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Speaker 1: So as you guys know, every now Jensen stumbles upon

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Speaker 1: something he thinks is pretty much gold, and we like

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Speaker 1: to do just a little sprinkling of.

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Speaker 2: Surprise for you.

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Speaker 1: Oh no, And we have one of those moments now

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Speaker 1: that I think is very exciting. And I'd like to

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Speaker 1: introduce producer Jensen Carp to the podcast because he has

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Speaker 1: he has some stuff to share with us.

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Speaker 2: Is he really trying to sprinkle gold?

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Speaker 3: People love this. This is a feature everyone just loves

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Speaker 3: when I come on and I play audio that somehow

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Speaker 3: embarrasses one of you posts.

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Speaker 2: Oh no, God, I think, don't let it be me.

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Speaker 2: Don't let it be me. I know, seriously, what a

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Speaker 2: writer do?

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Speaker 3: No, I do think this week that this is kind

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Speaker 3: of a weird entry for me, because I do think

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Speaker 3: it's very cool. I just think we have some very

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Speaker 3: funny audio from it. And this was really introduced to

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Speaker 3: me by the listeners who have emailed about it a

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Speaker 3: couple times saying it's their favorite thing that this host

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Speaker 3: has done. And so I went to very very log

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Speaker 3: legs to figure this out.

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Speaker 2: No one's surprised by that.

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Speaker 3: The video game is called Tony Hawk American Wastelands.

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Speaker 2: Oh oh, jeez.

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Speaker 3: It came out in two thousand and five on the

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Speaker 3: Game Tube and the PlayStation two and the Xbox and

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Speaker 3: this is obviously going to be directed towards our voiceover legend, Will.

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Speaker 2: Fordellt does me here?

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Speaker 3: Oh God. The concept of the game is that you

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Speaker 3: skate around the whole city, running into different characters who

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Speaker 3: give you missions to complete, all in hopes of building

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Speaker 3: a new skate park called the Ranch. And it's sort

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Speaker 3: of spoiling the plot a bit, but you run into

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Speaker 3: some evil real estate developers who hope to buy the land,

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Speaker 3: and Will is part of the game, but he's specifically

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Speaker 3: part of something called the Story mode, which means that

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Speaker 3: when you sign up to play the game. In the story,

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Speaker 3: you create a player and your skater is voiced by

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Speaker 3: one and only Batman Boy meets World be Alum, child Smoker,

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Speaker 3: will Ford Devil, and you get to play as yourself,

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Speaker 3: but you weirdly have Will's voice, and so Will. I

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Speaker 3: first just wanted you to explain how this got to you.

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Speaker 3: It's a huge pulk favorite in the video game world,

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Speaker 3: especially in the Tony Hawk lore. But what do you

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Speaker 3: remember from recording?

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Speaker 4: I remember, well, the thing I remember most is that

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Speaker 4: I was a huge Tony Hawk fan. Oh yeah, and

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Speaker 4: a huge Tony Hawk video game fan. I've only asked

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Speaker 4: for autographs from two people in my entire life. I

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Speaker 4: have a Tony Hawk game signed by Tony Hawk and

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Speaker 4: buzz Aldrin was the second one. So I mean, going

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Speaker 4: in it was a regular audition, but I was like, come,

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Speaker 4: I have to get this, it's Tony Hawk. And then

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Speaker 4: I remember when I recorded. I recorded it right up

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Speaker 4: the street here.

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Speaker 2: It was the only time. I won't say exactly where

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Speaker 2: because Daniel and I live here, but drop a drop,

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Speaker 2: a pin drop. Is it safe to walk at night?

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Speaker 2: It is?

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Speaker 4: I remember, unfortunately recording by myself. Because there's so many

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Speaker 4: skateboarding legends that are in this They bring in everybody,

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Speaker 4: Tony Alva, like everybody from the original Zephyr Skate Shop

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Speaker 4: comes into this game, and I work with them quote unquote,

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Speaker 4: but I never get to meet them. But I remember

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Speaker 4: when I finished recording, the producer said, well, you're you

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Speaker 4: have the coolest job in the world because you're the

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Speaker 4: only person in the world that when you play this game,

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Speaker 4: you can make the avatar look like you and it's

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Speaker 4: your voice. So I remember walking out thinking it was

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Speaker 4: just the coolest thing.

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Speaker 3: Ever, which is very cool. And if I could say

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Speaker 3: anything about your voiceovers, it's it's very natural and we

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Speaker 3: will we will get into them now. This first clip

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Speaker 3: is an example of the story mode. Will runs into

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Speaker 3: a girl who becomes his love interests and she has

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Speaker 3: a mission for him.

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Speaker 2: Let's listen to that. You followed me?

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Speaker 1: Maybe maybe not, or maybe I'm just scooping out new

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Speaker 1: stuff we can get for this skate ranch.

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Speaker 2: See anything you like? Yeah, I see something that shark

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Speaker 2: head over there? Oh that yeah? Oh yeah, no, I

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Speaker 2: saw that too. I'd be righteous if we could fnaggle that.

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Speaker 3: Thing righteous righteous? Yeah, that would be righteous if it is.

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Speaker 4: I'd also like to shout out to the person playing

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Speaker 4: my love interest there. She has played my love interest

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Speaker 4: in almost every animated thing I've ever done.

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Speaker 2: We are animated husband in audio chemistry, I guess we

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Speaker 2: are Chre Summer so Cree from a different world.

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Speaker 4: Kree and I have been. I mean, you name it,

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Speaker 4: from Batman to ThunderCats to everything. She's always my always,

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Speaker 4: my girlfriend.

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Speaker 2: So is that her? Is that her natural voice? She's

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Speaker 2: putting it?

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Speaker 4: She's going a legitally to get a little higher, but

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Speaker 4: free is arguably the coolest human being you'll ever meet.

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Speaker 2: You're pretty much doing your voice right.

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Speaker 4: It is just me essential, but I get to say,

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Speaker 4: you know, righteous, righteous, righteous.

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Speaker 2: And righteous. I loved.

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Speaker 3: Here is another clip. By the way, I just want

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Speaker 3: to let you know that the reason I was able

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Speaker 3: to pull these is because I watched the entire game.

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Speaker 2: You did not. This is what you did last night

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Speaker 2: watching games start to.

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Speaker 3: Finish like that. You think it took one night? Okay,

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Speaker 3: here's another clip this year after wil went undercover in

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Speaker 3: escape gang called the Black Widows, and he's getting some

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Speaker 3: praise here, but he does also have a caveat as

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Speaker 3: to why he will succeed where others happened. Here's a

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Speaker 3: new clip.

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Speaker 4: Hey, nice job getting in with the Black Widows and

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Speaker 4: rescuing Boone.

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Speaker 2: Boone used to be a Black widow. I guess he

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Speaker 2: crossed them or something. No, he left the gang.

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Speaker 5: Now that you're an official Black widow, the same thing

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Speaker 5: could happen to you.

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Speaker 4: Except Boone's a punk and I'm a freaking badass badassas Yeah.

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Speaker 4: I've always said animation is the only place I could

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Speaker 4: be cool, because that's it.

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Speaker 3: Oh, man's freaking badass.

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Speaker 2: I don't remember anything.

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Speaker 4: I remember the character everywhere. He's from Kentucky and everyone

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Speaker 4: calls him Kentucky.

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Speaker 2: Wow, I remember?

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Speaker 4: Is that?

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Speaker 2: What's up, Kentucky?

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Speaker 3: That's what you get for hiring David Mammont to write

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Speaker 3: your video game. He is a freaking badass, shown here

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Speaker 3: when he runs into a gang member who is a

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Speaker 3: little territorial about his work.

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Speaker 2: The Belmont are serious graffiti writers only. Oh I can bomb.

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Speaker 4: Haven't you seen my tags around?

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Speaker 2: I don't know what I said, but I said it well.

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Speaker 3: Also here this is my favorite clip. I love this one.

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Speaker 3: This is when he stumbles on a rather unconventional item

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Speaker 3: for a skate park, and I find it very difficult

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Speaker 3: to not imagine that this will now be our good

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Speaker 3: bye over the uh mister feene line. I feel like

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Speaker 3: at every show we should say we love you all,

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Speaker 3: and then and then this clip.

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Speaker 4: Hey man, lady's tattoo in there that would look awesome,

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Speaker 4: and iggies naked ladies are nice.

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Speaker 2: That we got to use that. Let's save that clip.

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Speaker 6: We love you all, naked lady, naked.

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Speaker 2: Lake ladies so nice, strange line. I love it so

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Speaker 2: much naked that.

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Speaker 6: No, you can't. We need a wilfred Elle soundboard. That's

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Speaker 6: the center, that's the center button.

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Speaker 2: Naked ladies, nice man, Yeah, it's I know.

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Speaker 4: We're recording video games is rough, just especially nowadays, because

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Speaker 4: you don't even if you're not mo cap you it

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Speaker 4: used to be the character comes on the screen and

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Speaker 4: everything you can go one way, and this is what happens.

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Speaker 2: Now you have to record for every eventuality.

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Speaker 4: So it's they hand you a script that's this thick

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Speaker 4: when you walk in and you just realize you're gonna

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Speaker 4: be there forever and you're gonna shred your vocal cords.

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Speaker 4: So it is doing doing video games as right, but

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Speaker 4: at least you get residuals.

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Speaker 2: So oh no, you don't know.

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Speaker 4: But I do get paid in other ways, my friend,

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Speaker 4: because naked ladies and nice.

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Speaker 1: Nothing gets the ladies to take off their clothes faster

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Speaker 1: than game video exactly now just video games, video game

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Speaker 1: the vio.

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Speaker 2: Yeah, I don't play video games.

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Speaker 4: I do the voices for the excuse me, Hi, Hello,

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Speaker 4: you go.

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Speaker 3: Someone can be married to Daniel Official and spend two

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Speaker 3: and a half hours watching a Tony Hawk game to

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Speaker 3: pull four clips. Anything can happen.

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Speaker 1: That Tony Hawk video game along with the Tiger Woods

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Speaker 1: PGA Golf. Only two video games I would have almost needed,

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Speaker 1: like intervention on Danielle. Life is calling you outside, Please

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Speaker 1: you please leave, leave the couch. Those two games are

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Speaker 1: the best.

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Speaker 4: I loved American Wasteland, but that Tony Hawk two was

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Speaker 4: just a that game so much fun.

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Speaker 2: Thank you Jensen for that.

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Speaker 3: Man.

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Speaker 1: Oh wow, Welcome to Pod meets World. I'm Daniel fishl

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Speaker 1: I'm right or strong, and I'm kinsucky.

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Speaker 2: I'm will for Dell. Naked ladies are nice. Ladies are nice.

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Speaker 2: New tattoo, new tatt Hey, you've been looking, You've been

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Speaker 2: I have.

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Speaker 5: I don't know what nia.

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Speaker 2: So welcome to this episode of Pod Meets World.

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Speaker 1: We are recapping season five, episode nine, How to Succeed

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Speaker 1: in Business. It originally aired November twenty eighth, nineteen ninety seven.

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Speaker 1: The synopsis is that Glory becomes jealous when John outperforms

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Speaker 1: him in a work study job. Eric feels self conscious

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Speaker 1: when Amy enrolls in his creative writing class. It was

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Speaker 1: directed by Alan Myerson. It was written by Ellen Idolsin

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Speaker 1: and Rob Loderstein. The second time we've heard their names

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Speaker 1: and then guest starring still a credited guest star Trina

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Speaker 1: McGhee as Angela Moore, but at the very end credits

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Speaker 1: it said starring Trina McGee and then separate guest stars

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Speaker 1: and had other guest stars. So I do think Nanchael

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Speaker 1: at this point something has happened.

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Speaker 2: Yeah, she's designative recurring, probably correct.

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Speaker 1: She has become an official recurring at this point, and

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Speaker 1: so her her title has changed a little bit.

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Speaker 4: I love how she just said to that when we

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Speaker 4: were talking to herther She's just like, I chose to

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Speaker 4: ignore that as far as I was concerned.

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Speaker 1: I thought that was so funny too. I was like,

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Speaker 1: I didn't even I didn't know it was anything other

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Speaker 1: than that, which I love. So then we have Kevin

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Speaker 1: Crowley as mister Morris. You might recognize him as Vic

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Speaker 1: Bollito in Major League one and two or in The

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Speaker 1: Fugitive or Carol And on the TV side, he starred

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Speaker 1: in Can't Hurry Love and the Boys Are Back and

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Speaker 1: appeared on Jeff Foxworthy, Murphy Brown and Arrested Development and

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Speaker 1: he has returned for his third and final appearance.

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Speaker 2: Phil Leads Leads Phil and.

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Speaker 6: They clearly wrote this four films they just named the

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Speaker 6: character actor, like, let's get Phil back in here.

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Speaker 1: It is the trifecta for a possible three timer, depending

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Speaker 1: on if he plays the same pill twice or if

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Speaker 1: he plays two different pills. That will be something only

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Speaker 1: you can decide on your own. And then we have

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Speaker 1: Alyssa and Smego, who plays Monica. Alyssa was seen on

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Speaker 1: Picket Fences, Dangerous Minds, the TV show, and Chicago Hope. Sadly,

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Speaker 1: she passed away in twenty thirteen at the age of

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Speaker 1: thirty eight. And then we have Robert Kirbeck as Professor.

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Speaker 1: He's a nineties TV show journeyman appearing on Melrose Place, Renegade,

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Speaker 1: Judging Amy, and Nash Bridges.

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Speaker 2: Dude, there's some some bangers in there.

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Speaker 4: Bang when you can do, you can do Nash Bridges

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Speaker 4: and Renegade. Hell yeah, I think Renegade is Lorenzo Lamis,

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Speaker 4: who's still one of the coolest guys ever.

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Speaker 2: For sure. My mom had a giant crush on Lorenzo Lamas.

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Speaker 4: I had a giant crush on Lorenzo. He was Lorenzo Lamas.

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Speaker 4: He's the man who just looked like he was born

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Speaker 4: in a motorcycle.

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Speaker 1: I know, yeah, I know, I have a picture with him,

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Speaker 1: and I think my mom was like take.

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Speaker 2: A pressure with him. I don't think I knew it was.

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Speaker 2: My am was like, you're going to do it, and

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Speaker 2: I'm going to sit down on the boot. Let's go photo.

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Speaker 2: Let's take him to islands for a photo shoot. That

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Speaker 2: sounds about right. So what did you guys think of

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Speaker 2: the episode? That was pretty great? I saw it, Yeah, solid.

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Speaker 6: I mean it's it's weird in that it's a complete

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Speaker 6: non like all new sets.

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Speaker 2: There's literally only the kitchen set.

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Speaker 6: But you know what, I think we're I'm over the

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Speaker 6: high school, like I don't want that hallway anymore. And

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Speaker 6: the college hasn't had you know, we don't have the

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Speaker 6: locus of the what is it called the student union,

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Speaker 6: which we will have I'm assuming next season. So I

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Speaker 6: do feel like we're kind of a little lost location wise.

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Speaker 2: So this was fine.

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Speaker 6: It was great, and I thought, you know, we've talked

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Speaker 6: about Sean Shawn's like street smart's being a skill and

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Speaker 6: how he can be comfortable, and it was like, great,

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Speaker 6: this is a great way, and I, yeah, I thought

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Speaker 6: it was super fun and you know, it wasn't.

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Speaker 2: Yeah, I thought was great. Totally fa me too.

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Speaker 4: I agree one hundred percent. I think it was I

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Speaker 4: loved seeing Betsy having something to do. I remember working

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Speaker 4: with Betsy and it was a ton of fun. So yeah,

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Speaker 4: this kind of reminded me of a regular ninety sitcom

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Speaker 4: that I kn'd sait, but like a news radio or

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Speaker 4: something along those lines, and I was here for it.

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Speaker 4: I thought it was a lot of fun all the

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Speaker 4: way around.

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Speaker 2: I really did.

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Speaker 1: I loved it, and I also I think one of

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Speaker 1: the things I really liked about it is although Corey

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Speaker 1: is a little unlikable in it, it is in the

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Speaker 1: most relatable way because in the end he says, yeah,

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Speaker 1: I'm realizing I've been jealous, and and he just and

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Speaker 1: he doesn't try to shy away from it. He's flawed,

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Speaker 1: and I love that we're all flawed, we all battle

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Speaker 1: these kinds of things. And I thought it made him

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Speaker 1: incredibly relatable. And instead of where there were no there

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Speaker 1: was no like where the universe kind of caters to

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Speaker 1: his ego. In this case, there was really like man

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Speaker 1: being I'm not being a good friend, and I'm making

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Speaker 1: it hard for you to enjoy something you should enjoy.

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Speaker 1: And here's why and and I loved it. I thought

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Speaker 1: it was great.

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Speaker 6: Well, it's actually, you know, that tendency of Corey's to

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Speaker 6: be like, this is the way the world is, and

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Speaker 6: you're this person, and this was turned against him. That

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Speaker 6: is the lesson, as opposed to Corey being proven right

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Speaker 6: and exact changing in the nature of the universe. He

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Speaker 6: has to confront the fact that he has these expectations

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Speaker 6: or these assumptions about other people, that maybe you're not

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Speaker 6: always right.

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Speaker 2: And that's a great lesson for Corey to learn, and

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Speaker 2: he does.

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Speaker 6: It was great, and it ends in friendship, it ends

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Speaker 6: in recognition and appreciation.

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Speaker 2: It was great.

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Speaker 4: A lot of people have said that after episode seven

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Speaker 4: that season five picks up, and so far that has

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Speaker 4: proven to be true. Yeah, because episode seven was the

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Speaker 4: first one with the Purse where we were all like, wow,

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Speaker 4: this is really good.

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Speaker 2: And I think we've kind of liked them since.

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Speaker 6: Also kind of randomly, even though because he's not a

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Speaker 6: huge part, Matt Lawrence is incredible in this episode. But

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Speaker 6: there's something I feel like he's finally locked into Jazz.

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Speaker 6: He's comfortable, he's relaxed, and it just felt like Jack

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Speaker 6: belongs here.

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Speaker 2: The relationship you.

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Speaker 1: Know, it was really giving him straight man jokes exactly,

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Speaker 1: which is good because he's he had previously been like,

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Speaker 1: well who am i am I? Am I the brother

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Speaker 1: to Shaun who's bringing tension? Am I am I just

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Speaker 1: the straight man to Eric who never who doesn't have

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Speaker 1: any personality. Now he's got a more well defined sense

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Speaker 1: of personality and they're giving him jokes and he's nailing them.

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Speaker 2: He reminded me of a little comfortable Tony Danza in

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Speaker 2: this episode that kind of and it worked. Word, you're right, Yeah,

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Speaker 2: he was really great in this.

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Speaker 1: The other thing, going back to the idea that we're

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Speaker 1: kind of over the high school, seeing the four of

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Speaker 1: us in the apartment coming over for dinner was like,

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Speaker 1: oh my god, you can see that they for sure

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Speaker 1: had a really good vision for what the next season

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Speaker 1: was going to be, or like you know, oh, when

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Speaker 1: we get them all to college together, this is going

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Speaker 1: to be the vibe.

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Speaker 4: And it's because nobody, no real high school kids have

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Speaker 4: dinner parties with their friends.

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Speaker 1: Also, for Sean to be living away from his parents,

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Speaker 1: like what high school kid has basically his own apartment

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Speaker 1: and he and his girl.

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Speaker 2: Well I think again, maybe they took it from life.

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Speaker 2: They all his life from I guess two of the

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Speaker 2: three of us did, didn't we?

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Speaker 4: So yeah, yes, well I guess Okay.

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Speaker 2: I'm talking about the real world Johan, have you heard

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Speaker 2: of it? Have you heard of it? I played a

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Speaker 2: real world kid once.

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Speaker 1: So we have a new settlert and an exterior shot

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Speaker 1: of an advertising building. We are in the mail room.

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Speaker 1: Corey is carefully sorting mail while Sean's making copies of

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Speaker 1: his face. Corey scolds him, this is the type of

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Speaker 1: behavior that is going to get you fired from the

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Speaker 1: work study program. Sean says, no one gets fired from

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Speaker 1: the work study program. They should try to have a

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Speaker 1: good time. Corey reminds him they're not getting paid to

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Speaker 1: have a good time. Sean corrects him, they're not getting

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Speaker 1: paid at all, which is why he's going to give

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Speaker 1: the CEO a photo copy of his butt.

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Speaker 6: He I remember these giant gray pants, so I wore

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Speaker 6: these for years on the show. I think this is like,

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Speaker 6: these are like and this is I mean, I just

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Speaker 6: see those like what is.

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Speaker 2: Going on over every episode? In what scene am I

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Speaker 2: wearing the giant gray pants?

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Speaker 4: Giant gray pants, well as many you would always judge

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Speaker 4: pants by how many books you could fit in. So

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Speaker 4: if you had a pair of pants that had fourteen

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Speaker 4: books in it, you were happy.

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Speaker 2: And oh my god.

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Speaker 1: He begins to unbuckle his giant gray pants, but Corey

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Speaker 1: stops him. They're paying us in experience. Then an old

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Speaker 1: man who smells like broccoli walks in. He tells Cory

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Speaker 1: a lot of people in this company started in the mailroom.

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Speaker 1: I began where you're standing forty three years ago. Corey

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Speaker 1: asks where he works now, and the man tells him

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Speaker 1: right where you're standing. Move Phil, Cory beams, you must

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Speaker 1: really like advertising.

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Speaker 2: The man is stumped. They do advertising hair and peak.

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Speaker 2: Phil just so funny. I'm going to say something that

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Speaker 2: sounds everyone's gonna be like, well, dub, but it really

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Speaker 2: hit me this time.

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Speaker 3: Huh.

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Speaker 1: He's oh, well, it hits you when he says I,

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Speaker 1: I've been here for forty three years, and I thought.

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Speaker 2: What did you do for the first fifty years you started?

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Speaker 2: You started there, you're sixty five. It was like, it's

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Speaker 2: literally what I thought.

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Speaker 1: It was, like, what did you do for the first

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Speaker 1: fifty years of your life?

383
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Speaker 4: Sir?

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00:19:16,240 --> 00:19:18,160
Speaker 2: I mean him me today? I was like, wow, he's

385
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Speaker 2: this He Phil.

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Speaker 3: Fills up there.

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Speaker 1: Sean likes this guy. He's a lot like him, but

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Speaker 1: more mature. Then we see Phil making photo copies of

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Speaker 1: his face, but he's not super committed to it because.

390
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Speaker 2: He's like six inches. He was not committed to the bit.

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Speaker 2: Let's put it this way. Phil doesn't really act. He

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Speaker 2: just kind of shows up, you know, walks around and talk.

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Speaker 2: It's racle.

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Speaker 6: It's like he's you could tell, it's like not really

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Speaker 6: an act that he's kind of over everything.

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Speaker 2: He just is over everything, and he could just do that.

397
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Speaker 2: Just want, honestly, when you're his age.

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Speaker 1: The fact willing, I'm God willing, I'm going to be

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Speaker 1: exactly the same way. I didn't think i'd ever say that,

400
00:20:00,080 --> 00:20:02,919
Speaker 1: but I'm going to be exactly like Phil. So Corey

401
00:20:02,920 --> 00:20:05,040
Speaker 1: pulls Shawn aside and says there's a role model in

402
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Speaker 1: the room with him that he could look to, but

403
00:20:06,600 --> 00:20:08,920
Speaker 1: Shawn's confused. He doesn't see anyone else in the room

404
00:20:08,920 --> 00:20:13,200
Speaker 1: besides Corey. Corey Grin's corporate world is my very essence.

405
00:20:13,400 --> 00:20:15,080
Speaker 1: And as I climb the ladder to the top, I

406
00:20:15,119 --> 00:20:17,840
Speaker 1: want you there with me, Sean asks, next to you,

407
00:20:17,960 --> 00:20:24,760
Speaker 1: and Corey clarifies behind me, that's how ladders work. The

408
00:20:24,800 --> 00:20:26,879
Speaker 1: old man chimes in, is that where you want to be?

409
00:20:27,080 --> 00:20:29,520
Speaker 1: Upstairs with the big fellas? And then he pushes a

410
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Speaker 1: cart filled with mail toward Corey bon voyage. Oh, then

411
00:20:34,119 --> 00:20:37,520
Speaker 1: we are upstairs in the advertising building, which we see

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Speaker 1: now is called Keller Margin.

413
00:20:42,560 --> 00:20:44,960
Speaker 2: Is there a Keller from Mars? The same thing?

414
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Speaker 6: Keller because it's obviously as Keller Ma. It's a great name.

415
00:20:49,200 --> 00:20:52,480
Speaker 6: And I was wonder if there was a killer.

416
00:20:53,760 --> 00:20:57,400
Speaker 2: But why why Keller Mars? I wonder there's no killer? Right?

417
00:20:57,400 --> 00:20:58,640
Speaker 2: We can't remember anybody.

418
00:20:59,160 --> 00:21:01,040
Speaker 4: No, I don't really remember any party. And I was

419
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Speaker 4: actually looking at all the doors too. Of the people,

420
00:21:03,480 --> 00:21:05,639
Speaker 4: there's like Yaftean Williams, and there's Stack, and I was like,

421
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Speaker 4: I wonder how many of these were inside jokes?

422
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Speaker 2: But I didn't remember a Kellery either. Yeah. Interesting. Well.

423
00:21:12,119 --> 00:21:14,480
Speaker 1: Corey and Sewn exit the elevators, and as Sean passes

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Speaker 1: by a worker's desk, he hands him an envelope and

425
00:21:16,640 --> 00:21:18,399
Speaker 1: admires the family picture on his desk.

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Speaker 2: You lost weight.

427
00:21:20,080 --> 00:21:22,760
Speaker 1: Corey watches him in disbelief. You never make eye contact

428
00:21:22,760 --> 00:21:25,120
Speaker 1: with upper management. You have to know your place. Then

429
00:21:25,160 --> 00:21:27,720
Speaker 1: he tells Sean to observe him in action. Corey grabs

430
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Speaker 1: an envelope from the cart and hands it to the businessman.

431
00:21:29,760 --> 00:21:33,000
Speaker 1: While staring intensely at the floor, He compliments the man's

432
00:21:33,000 --> 00:21:36,960
Speaker 1: loafers fully bowed For the entire exchange. Sean notices a

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Speaker 1: nearby phone ringing, but no one is at the desk

434
00:21:39,000 --> 00:21:41,159
Speaker 1: to answer it. He tells Corey, I may not know

435
00:21:41,280 --> 00:21:43,240
Speaker 1: much about business, but I do know that when a

436
00:21:43,240 --> 00:21:46,359
Speaker 1: phone rings, you answer it. So Sean answers the phone,

437
00:21:46,400 --> 00:21:49,040
Speaker 1: sliding into the empty desk chair. Corey begs him to

438
00:21:49,040 --> 00:21:51,280
Speaker 1: hang up, but Sean asks the person on the other end,

439
00:21:51,359 --> 00:21:53,959
Speaker 1: what are you yelling for? This throws Corey into an

440
00:21:53,960 --> 00:21:58,520
Speaker 1: even bigger spiral. Yell back, yell back, what kind of

441
00:21:58,600 --> 00:21:59,360
Speaker 1: advice is that?

442
00:21:59,720 --> 00:21:59,880
Speaker 4: From?

443
00:22:00,080 --> 00:22:01,960
Speaker 2: Corey gives the worst advice.

444
00:22:02,400 --> 00:22:04,840
Speaker 4: But it's so funny how the advice is just the

445
00:22:04,880 --> 00:22:06,520
Speaker 4: opposite of good advice every time.

446
00:22:08,560 --> 00:22:12,400
Speaker 2: It's so funny too.

447
00:22:12,640 --> 00:22:14,440
Speaker 4: Can we think of another time so I was thinking

448
00:22:14,440 --> 00:22:19,560
Speaker 4: about this where I was thinking that the mobsters in

449
00:22:19,600 --> 00:22:23,320
Speaker 4: the restaurant, but another time where Corey is so out

450
00:22:23,320 --> 00:22:25,800
Speaker 4: of his element, where Sean is just the fish in

451
00:22:25,880 --> 00:22:26,280
Speaker 4: the water.

452
00:22:26,680 --> 00:22:28,600
Speaker 2: Because it's such a fun dya two.

453
00:22:30,920 --> 00:22:34,200
Speaker 4: Business Wise, it seems like Sean instantly takes to it,

454
00:22:34,960 --> 00:22:38,360
Speaker 4: and Corey is just not only lost, but the advice

455
00:22:38,400 --> 00:22:47,040
Speaker 4: he's giving where trusts.

456
00:22:43,720 --> 00:22:49,160
Speaker 2: Such a good sea It's so so funny, Sean continues.

457
00:22:49,200 --> 00:22:50,880
Speaker 1: If you were supposed to have it today and it's

458
00:22:50,920 --> 00:22:53,240
Speaker 1: not there, don't you think we have a very good reason?

459
00:22:53,600 --> 00:22:56,359
Speaker 1: And then a tall businessman approaches as Sean continues to

460
00:22:56,400 --> 00:22:58,960
Speaker 1: reason with the person on the other line, eventually coming

461
00:22:58,960 --> 00:23:01,720
Speaker 1: to an agreement for a month day delivery. Sean hangs

462
00:23:01,800 --> 00:23:04,360
Speaker 1: up and the hovering man in a suit asks who

463
00:23:04,359 --> 00:23:06,760
Speaker 1: he is. Corey butts in his name is George Feeney.

464
00:23:07,160 --> 00:23:09,960
Speaker 1: Sean confidently tells the man he's Sean Hunter Works that

465
00:23:10,040 --> 00:23:12,560
Speaker 1: he programmed. In turn, he asks the well dressed man

466
00:23:12,600 --> 00:23:15,800
Speaker 1: who he is, and he responds Tom Morris, vice president

467
00:23:15,880 --> 00:23:18,919
Speaker 1: Keller Marsden Advertising. He overheard the phone call and he

468
00:23:19,000 --> 00:23:21,840
Speaker 1: liked the way Sean handled Becker. Turns out his tempt

469
00:23:21,840 --> 00:23:24,200
Speaker 1: didn't show up today and he could use someone like Sean.

470
00:23:24,680 --> 00:23:26,600
Speaker 1: Sean tells him he works in the mailroom with Corey,

471
00:23:26,600 --> 00:23:29,840
Speaker 1: but Tom insists he wants him upstairs. He glances at

472
00:23:29,880 --> 00:23:33,119
Speaker 1: Corey completely unamused and has absolutely nothing to say. He

473
00:23:33,240 --> 00:23:36,440
Speaker 1: before walking into his office, Sean has a huge grin

474
00:23:36,520 --> 00:23:39,120
Speaker 1: after only two hours in the mailroom, he's moving up.

475
00:23:39,480 --> 00:23:43,160
Speaker 1: Corey tries to hide his disappointment. Do you remember anything

476
00:23:43,200 --> 00:23:44,760
Speaker 1: about that guest star writer?

477
00:23:45,000 --> 00:23:46,720
Speaker 2: I don't remember filming this episode at all. I was

478
00:23:46,720 --> 00:23:49,000
Speaker 2: gonna say, you remember this set? Nothing?

479
00:23:49,400 --> 00:23:52,399
Speaker 4: The set was really deep, yeah, I mean that's the

480
00:23:52,400 --> 00:23:54,400
Speaker 4: one thing I noticed, is it's right now, we did

481
00:23:54,440 --> 00:23:57,480
Speaker 4: not and I mean really deep set.

482
00:23:57,840 --> 00:23:59,639
Speaker 2: Yeah, I don't. It's it's you know, it's funny that

483
00:23:59,640 --> 00:24:00,720
Speaker 2: I don't remember this at all.

484
00:24:02,080 --> 00:24:05,360
Speaker 6: It's so strange, like I think because it's a new sets,

485
00:24:05,400 --> 00:24:07,480
Speaker 6: like I wasn't as comfortable. I don't know, but this

486
00:24:07,560 --> 00:24:10,359
Speaker 6: one is a complete blank for me. And you know,

487
00:24:10,400 --> 00:24:13,159
Speaker 6: I will say my my criticism of the episode is

488
00:24:13,160 --> 00:24:15,879
Speaker 6: my energy level. Like I'm I feel like Ben and

489
00:24:15,960 --> 00:24:17,240
Speaker 6: I are actually kind of low energy.

490
00:24:17,359 --> 00:24:18,480
Speaker 2: There's something was going on.

491
00:24:18,840 --> 00:24:21,600
Speaker 6: I can tell, like I can read between like either

492
00:24:21,720 --> 00:24:23,359
Speaker 6: we were not having a good time where we were

493
00:24:23,400 --> 00:24:25,680
Speaker 6: upset about something or maybe we weren't happy with each other.

494
00:24:25,840 --> 00:24:28,480
Speaker 6: But until the last scene, I felt like we weren't

495
00:24:28,480 --> 00:24:29,760
Speaker 6: connecting or something was happening.

496
00:24:29,880 --> 00:24:31,719
Speaker 2: That's like deep cut. I don't know.

497
00:24:31,760 --> 00:24:33,600
Speaker 6: I don't know if anybody else would have noticed, but

498
00:24:33,680 --> 00:24:35,639
Speaker 6: I am like pulling my punches just a little bit.

499
00:24:35,680 --> 00:24:37,159
Speaker 2: I think maybe I was just tired. I don't know

500
00:24:37,160 --> 00:24:38,199
Speaker 2: if something's happening.

501
00:24:38,320 --> 00:24:40,840
Speaker 4: It's funny because I'm you're I'm sure you're right, because

502
00:24:40,880 --> 00:24:42,479
Speaker 4: you know by looking at it you can tell yourself.

503
00:24:42,520 --> 00:24:45,919
Speaker 4: But it plays, at least as the episode goes on,

504
00:24:46,040 --> 00:24:49,600
Speaker 4: it plays like you are taking the job seriously, and

505
00:24:49,680 --> 00:24:52,639
Speaker 4: so you're becoming more. You're becoming less a high school

506
00:24:52,640 --> 00:24:55,639
Speaker 4: student and more somebody who's in an office environment.

507
00:24:56,240 --> 00:24:57,040
Speaker 2: Is how I read it.

508
00:24:57,080 --> 00:24:59,280
Speaker 4: But as an actor, I can see you being like,

509
00:24:59,320 --> 00:25:00,440
Speaker 4: oh no, I was just low energy.

510
00:25:00,560 --> 00:25:01,639
Speaker 2: Well, you know how, there's always the.

511
00:25:02,000 --> 00:25:04,480
Speaker 6: Moment when you see Ben and me acting together where

512
00:25:04,480 --> 00:25:05,919
Speaker 6: it looks like we're going to break, and we can

513
00:25:05,960 --> 00:25:08,680
Speaker 6: always tell that there's nowhere near that in this whole episode,

514
00:25:09,240 --> 00:25:09,959
Speaker 6: So think about that.

515
00:25:10,320 --> 00:25:13,400
Speaker 1: But I also think some of it played I mean

516
00:25:13,440 --> 00:25:15,720
Speaker 1: to me because I did notice that. But it also

517
00:25:15,800 --> 00:25:20,119
Speaker 1: plays like the tension of the episode sure spilled over

518
00:25:20,560 --> 00:25:24,640
Speaker 1: into there being some sort of tension between you two.

519
00:25:25,000 --> 00:25:27,480
Speaker 6: Yeah, I have no idea, but there's clear I can

520
00:25:27,520 --> 00:25:29,280
Speaker 6: tell that something was going on, Like I don't know,

521
00:25:29,400 --> 00:25:31,479
Speaker 6: and I don't remember what it was, but I'm like,

522
00:25:31,640 --> 00:25:33,520
Speaker 6: why am I not like fully committing?

523
00:25:33,520 --> 00:25:34,680
Speaker 2: Why am I not having any fun?

524
00:25:34,720 --> 00:25:36,720
Speaker 6: I can tell I'm not having any fun, and I

525
00:25:36,760 --> 00:25:38,560
Speaker 6: can tell with Ben, I don't think he's having fun either,

526
00:25:38,560 --> 00:25:39,240
Speaker 6: And I'm not sure why.

527
00:25:39,240 --> 00:25:40,200
Speaker 2: Well, something was going on.

528
00:25:41,240 --> 00:25:43,360
Speaker 1: Well, then we're in the Matthew's kitchen. Amy and Eric

529
00:25:43,400 --> 00:25:45,720
Speaker 1: are at the kitchen table. Amy is intently watching a

530
00:25:45,800 --> 00:25:49,080
Speaker 1: tiny little TV until Eric turns it off. Where's the

531
00:25:49,119 --> 00:25:52,280
Speaker 1: living room? Must have been replaced with the mailroom.

532
00:25:51,920 --> 00:25:54,840
Speaker 4: Because the living room TV is right through that one, right,

533
00:25:54,880 --> 00:25:57,800
Speaker 4: the regular right?

534
00:25:58,200 --> 00:26:00,800
Speaker 2: Really, why couldn't the scene take place in Well, because

535
00:26:00,800 --> 00:26:02,000
Speaker 2: it was probably the mail.

536
00:26:02,880 --> 00:26:05,840
Speaker 4: And not only it's the mail room or it's the college.

537
00:26:05,760 --> 00:26:08,520
Speaker 2: Yeah, we had a bunch of the living room and

538
00:26:08,680 --> 00:26:10,240
Speaker 2: I don't know. Have we seen the living room in

539
00:26:10,280 --> 00:26:10,760
Speaker 2: season five?

540
00:26:12,160 --> 00:26:14,840
Speaker 1: Let's see, Yes, the date, the date with the purse?

541
00:26:14,920 --> 00:26:17,480
Speaker 1: You we had the girl that Debbie right.

542
00:26:19,520 --> 00:26:21,919
Speaker 2: Two weeks ago? Yeah, interesting, it's got to be.

543
00:26:21,920 --> 00:26:23,600
Speaker 1: Gone because why other word, whyouldn't you guys be sitting

544
00:26:23,640 --> 00:26:25,520
Speaker 1: on the couch? It doesn't make any sense.

545
00:26:25,920 --> 00:26:29,240
Speaker 2: Yeah, you know what is that like for thinking about

546
00:26:29,359 --> 00:26:29,920
Speaker 2: like realism?

547
00:26:30,000 --> 00:26:30,520
Speaker 3: It totally did.

548
00:26:30,520 --> 00:26:33,760
Speaker 2: It bothered me that they just I was like, why

549
00:26:33,760 --> 00:26:34,760
Speaker 2: are you watching it in the kitchen?

550
00:26:35,520 --> 00:26:37,880
Speaker 4: It is Those were the best, by the way, if

551
00:26:37,880 --> 00:26:40,280
Speaker 4: you could have a little TV to take with you somewhere,

552
00:26:40,320 --> 00:26:40,800
Speaker 4: oh you.

553
00:26:41,119 --> 00:26:43,760
Speaker 1: Yeah, if you had seven thousand extra dollars to spend

554
00:26:43,760 --> 00:26:45,000
Speaker 1: on a mini TV back.

555
00:26:44,880 --> 00:26:48,120
Speaker 2: Then, Ira right.

556
00:26:48,480 --> 00:26:50,959
Speaker 4: I have no, not always, because when I traveled I

557
00:26:51,000 --> 00:26:54,040
Speaker 4: actually bought I still have it, of course, the first

558
00:26:54,200 --> 00:26:57,000
Speaker 4: ever portable TV DVD player Combo.

559
00:26:57,240 --> 00:26:59,000
Speaker 2: Oh wow. It was like you have to hook this

560
00:26:59,160 --> 00:27:01,280
Speaker 2: like a little tery the back. I remember you brought

561
00:27:01,280 --> 00:27:03,480
Speaker 2: it to Amsterdam. It was a big deal. I always

562
00:27:03,520 --> 00:27:05,200
Speaker 2: die and like it would die in like a half

563
00:27:05,200 --> 00:27:08,919
Speaker 2: an hour. You could barely get exactly.

564
00:27:09,359 --> 00:27:11,360
Speaker 4: But I was on an airplane at the time where

565
00:27:11,480 --> 00:27:13,560
Speaker 4: you pull that thing out, and you were, oh my god.

566
00:27:13,960 --> 00:27:16,960
Speaker 2: Naked ladies are awesome. Naked ladies are awesome.

567
00:27:17,280 --> 00:27:17,520
Speaker 7: Yep.

568
00:27:20,320 --> 00:27:22,800
Speaker 1: So, Eric explains, I just feel that a woman like

569
00:27:22,840 --> 00:27:26,480
Speaker 1: you should be out doing something productive. Amy counters, what

570
00:27:26,520 --> 00:27:30,240
Speaker 1: do you call raising three children? Eric admits, done, hatched raised.

571
00:27:30,720 --> 00:27:33,080
Speaker 1: He decides to give Amy the same wisdom she bestowed

572
00:27:33,119 --> 00:27:35,439
Speaker 1: upon him. There's a whole big world out there. You

573
00:27:35,480 --> 00:27:37,560
Speaker 1: got to be a part of it, young man. Amy

574
00:27:37,600 --> 00:27:40,399
Speaker 1: smiles and begins to say, well, there is always one

575
00:27:40,440 --> 00:27:43,240
Speaker 1: thing I've wanted to try. Eric promptly cuts her off.

576
00:27:43,240 --> 00:27:46,240
Speaker 1: Don't care, just go do something. Amy obliges and leaves

577
00:27:46,240 --> 00:27:48,960
Speaker 1: the kitchen. Immediately after she's gone, Eric grabs the TV

578
00:27:49,040 --> 00:27:51,480
Speaker 1: and turns it back on. He shouts to the characters,

579
00:27:51,640 --> 00:27:55,600
Speaker 1: she doesn't love you, Victor. Then what happened to the

580
00:27:55,600 --> 00:27:58,760
Speaker 1: gallery job? Or you know the sprick split level on

581
00:27:58,800 --> 00:27:59,399
Speaker 1: Oak Street?

582
00:27:59,480 --> 00:28:02,720
Speaker 4: Like do we still own the Wilderness store?

583
00:28:03,119 --> 00:28:07,399
Speaker 2: Right? I don't know if we still have the store.

584
00:28:07,960 --> 00:28:12,160
Speaker 6: What's happening seems very odd to me that it's just yeah,

585
00:28:12,280 --> 00:28:14,480
Speaker 6: she does nothing, she's she does nothing now?

586
00:28:14,640 --> 00:28:16,520
Speaker 2: And then is.

587
00:28:16,440 --> 00:28:19,400
Speaker 6: That he's watching soap operas because he's unemployed. So there's

588
00:28:19,400 --> 00:28:24,000
Speaker 6: something about like feminine unemployment soap opera like that's the world.

589
00:28:24,119 --> 00:28:28,080
Speaker 2: That's yeah, that's pathetic and it needs to be fixed exactly,

590
00:28:28,320 --> 00:28:29,280
Speaker 2: that's yeah.

591
00:28:29,400 --> 00:28:31,240
Speaker 1: I mean, there are a couple of jokes Eric makes

592
00:28:31,280 --> 00:28:33,240
Speaker 1: about the lint dryer.

593
00:28:33,520 --> 00:28:36,359
Speaker 2: And there's a story behind that. By the way, Oh really.

594
00:28:37,119 --> 00:28:37,760
Speaker 3: Till we get to it.

595
00:28:38,160 --> 00:28:51,600
Speaker 1: Wait until we get to it. Then we're back in

596
00:28:51,640 --> 00:28:54,200
Speaker 1: the advertising agency. We are upstairs. Sean is wearing a

597
00:28:54,240 --> 00:28:58,360
Speaker 1: Britney Spears esque headset, sitting comfortably in the mister Morris

598
00:28:58,400 --> 00:29:01,480
Speaker 1: assistant chair. He's careful examining a sheet of paper when

599
00:29:01,480 --> 00:29:04,480
Speaker 1: Corey walks up, accompanied by his mail cart. Corey asks

600
00:29:04,480 --> 00:29:06,479
Speaker 1: how he's doing, and Sean says, it's a little crazy,

601
00:29:06,520 --> 00:29:08,880
Speaker 1: but he's handling it. Mister Morris even gave him a

602
00:29:08,880 --> 00:29:11,840
Speaker 1: little assignment for a toothpaste account. He wants to know

603
00:29:11,880 --> 00:29:15,960
Speaker 1: what teenagers are looking for. And I love this Sean,

604
00:29:16,000 --> 00:29:19,400
Speaker 1: where he can immediately turn into a professional of anything.

605
00:29:19,960 --> 00:29:22,600
Speaker 6: I mean, Sean would be a great executive, by the way,

606
00:29:22,880 --> 00:29:24,320
Speaker 6: great executive.

607
00:29:25,880 --> 00:29:28,520
Speaker 2: Quick. I know what people want and how to sell them. Yeah,

608
00:29:28,560 --> 00:29:31,520
Speaker 2: I mean, it's it's it's Chet, It's chit. It's the

609
00:29:31,560 --> 00:29:32,320
Speaker 2: best of CHET.

610
00:29:33,000 --> 00:29:36,280
Speaker 1: The being able to adapt to anything quickly is the

611
00:29:36,640 --> 00:29:39,000
Speaker 1: is the best possible thing you can take from CHET.

612
00:29:40,000 --> 00:29:43,920
Speaker 1: So Corey answers, easy bacteria, I just saved your job past.

613
00:29:44,600 --> 00:29:48,600
Speaker 1: Sean counters I was thinking fresh breath is sexy. Corey

614
00:29:48,640 --> 00:29:52,320
Speaker 1: cuts him off. No, Sean, okay, sex does not sell.

615
00:29:53,920 --> 00:29:57,840
Speaker 2: Sex does it? Sex does not sell And the inmates

616
00:29:57,880 --> 00:30:00,880
Speaker 2: in the audience really like that joke. Everybody laughs.

617
00:30:01,520 --> 00:30:04,800
Speaker 1: Focus on the bacteria, the ginger of ittis, the teeth

618
00:30:04,960 --> 00:30:05,920
Speaker 1: falling out.

619
00:30:06,680 --> 00:30:07,680
Speaker 2: Sean's not sold.

620
00:30:07,800 --> 00:30:09,480
Speaker 1: I've kissed a lot of girls, and I've got to

621
00:30:09,520 --> 00:30:10,960
Speaker 1: say I'm a breath man.

622
00:30:11,160 --> 00:30:16,440
Speaker 2: Which I love. Corey scoffs. This is the business world.

623
00:30:16,480 --> 00:30:17,640
Speaker 2: I know what I'm talking about.

624
00:30:17,920 --> 00:30:20,240
Speaker 1: Just then, mister Morris summons Sean into his office for

625
00:30:20,280 --> 00:30:22,960
Speaker 1: the toothpaste pitch. Sean walks to the door and hesitantly

626
00:30:23,000 --> 00:30:28,120
Speaker 1: looks back toward Corey. Corey emphasizes bacteria that Sean heads inside.

627
00:30:29,440 --> 00:30:32,160
Speaker 4: I thought, now, see, this is where the show took

628
00:30:32,160 --> 00:30:34,920
Speaker 4: me in a that did one of these because I

629
00:30:35,080 --> 00:30:37,360
Speaker 4: thought Sean was going to listen to Corey's advice and

630
00:30:37,400 --> 00:30:39,920
Speaker 4: it was going to be bad, and so I love

631
00:30:40,000 --> 00:30:41,960
Speaker 4: that he ended up. We find out he stood up

632
00:30:42,000 --> 00:30:43,959
Speaker 4: for himself and stuck to his guns. I thought they

633
00:30:43,960 --> 00:30:46,080
Speaker 4: were going to go with, well, maybe Corey's right and

634
00:30:46,120 --> 00:30:47,520
Speaker 4: I should do that, and then he was going to

635
00:30:47,600 --> 00:30:48,400
Speaker 4: ruin his chances.

636
00:30:48,400 --> 00:30:50,520
Speaker 2: And I love how Sean stood on his own two feet.

637
00:30:50,520 --> 00:30:51,880
Speaker 2: I thought that was great. Right.

638
00:30:52,520 --> 00:30:55,160
Speaker 1: Well, then we're back in the Penbrook classroom. Jack walks

639
00:30:55,160 --> 00:30:57,120
Speaker 1: into class and takes a seat right next to Eric.

640
00:30:57,480 --> 00:31:02,880
Speaker 1: Eric says, sorry, buddy, this seat saved for Monica. Jack

641
00:31:02,960 --> 00:31:07,680
Speaker 1: rolls his eyes. What happened to bridget? Eric explains she

642
00:31:07,760 --> 00:31:10,960
Speaker 1: found out about Monica.

643
00:31:11,880 --> 00:31:14,680
Speaker 2: Jack switches seats and the girls were back.

644
00:31:15,680 --> 00:31:18,520
Speaker 1: Jack switches seats, and then we see Amy Matthews walk

645
00:31:18,560 --> 00:31:21,440
Speaker 1: into the classroom. She's wearing a backpack and she's hesitantly

646
00:31:21,480 --> 00:31:24,960
Speaker 1: walking around the room. She gets eerily close to a

647
00:31:25,120 --> 00:31:29,080
Speaker 1: woman asking if the seat next to Eric is taken.

648
00:31:29,160 --> 00:31:35,600
Speaker 1: She is very closet. She didn't know if she was

649
00:31:35,680 --> 00:31:38,920
Speaker 1: likedt or she was like an assaulter. I had no

650
00:31:38,960 --> 00:31:42,120
Speaker 1: idea what was happening, but wow, she's close. And then

651
00:31:42,400 --> 00:31:45,360
Speaker 1: Eric does a double take mom and Amy is surprised

652
00:31:45,360 --> 00:31:48,120
Speaker 1: to see him too. Eric asks what she's doing here?

653
00:31:48,280 --> 00:31:50,680
Speaker 1: Is he in trouble? Amy shakes her head, no, I'm

654
00:31:50,680 --> 00:31:54,480
Speaker 1: in creative writing. Eric's confused, but this is creative writing.

655
00:31:54,880 --> 00:31:57,200
Speaker 1: Amy had no idea. This was Eric's class, but it

656
00:31:57,320 --> 00:31:59,000
Speaker 1: was his idea for her to get back out there

657
00:31:59,000 --> 00:32:01,800
Speaker 1: in the world. So she is maybe they can all

658
00:32:01,840 --> 00:32:05,040
Speaker 1: get lunch together afterwards, she offers. Jack smirks. He tells

659
00:32:05,120 --> 00:32:07,680
Speaker 1: Eric his mom is like so cool. Eric is not

660
00:32:07,760 --> 00:32:10,080
Speaker 1: having this. He tells Amy, when I said get back

661
00:32:10,120 --> 00:32:14,360
Speaker 1: in the world. I meant like the mall, so the

662
00:32:14,400 --> 00:32:18,720
Speaker 1: first one of those yikes moments from Eric.

663
00:32:18,760 --> 00:32:20,479
Speaker 2: But yeah, it's your mom. You know, it's like your

664
00:32:21,280 --> 00:32:25,880
Speaker 2: mom stuff, right, mom things. Yeah. Amy's in creative shopping.

665
00:32:26,400 --> 00:32:31,840
Speaker 1: Yeah, but that's mom stuff, eating laundry, fluffing pillows.

666
00:32:32,080 --> 00:32:32,360
Speaker 2: Yep.

667
00:32:32,840 --> 00:32:35,400
Speaker 1: Amy's in creative writing because she always wanted to write

668
00:32:35,480 --> 00:32:38,640
Speaker 1: and her son's words really inspired her. Eric puts on

669
00:32:38,680 --> 00:32:41,200
Speaker 1: a very fake smile, pretending he's happy for her, but

670
00:32:41,360 --> 00:32:42,760
Speaker 1: he won't allow her to sit in the seat next

671
00:32:42,800 --> 00:32:46,280
Speaker 1: to him because it's saved for Monica. Amy nods he

672
00:32:46,280 --> 00:32:48,680
Speaker 1: won't even know she's there. Then Monica walks in and

673
00:32:48,680 --> 00:32:52,520
Speaker 1: happily takes her seat next to Eric Eric. Amy immediately interjects,

674
00:32:52,600 --> 00:32:55,080
Speaker 1: you must be Monica. Then she leans over and gushes

675
00:32:55,120 --> 00:32:58,400
Speaker 1: to Eric she's really pretty. Monica smiles, asking Amy who

676
00:32:58,400 --> 00:33:00,720
Speaker 1: she is, while Eric covers his face and slouches in

677
00:33:00,720 --> 00:33:03,959
Speaker 1: his seat. Amy introduces herself as Eric's mother, then reminds

678
00:33:04,040 --> 00:33:07,480
Speaker 1: Eric to sit up straight. We're back in the advertising

679
00:33:07,480 --> 00:33:08,840
Speaker 1: building in the mailroom to.

680
00:33:09,600 --> 00:33:11,000
Speaker 6: Point out, you remember how we talked about the Dan

681
00:33:11,000 --> 00:33:14,880
Speaker 6: Harmon story wheel, about how a character wants something and

682
00:33:14,920 --> 00:33:15,560
Speaker 6: then they get it.

683
00:33:15,600 --> 00:33:16,960
Speaker 2: And then they pay a huge price for it.

684
00:33:17,000 --> 00:33:19,640
Speaker 6: This is a perfectly executed Dan Harmon story wheel for

685
00:33:19,680 --> 00:33:23,000
Speaker 6: both Eric and Corey. The opening scene, Corey is saying, Sean,

686
00:33:23,200 --> 00:33:26,440
Speaker 6: just take your take the work study seriously, seriously. So

687
00:33:26,480 --> 00:33:29,480
Speaker 6: Sean takes it seriously. Corey gets what he wants and

688
00:33:29,520 --> 00:33:31,160
Speaker 6: then has to pay the price for it, which is

689
00:33:31,720 --> 00:33:33,640
Speaker 6: he doesn't get it. It's Sean, and he has to

690
00:33:33,760 --> 00:33:36,000
Speaker 6: come to terms to that. Here, Mom, you need to

691
00:33:36,000 --> 00:33:38,160
Speaker 6: get out in the world, go do something, gets what

692
00:33:38,200 --> 00:33:40,240
Speaker 6: he wants. Oh, now pays the price for it, and

693
00:33:40,240 --> 00:33:42,120
Speaker 6: it's just it's perfect story telling, and you're just like right,

694
00:33:42,200 --> 00:33:43,240
Speaker 6: it works every time.

695
00:33:43,560 --> 00:33:47,920
Speaker 1: Yeah, you're right to Peg is dressed very professionally as

696
00:33:47,960 --> 00:33:49,840
Speaker 1: she sits in the mail room with Corey talking about

697
00:33:49,840 --> 00:33:51,880
Speaker 1: her experience with the work study program.

698
00:33:52,040 --> 00:33:54,080
Speaker 2: The senator told me he really liked what I said.

699
00:33:54,320 --> 00:34:00,320
Speaker 2: Now it's gonna be long. I love that line.

700
00:33:58,560 --> 00:33:58,760
Speaker 7: Law.

701
00:34:00,920 --> 00:34:06,320
Speaker 2: You also look like a newscaster like you. It looks

702
00:34:06,480 --> 00:34:06,720
Speaker 2: just like it.

703
00:34:07,240 --> 00:34:10,080
Speaker 1: Also, I think I was I feel very inspired by

704
00:34:10,120 --> 00:34:12,840
Speaker 1: like Ali McBeal, you know, like the.

705
00:34:15,040 --> 00:34:18,160
Speaker 2: With the puffy hair but with also a short skirt. Yep, gotcha.

706
00:34:18,560 --> 00:34:21,160
Speaker 1: So Corey tries to relate why here in the mail room.

707
00:34:21,239 --> 00:34:24,279
Speaker 1: I suggested that we start using self adhesive stamps to

708
00:34:24,400 --> 00:34:27,680
Speaker 1: Panka smiles, asking what they said. Corey sighs, yeah whatever

709
00:34:28,200 --> 00:34:30,399
Speaker 1: to Panka assures him he's gonna work his way out

710
00:34:30,400 --> 00:34:33,600
Speaker 1: of the mailroom. Broccoli lover Phil walks in. Don't bet

711
00:34:33,640 --> 00:34:36,160
Speaker 1: on it. Panga asks who that is, and Corey says,

712
00:34:36,320 --> 00:34:39,600
Speaker 1: my boss. To Panka worriedly asks where Sean is. I

713
00:34:39,640 --> 00:34:41,640
Speaker 1: hope you're looking out for him. He really looks up

714
00:34:41,680 --> 00:34:44,360
Speaker 1: to you. She kisses him goodbye, and Corey turns to Phil.

715
00:34:44,600 --> 00:34:45,279
Speaker 1: Isn't she cute?

716
00:34:45,600 --> 00:34:47,960
Speaker 2: Phil nods like a young Nancy Sinatra.

717
00:34:51,680 --> 00:34:54,440
Speaker 1: Sean walks in and Corey is shocked to see him

718
00:34:54,480 --> 00:34:56,719
Speaker 1: back in the mailroom. He tries to comfort him. They

719
00:34:56,719 --> 00:34:58,879
Speaker 1: shouldn't have put you in a job you weren't ready for.

720
00:34:59,200 --> 00:35:01,520
Speaker 1: Sean tells him I pitched my sexy breath idea and

721
00:35:01,600 --> 00:35:06,200
Speaker 1: mister Morris liked it. Corey shocked he liked it. Sean nods, yeah,

722
00:35:06,360 --> 00:35:08,280
Speaker 1: I guess you're not the only one with good ideas,

723
00:35:08,520 --> 00:35:09,360
Speaker 1: and he walks away.

724
00:35:09,880 --> 00:35:11,080
Speaker 2: Corey turns back to Phil.

725
00:35:11,280 --> 00:35:13,200
Speaker 1: I don't get it. All he did was pick up

726
00:35:13,200 --> 00:35:16,400
Speaker 1: a phone. Phil asks if it was ringing. Corey says, yeah,

727
00:35:16,520 --> 00:35:18,799
Speaker 1: Phil shakes his head. He's a smart kid.

728
00:35:19,640 --> 00:35:21,719
Speaker 2: It's got It's good. This whole thing has a very

729
00:35:21,760 --> 00:35:24,279
Speaker 2: secret of My success kind of vibe like Fox movie.

730
00:35:24,320 --> 00:35:27,239
Speaker 4: Yeah, which totally they're right from the mailroom to the

731
00:35:27,239 --> 00:35:28,440
Speaker 4: corporate ladder like one day.

732
00:35:28,560 --> 00:35:31,160
Speaker 1: Yeah, yeah, you know what I'll say too. I love

733
00:35:31,440 --> 00:35:35,480
Speaker 1: the length of all of these scenes. Yeah, they were

734
00:35:35,520 --> 00:35:37,719
Speaker 1: never long enough that I got bored of this, of

735
00:35:37,760 --> 00:35:39,920
Speaker 1: being in it. It was like the right amount of

736
00:35:40,000 --> 00:35:42,319
Speaker 1: time to get the information out of it, to get

737
00:35:42,320 --> 00:35:44,360
Speaker 1: a couple of great laughs, and then we were moving on.

738
00:35:44,520 --> 00:35:47,120
Speaker 1: Like the story just kept like it. It kept moving

739
00:35:47,160 --> 00:35:47,920
Speaker 1: the whole time.

740
00:35:48,320 --> 00:35:51,400
Speaker 4: It didn't lack it moved the entire time. Everyone was likable,

741
00:35:51,520 --> 00:35:52,400
Speaker 4: people were funny.

742
00:35:52,680 --> 00:35:54,560
Speaker 2: It was good. It was just a good sitcom episode.

743
00:35:54,640 --> 00:35:57,399
Speaker 1: Yeah, I loved it. Then we're back at Penbrooke. We're

744
00:35:57,400 --> 00:35:59,680
Speaker 1: in creative writing. Eric is presenting a piece in front

745
00:35:59,719 --> 00:36:02,600
Speaker 1: of the about almost getting run over by a semi truck.

746
00:36:03,200 --> 00:36:05,399
Speaker 1: In the end, the class of lauds the piece and

747
00:36:05,520 --> 00:36:07,960
Speaker 1: the teacher announces Amy is up next.

748
00:36:08,280 --> 00:36:11,719
Speaker 4: I had that sweatshirt that I was wearing, that that

749
00:36:11,760 --> 00:36:14,920
Speaker 4: gray shirt. Yeah, until I don't know a year or

750
00:36:14,960 --> 00:36:18,120
Speaker 4: two ago. Wow, And that was the one that was

751
00:36:18,360 --> 00:36:22,120
Speaker 4: just all the holes from from cigarette ash. I mean

752
00:36:23,080 --> 00:36:25,440
Speaker 4: I think I brought that to Amsterdam, like that was

753
00:36:25,480 --> 00:36:28,040
Speaker 4: a go to sweater for Yeah.

754
00:36:28,080 --> 00:36:30,480
Speaker 2: So yeah that right when that popped up, I was like, oh,

755
00:36:30,520 --> 00:36:34,319
Speaker 2: there's my sweater. I might need that back. eBay, good,

756
00:36:34,320 --> 00:36:36,879
Speaker 2: I see if you could find the one with the holes. Yes.

757
00:36:38,600 --> 00:36:42,560
Speaker 1: Amy nervously introduces her work as a young married woman.

758
00:36:43,000 --> 00:36:45,600
Speaker 1: Eric laughs as he tells Jack, Oh, great, a thousand

759
00:36:45,680 --> 00:36:46,879
Speaker 1: words on dryer lint.

760
00:36:47,320 --> 00:36:49,520
Speaker 2: Okay, so what's the story.

761
00:36:49,640 --> 00:36:53,640
Speaker 4: The story was there was we kept I had now

762
00:36:53,640 --> 00:36:56,400
Speaker 4: officially gotten to the point where if I didn't like

763
00:36:56,440 --> 00:36:58,920
Speaker 4: a line or or I thought we could do better,

764
00:36:59,239 --> 00:37:00,560
Speaker 4: I would go up to my in the writer's and

765
00:37:00,600 --> 00:37:02,919
Speaker 4: I say, do you think we could beat this? And

766
00:37:03,040 --> 00:37:05,279
Speaker 4: so there was a bunch of other lines that they

767
00:37:05,280 --> 00:37:08,040
Speaker 4: had there and Michael, Michael, to his credit, was always like, yeah,

768
00:37:08,040 --> 00:37:11,600
Speaker 4: of course we can beat anything. So we kept throwing

769
00:37:11,640 --> 00:37:14,040
Speaker 4: things out. Nothing was working, so I went, I'll just

770
00:37:14,080 --> 00:37:14,799
Speaker 4: I'll make something up.

771
00:37:14,800 --> 00:37:16,279
Speaker 2: I'll make something up. And Blutman's like, wait, you're just

772
00:37:16,280 --> 00:37:17,759
Speaker 2: gonna make something up? And I went, yeah, no problem.

773
00:37:17,840 --> 00:37:22,719
Speaker 2: So I threw in dryer lint. Wow. Everybody laughed, and

774
00:37:23,040 --> 00:37:24,759
Speaker 2: Bluckman came up and he went all right, yeah, that

775
00:37:24,800 --> 00:37:25,799
Speaker 2: was better than anything we did.

776
00:37:25,840 --> 00:37:27,279
Speaker 4: And then I heard it last night and I was like,

777
00:37:28,280 --> 00:37:30,800
Speaker 4: it was funny because the word, like the sound and

778
00:37:30,880 --> 00:37:33,480
Speaker 4: word of dryer lint is funny. But then I thought

779
00:37:33,480 --> 00:37:34,960
Speaker 4: the same thing where I was like, wow, they are

780
00:37:35,000 --> 00:37:35,879
Speaker 4: just making her the mom.

781
00:37:36,360 --> 00:37:37,840
Speaker 3: I didn't help the situation.

782
00:37:38,000 --> 00:37:41,680
Speaker 1: Moms don't have anything to do in shop and do laundry.

783
00:37:42,000 --> 00:37:44,359
Speaker 2: I don't remember what the line was, huh, I don't.

784
00:37:44,400 --> 00:37:46,200
Speaker 4: I have no idea what it was, but I remember

785
00:37:46,280 --> 00:37:48,160
Speaker 4: because I remember them laughing and Bluckman going.

786
00:37:48,120 --> 00:37:50,160
Speaker 2: Up going like, yeah, you beat it, Okay, you beat

787
00:37:50,160 --> 00:37:50,600
Speaker 2: our line.

788
00:37:51,160 --> 00:37:52,759
Speaker 4: And that was one of the first times where I

789
00:37:52,840 --> 00:37:55,000
Speaker 4: just threw something out. But I forget what they'd had,

790
00:37:55,040 --> 00:37:57,640
Speaker 4: but yeah, it was yikes.

791
00:37:58,520 --> 00:38:01,640
Speaker 1: Amy begins to read the was over. I was nineteen

792
00:38:01,640 --> 00:38:03,919
Speaker 1: and about to embark on a new life. She goes

793
00:38:03,920 --> 00:38:06,200
Speaker 1: into the first few moments of her honeymoon, and Eric

794
00:38:06,239 --> 00:38:09,240
Speaker 1: immediately realizes what's happening. He plugs his ears to block

795
00:38:09,280 --> 00:38:12,320
Speaker 1: the story. La la la, and then we're back in

796
00:38:12,360 --> 00:38:15,040
Speaker 1: the advertising building. Upstairs, Corey is with his mail cart

797
00:38:15,080 --> 00:38:17,920
Speaker 1: handing out mail to salesman. A phone starts to ring

798
00:38:17,960 --> 00:38:21,160
Speaker 1: at Sean's empty desk, so Corey seeses his opportunity and

799
00:38:21,239 --> 00:38:23,799
Speaker 1: answers the phone. He explains to the person on the

800
00:38:23,800 --> 00:38:25,160
Speaker 1: other end of the phone that they were going to

801
00:38:25,160 --> 00:38:25,720
Speaker 1: send it today.

802
00:38:25,800 --> 00:38:26,759
Speaker 2: Now do you think they did it?

803
00:38:26,920 --> 00:38:29,359
Speaker 6: Do you think they gave him the headset because of

804
00:38:29,680 --> 00:38:31,919
Speaker 6: Ben's phone acting it's act.

805
00:38:31,960 --> 00:38:34,560
Speaker 2: Did you notice that this, He answers the phone. Now,

806
00:38:34,560 --> 00:38:36,560
Speaker 2: they could have gone either way, but they gave.

807
00:38:36,480 --> 00:38:40,520
Speaker 6: The Yeah that is this like I love him, like

808
00:38:40,800 --> 00:38:43,399
Speaker 6: you know, being Yeah, it's a perfect before.

809
00:38:43,560 --> 00:38:46,400
Speaker 1: I love the way they changed what you had said

810
00:38:46,960 --> 00:38:49,920
Speaker 1: just enough to make it go from great to terrible,

811
00:38:50,120 --> 00:38:52,239
Speaker 1: Like when you said, don't you think we had a

812
00:38:52,239 --> 00:38:54,480
Speaker 1: good reason, it's because it wasn't great and we're not

813
00:38:54,480 --> 00:38:55,520
Speaker 1: gonna send you something it's not great.

814
00:38:55,520 --> 00:38:57,760
Speaker 2: And instead he goes, well, it's because it wasn't good.

815
00:38:57,920 --> 00:38:59,920
Speaker 2: It wasn't good. It just admits that we.

816
00:39:01,880 --> 00:39:07,440
Speaker 1: Came up with something terrible amazing. He fully panics as

817
00:39:07,440 --> 00:39:09,800
Speaker 1: the person yells at him. Tom Morris has witnessed the

818
00:39:09,960 --> 00:39:13,040
Speaker 1: entire phone call, the entire failure of a phone call.

819
00:39:13,320 --> 00:39:16,560
Speaker 1: Cory yells hello, Hello, the person has hung up. Tom

820
00:39:16,600 --> 00:39:20,279
Speaker 1: Flatley asks who that was. Corey stutters that was mister

821
00:39:20,360 --> 00:39:22,839
Speaker 1: Davis from Brock Toys. As he tries to push his

822
00:39:22,840 --> 00:39:25,959
Speaker 1: mail card away. Tom stops him. What did mister Davis want?

823
00:39:26,480 --> 00:39:29,600
Speaker 1: He said something about moving his account to another agency.

824
00:39:29,880 --> 00:39:33,320
Speaker 2: Why don't I do a lunch run? Huh falafful falafel.

825
00:39:33,960 --> 00:39:36,359
Speaker 1: Sean has now returned to his desk and Tom tells

826
00:39:36,440 --> 00:39:39,360
Speaker 1: him to get Davis back on the phone, completely disregarding Corey.

827
00:39:39,600 --> 00:39:41,440
Speaker 1: Corey tries to get a word in, but mister Morris

828
00:39:41,440 --> 00:39:43,600
Speaker 1: tells him maybe this isn't the right place for you. You

829
00:39:43,480 --> 00:39:46,760
Speaker 1: better pack your things. A devastated Corey asks mister Morris

830
00:39:46,760 --> 00:39:49,240
Speaker 1: what he's supposed to do, and he bluntly tells Corey

831
00:39:49,520 --> 00:39:52,280
Speaker 1: not everyone's cut out for the business world. Sean somberly

832
00:39:52,320 --> 00:39:55,360
Speaker 1: tells his friend, I'm sorry as he follows mister Morris

833
00:39:55,400 --> 00:39:59,120
Speaker 1: back into his office. Great scene, Yeah, it's all good,

834
00:40:00,040 --> 00:40:02,239
Speaker 1: and we're in Matthew's kitchen. Corey, now in a robe,

835
00:40:02,280 --> 00:40:05,520
Speaker 1: is eating cereal as he intently watches All My Children. Oh,

836
00:40:05,640 --> 00:40:07,920
Speaker 1: Susan Lucci, how do you not win an Emmy?

837
00:40:08,600 --> 00:40:09,319
Speaker 2: I think, by the.

838
00:40:09,320 --> 00:40:13,759
Speaker 4: Way, that's the same green robe that I was in eating.

839
00:40:13,480 --> 00:40:16,640
Speaker 2: Coco puffs, right, good looking guy. Yeah, so I think

840
00:40:16,680 --> 00:40:18,400
Speaker 2: they had in exactly the same rope, which is the

841
00:40:18,440 --> 00:40:20,520
Speaker 2: same robe. Then they've just one robe Matthew's house that

842
00:40:20,760 --> 00:40:26,719
Speaker 2: exactly whoever's eating cereal? Where's this robe? Where's a sad

843
00:40:26,719 --> 00:40:27,160
Speaker 2: green robe?

844
00:40:27,239 --> 00:40:30,640
Speaker 1: Yep Alan walks in and jokes, someone looks like they

845
00:40:30,760 --> 00:40:33,600
Speaker 1: just got canned from work study. Corey nods I did.

846
00:40:34,000 --> 00:40:35,960
Speaker 1: Alan takes a seat next to his son and reminds

847
00:40:36,000 --> 00:40:38,239
Speaker 1: him that not every person is right for every job.

848
00:40:38,480 --> 00:40:40,799
Speaker 1: Corey scoffs, I know, but I was supposed to be

849
00:40:40,800 --> 00:40:43,760
Speaker 1: the one to succeed, not Sean. Everyone knows that. Alan

850
00:40:43,800 --> 00:40:46,080
Speaker 1: points out that Corey should be giving Sean more credit.

851
00:40:46,280 --> 00:40:49,040
Speaker 1: He should be happy for him. And I thought Rusty's

852
00:40:49,080 --> 00:40:53,240
Speaker 1: performance here was so perfect because the way he delivers

853
00:40:53,280 --> 00:40:58,840
Speaker 1: the line has slightly more disgusted than empathy. And I

854
00:40:58,880 --> 00:41:00,880
Speaker 1: thought that was perfect because because there was a little

855
00:41:00,880 --> 00:41:04,520
Speaker 1: bit of like shock from Alan about the fact that

856
00:41:04,640 --> 00:41:08,160
Speaker 1: his son had just disregarded Sean so much, And I

857
00:41:08,160 --> 00:41:09,840
Speaker 1: thought that was the perfect way to play it. That

858
00:41:09,920 --> 00:41:12,880
Speaker 1: was like a little more like ew, that's a really

859
00:41:13,640 --> 00:41:16,480
Speaker 1: crimp to say about your friend, and you should be

860
00:41:16,560 --> 00:41:19,160
Speaker 1: happy instead of like, oh, I feel so bad for you.

861
00:41:19,239 --> 00:41:21,200
Speaker 1: I thought his performance was just perfect.

862
00:41:21,320 --> 00:41:25,360
Speaker 4: Well, they've also really established that Rusty was Sean or

863
00:41:25,400 --> 00:41:28,359
Speaker 4: could have been Sewn, So it's that kind of Hey,

864
00:41:28,800 --> 00:41:31,040
Speaker 4: that's great. You're looking at your friend and saying you

865
00:41:31,160 --> 00:41:33,920
Speaker 4: don't think they could succeed. And he probably saw his

866
00:41:34,520 --> 00:41:37,440
Speaker 4: you know, going through right like him. Rusty did all

867
00:41:37,480 --> 00:41:37,920
Speaker 4: that stuff.

868
00:41:37,960 --> 00:41:39,960
Speaker 2: He had all the backstory for everything, so I'm sure

869
00:41:39,960 --> 00:41:41,080
Speaker 2: he did that whole thing.

870
00:41:41,760 --> 00:41:44,160
Speaker 1: So Corey insists he is happy for Sean, but what

871
00:41:44,239 --> 00:41:46,439
Speaker 1: about him? If he doesn't get into the business world,

872
00:41:46,480 --> 00:41:48,560
Speaker 1: the future of this country will look very bleak.

873
00:41:49,000 --> 00:41:51,120
Speaker 2: Did it bump anybody at all?

874
00:41:51,400 --> 00:41:54,200
Speaker 4: That Corey has never once mentioned wanting to be a

875
00:41:54,200 --> 00:41:54,800
Speaker 4: business person.

876
00:41:54,840 --> 00:41:58,400
Speaker 2: It was always he I know the media like a journalist.

877
00:41:58,600 --> 00:42:00,680
Speaker 2: It seems like they dropped it really quickly.

878
00:42:01,000 --> 00:42:04,080
Speaker 1: So yeah, Alan tells him to stop putting so much

879
00:42:04,120 --> 00:42:06,799
Speaker 1: pressure on himself. Corey has to know he will end

880
00:42:06,880 --> 00:42:09,840
Speaker 1: up doing just fine, and Sean walks in wearing the

881
00:42:09,920 --> 00:42:10,560
Speaker 1: leather jacket.

882
00:42:10,760 --> 00:42:11,840
Speaker 2: Corey asks what he's.

883
00:42:11,680 --> 00:42:13,799
Speaker 1: Doing here, and Sewan explains, Oh, I was just having

884
00:42:13,840 --> 00:42:15,680
Speaker 1: lunch with mister Davis from Brock Toys.

885
00:42:15,960 --> 00:42:17,000
Speaker 2: What exactly did you.

886
00:42:16,960 --> 00:42:19,239
Speaker 1: Say to him. Corey doesn't want to talk about it.

887
00:42:19,400 --> 00:42:22,080
Speaker 1: He excuses himself to go take a nap, and Sean

888
00:42:22,120 --> 00:42:24,279
Speaker 1: stops him. He has news that could cheer him up.

889
00:42:24,360 --> 00:42:26,520
Speaker 1: He talked to Morris and he agreed to let Corey

890
00:42:26,600 --> 00:42:30,800
Speaker 1: come back to the agency. Corey is ecstatic. Sean holds

891
00:42:30,840 --> 00:42:32,600
Speaker 1: up a bag, but you need to take a drug

892
00:42:32,640 --> 00:42:35,200
Speaker 1: test first. I think you're a little wound.

893
00:42:36,520 --> 00:42:37,479
Speaker 2: So funny great.

894
00:42:37,560 --> 00:42:40,000
Speaker 4: I also love how, for some reason, you are now

895
00:42:40,080 --> 00:42:42,880
Speaker 4: to the point of the company where you're having lunch

896
00:42:42,920 --> 00:42:47,240
Speaker 4: with one of their biggest clients, he of the vice president.

897
00:42:47,560 --> 00:42:50,120
Speaker 4: You're now being sent to these major meetings.

898
00:42:50,360 --> 00:42:52,719
Speaker 1: I liked that it seemed as though because then when

899
00:42:52,719 --> 00:42:54,319
Speaker 1: he says that I talked to Morris, it made me

900
00:42:54,400 --> 00:42:57,160
Speaker 1: feel like Morris brought him along, like Morris was having

901
00:42:57,239 --> 00:42:57,719
Speaker 1: lunch with bro.

902
00:42:57,920 --> 00:43:01,000
Speaker 2: Wasn't just like they sent Sean alone. Sean part of

903
00:43:01,040 --> 00:43:02,239
Speaker 2: the man.

904
00:43:03,800 --> 00:43:08,520
Speaker 1: I'm in the room, So Corey enthusiastically says, they want

905
00:43:08,560 --> 00:43:10,720
Speaker 1: me back, and then we do an optical flip.

906
00:43:10,800 --> 00:43:13,520
Speaker 2: We're at the Keller Marsden advertising agency. Upstairs.

907
00:43:13,520 --> 00:43:16,200
Speaker 1: Corey is now dressed in a custodial outfit and he's

908
00:43:16,239 --> 00:43:19,600
Speaker 1: emptying trash bins. Phil is pushing the mail cart behind him.

909
00:43:19,760 --> 00:43:22,239
Speaker 1: Corey complains, this has got to be a mistake. I'm

910
00:43:22,280 --> 00:43:26,120
Speaker 1: supposed to be an executive making important executive decisions. Phil

911
00:43:26,160 --> 00:43:28,920
Speaker 1: assures him, you will. Now here are the deodorizers for

912
00:43:29,000 --> 00:43:31,799
Speaker 1: the toilets. You decide how many to put in each one.

913
00:43:32,160 --> 00:43:33,680
Speaker 1: I'll give you a hint, give.

914
00:43:33,520 --> 00:43:36,680
Speaker 2: You a less than two. Less than two.

915
00:43:37,640 --> 00:43:44,080
Speaker 6: Janitors really figure prominently like sort of just the lowest

916
00:43:44,120 --> 00:43:47,160
Speaker 6: tier but still noble job that, like our writers could

917
00:43:47,239 --> 00:43:49,919
Speaker 6: kept returning to. Yeah, and the fact that we don't

918
00:43:50,040 --> 00:43:52,759
Speaker 6: reference it like that, Corey and Sean don't bring that up.

919
00:43:53,280 --> 00:43:56,240
Speaker 6: We did a whole episode literally about Shawn's dad becoming

920
00:43:56,239 --> 00:43:58,319
Speaker 6: a janitor and then coming to respect that.

921
00:43:58,880 --> 00:44:05,120
Speaker 4: Yes, it's also being janitor, Bud fired janitor episode.

922
00:44:05,160 --> 00:44:09,239
Speaker 6: Yeah, it's the most thankless but still noble job. And

923
00:44:09,280 --> 00:44:11,520
Speaker 6: that's what our character, that's what our show. The trope

924
00:44:11,520 --> 00:44:13,880
Speaker 6: that our show keeps coming back to is the janitor.

925
00:44:14,080 --> 00:44:15,000
Speaker 3: Yeah.

926
00:44:15,120 --> 00:44:18,080
Speaker 1: Corey decides he won't do it. The work study program

927
00:44:18,120 --> 00:44:20,440
Speaker 1: was supposed to prepare him for life. What's the lesson

928
00:44:20,480 --> 00:44:22,640
Speaker 1: in this? Phil states, The lesson is that you do

929
00:44:22,719 --> 00:44:24,440
Speaker 1: whatever they ask you to. Do and you do it

930
00:44:24,440 --> 00:44:26,960
Speaker 1: as well as you can. He tells Corey he's a

931
00:44:27,000 --> 00:44:30,160
Speaker 1: good kid and begins to walk away, but he stops himself. Oh,

932
00:44:30,239 --> 00:44:33,680
Speaker 1: don't take the toilet paper. They check cars. Bill is

933
00:44:34,200 --> 00:44:34,640
Speaker 1: killing it.

934
00:44:34,800 --> 00:44:37,560
Speaker 4: He's killing it. He's killing it without ever doing it.

935
00:44:37,800 --> 00:44:41,319
Speaker 4: He makes no inflection on anything ever, and h every

936
00:44:41,440 --> 00:44:42,279
Speaker 4: joke out of the park.

937
00:44:42,560 --> 00:44:43,840
Speaker 2: It's so funny. Great.

938
00:44:44,360 --> 00:44:46,719
Speaker 1: Corey is clearly disappointed. As he goes on with his

939
00:44:46,760 --> 00:44:49,120
Speaker 1: new job, he runs into Sean. He asks Corey why

940
00:44:49,120 --> 00:44:51,480
Speaker 1: he's dressed as a janitor, and Corey returns with a question,

941
00:44:51,680 --> 00:44:54,399
Speaker 1: you tell me, Sean thought they gave him his old job.

942
00:44:54,440 --> 00:44:57,320
Speaker 1: Back in the mailroom, Corey notices the poster Sean is holding.

943
00:44:57,560 --> 00:45:00,239
Speaker 1: It's the toothpaste campaign. Sean holds up a pick sure

944
00:45:00,239 --> 00:45:03,279
Speaker 1: of a beautiful smiling girl and we see got toothpaste

945
00:45:03,320 --> 00:45:07,239
Speaker 1: written across her bare chest. Corey's eyes, Well, looks like

946
00:45:07,280 --> 00:45:10,520
Speaker 1: I was wrong. Sex does sell. Mister Morris pops his

947
00:45:10,520 --> 00:45:12,719
Speaker 1: head out of his office. I spilled my coffee. Sean,

948
00:45:12,760 --> 00:45:14,280
Speaker 1: you want to get that guy to clean up the mess.

949
00:45:14,680 --> 00:45:19,200
Speaker 1: Cory sadly jumps in, I'm the guy, and then we

950
00:45:19,239 --> 00:45:21,720
Speaker 1: are in Eric Jack and Shawn's apartment. Jack and Amy

951
00:45:21,760 --> 00:45:24,240
Speaker 1: walk in on Eric and Monica making out on the couch.

952
00:45:24,560 --> 00:45:26,480
Speaker 4: I did not think I had another I thought my

953
00:45:26,560 --> 00:45:29,120
Speaker 4: kissing scenes were over for boys old. I did not

954
00:45:29,239 --> 00:45:32,359
Speaker 4: remember having another kissing scene this entire time. So yeah,

955
00:45:32,400 --> 00:45:35,320
Speaker 4: it was strange to see that again, like oh, oh, geez,

956
00:45:35,320 --> 00:45:36,040
Speaker 4: work making out of.

957
00:45:36,120 --> 00:45:39,400
Speaker 1: The watch making out. They quickly pull apart, and Monica

958
00:45:39,440 --> 00:45:42,479
Speaker 1: says hi to Amy. Eric is startled Amy. Her name's

959
00:45:42,520 --> 00:45:44,759
Speaker 1: not Amy, it's missus Matthews. He wants to know what

960
00:45:44,760 --> 00:45:47,360
Speaker 1: they're doing here. Jack explains he was having trouble with

961
00:45:47,360 --> 00:45:49,799
Speaker 1: his writing assignment, and Amy offered to help. Jack says

962
00:45:49,840 --> 00:45:51,839
Speaker 1: he can't stop thinking about the last paper she wrote.

963
00:45:51,960 --> 00:45:55,400
Speaker 1: Eric shouts, that's because it was smut. My lips quivered.

964
00:45:55,440 --> 00:46:01,520
Speaker 1: It was filth, squeamy, filth. That's so funny. Monica reminds

965
00:46:01,640 --> 00:46:03,759
Speaker 1: Eric that the teacher gave her an a. Amy thinks

966
00:46:03,760 --> 00:46:05,799
Speaker 1: he'll really like her next paper too, and she pulls

967
00:46:05,800 --> 00:46:08,080
Speaker 1: it out of her backpack. Eric quickly takes it. An

968
00:46:08,120 --> 00:46:11,759
Speaker 1: evening in Cape cod Ha. He's relieved. This is more

969
00:46:11,920 --> 00:46:14,680
Speaker 1: like it. He reads the first line about Amy quivering

970
00:46:14,719 --> 00:46:17,720
Speaker 1: near Alan, don't you do anything but quiver. He reads

971
00:46:17,719 --> 00:46:19,800
Speaker 1: on and gasps, oh my god, you do.

972
00:46:23,080 --> 00:46:23,680
Speaker 2: So great.

973
00:46:24,440 --> 00:46:27,520
Speaker 1: Eric has had enough. College is my time. You shouldn't

974
00:46:27,520 --> 00:46:29,960
Speaker 1: be here. You should be at home raising your kids.

975
00:46:30,080 --> 00:46:33,279
Speaker 1: They're not done yet. Amy counters, I've been a mother

976
00:46:33,400 --> 00:46:35,839
Speaker 1: and wife for most of my life and I've loved it,

977
00:46:36,080 --> 00:46:37,120
Speaker 1: but I need to be more.

978
00:46:37,440 --> 00:46:46,000
Speaker 2: She losts toward the door. Hue jobs at least I know, yeh,

979
00:46:48,160 --> 00:46:50,680
Speaker 2: little retcon. What's a little retcon at this one? You know?

980
00:46:51,800 --> 00:46:54,439
Speaker 2: She walks towards the door and stops. Betsy, your best

981
00:46:54,480 --> 00:46:56,720
Speaker 2: episode in like two seasons.

982
00:46:56,719 --> 00:46:58,960
Speaker 1: Well, I wonder how we need to have her back

983
00:46:58,960 --> 00:47:01,080
Speaker 1: to talk about it, because I want wonder how relieved

984
00:47:01,239 --> 00:47:04,879
Speaker 1: she was to a story, to have a real storyline.

985
00:47:05,320 --> 00:47:07,480
Speaker 1: And I wonder if she had brought it up or

986
00:47:07,520 --> 00:47:09,640
Speaker 1: if they surprised her with it. I want to know

987
00:47:09,640 --> 00:47:10,480
Speaker 1: what the reaction was.

988
00:47:10,520 --> 00:47:11,360
Speaker 2: We need to remember that.

989
00:47:11,800 --> 00:47:13,440
Speaker 4: Her and I having to talk about how much just

990
00:47:13,440 --> 00:47:16,040
Speaker 4: fun it was to just work together again, because anytime

991
00:47:16,080 --> 00:47:17,880
Speaker 4: it was it was Eric and Amy. We had a

992
00:47:17,920 --> 00:47:20,560
Speaker 4: great dynamic and they were kind of going for that.

993
00:47:20,680 --> 00:47:22,120
Speaker 4: At one point where.

994
00:47:22,000 --> 00:47:23,880
Speaker 2: We had a couple episodes we did stuff together and

995
00:47:23,920 --> 00:47:26,400
Speaker 2: then we just kind of stopped working together, so it

996
00:47:26,440 --> 00:47:29,040
Speaker 2: was fun to come back and just be with Betsy again.

997
00:47:29,920 --> 00:47:44,120
Speaker 1: It was really great. She walks toward the door and stops.

998
00:47:44,400 --> 00:47:47,360
Speaker 1: If you're uncomfortable with that, then you're right, I shouldn't

999
00:47:47,360 --> 00:47:49,640
Speaker 1: be here. And then we're back in the Matthew's kitchen.

1000
00:47:50,440 --> 00:47:54,320
Speaker 1: This is some of Bill daniels greatest work.

1001
00:47:54,239 --> 00:47:56,719
Speaker 2: Okay, ever in the history. I watched it. I watched

1002
00:47:56,760 --> 00:47:59,600
Speaker 2: it three times. I watched it three times, I know.

1003
00:48:00,080 --> 00:48:02,640
Speaker 2: I called Indy over and I said, Indy, do you

1004
00:48:02,680 --> 00:48:04,279
Speaker 2: see this? Do you see that?

1005
00:48:04,400 --> 00:48:08,440
Speaker 6: You He doesn't say an intelligible word and tells you

1006
00:48:08,480 --> 00:48:11,080
Speaker 6: the entire story. You know exactly what he's reading from

1007
00:48:11,520 --> 00:48:15,359
Speaker 6: to be and all he's doing is sign and and

1008
00:48:15,560 --> 00:48:17,760
Speaker 6: oh my god, I just can't.

1009
00:48:19,239 --> 00:48:20,040
Speaker 2: I could not believe it.

1010
00:48:20,080 --> 00:48:24,920
Speaker 6: I watched freaking genius and he gets a laugh on

1011
00:48:25,120 --> 00:48:26,080
Speaker 6: every one.

1012
00:48:26,160 --> 00:48:29,319
Speaker 2: He gets a laugh every time. I'm so glad we

1013
00:48:29,360 --> 00:48:33,000
Speaker 2: are all thinking it's one of the great men ever.

1014
00:48:33,280 --> 00:48:35,279
Speaker 4: It shows one of its truly, it truly is one

1015
00:48:35,280 --> 00:48:37,799
Speaker 4: of the best Bill Daniels acting moments I've seen read.

1016
00:48:38,040 --> 00:48:39,800
Speaker 2: And that's saying it shows that.

1017
00:48:40,120 --> 00:48:44,320
Speaker 6: It shows the specificity of his imagination and his ability

1018
00:48:44,360 --> 00:48:46,000
Speaker 6: to convey that specificity.

1019
00:48:46,200 --> 00:48:47,200
Speaker 2: It's not generic.

1020
00:48:47,280 --> 00:48:50,320
Speaker 6: You feel that he's very specific about each one of

1021
00:48:50,360 --> 00:48:52,480
Speaker 6: those beats, and you know in the script it was

1022
00:48:52,520 --> 00:48:57,200
Speaker 6: just oh whatever, And yet he found ways to tell

1023
00:48:57,239 --> 00:48:58,239
Speaker 6: the whole story.

1024
00:48:58,480 --> 00:49:00,320
Speaker 2: Look at the end when he's just like m M

1025
00:49:00,400 --> 00:49:05,960
Speaker 2: and laughing, like satisfied and tells the three act stories.

1026
00:49:06,000 --> 00:49:09,520
Speaker 2: He tells a three act stories. He switches the page

1027
00:49:09,560 --> 00:49:12,160
Speaker 2: and then he's just like, okay, so it So, I

1028
00:49:12,239 --> 00:49:15,799
Speaker 2: think the story is about Reginald Fairfield in.

1029
00:49:15,800 --> 00:49:21,600
Speaker 7: Your writing about now you think you're oh yeah, I mean,

1030
00:49:22,480 --> 00:49:26,200
Speaker 7: I mean you're thinking Reginald is you know, they're you know, swinging.

1031
00:49:27,480 --> 00:49:28,120
Speaker 2: It was the time.

1032
00:49:28,160 --> 00:49:30,200
Speaker 6: It wasn't even called swinging yet because they weren't married.

1033
00:49:30,200 --> 00:49:32,440
Speaker 6: They were just they were just it was just the

1034
00:49:32,480 --> 00:49:33,919
Speaker 6: sermons and they were just in love.

1035
00:49:36,000 --> 00:49:37,040
Speaker 2: It's it's so good.

1036
00:49:37,120 --> 00:49:40,160
Speaker 1: So Phoene is sitting next to Amy reading her creative writing.

1037
00:49:40,280 --> 00:49:43,280
Speaker 1: He's giving her animated ms and o's as he reads

1038
00:49:43,320 --> 00:49:48,799
Speaker 1: through it. He finally finishes, adding adding a final you

1039
00:49:48,880 --> 00:49:51,759
Speaker 1: have to watch it immediately, watch it, watch it over,

1040
00:49:52,040 --> 00:49:54,000
Speaker 1: watch it again, so then before you turn it off,

1041
00:49:54,000 --> 00:49:54,600
Speaker 1: go back and watch it.

1042
00:49:54,640 --> 00:49:56,000
Speaker 6: I don't know if I've told the story the but

1043
00:49:56,080 --> 00:49:58,680
Speaker 6: Bill Bill told me, you know, because I discovered the

1044
00:49:58,680 --> 00:50:02,720
Speaker 6: work of Edward all Be the playwright, and of course

1045
00:50:02,760 --> 00:50:06,080
Speaker 6: Bill Daniels originated one of Edward Albey's most famous plays,

1046
00:50:06,120 --> 00:50:06,800
Speaker 6: The Zoo Story.

1047
00:50:06,880 --> 00:50:08,560
Speaker 2: So when I read it while I.

1048
00:50:08,520 --> 00:50:11,000
Speaker 6: Was in school and found out that Bill did it,

1049
00:50:11,000 --> 00:50:12,960
Speaker 6: and so I got to talk to him about it,

1050
00:50:13,280 --> 00:50:15,640
Speaker 6: and he tells this story about how.

1051
00:50:16,800 --> 00:50:17,640
Speaker 2: They're first.

1052
00:50:17,680 --> 00:50:20,080
Speaker 6: So The Zoo Story is an amazing play, and it's

1053
00:50:20,120 --> 00:50:22,600
Speaker 6: two characters on a bench and the one character is

1054
00:50:22,600 --> 00:50:24,560
Speaker 6: sitting there reading the newspaper and he's like the sort

1055
00:50:24,600 --> 00:50:26,720
Speaker 6: of a button up conservative guy, and the other character

1056
00:50:26,800 --> 00:50:29,839
Speaker 6: is sort of this unhinged and he comes up behind

1057
00:50:29,920 --> 00:50:31,680
Speaker 6: him and says, I've been to the zoo. And that's

1058
00:50:31,680 --> 00:50:33,520
Speaker 6: the first line of the play. And they don't know

1059
00:50:33,520 --> 00:50:34,719
Speaker 6: each other as strangers, and.

1060
00:50:35,080 --> 00:50:36,839
Speaker 2: He gets a laugh, and why are they laughing?

1061
00:50:36,920 --> 00:50:40,080
Speaker 6: Exactly so Bill, But what Bill did is he just

1062
00:50:40,520 --> 00:50:42,359
Speaker 6: looked up from the newspaper when the guy says I've

1063
00:50:42,360 --> 00:50:45,880
Speaker 6: been to the zoo, and Bill's reaction got a huge laugh.

1064
00:50:46,280 --> 00:50:48,640
Speaker 6: And then the guy says another line and Bill tilted

1065
00:50:48,640 --> 00:50:50,839
Speaker 6: his head and got a huge laugh, and he said

1066
00:50:50,840 --> 00:50:53,920
Speaker 6: that Edward, I'll be freaked out and ran backstage afterwards

1067
00:50:53,960 --> 00:50:55,320
Speaker 6: and was like, why are they laughing?

1068
00:50:55,320 --> 00:50:56,160
Speaker 2: Why are they laughing?

1069
00:50:56,360 --> 00:50:59,080
Speaker 6: And Bill was like, because the honesty is funny. Like there,

1070
00:50:59,080 --> 00:51:02,120
Speaker 6: I can't control. I'm just that's how my character would react,

1071
00:51:02,520 --> 00:51:06,399
Speaker 6: but you can. I guess this moment made me think

1072
00:51:06,400 --> 00:51:11,120
Speaker 6: of that story because Bill's ability to play the reality

1073
00:51:11,560 --> 00:51:15,560
Speaker 6: but be so specific and pull you into his internal

1074
00:51:15,600 --> 00:51:19,160
Speaker 6: life like it's just it's a true genius actor like

1075
00:51:19,200 --> 00:51:21,799
Speaker 6: that can do that with a look or with a moan.

1076
00:51:21,640 --> 00:51:22,760
Speaker 2: Or whatever he does.

1077
00:51:22,880 --> 00:51:25,400
Speaker 6: He just like, oh, you know everything that he's thinking,

1078
00:51:25,480 --> 00:51:28,719
Speaker 6: and it's just it's complete transparency and openness and it's

1079
00:51:28,800 --> 00:51:31,799
Speaker 6: not it's not like performative in any way. It's not

1080
00:51:31,840 --> 00:51:33,960
Speaker 6: like figuring out how his face is going to be

1081
00:51:34,120 --> 00:51:34,719
Speaker 6: or a sound.

1082
00:51:34,800 --> 00:51:37,359
Speaker 2: It's just living truly in it. And it's so it

1083
00:51:37,400 --> 00:51:40,160
Speaker 2: pulls you into him. It just pulls you through. It's

1084
00:51:40,200 --> 00:51:42,840
Speaker 2: he's so brop. We also, we worked with him every day,

1085
00:51:43,000 --> 00:51:46,640
Speaker 2: and so I think we took for granted just how

1086
00:51:46,640 --> 00:51:47,520
Speaker 2: talented he is.

1087
00:51:47,800 --> 00:51:51,520
Speaker 4: Yeah, because you do you see these moments and you go, oh, right,

1088
00:51:51,880 --> 00:51:56,320
Speaker 4: working on a totally different level, totally just I mean brilliant, brilliant,

1089
00:51:56,440 --> 00:51:57,280
Speaker 4: literally brilliant.

1090
00:51:57,680 --> 00:52:00,239
Speaker 1: So Amy asks what he thinks, and Phoenie says it's

1091
00:52:00,239 --> 00:52:03,040
Speaker 1: some of the most provocative fiction I've ever read. Amy

1092
00:52:03,080 --> 00:52:06,920
Speaker 1: admits it's all true. George, he gets wide eyed and says, oh, dear,

1093
00:52:07,520 --> 00:52:08,880
Speaker 1: fifty shades of Amy.

1094
00:52:09,400 --> 00:52:11,520
Speaker 4: Yeah, well, you see, it sounds like she could write

1095
00:52:11,600 --> 00:52:15,160
Speaker 4: those kind of you know what, let's just say, the

1096
00:52:15,200 --> 00:52:17,040
Speaker 4: books where they use the word throbbing.

1097
00:52:17,080 --> 00:52:17,600
Speaker 3: A lot.

1098
00:52:19,840 --> 00:52:21,400
Speaker 2: Of those romance novel writers.

1099
00:52:22,719 --> 00:52:24,839
Speaker 1: She has a lot of talent, and Vienie makes sure

1100
00:52:24,840 --> 00:52:28,560
Speaker 1: to clarify as a storyteller. Hey, Amy says it doesn't

1101
00:52:28,600 --> 00:52:31,480
Speaker 1: matter anyways, because she's dropping the class. Eric shouldn't have

1102
00:52:31,520 --> 00:52:33,720
Speaker 1: to be embarrassed by having his mother there with him.

1103
00:52:34,080 --> 00:52:36,360
Speaker 1: Eric is now standing on the stairs. He's been listening

1104
00:52:36,360 --> 00:52:38,520
Speaker 1: the whole time. You don't have to do that, Amy.

1105
00:52:38,760 --> 00:52:41,680
Speaker 1: She asks why he's calling her Amy, and he coldly responds,

1106
00:52:42,040 --> 00:52:46,240
Speaker 1: because that's your human name. And that was a big

1107
00:52:46,600 --> 00:52:47,800
Speaker 1: laugh in my house.

1108
00:52:49,800 --> 00:52:53,760
Speaker 2: She's human name is unbelievable, and.

1109
00:52:53,640 --> 00:52:57,279
Speaker 1: Your delivery of it so like because like, like you're

1110
00:52:57,320 --> 00:52:59,920
Speaker 1: so proud of yourself for recognizing that she's a human.

1111
00:53:00,680 --> 00:53:04,120
Speaker 2: I just it's your human because that's your human name.

1112
00:53:05,120 --> 00:53:05,640
Speaker 2: I love it.

1113
00:53:06,200 --> 00:53:08,719
Speaker 1: Eric read her paper and realized She's more than just

1114
00:53:08,760 --> 00:53:11,960
Speaker 1: a mother and a housewife. She's also a really good storyteller,

1115
00:53:12,040 --> 00:53:14,000
Speaker 1: and she should come back to class and keep writing.

1116
00:53:14,480 --> 00:53:17,319
Speaker 1: Amy grins, I mean so much coming from Eric. She

1117
00:53:17,360 --> 00:53:19,680
Speaker 1: gives him a big hug, and he reveals more good news.

1118
00:53:20,000 --> 00:53:22,280
Speaker 1: Your paper was so good, and I was so proud

1119
00:53:22,280 --> 00:53:25,719
Speaker 1: of you. I sent a copy to Grandma. Amy gasps.

1120
00:53:26,200 --> 00:53:30,080
Speaker 1: Mother Phoe chimes in, oh dear, oh dear, so good,

1121
00:53:30,480 --> 00:53:33,719
Speaker 1: so fue perfect turn. Also, I'm back to think it

1122
00:53:33,800 --> 00:53:36,480
Speaker 1: perfect length of scene. Ready to go back and ready

1123
00:53:36,520 --> 00:53:40,000
Speaker 1: to move on to something else. Eric, Jack and Sean's apartment.

1124
00:53:40,120 --> 00:53:42,440
Speaker 1: The elevator doors open to reveal Corey and too Panga,

1125
00:53:42,600 --> 00:53:45,439
Speaker 1: who is holding a bouquet of flowers. At first, Corey

1126
00:53:45,480 --> 00:53:48,040
Speaker 1: doesn't leave, but to Pega drags him out. She realizes

1127
00:53:48,040 --> 00:53:49,880
Speaker 1: it's awkward for him to be doing so much better

1128
00:53:49,920 --> 00:53:52,080
Speaker 1: than Sean. But this dinner has been planned for a

1129
00:53:52,120 --> 00:53:56,200
Speaker 1: long time, and I wondered, is Corey actively lying to

1130
00:53:56,239 --> 00:53:58,800
Speaker 1: her about her doing better or is Topanga making a

1131
00:53:58,880 --> 00:54:00,000
Speaker 1: lie the assumption.

1132
00:54:00,280 --> 00:54:03,080
Speaker 6: I think to Panka's making assumptions because Corey actually says

1133
00:54:03,160 --> 00:54:06,319
Speaker 6: in that previous scene, he says he's upstairs and the

1134
00:54:06,320 --> 00:54:08,480
Speaker 6: way Ben delivered it was like he was ready to

1135
00:54:08,520 --> 00:54:10,879
Speaker 6: tell to Panga the truth and then to Panga just

1136
00:54:11,160 --> 00:54:13,600
Speaker 6: moved on and you're taking care of him, right, and

1137
00:54:13,680 --> 00:54:16,080
Speaker 6: so I think he's just letting. Yeah, that was an

1138
00:54:16,120 --> 00:54:18,360
Speaker 6: intentional thing that I think they left it so that

1139
00:54:18,680 --> 00:54:21,680
Speaker 6: it was And the way Ben delivered, it wasn't like

1140
00:54:21,719 --> 00:54:24,279
Speaker 6: he's upstairs. It was like he was about to say

1141
00:54:24,320 --> 00:54:26,520
Speaker 6: the truth. And so I think that, Yeah, I think

1142
00:54:26,520 --> 00:54:30,319
Speaker 6: it's smart because if if Corey were actively lying, yeah,

1143
00:54:30,360 --> 00:54:32,400
Speaker 6: that's like, yeah, yeah, that sucks.

1144
00:54:32,480 --> 00:54:38,080
Speaker 2: Ya assume just like Corey assumed he would do better.

1145
00:54:38,040 --> 00:54:40,799
Speaker 1: Right, right, So they won't talk about work. Just then,

1146
00:54:40,880 --> 00:54:43,360
Speaker 1: Angela and Sean answered the door, and Corey and Sean

1147
00:54:43,400 --> 00:54:46,360
Speaker 1: greet each other awkwardly. Sean nervously says he's happy that

1148
00:54:46,440 --> 00:54:49,680
Speaker 1: Corey came. Corey defensively asks why wouldn't he come? He

1149
00:54:49,760 --> 00:54:52,240
Speaker 1: was invited over for dinner. He's there for dinner. Where's

1150
00:54:52,280 --> 00:54:55,719
Speaker 1: his dinner? Sean suggests they all eat, but then the

1151
00:54:55,719 --> 00:54:56,320
Speaker 1: phone rings.

1152
00:54:57,040 --> 00:55:01,560
Speaker 6: I noticed the progression of me to advertising was tucked

1153
00:55:01,560 --> 00:55:03,040
Speaker 6: in shirts with.

1154
00:55:03,000 --> 00:55:04,799
Speaker 2: A belt, not in shirt with a belt. Not a

1155
00:55:04,800 --> 00:55:07,440
Speaker 2: great look for me. Actually, really, yeah, I don't think the.

1156
00:55:07,360 --> 00:55:10,600
Speaker 6: Tucked in shirts working with the giant pants.

1157
00:55:09,719 --> 00:55:12,560
Speaker 2: It was advertising.

1158
00:55:12,880 --> 00:55:15,360
Speaker 6: But it's so funny because I actually I would be

1159
00:55:15,400 --> 00:55:17,719
Speaker 6: wearing like a suit and tie, right, or like a

1160
00:55:17,760 --> 00:55:20,120
Speaker 6: shirt and tie. But we had just done the episode

1161
00:55:20,160 --> 00:55:23,399
Speaker 6: where Angela said don't ever win, so I think they

1162
00:55:23,480 --> 00:55:25,680
Speaker 6: couldn't do that, so the only alternative was just having

1163
00:55:25,719 --> 00:55:27,040
Speaker 6: me tuck in my shirts.

1164
00:55:28,000 --> 00:55:30,560
Speaker 2: Yeah, I liked it. I thought it was elevated.

1165
00:55:30,920 --> 00:55:32,279
Speaker 1: I thought it was good that it was like, they're

1166
00:55:32,280 --> 00:55:34,440
Speaker 1: not going to expect a high school student who's there

1167
00:55:34,480 --> 00:55:37,239
Speaker 1: for work study to go buy a suit, but you,

1168
00:55:37,400 --> 00:55:39,319
Speaker 1: on your own are going to start dressing for the

1169
00:55:39,400 --> 00:55:43,080
Speaker 1: job you want and just elevate your own style ever

1170
00:55:43,160 --> 00:55:46,239
Speaker 1: so slightly. And yeah, I actually I liked it, and

1171
00:55:46,280 --> 00:55:48,000
Speaker 1: I thought you looked I thought you looked fabulous.

1172
00:55:48,040 --> 00:55:48,600
Speaker 2: Oh thank you.

1173
00:55:49,920 --> 00:55:52,000
Speaker 1: The phone rings to Panga asks if Sean's going to

1174
00:55:52,000 --> 00:55:54,200
Speaker 1: answer it, and Sean mentions, it's just the facts.

1175
00:55:54,520 --> 00:55:57,000
Speaker 2: Corey notes, oh, they gave you a fax.

1176
00:55:57,080 --> 00:55:59,120
Speaker 6: Okay, are we going to talk about did you guys

1177
00:55:59,200 --> 00:56:00,799
Speaker 6: notice the picture.

1178
00:56:00,960 --> 00:56:03,280
Speaker 2: With broccoli on it? You bet your idea if broccoli,

1179
00:56:03,400 --> 00:56:08,280
Speaker 2: of course changed what was going on, I'm telling you.

1180
00:56:08,360 --> 00:56:10,480
Speaker 6: So it was an in joke that we had no

1181
00:56:10,600 --> 00:56:12,879
Speaker 6: idea was every week they're changing every week?

1182
00:56:13,560 --> 00:56:16,400
Speaker 2: Who was doing this? We have to meet David Glaciers.

1183
00:56:17,440 --> 00:56:20,080
Speaker 6: It's Glasier or somebody in the art department has this

1184
00:56:20,239 --> 00:56:22,439
Speaker 6: in joke of changing the picture of.

1185
00:56:22,320 --> 00:56:26,440
Speaker 2: Food every week. Every week. It's hysterical and we never noticed.

1186
00:56:26,840 --> 00:56:29,359
Speaker 2: What are they coding? What are they saying? I don't know.

1187
00:56:29,680 --> 00:56:32,080
Speaker 1: I sure do love it, and I and none of

1188
00:56:32,120 --> 00:56:34,440
Speaker 1: us remember it. But I do wonder if, like maybe

1189
00:56:34,480 --> 00:56:35,919
Speaker 1: we were aware of it at the time.

1190
00:56:36,040 --> 00:56:37,839
Speaker 4: That's what I thought too, was like, did you know

1191
00:56:37,920 --> 00:56:40,480
Speaker 4: this happening and talk about it?

1192
00:56:40,520 --> 00:56:42,960
Speaker 6: Maybe because we were We knew about the lobster, we

1193
00:56:43,040 --> 00:56:46,000
Speaker 6: knew about some in jokes, we knew about like many of.

1194
00:56:46,000 --> 00:56:50,000
Speaker 4: Us would have noticed that every changing the posters. We

1195
00:56:50,000 --> 00:56:50,960
Speaker 4: wouldn't notice that.

1196
00:56:51,080 --> 00:56:53,319
Speaker 2: Somebody wouldn't. I think if somebody said that.

1197
00:56:53,280 --> 00:56:55,200
Speaker 6: It was, if somebody said there was something they were

1198
00:56:55,200 --> 00:56:57,759
Speaker 6: doing intentionally we would know about. It would be like

1199
00:56:57,760 --> 00:57:00,640
Speaker 6: an ongoing thing that we would be, Oh, what's this week? Yes,

1200
00:57:00,880 --> 00:57:01,400
Speaker 6: think about it?

1201
00:57:01,440 --> 00:57:03,879
Speaker 2: How often we knew? Like stuff was? I think they

1202
00:57:03,880 --> 00:57:05,960
Speaker 2: were doing it completely secretly.

1203
00:57:05,520 --> 00:57:07,839
Speaker 6: And I'm wondering why I want to know what they

1204
00:57:07,840 --> 00:57:09,600
Speaker 6: were trying, Like, were they just trying to get away

1205
00:57:09,800 --> 00:57:11,560
Speaker 6: with it and see if anybody notice.

1206
00:57:11,680 --> 00:57:13,120
Speaker 2: I don't know. I'm so curious.

1207
00:57:14,320 --> 00:57:16,760
Speaker 1: Yeah, I reached out to Mark Pebson. He did not

1208
00:57:16,760 --> 00:57:20,120
Speaker 1: write me back. So yeah, we might we might need

1209
00:57:20,160 --> 00:57:21,280
Speaker 1: to reach out to David Glazer.

1210
00:57:21,440 --> 00:57:22,040
Speaker 2: Yeah.

1211
00:57:22,200 --> 00:57:24,520
Speaker 1: Tapanga asks Cory why they didn't give him a fax.

1212
00:57:24,680 --> 00:57:27,120
Speaker 1: Corey says, at my level, they don't fax you.

1213
00:57:27,120 --> 00:57:29,560
Speaker 2: You just know. Then we hear a new ring.

1214
00:57:29,840 --> 00:57:32,400
Speaker 1: Corey asks where it's coming from, and Sean nervously passes

1215
00:57:32,440 --> 00:57:36,040
Speaker 1: his cell phone to Angela. It's nothing. Angela explains that

1216
00:57:36,080 --> 00:57:38,560
Speaker 1: the company gave it to Sean. To Pega smiles, good

1217
00:57:38,600 --> 00:57:41,840
Speaker 1: for you, Sean. Angela mentions they also gave him a

1218
00:57:41,880 --> 00:57:45,520
Speaker 1: credit card. Corey's had enough to Pega can't believe all

1219
00:57:45,560 --> 00:57:47,200
Speaker 1: the things Sewn has received from the job.

1220
00:57:47,400 --> 00:57:48,760
Speaker 2: What have they given you, Corey?

1221
00:57:49,240 --> 00:57:51,080
Speaker 1: He takes a giant key ring out of his pocket

1222
00:57:51,120 --> 00:57:53,479
Speaker 1: to Pega says they look like janitor's keys, and Corey

1223
00:57:53,520 --> 00:57:55,960
Speaker 1: says that's because they are. I'm a janitor. It's all

1224
00:57:56,000 --> 00:57:58,080
Speaker 1: out in the open now. He looks at Sean, I

1225
00:57:58,120 --> 00:58:01,160
Speaker 1: hope you're happy. To Pega remindin him there's nothing wrong

1226
00:58:01,200 --> 00:58:04,000
Speaker 1: with being a janitor. Sean assures Corey that he never

1227
00:58:04,040 --> 00:58:05,920
Speaker 1: wanted any of this to happen, but it did, and

1228
00:58:05,960 --> 00:58:08,439
Speaker 1: he really wants to enjoy it. Corey responds, no one's

1229
00:58:08,480 --> 00:58:11,640
Speaker 1: stopping you. Sean pushes back, I can't enjoy this because

1230
00:58:11,680 --> 00:58:14,080
Speaker 1: of what it's doing to you, Corey yells, because it's

1231
00:58:14,160 --> 00:58:16,760
Speaker 1: killing me. All my life. You're the one that messes up,

1232
00:58:16,760 --> 00:58:18,680
Speaker 1: and I'm the one that cleans up after you. That's

1233
00:58:18,680 --> 00:58:21,760
Speaker 1: the way it's always been. Shawn agrees, for the first time,

1234
00:58:21,800 --> 00:58:24,360
Speaker 1: I'm doing something on my own and it feels really good.

1235
00:58:24,920 --> 00:58:28,479
Speaker 1: Corey sighs, it's supposed to feel good. You did great,

1236
00:58:29,080 --> 00:58:31,680
Speaker 1: I guess for the first time. I'm just jealous of you,

1237
00:58:32,160 --> 00:58:34,440
Speaker 1: and I love this turn for Corey.

1238
00:58:34,680 --> 00:58:35,080
Speaker 2: Awesome.

1239
00:58:35,120 --> 00:58:38,120
Speaker 1: Not staying in the selfish place for too long. It's

1240
00:58:38,320 --> 00:58:43,400
Speaker 1: just so good. Tapanga begs Corey to stop putting so

1241
00:58:43,520 --> 00:58:47,040
Speaker 1: much pressure on himself. Everyone knows he's going to be fine.

1242
00:58:47,320 --> 00:58:50,640
Speaker 1: Corey apologizes to Sean for underestimating him. He's really proud

1243
00:58:50,680 --> 00:58:53,680
Speaker 1: of him. Sean admits he's proud of Corey too. Corey

1244
00:58:53,720 --> 00:58:56,560
Speaker 1: asks for what, and Shawn smirks, you know. The executive

1245
00:58:56,680 --> 00:58:59,160
Speaker 1: washroom on the thirtieth floor. I heard Keller say to

1246
00:58:59,200 --> 00:59:02,320
Speaker 1: Marsden that it's never been cleaner. Corey gets a kick

1247
00:59:02,320 --> 00:59:04,280
Speaker 1: out of this, smiling ear to ear that was me.

1248
00:59:05,640 --> 00:59:07,800
Speaker 1: And then we're in the tag. We're at the Penbrooke

1249
00:59:07,880 --> 00:59:10,840
Speaker 1: creative writing class. Monica asks Eric if he's okay with

1250
00:59:10,880 --> 00:59:12,880
Speaker 1: his mom staying in the class, and he nods. He

1251
00:59:12,960 --> 00:59:14,960
Speaker 1: and Amy had a little discussion and she agreed there

1252
00:59:14,960 --> 00:59:17,880
Speaker 1: will be no more provocative stories about her and Allen

1253
00:59:18,360 --> 00:59:21,200
Speaker 1: Jack says, I'm gonna miss those, especially the one in

1254
00:59:21,200 --> 00:59:26,040
Speaker 1: the elevator. Monica nods in agreement, but Eric shouts ah

1255
00:59:26,080 --> 00:59:28,680
Speaker 1: to make him stop. The teacher asks Amy if she'd

1256
00:59:28,720 --> 00:59:30,280
Speaker 1: like to read her lead a short story, and she

1257
00:59:30,320 --> 00:59:32,120
Speaker 1: happily makes her way to the front of the class.

1258
00:59:32,360 --> 00:59:36,080
Speaker 1: She reads her latest title, A Mother's Struggle. Eric seems relieved.

1259
00:59:36,480 --> 00:59:39,680
Speaker 1: She starts detailing Eric's birth, and the whole class groans

1260
00:59:39,720 --> 00:59:43,960
Speaker 1: and covers their ears ew. Eric shouts back he's offended.

1261
00:59:45,840 --> 00:59:47,960
Speaker 1: I really thought this was a great episode. I thought

1262
00:59:47,960 --> 00:59:52,120
Speaker 1: everybody had everyone's storyline. It was smart, made sense. They

1263
00:59:52,160 --> 00:59:54,160
Speaker 1: tied everybody together. I love that they were able to

1264
00:59:54,160 --> 00:59:57,480
Speaker 1: bring the adults into the school college setting.

1265
00:59:57,880 --> 01:00:02,080
Speaker 2: Poenne involved perfectly. Oh the guest stars were good. I

1266
01:00:02,080 --> 01:00:03,760
Speaker 2: mean there was not. It wasn't a week link in

1267
01:00:03,800 --> 01:00:05,840
Speaker 2: the episode. There really was no that was great. It

1268
01:00:05,880 --> 01:00:11,800
Speaker 2: was really really wonderful. I will say so interesting. It's

1269
01:00:11,920 --> 01:00:15,680
Speaker 2: it's so tight. It's kind of forgettable, Like do you

1270
01:00:15,720 --> 01:00:17,360
Speaker 2: know what I mean? Like I didn't.

1271
01:00:17,400 --> 01:00:20,120
Speaker 6: I don't like it's it's a classic sitcom episode in

1272
01:00:20,160 --> 01:00:24,120
Speaker 6: that it has no connection to there's no serialization, right,

1273
01:00:24,440 --> 01:00:29,439
Speaker 6: there's no like real edge. So in some ways it's

1274
01:00:29,480 --> 01:00:32,320
Speaker 6: like a perfect episode, but it also is like just

1275
01:00:32,360 --> 01:00:35,200
Speaker 6: a just a steady boy meets world episode, not like

1276
01:00:35,280 --> 01:00:37,120
Speaker 6: one of those that we would ever put on a

1277
01:00:37,160 --> 01:00:41,680
Speaker 6: top twenty list, even because it doesn't have that sort

1278
01:00:41,720 --> 01:00:43,800
Speaker 6: of like like if our show had just been like

1279
01:00:43,840 --> 01:00:46,720
Speaker 6: this for all seven seasons.

1280
01:00:46,480 --> 01:00:47,960
Speaker 2: I don't think we would have this podcast.

1281
01:00:47,960 --> 01:00:49,480
Speaker 6: I don't think we would have the follow we do

1282
01:00:49,520 --> 01:00:51,960
Speaker 6: because we didn't, we wouldn't have taken many risks. This

1283
01:00:52,040 --> 01:00:57,080
Speaker 6: is a very safe, well written, well executed, standard ninety

1284
01:00:57,160 --> 01:00:59,720
Speaker 6: sitcom episode, which is just something to point out, like

1285
01:00:59,760 --> 01:01:03,160
Speaker 6: that's like sometimes if you're too safe, if you're too tight,

1286
01:01:03,200 --> 01:01:06,240
Speaker 6: if you're you know, okay, you did the thing, and

1287
01:01:06,280 --> 01:01:09,680
Speaker 6: that's great, But some of the bigger risks that we

1288
01:01:09,800 --> 01:01:12,600
Speaker 6: take that you know, we often point out to is

1289
01:01:12,640 --> 01:01:14,439
Speaker 6: also part of the reason why our show is sure

1290
01:01:14,480 --> 01:01:17,080
Speaker 6: great and lasted longer than a lot of other sitcoms.

1291
01:01:17,480 --> 01:01:17,880
Speaker 2: You're right.

1292
01:01:17,960 --> 01:01:19,680
Speaker 1: I do think part of it, though, too, is that

1293
01:01:21,480 --> 01:01:25,840
Speaker 1: we have really set up the serialization of the relationships

1294
01:01:25,840 --> 01:01:28,520
Speaker 1: on this show, and this one kind of like stops

1295
01:01:28,560 --> 01:01:31,440
Speaker 1: taking a focus on that and instead of being about

1296
01:01:31,680 --> 01:01:35,360
Speaker 1: you know, some conflict between Eric and Jack, or a

1297
01:01:35,400 --> 01:01:38,440
Speaker 1: conflict between Sean and Jack, or I mean, we go

1298
01:01:38,560 --> 01:01:40,760
Speaker 1: kind of back to the beginning, which is like some

1299
01:01:40,800 --> 01:01:43,160
Speaker 1: conflict between the two best friends on the show, and

1300
01:01:43,240 --> 01:01:47,280
Speaker 1: it doesn't have a focus on love or romance, and

1301
01:01:48,360 --> 01:01:50,600
Speaker 1: so it's kind of in some ways it's it's probably

1302
01:01:50,600 --> 01:01:54,200
Speaker 1: forgettable because it's not a part of those storylines we've

1303
01:01:54,240 --> 01:01:57,240
Speaker 1: been really setting up. But Boy, I love the I

1304
01:01:57,320 --> 01:02:00,640
Speaker 1: love the Boy meets World first season feel of the

1305
01:02:00,760 --> 01:02:05,600
Speaker 1: lesson about you know, the world is big and scary

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01:02:05,680 --> 01:02:08,120
Speaker 1: and what happens if all the assumptions I've made about

1307
01:02:08,160 --> 01:02:11,560
Speaker 1: how my life are going to turn out don't come true? Right, So,

1308
01:02:11,680 --> 01:02:13,080
Speaker 1: I don't know, I did enjoy it.

1309
01:02:13,680 --> 01:02:14,720
Speaker 2: I also love the lesson.

1310
01:02:15,280 --> 01:02:17,200
Speaker 4: It's a lesson that I think a lot of people

1311
01:02:17,240 --> 01:02:19,280
Speaker 4: needed to hear at the time when you're especially when

1312
01:02:19,320 --> 01:02:23,840
Speaker 4: you're that age about work where phil Lead says to him, He's.

1313
01:02:23,760 --> 01:02:25,120
Speaker 2: Like, what am I supposed to doing? Is you do

1314
01:02:25,120 --> 01:02:26,400
Speaker 2: it you told and you do it to the best

1315
01:02:26,440 --> 01:02:27,160
Speaker 2: of your ability.

1316
01:02:27,240 --> 01:02:30,320
Speaker 4: And that's that's that's a job, you know, no matter

1317
01:02:30,360 --> 01:02:32,200
Speaker 4: what you're doing, do the best you can at whatever

1318
01:02:32,240 --> 01:02:32,720
Speaker 4: you're doing.

1319
01:02:33,200 --> 01:02:34,960
Speaker 6: Picking up on what you said, Danielle, I think like,

1320
01:02:35,320 --> 01:02:38,360
Speaker 6: besides this moment at the end where Corey says, Sean,

1321
01:02:38,400 --> 01:02:40,280
Speaker 6: you're the one that always, you know, messes.

1322
01:02:40,080 --> 01:02:41,320
Speaker 2: Up and I have to clean up for you.

1323
01:02:41,640 --> 01:02:45,120
Speaker 6: Yeah, every this entire script would work with completely generic

1324
01:02:45,320 --> 01:02:48,600
Speaker 6: new characters. It's just a mother and son, mother and

1325
01:02:48,640 --> 01:02:51,280
Speaker 6: a son and two best friends getting a work study.

1326
01:02:51,320 --> 01:02:53,360
Speaker 6: You could actually have written this as a pilot for

1327
01:02:53,360 --> 01:02:55,440
Speaker 6: a whole other show and it would still work exactly

1328
01:02:55,520 --> 01:02:57,840
Speaker 6: the same, Which is interesting, right, That's that like lack

1329
01:02:57,880 --> 01:03:01,840
Speaker 6: of serialization, lack of investment in the characters as specific

1330
01:03:01,880 --> 01:03:04,240
Speaker 6: to the stories that we've established. I don't know, it

1331
01:03:04,320 --> 01:03:07,880
Speaker 6: still works, it's still great. It's just interesting to note that, like, yeah,

1332
01:03:08,080 --> 01:03:10,919
Speaker 6: sometimes those those big swings that Boy Meets World takes

1333
01:03:10,960 --> 01:03:13,080
Speaker 6: are really is there even when they miss it's still

1334
01:03:13,280 --> 01:03:16,360
Speaker 6: taking big swings, which I think is what helps our

1335
01:03:16,400 --> 01:03:17,160
Speaker 6: show stand apart.

1336
01:03:17,480 --> 01:03:20,640
Speaker 4: I also think, though it does, it kind of lends

1337
01:03:20,680 --> 01:03:22,960
Speaker 4: itself a little bit to the character arc and serialization

1338
01:03:23,000 --> 01:03:25,480
Speaker 4: of Corey in them. This is the first time in

1339
01:03:25,520 --> 01:03:26,919
Speaker 4: a while where the universe.

1340
01:03:26,640 --> 01:03:29,760
Speaker 2: Is clapped back, yeah, where it's like, no, everything you

1341
01:03:29,840 --> 01:03:31,960
Speaker 2: think is not That's not the way it works. And

1342
01:03:32,000 --> 01:03:33,960
Speaker 2: sometimes it's going to be the exact opposite of what

1343
01:03:34,000 --> 01:03:35,760
Speaker 2: you think is going to happen and you have to adjust.

1344
01:03:35,800 --> 01:03:39,480
Speaker 6: Not us, right, which is definitely season one right, yea, yeah.

1345
01:03:39,240 --> 01:03:41,720
Speaker 1: Yeah, Well, thank you all for joining us for this

1346
01:03:41,760 --> 01:03:43,720
Speaker 1: episode of Pod Meets World. As always, you can follow

1347
01:03:43,760 --> 01:03:46,160
Speaker 1: us on Instagram pod Meets World Show. You can send

1348
01:03:46,240 --> 01:03:48,919
Speaker 1: us your emails pod meets World Show at gmail dot

1349
01:03:48,920 --> 01:03:50,280
Speaker 1: com and we have.

1350
01:03:50,320 --> 01:03:53,320
Speaker 2: Merch Naked ladies are nice March.

1351
01:03:53,920 --> 01:03:57,000
Speaker 1: Pod Meetsworldshow dot com writer send us out.

1352
01:03:57,200 --> 01:03:58,960
Speaker 2: We love you all, pod dismissed.

1353
01:04:00,960 --> 01:04:04,360
Speaker 6: Podmeats World is an iHeart podcast producer hosted by Danielle Fischel,

1354
01:04:04,400 --> 01:04:08,560
Speaker 6: Wilfridell and Ryder Strong. Executive producers Jensen Karp and Amy Sugarman.

1355
01:04:08,720 --> 01:04:11,880
Speaker 6: Executive in charge of production. Danielle Romo producer and editor

1356
01:04:11,920 --> 01:04:15,360
Speaker 6: Taras Ubasch, producer Maddi Moore, engineer and boy Mets World

1357
01:04:15,440 --> 01:04:16,680
Speaker 6: Superman Easton Allen.

1358
01:04:16,800 --> 01:04:19,400
Speaker 2: Our theme song is by Kyle Morton of Typhoon.

1359
01:04:19,680 --> 01:04:22,600
Speaker 6: Follow us on Instagram at Podmeats World Show or email

1360
01:04:22,720 --> 01:04:28,840
Speaker 6: us at Podmeats World Show at gmail dot com