1 00:00:03,200 --> 00:00:05,240 Speaker 1: Welcome back to More to It, to show that takes 2 00:00:05,280 --> 00:00:08,240 Speaker 1: a deep dive into the biggest stories in sports, entertainment, 3 00:00:08,240 --> 00:00:08,799 Speaker 1: and culture. 4 00:00:09,119 --> 00:00:10,920 Speaker 2: Start with headline news and then journey to. 5 00:00:10,960 --> 00:00:14,520 Speaker 1: Deeper conversations, always finding those life lessons that are presented 6 00:00:14,600 --> 00:00:17,760 Speaker 1: in every single story. I'm your host, Marcel Swally. 7 00:00:17,880 --> 00:00:21,400 Speaker 2: That dude here, are y'all have a ride of horse 8 00:00:21,600 --> 00:00:26,239 Speaker 2: for real? Like when it's running? Who that is an animal? 9 00:00:26,239 --> 00:00:28,720 Speaker 1: All right, y'all and this show is gonna be a 10 00:00:28,800 --> 00:00:29,720 Speaker 1: beast as well. 11 00:00:29,760 --> 00:00:32,280 Speaker 2: Welcome to Never Shut Up. You know where we learn those. 12 00:00:32,159 --> 00:00:37,199 Speaker 1: Life lessons and talk sports and entertainment and cover the media. 13 00:00:37,640 --> 00:00:39,680 Speaker 2: Like they cover everything else. 14 00:00:39,760 --> 00:00:42,160 Speaker 1: Let's have some fun up in here and Never shut 15 00:00:42,240 --> 00:00:44,920 Speaker 1: Up A sponsored by bet Us. 16 00:00:45,000 --> 00:00:49,640 Speaker 2: Look at us. Get that don't you hate when little 17 00:00:49,680 --> 00:00:52,599 Speaker 2: kids are getting that moulah out here? 18 00:00:52,680 --> 00:00:55,240 Speaker 1: Go to waliwins dot com so you can get some 19 00:00:55,360 --> 00:00:58,000 Speaker 1: mulah right now and sign up to get you one 20 00:00:58,080 --> 00:01:01,639 Speaker 1: hundred and twenty five percent sign up bonus. 21 00:01:01,680 --> 00:01:03,080 Speaker 2: So go log. 22 00:01:02,800 --> 00:01:04,560 Speaker 1: In right now, get some of that coin, some of 23 00:01:04,560 --> 00:01:07,600 Speaker 1: that change, some of that money that folds. Man, We're 24 00:01:07,600 --> 00:01:11,600 Speaker 1: gonna have some prop bets, Blackjack, I don't know a 25 00:01:11,600 --> 00:01:14,759 Speaker 1: little bit of war ah clear, war on your head 26 00:01:15,120 --> 00:01:19,240 Speaker 1: and my favorite game ever. Get like me who just 27 00:01:19,280 --> 00:01:21,600 Speaker 1: sitting in the corner in the classroom, like you got 28 00:01:21,600 --> 00:01:24,640 Speaker 1: a quarter. Let's go doing that all day. All right, y'all, 29 00:01:24,680 --> 00:01:26,640 Speaker 1: y'all know how we start off every show. What's up 30 00:01:26,680 --> 00:01:27,000 Speaker 1: with that? 31 00:01:27,240 --> 00:01:32,479 Speaker 2: Dude? Well, I think I found my final piece to. 32 00:01:32,520 --> 00:01:37,520 Speaker 1: My foundation and my global concept of what Project Transition 33 00:01:37,640 --> 00:01:38,040 Speaker 1: is gonna be. 34 00:01:38,600 --> 00:01:39,520 Speaker 2: Peak this out. 35 00:01:39,720 --> 00:01:42,480 Speaker 1: So I go to lunch, and I'm going to lunch 36 00:01:42,560 --> 00:01:45,800 Speaker 1: with a former colleague of mine, right, actually not just 37 00:01:45,920 --> 00:01:46,800 Speaker 1: my peer. 38 00:01:46,920 --> 00:01:50,440 Speaker 2: But my former boss, and my former boss. 39 00:01:50,200 --> 00:01:53,600 Speaker 1: Was sitting there breaking bread, talking that talk, doing what 40 00:01:53,640 --> 00:01:54,040 Speaker 1: we do. 41 00:01:54,120 --> 00:01:54,320 Speaker 2: Man. 42 00:01:54,320 --> 00:01:58,960 Speaker 1: I always had an affinity for this individual former boss 43 00:01:58,960 --> 00:02:01,360 Speaker 1: of obviously one of the networks that I work with 44 00:02:01,960 --> 00:02:04,920 Speaker 1: worked for. And we're just talking normal life, catching up, 45 00:02:04,920 --> 00:02:07,920 Speaker 1: and we always loved each other, always loved each other family, 46 00:02:07,960 --> 00:02:09,640 Speaker 1: and we just finally had to connect. 47 00:02:10,440 --> 00:02:12,440 Speaker 2: And then it got deeper in. 48 00:02:12,480 --> 00:02:15,840 Speaker 1: Terms of what this world looks like to us and 49 00:02:15,880 --> 00:02:18,840 Speaker 1: what we want to do in terms of impact. I 50 00:02:18,919 --> 00:02:21,840 Speaker 1: learned him of my efforts, which he was already apprized of, 51 00:02:22,240 --> 00:02:23,840 Speaker 1: which made me feel good because he. 52 00:02:23,800 --> 00:02:26,600 Speaker 2: Knew what I was doing. He knew all of what 53 00:02:26,760 --> 00:02:27,440 Speaker 2: this was. 54 00:02:27,560 --> 00:02:30,519 Speaker 1: He knew that I was talking on a daily sports 55 00:02:31,040 --> 00:02:34,320 Speaker 1: entertainment life show, but at the same time really having 56 00:02:34,320 --> 00:02:37,680 Speaker 1: to trying to have a deeper global impact in terms 57 00:02:37,680 --> 00:02:41,000 Speaker 1: of philanthropy and helping out the communities. 58 00:02:40,480 --> 00:02:41,400 Speaker 2: Across the world. 59 00:02:41,440 --> 00:02:43,760 Speaker 1: So he was like, I know all that, and guess 60 00:02:43,760 --> 00:02:49,320 Speaker 1: what I'm into now. And we had similar conversations. He 61 00:02:50,160 --> 00:02:54,480 Speaker 1: big business, big corporation, big network, was now looking to 62 00:02:54,600 --> 00:02:56,760 Speaker 1: do something in the philanthropy space. 63 00:02:57,120 --> 00:02:58,480 Speaker 2: So it looks like we. 64 00:02:58,600 --> 00:03:02,160 Speaker 1: Gonna be doing something Keether, WHOA that would be amazing 65 00:03:02,160 --> 00:03:05,240 Speaker 1: because this man has done amazing work. Can't say his name, 66 00:03:05,280 --> 00:03:07,920 Speaker 1: Gotta protect the guilty, gotta go through the process. 67 00:03:08,200 --> 00:03:09,320 Speaker 2: All I'm saying. 68 00:03:09,160 --> 00:03:13,040 Speaker 1: Is, yeah, about to be a problem out here, probably 69 00:03:13,120 --> 00:03:15,959 Speaker 1: transition about to get it in. After that, came home, 70 00:03:16,040 --> 00:03:17,600 Speaker 1: kicked it with the Eddy biddies a little bit, and 71 00:03:17,639 --> 00:03:23,240 Speaker 1: then I went to the Berry's boot Camp twenty fifth anniversary, Yes, 72 00:03:23,320 --> 00:03:25,519 Speaker 1: twenty five years of Berry's boot Camp. 73 00:03:25,560 --> 00:03:27,440 Speaker 2: Have any of y'all ever been to Berry's boot Camp? 74 00:03:28,000 --> 00:03:31,120 Speaker 2: Raise your hand if you have. I have good Lord. 75 00:03:32,440 --> 00:03:36,080 Speaker 1: I went back in like the early two thousands off 76 00:03:36,120 --> 00:03:39,040 Speaker 1: season workout. One day, I'm riding down ventur hanging out, 77 00:03:39,240 --> 00:03:40,960 Speaker 1: living in La. My boys just like, man, what we 78 00:03:41,040 --> 00:03:42,320 Speaker 1: gonna do today, Let's change it up? 79 00:03:42,520 --> 00:03:42,920 Speaker 2: All right? 80 00:03:43,000 --> 00:03:45,400 Speaker 1: All right, my boy said, Berry's boot camp is dope. 81 00:03:45,560 --> 00:03:47,520 Speaker 1: As soon as I heard boot camp, I was like, man, 82 00:03:48,320 --> 00:03:50,640 Speaker 1: I don't feel like going to somebody else's boot camp. 83 00:03:50,720 --> 00:03:52,760 Speaker 1: Like we got camp coming up in a few months, Like, 84 00:03:52,960 --> 00:03:54,520 Speaker 1: let's get ready for that camp. I ain't going to 85 00:03:54,520 --> 00:03:56,920 Speaker 1: no boot camp. I was thinking military and crazy. I 86 00:03:56,960 --> 00:04:01,000 Speaker 1: was like, sound a little too intense. Protect his vessel, 87 00:04:01,040 --> 00:04:03,360 Speaker 1: protect his body. But anyway, I go up in there. 88 00:04:03,400 --> 00:04:04,920 Speaker 1: He told me it was fine girls in there. He 89 00:04:05,040 --> 00:04:05,680 Speaker 1: won line. 90 00:04:05,960 --> 00:04:07,880 Speaker 2: I went up in there, like looking at the trailmill, 91 00:04:07,920 --> 00:04:09,800 Speaker 2: I was like, I'm about to fall off, Like thirty 92 00:04:09,800 --> 00:04:12,040 Speaker 2: treadmills lined up, and I'm like, walk the hell. 93 00:04:11,960 --> 00:04:14,480 Speaker 1: Up in hill at a nine to thirty in the morning. 94 00:04:14,520 --> 00:04:16,520 Speaker 1: Don't y'all gotta go to work? And they were like nope, 95 00:04:16,600 --> 00:04:18,960 Speaker 1: and this before ig so they were just models. 96 00:04:19,200 --> 00:04:19,400 Speaker 2: Right. 97 00:04:19,720 --> 00:04:21,839 Speaker 1: So I'm in there working out and I'm over there dying. 98 00:04:22,080 --> 00:04:24,240 Speaker 1: Did their instructor if you ever been, you know what 99 00:04:24,240 --> 00:04:26,039 Speaker 1: I'm talking about. He's like, all right, get off and 100 00:04:26,080 --> 00:04:28,560 Speaker 1: now go lift weights. I'm like, all right, I'm gonna 101 00:04:28,560 --> 00:04:30,080 Speaker 1: go lift waits then he said get back on. I 102 00:04:30,120 --> 00:04:34,040 Speaker 1: was like, dog, pick one, homie, Mary's boot cap will 103 00:04:34,080 --> 00:04:37,440 Speaker 1: whip your ass. And it's been going strong for twenty 104 00:04:37,480 --> 00:04:41,640 Speaker 1: five years. Friends with the CEO and their family. So 105 00:04:41,880 --> 00:04:46,760 Speaker 1: Joey John, Little Frankie, MJ and her were like besties 106 00:04:46,800 --> 00:04:48,880 Speaker 1: when they lived out here in Los Angeles, went to 107 00:04:48,920 --> 00:04:51,040 Speaker 1: the same school, et cetera. Love for the family. Went 108 00:04:51,080 --> 00:04:55,800 Speaker 1: to that party last night. That party, I saw everything. 109 00:04:56,080 --> 00:04:59,360 Speaker 1: It was, first of all, was gigantic, sponsored by everybody 110 00:04:59,400 --> 00:05:04,760 Speaker 1: you could name. Diplo performed. It was sick, insane, great stuff. 111 00:05:05,560 --> 00:05:08,840 Speaker 1: And let me just tell you, man, I saw. 112 00:05:08,839 --> 00:05:11,039 Speaker 2: Girls bigger than me, dudes bigger than me. 113 00:05:11,600 --> 00:05:14,839 Speaker 1: Every letter of the alphabet was there, and everybody was 114 00:05:14,880 --> 00:05:18,760 Speaker 1: in there, grooving, clowning, partying. I love stuff like that, man, 115 00:05:18,800 --> 00:05:21,760 Speaker 1: no borders. I don't care what you say. And this 116 00:05:21,960 --> 00:05:24,760 Speaker 1: one person was dancing. I don't know what song this was, 117 00:05:25,240 --> 00:05:27,280 Speaker 1: and I was like, I wanted to dance off. 118 00:05:27,400 --> 00:05:28,159 Speaker 2: I really did. 119 00:05:28,240 --> 00:05:29,720 Speaker 1: I was almost in that zone, but I didn't want 120 00:05:29,720 --> 00:05:32,320 Speaker 1: embarrass my wife, and she was feeling embarrassed because I 121 00:05:32,320 --> 00:05:34,000 Speaker 1: was already cutting it up over the here. I was 122 00:05:34,080 --> 00:05:36,400 Speaker 1: joking by myself, so I wanted to dance off, but 123 00:05:36,480 --> 00:05:39,120 Speaker 1: it wasn't my night. Salute to everything you do. And 124 00:05:39,160 --> 00:05:41,760 Speaker 1: I got to meet the Berry. There's a Berry. I 125 00:05:41,800 --> 00:05:43,280 Speaker 1: was like the whole night, I was like, is there 126 00:05:43,320 --> 00:05:45,200 Speaker 1: a Berry? The boot camp because your name is Joey? 127 00:05:45,240 --> 00:05:48,000 Speaker 1: Your name John all the Exection where Bury at and 128 00:05:48,040 --> 00:05:50,640 Speaker 1: I met Barry. Salute to Barry who lives out there 129 00:05:50,640 --> 00:05:53,839 Speaker 1: in Nevada, man, and your product is still going strong. 130 00:05:54,120 --> 00:05:58,599 Speaker 1: Took it from here to the world, eighty four facilities 131 00:05:58,640 --> 00:05:59,839 Speaker 1: and fourteen countries. 132 00:06:00,000 --> 00:06:02,920 Speaker 2: I think I saw. That's amazing. Salute to you guys. 133 00:06:03,040 --> 00:06:04,960 Speaker 1: All right, y'all know this show is power by y'all, 134 00:06:04,960 --> 00:06:08,280 Speaker 1: and you also know it's power by Project Transition, where 135 00:06:08,279 --> 00:06:10,799 Speaker 1: we go into the communities and we help those kids 136 00:06:10,800 --> 00:06:13,880 Speaker 1: discover they're inner power and amplify for the world to 137 00:06:13,920 --> 00:06:18,000 Speaker 1: see so they're greater than their greatest excuse. No excuses 138 00:06:18,040 --> 00:06:21,040 Speaker 1: count when you're talking about achieving your dreams. And this 139 00:06:21,120 --> 00:06:24,440 Speaker 1: is a book that helps these kids navigate through those experiences. 140 00:06:24,720 --> 00:06:27,400 Speaker 1: You guys can have this book as well. I will 141 00:06:27,760 --> 00:06:29,880 Speaker 1: hook you up at this book right now. If you 142 00:06:29,920 --> 00:06:33,760 Speaker 1: go to Project Transition dot com, leave a donation recurrent 143 00:06:33,800 --> 00:06:37,520 Speaker 1: donation like my man Mike did. And Mike's getting this 144 00:06:37,600 --> 00:06:40,679 Speaker 1: book with a little bit of love all for going 145 00:06:40,760 --> 00:06:43,080 Speaker 1: on Project transition dot com. 146 00:06:43,120 --> 00:06:45,120 Speaker 2: All right, let's get into the show. Enough talk, why 147 00:06:45,240 --> 00:06:45,760 Speaker 2: shut up? 148 00:06:45,880 --> 00:06:48,520 Speaker 1: All right, let's get it in ESPN and FS one 149 00:06:48,560 --> 00:06:52,120 Speaker 1: getting criticized by y'all back back, y'all shooting at them 150 00:06:52,120 --> 00:06:56,680 Speaker 1: because y'all like, Yo, you're not discussing the start of 151 00:06:56,800 --> 00:07:01,599 Speaker 1: the Major League Baseball playoffs, and y'all like, what, how 152 00:07:01,680 --> 00:07:03,760 Speaker 1: the hell the playoffs gonna start in a major sport 153 00:07:03,880 --> 00:07:08,520 Speaker 1: and y'all don't mention it barely at all. So the 154 00:07:08,720 --> 00:07:12,760 Speaker 1: significant part of their programming was not spent on talking 155 00:07:12,840 --> 00:07:17,080 Speaker 1: about baseball, even though they hold the TV rights to 156 00:07:17,160 --> 00:07:18,400 Speaker 1: the Wildcard series. 157 00:07:18,520 --> 00:07:19,920 Speaker 2: Now that's what the gangster is. 158 00:07:20,240 --> 00:07:24,800 Speaker 1: Y'all don't spent money to have the rights to broadcast 159 00:07:24,840 --> 00:07:27,400 Speaker 1: the games and don't even talk about the games or 160 00:07:27,520 --> 00:07:30,880 Speaker 1: the broadcast. So people were questioning and took it ratio 161 00:07:31,000 --> 00:07:32,120 Speaker 1: like we do in this country. 162 00:07:33,240 --> 00:07:34,480 Speaker 2: We got a problem. 163 00:07:35,440 --> 00:07:40,960 Speaker 1: Why the predominantly white majority sports like baseball. I know 164 00:07:41,000 --> 00:07:42,640 Speaker 1: they thinking hockey too, but they ain't say it. But 165 00:07:42,720 --> 00:07:45,800 Speaker 1: the hockey two baseball do not receive the same level 166 00:07:45,960 --> 00:07:52,200 Speaker 1: of coverage. Therefore, and scrutiny as the NFL and NBA. 167 00:07:52,720 --> 00:07:56,120 Speaker 1: Somebody just start it starts terpet This was what the 168 00:07:56,200 --> 00:08:00,560 Speaker 1: criticism was about. Morning shows got into the conversation. Personalities 169 00:08:00,600 --> 00:08:05,160 Speaker 1: across FS one and ESPN all question online why don't 170 00:08:05,200 --> 00:08:09,040 Speaker 1: the majority white sports get the same scrutiny coverage as 171 00:08:09,080 --> 00:08:10,760 Speaker 1: the NFL and NBA. 172 00:08:11,680 --> 00:08:13,600 Speaker 2: So Ryan Clark took the baby. 173 00:08:13,560 --> 00:08:18,840 Speaker 1: He said, I'll answer that right, and he talked about 174 00:08:19,400 --> 00:08:22,880 Speaker 1: that it's not all about just the scrutiny but also 175 00:08:22,880 --> 00:08:26,720 Speaker 1: about the popularity of the sports and the viewer engagement. 176 00:08:27,320 --> 00:08:30,560 Speaker 1: Seem pretty simple, right, dug like, ain't nobody tripping on 177 00:08:30,680 --> 00:08:35,280 Speaker 1: anything except is it popular? And if it is popular, 178 00:08:35,360 --> 00:08:38,320 Speaker 1: then it qualifies for us to cover it. Therefore, the 179 00:08:38,400 --> 00:08:42,400 Speaker 1: scrutiny will come because the praise is there. So Ryan 180 00:08:42,440 --> 00:08:45,040 Speaker 1: Clark said it in his own words, quote you think 181 00:08:45,080 --> 00:08:47,800 Speaker 1: it has to do with the color of the athletes. 182 00:08:48,040 --> 00:08:53,040 Speaker 2: Or popularity of the sport? Bro? Come on, man, everything 183 00:08:53,160 --> 00:08:55,640 Speaker 2: ain't racism. And that's funny coming from Ryan. 184 00:08:56,000 --> 00:08:59,280 Speaker 1: Those football and basketball are more popular and more people 185 00:08:59,360 --> 00:09:02,719 Speaker 1: tuning together also tuning in to hear about them. It's 186 00:09:02,760 --> 00:09:06,560 Speaker 1: not all scrutiny, it's also praise. I had to clap 187 00:09:06,559 --> 00:09:08,520 Speaker 1: when I heard that from Ryan Clark because he's show 188 00:09:08,800 --> 00:09:11,480 Speaker 1: can make something racial faster than most. But good for 189 00:09:11,559 --> 00:09:14,320 Speaker 1: him for breaking this one down. It's really simple. This 190 00:09:14,400 --> 00:09:17,880 Speaker 1: one was about how popular are the games. Now, it's 191 00:09:17,920 --> 00:09:20,760 Speaker 1: interesting you see these networks not covering it, and we 192 00:09:20,840 --> 00:09:21,520 Speaker 1: think they're. 193 00:09:21,440 --> 00:09:22,679 Speaker 2: Dumb for not doing it. 194 00:09:23,360 --> 00:09:25,600 Speaker 1: Now you're gonna buy something and they don't even promote it, 195 00:09:25,600 --> 00:09:27,160 Speaker 1: don't even be proud of it, don't even want to 196 00:09:27,200 --> 00:09:29,240 Speaker 1: show it displayed. How are you gonna have the rights 197 00:09:29,240 --> 00:09:30,880 Speaker 1: and not want to talk about that you have the 198 00:09:30,960 --> 00:09:32,960 Speaker 1: rights that you have the game? 199 00:09:33,800 --> 00:09:34,679 Speaker 2: Well, let me tell you this. 200 00:09:36,120 --> 00:09:38,680 Speaker 1: They're gonna talk about what they see moves the needle, 201 00:09:38,920 --> 00:09:39,840 Speaker 1: simple as that. 202 00:09:40,200 --> 00:09:42,160 Speaker 2: Now, they may be looking at a different needle than 203 00:09:42,200 --> 00:09:42,640 Speaker 2: you are. 204 00:09:43,120 --> 00:09:48,480 Speaker 1: Linear Cable, Nielsen rating's, viewer engagement, the digital streaming, etc. 205 00:09:49,320 --> 00:09:50,960 Speaker 2: Fans likes and comments. 206 00:09:51,000 --> 00:09:53,000 Speaker 1: You know, they may be looking at different needles, but 207 00:09:53,040 --> 00:09:55,640 Speaker 1: they looking at a needle to see if it moves. 208 00:09:55,679 --> 00:09:58,240 Speaker 1: So we all know that the networks use minute to 209 00:09:58,480 --> 00:10:03,200 Speaker 1: minute data tracking to track the audience engagement, y'all. So 210 00:10:04,200 --> 00:10:08,240 Speaker 1: focusing on topics that are relevant that viewers engage with 211 00:10:08,640 --> 00:10:11,600 Speaker 1: is what the networks will show. Now let's get into 212 00:10:11,640 --> 00:10:15,720 Speaker 1: this conversation because y'all know we all see undisputed in everybody, 213 00:10:15,720 --> 00:10:17,640 Speaker 1: I don't care who you are, is like but the 214 00:10:17,679 --> 00:10:22,000 Speaker 1: same ass topics. Then you watch first take grander topics, 215 00:10:22,080 --> 00:10:25,200 Speaker 1: wider breadth of topics. Okay, and you're like, all right, 216 00:10:25,600 --> 00:10:28,839 Speaker 1: why there they're talking about more than over here. If 217 00:10:28,840 --> 00:10:32,040 Speaker 1: they're both looking at the tracking and the numbers, it's 218 00:10:32,040 --> 00:10:34,320 Speaker 1: two ways to cut this. And I'll take you to 219 00:10:34,360 --> 00:10:36,640 Speaker 1: the DJ booth to let you know how this goes, 220 00:10:36,640 --> 00:10:38,800 Speaker 1: because y'all know, I've been DJ and since nineteen ninety 221 00:10:38,800 --> 00:10:42,560 Speaker 1: seven officially but unofficially on a tape deck since eighty. 222 00:10:42,360 --> 00:10:44,600 Speaker 2: Eight, maybe even earlier. 223 00:10:44,600 --> 00:10:45,800 Speaker 1: In that I was over there and listening to the 224 00:10:45,840 --> 00:10:48,200 Speaker 1: k theyre doing this rewind play, rewind play, so they 225 00:10:48,200 --> 00:10:49,720 Speaker 1: would be playing something. 226 00:10:49,520 --> 00:10:54,600 Speaker 2: Once up quick at about noon noon then new. 227 00:10:54,520 --> 00:10:56,280 Speaker 1: I used to do that for real, rewind play hit 228 00:10:56,320 --> 00:10:59,959 Speaker 1: that thing and so fast that anyway, let's talk about in. 229 00:10:59,880 --> 00:11:03,480 Speaker 2: The DJ booth DJ one on one first day you 230 00:11:03,520 --> 00:11:04,880 Speaker 2: get to DJ and you don't. 231 00:11:04,640 --> 00:11:06,400 Speaker 1: Know how to DJ, you don't know how to blend, 232 00:11:06,440 --> 00:11:07,960 Speaker 1: you don't know how to drop it on the one, 233 00:11:07,960 --> 00:11:08,960 Speaker 1: you don't know how to do any of that. 234 00:11:09,400 --> 00:11:11,160 Speaker 2: But you know songs. 235 00:11:11,520 --> 00:11:15,000 Speaker 1: So the first era most DJs make if they ever 236 00:11:15,080 --> 00:11:17,160 Speaker 1: do a gig, just play songs, they says, you say, hey, 237 00:11:17,240 --> 00:11:19,240 Speaker 1: just mess up, but this is how you're gonna learn. 238 00:11:19,679 --> 00:11:23,680 Speaker 2: Play songs. You know what, they play, hit hit hit 239 00:11:24,000 --> 00:11:26,400 Speaker 2: hit hit level level level. 240 00:11:26,440 --> 00:11:28,839 Speaker 1: They don't know anything about the energy of the song, right, 241 00:11:29,360 --> 00:11:31,400 Speaker 1: you don't know anything about the tempos, and you're just 242 00:11:31,440 --> 00:11:37,000 Speaker 1: playing hits and then you realize, okay, I gotta waves 243 00:11:37,040 --> 00:11:41,280 Speaker 1: this thing, right, I gotta have contrasts. You know, when 244 00:11:41,320 --> 00:11:43,800 Speaker 1: you get on a roller coaster, it takes you up 245 00:11:43,840 --> 00:11:46,760 Speaker 1: for the big drop and that's the most exciting part. 246 00:11:47,040 --> 00:11:48,920 Speaker 1: Then it takes you back on and then it makes 247 00:11:48,960 --> 00:11:51,360 Speaker 1: you do a loop and like, all of the different 248 00:11:51,440 --> 00:11:55,760 Speaker 1: dimensions and elements make it an amazing journey. But if 249 00:11:55,800 --> 00:12:00,280 Speaker 1: you just got there and it went, you be like, yeah, 250 00:12:00,520 --> 00:12:03,199 Speaker 1: that's it. Okay, con sooner or later you get used 251 00:12:03,200 --> 00:12:07,720 Speaker 1: to it. Then it's like we're flying. But okay, that's 252 00:12:07,760 --> 00:12:08,560 Speaker 1: what this is. 253 00:12:08,920 --> 00:12:12,520 Speaker 2: Undisputed, undisputed, underspooted, undisputed goes like this and. 254 00:12:12,440 --> 00:12:19,600 Speaker 1: You're like, oh, okay, all right, that was Ah, that's it. 255 00:12:19,640 --> 00:12:22,800 Speaker 1: We're gonna go backwards, nah, get on walk and then 256 00:12:22,840 --> 00:12:27,079 Speaker 1: first take gonna go, and don't lie. Every time you 257 00:12:27,200 --> 00:12:29,840 Speaker 1: on that hill, don't you think about getting off? Every 258 00:12:29,880 --> 00:12:31,800 Speaker 1: time you're like, man, you see them stairs right there, 259 00:12:31,840 --> 00:12:34,160 Speaker 1: be like yo, you see that flag that lasts little flag, 260 00:12:34,160 --> 00:12:35,680 Speaker 1: and you'd be like yo, somebody can walk up here 261 00:12:35,720 --> 00:12:36,960 Speaker 1: and give me, and you be like, if I raise 262 00:12:37,000 --> 00:12:38,400 Speaker 1: my hand, they gonna come me. I ain't no punk, 263 00:12:38,440 --> 00:12:41,079 Speaker 1: I ain't no punk. I'm a punk though, And then 264 00:12:41,120 --> 00:12:48,680 Speaker 1: it go And that's first take. I'm giving you number 265 00:12:48,720 --> 00:12:51,040 Speaker 1: one versus number one on a different network. 266 00:12:51,080 --> 00:12:54,640 Speaker 2: That variety, that range, that whoa, whoa, oh. 267 00:12:54,360 --> 00:12:57,200 Speaker 1: Baseball, I ain't like, oh god love, we got some 268 00:12:57,200 --> 00:13:00,280 Speaker 1: football talk. Oh god, oh we're talking about racing whatever 269 00:13:00,280 --> 00:13:02,720 Speaker 1: it is. And they just take you all those places. 270 00:13:03,559 --> 00:13:05,959 Speaker 1: So when you bring it back home to this conversation, 271 00:13:07,320 --> 00:13:10,200 Speaker 1: the thing is, they know those levels of engagement. They 272 00:13:10,240 --> 00:13:12,640 Speaker 1: know what gets you up and down and arousing into it. 273 00:13:13,240 --> 00:13:17,440 Speaker 1: Y'all ain't into baseball, y'all not not on a national level, 274 00:13:17,480 --> 00:13:19,920 Speaker 1: not on a big grand level regionally, of course. And 275 00:13:19,960 --> 00:13:23,200 Speaker 1: it's funny because if you look at baseball, everybody's thinking, 276 00:13:23,440 --> 00:13:27,120 Speaker 1: how is it profitable, which we know it is, look 277 00:13:27,120 --> 00:13:30,760 Speaker 1: at them contracts, but not so popular? How you gonna 278 00:13:30,800 --> 00:13:36,360 Speaker 1: be profitable and not popular. It doesn't make any sense. Well, 279 00:13:36,640 --> 00:13:39,680 Speaker 1: obviously it does if you get down into the granule 280 00:13:39,800 --> 00:13:43,280 Speaker 1: levels of how they market baseball local, regional to those 281 00:13:43,360 --> 00:13:46,840 Speaker 1: areas they have their own cable networks in terms of 282 00:13:46,960 --> 00:13:48,400 Speaker 1: Yes Network for Yankees, etc. 283 00:13:48,720 --> 00:13:52,160 Speaker 2: Stuff like that. It makes sense financial sense, but relevance. 284 00:13:52,800 --> 00:13:57,520 Speaker 1: It doesn't necessarily attract the viewing audience. So a lot 285 00:13:57,559 --> 00:14:01,640 Speaker 1: of people have a tough time digesting baseball. I used 286 00:14:01,679 --> 00:14:04,640 Speaker 1: to coach baseball. My son played baseball. I know all 287 00:14:04,679 --> 00:14:07,000 Speaker 1: the any biddies that are interested in sports. When you 288 00:14:07,000 --> 00:14:09,840 Speaker 1: bring up baseball, you get the same response. Either the 289 00:14:09,920 --> 00:14:12,400 Speaker 1: kid takes to it or the kid hates it because 290 00:14:12,440 --> 00:14:14,920 Speaker 1: they don't have the attention span. Kids will go out 291 00:14:14,920 --> 00:14:18,240 Speaker 1: there and draw up lego dirt. They would be making 292 00:14:18,320 --> 00:14:20,960 Speaker 1: up lego pieces in the dirt. They just be out 293 00:14:20,960 --> 00:14:23,880 Speaker 1: there just doing whatever right because they ain't feeling it, 294 00:14:24,200 --> 00:14:25,200 Speaker 1: they can't lock in. 295 00:14:25,400 --> 00:14:28,520 Speaker 2: Well that kids ain't the only one to have that issue, y'all. 296 00:14:28,560 --> 00:14:32,360 Speaker 1: Adults, so stop complaining about the TV coverage when the 297 00:14:32,400 --> 00:14:35,280 Speaker 1: TV coverage is responding to you. It's kind of like 298 00:14:35,320 --> 00:14:38,520 Speaker 1: when we're having this conversation about what pops on social 299 00:14:38,720 --> 00:14:41,480 Speaker 1: what pops on this show never shut up what pops. 300 00:14:41,560 --> 00:14:47,640 Speaker 1: Typically if Stephen A. Smith or Max Kellerman say some 301 00:14:47,720 --> 00:14:51,120 Speaker 1: warl words, I don't care if I come up here 302 00:14:51,160 --> 00:14:53,680 Speaker 1: and have a Nobel Peace Prize topic. 303 00:14:54,880 --> 00:14:57,440 Speaker 2: I don't care if I come up here butt naked. 304 00:14:57,720 --> 00:15:00,600 Speaker 1: I guarantee you which one we're gonna get more views me, 305 00:15:00,680 --> 00:15:04,920 Speaker 1: but nugget no, kid, it's gonna be Max returns fire 306 00:15:04,920 --> 00:15:06,400 Speaker 1: and to skit uh Steve to day. 307 00:15:06,640 --> 00:15:10,480 Speaker 2: Max responds to Steve it, that's y'all. That ain't me. 308 00:15:11,040 --> 00:15:13,320 Speaker 1: I'm a cover it because I know I know the 309 00:15:13,440 --> 00:15:16,200 Speaker 1: ins and outs of that. But y'all are the ones 310 00:15:16,320 --> 00:15:19,280 Speaker 1: who're gonna say I want that. So we need to 311 00:15:19,320 --> 00:15:23,080 Speaker 1: take some onus as an audience and stop always blaming 312 00:15:23,080 --> 00:15:23,640 Speaker 1: the network. 313 00:15:23,800 --> 00:15:27,800 Speaker 2: Then they'll never show nothing and undisputed. Man, oh, y'all 314 00:15:27,840 --> 00:15:30,720 Speaker 2: talk about this cowboys because every time he talk about cowboys, 315 00:15:30,960 --> 00:15:33,400 Speaker 2: y'all be getting hyped up because he talking about the cowboys. 316 00:15:33,560 --> 00:15:36,520 Speaker 2: Now will admit y'all also are saying talk about something else. 317 00:15:36,880 --> 00:15:39,240 Speaker 2: But he like, nope, I'm gonna play the hits. 318 00:15:39,320 --> 00:15:43,920 Speaker 1: Member the DJ DJ error hit hit Hit, You learn 319 00:15:44,000 --> 00:15:46,160 Speaker 1: to throw in that other song, throw in that b 320 00:15:46,400 --> 00:15:49,440 Speaker 1: side song. Throw in that dope instrumental to everybody rock 321 00:15:49,520 --> 00:15:51,360 Speaker 1: to but don't know what it is. Throw in a 322 00:15:51,400 --> 00:15:53,400 Speaker 1: new song that people are like, damn that sound dope? 323 00:15:53,400 --> 00:15:55,840 Speaker 1: Who that you know? Throw in that odie? But goodye 324 00:15:55,920 --> 00:15:58,640 Speaker 1: don't just throw in top forty all the hits, right, 325 00:15:59,080 --> 00:16:01,960 Speaker 1: So what you guys are trying to say, but you 326 00:16:02,080 --> 00:16:04,960 Speaker 1: need to say it to yourself first in that mirror, 327 00:16:05,000 --> 00:16:08,040 Speaker 1: because y'all the reason why we ain't seeing no baseball talk. 328 00:16:08,240 --> 00:16:12,680 Speaker 1: They literally mentioned it twice, literally mentioned it twice between 329 00:16:12,720 --> 00:16:17,480 Speaker 1: eight o'clock and two o'clock on ESPN literally twice. The 330 00:16:17,520 --> 00:16:20,840 Speaker 1: Major League play baseball playoffs. That's all they say. You 331 00:16:20,880 --> 00:16:22,920 Speaker 1: want to hear what they said? This is it. ESPN 332 00:16:22,960 --> 00:16:25,360 Speaker 1: has TV rights to the Wildcard round of the Major 333 00:16:25,440 --> 00:16:27,920 Speaker 1: League Baseball postseason that starts today. 334 00:16:28,360 --> 00:16:31,200 Speaker 2: Said it one more time, that's it six hours. It's 335 00:16:31,280 --> 00:16:32,080 Speaker 2: kangs down here. 336 00:16:32,240 --> 00:16:36,040 Speaker 1: So y'all think Sports network should strike a balance between 337 00:16:36,040 --> 00:16:40,400 Speaker 1: covering sports that y'all ain't interested in, like baseball, even 338 00:16:40,440 --> 00:16:41,920 Speaker 1: though they had the rights. No, no, no, And did 339 00:16:42,000 --> 00:16:43,800 Speaker 1: y'all think any of this was racial? I ain't even 340 00:16:43,840 --> 00:16:45,800 Speaker 1: get at the time of day, like Ryan Clark didn't 341 00:16:45,880 --> 00:16:48,200 Speaker 1: I didn't either, like, there is a time when it's 342 00:16:48,240 --> 00:16:50,960 Speaker 1: having let's have that racial conversation. I would not shy 343 00:16:51,000 --> 00:16:53,520 Speaker 1: away from it. But I was like, dah, you trying 344 00:16:53,560 --> 00:16:57,400 Speaker 1: to make baseball racial when it's not. How many white 345 00:16:57,400 --> 00:17:00,640 Speaker 1: people play still, how many black people play? It ain't 346 00:17:00,800 --> 00:17:06,080 Speaker 1: us everybody else. We already know Dominican Cuban put ricking 347 00:17:06,720 --> 00:17:09,800 Speaker 1: Latino's out there rolling right, So I ain't want to 348 00:17:09,840 --> 00:17:10,239 Speaker 1: make that one. 349 00:17:10,400 --> 00:17:12,800 Speaker 2: Rachel. I'm glad that we ain't have to go there, all. 350 00:17:12,720 --> 00:17:14,040 Speaker 1: Right, So let me know what y'all think about the 351 00:17:14,040 --> 00:17:15,959 Speaker 1: coverage of that, because obviously you don't think too much 352 00:17:15,960 --> 00:17:18,080 Speaker 1: about it because y'all ain't thinking too much about baseball. 353 00:17:19,359 --> 00:17:22,119 Speaker 1: Oh man, I gotta hit y'all. So my goal is 354 00:17:22,160 --> 00:17:23,960 Speaker 1: to come in not the beginning of the show, but 355 00:17:24,040 --> 00:17:27,639 Speaker 1: every other time. What a different song that just gave 356 00:17:27,800 --> 00:17:30,359 Speaker 1: me energy? That was dope as hell? 357 00:17:30,840 --> 00:17:31,880 Speaker 2: Y'all? Remember this song? 358 00:17:32,240 --> 00:17:35,119 Speaker 1: Oh, this is like, this is like my earliest moment 359 00:17:35,160 --> 00:17:37,520 Speaker 1: I think of getting hype over rap music. 360 00:17:37,880 --> 00:17:41,879 Speaker 2: H Remember that song Iron and Iron and Iron and 361 00:17:42,080 --> 00:17:51,000 Speaker 2: I Aint Bubba giddy up? Y'all? Remember that song? What 362 00:17:51,640 --> 00:17:58,080 Speaker 2: giddy up? The cat used to do that? The cat? 363 00:17:58,200 --> 00:18:01,600 Speaker 1: You having on the puma flute like I remember that. 364 00:18:02,080 --> 00:18:05,280 Speaker 1: Ah life all right, man, never shut up. Welcome back, y'all, 365 00:18:05,800 --> 00:18:08,159 Speaker 1: and this show is sponsored by bet Us. Please go 366 00:18:08,200 --> 00:18:11,080 Speaker 1: to wileywins dot com. See it's right here at the 367 00:18:11,119 --> 00:18:13,240 Speaker 1: bottom somewhere wileywins dot com. 368 00:18:13,280 --> 00:18:13,680 Speaker 2: Logon. 369 00:18:13,680 --> 00:18:15,919 Speaker 1: I'll get you one hundred and twenty five percent of 370 00:18:16,040 --> 00:18:17,520 Speaker 1: your sign up bonus. 371 00:18:17,240 --> 00:18:18,760 Speaker 2: Right there so we can go at it. Let's play 372 00:18:18,760 --> 00:18:21,040 Speaker 2: a little war together. Let's go to war. 373 00:18:21,200 --> 00:18:24,280 Speaker 1: And Project Transition dot org. You got a log on, 374 00:18:24,400 --> 00:18:28,560 Speaker 1: Get that love. I am sending this book to Nicholas. 375 00:18:28,840 --> 00:18:31,679 Speaker 2: Yes, I'm telling you it's real around these parts. I 376 00:18:31,720 --> 00:18:32,240 Speaker 2: really care. 377 00:18:32,400 --> 00:18:34,160 Speaker 1: I really care about the kids, and I care about 378 00:18:34,200 --> 00:18:35,639 Speaker 1: you guys supporting these kids. 379 00:18:35,920 --> 00:18:38,920 Speaker 2: Man, go there, just leave five dollars recurrent donation. Who 380 00:18:38,920 --> 00:18:39,960 Speaker 2: ain't got five dollars? 381 00:18:40,280 --> 00:18:42,800 Speaker 1: Well, some people don't, but the point is y'all do, 382 00:18:43,040 --> 00:18:45,359 Speaker 1: and more importantly, damn it. 383 00:18:45,440 --> 00:18:47,639 Speaker 2: Get them kids five dollars so they can go and. 384 00:18:48,040 --> 00:18:50,639 Speaker 1: Take a trip outside of their locale and realize I 385 00:18:50,640 --> 00:18:51,720 Speaker 1: want to go to that school. 386 00:18:51,840 --> 00:18:54,680 Speaker 2: Why cause I got to see it. You guys can 387 00:18:54,720 --> 00:18:55,760 Speaker 2: make that a reality. 388 00:18:55,800 --> 00:18:58,440 Speaker 1: So please go to Project Transition dot org and make 389 00:18:58,480 --> 00:19:01,800 Speaker 1: it a reality. All right, speaking of real R you 390 00:19:01,880 --> 00:19:04,440 Speaker 1: three wants to change his reality. He's like, yo, right now, 391 00:19:04,480 --> 00:19:07,440 Speaker 1: this mic is cool, this suit is cool, this beat 392 00:19:07,600 --> 00:19:08,560 Speaker 1: is not recital. 393 00:19:08,680 --> 00:19:11,080 Speaker 2: I was out it like that, and then where's that from? 394 00:19:11,160 --> 00:19:12,119 Speaker 2: Y'all know where that's from. 395 00:19:12,520 --> 00:19:15,560 Speaker 1: He's like, Nah, this ain't it. I want to go 396 00:19:15,720 --> 00:19:21,800 Speaker 1: back on that field. Job unfinished, got unfinished business out there. 397 00:19:21,840 --> 00:19:23,479 Speaker 2: So we know who he is. He's on ESPN. 398 00:19:23,520 --> 00:19:27,160 Speaker 1: He's the host of the Wave Sports podcast as well, 399 00:19:27,720 --> 00:19:32,320 Speaker 1: and he is talking about playing football for real. I 400 00:19:32,320 --> 00:19:34,880 Speaker 1: ain't gonna step on his seeds. I ain't gonna stomp 401 00:19:34,960 --> 00:19:37,879 Speaker 1: out his dreams. But we're gonna discuss this. He says, quote, 402 00:19:38,640 --> 00:19:41,240 Speaker 1: it's been no secret there's a lot of players that 403 00:19:41,320 --> 00:19:44,480 Speaker 1: are afraid to say they want to play when they're done. 404 00:19:44,480 --> 00:19:47,439 Speaker 1: They're afraid to say they want to play. I'm not 405 00:19:47,560 --> 00:19:50,400 Speaker 1: afraid to say that I love the game of football. 406 00:19:50,720 --> 00:19:53,159 Speaker 1: I will come back to that comment later because I 407 00:19:53,359 --> 00:19:56,640 Speaker 1: don't agree with that comment. But Griffin is being candid 408 00:19:56,800 --> 00:20:01,280 Speaker 1: about his aspiration to continue playing football, departure from many 409 00:20:01,600 --> 00:20:05,840 Speaker 1: retired NFL players, myself included, who are hesitant to omit 410 00:20:06,080 --> 00:20:09,200 Speaker 1: their desire for a comeback. If the right opportunity came along, 411 00:20:09,280 --> 00:20:11,800 Speaker 1: I would certainly entertain it. Now I say it with 412 00:20:11,880 --> 00:20:14,320 Speaker 1: your chest. Now, no, no entertain it, which you mean ertainer? 413 00:20:14,400 --> 00:20:15,760 Speaker 1: You just said you want it. See, this is what 414 00:20:15,800 --> 00:20:17,680 Speaker 1: I'm talking. This is what Kaepernick got caught up in. 415 00:20:18,040 --> 00:20:20,080 Speaker 1: Kaepernick and his crew must be sitting back. It's like, yeah, 416 00:20:20,119 --> 00:20:23,320 Speaker 1: I entertain any offers. Boh, you better be thirsty out 417 00:20:23,359 --> 00:20:25,879 Speaker 1: there if you want it. Like that's we can't be high. 418 00:20:25,800 --> 00:20:26,200 Speaker 2: On the hall. 419 00:20:26,720 --> 00:20:28,320 Speaker 1: Don't be high on the hall. Don't be high on 420 00:20:28,359 --> 00:20:32,200 Speaker 1: the horse if you want it. Dog, you remember when 421 00:20:32,240 --> 00:20:34,439 Speaker 1: you wanted to get into the NFL. Now, look, I 422 00:20:34,440 --> 00:20:37,320 Speaker 1: know RG three was the third pick overall, top pick 423 00:20:37,760 --> 00:20:38,280 Speaker 1: number two. 424 00:20:39,720 --> 00:20:41,119 Speaker 2: Me I was the second rounder. 425 00:20:41,119 --> 00:20:43,320 Speaker 1: So we ain't in that same conversation and I'm not 426 00:20:43,320 --> 00:20:45,520 Speaker 1: in the same conversation as him. But damn it, if 427 00:20:45,560 --> 00:20:47,600 Speaker 1: I kept falling, that's what I would have missed saying 428 00:20:47,960 --> 00:20:50,920 Speaker 1: I'm calling I need an opportunity. Don't like when cats 429 00:20:51,080 --> 00:20:53,960 Speaker 1: just like entertain it. But don't want to beat up 430 00:20:54,000 --> 00:20:57,440 Speaker 1: too much of his words. So Griffin revealed that as 431 00:20:57,480 --> 00:21:01,359 Speaker 1: recently as August, the NFL team contacted him about joining 432 00:21:01,400 --> 00:21:05,159 Speaker 1: their quarterback room, although he didn't disclose the team's identity. 433 00:21:05,160 --> 00:21:07,640 Speaker 1: He protected the guilty since he didn't go and take 434 00:21:07,680 --> 00:21:09,639 Speaker 1: that job, and he knows that would kick up some 435 00:21:09,760 --> 00:21:13,359 Speaker 1: dust and hurt his future chances, especially if you're not 436 00:21:13,440 --> 00:21:15,240 Speaker 1: gonna take those opportunities. 437 00:21:15,320 --> 00:21:17,520 Speaker 2: So maybe he entertained it, maybe he didn't. 438 00:21:17,520 --> 00:21:20,159 Speaker 1: But if you want to play and somebody offered me 439 00:21:20,240 --> 00:21:22,000 Speaker 1: right now, man, you know what I want to do? 440 00:21:22,000 --> 00:21:24,920 Speaker 2: Dog? For real, Man, I can't lie to you. Dog, 441 00:21:25,680 --> 00:21:28,240 Speaker 2: I just want I just want another chance to play. 442 00:21:28,359 --> 00:21:29,720 Speaker 2: Just turn that corner one more time. 443 00:21:29,800 --> 00:21:32,360 Speaker 1: Get busy, and somebody calls me, He's like, yeah, we're 444 00:21:32,359 --> 00:21:33,240 Speaker 1: thinking about bringing you in. 445 00:21:34,320 --> 00:21:37,920 Speaker 2: Yeah, I wouldn't entertain it. I'm be like, yes, thet go. 446 00:21:38,160 --> 00:21:39,560 Speaker 2: Let go. What I gotta do? Where y'all? 447 00:21:39,600 --> 00:21:43,360 Speaker 1: Okay, we y'a address your own line off a figure roll? 448 00:21:43,480 --> 00:21:45,600 Speaker 2: Okay, I'm over there. So come on, man, let's get 449 00:21:45,640 --> 00:21:47,160 Speaker 2: into this Griffin situation. 450 00:21:47,760 --> 00:21:49,640 Speaker 1: A lot of people heckle him, a lot of people 451 00:21:49,680 --> 00:21:51,480 Speaker 1: think it's amusing, a lot of people know that it 452 00:21:51,640 --> 00:21:54,919 Speaker 1: is genuine, but still he's the butt of some jokes. 453 00:21:55,200 --> 00:21:57,840 Speaker 1: I even posted something I saw where he was talking 454 00:21:57,880 --> 00:22:00,960 Speaker 1: about it. They cut it up and pipulated it. I 455 00:22:00,960 --> 00:22:02,879 Speaker 1: didn't do it in any male intention. But to me, 456 00:22:03,119 --> 00:22:05,120 Speaker 1: if something funny, I'm I'm gonna put it out there. 457 00:22:05,760 --> 00:22:08,680 Speaker 1: Ask Stephen Jackson, asked Matt Barnes, who are my dogs? 458 00:22:08,960 --> 00:22:10,960 Speaker 1: But when Kwame Brown was at their head, I was 459 00:22:11,000 --> 00:22:13,840 Speaker 1: posting and talking about it too. I'm that friend like 460 00:22:13,880 --> 00:22:16,000 Speaker 1: I'm clowning you too, And if you don't like it, 461 00:22:16,040 --> 00:22:19,280 Speaker 1: then we may not be the same friends because. 462 00:22:19,080 --> 00:22:19,840 Speaker 2: I'm not changing. 463 00:22:20,000 --> 00:22:22,200 Speaker 1: But I'm also not gonna stop laughing at the joke 464 00:22:22,280 --> 00:22:23,560 Speaker 1: because you the butt of the joke. 465 00:22:23,600 --> 00:22:25,800 Speaker 2: You ever see that. That's what Will Smith did. 466 00:22:25,840 --> 00:22:31,800 Speaker 1: That's what Will Smith got caught up into. Wait, man, man, 467 00:22:31,880 --> 00:22:39,520 Speaker 1: I've been like this my wife. Maybe you know what 468 00:22:39,520 --> 00:22:42,120 Speaker 1: I mean, Like you might start laughing. It got you 469 00:22:42,440 --> 00:22:43,040 Speaker 1: get him. 470 00:22:42,880 --> 00:22:45,240 Speaker 2: Back, It's all good. I'm a comedian too, let me 471 00:22:45,280 --> 00:22:45,880 Speaker 2: shoot at him. 472 00:22:45,880 --> 00:22:49,560 Speaker 1: So anyway, his openness about this is put a bullseye 473 00:22:49,560 --> 00:22:52,719 Speaker 1: on him. At the same time, it's been three years 474 00:22:53,119 --> 00:22:55,560 Speaker 1: and that's where part of the ammunition for this bulls 475 00:22:55,560 --> 00:22:56,159 Speaker 1: eye is coming from. 476 00:22:56,160 --> 00:22:59,120 Speaker 2: All right, let's talk through this story right here. Let 477 00:22:59,119 --> 00:23:00,000 Speaker 2: me get his quote again. 478 00:23:00,560 --> 00:23:03,560 Speaker 1: His quote was, there are a lot of players that 479 00:23:03,560 --> 00:23:05,040 Speaker 1: are afraid to say they want to play. 480 00:23:05,160 --> 00:23:06,280 Speaker 2: That's what he basically. 481 00:23:05,960 --> 00:23:09,440 Speaker 1: Said, I can't say no to that, But I disagree 482 00:23:09,480 --> 00:23:13,280 Speaker 1: with that because I've seen more. 483 00:23:13,720 --> 00:23:18,080 Speaker 2: A lot of players that are more scared. 484 00:23:18,040 --> 00:23:20,800 Speaker 1: To let it go than actually want to go and 485 00:23:20,840 --> 00:23:25,280 Speaker 1: play again, and they can be looked at as the same. 486 00:23:25,880 --> 00:23:27,320 Speaker 2: You can confuse those two. 487 00:23:27,200 --> 00:23:30,800 Speaker 1: I should say, But being real, I know more guys 488 00:23:31,800 --> 00:23:35,160 Speaker 1: scared to let it go than scared to say, oh, 489 00:23:35,200 --> 00:23:35,960 Speaker 1: I want to go back. 490 00:23:36,480 --> 00:23:39,720 Speaker 2: Cats die in that locker room. Some of them cats be. 491 00:23:39,760 --> 00:23:42,560 Speaker 1: On their last leg, can't play that well whatever, don't 492 00:23:42,600 --> 00:23:45,440 Speaker 1: want to go home, don't want to go back, don't 493 00:23:45,440 --> 00:23:47,479 Speaker 1: want to go to the real world, don't know what 494 00:23:47,520 --> 00:23:48,480 Speaker 1: they gonna do next. 495 00:23:48,800 --> 00:23:51,480 Speaker 2: I've had way more of those conversations, Cass. 496 00:23:51,760 --> 00:23:55,840 Speaker 1: When I left Jacksonville my tenth year I retired, I 497 00:23:55,880 --> 00:23:58,920 Speaker 1: was like dog one, I'm sorry, and I was still 498 00:23:58,960 --> 00:24:02,879 Speaker 1: making run plays, but I'm a DN and long story short, 499 00:24:03,600 --> 00:24:06,760 Speaker 1: in my day, you gotta get them sacks and that 500 00:24:06,920 --> 00:24:09,720 Speaker 1: running game they were hyping up that wasn't doing it. 501 00:24:09,920 --> 00:24:11,400 Speaker 2: They were saying that, but they ain't care. 502 00:24:11,760 --> 00:24:15,359 Speaker 1: Who are the best d ns, Bruce Smith, Reggie White, 503 00:24:15,560 --> 00:24:18,040 Speaker 1: sack sacks right, But then in that era, they kept saying, 504 00:24:18,080 --> 00:24:19,960 Speaker 1: oh yeah, go play the run, go play the run. 505 00:24:20,800 --> 00:24:23,639 Speaker 2: It's all good. I was playing the run still, I 506 00:24:23,760 --> 00:24:24,719 Speaker 2: wasn't getting no sacks. 507 00:24:24,960 --> 00:24:27,439 Speaker 1: And guess what I wanted to leave because I was like, 508 00:24:27,760 --> 00:24:30,680 Speaker 1: better days are ahead somewhere else, because my best days 509 00:24:30,720 --> 00:24:34,119 Speaker 1: are behind me playing football. Every single dude in that 510 00:24:34,240 --> 00:24:38,080 Speaker 1: Jacksonville locker room, to a man, was arguing with me, 511 00:24:38,640 --> 00:24:39,879 Speaker 1: where you going, Wiley. 512 00:24:39,680 --> 00:24:41,840 Speaker 2: What you're doing. You don't gonna stay paying you. You're 513 00:24:41,840 --> 00:24:45,240 Speaker 2: still chilling, You're still good. They were to my run man, 514 00:24:45,240 --> 00:24:47,080 Speaker 2: what you doing? And I was like, Oh, I gotta 515 00:24:47,080 --> 00:24:49,879 Speaker 2: do something else. It's time to move on. What you're 516 00:24:49,880 --> 00:24:52,720 Speaker 2: gonna do then, I don't know, but I got enough 517 00:24:52,800 --> 00:24:54,879 Speaker 2: to say. I got enough say where I ain't gotta 518 00:24:54,920 --> 00:24:57,920 Speaker 2: be forcing something and then I'm gonna figure it out 519 00:24:57,960 --> 00:24:59,760 Speaker 2: when I get into the real world. Won't you figure 520 00:24:59,760 --> 00:25:02,280 Speaker 2: it out? Yeah? This is kind of a painful way 521 00:25:02,320 --> 00:25:02,960 Speaker 2: to figure it out. 522 00:25:03,160 --> 00:25:05,879 Speaker 1: Let's just say not just physically my knees start hurting, 523 00:25:06,160 --> 00:25:08,600 Speaker 1: but more than that, I had a torn growing off 524 00:25:08,600 --> 00:25:11,040 Speaker 1: the bone. I was like, I swore to myself, one 525 00:25:11,040 --> 00:25:12,879 Speaker 1: more surgery, one more major injury. 526 00:25:12,880 --> 00:25:15,680 Speaker 2: I'm done. Tore my growing off the bone. And I also. 527 00:25:15,400 --> 00:25:20,280 Speaker 1: Said this, it didn't feel good being in the locker 528 00:25:20,320 --> 00:25:23,320 Speaker 1: room where you're not held in high esteem when you 529 00:25:23,440 --> 00:25:27,720 Speaker 1: used to be right now, that's meaning that I didn't 530 00:25:27,760 --> 00:25:30,639 Speaker 1: want it. That's why this whole entertaining stuff. 531 00:25:31,520 --> 00:25:34,880 Speaker 2: When you ain't happy being number fifty three, you don't 532 00:25:34,880 --> 00:25:37,760 Speaker 2: want to play football no more, not to that level. 533 00:25:38,000 --> 00:25:39,440 Speaker 2: You gotta want it, like. 534 00:25:39,119 --> 00:25:41,879 Speaker 1: Like a ray Lewis, like I've seen Junior say out, 535 00:25:42,000 --> 00:25:45,040 Speaker 1: like I've seen them great ones, like dog, just give 536 00:25:45,080 --> 00:25:47,480 Speaker 1: me anything and I'll tear it up. I'll go at it, 537 00:25:47,520 --> 00:25:50,359 Speaker 1: I'll beat it one. I was like, mine gotta be 538 00:25:50,440 --> 00:25:54,320 Speaker 1: convenient now. And when it wasn't convenient, I was out 539 00:25:55,280 --> 00:26:00,520 Speaker 1: literally that summer, literally that offseason. The Giants were calling 540 00:26:00,760 --> 00:26:03,359 Speaker 1: Marcel's come on, stop playing who leads the NFL? 541 00:26:03,440 --> 00:26:06,040 Speaker 2: What do you do? You ain't even on TV doing nothing. 542 00:26:06,080 --> 00:26:09,480 Speaker 1: You just chilling getting fat, probably and hanging out with 543 00:26:09,480 --> 00:26:12,680 Speaker 1: all them girls and running errands, riding around the rolls. Royce, 544 00:26:12,840 --> 00:26:16,680 Speaker 1: you're right, and it doesn't hurt. So I didn't take 545 00:26:16,720 --> 00:26:20,719 Speaker 1: their calls. I mean I respected them, but I was like, no, no, no, no. 546 00:26:22,480 --> 00:26:27,120 Speaker 2: They won the Super Bowl that year out you beat dumbing. 547 00:26:27,880 --> 00:26:29,080 Speaker 2: You thought it was gonna be a good ending to 548 00:26:29,160 --> 00:26:30,639 Speaker 2: that story. Hell no, I should have kept playing. But 549 00:26:30,720 --> 00:26:33,879 Speaker 2: that's my point. Most guys want to keep playing, and 550 00:26:33,960 --> 00:26:37,800 Speaker 2: they do, but when it's over to r G three's point, 551 00:26:38,520 --> 00:26:40,280 Speaker 2: it's a lot of them that want to go back. 552 00:26:40,520 --> 00:26:42,560 Speaker 1: But I think there's a lot more that realized, oh, 553 00:26:42,600 --> 00:26:45,880 Speaker 1: ain't nothing left back there, but I'm scared to go here, 554 00:26:46,200 --> 00:26:50,040 Speaker 1: so they don't want to admit that they can't let go. 555 00:26:50,760 --> 00:26:51,360 Speaker 2: It's funny. 556 00:26:51,440 --> 00:26:53,760 Speaker 1: I thought that was an interesting conversation that RG three 557 00:26:53,960 --> 00:26:56,760 Speaker 1: was having and being candid. I respect that man for that. 558 00:26:56,920 --> 00:26:59,440 Speaker 1: RG three and I've been cool over the years. I 559 00:26:59,480 --> 00:27:01,639 Speaker 1: haven't seen them forever, but you know, him and his 560 00:27:02,560 --> 00:27:05,719 Speaker 1: ex wife. I don't know what else, but yeah, RG 561 00:27:05,800 --> 00:27:09,000 Speaker 1: three and his wife. Yeah, good people's man. Always been 562 00:27:09,040 --> 00:27:12,840 Speaker 1: a great god, big heart. So let's see what's gonna 563 00:27:12,840 --> 00:27:14,720 Speaker 1: happen with this. Y'all think that RG three should be 564 00:27:14,720 --> 00:27:18,000 Speaker 1: back at the NFL. I will say this no, as 565 00:27:18,000 --> 00:27:20,879 Speaker 1: an evaluator, this is how it goes. Sorry, even RG 566 00:27:21,000 --> 00:27:23,720 Speaker 1: three to hummy, I'm not picking up somebody who used 567 00:27:23,720 --> 00:27:25,520 Speaker 1: to do it, who stopped doing it, who wants to 568 00:27:25,560 --> 00:27:26,080 Speaker 1: do it again? 569 00:27:26,760 --> 00:27:28,040 Speaker 2: You know why? 570 00:27:28,600 --> 00:27:31,040 Speaker 1: There are a lot of other talents on that conveyor 571 00:27:31,080 --> 00:27:35,720 Speaker 1: belt way. Younger than you, way more spry than you, 572 00:27:37,240 --> 00:27:39,600 Speaker 1: way more spongy than you in terms of taking this 573 00:27:39,800 --> 00:27:44,320 Speaker 1: information and this culture in. And I'm a vesting them 574 00:27:44,320 --> 00:27:47,080 Speaker 1: because they cheaper too. You may come cheap, but they 575 00:27:47,119 --> 00:27:50,120 Speaker 1: got all these VET minimums and all that stuff. Would 576 00:27:50,160 --> 00:27:51,720 Speaker 1: you would you gonna get a rookie undrafted? 577 00:27:51,800 --> 00:27:53,560 Speaker 2: Would you a couple bucks? All right? 578 00:27:53,600 --> 00:27:55,320 Speaker 1: I got you. So I just think that it's not 579 00:27:55,400 --> 00:27:57,800 Speaker 1: gonna happen. I'm gonna be interested. If the gando, I 580 00:27:57,800 --> 00:28:00,439 Speaker 1: would love to see him go, but then he gonna start, 581 00:28:00,880 --> 00:28:04,920 Speaker 1: So he's just holding the clipboard clipboard. What's better? That's 582 00:28:04,960 --> 00:28:07,680 Speaker 1: a question? Be them in coming? What's better? Third string 583 00:28:07,720 --> 00:28:10,439 Speaker 1: in the NFL or WLL. RG three has a ESPN 584 00:28:10,520 --> 00:28:12,640 Speaker 1: and his podcast right now, what would you take? 585 00:28:12,840 --> 00:28:13,959 Speaker 2: I want to see what that is? 586 00:28:14,000 --> 00:28:16,520 Speaker 1: And is RG three gonna get an opportunity to get 587 00:28:16,560 --> 00:28:19,639 Speaker 1: back in the league. If so, which team is the 588 00:28:19,680 --> 00:28:23,960 Speaker 1: best fit? Whoa one of my hypists? Maybe my hypists 589 00:28:23,960 --> 00:28:25,959 Speaker 1: all the way through high school? This got me through it. 590 00:28:26,880 --> 00:28:28,720 Speaker 1: I wish I wish I could do y'all. 591 00:28:28,480 --> 00:28:28,919 Speaker 2: The whole thing. 592 00:28:28,960 --> 00:28:31,760 Speaker 1: I have this thing black. It'd be pitch dark in here, 593 00:28:32,000 --> 00:28:35,000 Speaker 1: and then all you will see is nothing but like 594 00:28:35,119 --> 00:28:37,280 Speaker 1: the stage, you'd be like squinting trying to see that, 595 00:28:37,440 --> 00:28:40,720 Speaker 1: and then you hear brothers assist us. I don't know 596 00:28:40,760 --> 00:28:43,480 Speaker 1: what this brother is coming to. And then I literally 597 00:28:43,520 --> 00:28:47,959 Speaker 1: would do this with the likes I if it yes, 598 00:28:51,320 --> 00:28:54,920 Speaker 1: the rhythm the rebel, Oh my god. All right, y'all, man, 599 00:28:56,440 --> 00:28:58,760 Speaker 1: I need a moment for that one. That is insanely 600 00:28:58,920 --> 00:28:59,680 Speaker 1: hype right. 601 00:28:59,480 --> 00:29:02,040 Speaker 2: There, and like, this show is never shut up. Sponsored 602 00:29:02,080 --> 00:29:04,600 Speaker 2: by batus Man go to waliwins dot com. They're like, 603 00:29:04,640 --> 00:29:06,360 Speaker 2: why won't we go to bat us because you go 604 00:29:06,440 --> 00:29:07,760 Speaker 2: through me? You know why you go through me? 605 00:29:07,760 --> 00:29:09,280 Speaker 1: Because I'm gonna hook you up with that one hundred 606 00:29:09,320 --> 00:29:11,640 Speaker 1: and twenty five percent. I give you a little more 607 00:29:11,760 --> 00:29:13,920 Speaker 1: for that sign up bonus. Go out there and let's 608 00:29:13,960 --> 00:29:17,920 Speaker 1: go play a little black jack and compete for some coin. Also, 609 00:29:18,120 --> 00:29:21,840 Speaker 1: this show is always powered by Project transitioned dot or 610 00:29:22,400 --> 00:29:27,680 Speaker 1: Project transition dot orglog on read this book. Mario is 611 00:29:27,680 --> 00:29:30,440 Speaker 1: gonna get this book right now for leaving the recurring donation. 612 00:29:30,840 --> 00:29:32,440 Speaker 2: That's what happens. Five dollars. 613 00:29:32,520 --> 00:29:35,440 Speaker 1: I ain't tripping the kids needed. We're gonna send these 614 00:29:35,520 --> 00:29:39,080 Speaker 1: kids around the world so they could expand their horizons 615 00:29:39,120 --> 00:29:43,120 Speaker 1: and get different experiences and exposures through your support, and 616 00:29:43,160 --> 00:29:45,640 Speaker 1: I will send you this book as a thank you 617 00:29:46,200 --> 00:29:49,560 Speaker 1: for what you're doing for the community. So all right, 618 00:29:49,640 --> 00:29:52,560 Speaker 1: let's talk about what I'm the King of transition for real. Well, 619 00:29:53,080 --> 00:29:56,760 Speaker 1: let's talk about what Skip is doing not for the community, 620 00:29:57,040 --> 00:29:59,920 Speaker 1: well maybe for the black community. According to Dion Sai, 621 00:30:00,360 --> 00:30:04,080 Speaker 1: we know that he recently thanked Skip Bayless when he 622 00:30:04,200 --> 00:30:07,280 Speaker 1: was in Bold of Colorado for providing opportunities to black 623 00:30:07,320 --> 00:30:11,920 Speaker 1: former athletes in sports media, and Skip Bayless expressed how deeply, 624 00:30:12,240 --> 00:30:15,840 Speaker 1: deeply meaningful Deon Sanders' words were to him and why 625 00:30:15,880 --> 00:30:18,200 Speaker 1: it mattered to him to get those opportunities and give 626 00:30:18,240 --> 00:30:21,240 Speaker 1: him away at ESPN and Fox Sports. 627 00:30:21,320 --> 00:30:23,440 Speaker 2: All right, it was a cry fest out there. 628 00:30:23,920 --> 00:30:26,640 Speaker 1: We saw, you know, Dion and Michael Irvin giving it 629 00:30:26,720 --> 00:30:27,880 Speaker 1: up real love. 630 00:30:27,960 --> 00:30:29,200 Speaker 2: I love seeing all of that. 631 00:30:29,400 --> 00:30:32,720 Speaker 1: So here's a quote watching last Friday, when Dion said 632 00:30:32,760 --> 00:30:36,040 Speaker 1: what he said to me in Boulder, Colorado. Somehow, that 633 00:30:36,080 --> 00:30:39,440 Speaker 1: moment to me just felt so meant to be. Somehow 634 00:30:39,480 --> 00:30:41,280 Speaker 1: to me, that moment felt like it had been in 635 00:30:41,320 --> 00:30:46,400 Speaker 1: the making since I was three or four years Oh. So, 636 00:30:46,520 --> 00:30:50,640 Speaker 1: Bailey shared this upbringing growing up in a challenging environment 637 00:30:50,680 --> 00:30:55,240 Speaker 1: with alcoholic parents and a significant role played by Katie 638 00:30:55,280 --> 00:30:59,400 Speaker 1: Belle Henderson, a black woman from Chicago who helped raise 639 00:30:59,600 --> 00:31:03,440 Speaker 1: him and taught them valuable life lessons. He said, quote, 640 00:31:03,480 --> 00:31:06,040 Speaker 1: I did grow up in Oklahoma City. I was the 641 00:31:06,080 --> 00:31:10,360 Speaker 1: oldest of three children in a broken home, wrecked by alcohol. 642 00:31:10,440 --> 00:31:13,720 Speaker 1: From the start, Katie Bill Henderson taught me right from wrong. 643 00:31:13,800 --> 00:31:16,800 Speaker 1: She taught me about the evils of alcohol. She built 644 00:31:16,800 --> 00:31:20,320 Speaker 1: the foundation in my life that to this moment benefits me. 645 00:31:21,120 --> 00:31:26,760 Speaker 1: What Dion thanked me for came from Katie Belle Henderson. Okay, 646 00:31:27,840 --> 00:31:32,640 Speaker 1: now we all know. Skip Bayless emphasized how Katie Bell 647 00:31:32,800 --> 00:31:35,080 Speaker 1: was more of a mother figure to him than even 648 00:31:35,120 --> 00:31:38,240 Speaker 1: his biological mother and how she got him on the 649 00:31:38,320 --> 00:31:41,720 Speaker 1: right path because his father was a functional alcoholic. 650 00:31:41,200 --> 00:31:44,120 Speaker 2: And his mother would drink till she was drunk. Drunk. 651 00:31:44,920 --> 00:31:49,920 Speaker 1: A tough sledging for Skip Bayles's growing up, and he 652 00:31:50,000 --> 00:31:52,320 Speaker 1: said he learned how to be on the right path. 653 00:31:53,240 --> 00:31:57,280 Speaker 1: Values wisdom all from Katie Bell. Okay, so now let's 654 00:31:57,280 --> 00:31:59,280 Speaker 1: go all the way back to his ESPN days. If 655 00:31:59,320 --> 00:32:01,840 Speaker 1: Bayliss has an invited everybody on the show, including me. 656 00:32:02,240 --> 00:32:03,800 Speaker 1: I used to be on Cold Piece, used to be 657 00:32:03,800 --> 00:32:08,280 Speaker 1: on first take at ESPN, Keyshawn Johnson, Michael Irvin, Jalen Rose, 658 00:32:08,640 --> 00:32:14,320 Speaker 1: Shannon Sharp, etc. Richard Sherman now Lil Wayne, Now I 659 00:32:14,520 --> 00:32:17,560 Speaker 1: chose it man, you I chow there. Now he comes 660 00:32:17,600 --> 00:32:22,080 Speaker 1: across and I've always said this, listen, Skip baylist on air, 661 00:32:22,160 --> 00:32:29,080 Speaker 1: comes across, not too respectful, you know, stubborn, etc. But 662 00:32:29,160 --> 00:32:32,320 Speaker 1: then off air, I've always said he's a bubble, like 663 00:32:32,480 --> 00:32:35,520 Speaker 1: just gentle, like a cloud, like, Oh he's so cool, 664 00:32:35,920 --> 00:32:41,200 Speaker 1: super real. But this takes a little turn for me. 665 00:32:41,360 --> 00:32:44,040 Speaker 1: So let's talk through that turn and that twist of 666 00:32:44,040 --> 00:32:47,640 Speaker 1: how this story is. Because Dion was giving him his flowers, 667 00:32:47,680 --> 00:32:50,520 Speaker 1: and on that level, we should get him his flowers. 668 00:32:51,000 --> 00:32:55,440 Speaker 1: At the same time, there's something about this story that 669 00:32:55,600 --> 00:32:58,920 Speaker 1: just doesn't sit well with me, right, and I'm gonna 670 00:32:58,920 --> 00:33:02,360 Speaker 1: talk through it. So Skip Bayless had an example of 671 00:33:02,440 --> 00:33:07,360 Speaker 1: growing up white family, etc. Oklahoma say all that with 672 00:33:07,520 --> 00:33:13,240 Speaker 1: a black housekeeper basically, and she taught him not only life, 673 00:33:13,320 --> 00:33:16,840 Speaker 1: but she taught him, I guess some empathy and respect 674 00:33:16,960 --> 00:33:20,920 Speaker 1: for a different culture, different experience, different race, different that's 675 00:33:21,000 --> 00:33:26,560 Speaker 1: nicity a black person gotch I experienced the exact flip. 676 00:33:26,600 --> 00:33:32,240 Speaker 2: It's crazy and it wasn't in the same respect as Skip. 677 00:33:32,400 --> 00:33:35,960 Speaker 1: But I was a young kid and at my grandmother's house, 678 00:33:36,000 --> 00:33:38,440 Speaker 1: which I would live there until I was age five, 679 00:33:38,480 --> 00:33:43,640 Speaker 1: age six, and then was there every single weekend. 680 00:33:44,120 --> 00:33:46,560 Speaker 2: We had two white families that stayed with us. 681 00:33:46,600 --> 00:33:49,280 Speaker 1: My grandmother would get extra money, she was in the 682 00:33:49,320 --> 00:33:52,160 Speaker 1: medical field. She would get extra money take care and 683 00:33:52,240 --> 00:33:56,000 Speaker 1: being a caretaker to these two older white people, an 684 00:33:56,040 --> 00:33:57,920 Speaker 1: old white man and an old white. 685 00:33:57,720 --> 00:34:00,600 Speaker 2: Woman, Uncle John and Anti glow Right. 686 00:34:01,320 --> 00:34:03,720 Speaker 1: So I grew up with a different dimension of looking 687 00:34:03,720 --> 00:34:06,200 Speaker 1: at race as well, kind of like how a Skip 688 00:34:06,480 --> 00:34:09,600 Speaker 1: is talking about and it was weird. So Skip is 689 00:34:09,640 --> 00:34:12,000 Speaker 1: hearing on the outside, what black people are, you know 690 00:34:12,160 --> 00:34:16,560 Speaker 1: in this country obviously from slavery all the way through 691 00:34:17,239 --> 00:34:19,400 Speaker 1: the era where Skip was growing up in the South, 692 00:34:20,360 --> 00:34:23,480 Speaker 1: what a black housekeeper, let's say, in the fifties or 693 00:34:23,480 --> 00:34:29,400 Speaker 1: whatever it may be, sixties, Civil rights era. You know, 694 00:34:29,440 --> 00:34:33,000 Speaker 1: you're hearing about the inferiority of black people versus white 695 00:34:33,040 --> 00:34:36,080 Speaker 1: people and their superiority, especially at that time, and they 696 00:34:36,080 --> 00:34:38,400 Speaker 1: were trying to level the playing field and make it equal, 697 00:34:38,640 --> 00:34:39,680 Speaker 1: equal rights. 698 00:34:40,160 --> 00:34:41,120 Speaker 2: Civil rights era. 699 00:34:42,480 --> 00:34:45,000 Speaker 1: Now flip it to when I'm in the seventies, in 700 00:34:45,040 --> 00:34:48,160 Speaker 1: the eighties and you know, we having a lot of 701 00:34:48,719 --> 00:34:52,080 Speaker 1: different issues, but still some of the issues and the 702 00:34:52,080 --> 00:34:52,960 Speaker 1: remnants of that. 703 00:34:53,400 --> 00:34:56,359 Speaker 2: But now it's morphed into gang violence. 704 00:34:56,560 --> 00:34:58,279 Speaker 1: And there was a war on the streets and the 705 00:34:58,280 --> 00:35:01,800 Speaker 1: war and drugs and crime, et cetera. And black people 706 00:35:01,800 --> 00:35:05,880 Speaker 1: are largely the reason is happening, and largely it is 707 00:35:05,920 --> 00:35:09,080 Speaker 1: happening two black people all in this little tight local 708 00:35:09,239 --> 00:35:13,239 Speaker 1: called the hood the ghetto, and then white people are 709 00:35:13,239 --> 00:35:15,520 Speaker 1: protected and white people are synonymous with the. 710 00:35:15,480 --> 00:35:18,320 Speaker 2: Suburbs and peace and harmony and safety. 711 00:35:18,400 --> 00:35:20,720 Speaker 1: That's what I'm hearing, and that's why I watch throws 712 00:35:20,760 --> 00:35:22,800 Speaker 1: like the different strokes, and I'm watching different strokes. 713 00:35:22,800 --> 00:35:23,879 Speaker 2: I'm like, wait a minute. 714 00:35:23,920 --> 00:35:26,759 Speaker 1: The kids from Harlem go all of a sudden to 715 00:35:26,880 --> 00:35:30,000 Speaker 1: Manhattan and to the Upper West Side, and next thing 716 00:35:30,040 --> 00:35:34,239 Speaker 1: you know, they're living lavishly. And I remember seeing that 717 00:35:34,280 --> 00:35:38,960 Speaker 1: and I'm like wow, and then you mix into that bam. 718 00:35:39,000 --> 00:35:42,000 Speaker 1: But I got two white people right here who need me, 719 00:35:42,680 --> 00:35:44,799 Speaker 1: And then people telling me that they're they're they're more 720 00:35:44,840 --> 00:35:47,319 Speaker 1: powerful than me, they're superior to me, they have it 721 00:35:47,360 --> 00:35:50,759 Speaker 1: better than me, they they they And I'm looking like, well, 722 00:35:50,800 --> 00:35:52,880 Speaker 1: aren't they part of them? 723 00:35:53,080 --> 00:35:55,719 Speaker 2: Aren't they a part of them? 724 00:35:56,640 --> 00:35:59,320 Speaker 1: So now makes sense to this reconcile that cause it 725 00:35:59,719 --> 00:36:04,560 Speaker 1: must be deeper than just white people have that. And 726 00:36:04,560 --> 00:36:06,719 Speaker 1: then Skip had to go through, well, it must be 727 00:36:06,800 --> 00:36:09,879 Speaker 1: deeper than just black people are all that because look 728 00:36:09,920 --> 00:36:13,279 Speaker 1: at this beautiful black woman raising me better than my 729 00:36:13,400 --> 00:36:18,920 Speaker 1: white mother. Okay, I love all that. And then what 730 00:36:18,960 --> 00:36:23,520 Speaker 1: does that do to you? It can make you go 731 00:36:23,560 --> 00:36:28,120 Speaker 1: two places. It could go make you have guilt if 732 00:36:28,160 --> 00:36:32,040 Speaker 1: you ever harbored some of that negativity and then had 733 00:36:32,080 --> 00:36:33,640 Speaker 1: it corrected. 734 00:36:33,080 --> 00:36:37,200 Speaker 2: Through that experience. People always talk about white guilt, etc. 735 00:36:37,440 --> 00:36:37,800 Speaker 2: Or whatever. 736 00:36:38,920 --> 00:36:46,960 Speaker 1: Or it can actually magnify what you already know about 737 00:36:47,000 --> 00:36:52,080 Speaker 1: this world, that it's way deeper than skin color, and 738 00:36:52,120 --> 00:36:54,200 Speaker 1: that you really need to look at people. If you 739 00:36:54,239 --> 00:36:57,120 Speaker 1: want to give out and see equality, you have to 740 00:36:57,200 --> 00:37:05,320 Speaker 1: display and emit equality. That's where I think Skip falls 741 00:37:05,360 --> 00:37:08,920 Speaker 1: short in the understanding that's the only issue. 742 00:37:08,960 --> 00:37:10,640 Speaker 2: Let's talk to this issue. 743 00:37:10,800 --> 00:37:13,680 Speaker 1: We have similar experiences, but he's taking it to a 744 00:37:13,719 --> 00:37:19,960 Speaker 1: different place. When he says he gives out opportunities, or 745 00:37:20,000 --> 00:37:22,680 Speaker 1: they say I should say they say he gives out opportunities, 746 00:37:22,719 --> 00:37:25,480 Speaker 1: he accept that and says, yeah, I give out opportunities 747 00:37:25,680 --> 00:37:32,440 Speaker 1: for black people because I was raised by a black woman, literally, 748 00:37:32,680 --> 00:37:36,480 Speaker 1: that is not actually showing equality. 749 00:37:36,880 --> 00:37:39,080 Speaker 2: Literally, that is not actually. 750 00:37:38,760 --> 00:37:41,840 Speaker 1: Taking the great things that you learn from that experience 751 00:37:42,239 --> 00:37:44,800 Speaker 1: and putting them on full display. 752 00:37:45,480 --> 00:37:48,040 Speaker 2: Because now that would seem like. 753 00:37:49,800 --> 00:37:53,319 Speaker 1: The black guy gets to go to the plate and 754 00:37:53,360 --> 00:37:59,040 Speaker 1: get four strikes where the white guy gets three being 755 00:37:59,080 --> 00:38:02,160 Speaker 1: one of the black guys that got an opportunity. And 756 00:38:02,200 --> 00:38:04,560 Speaker 1: it didn't come from Skip, but it was on Skip's show. 757 00:38:04,640 --> 00:38:06,279 Speaker 1: So let me give him his credit and it's due. 758 00:38:06,400 --> 00:38:15,799 Speaker 2: Yes, I never ever thought, and I never want to think. 759 00:38:17,000 --> 00:38:20,040 Speaker 1: That Skip looked at the pool of ESPN candidates and said, 760 00:38:21,880 --> 00:38:25,120 Speaker 1: you had that young woman that just retired. Marcella's bring 761 00:38:25,160 --> 00:38:29,719 Speaker 1: him over here because he's black. Because I was raised 762 00:38:29,719 --> 00:38:31,520 Speaker 1: by a black person, so therefore, let me look out 763 00:38:31,560 --> 00:38:31,919 Speaker 1: for him. 764 00:38:34,000 --> 00:38:35,200 Speaker 2: I believed enough in me. 765 00:38:35,480 --> 00:38:39,120 Speaker 1: I believed enough in what my powers were that I'm 766 00:38:39,120 --> 00:38:44,879 Speaker 1: gonna be here regardless black, white, orange. I didn't want 767 00:38:44,920 --> 00:38:47,480 Speaker 1: to get in because of the color of my skin. 768 00:38:49,760 --> 00:38:52,160 Speaker 1: And I know he's well intended, and I also know 769 00:38:52,239 --> 00:38:59,000 Speaker 1: that he's well he's coming from a great place. At 770 00:38:59,040 --> 00:39:02,080 Speaker 1: the same time, the road to hell is paid with 771 00:39:02,160 --> 00:39:08,040 Speaker 1: good intentions. And boy, this conversation is getting hot because 772 00:39:08,800 --> 00:39:12,840 Speaker 1: as much as everyone's giving them props. It always comes 773 00:39:12,880 --> 00:39:18,400 Speaker 1: off to me as if black analysts and personalities that 774 00:39:18,480 --> 00:39:23,880 Speaker 1: are saying this, including Deon Sanders, that we're buying into 775 00:39:23,920 --> 00:39:30,239 Speaker 1: an inferiority complex that we're buying into, like thank you 776 00:39:30,360 --> 00:39:33,759 Speaker 1: Skip for hooking us up, like we want to go 777 00:39:33,800 --> 00:39:36,520 Speaker 1: hook ourselves up, like we couldn't get hooked up no 778 00:39:36,600 --> 00:39:41,120 Speaker 1: other way other than you're good and you're black, not 779 00:39:41,239 --> 00:39:44,759 Speaker 1: just good enough. I just don't want to have that 780 00:39:46,520 --> 00:39:50,360 Speaker 1: circulating through me. I don't want to digest that. Skip 781 00:39:50,400 --> 00:39:57,120 Speaker 1: Bayless with intention is looking out for black people because 782 00:39:57,120 --> 00:40:02,960 Speaker 1: they're black. These are key. Shot Johnson is a personality. 783 00:40:03,200 --> 00:40:06,400 Speaker 1: Khawn Jonson wrote a book as a rookie sucker. Just 784 00:40:06,440 --> 00:40:08,480 Speaker 1: give me the damn ball. He's a nut, he's funny, 785 00:40:08,719 --> 00:40:11,880 Speaker 1: he good, dude, does his job well right, Dion Sander's 786 00:40:11,920 --> 00:40:13,120 Speaker 1: next level. Come onst I'm playing. 787 00:40:13,480 --> 00:40:19,880 Speaker 2: Michael Irving lights up every room. Richard Sherman better broadcaster, 788 00:40:19,960 --> 00:40:21,759 Speaker 2: would have help it than he is without and he's 789 00:40:21,800 --> 00:40:26,279 Speaker 2: great without but with one. Oh my god, Like admit it. 790 00:40:26,320 --> 00:40:29,000 Speaker 1: When Richard Sherman's saying, you're like, I don't who is 791 00:40:29,360 --> 00:40:31,359 Speaker 1: like Charles Barkley, move over, like you know what I mean? 792 00:40:33,200 --> 00:40:36,440 Speaker 1: I just wanted to stop down on that because what 793 00:40:36,480 --> 00:40:39,719 Speaker 1: that means to me is like, oh, it makes me 794 00:40:39,760 --> 00:40:42,360 Speaker 1: think is SKIP coming from a place of guilt. So 795 00:40:42,400 --> 00:40:45,480 Speaker 1: therefore he's trying to overcorrect because I had the flip 796 00:40:45,520 --> 00:40:45,799 Speaker 1: of it. 797 00:40:45,960 --> 00:40:47,520 Speaker 2: And guess what, I'm not trying to do. 798 00:40:48,120 --> 00:40:51,359 Speaker 1: Seek out all the white people and you say, oh, 799 00:40:51,400 --> 00:40:52,839 Speaker 1: cause they ain't got it, No, they don't. 800 00:40:52,920 --> 00:40:55,200 Speaker 2: I just I raised two that didn't. 801 00:40:55,640 --> 00:40:57,919 Speaker 1: I grew up in the neighborhood with few others, many 802 00:40:57,960 --> 00:41:02,239 Speaker 1: others who didn't. There are more poor white people in 803 00:41:02,280 --> 00:41:04,399 Speaker 1: this world than and wether in this country to stay 804 00:41:04,400 --> 00:41:06,239 Speaker 1: in this country, in this country than black people. 805 00:41:06,320 --> 00:41:09,840 Speaker 2: More. Yeah in the numbers. Yeah, not in the percentages, 806 00:41:09,840 --> 00:41:12,359 Speaker 2: but in the numbers. Yes. Man. 807 00:41:12,400 --> 00:41:15,560 Speaker 1: We get caught up in this twist sometimes y'all thank 808 00:41:15,600 --> 00:41:20,480 Speaker 1: you for the job and opportunity, like and I know, 809 00:41:20,800 --> 00:41:26,200 Speaker 1: and I get disgusted, and I know, I get really 810 00:41:26,239 --> 00:41:28,560 Speaker 1: disturbed perturbed when people are like, well, you're in an 811 00:41:28,560 --> 00:41:33,239 Speaker 1: affirmative action case. I'm like, boy, you ain't seen my 812 00:41:33,280 --> 00:41:36,360 Speaker 1: test scores, you ain't see my grades, You ain't listening 813 00:41:36,400 --> 00:41:36,600 Speaker 1: to me. 814 00:41:38,040 --> 00:41:40,000 Speaker 2: You weren't gonna get into Columbia unless you were black. 815 00:41:43,000 --> 00:41:45,040 Speaker 2: You weren't gonna get in Columbia unless you play ball, 816 00:41:47,360 --> 00:41:50,120 Speaker 2: all right. So that's where that conversation goes for me. 817 00:41:50,960 --> 00:41:53,479 Speaker 2: I wanted to let that out kind of RG three style. 818 00:41:53,520 --> 00:41:55,000 Speaker 1: I want to go back and play, you know, let 819 00:41:55,000 --> 00:41:57,640 Speaker 1: it out, because I heard it and I kept hearing it, 820 00:41:57,640 --> 00:41:59,480 Speaker 1: and I wonder if other people hearing. 821 00:41:59,239 --> 00:42:02,799 Speaker 2: That or I'm just like rabbit he or it like ah, man, 822 00:42:02,800 --> 00:42:03,520 Speaker 2: you're hearing too much. 823 00:42:04,200 --> 00:42:08,000 Speaker 1: But the props that Skip Bayless deserves is he has 824 00:42:08,080 --> 00:42:11,080 Speaker 1: a show, and on that show he is looking for 825 00:42:11,120 --> 00:42:15,520 Speaker 1: the most talent, the best talent. But this plays into 826 00:42:15,640 --> 00:42:19,200 Speaker 1: what I hear people when you hear criticism of Skip 827 00:42:19,239 --> 00:42:22,799 Speaker 1: Bayless in this respect, in terms of race, you hear 828 00:42:22,920 --> 00:42:26,760 Speaker 1: that he's a culture rture vulture, culture vulture, culture vulture. 829 00:42:27,040 --> 00:42:31,160 Speaker 1: He needs a black person to go against. And if 830 00:42:31,160 --> 00:42:33,240 Speaker 1: Skip is saying, nah, I just need a black person 831 00:42:33,400 --> 00:42:36,680 Speaker 1: because of how I was raised by a black person, 832 00:42:38,400 --> 00:42:41,320 Speaker 1: I don't think either one of those is good like kIPS, 833 00:42:41,520 --> 00:42:43,279 Speaker 1: you know what I mean. So I'm trying to put 834 00:42:43,320 --> 00:42:45,319 Speaker 1: this in this proper place because I know he's doing 835 00:42:45,320 --> 00:42:48,520 Speaker 1: a great thing in terms of stocking and staff in 836 00:42:48,520 --> 00:42:52,440 Speaker 1: his show with the best talent, but is it the 837 00:42:52,480 --> 00:42:56,960 Speaker 1: best talent or is it just the best black talent? 838 00:42:57,480 --> 00:43:00,799 Speaker 1: Rachel Nichols says like, Hey, I'm over here for but 839 00:43:00,960 --> 00:43:01,719 Speaker 1: y'all get the point. 840 00:43:01,760 --> 00:43:03,640 Speaker 2: Let's beat this up in the comments. Man, I'm trying 841 00:43:03,640 --> 00:43:04,480 Speaker 2: to learn from this one. 842 00:43:04,560 --> 00:43:06,839 Speaker 1: I want to condemn him, because, boy, the last thing 843 00:43:06,840 --> 00:43:09,200 Speaker 1: you should do. We used toart Max and I used 844 00:43:09,239 --> 00:43:11,800 Speaker 1: to always say that is never clown the fat girl 845 00:43:12,080 --> 00:43:15,120 Speaker 1: once she comes back from the gym with the sweaty wristbands. 846 00:43:15,880 --> 00:43:18,720 Speaker 1: That is a weird way of saying. If somebody trying, 847 00:43:19,080 --> 00:43:21,600 Speaker 1: let him be, though, right, he trying, so I should 848 00:43:21,640 --> 00:43:25,319 Speaker 1: let him be. But something about this doesn't set well 849 00:43:25,400 --> 00:43:25,680 Speaker 1: with me. 850 00:43:26,040 --> 00:43:27,160 Speaker 2: And I wanted to see what you. 851 00:43:27,160 --> 00:43:29,360 Speaker 1: Guys thought about it, all right, because the ain't no 852 00:43:29,440 --> 00:43:30,319 Speaker 1: firmative action over here. 853 00:43:30,360 --> 00:43:32,160 Speaker 2: Damnit. Everybody's like, yo, it ain't me, it ain't me. 854 00:43:32,239 --> 00:43:33,600 Speaker 2: It's like, yeah, it is, it's you. It's you. 855 00:43:33,840 --> 00:43:35,480 Speaker 1: So let's beat that up in the comments. Tell me 856 00:43:35,520 --> 00:43:37,239 Speaker 1: what you think of this whole situation. 857 00:43:37,480 --> 00:43:39,399 Speaker 2: Did it sting you a little bit like that too, 858 00:43:39,480 --> 00:43:42,120 Speaker 2: like oh, thank you Skip for the opportunity, or did 859 00:43:42,200 --> 00:43:43,879 Speaker 2: he was like, nah, do you just reaching forward? 860 00:43:43,960 --> 00:43:46,160 Speaker 1: Let me know, and what role has Skip basis really 861 00:43:46,200 --> 00:43:50,319 Speaker 1: played in promoting diversity and giving voices to athletes different backgrounds, 862 00:43:50,360 --> 00:43:52,759 Speaker 1: et cetera. Right, because it's weird people giving them all 863 00:43:52,760 --> 00:43:54,160 Speaker 1: the projects. But the first time I got on first 864 00:43:54,200 --> 00:43:56,680 Speaker 1: take wasn't because Skipped wanted me on first tape. It's 865 00:43:56,680 --> 00:43:58,320 Speaker 1: because the boss was like, Yo, we need to have 866 00:43:58,400 --> 00:44:01,080 Speaker 1: marcels on it. An audition more, Jamie Horowitz, if you 867 00:44:01,120 --> 00:44:03,279 Speaker 1: want to know, because Marcellus is good, let's see how 868 00:44:03,320 --> 00:44:06,520 Speaker 1: great he can be. So you know, I just I 869 00:44:06,640 --> 00:44:08,800 Speaker 1: just want to see what that is in the comments 870 00:44:09,560 --> 00:44:13,160 Speaker 1: and other than that in sports and media, how important 871 00:44:13,239 --> 00:44:15,400 Speaker 1: is it to have diversity and inclusivity? 872 00:44:15,640 --> 00:44:18,120 Speaker 2: Should it reflect the demo of the sports the athletes? 873 00:44:18,239 --> 00:44:20,960 Speaker 2: Or man, stop talking about race? If you could talk that, talk, 874 00:44:21,160 --> 00:44:24,520 Speaker 2: entertain and educate, go up there. That's the way I think. 875 00:44:24,680 --> 00:44:26,279 Speaker 1: I want to see how many of you guys think 876 00:44:26,600 --> 00:44:29,600 Speaker 1: that same way. Y'all remember this song switch. 877 00:44:33,239 --> 00:44:36,840 Speaker 2: Her paybacks, but you have been I've been to the 878 00:44:36,920 --> 00:44:39,359 Speaker 2: counselor SEEQ do that her pay backs? 879 00:44:42,600 --> 00:44:44,920 Speaker 1: Oh man, thanks for rocking with you, boy, Never shut Up? 880 00:44:44,920 --> 00:44:50,279 Speaker 1: Sponsored by BetUS. Let's go to wiliwins dot com. Wilywins 881 00:44:50,480 --> 00:44:52,279 Speaker 1: dot com right now sign up. 882 00:44:52,320 --> 00:44:54,319 Speaker 2: I'll hook you up. I'llk you up, homie for real. 883 00:44:54,360 --> 00:44:56,640 Speaker 1: One hundred and twenty five percent sign up bonus so 884 00:44:56,680 --> 00:44:59,080 Speaker 1: we could compete for some of that change. Get one 885 00:44:59,120 --> 00:45:02,080 Speaker 1: of them prop betsying, flip them quarters, get that get 886 00:45:02,239 --> 00:45:04,439 Speaker 1: like me going. We're just gonna have a little fun. 887 00:45:04,520 --> 00:45:06,520 Speaker 1: Put a little skin in the game. Also go to 888 00:45:06,600 --> 00:45:08,160 Speaker 1: Project Transition dot org. 889 00:45:08,280 --> 00:45:10,200 Speaker 2: Y'all know what this is. It's the show Man. 890 00:45:10,480 --> 00:45:13,040 Speaker 1: This thing is all powered by you and power by 891 00:45:13,160 --> 00:45:14,880 Speaker 1: Project transition dot org. 892 00:45:15,040 --> 00:45:17,440 Speaker 2: If you do that, guess what I do. I just 893 00:45:17,560 --> 00:45:19,960 Speaker 2: hook you up like I am my man Mario right here. 894 00:45:20,040 --> 00:45:20,440 Speaker 2: Look at that. 895 00:45:20,920 --> 00:45:24,480 Speaker 1: I am taking care of y'all for taking care of 896 00:45:24,640 --> 00:45:28,080 Speaker 1: the community, taking care of the kids. Recurrent donation Project 897 00:45:28,160 --> 00:45:31,000 Speaker 1: transition dot org. Please do it so I could send 898 00:45:31,080 --> 00:45:34,759 Speaker 1: you your book and thank you for your support. All right, 899 00:45:35,400 --> 00:45:38,520 Speaker 1: speaking of Senning somebody somewhere and no, thank you for 900 00:45:38,680 --> 00:45:41,600 Speaker 1: your support. Chase Claypool gotta go, We gotta go, We 901 00:45:41,600 --> 00:45:47,200 Speaker 1: gotta go. Chase Claypool is out of Chicago, and talk 902 00:45:47,239 --> 00:45:51,000 Speaker 1: about like all right, y'all, peace Sucker landing in Miami 903 00:45:51,080 --> 00:45:51,840 Speaker 1: with the Dolphins. 904 00:45:52,000 --> 00:45:56,040 Speaker 2: God. First of all, Miami a better city than Chicago. 905 00:45:56,560 --> 00:45:58,280 Speaker 2: I know what y'all gonna say. Don't tell me about 906 00:45:58,280 --> 00:46:02,080 Speaker 2: the damn lake in April. Once the spring, it's amazing, 907 00:46:02,320 --> 00:46:04,560 Speaker 2: but it's about four months of great Chicago. The rest 908 00:46:04,600 --> 00:46:05,040 Speaker 2: of that time. 909 00:46:05,080 --> 00:46:08,640 Speaker 1: Come on, man, it's thirteen months of great Miami. 910 00:46:08,800 --> 00:46:12,279 Speaker 2: Devin, you better stop playing. And he played on the 911 00:46:12,520 --> 00:46:17,279 Speaker 2: Dolphins with that receiving corps in Tua. He better be right. 912 00:46:17,520 --> 00:46:18,319 Speaker 2: He better get right. 913 00:46:18,400 --> 00:46:20,839 Speaker 1: If he don't get right now, he can't get right 914 00:46:20,880 --> 00:46:24,000 Speaker 1: if he doesn't go back go for bad. A bad 915 00:46:24,120 --> 00:46:27,200 Speaker 1: situation in terms of what he made Pittsburgh, because Pittsburgh 916 00:46:27,320 --> 00:46:30,600 Speaker 1: was right for him. I know, quarterback change, young quarterback, 917 00:46:30,640 --> 00:46:34,640 Speaker 1: trying to figure it out. But bad over there. Then 918 00:46:34,760 --> 00:46:39,000 Speaker 1: Chicago bad over there. First game memory when viral for 919 00:46:39,480 --> 00:46:43,160 Speaker 1: how bad he played, bad clips, everything all bad, and 920 00:46:43,320 --> 00:46:46,120 Speaker 1: they were done with him. So they got a sixth 921 00:46:46,239 --> 00:46:49,719 Speaker 1: rounder out of him, which is good because they were 922 00:46:49,800 --> 00:46:53,560 Speaker 1: done with him and he's still a big, fast, talented kid. 923 00:46:54,160 --> 00:46:56,840 Speaker 1: But something ain't right. So let me talk about what 924 00:46:57,080 --> 00:47:01,799 Speaker 1: ain't right because we don't don't know the incidents. I mean, look, 925 00:47:01,840 --> 00:47:05,040 Speaker 1: everybody seen him end of the game Minnesota doing this. 926 00:47:07,080 --> 00:47:07,719 Speaker 2: That was bad. 927 00:47:08,200 --> 00:47:13,120 Speaker 1: But there's an attitude that must be present that is 928 00:47:13,280 --> 00:47:16,440 Speaker 1: just turning people off. And I know those type of 929 00:47:16,440 --> 00:47:23,680 Speaker 1: attitudes because when it's not incident, it is attitude. It 930 00:47:23,760 --> 00:47:26,520 Speaker 1: reminds me of Antonio Bryant, if you guys remember him, 931 00:47:26,560 --> 00:47:31,279 Speaker 1: but Letting the cough winner. Talented, he didn't have a 932 00:47:31,400 --> 00:47:33,680 Speaker 1: bad attitude in terms of like what I think Chase 933 00:47:33,719 --> 00:47:38,320 Speaker 1: Claypool has. He had an attitude like he just was 934 00:47:38,360 --> 00:47:40,359 Speaker 1: about I'm a ball and that's it. I don't want 935 00:47:40,360 --> 00:47:42,680 Speaker 1: to hear nothing else I got. Let me be like 936 00:47:42,840 --> 00:47:44,600 Speaker 1: that kind of attitude like I'm good. 937 00:47:45,160 --> 00:47:48,160 Speaker 2: And he was good. He was damn talented, but didn't 938 00:47:48,200 --> 00:47:49,040 Speaker 2: know the buy in. 939 00:47:49,280 --> 00:47:52,120 Speaker 1: Not necessarily the streets were a little louder for him, 940 00:47:52,160 --> 00:47:55,160 Speaker 1: but not you know, I would just say he was like, 941 00:47:55,640 --> 00:47:58,239 Speaker 1: I'm good, I'm good, you know, one of those kind 942 00:47:58,280 --> 00:48:00,799 Speaker 1: of casts a little iso on his and it didn't 943 00:48:00,840 --> 00:48:02,479 Speaker 1: do well for him, and in terms of it didn't 944 00:48:02,480 --> 00:48:04,359 Speaker 1: support him in his career. You know, he didn't get 945 00:48:04,400 --> 00:48:06,160 Speaker 1: all that he could have got out of that, even 946 00:48:06,200 --> 00:48:07,600 Speaker 1: though he asked some good years in there. And we saw, 947 00:48:07,760 --> 00:48:11,960 Speaker 1: especially in Tampa, I saw man Antoni was silly. Silly, 948 00:48:12,440 --> 00:48:14,360 Speaker 1: well he was silly. Oh I gotta tell y'all One 949 00:48:14,400 --> 00:48:16,520 Speaker 1: day I'm gonna tell y'all story about Antonio. I'm gonna 950 00:48:16,520 --> 00:48:18,360 Speaker 1: protect the guilty, but it's gonna be Antonio. 951 00:48:19,520 --> 00:48:21,600 Speaker 2: This sucker. He did something amazing. One time. 952 00:48:21,640 --> 00:48:23,560 Speaker 1: I was like, god, Lee, I've told you guys about 953 00:48:23,600 --> 00:48:25,880 Speaker 1: the story of him beating up Bill Parcells. That's to 954 00:48:25,960 --> 00:48:28,960 Speaker 1: my point, Chase Slake, who ain't beat up Mike Tomlin. 955 00:48:29,160 --> 00:48:29,680 Speaker 2: You know what I mean. 956 00:48:30,200 --> 00:48:33,600 Speaker 1: He ain't beat up the Bears coach. But something to 957 00:48:33,719 --> 00:48:36,440 Speaker 1: us be wrong with his attitude. Right, So Antonio Bryant 958 00:48:36,480 --> 00:48:38,200 Speaker 1: one day, give it to you real quick, because I 959 00:48:38,239 --> 00:48:41,640 Speaker 1: get the story. A lot was running nine routes. Key 960 00:48:41,680 --> 00:48:44,320 Speaker 1: Shawn there, Key Shane like, yeah, keep running them, youngster, 961 00:48:44,600 --> 00:48:48,560 Speaker 1: and he like running them. Finally he just got pissed. 962 00:48:48,600 --> 00:48:50,000 Speaker 1: He was like, men, well, Key Shan, do some of 963 00:48:50,040 --> 00:48:51,960 Speaker 1: these routes. Ain't like he don't need him or something 964 00:48:52,000 --> 00:48:55,200 Speaker 1: like that. Key showing Bill Parcells this type. 965 00:48:55,320 --> 00:48:57,759 Speaker 2: So he keep shining Bill Parcells looking back like he 966 00:48:57,760 --> 00:48:58,759 Speaker 2: ain't running nine round. 967 00:48:58,760 --> 00:49:00,960 Speaker 1: Shut up, you know what I'm saying. And then finally 968 00:49:01,000 --> 00:49:03,279 Speaker 1: he he was like, I ain't doing no more, took 969 00:49:03,320 --> 00:49:05,480 Speaker 1: off his jersey, threw it on the ground, was walking off. 970 00:49:05,719 --> 00:49:09,160 Speaker 1: I'm out deuces. I was like, damn suck. 971 00:49:10,040 --> 00:49:11,920 Speaker 2: First thing I swear, the first thing I thought was 972 00:49:12,239 --> 00:49:13,759 Speaker 2: made me laugh on the inside, was like where are 973 00:49:13,760 --> 00:49:17,600 Speaker 2: you going? You gonna quit the NFL today? Thursday? Whatever 974 00:49:17,719 --> 00:49:23,120 Speaker 2: the hell? Thursday, October seventeenth, Like where you're going? Like 975 00:49:23,840 --> 00:49:26,200 Speaker 2: it's one thing, the flex, one thing, the front, one thing, 976 00:49:26,280 --> 00:49:29,920 Speaker 2: the stunt. But where you're going? Like you quit the NFL? Anyway? 977 00:49:30,000 --> 00:49:33,759 Speaker 2: Philp ourselves follow behind him, Grab the jersey. Where you're going? 978 00:49:33,960 --> 00:49:35,200 Speaker 2: You known who you go? 979 00:49:35,400 --> 00:49:38,759 Speaker 1: Grab a jersey catching up to Antonio? That less you know, 980 00:49:38,800 --> 00:49:41,480 Speaker 1: Antonio want to go nowhere? How the hell Bill Parcells 981 00:49:41,520 --> 00:49:44,160 Speaker 1: catching up to you? He don't want to go so anyway, 982 00:49:44,280 --> 00:49:47,160 Speaker 1: finally grab the jersey, throws Antonio talking you know you're 983 00:49:47,160 --> 00:49:49,200 Speaker 1: talking like you kid, Hey, hey, AI. 984 00:49:49,400 --> 00:49:51,759 Speaker 2: And throw it at him. It's a jersey. Ain't on him. 985 00:49:52,239 --> 00:49:54,439 Speaker 2: This sucker got in the matrix. He threw the jersey 986 00:49:54,480 --> 00:49:57,440 Speaker 2: while the jerseys in there. This suck. Antonio went down young, 987 00:49:57,600 --> 00:50:00,239 Speaker 2: grab the jersey, threw it back at him and they 988 00:50:00,360 --> 00:50:03,520 Speaker 2: hit it with a wh wh what all in one motion, 989 00:50:03,880 --> 00:50:08,120 Speaker 2: like I just did put parcels parcels stumble back like 990 00:50:08,200 --> 00:50:09,560 Speaker 2: Charlo and Canelo. 991 00:50:10,120 --> 00:50:13,839 Speaker 1: Stupid but boy being man, ah my god, dang, it's 992 00:50:13,920 --> 00:50:16,520 Speaker 1: real today. It's real NFL right here. And you know 993 00:50:16,560 --> 00:50:19,160 Speaker 1: what the NFL stands for. It stood for him not 994 00:50:19,360 --> 00:50:21,920 Speaker 1: for long. Yo, ass ain't gonna be there, but parcels 995 00:50:22,040 --> 00:50:24,800 Speaker 1: end up cutting them on the midnight on random Wednesday, 996 00:50:25,040 --> 00:50:26,040 Speaker 1: six eight weeks later. 997 00:50:26,400 --> 00:50:29,080 Speaker 2: But the point is he never got all he could 998 00:50:29,160 --> 00:50:30,880 Speaker 2: out of him because of his attitude. 999 00:50:31,440 --> 00:50:36,280 Speaker 1: Attitude is altitude how high you will fly right your attitude, 1000 00:50:36,280 --> 00:50:40,080 Speaker 1: because that's gonna help you rebound, respond and also give 1001 00:50:40,160 --> 00:50:42,920 Speaker 1: you what you need to recharge to do the task. 1002 00:50:43,200 --> 00:50:47,560 Speaker 2: Your attitude. So the pros is so crazy. I only 1003 00:50:47,600 --> 00:50:49,239 Speaker 2: brought this story up because. 1004 00:50:51,280 --> 00:50:54,600 Speaker 1: So many people always come up to me talking about 1005 00:50:54,640 --> 00:50:57,279 Speaker 1: how good somebody is, you think they could go pro. 1006 00:50:58,239 --> 00:51:00,840 Speaker 2: And I'm like, the pros is way more than just talent. 1007 00:51:01,960 --> 00:51:07,840 Speaker 1: Like for real, it's like attitude, professionalism, perseverance, perseverance is huge. 1008 00:51:08,200 --> 00:51:11,000 Speaker 2: You just gotta last through the process. 1009 00:51:12,080 --> 00:51:16,640 Speaker 1: When you're the man. At eight years old, you're a man. 1010 00:51:16,719 --> 00:51:20,719 Speaker 1: You're getting recruited at the snack bar. You're gonna have 1011 00:51:21,640 --> 00:51:26,400 Speaker 1: nil deal. When you're fourteen, you're gonna be eighteen. Everybody 1012 00:51:26,440 --> 00:51:29,640 Speaker 1: getting gifted cars and trucks and girls think you the cutest, 1013 00:51:29,800 --> 00:51:33,239 Speaker 1: and these girls are so pretty and they everywhere and 1014 00:51:33,440 --> 00:51:38,359 Speaker 1: they don't matter. You got money. You just gotta make 1015 00:51:38,400 --> 00:51:41,919 Speaker 1: it to the NFL. Forget how good you are. Everybody 1016 00:51:42,040 --> 00:51:45,360 Speaker 1: good that's gonna qualify, But are you gonna cross. 1017 00:51:45,120 --> 00:51:46,000 Speaker 2: That finish line? 1018 00:51:47,480 --> 00:51:49,640 Speaker 1: And when you cross that finish line, let me just 1019 00:51:49,760 --> 00:51:53,240 Speaker 1: tell you hard to reset, because it's starting over again, 1020 00:51:53,600 --> 00:51:55,400 Speaker 1: only on a greater grander level. 1021 00:51:56,200 --> 00:52:01,399 Speaker 2: These cats, all black belts, these streets all tempted. What's 1022 00:52:01,480 --> 00:52:03,680 Speaker 2: your attitude? You locked in or not? 1023 00:52:04,760 --> 00:52:06,839 Speaker 1: So when people want to know, how do you get 1024 00:52:07,160 --> 00:52:10,600 Speaker 1: to the NFL, to the NBA, you gotta be insanely 1025 00:52:10,760 --> 00:52:15,279 Speaker 1: talented and frankly have a great character in terms of 1026 00:52:16,000 --> 00:52:20,360 Speaker 1: finishing what you started, which is all of that talent 1027 00:52:20,560 --> 00:52:23,279 Speaker 1: in that sport, that endeavor manifesting. 1028 00:52:23,360 --> 00:52:25,160 Speaker 2: You gotta finish. And then when you get there, that 1029 00:52:25,280 --> 00:52:29,440 Speaker 2: ain't good enough. Chills, Oh you fast, good for you? 1030 00:52:30,400 --> 00:52:33,120 Speaker 2: And and what else you got? 1031 00:52:33,160 --> 00:52:36,719 Speaker 1: Oh you're big and strong? Good and meet him too, 1032 00:52:36,880 --> 00:52:39,480 Speaker 1: him to him too, So Chase kaypool Man. I hope 1033 00:52:39,520 --> 00:52:42,680 Speaker 1: it works for him because I've been fascinated with his game, 1034 00:52:42,800 --> 00:52:44,440 Speaker 1: Like a few plays, you know a few of those 1035 00:52:44,440 --> 00:52:47,120 Speaker 1: Pittsburgh players. I was like this boy, he could be special, 1036 00:52:47,200 --> 00:52:50,319 Speaker 1: but something between here is sabotaging him. 1037 00:52:50,440 --> 00:52:52,319 Speaker 2: So what y'all think the situation is with him? 1038 00:52:52,360 --> 00:52:54,640 Speaker 1: Cause I haven't heard of the incidents, and help me 1039 00:52:54,680 --> 00:52:57,600 Speaker 1: if there are incidents, I don't know did my homework. 1040 00:52:57,600 --> 00:52:58,960 Speaker 2: I was like, that ain't enough. 1041 00:53:00,160 --> 00:53:02,200 Speaker 1: The attitude is, though, and they don't always put that 1042 00:53:02,239 --> 00:53:03,840 Speaker 1: out there because they don't want to ruin the youngster. 1043 00:53:03,880 --> 00:53:06,399 Speaker 1: They don't want to give them that label all the time. 1044 00:53:06,840 --> 00:53:09,000 Speaker 1: They just say good luck to him, good luck to him, 1045 00:53:09,800 --> 00:53:11,520 Speaker 1: And what do you think his future is with the Dolphins? 1046 00:53:11,719 --> 00:53:14,279 Speaker 1: Then he gets it right here and his future in 1047 00:53:14,280 --> 00:53:15,719 Speaker 1: the NFL, because if he doesn't do it right with 1048 00:53:15,760 --> 00:53:18,879 Speaker 1: the Dolphins, I would say he would get one more chance, 1049 00:53:19,200 --> 00:53:21,120 Speaker 1: but let me tell you this, it would not be 1050 00:53:21,600 --> 00:53:23,440 Speaker 1: as good as this chance. This is gonna be his 1051 00:53:23,520 --> 00:53:25,919 Speaker 1: best chance because he goes to an offensive team that's 1052 00:53:25,920 --> 00:53:28,560 Speaker 1: gonna throw that football, gonna have tour and he got 1053 00:53:28,640 --> 00:53:33,640 Speaker 1: the mastermind. You got an offensive mind, mastermind at coach. 1054 00:53:34,320 --> 00:53:36,640 Speaker 1: Come on, bro, come on, bro, no mess up. And 1055 00:53:36,680 --> 00:53:39,320 Speaker 1: you in Miami, boy, you better stop. 1056 00:53:39,120 --> 00:53:39,640 Speaker 2: Playing with me. 1057 00:53:40,840 --> 00:53:42,759 Speaker 1: Let me get traded to Miami. Let me find out. 1058 00:53:44,000 --> 00:53:45,759 Speaker 1: I'll be like RG three, right, here, I'll be like, man, 1059 00:53:45,800 --> 00:53:47,920 Speaker 1: I love never shut up. I love doing what I'm doing. 1060 00:53:48,000 --> 00:53:51,319 Speaker 1: I'm good. My foundation is kicking. Oh, I ain't never 1061 00:53:51,400 --> 00:53:53,480 Speaker 1: playing in the NFL again. You stop playing, boy, you 1062 00:53:53,560 --> 00:53:56,200 Speaker 1: know how much it hurt my knee. Y'all, ain't the Dolphins. 1063 00:53:57,960 --> 00:53:59,840 Speaker 1: I ain't lie if the Dophins, I ain't playing in 1064 00:53:59,880 --> 00:54:02,759 Speaker 1: it NFL again. But if the Dolphins call, we'll have 1065 00:54:02,840 --> 00:54:04,520 Speaker 1: to see what they talking about. All right, let's fuk 1066 00:54:04,560 --> 00:54:06,560 Speaker 1: up from comics. Let's fuk up from comics. Yeah, talk 1067 00:54:06,560 --> 00:54:09,759 Speaker 1: about McAfee from yesterday. All right, Pat McAfee. I think 1068 00:54:09,800 --> 00:54:12,600 Speaker 1: it's just a part of what kind man y'all gotta 1069 00:54:12,760 --> 00:54:15,480 Speaker 1: proof free y'all comments make me sound eating it up here. 1070 00:54:15,719 --> 00:54:17,480 Speaker 1: I think it's just a part of what kind of 1071 00:54:17,560 --> 00:54:20,120 Speaker 1: times we live in. It's just easier and more convenient 1072 00:54:20,200 --> 00:54:21,880 Speaker 1: to watch content like this online. 1073 00:54:21,960 --> 00:54:22,359 Speaker 2: You right. 1074 00:54:23,760 --> 00:54:27,840 Speaker 1: My kids do not watch TV unless it's Thursday night football, 1075 00:54:27,920 --> 00:54:33,359 Speaker 1: unless it's Saturday morning football, unless Sunday football, unless it's 1076 00:54:33,520 --> 00:54:34,880 Speaker 1: Monday night football, I swear. 1077 00:54:35,600 --> 00:54:39,440 Speaker 2: And the rest is pepper pig. And that's online too, dammit. 1078 00:54:39,800 --> 00:54:42,920 Speaker 1: I mean, they watching Disney, they watching Frozen, they watching that. 1079 00:54:43,280 --> 00:54:46,440 Speaker 1: But seriously, they do not watch shows, They're gonna watch shows. 1080 00:54:46,600 --> 00:54:48,600 Speaker 1: And speaking of watching shows, watch me next week, I 1081 00:54:48,640 --> 00:54:51,880 Speaker 1: think Wednesday, Will of Fortune, celebrity Will of Fortune. 1082 00:54:51,920 --> 00:54:54,719 Speaker 2: I'm on there. Check me out see if I won. 1083 00:54:55,239 --> 00:54:56,000 Speaker 2: How much I want? 1084 00:54:56,280 --> 00:54:58,719 Speaker 1: All right, and let's talk about this one. I like 1085 00:54:58,800 --> 00:55:00,680 Speaker 1: to watch a whole bunch of pat shows in real 1086 00:55:00,760 --> 00:55:03,080 Speaker 1: times sometimes, but I really like to see the segments 1087 00:55:03,120 --> 00:55:03,920 Speaker 1: I like with certain co. 1088 00:55:04,000 --> 00:55:04,840 Speaker 2: Stars that show up. 1089 00:55:05,560 --> 00:55:08,160 Speaker 1: Their editors are very good and serving out pretty sizable 1090 00:55:08,239 --> 00:55:10,840 Speaker 1: chunks of their show. ESPN is benefiting a lot because 1091 00:55:10,840 --> 00:55:14,239 Speaker 1: I'm watching actual ESPN content from their other stars, because 1092 00:55:14,280 --> 00:55:16,919 Speaker 1: it's showing up at the top of my recommendation list 1093 00:55:17,640 --> 00:55:19,240 Speaker 1: now and I've never. 1094 00:55:19,600 --> 00:55:23,040 Speaker 2: Used to see it. M okay, cross promoting there. 1095 00:55:23,160 --> 00:55:25,440 Speaker 1: That's why it's good to be on that big platform, 1096 00:55:25,600 --> 00:55:28,240 Speaker 1: because you get to get all that big to help. 1097 00:55:28,160 --> 00:55:29,360 Speaker 2: Make your big bigger. 1098 00:55:29,960 --> 00:55:34,640 Speaker 1: That's how it goes FS one what Hell's first things 1099 00:55:34,719 --> 00:55:37,919 Speaker 1: first is Wild's background as a producer, preach. It helps 1100 00:55:37,960 --> 00:55:42,480 Speaker 1: with the subject choices, and the show is like hearted, yes, yes, yes, Okay. 1101 00:55:42,640 --> 00:55:45,319 Speaker 1: Then there's another long comment. Damn is comment too long? 1102 00:55:45,400 --> 00:55:47,439 Speaker 2: But basically I give it to you like this first 1103 00:55:47,440 --> 00:55:49,080 Speaker 2: things versus at the top of their game because of 1104 00:55:49,120 --> 00:55:53,080 Speaker 2: a few things. The chemistry feel so organic. Blah blah blah. 1105 00:55:53,160 --> 00:55:56,120 Speaker 2: Great's great. Great. The show's biggest problem is topic burnout. 1106 00:55:56,200 --> 00:55:59,200 Speaker 1: Yep, yep, yep. A lot of y'all like that comment. Yeah, Skip, 1107 00:55:59,320 --> 00:56:02,080 Speaker 1: I don't know why they always like that same ass topics. 1108 00:56:02,160 --> 00:56:06,360 Speaker 1: You'd be like, dog, are the Cowboys best team in 1109 00:56:06,360 --> 00:56:09,960 Speaker 1: the NFL? Are the Cowboys one of the top five 1110 00:56:10,000 --> 00:56:13,520 Speaker 1: teams in the NFL? Will the Cowboys make the playoffs? 1111 00:56:15,200 --> 00:56:17,440 Speaker 1: Like if they top five? If they the best team? 1112 00:56:17,520 --> 00:56:20,800 Speaker 2: Yeah? Alright, let's go here, Marshawan. 1113 00:56:21,000 --> 00:56:23,120 Speaker 1: The wild part was Marshan tried to holler at Rush 1114 00:56:23,120 --> 00:56:25,759 Speaker 1: through player personnel because he didn't have his numbers, so 1115 00:56:25,920 --> 00:56:27,840 Speaker 1: Russ called him from a block number. What type of 1116 00:56:27,960 --> 00:56:32,880 Speaker 1: shit was that? I know people that represent Russ too, 1117 00:56:32,920 --> 00:56:34,480 Speaker 1: They the homies, real tight. 1118 00:56:35,760 --> 00:56:38,520 Speaker 2: Russ different. But I knew Russ was different. I met him. 1119 00:56:38,520 --> 00:56:39,920 Speaker 1: He was a rookie, and I met him at the 1120 00:56:40,000 --> 00:56:42,719 Speaker 1: party we taught for a minute, and I was like 1121 00:56:42,840 --> 00:56:45,279 Speaker 1: two things. Either he corny, which is fine because I'm 1122 00:56:45,320 --> 00:56:47,919 Speaker 1: corny and I'm a nerd, but I'm a corny nerd 1123 00:56:48,040 --> 00:56:53,800 Speaker 1: he's just corny. Or turnaround, big dog, Why why should 1124 00:56:53,800 --> 00:56:54,600 Speaker 1: I turn around. 1125 00:56:56,239 --> 00:56:58,040 Speaker 2: Because I see a string and you're just saying the 1126 00:56:58,080 --> 00:57:00,800 Speaker 2: same damn thing, like dog, relax. 1127 00:57:00,640 --> 00:57:02,440 Speaker 1: Like I just want to go up to him one 1128 00:57:02,480 --> 00:57:06,520 Speaker 1: day and just go like this, grab his traps, relax, talk, 1129 00:57:07,000 --> 00:57:08,960 Speaker 1: be normal, go hawks, you know what I mean. 1130 00:57:09,400 --> 00:57:11,080 Speaker 2: That's the only thing. But so what, I don't mind 1131 00:57:11,160 --> 00:57:11,759 Speaker 2: him being corner. 1132 00:57:11,840 --> 00:57:14,680 Speaker 1: It's just like he locked up. He like a prisoner 1133 00:57:14,719 --> 00:57:17,840 Speaker 1: of himself. He's stuck in the corn stalk. Come on, 1134 00:57:18,000 --> 00:57:20,080 Speaker 1: big dog, All right, ch'all we got any more? Oh yeah, 1135 00:57:20,080 --> 00:57:24,000 Speaker 1: we got Kelsey Swift right here. We have no problem 1136 00:57:24,040 --> 00:57:25,840 Speaker 1: with it. We just don't want you to make it 1137 00:57:25,920 --> 00:57:28,840 Speaker 1: seem like she's bigger than the game. Okay, I respect that. 1138 00:57:29,120 --> 00:57:31,560 Speaker 1: Here's another one, Wiley, I agree with you. Okay, that's it. 1139 00:57:32,280 --> 00:57:32,920 Speaker 1: He agree with you. 1140 00:57:33,040 --> 00:57:34,880 Speaker 2: All right, y'all know we finished every show we finished 1141 00:57:34,920 --> 00:57:37,600 Speaker 2: for the White lee Is. Yeah. 1142 00:57:37,960 --> 00:57:39,600 Speaker 1: Coach used to always say get your head out the 1143 00:57:39,640 --> 00:57:41,760 Speaker 1: parking lot every Friday, the men because he knew I 1144 00:57:41,840 --> 00:57:42,480 Speaker 1: was in them streets. 1145 00:57:42,520 --> 00:57:43,200 Speaker 2: I was ready to go. 1146 00:57:43,680 --> 00:57:48,840 Speaker 1: All right, what you know you are still learning? Does 1147 00:57:48,960 --> 00:57:52,360 Speaker 1: that make you feel good? What you know you are 1148 00:57:52,640 --> 00:57:53,960 Speaker 1: still learning? 1149 00:57:56,360 --> 00:57:59,680 Speaker 2: My two biggest issues I have right now, and I'm learning. 1150 00:58:00,000 --> 00:58:01,640 Speaker 2: You know me, Yeah, I know me. Dammit. 1151 00:58:02,560 --> 00:58:05,400 Speaker 1: It's like them people over there trying to clown Candice Owens, 1152 00:58:05,640 --> 00:58:09,400 Speaker 1: the transgender people and what was it. 1153 00:58:11,080 --> 00:58:14,000 Speaker 2: By non binary gender people? They all trying to. 1154 00:58:14,000 --> 00:58:17,440 Speaker 1: Cloun I know myself, I know what I am. And 1155 00:58:17,520 --> 00:58:20,200 Speaker 1: I was like, yeah, I know myself too. But guess what, 1156 00:58:20,520 --> 00:58:26,320 Speaker 1: I'm still learning, still learning. I gotta work on this one, 1157 00:58:26,720 --> 00:58:31,360 Speaker 1: becoming more attached. I told myself this morning, attach yourself 1158 00:58:31,400 --> 00:58:34,760 Speaker 1: to more things. Dick Buckets rest in peace to great 1159 00:58:34,840 --> 00:58:38,400 Speaker 1: dick Puss Dick Buckets, who died yesterday in his sleep 1160 00:58:39,000 --> 00:58:42,080 Speaker 1: at the age of eighty. And my dad is seventy six. 1161 00:58:43,200 --> 00:58:45,320 Speaker 1: I'm like, attach myself to my dad now. I can't 1162 00:58:45,400 --> 00:58:47,760 Speaker 1: lie to y'all. So there's times where I call my 1163 00:58:47,880 --> 00:58:51,800 Speaker 1: dad and I'm like, go see him, and I'm like, nah, 1164 00:58:52,800 --> 00:58:54,800 Speaker 1: I gotta go do this, And i'd be like, you 1165 00:58:54,880 --> 00:58:56,680 Speaker 1: better force yourself to go see him because hes about 1166 00:58:56,680 --> 00:58:59,480 Speaker 1: to die soon, right whatever soon is four years, ten 1167 00:58:59,560 --> 00:59:02,640 Speaker 1: years years, it ain't fifty years. Let's just say that, right, 1168 00:59:03,880 --> 00:59:07,280 Speaker 1: And then I'll be like a little scared to like 1169 00:59:07,600 --> 00:59:11,800 Speaker 1: just keep the like cause one day you're gonna call, 1170 00:59:11,840 --> 00:59:12,560 Speaker 1: he ain't gonna answer. 1171 00:59:12,720 --> 00:59:14,160 Speaker 2: One day, he ain't gonna call. 1172 00:59:14,120 --> 00:59:17,120 Speaker 1: You, you know, And I'm like, damn, be more attached, 1173 00:59:17,200 --> 00:59:20,880 Speaker 1: Like deal with the pain that will come. But don't 1174 00:59:21,000 --> 00:59:24,120 Speaker 1: try and distance yourself so you think you're gonna deal 1175 00:59:24,200 --> 00:59:25,040 Speaker 1: better with that pain. 1176 00:59:26,120 --> 00:59:28,600 Speaker 2: Catch me. I gotta work on that. Another thing I 1177 00:59:28,600 --> 00:59:34,840 Speaker 2: gotta work on it. Stopped eating McDonald's late. Oh man, 1178 00:59:34,880 --> 00:59:38,960 Speaker 2: I'm still learning. No matter what, you know, you still 1179 00:59:39,080 --> 00:59:41,400 Speaker 2: learn it right yourself. Like you know, it ain't gonna 1180 00:59:41,440 --> 00:59:43,360 Speaker 2: eat that Nigga d last and now that boy I 1181 00:59:43,440 --> 00:59:46,439 Speaker 2: hate that thing. At like twelve o'clock up in the drive, 1182 00:59:46,640 --> 00:59:48,400 Speaker 2: we were gonna go to Chick fil A. They were closed. 1183 00:59:48,440 --> 00:59:50,840 Speaker 1: I was like, all right, that sounded kind of healthy, 1184 00:59:50,880 --> 00:59:52,959 Speaker 1: even though it's hell of salty on them. Damn little 1185 00:59:53,240 --> 00:59:55,160 Speaker 1: little wing tips. They be having whatever they have, the 1186 00:59:55,240 --> 00:59:58,840 Speaker 1: little balls. So then I'm like, damn, go home, just chill. 1187 00:59:58,880 --> 00:59:59,720 Speaker 1: You ain't that hungry. 1188 01:00:00,120 --> 01:00:01,040 Speaker 2: It just locked in. 1189 01:00:01,200 --> 01:00:03,320 Speaker 1: I'm like, I just came out from a party, gotta 1190 01:00:03,360 --> 01:00:06,640 Speaker 1: eat something. And then Niggi Dee's was right there, bright 1191 01:00:06,720 --> 01:00:11,840 Speaker 1: ass yellow down, just calling me. I sound like they're saying, Mama, Marcellas, 1192 01:00:11,880 --> 01:00:12,120 Speaker 1: come on. 1193 01:00:12,280 --> 01:00:13,160 Speaker 2: I'm like, all right, here I go. 1194 01:00:13,560 --> 01:00:16,439 Speaker 1: So what you know, you are still learning. I hate 1195 01:00:16,440 --> 01:00:18,720 Speaker 1: a stubborn person, even though I love a person of conviction. 1196 01:00:19,040 --> 01:00:21,080 Speaker 1: That's why I love this show because I don't want 1197 01:00:21,080 --> 01:00:22,000 Speaker 1: to debate shit. 1198 01:00:22,280 --> 01:00:25,480 Speaker 2: I want to discuss. I want to talk about both sides. 1199 01:00:25,520 --> 01:00:28,080 Speaker 2: And let's move it this way a little bit. You know, 1200 01:00:28,240 --> 01:00:30,600 Speaker 2: like you doing furniture. You'll go to your boy. All right, man, 1201 01:00:30,680 --> 01:00:32,440 Speaker 2: let's go Okay, you can see and he can't. He 1202 01:00:32,520 --> 01:00:34,520 Speaker 2: going backwards. You go to the right, a little to 1203 01:00:34,600 --> 01:00:39,640 Speaker 2: the right. You're right, not my right. That's that's life 1204 01:00:39,720 --> 01:00:40,240 Speaker 2: to me. Man. 1205 01:00:40,360 --> 01:00:42,520 Speaker 1: We all gotta grab this damn couch and help each 1206 01:00:42,560 --> 01:00:45,000 Speaker 1: other instead of like pick up the couch of drop it. 1207 01:00:45,160 --> 01:00:47,800 Speaker 2: That's it. I don't want a debate. I don't want 1208 01:00:47,800 --> 01:00:48,440 Speaker 2: to do it. Yes or no. 1209 01:00:48,880 --> 01:00:52,240 Speaker 1: No, let's a little that way. Man, Skip is doing 1210 01:00:52,280 --> 01:00:54,600 Speaker 1: the right thing helping out black people. Eh, he ain't 1211 01:00:54,640 --> 01:00:56,920 Speaker 1: really helping out black people like that. He shouldn't be 1212 01:00:57,000 --> 01:00:59,200 Speaker 1: just helping out black people because they're black. Oh well, 1213 01:00:59,560 --> 01:01:01,959 Speaker 1: he would a gatekeeper. What is that white guilt? 1214 01:01:02,800 --> 01:01:02,960 Speaker 2: You know? 1215 01:01:03,240 --> 01:01:06,480 Speaker 1: That's what I want to do. Sorry, seems like y'all 1216 01:01:06,480 --> 01:01:08,040 Speaker 1: want me to do it too. You don't believe me, 1217 01:01:08,880 --> 01:01:12,000 Speaker 1: don't believe me. Just watch Love for you guys. Man, 1218 01:01:12,120 --> 01:01:15,440 Speaker 1: so yourself everything in this world. Man, just remember what 1219 01:01:15,600 --> 01:01:20,680 Speaker 1: you know. You're still learning, all right, y'all. That'll do it. 1220 01:01:20,920 --> 01:01:23,080 Speaker 1: For More to It, check the show notes for all 1221 01:01:23,120 --> 01:01:25,000 Speaker 1: the information on our topics today today. 1222 01:01:25,440 --> 01:01:27,320 Speaker 2: Want to keep the conversation go on, Let's talk. Find 1223 01:01:27,360 --> 01:01:28,800 Speaker 2: me on all socials at Marcel's. 1224 01:01:28,840 --> 01:01:31,720 Speaker 1: Wiley More Too is a production of Dan Patrick Production 1225 01:01:31,880 --> 01:01:34,920 Speaker 1: That Dude Entertainment and workhouse Media. Show is executive produced 1226 01:01:34,960 --> 01:01:37,880 Speaker 1: by Dan Patrick, Marcell's Whially Paul Anderson, and Nick Panella. 1227 01:01:38,200 --> 01:01:41,920 Speaker 1: Thanks for all the love, ratings, and subscriptions and reviews, 1228 01:01:42,440 --> 01:01:44,520 Speaker 1: membership to Wiley's World on YouTube. 1229 01:01:44,880 --> 01:01:46,880 Speaker 2: Keep it coming because there's more coming from More to It. 1230 01:01:47,080 --> 01:01:48,000 Speaker 2: Talk to y'all hell a soon