Speaker 1: Sonny. Oh, no, what have I done?
Speaker 2: Say?
Speaker 1: Oh, where's the ATV?
Speaker 3: I'm gonna lose sight of her. If I don't hurry,
Speaker 3: I forget it.
Speaker 4: I'll have to go on foot, Honey, any sign of her, Alejandro,
Speaker 4: I checked all around the cattle fencing and where you
Speaker 4: said all the water.
Speaker 5: Stations were you check where the cattle were? Yes, I
Speaker 5: saw them by the creek.
Speaker 2: She wasn't there either, and Sonny's gone too. She must
Speaker 2: have decided to ride her since you took the ATV.
Speaker 2: But where'd she go? Let me see if Shannon the
Speaker 2: number for Zoe. Maybe she went there.
Speaker 5: I have Zoe's number. I'll text her now, anything back
Speaker 5: she's typing. Now, see those dots.
Speaker 2: I know what an ellipsis means. I'm not that old.
Speaker 2: I'm gonna have to call her mom and she'll insist
Speaker 2: I'm coming back home.
Speaker 5: She says, Bailey isn't there, but to look where the
Speaker 5: wild horses are?
Speaker 2: Why do? She suggests that she must know something. You
Speaker 2: head towards the east pasture and I'll try her on
Speaker 2: the walkie again. We'll get to the bottom of this.
Speaker 2: Maybe I won't have to worry your mom just yet.
Speaker 3: This is impossible, Sonny, stop running for me. You're getting
Speaker 3: closer and closer to the wild horse range.
Speaker 5: This is bad.
Speaker 1: I can't keep chasing her.
Speaker 3: I need to stop, or I'm just going to keep
Speaker 3: pushing her further away. Okay, I'm not paying any attention
Speaker 3: to you, Sonny. You can stop running from me now.
Speaker 1: See. I'm not trying to catch you anymore.
Speaker 3: Okay, I'm just gonna sit here and brighten my journal.
Speaker 3: Good girl, Dear Connor. I don't know how I'm gonna
Speaker 3: be able to do this without you. I just feel
Speaker 3: so angry. We were supposed to be here together, working
Speaker 3: with our herd, finally taking the last step toward our dream.
Speaker 3: But that dream is dead. I can't even say one
Speaker 3: wild horse, and you're not here to fix it.
Speaker 1: And it's just it's just so unfair. And I'm so mad.
Speaker 1: I'm mad at.
Speaker 3: Sonny for throwing you off that day, and I'm mad
Speaker 3: that Alejandro is here doing the things you did in
Speaker 3: your boots, and I'm mad.
Speaker 1: That Zoe's just so happy. But but I'm not. I
Speaker 1: don't know. I don't know if I ever can be again.
Speaker 5: Bailey.
Speaker 1: Oh great, Alejandro.
Speaker 5: Bailey, Hey, Bailey, Slow down.
Speaker 3: And quit yelling. I'm trying to catch Sonny.
Speaker 5: Really, it looks like you're sitting in the grass writing
Speaker 5: in your diary. And have you been crying?
Speaker 3: This is how you catch a horse that won't come
Speaker 3: to you. I had to release the pressure so she'd
Speaker 3: stop and come back.
Speaker 1: See she's just coming this way now.
Speaker 5: Oh nice? A pressure release. In psychclass, that's called the
Speaker 5: catharsis catharsis. Yeah, so crying attracts horses. I never knew.
Speaker 3: Not crying, you dope, moving towards a horse is the pressure?
Speaker 3: Never mind, I need to halter her.
Speaker 1: Sonny, No, wait, can I try?
Speaker 5: Maybe the pressure is still a bit high.
Speaker 1: Sure, but she won't come to it.
Speaker 5: There you go, Sonny, good girl?
Speaker 1: What how do you do that?
Speaker 5: Maybe you're just a good teacher?
Speaker 1: Uh huh?
Speaker 5: Or maybe I just have good energy. Horses can sense that,
Speaker 5: you know.
Speaker 1: What do you know about that?
Speaker 5: You think I heard it in a movie. I like
Speaker 5: being around horses feels good, you know?
Speaker 1: Yeah? Sometimes?
Speaker 5: So? Uh? Are you okay?
Speaker 1: Honestly?
Speaker 3: I don't know.
Speaker 5: So what happened today? Anyway? Why are you out here?
Speaker 5: And why didn't Zoe come with?
Speaker 2: You?
Speaker 1: Talked to Zoe?
Speaker 5: What did she say nothing? Really, she just seemed to
Speaker 5: know you would be over here.
Speaker 1: Oh she didn't say anything else.
Speaker 5: No, but you might want to let your gee pop
Speaker 5: know you're okay before he calls your mom for no reason.
Speaker 1: Oh shoot, I turned.
Speaker 3: The walky talkie down so it wouldn't spook Sonny.
Speaker 1: Uh, gee Pop, this is Bailey. I'm okay.
Speaker 2: Snakes and scorpions, Bailey, you can't keep disappearing on me.
Speaker 3: I'm old, remember, Sorry, gee Pop. We're on the way
Speaker 3: up from the east pasture.
Speaker 5: Now, who's that? Huh? There's another horse over there?
Speaker 1: Really where?
Speaker 5: Look there by that clump of trees, that's Wilder, Wilder
Speaker 5: cool name.
Speaker 3: You found him after all, Sonny. I can't believe it.
Speaker 3: Thank you, thank you?
Speaker 5: Is that one of your horses?
Speaker 3: Not yet?
Speaker 5: What are you up to? Bailey? Oh, Sonny? Easy? Oh no?
Speaker 1: Look no?
Speaker 2: Oh no?
Speaker 5: Why is he walking like that? What's wrong with him?
Speaker 2: Oh?
Speaker 1: He's limping.
Speaker 3: I told Zoe he needed our help. We might be
Speaker 3: too late.
Speaker 5: So you and Zoe did plan something and you lied
Speaker 5: to your grandfather. You know, he was worried sick, and
Speaker 5: I had to go looking for you all over the property.
Speaker 3: I'm really sorry, and it was actually just me. Zoe
Speaker 3: tried to stop me, and she was right.
Speaker 1: We are going to need help.
Speaker 5: What are you going to do?
Speaker 3: I don't know, but we need to catch Wilder. He's
Speaker 3: clearly hurt and it might be bad.
Speaker 5: Okay, maybe I can help you.
Speaker 1: I doubt that, Rookie.
Speaker 5: Come on, I can do something.
Speaker 1: Actually you can.
Speaker 3: Will you take Sonny back to the barn and tell
Speaker 3: Gepop to meet me back here?
Speaker 5: Yes? But where are you going now?
Speaker 3: There's something I need to do first, but I promise
Speaker 3: I won't be gone long.
Speaker 5: Okay, but maybe keep the walking tuck he turned out
Speaker 5: this time.
Speaker 3: I will be quick though. It's getting dark and I
Speaker 3: don't want to lose him.
Speaker 5: Let's go, Let's go.
Speaker 6: Zoe, Bailey, Why are you throwing rocks at my window?
Speaker 3: I tried the door and no one answered. Then I
Speaker 3: saw your light on.
Speaker 6: Oh my mom's not home, and I guess I didn't
Speaker 6: hear you.
Speaker 3: What are you doing here? Did you know your g
Speaker 3: pop is looking for you?
Speaker 1: I got in touch with him, but I need to
Speaker 1: talk to you.
Speaker 3: Okay, I'll be right down, Bailey.
Speaker 2: We've got the supplies and are driving the trailer to
Speaker 2: the spot. You saw the wild horse. We Aleandro was
Speaker 2: staying down. We'll need all hands in the rig for
Speaker 2: this one. I called the vet, but no answer yet.
Speaker 1: Okay, I'll be there soon. I'm getting Zoe a good thing. Hey. Hey,
Speaker 1: I'm sorry.
Speaker 3: You first, Zoe, you have nothing to be sorry about.
Speaker 3: I should have been a more loyal friend, Bailey.
Speaker 1: I think I have trust issues. No way, you were right.
Speaker 1: I was being reckless. I'm sorry.
Speaker 3: Can you forgive me for what I said?
Speaker 1: Yes? Of course? So did your plan work?
Speaker 5: No?
Speaker 1: Not even close. Oh.
Speaker 3: I've been pushing everyone away, but I know now that's
Speaker 3: not going to help Wilder. He needs all of us.
Speaker 3: I need all of you. Will you come help me?
Speaker 3: G Pop knows he and Alejandro are waiting for us.
Speaker 3: Oh then yes, of course I'll help.
Speaker 1: Let me grab my stuff.
Speaker 3: Great, thanks, bring snaxt too. I'm starving lay ahead of you.
Speaker 3: I ordered pizza an hour ago and it just arrived.
Speaker 5: You were so right about handling the horses.
Speaker 2: You took my advice, then, did you?
Speaker 5: Yeah? It was so easy catching Sonny today.
Speaker 2: Good good. They're looking to see if you were trustworthy,
Speaker 2: not just that you aren't a danger to them, but
Speaker 2: that you'd keep them from danger. Are you calm but confident?
Speaker 2: Are you strong but gentle? These are the attitudes and
Speaker 2: qualities a horse look for women too, for that.
Speaker 5: Matter, I'll keep that in mind.
Speaker 2: Oh, here come Bailey and Zoe.
Speaker 5: Com and confident, strong and gentle.
Speaker 1: Hey, honey, g pop, what are you doing?
Speaker 3: We've got to start putting up panels and put out
Speaker 3: that fire.
Speaker 1: He'll see it.
Speaker 2: It'll be all right, Bailey. I saw the wild stallion Wilder.
Speaker 1: His name's Wilder, Okay.
Speaker 2: I saw Wilder when we arrived before sun set, mind you.
Speaker 2: And he's not going far on that leg.
Speaker 1: Oh Wilder?
Speaker 2: Where'd the name come from?
Speaker 3: It just feels like this ranch has been missing its
Speaker 3: wild side the past few months.
Speaker 1: There's something about that horse. He's got a spark in
Speaker 1: his eyes.
Speaker 2: Well, Wilder seems to be trapped in the gully there
Speaker 2: between the trees, and I don't want to risk injuring
Speaker 2: them more by trying anything before the vet can come.
Speaker 1: Did Doctor Forrest call you back?
Speaker 2: Yes? And she agrees we should just keep a safe
Speaker 2: distance so we can watch out for predators and keep
Speaker 2: an eye on him till morning when she can come
Speaker 2: trank him.
Speaker 1: But so we just wait.
Speaker 5: Nah, we eat s'mores and enjoy the campfire.
Speaker 1: That sounds great.
Speaker 3: Who wants pizza?
Speaker 5: You brought pizza? Is this my kind of wrench?
Speaker 2: You all enjoy that. I'm going to excuse myself and
Speaker 2: water the grass over there, Rocky stay here.
Speaker 5: Nice one, dream man, g Man.
Speaker 1: S'mores time, s'mores, Alejandro. We are on a boy scout trip.
Speaker 1: This is serious.
Speaker 6: Come on, Bailey, grab a slice of pizza and come
Speaker 6: sit with us.
Speaker 3: Okay, okay, just as long as you don't start leaping
Speaker 3: over the fire or trying to scare me with gruesome
Speaker 3: bronc stories.
Speaker 5: Never why did the other farm pens do that?
Speaker 1: No, not them.
Speaker 3: It was your brother then, wasn't it. Yeah, Connor was
Speaker 3: always the life of the party. Sounds like a pretty
Speaker 3: fun guy. He was the best kind of the life
Speaker 3: of this whole place.
Speaker 5: Really, what happened to him? Huh, you're a g pup said,
Speaker 5: He passed away not long ago, So do you want
Speaker 5: to tell us what happened?
Speaker 1: Yeah?
Speaker 3: Yeah, he passed away recently, but it all started almost
Speaker 3: a year ago. The day we moved the cattle and
Speaker 3: he rode Sonny instead of me. I had been working
Speaker 3: her to do barrels, and she started getting too fast,
Speaker 3: so I didn't want to ride her in the open field.
Speaker 3: He offered to switch horses with me, even though I
Speaker 3: had trained Sonny and should have just sucked it up
Speaker 3: and ridden her.
Speaker 1: But I was afraid. I'm just a whimp. Connor he.
Speaker 3: Was never afraid. He jumped on her and took off
Speaker 3: right across that field. When I caught up, she had
Speaker 3: already thrown him off. He ended up in the hospital
Speaker 3: that day to check for a concussion.
Speaker 1: That's the day everything changed. I'm so sorry, Bailey.
Speaker 5: That's awful. They can see why you have beef with Sonny.
Speaker 3: Yeah. I haven't ridden her since, not sure I ever will.
Speaker 3: But you're not not what a whimp. Look at what
Speaker 3: you're doing for Wilder, or even just how you take
Speaker 3: care of all these animals and work the farm and
Speaker 3: tackle pigs. You're awesome.
Speaker 1: You're strong and brave.
Speaker 5: She's right, even just now telling us about your brother.
Speaker 5: That takes guts.
Speaker 2: Thanks, it does take guts, Bailey. I'm proud of you
Speaker 2: for opening up, and it makes sense that you'd be angry.
Speaker 2: Do you think it's fair to blame Sonny though?
Speaker 3: But it was Sonny throwing him off that started it all,
Speaker 3: and I was supposed to ride her.
Speaker 2: Now, Bailey, your brother was an excellent BRONC rider. Do
Speaker 2: you really think Sonny could have unloaded him if something
Speaker 2: else wasn't already making trouble in his brain?
Speaker 4: Yeah?
Speaker 3: I guess it's true that he was a really good rider,
Speaker 3: that's right. But things turned upside down that.
Speaker 2: Day, I know they did, Sweetie. That's when we found
Speaker 2: out about Connor's cancer, and that is truly something to
Speaker 2: be angry and sad about.
Speaker 3: Well, I am, and I just don't think Sonny and
Speaker 3: I will ever be the same again.
Speaker 2: One day at a time, kiddo, don't need.
Speaker 3: To rush it, and we're here for you too, Bailey, right, Alejandro.
Speaker 5: Yeah, definitely. Yeah. Maybe a new and improved smore would help.
Speaker 1: Alejandro. That looks nothing like a small I.
Speaker 5: Said it was new and improved. Plus, all I could
Speaker 5: find that your house, besides marshmallows, were oreos and caramels.
Speaker 3: Roasted marshmallow and caramels smushed between two orioles.
Speaker 1: That sounds amazing.
Speaker 2: You don't have to twist my arm.
Speaker 1: Okay, I'll try one too. Hmm yum,