1 00:00:18,840 --> 00:00:23,240 Speaker 1: Hey, they're fan Rito's welcome back to how Rude Tanneritos. Today, 2 00:00:23,239 --> 00:00:25,880 Speaker 1: we are circling back to a segment I'm now calling 3 00:00:26,280 --> 00:00:30,280 Speaker 1: flight School, where we revisit the pilot episodes of classic 4 00:00:30,440 --> 00:00:34,320 Speaker 1: TV shows. Jody and I are diving into one of 5 00:00:34,360 --> 00:00:38,680 Speaker 1: our most highly anticipated rewatches, Small wonder. 6 00:00:39,080 --> 00:00:41,599 Speaker 2: Oh that's right. 7 00:00:41,680 --> 00:00:45,200 Speaker 1: We are rewinding back to nineteen eighty five to meet VICKI, 8 00:00:45,600 --> 00:00:51,280 Speaker 1: which is actually an acronym VIICI for voice Input Child 9 00:00:51,560 --> 00:00:55,720 Speaker 1: Identicant Identicant Mate. That's a that's a twenty five cent 10 00:00:55,760 --> 00:00:59,200 Speaker 1: word right there, right, also known as robot to us 11 00:00:59,360 --> 00:01:03,600 Speaker 1: non techies. Vicky moves into the Lawson family house and 12 00:01:03,760 --> 00:01:05,360 Speaker 1: Shenanigans ensue. 13 00:01:05,520 --> 00:01:08,360 Speaker 2: We Vicky Lawson, Vicky Larce. 14 00:01:09,840 --> 00:01:10,640 Speaker 1: Is that where we got? 15 00:01:10,840 --> 00:01:12,560 Speaker 2: Is that where we got? I don't know, but I 16 00:01:12,680 --> 00:01:13,920 Speaker 2: just thought of it, And that's pretty crazy. 17 00:01:13,920 --> 00:01:17,000 Speaker 1: That's that's that is a quink etin. We can't wait 18 00:01:17,040 --> 00:01:19,759 Speaker 1: to share with all of you our opinions about this 19 00:01:20,080 --> 00:01:24,800 Speaker 1: iconic pilot. So Fannerto's let's see how this pilot lands 20 00:01:25,160 --> 00:01:25,800 Speaker 1: wheels up. 21 00:01:28,840 --> 00:01:31,920 Speaker 2: I told you it was cheesy. Oh, it's great. We 22 00:01:32,080 --> 00:01:32,760 Speaker 2: have it, didn't we? 23 00:01:32,920 --> 00:01:33,000 Speaker 1: You? 24 00:01:33,080 --> 00:01:34,520 Speaker 2: Me and Jensen have that conversation. 25 00:01:35,080 --> 00:01:37,920 Speaker 1: It's yes, I will credit Jensen with the with the 26 00:01:37,959 --> 00:01:39,360 Speaker 1: idea for I didn't. 27 00:01:39,120 --> 00:01:41,600 Speaker 2: Remember who came in. I just I was like, we 28 00:01:41,760 --> 00:01:43,319 Speaker 2: had talked about it. I'm like, that was that's great. 29 00:01:43,360 --> 00:01:46,520 Speaker 1: We talked about it. So it's Jensen TM Jensen trademarked 30 00:01:46,520 --> 00:01:47,160 Speaker 1: by Jensen. 31 00:01:47,480 --> 00:01:48,600 Speaker 2: Yeah, it is cute. 32 00:01:48,640 --> 00:01:50,920 Speaker 1: Yeah, he gave us permission. We can we can steal it. 33 00:01:50,960 --> 00:01:54,000 Speaker 2: Yeah, yeah, no, we're taking it even if he didn't. Sorry, Jensen. 34 00:01:55,400 --> 00:01:56,120 Speaker 2: I like flight School. 35 00:01:56,120 --> 00:01:59,240 Speaker 1: It's very cute, super cute, so many puns, like I've 36 00:01:59,280 --> 00:02:00,680 Speaker 1: got puns for days. 37 00:02:01,000 --> 00:02:04,720 Speaker 2: So, like I said, I know you'd come up with it. 38 00:02:06,920 --> 00:02:11,000 Speaker 1: This was such a fun rewatch, like this is so 39 00:02:11,000 --> 00:02:13,600 Speaker 1: so amazing, wonderfully terrible. 40 00:02:14,960 --> 00:02:20,200 Speaker 2: Oh my god, it was so it was. I was like, wow, 41 00:02:21,200 --> 00:02:23,600 Speaker 2: I forgot this show was this crazy. 42 00:02:23,720 --> 00:02:26,160 Speaker 1: And there were so many core memories, like straight from 43 00:02:26,240 --> 00:02:29,000 Speaker 1: the intro where the dad walks down the little grasshill 44 00:02:29,040 --> 00:02:30,839 Speaker 1: and sits down with his drown band. 45 00:02:31,240 --> 00:02:33,080 Speaker 2: Right yep. I was like, I watched that. I remember 46 00:02:33,160 --> 00:02:35,680 Speaker 2: ninety five times, Like I remember that intro. 47 00:02:36,160 --> 00:02:42,000 Speaker 1: It's just amazing, so fun. Here's here's some some facts 48 00:02:42,040 --> 00:02:47,280 Speaker 1: for you. This pilot aired in nineteen eighty five. It 49 00:02:47,320 --> 00:02:51,560 Speaker 1: was titled Vicky's Homecoming, and it aired on September seventh, 50 00:02:51,760 --> 00:02:55,160 Speaker 1: nineteen eighty five. It was directed by John Boab, who 51 00:02:55,200 --> 00:03:00,440 Speaker 1: directed some full house episodes as well. So interesting. The 52 00:03:00,440 --> 00:03:03,360 Speaker 1: show had a total of ninety six episodes produced and 53 00:03:03,440 --> 00:03:06,320 Speaker 1: aired during its original run from nineteen eighty five to 54 00:03:06,440 --> 00:03:10,560 Speaker 1: nineteen eighty nine, so there was some overlap with ninety 55 00:03:10,600 --> 00:03:14,640 Speaker 1: six episodes. Can you imagine a premise about a robot 56 00:03:14,680 --> 00:03:17,080 Speaker 1: girl moving into house. 57 00:03:17,520 --> 00:03:20,919 Speaker 2: Ninety six episode? Yeah, except it's not cute, you know 58 00:03:20,960 --> 00:03:21,320 Speaker 2: what I mean? 59 00:03:22,240 --> 00:03:22,400 Speaker 1: Oh? 60 00:03:22,480 --> 00:03:26,080 Speaker 2: Yes, now it's a terrifying sci fi. Yes, was cute, 61 00:03:26,120 --> 00:03:28,000 Speaker 2: family fun right right. 62 00:03:28,560 --> 00:03:31,280 Speaker 1: It's amazing that it got that much airtime. 63 00:03:31,320 --> 00:03:35,000 Speaker 2: But good for them, it was no good for them? Although, 64 00:03:35,560 --> 00:03:40,240 Speaker 2: what a bummer They missed syndication by four. Oh that's right, 65 00:03:40,760 --> 00:03:44,480 Speaker 2: because you only get syndicated at one hundred one hundred, right, 66 00:03:45,320 --> 00:03:48,080 Speaker 2: you get some residuals at the Yeah, yeah, but now 67 00:03:48,240 --> 00:03:49,720 Speaker 2: only ninety six. What bummer. 68 00:03:49,760 --> 00:03:54,920 Speaker 1: Maybe that's why Vicki the Robot Girl never continued acting. 69 00:03:55,440 --> 00:03:58,400 Speaker 1: She's now a registered nurse, so yeah, maybe that's why 70 00:03:58,440 --> 00:04:01,640 Speaker 1: she's like, forget this, I'm getting no royalties. I'm leaving acting. 71 00:04:01,960 --> 00:04:07,800 Speaker 1: I mean yeah, I don't know. So let's let's go 72 00:04:07,880 --> 00:04:11,960 Speaker 1: down the main cast just very briefly. We have Ted Lawson. No, 73 00:04:12,240 --> 00:04:15,120 Speaker 1: we have Dick Christy playing the role of Ted Lawson. 74 00:04:15,560 --> 00:04:18,320 Speaker 1: He also directed some episodes of the show. He was 75 00:04:18,400 --> 00:04:21,039 Speaker 1: also in an episode of Breaking Bad. He played a 76 00:04:21,040 --> 00:04:25,799 Speaker 1: critical role. He was the flight controller, the air traffic controller. 77 00:04:26,160 --> 00:04:27,719 Speaker 1: And I won't spoil it for those of you that 78 00:04:27,720 --> 00:04:29,719 Speaker 1: haven't seen it, but he's it's like a critical I. 79 00:04:29,800 --> 00:04:32,120 Speaker 2: Think that came out like ten years ago. You can 80 00:04:32,160 --> 00:04:34,160 Speaker 2: spoil it, I think, okay, but. 81 00:04:34,200 --> 00:04:36,360 Speaker 1: It's so great. For those of you that haven't watched it, 82 00:04:36,600 --> 00:04:38,880 Speaker 1: watch it from the beginning. I'm not going to spoil 83 00:04:38,880 --> 00:04:41,200 Speaker 1: it because it's so good. If you haven't been spoiled, 84 00:04:41,240 --> 00:04:45,480 Speaker 1: it's so good. Ye, he's Jane's dad. Oh, that's right, 85 00:04:45,560 --> 00:04:48,120 Speaker 1: he's Jane's dad. He's the flight control of the air 86 00:04:48,120 --> 00:04:51,800 Speaker 1: traffic controller. And there's a big he causes something that 87 00:04:51,880 --> 00:04:56,760 Speaker 1: happens later on. That's all I'm gonna say. Anyways. Next, 88 00:04:56,920 --> 00:05:01,640 Speaker 1: we have Marla Pennington, who plays the love mother Joan Lawson. 89 00:05:02,680 --> 00:05:05,520 Speaker 1: After Small Wonder ended, she retired from acting to focus 90 00:05:05,560 --> 00:05:08,919 Speaker 1: on her family. You might she looks so familiar to me. 91 00:05:09,200 --> 00:05:11,760 Speaker 1: I watched this with Michael last night. He was like, 92 00:05:11,760 --> 00:05:13,680 Speaker 1: wherever she's like, is that she's on the Brady Bunch 93 00:05:13,720 --> 00:05:14,120 Speaker 1: And I'm. 94 00:05:13,960 --> 00:05:16,440 Speaker 2: Like, no, No, that's what she looks like Florence Henderson. 95 00:05:16,560 --> 00:05:19,600 Speaker 1: She looks like flores Henderson. She was on a show 96 00:05:19,640 --> 00:05:23,440 Speaker 1: called Soap. So if you've seen soap, she did a 97 00:05:23,440 --> 00:05:26,479 Speaker 1: lot of episodes in that so Okay, was it a soap? 98 00:05:27,120 --> 00:05:28,680 Speaker 1: It was not a soap, it was a it was 99 00:05:28,720 --> 00:05:34,120 Speaker 1: a nighttime series. Huh yeah, who do uh? And next 100 00:05:34,240 --> 00:05:39,440 Speaker 1: we have the young actor Jerry super Ran super Superan Superman. 101 00:05:39,960 --> 00:05:43,240 Speaker 1: He played little boy Jamie Lawson. Oh my god, he 102 00:05:43,360 --> 00:05:44,840 Speaker 1: just stealed. He stole the show. 103 00:05:44,960 --> 00:05:47,800 Speaker 2: Yeah, yeah he did. 104 00:05:47,839 --> 00:05:50,119 Speaker 1: He had guest roles in many popular shows like Little 105 00:05:50,120 --> 00:05:52,760 Speaker 1: House on the Prairie and Highway to Heaven and this. 106 00:05:52,760 --> 00:05:55,840 Speaker 2: Was before remember him on Highway to Heaven. Yeah. 107 00:05:55,880 --> 00:05:57,359 Speaker 1: He has such a distinct look. 108 00:05:57,839 --> 00:05:58,360 Speaker 2: Yeah yeah. 109 00:05:58,480 --> 00:06:00,280 Speaker 1: And it was such a good casting. He looks so 110 00:06:00,400 --> 00:06:01,119 Speaker 1: much like the dad. 111 00:06:01,680 --> 00:06:03,640 Speaker 2: What she was just gonna say. I was like, and 112 00:06:04,040 --> 00:06:05,839 Speaker 2: him and the dad looks so similar. 113 00:06:06,040 --> 00:06:09,400 Speaker 1: Yeah, I mean, kudos to casting man. They just knocked 114 00:06:09,400 --> 00:06:10,000 Speaker 1: it out of the park. 115 00:06:10,240 --> 00:06:12,200 Speaker 2: Yeah. I was like, oh yeah, for sure. And he 116 00:06:12,240 --> 00:06:14,000 Speaker 2: looked like the mom too. He had like the dad 117 00:06:14,040 --> 00:06:16,320 Speaker 2: didn't have quite his big eyes. Yeah, he had like 118 00:06:16,400 --> 00:06:18,760 Speaker 2: these big eyes like mom, and then sort of everything 119 00:06:18,760 --> 00:06:21,360 Speaker 2: else like, yeah, it was great casting, so cool, Sony 120 00:06:21,440 --> 00:06:22,320 Speaker 2: with you and JP. 121 00:06:22,839 --> 00:06:25,440 Speaker 1: You know, when they get it right, they really get 122 00:06:25,480 --> 00:06:25,960 Speaker 1: it right. Yeah. 123 00:06:26,040 --> 00:06:34,840 Speaker 2: Yeah. 124 00:06:34,920 --> 00:06:38,520 Speaker 1: Next we have the iconic role of Vicky is played 125 00:06:38,520 --> 00:06:42,960 Speaker 1: by Tiffany Brissette, the lovely to like, Oh my gosh, 126 00:06:43,040 --> 00:06:45,919 Speaker 1: she's she's so good in this and she's just you 127 00:06:45,960 --> 00:06:49,520 Speaker 1: have to be so stiff, but she managed to do 128 00:06:49,560 --> 00:06:53,360 Speaker 1: it endearingly and cute. Yeah, she did a really good job. 129 00:06:53,800 --> 00:06:57,279 Speaker 1: After her acting career ended, she became a registered nurse. 130 00:06:57,600 --> 00:07:01,960 Speaker 1: So the great person all around. Next we have Emily 131 00:07:02,480 --> 00:07:04,640 Speaker 1: Schulman who plays the role of Harriet. 132 00:07:05,240 --> 00:07:08,520 Speaker 2: Hi hair of Harriet. 133 00:07:08,920 --> 00:07:13,120 Speaker 1: I love her that quintessential annoying neighbor, Like, I love 134 00:07:13,160 --> 00:07:15,720 Speaker 1: this girl so much for obvious reasons. 135 00:07:16,000 --> 00:07:17,440 Speaker 2: AB's gonna love this one. 136 00:07:17,960 --> 00:07:20,880 Speaker 1: She's great. She stayed in the business. She was the 137 00:07:20,880 --> 00:07:24,520 Speaker 1: head of the commercial division at ACME Talent and Literary, 138 00:07:24,680 --> 00:07:27,160 Speaker 1: position she held for thirteen years, and then she became 139 00:07:27,200 --> 00:07:28,360 Speaker 1: an acting instructor. 140 00:07:28,720 --> 00:07:29,480 Speaker 2: Oh wow, great for. 141 00:07:29,600 --> 00:07:32,680 Speaker 1: She has four red headed children with her red headed 142 00:07:32,760 --> 00:07:35,440 Speaker 1: husband and this brings me so much joy. 143 00:07:35,760 --> 00:07:38,120 Speaker 2: Yes, and that's it. 144 00:07:38,200 --> 00:07:43,280 Speaker 1: That's our cast and fantastic. No, well, very well cast. 145 00:07:44,240 --> 00:07:46,400 Speaker 1: So let's go through some top moments, shall we. 146 00:07:46,560 --> 00:07:46,760 Speaker 2: Yes. 147 00:07:47,400 --> 00:07:51,840 Speaker 1: First, Ted Lawson is a robotics engineer, and he brings 148 00:07:51,880 --> 00:07:56,360 Speaker 1: home a large, mysterious briefcase containing his latest secret project. 149 00:07:56,880 --> 00:07:58,760 Speaker 1: He reveals to his wife and his young son that 150 00:07:58,800 --> 00:08:04,200 Speaker 1: he has built v I see I Voice Input Child Identicant, 151 00:08:04,600 --> 00:08:08,720 Speaker 1: also known as Vicky. She's a lifelike robot girl designed 152 00:08:08,760 --> 00:08:11,080 Speaker 1: to look like a ten year old and intended to 153 00:08:11,200 --> 00:08:13,760 Speaker 1: help with household tasks. 154 00:08:14,280 --> 00:08:19,000 Speaker 2: Okay, so there's a lot to unpack here, there's a 155 00:08:19,040 --> 00:08:23,280 Speaker 2: lot to unpack here. Uh, speaking of unpacking, were you 156 00:08:23,320 --> 00:08:28,040 Speaker 2: as weirdly horrified at the doll parts in a in 157 00:08:28,080 --> 00:08:34,480 Speaker 2: a box in a suitcase, the torso and right like 158 00:08:34,679 --> 00:08:37,840 Speaker 2: in a suitcase like just lib yeah, yeah, limbs of 159 00:08:37,840 --> 00:08:40,200 Speaker 2: a limbs of a ten year old looking thing in 160 00:08:40,200 --> 00:08:40,800 Speaker 2: a suitcase. 161 00:08:40,840 --> 00:08:42,880 Speaker 1: That's a dateline episode for sure. 162 00:08:43,559 --> 00:08:46,560 Speaker 2: And I'm like hers and I was like, there's not 163 00:08:46,600 --> 00:08:47,840 Speaker 2: a belly buttoner nipples? 164 00:08:48,080 --> 00:08:51,600 Speaker 1: It was weird but no, no, But still I was like, 165 00:08:51,760 --> 00:08:54,559 Speaker 1: is he going to perform CPR? It's like those CPR dummies, 166 00:08:55,000 --> 00:08:56,400 Speaker 1: dummies that you learn on. 167 00:08:57,040 --> 00:09:01,320 Speaker 2: And I also feel like, uh, I don't know if 168 00:09:01,360 --> 00:09:05,920 Speaker 2: you were building a robot that taking it apart into 169 00:09:05,920 --> 00:09:09,760 Speaker 2: pieces and shoving it in a suitcase would be a 170 00:09:09,800 --> 00:09:13,559 Speaker 2: lot harder. It's pretty easy to just was like plug 171 00:09:13,559 --> 00:09:15,920 Speaker 2: and play with the limbs, you know, right, it doesn't 172 00:09:15,960 --> 00:09:17,520 Speaker 2: seem like everything in and. 173 00:09:18,480 --> 00:09:21,440 Speaker 1: Yeah, this isn't maybe this isn't a very mobile project. 174 00:09:21,520 --> 00:09:23,960 Speaker 1: You know, you can't just and he did how did 175 00:09:24,000 --> 00:09:27,120 Speaker 1: he get all the I don't know how did he 176 00:09:27,160 --> 00:09:28,760 Speaker 1: get it all home? And then he's got like. 177 00:09:28,800 --> 00:09:31,720 Speaker 2: We haven't gotten there yet, but we but it's well 178 00:09:31,760 --> 00:09:34,520 Speaker 2: actually yeah no we did. In this he he brings 179 00:09:34,520 --> 00:09:37,600 Speaker 2: her to life and now he's got computers. First of all, 180 00:09:37,679 --> 00:09:43,359 Speaker 2: computers are amazing. Computers are They're tight, so old and gigantic. 181 00:09:44,320 --> 00:09:48,000 Speaker 2: We need their own wheeling cart. Yeah yeah, yeah, everything's 182 00:09:48,040 --> 00:09:52,080 Speaker 2: green and black. That was just a really pixelated eight 183 00:09:52,160 --> 00:09:54,640 Speaker 2: bit uh yeah. 184 00:09:54,400 --> 00:09:56,319 Speaker 1: Amazing, Like it was just he. 185 00:09:56,360 --> 00:10:01,640 Speaker 2: Was so I gotta say, Dad did a great job 186 00:10:01,679 --> 00:10:04,720 Speaker 2: with the robot, because if Vicky is in nineteen eighty five, 187 00:10:04,800 --> 00:10:05,880 Speaker 2: imagine what she is now. 188 00:10:06,720 --> 00:10:09,160 Speaker 1: Well, this was they couldn't do this show now like 189 00:10:09,200 --> 00:10:11,360 Speaker 1: this is so like the eight This reminded me how 190 00:10:11,400 --> 00:10:13,160 Speaker 1: innocent the eighties was about. 191 00:10:13,280 --> 00:10:15,200 Speaker 2: I don't I was watching it and I was like, 192 00:10:15,240 --> 00:10:15,959 Speaker 2: this would never fly. 193 00:10:16,040 --> 00:10:18,760 Speaker 1: Now people will be like, yeah, well for several reasons, 194 00:10:18,800 --> 00:10:21,560 Speaker 1: like like back then AI was exciting and new and 195 00:10:21,600 --> 00:10:23,520 Speaker 1: it was helpful and. 196 00:10:23,360 --> 00:10:25,080 Speaker 2: Fun and it was not even AI back then. 197 00:10:25,520 --> 00:10:29,560 Speaker 1: No, no, but just robotics or right in gen. 198 00:10:29,880 --> 00:10:32,520 Speaker 2: Right the year two thousand, we're gonna have robots. 199 00:10:32,600 --> 00:10:35,240 Speaker 1: Yeah yeah, And now everyone's like they're gonna they're coming 200 00:10:35,240 --> 00:10:37,160 Speaker 1: for our jobs, and they're coming for our jobs. 201 00:10:38,040 --> 00:10:41,360 Speaker 2: Yeah. Yeah, well that's cute now, but it could be 202 00:10:41,480 --> 00:10:46,160 Speaker 2: a whole different kind of show. You know, Vicky could 203 00:10:46,200 --> 00:10:49,559 Speaker 2: be like Terminator and now they have her in the 204 00:10:49,640 --> 00:10:51,600 Speaker 2: house and she's ten years old. She would be like 205 00:10:51,600 --> 00:10:52,240 Speaker 2: a ten. 206 00:10:52,160 --> 00:10:55,640 Speaker 1: Year old robot, like a superhero, like a Transformer type 207 00:10:55,640 --> 00:10:56,080 Speaker 1: of Yeah. 208 00:10:56,120 --> 00:10:58,280 Speaker 2: I was thinking more villain, but you could go that villain. 209 00:10:58,400 --> 00:11:00,240 Speaker 1: Okay, yeah, she could be a villain. 210 00:11:01,320 --> 00:11:04,760 Speaker 2: I don't know, uncontriled. Well isn't that wait wait what 211 00:11:04,880 --> 00:11:08,520 Speaker 2: we just came up with? Uh? Megan, who's Megan? That 212 00:11:08,559 --> 00:11:11,640 Speaker 2: movie about the doll? Weird doll that comes that like 213 00:11:11,679 --> 00:11:13,280 Speaker 2: comes to life. She's a AI robot. 214 00:11:13,320 --> 00:11:13,520 Speaker 1: Doll. 215 00:11:13,640 --> 00:11:15,360 Speaker 2: Is it a horror reason it came out a couple year. 216 00:11:15,360 --> 00:11:16,960 Speaker 2: I haven't watched it, but yeah, it's a horror phone. 217 00:11:17,080 --> 00:11:18,760 Speaker 1: It's like, I haven't seen it horror. 218 00:11:18,880 --> 00:11:21,640 Speaker 2: No, it's like horror comedy, like it's very camped, camp 219 00:11:21,720 --> 00:11:25,439 Speaker 2: times whatever. Okay, but yeah that's it. That's that's that. Okay, 220 00:11:25,480 --> 00:11:25,920 Speaker 2: Well she does. 221 00:11:26,320 --> 00:11:28,280 Speaker 1: She definitely has to be like a villain, because today 222 00:11:28,280 --> 00:11:30,440 Speaker 1: you couldn't have like a grown man making a ten 223 00:11:30,520 --> 00:11:31,960 Speaker 1: year old girl robot. 224 00:11:31,720 --> 00:11:34,959 Speaker 2: And then her to life. Yeah. Him would be problems 225 00:11:35,000 --> 00:11:36,960 Speaker 2: with that. You'd be like, I don't know why. 226 00:11:37,520 --> 00:11:40,440 Speaker 1: Yeah, no, it would be too nefarious in twenty twenty six, 227 00:11:40,480 --> 00:11:42,280 Speaker 1: whereas back in the eighties it was just like this 228 00:11:42,640 --> 00:11:46,680 Speaker 1: is a great idea, this is so cute. So yeah, so. 229 00:11:46,559 --> 00:11:49,320 Speaker 2: The good thing they had ten year old girl clothing 230 00:11:49,360 --> 00:11:50,080 Speaker 2: lying around too. 231 00:11:50,760 --> 00:11:51,920 Speaker 1: Yes, did she wear that? 232 00:11:52,000 --> 00:11:52,200 Speaker 2: You think? 233 00:11:52,640 --> 00:11:54,240 Speaker 1: Does she wear that for four seasons? 234 00:11:54,520 --> 00:11:55,920 Speaker 2: Yes? Wow? 235 00:11:56,320 --> 00:11:58,280 Speaker 1: Well it made it made fittings a lot easier. 236 00:11:58,280 --> 00:12:01,040 Speaker 2: It was gonna say, oh, man, imagine actor, you're like 237 00:12:01,120 --> 00:12:02,800 Speaker 2: great as a kid actor too, You're like, I don't 238 00:12:02,800 --> 00:12:03,600 Speaker 2: have to try on anything. 239 00:12:03,920 --> 00:12:06,640 Speaker 1: Oh that would be so great. Yeah, I would have 240 00:12:06,640 --> 00:12:07,720 Speaker 1: loved that. As Kimmy Gibler. 241 00:12:07,840 --> 00:12:11,360 Speaker 2: It was. She was very frilly, very very mid eighties. 242 00:12:11,640 --> 00:12:14,520 Speaker 1: Yes, Jana Sweeten definitely has these I. 243 00:12:14,679 --> 00:12:19,000 Speaker 2: Have photo albums that my mom like quilted, tufted and 244 00:12:19,040 --> 00:12:21,800 Speaker 2: sewed that look very much like that dress. Lots of lace, 245 00:12:22,480 --> 00:12:26,600 Speaker 2: so much like pictures. Needle Point is adorable. 246 00:12:34,920 --> 00:12:39,319 Speaker 1: So the family's initial shock quickly turns to adjustment. Joan 247 00:12:39,520 --> 00:12:43,840 Speaker 1: is surprisingly accepting, while Jamie is thrilled at the prospect 248 00:12:43,840 --> 00:12:47,720 Speaker 1: of having a new sister, and he immediately starts finding 249 00:12:47,760 --> 00:12:51,199 Speaker 1: ways for Vicky to do his chores and homework. 250 00:12:51,480 --> 00:12:55,080 Speaker 2: This kid's so smart, He's like, although it does give 251 00:12:55,200 --> 00:12:57,439 Speaker 2: like the the child labor sort of moment, you know 252 00:12:57,480 --> 00:12:59,240 Speaker 2: what I mean, where you're like, why does the why 253 00:12:59,320 --> 00:13:01,200 Speaker 2: does the house help have to be ten? Why couldn't 254 00:13:01,200 --> 00:13:03,400 Speaker 2: they be an adult? You got a ten year old 255 00:13:03,440 --> 00:13:04,320 Speaker 2: run around doing everything? 256 00:13:04,480 --> 00:13:07,920 Speaker 1: Yeah, that's true. Well I don't know. But these two actors, 257 00:13:07,920 --> 00:13:09,920 Speaker 1: these two kid actors are great together, Like they are 258 00:13:10,080 --> 00:13:13,439 Speaker 1: just dynamic there they work off each other well, which 259 00:13:13,480 --> 00:13:15,600 Speaker 1: is weird because she's not even human, but they're just 260 00:13:15,840 --> 00:13:18,480 Speaker 1: there's just it works, like, it totally works. And it's 261 00:13:18,480 --> 00:13:21,840 Speaker 1: because of the casting, because lord, the prep line is bizarre. 262 00:13:21,920 --> 00:13:27,200 Speaker 1: So the casting nailed it. To explain Vicky's sudden appearance 263 00:13:27,200 --> 00:13:29,720 Speaker 1: to the outside world, the family decides to tell people 264 00:13:29,760 --> 00:13:35,319 Speaker 1: that she's Jamie's cousin. Is a good you know, that's yeah, 265 00:13:35,320 --> 00:13:36,600 Speaker 1: that's a decent explanation. 266 00:13:36,760 --> 00:13:40,079 Speaker 2: You know, it's my cousin. That's yeah, just my long. 267 00:13:40,040 --> 00:13:41,360 Speaker 1: That's why you haven't met her before. 268 00:13:41,600 --> 00:13:44,080 Speaker 2: She's visiting. Cousin's always a good one. 269 00:13:44,080 --> 00:13:48,079 Speaker 1: And she just happens to stay for four years, that's all. Yeah, 270 00:13:48,120 --> 00:13:52,560 Speaker 1: But the biggest immediate threat to their secret is Harriet Brindle. 271 00:13:52,880 --> 00:13:58,360 Speaker 1: The Lossons extraordinarily nosy next door neighbor. Harriet has a 272 00:13:58,360 --> 00:14:02,160 Speaker 1: crush on Jamie, and she's constantly snooping around their house. 273 00:14:03,200 --> 00:14:06,240 Speaker 2: Yeah, she was like peeking in his bedroom. 274 00:14:06,360 --> 00:14:07,360 Speaker 1: Oh yeah, there was. 275 00:14:07,440 --> 00:14:13,040 Speaker 2: She was peeping, peeping, Harriet, Harriet. Yeah, she's some of 276 00:14:13,120 --> 00:14:17,000 Speaker 2: those things might be missedemeters these days, but well, I 277 00:14:17,080 --> 00:14:21,440 Speaker 2: love her. She's so great. The red hair, the pigtails. 278 00:14:21,160 --> 00:14:25,160 Speaker 1: The bangs, the banks. I was envious of those bangs. 279 00:14:24,840 --> 00:14:28,240 Speaker 2: Right, Oh, I remember those eighties bangs like that when 280 00:14:28,280 --> 00:14:31,320 Speaker 2: you had thick kid hair and they're just shot straight across. 281 00:14:31,560 --> 00:14:35,760 Speaker 1: Yeah. Oh, she was just delightful. I love Yeah, loved her. 282 00:14:35,800 --> 00:14:38,400 Speaker 1: I'm good, I'm serious. I'm going to watch the rest 283 00:14:38,480 --> 00:14:42,160 Speaker 1: of the series just so I can see more of Harriet. Okay, 284 00:14:42,200 --> 00:14:44,080 Speaker 1: so well, because you know, I love it's the annoying 285 00:14:44,120 --> 00:14:47,680 Speaker 1: neighbor trope. I lived it, and so now I'm like. 286 00:14:47,640 --> 00:14:49,480 Speaker 2: So you're like, how you want to see how her 287 00:14:49,520 --> 00:14:51,160 Speaker 2: annoying neighbor progresses? Yes? 288 00:14:51,240 --> 00:14:53,200 Speaker 1: How did her character grow or not? 289 00:14:54,320 --> 00:14:55,200 Speaker 2: What were her arcs? 290 00:14:55,280 --> 00:14:57,680 Speaker 1: Yeah, I'm I'm ying to know. So I'm gonna I'm 291 00:14:57,680 --> 00:14:58,280 Speaker 1: gonna watch the. 292 00:14:58,240 --> 00:15:00,360 Speaker 2: Rest Okay, well, let me know how it goes. 293 00:15:00,400 --> 00:15:04,840 Speaker 1: I'll let you know. Throughout this episode, Harriet catches glimpses 294 00:15:04,880 --> 00:15:10,440 Speaker 1: of Vicky acting strangely, including seeing her head turn completely 295 00:15:10,520 --> 00:15:15,760 Speaker 1: around like an owl like the Exorcist. She did look 296 00:15:15,840 --> 00:15:17,320 Speaker 1: like the Exorcist. 297 00:15:17,920 --> 00:15:21,080 Speaker 2: Harriet would be freaking out. You're kidding. The Exorcist came 298 00:15:21,080 --> 00:15:25,320 Speaker 2: out in like the late seventies, right, She's like, oh 299 00:15:25,320 --> 00:15:25,760 Speaker 2: my god. 300 00:15:26,120 --> 00:15:30,360 Speaker 1: Yeah, special effects in this episode were so bad. They 301 00:15:30,360 --> 00:15:31,160 Speaker 1: were so great. 302 00:15:31,480 --> 00:15:34,000 Speaker 2: It was it reminded me of the Land of the Lost, 303 00:15:34,280 --> 00:15:36,480 Speaker 2: Remember Land of the Lost where it looked like somebody 304 00:15:36,560 --> 00:15:39,520 Speaker 2: was filming it at home with toy dinosaurs. Yeah, or 305 00:15:39,560 --> 00:15:42,400 Speaker 2: like claymation exciation. 306 00:15:42,840 --> 00:15:47,640 Speaker 1: It was so funny. Jamie repeatedly tries to get rid 307 00:15:47,680 --> 00:15:50,000 Speaker 1: of Harriet by slamming the door in her face, which 308 00:15:50,040 --> 00:15:54,280 Speaker 1: only fuels her curiosity. You know, you can't get rid 309 00:15:54,320 --> 00:15:58,440 Speaker 1: of her that easily. She's a trope. By the end 310 00:15:58,480 --> 00:16:01,280 Speaker 1: of the pilot, Harriet is more suspicious than ever and 311 00:16:01,360 --> 00:16:05,000 Speaker 1: tells her father, who works with Ted, that something is 312 00:16:05,120 --> 00:16:08,280 Speaker 1: definitely odd about the lawson's new cousin. 313 00:16:09,600 --> 00:16:12,800 Speaker 2: That's right, Ted and the dad worked together, so they 314 00:16:12,880 --> 00:16:15,680 Speaker 2: constantly have to keep it from Harriet because she can't 315 00:16:15,680 --> 00:16:18,320 Speaker 2: tell her dad because the dad will get in trouble. 316 00:16:18,360 --> 00:16:20,480 Speaker 1: Dad'll get in trouble for building this robot at home. 317 00:16:21,120 --> 00:16:24,080 Speaker 1: It sets up the series, I mean, as ridiculous as 318 00:16:24,080 --> 00:16:26,120 Speaker 1: it is, it sets up the rest of the series nicely. 319 00:16:26,520 --> 00:16:30,720 Speaker 2: So ridiculous. And the opening credits, the pilot opening credits 320 00:16:30,720 --> 00:16:33,680 Speaker 2: always great because they're just like snippets from the show, 321 00:16:33,960 --> 00:16:35,040 Speaker 2: you know what I mean, they don't They're like, we 322 00:16:35,080 --> 00:16:36,280 Speaker 2: don't know if this is going to go anywhere, so 323 00:16:36,320 --> 00:16:38,760 Speaker 2: we're not gonna like spend an extra time doing credits, 324 00:16:38,920 --> 00:16:42,080 Speaker 2: right right, just use clips. Did you know that the 325 00:16:42,160 --> 00:16:44,080 Speaker 2: mom was this big? 326 00:16:45,760 --> 00:16:50,320 Speaker 1: That's yes, they had tiny waists that was definitely. 327 00:16:50,720 --> 00:16:51,400 Speaker 2: It hurt me. 328 00:16:51,840 --> 00:16:54,200 Speaker 1: Yeah, I was like, man, yeah she was. 329 00:16:54,320 --> 00:16:56,280 Speaker 2: She was. I couldn't eat a cheeseburger in that and 330 00:16:56,280 --> 00:16:57,320 Speaker 2: that would be uncomfortable. 331 00:16:57,480 --> 00:16:59,960 Speaker 1: Yeah, you know, well, I guess I associate that hair 332 00:17:00,200 --> 00:17:02,560 Speaker 1: and cheek with the nineties, but I guess it started. 333 00:17:03,160 --> 00:17:07,040 Speaker 2: It was just that was the shoulder pads and yeah, 334 00:17:07,119 --> 00:17:09,640 Speaker 2: and and everything was belted big on. 335 00:17:09,600 --> 00:17:11,879 Speaker 1: The belts they cinch that waist. 336 00:17:12,240 --> 00:17:14,760 Speaker 2: Well, yeah, when you look like a linebacker up top, 337 00:17:14,800 --> 00:17:16,800 Speaker 2: if you don't cinch the waist, you just look like 338 00:17:16,840 --> 00:17:19,640 Speaker 2: your billboard working around like SpongeBob and a square. 339 00:17:21,800 --> 00:17:24,280 Speaker 1: Yeah, she she had a she had a tiny waist, 340 00:17:24,320 --> 00:17:24,760 Speaker 1: This is true. 341 00:17:24,880 --> 00:17:27,639 Speaker 2: Did but she was. I love like her and the 342 00:17:27,720 --> 00:17:30,840 Speaker 2: Dad's dynamic. It was I as I watched it, I'm like, oh, man, 343 00:17:30,920 --> 00:17:34,639 Speaker 2: like you said, the innocence of the eighties. It the 344 00:17:34,680 --> 00:17:41,479 Speaker 2: ability to be so camp and so corny and hit 345 00:17:41,560 --> 00:17:43,080 Speaker 2: you know what I mean, and have it be like 346 00:17:43,119 --> 00:17:46,360 Speaker 2: that was that was what we all watched. 347 00:17:46,600 --> 00:17:49,160 Speaker 1: Do we just take things too seriously now? Like, because 348 00:17:49,440 --> 00:17:52,160 Speaker 1: between Land and the Lark, it's small wonder like people 349 00:17:52,240 --> 00:17:53,400 Speaker 1: leaned into the shaded. 350 00:17:53,600 --> 00:17:56,320 Speaker 2: It's that it's that as particularly with the now that 351 00:17:56,359 --> 00:17:58,639 Speaker 2: we have the Internet. We know what life looks like 352 00:17:58,800 --> 00:18:02,200 Speaker 2: and and when it's not. I mean, well, we're willing 353 00:18:02,240 --> 00:18:05,520 Speaker 2: to go on fantasy as long as it looks good. 354 00:18:05,560 --> 00:18:06,600 Speaker 2: I think, you know what I mean. 355 00:18:06,680 --> 00:18:12,880 Speaker 1: Yeah, yeah, I think that's special effects. Yeah I don't, because, yeah, 356 00:18:12,880 --> 00:18:14,520 Speaker 1: you could never make this show today for a lot 357 00:18:14,560 --> 00:18:16,640 Speaker 1: of reasons. But most people be like, this is ridiculous. 358 00:18:16,680 --> 00:18:18,560 Speaker 1: It's not believable. But none of it. 359 00:18:18,640 --> 00:18:22,000 Speaker 2: What was believable the movie they did it, they did 360 00:18:22,200 --> 00:18:24,160 Speaker 2: and they did it, and then it became Megan too. 361 00:18:24,200 --> 00:18:25,480 Speaker 2: It was highly successful. 362 00:18:25,560 --> 00:18:27,920 Speaker 1: There was a yeah, there was a sequel. 363 00:18:27,520 --> 00:18:29,600 Speaker 2: So you can actually make it. 364 00:18:29,680 --> 00:18:31,639 Speaker 1: Yeah, you just have to make her terrifying and not 365 00:18:32,200 --> 00:18:32,680 Speaker 1: to make her. 366 00:18:32,760 --> 00:18:35,119 Speaker 2: Kind of scary. Right, that's how it works. Okay, but 367 00:18:35,160 --> 00:18:38,120 Speaker 2: that's the thing, right, Like, that's we've just taken everything 368 00:18:38,119 --> 00:18:40,880 Speaker 2: and made it scary, which it feels about. 369 00:18:40,960 --> 00:18:43,720 Speaker 1: Right. I missed the eighties, I missed the man, I 370 00:18:43,720 --> 00:18:49,479 Speaker 1: miss the camp and the ridiculousness and just suspend belief 371 00:18:49,560 --> 00:18:52,239 Speaker 1: for twenty two minutes. People like, there's nothing wrong with that. 372 00:18:52,720 --> 00:18:53,960 Speaker 1: Yeah it was. 373 00:18:54,119 --> 00:18:56,760 Speaker 2: It was. Uh, this was great. You know what, though, 374 00:18:57,080 --> 00:18:59,120 Speaker 2: I'm wondering now because I was like, wait, how did 375 00:18:59,160 --> 00:19:02,720 Speaker 2: I watch this show because if it didn't go to syndication. Oh, 376 00:19:03,160 --> 00:19:06,520 Speaker 2: so watching was it? I think it was like Saturday mornings. 377 00:19:07,160 --> 00:19:08,040 Speaker 1: I wonder what network. 378 00:19:08,119 --> 00:19:09,840 Speaker 2: I want to say, I don't remember what network, but 379 00:19:09,880 --> 00:19:12,119 Speaker 2: I feel like I'm like, wait, I feel like this 380 00:19:12,320 --> 00:19:16,760 Speaker 2: was on like Saturday mornings, along with maybe Land of 381 00:19:16,800 --> 00:19:17,520 Speaker 2: the Loss. 382 00:19:17,240 --> 00:19:19,560 Speaker 1: Probably and the New Kids on the Block cartoon. Well 383 00:19:19,600 --> 00:19:20,320 Speaker 1: that was in the nineties. 384 00:19:20,400 --> 00:19:22,320 Speaker 2: Well that was no, Yeah, I don't think I watched that, 385 00:19:23,119 --> 00:19:25,359 Speaker 2: but this, Yeah, that's what this. 386 00:19:25,640 --> 00:19:28,159 Speaker 1: So it was a Saturday morning. Yeah. I'm curious to 387 00:19:28,160 --> 00:19:31,480 Speaker 1: know if the fan ritos remember watching this. Where when 388 00:19:31,480 --> 00:19:33,400 Speaker 1: did you watch it? Where did you watch it? Did 389 00:19:33,400 --> 00:19:35,200 Speaker 1: you love it? Did you think it was ridiculous? 390 00:19:35,280 --> 00:19:37,560 Speaker 2: Did you think it was weird? Was it funny? Yeah? 391 00:19:37,640 --> 00:19:39,440 Speaker 2: Who did you like? Yeah? 392 00:19:39,680 --> 00:19:42,160 Speaker 1: Yeah, I enjoyed it more than I thought I would. 393 00:19:42,160 --> 00:19:43,480 Speaker 1: I thought I would just be making fun of it 394 00:19:43,480 --> 00:19:46,000 Speaker 1: the whole time, which we did. But it's still char 395 00:19:46,119 --> 00:19:46,800 Speaker 1: it's just charming. 396 00:19:46,880 --> 00:19:49,040 Speaker 2: It was both and it was Yeah, it was both 397 00:19:49,119 --> 00:19:51,439 Speaker 2: ridiculous and you could tease about it, but it was 398 00:19:51,560 --> 00:19:56,000 Speaker 2: also so such a snapshot of what television sort of 399 00:19:56,200 --> 00:20:00,159 Speaker 2: was in the eighties, right, and why sitcoms were you know, 400 00:20:00,200 --> 00:20:02,600 Speaker 2: people were kind of like, oh boy, because you could 401 00:20:02,600 --> 00:20:05,280 Speaker 2: do stuff like this, I mean, you know that was 402 00:20:05,480 --> 00:20:08,720 Speaker 2: you got away with corny jokes and things like that. Yeah, 403 00:20:08,880 --> 00:20:11,000 Speaker 2: which is why it shows, like, you know, all the 404 00:20:11,040 --> 00:20:15,000 Speaker 2: family and good times and stuff were so revelatory because 405 00:20:15,000 --> 00:20:19,560 Speaker 2: that wasn't what sitcoms did just deal with any of 406 00:20:19,600 --> 00:20:24,360 Speaker 2: the big stuff, but it was. Yeah, it was such 407 00:20:24,400 --> 00:20:31,200 Speaker 2: a great time capsule. Yeah, the clothes, the decor, the yeah, everything. 408 00:20:31,240 --> 00:20:34,600 Speaker 1: I just I I'm not sure why networks have veered 409 00:20:34,640 --> 00:20:37,479 Speaker 1: so far away from sitcoms and now everything is like 410 00:20:37,680 --> 00:20:40,080 Speaker 1: deep and dark and serious. 411 00:20:40,840 --> 00:20:41,080 Speaker 2: Yeah. 412 00:20:41,200 --> 00:20:43,439 Speaker 1: Well, is that just a reflection of our world now? 413 00:20:43,560 --> 00:20:45,800 Speaker 1: Or like I want the twenty two minutes of escapism 414 00:20:45,880 --> 00:20:47,160 Speaker 1: so I can fall asleep at night. 415 00:20:47,440 --> 00:20:49,440 Speaker 2: I mean, I think there's still some of it, but yeah, 416 00:20:49,440 --> 00:20:51,600 Speaker 2: I think it just I think people are, you know, 417 00:20:51,720 --> 00:20:54,120 Speaker 2: kids even are too savvy now. Jokes like this don't 418 00:20:54,119 --> 00:20:56,639 Speaker 2: even land with kids anymore because they've got the Internet 419 00:20:56,800 --> 00:21:00,520 Speaker 2: and they've got they know, you know, they're too savvy, 420 00:21:00,600 --> 00:21:02,000 Speaker 2: right yeah. Yeah. 421 00:21:02,040 --> 00:21:04,160 Speaker 1: Well, and also I feel like the relationship has changed 422 00:21:04,160 --> 00:21:06,520 Speaker 1: between the viewer and the and the stars of the 423 00:21:06,520 --> 00:21:09,040 Speaker 1: show too. You know, you get to know us through 424 00:21:09,040 --> 00:21:11,639 Speaker 1: podcasts and Instagram and all of that stuffs. Before you 425 00:21:11,720 --> 00:21:12,680 Speaker 1: only saw them. 426 00:21:12,640 --> 00:21:14,760 Speaker 2: On TV once a week. 427 00:21:15,040 --> 00:21:17,080 Speaker 1: That was it. That was it. So you didn't know 428 00:21:17,119 --> 00:21:19,080 Speaker 1: all the ins and outs of Hollywood and how they 429 00:21:19,160 --> 00:21:21,639 Speaker 1: did the skinning of the head thing, and you know, 430 00:21:21,720 --> 00:21:24,359 Speaker 1: it was more mystical. So maybe that's part of it. 431 00:21:24,400 --> 00:21:27,240 Speaker 1: I don't know. I don't know, but I missed that. 432 00:21:27,359 --> 00:21:29,760 Speaker 2: I loved the traditional great. It took me back to 433 00:21:29,760 --> 00:21:34,399 Speaker 2: my childhood for sure, like I instantly felt, you know, again, 434 00:21:34,800 --> 00:21:36,960 Speaker 2: every once in a while, I have that feeling where 435 00:21:37,119 --> 00:21:40,040 Speaker 2: I really understand what people who say it about Full 436 00:21:40,040 --> 00:21:42,640 Speaker 2: House get when you're like, oh, yeah, this is yay. 437 00:21:42,760 --> 00:21:45,240 Speaker 2: I remember this, like you know, that comforting sort. 438 00:21:45,080 --> 00:21:48,480 Speaker 1: Of It's like a It's like a peaceful comfort food 439 00:21:48,600 --> 00:21:50,720 Speaker 1: or like a nice one hug. Yeah. Yeah, it just 440 00:21:50,800 --> 00:21:52,679 Speaker 1: feels good. It makes you feel good inside and you 441 00:21:52,720 --> 00:21:53,880 Speaker 1: get to laugh at the same time. 442 00:21:53,920 --> 00:21:55,680 Speaker 2: Who doesn't want that exactly? 443 00:21:55,760 --> 00:21:57,520 Speaker 1: I loved it. Okay, let's rate it. I have a 444 00:21:57,640 --> 00:22:01,600 Speaker 1: rating system to go along with our okay, go chief here, 445 00:22:01,920 --> 00:22:06,480 Speaker 1: So would you call this episode cleared for takeoff? Which 446 00:22:06,560 --> 00:22:10,520 Speaker 1: is great? Okay, turbulence which is kind of mixed happening 447 00:22:11,440 --> 00:22:13,280 Speaker 1: or crash landing bad. 448 00:22:14,680 --> 00:22:22,560 Speaker 2: I'm going, uh, I'm going I'm going cleared for takeoff. 449 00:22:23,280 --> 00:22:25,440 Speaker 1: I'm here for takeoff too. 450 00:22:25,440 --> 00:22:29,480 Speaker 2: I'm going cleared for takeoff because I separated my today 451 00:22:29,560 --> 00:22:32,879 Speaker 2: brain out and I went to the eighties brain and 452 00:22:32,920 --> 00:22:36,760 Speaker 2: I was like, did this have the hallmarks of a 453 00:22:36,800 --> 00:22:41,200 Speaker 2: successful show back then? And it did total and I'm like, yeah, no, 454 00:22:41,359 --> 00:22:44,399 Speaker 2: this was this was not I mean, it was still 455 00:22:44,880 --> 00:22:48,040 Speaker 2: you know, a silly, terrible sitcom of course, even then, 456 00:22:48,520 --> 00:22:53,119 Speaker 2: but it was not any worse or any you know, 457 00:22:53,200 --> 00:22:55,480 Speaker 2: than anything else that was going on in the realm 458 00:22:55,520 --> 00:22:57,680 Speaker 2: of sitcoms. 459 00:22:58,240 --> 00:23:02,040 Speaker 1: Yes, yeah, I would agree. I'd say cleared for takeoff 460 00:23:02,480 --> 00:23:04,840 Speaker 1: based on when it was made and released and when 461 00:23:04,880 --> 00:23:07,800 Speaker 1: we watched it. If you made it now, it would 462 00:23:07,800 --> 00:23:11,040 Speaker 1: definitely be a crash landing, but back then, absolutely cleared 463 00:23:11,040 --> 00:23:13,680 Speaker 1: for takeoff. Ye fantastic. I loved it. 464 00:23:13,840 --> 00:23:16,639 Speaker 2: This is yeah. I am so glad. I'm so glad 465 00:23:16,640 --> 00:23:19,159 Speaker 2: that we uh we watched this. This was fun. I 466 00:23:19,240 --> 00:23:20,960 Speaker 2: like this, this is going to be fun going back 467 00:23:21,000 --> 00:23:22,120 Speaker 2: to pilots. 468 00:23:22,240 --> 00:23:23,560 Speaker 1: I love it. I don't know if anyone else cares 469 00:23:23,600 --> 00:23:25,480 Speaker 1: about our opinions, but I do, and I am here 470 00:23:25,640 --> 00:23:26,359 Speaker 1: for this segment. 471 00:23:26,359 --> 00:23:28,639 Speaker 2: I care about our opinions. Yeah, no, this is going 472 00:23:28,680 --> 00:23:32,680 Speaker 2: to be exciting. I mean, we we've got Golden Girls ALF. Oh, 473 00:23:32,800 --> 00:23:33,640 Speaker 2: we've got to do ALF. 474 00:23:33,800 --> 00:23:37,400 Speaker 1: We love a long well black people ALF Yeah, Golden Girls. 475 00:23:37,440 --> 00:23:39,560 Speaker 1: I can't we're going to stray from t G I 476 00:23:39,720 --> 00:23:41,920 Speaker 1: F and uh, you know you never know what shows 477 00:23:41,920 --> 00:23:42,840 Speaker 1: are going to pop up. 478 00:23:43,119 --> 00:23:45,840 Speaker 2: Yeah, so yeahn't wait to see me. 479 00:23:45,880 --> 00:23:46,120 Speaker 1: Great. 480 00:23:46,320 --> 00:23:49,679 Speaker 2: All right, thank you so much for listening. Fan of Ritos. 481 00:23:50,040 --> 00:23:53,000 Speaker 2: Remember you can find us on Instagram at how Rude Podcast. 482 00:23:53,040 --> 00:23:55,040 Speaker 2: You can send us an email at how Rude Tannerrito's 483 00:23:55,080 --> 00:23:57,399 Speaker 2: gmail dot com. You can check out our merch store, 484 00:23:57,760 --> 00:24:04,520 Speaker 2: how redmerch dot com. Remember the world is small, but 485 00:24:04,640 --> 00:24:09,199 Speaker 2: the house is full of wonder. Because the world is small, 486 00:24:09,920 --> 00:24:13,600 Speaker 2: the house is full of wonder. I love it small wonder. 487 00:24:14,040 --> 00:24:17,800 Speaker 2: I love its a while, I come up with one. 488 00:24:18,440 --> 00:24:21,199 Speaker 1: Chef's kiss Kiss That was fantastic. 489 00:24:21,480 --> 00:24:24,480 Speaker 2: Perfect. All right, you guys will see you next time.