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Speaker 1: Reality with the King is hosted by me, Carlos King.

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Speaker 1: I'm an executive producer who have produced some of your

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Speaker 1: favorite shows from the Real Housewives in Atlanta, New Jersey

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Speaker 1: and my own creation, The Love and Marriage Franchise and

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Speaker 1: Bell Collective. Every episode we recap reality television from the

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Speaker 1: Real Housewives Franchise to The Bachelor or Selling Sunset, in

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Speaker 1: addition to celebrity guests, whether in the unscripted space or

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Speaker 1: scripted as well.

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Speaker 2: Dustin Ross, you gotta do it like.

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Speaker 3: So much, spot so much?

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Speaker 2: Are you faithful? Okay? Which one you? Traders? Traders?

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Speaker 1: I listen, I'm a I'm a faithful person.

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Speaker 4: Doesn't but you know, for the right of monocoling, that's right,

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Speaker 4: that's right.

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Speaker 2: Okay, baby, this was good.

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Speaker 4: These put episodes four and five were good as hell, Carlos.

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Speaker 2: They on the roll over there. This is a great season, man.

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Speaker 1: A great it really is. And obviously it is my

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Speaker 1: first time watching it. Oh look at lista reader or

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Speaker 1: shall I say, Caroline Stansbury bitch.

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Speaker 2: So nasty? It is so rude, right, Carlos.

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Speaker 3: So nasty, so real? Listen.

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Speaker 1: That should be the title of this episode, episode four

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Speaker 1: or five. Dustin rass Carlos king, we are recapping that

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Speaker 1: of the Traders four and what I say to you,

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Speaker 1: it was as delicious as Candace dealer bassts fashion.

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Speaker 3: So let's just get right into it.

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Speaker 1: So we found out Dustin at the top of episode

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Speaker 1: four that Caroline Stansbury was murdered.

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Speaker 3: She was, she was, but how do you feel about that?

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Speaker 1: The funny thing to me, though, is when she saw

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Speaker 1: that it was Lisa, Renna, Candace and Rob, she literally said.

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Speaker 3: Renda, you bitch like she did?

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Speaker 4: That was that was classic classic. You can't make that

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Speaker 4: kind of stuff up. And so the fact that they

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Speaker 4: had that exchange, or she was literally chained to a

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Speaker 4: tree and speaking through clinched teeth.

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Speaker 2: With that accent.

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Speaker 4: Okay, that was that was television gold Carlos, television gold Man.

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Speaker 2: That was so good.

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Speaker 3: It was really good.

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Speaker 1: But I have to admit I wasn't I wasn't a

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Speaker 1: probed in the beginning because I'm like, wait a second,

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Speaker 1: Like I thought the housewives were supposed to stick together.

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Speaker 1: So I wanted to ask you this, you've been watching

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Speaker 1: this in season one, that sort of like be the

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Speaker 1: sort of like unwritten rule that be housewives really do

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Speaker 1: stick together, and it's a known pack for every season one.

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Speaker 4: That's just the it's it's cold almost you know what

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Speaker 4: I'm saying, Like, you don't go against your sisterhood or

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Speaker 4: else you're gonna be sitting up there like Jennifer Williams

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Speaker 4: was sitting up there on basketball.

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Speaker 3: Was the supposed to be a sisterhood right now?

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Speaker 4: No sisterhood, that's that's how you're gonna fuck around the field,

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Speaker 4: you know what I'm saying.

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Speaker 2: But you're supposed to stick together.

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Speaker 4: And you see the unity amongst the other groups in

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Speaker 4: the cast to the gamers be rolling together in packs,

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Speaker 4: you know what I'm saying. So I think that it

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Speaker 4: is just it would make the most sense. You got

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Speaker 4: to have some sort of like ally or connection to

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Speaker 4: some damn body to start from to be able to

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Speaker 4: build a theory, her come up with an idea about

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Speaker 4: what the hell is going on, So it would served

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Speaker 4: in will to stick together.

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Speaker 2: But Lisa Renna said, fuck that.

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Speaker 4: You know what I'm saying, I don't give a fuck

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Speaker 4: where you come from.

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Speaker 3: When she came into the room.

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Speaker 1: So obviously you know, the episode opens up, everybody goes

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Speaker 1: to get breakfast. What I say to you, this show.

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Speaker 1: And this is me speaking as a producer. This show

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Speaker 1: is so well produced. I am super impressed with the format.

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Speaker 1: I'm super impressed with the fact that not only for

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Speaker 1: the audience, Dustin, but for the cast to all of

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Speaker 1: us together have the same anticipation about who's going to

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Speaker 1: walk through the breakfast doors to.

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Speaker 3: See like who made it from the previous night.

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Speaker 1: So when Lisa Renna walked in, you know, you had

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Speaker 1: Ron tell this story about what he saw. He saw,

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Speaker 1: but what he heard an experience, you know, being blindfolded

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Speaker 1: because they were trying to say, like, okay, who was

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Speaker 1: the trader because the Traders were killing a playing sight. Now,

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Speaker 1: when Lisa Renna walked in, not sure about you, Dustin.

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Speaker 3: I'm a fan of Days of All Lives. Lisa Renna.

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Speaker 1: She was Bobby on Days of Our Lives. She's a

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Speaker 1: great actress. When Lisa Renda was asked, so what happened,

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Speaker 1: She's like, oh, canna get some tea firs. That to me,

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Speaker 1: to me would have been the red flag because she

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Speaker 1: could not.

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Speaker 3: She can't think on the spot. And I was shocked

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Speaker 3: because she is an actress.

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Speaker 4: Yeah, I had higher expectations to this. The Traders is

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Speaker 4: a game where a person that's an actor or good

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Speaker 4: at like kind of keeping their game face on. The

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Speaker 4: shout out to u Letitia from Bell Collector. Remember when

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Speaker 4: her and Glenn was was going back for you get

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Speaker 4: your game face on. My game face been on. Remember

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Speaker 4: that part. That's what we need to put on Traders, Laticia.

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Speaker 4: But anyway, you know, Paul, Traders, what put Laticia in

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Speaker 4: some of that Mississippi in the Traders game. But I

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Speaker 4: think this is a game where you have to it

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Speaker 4: would serve It seems to me like an actor or

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Speaker 4: an actress would be served well by their skill set,

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Speaker 4: you know what I'm saying, of keeping their face devoid

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Speaker 4: of emotion or being able to play into the moment.

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Speaker 4: So I don't under like you, Carlos. I didn't understand

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Speaker 4: why Lisa was falling flat like that in the end

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Speaker 4: the damn breakfast. And she's been doing that ship every

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Speaker 4: day at the breakfast. It's always too much or over

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Speaker 4: the top or just a reaction that to me, I

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Speaker 4: would our clock. I would have been Pete Lisa as

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Speaker 4: a trailer. As a trailer the jokes right themselves, But nah,

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Speaker 4: I would have been Pete Lisa as a trader. You

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Speaker 4: know what I'm saying, I would.

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Speaker 1: Have yes, and we'll we'll get to the where Lisa's

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Speaker 1: you know, sort of acting or lack thereof, I should say,

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Speaker 1: it's really causing some people to suspect her. But you know,

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Speaker 1: you you do talk about the fact that it sort

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Speaker 1: of is like this.

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Speaker 3: Unwritten rule where the.

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Speaker 1: Gamers stick by each other, the housewives stick by each other.

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Speaker 3: Listen, I thought black people stick by each other.

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Speaker 2: And what rodn't listen Listen.

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Speaker 1: That is something that to me really highlighted this episode

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Speaker 1: in terms.

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Speaker 3: Of black people. I'm gonna need y'all to have some

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Speaker 3: sort of solidarity.

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Speaker 1: I'm gonna need y'all to sort of stick by each other.

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Speaker 1: I am rooting for the black people. We are disent franchised,

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Speaker 1: and you guys are doing that at all. As I

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Speaker 1: sort of saw ron Real continuously trying.

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Speaker 2: To, you know, go after the black girl, say it.

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Speaker 4: That's what he was doing, and it didn't make no sense.

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Speaker 4: And Candace, bless her heart, she trying her best to

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Speaker 4: hold the black block down. She trying her best even

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Speaker 4: as a trader man. Candidsy when they be on they

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Speaker 4: was on the way that they were on Tiffany at

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Speaker 4: the round table, Candace tried her best to kind of

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Speaker 4: pivot the energy off of her and put it back

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Speaker 4: onto Ron.

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Speaker 2: You know what I'm saying.

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Speaker 4: Anytime Candace really has been trying to do to stick

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Speaker 4: to the code as much as she could as a trader.

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Speaker 4: Respect that, you know what I'm saying. Like she got

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Speaker 4: in there, she got the heat off of Porsche. You

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Speaker 4: know what I'm saying, She kind of tried to get

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Speaker 4: the heat off of Tiffany. Like Candas is doing her

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Speaker 4: job and Ron for some reason is obsessed with doing

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Speaker 4: what he's been doing at that round table. I just

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Speaker 4: put it to you like that, and I do not,

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Speaker 4: for the life of me, understand why. And as a

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Speaker 4: comedian myself, I.

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Speaker 2: Ain't heard one joke yet. Where is the funny shit? Nigga?

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Speaker 4: You a whole comedian, and you in a castle in

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Speaker 4: Scotland with a bunch of motherfuckers, you don't know there

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Speaker 4: is boundless opportunity to make us laugh.

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Speaker 2: I ain't laugh one time.

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Speaker 4: I've been rolling my eyes at his ass the whole time.

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Speaker 3: I have to listen.

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Speaker 1: He's up there with Michael Rappaport in terms of being

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Speaker 1: unlikable I and I hate to say this because I

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Speaker 1: don't know Ron, and I've met him for the first

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Speaker 1: time watching the show, saying I am annoyed by him

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Speaker 1: when he talks, when he enters the scene, I find

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Speaker 1: him and listen, which is good producing, and that's why

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Speaker 1: it was. It's a great casting job at the casting producers.

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Speaker 3: Dead Ron gets under.

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Speaker 1: My skin the way that Purdue Chicken, as you outlined

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Speaker 1: last week under Michael Rappaport.

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Speaker 4: Yes, and they got his ass to fuck up out

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Speaker 4: of there too. They they flat out said, we don't

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Speaker 4: care if you're a traitor or a faithful We just

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Speaker 4: want your ass up out of here. So I think

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Speaker 4: that we were kind of on the beat on the

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Speaker 4: pulse with our commentary last week about how much we

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Speaker 4: can't stand his ass. I can't stand Michael re report.

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Speaker 4: But guess what I'm very happy about. We don't even

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Speaker 4: have to talk about his ass anymore. So that's what

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Speaker 4: I'm most happy about. And he's gonna get cussed the

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Speaker 4: funk out. They're gonna rag tag him at their reunion

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Speaker 4: and I cannot wait. They're gonna tear his ass up

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Speaker 4: at the reunion. So we have one more window of

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Speaker 4: pleasure of seeing him, you know, just being hummeled with

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Speaker 4: insults and real accusations of shit that he did.

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Speaker 2: I can't wait.

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Speaker 4: So but for now, like Candace said, ding dong, okay,

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Speaker 4: the witch is did gone.

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Speaker 2: Okay.

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Speaker 4: Yeah.

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Speaker 1: So as the episode started, we find out Caroline got murdered.

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Speaker 3: He asks why. Candace says, you talked too much.

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Speaker 1: Candace is killing and I thing with Candace is so subtle,

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Speaker 1: you know, She's like, you talk too much, and that's.

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Speaker 2: What reason she don't give it. Damn, she ain't never

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Speaker 2: gave it, damn.

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Speaker 4: But in this space, it's so beautiful to watch her

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Speaker 4: be like that because she is a perfect fucking trader, Carlos,

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Speaker 4: She is a perfect trader. She stood there, she had

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Speaker 4: her hood on and had her damn lander. She was

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Speaker 4: holding her landing up. You talk too much, that's.

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Speaker 2: What she taught her. I was like, yeah, and that's

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Speaker 2: all it takes.

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Speaker 3: That's that's all it take. You talk too much. So

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Speaker 3: Caroline's out of there.

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Speaker 1: So everybody is at the breakfast and trying to figure out, like, Okay,

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Speaker 1: which trader that was that killed in plain sight is

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Speaker 1: going to have a story that matches everyone else Lisa

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Speaker 1: rent of flops but it doesn't really go anywhere, and

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Speaker 1: Tiffany is on four people.

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Speaker 3: She's like, look, I feel like jam jam My go.

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Speaker 1: And like she said, jam jam.

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Speaker 2: Michael oh and who was the third one?

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Speaker 1: Michael tho was those three Cultent thinks it's Tiffany and

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Speaker 1: Coltent is like Dustin, I am going after Tiffany.

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Speaker 4: I didn't like that personally. I didn't like that. I

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Speaker 4: felt like his It's one thing, you know, I'm a

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Speaker 4: I'm literally a professional ship talker, right, so there's a

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Speaker 4: science and there's a way of method. There's a nuance

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Speaker 4: in the way you gotta do that, and I don't care. Sorry,

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Speaker 4: I did not like seeing him go back and forth

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Speaker 4: with Tiffany like that. I didn't like that whole Well,

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Speaker 4: it's your name two fster one. I didn't like none

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Speaker 4: of that. I'm so I know when gay men are

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Speaker 4: doing gay men shit. I didn't like that, and I

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Speaker 4: wanted to cuss Colton out. And I really liked Colton

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Speaker 4: before that scene when they went after Tiffany like that

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Speaker 4: in that ballroom. I'm fine with the gameplay. There's no rule,

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Speaker 4: well there's rules, but there's no rules as far as

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Speaker 4: you know how to play this game, per se. So

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Speaker 4: I was alright with it. I just didn't like the

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Speaker 4: way he did it, and I definitely didn't like his

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Speaker 4: fucked up ass, pompous, arrogant ass attitude afterwards. Well, oh well,

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Speaker 4: I'm gonna take shots anyway. Okay, Well then they gonna

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Speaker 4: take him at too, too. And from the looks at

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Speaker 4: what happened in episodes of four and five yr, A's

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Speaker 4: gonna be going hes gonna be a Coke forty five

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Speaker 4: baby shot out the door.

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Speaker 2: You know what I'm saying.

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Speaker 4: And next thing we know, right, yeah, and it's of

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Speaker 4: his own fault, you know what I'm saying, Like, why

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Speaker 4: are you playing the game like that?

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Speaker 2: Him?

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Speaker 3: Man?

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Speaker 4: Well, I don't want to jump too far ahead, but

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Speaker 4: it's somebody wise cuss out.

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Speaker 1: This is reality with the King, and I'm Carlos King.

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Speaker 1: Let's get back into the show.

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Speaker 3: Yeah.

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Speaker 1: No, the thing is so he for some reason, he

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Speaker 1: has eyesell on Tiffany. And listen our recap last week.

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Speaker 1: You know a lot of the Big Brother fans were like,

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Speaker 1: Carlos Dustin, Tiffany is that girl?

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Speaker 3: He is the one to look out for.

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Speaker 1: Maybe Colton had insight that she's a formidable opponent. So,

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Speaker 1: like you said, I understand the game because you are

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Speaker 1: allowed to suspect who you want to. So the first

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Speaker 1: challenge was the spare game, and you know they're trying

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Speaker 1: to figure out, like, okay, who are we going to

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Speaker 1: pretty much put up for murder? Monette tells Candas that

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Speaker 1: he is suspecting Lisa, and he's onto Lisa. Candace did

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Speaker 1: the right thing. She's playing the game extremely well. She

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Speaker 1: gives Lisa Renna a hits up. Now we are rooting

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Speaker 1: for the black people, but it's still a game, so

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Speaker 1: you have to sort of decipher like okay, his mother better.

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Speaker 3: Good of the community or the better good of.

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Speaker 1: The game of the show so I can get this

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Speaker 1: money at the end. And I thought Canada did a

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Speaker 1: great job putting Lisa Renna up on game.

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Speaker 4: Yep, she walked the line very well because again Candice

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Speaker 4: did her basket.

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Speaker 2: As smart as fuck.

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Speaker 4: She's a smart woman in real life, and she's her

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Speaker 4: intellect is really carrying her through this game, and she's

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Speaker 4: making her choices as far as who to talk to

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Speaker 4: was she's talking.

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Speaker 2: To them about.

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Speaker 4: I just I am very very impressive with the way

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Speaker 4: Candas is playing this game, and that was another example

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Speaker 4: of her making a great choice.

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Speaker 2: Yeah.

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Speaker 1: So at the end the once Upper murders Michael, Tiffany, Lisa, Ron, Monet, Mara, Tara, Johnny,

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Speaker 1: and Steven Baby, we're now in the war room, okay,

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Speaker 1: and Colton goes after Tiffany and as somebody who has

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Speaker 1: produced up until season nine of the Real Housewives of Atlanta, Tiffany, come.

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Speaker 3: Get your batty chain.

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Speaker 1: I haven't seen a read a drag session so effortlessly

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00:16:12,640 --> 00:16:18,440
Speaker 1: put the way Tiffany drag like. No, like Dustin, you

289
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Speaker 1: are comedian, a professional shit talker.

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00:16:22,200 --> 00:16:23,400
Speaker 3: Please explain to.

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Speaker 1: The range how formidable and smart that you must be

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Speaker 1: for Tiffany to take what your opponent.

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Speaker 3: Is saying, take what they're saying, and apply it back

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Speaker 3: to them. When it came to.

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Speaker 1: Him and Eric, because Eric said, when I was up

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Speaker 1: for murder, I heard a laugh and dusted. I really

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00:16:48,520 --> 00:16:54,280
Speaker 1: thought my girl Candy, because Candy's after laughed. Use that, Tiffany,

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Speaker 1: I'm like, not all black girls sound like.

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Speaker 4: Go ahead, Dustin, And that's exactly where I went with it,

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Speaker 4: because did you think it was Tiffany? Why you know

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00:17:02,400 --> 00:17:04,760
Speaker 4: what I'm saying, why did you think that big as

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Speaker 4: your motherfucking ears are? You should have known to be

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00:17:07,920 --> 00:17:10,720
Speaker 4: and you so, I do music and my ears look

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00:17:10,880 --> 00:17:14,320
Speaker 4: like car doors, and I should be able to hear somebody.

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00:17:14,440 --> 00:17:17,480
Speaker 4: You know what I'm saying, Nigga, motherfucker Lamborghini ears. You

306
00:17:17,480 --> 00:17:19,680
Speaker 4: know what I'm saying. The ears go up. I ain't

307
00:17:19,720 --> 00:17:22,120
Speaker 4: never seen nothing like that. How did you know who

308
00:17:22,200 --> 00:17:26,199
Speaker 4: that was? Obviously you didn't. And he was so sure,

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00:17:26,640 --> 00:17:28,520
Speaker 4: you know what I'm saying, that that was Tiffany, and

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00:17:28,600 --> 00:17:31,520
Speaker 4: she just literally said, Okay, I know that they're about

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Speaker 4: to vote for me, but I'm going to let them

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Speaker 4: have it on the way out this door. And that's

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Speaker 4: what she did. She told him, no, I'm smarter than you.

314
00:17:38,440 --> 00:17:42,040
Speaker 4: I'm smarter than you. She was clear about that, and

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00:17:42,119 --> 00:17:45,560
Speaker 4: that's what made him get to He felt that that

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00:17:45,680 --> 00:17:48,480
Speaker 4: hit Coulton in his male ego, and so he got

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00:17:48,480 --> 00:17:51,440
Speaker 4: to a nasty the clause the press ons came.

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Speaker 2: Out, you know what I'm saying.

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Speaker 4: So and so that's that's what happened, and so he

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00:17:58,200 --> 00:18:00,000
Speaker 4: literally said what he said, but it was too late

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00:18:00,320 --> 00:18:04,720
Speaker 4: because Tiffany had so eloquently eviscerated him with a few

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Speaker 4: words too, packed him up and packed jam Jam up

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Speaker 4: real quick.

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Speaker 2: You know what I'm saying. I'm talking to you.

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00:18:13,960 --> 00:18:16,400
Speaker 4: That's not something you can teach someone either, as we've

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00:18:16,440 --> 00:18:19,200
Speaker 4: seen with multiple people. We've been talking about these shows

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00:18:19,240 --> 00:18:21,880
Speaker 4: for years. Y'all know how many and Cargos feel about

328
00:18:21,880 --> 00:18:24,800
Speaker 4: people who are quick on their feet, who can think

329
00:18:24,840 --> 00:18:29,520
Speaker 4: fast and know how to do callbacks and use wordplay

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Speaker 4: in a way that is fascinating.

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Speaker 2: And Tiffany's one of the old school. She's just got it.

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Speaker 4: She's got that that thing that you have to have

333
00:18:37,520 --> 00:18:39,760
Speaker 4: to be able to do what she did at that roundtable,

334
00:18:39,920 --> 00:18:42,119
Speaker 4: because everyone can't. That's why a lot of people be

335
00:18:42,160 --> 00:18:45,480
Speaker 4: writing lines you know what I'm saying about stuff pizza

336
00:18:45,480 --> 00:18:47,639
Speaker 4: box and stuff like that that y'all still repeat, but

337
00:18:47,680 --> 00:18:50,040
Speaker 4: they're written and you can always tell.

338
00:18:49,880 --> 00:18:51,720
Speaker 2: The difference between the two.

339
00:18:52,600 --> 00:19:00,320
Speaker 4: Since we talked about Traders, it ties in Righters family

340
00:19:00,560 --> 00:19:01,760
Speaker 4: Traders alone.

341
00:19:07,119 --> 00:19:17,119
Speaker 3: Oh my fan, that wall was for you. Okay, No,

342
00:19:18,359 --> 00:19:19,399
Speaker 3: what Eric said?

343
00:19:20,080 --> 00:19:25,840
Speaker 1: The thing about Eric, you listen, Eric was so convinced

344
00:19:26,000 --> 00:19:29,840
Speaker 1: that he was right when he was like, look, I'm

345
00:19:29,880 --> 00:19:33,080
Speaker 1: a songwriter, I have good ears and Tiffany says, you

346
00:19:33,160 --> 00:19:34,320
Speaker 1: might kneel another career.

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00:19:34,720 --> 00:19:38,840
Speaker 4: Hello, tore him up, tore him up. Tiffany, let me,

348
00:19:38,920 --> 00:19:41,199
Speaker 4: let's we could take it back for just a second

349
00:19:41,560 --> 00:19:43,879
Speaker 4: to the challenge when they were when they were burning

350
00:19:43,920 --> 00:19:46,560
Speaker 4: them shields and putting them spears in those things, and

351
00:19:46,600 --> 00:19:48,640
Speaker 4: when they said Tiffany's name.

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Speaker 2: This was a very black episode. Cars.

353
00:19:51,200 --> 00:19:53,720
Speaker 4: This is probably the blackest episode of the season so far,

354
00:19:54,000 --> 00:19:56,439
Speaker 4: because Tiffany and Candice was on that the whole episode

355
00:19:56,440 --> 00:19:58,919
Speaker 4: when Tiffany I wrote it in my notes when they

356
00:19:59,000 --> 00:20:02,400
Speaker 4: burned tiffany ship, but Tiffany was acting black as hell

357
00:20:02,440 --> 00:20:03,960
Speaker 4: when they burn her shield, I.

358
00:20:03,920 --> 00:20:07,320
Speaker 2: Know the fuck they didn't who y'all unchilled? She was

359
00:20:09,840 --> 00:20:12,280
Speaker 2: and it was natural. That was natural, man.

360
00:20:12,440 --> 00:20:13,520
Speaker 3: But that's a reaction.

361
00:20:15,119 --> 00:20:18,119
Speaker 4: Had me rolling man, her and her She had me

362
00:20:18,240 --> 00:20:19,600
Speaker 4: rolling jam.

363
00:20:19,720 --> 00:20:23,400
Speaker 2: Jam crying when they burnt his shield was ridiculous. I'm

364
00:20:23,400 --> 00:20:25,919
Speaker 2: gonna get killed. It's just literally broken. I'm like, what

365
00:20:25,960 --> 00:20:28,520
Speaker 2: the fuck is wrong with Jam? Jam? Is it? Look?

366
00:20:28,640 --> 00:20:35,800
Speaker 2: Is it the alstitude? What's wrong with this motherfucker?

367
00:20:35,880 --> 00:20:36,120
Speaker 1: Man?

368
00:20:36,480 --> 00:20:39,280
Speaker 2: Like, why is he crying like a basket case out here?

369
00:20:39,440 --> 00:20:43,359
Speaker 2: Because he's like, what it up? Man? So that was funny.

370
00:20:43,400 --> 00:20:46,520
Speaker 4: And then one other really black moment that happened in

371
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Speaker 4: episode far they had me rolling.

372
00:20:48,200 --> 00:20:51,440
Speaker 2: Was when they first got the castle and they.

373
00:20:51,359 --> 00:20:54,120
Speaker 4: Was all in the kitchen trying to talk and Candice

374
00:20:54,160 --> 00:20:56,000
Speaker 4: literally bust in the door.

375
00:20:56,320 --> 00:20:58,080
Speaker 2: Don't be closing the doors up in here?

376
00:20:58,200 --> 00:21:00,720
Speaker 3: What's that?

377
00:21:06,680 --> 00:21:17,119
Speaker 4: I said, Okay, this that.

378
00:21:10,720 --> 00:21:15,040
Speaker 3: Not only listen.

379
00:21:15,640 --> 00:21:18,480
Speaker 1: The beauty of this too is I feel like perhaps

380
00:21:18,720 --> 00:21:20,639
Speaker 1: you and I and baby there was some black people

381
00:21:21,200 --> 00:21:26,040
Speaker 1: really understood that moment with us through that kitchen because listen,

382
00:21:26,480 --> 00:21:30,399
Speaker 1: growing up black as a child, you're not allowed to

383
00:21:30,440 --> 00:21:35,360
Speaker 1: close your bedroom door. No, yes, well you and your

384
00:21:35,359 --> 00:21:37,320
Speaker 1: mama ain't knocking on your door before she walks in

385
00:21:37,359 --> 00:21:37,960
Speaker 1: that motherfucker.

386
00:21:38,000 --> 00:21:41,480
Speaker 4: No no, and don't be within the You can't be

387
00:21:41,520 --> 00:21:43,400
Speaker 4: in the radio said that swing because you will get

388
00:21:43,480 --> 00:21:46,000
Speaker 4: hit with that door when they come in forcefully like that.

389
00:21:46,280 --> 00:21:48,680
Speaker 4: And Kandicen had a baby, you know, so her black

390
00:21:48,760 --> 00:21:52,440
Speaker 4: mama instincts on ten right now she opened that mother,

391
00:21:53,280 --> 00:21:55,280
Speaker 4: don't be closing no doors up in here with you.

392
00:21:55,320 --> 00:22:01,159
Speaker 4: Other I said, I love Candy on this show.

393
00:22:02,640 --> 00:22:03,280
Speaker 2: On this show.

394
00:22:03,400 --> 00:22:05,800
Speaker 3: No, she's good. Listen, Kevin's good.

395
00:22:06,280 --> 00:22:08,880
Speaker 2: I can't get enough, bro, I.

396
00:22:08,800 --> 00:22:11,399
Speaker 1: Can't get enough either, Like I said, her outfite the

397
00:22:11,480 --> 00:22:13,680
Speaker 1: people that she wore stocking.

398
00:22:13,880 --> 00:22:17,960
Speaker 3: She's just she is, she's she's it. She really did it.

399
00:22:19,440 --> 00:22:20,600
Speaker 3: But that was a good moment.

400
00:22:21,240 --> 00:22:24,200
Speaker 1: My favorite moment from Tiffany speaking of another black woman,

401
00:22:24,280 --> 00:22:25,119
Speaker 1: I mean black.

402
00:22:24,920 --> 00:22:26,240
Speaker 3: Moment is with.

403
00:22:27,840 --> 00:22:31,720
Speaker 1: Like you said, when Colton said, is it to f Tiffany?

404
00:22:31,760 --> 00:22:33,320
Speaker 1: And she goes, Tiffany like.

405
00:22:33,280 --> 00:22:38,919
Speaker 2: The company right right, right, right right? And he know

406
00:22:39,000 --> 00:22:39,560
Speaker 2: what that is.

407
00:22:39,600 --> 00:22:41,760
Speaker 4: He was on The Bachelor, you know about wedding jewelry,

408
00:22:42,040 --> 00:22:45,240
Speaker 4: so okay, you know exactly what Tiffany she was talking about.

409
00:22:45,480 --> 00:22:47,480
Speaker 4: She tore him up because he thought that was cute,

410
00:22:47,600 --> 00:22:49,080
Speaker 4: you know what I'm saying. He thought he had one

411
00:22:49,080 --> 00:22:50,960
Speaker 4: in the chambers or one half.

412
00:22:53,119 --> 00:22:53,399
Speaker 3: What?

413
00:22:54,800 --> 00:22:56,960
Speaker 4: And then the whole time Colton was the whole time

414
00:22:56,960 --> 00:22:58,760
Speaker 4: I got to take my glasses off of this one.

415
00:22:59,119 --> 00:23:00,640
Speaker 2: The whole time Colton.

416
00:23:00,359 --> 00:23:04,320
Speaker 4: Was in the the round table having that conversation trying

417
00:23:04,320 --> 00:23:06,520
Speaker 4: to banish Tiffany, he was looking like he.

418
00:23:06,560 --> 00:23:08,399
Speaker 2: Was in the eye doctor looking at that thing. We

419
00:23:08,520 --> 00:23:18,320
Speaker 2: gotta read that. It's a two extra one. What he

420
00:23:18,440 --> 00:23:21,400
Speaker 2: was doing. I was like, what is this motherfucker guy?

421
00:23:22,280 --> 00:23:24,600
Speaker 2: What's in his eyes? You know what I'm saying? Why

422
00:23:24,680 --> 00:23:29,920
Speaker 2: is his eyes like that? Yeah? He was like stuck

423
00:23:29,920 --> 00:23:30,119
Speaker 2: in it.

424
00:23:32,320 --> 00:23:33,359
Speaker 3: Was surprise.

425
00:23:33,920 --> 00:23:36,200
Speaker 2: It was like, yeah, it was like, what is wrong

426
00:23:36,240 --> 00:23:36,600
Speaker 2: with you?

427
00:23:36,600 --> 00:23:44,720
Speaker 1: Man? You could tell best and and for me, Tiffany

428
00:23:45,440 --> 00:23:48,119
Speaker 1: really did a fantastic job. And you could tell those

429
00:23:48,119 --> 00:23:49,360
Speaker 1: boys were afraid of her.

430
00:23:49,960 --> 00:23:50,520
Speaker 2: Yeah.

431
00:23:50,560 --> 00:23:53,960
Speaker 3: And what I did not like was the gang up.

432
00:23:54,200 --> 00:23:56,040
Speaker 1: We'll get to the voting in a second, because I

433
00:23:56,160 --> 00:24:00,639
Speaker 1: have some bones and picking people, but you could tell

434
00:24:01,680 --> 00:24:05,439
Speaker 1: they were intimidated by Tiffany and all of her blackness

435
00:24:06,280 --> 00:24:11,040
Speaker 1: and how strong she is and how self assure she is,

436
00:24:11,160 --> 00:24:15,400
Speaker 1: and to the point where for me, if I never

437
00:24:15,520 --> 00:24:19,400
Speaker 1: I never met Tiffany, So if I'm at the table, yes,

438
00:24:19,520 --> 00:24:22,560
Speaker 1: I would be like, well, Eric does sound convincing. But

439
00:24:22,600 --> 00:24:27,119
Speaker 1: there's something about Tiffany that, unless she went to the

440
00:24:27,280 --> 00:24:33,359
Speaker 1: Angela Bassett school of acting, her passion for being like

441
00:24:33,520 --> 00:24:36,600
Speaker 1: it's not me, I would have believed her. And I

442
00:24:36,600 --> 00:24:39,680
Speaker 1: think that's why Candace, who obviously knows she's not a trader,

443
00:24:40,520 --> 00:24:43,280
Speaker 1: when she talked about needing the money for her son

444
00:24:44,359 --> 00:24:47,800
Speaker 1: and how it's bigger than just a game like she's

445
00:24:47,840 --> 00:24:51,040
Speaker 1: trying to she wants the money and she's very honest

446
00:24:51,080 --> 00:24:55,120
Speaker 1: about it. And I thought for me when Candas said, look,

447
00:24:55,119 --> 00:24:55,960
Speaker 1: I'm not gonna cry.

448
00:24:57,960 --> 00:25:00,240
Speaker 3: That to me showed you like, look, you could be

449
00:25:00,320 --> 00:25:01,119
Speaker 3: in and for the game.

450
00:25:01,480 --> 00:25:03,560
Speaker 1: You could be in a to win, but at some

451
00:25:03,800 --> 00:25:06,520
Speaker 1: point in this game you do have to have some

452
00:25:06,600 --> 00:25:09,639
Speaker 1: sort of heart and show you humanity. And I thought

453
00:25:10,040 --> 00:25:13,840
Speaker 1: Candice did a fantastic job of being like, I'm seeing

454
00:25:13,840 --> 00:25:17,639
Speaker 1: this black woman who's a single mom crying and I

455
00:25:17,760 --> 00:25:21,080
Speaker 1: know she's not the trader, and I'd rather get Ron

456
00:25:21,160 --> 00:25:25,040
Speaker 1: asked out of here anyway, let me have her back.

457
00:25:25,119 --> 00:25:26,280
Speaker 3: And I was very.

458
00:25:26,080 --> 00:25:31,480
Speaker 1: Disappointed and the other people of color on that panel

459
00:25:31,920 --> 00:25:34,639
Speaker 1: to not have a little bit of heart to be like,

460
00:25:35,600 --> 00:25:39,359
Speaker 1: we were wrong before. I would rather be wrong for

461
00:25:39,560 --> 00:25:42,080
Speaker 1: this because she's giving such a compassion speech.

462
00:25:42,600 --> 00:25:45,399
Speaker 4: Yeah, it makes me want to know some questions because again,

463
00:25:45,480 --> 00:25:49,399
Speaker 4: that's something that instinctually we just wouldn't move like that

464
00:25:49,520 --> 00:25:51,240
Speaker 4: in that sort of space, And so it makes you

465
00:25:51,280 --> 00:25:52,720
Speaker 4: wonder what the disconnect is.

466
00:25:53,680 --> 00:25:55,679
Speaker 2: I'm sick of looking at Ron. You know, it was

467
00:25:55,760 --> 00:25:57,440
Speaker 2: cool to have.

468
00:25:57,400 --> 00:25:59,600
Speaker 4: Somebody in there that was throwing shit off and mixing

469
00:25:59,640 --> 00:26:02,960
Speaker 4: things up, making, you know, fumbling around, making mistakes. But

470
00:26:03,000 --> 00:26:06,399
Speaker 4: I'm sick of him now sauntering around that house like that,

471
00:26:06,640 --> 00:26:09,520
Speaker 4: feet dragging the motherfucking floor every time he's walking through

472
00:26:09,560 --> 00:26:13,240
Speaker 4: the house, his shoes making that shuffling noise, leaned over,

473
00:26:13,400 --> 00:26:17,200
Speaker 4: k never stand up straight, always fucking shoulders in front

474
00:26:17,200 --> 00:26:18,960
Speaker 4: of him. He's staying with his shoulders in front of

475
00:26:19,040 --> 00:26:21,800
Speaker 4: him like this. He pulled his shoulders like this every

476
00:26:21,880 --> 00:26:23,680
Speaker 4: time to walk in and he sit out and shit,

477
00:26:24,280 --> 00:26:28,320
Speaker 4: surly Sully attitude always in there, got a goddamn problem

478
00:26:28,359 --> 00:26:31,119
Speaker 4: about every motherfucking thing. Every time you see him sitting

479
00:26:31,119 --> 00:26:33,000
Speaker 4: in there talking about what, yeah, my FAM's not ninety

480
00:26:33,040 --> 00:26:36,399
Speaker 4: your fucking business, nigga, Derinda was trying to be nice

481
00:26:36,440 --> 00:26:39,560
Speaker 4: to you and just extended olive branch. You weird, though

482
00:26:39,640 --> 00:26:41,360
Speaker 4: it's not her fault. You don't know how to talk

483
00:26:41,400 --> 00:26:43,680
Speaker 4: to no goddamn body. You're sitting up in the house

484
00:26:43,720 --> 00:26:46,840
Speaker 4: biting your fingernails down to the cuticles every night talking

485
00:26:46,840 --> 00:26:48,600
Speaker 4: about who don't know already want to be around you.

486
00:26:48,720 --> 00:26:51,080
Speaker 4: Or maybe if he was more likable, bro, maybe if

487
00:26:51,080 --> 00:26:53,159
Speaker 4: you had energy that made people want to have a

488
00:26:53,200 --> 00:26:56,400
Speaker 4: conversation with you or play checkers or whatever the fuck

489
00:26:56,400 --> 00:26:58,639
Speaker 4: they're doing up in the castle. Socially, you know what

490
00:26:58,680 --> 00:27:00,320
Speaker 4: I'm saying. You need to get in there and get

491
00:27:00,359 --> 00:27:02,520
Speaker 4: in that mix so that you can form those bonds

492
00:27:02,560 --> 00:27:06,480
Speaker 4: and relationships. To me, it was unfair, unfair for him

493
00:27:06,480 --> 00:27:10,639
Speaker 4: to lean on his made up idea that you know,

494
00:27:10,720 --> 00:27:12,960
Speaker 4: there's this other I'm just not a part of the consensus.

495
00:27:13,000 --> 00:27:15,680
Speaker 4: He's one of the motherfuckers that likes to other themselves

496
00:27:15,840 --> 00:27:18,600
Speaker 4: and then act like they've been wrong by everybody else.

497
00:27:19,800 --> 00:27:20,720
Speaker 2: That's what he is.

498
00:27:21,000 --> 00:27:23,960
Speaker 4: He's one of those people, and nobody did nothing to him.

499
00:27:24,000 --> 00:27:26,240
Speaker 4: In fact, he's been in there doing something to everybody

500
00:27:26,240 --> 00:27:28,280
Speaker 4: else from the day he got in there. I'm so

501
00:27:28,320 --> 00:27:31,480
Speaker 4: sick of Ron. I'm sick of him. But then Belted

502
00:27:31,560 --> 00:27:41,200
Speaker 4: Coats sick of him, I am.

503
00:27:41,400 --> 00:27:46,280
Speaker 1: And so it's tap for I can't think.

504
00:27:46,359 --> 00:27:49,640
Speaker 3: I can't think that's that. It's tap for voting, and.

505
00:27:51,320 --> 00:27:56,200
Speaker 1: Canvas is the only black person that half Tiffany's back

506
00:27:56,520 --> 00:27:58,440
Speaker 1: Monette voted are out.

507
00:27:59,320 --> 00:28:01,600
Speaker 3: Uh, we all know Ron was gonna do us.

508
00:28:01,640 --> 00:28:05,440
Speaker 1: So that was no surprise, And it was just sad

509
00:28:05,480 --> 00:28:12,040
Speaker 1: to see how everybody was convinced due to Eric hearing

510
00:28:12,359 --> 00:28:13,080
Speaker 1: this is one thing.

511
00:28:14,320 --> 00:28:16,440
Speaker 3: It's one thing to hear a voice.

512
00:28:17,359 --> 00:28:19,120
Speaker 2: I laugh is different low.

513
00:28:19,359 --> 00:28:21,000
Speaker 3: A laugh is very different.

514
00:28:21,200 --> 00:28:25,359
Speaker 1: So to be so convinced that you heard Tiffany's laugh

515
00:28:25,560 --> 00:28:27,439
Speaker 1: and this is no shade to Tiffany because I love

516
00:28:27,480 --> 00:28:30,040
Speaker 1: Tiffany down, said you, Timmy, I'm wrong.

517
00:28:30,200 --> 00:28:33,159
Speaker 3: I haven't heard Tiffany laugh once, not one time.

518
00:28:33,440 --> 00:28:34,480
Speaker 2: That's what the Carlos.

519
00:28:34,520 --> 00:28:36,919
Speaker 4: You took the words out of my mouth, brother, because

520
00:28:37,000 --> 00:28:40,880
Speaker 4: number one, I haven't seen Tiffany and Eric in a

521
00:28:41,000 --> 00:28:44,320
Speaker 4: joking moment laughing. How do he even know how she laughs?

522
00:28:44,960 --> 00:28:46,080
Speaker 2: How? How do you know?

523
00:28:46,400 --> 00:28:48,840
Speaker 4: And of all that shit y'all in the woods in Scotland,

524
00:28:48,920 --> 00:28:52,280
Speaker 4: on them owls and shit hooting and snakes slithering and

525
00:28:52,320 --> 00:28:55,320
Speaker 4: shit and wear wolves and whatever the fuck else is

526
00:28:55,320 --> 00:28:58,160
Speaker 4: out there in the woods, and you heard Tiffany's laugh.

527
00:28:58,920 --> 00:29:01,280
Speaker 4: Come on, man, I thought to me, that just felt

528
00:29:01,360 --> 00:29:03,800
Speaker 4: what you like? What what you're trying to say right now?

529
00:29:03,840 --> 00:29:04,040
Speaker 2: Bro?

530
00:29:04,480 --> 00:29:04,760
Speaker 3: Yeah?

531
00:29:04,840 --> 00:29:08,280
Speaker 1: And the thing is also this the only one that

532
00:29:08,480 --> 00:29:11,560
Speaker 1: really laughs out of the Traders.

533
00:29:11,160 --> 00:29:11,960
Speaker 3: Is Lisa Rena.

534
00:29:12,560 --> 00:29:15,840
Speaker 1: Yeah, so again I thought, and listen, y'all, Saip we're

535
00:29:15,840 --> 00:29:19,640
Speaker 1: talking about There was definitely something extra going on this

536
00:29:19,720 --> 00:29:23,760
Speaker 1: episode when it came to like, look, it gave very

537
00:29:23,840 --> 00:29:26,160
Speaker 1: much horror movie get the Black people out.

538
00:29:26,240 --> 00:29:26,920
Speaker 3: At the beginning.

539
00:29:28,240 --> 00:29:31,720
Speaker 1: It gave get out, Candace, watch your back. They want

540
00:29:31,720 --> 00:29:32,680
Speaker 1: the black folks out.

541
00:29:32,920 --> 00:29:34,680
Speaker 4: That's that's what it looked like to me, even the

542
00:29:34,680 --> 00:29:38,560
Speaker 4: black folks want the black folks out. Ron Money and Monette,

543
00:29:38,560 --> 00:29:41,200
Speaker 4: you really Monet really surprised me because Monet had been

544
00:29:41,200 --> 00:29:42,360
Speaker 4: playing really good.

545
00:29:43,280 --> 00:29:44,560
Speaker 2: Again, it's a game.

546
00:29:44,680 --> 00:29:47,080
Speaker 4: These people literally have nothing to work with, so you

547
00:29:47,120 --> 00:29:48,880
Speaker 4: have to come up with something to give you, like

548
00:29:48,920 --> 00:29:51,600
Speaker 4: a hunch or a feeling that someone is a trader

549
00:29:51,680 --> 00:29:54,320
Speaker 4: or whatever, unless they just make a sloppy mistake. But

550
00:29:54,360 --> 00:29:57,280
Speaker 4: Tiffany didn't make no sloppy mistakes. And Monette, it's a

551
00:29:57,280 --> 00:29:59,240
Speaker 4: certain time where you got to stick to the code.

552
00:29:59,560 --> 00:30:02,160
Speaker 4: And you know that Monee, as a person who is

553
00:30:02,240 --> 00:30:04,560
Speaker 4: different from everybody else and who has had to make

554
00:30:04,600 --> 00:30:09,520
Speaker 4: their way in spaces that were not designed to support

555
00:30:09,560 --> 00:30:12,000
Speaker 4: them being there, you understand what that's like. And I

556
00:30:12,040 --> 00:30:14,680
Speaker 4: can't understand how y'all abandon that for the sake of

557
00:30:14,680 --> 00:30:17,880
Speaker 4: a game. Now, it is a game, So let's be

558
00:30:17,960 --> 00:30:20,560
Speaker 4: clear about that. It's a game, and people got to

559
00:30:20,600 --> 00:30:22,640
Speaker 4: win and lose, and that's just the way it goes.

560
00:30:22,680 --> 00:30:24,520
Speaker 2: That's a part of what you sign up for when

561
00:30:24,560 --> 00:30:25,720
Speaker 2: you sign up for this show.

562
00:30:26,600 --> 00:30:29,800
Speaker 4: But that being said, as a contestant, like, there's still

563
00:30:29,840 --> 00:30:32,400
Speaker 4: a social game that has to be played and the

564
00:30:32,520 --> 00:30:36,160
Speaker 4: rules of engagement will have a lot to do with

565
00:30:36,680 --> 00:30:38,760
Speaker 4: how you're received by viewers of the show.

566
00:30:39,480 --> 00:30:44,080
Speaker 1: So yes, and I also feel like, listen, one thing

567
00:30:44,280 --> 00:30:48,640
Speaker 1: about Tiffany that I've learned from the rain drops telling

568
00:30:48,680 --> 00:30:51,840
Speaker 1: me who she is. I heard about this cookout that

569
00:30:51,960 --> 00:30:57,280
Speaker 1: Big so apparently Tiffany was the leader of the pack

570
00:30:57,640 --> 00:31:00,280
Speaker 1: when it cames to the black people on Big Other

571
00:31:00,960 --> 00:31:04,000
Speaker 1: coming together in solidarity to sort of win the game.

572
00:31:04,120 --> 00:31:06,920
Speaker 3: Yes, only one person can can win, but it was

573
00:31:06,960 --> 00:31:07,440
Speaker 3: sort of.

574
00:31:07,400 --> 00:31:12,200
Speaker 1: Like I I'd rather play a game to where I know, like, look,

575
00:31:13,280 --> 00:31:15,959
Speaker 1: let's have each other's back, because to me, it's sweeter

576
00:31:16,040 --> 00:31:16,640
Speaker 1: in the end.

577
00:31:16,520 --> 00:31:19,320
Speaker 3: If one of them gets one of a getting Yeah, and.

578
00:31:19,720 --> 00:31:22,080
Speaker 1: I was surprised with Monette. I love him on BRU

579
00:31:22,160 --> 00:31:25,840
Speaker 1: Paul's drag braids. He definitely highlights a lot of black

580
00:31:25,840 --> 00:31:30,320
Speaker 1: women with his with his drag on the show. But

581
00:31:31,600 --> 00:31:37,560
Speaker 1: when I saw those many people vote her out again,

582
00:31:38,000 --> 00:31:41,760
Speaker 1: not to Cotnini Leaks and Dustin Bross again, it was

583
00:31:41,880 --> 00:31:42,640
Speaker 1: very suspect.

584
00:31:43,760 --> 00:31:47,480
Speaker 2: I'll leave it at that, very suspect. Yes, it was Carlos.

585
00:31:47,800 --> 00:31:49,840
Speaker 3: It was suspect.

586
00:31:50,240 --> 00:31:54,080
Speaker 1: I expect to get emotional watching Traders at all her

587
00:31:54,680 --> 00:32:01,880
Speaker 1: Tiffany getting voted off and crying, Yeah, your boy lost it.

588
00:32:02,400 --> 00:32:04,400
Speaker 2: Yeah it was a lot. I lost it. It was a lot.

589
00:32:04,560 --> 00:32:06,640
Speaker 4: I just wish she would not have made the statement

590
00:32:06,680 --> 00:32:09,320
Speaker 4: about how she wanted to win the money for her son,

591
00:32:09,880 --> 00:32:12,200
Speaker 4: because they did what they was gonna do anyway, and

592
00:32:12,240 --> 00:32:15,040
Speaker 4: that adds in, like the cruelty. I just wish that

593
00:32:15,560 --> 00:32:17,360
Speaker 4: she would not have even offered that up because I

594
00:32:17,440 --> 00:32:19,520
Speaker 4: knew it wasn't gonna be something that would convince them

595
00:32:19,600 --> 00:32:22,280
Speaker 4: or sway their vote, And I hated that they were

596
00:32:22,280 --> 00:32:25,120
Speaker 4: able to play on that. She gave them that vulnerability

597
00:32:25,240 --> 00:32:26,520
Speaker 4: and they were able to play on it, and that

598
00:32:26,560 --> 00:32:28,720
Speaker 4: pissed me off. That never is a good strategy to me.

599
00:32:28,800 --> 00:32:31,320
Speaker 4: Y'all I need is money for my kid. I don't

600
00:32:31,320 --> 00:32:33,520
Speaker 4: think that's ever a good strategy in these competition in

601
00:32:33,560 --> 00:32:36,400
Speaker 4: reality show games like that, because everybody and his motherfucker

602
00:32:36,440 --> 00:32:38,720
Speaker 4: want to win, you know what I'm saying, for whatever

603
00:32:38,800 --> 00:32:41,480
Speaker 4: reasons they had. And I hated that she did that

604
00:32:41,560 --> 00:32:44,520
Speaker 4: because it just was not a It wasn't a smart

605
00:32:44,600 --> 00:32:47,400
Speaker 4: choice to me because it wouldn't help sway it one

606
00:32:47,400 --> 00:32:47,960
Speaker 4: way or the other.

607
00:32:48,120 --> 00:32:50,720
Speaker 1: So yeah, yeah, I actually agree with you with that,

608
00:32:51,040 --> 00:32:53,720
Speaker 1: And that's why I keep going back to Candace is

609
00:32:53,840 --> 00:32:59,040
Speaker 1: playing the game right because she's consistent. And again I'm

610
00:32:59,040 --> 00:33:03,280
Speaker 1: a newbie to this, but I feel like everybody around

611
00:33:03,480 --> 00:33:09,640
Speaker 1: her and obviously each other, they are looking for inconsistencies. Yeah, yeah,

612
00:33:09,720 --> 00:33:13,760
Speaker 1: And I feel like because she remains herself and she

613
00:33:13,920 --> 00:33:17,280
Speaker 1: has been very honest, I found everybody, Ron, I am

614
00:33:17,320 --> 00:33:20,320
Speaker 1: trying to get you out as motherfucker, and my opinion

615
00:33:20,400 --> 00:33:23,160
Speaker 1: is not gonna sway. So everybody knows when it comes

616
00:33:23,200 --> 00:33:27,200
Speaker 1: to Canvas, Candace's goal is to give Ron out, and

617
00:33:27,240 --> 00:33:28,040
Speaker 1: I think that's.

618
00:33:27,840 --> 00:33:31,240
Speaker 3: The reason why people aren't seeing her as a trader.

619
00:33:33,240 --> 00:33:38,600
Speaker 4: And if I'm being real, sometimes Candace's countenance betrays her.

620
00:33:38,720 --> 00:33:42,560
Speaker 4: Sometimes her facial expressions betray her. There's been a couple

621
00:33:42,600 --> 00:33:49,160
Speaker 4: of moments where people have asked questions that will maybe

622
00:33:49,240 --> 00:33:52,800
Speaker 4: raise some suspicion in her direction, and I've seen Candace

623
00:33:52,840 --> 00:33:55,880
Speaker 4: go like or like or like people ask the question

624
00:33:55,920 --> 00:33:59,000
Speaker 4: that she'll go, you know, And I think some of

625
00:33:59,000 --> 00:34:01,200
Speaker 4: that is for TV because she knows the cameras are on.

626
00:34:01,640 --> 00:34:04,080
Speaker 4: But I also think some of that changing her facial

627
00:34:04,120 --> 00:34:07,760
Speaker 4: expression like that can tip off some of the other contestants.

628
00:34:07,800 --> 00:34:09,200
Speaker 2: So she gotta watch.

629
00:34:08,960 --> 00:34:11,560
Speaker 4: That she does good in the moment to me when

630
00:34:11,600 --> 00:34:14,680
Speaker 4: she has to lie in stuff. But it's just the initial,

631
00:34:15,280 --> 00:34:19,040
Speaker 4: you know, asking of the questions that sometimes throws her

632
00:34:19,080 --> 00:34:21,279
Speaker 4: off her game a little bit, just in her face.

633
00:34:21,320 --> 00:34:24,840
Speaker 4: It's never her posture, it's never like a it's just

634
00:34:24,880 --> 00:34:29,840
Speaker 4: in her face. Sometimes she'll be like, you know, I

635
00:34:29,960 --> 00:34:31,760
Speaker 4: see it. It goes straight to the camera.

636
00:34:31,880 --> 00:34:34,840
Speaker 3: So yeah, yeah, no, that's a good point. That's a

637
00:34:34,840 --> 00:34:35,440
Speaker 3: good point.

638
00:34:35,680 --> 00:34:42,040
Speaker 1: So we see that after Tiffany gets voted off, the

639
00:34:42,200 --> 00:34:48,600
Speaker 1: Traders are back in their own world Lisa, Rob and Candace,

640
00:34:49,040 --> 00:34:52,480
Speaker 1: and that's when Candace, of course informs Lisa that Monaya's

641
00:34:52,560 --> 00:34:57,520
Speaker 1: onto you, and Lisa is surprised by it and she's like,

642
00:34:57,719 --> 00:35:01,279
Speaker 1: all right, well we need to so we need to

643
00:35:01,360 --> 00:35:08,440
Speaker 1: murder him, and unfortunately Monet gets murdered. Dustin, do you

644
00:35:08,480 --> 00:35:11,959
Speaker 1: think that was smart of the Traders to get rid

645
00:35:12,040 --> 00:35:13,320
Speaker 1: of Monette so early?

646
00:35:13,840 --> 00:35:14,080
Speaker 2: Hell?

647
00:35:14,200 --> 00:35:18,040
Speaker 4: Yeah, ship the first first person sniffing around this door.

648
00:35:18,040 --> 00:35:21,000
Speaker 4: You got to go flat out, you know what I'm saying.

649
00:35:21,040 --> 00:35:24,239
Speaker 4: You know, you can't give them time to talk to

650
00:35:24,280 --> 00:35:28,359
Speaker 4: the other contestants and create the suspicions and make it

651
00:35:28,440 --> 00:35:30,759
Speaker 4: snowball into something bigger. Now, you got to cut that

652
00:35:30,880 --> 00:35:33,680
Speaker 4: problem out at the root. Okay, since we're talking about

653
00:35:33,680 --> 00:35:38,200
Speaker 4: black stuff at the writ so you know what I'm saying,

654
00:35:38,480 --> 00:35:42,200
Speaker 4: Like he had to go. I totally understood that seeing money,

655
00:35:42,239 --> 00:35:44,319
Speaker 4: and I have really been enjoying Monet on the show.

656
00:35:44,800 --> 00:35:46,600
Speaker 4: So I hated to see Monet get murdered.

657
00:35:46,600 --> 00:35:47,479
Speaker 2: But it was time.

658
00:35:48,080 --> 00:35:50,520
Speaker 3: Me too, Me too, Me too, No, it was time.

659
00:35:50,560 --> 00:35:53,520
Speaker 1: And listen, I've been enjoying his passions and he's very

660
00:35:53,920 --> 00:35:58,200
Speaker 1: the people Monette, He's very likable. But I feel bad

661
00:35:58,200 --> 00:36:01,520
Speaker 1: for Monette too because we're talking about solidarity. And he

662
00:36:01,520 --> 00:36:04,600
Speaker 1: did tell his sister Canvas who he is suspecting.

663
00:36:05,000 --> 00:36:08,200
Speaker 3: But Canvas had to do the right thing. Like you said, if.

664
00:36:08,080 --> 00:36:11,680
Speaker 1: Someone is sniffing at the front door, they got to go.

665
00:36:12,160 --> 00:36:20,480
Speaker 1: So Monet's olivert. They're playing another game at this point,

666
00:36:20,640 --> 00:36:27,840
Speaker 1: your boy Ron. He thinks the traders are Michael and Dorenda.

667
00:36:28,800 --> 00:36:31,640
Speaker 2: Once again, loud and wrong and dumb.

668
00:36:31,760 --> 00:36:34,920
Speaker 4: Once again, always gotta he has just mister bad ideas,

669
00:36:34,960 --> 00:36:37,600
Speaker 4: ain't he? Every time you open this goddamn mouth, it's

670
00:36:37,640 --> 00:36:44,040
Speaker 4: another bad idea during da every every time, man, like, bro,

671
00:36:44,640 --> 00:36:47,400
Speaker 4: are you even trying to put any of this shit together?

672
00:36:47,440 --> 00:36:51,640
Speaker 4: You just be loud and wrong every fucking time, Like,

673
00:36:51,760 --> 00:36:56,360
Speaker 4: come on, Ron, the Porsche thing. Okay, what did I

674
00:36:56,400 --> 00:36:59,279
Speaker 4: agree with him putting her up for elimination? No, but

675
00:36:59,480 --> 00:37:02,760
Speaker 4: I did understand why because Porsche had literally.

676
00:37:02,400 --> 00:37:06,000
Speaker 2: Handed him her gameplay on a platter. This time.

677
00:37:06,160 --> 00:37:10,120
Speaker 4: You just flat out wrong all the way off, you

678
00:37:10,160 --> 00:37:10,920
Speaker 4: know what I'm saying.

679
00:37:11,000 --> 00:37:14,760
Speaker 2: And I just it's just embarrassing. Man, Damn.

680
00:37:15,440 --> 00:37:19,839
Speaker 3: What is his strategy? You think? Because when he when

681
00:37:19,840 --> 00:37:22,520
Speaker 3: he brings up these names, he.

682
00:37:24,280 --> 00:37:24,480
Speaker 2: Look.

683
00:37:24,520 --> 00:37:26,520
Speaker 1: I watched the show too, and basically what I'm seeing,

684
00:37:26,520 --> 00:37:30,800
Speaker 1: I feel like he never has a very specific reason

685
00:37:31,000 --> 00:37:33,880
Speaker 1: as to why he thinks that that makes sense.

686
00:37:34,080 --> 00:37:34,839
Speaker 3: The Porsche think.

687
00:37:34,920 --> 00:37:37,560
Speaker 1: Okay, fine, we know Porscha not to be able to

688
00:37:37,640 --> 00:37:38,560
Speaker 1: articule herself.

689
00:37:38,920 --> 00:37:40,960
Speaker 3: Well, fine, got that.

690
00:37:41,400 --> 00:37:44,560
Speaker 1: But for the past, like a couple of episodes after Porsche,

691
00:37:45,200 --> 00:37:47,759
Speaker 1: I do feel like he's just throwing names out too.

692
00:37:47,800 --> 00:37:50,160
Speaker 4: I think he goes up in that room at night

693
00:37:50,360 --> 00:37:53,320
Speaker 4: after everybody did, and I think he'd be up in

694
00:37:53,360 --> 00:37:56,399
Speaker 4: there eating boogers with that notepad and a pin and

695
00:37:56,520 --> 00:37:59,120
Speaker 4: you know what I'm saying, thinking about everybody he can't stand.

696
00:37:59,160 --> 00:38:01,399
Speaker 2: And I think he got a head list. I think

697
00:38:01,400 --> 00:38:05,560
Speaker 2: he got a hell list. Who's the people that tonight tonight, angsty.

698
00:38:05,640 --> 00:38:06,279
Speaker 2: You know what I'm saying.

699
00:38:06,280 --> 00:38:10,480
Speaker 4: He wanted them motherfuckers, them jumping around underneath the bridge, motherfuckers.

700
00:38:10,480 --> 00:38:12,080
Speaker 2: You know what I'm saying. That's that's one of him. Man.

701
00:38:12,120 --> 00:38:15,520
Speaker 4: He's an emo, He's an emo comedian. So I really

702
00:38:15,560 --> 00:38:17,680
Speaker 4: think he'd be up in that room, man biting his

703
00:38:17,760 --> 00:38:21,040
Speaker 4: cuticles and ship like this, thinking on who he's gonna kill,

704
00:38:21,960 --> 00:38:25,760
Speaker 4: hung and get time, hunging, get funtion the time.

705
00:38:26,040 --> 00:38:28,680
Speaker 2: During that every time. I think that's what it is. Man.

706
00:38:28,760 --> 00:38:30,840
Speaker 4: He wanted them motherfuckers, man, and you can tell, and

707
00:38:30,960 --> 00:38:32,040
Speaker 4: his ass got to go.

708
00:38:32,560 --> 00:38:34,239
Speaker 2: It's time, man, Ron gotta go.

709
00:38:35,200 --> 00:38:37,560
Speaker 3: You're want to be right, he's his boogers.

710
00:38:37,480 --> 00:38:42,600
Speaker 4: Yeah, eating buggers and shit, wearing a leather bracelet with

711
00:38:42,719 --> 00:38:44,160
Speaker 4: Stever studs.

712
00:38:43,680 --> 00:38:46,680
Speaker 2: On it and ship tonight tonight. You wanted them motherfuckers, man.

713
00:38:46,719 --> 00:38:50,480
Speaker 2: You know that's what he is. Man. Sick of Ron Dog,

714
00:38:50,600 --> 00:38:54,879
Speaker 2: I'm sick of Man. He gotta go, he gotta go.

715
00:38:58,120 --> 00:39:02,640
Speaker 3: Something. What have you thought from? Okay?

716
00:39:04,680 --> 00:39:10,480
Speaker 1: All right, so your boy Michael Rapper part the definition

717
00:39:11,000 --> 00:39:11,960
Speaker 1: of unhinged.

718
00:39:12,360 --> 00:39:17,400
Speaker 3: This is before the warrobe. I don't listen. I don't know.

719
00:39:17,400 --> 00:39:22,160
Speaker 1: If they pat the cast down before they go to

720
00:39:22,200 --> 00:39:26,360
Speaker 1: the house, if there is a sniffing dog that sniffs

721
00:39:26,400 --> 00:39:27,200
Speaker 1: the suitcase.

722
00:39:28,120 --> 00:39:30,319
Speaker 3: Michael appears to be on something. I don't know what

723
00:39:30,400 --> 00:39:30,640
Speaker 3: it is.

724
00:39:30,680 --> 00:39:37,239
Speaker 1: I'm not accusing of nothing, allegedly, allegedly the unhinged attitude

725
00:39:37,520 --> 00:39:40,319
Speaker 1: that he has. And again, this is way before we

726
00:39:40,400 --> 00:39:43,640
Speaker 1: get into the warm room where they obviously are trying

727
00:39:43,680 --> 00:39:47,120
Speaker 1: to vote someone off. He is going off on Colton,

728
00:39:47,600 --> 00:39:50,879
Speaker 1: calling him a trader, and he's just.

729
00:39:52,600 --> 00:39:53,880
Speaker 3: He's basshit crazy.

730
00:39:54,480 --> 00:39:55,640
Speaker 2: He absolutely is.

731
00:39:55,640 --> 00:39:57,880
Speaker 4: And well, let me tell you what, Michael Rapperport is

732
00:39:58,000 --> 00:40:00,319
Speaker 4: right if you pay attention to the way he been

733
00:40:00,360 --> 00:40:04,120
Speaker 4: saying since he's we'll just stick with the traders, right

734
00:40:04,600 --> 00:40:08,760
Speaker 4: on the traders. In his interview scenes, anytime he's talking

735
00:40:08,760 --> 00:40:12,160
Speaker 4: to the other people he's not in the confrontation. He

736
00:40:12,320 --> 00:40:18,760
Speaker 4: has a incessant need to purport himself as a tough

737
00:40:18,800 --> 00:40:21,640
Speaker 4: guy that comes from the bricks. And you know what

738
00:40:21,640 --> 00:40:24,200
Speaker 4: I'm saying, he really wants us to believe. Yeah, you know,

739
00:40:24,239 --> 00:40:26,800
Speaker 4: I'm from New York City and you had to be tough,

740
00:40:26,840 --> 00:40:28,440
Speaker 4: and you know, I'm just a fighter.

741
00:40:28,480 --> 00:40:29,319
Speaker 2: I just got it in me.

742
00:40:29,360 --> 00:40:31,200
Speaker 4: I'm just one of those guys. Man, I'm gonna talk

743
00:40:31,320 --> 00:40:33,799
Speaker 4: come back at you, and you're gonna come back at you.

744
00:40:34,200 --> 00:40:37,040
Speaker 4: And he does all of that shit. That's his whole thing.

745
00:40:37,120 --> 00:40:41,160
Speaker 4: He likes cosplaying as a tough urban character, and he

746
00:40:41,239 --> 00:40:45,080
Speaker 4: seems to be obsessed with like urban black culture and

747
00:40:45,120 --> 00:40:49,239
Speaker 4: like people having stories from you know, rougher upbringings and

748
00:40:49,239 --> 00:40:52,480
Speaker 4: shit and earning their stripes, so to speak. He's obsessed

749
00:40:52,520 --> 00:40:54,920
Speaker 4: with that and he wants that, so he's trying to

750
00:40:54,960 --> 00:40:55,920
Speaker 4: cosplay as that.

751
00:40:56,040 --> 00:40:58,640
Speaker 2: And you can tell. You can tell when he's.

752
00:40:58,520 --> 00:41:01,520
Speaker 4: In arguments with people the an aa ve that he

753
00:41:01,640 --> 00:41:05,480
Speaker 4: tries to use all the time and that he uses incorrectly,

754
00:41:05,520 --> 00:41:08,080
Speaker 4: which is so funny because typically white people that try

755
00:41:08,120 --> 00:41:09,520
Speaker 4: to do that, they always fuck it up.

756
00:41:09,560 --> 00:41:12,080
Speaker 2: And came speaking off beat, you know what I'm saying,

757
00:41:12,160 --> 00:41:17,439
Speaker 2: like he was doing. You're trying to put together another bullshit.

758
00:41:19,000 --> 00:41:21,960
Speaker 4: What that doesn't even make sense, Like you don't even

759
00:41:22,040 --> 00:41:25,399
Speaker 4: know what you're talking about. So just stop just be yourself, man,

760
00:41:26,239 --> 00:41:28,640
Speaker 4: Which is too late because he's old as a heel now,

761
00:41:28,680 --> 00:41:32,120
Speaker 4: so like, but if he, if he would just learn

762
00:41:32,120 --> 00:41:33,920
Speaker 4: how to just be himself and stop trying to be

763
00:41:34,000 --> 00:41:37,359
Speaker 4: a fucking rapper or a housewife or whatever else he's

764
00:41:37,400 --> 00:41:38,080
Speaker 4: obsessed with.

765
00:41:38,160 --> 00:41:38,680
Speaker 2: At the time.

766
00:41:38,920 --> 00:41:42,359
Speaker 4: He's one of those people that pays attention to whatever, like.

767
00:41:42,280 --> 00:41:45,520
Speaker 2: The trending you know, yeah.

768
00:41:45,680 --> 00:41:48,120
Speaker 4: Words that people are using at the time and shit,

769
00:41:48,440 --> 00:41:50,520
Speaker 4: and he tries to put him in his vocabulary and

770
00:41:50,520 --> 00:41:53,479
Speaker 4: it sounds so out of place. Motherfucker. You don't talk

771
00:41:53,600 --> 00:41:55,919
Speaker 4: like that. Nobody actually talks like that because you're doing

772
00:41:55,960 --> 00:41:56,400
Speaker 4: it wrong.

773
00:41:56,960 --> 00:41:58,919
Speaker 2: You know. I'm not gonna go too deep.

774
00:41:58,960 --> 00:42:02,040
Speaker 4: But that's who he is, and it does not serve

775
00:42:02,160 --> 00:42:05,000
Speaker 4: him well as he can see because even in his exit.

776
00:42:04,680 --> 00:42:07,839
Speaker 2: Interview, which was ridiculous of itself, but.

777
00:42:07,920 --> 00:42:10,279
Speaker 4: Even in his ex interview, he was like, maybe no,

778
00:42:10,680 --> 00:42:12,759
Speaker 4: I played too hard and pushed too far.

779
00:42:13,719 --> 00:42:15,359
Speaker 2: I just went too far with that's you know, him

780
00:42:15,400 --> 00:42:17,080
Speaker 2: just got to be who I am. And he's one

781
00:42:17,080 --> 00:42:17,760
Speaker 2: of those people.

782
00:42:17,840 --> 00:42:18,040
Speaker 1: Man.

783
00:42:18,920 --> 00:42:21,520
Speaker 3: Yeah, it's not real.

784
00:42:23,840 --> 00:42:28,719
Speaker 1: One of the biggest controversial things that happens episode, so

785
00:42:29,520 --> 00:42:34,280
Speaker 1: you know, it's pretty much Coulton versus Michael, and Michael

786
00:42:34,400 --> 00:42:40,480
Speaker 1: obviously is fighting for his life. He doesn't have becompassion

787
00:42:40,560 --> 00:42:43,040
Speaker 1: that a Tiffany had when she was fighting for her life.

788
00:42:43,719 --> 00:42:45,719
Speaker 1: He made a comment Dust and I'd love to get

789
00:42:45,760 --> 00:42:49,480
Speaker 1: her thoughts on it. Social media split on this. He

790
00:42:49,560 --> 00:42:51,759
Speaker 1: made a comment as he and Colton have going back

791
00:42:51,800 --> 00:42:56,760
Speaker 1: and forth about, well, you have a history of keeping secrets,

792
00:42:57,800 --> 00:42:59,960
Speaker 1: so that's what would make you a good trader.

793
00:43:00,640 --> 00:43:02,800
Speaker 3: Colton said, you are.

794
00:43:02,800 --> 00:43:06,759
Speaker 1: Talking about my sexuality because rain jobs nout ship.

795
00:43:06,800 --> 00:43:07,160
Speaker 2: You know this.

796
00:43:07,600 --> 00:43:13,480
Speaker 1: Coulton was on The Bachelor as a straight man and.

797
00:43:24,680 --> 00:43:27,480
Speaker 2: Who was the contestants? Man? Was it? Was it? The season?

798
00:43:27,760 --> 00:43:30,080
Speaker 2: Was it? The season of everybody was?

799
00:43:30,560 --> 00:43:34,000
Speaker 4: Did they had them traders blindfolds on this on that show?

800
00:43:34,040 --> 00:43:34,239
Speaker 2: Too?

801
00:43:34,640 --> 00:43:34,719
Speaker 1: What?

802
00:43:35,000 --> 00:43:37,719
Speaker 2: Like? Like, how didn't you know? That's all I want

803
00:43:37,760 --> 00:43:41,480
Speaker 2: to know, man, how did he pull that one off? How?

804
00:43:42,480 --> 00:43:45,320
Speaker 2: Because what you mean you won't hear today the woman Coulton,

805
00:43:46,480 --> 00:43:51,600
Speaker 2: your name Coulton that that alone? You know what I'm saying.

806
00:43:52,160 --> 00:43:52,560
Speaker 3: You are.

807
00:43:58,400 --> 00:43:59,000
Speaker 2: I digress?

808
00:44:00,040 --> 00:44:03,120
Speaker 4: Where is Michael Rappaport saying that they was in an argument?

809
00:44:03,239 --> 00:44:04,080
Speaker 2: You know what I'm saying.

810
00:44:04,160 --> 00:44:06,120
Speaker 4: And I didn't He didn't call him a fag or

811
00:44:06,400 --> 00:44:08,719
Speaker 4: I'm sure I have to beat that. But he didn't

812
00:44:08,760 --> 00:44:10,479
Speaker 4: call him, like you know what I'm saying, no names

813
00:44:10,520 --> 00:44:12,600
Speaker 4: like that. He just said what he said. And he

814
00:44:12,719 --> 00:44:15,480
Speaker 4: did allude to him keeping the secret of his sexual

815
00:44:15,719 --> 00:44:18,560
Speaker 4: or he did allude to there being a change in

816
00:44:19,000 --> 00:44:21,560
Speaker 4: his sexual trajectory.

817
00:44:21,719 --> 00:44:24,480
Speaker 2: You know what I'm saying. He did allude to that,

818
00:44:24,520 --> 00:44:25,880
Speaker 2: and I wish he would have just stood in it.

819
00:44:25,920 --> 00:44:26,200
Speaker 2: He did.

820
00:44:26,560 --> 00:44:28,920
Speaker 4: He should have just said it, like, well, coachd we

821
00:44:29,040 --> 00:44:31,359
Speaker 4: know that for a long time. You know, you were

822
00:44:31,400 --> 00:44:35,120
Speaker 4: living one way and then surprise, surprise, here you come

823
00:44:35,160 --> 00:44:37,160
Speaker 4: out and now you're a gay man. So maybe there

824
00:44:37,320 --> 00:44:39,800
Speaker 4: is some possibility there for you to keep a secret.

825
00:44:39,800 --> 00:44:42,880
Speaker 2: We don't know. That's all he had to say. Yeah,

826
00:44:43,080 --> 00:44:43,520
Speaker 2: you know what.

827
00:44:43,400 --> 00:44:45,440
Speaker 3: I'm saying, Man, I didn't. I didn't.

828
00:44:45,640 --> 00:44:48,360
Speaker 1: It took listen when he said it, this is again

829
00:44:48,440 --> 00:44:50,680
Speaker 1: I'm alone in this. I didn't see it that way

830
00:44:50,680 --> 00:44:54,839
Speaker 1: when he said that, I did. I didn't see them

831
00:44:54,880 --> 00:44:56,800
Speaker 1: til people started saying it, and then I have to rewind.

832
00:44:56,840 --> 00:45:00,520
Speaker 1: Then I said, oh, and then but obviously at the

833
00:45:00,560 --> 00:45:04,000
Speaker 1: time he was apologizing in the interviews, but honest saying

834
00:45:04,040 --> 00:45:07,160
Speaker 1: the moment he said it, I didn't clock it because

835
00:45:07,200 --> 00:45:09,879
Speaker 1: I guess for me, I couldn't stomach the.

836
00:45:09,840 --> 00:45:11,439
Speaker 3: Both of them anyway.

837
00:45:11,760 --> 00:45:12,120
Speaker 2: Yeah, but.

838
00:45:13,800 --> 00:45:17,759
Speaker 3: I at the time did not take it that way.

839
00:45:17,880 --> 00:45:20,880
Speaker 3: That's all I want to know. If you plocked it immediately.

840
00:45:21,200 --> 00:45:23,400
Speaker 4: Absolutely, I have a sixth sense when it comes to

841
00:45:23,440 --> 00:45:26,799
Speaker 4: any sort of homophobia, racism, microaggression.

842
00:45:26,840 --> 00:45:28,720
Speaker 2: Shit like that. I pick up on it really fast.

843
00:45:29,280 --> 00:45:32,520
Speaker 4: And also I expected that's the thing, like, yeah, he was,

844
00:45:32,640 --> 00:45:35,040
Speaker 4: he was wrong hisself for saying it. I'm not about

845
00:45:35,080 --> 00:45:39,400
Speaker 4: to cape for colding. We'll say, is you know what

846
00:45:39,440 --> 00:45:41,319
Speaker 4: I'm saying, like, that's what it was. And I wish

847
00:45:41,400 --> 00:45:43,560
Speaker 4: Michael's rappaport would have just stood it. And of course

848
00:45:43,600 --> 00:45:46,560
Speaker 4: he's a lion, no good motherfucker, so we knew he

849
00:45:46,640 --> 00:45:48,440
Speaker 4: wasn't gonna stand it and and just say that's what

850
00:45:48,480 --> 00:45:51,040
Speaker 4: he meant. But that's one hundred percent what he was

851
00:45:51,080 --> 00:45:53,520
Speaker 4: talking about. And it was what you call a nasty

852
00:45:53,719 --> 00:45:56,520
Speaker 4: you know, a nasty read. That's what that was in

853
00:45:56,600 --> 00:46:00,560
Speaker 4: that argument. But it definitely was rooted in homophobia. And

854
00:46:00,600 --> 00:46:05,040
Speaker 4: it wasn't thinly veiled either, it just was what it was.

855
00:46:05,040 --> 00:46:07,839
Speaker 2: Was I offended by it, nah, number one.

856
00:46:07,760 --> 00:46:09,520
Speaker 4: Because I don't care what he say to Culton, to

857
00:46:09,560 --> 00:46:11,840
Speaker 4: be honest with you, to let them host fight. But

858
00:46:12,000 --> 00:46:16,239
Speaker 4: beyond that, I expected, you know what I'm saying. I

859
00:46:16,320 --> 00:46:18,680
Speaker 4: expect you if you know I'm gay and we arguing

860
00:46:18,760 --> 00:46:20,600
Speaker 4: or whatever, I'm not gonna be caught off guard by

861
00:46:20,640 --> 00:46:22,120
Speaker 4: you saying something homophobic to me.

862
00:46:22,160 --> 00:46:23,560
Speaker 2: That don't make what you're saying.

863
00:46:23,600 --> 00:46:26,040
Speaker 4: Okay, but I know you're gonna do that, so I'm

864
00:46:26,080 --> 00:46:29,440
Speaker 4: already gonna come back twenty times harder on you, you

865
00:46:29,480 --> 00:46:31,520
Speaker 4: know what I'm saying. So I wasn't surprised. It was

866
00:46:31,560 --> 00:46:33,400
Speaker 4: actually a lazy play. To me, I was like, oh

867
00:46:33,400 --> 00:46:37,120
Speaker 4: about time. I knew you was gonna do it eventually, So.

868
00:46:38,000 --> 00:46:39,200
Speaker 3: Yeah, yeah.

869
00:46:39,320 --> 00:46:42,200
Speaker 1: And if you think about the character of who Michael Rappaport

870
00:46:42,200 --> 00:46:46,600
Speaker 1: has shown himself to be attacking black women, and then

871
00:46:46,760 --> 00:46:51,279
Speaker 1: you know, saying something alluded to alluding to Colton's sexuality

872
00:46:51,360 --> 00:46:54,080
Speaker 1: or just being upfront about it, and I did feel

873
00:46:54,120 --> 00:46:58,880
Speaker 1: like the reasons why in his exit interview, I like

874
00:46:58,920 --> 00:47:03,480
Speaker 1: to call it, he tried to, of course desynthesize what

875
00:47:03,600 --> 00:47:06,680
Speaker 1: he said because he knew that the backlash was going

876
00:47:06,719 --> 00:47:10,680
Speaker 1: to happen the moment that episode was going to be aired.

877
00:47:11,160 --> 00:47:15,120
Speaker 1: And now that we are talking about it, like I said,

878
00:47:15,239 --> 00:47:17,799
Speaker 1: me being honest, when he said the comment, I didn't

879
00:47:17,800 --> 00:47:22,000
Speaker 1: see anything because I wasn't paying attention, maybe until everybody

880
00:47:22,640 --> 00:47:25,040
Speaker 1: at the table started talking about it. Then I'm like,

881
00:47:25,160 --> 00:47:27,839
Speaker 1: let me rewind it. Okay, that's the part, and then

882
00:47:27,880 --> 00:47:31,200
Speaker 1: it reminded me. Not sure, if you know this dustin.

883
00:47:31,920 --> 00:47:35,839
Speaker 1: Last week, Michael Rappaport was going off on a lot

884
00:47:35,840 --> 00:47:37,560
Speaker 1: of gay people on Twitter.

885
00:47:38,040 --> 00:47:40,440
Speaker 3: No on TikTok. Do you know about this?

886
00:47:40,800 --> 00:47:41,120
Speaker 2: No?

887
00:47:41,600 --> 00:47:46,280
Speaker 1: Oh, I'll send it to you. So listen, last week

888
00:47:46,400 --> 00:47:48,920
Speaker 1: you and I included and at the rest of the world,

889
00:47:48,960 --> 00:47:52,680
Speaker 1: not just the gays. The world was reading him, even Portie.

890
00:47:54,760 --> 00:48:01,960
Speaker 1: He would comment on gay content creators pages and say.

891
00:48:02,080 --> 00:48:06,440
Speaker 3: Whatever girl, capital G I R L.

892
00:48:07,080 --> 00:48:11,200
Speaker 1: He even referred to someone's pronounce as day when when

893
00:48:11,320 --> 00:48:14,960
Speaker 1: they haven't even said what they are because they're common traders,

894
00:48:15,080 --> 00:48:16,680
Speaker 1: and how much they dislike him.

895
00:48:17,000 --> 00:48:19,719
Speaker 3: He said, okay, day, I guess you mad day.

896
00:48:20,400 --> 00:48:24,719
Speaker 1: So again, once I started to remember what he said

897
00:48:24,800 --> 00:48:26,440
Speaker 1: last week, that's when I said.

898
00:48:26,280 --> 00:48:31,000
Speaker 3: Oh shit, this motherfucker was something homophobic.

899
00:48:30,680 --> 00:48:35,240
Speaker 1: Because his behavior last week on TikTok. He was calling

900
00:48:36,000 --> 00:48:40,280
Speaker 1: gay men who wasn't talking about their sexuality they're common

901
00:48:40,320 --> 00:48:42,439
Speaker 1: to show he was calling them girl.

902
00:48:42,560 --> 00:48:44,160
Speaker 3: And I saw this with my own.

903
00:48:43,960 --> 00:48:46,600
Speaker 4: Eyes to and something he was and that's it. He

904
00:48:46,640 --> 00:48:48,920
Speaker 4: thinks he's smart, he thinks that he's ready for a

905
00:48:48,960 --> 00:48:51,399
Speaker 4: battle of wits and a war of words, per se,

906
00:48:51,760 --> 00:48:52,600
Speaker 4: and nothing.

907
00:48:52,280 --> 00:48:54,520
Speaker 2: Would give his his his his.

908
00:48:56,560 --> 00:48:58,520
Speaker 4: I'm not gonna say that because that was too far,

909
00:48:58,680 --> 00:49:01,120
Speaker 4: nothing would give his heart joy right.

910
00:49:01,520 --> 00:49:07,080
Speaker 2: Then to okay, broth nothing growth.

911
00:49:07,200 --> 00:49:09,200
Speaker 4: Also, I want them to shut this show all the

912
00:49:09,239 --> 00:49:10,160
Speaker 4: way down.

913
00:49:12,480 --> 00:49:13,920
Speaker 2: I just texted to you anyway.

914
00:49:14,160 --> 00:49:18,000
Speaker 4: But you know, he would love nothing more than to

915
00:49:18,080 --> 00:49:21,520
Speaker 4: get the thrill of winning an argument with somebody who's black,

916
00:49:21,640 --> 00:49:24,560
Speaker 4: or somebody who's gay, or somebody who's any of the

917
00:49:24,600 --> 00:49:29,640
Speaker 4: marginalized communities that he actually idolizes. Right, And so he's

918
00:49:29,680 --> 00:49:31,600
Speaker 4: one of the motherfuckers. You just can't give your time,

919
00:49:31,840 --> 00:49:33,359
Speaker 4: you know what I'm saying. You can't go back and

920
00:49:33,360 --> 00:49:36,040
Speaker 4: forth with him. You can't go you can't allow him

921
00:49:36,080 --> 00:49:38,879
Speaker 4: to gold you into a moment that for him will

922
00:49:38,880 --> 00:49:40,760
Speaker 4: be like a trophy, you know what I'm saying.

923
00:49:41,120 --> 00:49:42,960
Speaker 2: So he's one of those motherfuckers.

924
00:49:42,480 --> 00:49:44,520
Speaker 4: You just got to call ugly and keep moving past,

925
00:49:44,600 --> 00:49:46,160
Speaker 4: you know what I'm saying, Like that's it.

926
00:49:46,360 --> 00:49:50,359
Speaker 1: He don't get yeah, and you know it's bad when

927
00:49:50,719 --> 00:49:54,040
Speaker 1: at this point there were a lot of faithfuls who

928
00:49:54,080 --> 00:49:56,120
Speaker 1: were saying, I don't care if you are trade or not.

929
00:49:56,160 --> 00:49:58,440
Speaker 1: Get the fuck out, Like I don't want to be

930
00:49:58,480 --> 00:50:01,120
Speaker 1: around you anymore, like you want you want a house,

931
00:50:01,760 --> 00:50:07,560
Speaker 1: And that is indicative of someone's personality. And behavior, and

932
00:50:07,760 --> 00:50:10,160
Speaker 1: I'll end by saying this and Dustin, I don't love you.

933
00:50:10,200 --> 00:50:12,719
Speaker 3: Saw this Poorsha.

934
00:50:12,880 --> 00:50:17,280
Speaker 1: Williams or her press tour after getting voted off the show,

935
00:50:18,400 --> 00:50:23,319
Speaker 1: She said, Michael was worse than what we're seeing and

936
00:50:23,360 --> 00:50:24,960
Speaker 1: he needs to be thinking, editing.

937
00:50:26,000 --> 00:50:30,200
Speaker 4: I believe every word. I believe every word. I believe it.

938
00:50:30,280 --> 00:50:32,920
Speaker 4: He was a basket case, a loose cannon in the house.

939
00:50:33,280 --> 00:50:36,799
Speaker 4: Those people didn't feel safe around him. He already looks

940
00:50:36,840 --> 00:50:40,239
Speaker 4: like a monster from a fucking Halloween movie anyway. So

941
00:50:40,280 --> 00:50:43,960
Speaker 4: when you see somebody like that, looking like a weeping

942
00:50:44,040 --> 00:50:47,040
Speaker 4: willow tree and shit coming towards you with their mouth open,

943
00:50:47,239 --> 00:50:50,720
Speaker 4: spit coin the corners of their mouth, strings of flem

944
00:50:50,840 --> 00:50:54,040
Speaker 4: and spit all in their mouth, rotten teeth, spewing all

945
00:50:54,040 --> 00:50:56,560
Speaker 4: that bullshit that you all over that, you know, the

946
00:50:56,560 --> 00:50:58,000
Speaker 4: food on traders, just be out.

947
00:50:58,080 --> 00:50:59,880
Speaker 2: I ain't seen a cover on a dish yet.

948
00:51:00,080 --> 00:51:04,720
Speaker 3: Well, like Son, he's like, yeah, yeah, yeah.

949
00:51:04,600 --> 00:51:08,080
Speaker 2: Exactly, like a filthy mongrel. Man. He's just He's just

950
00:51:08,120 --> 00:51:11,160
Speaker 2: a filthy buzzard. That's what he is. Man. I'm glad,

951
00:51:11,239 --> 00:51:12,080
Speaker 2: good riddens.

952
00:51:12,200 --> 00:51:15,320
Speaker 4: I'm glad his ass and and and his bed sores

953
00:51:15,360 --> 00:51:16,520
Speaker 4: and shit are gone.

954
00:51:16,680 --> 00:51:20,360
Speaker 2: I'm glad he's gone. See ya this time. Man, the

955
00:51:20,400 --> 00:51:20,799
Speaker 2: fuck on.

956
00:51:21,239 --> 00:51:25,240
Speaker 4: Thank god, now we can actually play a game without chaos.

957
00:51:25,280 --> 00:51:27,439
Speaker 4: He's one of those people that is just fueled by

958
00:51:27,560 --> 00:51:31,000
Speaker 4: chaos and creating dissension. You know what I'm saying, Like,

959
00:51:31,200 --> 00:51:34,000
Speaker 4: just fucking play the game if you so good. And

960
00:51:34,080 --> 00:51:37,360
Speaker 4: another thing, you know you ugly because he keeps saying

961
00:51:37,360 --> 00:51:40,839
Speaker 4: that you're getting rid of the best looking. You know

962
00:51:41,239 --> 00:51:42,880
Speaker 4: that you're ugly. So I don't have to like to

963
00:51:42,920 --> 00:51:45,160
Speaker 4: shout out to the movie Paris is Burning. I don't

964
00:51:45,160 --> 00:51:48,000
Speaker 4: have to tell you you're ugly because you know you're ugly,

965
00:51:48,120 --> 00:51:49,799
Speaker 4: you know what I'm saying. So that's the thing he

966
00:51:49,840 --> 00:51:50,279
Speaker 4: already know.

967
00:51:51,800 --> 00:51:52,640
Speaker 3: Yeah, that part was.

968
00:51:52,760 --> 00:51:57,480
Speaker 1: It's one of the things where listen, beauty is in

969
00:51:57,520 --> 00:52:03,320
Speaker 1: the eye of the beholder, right, but to not listen,

970
00:52:03,400 --> 00:52:06,719
Speaker 1: but we all have eyes, the hills have eyes. So

971
00:52:06,840 --> 00:52:10,719
Speaker 1: to know that you're not conditionally like like, for example,

972
00:52:12,960 --> 00:52:15,920
Speaker 1: I never go for this type of man, but that

973
00:52:15,960 --> 00:52:20,359
Speaker 1: motherfucker Rob and his overalls, Now that is a good

974
00:52:20,400 --> 00:52:22,840
Speaker 1: looking man and the world knows he's good looking.

975
00:52:23,000 --> 00:52:23,239
Speaker 2: Right.

976
00:52:24,000 --> 00:52:29,920
Speaker 1: Michael Rappaport constantly referring to himself as good looking to me,

977
00:52:30,200 --> 00:52:32,840
Speaker 1: Like you said, Dustin tells me everything I need to

978
00:52:32,880 --> 00:52:35,560
Speaker 1: know about how he feels about himself because.

979
00:52:36,000 --> 00:52:39,880
Speaker 4: That with him, that's why it comes from the inside out, Carlos.

980
00:52:40,120 --> 00:52:43,080
Speaker 4: The ugliness, it's not when when we call him ugly,

981
00:52:43,160 --> 00:52:45,839
Speaker 4: it's not so much about his physical appearance. When we've

982
00:52:45,840 --> 00:52:48,000
Speaker 4: talked about his physical appearance, it's been about.

983
00:52:47,760 --> 00:52:50,440
Speaker 2: Like his skin and stuff. We've never said that your face,

984
00:52:50,520 --> 00:52:52,040
Speaker 2: your eyes are ugly. It's not that.

985
00:52:52,080 --> 00:52:55,839
Speaker 4: It's his spirit, it's his energy, it's the intention that

986
00:52:55,880 --> 00:52:59,680
Speaker 4: he has in every space and every conversation. He's consumed

987
00:52:59,680 --> 00:53:03,680
Speaker 4: with negativity and he seems to be embattled to me,

988
00:53:03,880 --> 00:53:06,360
Speaker 4: like he's just a person that is just it seems

989
00:53:06,400 --> 00:53:10,799
Speaker 4: like a vortex of just sickness inside of him, you.

990
00:53:10,840 --> 00:53:11,560
Speaker 2: Know what I'm saying.

991
00:53:11,560 --> 00:53:14,480
Speaker 4: And so that's what comes out as ugly. It's his behavior,

992
00:53:14,600 --> 00:53:17,759
Speaker 4: it's his thoughts, it's his words, it's his actions, and

993
00:53:17,800 --> 00:53:20,400
Speaker 4: it is his skin. It's all those things, you know

994
00:53:20,400 --> 00:53:23,200
Speaker 4: what I'm saying, Like, that's what makes him ugly. So

995
00:53:24,000 --> 00:53:25,840
Speaker 4: but guess what, it don't matter what he looked like

996
00:53:25,880 --> 00:53:26,239
Speaker 4: because we.

997
00:53:26,200 --> 00:53:27,680
Speaker 3: Ain't got to look at him no more.

998
00:53:30,600 --> 00:53:33,640
Speaker 1: Talk about a celebration last nights from watching the show

999
00:53:33,840 --> 00:53:39,360
Speaker 1: come on that he's gone, because I feel like it

1000
00:53:39,400 --> 00:53:42,200
Speaker 1: will be Listen. I love good TV. I love a

1001
00:53:42,239 --> 00:53:42,800
Speaker 1: good villain.

1002
00:53:43,160 --> 00:53:43,239
Speaker 2: Me.

1003
00:53:44,120 --> 00:53:46,600
Speaker 1: He's not a good villain to me, and that's why

1004
00:53:46,600 --> 00:53:52,399
Speaker 1: I'm That's why I'm happy he's gone. Now Colton, who

1005
00:53:53,400 --> 00:53:58,279
Speaker 1: sent Tiphany Holme, who wasn't faithful, he now has his

1006
00:53:58,520 --> 00:53:59,600
Speaker 1: eyes set.

1007
00:53:59,400 --> 00:54:03,000
Speaker 3: On Lisa Renna. Now this to me, Dustin is now

1008
00:54:03,080 --> 00:54:04,520
Speaker 3: with the game and these.

1009
00:54:04,360 --> 00:54:10,839
Speaker 1: Efforts about to get good because you have Culton and

1010
00:54:10,880 --> 00:54:12,279
Speaker 1: I'm gonna give him this.

1011
00:54:13,440 --> 00:54:18,440
Speaker 3: Who said, how is Lisa Brenna? And they're like, oh,

1012
00:54:18,640 --> 00:54:22,200
Speaker 3: she's a talking to person. Really, do y'all think she's

1013
00:54:22,239 --> 00:54:24,160
Speaker 3: talked a lot. Actually she has it.

1014
00:54:24,840 --> 00:54:27,960
Speaker 1: And you got Derenda who's like, well that's my girl. Ed,

1015
00:54:28,560 --> 00:54:33,760
Speaker 1: she definitely isn't being herself. And then to your earlier point, Dustin,

1016
00:54:34,560 --> 00:54:41,080
Speaker 1: they then start to mock her exaggerated fonsive to.

1017
00:54:41,280 --> 00:54:47,960
Speaker 4: Things, doing all of that ship yeah, yep, mm hmm

1018
00:54:48,280 --> 00:54:50,680
Speaker 4: over breakfast mm hmmm.

1019
00:54:53,840 --> 00:54:58,239
Speaker 2: You know how she be doing? Man? Oh, well, I

1020
00:54:58,360 --> 00:55:00,920
Speaker 2: know I should have case gotta fucking go.

1021
00:55:01,760 --> 00:55:05,040
Speaker 4: It's funny sometimes, but she's such a nasty person and

1022
00:55:05,080 --> 00:55:08,080
Speaker 4: that's why I didn't feel no ways tired. Since this

1023
00:55:08,239 --> 00:55:14,879
Speaker 4: is the Black Colloquialism episode.

1024
00:55:17,040 --> 00:55:19,000
Speaker 2: Lows, I ain't feel no ways tired.

1025
00:55:19,000 --> 00:55:21,319
Speaker 4: When Derinda was clocking Lisa Renda and when they was

1026
00:55:21,360 --> 00:55:23,480
Speaker 4: talking about her like no, she ain't like that. I

1027
00:55:23,480 --> 00:55:26,960
Speaker 4: didn't feel bad because Lisa Renda would send Derinda down

1028
00:55:27,040 --> 00:55:29,919
Speaker 4: that river so fast without a doubt. So I didn't

1029
00:55:29,920 --> 00:55:32,960
Speaker 4: feel no way about that. Derinda good set her ass up.

1030
00:55:33,080 --> 00:55:37,040
Speaker 4: I don't even care because Lisa Renda can go. She's

1031
00:55:37,080 --> 00:55:39,759
Speaker 4: a bad trader. She's not playing the game well, like

1032
00:55:39,800 --> 00:55:42,440
Speaker 4: get out the way that Candice and Rob take this

1033
00:55:42,520 --> 00:55:43,120
Speaker 4: thing on home.

1034
00:55:43,920 --> 00:55:46,680
Speaker 3: She's no, no, no, I agree with you. She actually

1035
00:55:46,719 --> 00:55:50,680
Speaker 3: isn't to me. The show now belongs to Camus and Rob.

1036
00:55:50,880 --> 00:55:56,080
Speaker 1: Rob is listen, We're only in episode five right now.

1037
00:55:56,160 --> 00:56:00,839
Speaker 3: But but I will say this is I will say my.

1038
00:56:00,920 --> 00:56:07,680
Speaker 1: Spidy senses is already telling me Rob may go all

1039
00:56:07,719 --> 00:56:09,720
Speaker 1: the way, yeah.

1040
00:56:10,520 --> 00:56:11,800
Speaker 2: Just enough under the radar.

1041
00:56:11,880 --> 00:56:15,480
Speaker 4: He's playing a very good social game on this show,

1042
00:56:15,600 --> 00:56:17,399
Speaker 4: and so that.

1043
00:56:17,040 --> 00:56:17,760
Speaker 2: That is good.

1044
00:56:17,880 --> 00:56:20,040
Speaker 4: I think he's doing a good job on that. Candice

1045
00:56:20,080 --> 00:56:24,440
Speaker 4: is playing a good game of strategy, and she's playing

1046
00:56:24,440 --> 00:56:26,880
Speaker 4: a good social game. She just has got to dial

1047
00:56:26,960 --> 00:56:30,759
Speaker 4: it back, maybe like a tenth, one tenth, you know

1048
00:56:30,760 --> 00:56:31,600
Speaker 4: what I mean, just.

1049
00:56:31,680 --> 00:56:33,160
Speaker 2: Dial it back just a little bit.

1050
00:56:33,760 --> 00:56:36,880
Speaker 4: Yeah, otherwise they're playing a good game, so I'm enjoying it.

1051
00:56:36,960 --> 00:56:38,399
Speaker 2: Loose, No, it was good.

1052
00:56:38,400 --> 00:56:38,839
Speaker 3: It was good.

1053
00:56:38,880 --> 00:56:44,239
Speaker 1: Some rain Drops. Episode six airs on Thursday, So as

1054
00:56:44,239 --> 00:56:47,440
Speaker 1: of now we will be having only one episode a week.

1055
00:56:47,760 --> 00:56:50,920
Speaker 1: We have five episodes in right now. Thank you Dustin

1056
00:56:51,000 --> 00:56:53,480
Speaker 1: for bringing the show to my radar. I am loving it.

1057
00:56:53,560 --> 00:56:56,160
Speaker 3: I'm a fan. I get excited with her happened.

1058
00:56:56,600 --> 00:56:58,839
Speaker 1: Belly Hills is US news this season, so I now

1059
00:56:58,880 --> 00:56:59,920
Speaker 1: have something to look forward.

1060
00:56:59,719 --> 00:57:01,040
Speaker 2: To him Thursday.

1061
00:57:01,280 --> 00:57:03,400
Speaker 4: Okay, you know it's funny you say that because I

1062
00:57:03,400 --> 00:57:07,960
Speaker 4: haven't been inspired to watch Beverly Hills yet, so I'm behind.

1063
00:57:08,000 --> 00:57:09,920
Speaker 2: I haven't watched any of this season yet.

1064
00:57:10,200 --> 00:57:12,480
Speaker 1: I'm telling you right now, and this is no bullshit,

1065
00:57:13,320 --> 00:57:15,880
Speaker 1: and and I'm not being like exaggerated funny.

1066
00:57:16,240 --> 00:57:18,520
Speaker 3: You're not missing anything. I'll tell you.

1067
00:57:18,960 --> 00:57:25,320
Speaker 1: Watch you literally, you aren't, literally, Dustin Roths not missing

1068
00:57:25,520 --> 00:57:26,240
Speaker 1: a thing.

1069
00:57:26,440 --> 00:57:29,240
Speaker 3: There's not one thing that you need to go back to.

1070
00:57:29,480 --> 00:57:31,200
Speaker 3: Just you're You're fine.

1071
00:57:31,320 --> 00:57:31,560
Speaker 2: Nothing.

1072
00:57:32,600 --> 00:57:35,040
Speaker 4: I didn't see anything that I don't know. I just

1073
00:57:35,080 --> 00:57:37,240
Speaker 4: haven't been inspired to so hopefully I check it out.

1074
00:57:37,240 --> 00:57:40,560
Speaker 4: But what I am watching is the motherfucking Traders, Okay,

1075
00:57:40,720 --> 00:57:41,680
Speaker 4: and we're enjoying it.

1076
00:57:41,720 --> 00:57:44,480
Speaker 2: And we'll see y'all again for another one, okay all.

1077
00:57:44,560 --> 00:57:47,320
Speaker 2: I love you Dust, have a good weekend, bro, you too.

1078
00:57:48,360 --> 00:57:48,720
Speaker 3: Bye.

1079
00:57:52,160 --> 00:57:56,640
Speaker 1: Reality with the King is executive produced by me Carlos King,

1080
00:57:57,080 --> 00:58:00,640
Speaker 1: produced by Lizzie Nemitz, and a partner ship.

1081
00:58:00,440 --> 00:58:02,560
Speaker 3: With the Lack Effect Network.

1082
00:58:02,880 --> 00:58:05,600
Speaker 1: You can also find us on my YouTube channel at

1083
00:58:05,640 --> 00:58:07,480
Speaker 1: b Carlos King Underscore