WEBVTT - Strike the Match, Part 2

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<v Speaker 1>Welcome to Invention, a production of I Heart Radio. Hey,

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<v Speaker 1>welcome to Invention. My name is Robert Lamb and I'm

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<v Speaker 1>Joe McCormick, and we're back this week with part two

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<v Speaker 1>of our exploration of fire technology and specifically the Match,

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<v Speaker 1>the Humble Match, the enticing Match, the intoxicating Match. Well

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<v Speaker 1>I'm getting carried away here. Yes. In our last episode,

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<v Speaker 1>we we really covered a lot of ground. We started

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<v Speaker 1>with an ancient Earth incapable of sustaining fire, and we

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<v Speaker 1>moved on to humanity's earliest uses of the Pilford flame.

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<v Speaker 1>From there, we discovered the great leap forward into fire

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<v Speaker 1>creation technology, namely fire drills and flint and pye rite

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<v Speaker 1>or flint and steel. And we also talked about fuel

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<v Speaker 1>manufactured fuel such as shopping wood and create you know,

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<v Speaker 1>creating more suitable types of fuel for your fire, but

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<v Speaker 1>also specialized fuel. And this led to little sticks of

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<v Speaker 1>wood for moving fire from one place to another and

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<v Speaker 1>ultimately the origins of the sulfur match, in which a

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<v Speaker 1>little uh, a little piece of wood is then dipped

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<v Speaker 1>into sulfur to create a piece of a fuel that

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<v Speaker 1>lights up very readily, allows you to transfer fire from

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<v Speaker 1>one place to another. Right now. One of the things

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<v Speaker 1>we talked about in the last episode and we needed

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<v Speaker 1>to make is a very clear distinction, was that the

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<v Speaker 1>sulfur match that was very invented in ancient China may

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<v Speaker 1>also have existed in ancient Rome. According to a few

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<v Speaker 1>references um there uh that this was a chemical match

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<v Speaker 1>and that was used to quickly catch fire. But it

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<v Speaker 1>was not a friction match. It was not a match

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<v Speaker 1>that you would be able to light by striking it

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<v Speaker 1>across the surface. Right. If you were to travel back

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<v Speaker 1>in time, uh, you know into two uh to to

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<v Speaker 1>China at the time, request to match and an attempt

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<v Speaker 1>to strike it, you would just be a match destroyer.

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<v Speaker 1>And people would we wondered, what you're trying to do?

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<v Speaker 1>Why are you rubbing? Uh? This the special what was

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<v Speaker 1>the term for it? Um the light bringing slaves? Yeah?

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<v Speaker 1>Why are you taking our light bringing slaves and just

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<v Speaker 1>destroying them against a brick wall? Uh? Yeah. But they

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<v Speaker 1>would still be quite useful even though they could only

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<v Speaker 1>be ignited by existing heat or flame, because they'd be

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<v Speaker 1>useful for say, transferring fire from one place to another.

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<v Speaker 1>You want to take fire, say out of a pot

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<v Speaker 1>and light a candle or something. Right, Yeah, and one

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<v Speaker 1>of the I think the big take comes. Certainly, go

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<v Speaker 1>back and listen to that episode of view you haven't,

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<v Speaker 1>but I think one of the big take comes, uh.

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<v Speaker 1>And one of the biggest discoveries for me was just

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<v Speaker 1>thinking about fire as a process, as a thing that happens,

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<v Speaker 1>and then all these fire technologies are ways of managing uh,

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<v Speaker 1>that process to transform an event into like a tangible substance.

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<v Speaker 1>You know. A lot of times that means sort of

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<v Speaker 1>putting the fire in a kind of suspended animation, like

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<v Speaker 1>reducing the fire as much as possible without actually extinguishing

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<v Speaker 1>it to make it manageable. And this was also something

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<v Speaker 1>we talked about as an ancient technology that existed probably

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<v Speaker 1>even before humans had the ability to make their own fires. Uh,

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<v Speaker 1>they had various methods they'd come up with to carry

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<v Speaker 1>fire around without it going out. So, for example, we

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<v Speaker 1>talked about the possessions of Otsy the Iceman, who was

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<v Speaker 1>found in the Italian Alps in ninety one, this neolithic

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<v Speaker 1>mummy who was frozen there in the glacier, and one

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<v Speaker 1>of the things he had on him was a little

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<v Speaker 1>container made out of birch bark, that appeared to be

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<v Speaker 1>for carrying coals around, So you could take a coal

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<v Speaker 1>out of one fire, put it in this little container

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<v Speaker 1>rapid in leaves, and you'd have a coal that would

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<v Speaker 1>continue to burn for hours in case you need to

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<v Speaker 1>make camp really quickly. You know, one thing I kept

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<v Speaker 1>thinking about when we were talking about it in the

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<v Speaker 1>last episode is Disney Christmas Carol, in which Cratchett played

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<v Speaker 1>by Mickey Mouse, brings home a hot coal from Ebenezer

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<v Speaker 1>scroogees uh stove to to light his own stove at home. Oh,

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<v Speaker 1>I don't know if I even remember this. I believe

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<v Speaker 1>if that is the case, unless I'm misremembering, there is

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<v Speaker 1>any um if it wasn't that it's some other version

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<v Speaker 1>of a Christmas Carol that I've seen and it wasn't

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<v Speaker 1>doubting that I'm saying, I'm not aware. It's also possible

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<v Speaker 1>that it wasn't Cratchett bringing home the code, but perhaps

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<v Speaker 1>Scrooge bringing home a hot coal from his office place

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<v Speaker 1>to ignite some small fire at his home. He is

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<v Speaker 1>all about efficiency. Yeah, but but you know, it makes

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<v Speaker 1>a lot more sense now that one really gets down

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<v Speaker 1>and considers the pain of having to start a fire.

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<v Speaker 1>You know, it makes sense to bring that hot coal

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<v Speaker 1>home if you have the ability to transfer transfer it. Now,

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<v Speaker 1>in this episode we are going to be getting into

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<v Speaker 1>the origins of the actual friction match. But I started

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<v Speaker 1>to wonder. Okay, so we know based on the last

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<v Speaker 1>episode that there were several things that were called a

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<v Speaker 1>match before the friction match existed. So where does this

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<v Speaker 1>term match come from? Yeah, we mentioned Mandarin terminology, we

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<v Speaker 1>mentioned a little Latin. But as James Whisney I points

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<v Speaker 1>out in his match is the Manufacturer of Fire from

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<v Speaker 1>two thousand five published in the Indian Journal of Chemical Technology,

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<v Speaker 1>the word match seems to come from the French uh

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<v Speaker 1>meche I think, and this would be a wick as

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<v Speaker 1>in a lamp, and it likely refers back to the

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<v Speaker 1>Latin uh um might mix us. I believe it is

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<v Speaker 1>a mix of mixa, which would be the wick of

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<v Speaker 1>a lamp. But the key technology that led to the

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<v Speaker 1>naming of the match dicks see, it seems was what

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<v Speaker 1>is known as the slow match. Now, this is something

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<v Speaker 1>that's probably gonna be confusing yet again because this has

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<v Speaker 1>some things in common with matches of today. In the

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<v Speaker 1>matches we've been talking about other things very not in common. Right,

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<v Speaker 1>The slow match was essentially a slow burning cord or

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<v Speaker 1>twine uh fuse that early musketeers and soldiers used to

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<v Speaker 1>ignite early firearms and cannons. To put it in pirate

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<v Speaker 1>terms for everybody, because this may ring a bell legendary

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<v Speaker 1>pirate to Edward Blackbeard Teach who lives sixteen eight through

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<v Speaker 1>seventeen eighteen, is said to have twisted slow matches under

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<v Speaker 1>his hat, like in his hair um, and then they'd

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<v Speaker 1>be lit on both sides to frighten his enemies slash victims.

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<v Speaker 1>So when you hear the phrase slow match, you need

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<v Speaker 1>to think fuse. It is it is like a rope

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<v Speaker 1>like object that has been made to burn slowly. Yeah,

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<v Speaker 1>And but that's the other thing. When you think fuse,

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<v Speaker 1>don't think a firecracker fuse like you you have probably

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<v Speaker 1>some experience with today, or like a cartoon fuse, you know,

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<v Speaker 1>where it's just zipping around really quickly and there's just

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<v Speaker 1>a fast um transfer of that spark to the explosive. No,

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<v Speaker 1>this would be a slow, smoldering string twine cord type object. Yeah.

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<v Speaker 1>So yeah, generally you're talking about some rope or cord

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<v Speaker 1>soaked in potassium nitrate, which is a key constituent of gunpowder,

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<v Speaker 1>and then it would be dried, you'd light it, you'd

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<v Speaker 1>you'd blow out the flame, but then a red ember

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<v Speaker 1>would continue to burn and work its way down the cord.

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<v Speaker 1>So really, if you if you think of a fuse

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<v Speaker 1>like a firecracker refuse with all the sparking, and you

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<v Speaker 1>think about it going really slowly, that's essentially what's happening.

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<v Speaker 1>Very similar thing actually to the carrying of the coal

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<v Speaker 1>in the in the birch bark container. It's something to

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<v Speaker 1>keep a low fire smoldering for a long period of

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<v Speaker 1>time that can be used to reignite something else quickly. Yeah,

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<v Speaker 1>basically getting that fire into a state of suspended animation

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<v Speaker 1>where it's there when you need it. But it's also

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<v Speaker 1>you're not just like carrying around a big flaming torch,

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<v Speaker 1>especially if you're having to deal with gunpowder. Though, as

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<v Speaker 1>we'll discuss in a minute, it didn't come without dangers. Yes,

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<v Speaker 1>So another place some of you might have seen this

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<v Speaker 1>is you would you would typically find the slow match

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<v Speaker 1>physically attached to a weapon such as a musket or

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<v Speaker 1>clipped to the matchlock mechanism of a matchlock weapon. Yes.

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<v Speaker 1>For a really great recent media example, if you've seen

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<v Speaker 1>the horror movie The Witch, directed by Robert Egger's, Uh,

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<v Speaker 1>there is a scene in the movie where actually, throughout

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<v Speaker 1>the movie, um, the characters carry around a musket and

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<v Speaker 1>it is a matchlock musket. There's a scene where the

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<v Speaker 1>father played by Ralph Ineson is trying to hunt He's

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<v Speaker 1>trying to shoot a rabbit. Uh, And you can see

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<v Speaker 1>it has this long tail of cord sticking out of it.

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<v Speaker 1>Sometimes they carry it with the cords sort of wrapped

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<v Speaker 1>around what looks like a cleat of some kind on

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<v Speaker 1>the stock. And in the scene where he tries to

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<v Speaker 1>hunt a rabbit, you can watch him going through these

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<v Speaker 1>kind of tedious, dangerous, laborious steps of like pouring out

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<v Speaker 1>the powder, packing it, getting the slow match lit and

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<v Speaker 1>then blowing on it to make it smolder, and then

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<v Speaker 1>clipping it into the hook. Like it looks like it

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<v Speaker 1>would be a very difficult weapon to use, and in

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<v Speaker 1>one sense it is like, but you might wonder, watching

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<v Speaker 1>all of this laborious stuff, why was the matchlock musket

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<v Speaker 1>actually an invention? What would this be an improvement over? Uh?

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<v Speaker 1>So I was reading about this, and apparently previously gunpowder

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<v Speaker 1>based weapons would usually have to be lit by hand.

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<v Speaker 1>So try to imagine that, like in the moment, the

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<v Speaker 1>gunner would have to carefully set fire to the priming powder,

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<v Speaker 1>which was in a small receptacle called the flash pan,

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<v Speaker 1>and they would have to do that by hand, and

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<v Speaker 1>then of course the ignition of the powder and the

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<v Speaker 1>flash pan would in turn set off the main charge

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<v Speaker 1>inside the barrel and then propel the ball out towards

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<v Speaker 1>the target. But just imagine trying to do this aim

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<v Speaker 1>a weapon at a target while you're trying to carefully

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<v Speaker 1>light the flash pan by hand. I mean, it's it

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<v Speaker 1>seems borderline impossible. And generally weapons before this period were

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<v Speaker 1>not handheld. You'd be talking about cannons, you know, mounted

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<v Speaker 1>artillery and stuff, but the musket was something that you

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<v Speaker 1>wanted to be able to hold in your hands and aim.

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<v Speaker 1>And the match lock provided a huge advantage here by

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<v Speaker 1>freeing the musket carrier's hands to hold and aim the weapon.

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<v Speaker 1>So here, after you pack the weapon, so you you

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<v Speaker 1>put the powder for the main charge down the barrel,

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<v Speaker 1>you'd pack the ball in you you'd smash it down

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<v Speaker 1>with the stick and then what you would do is

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<v Speaker 1>s the end of the slow match this fuse like cord.

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<v Speaker 1>You'd set the end of that burning, you'd blow on it,

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<v Speaker 1>get it smoldering, and then you'd clip the burning end

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<v Speaker 1>of the slow match into a little metal arm called

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<v Speaker 1>a serpentine, and then you put the powder in the

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<v Speaker 1>flash pan. And after you've done all that, you could

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<v Speaker 1>aim the weapon and pull the trigger. And what would

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<v Speaker 1>happen when you pull the trigger is that the metal

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<v Speaker 1>serpentine would automatically lower the smoldering slow match down into

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<v Speaker 1>the flash pan to ignite the charge. And this was

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<v Speaker 1>a big improvement over the hand lighting of the powder.

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<v Speaker 1>But as you can probably tell from the description, it's

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<v Speaker 1>still going to be very slow firing, laborious. It could

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<v Speaker 1>still be dangerous because you'd probably be like trying to

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<v Speaker 1>manage a burning slow match as you're like pouring powder

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<v Speaker 1>into various parts of the gun. Uh So there are

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<v Speaker 1>several drawbacks of course to the matchlock must get Number one,

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<v Speaker 1>you would have some kind of giveaways to the enemy,

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<v Speaker 1>right Like, so you're trying to line up to shoot

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<v Speaker 1>at night, and you'd be having to light these fires

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<v Speaker 1>and have the slow match burning. You would be able

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<v Speaker 1>to smell it. Uh, and then of course there's the

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<v Speaker 1>danger of the smoldering thing next to all this powder

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<v Speaker 1>you're juggling around. This makes me wonder, you know, all

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<v Speaker 1>these various first person shooter video games, they often devote

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<v Speaker 1>a great deal of detail to how guns are loaded

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<v Speaker 1>and reloaded and and then brought back into position for firing.

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<v Speaker 1>But it happens really fast. I wonder if if there

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<v Speaker 1>is a game out there that gives even like a

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<v Speaker 1>halfway accurate depiction of the use of a matchlock weapon. Yeah,

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<v Speaker 1>like a fifteenth century first person shooter where it takes,

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<v Speaker 1>you know, at least thirty seconds to load every shot. Yeah,

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<v Speaker 1>that would be that'd be an interesting call of duty

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<v Speaker 1>game right there. Well, I think maybe it actually could

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<v Speaker 1>be that kind of the stakes, and I think it

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<v Speaker 1>would be It would be interesting. Yeah. I mean, there's

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<v Speaker 1>at least one or two archaic weapons in the Fallout games,

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<v Speaker 1>but you know, it's all on auto reload. You just push.

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<v Speaker 1>Reloading just takes a while. It would be interesting if

0:11:57.600 --> 0:12:00.760
<v Speaker 1>there was a game where you you actually had to, uh,

0:12:00.800 --> 0:12:03.680
<v Speaker 1>you know, do this maneuver with one joystick and another

0:12:03.720 --> 0:12:06.079
<v Speaker 1>with the other joystick and whereas it was so that

0:12:06.400 --> 0:12:10.160
<v Speaker 1>actually reloading this weapon required uh more of a you know,

0:12:10.320 --> 0:12:13.240
<v Speaker 1>a cognitive responsibility on the part of the player, and

0:12:13.280 --> 0:12:16.080
<v Speaker 1>if you screw up while you're reloading, it literally explodes

0:12:16.120 --> 0:12:18.440
<v Speaker 1>in your face and kills you. And then but so

0:12:18.480 --> 0:12:21.240
<v Speaker 1>there's a funny thing here where the progression of the

0:12:21.280 --> 0:12:25.360
<v Speaker 1>firing mechanism in in gun technology actually goes kind of

0:12:25.440 --> 0:12:27.800
<v Speaker 1>opposite of what we've been talking about in the progress

0:12:27.880 --> 0:12:31.680
<v Speaker 1>of firelighting and matches, because you go in history from

0:12:31.720 --> 0:12:35.520
<v Speaker 1>the matchlock musket to the flint lock musket, and the

0:12:35.559 --> 0:12:38.560
<v Speaker 1>flint lock was said to be an improvement because you

0:12:38.600 --> 0:12:41.160
<v Speaker 1>didn't have to have a fire lit there. Instead, you

0:12:41.320 --> 0:12:44.480
<v Speaker 1>just have the powder in your flash pan and it

0:12:44.520 --> 0:12:47.080
<v Speaker 1>would be ignited by the striking of the flint that

0:12:47.160 --> 0:12:50.679
<v Speaker 1>happens when you release the hammer. Interesting. Now, of course,

0:12:50.720 --> 0:12:52.840
<v Speaker 1>that has its own problems. With the flint lock, I

0:12:52.880 --> 0:12:55.959
<v Speaker 1>think there was a greater chance of the weapon misfiring, right,

0:12:55.960 --> 0:12:58.560
<v Speaker 1>maybe you don't get a good spark or something. But anyway,

0:12:58.679 --> 0:13:00.800
<v Speaker 1>I thought that was interesting content x for the idea

0:13:00.800 --> 0:13:03.360
<v Speaker 1>of the match. You know, when you think about the

0:13:03.400 --> 0:13:05.880
<v Speaker 1>way it works with the weapon, is it's there to

0:13:06.080 --> 0:13:08.959
<v Speaker 1>be a fire that's ready whenever you need it. Yeah,

0:13:09.040 --> 0:13:10.800
<v Speaker 1>and this is really, I mean, this is key to

0:13:10.840 --> 0:13:13.800
<v Speaker 1>so many technologies, right, I mean again coming back to

0:13:13.840 --> 0:13:17.839
<v Speaker 1>even the the hot water heater in in in the household.

0:13:17.920 --> 0:13:20.000
<v Speaker 1>You know, it's how do you make sure the fire

0:13:20.080 --> 0:13:22.920
<v Speaker 1>is there when you need it, but in a safe way,

0:13:23.280 --> 0:13:25.599
<v Speaker 1>in a way that is not going to endanger everybody.

0:13:26.000 --> 0:13:29.240
<v Speaker 1>So as far as matches and the match lock and

0:13:29.320 --> 0:13:34.679
<v Speaker 1>the slow match, basically, Whisneak writes that the match was just,

0:13:35.320 --> 0:13:37.360
<v Speaker 1>you know, basically with with more of a modern match.

0:13:37.400 --> 0:13:39.040
<v Speaker 1>It's just a way of having a fire ready for

0:13:39.240 --> 0:13:41.280
<v Speaker 1>you when you need it. And so it's you know,

0:13:41.440 --> 0:13:45.760
<v Speaker 1>quite reasonable transfer of names here to talk about the

0:13:45.760 --> 0:13:49.360
<v Speaker 1>wooden match with the legacy of the slow match. Yeah,

0:13:49.600 --> 0:13:52.240
<v Speaker 1>I think that's great because ultimately, what we're gonna get

0:13:52.280 --> 0:13:54.360
<v Speaker 1>to with the friction matches that you don't need to

0:13:54.360 --> 0:13:56.720
<v Speaker 1>have a fire burning at all, and yet it's still

0:13:56.760 --> 0:13:58.880
<v Speaker 1>ready the moment you need it, right, and it's it's

0:13:58.880 --> 0:14:00.920
<v Speaker 1>certainly gonna be a little bit more like the the

0:14:00.920 --> 0:14:04.480
<v Speaker 1>the flint lock scenario that we're just talking about. So, uh,

0:14:04.640 --> 0:14:06.760
<v Speaker 1>we discussed in the last episode how humans have spent

0:14:06.760 --> 0:14:08.800
<v Speaker 1>a lot of time poking around in the fire and

0:14:08.880 --> 0:14:11.640
<v Speaker 1>using fire among other means to understand the nature of

0:14:11.720 --> 0:14:15.559
<v Speaker 1>various substances. And that's eventually essentially how we got to

0:14:15.600 --> 0:14:18.880
<v Speaker 1>the notion of using sulfur or potassium nitrate. Even right

0:14:19.160 --> 0:14:22.040
<v Speaker 1>there are these substances, we figured out how to in

0:14:22.080 --> 0:14:24.400
<v Speaker 1>some cases you know, refine them. And then what happens

0:14:24.400 --> 0:14:27.160
<v Speaker 1>when we had fire to them, Well, they spark or

0:14:27.200 --> 0:14:30.480
<v Speaker 1>they explode or they they they catch fire more readily

0:14:30.520 --> 0:14:33.720
<v Speaker 1>than other substances, and that they can ultimately, like sulfur

0:14:34.200 --> 0:14:36.800
<v Speaker 1>can if coding the end of a little stick can

0:14:36.840 --> 0:14:41.240
<v Speaker 1>make that stick a better fuel to use for transferring

0:14:41.280 --> 0:14:43.640
<v Speaker 1>flame from one point to another. Now, the flame bringing

0:14:43.720 --> 0:14:46.600
<v Speaker 1>power of sulfur as we know goes back way into

0:14:46.640 --> 0:14:48.760
<v Speaker 1>the ancient world that was known about by you know,

0:14:48.800 --> 0:14:51.840
<v Speaker 1>the ancient Chinese, by the ancient Romans. But there are

0:14:51.880 --> 0:14:55.360
<v Speaker 1>going to be new chemicals coming online that may serve

0:14:55.400 --> 0:14:58.440
<v Speaker 1>this job even better. Yes, humans began to under uncover

0:14:58.560 --> 0:15:02.960
<v Speaker 1>new substances such as is even new elements such as phosphorus,

0:15:03.320 --> 0:15:06.240
<v Speaker 1>which in the seventeenth century became the first new element

0:15:06.320 --> 0:15:10.120
<v Speaker 1>not known since ancient times. And some arguments have been

0:15:10.200 --> 0:15:13.800
<v Speaker 1>made for other chemists othern you know, discoveries haven't been

0:15:13.920 --> 0:15:16.520
<v Speaker 1>having taken place earlier or around the same time, but

0:15:16.600 --> 0:15:20.360
<v Speaker 1>credit is typically given to the German alchemist hinting Brand

0:15:20.800 --> 0:15:24.200
<v Speaker 1>in sixteen sixty nine. Now, a quick note on alchemy,

0:15:24.320 --> 0:15:27.520
<v Speaker 1>which is a rich topic unto itself, but we're largely

0:15:27.600 --> 0:15:31.680
<v Speaker 1>dealing with a proto scientific mixture of chemical research and

0:15:31.840 --> 0:15:36.720
<v Speaker 1>occult magic, the continuation of mystery traditions, etcetera. I love

0:15:36.840 --> 0:15:41.479
<v Speaker 1>the period of alchemy. It's so culturally and historically interesting,

0:15:42.560 --> 0:15:45.360
<v Speaker 1>especially when you're thinking about the history of science, because

0:15:45.400 --> 0:15:49.360
<v Speaker 1>it is a time when in some cases, real knowledge

0:15:49.400 --> 0:15:55.119
<v Speaker 1>is advancing right alongside what people believed were equivalent advances

0:15:55.120 --> 0:15:58.200
<v Speaker 1>in knowledge about like demonology and how to you know,

0:15:58.240 --> 0:16:01.720
<v Speaker 1>how to do spells, at the same time that people

0:16:01.800 --> 0:16:05.800
<v Speaker 1>really are learning things about, say, uh, chemistry and the

0:16:05.840 --> 0:16:09.760
<v Speaker 1>curing of certain diseases. Yeah. Like, for instance, in Bronze case,

0:16:10.240 --> 0:16:13.960
<v Speaker 1>he was seeking the legendary Philosopher's Stone. Now, this is

0:16:14.360 --> 0:16:18.480
<v Speaker 1>a substance of that was said to have miraculous powers.

0:16:18.520 --> 0:16:22.320
<v Speaker 1>It was capable of transforming metals into u into other metals.

0:16:22.320 --> 0:16:25.080
<v Speaker 1>You know, this is that lead into gold, uh scenario,

0:16:25.560 --> 0:16:29.560
<v Speaker 1>but it could also provide immortality. That's why it factors

0:16:29.560 --> 0:16:34.080
<v Speaker 1>into a Harry Potter novel, for instance. But Broun sought

0:16:34.120 --> 0:16:39.000
<v Speaker 1>it in urine, in urine, distilling it down to a

0:16:39.040 --> 0:16:43.360
<v Speaker 1>white material that glowed in the dark. And this was phosphorus.

0:16:43.440 --> 0:16:47.000
<v Speaker 1>Mirabulous or miraculous bearer of light. Who would have known

0:16:47.040 --> 0:16:51.560
<v Speaker 1>that PP was so illuminating? Indeed, it was all right,

0:16:51.600 --> 0:16:53.440
<v Speaker 1>we're gonna take a quick break. When we come back,

0:16:53.840 --> 0:16:57.360
<v Speaker 1>we will return to the mysteries of the urine, and

0:16:57.440 --> 0:17:06.200
<v Speaker 1>we will talk about phosphorus. Alright, we're back. So as

0:17:06.240 --> 0:17:10.480
<v Speaker 1>one might expect, given its alchemical origins, UH, phosphorus was

0:17:10.520 --> 0:17:13.200
<v Speaker 1>a secret. At first, it was traded and it was sold,

0:17:13.480 --> 0:17:17.600
<v Speaker 1>but it eventually it became known beyond these chambers of secret. Uh.

0:17:17.720 --> 0:17:21.960
<v Speaker 1>Its most impressive attribute is that it instantly combusts in air,

0:17:22.520 --> 0:17:25.600
<v Speaker 1>making it a nasty element in many ways. And and

0:17:25.680 --> 0:17:27.919
<v Speaker 1>we see we see this today with the use of

0:17:27.960 --> 0:17:32.560
<v Speaker 1>a white phosphorus munitions, which popped up in the twentieth century,

0:17:32.600 --> 0:17:35.040
<v Speaker 1>and then they are still used today by some militaries,

0:17:35.240 --> 0:17:38.840
<v Speaker 1>despite the fact that this and other incendiary weapons have

0:17:38.960 --> 0:17:43.920
<v Speaker 1>been banned by multiple international laws. UM white phosphorus munitions

0:17:43.960 --> 0:17:48.720
<v Speaker 1>can produce additional like terrible burns via burning particles as

0:17:48.760 --> 0:17:52.159
<v Speaker 1>well as harmful vapors. Yeah, I was reading an article

0:17:52.200 --> 0:17:55.159
<v Speaker 1>about this in Reuters from two thousand nine because I

0:17:55.280 --> 0:17:58.440
<v Speaker 1>tried to sort this out before. It's sort of complicated

0:17:58.440 --> 0:18:02.760
<v Speaker 1>and confusing because phosphorus based incendiaries have both legal and

0:18:02.960 --> 0:18:06.600
<v Speaker 1>illegal uses in war these days. Um, and that can

0:18:06.680 --> 0:18:10.960
<v Speaker 1>lead to, you know, arguments about specific uses. So white

0:18:11.000 --> 0:18:13.760
<v Speaker 1>phosphorus today, as it would be used as a munition,

0:18:13.960 --> 0:18:18.640
<v Speaker 1>is this colorless or sometimes kind of yellow waxy substance

0:18:19.000 --> 0:18:22.359
<v Speaker 1>I've read this. Router's article mentioned that it sometimes smells

0:18:22.359 --> 0:18:25.639
<v Speaker 1>like garlic. I did not know that, but that it

0:18:25.840 --> 0:18:30.200
<v Speaker 1>ignites in the air very easily at temperatures of something

0:18:30.240 --> 0:18:33.919
<v Speaker 1>like thirty degrees celsius or about eighty six degrees fahrenheit,

0:18:34.400 --> 0:18:36.440
<v Speaker 1>and it can be very hard to put out once

0:18:36.480 --> 0:18:41.120
<v Speaker 1>it's ignited. Um. But apparently common uses of white phosphorus,

0:18:41.200 --> 0:18:44.080
<v Speaker 1>in addition to you know, just being a direct incendiary weapon,

0:18:44.560 --> 0:18:47.520
<v Speaker 1>are in like tracer ammunition, so to help you know

0:18:47.600 --> 0:18:50.120
<v Speaker 1>see where where the line of fire is going. Right,

0:18:50.160 --> 0:18:52.680
<v Speaker 1>If anyone's ever watched any of those old like World

0:18:52.720 --> 0:18:57.159
<v Speaker 1>War two, World War two cockpit footage of of of

0:18:57.160 --> 0:18:59.920
<v Speaker 1>of machine gun fire. You know, you're seeing the tracers

0:19:00.040 --> 0:19:03.720
<v Speaker 1>the lights that mark which direction of the bullets are going.

0:19:04.320 --> 0:19:07.919
<v Speaker 1>Another common use for it apparently is in marking targets, so,

0:19:08.040 --> 0:19:10.440
<v Speaker 1>which would mean, you know, so you need some kind

0:19:10.440 --> 0:19:12.879
<v Speaker 1>of target flare, so you're trying to aim artillery or

0:19:12.880 --> 0:19:15.679
<v Speaker 1>something like that, you can mark the target on the

0:19:15.720 --> 0:19:19.119
<v Speaker 1>ground that you're trying to hit with white phosphorus apparently. Uh.

0:19:19.160 --> 0:19:22.480
<v Speaker 1>And then finally to create smoke screens, which would be

0:19:22.560 --> 0:19:26.199
<v Speaker 1>useful in hiding the maneuver of friendly troops. Yeah. So

0:19:26.320 --> 0:19:28.639
<v Speaker 1>basically comes down to how are you using it or

0:19:28.720 --> 0:19:32.639
<v Speaker 1>using it to illuminate or using it to obscure, or

0:19:32.680 --> 0:19:35.680
<v Speaker 1>are you using it in a way that is either

0:19:35.800 --> 0:19:41.960
<v Speaker 1>intentionally or or or nearly intentionally uh, incendiary against human

0:19:41.960 --> 0:19:44.919
<v Speaker 1>beings or or human infrastructure, using it to burn people

0:19:45.000 --> 0:19:47.840
<v Speaker 1>in buildings. Right, that does seem to be the main difference.

0:19:47.880 --> 0:19:50.480
<v Speaker 1>So the uses I mentioned have been more generally permitted,

0:19:50.520 --> 0:19:53.919
<v Speaker 1>but it is against international law to use white phosphorus

0:19:53.960 --> 0:19:57.040
<v Speaker 1>as an incendiary weapon, especially against civilians or in areas

0:19:57.040 --> 0:20:00.840
<v Speaker 1>where civilians are clustered. And this us I think leads

0:20:00.880 --> 0:20:04.600
<v Speaker 1>to disputes because they're like these controversial uses where the

0:20:04.600 --> 0:20:06.919
<v Speaker 1>forces who used it said well, we were using it

0:20:06.960 --> 0:20:10.040
<v Speaker 1>for one of these permitted reasons, and then their critics say, no,

0:20:10.200 --> 0:20:13.840
<v Speaker 1>you were using it as an incendiary weapon. Yeah. Yeah,

0:20:13.840 --> 0:20:16.080
<v Speaker 1>I remember. I grew up in a house so where

0:20:16.080 --> 0:20:19.200
<v Speaker 1>we know, we talked a lot about military technology, and

0:20:19.200 --> 0:20:21.600
<v Speaker 1>and my my dad always he always stressed the just

0:20:21.720 --> 0:20:25.440
<v Speaker 1>horrible nous of incendiary weapons, such as the flamethrower, which

0:20:25.480 --> 0:20:28.320
<v Speaker 1>on a video game can look pretty cool until you

0:20:28.359 --> 0:20:31.679
<v Speaker 1>think about what a flamethrower actually is and what a

0:20:31.840 --> 0:20:35.200
<v Speaker 1>horrible weapon it is. Uh. And likewise, phosphorus, I remember

0:20:35.240 --> 0:20:37.399
<v Speaker 1>him telling me that, like you've if you would have,

0:20:37.440 --> 0:20:41.080
<v Speaker 1>if you would have particles of phosphorus, like in your skin,

0:20:41.720 --> 0:20:44.320
<v Speaker 1>they would have to immerse your your like your arm

0:20:44.400 --> 0:20:47.639
<v Speaker 1>in water then to remove it. Uh, thus you know,

0:20:47.720 --> 0:20:51.639
<v Speaker 1>degating the flare ability of it when it's exposed to

0:20:51.720 --> 0:20:56.439
<v Speaker 1>oxygen or free atmospheric oxygen. Yeah, that that goes everything

0:20:56.480 --> 0:20:58.840
<v Speaker 1>I've read about phosphorus as a direct weapon is just

0:20:59.720 --> 0:21:02.560
<v Speaker 1>a toe total nightmare. But all this would come later.

0:21:02.600 --> 0:21:05.439
<v Speaker 1>We're fast forwarding a little bit with the phosphorus weapons,

0:21:05.440 --> 0:21:08.080
<v Speaker 1>because at first phosphorus, you know, when it first crept

0:21:08.080 --> 0:21:10.240
<v Speaker 1>out of the alchemist workshop, it was one of these

0:21:10.240 --> 0:21:13.119
<v Speaker 1>substances that clearly had a lot of potential and you

0:21:13.119 --> 0:21:15.080
<v Speaker 1>didn't have to be a war pig to see it,

0:21:15.359 --> 0:21:17.960
<v Speaker 1>because no, no, surely this is an element that would

0:21:18.119 --> 0:21:21.560
<v Speaker 1>enable one to produce instant fire, because that's what it does.

0:21:21.960 --> 0:21:25.080
<v Speaker 1>It can busts in the air itself. Yeah, what a

0:21:25.200 --> 0:21:29.200
<v Speaker 1>like eighty something degrease fahrenheit. I mean that that's that's unusual. Yeah,

0:21:29.240 --> 0:21:31.000
<v Speaker 1>like even in uh you know, I mean, because we're

0:21:31.000 --> 0:21:34.120
<v Speaker 1>talking about even like in a cold environment with minimal friction,

0:21:34.480 --> 0:21:37.240
<v Speaker 1>you would be able to reach that point. However, it

0:21:37.240 --> 0:21:39.840
<v Speaker 1>would take a good a hundred and fifty years after

0:21:39.880 --> 0:21:44.399
<v Speaker 1>its discovery for us to see really the beginnings of

0:21:44.400 --> 0:21:47.520
<v Speaker 1>of actual technology that utilized it. And this would be

0:21:47.760 --> 0:21:53.160
<v Speaker 1>um the pyro phosphorus fire carrier that came around. This

0:21:53.400 --> 0:21:56.720
<v Speaker 1>Whisney I explains, was quote a sealed glass or ampool

0:21:57.080 --> 0:22:01.880
<v Speaker 1>containing a finely divided pyro four powder free of phosphorus,

0:22:01.880 --> 0:22:05.600
<v Speaker 1>which ignited spontaneously when the tube was broken and the

0:22:05.720 --> 0:22:09.199
<v Speaker 1>contents scattered. And he adds that pyrophoric powers are chemicals

0:22:09.400 --> 0:22:12.920
<v Speaker 1>in finely powdered and reactive state which catch fire on

0:22:13.040 --> 0:22:16.080
<v Speaker 1>exposure to air. So yeah, so you'd have a sealed

0:22:16.119 --> 0:22:19.520
<v Speaker 1>capsule that you would rupture in order to either combine

0:22:19.680 --> 0:22:23.560
<v Speaker 1>things or just expose something to the air and instantly

0:22:23.600 --> 0:22:26.679
<v Speaker 1>create a flame. Which I don't know that that version

0:22:26.760 --> 0:22:29.160
<v Speaker 1>of the of the instant strike alite sounds a little

0:22:29.160 --> 0:22:32.600
<v Speaker 1>scarier than the normal match. Yeah. I was reaching about

0:22:32.600 --> 0:22:36.280
<v Speaker 1>a few who uh, really terrifying versions of this technology

0:22:36.320 --> 0:22:40.440
<v Speaker 1>that rolled out early on. So one was Wilhelm Homberg

0:22:40.680 --> 0:22:43.600
<v Speaker 1>created a mixture that could be sprinkled under dry cotton,

0:22:43.640 --> 0:22:47.119
<v Speaker 1>which would cause it to catch fire. Okay. Then Robert

0:22:47.160 --> 0:22:52.119
<v Speaker 1>Hare who eight had a version that again entailed a

0:22:52.160 --> 0:22:55.360
<v Speaker 1>sealed glass tube. But another, I think the scariest one

0:22:55.840 --> 0:23:00.760
<v Speaker 1>is known as Rosling's pyrophorus. And I couldn't find any

0:23:00.800 --> 0:23:05.280
<v Speaker 1>information on who Rosling is in this scenario, like what

0:23:05.359 --> 0:23:08.800
<v Speaker 1>their first name was, etcetera. But the description I ran

0:23:08.840 --> 0:23:11.520
<v Speaker 1>across is that it was the powder was packed on

0:23:11.640 --> 0:23:14.560
<v Speaker 1>top of tobacco in a pipe and you ignited it

0:23:14.600 --> 0:23:17.159
<v Speaker 1>by sucking air through it. I think rose Ling was

0:23:17.240 --> 0:23:21.280
<v Speaker 1>the uncle of molok. Yeah. Now, another one that comes

0:23:21.359 --> 0:23:25.439
<v Speaker 1>up is the phosphoric taper or the ethereal match, and

0:23:25.480 --> 0:23:28.119
<v Speaker 1>this was a sealed glass tube with wax paper and

0:23:28.200 --> 0:23:32.200
<v Speaker 1>phosphorus inside it, you'd break the tube, according to Whisney

0:23:32.200 --> 0:23:35.000
<v Speaker 1>at quote with the aid of the teeth or otherwise,

0:23:35.480 --> 0:23:41.479
<v Speaker 1>I've ready and withdrawal the phosphorus impregnated taper into the air. Um.

0:23:41.600 --> 0:23:44.399
<v Speaker 1>These were indeed not only were these dangerous, but they

0:23:44.400 --> 0:23:47.040
<v Speaker 1>were also pricey. So there so ultimately you have a

0:23:47.080 --> 0:23:50.359
<v Speaker 1>technology there's just not practical for everyday use for for

0:23:50.359 --> 0:23:53.439
<v Speaker 1>for two huge reasons. It costs too much and you

0:23:53.520 --> 0:23:56.400
<v Speaker 1>might blow your face off. Yeah. I think I've read

0:23:56.400 --> 0:23:59.280
<v Speaker 1>about at least a couple of matches along these lines

0:23:59.359 --> 0:24:02.400
<v Speaker 1>that were like kind of glass container that you were

0:24:02.760 --> 0:24:05.399
<v Speaker 1>the most people would rupture with their teeth and that

0:24:05.440 --> 0:24:08.320
<v Speaker 1>would start the fire. Yeah. Yeah, that even without things

0:24:08.320 --> 0:24:11.280
<v Speaker 1>blowing up, you're breaking the glass cylinder with your teeth,

0:24:11.359 --> 0:24:14.200
<v Speaker 1>which just that alone gives me the all over us. Now.

0:24:14.200 --> 0:24:18.080
<v Speaker 1>There were some other advancements made in fire creation technology

0:24:18.160 --> 0:24:21.360
<v Speaker 1>that are worth at least touching on. One came from

0:24:21.680 --> 0:24:26.560
<v Speaker 1>Johann Wolfgang Doberiner, who lives seventeen through eighteen forty nine UM,

0:24:26.680 --> 0:24:29.400
<v Speaker 1>and he was a German chemist who in eighteen three

0:24:29.480 --> 0:24:34.879
<v Speaker 1>created what some dubbed the first lighter, the Doberinos lamp,

0:24:34.960 --> 0:24:38.160
<v Speaker 1>which It's also known as a like a hydrogen lighter.

0:24:38.600 --> 0:24:42.280
<v Speaker 1>Hydrogen produced from Z passes through a jet with sulfuric

0:24:42.320 --> 0:24:46.960
<v Speaker 1>acid over spongy platinum on a platinum wire. The gas ignights,

0:24:47.000 --> 0:24:50.680
<v Speaker 1>producing a flame. So the sponge here catalyzes a reaction

0:24:51.080 --> 0:24:55.919
<v Speaker 1>with oxygen heats the catalyst, igniting the hydrogen. Uh. This,

0:24:56.560 --> 0:24:58.280
<v Speaker 1>I've seen pictures of it. It It does. It looks kind

0:24:58.280 --> 0:24:59.800
<v Speaker 1>of like a I mean, it looks like a lamp.

0:25:00.080 --> 0:25:02.760
<v Speaker 1>If you were just solid setting on a shelf in

0:25:02.800 --> 0:25:04.680
<v Speaker 1>an antique story, might think it looks kind of neat,

0:25:04.720 --> 0:25:07.119
<v Speaker 1>but it might not realize like what it is. But

0:25:07.160 --> 0:25:10.360
<v Speaker 1>these apparently had a good hundred year run as being

0:25:10.480 --> 0:25:13.640
<v Speaker 1>a good way of producing flame. Yeah. If I were

0:25:13.680 --> 0:25:15.800
<v Speaker 1>just looking at this, I would not guess it was

0:25:15.880 --> 0:25:18.439
<v Speaker 1>something that produced flame. I would guess that it was

0:25:18.480 --> 0:25:21.439
<v Speaker 1>a lamp of some kind, something that carried for Yeah,

0:25:21.440 --> 0:25:24.399
<v Speaker 1>it just at first glance, it just looks like a lamp.

0:25:25.160 --> 0:25:28.199
<v Speaker 1>Another fire technology innovation at the time worth mentioning is

0:25:28.280 --> 0:25:32.000
<v Speaker 1>the pneumatic tinder box, also known as a light syringe

0:25:32.160 --> 0:25:36.159
<v Speaker 1>or a fire piston. Now, it depended on the rapid

0:25:36.240 --> 0:25:40.080
<v Speaker 1>stroke of a piston to generate heat to ignite tinder

0:25:40.560 --> 0:25:43.200
<v Speaker 1>and interestling enough, this is one of these inventions that

0:25:42.880 --> 0:25:48.960
<v Speaker 1>that emerged in Europe around that time, but essentially was

0:25:49.000 --> 0:25:52.520
<v Speaker 1>a much older Southeast Asian invention, which is, you know,

0:25:53.000 --> 0:25:55.600
<v Speaker 1>to say that the technique certainly shows up their first

0:25:55.640 --> 0:25:58.480
<v Speaker 1>hundreds of years earlier, but it's unclear if into what

0:25:58.640 --> 0:26:03.399
<v Speaker 1>extent this directly influenced European fire pistons or it's just

0:26:03.480 --> 0:26:06.919
<v Speaker 1>you know, much later, Uh, Europeans got around to it

0:26:06.960 --> 0:26:11.080
<v Speaker 1>through other technological roundabouts. You know. One thing I'm really

0:26:11.119 --> 0:26:13.919
<v Speaker 1>picking up on from these past couple of episodes is

0:26:14.000 --> 0:26:20.520
<v Speaker 1>the general impression that fire creation technology gets around fast. Yeah.

0:26:20.520 --> 0:26:21.840
<v Speaker 1>I mean it basically comes down to the fact that

0:26:21.880 --> 0:26:24.800
<v Speaker 1>any human culture is going to need it, like it

0:26:24.880 --> 0:26:29.679
<v Speaker 1>is such an important part of of of the human experience,

0:26:29.680 --> 0:26:32.040
<v Speaker 1>Like you need to be able to create fire. And

0:26:32.160 --> 0:26:34.800
<v Speaker 1>so if it's a new kind of match like that

0:26:34.800 --> 0:26:37.840
<v Speaker 1>that's going to spread, if it's a new element, You're

0:26:37.880 --> 0:26:39.560
<v Speaker 1>only gonna be able to keep that a secret for

0:26:39.600 --> 0:26:43.960
<v Speaker 1>so long because the potential there is just too high. Alright,

0:26:44.000 --> 0:26:47.879
<v Speaker 1>So we've talked about chemicals, elements, friction. I think you

0:26:47.920 --> 0:26:50.040
<v Speaker 1>can see where this is going. Maybe we need to

0:26:50.080 --> 0:26:51.520
<v Speaker 1>take a break and then we come back, we can

0:26:51.520 --> 0:27:00.320
<v Speaker 1>talk about the invention of the friction match. All all right,

0:27:00.400 --> 0:27:03.040
<v Speaker 1>we're back, We're finally here. We were reaching the point

0:27:03.119 --> 0:27:07.520
<v Speaker 1>where something more or less like the modern match is possible. Right,

0:27:07.640 --> 0:27:10.720
<v Speaker 1>So the invention of the friction match, the match that

0:27:10.760 --> 0:27:13.960
<v Speaker 1>you like by striking it across the surface, is often

0:27:14.000 --> 0:27:19.120
<v Speaker 1>credited to a single individual, a British chemist named John Walker,

0:27:19.480 --> 0:27:22.040
<v Speaker 1>who lived in the nineteenth century in a town called

0:27:22.119 --> 0:27:25.320
<v Speaker 1>Stockton on Tees, which is in County Durham up in

0:27:25.359 --> 0:27:28.840
<v Speaker 1>northern England. Now I've come across a few sort of

0:27:28.920 --> 0:27:33.159
<v Speaker 1>conflicting claims of primacy, though most sources site Walker. But

0:27:33.320 --> 0:27:36.639
<v Speaker 1>for example, there is a nineteen twenty two Dictionary of

0:27:36.680 --> 0:27:40.600
<v Speaker 1>Applied Chemistry written by the prolific British chemists Sir Thomas

0:27:40.720 --> 0:27:45.440
<v Speaker 1>Edward Thorpe, and it claims quote in eighteen sixteen, friction

0:27:45.520 --> 0:27:49.679
<v Speaker 1>matches tipped with a composition containing phosphorus are stated to

0:27:49.720 --> 0:27:53.639
<v Speaker 1>have been manufactured in Paris by a friend. Sois de Rone,

0:27:54.040 --> 0:27:56.840
<v Speaker 1>who by Gentle and others, is regarded as the first

0:27:56.920 --> 0:28:00.680
<v Speaker 1>maker of the phosphorus friction match. But I'm sure exactly

0:28:00.680 --> 0:28:03.480
<v Speaker 1>what to do with claims like this, because pretty much

0:28:03.520 --> 0:28:07.239
<v Speaker 1>all modern sources I can find give the credit to Walker. Uh,

0:28:07.280 --> 0:28:10.159
<v Speaker 1>the Walker wouldn't create his invention until later in the

0:28:10.200 --> 0:28:13.399
<v Speaker 1>eighteen twenties, So this proceeds Walker by at least ten years.

0:28:13.840 --> 0:28:17.879
<v Speaker 1>And Thorpe himself does claim that Walker invented the first

0:28:18.000 --> 0:28:23.159
<v Speaker 1>quote practical and useful matches ignitable by friction. Uh, So

0:28:23.280 --> 0:28:26.040
<v Speaker 1>I guess he's saying that maybe that, according to Thorpe,

0:28:26.040 --> 0:28:29.640
<v Speaker 1>at least somebody else in France created a friction match earlier,

0:28:29.960 --> 0:28:32.800
<v Speaker 1>but it was not practical and useful enough to count.

0:28:33.200 --> 0:28:35.360
<v Speaker 1>And that kind of raises a general question, like when

0:28:35.359 --> 0:28:40.000
<v Speaker 1>we give somebody credit for an invention, how impractical does

0:28:40.040 --> 0:28:42.440
<v Speaker 1>a version of an invention need to be before it

0:28:42.480 --> 0:28:45.680
<v Speaker 1>doesn't count at all? Right? Right? Yeah, And we we

0:28:45.680 --> 0:28:47.760
<v Speaker 1>discussed this a little bit, and we discussed this time

0:28:47.760 --> 0:28:49.600
<v Speaker 1>and time again on the show. Really, but it came

0:28:49.680 --> 0:28:52.920
<v Speaker 1>up when we were discussing cocktails with with Jeff Beach

0:28:53.000 --> 0:28:55.480
<v Speaker 1>von Berry, Like, if it's one thing to be able

0:28:55.480 --> 0:28:57.760
<v Speaker 1>to make the cocktail in your home kitchen, another to

0:28:57.760 --> 0:28:59.040
<v Speaker 1>be able to serve it. It's one thing to be

0:28:59.080 --> 0:29:02.000
<v Speaker 1>able to create something like a match in your workshop,

0:29:02.480 --> 0:29:05.160
<v Speaker 1>but to produce it on scale to be able to

0:29:05.200 --> 0:29:08.440
<v Speaker 1>actually uh get it out. There is a dependable way

0:29:08.480 --> 0:29:11.120
<v Speaker 1>of sparking a flame. Yeah, and Thorpe doesn't really go

0:29:11.160 --> 0:29:14.400
<v Speaker 1>into more details. So I don't know what exactly was

0:29:14.480 --> 0:29:18.640
<v Speaker 1>so impracticable about Francois Drone's friction match, but it sounds

0:29:18.640 --> 0:29:21.080
<v Speaker 1>like it it didn't work very well, or at least

0:29:21.080 --> 0:29:25.200
<v Speaker 1>according to Thorpe's diagnosis here. Um so, so here we're

0:29:25.280 --> 0:29:27.560
<v Speaker 1>left with John Walker. He's the one who almost always

0:29:27.600 --> 0:29:31.040
<v Speaker 1>gets the credit. He was born in seventy one. I

0:29:31.080 --> 0:29:33.760
<v Speaker 1>was reading a blog post about him by Andrew Haynes

0:29:33.880 --> 0:29:37.720
<v Speaker 1>for The Pharmaceutical Journal, and it described Walker's father as

0:29:37.920 --> 0:29:40.800
<v Speaker 1>a grocer, a draper, and a druggist, just a lot

0:29:40.800 --> 0:29:44.000
<v Speaker 1>of jobs. John was the third son in the family

0:29:44.080 --> 0:29:47.080
<v Speaker 1>and originally he was on the road to become a surgeon,

0:29:47.360 --> 0:29:50.400
<v Speaker 1>which was of course a very exciting road to occupy

0:29:50.440 --> 0:29:52.840
<v Speaker 1>at this time and place. You know, think late eighteenth

0:29:52.840 --> 0:29:55.960
<v Speaker 1>century in northern England. He's probably pretty close to the

0:29:55.960 --> 0:29:59.480
<v Speaker 1>medical colleges of Scotland. Uh see our episodes about the

0:29:59.520 --> 0:30:02.560
<v Speaker 1>Casket from last October if you want more wonderful medical

0:30:02.640 --> 0:30:05.960
<v Speaker 1>mischief of that time and place. But so he served

0:30:06.000 --> 0:30:09.240
<v Speaker 1>an apprenticeship with the town's head surgeon, and he was

0:30:09.280 --> 0:30:12.680
<v Speaker 1>eventually appointed an assistant surgeon in the town. But John

0:30:12.720 --> 0:30:15.320
<v Speaker 1>Walker had a bit of a problem with this career path.

0:30:15.920 --> 0:30:19.440
<v Speaker 1>He was reportedly quite squeamish and he could not stomach

0:30:19.520 --> 0:30:21.960
<v Speaker 1>the sight of blood and all those gaping holes in

0:30:22.080 --> 0:30:25.560
<v Speaker 1>human bodies, and ultimately this led him to quit his

0:30:25.640 --> 0:30:28.640
<v Speaker 1>career path and say, I just can't do surgery. Wow,

0:30:28.680 --> 0:30:30.520
<v Speaker 1>that's understandable. That would have been a tough hurdle to

0:30:30.520 --> 0:30:34.040
<v Speaker 1>get over, especially at that time. Yeah, So he reversed course.

0:30:34.080 --> 0:30:36.719
<v Speaker 1>He left surgery behind and he went back to study

0:30:36.720 --> 0:30:40.240
<v Speaker 1>pharmacy in Durham and in York. And after he completed

0:30:40.280 --> 0:30:43.880
<v Speaker 1>his education in pharmacy, he moved back home and in

0:30:43.920 --> 0:30:46.800
<v Speaker 1>eighteen nineteen he opened his own whatever you would want

0:30:46.800 --> 0:30:50.520
<v Speaker 1>to call it for this period, an apothecary, a pharmacy shop, uh,

0:30:50.720 --> 0:30:54.640
<v Speaker 1>that kind of business in Stockton on Tees, his hometown.

0:30:55.520 --> 0:30:58.720
<v Speaker 1>So friction matches are another one of these inventions that

0:30:58.840 --> 0:31:02.960
<v Speaker 1>is at least alleged to have been partially discovered by accident.

0:31:03.680 --> 0:31:06.600
<v Speaker 1>So how did this work? Well, John Walker already had

0:31:06.640 --> 0:31:10.520
<v Speaker 1>an interest in fire production and in practical chemistry and

0:31:10.840 --> 0:31:15.160
<v Speaker 1>sometime in the eighteen twenties, he started creating and selling

0:31:15.240 --> 0:31:20.560
<v Speaker 1>a mixture of potassium chlorate and antimony sulfide bound together

0:31:20.640 --> 0:31:25.680
<v Speaker 1>with gum arabic and he called this flammable product percussion powder.

0:31:25.960 --> 0:31:29.840
<v Speaker 1>So he's already making a flammable mixture the on a

0:31:29.880 --> 0:31:32.880
<v Speaker 1>regular basis and selling it in his Druggist shop. But

0:31:33.080 --> 0:31:36.760
<v Speaker 1>one day in eighteen six, John Walker was preparing a

0:31:36.840 --> 0:31:40.240
<v Speaker 1>mixture of the percussion powder, and while mixing the chemicals together,

0:31:40.680 --> 0:31:43.520
<v Speaker 1>he used a little wooden stick to stir them, which

0:31:43.560 --> 0:31:46.520
<v Speaker 1>of course became coated at one end in this lighting fluid.

0:31:47.120 --> 0:31:49.640
<v Speaker 1>And the story goes that he happened to scrape this

0:31:49.760 --> 0:31:52.959
<v Speaker 1>stick across the rough stone of his hearth, and then

0:31:53.000 --> 0:31:56.080
<v Speaker 1>the chemical coded part burst into flames. Now, this is

0:31:56.120 --> 0:32:00.840
<v Speaker 1>the kind of accidental discovery that could if situations were

0:32:00.920 --> 0:32:03.760
<v Speaker 1>just right or just wrong enough, perhaps it could well

0:32:03.800 --> 0:32:06.280
<v Speaker 1>be the last discovery you make. It could be a

0:32:06.360 --> 0:32:11.600
<v Speaker 1>really um, a really final Eureka movement. Uh yeah, you say,

0:32:11.640 --> 0:32:13.560
<v Speaker 1>if it was too close to the rest of his powder,

0:32:13.560 --> 0:32:15.280
<v Speaker 1>he had a big mass of it there or something.

0:32:15.640 --> 0:32:18.240
<v Speaker 1>But a Walker immediately knew that he had an important

0:32:18.320 --> 0:32:21.480
<v Speaker 1>new product on hand, one that could easily produce fire

0:32:22.160 --> 0:32:25.240
<v Speaker 1>from no original fire with little effort, and it was

0:32:25.360 --> 0:32:29.440
<v Speaker 1>very portable to boot. So on April seven, seven we

0:32:29.520 --> 0:32:31.680
<v Speaker 1>know from his diaries that was the day he began

0:32:31.840 --> 0:32:35.880
<v Speaker 1>selling these early strike matches in his pharmacy under the

0:32:35.960 --> 0:32:39.520
<v Speaker 1>name friction Lights. Now, the ones he sold were made

0:32:39.680 --> 0:32:44.160
<v Speaker 1>by hand out of first cardboard and later little wooden splints.

0:32:44.680 --> 0:32:47.200
<v Speaker 1>I read that he apparently hired people from the town

0:32:47.520 --> 0:32:50.360
<v Speaker 1>to just sit around cutting up tiny little wooden splints

0:32:50.400 --> 0:32:52.600
<v Speaker 1>for him, and then he would coat the ends of

0:32:52.640 --> 0:32:57.440
<v Speaker 1>them in potassium chloride antimony sulfide bound together with gum arabic.

0:32:57.840 --> 0:32:59.959
<v Speaker 1>And he sold the friction lights with a piece of

0:33:00.120 --> 0:33:03.880
<v Speaker 1>glass paper or sand paper, and the instructions were to

0:33:03.920 --> 0:33:06.040
<v Speaker 1>fold the sand paper over the head of the match

0:33:06.120 --> 0:33:09.440
<v Speaker 1>and then pull the stick out sharply. Now the sand

0:33:09.440 --> 0:33:12.000
<v Speaker 1>paper in this case did not have any special chemical

0:33:12.040 --> 0:33:14.800
<v Speaker 1>properties of its own. It was just regular sandpaper. It

0:33:14.840 --> 0:33:17.520
<v Speaker 1>was just there to be a very rough surface to

0:33:17.600 --> 0:33:21.680
<v Speaker 1>provide the heat from the friction when striking, because there's

0:33:21.720 --> 0:33:23.720
<v Speaker 1>not necessarily going to be a brick on hand to

0:33:23.800 --> 0:33:26.600
<v Speaker 1>strike it off right, and the friction would ignite the

0:33:26.680 --> 0:33:29.480
<v Speaker 1>dried paste and then you would have your flame. But

0:33:29.640 --> 0:33:33.520
<v Speaker 1>Walker did not acquire a patent on his process, and

0:33:33.560 --> 0:33:36.120
<v Speaker 1>this turned out the worse for him. Within just a

0:33:36.160 --> 0:33:39.960
<v Speaker 1>few years, other producers and you know, almost immediately just

0:33:40.040 --> 0:33:43.760
<v Speaker 1>swooped in began selling copycats. Some of the best known

0:33:43.920 --> 0:33:48.760
<v Speaker 1>friction like copycats were produced by A Samuel Jones of London,

0:33:49.120 --> 0:33:53.040
<v Speaker 1>and these friction matches were known at the time as Lucifers.

0:33:53.480 --> 0:33:56.840
<v Speaker 1>Apparently they had more not just the antimony sulfide, but

0:33:56.840 --> 0:33:58.920
<v Speaker 1>they had a more direct sulfur content. They might have

0:33:59.000 --> 0:34:02.480
<v Speaker 1>just been sulfur, and the name Lucifer has something to

0:34:02.520 --> 0:34:04.719
<v Speaker 1>do with that. The fact that they were sulfur dipped

0:34:04.880 --> 0:34:07.320
<v Speaker 1>is from the sulfur aus smell that would be released

0:34:07.360 --> 0:34:09.360
<v Speaker 1>when you ignited it, so it would it would smell

0:34:09.480 --> 0:34:11.239
<v Speaker 1>like the fires of hell when you're like one of

0:34:11.280 --> 0:34:14.920
<v Speaker 1>these matches, the Brimstone Tenders uh. And then there were

0:34:14.960 --> 0:34:18.120
<v Speaker 1>other copycats also who were soon on the market. Thorpe

0:34:18.160 --> 0:34:22.640
<v Speaker 1>mentioned sulfur dipped competitors sold in London by Jones competitors

0:34:22.719 --> 0:34:26.239
<v Speaker 1>Geff Watts uh and by Richard Bell and Company, which

0:34:26.239 --> 0:34:30.680
<v Speaker 1>sold theirs as improved Lucifer's. Improved Lucifer's that sounds like

0:34:30.760 --> 0:34:34.960
<v Speaker 1>a Redemption arc for the for the Fallen Angel. Yeah uh,

0:34:35.000 --> 0:34:37.960
<v Speaker 1>And apparently John Walker himself was not a fan of

0:34:38.000 --> 0:34:41.160
<v Speaker 1>the name Lucifer's Matches. He didn't like it. I don't

0:34:41.160 --> 0:34:44.360
<v Speaker 1>know if that was if that was him being precious

0:34:44.360 --> 0:34:46.640
<v Speaker 1>about his invention, or if he was a pious man

0:34:46.800 --> 0:34:50.040
<v Speaker 1>or what interesting, but for some reason he wasn't into

0:34:50.080 --> 0:34:52.680
<v Speaker 1>that it. Also, it is kind of a clunky name, right.

0:34:52.719 --> 0:34:54.279
<v Speaker 1>It's one thing to say, hey, do you have a light?

0:34:54.320 --> 0:34:55.920
<v Speaker 1>Do you have a match? Excuse me? So, do you

0:34:55.920 --> 0:34:59.520
<v Speaker 1>have any Lucifers on your person? I mean, that's why

0:34:59.640 --> 0:35:01.839
<v Speaker 1>go with three syllables when you when all you need

0:35:01.840 --> 0:35:05.040
<v Speaker 1>is one. Just call them Devil's devil would work? Or

0:35:05.160 --> 0:35:08.279
<v Speaker 1>you again, just a light? A match like the Summit

0:35:08.400 --> 0:35:10.360
<v Speaker 1>rolls off the tongue a lot easier. Hast thou a

0:35:10.440 --> 0:35:14.400
<v Speaker 1>prince of darkness in my pocket? Do you have a

0:35:14.400 --> 0:35:20.000
<v Speaker 1>spare belzebub to spare with me? A mephistuff LEAs perhaps? Yeah?

0:35:20.040 --> 0:35:21.279
<v Speaker 1>I mean, once you get to do a bunch of

0:35:21.280 --> 0:35:23.799
<v Speaker 1>clunky devil names, easier just to go back to the light.

0:35:24.200 --> 0:35:26.440
<v Speaker 1>So I've got a really funny but wait, well that

0:35:26.520 --> 0:35:28.640
<v Speaker 1>does remind me that, of course, the other part of

0:35:28.640 --> 0:35:31.359
<v Speaker 1>the name is Lucifer means bringer of light, of course

0:35:31.360 --> 0:35:34.040
<v Speaker 1>it does. Yeah. So it is a great name. It's

0:35:34.040 --> 0:35:37.000
<v Speaker 1>a double yeah. It is also a little clunkey. Yeah.

0:35:37.280 --> 0:35:40.319
<v Speaker 1>Uh So there's a great addendum to this story just

0:35:40.400 --> 0:35:43.440
<v Speaker 1>happened to come across. So in the English town of

0:35:43.480 --> 0:35:46.239
<v Speaker 1>Stockton on Tees, this town in northern England that John

0:35:46.239 --> 0:35:49.520
<v Speaker 1>Walker is from where the friction match was invented, there

0:35:49.600 --> 0:35:52.880
<v Speaker 1>is a statue to honor John Walker. It was erected

0:35:52.880 --> 0:35:55.319
<v Speaker 1>in nineteen seventy seven, which would have been the one

0:35:55.400 --> 0:35:58.719
<v Speaker 1>hundred and fiftieth anniversary of the first year that he

0:35:58.800 --> 0:36:02.479
<v Speaker 1>sold the matches. Remember that was eighty seven. But there's

0:36:02.480 --> 0:36:06.000
<v Speaker 1>a twist I was reading about in uh in the

0:36:06.040 --> 0:36:10.680
<v Speaker 1>Times of London. Apparently in nineteen ninety the Borough Council

0:36:10.719 --> 0:36:14.360
<v Speaker 1>of Stockton on Tees found out that the town statue

0:36:14.480 --> 0:36:17.600
<v Speaker 1>of John Walker was based on the likeness of the

0:36:17.640 --> 0:36:21.080
<v Speaker 1>wrong John Walker. It had been made from an etching

0:36:21.160 --> 0:36:24.880
<v Speaker 1>of a London actor named John Walker, who never invented anything,

0:36:25.080 --> 0:36:27.960
<v Speaker 1>as far as we know, never even visited Stockton on Tees.

0:36:28.520 --> 0:36:30.640
<v Speaker 1>And after they found this out, they kept it a

0:36:30.719 --> 0:36:33.160
<v Speaker 1>secret until just a few years ago when they were

0:36:33.160 --> 0:36:36.440
<v Speaker 1>a number. There were some newspaper articles that came out

0:36:36.480 --> 0:36:40.319
<v Speaker 1>about it. It would be like, if you know, centuries

0:36:40.320 --> 0:36:43.640
<v Speaker 1>from now, uh, someone decided to to to create a

0:36:43.719 --> 0:36:48.440
<v Speaker 1>statue to honor the physicist Brian Cox, and but instead

0:36:48.480 --> 0:36:52.880
<v Speaker 1>of the dashing scientist, they found h an image of

0:36:52.920 --> 0:36:57.120
<v Speaker 1>the you know, perhaps less dashing but certainly charismatic act

0:36:57.280 --> 0:37:00.440
<v Speaker 1>Brian Dare you how I mean? Dare you? Skill of

0:37:00.480 --> 0:37:02.600
<v Speaker 1>the actor Brian cots Okay when his younger years, I

0:37:02.600 --> 0:37:05.400
<v Speaker 1>imagine he was he was more dashing, but generally he

0:37:05.520 --> 0:37:07.560
<v Speaker 1>is uh, I would say he is. He has more

0:37:07.600 --> 0:37:12.560
<v Speaker 1>of a severe look to modern audiences, people who know

0:37:12.680 --> 0:37:16.120
<v Speaker 1>him from like Man Hunter On. In fact, that may

0:37:16.120 --> 0:37:19.919
<v Speaker 1>be the earliest film I can remember seeing with with

0:37:19.920 --> 0:37:22.120
<v Speaker 1>with him in it. I really don't have any familiarity

0:37:22.160 --> 0:37:24.359
<v Speaker 1>with the younger Brian Cox. He's got a small role

0:37:24.480 --> 0:37:27.719
<v Speaker 1>in the early seventies film Nicholas and Alexandra about the

0:37:27.800 --> 0:37:30.919
<v Speaker 1>last family of the Romanovs, in which he plays Trotsky.

0:37:31.239 --> 0:37:34.399
<v Speaker 1>Is he recognizable. I don't know. It's been a long

0:37:34.440 --> 0:37:37.080
<v Speaker 1>time since I saw the movie, but but he's in

0:37:37.120 --> 0:37:39.799
<v Speaker 1>there all right. I just mainly associating with like a

0:37:39.880 --> 0:37:42.920
<v Speaker 1>fearsome bear of a man um, you know, with a

0:37:43.000 --> 0:37:46.839
<v Speaker 1>very very haggard look and voice, um, very different from

0:37:47.120 --> 0:37:50.640
<v Speaker 1>the physicist. So did they back to this the statue

0:37:50.840 --> 0:37:53.520
<v Speaker 1>though of John Walker? Did they fix it? Did they?

0:37:53.800 --> 0:37:56.319
<v Speaker 1>Haven't read anything about fixing. I don't know. I mean,

0:37:56.320 --> 0:37:58.600
<v Speaker 1>when you're dealing I do not know the resolution of

0:37:58.640 --> 0:38:01.400
<v Speaker 1>this story. I just know it was the wrong guy.

0:38:01.840 --> 0:38:04.320
<v Speaker 1>I mean, I guess it's when you're dealing with historical

0:38:04.880 --> 0:38:09.040
<v Speaker 1>figures of of this caliber. I mean, what does it matter, right?

0:38:09.560 --> 0:38:12.520
<v Speaker 1>I mean, at least we're remembering their name and their accomplishments,

0:38:12.800 --> 0:38:15.520
<v Speaker 1>even if we essentially have an actor playing them in

0:38:15.600 --> 0:38:19.120
<v Speaker 1>the statue. What if that statue of RoboCop in Detroit

0:38:19.239 --> 0:38:21.719
<v Speaker 1>was based on the wrong RoboCop. Oh, No, that would

0:38:21.719 --> 0:38:26.359
<v Speaker 1>be blasphemous. Yeah, like like the RoboCop three RoboCop was it? Wait?

0:38:26.840 --> 0:38:28.839
<v Speaker 1>Was it a different actor in RoboCop three? I'm sure

0:38:28.840 --> 0:38:31.799
<v Speaker 1>it was, yeah, Or the RoboCop the TV show RoboCop.

0:38:31.840 --> 0:38:34.600
<v Speaker 1>It just would not be the same. Or the reboot RoboCop. Oh,

0:38:34.680 --> 0:38:38.240
<v Speaker 1>that would be the worst. That reboot that was not good.

0:38:38.280 --> 0:38:40.680
<v Speaker 1>I haven't seen it. Well, Actually it was one of

0:38:40.680 --> 0:38:44.760
<v Speaker 1>those movies I had complex thoughts about it. It felt

0:38:44.880 --> 0:38:47.800
<v Speaker 1>like a movie that might have been a better movie

0:38:47.920 --> 0:38:51.440
<v Speaker 1>in an earlier draft of the script, but the script

0:38:51.440 --> 0:38:54.960
<v Speaker 1>had been rewritten to make it worse. That that was

0:38:55.000 --> 0:38:59.120
<v Speaker 1>my intuition. Okay, that sounds about right. Um, back to

0:38:59.120 --> 0:39:01.680
<v Speaker 1>two matches. Your talking about the use of the sand

0:39:01.680 --> 0:39:04.719
<v Speaker 1>paper and folding it over. This brings back so many

0:39:04.760 --> 0:39:09.839
<v Speaker 1>memories of of using matches as as a kid um

0:39:09.920 --> 0:39:12.520
<v Speaker 1>and sort of getting comfortable with them. Because a match,

0:39:12.880 --> 0:39:14.960
<v Speaker 1>especially if you're told to be careful with matches enough,

0:39:15.120 --> 0:39:18.400
<v Speaker 1>it can be intimidating to strike one um, especially if

0:39:18.400 --> 0:39:20.960
<v Speaker 1>you're using the little cardboard matches that are in the

0:39:21.440 --> 0:39:25.840
<v Speaker 1>little cardboard folding apparatus. Uh you know those. You sometimes

0:39:25.920 --> 0:39:29.320
<v Speaker 1>have to get your fingernails rather close, perhaps uncomfortably close

0:39:29.960 --> 0:39:31.960
<v Speaker 1>to the tip of the match to do the strike,

0:39:32.040 --> 0:39:34.040
<v Speaker 1>and then you have to sort of backtrack really quickly.

0:39:34.440 --> 0:39:36.080
<v Speaker 1>Uh and it might get a little warm on the

0:39:36.120 --> 0:39:39.200
<v Speaker 1>tips of your fingers and uh and and sometimes you're

0:39:39.280 --> 0:39:42.520
<v Speaker 1>tempted to do the fold over method, which can result

0:39:42.600 --> 0:39:45.720
<v Speaker 1>in just destroying a match because you might be pinching

0:39:45.719 --> 0:39:48.480
<v Speaker 1>it to pull the head off. You'll pull the head off,

0:39:48.560 --> 0:39:50.680
<v Speaker 1>or it's just there's there's kind of like a and

0:39:50.680 --> 0:39:54.040
<v Speaker 1>then it's gone funny enough, I know the exact minute

0:39:54.080 --> 0:39:58.279
<v Speaker 1>mechanical complaint you're talking about. Uh. And then likewise, and

0:39:58.640 --> 0:40:01.319
<v Speaker 1>sometimes you'd have like the big box of matches, you know,

0:40:01.360 --> 0:40:04.399
<v Speaker 1>like a proper fireplace box of matches, and you would

0:40:04.440 --> 0:40:07.120
<v Speaker 1>use it so much that the strike plate would be

0:40:07.600 --> 0:40:09.800
<v Speaker 1>the sand paper area would be worn down where you

0:40:09.800 --> 0:40:14.359
<v Speaker 1>couldn't even effectively strike anything anymore. Um. And and then

0:40:14.360 --> 0:40:16.680
<v Speaker 1>there were people would have various tricks too, right, I

0:40:16.680 --> 0:40:19.040
<v Speaker 1>mean you'd see people who could do the finger the

0:40:19.040 --> 0:40:22.640
<v Speaker 1>fingernail um striking of the match, or use it a

0:40:22.640 --> 0:40:25.160
<v Speaker 1>belt buckle or a brick or something. I never had

0:40:25.160 --> 0:40:29.280
<v Speaker 1>any luck with any extracurricular striking records. That's like pony

0:40:29.320 --> 0:40:33.000
<v Speaker 1>Boy and Dally kind of stuff. Plus I'm thinking, like

0:40:33.040 --> 0:40:35.640
<v Speaker 1>your fingernail, that always seemed a little dangerous, Like couldn't

0:40:35.640 --> 0:40:38.440
<v Speaker 1>you risk getting a little um like match head up

0:40:38.520 --> 0:40:41.399
<v Speaker 1>underneath your fingernail? That just doesn't sound pleasant. Real Greece

0:40:41.560 --> 0:40:45.120
<v Speaker 1>is too tough to care about that probably, So still

0:40:45.160 --> 0:40:51.480
<v Speaker 1>it beats biting through a glass cylinder right a one degree? Alright,

0:40:51.480 --> 0:40:53.439
<v Speaker 1>So I think we're gonna have to call this episode there,

0:40:53.440 --> 0:40:55.239
<v Speaker 1>but we're gonna be back for one more part of

0:40:55.280 --> 0:40:58.480
<v Speaker 1>our exploration of matches next time, where we will explore

0:40:58.520 --> 0:41:01.480
<v Speaker 1>more of the role of phosphorus and match manufacturing and

0:41:01.560 --> 0:41:04.799
<v Speaker 1>the safety match. All right. In the meantime, if you

0:41:04.800 --> 0:41:07.080
<v Speaker 1>want to check out other episodes of Invention, you can

0:41:07.080 --> 0:41:09.360
<v Speaker 1>find us anywhere you get your podcasts. If you go

0:41:09.400 --> 0:41:11.400
<v Speaker 1>to invention pod dot com, that'll shoot you over to

0:41:11.440 --> 0:41:15.120
<v Speaker 1>the I heart page for the show. Wherever you get

0:41:15.239 --> 0:41:19.000
<v Speaker 1>the show. All we ask is subscribe, rate review. These

0:41:19.040 --> 0:41:21.080
<v Speaker 1>are all things you can do to help out the show. Also,

0:41:21.200 --> 0:41:24.440
<v Speaker 1>just tell a friend spread the word like like a fire,

0:41:24.520 --> 0:41:26.840
<v Speaker 1>spread from one match head to another. As a child

0:41:27.239 --> 0:41:30.120
<v Speaker 1>plays through an entire box of matches in their backyard

0:41:30.320 --> 0:41:33.560
<v Speaker 1>without their parents knowledge. I know we keep referencing this.

0:41:33.640 --> 0:41:36.080
<v Speaker 1>By the way, if small children are listening, don't play

0:41:36.120 --> 0:41:38.640
<v Speaker 1>with matches kids. I know it is fun, but you know,

0:41:38.840 --> 0:41:42.280
<v Speaker 1>yes we were. We were reminiscing on playing with matches,

0:41:42.320 --> 0:41:44.960
<v Speaker 1>but even at the time it felt very dangerous and

0:41:45.040 --> 0:41:47.080
<v Speaker 1>I guess that's the thrill of it, right, But yes,

0:41:47.480 --> 0:41:52.440
<v Speaker 1>don't play with matches. Um, they they fire, they catch fire.

0:41:52.520 --> 0:41:58.240
<v Speaker 1>They can catch fire. With fire comes great responsibility. All right, huge,

0:41:58.239 --> 0:42:01.880
<v Speaker 1>thanks as always to our excellent audio producer Seth Nicholas Johnson.

0:42:02.000 --> 0:42:03.640
<v Speaker 1>If you would like to get in touch with us

0:42:03.640 --> 0:42:07.279
<v Speaker 1>with feedback on this episode, UH, to suggest a topic

0:42:07.400 --> 0:42:09.200
<v Speaker 1>for the future, or just to say hi, you can

0:42:09.239 --> 0:42:16.040
<v Speaker 1>email us at contact at invention pod dot com. Invention

0:42:16.120 --> 0:42:18.759
<v Speaker 1>is production of I Heart Radio. For more podcasts for

0:42:18.880 --> 0:42:21.600
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0:42:21.640 --> 0:42:23.280
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