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Speaker 1: It's that time, time, time, time, luck and load.

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Speaker 2: So Michael Verie Show is on the air. So single

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Speaker 2: engine fighters in the Air Force, but this plane has

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Speaker 2: four engines. It's an entirely different kind of flying all together.

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Speaker 2: It's an entirelytive flying.

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Speaker 1: All my bags ready to go.

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Speaker 2: I'm standing here outside your door.

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Speaker 3: You're seeing people and passengers waiting to get.

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Speaker 4: Through these security checkpoints.

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Speaker 3: So again, just a very very busy morning. I checked

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Speaker 3: online and right now it is showing a three and

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Speaker 3: a half hour wait time for folks out here. I've

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Speaker 3: got the chance to speak with a few people. They

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Speaker 3: told me they've been waiting in a line for about

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Speaker 3: forty five minutes. Others told me that their flight is

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Speaker 3: in eight hours, but they were coming early. We can

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Speaker 3: ask some folks here, how long.

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Speaker 5: Have you all been waiting?

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Speaker 2: Yesterday?

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Speaker 5: Since?

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Speaker 4: Yeah, yesterday? No, yesterday was six out, yesterday was six

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Speaker 4: You gave.

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Speaker 2: Up, you came back? Yeah, Well have choice.

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Speaker 4: I'm first, Okay, you're just waiting, just waiting.

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Speaker 2: I'm on the jet plan. No, no, be back again, Ova,

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Speaker 2: I hate to go.

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Speaker 3: We spoke with other folks who told me that they

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Speaker 3: were coming eight hours early in order for their flight,

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Speaker 3: So again.

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Speaker 2: A long wait here.

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Speaker 3: So this ongoing shutdown, of course affecting TSA workers pay

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Speaker 3: over the last month, it's led to a lot of

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Speaker 3: different callouts across the US. So the Department of Homeland

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Speaker 3: Security released Sunday's call out rates from some of the

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Speaker 3: most impacted airports. More than eleven percent of TSA officers

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Speaker 3: nationally have called out more than thirty four hundred wars,

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Speaker 3: and at the top of the list is Louis Armstrong

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Speaker 3: New Orleans International Airport with more than forty two percent

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Speaker 3: of their TSA staff calling out. Bush Intercontinental came in

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Speaker 3: at number three with thirty nine percent.

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Speaker 2: Like I picked the wrong week.

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Speaker 1: When I.

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Speaker 2: Get I'll be back again, full base five.

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Speaker 5: By Can I get you something more?

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Speaker 1: Folk?

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Speaker 2: Butter laying into the bone, check me up?

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Speaker 5: Take me. I'm sorry, I don't understand.

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Speaker 2: Cutty say, can't hang Oh stardis I speak to you?

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Speaker 6: Oh good?

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Speaker 1: He said that he's in great pain and he wants

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Speaker 1: to know if you can help me.

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Speaker 5: All right?

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Speaker 7: Would you tell him to just relax and I'll be

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Speaker 7: back as soon as I can with some medicine.

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Speaker 2: Just angler's blood. She gonna catch up and it be

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Speaker 2: beat out of the midside. What it is big mama,

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Speaker 2: Ma mama to raise no dummis I.

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Speaker 5: Dug rap.

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Speaker 2: Jet jumping one help.

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Speaker 5: John, dude, don't got no brains.

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Speaker 2: And you know I read that Barbara Billings lead ad

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Speaker 2: libbed most of that extemporaneously. The opening line was in

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Speaker 2: the original script. That was the basic you know, translation

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Speaker 2: to jibe. But then when he came back, there was

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Speaker 2: only like one line and she kept that chump don't

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Speaker 2: want to help jump. She came up with all. I mean,

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Speaker 2: you imagine that's June Cleaver at that moment, June Cleaver

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Speaker 2: with with that kind of like I think I would

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Speaker 2: have been less shocked if she hopped up on a

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Speaker 2: skateboard and started, you know, doing tricks or something. You

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Speaker 2: just you didn't see that coming, which was what made

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Speaker 2: that funny. There is a certain style of humor that

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Speaker 2: I love, and it is the extreme absurdism. Absurdism sometimes

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Speaker 2: when I give you an example, so Ray Hunt told

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Speaker 2: me one time he's the head of the Houston Police

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Speaker 2: Officers Union, and he told me he was with somebody

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Speaker 2: like a constable or somebody else, and it was clearly

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Speaker 2: somebody he respected and admired and thought highly of. And

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Speaker 2: he lives in a world of you know, everybody is

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Speaker 2: serious and everybody says nice things about each other. And

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Speaker 2: he said, you know, I'm with whoever it was that

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Speaker 2: this this, I'm with Cactus Jack k wasn't, but listen,

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Speaker 2: I'm with Cactus Jack Cagle and or I was. I

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Speaker 2: was with Cactus Jack Kegle And we were at so

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Speaker 2: and so and I said, I'd like to bust that

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Speaker 2: MF or except I said across the mouth, and I

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Speaker 2: said it with a lot of grit to it. And

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Speaker 2: he said, oh my, why what happened? And I just

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Speaker 2: started laughing because clearly that's a he could not imagine

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Speaker 2: somebody did not respect that person. And my brother used

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Speaker 2: to say that my brother would be talking about.

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Speaker 1: There.

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Speaker 2: There were twins who were DPS troopers that worked the

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Speaker 2: Ien Corridor right there, and they were very very well respected,

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Speaker 2: Reagan Droddy and I can't remember what the other one,

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Speaker 2: what the brother's name is. And in the in the

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Speaker 2: Beaumont Jefferson County law enforcement community, they were, you know,

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Speaker 2: everybody loved them. And because my brother was on a

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Speaker 2: DEE a grant to do drug interdiction on I ten.

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Speaker 5: He was.

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Speaker 2: He was interacting with them a lot, and so he

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Speaker 2: would say, yeah, we made a bust with Reagan with

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Speaker 2: Reagan Drotty yesterday, and I said, I like to bust

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Speaker 2: him across it, and he what? And I pulled that

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Speaker 2: probably three times over the years of hem there. He

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Speaker 2: was so sincere and so Chance McLean and I will

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Speaker 2: be on the phone and you know, we'll be talking

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Speaker 2: about everybody short of God and refer to them in

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Speaker 2: that way, and my wife is just blown away that.

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Speaker 2: But it's all it's all of Joe. Do you remember

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Speaker 2: I never watched Seinfeld, but I try to know the

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Speaker 2: lore of pop culture, and it's a big part of

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Speaker 2: the pop culture.

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Speaker 1: You know.

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Speaker 2: Keithrn Andez was on Seinfeld and so he apparently played

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Speaker 2: the boyfriend right. He was on two episodes in nineteen

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Speaker 2: ninety two. The last one aired February twelfth, nineteen ninety two,

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Speaker 2: thirty four years ago. He still gets residuals from the

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Speaker 2: Seinfeld reruns. He was on two reruns for not very long.

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Speaker 2: He gets five thousand dollars a year to this day

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Speaker 2: from that. Did I ever tell my TG Shepherd story?

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Speaker 2: So we were talking about voices, and I mentioned in songs,

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Speaker 2: and I mentioned the coffee commercial? Was it Maxwell House?

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Speaker 2: What was the Maxwell good? To the last drop? And

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Speaker 2: I'm driving him from the airport. He's got a show

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Speaker 2: the next day. But he came in late that night

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Speaker 2: and he came to my house. My wife made this

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Speaker 2: big Southern meal for us, and then I took him

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Speaker 2: to his hotel. We got up, he came in and

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Speaker 2: did the show, and then that night he did he

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Speaker 2: did a show at the RCC for us. And as

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Speaker 2: we're driving out of the airport, I'll never forget. We

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Speaker 2: were talking about songs and all and I did not

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Speaker 2: know that was him. And he told me that was

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Speaker 2: him on that song. And I said, TG, I swear

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Speaker 2: I didn't know that. I just brought that up. He goes,

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Speaker 2: nobody does. He said, I make one hundred and fifty

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Speaker 2: thousand dollars a year off that song today. And I

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Speaker 2: sang that song in nineteen eighty two. He said, I

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Speaker 2: was asked to sing the song and I said, hell, no,

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Speaker 2: I'm not doing some song flying to New York for that.

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Speaker 2: He said, I flew in. I did it in one take.

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Speaker 2: They paid me one hundred and fifty thousand dollars, he said,

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Speaker 2: since that, every year I get one hundred and fifty

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Speaker 2: thousand dollars. I don't want to bring it up because

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Speaker 2: I'm afraid they don't notice it and it's probably coded.

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Speaker 2: You know what it was that by this time it

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Speaker 2: was thirty something years later, one hundred and fifty thousand dollars.

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Speaker 2: He did one take and they run that song by

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Speaker 2: skad Well. Can you imagine.

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Speaker 8: Michael Berry, these truth esoteric, ignorant loss and things you

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Speaker 8: bring people on talk about it.

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Speaker 2: Nobody I know what you're talking about.

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Speaker 8: I wish you would get back to some local issues,

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Speaker 8: you know, talking about the Astadome, Mexican foods, Houston traffics,

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Speaker 8: things we could relate to, Gunny, But I do love

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Speaker 8: when you talk about ern so it make us miss

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Speaker 8: your baby.

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Speaker 5: Go to you.

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Speaker 2: We have not discussed this, and I think it's probably

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Speaker 2: just about time. Headline from Fox five in DC professional

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Speaker 2: corn hole player with no arms and no legs accused

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Speaker 2: of murder process is from Morning Let's take the corn

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Speaker 2: hole out of it. Dude with no arms and no legs? Right,

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Speaker 2: So this guy gets dropped in front of your front

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Speaker 2: door and you walk there, there's something knocking against it.

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Speaker 2: You open the door and you're like, oh, Matt, you're

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Speaker 2: going what to say? This is a professional corn hole player,

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Speaker 2: no arms, no legs. Okay, we're starting with no arms,

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Speaker 2: no legs, all right now, we're going to do professional

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Speaker 2: corn hole. Okay. I'm I'm thinking, all right, Well, none

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Speaker 2: of that is as interesting as that dude shot and

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Speaker 2: killed somebody and has been charged for it. Well, how

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Speaker 2: do you shooting?

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Speaker 1: Wait what?

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Speaker 2: I've posted the video to the Facebook page because I

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Speaker 2: know you want to see it. I know you want

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Speaker 2: to see it. And here's the worst part I've seen

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Speaker 2: nobody write this in public. I have a hunch that

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Speaker 2: dude wasn't born a dude. That's not the only thing missing.

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Speaker 2: I have a hunch that dude was not born a

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Speaker 2: do But let's leave that aside. Let's leave the professional

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Speaker 2: corn hold aside. A dude with no arms and no

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Speaker 2: legs shot and killed somebody. Fox five DC with the story.

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Speaker 7: I just want to try to answer the question that

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Speaker 7: so many people have right now. How did someone with

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Speaker 7: no arms, no hands manage to fire a gun and

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Speaker 7: allegedly kill someone.

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Speaker 4: This is early in the investigation, but there is no

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Speaker 4: evidence at this point to suggest anybody who else was

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Speaker 4: involved in the shooting and that he acted.

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Speaker 2: Alone on this.

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Speaker 7: Now want closely looking at the man accused of murder

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Speaker 7: in this case. Video from his TikTok page titled no Hands,

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Speaker 7: no feat shooting nine millimeter handgun. His name is Dayton

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Speaker 7: James Webber, a twenty seven year old quadriplegic amputeem and

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Speaker 7: professional cornhole player. This all started around ten thirty last

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Speaker 7: night when Laplata police officers were flagged down by two

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Speaker 7: witnesses near Radio Station Road. Charles County Sheriff's invescator say

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Speaker 7: Weber was the driver when he shot and killed his

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Speaker 7: front seat passenger, then asked those in the backseat to

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Speaker 7: help get rid of the body. They refused to, got

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Speaker 7: out of the car and alerted police. Weber took off

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Speaker 7: with the victim in the car, identified as twenty seven

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Speaker 7: year old Bradrick Wells. Two hours later, and about fifteen

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Speaker 7: miles away, Wells's body was found dumped in someone's front

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Speaker 7: yard in Charlotte Hall, Maryland. Soon after, Weber's car was

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Speaker 7: tracked to a gas station in Charlottesville, Virginia. He was

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Speaker 7: found at a hospital nearby and arrested after his release.

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Speaker 4: I think the witness is helping really gave us a

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Speaker 4: good start, obviously, and then it was an excellent police

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Speaker 4: work with not only our detectives and the plate of police,

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Speaker 4: but also the authorities in Virginia.

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Speaker 7: Now we're told that all four men in that Tesla

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Speaker 7: SUV were friends, got into some sort of argument before

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Speaker 7: that shooting happened. As you heard, Weber is currently in Virginia.

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Speaker 7: He's going to be extradudded back here at Charles County

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Speaker 7: to face charge is a first and second degree murder.

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Speaker 2: Yeah, ramon, you know what you call somebody with no

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Speaker 2: arms and no legs somebody? Can you imagine his defense attorney?

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Speaker 2: How do you? You're his defense attorney and you're going

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Speaker 2: in to talk to a jury as his advocate.

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Speaker 1: Now, Yo, hona, ladies and gentlemen of the jury. I'd

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Speaker 1: like to begin with what I believe is a fairly

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Speaker 1: obvious observation. My client, who does not have all matter,

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Speaker 1: he does not have any legs neither. Why when he

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Speaker 1: was just a little boy, his siblings would read him

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Speaker 1: a nursery rhyme called rubber nub nub. Three men in

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Speaker 1: a tub for the pure enjoyment. Now, I know the

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Speaker 1: prosecution would like you to believe that somehow, through shit, determination, grit,

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Speaker 1: and what I assume is telekinetic enthusiasm, this.

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Speaker 2: Man managed to fire a weapon. But I ask you

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Speaker 2: with what with what your honor?

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Speaker 1: Now, they brought up this so called athletic background, said

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Speaker 1: he's a professional can hole player. Well, that sounds more

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Speaker 1: impressive until you dig just a little bit deeper, because

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Speaker 1: you see, my client is involved.

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Speaker 6: In the game.

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Speaker 2: Oh yes he is, but not in the way y'all thinking.

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Speaker 1: You see, he's not throwing the bean bags, He's not

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Speaker 1: aiming the bean bags.

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Speaker 2: He is, in fact, little bean bag. That's right.

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Speaker 1: Week after week, tournament after tournament, he is jet sometimes

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Speaker 1: not so gently, tossed toward a wooden board by people

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Speaker 1: who are indeed blessed with armed and yet I'm supposed

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Speaker 1: to believe that after a long day of being airborne

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Speaker 1: sporting equipment, he suddenly develops the ability to operate a

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Speaker 1: fire arm. Ladies and gentlemen of the jury and your honor,

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Speaker 1: my client is a victim of gravity.

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Speaker 6: I'll close with this. I'd love to tell you that

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Speaker 6: my client is up in arms over these accusations. Some

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Speaker 6: would say he doesn't have a leg to stand on,

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Speaker 6: and they would be absolutely right.

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Speaker 2: Believe he should have just said my clients didn't shoot

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Speaker 2: anybody because he was unarmed. Do you notice that Kunda's

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Speaker 2: default setting for a courtroom lawyer is fog Horn Leghorn?

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Speaker 2: You know who I miss? You know what used to

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Speaker 2: be one of the best voices out there, and he

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Speaker 2: just quit doing it. SEC guy Carol Coxlatter. When when

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Speaker 2: Lancer Line did SEC guy, I thought it was in

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Speaker 2: my mind, in my mind of the voices I heard

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Speaker 2: on the radio, that was Shirley Coo Lickor and number

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Speaker 2: two was Carol Coxlatter and he and I told him myself,

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Speaker 2: I think it's a huge mistake. I think it's it's brilliant, absolutely,

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Speaker 2: But I had him on a few times, remember, and

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Speaker 2: people didn't get it. It took a while yet to

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Speaker 2: develop that character. But if you know an SEC guy,

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Speaker 2: and we all do, then it was just perfect. The

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Speaker 2: Michael Berry Show fright stuff right there. So there is

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Speaker 2: a new video podcast. I don't know if it's called

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Speaker 2: a podcast. I don't know all the language. I'm probably

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Speaker 2: getting it wrong, but there's something I follow on YouTube.

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Speaker 2: It's a guy named Andrew Pope and he's out of Alabama.

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Speaker 2: I didn't know anything about him. He's kind of got

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Speaker 2: a country bumpkin appeal to him and presentation, very unpretentious.

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Speaker 2: And I didn't know he was from Alabama. I didn't

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Speaker 2: know anything about him. I was sent a link by

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Speaker 2: the Aggie Plumber, Michael Robinson or Bobby Crumpley or somebody

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Speaker 2: that knows kind of my my musical tastes. I like

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Speaker 2: a little of everything, but when I when I need

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Speaker 2: some comfort, I'm I retreat to an old Hank Junior

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Speaker 2: song or a Don Williams song. And so he starts

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Speaker 2: the podcast by saying, uh. He doesn't say his name,

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Speaker 2: he just says, so you think you know about country music,

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Speaker 2: I bet you didn't know this. And you know how

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Speaker 2: they'll do those videos if you've seen TikTok and a

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Speaker 2: lot of those places. I don't know how they do this.

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Speaker 2: Must must be some program that use and you'll see

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Speaker 2: the face of the guy that's doing it, and they'll

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Speaker 2: put it down like a bug in the bottom corner

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Speaker 2: of the screen, and they're reacting to what you're watching,

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Speaker 2: so you see them. But you also see the video.

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Speaker 2: So he starts he's in his truck and he starts

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Speaker 2: in it's upclosees on, it's just handheld, and he says,

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Speaker 2: so you think you know about country music, I bet

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Speaker 2: you didn't know this real simple, no production elements, no nothing,

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Speaker 2: And then he starts telling you the story and there'll

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Speaker 2: be pictures on there, which he's clearly doing himself. Low

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Speaker 2: production value, great, great, And it's bite sized. They're three

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Speaker 2: to at the most eight minutes long, which I like

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Speaker 2: most of these things. They drag it out into an hour.

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Speaker 2: Who's got time for that? So he had an episode

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Speaker 2: on this song and Bob McDill. He loves Bob McDill,

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Speaker 2: and so do I. Well, the Bob McDill story is

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Speaker 2: that Bob McDill grew up in Walden, which if you're

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Speaker 2: from the Golden Triangle you know that most people would

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Speaker 2: just say that's Beaumont. But if you're driving, if you're

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Speaker 2: driving back from Louisiana to Houston, when you get through

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Speaker 2: Beaumont on the right, you'll see an exit that says Walden,

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Speaker 2: and there's no reason you would have ever taken it

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Speaker 2: because there's nothing back there. It's mostly fields and farms,

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Speaker 2: and they're beginning, they're building subdivisions now. But for the

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Speaker 2: longest time, there was really nothing back there. And that's

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Speaker 2: where Bob McDill grew up. Bob McDill became one of

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Speaker 2: the most prolific, influential songwriters, not just in country music,

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Speaker 2: in all of music. It's like Beethoven, Mozart, Bob McDill, right,

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Speaker 2: he's huge. And if I may interpose myself into this story,

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Speaker 2: which I want to do, I was talking about the

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Speaker 2: fact that I would like to get to know him,

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Speaker 2: and I'd mentioned it a couple days in a row

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Speaker 2: and somebody emailed in and said, hey, I'm not supposed

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Speaker 2: to give you his number, but I have his number,

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Speaker 2: and I said, send it now, So I did. I called,

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Speaker 2: and he picks up and I said, mister McDill, you

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Speaker 2: don't know me, but and he said, Michael Berry, Man

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Speaker 2: did I ever melt? I said, how did you know that?

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Speaker 2: He said, you've been talking about me. How did you

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Speaker 2: know that? Because I listen. You know, I'm not want

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Speaker 2: to brag on me Ramon, but Bob McDill, listening to

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Speaker 2: our show, lives in Nashville now has nothing We had

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Speaker 2: a wonderful conversation. He was planting roses, right, So he's

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Speaker 2: at a season of life where he ain't in the

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Speaker 2: game anymore, he ain't pitching songs. But anyway, back to

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Speaker 2: this song. So he said, so, the point of this

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Speaker 2: song was he wanted to write a song about Burt

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Speaker 2: Reynolds and Sally Field. This was after smoking the bandit

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Speaker 2: and they had been dating and they were a pretty

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Speaker 2: hot items and it was like Brad and Angelina or

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Speaker 2: someone was like it was you know, that was that

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Speaker 2: was That was everybody's couple at the time, in the

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Speaker 2: late seventies. So he writes this song and it's supposed

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Speaker 2: to be because Don Williams was in a movie and

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Speaker 2: Burt Reynolds was in a movie and so Don don mcguil,

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Speaker 2: Don McDill is back in Nashville, and he's like, oh,

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Speaker 2: I'm gonna write a song for Don. And when he

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Speaker 2: gets out of the movie he can sing the song perfect.

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Speaker 2: And he says, if you see Burt Reynolds, tell him

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Speaker 2: I said hello, and say hello to Sally Field as well.

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Speaker 2: And I guess Don Williams said, oh no, no, no,

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Speaker 2: we can't do that. They've broken up and it is

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Speaker 2: acrimonious and it is not good. So he puts penna

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Speaker 2: paper and he said, I'll put Clint Eastwood in there.

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Speaker 2: So if you see Burt Renolds, tell him I said hello,

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Speaker 2: and say hello to Clint Eastood too. Oh no, no, no,

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Speaker 2: I know what happened. So he's in a movie with

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Speaker 2: Burt Renlds. But he's not in the movie yet. So

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Speaker 2: he said, say hello to Burt Renls because that's Hollywood

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Speaker 2: at the time. Oh and by the way, say hello

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Speaker 2: to Clint Eastwood. And he ends up in that movie

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Speaker 2: with Burt Reynolds. And so he said, well, I can't

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Speaker 2: put Sally Field because they're not dating anymore. And if

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Speaker 2: Burt Reynlds is in the movie, I'll just put Burt

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Speaker 2: twice and then maybe I'll get to meet Burt Reynolds.

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Speaker 2: So once you know that, that's the reason, he repeats

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Speaker 2: and tell him I've seen all his movies. All right,

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Speaker 2: So started again.

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Speaker 5: Here we go.

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Speaker 2: We're going to take this real slow.

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Speaker 1: Michael. How good you not talking about I Ran and

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Speaker 1: Nancy Pelosi.

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Speaker 2: We're on program that's not the move today. Okay, here

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Speaker 2: we go, hold on this, sag more. I want you

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Speaker 2: to appreciate how smooth this arrangement is. To compliment, I mean,

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Speaker 2: this is this is genius. She's a vocal phrasing. Here

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Speaker 2: a monk, and that's the smoothness of the gentle giant's voice.

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Speaker 2: This is this is my childhood. This is me and

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Speaker 2: my mom listening on an eight track in the living

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Speaker 2: room to Don Williams. Oh, this takes me to a

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Speaker 2: happy place.

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Speaker 6: Come with me.

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Speaker 2: Does it give me better than that? I'm stuck in

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Speaker 2: seventy eight. I really don't. Don't tell me what happens

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Speaker 2: after seventy eight, because I don't. I bet it's not good.

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Speaker 2: Michael Arry's show.

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Speaker 1: Hold on.

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Speaker 2: So you know, Eddie Martinez used to say that what

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Speaker 2: I really wanted to be was a DJ. But if

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Speaker 2: I was a DJ, I'd want to talk politics. So

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Speaker 2: Bob McDill had been reading these great Southern authors Robert

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Speaker 2: Penwarren Faulkner Tennessee, I mean, and not Tennessee or any

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Speaker 2: for it. He had been reading. That's not the one

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Speaker 2: I was thinking of. Storry. I can't believe my mind.

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Speaker 2: I know some of you know this. I don't think

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Speaker 2: my mind's going it's just your recall. You know it's there.

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Speaker 2: If you can get the first letter you can get,

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Speaker 2: you just can't quite get to him anyway. So Bob

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Speaker 2: McDill decided that his tribute to the great Southern writers,

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Speaker 2: to their phrasing, to their storyteller storytelling, to the old

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Speaker 2: Southern tradition of this. You know, Mark Twain of these writers,

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Speaker 2: that he wanted to write a song that would be

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Speaker 2: a tribute to that time and to how I realized

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Speaker 2: his late seventies, early eighties. I don't know exactly what year,

403
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Speaker 2: but Don Williams was a hit machine. Everything he put

404
00:24:00,560 --> 00:24:03,080
Speaker 2: it was like Kenny Rogers. Everything Don Waiems put out

405
00:24:03,160 --> 00:24:06,159
Speaker 2: just hit, hit, hit, just one after the other. And

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00:24:06,640 --> 00:24:10,760
Speaker 2: this is a time when they thought technology had displaced

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00:24:11,040 --> 00:24:16,440
Speaker 2: human interaction. Can you imagine compared to today. But he

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00:24:16,600 --> 00:24:20,359
Speaker 2: wanted to write a song that really spoke to the

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Speaker 2: old Southern tradition and art and music and culture and

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Speaker 2: food and lifestyle. And I'll tell you another one who

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Speaker 2: does that is Alan Tusson from a little different perspective,

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00:24:36,040 --> 00:24:44,120
Speaker 2: a black country Louisiana, but so similar, you know, food, family, culture,

413
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Speaker 2: Southern nights. If you get bored after the show's over

414
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Speaker 2: at go to YouTube. There's a fourteen minute YouTube on

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Speaker 2: Alan Tusson and it's Southern Nights and it's storytelling and

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Speaker 2: he's playing the piano as he does it, and he's

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Speaker 2: telling the story about growing up in New Orleans and

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Speaker 2: they would go visit his aunties and uncles out in

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Speaker 2: the country and how the further you went away from

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Speaker 2: New Orleans, which is where he lived, and you know,

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Speaker 2: the New Orleans was big city then culture and music

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Speaker 2: and all his crowds and noise. The further you got,

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00:25:22,400 --> 00:25:26,320
Speaker 2: the further the houses were in between. And finally they'd

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Speaker 2: land up it at the relative's house and it would

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00:25:28,880 --> 00:25:30,399
Speaker 2: be dark and there were no lights out there, and

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00:25:30,440 --> 00:25:33,840
Speaker 2: people be sitting out there and Uncle Fester or Uncle

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Speaker 2: whoever would fall off the steps because he was drunk

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Speaker 2: on the moonshine there and they would all sing the

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00:25:39,640 --> 00:25:42,200
Speaker 2: songs and he talks about those Southern nights and you

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Speaker 2: could see the stars up in the sky because there's

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00:25:44,160 --> 00:25:48,560
Speaker 2: no electricity anywhere. And he tells just this beautiful story

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Speaker 2: and as he's doing it, he's tickling the ivories and

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00:25:52,320 --> 00:25:55,800
Speaker 2: it's just great. Oh, and you'll never hear Glenn Campbell's

434
00:25:55,880 --> 00:26:00,320
Speaker 2: remake of Southern Nights the same way after that. Anyway,

435
00:26:00,680 --> 00:26:04,320
Speaker 2: So the great Bob mcdial from Beaumont Walden wanted to

436
00:26:04,480 --> 00:26:06,879
Speaker 2: do a song that was a tribute to the great

437
00:26:06,960 --> 00:26:10,360
Speaker 2: old literature and culture and all that. And he pitches

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00:26:10,440 --> 00:26:13,879
Speaker 2: this to Don Williams, who obviously immediately loved it. Now

439
00:26:13,920 --> 00:26:16,960
Speaker 2: you'll notice Don Williams's vocal freight skiddy. All right, give

440
00:26:16,960 --> 00:26:18,520
Speaker 2: it a listen. I want you to pay hold on.

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00:26:19,200 --> 00:26:23,200
Speaker 2: She pays special attention to mcdial's writing, and not let

442
00:26:23,320 --> 00:26:27,440
Speaker 2: Don williams beautiful vocals the general giant distract you. I

443
00:26:27,560 --> 00:26:31,200
Speaker 2: want you to read this as poetry or prose, whatever

444
00:26:31,280 --> 00:26:34,480
Speaker 2: you choose, and think to yourself, this is Shelley, this

445
00:26:34,720 --> 00:26:38,879
Speaker 2: is Keats, this is Yates, this is Kipling, this is Shakespeare,

446
00:26:39,200 --> 00:26:42,520
Speaker 2: this is great old writing. We don't pay enough attention

447
00:26:42,640 --> 00:26:45,520
Speaker 2: to the songwriters as the great writers of our day. Okay,

448
00:26:45,520 --> 00:26:50,840
Speaker 2: here we go. I keep a TV on. I can

449
00:26:50,920 --> 00:26:54,159
Speaker 2: still to the side, just to see what headlines are on.

450
00:26:55,680 --> 00:27:02,240
Speaker 2: And George Bush Airport Intercontinental has been the morning top

451
00:27:02,359 --> 00:27:07,439
Speaker 2: news in the country this week. The lines watching people stuck,

452
00:27:08,200 --> 00:27:11,359
Speaker 2: watching people being abused by their own government. Let me

453
00:27:11,480 --> 00:27:15,159
Speaker 2: rewind for a moment and remind you of something. We

454
00:27:15,240 --> 00:27:19,400
Speaker 2: don't lack planes. We don't lack fuel. We don't lack

455
00:27:19,480 --> 00:27:21,920
Speaker 2: the money for people to be able to pay for

456
00:27:22,040 --> 00:27:26,040
Speaker 2: the planes to take the flights. We don't lack the pilots.

457
00:27:26,760 --> 00:27:30,040
Speaker 2: We don't lack the stewardesses. We don't lack the equipment,

458
00:27:30,280 --> 00:27:35,760
Speaker 2: the runway, space, air traffic controllers. This is all so

459
00:27:35,960 --> 00:27:38,800
Speaker 2: you can take the ten seconds to go through the

460
00:27:38,920 --> 00:27:41,879
Speaker 2: machine and be scanned. You know, before two thousand and

461
00:27:41,920 --> 00:27:47,920
Speaker 2: one we didn't even do that. Remember that, take away

462
00:27:48,080 --> 00:27:51,040
Speaker 2: the terror attacks, take away the fear, and you don't

463
00:27:51,160 --> 00:27:53,520
Speaker 2: need to do this. What if we just take away

464
00:27:53,600 --> 00:27:54,040
Speaker 2: TSA