WEBVTT - Re-Release: Michelle Zauner

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<v Speaker 1>Yeah.

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<v Speaker 2>I mean I feel like we've let go of timelines

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<v Speaker 2>so hugely in this past year and a half, Like

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<v Speaker 2>the idea of deadlines and timelines and time has just

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<v Speaker 2>been so elastic. I've had to create discipline that I

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<v Speaker 2>didn't have previously. And I also like react badly when

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<v Speaker 2>people are like, Okay, this has to be done by this.

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<v Speaker 3>Time, and it's like, well, why if time is elastic?

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<v Speaker 1>Is that what you say? How does that go?

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<v Speaker 3>Over's? Literally as like I wish i'd said that. I'm not.

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<v Speaker 3>I didn't say that to anybody except you.

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<v Speaker 1>Start I'm going to start saying that to my manager.

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<v Speaker 1>Time is elastic?

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<v Speaker 3>What do you mean? Eleven thirty? Time is elastic?

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<v Speaker 2>Hello, I'm Mini driver and welcome to Mini Questions. I've

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<v Speaker 2>always loved Pruce's questionnaire. It was originally an eighteenth century

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<v Speaker 2>parlor game meant to reveal an individual's true nature, but

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<v Speaker 2>with so many questions, there wasn't really an opportunity to

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<v Speaker 2>expand on anything. So I took the format of Prus's

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<v Speaker 2>questionnaire and adapted what I think are serve one of

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<v Speaker 2>the most important questions you could ever ask someone they

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<v Speaker 2>are when and where were you happiest what is the

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<v Speaker 2>quality you like least about yourself? What relationship, real or fictionalized,

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<v Speaker 2>defines love for you? What question would you most like answered,

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<v Speaker 2>What person, place, or experience has shaped you the most?

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<v Speaker 2>What would be your last meal? And can you tell

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<v Speaker 2>me something in your life that has grown out of

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<v Speaker 2>a personal disaster. The more people we ask, the more

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<v Speaker 2>we begin to see what makes us similar and what

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<v Speaker 2>makes us individual. I've gathered a group of really remarkable

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<v Speaker 2>people who I am honored and humbled to have had

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<v Speaker 2>a chance to engage with. My guest today is musician, author,

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<v Speaker 2>and poet in my estimation, Michelle's Honor. Michelle records as

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<v Speaker 2>the band Japanese Breakfast, and her new record Jubilee is

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<v Speaker 2>now one of my favorite albums. We have both lost

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<v Speaker 2>our mothers and listening to the last three of her

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<v Speaker 2>album's tracks an extraordinary journey through patience, rage, and grief.

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<v Speaker 2>My favorite song on her new album is called Posing

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<v Speaker 2>in Bondage, and there's a line that I think about

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<v Speaker 2>a lot in it. It goes those who run from

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<v Speaker 2>pain those who have yet to. I felt intensely comforted

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<v Speaker 2>by her purview of loss, and the music is like

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<v Speaker 2>this awesome low fi, nimble, pop funk. It's just excellent.

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<v Speaker 2>And she's also written an extraordinary book that was on

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<v Speaker 2>the New York Times bestseller list called Crying in h Mart,

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<v Speaker 2>which is deft and hilarious and heartbreaking all at the

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<v Speaker 2>same time. I'm such a fan of hers, and I

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<v Speaker 2>feel like I owe her for showing me that there

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<v Speaker 2>is at least some of light at the end of

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<v Speaker 2>the tunnel of grief. What person, place, or experience has

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<v Speaker 2>most altered your life.

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<v Speaker 1>I feel like my entire life right now feels very

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<v Speaker 1>folded in half around this moment of losing my mom.

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<v Speaker 1>I'm a very different person after that. My whole life changed.

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<v Speaker 1>I mean, my whole family just dissolves when my mom

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<v Speaker 1>passed away. My dad moved to Thailand and we don't

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<v Speaker 1>speak anymore. And you know, this person that represented my

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<v Speaker 1>entire family is gone, but lives on in me in

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<v Speaker 1>this new way.

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<v Speaker 3>So I lost my MoMA a month and a half ago.

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<v Speaker 1>Oh my god, I'm so sorry.

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<v Speaker 3>But I've I've got to tell you.

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<v Speaker 2>I didn't know the stories behind your albums. And when

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<v Speaker 2>I went back and I listened with this new purview,

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<v Speaker 2>when I got listened to posing in bondage.

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<v Speaker 3>I was like, this is where I'm gonna get.

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<v Speaker 1>M so lovely to hear thank you so much.

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<v Speaker 3>The fact that your record do you believe? Like what

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<v Speaker 3>that means in.

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<v Speaker 2>Terms of like the word itself, and the idea that

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<v Speaker 2>there is celebration. There is celebration beyond death. There is

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<v Speaker 2>celebration in the relationship that develops with your parent after

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<v Speaker 2>they die that nobody really talks about, and that energetically

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<v Speaker 2>right now, even though I'm not there, the idea that

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<v Speaker 2>I'm going to get to this place, because when I

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<v Speaker 2>read parts of Crying in h Mart, it was realizing

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<v Speaker 2>it was so familiar. Obviously the whole it's so familiar,

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<v Speaker 2>but the idea that there is a journey that even

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<v Speaker 2>though it feels like life stopped, it goes on and

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<v Speaker 2>you carry on and do you believe in me? Felt

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<v Speaker 2>like the emergence of life again, life after loss, real

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<v Speaker 2>life after death was so beautiful and so amazing, and

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<v Speaker 2>I'm so I'm so grateful because it's been so comforting

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<v Speaker 2>to listen to your music.

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<v Speaker 1>Oh, thank you so much. That means so much to me.

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<v Speaker 1>I feel like you've just put into words that I

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<v Speaker 1>am still wrapping my head around trying to explain, and

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<v Speaker 1>so it hits me so hard that I feel like

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<v Speaker 1>you've just gotten completely what I meant to say, and

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<v Speaker 1>it's the first time I'm hearing it back to me.

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<v Speaker 1>So I really appreciate that.

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<v Speaker 2>How great that it is meaningful? How great that what

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<v Speaker 2>you're doing as an artist, because surely work quite self

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<v Speaker 2>regarding as artists, you know we're in our process. But

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<v Speaker 2>to create something that not only touches people but genuinely

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<v Speaker 2>helps them, I think is very It's rare. Sorry, I've like,

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<v Speaker 2>you know, we've been on for two minutes.

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<v Speaker 3>I've cried.

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<v Speaker 1>I've told you no, that's so moving, Like it's nuts.

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<v Speaker 1>I mean, it's a rare, precious thing to get to

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<v Speaker 1>be vulnerable and impacted deeply by art. I mean, there's

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<v Speaker 1>no greater gift to get to share with you. So

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<v Speaker 1>I appreciate it.

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<v Speaker 3>You're welcome. I think you're right.

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<v Speaker 2>Artists don't often know how they've impacted the people who

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<v Speaker 2>are who are metabolizing their aret.

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<v Speaker 1>I mean, that's why you do it too. I feel

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<v Speaker 1>like so much of the past couple of months has

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<v Speaker 1>just been the rush of like running to make force

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<v Speaker 1>people to like interact with your art, you know, so

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<v Speaker 1>you forget when it actually hits someone, and like why

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<v Speaker 1>you actually do it in the first place, because you're

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<v Speaker 1>so convinced sometimes that your art is hitting because of

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<v Speaker 1>like a marketing scheme or something. So it's nice to

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<v Speaker 1>be reminded that the actual thing is doing something much

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<v Speaker 1>more important, I think. I also, you know, there's a

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<v Speaker 1>line in that new song posing in Bondage and ASO

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<v Speaker 1>expanded up on in the book, where I say, you know,

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<v Speaker 1>when the world divides into two people, those who have

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<v Speaker 1>felt pain in those who have yet to.

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<v Speaker 3>I've wrote it down. I have it written right here.

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<v Speaker 2>Oh well, those who run from pain, those who have

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<v Speaker 2>yet too.

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<v Speaker 1>Yeah. I feel like that's how I see the world now.

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<v Speaker 1>And it's endless, like frustrating when you know people who

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<v Speaker 1>haven't gone through this experience, and it feels like such

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<v Speaker 1>an unfair hand to be dealt. But I also found

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<v Speaker 1>I have a much deeper sense of compassion to other people.

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<v Speaker 1>It was almost like I was invited into this new club.

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<v Speaker 1>I didn't want to be part of it, that's exactly,

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<v Speaker 1>that's exactly. Yeah. But I remember after my mom died,

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<v Speaker 1>I was sitting at a kitchen table with my mother

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<v Speaker 1>in law and her mother, my husband's grandmother, and they

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<v Speaker 1>were telling me about, you know, my mother in law's

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<v Speaker 1>brother died when she was in college. They were in

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<v Speaker 1>college together, and you know, she was telling me about

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<v Speaker 1>this experience, and then her mother was saying, you know,

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<v Speaker 1>I used to cry every day on the way to

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<v Speaker 1>work in the car and every day when I came home.

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<v Speaker 1>And now it was a strange feeling because I don't

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<v Speaker 1>know if they would have told me that story if

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<v Speaker 1>I hadn't sort of gone through this type of grief,

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<v Speaker 1>and I don't know if I would have felt it

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<v Speaker 1>so deeply, such an intense understanding, or even the way

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<v Speaker 1>that I feel towards you right now, that when you

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<v Speaker 1>just know that someone has gone through that you're understanding

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<v Speaker 1>and your feelings of closeness to a person really alters

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<v Speaker 1>after you go through something like that. And even though

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<v Speaker 1>it's really hard and it's not necessarily a club you

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<v Speaker 1>want to be a part of, there is some like

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<v Speaker 1>deeper connection to people. I think that you do start

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<v Speaker 1>to feel after you go through something like that that

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<v Speaker 1>is actually really beautiful one hundred.

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<v Speaker 2>It moves from being I was angry, it's so awful

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<v Speaker 2>to say it.

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<v Speaker 1>Yeah. Yeah.

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<v Speaker 2>Then you then feel isolated in like you're this total pariah.

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<v Speaker 2>And then when you start talking to people who actually

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<v Speaker 2>have lost their moms and you realize that it's such

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<v Speaker 2>a particular club, it's such a particular journey. You are

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<v Speaker 2>very young to lose your mama. I mean, I'm one

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<v Speaker 2>hundred and forty, you know, I was. I'm older in it,

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<v Speaker 2>you know, but like it's still it was still too soon.

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<v Speaker 2>It was still too soon. What relationship, real or fictionalized,

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<v Speaker 2>defines love for you.

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<v Speaker 1>I have a really wonderful relationship with my husband, and

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<v Speaker 1>I'm really lucky because we had dated for about a

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<v Speaker 1>year and a half when my mom got sick, and

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<v Speaker 1>when we found out her cancer was terminal, I called

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<v Speaker 1>him from a hospital in Korea and I was like,

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<v Speaker 1>if this is something that you are thinking of doing

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<v Speaker 1>in the next five years and you don't just do

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<v Speaker 1>it now, I don't think I'll ever be able to

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<v Speaker 1>forgive you. And so we threw together a wedding three

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<v Speaker 1>weeks before my mother passed away.

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<v Speaker 2>Oh my god.

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<v Speaker 1>Because I was an only child, and you know, for me,

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<v Speaker 1>you know, getting married was never really that important of

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<v Speaker 1>a thing. For me, but I knew it was a

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<v Speaker 1>tremendously important thing for my mom and that if I

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<v Speaker 1>ever got married and she wasn't there, it would just

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<v Speaker 1>destroy me. I could never enjoy myself at a wedding.

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<v Speaker 1>So we were really lucky that she was able to

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<v Speaker 1>go to the wedding, and she went into a coma

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<v Speaker 1>two weeks after we got married. We got married in

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<v Speaker 1>my parents' backyard. I talked about it in the book,

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<v Speaker 1>and I am so lucky that it worked out. I mean,

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<v Speaker 1>I told him, you know, well, just get divorced if

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<v Speaker 1>it doesn't work out, you know, like we'll be like

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<v Speaker 1>young hip divorces. And you know, we can refer to

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<v Speaker 1>our first marriages in this like very you know, mature way,

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<v Speaker 1>you know, in our late twenties. And it just I

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<v Speaker 1>got so lucky because I think it worked out so

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<v Speaker 1>well because my family was able to fold him into

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<v Speaker 1>ours so seamlessly, and his family was able to embrace

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<v Speaker 1>me in such a deeper way because we got married,

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<v Speaker 1>and I think maybe subconsciously I could feel my nuclear

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<v Speaker 1>family apart and sort of needed to recreate that with someone.

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<v Speaker 1>And yeah, I mean I just I never knew that

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<v Speaker 1>I could feel this way about someone, and I feel

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<v Speaker 1>like we are very perfectly matched in this way that

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<v Speaker 1>you know, seemed realistically impossible, and so I can't think

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<v Speaker 1>of a I can't think of a greater love than our.

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<v Speaker 1>It's honestly, I truly feel that way. I'm very lucky

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<v Speaker 1>to have found that in my life.

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<v Speaker 3>Yeah.

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<v Speaker 2>Also, I think in a way, backing into these things

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<v Speaker 2>like it not happening in a traditional way, often it

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<v Speaker 2>destroys all of our previous ideas about it. The hearing

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<v Speaker 2>that you called him up and were like, listen, we

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<v Speaker 2>got to get married, or like or i'll hate you

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<v Speaker 2>or I hate you, just so you know, and the

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<v Speaker 2>fact that he could go this ritual is so important

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<v Speaker 2>to this person that I love. And not only that,

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<v Speaker 2>but like to her mother, I will do this as

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<v Speaker 2>an experience, but I love that the pressure is taken

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<v Speaker 2>off because it's like, yeah, and if we get divorced,

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<v Speaker 2>then maybe we'll get married again when we're like thirty.

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<v Speaker 1>Five, marriage right, exactly, like observing.

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<v Speaker 2>The traditional desire of your mum to see you married,

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<v Speaker 2>but getting rid of the expectation it doesn't have to

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<v Speaker 2>work out. It's okay, And then that defines love.

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<v Speaker 1>Yeah, and he. I mean, I wrote that song Till

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<v Speaker 1>Death about him, and you know, I don't know if

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<v Speaker 1>I could have honestly been there for someone so selflessly

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<v Speaker 1>the way that he was there for me during that time,

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<v Speaker 1>because you're just I mean, you know, like when you

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<v Speaker 1>go through the grief of losing someone so monumental to

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<v Speaker 1>your life, you become.

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<v Speaker 3>So useless, totally and utterly useless.

0:12:37.760 --> 0:12:40.600
<v Speaker 1>For a year, I felt like I was relearning how

0:12:40.640 --> 0:12:44.600
<v Speaker 1>to walk, you know, relearning how to feed myself, relearning

0:12:44.640 --> 0:12:49.040
<v Speaker 1>how to you know, breathe, and to have someone just

0:12:49.160 --> 0:12:52.600
<v Speaker 1>stand by you because there's absolutely nothing they can do

0:12:52.800 --> 0:12:55.040
<v Speaker 1>but just wait it out with you and wait for

0:12:55.120 --> 0:12:58.760
<v Speaker 1>the person they love to come back. I was really

0:12:59.120 --> 0:13:02.120
<v Speaker 1>lucky that I had someone like that, you know, to

0:13:02.320 --> 0:13:03.400
<v Speaker 1>just wait it out with me.

0:13:04.080 --> 0:13:07.720
<v Speaker 2>I love I love that because you're right, it's standing

0:13:07.800 --> 0:13:10.760
<v Speaker 2>and waiting it out. And I felt that way when

0:13:11.080 --> 0:13:13.920
<v Speaker 2>when my mom was dying, was that all all we

0:13:14.000 --> 0:13:17.240
<v Speaker 2>could do was to be with her, was to hold

0:13:17.280 --> 0:13:19.920
<v Speaker 2>her hand and to be there and to love her.

0:13:20.160 --> 0:13:25.160
<v Speaker 2>And that's exactly what my boyfriend is doing for me now.

0:13:25.280 --> 0:13:26.240
<v Speaker 2>It's just standing.

0:13:26.520 --> 0:13:27.360
<v Speaker 1>Yeah, he's not.

0:13:27.240 --> 0:13:30.320
<v Speaker 2>Trying to fix it because it's unfixable. It's kind of

0:13:30.360 --> 0:13:35.440
<v Speaker 2>like it's like standing by a really beautiful, really old tree.

0:13:36.559 --> 0:13:39.320
<v Speaker 2>It feels he's not old. He's actually much younger than me,

0:13:39.360 --> 0:13:43.920
<v Speaker 2>but it's he's an old tree in my in my life. Yeah,

0:13:43.960 --> 0:13:46.920
<v Speaker 2>it's funny, that, isn't it, Particularly when I don't know

0:13:46.920 --> 0:13:49.280
<v Speaker 2>about you. But I am such a doer. I want

0:13:49.280 --> 0:13:50.920
<v Speaker 2>to fix stuff. I want to make you know, I'm

0:13:51.400 --> 0:13:52.800
<v Speaker 2>a mom. I want to fix stuff for my kids.

0:13:52.840 --> 0:13:55.079
<v Speaker 2>I want to I want to make it better. And

0:13:55.360 --> 0:13:57.800
<v Speaker 2>you simply cannot make this better. You just have to

0:13:57.800 --> 0:14:02.240
<v Speaker 2>stand and witness it with as much compassion as you can.

0:14:02.320 --> 0:14:06.280
<v Speaker 1>I guess totally. And there's just no skipping steps. I mean,

0:14:06.320 --> 0:14:09.280
<v Speaker 1>it is it's like a you know it is. It

0:14:09.360 --> 0:14:11.520
<v Speaker 1>is something that you just have to let take you

0:14:11.559 --> 0:14:13.800
<v Speaker 1>like a current, Like it's not it's not going to

0:14:13.880 --> 0:14:16.160
<v Speaker 1>wait for you, and when you think you've conquered it,

0:14:16.160 --> 0:14:19.400
<v Speaker 1>it's going to kick your ass in a totally new way.

0:14:19.480 --> 0:14:20.240
<v Speaker 1>I feel like.

0:14:20.280 --> 0:14:23.160
<v Speaker 2>It's so true, and that by the way, it is

0:14:23.280 --> 0:14:26.960
<v Speaker 2>process like we are being forced or we are forced

0:14:27.440 --> 0:14:30.280
<v Speaker 2>to process this. There's no getting around it. There's no

0:14:30.400 --> 0:14:33.560
<v Speaker 2>jumping to the end of the alphabet. You have to

0:14:33.800 --> 0:14:37.760
<v Speaker 2>go through every step, and that felt suffocating to begin

0:14:37.840 --> 0:14:41.320
<v Speaker 2>with for me in the early days of grief, but

0:14:41.720 --> 0:14:44.200
<v Speaker 2>now it's sort of more of a this is.

0:14:44.160 --> 0:14:44.640
<v Speaker 3>What we do.

0:14:45.120 --> 0:14:48.160
<v Speaker 2>We wake up every day and you meet your grief

0:14:48.880 --> 0:14:50.360
<v Speaker 2>and you don't know how it's going to take you,

0:14:50.440 --> 0:14:52.600
<v Speaker 2>but you go with the current of it. You allow

0:14:52.680 --> 0:14:55.080
<v Speaker 2>that because fighting it is actually so much worse.

0:14:55.640 --> 0:14:57.240
<v Speaker 1>Are you do you mind? If I ask her, are

0:14:57.240 --> 0:14:58.480
<v Speaker 1>you having a lot of dreams?

0:15:01.760 --> 0:15:01.960
<v Speaker 3>You know?

0:15:02.000 --> 0:15:04.600
<v Speaker 2>The strangest thing and that this is the part that

0:15:04.640 --> 0:15:07.880
<v Speaker 2>I've actually apart from her not being here, the thing

0:15:07.880 --> 0:15:10.840
<v Speaker 2>I've found hardest is that I have not dreamt. I've

0:15:10.880 --> 0:15:13.640
<v Speaker 2>been I've dreamt my whole life, like vividly, like write

0:15:13.680 --> 0:15:17.200
<v Speaker 2>them down dreams. I have not had a dream since

0:15:17.200 --> 0:15:21.160
<v Speaker 2>she died. And it's been it's been devastating. It's been

0:15:21.200 --> 0:15:24.480
<v Speaker 2>devastating to me that I haven't seen her in a dream.

0:15:24.600 --> 0:15:28.080
<v Speaker 1>It'll happen. It'll happen when you're not at this place

0:15:28.120 --> 0:15:29.400
<v Speaker 1>where you're like where are you?

0:15:29.400 --> 0:15:31.240
<v Speaker 3>You know, That's exactly it.

0:15:31.360 --> 0:15:33.280
<v Speaker 1>Because my aunt, I'm pretty sure, was like, are you

0:15:33.360 --> 0:15:35.160
<v Speaker 1>dreaming about her? And I was like, oh my god,

0:15:35.200 --> 0:15:38.120
<v Speaker 1>I'm not, you know, like is that wrong?

0:15:38.600 --> 0:15:38.920
<v Speaker 3>Yeah?

0:15:38.920 --> 0:15:40.440
<v Speaker 1>And I think it must have been because I was

0:15:40.480 --> 0:15:43.600
<v Speaker 1>like searching for it. But I feel like they they'll

0:15:43.600 --> 0:15:47.200
<v Speaker 1>come like when you aren't thinking about wanting them so badly,

0:15:47.320 --> 0:15:47.520
<v Speaker 1>you know.

0:15:48.040 --> 0:15:50.040
<v Speaker 2>I wonder if they think it would make it worse,

0:15:50.400 --> 0:15:52.440
<v Speaker 2>if they're like, it would actually make it so much

0:15:52.440 --> 0:15:54.160
<v Speaker 2>worse if you do so. I don't want you to

0:15:54.200 --> 0:15:56.120
<v Speaker 2>wake up thinking that you've been with me. You need

0:15:56.160 --> 0:15:58.120
<v Speaker 2>to you need to have that little time path.

0:15:58.760 --> 0:16:01.080
<v Speaker 1>You know. It was so frustrating because you see them

0:16:01.120 --> 0:16:04.160
<v Speaker 1>and then it's like trying to call your way back

0:16:04.200 --> 0:16:06.360
<v Speaker 1>to sleep and you can never do it. And it's

0:16:06.400 --> 0:16:08.640
<v Speaker 1>a really interesting part though. I mean, it's so interesting

0:16:08.680 --> 0:16:10.440
<v Speaker 1>because you think that all of these things are very

0:16:11.400 --> 0:16:14.160
<v Speaker 1>unique to you, but every person that goes through it

0:16:14.200 --> 0:16:16.200
<v Speaker 1>goes through the same thing. Even when I got married,

0:16:16.240 --> 0:16:18.440
<v Speaker 1>I was like, oh, I did this weird thing. And

0:16:18.520 --> 0:16:22.120
<v Speaker 1>I heard so many stories about people who put weddings

0:16:22.120 --> 0:16:24.440
<v Speaker 1>together when their parents were sick. Because there's a natural

0:16:24.640 --> 0:16:26.720
<v Speaker 1>you know, all human beings are kind of made up

0:16:26.720 --> 0:16:27.280
<v Speaker 1>of the same.

0:16:27.120 --> 0:16:32.360
<v Speaker 2>Stuff, exactly in the Venn diagram of our experiences, these

0:16:32.720 --> 0:16:36.320
<v Speaker 2>you know, matter made visible. There is so much that

0:16:36.440 --> 0:16:39.520
<v Speaker 2>is fundamental to all of us. We'll do the same

0:16:39.520 --> 0:16:41.840
<v Speaker 2>things in the same situations. I kind of love that

0:16:41.880 --> 0:16:51.160
<v Speaker 2>it feels tribal. Hmm, what is the quality that you

0:16:51.320 --> 0:16:52.920
<v Speaker 2>least like about yourself.

0:16:53.480 --> 0:16:59.800
<v Speaker 1>I'm incredibly impatient in everything, and I can forget to

0:17:01.000 --> 0:17:02.640
<v Speaker 1>enjoy things sometimes.

0:17:02.720 --> 0:17:05.960
<v Speaker 2>Because you want the result like you, so you don't

0:17:05.960 --> 0:17:08.000
<v Speaker 2>pay attention to the journey of it as it were.

0:17:08.119 --> 0:17:12.120
<v Speaker 1>Absolutely, yeah, that's my issue with art making. And sometimes

0:17:12.160 --> 0:17:15.000
<v Speaker 1>it's the great thing. But I'm not one to dwell

0:17:15.040 --> 0:17:17.840
<v Speaker 1>in the process, and I envy my husband's like that.

0:17:17.880 --> 0:17:22.199
<v Speaker 1>He is all processing sometimes never gets anything done because

0:17:22.240 --> 0:17:25.119
<v Speaker 1>he can learn something, can really take his time and

0:17:25.160 --> 0:17:28.359
<v Speaker 1>have full understanding of something, whereas I often tend to

0:17:28.440 --> 0:17:33.400
<v Speaker 1>skip steps and not in relish the process of things.

0:17:33.720 --> 0:17:36.400
<v Speaker 1>But I also can be really impatient with people too,

0:17:36.520 --> 0:17:38.199
<v Speaker 1>and I wish I wasn't like that.

0:17:38.880 --> 0:17:41.680
<v Speaker 2>What triggers you about a person, like if they take

0:17:41.680 --> 0:17:43.520
<v Speaker 2>too long telling a story or what is it?

0:17:43.800 --> 0:17:48.560
<v Speaker 1>Yeah? Yeah, that's definitely yeah, yeah, yeah, there's that. And

0:17:48.600 --> 0:17:51.000
<v Speaker 1>also if I think I'm quick to cut people out

0:17:51.040 --> 0:17:53.600
<v Speaker 1>of my life or like snap to judgment in a

0:17:53.640 --> 0:17:56.400
<v Speaker 1>way I don't suffer fools, Well.

0:17:56.800 --> 0:17:58.560
<v Speaker 3>I know I'm exactly the same.

0:17:58.640 --> 0:18:00.720
<v Speaker 1>I think a lot of it comes from my though,

0:18:00.760 --> 0:18:04.000
<v Speaker 1>because my mom raised me in this way where sometimes

0:18:04.440 --> 0:18:07.439
<v Speaker 1>my friends will confide in me about something, and you know,

0:18:07.520 --> 0:18:10.200
<v Speaker 1>my natural desire is to fix it. But I think

0:18:10.200 --> 0:18:12.359
<v Speaker 1>that when your friends confide in you, they're not asking

0:18:12.359 --> 0:18:14.880
<v Speaker 1>you to fix something. They just want to let it go,

0:18:15.119 --> 0:18:16.840
<v Speaker 1>you know, and they want someone to listen to them.

0:18:17.040 --> 0:18:18.760
<v Speaker 1>I want, I mean, I really want to get better

0:18:18.800 --> 0:18:21.560
<v Speaker 1>at like not being like, well, obviously you do this,

0:18:21.680 --> 0:18:24.080
<v Speaker 1>and then when they don't do that, you get naturally

0:18:24.160 --> 0:18:26.160
<v Speaker 1>kind of upset about it. And as I get older,

0:18:26.160 --> 0:18:28.560
<v Speaker 1>I'm realizing like, they're going to do whatever they want

0:18:28.600 --> 0:18:31.520
<v Speaker 1>to do. You can be you can offer some sound advice,

0:18:31.560 --> 0:18:33.760
<v Speaker 1>but I think largely what your friend really wants you

0:18:33.800 --> 0:18:35.760
<v Speaker 1>to do is just to be quiet and to listen

0:18:36.359 --> 0:18:40.640
<v Speaker 1>and offer up support. And I think sometimes I get

0:18:40.680 --> 0:18:43.200
<v Speaker 1>confused and I'm like, well, clearly this is like these

0:18:43.200 --> 0:18:44.840
<v Speaker 1>are the steps you need to take. And then if

0:18:44.880 --> 0:18:48.359
<v Speaker 1>they don't take them, because they're human and they have

0:18:48.400 --> 0:18:53.840
<v Speaker 1>their own interests and desires, like I have gotten frustrated

0:18:53.840 --> 0:18:56.439
<v Speaker 1>in the past, and that's like totally unfair and uh,

0:18:56.680 --> 0:18:57.960
<v Speaker 1>something that I just need to work on.

0:18:58.040 --> 0:19:01.760
<v Speaker 2>I think, well, we all have stuff to work on.

0:19:03.560 --> 0:19:07.800
<v Speaker 2>But wait, so, because you write a lot about traditional

0:19:08.040 --> 0:19:11.560
<v Speaker 2>Korean cooking, and it feels to me that there is

0:19:11.760 --> 0:19:15.520
<v Speaker 2>an enormous amount of process in that, in the process

0:19:15.560 --> 0:19:19.080
<v Speaker 2>of cooking, in the process of like shopping for the

0:19:19.280 --> 0:19:19.920
<v Speaker 2>ingredients and.

0:19:19.880 --> 0:19:20.640
<v Speaker 3>The whole thing.

0:19:20.720 --> 0:19:23.960
<v Speaker 2>So is that an area where you're not focused on

0:19:24.840 --> 0:19:27.879
<v Speaker 2>the result, you really are in the journey. Would you

0:19:27.920 --> 0:19:31.439
<v Speaker 2>say that there's a lot of flow when you're making food.

0:19:32.359 --> 0:19:34.199
<v Speaker 1>I do think so. I think it is like this

0:19:34.320 --> 0:19:38.879
<v Speaker 1>really tactle intuitive thing where you don't I'm not after

0:19:39.480 --> 0:19:41.879
<v Speaker 1>anything really when I'm doing I am like sort of

0:19:41.920 --> 0:19:43.879
<v Speaker 1>in the process of that, and I enjoy it and

0:19:43.920 --> 0:19:48.080
<v Speaker 1>I don't have to mentally like go after something in

0:19:48.080 --> 0:19:50.240
<v Speaker 1>the same way that I go after it in other

0:19:50.359 --> 0:19:52.639
<v Speaker 1>parts of my life. And I think that that's something

0:19:52.680 --> 0:19:55.280
<v Speaker 1>that I've really enjoyed about cooking, is because I'm such

0:19:55.280 --> 0:19:58.840
<v Speaker 1>analytical in my head person and there's none of that

0:19:59.040 --> 0:20:01.480
<v Speaker 1>really when you're cooking. It's all you know, very You're

0:20:01.560 --> 0:20:04.960
<v Speaker 1>very present and not thinking about the future really at all,

0:20:05.000 --> 0:20:09.960
<v Speaker 1>and your mind kind of unbusies itself in this beautiful way.

0:20:10.280 --> 0:20:13.359
<v Speaker 2>That's so interesting. So it's like that's a that is

0:20:13.400 --> 0:20:15.639
<v Speaker 2>a meditation. I mean, that would be my description of

0:20:16.640 --> 0:20:21.399
<v Speaker 2>meditation or the meditative quality of absolutely. Yeah, that's so funny.

0:20:21.400 --> 0:20:24.240
<v Speaker 2>I think I read in something. I think it was

0:20:24.280 --> 0:20:26.840
<v Speaker 2>in the New Yorker in the excerpt from your book,

0:20:27.240 --> 0:20:30.120
<v Speaker 2>where you were like, somebody said, you just add enough

0:20:30.680 --> 0:20:32.280
<v Speaker 2>something until it tastes like mom's.

0:20:32.720 --> 0:20:35.040
<v Speaker 1>Oh yeah, yeah, sesame oil, Are things enough?

0:20:35.080 --> 0:20:38.600
<v Speaker 3>Samele? Did it taste that your mom's? That was excellent?

0:20:39.080 --> 0:20:39.520
<v Speaker 3>Thank you?

0:20:39.760 --> 0:20:40.080
<v Speaker 1>Yeah.

0:20:40.240 --> 0:20:40.440
<v Speaker 3>Yeah.

0:20:40.440 --> 0:20:43.200
<v Speaker 1>There's this meal that my mom would make for me

0:20:43.280 --> 0:20:46.760
<v Speaker 1>every time I came home from college. She would marinate

0:20:46.840 --> 0:20:51.520
<v Speaker 1>this short rib it's called Colby, this sweet Korean short

0:20:51.600 --> 0:20:57.440
<v Speaker 1>rib with white rice, this white radish kimchi in this

0:20:58.080 --> 0:21:02.120
<v Speaker 1>really tart brine with sesame oil and red piper flakes

0:21:02.920 --> 0:21:06.240
<v Speaker 1>and then this radish kimchi just the way that my mom.

0:21:06.600 --> 0:21:08.720
<v Speaker 1>It just is like a feeling, you know, it like

0:21:08.840 --> 0:21:10.200
<v Speaker 1>sits like here.

0:21:11.480 --> 0:21:12.920
<v Speaker 3>Do you ever make that meal? Now?

0:21:13.320 --> 0:21:17.440
<v Speaker 1>Not often? Not often, because it doesn't taste as good

0:21:17.480 --> 0:21:20.439
<v Speaker 1>when you make it for yourself. Part of it is

0:21:20.480 --> 0:21:22.760
<v Speaker 1>that you don't have to do anything, and it's just

0:21:23.160 --> 0:21:25.879
<v Speaker 1>this person has gone through this whole process of like

0:21:26.320 --> 0:21:29.199
<v Speaker 1>marinating this thing two days before and buying all the

0:21:29.359 --> 0:21:32.840
<v Speaker 1>ingredients like weeks before. You arrive and just knowing that

0:21:32.920 --> 0:21:36.600
<v Speaker 1>there was so much thought that went into it. It

0:21:36.600 --> 0:21:38.919
<v Speaker 1>doesn't taste as good or mean as much when you

0:21:38.960 --> 0:21:39.880
<v Speaker 1>make it for yourself.

0:21:40.440 --> 0:21:43.280
<v Speaker 2>It's so true. But okay, hold on, I've got a plan.

0:21:43.960 --> 0:21:47.399
<v Speaker 2>So is your your is your husband? Is your husband

0:21:47.400 --> 0:21:47.880
<v Speaker 2>a good cooke?

0:21:48.320 --> 0:21:49.880
<v Speaker 1>No, he's adorable, he's hoorable.

0:21:49.920 --> 0:21:53.880
<v Speaker 2>Okay, forget him. Do you have a friend who you love,

0:21:54.280 --> 0:21:56.080
<v Speaker 2>who you could say, okay.

0:21:55.760 --> 0:21:57.760
<v Speaker 1>Can you pick a day?

0:21:57.920 --> 0:21:59.159
<v Speaker 3>Don't tell me what it's gonna be.

0:21:59.760 --> 0:22:01.880
<v Speaker 2>And I'm going to teach you and teach them how

0:22:01.920 --> 0:22:03.560
<v Speaker 2>to make it and then just have them, like on

0:22:03.600 --> 0:22:08.520
<v Speaker 2>your birthday, surprise you with this meal. And I think

0:22:08.520 --> 0:22:11.520
<v Speaker 2>that's a very good plan to see how I'm to

0:22:11.600 --> 0:22:15.720
<v Speaker 2>see how I'm trying to fix your You're not a problem,

0:22:15.880 --> 0:22:17.359
<v Speaker 2>Like you didn't have a problem.

0:22:16.960 --> 0:22:18.800
<v Speaker 4>But I'm going to find a way to fix you're

0:22:18.840 --> 0:22:33.320
<v Speaker 4>not a problem.

0:22:33.359 --> 0:22:37.240
<v Speaker 2>Where and when were you happiest? It's so funny because

0:22:37.240 --> 0:22:40.359
<v Speaker 2>it's such a childlike question to me, and when that

0:22:40.359 --> 0:22:43.160
<v Speaker 2>could be really be quantified by an actual moment, because

0:22:43.200 --> 0:22:45.320
<v Speaker 2>I know that happiness is like lots of different things

0:22:45.359 --> 0:22:47.639
<v Speaker 2>as we grow up, but like, if there is a

0:22:47.720 --> 0:22:50.040
<v Speaker 2>time that you can think of what would it be.

0:22:51.840 --> 0:22:54.960
<v Speaker 1>The thing that comes to mind first, I guess is

0:22:56.000 --> 0:22:58.080
<v Speaker 1>I think that when you're a child, there's just such

0:22:58.160 --> 0:23:02.280
<v Speaker 1>like unadulterated feeling in this way that you never get back.

0:23:02.400 --> 0:23:05.280
<v Speaker 1>I think I could certainly say moments with my husband

0:23:05.400 --> 0:23:09.440
<v Speaker 1>or when I feel the greatest joy. But I grew

0:23:09.480 --> 0:23:12.639
<v Speaker 1>up in Eugene, Oregon, which is a really beautiful place

0:23:12.640 --> 0:23:15.280
<v Speaker 1>to grow up, and my friends and I used to

0:23:16.320 --> 0:23:20.040
<v Speaker 1>visit this little hole in a fence where we would

0:23:20.080 --> 0:23:23.040
<v Speaker 1>go through and have access to the Willamette River, and

0:23:23.080 --> 0:23:25.600
<v Speaker 1>we would sort of jump off these rocks and let

0:23:25.640 --> 0:23:29.119
<v Speaker 1>the current take us down maybe a quarter mile before

0:23:29.800 --> 0:23:33.359
<v Speaker 1>frantically swimming to shore and then scrambling back up to

0:23:33.359 --> 0:23:35.800
<v Speaker 1>do it again. And that is maybe one of my

0:23:36.280 --> 0:23:39.840
<v Speaker 1>favorite memories of just riding my bike in the summertime

0:23:39.880 --> 0:23:43.840
<v Speaker 1>and not worrying about much and being in nature and

0:23:44.520 --> 0:23:46.280
<v Speaker 1>the beautiful Pacific Northwest.

0:23:46.480 --> 0:23:49.320
<v Speaker 2>God, that's amazing. That's a good image climbing through a

0:23:49.320 --> 0:23:51.359
<v Speaker 2>hole in a fence, jumping in a river and like

0:23:51.480 --> 0:23:53.080
<v Speaker 2>letting the current take you.

0:23:54.280 --> 0:23:56.280
<v Speaker 1>That's like childhood in general, you know.

0:23:56.840 --> 0:23:59.959
<v Speaker 2>But it is when there wasn't the same risk assess

0:24:00.119 --> 0:24:02.800
<v Speaker 2>month that certainly for me as a mother goes with

0:24:02.960 --> 0:24:05.560
<v Speaker 2>everything to do with my kid. I think our parents

0:24:05.560 --> 0:24:08.160
<v Speaker 2>were just so much freer with us. You know, I'd

0:24:08.200 --> 0:24:09.879
<v Speaker 2>freak out if I saw my son doing there, but

0:24:09.920 --> 0:24:12.679
<v Speaker 2>then I'd probably jump in and do it with him.

0:24:13.359 --> 0:24:16.400
<v Speaker 1>I don't think my parents were too excited about it,

0:24:16.440 --> 0:24:20.159
<v Speaker 1>but they frequently didn't know, I think, or they just

0:24:20.200 --> 0:24:22.320
<v Speaker 1>gave up. There are certainly worse things that you can do,

0:24:22.400 --> 0:24:23.480
<v Speaker 1>I guess as a kid.

0:24:23.640 --> 0:24:25.280
<v Speaker 3>Definitely, definitely.

0:24:25.320 --> 0:24:28.200
<v Speaker 2>But it's so funny how that taking that risk, that

0:24:29.240 --> 0:24:32.959
<v Speaker 2>the risk assessment risk metric, which doesn't exist as a child,

0:24:33.119 --> 0:24:36.919
<v Speaker 2>where you are just where you're free. You're free of

0:24:37.080 --> 0:24:40.120
<v Speaker 2>second guessing, and so happiness is innate in a way

0:24:40.400 --> 0:24:44.360
<v Speaker 2>because it's not clouded by worry or irritation or judgment

0:24:44.560 --> 0:24:47.840
<v Speaker 2>or anything other than that present moment. I wish I

0:24:47.840 --> 0:24:49.360
<v Speaker 2>could be a bit more like that now.

0:24:49.760 --> 0:24:50.120
<v Speaker 3>Me too.

0:24:50.400 --> 0:24:53.159
<v Speaker 1>I don't know when that changed for me, you know,

0:24:53.200 --> 0:24:57.280
<v Speaker 1>I think that when my mom passed away, my relationship

0:24:57.320 --> 0:25:02.960
<v Speaker 1>to death changed a lot, and similarly, my risk aversion

0:25:03.320 --> 0:25:07.280
<v Speaker 1>and increased in this strange way, because I think once

0:25:07.320 --> 0:25:11.719
<v Speaker 1>you're really close to how fragile life can be and

0:25:11.760 --> 0:25:14.959
<v Speaker 1>how real death is in a way. I found myself

0:25:15.000 --> 0:25:18.080
<v Speaker 1>really afraid in this new way. Like I used to love,

0:25:18.440 --> 0:25:21.800
<v Speaker 1>you know, jumping off of high places into water, and

0:25:21.840 --> 0:25:24.320
<v Speaker 1>now after that's happened, I don't know if it's necessarily

0:25:24.359 --> 0:25:26.879
<v Speaker 1>because of that, or I also just got older and

0:25:26.920 --> 0:25:29.480
<v Speaker 1>became more afraid. I don't know if I would do

0:25:29.520 --> 0:25:31.800
<v Speaker 1>it anymore, or like even if I'm on a plane

0:25:32.040 --> 0:25:36.359
<v Speaker 1>and there's turbulence, that's something that I never was worried about,

0:25:36.680 --> 0:25:40.000
<v Speaker 1>and now I'm just certain I'm gonna die all the time.

0:25:42.600 --> 0:25:47.200
<v Speaker 3>I'm certain I'm gonna die. Oh my god. It's so

0:25:47.600 --> 0:25:50.120
<v Speaker 3>it's so funny because like it is certain that we're

0:25:50.160 --> 0:25:50.640
<v Speaker 3>going to die.

0:25:50.800 --> 0:25:53.199
<v Speaker 2>Yeah, say it like that, Like I'm certain we're going

0:25:53.280 --> 0:25:56.720
<v Speaker 2>to die in this moment. Losing someone you love so much,

0:25:57.720 --> 0:26:00.200
<v Speaker 2>it does. It makes you hang on to life life

0:26:00.440 --> 0:26:03.879
<v Speaker 2>really tightly. But there must be a version of that

0:26:03.960 --> 0:26:07.720
<v Speaker 2>where you can love life with looser hands.

0:26:08.560 --> 0:26:09.040
<v Speaker 3>You know that.

0:26:09.320 --> 0:26:11.760
<v Speaker 2>Actually it's like no, no, no, just just be here,

0:26:11.920 --> 0:26:14.640
<v Speaker 2>just be here now and be in this life because yeah,

0:26:14.720 --> 0:26:17.680
<v Speaker 2>it is over way quicker than it's. One thing my

0:26:17.760 --> 0:26:22.480
<v Speaker 2>mom said it right as she was dying, was you know,

0:26:22.560 --> 0:26:25.480
<v Speaker 2>even if I had another another ten years, she was

0:26:25.480 --> 0:26:27.280
<v Speaker 2>eighty four. If I had another ten years, it still

0:26:27.280 --> 0:26:30.119
<v Speaker 2>wouldn't have been enough. Like it goes by in an instant,

0:26:30.560 --> 0:26:31.280
<v Speaker 2>it's so quick.

0:26:32.040 --> 0:26:36.800
<v Speaker 3>Just love it. Maybe remembering the immediacy. It's so funny.

0:26:36.840 --> 0:26:38.600
<v Speaker 2>I'm going to be thinking of that. If you crawling

0:26:38.600 --> 0:26:40.480
<v Speaker 2>through a hole on the fence and jumping and moving

0:26:40.480 --> 0:26:44.760
<v Speaker 2>water like it's so good, bike skidding and crawling through holes.

0:26:44.800 --> 0:26:47.080
<v Speaker 2>I think that was pretty much my whole childhood as well.

0:26:47.840 --> 0:26:50.640
<v Speaker 1>Really, yeah, I wish that there was more of that

0:26:50.640 --> 0:26:54.880
<v Speaker 1>type of play incorporated into adult life, but I do

0:26:54.920 --> 0:26:57.359
<v Speaker 1>think that that is fair. I mean, I think I

0:26:57.400 --> 0:27:01.200
<v Speaker 1>lived my life. I'm just so aware of how limited

0:27:01.240 --> 0:27:04.280
<v Speaker 1>my time is in a way that I've accomplished so

0:27:04.400 --> 0:27:08.240
<v Speaker 1>much more in the past seven years because I think

0:27:08.280 --> 0:27:12.679
<v Speaker 1>I have so much to say before it's over. I

0:27:12.720 --> 0:27:16.480
<v Speaker 1>got married, I became successful as an artist for the

0:27:16.520 --> 0:27:21.200
<v Speaker 1>first time, I developed this incredible career, and really great

0:27:21.280 --> 0:27:23.919
<v Speaker 1>stuff happened also, you know, and it felt almost like

0:27:23.960 --> 0:27:25.919
<v Speaker 1>she was looking out for me in this way, and

0:27:25.960 --> 0:27:28.639
<v Speaker 1>I feel like it really lit a fire in me

0:27:29.000 --> 0:27:31.159
<v Speaker 1>to make those things happen in a way that I

0:27:31.960 --> 0:27:35.160
<v Speaker 1>didn't have before. And that is a more positive way

0:27:35.320 --> 0:27:38.600
<v Speaker 1>of looking at this these things.

0:27:39.359 --> 0:27:42.399
<v Speaker 2>Yeah, yeah, I mean the rare gifts that come with

0:27:42.440 --> 0:27:45.879
<v Speaker 2>things that are hard that we don't incorporate into the

0:27:45.920 --> 0:27:49.000
<v Speaker 2>narrative often because we're too busy. We're too busy saying

0:27:49.000 --> 0:27:51.840
<v Speaker 2>that they're hard. You know, there's you know that quote

0:27:52.119 --> 0:27:55.160
<v Speaker 2>that Helen Keller. We only ever really say half of it,

0:27:55.240 --> 0:27:58.520
<v Speaker 2>where one door closes, another one opens. But what she

0:27:58.640 --> 0:28:04.159
<v Speaker 2>said was where and one door closes and another one opens.

0:28:04.200 --> 0:28:07.480
<v Speaker 2>I'm paraphrasing, we're so busy looking at the door that closed,

0:28:07.640 --> 0:28:10.560
<v Speaker 2>we forget to see the one that has opened. That's

0:28:10.600 --> 0:28:14.439
<v Speaker 2>actually the whole thing that she said. And I feel like,

0:28:14.840 --> 0:28:18.119
<v Speaker 2>since losing my mar I want to look at the

0:28:18.119 --> 0:28:22.399
<v Speaker 2>door that is opened. I felt every second of that

0:28:22.520 --> 0:28:25.720
<v Speaker 2>door closing, and I really just so firmly want to

0:28:26.480 --> 0:28:29.560
<v Speaker 2>look at the opening and to be in this moment because,

0:28:30.760 --> 0:28:35.040
<v Speaker 2>you know, to carry on, maybe to carry on the analogy.

0:28:35.520 --> 0:28:40.400
<v Speaker 2>The door closes really, really fucking quickly. Oh my gosh,

0:28:40.440 --> 0:28:44.800
<v Speaker 2>it has been such a pleasure. I'd say I'm sorry

0:28:44.800 --> 0:28:47.040
<v Speaker 2>about crying at the beginning of warranty, but I'm actually

0:28:47.120 --> 0:28:50.280
<v Speaker 2>not sorry that all. I'm so grateful to have connected

0:28:50.360 --> 0:28:54.800
<v Speaker 2>with the art that you're making. It's brilliant and thanks

0:28:54.800 --> 0:28:55.360
<v Speaker 2>for being here.

0:28:55.720 --> 0:28:57.960
<v Speaker 1>Thank you so much. You're so welcome.

0:29:00.600 --> 0:29:04.440
<v Speaker 2>Michelle's new record, Jubilee, is out now and I strongly

0:29:04.480 --> 0:29:07.400
<v Speaker 2>suggest that you have a listen and dive into the

0:29:07.440 --> 0:29:11.360
<v Speaker 2>world that she creates and her book Crying in h

0:29:11.480 --> 0:29:14.360
<v Speaker 2>Mark has just had the film right sport, so you

0:29:14.400 --> 0:29:15.040
<v Speaker 2>should read the.

0:29:14.960 --> 0:29:17.120
<v Speaker 3>Book before you see the movie. But I'm sure the

0:29:17.120 --> 0:29:18.040
<v Speaker 3>movie will be awesome.

0:29:19.680 --> 0:29:22.960
<v Speaker 2>Mini Questions is hosted and written by Me Mini Driver,

0:29:23.520 --> 0:29:31.120
<v Speaker 2>supervising producer Aaron Kaufman, Producer Morgan Levoy, Research assistant Marissa Brown.

0:29:32.400 --> 0:29:38.120
<v Speaker 2>Original music Sorry Baby by Mini Driver, Additional music by

0:29:38.120 --> 0:29:38.880
<v Speaker 2>Aaron Kaufman.

0:29:39.640 --> 0:29:41.720
<v Speaker 3>Executive produced by Me Mini Driver.

0:29:42.480 --> 0:29:48.640
<v Speaker 2>Special thanks to Jim Nicolay, Will Pearson, Addison, O'Day, Lisa

0:29:48.720 --> 0:29:54.880
<v Speaker 2>Castella and Aniice Oppenheim, a WKPR, Dala Pescador, Kate Driver

0:29:55.040 --> 0:30:02.480
<v Speaker 2>and Jason Weinberg, and for constantly solicited tech support, Henry Driver.