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Speaker 1: Sonny. Oh, no, what have I done?

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Speaker 2: Say?

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Speaker 1: Oh, where's the ATV?

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Speaker 3: I'm gonna lose sight of her. If I don't hurry,

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Speaker 3: I forget it.

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Speaker 4: I'll have to go on foot, Honey, any sign of her, Alejandro,

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Speaker 4: I checked all around the cattle fencing and where you

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Speaker 4: said all the water.

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Speaker 5: Stations were you check where the cattle were? Yes, I

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Speaker 5: saw them by the creek.

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Speaker 2: She wasn't there either, and Sonny's gone too. She must

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Speaker 2: have decided to ride her since you took the ATV.

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Speaker 2: But where'd she go? Let me see if Shannon the

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Speaker 2: number for Zoe. Maybe she went there.

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Speaker 5: I have Zoe's number. I'll text her now, anything back

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Speaker 5: she's typing. Now, see those dots.

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Speaker 2: I know what an ellipsis means. I'm not that old.

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Speaker 2: I'm gonna have to call her mom and she'll insist

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Speaker 2: I'm coming back home.

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Speaker 5: She says, Bailey isn't there, but to look where the

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Speaker 5: wild horses are?

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Speaker 2: Why do? She suggests that she must know something. You

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Speaker 2: head towards the east pasture and I'll try her on

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Speaker 2: the walkie again. We'll get to the bottom of this.

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Speaker 2: Maybe I won't have to worry your mom just yet.

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Speaker 3: This is impossible, Sonny, stop running for me. You're getting

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Speaker 3: closer and closer to the wild horse range.

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Speaker 5: This is bad.

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Speaker 1: I can't keep chasing her.

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Speaker 3: I need to stop, or I'm just going to keep

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Speaker 3: pushing her further away. Okay, I'm not paying any attention

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Speaker 3: to you, Sonny. You can stop running from me now.

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Speaker 1: See. I'm not trying to catch you anymore.

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Speaker 3: Okay, I'm just gonna sit here and brighten my journal.

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Speaker 3: Good girl, Dear Connor. I don't know how I'm gonna

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Speaker 3: be able to do this without you. I just feel

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Speaker 3: so angry. We were supposed to be here together, working

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Speaker 3: with our herd, finally taking the last step toward our dream.

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Speaker 3: But that dream is dead. I can't even say one

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Speaker 3: wild horse, and you're not here to fix it.

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Speaker 1: And it's just it's just so unfair. And I'm so mad.

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Speaker 1: I'm mad at.

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Speaker 3: Sonny for throwing you off that day, and I'm mad

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Speaker 3: that Alejandro is here doing the things you did in

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Speaker 3: your boots, and I'm mad.

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Speaker 1: That Zoe's just so happy. But but I'm not. I

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Speaker 1: don't know. I don't know if I ever can be again.

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Speaker 5: Bailey.

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Speaker 1: Oh great, Alejandro.

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Speaker 5: Bailey, Hey, Bailey, Slow down.

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Speaker 3: And quit yelling. I'm trying to catch Sonny.

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Speaker 5: Really, it looks like you're sitting in the grass writing

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Speaker 5: in your diary. And have you been crying?

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Speaker 3: This is how you catch a horse that won't come

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Speaker 3: to you. I had to release the pressure so she'd

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Speaker 3: stop and come back.

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Speaker 1: See she's just coming this way now.

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Speaker 5: Oh nice? A pressure release. In psychclass, that's called the

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Speaker 5: catharsis catharsis. Yeah, so crying attracts horses. I never knew.

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Speaker 3: Not crying, you dope, moving towards a horse is the pressure?

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Speaker 3: Never mind, I need to halter her.

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Speaker 1: Sonny, No, wait, can I try?

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Speaker 5: Maybe the pressure is still a bit high.

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Speaker 1: Sure, but she won't come to it.

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Speaker 5: There you go, Sonny, good girl?

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Speaker 1: What how do you do that?

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Speaker 5: Maybe you're just a good teacher?

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Speaker 1: Uh huh?

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Speaker 5: Or maybe I just have good energy. Horses can sense that,

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Speaker 5: you know.

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Speaker 1: What do you know about that?

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Speaker 5: You think I heard it in a movie. I like

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Speaker 5: being around horses feels good, you know?

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Speaker 1: Yeah? Sometimes?

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Speaker 5: So? Uh? Are you okay?

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Speaker 1: Honestly?

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Speaker 3: I don't know.

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Speaker 5: So what happened today? Anyway? Why are you out here?

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Speaker 5: And why didn't Zoe come with?

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Speaker 2: You?

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Speaker 1: Talked to Zoe?

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Speaker 5: What did she say nothing? Really, she just seemed to

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Speaker 5: know you would be over here.

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Speaker 1: Oh she didn't say anything else.

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Speaker 5: No, but you might want to let your gee pop

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Speaker 5: know you're okay before he calls your mom for no reason.

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Speaker 1: Oh shoot, I turned.

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Speaker 3: The walky talkie down so it wouldn't spook Sonny.

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Speaker 1: Uh, gee Pop, this is Bailey. I'm okay.

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Speaker 2: Snakes and scorpions, Bailey, you can't keep disappearing on me.

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Speaker 3: I'm old, remember, Sorry, gee Pop. We're on the way

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Speaker 3: up from the east pasture.

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Speaker 5: Now, who's that? Huh? There's another horse over there?

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Speaker 1: Really where?

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Speaker 5: Look there by that clump of trees, that's Wilder, Wilder

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Speaker 5: cool name.

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Speaker 3: You found him after all, Sonny. I can't believe it.

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Speaker 3: Thank you, thank you?

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Speaker 5: Is that one of your horses?

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Speaker 3: Not yet?

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Speaker 5: What are you up to? Bailey? Oh, Sonny? Easy? Oh no?

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Speaker 1: Look no?

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Speaker 2: Oh no?

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Speaker 5: Why is he walking like that? What's wrong with him?

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Speaker 2: Oh?

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Speaker 1: He's limping.

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Speaker 3: I told Zoe he needed our help. We might be

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Speaker 3: too late.

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Speaker 5: So you and Zoe did plan something and you lied

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Speaker 5: to your grandfather. You know, he was worried sick, and

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Speaker 5: I had to go looking for you all over the property.

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Speaker 3: I'm really sorry, and it was actually just me. Zoe

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Speaker 3: tried to stop me, and she was right.

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Speaker 1: We are going to need help.

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Speaker 5: What are you going to do?

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Speaker 3: I don't know, but we need to catch Wilder. He's

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Speaker 3: clearly hurt and it might be bad.

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Speaker 5: Okay, maybe I can help you.

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Speaker 1: I doubt that, Rookie.

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Speaker 5: Come on, I can do something.

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Speaker 1: Actually you can.

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Speaker 3: Will you take Sonny back to the barn and tell

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Speaker 3: Gepop to meet me back here?

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Speaker 5: Yes? But where are you going now?

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Speaker 3: There's something I need to do first, but I promise

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Speaker 3: I won't be gone long.

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Speaker 5: Okay, but maybe keep the walking tuck he turned out

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Speaker 5: this time.

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Speaker 3: I will be quick though. It's getting dark and I

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Speaker 3: don't want to lose him.

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Speaker 5: Let's go, Let's go.

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Speaker 6: Zoe, Bailey, Why are you throwing rocks at my window?

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Speaker 3: I tried the door and no one answered. Then I

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Speaker 3: saw your light on.

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Speaker 6: Oh my mom's not home, and I guess I didn't

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Speaker 6: hear you.

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Speaker 3: What are you doing here? Did you know your g

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Speaker 3: pop is looking for you?

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Speaker 1: I got in touch with him, but I need to

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Speaker 1: talk to you.

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Speaker 3: Okay, I'll be right down, Bailey.

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Speaker 2: We've got the supplies and are driving the trailer to

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Speaker 2: the spot. You saw the wild horse. We Aleandro was

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Speaker 2: staying down. We'll need all hands in the rig for

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Speaker 2: this one. I called the vet, but no answer yet.

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Speaker 1: Okay, I'll be there soon. I'm getting Zoe a good thing. Hey. Hey,

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Speaker 1: I'm sorry.

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Speaker 3: You first, Zoe, you have nothing to be sorry about.

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Speaker 3: I should have been a more loyal friend, Bailey.

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Speaker 1: I think I have trust issues. No way, you were right.

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Speaker 1: I was being reckless. I'm sorry.

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Speaker 3: Can you forgive me for what I said?

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Speaker 1: Yes? Of course? So did your plan work?

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Speaker 5: No?

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Speaker 1: Not even close. Oh.

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Speaker 3: I've been pushing everyone away, but I know now that's

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Speaker 3: not going to help Wilder. He needs all of us.

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Speaker 3: I need all of you. Will you come help me?

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Speaker 3: G Pop knows he and Alejandro are waiting for us.

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Speaker 3: Oh then yes, of course I'll help.

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Speaker 1: Let me grab my stuff.

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Speaker 3: Great, thanks, bring snaxt too. I'm starving lay ahead of you.

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Speaker 3: I ordered pizza an hour ago and it just arrived.

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Speaker 5: You were so right about handling the horses.

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Speaker 2: You took my advice, then, did you?

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Speaker 5: Yeah? It was so easy catching Sonny today.

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Speaker 2: Good good. They're looking to see if you were trustworthy,

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Speaker 2: not just that you aren't a danger to them, but

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Speaker 2: that you'd keep them from danger. Are you calm but confident?

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Speaker 2: Are you strong but gentle? These are the attitudes and

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Speaker 2: qualities a horse look for women too, for that.

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Speaker 5: Matter, I'll keep that in mind.

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Speaker 2: Oh, here come Bailey and Zoe.

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Speaker 5: Com and confident, strong and gentle.

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Speaker 1: Hey, honey, g pop, what are you doing?

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Speaker 3: We've got to start putting up panels and put out

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Speaker 3: that fire.

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Speaker 1: He'll see it.

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Speaker 2: It'll be all right, Bailey. I saw the wild stallion Wilder.

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Speaker 1: His name's Wilder, Okay.

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Speaker 2: I saw Wilder when we arrived before sun set, mind you.

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Speaker 2: And he's not going far on that leg.

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Speaker 1: Oh Wilder?

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Speaker 2: Where'd the name come from?

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Speaker 3: It just feels like this ranch has been missing its

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Speaker 3: wild side the past few months.

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Speaker 1: There's something about that horse. He's got a spark in

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Speaker 1: his eyes.

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Speaker 2: Well, Wilder seems to be trapped in the gully there

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Speaker 2: between the trees, and I don't want to risk injuring

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Speaker 2: them more by trying anything before the vet can come.

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Speaker 1: Did Doctor Forrest call you back?

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Speaker 2: Yes? And she agrees we should just keep a safe

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Speaker 2: distance so we can watch out for predators and keep

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Speaker 2: an eye on him till morning when she can come

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Speaker 2: trank him.

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Speaker 1: But so we just wait.

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Speaker 5: Nah, we eat s'mores and enjoy the campfire.

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Speaker 1: That sounds great.

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Speaker 3: Who wants pizza?

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Speaker 5: You brought pizza? Is this my kind of wrench?

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Speaker 2: You all enjoy that. I'm going to excuse myself and

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Speaker 2: water the grass over there, Rocky stay here.

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Speaker 5: Nice one, dream man, g Man.

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Speaker 1: S'mores time, s'mores, Alejandro. We are on a boy scout trip.

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Speaker 1: This is serious.

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Speaker 6: Come on, Bailey, grab a slice of pizza and come

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Speaker 6: sit with us.

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Speaker 3: Okay, okay, just as long as you don't start leaping

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Speaker 3: over the fire or trying to scare me with gruesome

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Speaker 3: bronc stories.

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Speaker 5: Never why did the other farm pens do that?

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Speaker 1: No, not them.

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Speaker 3: It was your brother then, wasn't it. Yeah, Connor was

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Speaker 3: always the life of the party. Sounds like a pretty

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Speaker 3: fun guy. He was the best kind of the life

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Speaker 3: of this whole place.

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Speaker 5: Really, what happened to him? Huh, you're a g pup said,

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Speaker 5: He passed away not long ago, So do you want

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Speaker 5: to tell us what happened?

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Speaker 1: Yeah?

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Speaker 3: Yeah, he passed away recently, but it all started almost

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Speaker 3: a year ago. The day we moved the cattle and

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Speaker 3: he rode Sonny instead of me. I had been working

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Speaker 3: her to do barrels, and she started getting too fast,

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Speaker 3: so I didn't want to ride her in the open field.

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Speaker 3: He offered to switch horses with me, even though I

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Speaker 3: had trained Sonny and should have just sucked it up

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Speaker 3: and ridden her.

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Speaker 1: But I was afraid. I'm just a whimp. Connor he.

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Speaker 3: Was never afraid. He jumped on her and took off

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Speaker 3: right across that field. When I caught up, she had

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Speaker 3: already thrown him off. He ended up in the hospital

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Speaker 3: that day to check for a concussion.

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Speaker 1: That's the day everything changed. I'm so sorry, Bailey.

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Speaker 5: That's awful. They can see why you have beef with Sonny.

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Speaker 3: Yeah. I haven't ridden her since, not sure I ever will.

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Speaker 3: But you're not not what a whimp. Look at what

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Speaker 3: you're doing for Wilder, or even just how you take

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Speaker 3: care of all these animals and work the farm and

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Speaker 3: tackle pigs. You're awesome.

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Speaker 1: You're strong and brave.

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Speaker 5: She's right, even just now telling us about your brother.

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Speaker 5: That takes guts.

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Speaker 2: Thanks, it does take guts, Bailey. I'm proud of you

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Speaker 2: for opening up, and it makes sense that you'd be angry.

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Speaker 2: Do you think it's fair to blame Sonny though?

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Speaker 3: But it was Sonny throwing him off that started it all,

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Speaker 3: and I was supposed to ride her.

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Speaker 2: Now, Bailey, your brother was an excellent BRONC rider. Do

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Speaker 2: you really think Sonny could have unloaded him if something

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Speaker 2: else wasn't already making trouble in his brain?

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Speaker 4: Yeah?

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Speaker 3: I guess it's true that he was a really good rider,

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Speaker 3: that's right. But things turned upside down that.

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Speaker 2: Day, I know they did, Sweetie. That's when we found

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Speaker 2: out about Connor's cancer, and that is truly something to

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Speaker 2: be angry and sad about.

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Speaker 3: Well, I am, and I just don't think Sonny and

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Speaker 3: I will ever be the same again.

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Speaker 2: One day at a time, kiddo, don't need.

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Speaker 3: To rush it, and we're here for you too, Bailey, right, Alejandro.

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Speaker 5: Yeah, definitely. Yeah. Maybe a new and improved smore would help.

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Speaker 1: Alejandro. That looks nothing like a small I.

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Speaker 5: Said it was new and improved. Plus, all I could

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Speaker 5: find that your house, besides marshmallows, were oreos and caramels.

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Speaker 3: Roasted marshmallow and caramels smushed between two orioles.

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Speaker 1: That sounds amazing.

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Speaker 2: You don't have to twist my arm.

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Speaker 1: Okay, I'll try one too. Hmm yum,