trust, where we shared certain

0:22:12.800 --> 0:22:15.760
<v Speaker 1>things that I would have never used against them in

0:22:15.840 --> 0:22:19.400
<v Speaker 1>a time of like that. You just don't do that.

0:22:19.880 --> 0:22:24.600
<v Speaker 1>You don't use it against people anyway. But that's where

0:22:24.640 --> 0:22:29.840
<v Speaker 1>all that came from. It was it was I couldn't

0:22:29.880 --> 0:22:32.760
<v Speaker 1>I couldn't wrap my head around why this was even happening.

0:22:32.880 --> 0:22:36.520
<v Speaker 1>Why why physically people are really coming at me.

0:22:36.600 --> 0:22:42.760
<v Speaker 2>Now, stay tuned for more of my conversation with Danielle.

0:22:43.200 --> 0:22:51.000
<v Speaker 3>Will be right back after this quick break. This is

0:22:51.080 --> 0:22:53.400
<v Speaker 3>Reality with the King, and I'm Carlos King.

0:22:53.920 --> 0:23:01.280
<v Speaker 2>Let's get back into my conversation with Danielle. Do you

0:23:01.440 --> 0:23:04.199
<v Speaker 2>feel like you don't get the credit you deserve for

0:23:04.280 --> 0:23:05.600
<v Speaker 2>the success of that franchise?

0:23:06.200 --> 0:23:09.680
<v Speaker 1>Never have until you came out with your list. Never

0:23:10.840 --> 0:23:14.119
<v Speaker 1>my fans have tried, but you know, nobody of recognition

0:23:14.280 --> 0:23:16.480
<v Speaker 1>like you have stepped into the arena and stepped up

0:23:16.520 --> 0:23:18.879
<v Speaker 1>and said, let's give Danielle. I mean, I thank my fans.

0:23:18.960 --> 0:23:21.600
<v Speaker 1>I don't want them to be minimized, you know, having

0:23:21.640 --> 0:23:25.000
<v Speaker 1>somebody and they've been the ones asking, well, somebody, Andy,

0:23:25.080 --> 0:23:27.840
<v Speaker 1>will you say something? Somebody, will you say something? I

0:23:27.920 --> 0:23:30.480
<v Speaker 1>see there because they include me in it. Otherwise I

0:23:30.520 --> 0:23:34.800
<v Speaker 1>wouldn't see it. But when you did this, it was

0:23:34.840 --> 0:23:37.720
<v Speaker 1>life changing. It's career changing for me. I've been sitting

0:23:37.760 --> 0:23:41.000
<v Speaker 1>here wondering what am I going to do with all

0:23:41.040 --> 0:23:43.879
<v Speaker 1>of this. I have this fame and this platform that

0:23:44.280 --> 0:23:47.040
<v Speaker 1>I've been kind of handcuffed away from using because I'm

0:23:47.119 --> 0:23:50.119
<v Speaker 1>set in the stigma, you know, for the masses. But

0:23:50.359 --> 0:23:53.439
<v Speaker 1>you broke broke it. You just broke right through that

0:23:53.560 --> 0:23:55.760
<v Speaker 1>wall and you reached for me.

0:23:56.119 --> 0:23:58.800
<v Speaker 2>You are such an icon, You're such a legend. I

0:23:58.920 --> 0:24:01.800
<v Speaker 2>mean when I say, if it wasn't for you, the

0:24:01.840 --> 0:24:03.960
<v Speaker 2>Real Housewats in New Jersey would not be hit it

0:24:04.000 --> 0:24:08.440
<v Speaker 2>is today. And listen, I love Teresa, and even Teresa

0:24:08.440 --> 0:24:12.720
<v Speaker 2>will admit that that table flip changed her career. That

0:24:12.760 --> 0:24:15.320
<v Speaker 2>table flip would not have happened if it wasn't for you.

0:24:16.119 --> 0:24:19.520
<v Speaker 1>That is her career. That's all she's known for that,

0:24:20.080 --> 0:24:23.040
<v Speaker 1>you know, and dissing Danielle out of a paycheck twice,

0:24:23.280 --> 0:24:24.640
<v Speaker 1>the person that put her on the map.

0:24:24.880 --> 0:24:25.920
<v Speaker 3>So let's talk about that.

0:24:26.320 --> 0:24:29.000
<v Speaker 2>Is do you feel like Teresa is responsible for you

0:24:29.080 --> 0:24:31.080
<v Speaker 2>not being on the Real housewas in New Jersey?

0:24:31.320 --> 0:24:38.320
<v Speaker 1>Teresa's responsible for not allowing what happened to happen to

0:24:38.359 --> 0:24:41.000
<v Speaker 1>me twice because she sat in front of my daughter

0:24:41.119 --> 0:24:45.280
<v Speaker 1>on camera and promised that would never happen again, that

0:24:45.400 --> 0:24:49.480
<v Speaker 1>she would have my back. I had her back until

0:24:49.520 --> 0:24:52.360
<v Speaker 1>I realized she's stomping on me and using me for

0:24:52.400 --> 0:24:55.639
<v Speaker 1>an excuse for that hair pool, which ended our friendship.

0:24:56.640 --> 0:24:59.320
<v Speaker 1>I didn't blame her for it. I took responsibility for

0:24:59.400 --> 0:25:01.640
<v Speaker 1>doing it was my actions. I would have never thought

0:25:01.680 --> 0:25:06.040
<v Speaker 1>of doing that on my own ever. Ever I did it.

0:25:07.560 --> 0:25:10.639
<v Speaker 1>I regret it now. I never said that before. I

0:25:10.720 --> 0:25:14.199
<v Speaker 1>apologize for the actions because I would never be violent

0:25:14.240 --> 0:25:17.760
<v Speaker 1>towards another person. I was abused my whole life. I've

0:25:17.760 --> 0:25:22.199
<v Speaker 1>been abused publicly by people because of my past and

0:25:22.320 --> 0:25:25.879
<v Speaker 1>because of the misunderstanding, and for her being mad at me.

0:25:26.040 --> 0:25:29.680
<v Speaker 1>Keeping her secret seemed a little bit redundant, don't you think,

0:25:30.440 --> 0:25:32.800
<v Speaker 1>and then on top of it, saying, oh, well, they're

0:25:32.840 --> 0:25:34.440
<v Speaker 1>not going to show that. In other words, she thought

0:25:34.440 --> 0:25:36.560
<v Speaker 1>it was all going to be hidden, all gonna be fine,

0:25:36.680 --> 0:25:38.720
<v Speaker 1>Danielle's going to go down again. And then when I

0:25:38.760 --> 0:25:40.919
<v Speaker 1>saw the outfall of that, and I said, Teresa, she

0:25:40.960 --> 0:25:45.480
<v Speaker 1>wouldn't talk to me after that? Well, she literally took

0:25:45.520 --> 0:25:48.800
<v Speaker 1>down every photo of us together and blocked me while

0:25:48.800 --> 0:25:54.720
<v Speaker 1>we were still filming that season because I said, yeah,

0:25:55.119 --> 0:25:58.840
<v Speaker 1>it was her idea. I didn't do that on my own.

0:25:59.119 --> 0:26:02.119
<v Speaker 1>I take response ability for the action of it, but

0:26:02.280 --> 0:26:05.479
<v Speaker 1>nobody seemed really mad at her for even suggesting it.

0:26:05.520 --> 0:26:07.280
<v Speaker 1>Was just like, oh, it's all on Danielle.

0:26:08.040 --> 0:26:12.280
<v Speaker 2>When that hairpull happened. Were you fired from the show?

0:26:12.359 --> 0:26:14.600
<v Speaker 2>Were you asked to leave or did you remove yourself

0:26:14.640 --> 0:26:15.080
<v Speaker 2>from the show.

0:26:15.320 --> 0:26:18.240
<v Speaker 1>No, I've never been fired from the Real Housewives. I'm

0:26:18.240 --> 0:26:20.359
<v Speaker 1>glad you asked that question because so many people are

0:26:20.400 --> 0:26:23.800
<v Speaker 1>getting it wrong. I resigned on watch What Happens Live,

0:26:24.119 --> 0:26:27.760
<v Speaker 1>and I made it a live show January eighth, twenty

0:26:27.960 --> 0:26:31.160
<v Speaker 1>twenty or a twenty twenty one, whatever that was. And

0:26:31.640 --> 0:26:33.520
<v Speaker 1>I didn't tell Andy what I came there to do.

0:26:34.320 --> 0:26:36.640
<v Speaker 1>I just made him promise that it would be live.

0:26:36.720 --> 0:26:40.560
<v Speaker 1>I wouldn't pretape. And so when I came on and

0:26:40.600 --> 0:26:42.840
<v Speaker 1>he said, well, you had something you wanted to say,

0:26:42.960 --> 0:26:45.360
<v Speaker 1>I brought Jillian on. She had a cake. I left

0:26:45.400 --> 0:26:49.399
<v Speaker 1>a cake for everybody, and I said, yeah, actually I

0:26:49.400 --> 0:26:51.600
<v Speaker 1>do something to say. I said, I'm here to let

0:26:51.680 --> 0:26:54.560
<v Speaker 1>you know I will never again film with the Real

0:26:54.600 --> 0:26:57.200
<v Speaker 1>Housewives of New Jersey. I'm done, and he's like, wait

0:26:57.240 --> 0:27:01.960
<v Speaker 1>wait he first started like flipping through his cars. He's like, wait, never, never,

0:27:02.400 --> 0:27:05.560
<v Speaker 1>and he jokes, he goes, how about with other franchises.

0:27:05.600 --> 0:27:09.200
<v Speaker 1>I go, maybe Dallas? Steph Holden was there. I said,

0:27:09.240 --> 0:27:12.960
<v Speaker 1>maybe Atlanta or a Dallas. Sure, but never with the

0:27:13.000 --> 0:27:14.720
<v Speaker 1>Real Housews in New Jersey. Well, film again.

0:27:15.080 --> 0:27:19.920
<v Speaker 2>What is your relationship like now with Melissa Gorga?

0:27:20.040 --> 0:27:21.840
<v Speaker 1>You know, it's so funny. I never really had a

0:27:21.880 --> 0:27:24.240
<v Speaker 1>relationship with her. I tried to when I came back.

0:27:24.280 --> 0:27:26.240
<v Speaker 1>I thought she was cute, and Teresa would be like,

0:27:26.280 --> 0:27:28.960
<v Speaker 1>she's not cute. I guess, I guess she's cute. She'd

0:27:28.960 --> 0:27:30.720
<v Speaker 1>go back and forth with it, and I'm like, I

0:27:30.720 --> 0:27:33.520
<v Speaker 1>don't understand why you guys didn't get along, you know originally,

0:27:34.240 --> 0:27:36.320
<v Speaker 1>and then I'd get the dirt from both ends.

0:27:36.359 --> 0:27:40.920
<v Speaker 4>But to be honest with you, Melissa just glew me up.

0:27:41.000 --> 0:27:44.679
<v Speaker 4>In the first two seasons. Every day of filming she

0:27:44.920 --> 0:27:48.600
<v Speaker 4>wanted me to put around the show. She needed me

0:27:48.680 --> 0:27:51.000
<v Speaker 4>to put around the show. She actually said, why don't

0:27:51.040 --> 0:27:53.879
<v Speaker 4>you bring the crew and the cameras and come to

0:27:53.920 --> 0:27:56.000
<v Speaker 4>our house and Joey and I will film with you,

0:27:56.080 --> 0:27:59.879
<v Speaker 4>and we'll tell everybody about Teresa and Joe. And I'm like,

0:28:00.240 --> 0:28:04.240
<v Speaker 4>uh huh, I don't get involved in family business, and

0:28:04.400 --> 0:28:06.720
<v Speaker 4>I'm not doing that now, but I can tell you now.

0:28:06.760 --> 0:28:09.920
<v Speaker 1>And it was like the second season. I go, I'm

0:28:09.960 --> 0:28:12.160
<v Speaker 1>nearing the end of the season. I'm going to leave.

0:28:12.760 --> 0:28:16.000
<v Speaker 1>And when I leave, I've been giving all of your

0:28:16.040 --> 0:28:21.720
<v Speaker 1>information to production, to Andy Cohen, to the higher ups

0:28:21.800 --> 0:28:26.560
<v Speaker 1>at Bravo and at NBCUNI, and I'm pretty much sure

0:28:26.640 --> 0:28:29.960
<v Speaker 1>that I've gotten you in your chance to be on

0:28:30.000 --> 0:28:33.480
<v Speaker 1>the show. So take your shot now, tell her all

0:28:33.560 --> 0:28:35.280
<v Speaker 1>the things you need to say, but leave me out

0:28:35.320 --> 0:28:37.480
<v Speaker 1>of it. I'm just giving you a chance to be

0:28:37.520 --> 0:28:39.400
<v Speaker 1>on the show that you've been begging me to be on,

0:28:40.040 --> 0:28:42.280
<v Speaker 1>but you wanted me to be the person that was

0:28:42.320 --> 0:28:44.520
<v Speaker 1>put to blame for all of this coming out.

0:28:44.840 --> 0:28:47.040
<v Speaker 2>Well, let me ask you this, because now that it

0:28:47.120 --> 0:28:51.000
<v Speaker 2>has been revealed that Bravo was doing there were a

0:28:51.040 --> 0:28:54.560
<v Speaker 2>Housewives of New York Legacy and they're going they're going

0:28:54.600 --> 0:28:58.360
<v Speaker 2>to do a reboot with the more diverse younger Calf.

0:28:58.720 --> 0:29:02.040
<v Speaker 2>Would you be interested if an offer was on the

0:29:02.120 --> 0:29:06.240
<v Speaker 2>table for the real Housewives on New Jersey Legacy? With

0:29:06.320 --> 0:29:11.360
<v Speaker 2>the ogs you, Teresa, Jacqueline, Dina and Caroline.

0:29:11.600 --> 0:29:13.000
<v Speaker 3>Would you be interested in that?

0:29:15.160 --> 0:29:18.840
<v Speaker 1>I'm not making one more cast member famous again. Margaret

0:29:19.320 --> 0:29:22.920
<v Speaker 1>famous on my heels taking me down after I befriended

0:29:22.960 --> 0:29:26.200
<v Speaker 1>her when no one liked her in her first season. Jennifer,

0:29:26.360 --> 0:29:29.240
<v Speaker 1>same thing. I took her under my wing, hung out

0:29:29.280 --> 0:29:32.880
<v Speaker 1>with her, defended her ran after, helped her when Margaret

0:29:32.880 --> 0:29:35.719
<v Speaker 1>was going after Jackie's the only one I didn't. And

0:29:35.760 --> 0:29:37.880
<v Speaker 1>you know why, I don't really care because she didn't

0:29:37.880 --> 0:29:39.920
<v Speaker 1>know Margaret before the show. And they're pretending to have

0:29:39.960 --> 0:29:43.600
<v Speaker 1>a friendship whatever. Who cares like they're all hanging out

0:29:43.640 --> 0:29:47.600
<v Speaker 1>off camera. No, you're not, You're really not. You know,

0:29:48.240 --> 0:29:50.360
<v Speaker 1>I don't even hang out with them off camera. So

0:29:51.200 --> 0:29:54.720
<v Speaker 1>who's hanging out with you? Newbies? The newbies have got

0:29:54.760 --> 0:29:57.479
<v Speaker 1>to go? Sorry to say the Jersey end.

0:29:57.680 --> 0:29:58.720
<v Speaker 3>You don't like the newbies.

0:29:59.160 --> 0:30:01.320
<v Speaker 1>I think it's all done. And said before when they

0:30:01.360 --> 0:30:05.720
<v Speaker 1>regurgitated my past and what hurt me. They allowed Margaret

0:30:05.800 --> 0:30:09.320
<v Speaker 1>Joseph to do that at one of the reunions and

0:30:09.360 --> 0:30:12.040
<v Speaker 1>call me by a name and say the things that

0:30:12.080 --> 0:30:15.120
<v Speaker 1>she said to me. I said, there will be no

0:30:15.160 --> 0:30:18.240
<v Speaker 1>one else that ever gets famous off of my past again.

0:30:23.280 --> 0:30:27.480
<v Speaker 3>Baby, don't talk. Just love some Danielle. She is so

0:30:27.680 --> 0:30:31.959
<v Speaker 3>funny to me, so real and just so freaking iconic.

0:30:32.520 --> 0:30:33.600
<v Speaker 3>And I'm with Danielle.

0:30:33.800 --> 0:30:36.160
<v Speaker 2>I would love to see a real housewife of New

0:30:36.240 --> 0:30:37.560
<v Speaker 2>Jersey Legacy edition.

0:30:37.920 --> 0:30:39.440
<v Speaker 3>Guys, think about it.

0:30:40.040 --> 0:30:46.120
<v Speaker 2>Teresa, Caroline, Dina, Jacqueline, LaRita and Danielle style.

0:30:46.560 --> 0:30:48.400
<v Speaker 3>Baby, sign me up for that hunt.

0:30:48.480 --> 0:30:52.640
<v Speaker 2>That's popcorn waiting on me as I fed my faith

0:30:53.040 --> 0:30:56.680
<v Speaker 2>and watch that glory. Yes, Danielle, you better produce that

0:30:57.080 --> 0:30:59.600
<v Speaker 2>so look. I love Danielle and I hope you guys

0:30:59.680 --> 0:31:02.400
<v Speaker 2>enjoyed it as much as I did talking to her.

0:31:04.160 --> 0:31:10.800
<v Speaker 2>Thoughts opinions reads about my conversation with Danielle. Email me

0:31:10.960 --> 0:31:14.320
<v Speaker 2>at Reality with the King at stitcher dot com or

0:31:14.400 --> 0:31:17.720
<v Speaker 2>leave me a voicemail at three one oho five ninety

0:31:17.720 --> 0:31:23.440
<v Speaker 2>three eight one eight eight. Thank you for listening to

0:31:23.520 --> 0:31:31.040
<v Speaker 2>Reality with the King. New episodes drop every Wednesday and Friday, Share, comment, follow,

0:31:31.440 --> 0:31:34.560
<v Speaker 2>and subscribe to Reality with the King. Wherever you get

0:31:34.600 --> 0:31:38.960
<v Speaker 2>your podcast, visit realitywithe King dot com and be sure

0:31:39.000 --> 0:31:43.080
<v Speaker 2>to follow me at the Carlos King Underscore on Instagram

0:31:43.080 --> 0:31:47.640
<v Speaker 2>and Twitter. Reality with the King is a production of

0:31:47.720 --> 0:31:49.040
<v Speaker 2>more sauce by Stitcher.

0:31:49.320 --> 0:31:50.800
<v Speaker 3>It is executive.

0:31:50.320 --> 0:31:54.360
<v Speaker 2>Produced by me Carlos King and Jasmine Henley Brown. We

0:31:54.440 --> 0:31:58.520
<v Speaker 2>are also produced by Sierra Spradley, Rix engineering and music

0:31:58.840 --> 0:32:07.280
<v Speaker 2>by Marcus ham Moist