WEBVTT - Lil Duval Is Building His Own Hollywood

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<v Speaker 1>I'm a homegirl that knows a little bit about everything

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<v Speaker 1>and everybody.

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<v Speaker 2>You know, if you don't lie about that, right Lauren, Hey, y'all,

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<v Speaker 2>what's up.

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<v Speaker 1>It's Laura Rosa and this is another episode of the

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<v Speaker 1>Latest with Laura Rosa. This is Delily Did on all

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<v Speaker 1>things pop culture, entertainment, news and all of the conversations

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<v Speaker 1>that shake the room.

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<v Speaker 2>Baby now joining us today.

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<v Speaker 1>I'm gonna let them introduce themselves because I don't even

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<v Speaker 1>know if I'm going to get it all the way

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<v Speaker 1>right and do it in the style, in the format,

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<v Speaker 1>especially not for the first person I'm gonna throw to,

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<v Speaker 1>who happens to be sitting next to a pool smoking

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<v Speaker 1>on a nice level, a little blunt here, Okay, the

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<v Speaker 1>rest of us are we look like we're in cubicles

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<v Speaker 1>or something like that.

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<v Speaker 2>You know, I have I have two special guests here

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<v Speaker 2>with me today.

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<v Speaker 1>We're going to get into a conversation about filmmaking, independent filmmaking, UH,

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<v Speaker 1>the comedy, horror scene, and where things are evolving to

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<v Speaker 1>because we have a special project that we will be

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<v Speaker 1>presenting to you guys exclusively here at the Latest. So

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<v Speaker 1>without further ado, do all you want to take the floor,

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<v Speaker 1>introduce yourself to the people. This's your first time on

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<v Speaker 1>my podcast.

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<v Speaker 3>I appreciate being on here, man, I've always I couldn't

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<v Speaker 3>wait to get on it because I see you doing

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<v Speaker 3>your thing, you bubbling that, so I figure I want

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<v Speaker 3>to get on while you're taking off, you know, and

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<v Speaker 3>it's a perfect time.

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<v Speaker 2>Thank you. I appreciate it. I appreciate it.

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<v Speaker 1>Now talk to me a bit, because I mean, we

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<v Speaker 1>know you Duvall as comedian, actor, social media commentator, Like,

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<v Speaker 1>what do you call what you doing social?

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<v Speaker 3>I call this the Duvall effect. I do what most

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<v Speaker 3>people don't do. You know what I'm saying. I'm like

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<v Speaker 3>a trail blazer that there wasn't nobody did what I

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<v Speaker 3>did before. So that's why it's hard to kind of

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<v Speaker 3>put me in a box because you know, I create

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<v Speaker 3>the lane. But now moving on to being like a

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<v Speaker 3>producer like on my Tyler period, Marlon Wayne's type all

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<v Speaker 3>the Wayne's brother type thing, and I'm doing it with

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<v Speaker 3>my man Eric over Swirl because you know, you might

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<v Speaker 3>as well get with somebody that's already been in the game,

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<v Speaker 3>already on they things. So I figured we put our

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<v Speaker 3>hands together, we can come out and take this to

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<v Speaker 3>a whole nother level.

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<v Speaker 2>One hundred percent. And you mentioned Eric.

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<v Speaker 1>We have Eric here as well Swell Films. Talk to

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<v Speaker 1>me as a bit about you, Swell Films and how

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<v Speaker 1>you got teamed up with Little Duval and figuring out

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<v Speaker 1>this new horror that we're bringing to theater.

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<v Speaker 4>Oh yeah, I think the team up is organic. We

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<v Speaker 4>did a comedy special with Little Duval a few years back.

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<v Speaker 4>I'm a producer here in Atlanta, Georgia, make a lot

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<v Speaker 4>of TV movies and a lot of independent films, and

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<v Speaker 4>it was just time. We were looking for something that

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<v Speaker 4>could capture Duval everything that we see Duvall do on

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<v Speaker 4>Instagram with Erica and Jay Ski, and we just wanted

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<v Speaker 4>more of those moments, you know, and you just get

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<v Speaker 4>those quick little bites. So we were like, what could

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<v Speaker 4>be a vehicle where we could see more of that?

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<v Speaker 4>And so we created this horror comedy where some people

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<v Speaker 4>play themselves. Some people actually play characters in the you know,

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<v Speaker 4>in like money Back Mafia plays Eric the t bone

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<v Speaker 4>in there, Duval, Eric and Jaski play themselves. So that

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<v Speaker 4>that became the vehicle that we used to bring it

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<v Speaker 4>out to the world.

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<v Speaker 1>Talk to me a bit about the long line and

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<v Speaker 1>the premise of the film, right, because it's called Camp Duvall.

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<v Speaker 1>Everybody come in and hang out and then things get

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<v Speaker 1>a little crazy, which is very Duval esque. But I

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<v Speaker 1>mean it's like getting crazy crazy, right, Like you have

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<v Speaker 1>a plot that there's there's blood, there's screams, there's all

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<v Speaker 1>the things.

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<v Speaker 2>So talk to me a bit about you know what

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<v Speaker 2>the story is.

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<v Speaker 3>It's just people dying and stuff. You know, we're trying

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<v Speaker 3>to hope they don't die. You know, it ain't that

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<v Speaker 3>much stought. We don't want to make it like it's

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<v Speaker 3>gonna be a deep movie like we black.

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<v Speaker 2>People die in horror films.

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<v Speaker 5>Yeah, that's all that matter.

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<v Speaker 3>People die, we laugh, they have a good time, and

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<v Speaker 3>luckily you don't die while watching it.

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<v Speaker 2>Why why this genre?

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<v Speaker 4>Uh?

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<v Speaker 1>You know right now, like I think a lot of

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<v Speaker 1>people are doing and dabbling and I know a little

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<v Speaker 1>real we just saw what happened with scary movie and

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<v Speaker 1>they're come back to the box office like for Duval.

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<v Speaker 2>Why do you stick get your toe in this right now?

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<v Speaker 3>Well, I've always been in the scared movies. I like,

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<v Speaker 3>I've always been getting masks and stuff. I don't know

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<v Speaker 3>I probably wore up there at the breakfast club before,

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<v Speaker 3>but I wear masks all the time, so I naturally

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<v Speaker 3>it was a horror film freak. And then it was

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<v Speaker 3>just I just felt like it's a good thing for

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<v Speaker 3>me to transition to horror films and I adapt to anything.

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<v Speaker 3>I mean, and when you do horror films, you can't. Really,

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<v Speaker 3>It's just fun to me. I've been doing it. I've

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<v Speaker 3>been doing watching horror films my whole life. I feel

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<v Speaker 3>like everybody, all my followers have so they understand, they

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<v Speaker 3>understand my path, my journey, and it's just another part

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<v Speaker 3>of my journey when I moved into Camp Douvall.

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<v Speaker 5>When I first moved to Camp Duval, we.

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<v Speaker 3>Were scared as hell. We thought it was all types

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<v Speaker 3>of ghost here. So I just put that in the movie.

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<v Speaker 3>And here we are.

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<v Speaker 1>Talk a bit about the Camp Duval in real life though,

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<v Speaker 1>because I know a part of well, I know personally

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<v Speaker 1>from just listening to you do interviews and following you

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<v Speaker 1>on social that Camp Douval in real life has come

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<v Speaker 1>with a lot of life experience for you. So tell

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<v Speaker 1>us about that and how, if anything from your real

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<v Speaker 1>life experience living on Kim Duval bringing people there went

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<v Speaker 1>into making it funny in this movie.

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<v Speaker 3>Well, well for the movie, it's it's not so much

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<v Speaker 3>for the movie, it's more all the night side of

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<v Speaker 3>Camp Duvald, well Cam Duval in the daytime, it's like

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<v Speaker 3>to bring my family, my people, my my ecosyster to

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<v Speaker 3>my tribe. They all got a place, a sanctuary where

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<v Speaker 3>they can come vibe. Even people like you. You know

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<v Speaker 3>what I'm saying.

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<v Speaker 5>You come over here.

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<v Speaker 3>You know, all my people's over Charlemagne ain't been here yet,

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<v Speaker 3>but Dolly has, you know what I'm saying. So anybody

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<v Speaker 3>that's in my people that I love or that I

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<v Speaker 3>want to help, they come over here and they get

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<v Speaker 3>to they get to express themselves, they get to relieve,

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<v Speaker 3>they relieve theyself or whatever they want to do, you

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<v Speaker 3>know what I'm saying. So that's really what it is,

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<v Speaker 3>and it's been growing to do that. And it's a

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<v Speaker 3>platform for artists to come showcase their talent too. That's

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<v Speaker 3>why did the Waterfall showcase, to showcase talent that I

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<v Speaker 3>think that that that that can go to the next level.

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<v Speaker 1>Yeah, I saw that the last video I saw you

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<v Speaker 1>posted at the Waterfall. You had just dropped your daughter

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<v Speaker 1>off to college, right, you were celebrating.

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<v Speaker 3>Yeah, I was saying celebrating my daughter getting dropped off

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<v Speaker 3>of college. I had dropped my daughter off the tuestkig

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<v Speaker 3>and shut out the test skigy t you you know

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<v Speaker 3>type ship.

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<v Speaker 5>You know what I'm saying.

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<v Speaker 3>But I went down there, and you know, I went

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<v Speaker 3>down there and saw the saw the little boys. They

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<v Speaker 3>look older than me, them cute doll niggas, you know

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<v Speaker 3>they and then they talked about Then I posted, talked

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<v Speaker 3>to shit about it.

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<v Speaker 5>It's like, no, we're not like that.

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<v Speaker 3>Then my daughter posts a video she had a at

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<v Speaker 3>a college party and all I see them niggas chanting

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<v Speaker 3>is take that ruball.

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<v Speaker 5>Fuck their whole meat, the meat, meat, the meat.

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<v Speaker 1>That's what they are. They Greek the boys I was

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<v Speaker 1>hitting at.

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<v Speaker 5>Yeah, it was the same niggas.

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<v Speaker 1>I was about that because when I saw and this

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<v Speaker 1>is why I wanted to talk about your real life.

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<v Speaker 1>Can't do vall in your experiences because I don't know

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<v Speaker 1>if people get it. But like when I everything is

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<v Speaker 1>like a film with you. When I saw you was

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<v Speaker 1>dropping your daughter off to college, I was like, I

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<v Speaker 1>know that alone was the whole experience, because it's a

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<v Speaker 1>lot that you got to understand about the different Greeks,

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<v Speaker 1>the different exactly.

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<v Speaker 2>All right, Yea, did you see the kappas too, all

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<v Speaker 2>the strolling and the chimmy.

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<v Speaker 3>All I saw is some goddamn gold boots and them

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<v Speaker 3>gold boots. See, I got a lot of friends, a

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<v Speaker 3>cute dog, and I know how freaking them niggas is.

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<v Speaker 3>And see and they right there with my daughter, and

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<v Speaker 3>I can't have that. So she gonna see me a

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<v Speaker 3>lot this this semester. She definitely gonna see me a lot.

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<v Speaker 3>I'm popping up.

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<v Speaker 1>Hopefully you stay busy because this this movie's coming and

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<v Speaker 1>you can't let her have.

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<v Speaker 2>A We're gonna do it.

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<v Speaker 3>I'm gonna this is how I'm gonna do it. Matter

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<v Speaker 3>of fact, We're gonna do this here. We're gonna do

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<v Speaker 3>a premiere down there to Skiky too, just for a

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<v Speaker 3>reason to be down.

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<v Speaker 5>I love it. I'm doing. I know what I'm doing.

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<v Speaker 3>See how I intertwined my my career and my real

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<v Speaker 3>life all in the one. That's how I've been doing

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<v Speaker 3>my whole life. Man, that's a good idea for I'm

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<v Speaker 3>doing that.

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<v Speaker 2>We're doing that, No, for real, because the HBCUs I

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<v Speaker 2>went to.

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<v Speaker 1>I didn't go to Ski up the Delaware state, but

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<v Speaker 1>HBCUs are like a real like when they behind you,

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<v Speaker 1>they behind you, so.

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<v Speaker 3>I ain't gonna When I was down there, it really

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<v Speaker 3>felt like family. Like I ain't never go to college,

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<v Speaker 3>but I used to fake like I went to college.

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<v Speaker 3>When I moved to Atlanta, I think like I went

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<v Speaker 3>to Morris Brown. People to this day still think I

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<v Speaker 3>went there, but I was lying. But but when I

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<v Speaker 3>went on stepped on Tuskeg, it felt like I was

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<v Speaker 3>on heal, mean, like on a different world. Like it

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<v Speaker 3>just felt like and the people felt I don't know

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<v Speaker 3>if because I'm me, you know, they always gonna show

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<v Speaker 3>he the love. But even from the outside looking there,

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<v Speaker 3>it just felt like it was it was a very

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<v Speaker 3>family oriented college. And that's what I like about it,

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<v Speaker 3>and my daughter liked it so far.

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<v Speaker 1>Not too no, It's just it's like, I mean, all

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<v Speaker 1>HBC's HBCUs are historical, but Tuskegee has such a.

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<v Speaker 2>History to it as well too.

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<v Speaker 1>It's like it's a very prestigious to be able to

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<v Speaker 1>say that you are a Tuskegee you know student.

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<v Speaker 5>Now, if I can just get a discount.

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<v Speaker 2>Shit, I don't know about no discount, but I.

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<v Speaker 5>Did a discount on my daughter to college too.

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<v Speaker 2>Isshit, it don't work like that.

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<v Speaker 5>I needed to work like that. Shit.

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<v Speaker 1>Let's talk about Okay, we're gonna go in the discount.

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<v Speaker 1>We're gonna talk about some money. Let's talk about the

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<v Speaker 1>businesusiness behind this. Eric, you probably can get into this

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<v Speaker 1>a bit, Duval. I mean it's independence. So I'm sure

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<v Speaker 1>you know too. A lot more common nowadays that people

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<v Speaker 1>that have a platform like a Duval, who can get

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<v Speaker 1>straight to the consumer and have been doing it for years,

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<v Speaker 1>are like, I want to go right to I want

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<v Speaker 1>to put this out myself. You see Country Wayne doing

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<v Speaker 1>it and it has had a lot of success there

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<v Speaker 1>as well. To talk about the business behind staying independent

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<v Speaker 1>when you have built a platform our family like we

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<v Speaker 1>do vaus talking about everywhere you go, I.

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<v Speaker 4>Think that's what's important, right. And we shot this movie

0:09:32.320 --> 0:09:35.440
<v Speaker 4>last year, so we shot it really pre the success

0:09:35.640 --> 0:09:38.719
<v Speaker 4>of all of the box office films that came from creators,

0:09:38.840 --> 0:09:42.880
<v Speaker 4>whether it was Iron Lug, Obsession, Back Rooms that was

0:09:42.880 --> 0:09:46.280
<v Speaker 4>really a studio movie. We already had our can and

0:09:46.320 --> 0:09:47.880
<v Speaker 4>I think this is just going to be a testament

0:09:47.920 --> 0:09:52.720
<v Speaker 4>to show what someone like Duval can do and take

0:09:52.800 --> 0:09:54.680
<v Speaker 4>directly to their audience. And we don't have to be

0:09:54.720 --> 0:09:57.480
<v Speaker 4>inside a system that's giving us rules and telling us

0:09:57.480 --> 0:09:58.760
<v Speaker 4>what we can do and what we can't do. We

0:09:58.760 --> 0:10:00.720
<v Speaker 4>don't have to wait on script. We don't have to

0:10:00.720 --> 0:10:03.960
<v Speaker 4>wait on that editorial notes. It's literally we're making it together.

0:10:04.120 --> 0:10:05.839
<v Speaker 4>He looks sad and signs off, and then we move

0:10:05.880 --> 0:10:06.600
<v Speaker 4>on to the next thing.

0:10:06.760 --> 0:10:07.040
<v Speaker 5>I mean.

0:10:07.400 --> 0:10:09.800
<v Speaker 4>And he's an amazing partner because he lets me do

0:10:09.880 --> 0:10:11.760
<v Speaker 4>my part and he does his part. He shows up

0:10:12.360 --> 0:10:14.040
<v Speaker 4>just you know, with these interviews. This is what it

0:10:14.120 --> 0:10:16.280
<v Speaker 4>takes now to carry the movie across the line right

0:10:16.320 --> 0:10:18.839
<v Speaker 4>making it as well taking it to the audience. Like

0:10:18.880 --> 0:10:21.680
<v Speaker 4>the HBCU idea is a phenomenal idea. We should absolutely

0:10:21.760 --> 0:10:24.719
<v Speaker 4>do an HBCU tour with the movie as well. And

0:10:25.000 --> 0:10:26.199
<v Speaker 4>the other thing that we did about in the movie

0:10:26.240 --> 0:10:29.599
<v Speaker 4>is we created a whole ecosystem so we have merchandise.

0:10:30.160 --> 0:10:33.960
<v Speaker 4>Duvall and I own the rights to our killers uh name,

0:10:34.040 --> 0:10:36.800
<v Speaker 4>image and likeness, so we can we can then franchise

0:10:37.200 --> 0:10:40.120
<v Speaker 4>we want. So all the sound design and the sound

0:10:40.160 --> 0:10:42.240
<v Speaker 4>effects in the movie are gonna come out for sale

0:10:42.720 --> 0:10:45.880
<v Speaker 4>under Duval. So everything in the movie is an ecosystem

0:10:45.920 --> 0:10:49.720
<v Speaker 4>to monetize and all video game. We got a that's right,

0:10:49.760 --> 0:10:52.360
<v Speaker 4>we got a video game that's an app store camp

0:10:52.440 --> 0:10:54.959
<v Speaker 4>du valls on. It's live on Android right now, it's

0:10:54.960 --> 0:10:58.360
<v Speaker 4>getting ready to come through on iOS. We look, look,

0:10:58.400 --> 0:11:00.720
<v Speaker 4>we have pillows. We have pillows that we made, so

0:11:00.800 --> 0:11:03.080
<v Speaker 4>right we should we need to send her one so

0:11:03.120 --> 0:11:03.760
<v Speaker 4>we can put one.

0:11:05.200 --> 0:11:05.520
<v Speaker 5>We got.

0:11:05.600 --> 0:11:07.040
<v Speaker 1>Yeah, we can put some in this studio, and we

0:11:07.080 --> 0:11:08.959
<v Speaker 1>get to put some at the breakfast club studio too.

0:11:09.200 --> 0:11:11.160
<v Speaker 4>I need to make sure I'll get your address from

0:11:11.200 --> 0:11:12.840
<v Speaker 4>the publicist so that way we can send them to you.

0:11:13.040 --> 0:11:15.280
<v Speaker 4>So yeah, we're just trying to create a full ecosystem

0:11:15.320 --> 0:11:19.160
<v Speaker 4>where it doesn't take what it takes. You know that

0:11:19.440 --> 0:11:21.160
<v Speaker 4>when the big machine gets a hold of it, it

0:11:21.240 --> 0:11:23.200
<v Speaker 4>takes a lot to be able to make a little

0:11:23.640 --> 0:11:26.800
<v Speaker 4>And you've really about the talent in this movie. There

0:11:26.960 --> 0:11:29.320
<v Speaker 4>there are many rap speeches that I could post where

0:11:29.360 --> 0:11:30.960
<v Speaker 4>everybody at the end of it thanks to Ball for

0:11:30.960 --> 0:11:34.079
<v Speaker 4>giving them an opportunity, giving them a platform, always supporting

0:11:34.120 --> 0:11:38.480
<v Speaker 4>them as they grew into their careers, and so this

0:11:38.520 --> 0:11:40.360
<v Speaker 4>is his way to get back. Everybody has back end

0:11:40.400 --> 0:11:42.200
<v Speaker 4>on the movie, and this is we hope to do

0:11:42.240 --> 0:11:44.040
<v Speaker 4>this at least, you know, twice a year. I mean,

0:11:44.080 --> 0:11:46.400
<v Speaker 4>there shouldn't be a reason why we can't make our

0:11:46.440 --> 0:11:48.560
<v Speaker 4>own films. He came up with a great idea yesterday,

0:11:48.920 --> 0:11:51.160
<v Speaker 4>for one, and that's really how you go. He should

0:11:51.160 --> 0:11:53.400
<v Speaker 4>come up with the idea, We make the movie, we

0:11:53.440 --> 0:11:54.920
<v Speaker 4>take it to the people, and we live and die

0:11:54.920 --> 0:11:56.640
<v Speaker 4>a by whether the people like it or not and

0:11:56.679 --> 0:11:59.800
<v Speaker 4>not whether an executive likes it and allows us to

0:11:59.800 --> 0:12:01.160
<v Speaker 4>go to the next day.

0:12:02.360 --> 0:12:05.679
<v Speaker 1>Who's casting and uh, you know, building the writer's room

0:12:05.720 --> 0:12:07.240
<v Speaker 1>and do all you doing that as well too? Like

0:12:07.240 --> 0:12:08.920
<v Speaker 1>are you fully hands on them with that or is

0:12:08.920 --> 0:12:09.360
<v Speaker 1>it kind.

0:12:09.200 --> 0:12:13.400
<v Speaker 3>Of like yeah, I cast and cast the people like

0:12:13.440 --> 0:12:16.440
<v Speaker 3>people first, I have to cast my my try first.

0:12:16.480 --> 0:12:18.800
<v Speaker 3>So if they in my tribe, they automatically cast it.

0:12:19.080 --> 0:12:21.880
<v Speaker 3>Then I go with people new talents that I see

0:12:21.920 --> 0:12:24.120
<v Speaker 3>out here, because I mean, it ain't that many avenues

0:12:24.160 --> 0:12:26.520
<v Speaker 3>for us nowadays, so I feel like we have to

0:12:26.520 --> 0:12:28.079
<v Speaker 3>do it. So if I see some new talent that

0:12:28.160 --> 0:12:31.000
<v Speaker 3>I think that need a platform to take them to

0:12:31.040 --> 0:12:33.040
<v Speaker 3>the next level, I try to show him love. So

0:12:33.600 --> 0:12:36.400
<v Speaker 3>that's what I do with with with my position as

0:12:36.440 --> 0:12:37.200
<v Speaker 3>far as casting.

0:12:37.720 --> 0:12:40.600
<v Speaker 4>Yeah, in the story the story laurd like he and

0:12:40.640 --> 0:12:44.560
<v Speaker 4>I did this story. Russ Park ultimately wrote it for us,

0:12:44.880 --> 0:12:46.800
<v Speaker 4>but Doll and I created this story at like three

0:12:46.800 --> 0:12:49.160
<v Speaker 4>point thirty and four. He's a very early riser as

0:12:49.160 --> 0:12:51.760
<v Speaker 4>in mine, and this story was created, you know, with

0:12:51.840 --> 0:12:54.959
<v Speaker 4>four AM texts that became the script that russ Park wrote.

0:12:55.920 --> 0:12:59.480
<v Speaker 1>Wow, okay, And I'm wondering do all you talked about

0:12:59.480 --> 0:13:02.280
<v Speaker 1>new talent and you know you talked about how do

0:13:02.400 --> 0:13:05.240
<v Speaker 1>all like supports He does really get in very early

0:13:05.640 --> 0:13:07.960
<v Speaker 1>supporting people, calling things out as he see it. And

0:13:08.000 --> 0:13:11.079
<v Speaker 1>I think it provides platform for people. Who's somebody right

0:13:11.120 --> 0:13:13.640
<v Speaker 1>now Douvall that I mean, whether it was someone you

0:13:13.640 --> 0:13:15.480
<v Speaker 1>put in this movie or somebody you plan to work

0:13:15.480 --> 0:13:18.600
<v Speaker 1>with that you feel like the Internet isn't doing enough

0:13:18.800 --> 0:13:21.560
<v Speaker 1>for but you can't wait to provide, Like a movie

0:13:21.559 --> 0:13:24.360
<v Speaker 1>outside of the Internet is a real big opportunity.

0:13:25.080 --> 0:13:25.400
<v Speaker 2>Person.

0:13:25.720 --> 0:13:27.199
<v Speaker 3>I wish you would have told me this focus. I

0:13:27.240 --> 0:13:29.160
<v Speaker 3>had a lot of them I can't think of right

0:13:29.200 --> 0:13:29.920
<v Speaker 3>off the top of my head.

0:13:30.320 --> 0:13:33.360
<v Speaker 1>But I feel like even when you do your Waterfall series,

0:13:33.559 --> 0:13:35.440
<v Speaker 1>like the music series, I find I mean, I.

0:13:35.440 --> 0:13:38.240
<v Speaker 3>Don't know if it's you understand this, Like, that's why

0:13:38.400 --> 0:13:41.319
<v Speaker 3>you give me a reassurance that people get it. You

0:13:41.320 --> 0:13:43.240
<v Speaker 3>know what I'm saying. You understand what I'm doing, what

0:13:43.280 --> 0:13:47.240
<v Speaker 3>the platform is for. So it's definitely to showcase new

0:13:47.280 --> 0:13:49.480
<v Speaker 3>talent that because like we said, we had like a

0:13:49.520 --> 0:13:51.439
<v Speaker 3>Living Color and all that type of stuff that gave

0:13:51.520 --> 0:13:53.720
<v Speaker 3>people a platform take another level.

0:13:54.280 --> 0:13:55.400
<v Speaker 5>And we can still do that.

0:13:55.480 --> 0:13:57.960
<v Speaker 3>But I think we forget because the older we get,

0:13:58.400 --> 0:14:01.600
<v Speaker 3>we most of people still hustling, but we forget there's

0:14:01.640 --> 0:14:04.160
<v Speaker 3>still a new talent under us that need a platform.

0:14:04.200 --> 0:14:06.560
<v Speaker 5>They look up to us, and we forget that. So

0:14:06.679 --> 0:14:08.040
<v Speaker 5>I feel like that's.

0:14:07.840 --> 0:14:09.640
<v Speaker 3>Why I come in to let him know, Like, Nah,

0:14:09.960 --> 0:14:11.440
<v Speaker 3>this motherfucker he is the truth.

0:14:11.520 --> 0:14:12.480
<v Speaker 5>Like money Bag.

0:14:12.640 --> 0:14:16.800
<v Speaker 3>He's funny than a motherfucker money bag Mafia. He's in

0:14:16.880 --> 0:14:19.400
<v Speaker 3>the movie too, but he do a lot of skits.

0:14:19.400 --> 0:14:21.520
<v Speaker 3>He do a lot of funny and he does stand up.

0:14:21.880 --> 0:14:23.840
<v Speaker 3>I think if he if he had the right platform.

0:14:23.880 --> 0:14:25.600
<v Speaker 3>And that's what we're doing with this movie, is trying

0:14:25.600 --> 0:14:28.240
<v Speaker 3>to show his talent and take him to the next

0:14:28.320 --> 0:14:30.680
<v Speaker 3>level because he's funny in the motherfucker nav Green.

0:14:31.120 --> 0:14:32.000
<v Speaker 5>You know what I'm saying, He's.

0:14:31.880 --> 0:14:33.720
<v Speaker 2>On the road with I love nav Green.

0:14:33.840 --> 0:14:35.960
<v Speaker 1>You know, I found I didn't really watch him on

0:14:36.000 --> 0:14:37.960
<v Speaker 1>a lot of like I know he does, Like what's

0:14:37.960 --> 0:14:40.400
<v Speaker 1>the podcast that he works with?

0:14:40.520 --> 0:14:44.360
<v Speaker 2>Eighty five Sounds, No, that's another podcast.

0:14:44.400 --> 0:14:46.040
<v Speaker 1>Well maybe he was just a guest on there, but

0:14:46.160 --> 0:14:49.840
<v Speaker 1>he can't he with Drew Ski too, okay, because I

0:14:50.520 --> 0:14:54.720
<v Speaker 1>found it's not I got to see him like do

0:14:54.880 --> 0:14:56.000
<v Speaker 1>his thing and be funny.

0:14:56.040 --> 0:14:58.640
<v Speaker 2>At the Black Effect Podcast Festival. He was there with.

0:14:59.360 --> 0:15:01.840
<v Speaker 5>Oh he got sportscast sports show?

0:15:02.560 --> 0:15:07.600
<v Speaker 2>Yes, yeah, five is it the five twenty man?

0:15:07.640 --> 0:15:08.400
<v Speaker 5>Don't give me the line.

0:15:08.440 --> 0:15:11.520
<v Speaker 1>I don't know the name, and there a big sports podcast.

0:15:11.600 --> 0:15:13.000
<v Speaker 2>But so don't get mad at me, y'all.

0:15:13.200 --> 0:15:18.000
<v Speaker 1>But when Broken play, when they came to the they

0:15:18.160 --> 0:15:20.320
<v Speaker 1>he did something the Black Effect Podcast fust when I

0:15:20.320 --> 0:15:23.120
<v Speaker 1>was like, yo, he's really funny in like real life

0:15:23.160 --> 0:15:25.120
<v Speaker 1>because a lot of people can't get it right off

0:15:25.200 --> 0:15:27.560
<v Speaker 1>of the Internet. And when I saw when I saw

0:15:27.640 --> 0:15:31.440
<v Speaker 1>him in this movie, I'm like, okay, seeing.

0:15:31.160 --> 0:15:34.360
<v Speaker 3>Stuff like him, he's like like everybody we've been the

0:15:34.960 --> 0:15:37.920
<v Speaker 3>social media kind of program people that comedy is just

0:15:38.000 --> 0:15:40.000
<v Speaker 3>one thing. You know what I'm saying, a lot of people,

0:15:40.000 --> 0:15:42.080
<v Speaker 3>if you don't fit in that one box, they think

0:15:42.120 --> 0:15:45.080
<v Speaker 3>you ain't funny. And so now now that everything is

0:15:45.160 --> 0:15:47.880
<v Speaker 3>kind of like even down in the dustin cell, now

0:15:47.880 --> 0:15:50.360
<v Speaker 3>you can see comedy and we got other platform to

0:15:50.400 --> 0:15:53.440
<v Speaker 3>show them for different talents. That's people like him gonna shine,

0:15:53.480 --> 0:15:55.200
<v Speaker 3>you know what I'm saying, Like, like they say the

0:15:55.240 --> 0:15:57.200
<v Speaker 3>Creean rides at the top, and he's one of the

0:15:57.240 --> 0:15:59.640
<v Speaker 3>one of the truth next he one of the next comedians.

0:15:59.680 --> 0:16:03.840
<v Speaker 3>I think as far as stand up, as far as skits, everything,

0:16:03.880 --> 0:16:05.680
<v Speaker 3>he got all of it. You know what I'm saying. Now,

0:16:07.560 --> 0:16:09.800
<v Speaker 3>who else? Erica Dutchess, She's funny as hell.

0:16:09.880 --> 0:16:12.480
<v Speaker 5>She's in the movie. Of course, I'm gonna say Jay Ski.

0:16:13.280 --> 0:16:14.800
<v Speaker 5>I mean, he's funny as hell.

0:16:14.960 --> 0:16:17.000
<v Speaker 3>But and it's a lot of people that ain't in it,

0:16:17.040 --> 0:16:18.560
<v Speaker 3>but they gonna be in the next thing, you know

0:16:18.560 --> 0:16:20.280
<v Speaker 3>what I'm saying, Like, you know who I've been looking

0:16:20.320 --> 0:16:22.320
<v Speaker 3>at and been actually kind of talented that I want

0:16:22.360 --> 0:16:23.120
<v Speaker 3>to put in the movie.

0:16:24.560 --> 0:16:27.480
<v Speaker 5>Yan Te, I don't know what that is.

0:16:28.240 --> 0:16:36.120
<v Speaker 3>Rick Ross's baby Mama Ta kimp.

0:16:38.160 --> 0:16:38.840
<v Speaker 2>Funny noo.

0:16:39.160 --> 0:16:42.200
<v Speaker 1>She And it's like it's not even like comedian funny,

0:16:42.200 --> 0:16:44.120
<v Speaker 1>even though I know she'd be like on the like

0:16:44.160 --> 0:16:47.000
<v Speaker 1>she be doing her thing. It's just like black Woman

0:16:47.160 --> 0:16:49.600
<v Speaker 1>funny as hell, like she just quick with it, like

0:16:49.760 --> 0:16:50.280
<v Speaker 1>and it's a.

0:16:50.240 --> 0:16:52.160
<v Speaker 5>Lot of people like that online that I see.

0:16:52.200 --> 0:16:55.240
<v Speaker 3>They just don't have like certain platforms for them to

0:16:55.320 --> 0:16:58.160
<v Speaker 3>showcase it. And everybody that's don't do stand up and

0:16:58.200 --> 0:17:00.760
<v Speaker 3>everybody don't do those little They're not finna do the

0:17:00.800 --> 0:17:04.720
<v Speaker 3>stupid shit to get go viral. So places like us

0:17:04.520 --> 0:17:06.439
<v Speaker 3>is where we have a home to where they can

0:17:06.480 --> 0:17:08.639
<v Speaker 3>showcase their stuff and take it to the next level

0:17:08.680 --> 0:17:10.120
<v Speaker 3>without selling their soul.

0:17:10.240 --> 0:17:13.040
<v Speaker 5>You feel what I'm saying, Yeah.

0:17:12.840 --> 0:17:13.200
<v Speaker 2>I got you.

0:17:13.320 --> 0:17:16.000
<v Speaker 1>Do you feel like do all you get the And

0:17:16.000 --> 0:17:17.639
<v Speaker 1>I don't know if you even care, but do you

0:17:17.680 --> 0:17:20.080
<v Speaker 1>feel like people have enough conversation about just you on

0:17:20.119 --> 0:17:21.920
<v Speaker 1>the business side of things and kind of like how

0:17:21.960 --> 0:17:24.359
<v Speaker 1>you position yourself almost like as an executive it's like

0:17:24.359 --> 0:17:27.919
<v Speaker 1>your A and ring digital comedy film.

0:17:28.000 --> 0:17:28.560
<v Speaker 5>I've kind of.

0:17:28.520 --> 0:17:31.760
<v Speaker 3>Programmed myself to not care, because when you care, then

0:17:31.800 --> 0:17:33.600
<v Speaker 3>you like they say, live by the chair, die by

0:17:33.600 --> 0:17:34.000
<v Speaker 3>the booze.

0:17:34.000 --> 0:17:35.760
<v Speaker 5>So I really don't care. I just and I mean

0:17:35.800 --> 0:17:36.280
<v Speaker 5>I see it.

0:17:36.280 --> 0:17:39.040
<v Speaker 3>It comes back like God give me reassurance with other

0:17:39.080 --> 0:17:41.040
<v Speaker 3>things and stuff like that to where I don't have

0:17:41.080 --> 0:17:43.119
<v Speaker 3>to care enough about what who.

0:17:43.080 --> 0:17:45.000
<v Speaker 5>Don't give me my praise, you know what I'm saying.

0:17:45.040 --> 0:17:46.600
<v Speaker 3>So that's how I kind of look at stuff, and

0:17:47.560 --> 0:17:50.480
<v Speaker 3>I mean, shit, they I can see it in people,

0:17:50.480 --> 0:17:52.199
<v Speaker 3>you know what I'm saying. It's just like if you

0:17:52.200 --> 0:17:54.119
<v Speaker 3>have kids, or you might people might say you ad

0:17:54.240 --> 0:17:54.920
<v Speaker 3>just like your mama.

0:17:55.040 --> 0:17:56.280
<v Speaker 5>So I see the same thing.

0:17:56.320 --> 0:17:58.240
<v Speaker 3>And other people that come under me, they act just

0:17:58.400 --> 0:18:00.520
<v Speaker 3>like me, or they might don't give me my paris,

0:18:00.600 --> 0:18:02.560
<v Speaker 3>or they might not say it, or they might like

0:18:02.600 --> 0:18:05.760
<v Speaker 3>for example, they might say, they might say Kevin Hart

0:18:05.760 --> 0:18:07.720
<v Speaker 3>to go, but if you look at their program and

0:18:07.720 --> 0:18:10.639
<v Speaker 3>all you look at their path, they all followed my blueprints.

0:18:10.680 --> 0:18:13.440
<v Speaker 3>So it's just showing me like who you really look

0:18:13.520 --> 0:18:15.840
<v Speaker 3>up to. So that's what that's what I pay attention.

0:18:15.880 --> 0:18:19.280
<v Speaker 3>I don't really care about about the recognition because the

0:18:19.280 --> 0:18:21.280
<v Speaker 3>stuff I was doing they wasn't doing when they was

0:18:21.280 --> 0:18:23.520
<v Speaker 3>giving recognition for the stuff I'm doing.

0:18:23.560 --> 0:18:26.760
<v Speaker 1>Now, we were having a conversation with when I said

0:18:26.760 --> 0:18:28.480
<v Speaker 1>we had the Breakfast Club, we had a conversation with.

0:18:28.440 --> 0:18:30.520
<v Speaker 2>Carlos Miller and comedian Little Real.

0:18:30.560 --> 0:18:33.359
<v Speaker 1>I don't know if you saw it, but in that

0:18:33.440 --> 0:18:35.760
<v Speaker 1>conversation when they came to talk about a film that

0:18:35.800 --> 0:18:39.000
<v Speaker 1>they were doing, also independently. They were talking about how

0:18:39.040 --> 0:18:42.600
<v Speaker 1>they feel like the level of like the Kevin Hart

0:18:42.640 --> 0:18:45.000
<v Speaker 1>and a lot of the people who are you know,

0:18:45.040 --> 0:18:48.760
<v Speaker 1>are a certain generation of comedy overlooked, a certain generation

0:18:48.800 --> 0:18:51.040
<v Speaker 1>of comedy so overlooked, the generation of like the just

0:18:51.160 --> 0:18:53.320
<v Speaker 1>Hilarius is the Carlos Miller's.

0:18:53.480 --> 0:18:57.639
<v Speaker 3>The think they're looking at the wrong crowds because they

0:18:57.720 --> 0:19:00.040
<v Speaker 3>looking at their I peers and the people old and

0:19:00.040 --> 0:19:01.480
<v Speaker 3>and us. That's why I think they're trying to get

0:19:01.480 --> 0:19:04.919
<v Speaker 3>their validation. But the people under us, they look at

0:19:05.000 --> 0:19:06.919
<v Speaker 3>us like we goats, you know what I'm saying. Like

0:19:06.960 --> 0:19:09.560
<v Speaker 3>to me, I mean, like I said, I go and

0:19:09.600 --> 0:19:11.800
<v Speaker 3>I'm really outside around amongst the people.

0:19:11.880 --> 0:19:14.120
<v Speaker 5>So I get enough praise and.

0:19:14.080 --> 0:19:17.000
<v Speaker 3>Dick pulling the way, I don't really care about the

0:19:17.119 --> 0:19:19.400
<v Speaker 3>other stuff. You know what I'm saying, Like the only

0:19:19.400 --> 0:19:21.720
<v Speaker 3>people that might not get me praise is the people.

0:19:21.480 --> 0:19:23.080
<v Speaker 5>In the industry, you know what I'm saying.

0:19:23.600 --> 0:19:26.000
<v Speaker 3>So but they all programmed to say who they think

0:19:26.080 --> 0:19:27.920
<v Speaker 3>is ghats, you know what I'm saying, Like, of course

0:19:27.960 --> 0:19:29.639
<v Speaker 3>they gonna say that, But like I say, but if

0:19:29.680 --> 0:19:32.919
<v Speaker 3>you look at they what they doing, it's all from that,

0:19:33.119 --> 0:19:36.520
<v Speaker 3>Like they ain't ain't no millionaires up that came under

0:19:36.560 --> 0:19:40.720
<v Speaker 3>me made their money off of doing what Kevin Hart did,

0:19:40.840 --> 0:19:44.080
<v Speaker 3>you see what I'm saying, So they kind of tell

0:19:44.080 --> 0:19:46.000
<v Speaker 3>it like it's they can say that, but they don't

0:19:46.040 --> 0:19:47.680
<v Speaker 3>look at people. And only reason I'm he using Kevin

0:19:47.720 --> 0:19:51.600
<v Speaker 3>Hart because he's like the top or they you know

0:19:51.640 --> 0:19:54.120
<v Speaker 3>what I'm saying, But the way he did, the way

0:19:54.160 --> 0:19:57.080
<v Speaker 3>he did and the way it's going on now, it's

0:19:57.800 --> 0:20:01.080
<v Speaker 3>pretty much they making the money this new generational way,

0:20:01.320 --> 0:20:02.760
<v Speaker 3>you know what I'm saying, So they should be proud

0:20:02.760 --> 0:20:04.960
<v Speaker 3>of where they at now more so then keep looking

0:20:04.960 --> 0:20:07.240
<v Speaker 3>at those people and wanting that parade.

0:20:07.240 --> 0:20:09.080
<v Speaker 5>And that's how I look at everything with what.

0:20:09.040 --> 0:20:11.080
<v Speaker 4>I do lor And I think I think he really

0:20:11.119 --> 0:20:14.520
<v Speaker 4>does live his social life right. He is comparison is

0:20:14.560 --> 0:20:18.240
<v Speaker 4>the thief of joy. And I don't think even looks

0:20:18.400 --> 0:20:22.240
<v Speaker 4>at what others uh in that way because even with

0:20:22.280 --> 0:20:24.879
<v Speaker 4>this movie right it was, there's not been a comparison

0:20:24.920 --> 0:20:26.520
<v Speaker 4>of hey, we gotta do it like this, so we

0:20:26.560 --> 0:20:28.879
<v Speaker 4>gotta do it like that. He's just we're just driving

0:20:28.880 --> 0:20:31.080
<v Speaker 4>the boat. Like it makes sense to do what we're

0:20:31.080 --> 0:20:33.359
<v Speaker 4>gonna do with the Sixth City, like go and see

0:20:33.400 --> 0:20:35.840
<v Speaker 4>people and have them be a part. We're gonna have

0:20:35.960 --> 0:20:38.960
<v Speaker 4>the killer in the crowd and like being experienced and

0:20:39.040 --> 0:20:41.160
<v Speaker 4>not just go watch a movie right.

0:20:41.119 --> 0:20:43.040
<v Speaker 2>And pop out the crowd with a bunch of people.

0:20:43.440 --> 0:20:45.159
<v Speaker 3>Just you wasn't supposed to tell her that. Man, you

0:20:45.280 --> 0:20:47.840
<v Speaker 3>just gave the element of surprise, y'all.

0:20:47.920 --> 0:20:50.440
<v Speaker 1>Y'all talking about going to these y'all going to these

0:20:50.480 --> 0:20:52.560
<v Speaker 1>local theaters and go have a killer, pop out the crowd.

0:20:52.560 --> 0:20:56.200
<v Speaker 1>Over all that that sounds real fun and safe as

0:20:57.240 --> 0:20:59.040
<v Speaker 1>either way it goes come out.

0:20:59.080 --> 0:20:59.840
<v Speaker 2>So we know we could.

0:21:00.359 --> 0:21:02.400
<v Speaker 5>You're good. You're good, I promise you good.

0:21:03.040 --> 0:21:05.600
<v Speaker 3>Just the best way, I guess, I think the best

0:21:05.600 --> 0:21:07.920
<v Speaker 3>way explain me. I'm like the Dolo might of this generation.

0:21:08.760 --> 0:21:12.040
<v Speaker 3>How Dolomite he was doing everything is he was all independent.

0:21:12.119 --> 0:21:14.040
<v Speaker 3>He did it is always a good way. And then

0:21:14.440 --> 0:21:16.800
<v Speaker 3>over time our generation got it. But at that time

0:21:16.840 --> 0:21:18.920
<v Speaker 3>they just looked at it like they was just either

0:21:18.960 --> 0:21:21.959
<v Speaker 3>boxed him in this ghetto or just raggedy, or they

0:21:22.040 --> 0:21:24.200
<v Speaker 3>looked at it like it was some bullshit. But now

0:21:24.280 --> 0:21:26.640
<v Speaker 3>if you look at it, everything is damn the Dolomite.

0:21:26.800 --> 0:21:28.040
<v Speaker 5>She toobes Dolamite