WEBVTT - Steph Paynes

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<v Speaker 1>Welcome, Welcome, Welcome back to the Bob Left Podcast. My

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<v Speaker 1>guest today is Steph Payne, guitarist and leading force of

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<v Speaker 1>the band les Zeppelin. Steph, good to have you on

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<v Speaker 1>the podcast.

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<v Speaker 2>Hey, thanks, Bob, it's fantastic to be here. Thanks for

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<v Speaker 2>having me.

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<v Speaker 1>Let's start from the beginning. Is Steph Payin's your real name?

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<v Speaker 2>Yes, it's my real name. But there is a small

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<v Speaker 2>little difference, and that is there's a why in it.

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<v Speaker 2>When when I was born there was no why, so

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<v Speaker 2>it was P. A. N. E. S. And that's the truth.

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<v Speaker 2>And you're the first one to hear it. But it's

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<v Speaker 2>a funny story, which if I go into it.

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<v Speaker 1>Well tell the story. We're here, We're here.

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<v Speaker 2>This is all right, Okay, okay. It sort of ties

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<v Speaker 2>in because I put the Y in my name after

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<v Speaker 2>I moved to England the first time, which is a

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<v Speaker 2>long time ago, right after college, and I had found

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<v Speaker 2>myself working, you know, trying to be a big rock

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<v Speaker 2>star and make it and do all this stuff because

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<v Speaker 2>you know, British Invasion rock was my favorite thing. So

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<v Speaker 2>I thought I have to go to England. And while

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<v Speaker 2>I was here, at that point, I started to write

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<v Speaker 2>for the music press, and I was writing for the

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<v Speaker 2>NME actually, and when I got my first story published,

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<v Speaker 2>I realized, because I was paranoid about working without a

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<v Speaker 2>work permit, that if I put a Y in the name,

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<v Speaker 2>they could not prove that it was me, because there's

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<v Speaker 2>a why in the name and all my passport there isn't.

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<v Speaker 2>So that was my thinking and ever since it became

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<v Speaker 2>my name and it stuck. So there's a wine.

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<v Speaker 1>Okay, there's a lot to unpact there, but I'm going

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<v Speaker 1>to go back to original theme. Les Zeppelin would imply

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<v Speaker 1>that it's an act of lesbians. What is the truth?

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<v Speaker 2>Oh, I knew you were going to get there. I

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<v Speaker 2>didn't think it would be second. I thought it would

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<v Speaker 2>be first. We have always had a don't ask, don't

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<v Speaker 2>tell policy since the beginning of the band. Lots of

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<v Speaker 2>reasons for that, but I figured I basically, in a nutshell,

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<v Speaker 2>I'd get into trouble either way, So don't ask, don't tell,

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<v Speaker 2>and we welcome speculation. We're fine with whatever anybody thinks.

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<v Speaker 2>And people actually like to guess, so it's fun.

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<v Speaker 1>Okay, you yourself have been married, have children, You certainly

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<v Speaker 1>have lived a heterosexual lifestyle, So the question because naming

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<v Speaker 1>it led Zeppelin, was that to gain attention or was

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<v Speaker 1>that because that was the easiest play on the name

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<v Speaker 1>led Zeppelin? How did you come up with it? Long?

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<v Speaker 2>Okay, I will tell you my mother came up with it.

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<v Speaker 2>Believe it or not. My mother, this is true. She

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<v Speaker 2>was an English professor, and she was fantastic with puns

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<v Speaker 2>and you know, writing. I mean, it was wonderful. She

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<v Speaker 2>used to write poetry and everything. But she was the

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<v Speaker 2>quickest person with a pun that I'd ever met. And

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<v Speaker 2>we were sitting around the table and I had already

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<v Speaker 2>started this, I mean, had this idea to start this band,

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<v Speaker 2>and I was gung ho, and we were trying to

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<v Speaker 2>think of names, and there were all sorts of really

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<v Speaker 2>bad names being put on the table as bands, do

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<v Speaker 2>you know, cover your tablecloth with bad names? And she

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<v Speaker 2>just turns to me and says, lez Zeppelin. Now, I

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<v Speaker 2>had never heard my mother even say the word lesbian

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<v Speaker 2>okay out loud. But it was the most brilliant thing

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<v Speaker 2>I ever heard. I just that was it. There was

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<v Speaker 2>no question in my mind that that had to be

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<v Speaker 2>the name of the band. And I think, honestly, I

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<v Speaker 2>think it's like the best band name ever. Maybe not ever,

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<v Speaker 2>but it's up there.

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<v Speaker 1>Okay, for those people unfamiliar with les Zeppelin, how would

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<v Speaker 1>you describe the band?

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<v Speaker 2>Okay, it's you mean trying to describe led Zeppelin in

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<v Speaker 2>and of itself.

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<v Speaker 1>And someone goes to a led Zeppelin show, someone listens

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<v Speaker 1>to your music, what are they getting? What is the

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<v Speaker 1>ethos of the band? What is it you're selling?

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<v Speaker 2>Okay, they will get a powerful, very passion very spontaneous

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<v Speaker 2>show that is all around the songs of led Zeppelin.

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<v Speaker 2>We play the songs as they are written most of

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<v Speaker 2>the time, but we improvise where they used to improvise.

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<v Speaker 2>And it's kind of an amazing thing because we focus

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<v Speaker 2>more on the spirit of the band, i would say,

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<v Speaker 2>and the incredible combination of musicianship that made them who

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<v Speaker 2>they are, which is why this band has to be

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<v Speaker 2>so organic, because we are playing together as musicians like

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<v Speaker 2>they were and trying to achieve that special sort of

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<v Speaker 2>magical moment of intensity, and that really is our goal.

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<v Speaker 2>And you know, sometimes I'll play a solo. I mean

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<v Speaker 2>a lot of the solos I play at this point

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<v Speaker 2>are you know, in Jimmy Page's style, but they're not

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<v Speaker 2>exactly what Jimmy played, and my hope is maybe he

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<v Speaker 2>would have played it at some point, but it's much

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<v Speaker 2>more evocative, I think, to.

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<v Speaker 1>Go for.

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<v Speaker 2>That essence of the band, and I think people react

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<v Speaker 2>to it feeling like they've really been to a led

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<v Speaker 2>Zeppelin show, much more than if we just copied everything

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<v Speaker 2>they played, which is frankly no interest to me.

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<v Speaker 1>However, having seen the act, it's not like going to

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<v Speaker 1>see Bob Dylan today and saying, you know, he played

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<v Speaker 1>a song that's famous and I didn't recognize that. The

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<v Speaker 1>songs generally speaking, are very faithful to the originals.

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<v Speaker 2>Yes, because you have to be. I mean, it's brilliant

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<v Speaker 2>music and you have to be faithful, like, for example,

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<v Speaker 2>the Ocean. Well, let's take that song. It's kind of

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<v Speaker 2>such a perfect package. I never changed the guitar solos

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<v Speaker 2>for that. We never change the arrangements. But you know,

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<v Speaker 2>we're only four people, so we play it live like

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<v Speaker 2>they played it, So our renditions are how they played

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<v Speaker 2>it live. We don't have extra people on stage to

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<v Speaker 2>fill all the guitar parts. We're not trying to replicate

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<v Speaker 2>the albums. But you know, a song like the Ocean

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<v Speaker 2>is very, very true to form. It'll sound like it

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<v Speaker 2>sounds on the record without the extra guitar tracks. It

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<v Speaker 2>sounds like they played how it sounded when they played

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<v Speaker 2>it live.

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<v Speaker 1>But just to nail this down, what is different is

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<v Speaker 1>primarily is solos, etc. You're going to the show, You're

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<v Speaker 1>if you close your eyes, theoretically you say, okay, this

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<v Speaker 1>is led Zeppelin live. Yes, would you agree with that?

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<v Speaker 2>Yes, that's my goal. It works, though it succeeds.

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<v Speaker 1>How'd you come up with the idea?

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<v Speaker 2>Pow? Oh gosh, it's really kind of boring. It's boring, Bob,

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<v Speaker 2>It's really boring. I mean, frankly, I just love the

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<v Speaker 2>music of Led Zeppelin. I mean it was a pure

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<v Speaker 2>act of indulgence. And I was between gigs. I had

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<v Speaker 2>spent a time playing with Ronnie Specter. That had been

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<v Speaker 2>my last gig, I guess, and I was in the

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<v Speaker 2>mood to really dig down and get intense with the guitar.

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<v Speaker 2>I frankly hadn't really studied Jimmy Page. Before i'd studied

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<v Speaker 2>Jimmy Hendrix, I'd studied a lot of jazz, I'd studied

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<v Speaker 2>other players, but Jimmy was fascinating to me, and I

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<v Speaker 2>really wanted to see if I could get into his zeitgeist,

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<v Speaker 2>you know, So I thought, this will be fun. Why

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<v Speaker 2>don't I just you know, if I could be in

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<v Speaker 2>any band in the whole world, what would it be

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<v Speaker 2>led Zeppelin? So I thought, you know, I took the

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<v Speaker 2>leap like a little bit of an idiot and said,

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<v Speaker 2>why not, let's just play led Zeppelin? And I sort

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<v Speaker 2>of set off to do it, and that was really it.

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<v Speaker 2>Just I figured, we'll play a gig once a month.

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<v Speaker 2>I'll get a couple of girls together, because I knew

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<v Speaker 2>that it would be better with all girls, and maybe

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<v Speaker 2>we'll make fifty bucks and have a beer and it'll

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<v Speaker 2>be really fun and kind of get all rocks off.

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<v Speaker 2>But once I started the band, it turned out to

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<v Speaker 2>be a much more work than that, way much more work.

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<v Speaker 2>And then the level of interest in the group was immediate.

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<v Speaker 2>This is twenty twenty four. I'm sorry, two thousand and four.

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<v Speaker 2>It's been twenty years actually, and I realized I was

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<v Speaker 2>onto something.

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<v Speaker 1>Let's start with the work. You say it was much

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<v Speaker 1>more work? Can you go deeper there?

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<v Speaker 2>Oh? Yeah, okay. First I had to find three other

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<v Speaker 2>people girls I wanted, girls I had been in one

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<v Speaker 2>other all girl band that was amazing and very powerful,

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<v Speaker 2>so I had no doubt that girls could do it

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<v Speaker 2>and probably better. Where were they?

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<v Speaker 1>Oh well, we just have to stop there for one second.

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<v Speaker 1>Why probably? Why probably better? Or was that just an

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<v Speaker 1>offhand comment?

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<v Speaker 2>It was kind of offhand, but it was kind of

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<v Speaker 2>the way I felt. I just my latter The one

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<v Speaker 2>all girl band I had been in was called one

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<v Speaker 2>nine hundred Bucks, and it was in the nineties, so

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<v Speaker 2>it was kind of like a Jane's Addiction kind of band.

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<v Speaker 2>We were compared to them a lot, and we were

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<v Speaker 2>compared to and I'm telling you, Bob, it was the

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<v Speaker 2>most powerful band I've ever played in. And I've played

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<v Speaker 2>in a lot of bands with a lot of guys,

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<v Speaker 2>not that they can't do it. There was just something

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<v Speaker 2>about that band and the intensity of it, So in

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<v Speaker 2>my mind, I had no doubt girls could do it.

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<v Speaker 2>Can they do it better? Well? Now I think that,

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<v Speaker 2>But then you know, I think my band does it better.

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<v Speaker 1>I'm going to stop you for one second. Since led

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<v Speaker 1>Zeppelin is an all male band, macho males here that

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<v Speaker 1>they can't use the word girls. They must use the

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<v Speaker 1>word women. From your perspective, What is your take on that.

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<v Speaker 2>Girls is fine with me? I don't. I have no

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<v Speaker 2>interest in that kind of semantic volleyball. And I would

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<v Speaker 2>take you to task on saying that led Zeppelin were macha,

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<v Speaker 2>because I think they were pretty far from macho. I

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<v Speaker 2>think there was a lot of posturing and a lot

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<v Speaker 2>of sort of you know, peacock feathers, strutting and all

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<v Speaker 2>the rest, and it was very sexual. But if you

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<v Speaker 2>think about how led Zeppelin looked like girls kind of.

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<v Speaker 2>If you think about the beautiful texture and dynamics of

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<v Speaker 2>their music, from gentle sort of Celtic folk through to

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<v Speaker 2>a whole lot of love or something like that, it

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<v Speaker 2>runs the spectrum. And I never consider it cock rock,

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<v Speaker 2>as many people have said, or particularly macho, but somehow

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<v Speaker 2>it has that reputation. I mean, maybe you can explain it.

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<v Speaker 1>No, I think those words came out of my mouth

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<v Speaker 1>and I was doubting. I'm good for you for calling

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<v Speaker 1>me on it. But let's go back to the narrative.

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<v Speaker 1>So you say, Okay, I'm going to do this. First,

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<v Speaker 1>I have to find three other girls. So what did

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<v Speaker 1>you do?

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<v Speaker 2>I just word of mouth. I just asked everybody and

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<v Speaker 2>I mean everybody, like people who were bankers, people who

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<v Speaker 2>were in restaurants. I was like hairdressers. I just figured

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<v Speaker 2>if I put the word out, someone will know somebody.

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<v Speaker 2>And in fact, that's exactly how that band came together.

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<v Speaker 2>Somebody saying, oh, my friend, my hairdresser in fact plays drums,

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<v Speaker 2>and my brother went to a party and called me

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<v Speaker 2>up and said, I think I found your singer like that,

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<v Speaker 2>and that the drummer. I knew what the drummer from

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<v Speaker 2>the all girl band that I mentioned, and I called her. Initially,

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<v Speaker 2>her name was Chip English, and she went off to

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<v Speaker 2>play with the Luna Chiics, if you know who they are.

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<v Speaker 2>But Chip is an incredibly intense drummer, and she joined up.

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<v Speaker 2>She was gung ho for about a month and a

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<v Speaker 2>half until she realized how much work it was, and

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<v Speaker 2>then it was I'm not doing this. This is too

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<v Speaker 2>much practicing. So I then, you know, found another drummer

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<v Speaker 2>word of mouth. But yeah, it was all sort of.

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<v Speaker 2>It was a little magical, Bob, I got to tell

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<v Speaker 2>you a little bit dark and magical.

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<v Speaker 1>From the moment you say I'm going to start looking

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<v Speaker 1>till you find the other three players. How long a

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<v Speaker 1>period of time is that.

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<v Speaker 2>I would say about a month and a half, two months.

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<v Speaker 1>Okay, So do you find the players? What's the next step?

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<v Speaker 2>Practice? Practice, practice, practice. It's kind of like location, location, location,

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<v Speaker 2>I mean, and this is the thing. It's not can

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<v Speaker 2>you play it technic glean? Okay, that's I mean, there

0:15:03.080 --> 0:15:04.840
<v Speaker 2>is some of that. There is a lot of that too,

0:15:04.840 --> 0:15:07.520
<v Speaker 2>because it's crazy, some of some of Jimmy's riffs. I

0:15:07.520 --> 0:15:11.680
<v Speaker 2>mean they're insane, right, So there is that, But when

0:15:11.680 --> 0:15:14.840
<v Speaker 2>you begin to play the music, you realize how much

0:15:15.840 --> 0:15:23.640
<v Speaker 2>else there is, how many other little details and in

0:15:23.720 --> 0:15:28.360
<v Speaker 2>you and sort of musical innuendos and the feel and

0:15:28.480 --> 0:15:31.640
<v Speaker 2>the way you have to lay back in all of

0:15:31.680 --> 0:15:35.600
<v Speaker 2>those things and then play together. I mean, it's it's

0:15:35.640 --> 0:15:43.560
<v Speaker 2>a lot. And you know, I think once we started going,

0:15:45.160 --> 0:15:51.120
<v Speaker 2>because we're girls and I'll say girls because we were girls. Yeah,

0:15:51.120 --> 0:15:56.080
<v Speaker 2>because we were girls, I knew that we had to

0:15:56.120 --> 0:16:01.600
<v Speaker 2>be twice as good as any guys, no question, because

0:16:02.400 --> 0:16:05.480
<v Speaker 2>we would be met by instant skepticism, which we were,

0:16:06.520 --> 0:16:13.320
<v Speaker 2>so we really you know, wood shedded is that the term.

0:16:14.040 --> 0:16:17.880
<v Speaker 2>We just practiced for six months until we dared to

0:16:17.920 --> 0:16:18.520
<v Speaker 2>play a gig.

0:16:19.360 --> 0:16:23.120
<v Speaker 1>Wow, So how did you decide you were ready.

0:16:25.840 --> 0:16:29.880
<v Speaker 2>Well, I think we got through a set list the

0:16:29.920 --> 0:16:34.360
<v Speaker 2>songs we could play. There was power in the band.

0:16:34.520 --> 0:16:37.640
<v Speaker 2>I mean we'd go to a rehearsal studio and people

0:16:37.680 --> 0:16:41.960
<v Speaker 2>would sit outside the door and listen in, you know,

0:16:42.120 --> 0:16:45.320
<v Speaker 2>including the guys that worked there. So we started to feel, Okay,

0:16:45.760 --> 0:16:48.960
<v Speaker 2>this is cool. We got it. You know. We just

0:16:49.000 --> 0:16:54.000
<v Speaker 2>had to jump off at some point. So there was

0:16:54.040 --> 0:16:57.520
<v Speaker 2>also another little detail, and that is I was nine

0:16:57.520 --> 0:17:04.520
<v Speaker 2>months pregnant for our first gigs. Okay, yeah, so you

0:17:04.600 --> 0:17:07.000
<v Speaker 2>know how Jimmy holds the guitar sideways like I have

0:17:07.040 --> 0:17:11.000
<v Speaker 2>a side saddle. I was doing that. So I figured,

0:17:11.080 --> 0:17:14.119
<v Speaker 2>let's let's get in a couple of gigs before I

0:17:14.200 --> 0:17:17.920
<v Speaker 2>get this little creature out, and then we can go

0:17:18.000 --> 0:17:22.000
<v Speaker 2>gung home. So that we had to be ready at

0:17:22.040 --> 0:17:28.359
<v Speaker 2>some point to play a few gigs.

0:17:31.280 --> 0:17:35.199
<v Speaker 1>Okay, you do a couple of gigs, you have a child.

0:17:35.560 --> 0:17:38.119
<v Speaker 1>How long until you start playing again?

0:17:40.240 --> 0:17:42.639
<v Speaker 2>About a month and a half.

0:17:43.880 --> 0:17:49.080
<v Speaker 1>Oh, very quickly. Okay, so yes, let's go back before

0:17:49.200 --> 0:17:52.720
<v Speaker 1>you have the baby. Tell me about the first couple

0:17:52.720 --> 0:17:55.199
<v Speaker 1>of gigs, how you get them. But the reaction is

0:17:55.640 --> 0:17:56.960
<v Speaker 1>how you experienced it.

0:17:59.560 --> 0:18:04.040
<v Speaker 2>You know, we were a bit. It was a bit scary.

0:18:04.160 --> 0:18:08.720
<v Speaker 2>But we played out of New York City because I

0:18:08.720 --> 0:18:13.240
<v Speaker 2>didn't want to play in New York City yet. And

0:18:13.280 --> 0:18:17.240
<v Speaker 2>there were these small clubs up in Connecticut because our

0:18:17.280 --> 0:18:21.800
<v Speaker 2>singer at the time was from Avon, Connecticut. So we

0:18:21.920 --> 0:18:24.840
<v Speaker 2>played this place called Sully's, and we played this place

0:18:24.880 --> 0:18:29.960
<v Speaker 2>called the Hungry Tiger, and they were small clubs, and

0:18:31.880 --> 0:18:36.639
<v Speaker 2>people went nuts, I mean instantly. And I'm telling you

0:18:36.680 --> 0:18:39.040
<v Speaker 2>those gigs were not very good. I mean, you know,

0:18:39.080 --> 0:18:42.800
<v Speaker 2>by standards now, I mean there was a lot that

0:18:42.960 --> 0:18:46.920
<v Speaker 2>was wrong with the sound, if I'm going to be

0:18:47.040 --> 0:18:51.240
<v Speaker 2>picky and playing it correctly. But there was this energy

0:18:51.960 --> 0:18:56.040
<v Speaker 2>and there was a desire to see four girls playing

0:18:56.119 --> 0:18:59.960
<v Speaker 2>led Zeppelin. I mean it was just like everyone wanted

0:19:00.119 --> 0:19:06.000
<v Speaker 2>didn't see it. So the clubs were full and people

0:19:06.760 --> 0:19:07.399
<v Speaker 2>went nuts.

0:19:09.280 --> 0:19:13.280
<v Speaker 1>Okay, especially today you're talking two thousand and four. That's

0:19:13.359 --> 0:19:15.800
<v Speaker 1>you know, when things really start to change from the

0:19:15.800 --> 0:19:19.320
<v Speaker 1>old music business to the new music business. Hey, you

0:19:19.480 --> 0:19:23.080
<v Speaker 1>formed the band, b rehearsed the band, See you're ready

0:19:23.080 --> 0:19:25.440
<v Speaker 1>to do it. How'd you get the gigs? Did you

0:19:25.560 --> 0:19:29.800
<v Speaker 1>personally call? Was there an agent? Was there a manager?

0:19:30.160 --> 0:19:31.760
<v Speaker 1>How did you get the gigs?

0:19:33.040 --> 0:19:40.240
<v Speaker 2>Right? So? None of the above. Yes, I personally called

0:19:41.000 --> 0:19:45.000
<v Speaker 2>the singer called because she knew the guy at Sully's

0:19:45.080 --> 0:19:50.919
<v Speaker 2>or whatever. We had no agent, no manager, just the

0:19:51.000 --> 0:19:57.359
<v Speaker 2>four of us with lots of opinions, and it was

0:19:57.640 --> 0:20:00.120
<v Speaker 2>it was just like that, like any kind of baby

0:20:00.160 --> 0:20:05.439
<v Speaker 2>band starting out, super fun. We were so excited, you know,

0:20:05.680 --> 0:20:09.640
<v Speaker 2>when a hundred people showed up and we made two

0:20:09.680 --> 0:20:11.879
<v Speaker 2>hundred and fifty bucks, I mean it was a lot,

0:20:11.920 --> 0:20:17.480
<v Speaker 2>three hundred dollars or something. And within I would say

0:20:18.560 --> 0:20:25.720
<v Speaker 2>a year, we had an agent, and shortly after that

0:20:25.840 --> 0:20:28.600
<v Speaker 2>we were approached by managers the whole gamut, and it

0:20:28.680 --> 0:20:33.080
<v Speaker 2>was one point we had a business manager, we had PRP,

0:20:33.200 --> 0:20:36.520
<v Speaker 2>we had everything. You know, it just sort of snowballed.

0:20:36.760 --> 0:20:38.399
<v Speaker 2>But at first, now.

0:20:39.000 --> 0:20:44.080
<v Speaker 1>Okay, you have the baby, you start playing again, Walk

0:20:44.160 --> 0:20:46.520
<v Speaker 1>me a little bit slower. How many gigs you're playing,

0:20:46.600 --> 0:20:48.920
<v Speaker 1>How you get the agent, and how it starts to develop.

0:20:51.560 --> 0:20:56.399
<v Speaker 2>So mostly at the beginning, it was maybe one gig

0:20:56.560 --> 0:21:01.640
<v Speaker 2>on a Saturday or Friday. Occasionally we would play. As

0:21:01.680 --> 0:21:05.240
<v Speaker 2>we progressed, we would start to play match them up,

0:21:05.560 --> 0:21:07.840
<v Speaker 2>you know, maybe we could play here and there. But

0:21:08.240 --> 0:21:11.280
<v Speaker 2>that really started to come a little later once we

0:21:11.359 --> 0:21:15.159
<v Speaker 2>had an agent. So they were kind of one offs.

0:21:15.480 --> 0:21:18.320
<v Speaker 2>Sometimes we'd have to stay in a hotel or something,

0:21:18.440 --> 0:21:23.760
<v Speaker 2>but they were all fairly local. So we rented a van,

0:21:25.040 --> 0:21:28.840
<v Speaker 2>you know, you know, like a mini van. I don't

0:21:28.880 --> 0:21:32.560
<v Speaker 2>even know if they exist anymore. It's an suv or something.

0:21:33.240 --> 0:21:38.040
<v Speaker 2>But and we piled our stuff in and drove ourselves up,

0:21:38.960 --> 0:21:43.520
<v Speaker 2>played this crazy intense music for an hour and a half,

0:21:44.480 --> 0:21:47.840
<v Speaker 2>then packed it up and drove home. So it was

0:21:47.880 --> 0:21:53.320
<v Speaker 2>a lot. It was a lot, but it was so rewarding.

0:21:54.080 --> 0:21:57.879
<v Speaker 1>Okay, it started as a lark. When in your brain

0:21:58.040 --> 0:21:59.720
<v Speaker 1>did it turn into more than a lark?

0:22:03.560 --> 0:22:10.760
<v Speaker 2>I think that pretty quickly. I realized that I had

0:22:10.840 --> 0:22:17.960
<v Speaker 2>something on my hands. You know, I've spent years previous

0:22:18.040 --> 0:22:22.840
<v Speaker 2>to this, early on in trying to crack the music business.

0:22:24.160 --> 0:22:27.600
<v Speaker 2>I had a million original bands. You know. For a

0:22:27.680 --> 0:22:31.800
<v Speaker 2>while I was out as a singer songwriter, I was

0:22:31.800 --> 0:22:36.080
<v Speaker 2>playing another bands, and everyone was just trying to get

0:22:36.119 --> 0:22:41.000
<v Speaker 2>to that point where they'd even get an agent. When

0:22:41.119 --> 0:22:47.080
<v Speaker 2>les Zeppelin came out, everyone wanted to hear it. The

0:22:47.119 --> 0:22:51.520
<v Speaker 2>promoters did not even ask when I mean, they just

0:22:51.640 --> 0:22:56.359
<v Speaker 2>it was an automatic. Yes, it was sort of like

0:22:56.560 --> 0:23:02.760
<v Speaker 2>the easiest thing. And that was unusual. It was you know,

0:23:02.840 --> 0:23:05.800
<v Speaker 2>when things are meant to happen, they just happened. There

0:23:05.840 --> 0:23:11.040
<v Speaker 2>was no resistance. So I realized pretty fast, Wow, this

0:23:11.200 --> 0:23:16.439
<v Speaker 2>is different. This has potential to grow a bit larger.

0:23:16.560 --> 0:23:21.000
<v Speaker 2>Did I think it would become what it actually became. No,

0:23:21.080 --> 0:23:24.240
<v Speaker 2>not in a million years. I mean it's been twenty

0:23:24.320 --> 0:23:29.439
<v Speaker 2>years I've been doing this, and we've had unbelievable experiences

0:23:29.520 --> 0:23:33.680
<v Speaker 2>doing stuff that bands like ours should never have done.

0:23:33.760 --> 0:23:36.560
<v Speaker 1>I think, but what are you talking about?

0:23:36.680 --> 0:23:40.160
<v Speaker 2>Not never have done, not never have done? But would

0:23:39.920 --> 0:23:43.280
<v Speaker 2>ha had never done? Is what I meant? Like playing

0:23:43.320 --> 0:23:47.879
<v Speaker 2>major festivals like we played at the Metropolitan Museum of

0:23:48.000 --> 0:23:56.200
<v Speaker 2>Art for the Play It Loud exhibit. We toured all

0:23:56.240 --> 0:23:59.640
<v Speaker 2>over the world, Japan, we released records in Japan. Eddie

0:23:59.680 --> 0:24:05.000
<v Speaker 2>krane Or produced our first record. You know, crazy surreal

0:24:05.040 --> 0:24:07.480
<v Speaker 2>stuff like that. And of course Jimmy came to our gig.

0:24:10.160 --> 0:24:13.639
<v Speaker 2>It's just a lot of you know, Bonneroo. We played

0:24:13.640 --> 0:24:16.520
<v Speaker 2>at Bonnaroo and it was I don't think there had

0:24:16.600 --> 0:24:21.600
<v Speaker 2>been a cover band like ours at Bonnaroo ever, and

0:24:21.640 --> 0:24:23.800
<v Speaker 2>it was tens of thousands of people.

0:24:23.960 --> 0:24:27.600
<v Speaker 1>Okay, so you start in two thousand and four, it's

0:24:27.720 --> 0:24:33.280
<v Speaker 1>twenty twenty four. Has this been a continuous forgetting COVID

0:24:33.280 --> 0:24:37.119
<v Speaker 1>which is its own world? Has this been a continuous upswing?

0:24:37.280 --> 0:24:40.200
<v Speaker 1>Have there been ups and downs? And what is the

0:24:40.240 --> 0:24:41.760
<v Speaker 1>status of the act today?

0:24:45.400 --> 0:24:47.080
<v Speaker 2>Ah? How much time do we have?

0:24:47.640 --> 0:24:48.680
<v Speaker 1>Time?

0:24:49.160 --> 0:24:54.439
<v Speaker 2>Okay, No, it's lots of ups and downs, lots, you know,

0:24:54.560 --> 0:25:03.439
<v Speaker 2>like anything. I mean, various things happened that that involved

0:25:03.560 --> 0:25:07.840
<v Speaker 2>just dips in the you know, we were soaring for

0:25:07.880 --> 0:25:10.800
<v Speaker 2>a while, and then it just seemed to settle down.

0:25:10.920 --> 0:25:14.920
<v Speaker 2>And then I had a complete lineup change, and that

0:25:16.359 --> 0:25:20.840
<v Speaker 2>stopped me in my tracks. And I could have just

0:25:20.880 --> 0:25:24.560
<v Speaker 2>stopped at that point, except I didn't think we were finished,

0:25:24.600 --> 0:25:26.919
<v Speaker 2>so I had to get a whole new band together.

0:25:27.720 --> 0:25:30.159
<v Speaker 2>That band was great. That continued for a while, So

0:25:30.160 --> 0:25:35.040
<v Speaker 2>I've had lineup changes along the way, and you know,

0:25:35.520 --> 0:25:40.720
<v Speaker 2>I think generally speaking, we've been very lucky to be

0:25:40.800 --> 0:25:46.840
<v Speaker 2>able to tour for twenty years and have audiences and

0:25:47.240 --> 0:25:52.320
<v Speaker 2>make money and continue in that, and that's never really dipped.

0:25:52.600 --> 0:25:56.040
<v Speaker 2>It's just that it's sometimes it may have been a

0:25:56.040 --> 0:26:02.640
<v Speaker 2>little more you know, crazy and maybe popular than others,

0:26:02.720 --> 0:26:06.679
<v Speaker 2>but a lot of stuff changed during the life of

0:26:06.720 --> 0:26:10.520
<v Speaker 2>the band, Like where you used to have newspaper articles

0:26:10.560 --> 0:26:13.480
<v Speaker 2>in radio, which we did a lot of. All of

0:26:13.480 --> 0:26:18.200
<v Speaker 2>that disappeared, and I think it took there was some

0:26:18.560 --> 0:26:22.480
<v Speaker 2>time to get used to how to operate in this

0:26:22.600 --> 0:26:28.159
<v Speaker 2>new sort of music business paradigm with online stuff and

0:26:28.280 --> 0:26:31.320
<v Speaker 2>social media, and you know, I think a lot of

0:26:31.400 --> 0:26:34.480
<v Speaker 2>people struggled. But we went through that change and it

0:26:36.640 --> 0:26:38.560
<v Speaker 2>you know, it was a little bumpy here and there,

0:26:38.600 --> 0:26:43.240
<v Speaker 2>but generally speaking, we managed to work. Right now, this

0:26:43.400 --> 0:26:47.200
<v Speaker 2>band that's together has been together about six years, so

0:26:47.240 --> 0:26:53.240
<v Speaker 2>it's it's an incredible group. And you know, every lineup

0:26:53.320 --> 0:26:59.600
<v Speaker 2>had its beautiful qualities. I think this lineup was, without

0:26:59.640 --> 0:27:04.680
<v Speaker 2>doubt that best musicianship, no question, and it's very sophisticated.

0:27:05.080 --> 0:27:09.600
<v Speaker 1>Okay, bands have arcs. Was the fall off in publicity

0:27:09.640 --> 0:27:13.720
<v Speaker 1>and radio because it was no longer a novelty or

0:27:13.880 --> 0:27:15.800
<v Speaker 1>was it a change in the marketplace?

0:27:17.760 --> 0:27:21.640
<v Speaker 2>Change in the marketplace? There were no radio stations. They

0:27:21.640 --> 0:27:26.600
<v Speaker 2>were dropping, dropping like flies. And if you toured somewhere

0:27:26.600 --> 0:27:28.840
<v Speaker 2>in the country, you know, used to try to set

0:27:28.880 --> 0:27:33.320
<v Speaker 2>up a studio radio thing you'd play, you know, going

0:27:33.359 --> 0:27:36.720
<v Speaker 2>to California or something and then talk about it. But

0:27:37.119 --> 0:27:41.800
<v Speaker 2>all of that stuff disappeared, you know, and newspapers it's

0:27:41.880 --> 0:27:46.119
<v Speaker 2>sort of nobody if they did stories. Nobody was really

0:27:46.160 --> 0:27:53.680
<v Speaker 2>reading newspapers much. So I think it was it wasn't us.

0:27:53.760 --> 0:27:56.119
<v Speaker 2>We just had to figure out a different way to

0:27:56.440 --> 0:27:57.359
<v Speaker 2>market ourselves.

0:27:58.040 --> 0:28:01.280
<v Speaker 1>Okay, so you coasting at this point or are you

0:28:01.400 --> 0:28:05.359
<v Speaker 1>continuing to market yourself in these alternative ways as we

0:28:05.440 --> 0:28:08.920
<v Speaker 1>used to say.

0:28:08.000 --> 0:28:12.800
<v Speaker 2>We're We're trying, We're continuing. There was a learning curve,

0:28:12.960 --> 0:28:16.560
<v Speaker 2>but yeah, we just we just kept plugging away. I'm

0:28:16.680 --> 0:28:20.399
<v Speaker 2>very stubborn. I'm a very stubborn person, and I don't

0:28:20.400 --> 0:28:24.159
<v Speaker 2>give up easily, you know, and I wasn't going to

0:28:24.280 --> 0:28:27.240
<v Speaker 2>let the entire shift of the music business, you know,

0:28:27.440 --> 0:28:28.200
<v Speaker 2>make me give up.

0:28:29.720 --> 0:28:33.359
<v Speaker 1>Well, okay, so let's start. Do you have a mailing list?

0:28:36.040 --> 0:28:42.360
<v Speaker 2>We did, but we now have a huge Facebook, Instagram,

0:28:43.800 --> 0:28:48.880
<v Speaker 2>what else? A TikTok page we put out. You know,

0:28:49.760 --> 0:28:55.480
<v Speaker 2>we do advertising. There is there is a following on

0:28:55.600 --> 0:28:58.080
<v Speaker 2>bands in town. We have people following it, which is

0:28:58.160 --> 0:29:00.840
<v Speaker 2>kind of a mailing list, so people can sign up

0:29:00.840 --> 0:29:05.440
<v Speaker 2>for that. But we don't really do direct mail as

0:29:05.440 --> 0:29:08.240
<v Speaker 2>it were, so much as we do these other things.

0:29:08.760 --> 0:29:13.160
<v Speaker 1>Okay, who is doing the posting? Who is coordinating this?

0:29:15.080 --> 0:29:19.040
<v Speaker 2>Well? Right now we have we're so lucky to have

0:29:19.160 --> 0:29:23.800
<v Speaker 2>our wonderful jack of all trades and master of all

0:29:25.560 --> 0:29:29.719
<v Speaker 2>Joan ch who is our bass player, keyboard player, mandolin player.

0:29:30.760 --> 0:29:33.280
<v Speaker 2>She also plays a dozen other instruments. But she has

0:29:33.280 --> 0:29:37.160
<v Speaker 2>a degree in marketing and social media, so she's very

0:29:37.200 --> 0:29:41.479
<v Speaker 2>good at that, and she pushes us to make little,

0:29:42.000 --> 0:29:47.240
<v Speaker 2>you know, shout outs and do silly things and give

0:29:47.280 --> 0:29:51.080
<v Speaker 2>her materials so that she can post it. And we

0:29:51.160 --> 0:29:55.440
<v Speaker 2>also do advertising, and sometimes I hire social media people

0:29:55.520 --> 0:30:01.600
<v Speaker 2>to really plug a show, you know, and we do

0:30:01.680 --> 0:30:02.840
<v Speaker 2>our own advertising too.

0:30:03.000 --> 0:30:06.640
<v Speaker 1>So so tell me about first. You said you had

0:30:06.640 --> 0:30:07.640
<v Speaker 1>to get a whole new band.

0:30:07.800 --> 0:30:14.520
<v Speaker 2>Why, Well, there were different reasons throughout the twenty some

0:30:14.560 --> 0:30:22.080
<v Speaker 2>odd years, but basically I think, you know, people sort

0:30:22.080 --> 0:30:24.840
<v Speaker 2>of run their course with a group, except for me,

0:30:25.240 --> 0:30:28.120
<v Speaker 2>you know, the guitar player remains the same, I guess.

0:30:28.880 --> 0:30:31.680
<v Speaker 2>But you know, this was my baby, so I don't

0:30:31.680 --> 0:30:34.640
<v Speaker 2>ever get sick of it. I don't ever, you know,

0:30:35.640 --> 0:30:40.040
<v Speaker 2>feel like it's too much work or whatever that is.

0:30:40.040 --> 0:30:42.280
<v Speaker 2>So there were some of that, but some of the

0:30:42.320 --> 0:30:44.840
<v Speaker 2>players got pulled away by other things. Like one of

0:30:44.880 --> 0:30:52.960
<v Speaker 2>our singers got a gig as a on Broadway as understudy,

0:30:53.560 --> 0:30:55.480
<v Speaker 2>and it was great money and she took that, so

0:30:55.600 --> 0:30:58.920
<v Speaker 2>you know, I totally understand that, But then we had

0:30:58.960 --> 0:31:01.600
<v Speaker 2>to find another sing so it was things like that too.

0:31:04.120 --> 0:31:07.400
<v Speaker 2>I'm kind of amazed that the band has lasted in

0:31:07.440 --> 0:31:13.560
<v Speaker 2>its sort of some form or this form for so long,

0:31:13.600 --> 0:31:16.800
<v Speaker 2>because bands don't last that long. I think we're around

0:31:16.800 --> 0:31:20.160
<v Speaker 2>twice as long as Led Zeppelin actually were.

0:31:20.480 --> 0:31:23.960
<v Speaker 1>So okay, focusing back on band members, did you ever

0:31:24.040 --> 0:31:25.680
<v Speaker 1>have to fire a band member?

0:31:27.080 --> 0:31:32.080
<v Speaker 2>Yeah, once, I sort of didn't fire. I didn't fire

0:31:32.160 --> 0:31:37.840
<v Speaker 2>her exactly. I saw an avenue that I could take

0:31:39.080 --> 0:31:43.040
<v Speaker 2>to make her quit and it worked. She had already

0:31:43.120 --> 0:31:48.360
<v Speaker 2>quit five times, and I figured she'll quit again. There's

0:31:48.400 --> 0:31:52.760
<v Speaker 2>no question. If she makes this request and I say no,

0:31:52.880 --> 0:31:55.480
<v Speaker 2>she's bound to quit again because all of us had

0:31:55.480 --> 0:31:59.560
<v Speaker 2>had enough. She was a little unstable and we'd had enough.

0:31:59.680 --> 0:32:03.760
<v Speaker 1>So okay. So one can say it's your band.

0:32:06.880 --> 0:32:14.479
<v Speaker 2>Well, yeah, it's my band, but everyone who plays in

0:32:14.560 --> 0:32:21.440
<v Speaker 2>the band feels very passionate about it and they feel

0:32:21.480 --> 0:32:25.520
<v Speaker 2>like it's their band as well. Because that's the nature

0:32:25.560 --> 0:32:29.800
<v Speaker 2>of this music. You cannot play it without having that

0:32:31.200 --> 0:32:35.320
<v Speaker 2>exist on stage. You can't just have backup players doing

0:32:35.360 --> 0:32:38.720
<v Speaker 2>their bit. You have to be huddling in the middle

0:32:38.760 --> 0:32:43.000
<v Speaker 2>of the stage, staring at each other, throwing riffs back

0:32:43.040 --> 0:32:45.880
<v Speaker 2>and forth and being in the moment. And that is

0:32:45.920 --> 0:32:51.200
<v Speaker 2>a very intimate, involved way to play music. Far too

0:32:51.360 --> 0:32:53.680
<v Speaker 2>rare these days, but that's what it is, and that's

0:32:53.680 --> 0:32:54.920
<v Speaker 2>what I love most about it.

0:32:55.880 --> 0:32:58.560
<v Speaker 1>Okay, do you split the money equally?

0:33:00.720 --> 0:33:02.960
<v Speaker 2>No, but I pay for everything.

0:33:04.160 --> 0:33:10.840
<v Speaker 1>Okay. Can you make a living on lives Zeppelin? Yeah?

0:33:11.240 --> 0:33:16.280
<v Speaker 2>Yeah, it depends on what you consider a living. Could

0:33:16.280 --> 0:33:20.840
<v Speaker 2>I could I find some very you know, cheap place

0:33:20.920 --> 0:33:24.480
<v Speaker 2>to pull up and maybe run the band? It depends.

0:33:24.520 --> 0:33:30.560
<v Speaker 2>I mean, now it's super expensive to tour, so it's uh,

0:33:31.160 --> 0:33:37.160
<v Speaker 2>it's challenging sometimes, but generally speaking, yes, this is my

0:33:37.720 --> 0:33:38.640
<v Speaker 2>this is my job.

0:33:39.920 --> 0:33:43.840
<v Speaker 1>So if you're not living on a subsistence level, how

0:33:43.840 --> 0:33:46.120
<v Speaker 1>are you paying the bills other than lives? Zuppelin?

0:33:47.680 --> 0:33:51.640
<v Speaker 2>Well, I've you know, I had, I owned an apartment

0:33:51.680 --> 0:33:55.480
<v Speaker 2>in New York City and you sold that. I had

0:33:55.520 --> 0:34:00.880
<v Speaker 2>help from my ex for a while. I uh, just investments,

0:34:01.800 --> 0:34:05.560
<v Speaker 2>being smart with the money, stuff like that. We've had

0:34:05.800 --> 0:34:08.600
<v Speaker 2>times when it you know, we'll play private parties or something.

0:34:08.640 --> 0:34:12.840
<v Speaker 2>You know, the money vascillates. It's it's okay, you know,

0:34:14.000 --> 0:34:18.960
<v Speaker 2>I make money as a musician. I'm lucky.

0:34:23.680 --> 0:34:26.480
<v Speaker 1>Okay, the other three women, if you the band has

0:34:26.480 --> 0:34:29.480
<v Speaker 1>been together for six years, are they living on the

0:34:29.520 --> 0:34:32.120
<v Speaker 1>income from le Zeppelin or are they doing other things?

0:34:32.200 --> 0:34:33.160
<v Speaker 1>And what might they be?

0:34:34.480 --> 0:34:38.279
<v Speaker 2>Yes, everyone has They all have other things that they do.

0:34:38.520 --> 0:34:43.080
<v Speaker 2>So Marlaine our singer, she's an actress and she does voiceovers,

0:34:44.840 --> 0:34:48.239
<v Speaker 2>so that's a big gig for her. She mainly does that.

0:34:48.640 --> 0:34:51.799
<v Speaker 2>You know, this is the only band she's in at

0:34:51.800 --> 0:34:57.800
<v Speaker 2>the moment. Joan the bass player, she has a bunch

0:34:57.840 --> 0:35:04.800
<v Speaker 2>of other bands. And our drummer is I would say,

0:35:04.960 --> 0:35:09.680
<v Speaker 2>well the drummer where with Now she has a full

0:35:09.719 --> 0:35:14.000
<v Speaker 2>time job, but it's very flexible so she can work remotely.

0:35:15.160 --> 0:35:20.080
<v Speaker 2>So everyone is secure. Plus they have good living situations.

0:35:20.080 --> 0:35:27.080
<v Speaker 2>They have partners, and their partners are okay. You know,

0:35:27.120 --> 0:35:30.840
<v Speaker 2>they handle a lot too, So nobody in the band

0:35:30.920 --> 0:35:35.640
<v Speaker 2>feels desperate for money. It's a good situation to have

0:35:35.760 --> 0:35:41.120
<v Speaker 2>because it's not where everyone is up tight. This is

0:35:41.160 --> 0:35:44.480
<v Speaker 2>not enough money to play, and you know we're not

0:35:44.560 --> 0:35:46.919
<v Speaker 2>getting enough. I mean, you know, I'll take gigs where

0:35:46.960 --> 0:35:52.080
<v Speaker 2>I lose money playing, but you know, you keep a

0:35:52.120 --> 0:35:58.440
<v Speaker 2>band working, so it's okay. So I think everyone's okay

0:35:58.719 --> 0:36:02.600
<v Speaker 2>with it, and they're not totally reliant at.

0:36:02.400 --> 0:36:05.160
<v Speaker 1>This point in time. How many gigs a year does

0:36:05.280 --> 0:36:06.680
<v Speaker 1>les Zeppelin do?

0:36:11.040 --> 0:36:13.760
<v Speaker 2>I would say we averaged thirty five to forty gigs

0:36:13.800 --> 0:36:18.160
<v Speaker 2>a year, give or take. It's mostly weekends.

0:36:20.239 --> 0:36:23.440
<v Speaker 1>And is it waxed in Wane? Where were there other

0:36:23.520 --> 0:36:24.720
<v Speaker 1>years where you played more?

0:36:25.920 --> 0:36:30.000
<v Speaker 2>Yes? Absolutely. I mean there were times when we were

0:36:30.000 --> 0:36:32.920
<v Speaker 2>doing European tours and we were out for a month,

0:36:34.080 --> 0:36:36.879
<v Speaker 2>or we were in Japan, or we were in Australia,

0:36:38.880 --> 0:36:43.160
<v Speaker 2>We've done you know where it was much more constant,

0:36:43.520 --> 0:36:46.440
<v Speaker 2>lots more gigs and playing. You know, we had an

0:36:46.480 --> 0:36:50.319
<v Speaker 2>agent who was booking us like mad and that that's

0:36:50.360 --> 0:36:52.799
<v Speaker 2>really what you need. You know, someone's booking you like that.

0:36:53.640 --> 0:36:58.280
<v Speaker 2>And I will say that when I started this band

0:36:58.400 --> 0:37:01.400
<v Speaker 2>and in the early days, there were not so many

0:37:01.960 --> 0:37:07.480
<v Speaker 2>of these other bands playing led Zeppelin. Now there are

0:37:07.800 --> 0:37:14.040
<v Speaker 2>a plethora of these bands. And it's sometimes hard to

0:37:17.040 --> 0:37:22.000
<v Speaker 2>described to promoters what the difference is aside from us

0:37:22.040 --> 0:37:26.319
<v Speaker 2>being all girls or all women as it were. They

0:37:26.360 --> 0:37:29.520
<v Speaker 2>don't really know, and some of them don't really care

0:37:30.320 --> 0:37:32.600
<v Speaker 2>because if they can just get people through the door

0:37:33.160 --> 0:37:39.080
<v Speaker 2>and buy alcohol whatever, you know, whoever gives them the

0:37:39.120 --> 0:37:42.640
<v Speaker 2>lowest price, but I was not dealing with that. Early on.

0:37:43.640 --> 0:37:49.480
<v Speaker 2>We were much more unique in our just existence. Forget

0:37:49.520 --> 0:37:52.160
<v Speaker 2>about the way we played it, which I still believe

0:37:52.280 --> 0:37:56.320
<v Speaker 2>we are unique in that way. But there just weren't

0:37:56.360 --> 0:38:00.239
<v Speaker 2>so many of these bands, and it's made it tough for.

0:38:02.440 --> 0:38:04.799
<v Speaker 1>So how do you actually get the gigs today? Do

0:38:04.800 --> 0:38:05.880
<v Speaker 1>you have an agent today?

0:38:06.920 --> 0:38:10.120
<v Speaker 2>Yes, we do have a great agent working for us.

0:38:10.160 --> 0:38:15.360
<v Speaker 2>We are playing mostly theaters, and now that people know

0:38:15.400 --> 0:38:21.480
<v Speaker 2>who we are, the promoters know who we are, so yeah,

0:38:22.200 --> 0:38:24.440
<v Speaker 2>it's it's good. But you know you have to book

0:38:24.480 --> 0:38:28.319
<v Speaker 2>it so that some other led Zeppelin band isn't down

0:38:28.360 --> 0:38:31.160
<v Speaker 2>the block on the same night. You know that's happened,

0:38:31.560 --> 0:38:34.560
<v Speaker 2>and then you know it's crazy.

0:38:36.040 --> 0:38:38.319
<v Speaker 1>Have you ever gone to see these other lads up

0:38:38.360 --> 0:38:41.279
<v Speaker 1>win bands and say, you know they're better than we are.

0:38:42.239 --> 0:38:47.319
<v Speaker 2>No, you can answer that in a second. I've seen

0:38:47.360 --> 0:38:48.080
<v Speaker 2>the big ones.

0:38:48.920 --> 0:38:51.360
<v Speaker 1>If your agent said, okay, I can book you on

0:38:51.360 --> 0:38:54.960
<v Speaker 1>one hundred dates this year, would you say set it up?

0:38:55.160 --> 0:38:57.279
<v Speaker 1>You say, oh, that's just too much work. I'm too old.

0:38:57.320 --> 0:39:01.200
<v Speaker 1>I've been there, done that. I'm forty's pretty good.

0:39:02.040 --> 0:39:09.919
<v Speaker 2>I'd say, what's the money? No, good question, Bob I'd

0:39:09.960 --> 0:39:11.960
<v Speaker 2>have to ask the girls what they wanted to do.

0:39:12.440 --> 0:39:17.279
<v Speaker 2>You know, if they all were in, then I'd be in.

0:39:19.320 --> 0:39:22.880
<v Speaker 2>I'm pretty game at this at this point, at any point.

0:39:23.680 --> 0:39:28.359
<v Speaker 2>That's just you know. I love being on stage. I

0:39:28.400 --> 0:39:32.200
<v Speaker 2>love meeting people. I love the sound of the guitar.

0:39:32.480 --> 0:39:36.319
<v Speaker 2>I just you know, I I can't see giving it up.

0:39:36.360 --> 0:39:39.960
<v Speaker 2>It's just part of who I am. And I'm happy

0:39:40.000 --> 0:39:42.760
<v Speaker 2>to play. I don't know, I imagine myself not playing.

0:39:43.880 --> 0:39:46.759
<v Speaker 1>So okay, let's go back to the beginning. Where'd you

0:39:46.800 --> 0:39:47.239
<v Speaker 1>grow up?

0:39:51.680 --> 0:39:58.000
<v Speaker 2>I grew up in Long Island, in a town called

0:39:58.040 --> 0:39:59.759
<v Speaker 2>Great Neck, New York.

0:40:00.400 --> 0:40:02.799
<v Speaker 1>You see, your mother was a college professor. What did

0:40:02.840 --> 0:40:04.040
<v Speaker 1>your father do for a living?

0:40:05.000 --> 0:40:08.680
<v Speaker 2>So my dad was a publisher and he worked at home.

0:40:08.719 --> 0:40:13.160
<v Speaker 2>He had his own business and he put out all

0:40:13.200 --> 0:40:19.680
<v Speaker 2>sorts of publications that they used to call employee relations magazines.

0:40:19.719 --> 0:40:23.239
<v Speaker 2>He went to j school and this is what he did.

0:40:23.280 --> 0:40:27.719
<v Speaker 2>So he had, you know, big businesses like Bloomingdale's or

0:40:29.280 --> 0:40:31.600
<v Speaker 2>a big you know, King Cullin, or he had a

0:40:31.600 --> 0:40:35.200
<v Speaker 2>lot of supermarkets and Hurts, you know, was a client,

0:40:35.719 --> 0:40:39.239
<v Speaker 2>but he would put out their in house publications. So

0:40:39.280 --> 0:40:43.360
<v Speaker 2>it was kind of like a house organ You know,

0:40:43.440 --> 0:40:47.560
<v Speaker 2>for the employees to read, they'd read about themselves. They

0:40:47.840 --> 0:40:50.880
<v Speaker 2>have stories about what's happening in this store that store.

0:40:51.280 --> 0:40:53.960
<v Speaker 2>And it was a good business. And he did the

0:40:53.960 --> 0:40:54.840
<v Speaker 2>whole thing himself.

0:40:56.320 --> 0:41:00.200
<v Speaker 1>And how many kids in the family just too other

0:41:00.280 --> 0:41:03.960
<v Speaker 1>and myself, your brother older or younger, what's he up to.

0:41:04.760 --> 0:41:08.480
<v Speaker 2>He's a little younger. And he was a violinist, very

0:41:08.560 --> 0:41:13.520
<v Speaker 2>serious violinist, so also a musician, and now he's writing

0:41:13.560 --> 0:41:19.359
<v Speaker 2>for television. He's writing US series for MGM. Plus if

0:41:19.400 --> 0:41:22.120
<v Speaker 2>you've ever seen The Godfather of Harlem, he's a writer

0:41:22.280 --> 0:41:22.520
<v Speaker 2>on that.

0:41:23.120 --> 0:41:26.880
<v Speaker 1>Okay. So if he's a serious violinist and you're a musician,

0:41:27.520 --> 0:41:29.879
<v Speaker 1>was there music in the house. There must have been

0:41:29.920 --> 0:41:32.240
<v Speaker 1>some driving force if you're both into music.

0:41:33.480 --> 0:41:36.879
<v Speaker 2>There was music all the time. I mean, my mother

0:41:37.000 --> 0:41:42.520
<v Speaker 2>was a pianist, but not any professional, but she wasn't bad,

0:41:42.680 --> 0:41:46.600
<v Speaker 2>you know, she was pretty good. And my dad loved

0:41:46.680 --> 0:41:51.400
<v Speaker 2>music but didn't play anything. He played stuff for us,

0:41:51.640 --> 0:41:55.160
<v Speaker 2>like there was a lot of classical music mostly that

0:41:55.239 --> 0:41:58.440
<v Speaker 2>they liked. They did not like rock and roll. I

0:41:58.520 --> 0:42:01.080
<v Speaker 2>was on my own with that. But the one thing

0:42:01.320 --> 0:42:04.920
<v Speaker 2>that my dad played for me from when I was

0:42:04.920 --> 0:42:11.800
<v Speaker 2>a wee little child was Django Reinhart from as long

0:42:11.840 --> 0:42:14.719
<v Speaker 2>as I can remember. He loved Jango Reinhart, and I

0:42:14.760 --> 0:42:18.120
<v Speaker 2>grew up listening to that, and I still think he's

0:42:18.160 --> 0:42:20.239
<v Speaker 2>the greatest guitarist who ever lived.

0:42:20.600 --> 0:42:23.000
<v Speaker 1>So what point do you start playing an instrument?

0:42:23.800 --> 0:42:27.600
<v Speaker 2>Well, I asked for a guitar at five and got

0:42:27.640 --> 0:42:30.640
<v Speaker 2>it for my sixth birthday. So I played it a

0:42:30.680 --> 0:42:33.600
<v Speaker 2>little bit, and then I put it under the piano,

0:42:34.360 --> 0:42:37.040
<v Speaker 2>and then I took it back out from under the

0:42:37.040 --> 0:42:41.879
<v Speaker 2>piano at about eight years old and learned a few

0:42:41.960 --> 0:42:44.080
<v Speaker 2>chords and I was off. That was it?

0:42:44.320 --> 0:42:46.839
<v Speaker 1>Well, a little bit slower. What do you you know?

0:42:47.040 --> 0:42:49.480
<v Speaker 1>Did you take lessons? What was the music you were

0:42:49.520 --> 0:42:51.160
<v Speaker 1>listening to? How'd you learn how to play?

0:42:52.160 --> 0:42:53.840
<v Speaker 2>All by ear? No lessons?

0:42:54.640 --> 0:42:56.560
<v Speaker 1>So if you're eight years old, what are you playing?

0:42:57.760 --> 0:43:02.440
<v Speaker 2>Oh? I was playing folky music like James Taylor. I

0:43:02.560 --> 0:43:07.640
<v Speaker 2>was getting into finger picking and beatle songs and stuff

0:43:07.680 --> 0:43:11.239
<v Speaker 2>like that. I was interested in. Yeah, and it was

0:43:11.239 --> 0:43:15.040
<v Speaker 2>fairly easy for me, you know, so, so I wasn't

0:43:15.080 --> 0:43:17.520
<v Speaker 2>frustrated with it, which is why I kept doing it.

0:43:18.080 --> 0:43:22.279
<v Speaker 2>And at some point, when I was a tween, I

0:43:22.280 --> 0:43:26.960
<v Speaker 2>guess they called them a tween, I did go for

0:43:27.080 --> 0:43:30.560
<v Speaker 2>the summer, I went for two summers to this place

0:43:30.600 --> 0:43:33.880
<v Speaker 2>called the Guitar Workshop, which was out on Long Island,

0:43:34.480 --> 0:43:38.719
<v Speaker 2>and it was kind of this hippie commune of guitar players.

0:43:38.760 --> 0:43:41.640
<v Speaker 2>No real rock and roll, but a lot of classical,

0:43:41.680 --> 0:43:45.879
<v Speaker 2>a lot of finger picking, a lot of blues. And

0:43:46.120 --> 0:43:50.680
<v Speaker 2>there was one guy there who played jazz. And the

0:43:50.760 --> 0:43:53.480
<v Speaker 2>second I went for just the summer, it was kind

0:43:53.520 --> 0:43:56.560
<v Speaker 2>of like you know, the Guitar Institute. It was just

0:43:56.600 --> 0:44:01.440
<v Speaker 2>a cram eight hour day of playing different classes and

0:44:01.560 --> 0:44:06.040
<v Speaker 2>technique and ear training and stuff. And when I heard

0:44:06.080 --> 0:44:08.280
<v Speaker 2>this guy play jazz, that was it. I just signed

0:44:08.360 --> 0:44:11.680
<v Speaker 2>up for the whole jazz program and that's what I studied.

0:44:12.360 --> 0:44:14.360
<v Speaker 2>So I did that for two summers.

0:44:14.960 --> 0:44:16.400
<v Speaker 1>And you were how old when you do that?

0:44:17.520 --> 0:44:21.200
<v Speaker 2>I would say, thirteen fourteen.

0:44:21.280 --> 0:44:23.480
<v Speaker 1>Okay, that's the summer. You come back home. What are

0:44:23.520 --> 0:44:26.080
<v Speaker 1>you playing at home? Are you interested in forming beans?

0:44:26.120 --> 0:44:26.799
<v Speaker 1>What's going on?

0:44:27.680 --> 0:44:30.920
<v Speaker 2>I'm just trying to I'm just trying to be Joe passed.

0:44:31.080 --> 0:44:34.680
<v Speaker 2>I was like, I wasn't forming bands really well. I

0:44:34.719 --> 0:44:37.480
<v Speaker 2>played in the high school jazz band. I was doing that.

0:44:37.960 --> 0:44:40.920
<v Speaker 2>I played with a few kids who were into jazz,

0:44:40.960 --> 0:44:43.319
<v Speaker 2>but I was not playing rock, and I was not

0:44:43.520 --> 0:44:48.400
<v Speaker 2>doing that. I was a real jazz head, which is

0:44:48.480 --> 0:44:53.600
<v Speaker 2>funny but actually turned out to be really helpful later on,

0:44:54.280 --> 0:44:59.719
<v Speaker 2>I think with playing led Zeppelin actually, But yeah, it

0:44:59.760 --> 0:45:03.720
<v Speaker 2>wasn't until I got to college that I started getting

0:45:03.760 --> 0:45:05.120
<v Speaker 2>into bands.

0:45:06.440 --> 0:45:10.080
<v Speaker 1>Okay, you ended up going to Brown in Rhode Island,

0:45:10.160 --> 0:45:12.280
<v Speaker 1>so one would assume you were a good student.

0:45:13.960 --> 0:45:16.360
<v Speaker 2>I guess you could assume that, although you know, I

0:45:16.480 --> 0:45:18.759
<v Speaker 2>wasn't the greatest student in the world, but I was

0:45:18.800 --> 0:45:22.320
<v Speaker 2>good enough, and I had a lot of, as they say,

0:45:22.480 --> 0:45:29.280
<v Speaker 2>other things on my resume, as it were. I'd worked

0:45:29.760 --> 0:45:33.719
<v Speaker 2>on the hill on Capitol Hill for two summers for congressman,

0:45:33.800 --> 0:45:35.920
<v Speaker 2>which nobody did in high school. And I did that

0:45:35.960 --> 0:45:38.759
<v Speaker 2>in high school. And I was a writer, so I

0:45:38.760 --> 0:45:43.000
<v Speaker 2>could I still actually writing is the other thing I do.

0:45:43.719 --> 0:45:48.600
<v Speaker 2>So I could write my application pretty well. And I

0:45:48.719 --> 0:45:50.799
<v Speaker 2>just had these and then I had jet you know,

0:45:50.840 --> 0:45:52.560
<v Speaker 2>I had the guitar play. I just had a lot

0:45:52.600 --> 0:45:58.400
<v Speaker 2>of different things, and it appealed to that to schools,

0:45:58.520 --> 0:46:00.560
<v Speaker 2>as it were. But yeah, I was all right, My

0:46:00.600 --> 0:46:01.319
<v Speaker 2>grades were all right.

0:46:02.600 --> 0:46:04.359
<v Speaker 1>How'd you end up working on Capitol Hill?

0:46:04.920 --> 0:46:10.920
<v Speaker 2>Well, there was a congressman in our town that my

0:46:11.080 --> 0:46:14.680
<v Speaker 2>parents had helped write some of his campaign speeches. It's

0:46:14.680 --> 0:46:20.600
<v Speaker 2>a Democrat from New York called Lester Wolfe, and we

0:46:20.680 --> 0:46:24.239
<v Speaker 2>met one day. I mean I got introduced to him,

0:46:24.440 --> 0:46:27.920
<v Speaker 2>actually at a temple. He went to the same temple,

0:46:28.760 --> 0:46:34.120
<v Speaker 2>and I just asked him and he said, yeah, your

0:46:34.280 --> 0:46:37.400
<v Speaker 2>send me a letter. And I did. I sent him

0:46:37.440 --> 0:46:40.040
<v Speaker 2>a letter and I got in and then I loved it.

0:46:40.120 --> 0:46:43.560
<v Speaker 2>They loved me. So I went back the next summer.

0:46:43.719 --> 0:46:49.239
<v Speaker 1>Okay, today, are you disillusioned with politics or you think

0:46:49.280 --> 0:46:50.080
<v Speaker 1>there's a future?

0:46:51.040 --> 0:46:55.600
<v Speaker 2>Oh boy, I'll tell you. I just kind of stopped

0:46:56.160 --> 0:47:00.760
<v Speaker 2>reading newspapers or listening to anything for a good long while.

0:47:01.400 --> 0:47:05.640
<v Speaker 2>But now I'm like a political junkie again. I just can't.

0:47:07.160 --> 0:47:12.760
<v Speaker 2>I can't not check in with it every hour or something.

0:47:14.560 --> 0:47:18.000
<v Speaker 2>But it's a good question. I think it's a really

0:47:18.200 --> 0:47:25.080
<v Speaker 2>dark time. But one thing I will never forget. When

0:47:25.080 --> 0:47:31.120
<v Speaker 2>I was an intern on the Hill, sometimes the interns

0:47:31.160 --> 0:47:36.600
<v Speaker 2>got to go to these presentations or speakers would come.

0:47:37.600 --> 0:47:40.400
<v Speaker 2>And one of the speakers who came to speak to us,

0:47:40.400 --> 0:47:43.759
<v Speaker 2>he was already quite sick and was fairly old at

0:47:43.800 --> 0:47:48.120
<v Speaker 2>that point, was Hubert Humphrey. So I'm dating myself a little,

0:47:48.520 --> 0:47:53.160
<v Speaker 2>but Hubert Humphrey came and talked to all the interns,

0:47:53.200 --> 0:47:57.400
<v Speaker 2>and I'll never forget it because he said, sort of,

0:47:57.440 --> 0:48:01.920
<v Speaker 2>this thing goes. Don't lose hope in this country or

0:48:01.920 --> 0:48:06.160
<v Speaker 2>in this system. It's going to seem like at times

0:48:06.200 --> 0:48:10.880
<v Speaker 2>when it's beyond help, but you've got to believe in it.

0:48:10.880 --> 0:48:14.480
<v Speaker 2>It is a good system, it does work. Don't lose

0:48:14.520 --> 0:48:17.440
<v Speaker 2>hope in it. And I remember that. I'll never forget

0:48:17.440 --> 0:48:20.399
<v Speaker 2>it because I thought, Wow, that's a guy that could

0:48:20.440 --> 0:48:22.600
<v Speaker 2>have easily lost hope in it, because you know, he

0:48:22.719 --> 0:48:25.480
<v Speaker 2>lost a bunch of time. It was very frustrating career

0:48:25.560 --> 0:48:29.359
<v Speaker 2>for him. So I have to believe that it'll come

0:48:29.400 --> 0:48:30.000
<v Speaker 2>back around.

0:48:37.880 --> 0:48:41.160
<v Speaker 1>Okay, So you go to college. Do you have any

0:48:41.200 --> 0:48:43.600
<v Speaker 1>idea you want to make your living in music? What

0:48:43.640 --> 0:48:44.880
<v Speaker 1>are you thinking when you go?

0:48:47.120 --> 0:48:53.080
<v Speaker 2>Well, I was sort of I was kind of hedge

0:48:53.080 --> 0:48:57.000
<v Speaker 2>in my bets a little like I majored in international

0:48:57.000 --> 0:49:00.840
<v Speaker 2>relations because I was interested in all that stuff. But really,

0:49:00.880 --> 0:49:03.719
<v Speaker 2>deep down, I just wanted to be a rock star.

0:49:03.960 --> 0:49:05.760
<v Speaker 2>I mean, I'll just say it, that's what I wanted.

0:49:05.840 --> 0:49:10.359
<v Speaker 2>It sounds childish, but that's was my dream, you know.

0:49:11.000 --> 0:49:15.319
<v Speaker 2>So at the so I sort of set off to

0:49:15.360 --> 0:49:16.640
<v Speaker 2>do it after I graduated.

0:49:17.640 --> 0:49:20.480
<v Speaker 1>Before you graduated, you say you started playing in bands

0:49:20.480 --> 0:49:21.919
<v Speaker 1>in college. Tell us about that.

0:49:22.719 --> 0:49:25.160
<v Speaker 2>Well, I played. I played in a sort of new

0:49:25.200 --> 0:49:28.759
<v Speaker 2>wave band. It wasn't very good, but we thought we

0:49:28.760 --> 0:49:33.040
<v Speaker 2>were good. And you know, we wrote all the music.

0:49:33.080 --> 0:49:37.520
<v Speaker 2>We did some covers like I don't know Joe Jackson

0:49:37.560 --> 0:49:42.360
<v Speaker 2>covers or what else did we do? Even Born to

0:49:42.400 --> 0:49:45.279
<v Speaker 2>Be Wild. We had a weird mix of things. But

0:49:45.400 --> 0:49:48.880
<v Speaker 2>we looked amazing. We really looked great, Like we had

0:49:48.880 --> 0:49:52.799
<v Speaker 2>the coolest looking people on the campus, without doubt. But

0:49:53.480 --> 0:49:57.400
<v Speaker 2>you know, black leather pants and spiked heels and I

0:49:57.520 --> 0:50:00.600
<v Speaker 2>was the only girl that one of our players had

0:50:00.600 --> 0:50:04.160
<v Speaker 2>a bouffontaire do I mean? We really look good. We

0:50:04.239 --> 0:50:08.640
<v Speaker 2>sounded eh. But all those guys went off to law

0:50:08.680 --> 0:50:12.480
<v Speaker 2>school after I wanted, you know, let's let's try it,

0:50:12.560 --> 0:50:15.239
<v Speaker 2>let's try it, but they just they all went to

0:50:15.320 --> 0:50:21.880
<v Speaker 2>law school. So that's when I graduated. I went to England.

0:50:23.000 --> 0:50:27.000
<v Speaker 1>Okay, a little bit slower. You're a girl.

0:50:27.120 --> 0:50:29.280
<v Speaker 2>There's a lot, there's a lot, Bob, Yeah.

0:50:29.120 --> 0:50:33.400
<v Speaker 1>Okay, you're a girl. You say in this band, you know,

0:50:33.560 --> 0:50:38.160
<v Speaker 1>we hear all about sexism, opportunities. You're a guitar player.

0:50:38.920 --> 0:50:42.400
<v Speaker 1>Did you find you know, obstacles in your way or

0:50:42.520 --> 0:50:45.200
<v Speaker 1>you just another guitar player and you found opportunities.

0:50:48.000 --> 0:50:52.200
<v Speaker 2>I have to say that in that environment, certainly, at

0:50:52.200 --> 0:50:59.000
<v Speaker 2>a school like that, there wasn't sexism, not overtly, not

0:50:59.160 --> 0:51:02.160
<v Speaker 2>from my bandmate. I was the lead guitarist. There was

0:51:02.200 --> 0:51:05.840
<v Speaker 2>another guitar player, so no, and I was the guitar

0:51:05.840 --> 0:51:09.120
<v Speaker 2>player in this stage band. That was just an audition.

0:51:11.000 --> 0:51:15.240
<v Speaker 2>It was later and before it's certainly in high school.

0:51:15.320 --> 0:51:21.360
<v Speaker 2>I had to prove myself and you know, everyone assumed

0:51:21.360 --> 0:51:25.320
<v Speaker 2>I couldn't play. And there was tryouts for the stage

0:51:25.360 --> 0:51:29.640
<v Speaker 2>band in high school, and some snotty kid was, hey,

0:51:29.680 --> 0:51:33.200
<v Speaker 2>you could play rhythm and I'll play lead, and I

0:51:33.360 --> 0:51:35.600
<v Speaker 2>just sort of looked at him like, well, all right,

0:51:35.640 --> 0:51:38.600
<v Speaker 2>we'll see. And sure enough, you know, the audition came

0:51:38.719 --> 0:51:41.560
<v Speaker 2>and came around and he took his solo and it

0:51:41.640 --> 0:51:47.080
<v Speaker 2>was all blues and not even good blues over jazz changes.

0:51:48.000 --> 0:51:50.840
<v Speaker 2>And then I just sort of, you know, laughed to

0:51:50.880 --> 0:51:52.960
<v Speaker 2>myself in my seat because when it came to me,

0:51:53.560 --> 0:51:55.640
<v Speaker 2>I knew how to play jazz, so I was, you know,

0:51:56.120 --> 0:52:00.319
<v Speaker 2>da nadauata and his face was just so things that

0:52:00.480 --> 0:52:05.120
<v Speaker 2>happened a lot, but not at school a little later.

0:52:06.560 --> 0:52:09.399
<v Speaker 2>Even in England, you know, there were some of it,

0:52:09.520 --> 0:52:16.200
<v Speaker 2>but it didn't stop me. I mean I figured out

0:52:16.320 --> 0:52:19.480
<v Speaker 2>just they'll hear me play and that'll be that end

0:52:19.480 --> 0:52:24.040
<v Speaker 2>of conversation. So I wasn't deeply affected by it.

0:52:24.440 --> 0:52:28.799
<v Speaker 1>Okay, you graduate from college, you see, my goal is

0:52:28.840 --> 0:52:31.880
<v Speaker 1>to be a rock star. Yes, so tell us about

0:52:32.360 --> 0:52:35.160
<v Speaker 1>why you went to England, what the path was, what

0:52:35.239 --> 0:52:37.080
<v Speaker 1>was in your head and what actually happened.

0:52:37.160 --> 0:52:44.560
<v Speaker 2>Oh okay, so much to my parents' chagrin to take

0:52:44.600 --> 0:52:48.440
<v Speaker 2>that beautiful degree and go to England to be a

0:52:48.520 --> 0:52:53.359
<v Speaker 2>rock star. Fine, you know, but they were very look,

0:52:53.400 --> 0:52:57.680
<v Speaker 2>they didn't like the idea, but they supported it once

0:52:58.000 --> 0:53:01.080
<v Speaker 2>I was determined and they knew they weren't going to

0:53:01.120 --> 0:53:08.000
<v Speaker 2>stop me. So I came over all by myself with

0:53:08.080 --> 0:53:12.120
<v Speaker 2>a Les Paul in a hardcover case, schlepping it around

0:53:12.160 --> 0:53:17.879
<v Speaker 2>because it was heavies and a suitcase. And I had

0:53:17.920 --> 0:53:20.560
<v Speaker 2>a friend who was here because I had done a

0:53:21.200 --> 0:53:25.759
<v Speaker 2>semester abroad in political science with a program with the

0:53:25.800 --> 0:53:28.280
<v Speaker 2>London School of Economics. So I did make a friend.

0:53:29.520 --> 0:53:32.200
<v Speaker 2>I stayed with her for a while and then I

0:53:32.360 --> 0:53:40.680
<v Speaker 2>found a cold water flat somewhere and started auditioning for bands,

0:53:41.040 --> 0:53:45.000
<v Speaker 2>and I also had a few letters of introduction so

0:53:45.040 --> 0:53:50.560
<v Speaker 2>that I ended up working for a literary agent part time,

0:53:50.840 --> 0:53:53.359
<v Speaker 2>so there was a little money coming in, so that's

0:53:53.360 --> 0:53:57.759
<v Speaker 2>what I did. I joined a band and it was

0:53:57.800 --> 0:54:05.040
<v Speaker 2>a super progressive, crazy intricate band with two scotsmen and

0:54:06.360 --> 0:54:09.200
<v Speaker 2>I think it was called The Death's Heads Piano Players

0:54:09.320 --> 0:54:13.560
<v Speaker 2>or something, but it was in German. Why I joined

0:54:13.560 --> 0:54:15.560
<v Speaker 2>this band, I don't know, but it was very challenging

0:54:15.800 --> 0:54:21.920
<v Speaker 2>and it got nowhere. So eventually, on that along that path,

0:54:22.320 --> 0:54:26.480
<v Speaker 2>after about a year or so, I did start it's

0:54:26.520 --> 0:54:28.800
<v Speaker 2>a story, but I did start writing for the music

0:54:28.840 --> 0:54:33.839
<v Speaker 2>press and I became a rock journalist quite seriously, and

0:54:33.880 --> 0:54:38.080
<v Speaker 2>that kind of became my second track for a good

0:54:38.080 --> 0:54:41.399
<v Speaker 2>long while. So I was running for the enemy as

0:54:41.400 --> 0:54:47.279
<v Speaker 2>a freelancer. And what year we in, Well we're in

0:54:47.320 --> 0:54:47.880
<v Speaker 2>the eighties.

0:54:48.760 --> 0:54:51.920
<v Speaker 1>Okay, so we're in the eighties. You're writing for the memy.

0:54:51.960 --> 0:54:54.759
<v Speaker 1>What's happening with your goal to become a rock star?

0:54:55.640 --> 0:55:00.879
<v Speaker 2>Well, that band fizzled out, That was no good. So

0:55:01.080 --> 0:55:05.560
<v Speaker 2>I ended up in you know, another band or that

0:55:05.840 --> 0:55:11.720
<v Speaker 2>had promise but was again it's one of these stories.

0:55:11.760 --> 0:55:15.319
<v Speaker 2>Where it implodes because the people are so nuts. We

0:55:15.400 --> 0:55:19.719
<v Speaker 2>actually had some sort of publishing deal with CBS, but

0:55:20.120 --> 0:55:22.520
<v Speaker 2>we went to make a record and that the singer

0:55:22.600 --> 0:55:26.640
<v Speaker 2>showed up and he was so drunk he could I mean,

0:55:26.640 --> 0:55:31.480
<v Speaker 2>he just couldn't sing. And the producer, who was Bruce

0:55:31.560 --> 0:55:37.359
<v Speaker 2>Thomas from Elvis Costello's band, Yeah, he walked out on

0:55:37.400 --> 0:55:41.560
<v Speaker 2>the session because this guy was such a clown. Got

0:55:41.600 --> 0:55:45.400
<v Speaker 2>we got him back, but it took some doing. But

0:55:45.600 --> 0:55:48.040
<v Speaker 2>that just you know, that didn't We played a few

0:55:48.040 --> 0:55:53.600
<v Speaker 2>big gigs and opened for some people, but that also

0:55:53.800 --> 0:55:58.800
<v Speaker 2>went puff. And then what happened is I was writing

0:55:58.960 --> 0:56:02.600
<v Speaker 2>a lot, but I needed a work permit and the

0:56:02.840 --> 0:56:06.359
<v Speaker 2>nmy said that they would get one for me. So

0:56:06.400 --> 0:56:09.160
<v Speaker 2>I left the country because they had to stay out

0:56:09.200 --> 0:56:11.520
<v Speaker 2>of the country for a while, you know, And at

0:56:11.560 --> 0:56:16.160
<v Speaker 2>that time it was tough in England. You know, they

0:56:16.200 --> 0:56:20.800
<v Speaker 2>were really crunching down on people coming over and taking

0:56:20.920 --> 0:56:25.920
<v Speaker 2>jobs and it was I was a little paranoid about that,

0:56:26.719 --> 0:56:29.200
<v Speaker 2>so it was hard to get in. People were questioning

0:56:29.239 --> 0:56:32.120
<v Speaker 2>you all of that. So I stayed in the States

0:56:32.160 --> 0:56:35.040
<v Speaker 2>for a while waiting for this work permit, and basically

0:56:35.080 --> 0:56:38.359
<v Speaker 2>it never came through. So I stayed in New York

0:56:38.400 --> 0:56:47.600
<v Speaker 2>City doing what writing, Mostly writing. I played in a

0:56:47.640 --> 0:56:51.600
<v Speaker 2>few bands here and there. I started to play myself

0:56:52.000 --> 0:56:54.640
<v Speaker 2>as a singer songwriter. I was kind of sick of band,

0:56:54.719 --> 0:56:57.920
<v Speaker 2>so I went out kind of Billy Bragg style, you know,

0:56:58.640 --> 0:57:03.040
<v Speaker 2>just with a guitar, guitar and my vocal and I

0:57:03.080 --> 0:57:05.400
<v Speaker 2>wrote a bunch of songs, a whole bunch of songs,

0:57:06.120 --> 0:57:09.960
<v Speaker 2>and I kind of played around New York City, mostly

0:57:10.000 --> 0:57:15.920
<v Speaker 2>to very few people. And I had, you know, promises

0:57:15.960 --> 0:57:18.120
<v Speaker 2>from this guy and promises from that. You know. It

0:57:18.160 --> 0:57:22.160
<v Speaker 2>was that kind of thing. And didn't you know, I

0:57:22.160 --> 0:57:25.440
<v Speaker 2>had my own band, I had other bands, and I

0:57:25.520 --> 0:57:31.200
<v Speaker 2>just did that for years. But then there got to

0:57:31.240 --> 0:57:33.920
<v Speaker 2>be a point when I kind of got sick of

0:57:34.000 --> 0:57:37.640
<v Speaker 2>I really I burned out on it. It was too

0:57:37.720 --> 0:57:42.200
<v Speaker 2>much rejection. I had too much energy. The other band

0:57:42.320 --> 0:57:47.360
<v Speaker 2>people were too unreliable, and I just kind of stopped

0:57:48.400 --> 0:57:51.560
<v Speaker 2>for a couple of years. I put my guitars in

0:57:51.600 --> 0:57:56.040
<v Speaker 2>the closet and I stopped, and I started on a novel,

0:57:56.600 --> 0:58:02.160
<v Speaker 2>which I wrote. But then I saved by Joey Ramone

0:58:02.160 --> 0:58:05.200
<v Speaker 2>who called me up. And I hadn't played the guitar

0:58:05.520 --> 0:58:09.360
<v Speaker 2>in a long time. And Joey liked my playing because

0:58:09.440 --> 0:58:11.680
<v Speaker 2>he had seen me with that all girl band I

0:58:11.800 --> 0:58:15.680
<v Speaker 2>mentioned before, and he was looking for a guitar player

0:58:16.680 --> 0:58:19.720
<v Speaker 2>to join Ronnie Spector's band because he was working with her,

0:58:20.440 --> 0:58:23.920
<v Speaker 2>and he thought I'd be good because he wanted youth

0:58:24.160 --> 0:58:28.760
<v Speaker 2>energy in her band rather than just side musicians. So

0:58:29.080 --> 0:58:33.320
<v Speaker 2>I flew to Yeah, I flew in, and I was

0:58:33.360 --> 0:58:36.760
<v Speaker 2>living in California at the time, actually in San Francisco

0:58:36.880 --> 0:58:44.080
<v Speaker 2>with my boyfriend who then became my husband, and I

0:58:44.120 --> 0:58:47.000
<v Speaker 2>played with Ronnie for a couple of years. It was

0:58:47.040 --> 0:58:51.960
<v Speaker 2>fantastic and I was so happy playing. It's like it

0:58:52.040 --> 0:58:54.880
<v Speaker 2>was like a gift. I had been given this gift

0:58:54.920 --> 0:58:58.160
<v Speaker 2>of music again that I could play and be happy

0:58:58.280 --> 0:59:01.120
<v Speaker 2>and not worry about if I was going to get

0:59:01.120 --> 0:59:03.520
<v Speaker 2>a record deal, and not worry about this, and just

0:59:03.640 --> 0:59:08.680
<v Speaker 2>have fun on stage. And it was really fantastic. And

0:59:08.760 --> 0:59:14.160
<v Speaker 2>I think that that whole experience sort of fed this

0:59:14.280 --> 0:59:17.920
<v Speaker 2>les Zeppelin thing because I just wanted to do it

0:59:17.960 --> 0:59:21.160
<v Speaker 2>out of pure joy and love with the music. That's it,

0:59:21.240 --> 0:59:25.600
<v Speaker 2>that's all. I had no other agenda and no other plans,

0:59:26.840 --> 0:59:28.680
<v Speaker 2>and I think that's why it worked.

0:59:28.920 --> 0:59:32.360
<v Speaker 1>Okay, you graduate from college, you want to become a

0:59:32.440 --> 0:59:33.000
<v Speaker 1>rock star.

0:59:34.600 --> 0:59:38.080
<v Speaker 2>Ultimately, that sounds so cliched, Bob oh no no.

0:59:37.840 --> 0:59:43.680
<v Speaker 1>No headline, no no, no. People don't understand it. Most

0:59:43.880 --> 0:59:49.120
<v Speaker 1>talent is fifty percent the raw desire, you know, and

0:59:49.280 --> 0:59:53.840
<v Speaker 1>especially someone who's educated. Whatever. I mean, it's a dream.

0:59:53.920 --> 0:59:57.800
<v Speaker 1>But my question ultimately is when you decide to put

0:59:57.800 --> 1:00:00.800
<v Speaker 1>the guitar back in the case, how how hard was

1:00:00.840 --> 1:00:02.040
<v Speaker 1>it to give up the dream?

1:00:03.760 --> 1:00:09.680
<v Speaker 2>Impossible? Nearly impossible. That's why I wrote a novel. I

1:00:09.760 --> 1:00:14.320
<v Speaker 2>had to funnel it into something else that I did

1:00:14.360 --> 1:00:18.240
<v Speaker 2>that was creative that I loved. And I hadn't written

1:00:18.240 --> 1:00:21.320
<v Speaker 2>a novel before. I'd written lots of stories and some

1:00:21.360 --> 1:00:25.680
<v Speaker 2>short stories and stuff, but I just dove into that.

1:00:26.280 --> 1:00:29.480
<v Speaker 2>It was like trying to get over a death. I

1:00:29.520 --> 1:00:34.640
<v Speaker 2>know that sounds really sort of hyperbolic, but it was

1:00:34.760 --> 1:00:37.760
<v Speaker 2>like something died and I just didn't know what to do.

1:00:38.600 --> 1:00:43.040
<v Speaker 2>So I wrote, and that was the tonic. It was

1:00:43.120 --> 1:00:44.760
<v Speaker 2>the only tonic for me. Really.

1:00:46.200 --> 1:00:48.400
<v Speaker 1>How old were you at that point and what ended

1:00:48.480 --> 1:00:49.680
<v Speaker 1>up happening with the novel?

1:00:51.000 --> 1:00:52.720
<v Speaker 2>Oh, I can't tell you how old I was, but

1:00:52.760 --> 1:00:59.360
<v Speaker 2>you can guess, but you know old enough the novel.

1:00:59.360 --> 1:01:02.320
<v Speaker 2>I had an age four it's a pretty good novel.

1:01:02.480 --> 1:01:05.160
<v Speaker 2>I mean I did get a very you know, fairly

1:01:05.200 --> 1:01:08.920
<v Speaker 2>good literary agent and she helped me head it edited

1:01:08.960 --> 1:01:12.920
<v Speaker 2>a little, and she sent it out. She didn't send

1:01:12.960 --> 1:01:16.880
<v Speaker 2>it out a lot. She sent it out maybe two

1:01:18.560 --> 1:01:23.520
<v Speaker 2>eight to ten publishers and they liked it, but no

1:01:23.560 --> 1:01:29.880
<v Speaker 2>one bit. So the novel is still waiting to be read,

1:01:30.200 --> 1:01:32.360
<v Speaker 2>and I will. I will get it out there at

1:01:32.360 --> 1:01:34.480
<v Speaker 2>some point, but I'm working on another novel now, so

1:01:34.520 --> 1:01:35.320
<v Speaker 2>I'm focused on that.

1:01:35.920 --> 1:01:40.240
<v Speaker 1>Okay. At this distance, do you still feel as positive

1:01:40.280 --> 1:01:43.000
<v Speaker 1>about the novel or you say, now there was some distance, Well,

1:01:43.000 --> 1:01:43.959
<v Speaker 1>it really wasn't that great.

1:01:46.760 --> 1:01:53.240
<v Speaker 2>So I'm very, very very hard on myself with everything

1:01:53.280 --> 1:01:57.120
<v Speaker 2>I do. I mean writing less so, but I was

1:01:57.320 --> 1:02:00.720
<v Speaker 2>very hard on myself with my guitar playing hard. I

1:02:00.760 --> 1:02:07.919
<v Speaker 2>still am. I think it's a good novel. I let

1:02:07.960 --> 1:02:12.000
<v Speaker 2>someone read it recently and she really loved it, so

1:02:12.040 --> 1:02:15.080
<v Speaker 2>I think it's I think it. My mother thought it

1:02:15.120 --> 1:02:17.880
<v Speaker 2>was a great novel, so I'll take.

1:02:17.680 --> 1:02:20.560
<v Speaker 1>That, okay. And what was it about?

1:02:21.800 --> 1:02:24.640
<v Speaker 2>It was about it was kind of a dual story

1:02:24.800 --> 1:02:29.160
<v Speaker 2>of well, it's a first novel, right, so there's a

1:02:29.200 --> 1:02:32.440
<v Speaker 2>little bit of you know, life experience in there. But

1:02:32.720 --> 1:02:37.520
<v Speaker 2>it's about a girl who finds that who's in a

1:02:37.680 --> 1:02:42.640
<v Speaker 2>mental institution because she's driven crazy by her pursuit of

1:02:42.680 --> 1:02:49.680
<v Speaker 2>being in the music business. Yeah, it comes in, It

1:02:49.720 --> 1:02:52.160
<v Speaker 2>comes in big time. But it's also about one of

1:02:52.200 --> 1:02:56.400
<v Speaker 2>the nurses in the mental hospital and her whole life,

1:02:56.840 --> 1:02:59.560
<v Speaker 2>and the two of them interact and the nurse in

1:02:59.600 --> 1:03:07.480
<v Speaker 2>a nuts. The nurse is bereft of any intense, beautiful,

1:03:08.160 --> 1:03:13.200
<v Speaker 2>adventurous experience, and she starts to feed off this patient

1:03:13.840 --> 1:03:17.480
<v Speaker 2>who tells her all these stories and she gets very

1:03:17.680 --> 1:03:18.120
<v Speaker 2>into it.

1:03:25.560 --> 1:03:30.280
<v Speaker 1>Okay, we're in this story. Do you meet the gentleman

1:03:30.360 --> 1:03:33.720
<v Speaker 1>that becomes your husband? And how hard was it to

1:03:33.760 --> 1:03:35.800
<v Speaker 1>move to San Francisco And what was that like?

1:03:36.960 --> 1:03:44.480
<v Speaker 2>Yeah, so I met him. You will laugh at this.

1:03:44.640 --> 1:03:47.480
<v Speaker 2>I will meet him. While I was writing for the Enemy,

1:03:47.560 --> 1:03:50.320
<v Speaker 2>and I was in New York and I was sent

1:03:50.440 --> 1:03:53.280
<v Speaker 2>to review or I pitched it one or the other.

1:03:54.240 --> 1:03:58.200
<v Speaker 2>I was set to review a gig by the Dead Kennedys,

1:03:58.560 --> 1:04:03.680
<v Speaker 2>who were playing in New York City. Okay, so I

1:04:03.760 --> 1:04:06.760
<v Speaker 2>went to this show which was at this place called

1:04:06.760 --> 1:04:09.600
<v Speaker 2>the World, and it was crumbling. It was like a

1:04:09.680 --> 1:04:16.960
<v Speaker 2>crumbling ballroom and I was standing at the back and

1:04:18.040 --> 1:04:20.640
<v Speaker 2>coming up the steps and the banister. It wasn't me

1:04:20.720 --> 1:04:23.000
<v Speaker 2>who did it, but the banister behind me at some

1:04:23.120 --> 1:04:26.960
<v Speaker 2>point fell off the wall like and just like half

1:04:27.000 --> 1:04:29.400
<v Speaker 2>the wall fell down, and this was one of the

1:04:29.440 --> 1:04:33.680
<v Speaker 2>guys that went to rush and help with it. I

1:04:33.720 --> 1:04:35.920
<v Speaker 2>saw him. He looked like someone I knew, so I

1:04:36.000 --> 1:04:38.440
<v Speaker 2>was kind of looking at him, and he looked back

1:04:38.480 --> 1:04:41.640
<v Speaker 2>at me and we just started talking. You bought me

1:04:41.680 --> 1:04:42.360
<v Speaker 2>a ginger ale.

1:04:44.680 --> 1:04:46.520
<v Speaker 1>So how did you end up moving to San Francisco?

1:04:47.840 --> 1:04:53.920
<v Speaker 2>Well, so this guy, you know, we were friendly. He

1:04:54.080 --> 1:04:59.520
<v Speaker 2>was very easy going at the time, and it was

1:05:00.560 --> 1:05:02.520
<v Speaker 2>it was nice and we'd go to gigs and stuff

1:05:02.560 --> 1:05:06.280
<v Speaker 2>like that. So we were compatible in that way eventually.

1:05:08.120 --> 1:05:10.040
<v Speaker 2>And I have to say this, it's when you live

1:05:10.080 --> 1:05:16.240
<v Speaker 2>in New York. A lot of relationship decisions are made

1:05:16.520 --> 1:05:21.800
<v Speaker 2>because of apartments, like who can afford an apartment by

1:05:21.840 --> 1:05:24.880
<v Speaker 2>themselves and who needs a roommate? And if you happen

1:05:25.360 --> 1:05:29.600
<v Speaker 2>to be seeing somebody and you need an apartment, which

1:05:29.640 --> 1:05:34.160
<v Speaker 2>is what happened, you are then thrust into this mega

1:05:34.200 --> 1:05:38.880
<v Speaker 2>decision do I move in with this person? And you know,

1:05:38.960 --> 1:05:41.520
<v Speaker 2>everyone knows once you move in with someone, it's pretty

1:05:41.560 --> 1:05:44.680
<v Speaker 2>hard to move out, So that's kind of what happened

1:05:44.680 --> 1:05:49.680
<v Speaker 2>to us, and we just stayed together and we didn't

1:05:49.720 --> 1:05:54.120
<v Speaker 2>get married or anything. But he was a union organizer

1:05:54.440 --> 1:05:57.240
<v Speaker 2>or would be, and he did that for a while,

1:05:57.760 --> 1:06:01.760
<v Speaker 2>and then he went back to college to finish his degree.

1:06:01.880 --> 1:06:05.520
<v Speaker 2>He never had his degree. Smart guy, but never So

1:06:05.560 --> 1:06:08.960
<v Speaker 2>he went to Columbia, got his degree, did so well

1:06:09.000 --> 1:06:12.080
<v Speaker 2>that he got into law school. And the law school

1:06:12.080 --> 1:06:15.920
<v Speaker 2>he got into was Stanford, and I thought he should

1:06:15.920 --> 1:06:19.360
<v Speaker 2>go to Stanford rather than Chicago. I don't know if

1:06:19.360 --> 1:06:25.080
<v Speaker 2>that was a good choice, but San Francisco was nicer

1:06:25.120 --> 1:06:28.240
<v Speaker 2>weather than Chicago. I think I was more interested in

1:06:28.320 --> 1:06:30.640
<v Speaker 2>being there, and he let you know, so we went there.

1:06:31.160 --> 1:06:34.800
<v Speaker 2>That's how I ended up in California and stayed there

1:06:34.840 --> 1:06:35.360
<v Speaker 2>for a while.

1:06:35.800 --> 1:06:39.640
<v Speaker 1>Okay, when you're playing in Ronnie Spector's band, are you

1:06:39.760 --> 1:06:42.320
<v Speaker 1>living in California or do you move back to New York.

1:06:43.280 --> 1:06:43.640
<v Speaker 1>I was.

1:06:43.960 --> 1:06:48.280
<v Speaker 2>I was going living in both places. I would fly in.

1:06:49.120 --> 1:06:52.440
<v Speaker 2>My parents had an apartment that they in the village,

1:06:53.160 --> 1:06:57.040
<v Speaker 2>and I could stay there. So I had a way

1:06:57.120 --> 1:07:00.440
<v Speaker 2>to do it. And I wasn't making any money because

1:07:01.280 --> 1:07:05.080
<v Speaker 2>you know, he was not going to be her manager,

1:07:06.280 --> 1:07:08.320
<v Speaker 2>was not going to pay my airfare, and I didn't

1:07:08.320 --> 1:07:10.680
<v Speaker 2>want to make it seem it was too hard for

1:07:10.720 --> 1:07:12.920
<v Speaker 2>me to do the show because I was having so

1:07:13.080 --> 1:07:15.280
<v Speaker 2>much fun and it was such a gift that I

1:07:15.400 --> 1:07:18.080
<v Speaker 2>just wanted to play. So I'd fly myself back and

1:07:18.120 --> 1:07:23.440
<v Speaker 2>forth and basically break even, but it was super fun.

1:07:24.440 --> 1:07:26.360
<v Speaker 2>So I was kind of by coastal.

1:07:26.920 --> 1:07:29.160
<v Speaker 1>How long did you play for Ronnie Specter and what

1:07:29.240 --> 1:07:30.000
<v Speaker 1>did you learn there?

1:07:31.560 --> 1:07:34.600
<v Speaker 2>I played with her for a couple of years and

1:07:34.720 --> 1:07:38.920
<v Speaker 2>we had a couple of amazing shows. We played at

1:07:38.960 --> 1:07:41.920
<v Speaker 2>a G eight conference for like the leaders of the

1:07:41.920 --> 1:07:46.520
<v Speaker 2>Western world. That was amazing. You know, Bill Clinton clapping

1:07:46.560 --> 1:07:49.800
<v Speaker 2>to be my baby. It was just something to behold.

1:07:51.160 --> 1:07:54.920
<v Speaker 2>We went to Japan, just a lot of fun stuff.

1:07:56.960 --> 1:08:01.600
<v Speaker 2>I learned a lot from her. We had some gigs

1:08:01.600 --> 1:08:06.320
<v Speaker 2>here and there where they were small clubs, and you know, Bob,

1:08:06.400 --> 1:08:08.720
<v Speaker 2>you know how big a star she was. She was huge.

1:08:08.760 --> 1:08:12.360
<v Speaker 2>The ronettes were huge, And there she was in some

1:08:12.600 --> 1:08:16.559
<v Speaker 2>club where she had a change behind a screen or something,

1:08:17.840 --> 1:08:20.479
<v Speaker 2>and it could not have been fun for her to

1:08:20.560 --> 1:08:23.080
<v Speaker 2>do that, but I'm telling you, when she got out there,

1:08:23.439 --> 1:08:27.160
<v Speaker 2>no matter where she was, she gave it everything and

1:08:27.200 --> 1:08:31.400
<v Speaker 2>she was amazing. Her voice was still amazing. She gave

1:08:31.439 --> 1:08:34.479
<v Speaker 2>it people a show and she turned up and I

1:08:34.680 --> 1:08:41.200
<v Speaker 2>just thought, damn, you know, that's that's a big lesson.

1:08:41.520 --> 1:08:45.240
<v Speaker 2>Doesn't matter who's it out there, you just that's your

1:08:45.320 --> 1:08:47.720
<v Speaker 2>job and you do it. And she was a real

1:08:47.760 --> 1:08:52.360
<v Speaker 2>show person, you know, she was great. So I learned

1:08:52.479 --> 1:08:54.679
<v Speaker 2>about that too, how to work a stage a little,

1:08:54.720 --> 1:08:54.960
<v Speaker 2>you know.

1:08:56.200 --> 1:08:57.040
<v Speaker 1>So how did that end?

1:08:59.479 --> 1:09:05.040
<v Speaker 2>Well, we went to Japan, and after that I kind

1:09:05.080 --> 1:09:09.040
<v Speaker 2>of was getting the feeling that they were sick of

1:09:09.120 --> 1:09:12.200
<v Speaker 2>being uncertain and flying, you know, worrying whether I could

1:09:12.200 --> 1:09:14.320
<v Speaker 2>fly from here or from there because I had a

1:09:14.360 --> 1:09:17.920
<v Speaker 2>fly you know. So they wanted a more New York

1:09:17.960 --> 1:09:20.559
<v Speaker 2>based band, and they probably wanted to pay somebody less,

1:09:20.640 --> 1:09:26.080
<v Speaker 2>to be honest with you whatever. And coincidentally, I was

1:09:26.120 --> 1:09:29.680
<v Speaker 2>pregnant the first time, so it all worked out. I

1:09:29.760 --> 1:09:30.759
<v Speaker 2>was done with it anyway.

1:09:31.720 --> 1:09:33.280
<v Speaker 1>So how'd you end up back in New York?

1:09:34.840 --> 1:09:38.120
<v Speaker 2>Well, I thought it would be better to be in

1:09:38.160 --> 1:09:42.719
<v Speaker 2>New York to be because I had this amazing little kid,

1:09:42.800 --> 1:09:46.120
<v Speaker 2>and my parents had no grandchildren, and I missed New York.

1:09:46.400 --> 1:09:48.720
<v Speaker 2>San Francisco was you know, not doing it for me.

1:09:49.479 --> 1:09:53.280
<v Speaker 2>I was done. I was over. It wasn't mine.

1:09:53.120 --> 1:09:55.559
<v Speaker 1>Yet yes, but you're involved with this man who's going

1:09:55.600 --> 1:09:57.639
<v Speaker 1>to Stanford law school. As he moved back to New York.

1:09:57.720 --> 1:10:00.120
<v Speaker 2>Oh, he was done. He was done with law. With

1:10:00.240 --> 1:10:02.400
<v Speaker 2>law school. He was working in a firm, and he

1:10:02.760 --> 1:10:06.080
<v Speaker 2>got a job at a big New York firm, which

1:10:06.320 --> 1:10:10.519
<v Speaker 2>didn't last long. But that's what happened. So he was willing,

1:10:10.880 --> 1:10:13.519
<v Speaker 2>although I think he didn't. I think he didn't really

1:10:13.560 --> 1:10:17.040
<v Speaker 2>want to leave. And I think that that and I

1:10:17.600 --> 1:10:20.560
<v Speaker 2>kept asking him because I could tell, but he consisted

1:10:20.640 --> 1:10:24.280
<v Speaker 2>he was fine. But I think that was one of

1:10:24.320 --> 1:10:31.040
<v Speaker 2>the reasons our relationship sort of went a different way.

1:10:32.640 --> 1:10:33.479
<v Speaker 2>He should have stayed.

1:10:34.200 --> 1:10:36.360
<v Speaker 1>Who blew the whistle? Ultimately him? Were you?

1:10:38.280 --> 1:10:39.320
<v Speaker 2>I think you know.

1:10:42.000 --> 1:10:43.479
<v Speaker 1>It was no, never mutual.

1:10:44.520 --> 1:10:48.800
<v Speaker 2>No, but we grew apart. We grew apart. I probably

1:10:48.840 --> 1:10:54.080
<v Speaker 2>realized at first. He realized it pretty quickly and even

1:10:54.120 --> 1:10:56.400
<v Speaker 2>said it to me. So I don't know how to

1:10:56.400 --> 1:10:57.320
<v Speaker 2>answer that question.

1:10:58.040 --> 1:11:02.920
<v Speaker 1>It was important. Yeah, yeah, So are you having this

1:11:03.120 --> 1:11:06.519
<v Speaker 1>child sitting steering in four a wall saying God, I

1:11:06.520 --> 1:11:10.799
<v Speaker 1>got to do something. What is the genesis of the thought?

1:11:11.760 --> 1:11:14.760
<v Speaker 1>And then why is it led Zeppelin?

1:11:15.960 --> 1:11:20.799
<v Speaker 2>Okay, this is the great, great, great question. So without

1:11:20.920 --> 1:11:25.519
<v Speaker 2>trying to be too wordy. I have a problem with

1:11:25.560 --> 1:11:33.080
<v Speaker 2>that sometimes. I never wanted children, ever, not interested. In fact,

1:11:33.520 --> 1:11:38.320
<v Speaker 2>I kind of thought it was a feminist thing, like

1:11:38.680 --> 1:11:42.320
<v Speaker 2>women were destroyed by children they'd have. I had friends

1:11:42.320 --> 1:11:45.519
<v Speaker 2>that went to medical school and business school and then

1:11:45.560 --> 1:11:47.599
<v Speaker 2>they had a kid and threw it all out the window.

1:11:48.040 --> 1:11:51.519
<v Speaker 2>So I was frightened of that whole thing. I thought,

1:11:52.000 --> 1:11:55.400
<v Speaker 2>you become some sort of zombie, a kid zombie, and

1:11:55.439 --> 1:11:58.400
<v Speaker 2>that's it. Everything is, all your interests are gone, your

1:11:58.439 --> 1:12:01.439
<v Speaker 2>life is over all you can about is this toddler

1:12:01.560 --> 1:12:05.120
<v Speaker 2>or something. So it never interested me. But at the

1:12:05.240 --> 1:12:10.240
<v Speaker 2>end of the day, I think I felt, do I

1:12:10.360 --> 1:12:13.960
<v Speaker 2>really want to go through life without any kids at all?

1:12:14.080 --> 1:12:19.879
<v Speaker 2>And I wasn't sure. So not being sure was the sticker.

1:12:20.360 --> 1:12:23.840
<v Speaker 2>The fact that I wasn't sure meant I either had

1:12:23.840 --> 1:12:26.479
<v Speaker 2>a move or it be made. This is the decision

1:12:26.520 --> 1:12:30.720
<v Speaker 2>would be made for me. So I said, all right,

1:12:30.720 --> 1:12:36.160
<v Speaker 2>we'll see what happens. Let's just see, and bingo, that's

1:12:36.200 --> 1:12:40.960
<v Speaker 2>what happened pretty fast. So I was frightened to death

1:12:41.120 --> 1:12:43.439
<v Speaker 2>when I you know, when I realized I was going

1:12:43.479 --> 1:12:45.320
<v Speaker 2>to have this kid, I was scared because I thought

1:12:45.320 --> 1:12:50.040
<v Speaker 2>this was going to happen to me zombie land. Well,

1:12:50.280 --> 1:12:55.360
<v Speaker 2>guess what I have this little guy, and I have

1:12:55.439 --> 1:12:59.479
<v Speaker 2>to say he was a great zen baby. He was amazing.

1:13:00.439 --> 1:13:07.280
<v Speaker 2>But I did not feel trapped. In fact, lo and behold,

1:13:07.479 --> 1:13:12.360
<v Speaker 2>the exact opposite happened. I felt empowered by this thing,

1:13:13.120 --> 1:13:17.280
<v Speaker 2>totally more empowered than I'd ever felt. So I would

1:13:17.320 --> 1:13:22.600
<v Speaker 2>have to say that just to cut to your question. No,

1:13:22.920 --> 1:13:33.480
<v Speaker 2>I I was thoroughly enjoying my kids, but also empowered

1:13:34.000 --> 1:13:36.559
<v Speaker 2>to do things that I wanted to do, and I

1:13:36.600 --> 1:13:40.120
<v Speaker 2>felt I could do them both. It was a lot

1:13:40.360 --> 1:13:43.679
<v Speaker 2>of entery, it was difficult, but I did do them both.

1:13:44.520 --> 1:13:48.559
<v Speaker 2>So No, I wasn't staring at four walls. I was

1:13:48.880 --> 1:13:51.639
<v Speaker 2>totally engaged. It's just that this thing was still there.

1:13:51.840 --> 1:13:54.799
<v Speaker 2>I wanted to do it, and I felt good about

1:13:54.880 --> 1:13:57.880
<v Speaker 2>everything I fell. Oh, I'll cut a bunch of things out,

1:13:57.920 --> 1:14:00.880
<v Speaker 2>like spending time with people who don't interest me, and

1:14:00.960 --> 1:14:03.960
<v Speaker 2>I'll form a band. You know, it's like you sort

1:14:03.960 --> 1:14:05.519
<v Speaker 2>of have to give and take a little.

1:14:07.240 --> 1:14:10.800
<v Speaker 1>Okay, how long from that thought until you settle on

1:14:10.880 --> 1:14:12.479
<v Speaker 1>the concept of leeds Zeppelin.

1:14:14.400 --> 1:14:19.920
<v Speaker 2>Well, let's see, my first was about three and we

1:14:19.920 --> 1:14:22.800
<v Speaker 2>were in New York, so he was two and a

1:14:22.840 --> 1:14:28.920
<v Speaker 2>half two and a half ish three, so we were

1:14:28.920 --> 1:14:31.559
<v Speaker 2>pretty settled in you know that we had some help.

1:14:32.400 --> 1:14:35.000
<v Speaker 2>So it seemed like I could go play a gig.

1:14:35.320 --> 1:14:38.400
<v Speaker 2>Why not play a gig on a weekend. And you know,

1:14:39.760 --> 1:14:43.360
<v Speaker 2>my partner was very he was supportive. He wasn't threatened

1:14:43.400 --> 1:14:46.160
<v Speaker 2>by it or anything. He thought why not. It was

1:14:46.200 --> 1:14:48.960
<v Speaker 2>so it was supposed to be some little, you know,

1:14:50.400 --> 1:14:53.160
<v Speaker 2>fifty buck a week, you know thing or fifty buck

1:14:53.200 --> 1:14:57.439
<v Speaker 2>a month, little escapade where I'd have to work really

1:14:57.479 --> 1:15:00.479
<v Speaker 2>hard to practice, but it would be fun. And then

1:15:00.520 --> 1:15:04.360
<v Speaker 2>it turned into something more. And then you know, I

1:15:04.400 --> 1:15:07.840
<v Speaker 2>had to decide whether I was going to keep doing

1:15:07.880 --> 1:15:14.280
<v Speaker 2>it or bow out because I had kids. But I

1:15:14.320 --> 1:15:16.800
<v Speaker 2>didn't bow out. I thought, why bow out, I'll just

1:15:18.280 --> 1:15:21.200
<v Speaker 2>take them with me, or I'll work around it, or

1:15:21.240 --> 1:15:26.160
<v Speaker 2>I'll go weekends. It didn't occur to me that I

1:15:26.360 --> 1:15:30.479
<v Speaker 2>couldn't do it all, I guess, and I think a

1:15:30.479 --> 1:15:33.439
<v Speaker 2>lot of people make that assumption. They think, oh, I

1:15:33.479 --> 1:15:38.759
<v Speaker 2>can't do that because I have kids. It's like, well,

1:15:39.040 --> 1:15:41.880
<v Speaker 2>sure you can. You just you know, you have to

1:15:41.920 --> 1:15:43.639
<v Speaker 2>have the energy to do it, but sure you can.

1:15:44.560 --> 1:15:46.320
<v Speaker 2>So that's kind of how it was. Really.

1:15:48.200 --> 1:15:52.320
<v Speaker 1>So you decide you want to do something. Do you

1:15:52.360 --> 1:15:55.160
<v Speaker 1>decide on other things or is it immediately less Zeppelin?

1:15:57.120 --> 1:16:00.320
<v Speaker 2>Well, this was the thing that was. I just wanted

1:16:00.360 --> 1:16:03.880
<v Speaker 2>to play. I had the itch to play, so that's

1:16:03.920 --> 1:16:07.479
<v Speaker 2>why I went in that direction. I wanted to not

1:16:08.040 --> 1:16:12.240
<v Speaker 2>at that point be Jimmy Page that came later, but

1:16:13.320 --> 1:16:20.320
<v Speaker 2>I was enamored of his let's just say genius and

1:16:20.439 --> 1:16:23.360
<v Speaker 2>I wanted to get those riffs. I wanted to dig

1:16:23.400 --> 1:16:28.360
<v Speaker 2>into what he was doing, which was so encompassing of

1:16:28.600 --> 1:16:32.320
<v Speaker 2>so many things. That's all I just wanted to play.

1:16:32.760 --> 1:16:36.360
<v Speaker 1>Okay, you decide you want to play. It could have

1:16:36.400 --> 1:16:38.880
<v Speaker 1>been a Beatles cover band, could have been an e

1:16:39.040 --> 1:16:42.200
<v Speaker 1>Loo cover band. How long and what was the process

1:16:42.280 --> 1:16:45.320
<v Speaker 1>signing no, it's going to be led Zeppelin or was

1:16:45.360 --> 1:16:46.479
<v Speaker 1>that a very.

1:16:46.360 --> 1:16:49.439
<v Speaker 2>First Okay, so no, it couldn't have been any of

1:16:49.439 --> 1:16:52.920
<v Speaker 2>those others, because I know this is going to sound weird.

1:16:53.439 --> 1:16:58.280
<v Speaker 2>I had no idea what a tribute band was. I'd

1:16:58.360 --> 1:17:03.320
<v Speaker 2>never been in one. I didn't know they existed. To

1:17:03.360 --> 1:17:07.400
<v Speaker 2>be honest, I know that it's only after I started

1:17:07.400 --> 1:17:12.120
<v Speaker 2>this band that another tribute band wrote I don't consider

1:17:12.200 --> 1:17:14.000
<v Speaker 2>us a tribute band, which we can get into in

1:17:14.040 --> 1:17:16.960
<v Speaker 2>a minute, but wrote to us saying, hey, welcome to

1:17:17.040 --> 1:17:20.880
<v Speaker 2>the world of tribute bands or whatever it was. And

1:17:20.960 --> 1:17:24.200
<v Speaker 2>I was horrified because this was not what I had

1:17:24.200 --> 1:17:28.640
<v Speaker 2>in mind. I did not decide, oh, I'm going to

1:17:28.800 --> 1:17:33.880
<v Speaker 2>play someone's music and go out there and maybe make money.

1:17:34.360 --> 1:17:38.280
<v Speaker 2>What music can I play? It was totally the reverse.

1:17:38.320 --> 1:17:42.040
<v Speaker 2>It was like, I just want to be in led Zeppelin.

1:17:43.960 --> 1:17:51.320
<v Speaker 1>That's it. Okay, okay, so you were a led Zeppelin fan. Yeah,

1:17:52.080 --> 1:17:54.320
<v Speaker 1>how did you become a led Zeppelin fan?

1:17:56.280 --> 1:18:00.280
<v Speaker 2>Well, honestly, it wasn't until a little later, or I

1:18:00.360 --> 1:18:03.519
<v Speaker 2>was not. I had some of their albums growing up,

1:18:03.560 --> 1:18:10.320
<v Speaker 2>but I wasn't a huge fan until I don't know,

1:18:11.200 --> 1:18:18.040
<v Speaker 2>I guess maybe thirty in my thirties or something, when

1:18:18.040 --> 1:18:21.320
<v Speaker 2>I was starting to get more exposed to their music

1:18:21.400 --> 1:18:25.680
<v Speaker 2>through some band members, and I just couldn't believe. And

1:18:25.760 --> 1:18:29.240
<v Speaker 2>then and then I started listening to it, and my

1:18:29.360 --> 1:18:32.240
<v Speaker 2>mother in law bought me the box set for Christmas,

1:18:32.720 --> 1:18:35.840
<v Speaker 2>and that was it for me. You know, all the albums.

1:18:36.680 --> 1:18:40.040
<v Speaker 2>That was the rabbit hole. I just I just fell

1:18:40.040 --> 1:18:44.280
<v Speaker 2>into the rabbit hole and I just thought, you know,

1:18:44.560 --> 1:18:48.280
<v Speaker 2>this music is kind of a lot better than everything

1:18:48.280 --> 1:18:54.000
<v Speaker 2>else I've been listening to I've been playing, it's just

1:18:54.080 --> 1:18:59.640
<v Speaker 2>a lot better. And I just was absolutely hooked. And

1:18:59.680 --> 1:19:01.240
<v Speaker 2>that's what and I became more obsessed with it.

1:19:01.560 --> 1:19:05.160
<v Speaker 1>Okay, so you get these other three girls together. LED's

1:19:05.240 --> 1:19:07.320
<v Speaker 1>up when not all their music sounds the same? How

1:19:07.320 --> 1:19:08.559
<v Speaker 1>do you decide what you're gonna play?

1:19:10.840 --> 1:19:15.600
<v Speaker 2>Ah? Good question. Well, some of some of it was,

1:19:17.439 --> 1:19:20.240
<v Speaker 2>you know, let's start with the basics, let's let's let's

1:19:20.479 --> 1:19:24.200
<v Speaker 2>take the canon and do this sort of necessary songs,

1:19:24.920 --> 1:19:26.519
<v Speaker 2>and then you had to look at them and see

1:19:26.520 --> 1:19:31.120
<v Speaker 2>if it was possible to do now. Luckily, and this

1:19:31.280 --> 1:19:36.240
<v Speaker 2>was a bit of magic just when I was starting

1:19:36.280 --> 1:19:40.240
<v Speaker 2>this band, that How the West was one CD and

1:19:40.520 --> 1:19:44.840
<v Speaker 2>DVD came out. It was like a godsend because the

1:19:44.960 --> 1:19:53.280
<v Speaker 2>DVD was like a playbook literally to how they were

1:19:53.320 --> 1:20:00.559
<v Speaker 2>handled it as four people. So I I could see

1:20:00.600 --> 1:20:03.880
<v Speaker 2>what lines Jimmy picked to play out of the ten

1:20:04.000 --> 1:20:09.240
<v Speaker 2>guitar layers. We could see how they finished songs that

1:20:09.600 --> 1:20:12.080
<v Speaker 2>trailed out on a record, what do they do? We

1:20:12.160 --> 1:20:16.240
<v Speaker 2>had this whole guy set before us, like you know,

1:20:17.200 --> 1:20:23.439
<v Speaker 2>the Book of Mormon or something, so that was really handy.

1:20:23.720 --> 1:20:25.880
<v Speaker 2>So a lot of the songs we started with were

1:20:25.920 --> 1:20:31.400
<v Speaker 2>those songs that we could sort of have a guide too,

1:20:32.280 --> 1:20:35.240
<v Speaker 2>but it was a pretty basic setlist and if we

1:20:35.360 --> 1:20:37.679
<v Speaker 2>found stuff was too hardly, you know, like we didn't

1:20:37.720 --> 1:20:43.880
<v Speaker 2>start off playing four sticks or Achilles Last Stand or something.

1:20:44.360 --> 1:20:47.360
<v Speaker 2>We got to that eventually, but much later.

1:20:54.880 --> 1:20:59.000
<v Speaker 1>Okay, As you say, you're a four piece and always

1:20:59.080 --> 1:21:04.639
<v Speaker 1>have been without extra players, how hard and how long

1:21:04.680 --> 1:21:06.920
<v Speaker 1>did it take you to learn to play those parts?

1:21:07.479 --> 1:21:09.919
<v Speaker 1>You know, you're carrying almost a complete band. It's essentially

1:21:09.960 --> 1:21:11.360
<v Speaker 1>a trio with a lead singer.

1:21:12.880 --> 1:21:16.559
<v Speaker 2>That's right, and I've always loved that. You know, Cream

1:21:16.680 --> 1:21:19.599
<v Speaker 2>was my other favorite band. It is it's basically a

1:21:19.640 --> 1:21:26.760
<v Speaker 2>power trio, which means the guitar it's totally naked. I

1:21:26.800 --> 1:21:30.519
<v Speaker 2>mean you're playing solos over just bass and drums most

1:21:30.520 --> 1:21:33.679
<v Speaker 2>of the time. There's no rhythm guitar, there's nothing, there's

1:21:33.760 --> 1:21:39.520
<v Speaker 2>no safety net man, nothing just out there and it's formidable.

1:21:40.080 --> 1:21:45.040
<v Speaker 2>But you know, that's what got me, That's what intrigued me.

1:21:45.840 --> 1:21:47.960
<v Speaker 2>I wanted to be that kind of play. I wanted

1:21:48.000 --> 1:21:50.599
<v Speaker 2>to do that. It was. It was hard, though, it

1:21:50.640 --> 1:21:55.400
<v Speaker 2>took me just I don't know if I could put

1:21:55.400 --> 1:21:57.559
<v Speaker 2>a time on it, because I think I'm still learning

1:21:58.000 --> 1:22:02.960
<v Speaker 2>to be honest with you. But I think about five

1:22:03.040 --> 1:22:05.639
<v Speaker 2>or six months before I felt I could really step

1:22:05.680 --> 1:22:13.200
<v Speaker 2>on a stage and deliver something with integrity. I didn't

1:22:13.240 --> 1:22:16.120
<v Speaker 2>want to just play it. It had to have integrity

1:22:16.400 --> 1:22:21.320
<v Speaker 2>in its other dimensions. So maybe six months and then

1:22:21.439 --> 1:22:27.120
<v Speaker 2>it took a few years of really digging down to

1:22:27.360 --> 1:22:31.240
<v Speaker 2>keep getting better and better and better. But I've watched,

1:22:32.040 --> 1:22:36.160
<v Speaker 2>you know, my own playing change, and you know, it

1:22:36.160 --> 1:22:38.280
<v Speaker 2>would stay at a certain level and then leap up

1:22:38.320 --> 1:22:40.679
<v Speaker 2>a little, and then leap up a little. So it's

1:22:40.840 --> 1:22:42.800
<v Speaker 2>just kind of like that. That's the way it is.

1:22:42.880 --> 1:22:46.080
<v Speaker 2>And I still think I can get better, you know,

1:22:46.560 --> 1:22:47.160
<v Speaker 2>I'm hoping.

1:22:48.880 --> 1:22:51.439
<v Speaker 1>Okay, you know, today we have the internet that goes

1:22:51.520 --> 1:22:55.120
<v Speaker 1>deep into how they made all these records, but you're

1:22:55.200 --> 1:22:58.320
<v Speaker 1>starting before that becomes a really big thing. I mean

1:22:58.360 --> 1:23:01.439
<v Speaker 1>you're listening to the records. Yeah, to a degree, you

1:23:01.479 --> 1:23:03.160
<v Speaker 1>have how the West was won, and you could see

1:23:03.160 --> 1:23:07.360
<v Speaker 1>what guitar is playing, But how do you figure out

1:23:07.439 --> 1:23:10.760
<v Speaker 1>how to actually replicate those sounds with the guitar, with

1:23:10.800 --> 1:23:14.240
<v Speaker 1>the effect, with the amps, with all the other elements

1:23:14.240 --> 1:23:14.760
<v Speaker 1>that go in.

1:23:16.040 --> 1:23:20.720
<v Speaker 2>Ah that honestly, by ear, I sat there like an

1:23:20.840 --> 1:23:27.559
<v Speaker 2>bloodite with the CD or the record or there was Spotify. Well,

1:23:27.600 --> 1:23:29.080
<v Speaker 2>I don't even know what it was on. I could

1:23:29.120 --> 1:23:33.559
<v Speaker 2>get it somewhere. I don't remember how I kept repeating it,

1:23:33.880 --> 1:23:37.080
<v Speaker 2>but I would literally sit and repeat it and play

1:23:37.120 --> 1:23:42.000
<v Speaker 2>it and backwind and replay it, and you know, just

1:23:42.200 --> 1:23:46.559
<v Speaker 2>over and over and over, and then I'd start to

1:23:46.600 --> 1:23:51.439
<v Speaker 2>hear something different in it, so I'd realize, Aha, there's that,

1:23:51.920 --> 1:23:55.360
<v Speaker 2>and aha, there's that, and he's wiggling the note here

1:23:55.560 --> 1:24:00.519
<v Speaker 2>not there. Like it was all just literally by ear

1:24:00.600 --> 1:24:04.000
<v Speaker 2>and a little bit by watching. But you know those

1:24:04.080 --> 1:24:06.719
<v Speaker 2>videos that they're not all on his fingers. You can't

1:24:07.120 --> 1:24:12.439
<v Speaker 2>learn it by it's all over the place. So and

1:24:12.479 --> 1:24:15.200
<v Speaker 2>I used a little bit of tablature to get me oriented.

1:24:15.280 --> 1:24:17.280
<v Speaker 2>But a lot of the time the tablature is wrong,

1:24:18.240 --> 1:24:21.160
<v Speaker 2>so you listen to it and it's like, no, that's

1:24:21.200 --> 1:24:25.040
<v Speaker 2>not it, you know. But that's how I play by ear,

1:24:25.080 --> 1:24:27.200
<v Speaker 2>And it's very old fashioned, but I think it's the

1:24:27.240 --> 1:24:30.720
<v Speaker 2>way that Jimmy Page learned to play or and Eric

1:24:30.720 --> 1:24:33.479
<v Speaker 2>Clapton and all those guys. So it was kind of

1:24:33.479 --> 1:24:38.280
<v Speaker 2>in the style of what they did. It was really

1:24:38.479 --> 1:24:41.000
<v Speaker 2>not very technical technically, going.

1:24:40.920 --> 1:24:43.280
<v Speaker 1>Okay, you're learning by ear since you went to this

1:24:43.360 --> 1:24:46.360
<v Speaker 1>summer camp for two years. Did you learn how to

1:24:46.400 --> 1:24:47.080
<v Speaker 1>read music?

1:24:49.040 --> 1:24:53.320
<v Speaker 2>Well? Not really. No, I can't really read music. I

1:24:53.360 --> 1:24:55.599
<v Speaker 2>can read a little piano music on the right hand,

1:24:55.640 --> 1:24:57.840
<v Speaker 2>because I took some piano lessons when I was little.

1:24:57.840 --> 1:25:02.000
<v Speaker 2>But maybe if I really tried to get it back,

1:25:02.040 --> 1:25:05.759
<v Speaker 2>I could read a little. But music on the guitar,

1:25:06.040 --> 1:25:09.840
<v Speaker 2>like if it's not tab, it's just insanely hard because

1:25:10.600 --> 1:25:13.360
<v Speaker 2>there are so many positions for the same notes, and

1:25:15.120 --> 1:25:19.080
<v Speaker 2>that would be useless to me, absolutely useless. The TAB

1:25:19.280 --> 1:25:21.920
<v Speaker 2>I could get through a little bit, but I don't

1:25:21.960 --> 1:25:23.080
<v Speaker 2>read it that well either.

1:25:24.160 --> 1:25:29.920
<v Speaker 1>Okay, how much equipment do you need to replicate Jimmy

1:25:29.960 --> 1:25:32.960
<v Speaker 1>Page's sound? I mean he had the last ball, he

1:25:33.080 --> 1:25:36.000
<v Speaker 1>had the Gibson with the two necks. How much did

1:25:36.080 --> 1:25:37.559
<v Speaker 1>you need and how much do you have?

1:25:39.479 --> 1:25:43.240
<v Speaker 2>So this is kind of a trick question. As I said,

1:25:44.920 --> 1:25:48.000
<v Speaker 2>I had the basic thing. I did not have all

1:25:48.040 --> 1:25:51.600
<v Speaker 2>of his stacks. I had one martial amp. It was

1:25:51.640 --> 1:25:55.240
<v Speaker 2>a JCM eight hundred because I could overdrive it. And

1:25:57.479 --> 1:26:00.760
<v Speaker 2>I do have a Plexi as well, but it's it

1:26:00.800 --> 1:26:04.360
<v Speaker 2>doesn't have a master volume, and it's just way too loud.

1:26:05.520 --> 1:26:08.800
<v Speaker 2>And to get Jimmy sound, it has to be way

1:26:08.840 --> 1:26:11.880
<v Speaker 2>too loud. I mean, it's got to be up at eight.

1:26:11.960 --> 1:26:15.840
<v Speaker 2>I know what his settings are, and it's just and

1:26:15.880 --> 1:26:21.519
<v Speaker 2>his amp was more beefed up, so you're not really

1:26:21.560 --> 1:26:24.200
<v Speaker 2>going to get that tone he's going to get unless

1:26:24.200 --> 1:26:27.000
<v Speaker 2>you can do that. So you have to just sort

1:26:27.040 --> 1:26:31.639
<v Speaker 2>of get as close as you can by overdriving it.

1:26:31.960 --> 1:26:35.000
<v Speaker 2>But you can't overdrive it that much because he didn't

1:26:35.040 --> 1:26:38.080
<v Speaker 2>play like modern guitars. He didn't play with all that

1:26:38.680 --> 1:26:41.960
<v Speaker 2>dirt and overdrive, which basically means you can play with

1:26:42.000 --> 1:26:44.240
<v Speaker 2>your left hand and you don't even have to pick

1:26:44.680 --> 1:26:49.120
<v Speaker 2>the note. You know, most modern guitarists are so in

1:26:49.160 --> 1:26:54.559
<v Speaker 2>this sound sort of whirlwind that it's just a very

1:26:54.600 --> 1:26:58.639
<v Speaker 2>different tech style. I mean, Jimmy was playing all of it.

1:26:58.640 --> 1:27:03.280
<v Speaker 2>It's super hard. So you've got the amp, and I

1:27:03.439 --> 1:27:07.280
<v Speaker 2>just copied what he had, which was not much. It's

1:27:07.320 --> 1:27:12.880
<v Speaker 2>basically a wah it's I had like this Kate. I

1:27:12.920 --> 1:27:16.439
<v Speaker 2>had this Klon type pedal to push it a little,

1:27:19.040 --> 1:27:23.479
<v Speaker 2>a Phase ninety, an mx R a Phase ninety, and

1:27:23.560 --> 1:27:30.200
<v Speaker 2>I did have one other. What did I have that's

1:27:30.240 --> 1:27:34.639
<v Speaker 2>really I mean, that's mostly it and an echoplex, sorry,

1:27:34.720 --> 1:27:38.360
<v Speaker 2>an echoplex, and I had the old echoplex, the tape

1:27:38.560 --> 1:27:42.960
<v Speaker 2>echoplex and a theremin. Yeah, I did his whole thing.

1:27:43.040 --> 1:27:46.040
<v Speaker 2>But that is basically what you have to work with.

1:27:46.720 --> 1:27:49.400
<v Speaker 2>If you want to sound like Jimmy Page, you have

1:27:49.479 --> 1:27:53.760
<v Speaker 2>to you have to learn to play the notes like

1:27:53.840 --> 1:27:57.880
<v Speaker 2>he played them, and that is how you sound like him.

1:27:58.160 --> 1:28:00.120
<v Speaker 2>No equipment's going to make you sound like it.

1:28:01.600 --> 1:28:03.719
<v Speaker 1>So how'd you end up working with Eddie Kramer?

1:28:05.160 --> 1:28:09.719
<v Speaker 2>Again? It was another like crazy balls out steph moment

1:28:10.800 --> 1:28:12.920
<v Speaker 2>where I said to our manager we were going to

1:28:13.000 --> 1:28:17.280
<v Speaker 2>make a record, and we were making lists of producers,

1:28:17.320 --> 1:28:19.720
<v Speaker 2>and I just said, you know, I always used to

1:28:19.800 --> 1:28:22.240
<v Speaker 2>joke with the girls about Eddie Kramer. Why don't you

1:28:22.280 --> 1:28:25.000
<v Speaker 2>know Eddie Kramer Shoot's going to come and produce a record?

1:28:25.040 --> 1:28:29.400
<v Speaker 2>And they'd laugh at me. So I said to Alan,

1:28:29.439 --> 1:28:31.680
<v Speaker 2>who was our manager, go, I don't know, should you

1:28:31.760 --> 1:28:36.120
<v Speaker 2>ask him? He goes, I'll ask him. Couldn't hurt to ask, right,

1:28:36.880 --> 1:28:39.960
<v Speaker 2>So he called him up and he asked him, and

1:28:40.120 --> 1:28:44.240
<v Speaker 2>Eddie checked out our stuff and he thought, I guess

1:28:44.280 --> 1:28:46.439
<v Speaker 2>we were good enough. So I'm sitting in my office

1:28:46.479 --> 1:28:50.200
<v Speaker 2>one day with a guitar and the phone rings as

1:28:50.240 --> 1:28:53.120
<v Speaker 2>they did then, and I picked it up and he goes, oh, hello,

1:28:53.200 --> 1:28:55.880
<v Speaker 2>it's Eddie Kramer, and you know, I nearly fell off

1:28:55.920 --> 1:28:59.639
<v Speaker 2>my chair because bingo, that was it. I just said

1:29:00.080 --> 1:29:04.639
<v Speaker 2>skin and he did it. So he came to New York.

1:29:04.720 --> 1:29:07.080
<v Speaker 2>We put him up and he produced this record, this

1:29:07.160 --> 1:29:07.839
<v Speaker 2>first record.

1:29:08.960 --> 1:29:11.360
<v Speaker 1>What was it like? Would you learn working with Eddie Kreamer?

1:29:13.400 --> 1:29:17.160
<v Speaker 2>I'll say there were some surreal moments, you know how

1:29:17.200 --> 1:29:20.760
<v Speaker 2>on Physical Graffiti, which we have had discussed where in

1:29:20.920 --> 1:29:25.240
<v Speaker 2>a Black Country Woman before that track, there's the you

1:29:25.280 --> 1:29:27.800
<v Speaker 2>know Robert going, oh, there's Eddie. You got to get

1:29:27.800 --> 1:29:30.639
<v Speaker 2>the those planes off right? He says this thing right,

1:29:31.400 --> 1:29:33.840
<v Speaker 2>So we would joke about that. But do you know

1:29:33.920 --> 1:29:36.720
<v Speaker 2>what it felt like to have that voice in the

1:29:36.800 --> 1:29:42.479
<v Speaker 2>control room saying rolling I mean like literally rolling nuts?

1:29:42.720 --> 1:29:42.920
<v Speaker 1>Right?

1:29:43.160 --> 1:29:46.200
<v Speaker 2>It was just like I'd entered some other dimension of

1:29:46.400 --> 1:29:51.679
<v Speaker 2>notting a crazy Zeppelin vortex. The one thing I will

1:29:51.680 --> 1:29:54.479
<v Speaker 2>tell you, And he was great. He was very nice

1:29:54.520 --> 1:29:58.000
<v Speaker 2>to us. Maybe not so nice to some of the

1:29:58.040 --> 1:30:01.440
<v Speaker 2>other people in the studio, but he was nice to us.

1:30:01.880 --> 1:30:05.559
<v Speaker 2>That's all I'll say about that. But there was one

1:30:05.640 --> 1:30:09.960
<v Speaker 2>day when and this was a devil death day, when

1:30:10.080 --> 1:30:14.519
<v Speaker 2>I realized it was the guitar solo day, that I

1:30:14.640 --> 1:30:17.200
<v Speaker 2>was going to go in just me and Eddie and

1:30:17.240 --> 1:30:20.200
<v Speaker 2>I was going to play all the solos, and I'm

1:30:20.240 --> 1:30:23.479
<v Speaker 2>telling you, Bob, I nearly threw up. I mean I

1:30:23.520 --> 1:30:26.880
<v Speaker 2>was like, am I out of my mind? I was like,

1:30:27.040 --> 1:30:31.480
<v Speaker 2>what am I thinking? This guy sat with Jimmy Hendricks

1:30:32.280 --> 1:30:36.080
<v Speaker 2>for his old career, this guy sat with Jimmy Page

1:30:36.120 --> 1:30:39.000
<v Speaker 2>and whoever else, And I'm going to go in and

1:30:39.280 --> 1:30:42.120
<v Speaker 2>I'm going to play the solos. I was like, I'm

1:30:42.160 --> 1:30:45.479
<v Speaker 2>out forget about. This is crazy. And I don't know

1:30:45.520 --> 1:30:48.599
<v Speaker 2>what I did push ups or something, and I had

1:30:48.640 --> 1:30:51.479
<v Speaker 2>no choice. I had to go and do it. So

1:30:52.800 --> 1:30:57.080
<v Speaker 2>I went in, you know, scared to death, and it

1:30:57.160 --> 1:30:59.280
<v Speaker 2>was just me and him. We spent an hour or

1:30:59.320 --> 1:31:01.960
<v Speaker 2>two finding the right amp because Jimmy didn't use the

1:31:02.040 --> 1:31:06.240
<v Speaker 2>Marshall to play the solos, you know, the supro maybe

1:31:06.560 --> 1:31:10.559
<v Speaker 2>some other stuff. But we found this crazy little amp

1:31:11.040 --> 1:31:15.719
<v Speaker 2>which was a vox Nova, which is not a guitar

1:31:15.840 --> 1:31:19.200
<v Speaker 2>amp at all. It's actually an amp for horns, if

1:31:19.240 --> 1:31:21.600
<v Speaker 2>that makes any sense. It's a weird little amp, but

1:31:21.680 --> 1:31:24.160
<v Speaker 2>it sounded great. You turn it all the way up

1:31:24.160 --> 1:31:27.759
<v Speaker 2>and it just had the right crunch and something about

1:31:27.800 --> 1:31:32.439
<v Speaker 2>the tone. So I basically we chose that, and I

1:31:32.479 --> 1:31:38.919
<v Speaker 2>think the first song I tried to play was Communication Breakdown.

1:31:41.439 --> 1:31:44.320
<v Speaker 2>So I went into this. I wed in and there's

1:31:44.400 --> 1:31:47.920
<v Speaker 2>Eddie Kramer and there's Roland, you know, and I just

1:31:48.720 --> 1:31:53.800
<v Speaker 2>played the solo and I actually played it okay, and

1:31:54.200 --> 1:31:58.360
<v Speaker 2>he stopped after it. He goes, come in here. I

1:31:58.360 --> 1:32:01.320
<v Speaker 2>think that's it. I'm like, you don't want me to

1:32:01.360 --> 1:32:04.280
<v Speaker 2>do it again. He's like, come out here, and he

1:32:04.320 --> 1:32:08.280
<v Speaker 2>played it. He goes, you did it, that's it. One take.

1:32:08.400 --> 1:32:11.120
<v Speaker 2>He goes, I'll tell you something. He said. I wasn't

1:32:11.160 --> 1:32:13.280
<v Speaker 2>sure you could do this. He goes, but you can

1:32:13.360 --> 1:32:16.160
<v Speaker 2>do it. So after that we were good.

1:32:18.560 --> 1:32:21.439
<v Speaker 1>Okay, tell me about meeting Jimmy Page.

1:32:21.680 --> 1:32:26.040
<v Speaker 2>Oh okay, this could be a whole podcast and of itself.

1:32:26.960 --> 1:32:31.280
<v Speaker 2>So it took ten years before I actually met Jimmy,

1:32:32.040 --> 1:32:37.320
<v Speaker 2>which is probably good actually, because I was so in

1:32:37.439 --> 1:32:42.000
<v Speaker 2>Jimmy world that, you know, it's probably good. It took

1:32:42.080 --> 1:32:44.559
<v Speaker 2>ten years, but I met him at the when I

1:32:44.680 --> 1:32:46.720
<v Speaker 2>didn't know I was really going to meet him. It

1:32:46.760 --> 1:32:51.920
<v Speaker 2>was the last minute. My friend had an extra ticket.

1:32:51.960 --> 1:32:54.280
<v Speaker 2>My friend who knows Jimmy and who's worked with him

1:32:54.280 --> 1:32:56.880
<v Speaker 2>and is a con vintage guitar dealer. He had an

1:32:56.920 --> 1:33:03.280
<v Speaker 2>extra ticket to the premiere of Celebration Day in New

1:33:03.360 --> 1:33:09.799
<v Speaker 2>York at the zig Field Theater. Did I want to go? Damn? Yeah,

1:33:09.840 --> 1:33:12.360
<v Speaker 2>this is a half an hour before the show or something.

1:33:13.200 --> 1:33:17.160
<v Speaker 2>I didn't even you know, and I realized I might

1:33:17.240 --> 1:33:19.240
<v Speaker 2>actually meet Jimmy, who knows. I don't know, but I

1:33:19.280 --> 1:33:22.679
<v Speaker 2>had to get dressed, throw something on race down there

1:33:23.960 --> 1:33:27.280
<v Speaker 2>we saw the thing, you know, Jimmy and Robert, they

1:33:27.280 --> 1:33:29.240
<v Speaker 2>all came in the room, and just then being in

1:33:29.280 --> 1:33:32.640
<v Speaker 2>the room was amazing. But then we got to go

1:33:32.680 --> 1:33:39.799
<v Speaker 2>to the after party and I thought, okay, you'll probably

1:33:39.840 --> 1:33:42.120
<v Speaker 2>walk in. I'll get a chance finally to meet him.

1:33:42.160 --> 1:33:45.280
<v Speaker 2>So Jimmy finally comes in after about an hour. I've

1:33:45.320 --> 1:33:47.759
<v Speaker 2>been hanging out with Joan Jet at the bar, talking

1:33:47.760 --> 1:33:51.960
<v Speaker 2>about women in music, which is very interesting, and about

1:33:52.040 --> 1:33:56.519
<v Speaker 2>you know, being a girl guitar player. So Jimmy comes

1:33:56.560 --> 1:34:00.760
<v Speaker 2>in and this friend of mine grab me and says,

1:34:00.760 --> 1:34:02.800
<v Speaker 2>we got to get him before he gets lost in

1:34:02.880 --> 1:34:09.200
<v Speaker 2>this crowd. So we pulls me up, shoves me in

1:34:09.240 --> 1:34:12.000
<v Speaker 2>front of him and says, Jimmy, this is Steph from

1:34:12.080 --> 1:34:15.840
<v Speaker 2>Les Zeppelin, and Jimmy stops and he turns and he

1:34:15.880 --> 1:34:21.479
<v Speaker 2>looks at me and he's like, oh wow, great to

1:34:21.600 --> 1:34:25.120
<v Speaker 2>finally meet you, like, oh my god, thank god, like

1:34:25.160 --> 1:34:31.639
<v Speaker 2>he actually knows the band and is big hug, right,

1:34:31.920 --> 1:34:36.400
<v Speaker 2>big hug. And we stand back and I say, Jimmy,

1:34:36.439 --> 1:34:38.439
<v Speaker 2>you know, I got to tell you, and I don't

1:34:38.439 --> 1:34:40.839
<v Speaker 2>know how I thought of this. He said, it's really

1:34:40.880 --> 1:34:45.160
<v Speaker 2>hard being you and he just laughed and he goes,

1:34:45.320 --> 1:34:48.200
<v Speaker 2>it is. I said, yeah it is. He goes, yeah,

1:34:48.240 --> 1:34:50.719
<v Speaker 2>I know it is. And we had this crazy life

1:34:51.200 --> 1:34:53.960
<v Speaker 2>because it was he knew I meant more than just

1:34:54.040 --> 1:34:57.599
<v Speaker 2>playing the guitar and all this stuff. It was everything about,

1:34:57.840 --> 1:35:01.439
<v Speaker 2>you know, being the Jimmy person. And then he said

1:35:01.439 --> 1:35:05.000
<v Speaker 2>to me, you know what you're doing out there is

1:35:05.080 --> 1:35:11.400
<v Speaker 2>really great. It's stunning, especially the first album, and I was,

1:35:12.760 --> 1:35:15.200
<v Speaker 2>oh my god, he knows the albums like this is.

1:35:15.479 --> 1:35:17.439
<v Speaker 2>And then I got to say to him how much

1:35:17.479 --> 1:35:20.240
<v Speaker 2>his music meant to me and how much love it's

1:35:20.280 --> 1:35:22.760
<v Speaker 2>brought into my life, and we just stared at each

1:35:22.800 --> 1:35:27.200
<v Speaker 2>other like love birds. I was fuck because we both

1:35:27.240 --> 1:35:30.840
<v Speaker 2>have the same love, you know, led Zeppelin, and it

1:35:30.920 --> 1:35:36.479
<v Speaker 2>was just an instant. Yeah, we were soulmate, we're friends.

1:35:36.520 --> 1:35:38.760
<v Speaker 2>This is it. So then he came around the room.

1:35:39.200 --> 1:35:42.479
<v Speaker 2>I was like done, I didn't need anything after that,

1:35:42.760 --> 1:35:45.280
<v Speaker 2>but he did come around the room and someone else

1:35:45.360 --> 1:35:47.559
<v Speaker 2>dragged me over and said, Jimmy, you got to see

1:35:47.600 --> 1:35:50.400
<v Speaker 2>her band, and we both I was like, no, he knows,

1:35:50.439 --> 1:35:53.320
<v Speaker 2>it's fine, it's fine. But then we talked for like

1:35:53.760 --> 1:35:58.360
<v Speaker 2>fifteen twenty minutes and it was it was great. It

1:35:58.479 --> 1:36:02.599
<v Speaker 2>was really just he was so friendly and it was

1:36:03.840 --> 1:36:07.400
<v Speaker 2>clearly we liked each other. And I told him, I said, Jimmy,

1:36:07.439 --> 1:36:10.960
<v Speaker 2>you know we we got you got to see us.

1:36:10.960 --> 1:36:12.479
<v Speaker 2>We have to come to England. Goes yeah, I know,

1:36:12.560 --> 1:36:14.880
<v Speaker 2>you guys. Last time you were here, I wasn't there.

1:36:14.920 --> 1:36:17.240
<v Speaker 2>I wasn't in town. I said, well, we'll come again.

1:36:17.800 --> 1:36:22.920
<v Speaker 2>So after that night, first thing I did is I

1:36:23.040 --> 1:36:25.960
<v Speaker 2>called this guy in England who was trying to book

1:36:26.040 --> 1:36:31.240
<v Speaker 2>us a tour who wildly underpaid. I mean, I couldn't

1:36:31.240 --> 1:36:33.720
<v Speaker 2>even do it because it was no money in it.

1:36:33.880 --> 1:36:37.000
<v Speaker 2>But I called him and I said, look, we got

1:36:37.040 --> 1:36:39.280
<v Speaker 2>to come to England. You know, we got to do it.

1:36:39.280 --> 1:36:42.960
<v Speaker 2>Can you can you arrange it? And he came back

1:36:43.000 --> 1:36:47.439
<v Speaker 2>the next day with a small tour which which started

1:36:47.479 --> 1:36:50.320
<v Speaker 2>off with the Isle of Wight. We played at the

1:36:50.320 --> 1:36:53.880
<v Speaker 2>Isle of Wight. It was it was like I'm telling you,

1:36:53.880 --> 1:36:58.120
<v Speaker 2>it was nuts. And the next day this is a

1:36:58.120 --> 1:37:00.400
<v Speaker 2>whole funny story, but you know, I've been I've been

1:37:00.439 --> 1:37:04.439
<v Speaker 2>sending Jimmy messages or his office telling him when we

1:37:04.439 --> 1:37:09.920
<v Speaker 2>were going to be there, and he didn't respond to

1:37:10.000 --> 1:37:14.360
<v Speaker 2>me at that point, so I didn't know if he

1:37:14.439 --> 1:37:16.880
<v Speaker 2>even knew. But we were coming back from the Isle

1:37:16.920 --> 1:37:21.559
<v Speaker 2>of Wight and we were in the van on the

1:37:21.600 --> 1:37:24.280
<v Speaker 2>way to London where we played at this place called

1:37:24.320 --> 1:37:30.640
<v Speaker 2>the Garage or the Garage, and I open up my

1:37:30.680 --> 1:37:33.080
<v Speaker 2>little flip phone, you know how it used to be

1:37:33.160 --> 1:37:35.760
<v Speaker 2>where when you're overseas you have to get one of

1:37:35.760 --> 1:37:39.960
<v Speaker 2>those Motorola flip phones where you poke at the at

1:37:39.960 --> 1:37:45.520
<v Speaker 2>the anyway. And I see a message and the message

1:37:45.600 --> 1:37:52.559
<v Speaker 2>says love Jimmy XOXO. And I look at it and

1:37:52.600 --> 1:37:56.360
<v Speaker 2>I'm exhausted, right, and I say love Jimmy, and my

1:37:56.600 --> 1:38:03.400
<v Speaker 2>drummer Lisa, looks over at me and says, steph Jimmy,

1:38:04.120 --> 1:38:06.760
<v Speaker 2>and I was like, oh oh, and I like go

1:38:06.840 --> 1:38:09.799
<v Speaker 2>into the messages, and sure enough there was this whole

1:38:09.880 --> 1:38:13.280
<v Speaker 2>other message and he forgot to sign his name, so

1:38:13.479 --> 1:38:15.640
<v Speaker 2>the one message said love Jimmy. But then there was

1:38:15.680 --> 1:38:18.640
<v Speaker 2>a whole other message and it was going on and

1:38:18.680 --> 1:38:22.320
<v Speaker 2>on about how he was me, Oh, I hope it's

1:38:22.400 --> 1:38:24.600
<v Speaker 2>going well and blah blah blah, like to try to

1:38:24.600 --> 1:38:29.120
<v Speaker 2>come and I'm reading it and I'm freaking out. And

1:38:29.200 --> 1:38:34.400
<v Speaker 2>then I try to start messaging him back. And as

1:38:34.439 --> 1:38:39.880
<v Speaker 2>I'm poking away at this phone ABC D housing and

1:38:39.920 --> 1:38:43.120
<v Speaker 2>my hands are sort of shaking, the phone rings. The

1:38:43.120 --> 1:38:48.479
<v Speaker 2>phone rings in my hand, so I look at it

1:38:49.000 --> 1:38:55.800
<v Speaker 2>and Lisa again, my goes, Steph, answer the phone. It's like,

1:38:55.880 --> 1:38:58.920
<v Speaker 2>this is so funny and so silly, it's very Monty

1:38:58.960 --> 1:39:02.519
<v Speaker 2>Python it. So I answered the phone, and of course

1:39:02.640 --> 1:39:06.160
<v Speaker 2>it's it's him. Hey, Hello, is this step It's it's

1:39:06.240 --> 1:39:10.439
<v Speaker 2>Jimmy Page right. I'm like, oh hi, and the whole van,

1:39:11.200 --> 1:39:16.759
<v Speaker 2>the whole crew silence. And he's a little bit ticked

1:39:16.760 --> 1:39:19.439
<v Speaker 2>off that I didn't answer him. You know, it's like

1:39:19.960 --> 1:39:21.960
<v Speaker 2>I didn't know he texted me, because you know, I

1:39:22.680 --> 1:39:24.839
<v Speaker 2>called you or I texted you, but I said.

1:39:24.600 --> 1:39:25.400
<v Speaker 1>Oh, I know I did.

1:39:25.640 --> 1:39:28.320
<v Speaker 2>I didn't see it, and blah blah blah blah. So anyway,

1:39:29.000 --> 1:39:32.439
<v Speaker 2>he's talking and he's telling me about how he's in

1:39:32.479 --> 1:39:36.559
<v Speaker 2>the studio he was working on those big three three

1:39:36.640 --> 1:39:40.000
<v Speaker 2>set reissues that you know, was one, two, and three,

1:39:40.080 --> 1:39:43.479
<v Speaker 2>and he was in the studio mastering all that stuff.

1:39:44.640 --> 1:39:49.040
<v Speaker 2>So well, finally, after about ten minutes of a conversation,

1:39:49.080 --> 1:39:52.400
<v Speaker 2>because well, I'd like to try to come, and uh so,

1:39:52.479 --> 1:39:55.320
<v Speaker 2>maybe just put put me on the guest list, and

1:39:55.360 --> 1:39:57.800
<v Speaker 2>he gave me his friend's name goes put us put

1:39:57.840 --> 1:40:04.760
<v Speaker 2>me under this name plus. So I did that. Okay, great, Well,

1:40:04.760 --> 1:40:06.559
<v Speaker 2>I hope you see you later. I said, come anyway,

1:40:06.600 --> 1:40:10.519
<v Speaker 2>even if it's you know, halfway done. Great, bye, hang

1:40:10.640 --> 1:40:13.040
<v Speaker 2>up the phone, and they all look at me, and

1:40:13.080 --> 1:40:18.320
<v Speaker 2>then there's this like, you know, eruption of So that

1:40:18.720 --> 1:40:21.200
<v Speaker 2>was I don't know if you even asked me this question,

1:40:21.280 --> 1:40:23.400
<v Speaker 2>but I'm telling you the whole thing. But then I

1:40:23.560 --> 1:40:26.040
<v Speaker 2>you know, then I have the problem of knowing he

1:40:26.160 --> 1:40:29.839
<v Speaker 2>might show up and having to play for him. Finally,

1:40:30.800 --> 1:40:35.439
<v Speaker 2>so that was that was formidable. Well did he show up, Yes,

1:40:36.520 --> 1:40:41.519
<v Speaker 2>he showed up. I knew he'd show up. I kind

1:40:41.520 --> 1:40:44.160
<v Speaker 2>of knew, and so I was again, it was kind

1:40:44.160 --> 1:40:46.680
<v Speaker 2>of like going into the studio with Eddie Kramer, right,

1:40:46.760 --> 1:40:51.439
<v Speaker 2>I was, Okay, Jimmy is going to be in the audience,

1:40:51.479 --> 1:40:55.320
<v Speaker 2>and I have to play his solos in front of him.

1:40:55.400 --> 1:40:58.000
<v Speaker 2>And you know, Bob, I took this all very seriously.

1:40:58.080 --> 1:41:00.599
<v Speaker 2>This is not just oh, let's play he led Zeppel.

1:41:00.680 --> 1:41:04.160
<v Speaker 2>I mean I was hook line and sinker. I was in.

1:41:04.520 --> 1:41:08.080
<v Speaker 2>I was a lifer in this stuff. I was so

1:41:08.200 --> 1:41:12.599
<v Speaker 2>serious about getting it all right, kind of like him.

1:41:12.720 --> 1:41:15.320
<v Speaker 2>You know, it's not easy being Jimmy how to be right.

1:41:15.960 --> 1:41:20.880
<v Speaker 2>So I realized I had two choices. I could freak

1:41:20.960 --> 1:41:23.439
<v Speaker 2>out and not be able to go on stage and

1:41:23.520 --> 1:41:28.120
<v Speaker 2>totally fuck it up right. Or I could just tell myself,

1:41:28.560 --> 1:41:32.639
<v Speaker 2>you know, I play as if he's in the audience

1:41:32.720 --> 1:41:35.639
<v Speaker 2>every night, so what difference does it make if he's

1:41:35.680 --> 1:41:38.880
<v Speaker 2>out there? And that is the little lie that I

1:41:38.960 --> 1:41:43.479
<v Speaker 2>told myself, and I gave the band a big pep talk,

1:41:43.520 --> 1:41:46.840
<v Speaker 2>and we were all nervous and we were all freaking out.

1:41:46.880 --> 1:41:49.800
<v Speaker 2>We didn't know if he had come. So we go

1:41:49.880 --> 1:41:53.200
<v Speaker 2>out and we're playing this show and we're all hyped up.

1:41:53.240 --> 1:41:57.360
<v Speaker 2>It is super energetic, and I think, excuse me, I

1:41:57.400 --> 1:42:02.280
<v Speaker 2>think it was during days and confused when he actually

1:42:02.320 --> 1:42:07.000
<v Speaker 2>walked in. So I'm up there with the bow, right,

1:42:07.240 --> 1:42:09.840
<v Speaker 2>you just have to imagine this. I'm doing a bo

1:42:10.080 --> 1:42:14.960
<v Speaker 2>solo and Jimmy is in the back and I did

1:42:15.000 --> 1:42:18.599
<v Speaker 2>not know this, but the other girls did. They told

1:42:18.640 --> 1:42:21.479
<v Speaker 2>me later. Everyone else did, and they're like, oh my god,

1:42:21.520 --> 1:42:23.479
<v Speaker 2>he's out because they saw his white hair. You know

1:42:24.600 --> 1:42:28.280
<v Speaker 2>he's out there. Oh shit, don't tell Steph. That was like,

1:42:28.000 --> 1:42:32.040
<v Speaker 2>just don't tell her. So I'm doing the bow solo

1:42:32.080 --> 1:42:34.679
<v Speaker 2>and we get through days crowd loves it. We play

1:42:34.760 --> 1:42:37.080
<v Speaker 2>the rest of the show, and at some point toward

1:42:37.160 --> 1:42:41.080
<v Speaker 2>the end, I did see him in the back, but

1:42:41.160 --> 1:42:45.400
<v Speaker 2>I'd already been playing, so whatever. So after the show,

1:42:45.520 --> 1:42:50.560
<v Speaker 2>I was in such a state of hyped up crazy,

1:42:51.320 --> 1:42:59.559
<v Speaker 2>you know, show spirit. We go backstage and he makes

1:42:59.600 --> 1:43:03.160
<v Speaker 2>a beat line for the for the State for the

1:43:03.200 --> 1:43:09.320
<v Speaker 2>green room, at which point security everyone else got cleared out.

1:43:09.880 --> 1:43:12.320
<v Speaker 2>He got let in and the door closed and that

1:43:12.479 --> 1:43:15.439
<v Speaker 2>was it. No one else was coming in. And I

1:43:15.439 --> 1:43:17.400
<v Speaker 2>got to tell you, Bob, when he came in, he

1:43:17.520 --> 1:43:23.519
<v Speaker 2>was he was kind of beside himself. He was, I mean,

1:43:23.640 --> 1:43:26.720
<v Speaker 2>I was on mars. I couldn't even really hear any

1:43:26.800 --> 1:43:29.479
<v Speaker 2>of it. I was so done. I was so spent.

1:43:29.600 --> 1:43:34.960
<v Speaker 2>Everything I had went into that. But he said, that

1:43:35.479 --> 1:43:38.920
<v Speaker 2>is how it should be done. That's the way this

1:43:39.080 --> 1:43:42.160
<v Speaker 2>music should be played. Each and every one of you

1:43:42.560 --> 1:43:47.320
<v Speaker 2>are great, but that is that's it, that's what this

1:43:47.800 --> 1:43:52.439
<v Speaker 2>is about. And I got to tell you that, you know,

1:43:53.040 --> 1:43:56.600
<v Speaker 2>it was amazing. We've done our job, and you know

1:43:56.680 --> 1:43:59.559
<v Speaker 2>he has since he stayed with us for an hour

1:44:00.520 --> 1:44:04.559
<v Speaker 2>and we just hung out and then he suggested that

1:44:04.600 --> 1:44:09.280
<v Speaker 2>we take a picture. He suggested it, and you got

1:44:09.280 --> 1:44:11.960
<v Speaker 2>to know that he knew what that meant. So we

1:44:12.000 --> 1:44:17.120
<v Speaker 2>took a pick pictures. I had this this woman who

1:44:17.160 --> 1:44:19.519
<v Speaker 2>was doing pr for us and she was a great

1:44:19.520 --> 1:44:22.439
<v Speaker 2>photographer also, and her name is Judy Totten. I don't

1:44:22.439 --> 1:44:24.680
<v Speaker 2>know if you know who she is, but she used

1:44:24.680 --> 1:44:27.880
<v Speaker 2>to do a lot of PR in the UK and

1:44:27.960 --> 1:44:31.040
<v Speaker 2>I hired her for this little run and she took

1:44:31.160 --> 1:44:36.640
<v Speaker 2>some pictures of us that were fantastic. So it was

1:44:36.720 --> 1:44:40.000
<v Speaker 2>really thank god. I don't know, thank god because if

1:44:40.000 --> 1:44:42.000
<v Speaker 2>he didn't like it, I don't I'm not sure what

1:44:42.040 --> 1:44:47.719
<v Speaker 2>I would have done.

1:44:50.320 --> 1:44:53.559
<v Speaker 1>Okay, the band's going on the road for the fiftieth

1:44:53.640 --> 1:44:57.840
<v Speaker 1>the anniversary. You're playing Physical Graffiti start to finish. Tell

1:44:57.840 --> 1:44:58.439
<v Speaker 1>me about that.

1:44:59.640 --> 1:45:02.439
<v Speaker 2>Yes, it's not our fiftieth anniversary, but we'll talk again

1:45:02.479 --> 1:45:06.600
<v Speaker 2>when that happened. But yes, fiftieth anniversary of Physical Graffiti.

1:45:08.840 --> 1:45:11.759
<v Speaker 2>You know, for some reason, Physical Graffiti was my dream

1:45:11.880 --> 1:45:15.280
<v Speaker 2>to play it the whole album. Really from the beginning,

1:45:16.040 --> 1:45:19.559
<v Speaker 2>I just thought, God, that would be so cool and

1:45:19.600 --> 1:45:24.960
<v Speaker 2>so fun because it's so it's kind of got all

1:45:25.000 --> 1:45:28.760
<v Speaker 2>the elements of what Led Zeppelin were, I think in

1:45:28.840 --> 1:45:32.880
<v Speaker 2>that one double album. It sort of runs the spectrum

1:45:32.960 --> 1:45:37.919
<v Speaker 2>of the genres that they touched on, and there's some crazy,

1:45:38.080 --> 1:45:41.519
<v Speaker 2>weird stuff in it, but there are some amazing things

1:45:41.520 --> 1:45:47.160
<v Speaker 2>in it, like you know, ten years Gone, which is

1:45:47.520 --> 1:45:50.600
<v Speaker 2>probably if I were pigeonholed would have to say, is

1:45:50.640 --> 1:45:55.080
<v Speaker 2>my favorite led Zeppelin song. But in my time of

1:45:55.200 --> 1:45:58.760
<v Speaker 2>dying Cashmir there's just a whole bunch of things that

1:46:00.240 --> 1:46:03.240
<v Speaker 2>are really sick again, it's cool, you know, there's just

1:46:03.280 --> 1:46:07.920
<v Speaker 2>some some cool stuff. So we got to the point

1:46:07.960 --> 1:46:12.280
<v Speaker 2>where our promoter, who's our agent, he's started as our promoter,

1:46:12.880 --> 1:46:16.559
<v Speaker 2>suggested it, and this is a couple of years ago.

1:46:16.600 --> 1:46:20.120
<v Speaker 2>He said, what about Physical Graffiti? You know, can I

1:46:20.160 --> 1:46:22.840
<v Speaker 2>ever get that from you? And I thought, you know what,

1:46:23.520 --> 1:46:26.000
<v Speaker 2>We're ready to do it. We're ready, let's do it.

1:46:26.080 --> 1:46:30.320
<v Speaker 2>Because so we just started working on it and there

1:46:30.360 --> 1:46:33.080
<v Speaker 2>are a couple of songs that are really hard to do,

1:46:33.280 --> 1:46:38.880
<v Speaker 2>Like in the Light near impossible because you just need

1:46:38.920 --> 1:46:42.160
<v Speaker 2>too many people. With four people, it's almost impossible. But

1:46:42.240 --> 1:46:45.880
<v Speaker 2>we figured it out and we got a whole multimedia

1:46:45.920 --> 1:46:49.960
<v Speaker 2>show and it's really I love it, you know, in

1:46:50.000 --> 1:46:54.000
<v Speaker 2>the Light, I mean I cry, you know, ten years gone.

1:46:54.000 --> 1:46:57.120
<v Speaker 2>I cry. I'm just like I'm up there unless I'm

1:46:57.160 --> 1:46:59.880
<v Speaker 2>really screwing it up and I'm crying for another reason.

1:47:00.400 --> 1:47:05.759
<v Speaker 2>But yeah, we're going to play it all year twenty

1:47:05.800 --> 1:47:09.559
<v Speaker 2>twenty five. We have a lot of shows booked, mostly

1:47:10.360 --> 1:47:15.519
<v Speaker 2>you know theaters, and it's an amazing shows. It's just

1:47:17.000 --> 1:47:19.479
<v Speaker 2>and then we throw in a couple of rocker numbers

1:47:19.520 --> 1:47:25.040
<v Speaker 2>after that. But it's it really is so satisfying, but

1:47:25.080 --> 1:47:26.120
<v Speaker 2>it's not easy to do.

1:47:27.200 --> 1:47:28.680
<v Speaker 1>How long did it take you to learn it? And

1:47:28.680 --> 1:47:32.719
<v Speaker 1>how long did it take for the band to learn it?

1:47:32.720 --> 1:47:36.040
<v Speaker 2>It took a while to figure out a couple of things,

1:47:36.120 --> 1:47:39.800
<v Speaker 2>like in the Light took a while. We had to

1:47:39.840 --> 1:47:44.519
<v Speaker 2>go through different experiments of how to get this sound

1:47:44.560 --> 1:47:47.240
<v Speaker 2>on the keys, how to get the drone, how to

1:47:47.960 --> 1:47:50.519
<v Speaker 2>turn the drone off. I mean I hit a few things.

1:47:50.840 --> 1:47:55.040
<v Speaker 2>Joan switches keyboards, so that it took a while. I

1:47:55.080 --> 1:47:57.559
<v Speaker 2>don't know I would say it took us a couple

1:47:57.560 --> 1:48:01.559
<v Speaker 2>of months to maybe we really get it so that

1:48:01.600 --> 1:48:06.639
<v Speaker 2>we could play each song pretty well, even down by

1:48:06.640 --> 1:48:07.320
<v Speaker 2>the seaside.

1:48:07.560 --> 1:48:09.880
<v Speaker 1>How often do you play the guitar and how often

1:48:09.880 --> 1:48:13.040
<v Speaker 1>do you play these songs?

1:48:13.720 --> 1:48:18.400
<v Speaker 2>I don't practice nearly enough. I admit it. I'm bad.

1:48:18.479 --> 1:48:22.320
<v Speaker 2>I'm a bad I just I just don't. I should.

1:48:23.200 --> 1:48:26.880
<v Speaker 2>I go through spells of practicing, but I don't play enough,

1:48:27.800 --> 1:48:30.000
<v Speaker 2>and I think if I did, I'd be a lot better. Then.

1:48:30.040 --> 1:48:33.479
<v Speaker 2>I'm not bad or anything, it's just I think I

1:48:33.520 --> 1:48:37.760
<v Speaker 2>could be even better. But I play when we learn

1:48:37.840 --> 1:48:41.960
<v Speaker 2>something new, I'm constantly playing, and we're always trying to

1:48:41.960 --> 1:48:45.080
<v Speaker 2>add to our repertoire. And then we rehearse, and you know,

1:48:45.640 --> 1:48:47.680
<v Speaker 2>the girls are really We all learn it on our

1:48:47.720 --> 1:48:50.280
<v Speaker 2>own and then we come together, so we're pretty prepared

1:48:50.360 --> 1:48:54.639
<v Speaker 2>by the time we actually attempt it. And like I said,

1:48:54.720 --> 1:48:59.960
<v Speaker 2>these girls are amazing musicians, so it's not like we're

1:49:00.080 --> 1:49:03.920
<v Speaker 2>starting from square one. We're already in the feel of

1:49:03.960 --> 1:49:06.240
<v Speaker 2>what we have to do and how we have to play,

1:49:06.960 --> 1:49:08.639
<v Speaker 2>you know, which is a big thing.

1:49:10.479 --> 1:49:14.040
<v Speaker 1>Okay, so what's your favorite Lids Up One album?

1:49:15.479 --> 1:49:20.760
<v Speaker 2>H have we done this before? I'm not sure we have.

1:49:23.560 --> 1:49:27.519
<v Speaker 2>It's not really a fair question. It's another trick question, Bob.

1:49:28.360 --> 1:49:33.200
<v Speaker 2>I don't know if I could really say what's my

1:49:33.360 --> 1:49:39.320
<v Speaker 2>favorite that they're all sort of have. I have favorite things,

1:49:39.400 --> 1:49:44.320
<v Speaker 2>I mean one or two or physical graffiti. Maybe would

1:49:44.360 --> 1:49:48.200
<v Speaker 2>have to narrow it down. But I don't know if

1:49:48.240 --> 1:49:51.800
<v Speaker 2>you really had a you know what is it a

1:49:51.920 --> 1:49:56.599
<v Speaker 2>knife over my head? And I had to decide probably

1:49:56.640 --> 1:50:03.160
<v Speaker 2>physical graffiti because of the aforementioned things. I mean, one

1:50:03.280 --> 1:50:06.360
<v Speaker 2>is amazing because it is you know, I think they

1:50:06.400 --> 1:50:10.719
<v Speaker 2>were at the height of their playing powers. It's just insane,

1:50:11.000 --> 1:50:14.360
<v Speaker 2>as are their first gigs. I mean, it's that level

1:50:14.400 --> 1:50:18.600
<v Speaker 2>of playing is amazing. And two is very well crafted.

1:50:18.640 --> 1:50:22.080
<v Speaker 2>It's got some great stuff, you know. I guess I'll

1:50:22.120 --> 1:50:26.639
<v Speaker 2>just say PG just because I have to. You're making

1:50:26.640 --> 1:50:27.200
<v Speaker 2>me say it.

1:50:28.360 --> 1:50:33.240
<v Speaker 1>Okay, what about you? I always used to say the

1:50:33.280 --> 1:50:38.160
<v Speaker 1>first album, Now I say physical graffiti. In terms of

1:50:38.200 --> 1:50:41.040
<v Speaker 1>the second album was way overplayed. I bought it the

1:50:41.120 --> 1:50:43.360
<v Speaker 1>day came out. You have no idea what it was like.

1:50:44.800 --> 1:50:47.360
<v Speaker 1>Third album. I saw the band live on that tour.

1:50:48.280 --> 1:50:51.679
<v Speaker 1>They punched the clock in the Haven. But third album

1:50:51.840 --> 1:50:57.040
<v Speaker 1>the renaissance of criticism. I believe is unfounded. It's kind

1:50:57.040 --> 1:51:00.519
<v Speaker 1>of like on Dennis Wilson solo, Wow, these are things

1:51:00.560 --> 1:51:05.560
<v Speaker 1>I'm familiar with, but they were not that great. Fourth album,

1:51:06.040 --> 1:51:07.960
<v Speaker 1>you know, Steerway to have we never have to hear,

1:51:08.040 --> 1:51:12.080
<v Speaker 1>but Battle of Evermore, you know, going to California rock

1:51:12.120 --> 1:51:14.560
<v Speaker 1>and roll Black Dog don't really mean that much to me.

1:51:14.760 --> 1:51:19.200
<v Speaker 1>But when the levee breaks Houses of the Holy, a

1:51:19.200 --> 1:51:21.320
<v Speaker 1>lot of people think that's the best. I don't think so,

1:51:21.720 --> 1:51:25.760
<v Speaker 1>and I certainly believe the two albums after Physical Graffiti

1:51:25.880 --> 1:51:28.719
<v Speaker 1>presence is not as good as in Through the Outdoor.

1:51:28.760 --> 1:51:32.000
<v Speaker 1>But they were kind of spent, so they're all listenable.

1:51:32.520 --> 1:51:35.639
<v Speaker 1>But if I play them, I'll play the first, I'll

1:51:35.680 --> 1:51:39.000
<v Speaker 1>play Physical Graffiti, I'll play stuff off the fourth.

1:51:39.920 --> 1:51:42.799
<v Speaker 2>Okay, so we pretty much agree. I would put presents

1:51:42.920 --> 1:51:45.160
<v Speaker 2>way before in Through the Outdoor. But we can have

1:51:45.200 --> 1:51:48.400
<v Speaker 2>this discussion on the ski slopes because as it yeah,

1:51:48.600 --> 1:51:52.800
<v Speaker 2>it's a long discussion, but yeah, I basically agree with you.

1:51:53.000 --> 1:51:58.200
<v Speaker 2>And you know, we did not play Stairway for years. Yeah,

1:51:58.400 --> 1:52:01.400
<v Speaker 2>the first four or five years at least, we did

1:52:01.439 --> 1:52:03.799
<v Speaker 2>not play Stairway out of choice.

1:52:04.840 --> 1:52:09.559
<v Speaker 1>So what works live? What does the audience react to

1:52:09.760 --> 1:52:12.640
<v Speaker 1>most in terms of songs.

1:52:12.400 --> 1:52:15.280
<v Speaker 2>Black Dog, rock and roll, whole lot of love.

1:52:16.360 --> 1:52:21.480
<v Speaker 1>So the classic hits, they want to hear those absolutely.

1:52:21.680 --> 1:52:26.639
<v Speaker 2>And our sound guy night Bob is always slamming us, saying,

1:52:26.640 --> 1:52:28.680
<v Speaker 2>you gotta play the hits you just got, you know,

1:52:28.720 --> 1:52:30.400
<v Speaker 2>and this is this is how the set should be.

1:52:30.800 --> 1:52:34.360
<v Speaker 2>And we're just stubborn, you know, We're just like, oh

1:52:34.439 --> 1:52:37.120
<v Speaker 2>but we love four sticks and oh but we love

1:52:37.280 --> 1:52:41.080
<v Speaker 2>you know, you know, no quarter, I mean no quarter.

1:52:41.560 --> 1:52:44.600
<v Speaker 2>You know you can play that for twenty minutes and

1:52:44.640 --> 1:52:45.400
<v Speaker 2>we have done.

1:52:46.120 --> 1:52:48.519
<v Speaker 1>If we've done that, the low quarter is long to

1:52:48.560 --> 1:52:50.680
<v Speaker 1>begin with. Did everybody go to the bathroom?

1:52:50.720 --> 1:52:53.519
<v Speaker 2>Then? Right? No, they go to the bathroom during the

1:52:53.560 --> 1:52:54.400
<v Speaker 2>acoustic set.

1:52:56.040 --> 1:52:59.120
<v Speaker 1>Really, yeah, why do you think that is?

1:52:59.800 --> 1:53:03.160
<v Speaker 2>I just think it gets less loud and they all

1:53:03.200 --> 1:53:06.439
<v Speaker 2>think it's okay to leave. I don't know it's it,

1:53:06.600 --> 1:53:10.479
<v Speaker 2>but yeah, that's that's when they go so to speak.

1:53:10.880 --> 1:53:14.519
<v Speaker 1>And are these people out for a casual night or

1:53:14.560 --> 1:53:17.520
<v Speaker 1>how many of these people are die hard led Zeppelin fans?

1:53:17.800 --> 1:53:23.960
<v Speaker 2>Ah, it's it's a mix. Well, at first, let's put

1:53:23.960 --> 1:53:26.320
<v Speaker 2>it this way. The band is called led Zeppelin, right,

1:53:26.600 --> 1:53:29.280
<v Speaker 2>so you got half the guys coming because they think

1:53:29.280 --> 1:53:33.160
<v Speaker 2>we're going to kiss each other or maybe we will, so, hey,

1:53:33.320 --> 1:53:36.200
<v Speaker 2>I want to do that. The music can't be very good,

1:53:36.240 --> 1:53:38.920
<v Speaker 2>but they might kiss each other. So we got crowds

1:53:39.360 --> 1:53:41.559
<v Speaker 2>for that, and then of course they would leave saying,

1:53:41.720 --> 1:53:44.880
<v Speaker 2>oh my god, I can't believe they actually played like that.

1:53:46.720 --> 1:53:51.040
<v Speaker 2>So we got a lot of really hardcore led Zeppelin fans.

1:53:51.120 --> 1:53:55.800
<v Speaker 2>A lot of them are you know guys from I

1:53:55.800 --> 1:54:01.560
<v Speaker 2>would say fifty to seventy maybe, and they are serious,

1:54:02.080 --> 1:54:04.320
<v Speaker 2>but they love the band they do, and I was

1:54:04.360 --> 1:54:07.559
<v Speaker 2>worried about those guys, mostly guys. There were girls too,

1:54:07.680 --> 1:54:11.280
<v Speaker 2>a lot of more girls than you think. But I

1:54:11.400 --> 1:54:14.720
<v Speaker 2>needn't have worried because they are some of our biggest supporters.

1:54:15.240 --> 1:54:21.160
<v Speaker 2>But now in the last ten years, the audience is kids.

1:54:21.200 --> 1:54:25.720
<v Speaker 2>To the guys that saw them twelve times, little kids

1:54:25.720 --> 1:54:29.080
<v Speaker 2>in the front, and it is the most beautiful thing

1:54:29.160 --> 1:54:31.559
<v Speaker 2>to see little girls. You know, their earplugs are in,

1:54:31.880 --> 1:54:36.720
<v Speaker 2>they're with their parents, and they're staring up at four

1:54:37.920 --> 1:54:42.440
<v Speaker 2>female musicians, never in their a million years having a

1:54:42.480 --> 1:54:46.040
<v Speaker 2>thought I cannot do this, this is not what I

1:54:46.080 --> 1:54:48.920
<v Speaker 2>can do, which was the thought I had when I

1:54:49.080 --> 1:54:53.360
<v Speaker 2>was that age and I wanted to be a rock star. Whatever.

1:54:53.560 --> 1:54:58.480
<v Speaker 2>Eric Clapton or whoever. I thought, I can't do this.

1:54:58.520 --> 1:55:02.200
<v Speaker 2>I'm a girl, literally, that's what I thought. But I

1:55:02.240 --> 1:55:05.240
<v Speaker 2>did it anyway, as you can see my personality. But

1:55:05.360 --> 1:55:07.960
<v Speaker 2>those little girls and those little boys, all of them,

1:55:08.000 --> 1:55:11.600
<v Speaker 2>they just have it. It's great. And there are a

1:55:11.680 --> 1:55:14.600
<v Speaker 2>lot of young people. Sometimes it looks like the seventies.

1:55:15.080 --> 1:55:17.680
<v Speaker 2>I'm like staring out there and there are these kids

1:55:17.680 --> 1:55:21.720
<v Speaker 2>with long hair and jumping up. You know, they're teenagers

1:55:21.840 --> 1:55:26.320
<v Speaker 2>or twenty. It's like, is this is it nineteen seventy two?

1:55:26.560 --> 1:55:28.080
<v Speaker 2>I don't know, could be?

1:55:29.000 --> 1:55:31.760
<v Speaker 1>Do these little girls and boys come up to you

1:55:31.880 --> 1:55:34.320
<v Speaker 1>after the show and ask you questions, et cetera.

1:55:35.320 --> 1:55:37.640
<v Speaker 2>They are some of those kids that are even too

1:55:37.720 --> 1:55:40.640
<v Speaker 2>young or shy, but yes they do. Or like I

1:55:40.720 --> 1:55:43.720
<v Speaker 2>hand them a pick or something and they're, oh my god,

1:55:43.840 --> 1:55:50.040
<v Speaker 2>they're so enthralled, they really are. They love it. It's amazing.

1:55:50.280 --> 1:55:50.800
<v Speaker 2>It's great.

1:55:51.120 --> 1:55:53.600
<v Speaker 1>So you've gone on. You said some great things about

1:55:53.680 --> 1:55:57.880
<v Speaker 1>Jimmy Page. Jimmy doesn't play live much at this point,

1:55:57.960 --> 1:55:59.960
<v Speaker 1>if at all, but there are a lot of other

1:56:00.000 --> 1:56:02.360
<v Speaker 1>inter acts of that vintage. We're going out and playing

1:56:02.360 --> 1:56:06.040
<v Speaker 1>the same songs that they've been playing for fifty years. However,

1:56:06.360 --> 1:56:10.040
<v Speaker 1>they were the original artists. To what degree do you

1:56:10.200 --> 1:56:14.480
<v Speaker 1>feel stifled having to do this music all the time?

1:56:16.200 --> 1:56:20.600
<v Speaker 2>You know, I don't feel stifled at all. I mean,

1:56:20.600 --> 1:56:23.000
<v Speaker 2>there are times I don't want to go on stage

1:56:23.040 --> 1:56:28.160
<v Speaker 2>and play the Ocean. I'll give you that. I'm not

1:56:28.200 --> 1:56:30.480
<v Speaker 2>in the mood. I'm not in the mood to start

1:56:30.600 --> 1:56:34.040
<v Speaker 2>into a whole lot of Love with all of its antics,

1:56:34.400 --> 1:56:38.600
<v Speaker 2>because it ends up being this intense, crazy show. We

1:56:38.720 --> 1:56:42.120
<v Speaker 2>do it a whole show, you know, with the theerremen

1:56:42.360 --> 1:56:47.360
<v Speaker 2>and lots of improvisation. But once I get into it,

1:56:48.760 --> 1:56:52.160
<v Speaker 2>I'm there and I still love it. I you know,

1:56:53.560 --> 1:56:59.200
<v Speaker 2>I even if it's a road worn set, you know,

1:56:59.440 --> 1:57:02.960
<v Speaker 2>like all the hits which we play or we'll do,

1:57:03.080 --> 1:57:05.760
<v Speaker 2>the song remains the same concert and most of that

1:57:05.960 --> 1:57:09.720
<v Speaker 2>is all the hits, you know, it's the most including Stairway.

1:57:09.800 --> 1:57:13.680
<v Speaker 2>You gotta play that. But I don't know, I'm always

1:57:13.720 --> 1:57:18.120
<v Speaker 2>finding something new in it, and I'm always finding something

1:57:18.160 --> 1:57:22.320
<v Speaker 2>I didn't catch. So it's fun. It's fun because I'm

1:57:22.320 --> 1:57:25.160
<v Speaker 2>communicating with the band and I don't know what they're

1:57:25.200 --> 1:57:27.920
<v Speaker 2>gonna do all the time, and they don't know what

1:57:27.960 --> 1:57:30.560
<v Speaker 2>I'm gonna do, and they have to respond, and that's

1:57:30.600 --> 1:57:33.400
<v Speaker 2>what keeps it interesting. And I dare say that's what

1:57:33.520 --> 1:57:34.200
<v Speaker 2>Jimmy loved.

1:57:35.880 --> 1:57:40.160
<v Speaker 1>And you said earlier, led Zeppelin is not a tribute band.

1:57:41.640 --> 1:57:44.040
<v Speaker 1>Experanid that well.

1:57:44.080 --> 1:57:48.400
<v Speaker 2>I think partially for the reason I just said, we

1:57:48.560 --> 1:57:54.839
<v Speaker 2>do not impersonate led Zeppelin. I would have no interest

1:57:54.880 --> 1:57:58.320
<v Speaker 2>in that whatsoever. And I also don't really have an

1:57:58.360 --> 1:58:05.200
<v Speaker 2>interest in playing every single note that they played that

1:58:05.440 --> 1:58:07.920
<v Speaker 2>I would get bored with. If I had to do that,

1:58:08.240 --> 1:58:12.120
<v Speaker 2>I would feel stifled. Like you said, right, but this

1:58:12.320 --> 1:58:16.960
<v Speaker 2>music breathes. It's not that, and I feel like what

1:58:17.040 --> 1:58:21.680
<v Speaker 2>we have to offer is more of The only word

1:58:21.720 --> 1:58:26.560
<v Speaker 2>I could coin was she incarnation of the band, meaning

1:58:27.080 --> 1:58:31.160
<v Speaker 2>we are a real band. This is our canon of music.

1:58:31.960 --> 1:58:35.280
<v Speaker 2>We've studied our parts the way the composers wanted us

1:58:35.320 --> 1:58:39.960
<v Speaker 2>to play them, but we still are musicians in our

1:58:40.000 --> 1:58:42.760
<v Speaker 2>own right, and we go out there and once we

1:58:42.880 --> 1:58:46.880
<v Speaker 2>take hold of this material, something of us comes through.

1:58:47.800 --> 1:58:53.000
<v Speaker 2>And you know, we're not scared of that, because if

1:58:53.080 --> 1:58:56.640
<v Speaker 2>you're looking for exactly the same notes or whatever, you're

1:58:56.680 --> 1:58:58.520
<v Speaker 2>not going to have that all the time. When it

1:58:58.600 --> 1:59:01.680
<v Speaker 2>comes to see you're going to have something else, something

1:59:01.720 --> 1:59:05.840
<v Speaker 2>being created. And for that reason, We are not a

1:59:05.920 --> 1:59:10.040
<v Speaker 2>tribute band. That's a real band, and you're.

1:59:09.840 --> 1:59:12.280
<v Speaker 1>A real person, Steph. I want to thank you so

1:59:12.360 --> 1:59:16.160
<v Speaker 1>much for telling your story and sharing your thoughts with

1:59:16.360 --> 1:59:17.080
<v Speaker 1>my audience.

1:59:18.080 --> 1:59:21.600
<v Speaker 2>It's always a pleasure. Thank you for having me on, Bob, really,

1:59:21.600 --> 1:59:26.840
<v Speaker 2>it's an honor. I love your columns. You're very important

1:59:26.920 --> 1:59:31.160
<v Speaker 2>to our stream of discussion these days, so thank you.

1:59:33.080 --> 1:59:35.720
<v Speaker 1>Till next time, This is Bob left Stand