WEBVTT - I Smell Pop Culture: Milli Vanilli

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<v Speaker 1>I Am all in again. Oh, I guess you.

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<v Speaker 2>I Smell pop Culture with Eastern Allen and iHeartRadio podcast. Hey, everybody,

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<v Speaker 2>do you smell that? Do you smell what I'm smelling?

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<v Speaker 2>My name's Easton Allen. This is I smell pop culture.

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<v Speaker 2>That is what I'm smelling. Spoiler alert, I'm smelling pop

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<v Speaker 2>culture and you're smelling it too. This is the I

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<v Speaker 2>Am all In podcast where we celebrate Gilmore Girls. We

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<v Speaker 2>go to stars Hollow, we live amongst our favorite people

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<v Speaker 2>and on this show. If you're just joining us, if

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<v Speaker 2>you forgot to delete the episode before you hit play,

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<v Speaker 2>if you're waiting for the Scott episodes, you're waiting for

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<v Speaker 2>Gilmore Girls Gazette, thank you first of all for keeping

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<v Speaker 2>us around hitting play on that on that podcast app

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<v Speaker 2>so you know.

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<v Speaker 1>Also the good reviews.

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<v Speaker 2>I saw a couple of these come in, But I

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<v Speaker 2>just want to remind you again. If you're enjoying what

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<v Speaker 2>you're hearing, go to Apple, go to iTunes, tell them

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<v Speaker 2>that pop Culture with Easton is your favorite part of

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<v Speaker 2>this podcast, and leave five stars. We would appreciate it.

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<v Speaker 2>But here's what we do here. Here's what we do

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<v Speaker 2>on the show. We take the pop culture moments from

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<v Speaker 2>Gilmore Girls, and we go so deep. We dive into

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<v Speaker 2>them with both legs. We step into these pop culture moments.

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<v Speaker 2>We talk to the people that made them real. We

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<v Speaker 2>talk to the people behind these pop culture references and

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<v Speaker 2>Gilmore Girls. And that's what we're doing again this week.

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<v Speaker 2>This is a big one, everybody, This is a really

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<v Speaker 2>big one. We're going to season three, episode nineteen keg Max.

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<v Speaker 2>Remember that episode, Big House Party at Kyle's house. Lane's

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<v Speaker 2>band is performing, So they're at the house, they're getting

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<v Speaker 2>set up, they're setting up the drums, and Zach tells

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<v Speaker 2>Brian move back more because when I do my double

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<v Speaker 2>jump kick off the amp with slashing windmills, I'm going

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<v Speaker 2>to need more room. And Lane says, well, don't do

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<v Speaker 2>that then, and then Dave says, yeah, sounds a little

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<v Speaker 2>too Milli Vanilli Zach, So, if you don't know who

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<v Speaker 2>Milli Vanilli is, first of all, what's going on? What

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<v Speaker 2>is going on? Milli Vanilli. They're a pop duo Fab

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<v Speaker 2>mor Van and Rob pilattis in the late eighties, is

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<v Speaker 2>like nineteen eighty eight, they put.

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<v Speaker 1>Out an album.

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<v Speaker 2>They put out a single called Girl You know it's true,

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<v Speaker 2>huge hit, seven million albums. They sell just this massive,

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<v Speaker 2>massive hit. But there's one issue. Rob and Fab are

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<v Speaker 2>not the singers. You do not hear their voices on

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<v Speaker 2>that album. They were lip syncing, and Milli Vanilli kind

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<v Speaker 2>of became the poster boy for lack of a better term,

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<v Speaker 2>they became the example for lip syncing, for deception in music.

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<v Speaker 2>It was a it's one of the crazy things that's

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<v Speaker 2>ever happened. It's really insane that this how this all

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<v Speaker 2>went down. They used studio performers to record the album,

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<v Speaker 2>and then Rob and Fab became the visual representation of

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<v Speaker 2>Millie Vanilli. So they would record, they would perform, and

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<v Speaker 2>they'd have like a backing track that would play and

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<v Speaker 2>they would lip sync and they'd perform it visually. And they're

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<v Speaker 2>incredible dancers, incredible performers, truly like remarkable, and that's why

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<v Speaker 2>they got so big is because of their presence. But

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<v Speaker 2>then it all kind of came out that they held

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<v Speaker 2>this press conference they announced that you are not listening

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<v Speaker 2>to us when you look at Milli Vanilla, who you

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<v Speaker 2>know is Milli Vanilli. They're not singing on this album,

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<v Speaker 2>and it just became this whole scandal. Everything stopped. Arista

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<v Speaker 2>Records deleted the album. They deleted it from there from

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<v Speaker 2>their catalog. That's the biggest selling album of all time

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<v Speaker 2>to be deleted by a record label. They won the

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<v Speaker 2>Grammy for Best New Artists. They to give that Grammy back.

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<v Speaker 2>I think that's the only time the Grammys have rescinded

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<v Speaker 2>in an award.

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<v Speaker 1>It's really crazy.

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<v Speaker 2>We're going to talk to fab more Van, one of

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<v Speaker 2>the guys from Billy Vanilli, the surviving member uh, and

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<v Speaker 2>we're going to find out how this happened. How does

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<v Speaker 2>it get to this point? How like did they sign

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<v Speaker 2>on to lip sync today? Know what was going on?

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<v Speaker 2>How did it feel when everything came out? There's so

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<v Speaker 2>it's so wild. It's such an interesting story, and we're

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<v Speaker 2>going to get to the bottom of it. Fab is

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<v Speaker 2>in the waiting room right now. We're going to bring

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<v Speaker 2>him in. We're not going to make him wait any longer.

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<v Speaker 2>One of the greatest performers in all of pop culture history.

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<v Speaker 2>What is going on? Fab more Van, thank you so

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<v Speaker 2>much for doing this.

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<v Speaker 3>Pleasure to meet pleasure always a pleasure to to travel

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<v Speaker 3>down memory lane and do it in and now go

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<v Speaker 3>back in time and then bust and bleede, you know,

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<v Speaker 3>looking to what's going on in the future. You know,

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<v Speaker 3>I'm traveling is something very familiar with. So let's go.

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<v Speaker 2>I love it, and you know we'll get into this.

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<v Speaker 2>We have so much to talk about.

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<v Speaker 3>You.

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<v Speaker 2>You have one of the most fascinating stories of anyone

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<v Speaker 2>in music of all time. It's just everything you've done

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<v Speaker 2>and been through is so interesting to me. And do

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<v Speaker 2>you say time traveling? Like it's so interesting how music

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<v Speaker 2>can do that?

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<v Speaker 3>Right? Like it?

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<v Speaker 2>Yeah, it really can. And so many people listen to

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<v Speaker 2>Millie Vanilli and are brought back to such a specific

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<v Speaker 2>moment in time. But I want to go back to

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<v Speaker 2>the very beginning when you first met your collaborator, Rob plattis.

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<v Speaker 1>What was that like? When when did you guys meet?

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<v Speaker 1>Where did you meet? How that happen?

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<v Speaker 3>We met long time ago in Munich, Germany, in Bevaria,

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<v Speaker 3>That's where we met. And when we met, we were

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<v Speaker 3>there were not many black people there, so here you go.

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<v Speaker 3>You know, hip hop, the hip hop culture was rising.

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<v Speaker 3>He was a breakdancer. I used to do pop luck

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<v Speaker 3>but also was a trained answer and there lies I'll

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<v Speaker 3>come and interest. You know, hip hop graffiti, rap, breakdance,

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<v Speaker 3>pop in luck, you know, crush, grooven, hip hop movies

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<v Speaker 3>coming out at the same time, and we associated with

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<v Speaker 3>the culture very much and with each other because we

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<v Speaker 3>you know, we were black kids like in Europe and

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<v Speaker 3>this is how we just came together.

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<v Speaker 2>So like, was that like an instant thing when you

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<v Speaker 2>first met him, like like, oh, this is a guy

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<v Speaker 2>I'm going to work well with, where we're going to

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<v Speaker 2>be collaborators.

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<v Speaker 3>Not really wow, And I was very competitive, you know,

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<v Speaker 3>like I was on his turf and he was like,

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<v Speaker 3>who's bad, dude? Because I was there with two other

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<v Speaker 3>friends from Paris, and it was like, hmm, okay, you know,

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<v Speaker 3>what does he want to do with Are they leaving?

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<v Speaker 3>Are they staying? And you eventually we talked about it,

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<v Speaker 3>and you know, he was really trying to to connect essentially.

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<v Speaker 3>But you know, when you don't know people, you kind

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<v Speaker 3>of become stand offish at first, and sometimes those are

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<v Speaker 3>the best relationships because you're like, it's kind of like feisty,

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<v Speaker 3>it's like competitive. But then once once we started talking

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<v Speaker 3>to each other, we started to realize everything we have

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<v Speaker 3>in common. We loved music, and we had to come

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<v Speaker 3>and dream and together we said, hey, let's put your energy,

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<v Speaker 3>let's put my energy, and let's see what happens. And

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<v Speaker 3>then of course fireworks. You know, we went to a

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<v Speaker 3>place like Wow and beyond, which you know sometime when

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<v Speaker 3>you think about manifestation, you know, we surely manifested that

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<v Speaker 3>thing because I even I even drew the costumes one

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<v Speaker 3>Christmas and said this is what we're going to wear.

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<v Speaker 3>And then we found that envelope years later and it

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<v Speaker 3>was exactly what we were wearing because we were involved

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<v Speaker 3>in many aspects of what we were doing and from

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<v Speaker 3>from you know, the show performance to the clothing design,

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<v Speaker 3>with the costs and designers and all that stuff. So

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<v Speaker 3>I believe in manifestation and the fact that I'm still

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<v Speaker 3>here right now. You know, it's something that I've willed

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<v Speaker 3>and it was unsure, you know, call it blind faith.

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<v Speaker 3>And certain deeds are photogrounds for creativity. But I use

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<v Speaker 3>creativity and music to keep me afloat, you know, really

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<v Speaker 3>mentally physically. And that being said, I'm down traveler. That's

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<v Speaker 3>what I am. With music as my magic carpet.

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<v Speaker 1>I love it.

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<v Speaker 2>Wow that I mean, that manifestation story is incredible. So

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<v Speaker 2>you get approached by Frank Farian. Uh, yeah, the producer,

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<v Speaker 2>and when you sign with him originally, and and what

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<v Speaker 2>you're talking about like making records and recording. Were you

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<v Speaker 2>and Rob under the impression like Bill that you guys

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<v Speaker 2>would record and you recorded girl? You know it's true

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<v Speaker 2>you recorded the music. But so so take me through

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<v Speaker 2>those early moments.

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<v Speaker 3>I mean, you know, it's very simple. You know, you

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<v Speaker 3>have two young guys who have who've been working with

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<v Speaker 3>lower level producers in Munich, and you know, but we

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<v Speaker 3>were playing, we played a couple of games with live

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<v Speaker 3>musicians that we're working with Frank, and then Frank heard

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<v Speaker 3>about us, but we were known for performing and singing

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<v Speaker 3>and dancing at the clubs. So when he came and

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<v Speaker 3>went to his studio and looked at the gold records

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<v Speaker 3>on the wall, we were like, yoh, this is the

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<v Speaker 3>right place man. And since love was not something that

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<v Speaker 3>there was not a lot of love at home, and

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<v Speaker 3>and then you had Frank Farren his assistant Ingrid, we

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<v Speaker 3>were like, wow, this is the surrogate family we've been

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<v Speaker 3>looking for. So when the contract came on the table

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<v Speaker 3>and they gave us the last three page of the contract,

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<v Speaker 3>we didn't know that's not how it works. We felt like, okay,

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<v Speaker 3>you got some money right there, it's on the table.

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<v Speaker 3>We're gonna be able to eat. Okay. Contract. There was

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<v Speaker 3>not a lot of money before us. It was like okay,

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<v Speaker 3>to give us money. That means this is real. You

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<v Speaker 3>know this is there was no management now, atturning no protection.

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<v Speaker 3>Were like the Gold Records, blinded by the light like wow,

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<v Speaker 3>we're gonna make it. Started making movies in our mind

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<v Speaker 3>like yo, it's gonna be all right. So when you

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<v Speaker 3>go back home, you spend that money and you wait,

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<v Speaker 3>You're like, what's up? What are they gonna call? So

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<v Speaker 3>you call them, Oh you need money? Yeah, kind of

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<v Speaker 3>all right, what you need? We we need that. So

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<v Speaker 3>they sent it to you in months after months that

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<v Speaker 3>this ad adds up to a sum that there was

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<v Speaker 3>a lot for us. So now I know you're going

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<v Speaker 3>to the next question, what happened? Well, we walked into that.

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<v Speaker 3>True that was said perfectly. They were recording. I found

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<v Speaker 3>out later that they were recording. There were recording songs

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<v Speaker 3>with the original singers with Brad Awl and John Davis,

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<v Speaker 3>which I've been on stage with. We were working together

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<v Speaker 3>for about sixty seven years here in Europe and doing

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<v Speaker 3>shows together as a project called Faceman's Voice. So while

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<v Speaker 3>they were working on that, Frank was looking for guys

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<v Speaker 3>and that we fell into that. You know, we matched

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<v Speaker 3>perfectly his vision. And then when we were told like, hey,

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<v Speaker 3>you're not going to sing, We're like, well, no, thank you.

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<v Speaker 3>But we as naive young kids and Rob was two

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<v Speaker 3>years young older than me. It was my older brother

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<v Speaker 3>and speaking German, I mean I am in his home country.

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<v Speaker 3>I'm listening to what he tells me. When we signed

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<v Speaker 3>the contract, it was like, I said, it's cool because

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<v Speaker 3>it was in German. I don't I didn't read German,

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<v Speaker 3>so you know, I studied German for one year, but

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<v Speaker 3>that was it. So I turned to him, We're cool.

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<v Speaker 3>He's like, yeah, yeah, we're cool. So he was the lead.

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<v Speaker 3>And then when they came to him and told him

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<v Speaker 3>this was the plan, he got pissed off. Tried to

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<v Speaker 3>explain to me because it was so emotional, and I'm like,

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<v Speaker 3>we're not doing that. And then they came back and say, hey,

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<v Speaker 3>money's not free. You know. In a few words, I'm paraphrasing,

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<v Speaker 3>but that's pretty much what it was. Like, Yo, we

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<v Speaker 3>give you money, so it's up like oh really. So

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<v Speaker 3>the quickest way to repay them was really to like, okay,

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<v Speaker 3>we do one song. But we were signed with three

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<v Speaker 3>albums which we had no idea about options A single, one, two, three,

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<v Speaker 3>we don't know. So we thought we'd do this one

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<v Speaker 3>song and then we out. Yeah, but when we thought

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<v Speaker 3>we were out and never heard from them and get

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<v Speaker 3>that record that just shoots off up the charts and

0:12:49.600 --> 0:12:52.959
<v Speaker 3>then you're like, yo, that's that's us, but that's not us,

0:12:53.000 --> 0:12:56.319
<v Speaker 3>but yeah, but that's us. And then suddenly the phone

0:12:56.360 --> 0:12:59.920
<v Speaker 3>start ringing and like, well, you know, you go into

0:12:59.920 --> 0:13:04.319
<v Speaker 3>it apprehensive, not knowing that they got a plan. You know,

0:13:04.480 --> 0:13:08.199
<v Speaker 3>you stepped into a realm you're not familiar with. Stardom

0:13:08.520 --> 0:13:12.120
<v Speaker 3>is something that you don't know about, but it truly

0:13:12.280 --> 0:13:15.800
<v Speaker 3>is addictive. So once you step into that and certainly

0:13:15.800 --> 0:13:18.440
<v Speaker 3>you're at the focal point. And we never had problems

0:13:18.480 --> 0:13:24.240
<v Speaker 3>with ladies, yeah, never, of course, but when that came, yeah,

0:13:24.760 --> 0:13:27.840
<v Speaker 3>it was like wow. And then suddenly you were on

0:13:27.960 --> 0:13:30.440
<v Speaker 3>stage and you were living your dreams. It was half

0:13:30.480 --> 0:13:34.800
<v Speaker 3>a dream, was dreams slash nightmare. But at first it

0:13:34.880 --> 0:13:39.160
<v Speaker 3>was a dream comes true and we were we didn't

0:13:39.160 --> 0:13:40.800
<v Speaker 3>know what the hell to deal with it. So when

0:13:40.800 --> 0:13:43.160
<v Speaker 3>the second single came, it was like, okay, we want

0:13:43.200 --> 0:13:46.480
<v Speaker 3>to sing, No, you can't. And then that's what we

0:13:46.520 --> 0:13:53.520
<v Speaker 3>realized that, So what do you do? You you don't

0:13:53.559 --> 0:13:56.440
<v Speaker 3>know what to do, so you stay in hoping that

0:13:57.840 --> 0:14:01.840
<v Speaker 3>you might get another opportunity to jump off and do something.

0:14:02.280 --> 0:14:07.880
<v Speaker 3>But from the first album to the fourth single, we

0:14:07.960 --> 0:14:10.000
<v Speaker 3>had no idea where we were going, and there was

0:14:10.040 --> 0:14:13.400
<v Speaker 3>no protection, no support, no one to say, hey, I'll

0:14:13.400 --> 0:14:16.880
<v Speaker 3>protect you. There was nobody, you know, And I think

0:14:16.920 --> 0:14:24.120
<v Speaker 3>that's the movie shows that because we were bigger than life. Yeah,

0:14:24.160 --> 0:14:27.240
<v Speaker 3>and you know, when you're bigger in life, people tend

0:14:27.280 --> 0:14:32.440
<v Speaker 3>to believe that you're not really truly human even you know,

0:14:32.680 --> 0:14:35.960
<v Speaker 3>they think you're touchable. Life is beautiful. When we were

0:14:35.960 --> 0:14:37.800
<v Speaker 3>in a cage, it was a golden cage, but it

0:14:37.840 --> 0:14:43.600
<v Speaker 3>was still a cage. And also, yeah, it was a

0:14:43.640 --> 0:14:47.320
<v Speaker 3>tough one to navigate.

0:14:49.720 --> 0:14:52.960
<v Speaker 2>How did you How many times did you perform the

0:14:53.040 --> 0:14:57.640
<v Speaker 2>song live, like with the backing track, Like was that

0:14:57.920 --> 0:14:59.920
<v Speaker 2>were you performing a lot at that point or was

0:15:00.040 --> 0:15:01.240
<v Speaker 2>is it not that?

0:15:00.720 --> 0:15:01.800
<v Speaker 1>Yeah?

0:15:02.400 --> 0:15:07.520
<v Speaker 3>Yeah, man, we were we were just like a just

0:15:07.560 --> 0:15:09.960
<v Speaker 3>like a pilot. You know, you've got to make those hours.

0:15:10.040 --> 0:15:13.120
<v Speaker 3>We did those hours. Man, it was you know, we

0:15:13.160 --> 0:15:14.960
<v Speaker 3>did him and did it and did it. And then

0:15:14.960 --> 0:15:21.440
<v Speaker 3>we went from the MTV MTV tour to line and

0:15:21.680 --> 0:15:24.360
<v Speaker 3>you know, being at the head of our tour, you know,

0:15:24.680 --> 0:15:27.320
<v Speaker 3>and doing one hundred and seven cities in eight months,

0:15:27.560 --> 0:15:32.400
<v Speaker 3>thirty thousand people almostly. That was crazy. And I gained

0:15:32.440 --> 0:15:35.760
<v Speaker 3>a lot of experience as a result of doing all that. So,

0:15:36.920 --> 0:15:39.840
<v Speaker 3>you know, I felt like I had a dream. I

0:15:39.880 --> 0:15:43.640
<v Speaker 3>strayed away from the dream. I knew that, but I

0:15:43.680 --> 0:15:47.520
<v Speaker 3>was like, I want to stand there because I don't

0:15:47.520 --> 0:15:49.120
<v Speaker 3>know what else I can do, what else I'm going

0:15:49.160 --> 0:15:49.400
<v Speaker 3>to do?

0:15:50.320 --> 0:15:52.800
<v Speaker 2>I mean, anyone would have you know, when you're faced

0:15:52.800 --> 0:15:55.920
<v Speaker 2>with that, anyone would have done that, you know. And

0:15:56.120 --> 0:15:58.280
<v Speaker 2>the thing that's so interesting to me is that you

0:15:58.360 --> 0:16:02.840
<v Speaker 2>and Rob are skilled, incapable singers, like you got you know,

0:16:03.120 --> 0:16:06.280
<v Speaker 2>you're you are, You're incredible singers. So I must have

0:16:06.280 --> 0:16:09.400
<v Speaker 2>been so frustrating, especially to not be able to like, like,

0:16:09.480 --> 0:16:12.360
<v Speaker 2>this isn't our voice. We have voices and we can

0:16:12.400 --> 0:16:12.880
<v Speaker 2>show it off.

0:16:13.240 --> 0:16:17.280
<v Speaker 3>It was frustrating, and it was so frustrating that, you know,

0:16:17.720 --> 0:16:22.640
<v Speaker 3>Rob became dissillusioned with what was going on. Was how

0:16:22.640 --> 0:16:27.280
<v Speaker 3>it was going down. But also the rumors were coming,

0:16:28.040 --> 0:16:32.880
<v Speaker 3>the jokes would come in, and because of the secret

0:16:32.960 --> 0:16:36.360
<v Speaker 3>as first was very it was very light to carry.

0:16:36.720 --> 0:16:38.840
<v Speaker 3>That's what I talked about. At first, it was like drink,

0:16:38.840 --> 0:16:42.800
<v Speaker 3>I'm through wow doing this. But then you start to realize, like, yo,

0:16:44.960 --> 0:16:49.240
<v Speaker 3>we're not only lying to the fans, which we adored

0:16:49.280 --> 0:16:51.920
<v Speaker 3>and love and did everything to give them like the

0:16:51.920 --> 0:16:55.320
<v Speaker 3>best of time, but we're lying to ourselves. So in

0:16:55.360 --> 0:16:59.000
<v Speaker 3>the end, when the party leaves, you know, you do

0:16:59.040 --> 0:17:02.960
<v Speaker 3>two things the same. You know, you go to bed,

0:17:03.360 --> 0:17:06.000
<v Speaker 3>brush your teeth, wash your face, and you look in

0:17:06.000 --> 0:17:11.880
<v Speaker 3>the mirror, you know, and that's like, m that ain't right.

0:17:11.920 --> 0:17:14.359
<v Speaker 3>You wake up in the morning and then you feel

0:17:14.400 --> 0:17:17.240
<v Speaker 3>the same that you felt before you went to bed,

0:17:18.200 --> 0:17:21.320
<v Speaker 3>and that was like the vicious circle. But once someone

0:17:21.400 --> 0:17:24.840
<v Speaker 3>knocked on the door, he showtime, or like yeah, we

0:17:24.840 --> 0:17:26.600
<v Speaker 3>gotta get ready, man, you gotta get on the bus.

0:17:26.640 --> 0:17:29.639
<v Speaker 3>Like you just clicking, and life was going so fast

0:17:29.720 --> 0:17:33.200
<v Speaker 3>that you you never had time to just slow down.

0:17:33.600 --> 0:17:37.240
<v Speaker 3>So you go on this roller coaster hoping that maybe

0:17:37.240 --> 0:17:39.160
<v Speaker 3>someone is going to save you. But then I look

0:17:39.200 --> 0:17:44.880
<v Speaker 3>at my bro and I'm like, I want to save him.

0:17:44.880 --> 0:17:47.960
<v Speaker 3>And I'm doing everything I can't, but it doesn't seem

0:17:48.000 --> 0:17:50.880
<v Speaker 3>like you want to be saved. Until I realized later

0:17:50.920 --> 0:17:54.560
<v Speaker 3>that you can't save nobody. They have to save themselves.

0:17:55.080 --> 0:17:59.280
<v Speaker 3>So when I kind of got that, you know, it's like, okay, well,

0:17:59.320 --> 0:18:02.560
<v Speaker 3>I guess it's time for me to take care of myself,

0:18:02.880 --> 0:18:07.800
<v Speaker 3>you know. Unfortunately, you know, Rob passed away, and that

0:18:07.920 --> 0:18:12.280
<v Speaker 3>was very traumatic because for a long time I felt

0:18:12.320 --> 0:18:14.639
<v Speaker 3>like I didn't do enough. You know, you're kind of

0:18:14.640 --> 0:18:19.719
<v Speaker 3>blaming yourself for for your bal you know, partying. You know,

0:18:19.920 --> 0:18:23.080
<v Speaker 3>it's like you're partying, but you're not even able to say,

0:18:23.080 --> 0:18:26.000
<v Speaker 3>hey man, it was great, you know, to just say

0:18:26.240 --> 0:18:29.400
<v Speaker 3>last words. And that's like the weirdest thing ever.

0:18:30.119 --> 0:18:33.600
<v Speaker 2>That must have been so difficult to process when that

0:18:33.640 --> 0:18:43.199
<v Speaker 2>when when Rob passed, And so in nineteen ninety, the article,

0:18:43.640 --> 0:18:45.680
<v Speaker 2>you know, you do the interview, the article comes out,

0:18:45.800 --> 0:18:49.560
<v Speaker 2>you do the press conference. Everything is kind of now

0:18:49.560 --> 0:18:54.639
<v Speaker 2>it's like out in the open. Everybody knows. I just

0:18:55.000 --> 0:18:59.160
<v Speaker 2>the like Arista deleting the album, giving back the Grammy.

0:18:59.760 --> 0:19:03.720
<v Speaker 2>It's it's so wild, it's so crazy that this happened.

0:19:04.080 --> 0:19:10.120
<v Speaker 3>You know, it's like it's hypocrisy at its finest. Yeah,

0:19:10.480 --> 0:19:16.760
<v Speaker 3>you know, that's it because they made they made a

0:19:16.760 --> 0:19:20.080
<v Speaker 3>lot of money. We're talking past three hundred four hundred

0:19:20.080 --> 0:19:27.640
<v Speaker 3>million dollars right that money was reinvested in other ventures.

0:19:27.840 --> 0:19:29.359
<v Speaker 3>And I'm not going to go too deep in there,

0:19:29.840 --> 0:19:32.320
<v Speaker 3>you know, but it's it's it's in a Wall Street journal.

0:19:32.400 --> 0:19:34.960
<v Speaker 3>All those things are written, you know when someone when

0:19:35.240 --> 0:19:39.720
<v Speaker 3>when a businessman makes money, extra amount of money, then

0:19:39.760 --> 0:19:43.360
<v Speaker 3>he's going to invest it in other ventures. That's what happens,

0:19:43.400 --> 0:19:46.879
<v Speaker 3>you know. But the fact that we were the last,

0:19:47.080 --> 0:19:49.920
<v Speaker 3>the small links, the smallest link in the chamber of

0:19:49.960 --> 0:19:53.200
<v Speaker 3>the most forward, you know, because we were the artist.

0:19:53.440 --> 0:19:56.560
<v Speaker 3>And then in the end it's like Robin fact were blamed.

0:19:57.440 --> 0:20:01.399
<v Speaker 3>We're blamed for everything. My problem, my issue that I

0:20:01.480 --> 0:20:07.040
<v Speaker 3>have still have today, you know, thanks to my emotional intelligence,

0:20:07.280 --> 0:20:12.040
<v Speaker 3>I've grown true generally is you go to school. You know,

0:20:12.080 --> 0:20:14.320
<v Speaker 3>you go to school, you do it, you make and

0:20:14.359 --> 0:20:17.680
<v Speaker 3>you do an Oh, there's an oath, and that oath

0:20:17.760 --> 0:20:23.560
<v Speaker 3>consists of you know, uh, investigating and partially each in

0:20:23.680 --> 0:20:26.920
<v Speaker 3>every character in the story. But that's not what happened. Certainly,

0:20:26.920 --> 0:20:33.199
<v Speaker 3>the label who made the money, everybody disappears and then

0:20:33.240 --> 0:20:36.600
<v Speaker 3>this press conference was it was bad, and sometimes I

0:20:36.640 --> 0:20:39.399
<v Speaker 3>tried to understand why. But I think that the labels

0:20:39.560 --> 0:20:43.800
<v Speaker 3>were so powerful, and the media and labels and everything

0:20:43.880 --> 0:20:47.679
<v Speaker 3>was in codes. So once the story was told and

0:20:47.880 --> 0:20:51.400
<v Speaker 3>entered you know, the four pipelines that were there back then.

0:20:51.480 --> 0:20:53.919
<v Speaker 3>Because now you've got social media, we're talking about a

0:20:53.960 --> 0:20:58.399
<v Speaker 3>whole different ecosystem. Right back then, it was just like,

0:20:58.560 --> 0:21:00.680
<v Speaker 3>once the story was written, it was oh she wrote,

0:21:00.720 --> 0:21:02.440
<v Speaker 3>and then it's like, okay, we can move on now.

0:21:02.720 --> 0:21:05.840
<v Speaker 3>And there was no way you could turn turn a

0:21:05.880 --> 0:21:09.080
<v Speaker 3>new leaf and try to say, hey, but listen, it's

0:21:09.119 --> 0:21:12.239
<v Speaker 3>too late, you know. So it was it was it

0:21:12.280 --> 0:21:14.440
<v Speaker 3>was that in a sense, was one of the most

0:21:14.480 --> 0:21:20.880
<v Speaker 3>difficult because you know, the truth was buried, the narrative

0:21:21.119 --> 0:21:29.680
<v Speaker 3>had been totally uh like, how can I say there

0:21:29.720 --> 0:21:33.480
<v Speaker 3>was nothing true about the narrative? You know, Robin fab

0:21:33.520 --> 0:21:36.280
<v Speaker 3>with the word responsible. They were responsible. They were they

0:21:36.440 --> 0:21:38.720
<v Speaker 3>planned it all. And then let me tell you, you know,

0:21:38.760 --> 0:21:44.240
<v Speaker 3>I still have a slight accent. Anyone can everyone can

0:21:44.280 --> 0:21:49.200
<v Speaker 3>notice I have an accent right back in the days,

0:21:50.280 --> 0:21:54.720
<v Speaker 3>you know, it was a lot thicker. The day we

0:21:54.760 --> 0:21:58.240
<v Speaker 3>came to New York and sat down with whoever in

0:21:58.240 --> 0:22:03.200
<v Speaker 3>that one room, and you know, the promotion department, radio department,

0:22:03.240 --> 0:22:06.280
<v Speaker 3>marketing department, publicity department, like old departments. You know, you

0:22:06.320 --> 0:22:09.880
<v Speaker 3>meet everybody and say hi, nice, nice to meet you,

0:22:10.359 --> 0:22:15.040
<v Speaker 3>and like really, you know, you hear that look numb before.

0:22:15.520 --> 0:22:19.760
<v Speaker 3>I know, early on, like oh yeah, you sound different.

0:22:20.800 --> 0:22:24.199
<v Speaker 3>You know. I remember being in a in a on

0:22:24.240 --> 0:22:26.520
<v Speaker 3>the road during that one hundred and SI City tour,

0:22:26.960 --> 0:22:28.879
<v Speaker 3>stopping at one of those you know, in the middle

0:22:28.880 --> 0:22:32.320
<v Speaker 3>of nowhere, going into like doing some food, and you know,

0:22:32.440 --> 0:22:35.160
<v Speaker 3>they're like, oh, what what kind of First we're talking

0:22:35.160 --> 0:22:38.280
<v Speaker 3>in German? What kind of language is that where you

0:22:38.320 --> 0:22:41.320
<v Speaker 3>guys from. Then me speaking, you're like, oh, you sound weird,

0:22:41.480 --> 0:22:47.719
<v Speaker 3>sounds strange, you know, and obviously we sounded different. You know,

0:22:47.800 --> 0:22:51.520
<v Speaker 3>how can how can anybody say that we had no idea?

0:22:52.200 --> 0:22:57.960
<v Speaker 3>Really you had no idea? All right, Dan, I don't

0:22:57.960 --> 0:23:00.880
<v Speaker 3>know what was I don't know, I don't know, you know.

0:23:01.080 --> 0:23:04.520
<v Speaker 3>So you know, so that's that's how it went. And

0:23:04.640 --> 0:23:07.040
<v Speaker 3>you know, it's hard for me to watch part of

0:23:07.040 --> 0:23:09.760
<v Speaker 3>the documentary when it makes me cringe when I see

0:23:09.800 --> 0:23:14.960
<v Speaker 3>some of those executives, you know, paying a legion to

0:23:15.040 --> 0:23:19.240
<v Speaker 3>the old regime and still saying until the interview person

0:23:19.400 --> 0:23:22.280
<v Speaker 3>kind of like goes in and like, yo, listen, really

0:23:23.040 --> 0:23:27.920
<v Speaker 3>you didn't know, and then coming out. So imagine we're

0:23:27.920 --> 0:23:32.880
<v Speaker 3>talking about thirty years later. Now go back in time

0:23:32.920 --> 0:23:35.320
<v Speaker 3>and see what kind of allegiance they had with each other.

0:23:35.600 --> 0:23:37.560
<v Speaker 3>I understand you to be for your tuition for your

0:23:37.640 --> 0:23:43.679
<v Speaker 3>kids university school, you know, like mortgage car, I understand,

0:23:43.840 --> 0:23:46.399
<v Speaker 3>But thirty years later, give it up, Give it up,

0:23:46.480 --> 0:23:51.119
<v Speaker 3>tell the truth you knew and then you know you

0:23:51.200 --> 0:23:53.680
<v Speaker 3>knew to say it, but for some reason.

0:23:55.000 --> 0:23:55.520
<v Speaker 1>It was very.

0:23:55.440 --> 0:23:58.680
<v Speaker 3>Difficult to pull that. It was like pulling teeth side

0:23:58.680 --> 0:24:01.200
<v Speaker 3>of that side of them.

0:24:01.840 --> 0:24:04.919
<v Speaker 2>God, it's so frustrating. Fab more Van is with us

0:24:04.960 --> 0:24:07.640
<v Speaker 2>from Milli Vanilli. This is the I Smell Pop Culture Podcast.

0:24:07.680 --> 0:24:19.600
<v Speaker 2>We'll be right back after a second. Okay, everybody, It's

0:24:19.640 --> 0:24:22.000
<v Speaker 2>the ICE Smell Pop Culture Podcast. My name is Easton

0:24:22.160 --> 0:24:24.280
<v Speaker 2>Allen and we're hanging out with fab more Van from

0:24:24.560 --> 0:24:29.240
<v Speaker 2>Milli Vanilli. One of the greatest performers of all time,

0:24:29.440 --> 0:24:34.399
<v Speaker 2>I think just and I think yes, like just a

0:24:34.440 --> 0:24:39.280
<v Speaker 2>dominant force in in pop culture for decades now.

0:24:40.680 --> 0:24:42.080
<v Speaker 1>Something that really stood out to me.

0:24:42.160 --> 0:24:44.760
<v Speaker 2>I watched a lot of interviews of you and Rob

0:24:44.880 --> 0:24:48.360
<v Speaker 2>from from that time, and uh, there's an Arsenio Hall

0:24:48.400 --> 0:24:50.960
<v Speaker 2>interview you guys did afterwards when you were you were.

0:24:50.920 --> 0:24:52.840
<v Speaker 1>You know, the everything come out.

0:24:53.720 --> 0:24:57.919
<v Speaker 2>You guys have such an incredible attitude about what happened, because,

0:24:58.000 --> 0:25:00.879
<v Speaker 2>like I think a lot of artists if something if

0:25:00.880 --> 0:25:02.840
<v Speaker 2>they'd gone through something similar to what you guys had,

0:25:02.840 --> 0:25:06.720
<v Speaker 2>they would have retreated, never shown their face again. But

0:25:07.040 --> 0:25:08.480
<v Speaker 2>you guys have a you have a great sense of

0:25:08.520 --> 0:25:10.760
<v Speaker 2>humor about it. First of all, you're like making jokes

0:25:10.760 --> 0:25:14.240
<v Speaker 2>about it. You come back with just you're very open

0:25:14.280 --> 0:25:17.399
<v Speaker 2>about everything that happened. That interview specifically, I just really

0:25:17.520 --> 0:25:19.199
<v Speaker 2>got a feel for what you guys are like, and

0:25:19.240 --> 0:25:22.560
<v Speaker 2>I want to say that it's incredible attitude.

0:25:22.600 --> 0:25:26.320
<v Speaker 3>Thank you. You know. You know, the thing is that

0:25:26.520 --> 0:25:29.320
<v Speaker 3>you know, when you you know, you don't learn anything

0:25:30.400 --> 0:25:32.760
<v Speaker 3>when you go up, you know, because they keep you

0:25:32.800 --> 0:25:34.880
<v Speaker 3>on the road, your work, your work, work, work. You're young,

0:25:34.960 --> 0:25:38.959
<v Speaker 3>you don't really develop. But when you fall, you know,

0:25:39.119 --> 0:25:46.159
<v Speaker 3>there's such a thing as looking internally, looking back, you know,

0:25:46.320 --> 0:25:49.960
<v Speaker 3>and learning. You know, you learn and then you realize,

0:25:50.119 --> 0:25:52.240
<v Speaker 3>you know, and one of the things that I realized that,

0:25:52.359 --> 0:25:55.280
<v Speaker 3>you know, being humble is the best thing that can

0:25:55.320 --> 0:25:58.040
<v Speaker 3>happen to you because of course, we were like a

0:25:58.160 --> 0:26:01.919
<v Speaker 3>riding high. You know, everybody is like, you're the best,

0:26:01.920 --> 0:26:05.159
<v Speaker 3>and you know, eventually you're young, dude, you're going to

0:26:05.240 --> 0:26:09.800
<v Speaker 3>start to believe your own press. Very normal, you know,

0:26:10.440 --> 0:26:14.480
<v Speaker 3>but when I fail, it really just it woke me up.

0:26:14.680 --> 0:26:18.480
<v Speaker 3>And I'm glad because without the fall, I don't think

0:26:18.520 --> 0:26:20.520
<v Speaker 3>that I would have turned into what I am today.

0:26:20.600 --> 0:26:25.680
<v Speaker 3>So this, this was the beginning of what was truly becoming,

0:26:25.880 --> 0:26:29.000
<v Speaker 3>you know, and that is really becoming resilient in life

0:26:29.160 --> 0:26:33.960
<v Speaker 3>and understand that there are no problems. There are only solutions,

0:26:34.119 --> 0:26:36.359
<v Speaker 3>but you get to face that and sometimes learning the

0:26:36.400 --> 0:26:39.520
<v Speaker 3>hard way is the best way. So our attitude was like,

0:26:40.359 --> 0:26:44.760
<v Speaker 3>well listen, you know, there's you know, we told everyone

0:26:45.960 --> 0:26:48.119
<v Speaker 3>we take the blame. For sure, we can't take all

0:26:48.160 --> 0:26:50.520
<v Speaker 3>the blame, but we take the blame for what was done.

0:26:50.560 --> 0:26:53.760
<v Speaker 3>We were part of it, that's clear. We were part

0:26:53.800 --> 0:26:57.560
<v Speaker 3>of it, one hundred percent, and we recognize that. That

0:26:57.800 --> 0:27:02.720
<v Speaker 3>being said, we're here now and we want to make

0:27:02.720 --> 0:27:06.000
<v Speaker 3>the best out of what happened to us. It's very normal,

0:27:06.160 --> 0:27:08.720
<v Speaker 3>but for some reason, the media kind of flipped it

0:27:08.800 --> 0:27:13.520
<v Speaker 3>into making us look bad. So that's why our signior performances,

0:27:13.560 --> 0:27:16.679
<v Speaker 3>which one of my favorite you know. He promoted us

0:27:16.920 --> 0:27:19.719
<v Speaker 3>for thirty days and in the end, at the end

0:27:19.720 --> 0:27:24.240
<v Speaker 3>of thirty days, I believe that we killed it. Definitely

0:27:24.359 --> 0:27:27.680
<v Speaker 3>killed it. And if it would have had a real

0:27:27.760 --> 0:27:31.439
<v Speaker 3>label behind us, we're real finance and marketing, dollar and

0:27:32.080 --> 0:27:35.679
<v Speaker 3>radio promotion, we could have done some things. It was

0:27:35.760 --> 0:27:39.360
<v Speaker 3>kind of like nobody was interested anymore. Like it was like, uh,

0:27:40.359 --> 0:27:43.840
<v Speaker 3>it's it's weird, you know how why not we're singing?

0:27:43.920 --> 0:27:45.919
<v Speaker 3>Oh no, not interesting? You know.

0:27:46.000 --> 0:27:50.080
<v Speaker 2>So the Robin Fab album is so good by the way,

0:27:52.600 --> 0:27:54.880
<v Speaker 2>that song do I, Oh my god, I love that song.

0:27:55.760 --> 0:27:57.360
<v Speaker 1>Oh yeah, yeah.

0:27:57.400 --> 0:27:59.359
<v Speaker 3>That's a nice one. That's the one that's not you know.

0:27:59.400 --> 0:28:02.160
<v Speaker 3>We worked with a great team of producers and that

0:28:02.320 --> 0:28:06.200
<v Speaker 3>was one of my favorite time the aftermath I would

0:28:06.200 --> 0:28:09.080
<v Speaker 3>call it and to be sitting down with producers and

0:28:09.359 --> 0:28:12.199
<v Speaker 3>in the lab and a big studio and just you know,

0:28:12.240 --> 0:28:14.760
<v Speaker 3>being part of it. And oh when it changes harmony,

0:28:15.080 --> 0:28:18.560
<v Speaker 3>Oh what about? Like what about changing the drum pattern?

0:28:18.640 --> 0:28:22.000
<v Speaker 3>And that was for me so awesome that you know,

0:28:22.080 --> 0:28:24.159
<v Speaker 3>that was taken away from me from the beginning. So

0:28:24.240 --> 0:28:29.000
<v Speaker 3>finally I was able to truly live my dream, you know.

0:28:29.119 --> 0:28:36.080
<v Speaker 3>And unfortunately, during that period, Rub was addiction. Is that

0:28:36.240 --> 0:28:38.600
<v Speaker 3>taken the toe on him. So it was very difficult

0:28:38.600 --> 0:28:41.719
<v Speaker 3>for him to focus and he would disappear day at

0:28:41.720 --> 0:28:45.000
<v Speaker 3>a time. So we had to you know, the budget

0:28:45.120 --> 0:28:49.040
<v Speaker 3>was running out and we had to get that album done.

0:28:49.120 --> 0:28:54.160
<v Speaker 3>So I did pretty much all the leads majority your background.

0:28:54.200 --> 0:28:56.680
<v Speaker 3>So if you listen to the record, you notice that

0:28:56.800 --> 0:28:59.280
<v Speaker 3>on some song you hear rob and some of the

0:28:59.320 --> 0:29:01.360
<v Speaker 3>songs there's no way to be hurt, you know, And

0:29:01.520 --> 0:29:07.240
<v Speaker 3>that's what happened, you know, So ri ip God rest

0:29:07.320 --> 0:29:10.560
<v Speaker 3>you know, I help you rest good, and he's looking

0:29:10.560 --> 0:29:14.880
<v Speaker 3>from above and he's like, go dude, and clear clear

0:29:14.960 --> 0:29:17.240
<v Speaker 3>up my name. You know. My goal is being to

0:29:17.280 --> 0:29:21.080
<v Speaker 3>transform the name living in me into when you fall,

0:29:21.600 --> 0:29:24.960
<v Speaker 3>when you make mistakes or you fall, you can't stand

0:29:25.000 --> 0:29:28.400
<v Speaker 3>back up, reinvent yourself and move forward. You know this.

0:29:30.000 --> 0:29:33.480
<v Speaker 3>You have options, you have choices. It's just up to you.

0:29:33.480 --> 0:29:35.600
<v Speaker 3>You know. The problem is the issue is I'm in

0:29:35.680 --> 0:29:39.280
<v Speaker 3>my mistakes in front of the world, and that being said,

0:29:39.360 --> 0:29:42.320
<v Speaker 3>some people make the mistakes in the privacy of their

0:29:42.360 --> 0:29:46.920
<v Speaker 3>own home. So I guess it turned me into what

0:29:47.000 --> 0:29:52.400
<v Speaker 3>I am today. And hey, I got four kids with

0:29:52.560 --> 0:29:59.520
<v Speaker 3>the same woman, a partner Sasha so Loans in sent

0:29:59.600 --> 0:30:03.840
<v Speaker 3>Paris Twins. You know at the amazing you know, family

0:30:03.960 --> 0:30:07.120
<v Speaker 3>is a blessing, blessing. I love it.

0:30:05.960 --> 0:30:09.480
<v Speaker 2>It's it's I really hope everyone listening to this takes

0:30:09.520 --> 0:30:14.640
<v Speaker 2>that message that that is so incredible and powerful to

0:30:14.680 --> 0:30:17.680
<v Speaker 2>be able to use that example and and and share,

0:30:17.800 --> 0:30:20.880
<v Speaker 2>like when you go through something you make a bad decision.

0:30:21.480 --> 0:30:24.240
<v Speaker 2>In my opinion, you and Robert Victims here. I mean,

0:30:24.560 --> 0:30:26.320
<v Speaker 2>I know, I appreciate you guys taking responsible.

0:30:26.400 --> 0:30:28.040
<v Speaker 3>I'm not going to play I'm not going to play

0:30:28.040 --> 0:30:33.440
<v Speaker 3>the victim. I know responsibility, but it sure looks like

0:30:33.680 --> 0:30:34.760
<v Speaker 3>in quite like a duck.

0:30:35.280 --> 0:30:37.680
<v Speaker 1>Yeah, yes, exactly.

0:30:37.920 --> 0:30:40.000
<v Speaker 2>But the fact that you take responsibility for your role

0:30:40.040 --> 0:30:44.000
<v Speaker 2>in it and the way you rebuilt everything, it's so inspiring.

0:30:44.040 --> 0:30:48.840
<v Speaker 2>It's so incredible Today in twenty twenty five, I mean

0:30:49.720 --> 0:30:53.560
<v Speaker 2>the Milli Vanilli. There's a lot of songs in the Monsters,

0:30:53.920 --> 0:30:58.040
<v Speaker 2>uh Lyle and Eric Menendez showing Netflix. So how does

0:30:58.080 --> 0:30:59.920
<v Speaker 2>it I mean to look at like these songs are

0:31:00.120 --> 0:31:03.000
<v Speaker 2>training on TikTok. Now you have a whole new generation.

0:31:03.600 --> 0:31:06.680
<v Speaker 3>No, I know you know what this this? You know,

0:31:06.800 --> 0:31:12.880
<v Speaker 3>Ryan Murphy, thank you, Monsters, thank you. I forgot the

0:31:12.960 --> 0:31:18.240
<v Speaker 3>name of the actors. But those guys, Wow, what a job.

0:31:18.280 --> 0:31:20.360
<v Speaker 3>And you know what I found because you know, I

0:31:20.440 --> 0:31:22.440
<v Speaker 3>used to live close to where they used to live.

0:31:22.920 --> 0:31:25.080
<v Speaker 1>Oh yeah, in bel Air.

0:31:25.440 --> 0:31:28.440
<v Speaker 3>Yeah, they not far away, so you know, we used

0:31:28.440 --> 0:31:31.640
<v Speaker 3>to play football in U c La, so we weren't

0:31:31.720 --> 0:31:36.400
<v Speaker 3>there in their vicinity BECAUSEFM it was everywhere, so it

0:31:36.440 --> 0:31:39.000
<v Speaker 3>was hard to miss. But when they buried their mom,

0:31:39.120 --> 0:31:42.600
<v Speaker 3>that's in a movie. I thought it was in the movie.

0:31:42.760 --> 0:31:46.200
<v Speaker 3>I was like, oh, yeah, that's fiction. No, they use girl,

0:31:46.240 --> 0:31:50.000
<v Speaker 3>I'm going to miss you. At the funeral, I was like, wow,

0:31:51.520 --> 0:31:54.240
<v Speaker 3>that's wild, Like whoa you know. And now we're back

0:31:54.320 --> 0:31:58.480
<v Speaker 3>thirty years later almost like past. And then because of

0:31:58.520 --> 0:32:02.320
<v Speaker 3>a show like this one and my association with Men

0:32:02.360 --> 0:32:07.080
<v Speaker 3>and his brothers, certainly the kids that up because I

0:32:07.080 --> 0:32:12.640
<v Speaker 3>have a god daughter in La and Kailna and she

0:32:12.720 --> 0:32:16.760
<v Speaker 3>tells me in school, they all know, they all know

0:32:16.960 --> 0:32:20.160
<v Speaker 3>the song, they sing the songs. So I'm like, wow,

0:32:20.200 --> 0:32:22.600
<v Speaker 3>that's a trip. Because there was a time where milivinly

0:32:22.760 --> 0:32:27.560
<v Speaker 3>just went into disappeared, It went into a vacuum. And

0:32:27.600 --> 0:32:30.720
<v Speaker 3>then you know with the dark, you know, with the

0:32:30.840 --> 0:32:34.680
<v Speaker 3>movie with monsters, certainly it's back on all the music

0:32:34.760 --> 0:32:40.200
<v Speaker 3>platforms and it's it's raving up and people certainly are realizing, Man,

0:32:40.240 --> 0:32:44.480
<v Speaker 3>that was good stuff. That was a good time. So, hey,

0:32:44.600 --> 0:32:47.160
<v Speaker 3>music is life. Life is music. Music is also the

0:32:47.200 --> 0:32:52.520
<v Speaker 3>soundtrack of our lives. I am connected to everyone who

0:32:52.680 --> 0:32:56.160
<v Speaker 3>listened back in the days, and whoever is discovering it

0:32:56.520 --> 0:33:01.960
<v Speaker 3>and walks into our emotional shoes, they are connected to

0:33:02.360 --> 0:33:06.560
<v Speaker 3>now because the narrative is being rewritten properly, and you

0:33:06.640 --> 0:33:10.640
<v Speaker 3>realize that, hey, listen, they took advantage, they exploited us,

0:33:11.080 --> 0:33:14.640
<v Speaker 3>and we were thrown. Rob paid with his life as

0:33:14.680 --> 0:33:18.040
<v Speaker 3>a result of how it was handled. It could have

0:33:18.080 --> 0:33:21.680
<v Speaker 3>been handled differently. We could have and we were in

0:33:21.720 --> 0:33:26.840
<v Speaker 3>the process of starting another project with another entity, but

0:33:27.280 --> 0:33:29.240
<v Speaker 3>Frank Farren went to New York and told the world.

0:33:29.280 --> 0:33:32.520
<v Speaker 3>So when you did that, it was check mate. We

0:33:32.520 --> 0:33:38.000
<v Speaker 3>weren't pushing him. We were pushing him to end this relationship,

0:33:39.080 --> 0:33:41.440
<v Speaker 3>but we didn't count on the fact that he would

0:33:42.440 --> 0:33:47.080
<v Speaker 3>tell the world instead of saying, Okay, I'm done, we

0:33:47.120 --> 0:33:50.360
<v Speaker 3>can go to group. So we were hoping and work it,

0:33:50.640 --> 0:33:52.800
<v Speaker 3>you know, and maybe you have the Robin Felt album

0:33:53.240 --> 0:33:56.240
<v Speaker 3>they come out instead of nineteen ninety three, had it

0:33:56.320 --> 0:33:59.920
<v Speaker 3>come out like in nineteen ninety. That was the plan.

0:34:09.320 --> 0:34:10.960
<v Speaker 2>You can't dwell on this kind of thing, but I

0:34:10.960 --> 0:34:13.880
<v Speaker 2>can't help but wonder, like what would have happened if

0:34:14.920 --> 0:34:17.600
<v Speaker 2>Frank hadn't like gone public with everything, Like I wonder

0:34:17.640 --> 0:34:23.560
<v Speaker 2>what would the trajectory have been? Oh, well, you know

0:34:23.840 --> 0:34:26.760
<v Speaker 2>if the world hadn't found out Well.

0:34:26.640 --> 0:34:29.560
<v Speaker 3>The thing is, you know, on that tour I told

0:34:29.560 --> 0:34:31.759
<v Speaker 3>you about the one hundred and SEVENTYY tour. In the

0:34:31.840 --> 0:34:34.319
<v Speaker 3>eight month we had it, we put a studio in

0:34:34.360 --> 0:34:37.600
<v Speaker 3>the bus because we had about between forty and fifty

0:34:37.600 --> 0:34:41.200
<v Speaker 3>people working for us, so we had five buses and

0:34:41.360 --> 0:34:44.480
<v Speaker 3>we put a studio equipment in the back of the bus.

0:34:44.520 --> 0:34:48.360
<v Speaker 3>And then we would be working after the show, making

0:34:48.400 --> 0:34:52.040
<v Speaker 3>some music, experimenting the process that started. You know, we

0:34:52.120 --> 0:34:55.400
<v Speaker 3>had the band, We're like, okay, we don't do something,

0:34:55.520 --> 0:34:57.719
<v Speaker 3>you know, and so you know, the musicians would come

0:34:57.719 --> 0:35:01.520
<v Speaker 3>on board, would work, stop, you go back to your bus,

0:35:01.680 --> 0:35:03.680
<v Speaker 3>go to sleep, and I was kind of like a

0:35:03.760 --> 0:35:07.959
<v Speaker 3>routine and I loved it. That was like, Wow, that's

0:35:08.000 --> 0:35:11.160
<v Speaker 3>the life I always wanted. But you know it was

0:35:11.200 --> 0:35:15.680
<v Speaker 3>weird because we were performing in front of thousands but

0:35:15.840 --> 0:35:18.440
<v Speaker 3>not singing, and then you're in the back of the

0:35:18.440 --> 0:35:20.600
<v Speaker 3>bus making music and I'm like, oh, I wish I

0:35:20.600 --> 0:35:23.000
<v Speaker 3>could share tonight. I wish I could share that tonight

0:35:23.440 --> 0:35:28.080
<v Speaker 3>at the gig, but you can't. Yeah, it's true. Was

0:35:28.760 --> 0:35:32.520
<v Speaker 3>it was crazy, but you know, until now, I've only

0:35:33.520 --> 0:35:35.560
<v Speaker 3>you know, I told the story. You know, it's been

0:35:35.560 --> 0:35:38.239
<v Speaker 3>a dog, it's been a movie, it's been interviews. But

0:35:38.440 --> 0:35:43.840
<v Speaker 3>with the book, and it's titled you know it's true.

0:35:45.400 --> 0:35:47.560
<v Speaker 3>So people can go and register a you know, it's

0:35:47.640 --> 0:35:50.279
<v Speaker 3>through dot com and then we'll keep you posted with

0:35:50.360 --> 0:35:53.040
<v Speaker 3>the schedule. It's going to be an audio book as well.

0:35:53.880 --> 0:35:59.759
<v Speaker 3>And you know, finally I can, I can share everything

0:36:00.680 --> 0:36:04.840
<v Speaker 3>and they don't know what to expect. And that's the

0:36:05.040 --> 0:36:07.360
<v Speaker 3>beauty with this book, you know. But it had to

0:36:07.360 --> 0:36:10.160
<v Speaker 3>be done also for me. I had to free myself

0:36:10.200 --> 0:36:12.920
<v Speaker 3>from from many things, you know, because you don't go

0:36:13.080 --> 0:36:17.960
<v Speaker 3>through something like this, and and you don't, you don't

0:36:18.040 --> 0:36:21.720
<v Speaker 3>walk away intact. You know you will be you will

0:36:21.960 --> 0:36:24.520
<v Speaker 3>when you crash, you crash and burn. But I'm lucky

0:36:24.520 --> 0:36:26.839
<v Speaker 3>it didn burn to crisp and I was able to

0:36:27.000 --> 0:36:30.520
<v Speaker 3>rise from my ashes and and move on. I'm not

0:36:30.560 --> 0:36:33.080
<v Speaker 3>I'm not saying I'm the phoenix. I'm just saying I

0:36:33.120 --> 0:36:36.759
<v Speaker 3>was able to rise above and fly away from the

0:36:36.800 --> 0:36:40.759
<v Speaker 3>madness and everything that was holding me down. Because you know,

0:36:41.160 --> 0:36:45.400
<v Speaker 3>people can be mean on the wreay down the jokes,

0:36:45.719 --> 0:36:50.000
<v Speaker 3>the bullying and what it feels like. But after a while,

0:36:50.080 --> 0:36:53.880
<v Speaker 3>when you acquire emotional intelligence and realize that it's not

0:36:53.920 --> 0:36:57.320
<v Speaker 3>about you, people have issues and you know you trigger

0:36:57.440 --> 0:36:59.879
<v Speaker 3>something to them because people don't have to be so mean.

0:37:00.040 --> 0:37:03.759
<v Speaker 3>I didn't kill nobody. We didn't kiel nobody, you know,

0:37:04.160 --> 0:37:08.120
<v Speaker 3>and some people have done way worse. Oh yeah that

0:37:08.160 --> 0:37:12.360
<v Speaker 3>were treated that were treated. Yeah, that is bad, really

0:37:12.560 --> 0:37:15.680
<v Speaker 3>damn Like why us, you know, And I'm still to

0:37:15.680 --> 0:37:20.880
<v Speaker 3>this day wondering like what was the reason behind behind that?

0:37:21.280 --> 0:37:22.480
<v Speaker 3>Like why.

0:37:23.719 --> 0:37:27.040
<v Speaker 2>It's it's I know, it's so frustrating to think about.

0:37:28.000 --> 0:37:30.279
<v Speaker 2>But you know, you talk about the movie girl, you know,

0:37:30.320 --> 0:37:34.480
<v Speaker 2>it's true, it's streaming on Peacock. What was it like,

0:37:35.800 --> 0:37:38.160
<v Speaker 2>how involved were you in the process of that movie

0:37:38.160 --> 0:37:40.520
<v Speaker 2>being made and what was like seeing your life be

0:37:40.600 --> 0:37:41.360
<v Speaker 2>turned to a movie.

0:37:41.719 --> 0:37:44.080
<v Speaker 3>Well, well, I was. I was a consultant, you know,

0:37:44.320 --> 0:37:48.400
<v Speaker 3>and you know I I I felt like, just like

0:37:48.440 --> 0:37:52.320
<v Speaker 3>the documentary, when they came to me, I said, hey,

0:37:52.640 --> 0:37:54.880
<v Speaker 3>they said, we want to tell you a story. But

0:37:54.960 --> 0:37:56.920
<v Speaker 3>I knew that there were many other people that they

0:37:56.920 --> 0:37:59.080
<v Speaker 3>were going to talk to. I sound cool with that.

0:37:59.239 --> 0:38:01.319
<v Speaker 3>You go ahead, because I know it's going to line

0:38:01.400 --> 0:38:04.200
<v Speaker 3>up perfectly. I let him do it. I was a

0:38:04.239 --> 0:38:06.239
<v Speaker 3>consultant in the movie, same thing. They talked to a

0:38:06.280 --> 0:38:09.439
<v Speaker 3>lot of people. The guy who didn't summon fore Hoofa

0:38:09.920 --> 0:38:11.799
<v Speaker 3>was a fan, met me when he was eighteen years

0:38:11.840 --> 0:38:16.080
<v Speaker 3>old in Pim's where we were kind of discovered, and

0:38:16.080 --> 0:38:19.440
<v Speaker 3>he never forgot that image. He soaked it in like

0:38:19.440 --> 0:38:24.920
<v Speaker 3>a sponge. And the job is incredible, you know. But

0:38:25.040 --> 0:38:28.440
<v Speaker 3>I felt like he was passionate, and you know you

0:38:28.480 --> 0:38:31.880
<v Speaker 3>can you can fight passion, you know. And that's why

0:38:31.920 --> 0:38:36.160
<v Speaker 3>I'm saying I'm still here because of my passion for music,

0:38:36.480 --> 0:38:39.279
<v Speaker 3>my hunger for music, and music being a medium through

0:38:39.280 --> 0:38:42.560
<v Speaker 3>which I can express myself. Most so when the movie,

0:38:43.120 --> 0:38:45.759
<v Speaker 3>when when I saw the actors, I was like, oh,

0:38:45.800 --> 0:38:48.520
<v Speaker 3>that looked good. I didn't full I didn't fully see

0:38:48.560 --> 0:38:52.799
<v Speaker 3>them in full gear, but at the end because I

0:38:52.840 --> 0:38:55.360
<v Speaker 3>watched a movie on the computer at first, and I

0:38:55.440 --> 0:38:58.000
<v Speaker 3>watched it at a premiere because I didn't want to

0:38:58.800 --> 0:39:01.359
<v Speaker 3>it's too close to too home, you know. So when

0:39:01.360 --> 0:39:04.839
<v Speaker 3>I watched it at the premiere. Everyone was laughing at

0:39:04.840 --> 0:39:10.279
<v Speaker 3>the same time. Everyone moved in their chair when it

0:39:10.400 --> 0:39:12.759
<v Speaker 3>became uncomfortable you know, in the movie and it's a

0:39:12.760 --> 0:39:16.040
<v Speaker 3>little awkward, like people stopped to move and you know,

0:39:16.120 --> 0:39:20.560
<v Speaker 3>some people cry, and it was on cute. I was like, wow,

0:39:20.600 --> 0:39:22.920
<v Speaker 3>they all react in the same way, whether it was

0:39:23.239 --> 0:39:26.680
<v Speaker 3>in Bavaria with different type of people to browl in

0:39:27.760 --> 0:39:31.600
<v Speaker 3>and I felt like, I think and it made me

0:39:31.800 --> 0:39:34.800
<v Speaker 3>a few times my throat kind of like got tight.

0:39:35.760 --> 0:39:38.400
<v Speaker 3>And I watched I watched Elon and t John and

0:39:38.920 --> 0:39:43.959
<v Speaker 3>they really reincarnated Robin the fab They really embodied us

0:39:44.040 --> 0:39:47.360
<v Speaker 3>and the dynamic between the two characters. It was. It

0:39:47.400 --> 0:39:52.279
<v Speaker 3>was very interesting to watch. And Tessa, my partner, she

0:39:52.760 --> 0:39:56.480
<v Speaker 3>she knocked. He was like, wow, looks like you there.

0:39:56.520 --> 0:39:59.720
<v Speaker 3>I was like, yes, it looked crazy right man, Like wow,

0:40:00.239 --> 0:40:03.759
<v Speaker 3>you know, the makeup, the eyebrows, like the pitness of

0:40:03.800 --> 0:40:07.520
<v Speaker 3>the hair, the jacket, and you know, I'm really happy

0:40:07.560 --> 0:40:11.920
<v Speaker 3>that when I after the movie, people were sharing and

0:40:11.960 --> 0:40:13.799
<v Speaker 3>then you go to the stage, I'm glad that I

0:40:13.800 --> 0:40:16.120
<v Speaker 3>didn't have to go with the cane or you know

0:40:16.280 --> 0:40:19.880
<v Speaker 3>like slow pos you know slow, you know, like you

0:40:19.920 --> 0:40:24.400
<v Speaker 3>know seventy year old. A seventy year old now like

0:40:24.520 --> 0:40:28.080
<v Speaker 3>finally my story was still thank you. I'm still glad

0:40:28.120 --> 0:40:32.920
<v Speaker 3>that I'm still you know, vital, and I'm coming to

0:40:33.000 --> 0:40:35.760
<v Speaker 3>America more and more. You know. I was in Canada,

0:40:36.160 --> 0:40:38.560
<v Speaker 3>did a tour for like, I did a two week tour.

0:40:38.640 --> 0:40:42.879
<v Speaker 3>We did about eight shows. It went very well. I'm

0:40:42.920 --> 0:40:47.680
<v Speaker 3>going to Columbia. I'm going to Miami at the hard

0:40:47.760 --> 0:40:54.680
<v Speaker 3>Rock in Hollywood, Miami, you know, the seventeenth. I believe so.

0:40:54.920 --> 0:40:58.400
<v Speaker 3>And I've been touring in Europe for some time, but

0:40:58.440 --> 0:41:01.840
<v Speaker 3>it was slow. It was, you know, not sortay with

0:41:02.160 --> 0:41:04.919
<v Speaker 3>little shows, more shows, more shows, more shows are down.

0:41:05.480 --> 0:41:08.640
<v Speaker 3>Everything that's happening, it's taking place now. The phone is ringing.

0:41:08.800 --> 0:41:12.160
<v Speaker 3>Now people are like, oh, we would like to are

0:41:12.200 --> 0:41:14.680
<v Speaker 3>you going to do the hits? Of course, you know,

0:41:14.760 --> 0:41:16.600
<v Speaker 3>so I perform. I have a band as well. But

0:41:16.680 --> 0:41:23.080
<v Speaker 3>COVID kind of like halted everything that was happening. But

0:41:23.160 --> 0:41:26.239
<v Speaker 3>it's okay. My twins came and went back to the

0:41:26.320 --> 0:41:29.319
<v Speaker 3>drawing board and uh, step bast step again. We had

0:41:29.320 --> 0:41:32.360
<v Speaker 3>to rebuild, you know. So I'm glad I'm still here.

0:41:32.760 --> 0:41:35.600
<v Speaker 3>The best is yet to come. I've also I don't

0:41:35.600 --> 0:41:38.200
<v Speaker 3>know if you know that because I wanted to. I

0:41:38.239 --> 0:41:40.280
<v Speaker 3>wanted to send you that, but I think I forgot

0:41:40.320 --> 0:41:43.440
<v Speaker 3>it was so busy. I wanted to send you, Girn

0:41:43.440 --> 0:41:46.360
<v Speaker 3>who is true the remix that I did for Sony

0:41:46.440 --> 0:41:49.680
<v Speaker 3>Music and blame it on the Rain Acoustic. I think

0:41:49.719 --> 0:41:51.480
<v Speaker 3>you should play that for your audience.

0:41:51.840 --> 0:41:52.640
<v Speaker 1>Yes, definitely.

0:41:53.640 --> 0:41:55.719
<v Speaker 3>I think you get to take a look at that.

0:41:56.040 --> 0:41:58.520
<v Speaker 3>You know, if you if you need to get your

0:41:58.520 --> 0:42:00.600
<v Speaker 3>hands on it, just ask my team and my team

0:42:00.640 --> 0:42:02.640
<v Speaker 3>will send it to you. But you can't go straight

0:42:02.680 --> 0:42:07.080
<v Speaker 3>to any music platform fab More van Boom on old

0:42:07.080 --> 0:42:09.440
<v Speaker 3>platform fab More Evan go check it out and then

0:42:10.360 --> 0:42:13.120
<v Speaker 3>you'd be the judge. I flipped it too. That's a surprise.

0:42:14.560 --> 0:42:15.000
<v Speaker 1>Oh my god.

0:42:15.239 --> 0:42:17.359
<v Speaker 2>So it's blame it all the Rain Acoustic. You got

0:42:17.360 --> 0:42:19.880
<v Speaker 2>to hear a girl you know it's true FABS remix.

0:42:20.239 --> 0:42:23.879
<v Speaker 2>It's uh, you got everyone listening listen to it right now.

0:42:24.120 --> 0:42:26.719
<v Speaker 2>But before I let you go, this is so this

0:42:26.800 --> 0:42:30.359
<v Speaker 2>is a Gilmore Girls podcast. And the reference that Milli

0:42:30.480 --> 0:42:33.360
<v Speaker 2>Vanilli has in the show, I think it's really is

0:42:33.400 --> 0:42:36.640
<v Speaker 2>really cool because it's you know, if you hear about

0:42:36.680 --> 0:42:38.600
<v Speaker 2>a show like talking about Millie Vanilli or something like that,

0:42:38.719 --> 0:42:40.840
<v Speaker 2>you're gonna assume it's like a lip syncing thing. But

0:42:41.440 --> 0:42:44.600
<v Speaker 2>in Gilmore Girls, there's a band performing and a guy

0:42:44.640 --> 0:42:46.560
<v Speaker 2>is talking about like, Oh, you're gonna need to make

0:42:46.640 --> 0:42:48.359
<v Speaker 2>room because I'm gonna do a jump off the amp

0:42:48.400 --> 0:42:50.600
<v Speaker 2>and do a kick here, and then another band member

0:42:50.640 --> 0:42:52.880
<v Speaker 2>says that sends a little too Milli Vanilly for me.

0:42:53.560 --> 0:42:57.839
<v Speaker 2>So it's like million Vanilli are great performers. They put

0:42:57.880 --> 0:43:01.359
<v Speaker 2>on a great show, and that's that's like the reference there.

0:43:01.400 --> 0:43:03.960
<v Speaker 2>And I think that's incredible thing because that's that's what

0:43:04.040 --> 0:43:05.080
<v Speaker 2>we love, boy Millie Vanille.

0:43:05.480 --> 0:43:07.720
<v Speaker 3>But let me tell you, you know, you as an artist,

0:43:07.840 --> 0:43:09.560
<v Speaker 3>you have to study the game. You have study the

0:43:09.600 --> 0:43:11.360
<v Speaker 3>ones who came before you. So I have a story

0:43:11.400 --> 0:43:15.319
<v Speaker 3>for you. You know the kick, The kick you know

0:43:15.560 --> 0:43:18.799
<v Speaker 3>came from I saw David ly Rough and I was

0:43:18.840 --> 0:43:21.919
<v Speaker 3>a big fan of any Allen and I was like, wow,

0:43:22.000 --> 0:43:23.880
<v Speaker 3>that looks cool. It was a dancer. So it's like

0:43:23.920 --> 0:43:27.480
<v Speaker 3>no issues for me, boom, So I kept put it

0:43:27.520 --> 0:43:35.239
<v Speaker 3>on my show until I met David in La at

0:43:35.280 --> 0:43:38.520
<v Speaker 3>the Rocks Bay. It was like, I love you guys.

0:43:38.640 --> 0:43:42.160
<v Speaker 3>I love the way you move. I was like, yeah, well,

0:43:43.360 --> 0:43:45.799
<v Speaker 3>I think you had something to do with that, you know,

0:43:45.880 --> 0:43:48.520
<v Speaker 3>so that that was that was for me. I was

0:43:48.560 --> 0:43:51.160
<v Speaker 3>super cool to to run into him, you know. So

0:43:51.280 --> 0:43:53.839
<v Speaker 3>I ran into a lot of people in Hollywood, but

0:43:53.920 --> 0:43:57.720
<v Speaker 3>David was was a guy that had so much power

0:43:57.719 --> 0:44:01.719
<v Speaker 3>on stage and the music was amazing. So yeah, those

0:44:01.760 --> 0:44:04.480
<v Speaker 3>are the things, you know, you study the greats, and

0:44:04.680 --> 0:44:07.960
<v Speaker 3>that's what I'll keep on doing. And eventually I hope

0:44:08.000 --> 0:44:11.920
<v Speaker 3>that my music can have the same the same type

0:44:11.920 --> 0:44:15.040
<v Speaker 3>of effect on people that are taking and listen to

0:44:15.080 --> 0:44:19.239
<v Speaker 3>what I do. So to be continued, dot dot It's

0:44:19.320 --> 0:44:22.400
<v Speaker 3>just the beginning, though, watch.

0:44:23.160 --> 0:44:25.560
<v Speaker 2>So much more to come from fab More Event. Thank

0:44:25.600 --> 0:44:28.040
<v Speaker 2>you so much for doing this. You're the coolest guy

0:44:28.040 --> 0:44:30.520
<v Speaker 2>in the world. We appreciate this so much and thank

0:44:30.560 --> 0:44:33.000
<v Speaker 2>you again. Everybody be on the lookout for you know,

0:44:33.040 --> 0:44:36.000
<v Speaker 2>it's true. The fab More Event story, the autobiography coming soon.

0:44:36.719 --> 0:44:40.120
<v Speaker 3>Thank you that coming. You know it's true. Dot Com.

0:44:40.239 --> 0:44:42.879
<v Speaker 1>You know it's true, dot Com, write it down. Thanks again, man,

0:44:43.040 --> 0:44:44.040
<v Speaker 1>Thank you the beginning of time.

0:44:44.200 --> 0:44:46.920
<v Speaker 3>It was great to talk to you and to you know,

0:44:47.000 --> 0:44:50.560
<v Speaker 3>I know that people are listening right now, and my

0:44:51.719 --> 0:44:54.320
<v Speaker 3>last thing I'd like to add is listen to yourself

0:44:55.320 --> 0:44:59.279
<v Speaker 3>and it's never too late. As long as you keep

0:44:59.320 --> 0:45:03.759
<v Speaker 3>on focusing making sure that your health mental, physical is

0:45:03.800 --> 0:45:07.240
<v Speaker 3>in balance, you can achieve anything. Just believe in yourself

0:45:07.239 --> 0:45:10.000
<v Speaker 3>and listen to the noise. Put the noise to zero

0:45:11.160 --> 0:45:15.960
<v Speaker 3>and then listen to yourself. Manifest, meditate and do what

0:45:16.000 --> 0:45:17.200
<v Speaker 3>you've got to do for yourself.

0:45:17.280 --> 0:45:17.799
<v Speaker 1>I love it.

0:45:18.080 --> 0:45:20.040
<v Speaker 2>Thank you so much, FIB, You're the absolute best. I

0:45:20.040 --> 0:45:21.640
<v Speaker 2>hope it's a great rest of your night.

0:45:21.760 --> 0:45:51.400
<v Speaker 3>With pleasure loving team.

0:45:51.480 --> 0:45:52.600
<v Speaker 1>Hey, everybody, don't forget.

0:45:52.680 --> 0:45:56.719
<v Speaker 2>Follow us on Instagram at I Am all In podcast

0:45:56.840 --> 0:46:11.000
<v Speaker 2>and email us at Gilmore at iHeart radio dot com.