1
00:00:11,800 --> 00:00:15,360
Speaker 1: And his drink Chats motherfucking podcast makes up. He's a

2
00:00:15,480 --> 00:00:18,279
Speaker 1: legendary queen's rapper. He's said greed, it's your boy in

3
00:00:18,320 --> 00:00:21,320
Speaker 1: o R. He's a Miami hip hop and pioneer, one

4
00:00:21,360 --> 00:00:24,279
Speaker 1: up his dj e FN. Together they drinking up with

5
00:00:24,320 --> 00:00:28,800
Speaker 1: some of the biggest players in the most professional unprofessional

6
00:00:28,920 --> 00:00:32,320
Speaker 1: podcast and yet number one source for drunk back drinks

7
00:00:32,360 --> 00:00:36,800
Speaker 1: motherfuckings New year' z. That's his time for drink champs,

8
00:00:37,159 --> 00:00:47,800
Speaker 1: drink up, motherfucker mother would could be hopefully this whining supery,

9
00:00:47,880 --> 00:00:49,880
Speaker 1: this is your boy in R, one up his dj

10
00:00:50,080 --> 00:00:52,760
Speaker 1: e F and this drink chats motherfucking party Happy Hour

11
00:00:53,040 --> 00:01:02,120
Speaker 1: makes up. Right now, we have the king independent, the

12
00:01:02,320 --> 00:01:07,760
Speaker 1: King of consistency, the King of longevity. Yeah, the head

13
00:01:07,840 --> 00:01:11,280
Speaker 1: front of Strange music has so many artists. The guy

14
00:01:11,440 --> 00:01:15,360
Speaker 1: toards like a wrestler as he's on toy like Holgan

15
00:01:15,440 --> 00:01:18,280
Speaker 1: and rocking them. He's out there, been doing it for

16
00:01:18,440 --> 00:01:21,480
Speaker 1: years and pon years one years, and he's here in

17
00:01:21,880 --> 00:01:24,880
Speaker 1: the motherfucking Happy Hour with the drink chat. Let's make something.

18
00:01:28,760 --> 00:01:34,320
Speaker 1: How you doing, brother, what do you want to do?

19
00:01:34,520 --> 00:01:37,480
Speaker 1: Do you want to Let's finish the wet first and

20
00:01:37,520 --> 00:01:39,520
Speaker 1: then we go on to the other roses or do

21
00:01:39,600 --> 00:01:41,280
Speaker 1: you want to mix it up in between? Just mix

22
00:01:41,319 --> 00:01:45,360
Speaker 1: it up. It comes natural, you know. So let's let's

23
00:01:45,360 --> 00:01:47,520
Speaker 1: take it from the beginning. How did you get started?

24
00:01:47,520 --> 00:01:49,160
Speaker 1: Because I heard you was signing Quincy Jones and all

25
00:01:49,200 --> 00:01:51,280
Speaker 1: type of ship. Before that, I was a dancer though,

26
00:01:51,320 --> 00:01:54,360
Speaker 1: you know I was TA was a breakdancer, you know

27
00:01:54,400 --> 00:01:58,640
Speaker 1: what I'm saying. Yeah, yeah, yeah, yeah, the boy yeah yeah,

28
00:01:59,200 --> 00:02:01,640
Speaker 1: the car board than the linolean, you know what I'm

29
00:02:01,680 --> 00:02:06,640
Speaker 1: sitizling on busting my head on concrest yeah yeah, yeah,

30
00:02:06,800 --> 00:02:09,359
Speaker 1: yeah yeah. So from from from rhythm came rhyme, you

31
00:02:09,400 --> 00:02:13,280
Speaker 1: know what I'm saying. And uh that's why when you

32
00:02:13,320 --> 00:02:14,720
Speaker 1: see you come to my shows, you see me like,

33
00:02:15,880 --> 00:02:17,560
Speaker 1: you know what I'm saying. I can't. I can't. It's

34
00:02:17,600 --> 00:02:19,400
Speaker 1: in my bones blo, you know what I'm saying. So

35
00:02:21,040 --> 00:02:24,079
Speaker 1: I started that and from there I wrote my first

36
00:02:24,200 --> 00:02:29,680
Speaker 1: round at eighty five, that's how long I've been in it. Yeah,

37
00:02:29,720 --> 00:02:36,239
Speaker 1: I was seventy one. I was seventy one, continue yeah yeah, yeah, So,

38
00:02:36,560 --> 00:02:40,880
Speaker 1: um I started doing it professionally like ninety you know

39
00:02:40,919 --> 00:02:43,440
Speaker 1: what I mean, And uh, I knew I had some

40
00:02:43,560 --> 00:02:45,560
Speaker 1: special man. I was already a different type of motherfucker.

41
00:02:45,639 --> 00:02:47,560
Speaker 1: You know what I mean. My niggers in the hood, Like,

42
00:02:47,600 --> 00:02:49,799
Speaker 1: what's wrong with this nigg I love them? But crazy again? Ship,

43
00:02:49,919 --> 00:02:52,120
Speaker 1: you know what I'm saying. And we made that ship work.

44
00:02:52,160 --> 00:02:54,519
Speaker 1: You know what I'm saying. Your first professional record like

45
00:02:54,639 --> 00:02:56,799
Speaker 1: that came out to hip hop sottle you got to

46
00:02:56,840 --> 00:03:00,239
Speaker 1: drink here. I got a little my first professional take.

47
00:03:00,800 --> 00:03:08,560
Speaker 1: So man, I think it might have been Um, I

48
00:03:08,680 --> 00:03:14,120
Speaker 1: think it might have been gang related. Soundtrack questions on

49
00:03:14,240 --> 00:03:21,240
Speaker 1: Tupac's last screen performance. You know what I'm saying, last one. Yeah,

50
00:03:22,680 --> 00:03:26,600
Speaker 1: the order that he was filming. That was last screen performance.

51
00:03:27,440 --> 00:03:29,560
Speaker 1: You know what, I'm sizzling, And uh, everybody thought I

52
00:03:29,560 --> 00:03:31,400
Speaker 1: was on death roll because I was the only dude

53
00:03:31,520 --> 00:03:38,200
Speaker 1: on the soundtrack. Um, that wasn't at that Yeah. Yeah,

54
00:03:38,200 --> 00:03:41,400
Speaker 1: I was living in l at seven with Quincy Jones

55
00:03:41,440 --> 00:03:43,400
Speaker 1: and Ship like they're doing musical QT three. You know

56
00:03:43,440 --> 00:03:46,800
Speaker 1: what I'm saying, Just trying to be helping, Like how

57
00:03:46,840 --> 00:03:49,680
Speaker 1: did that that that that? It's so crazy to me, man,

58
00:03:49,720 --> 00:03:54,040
Speaker 1: because I didn't think Quincy would like that ghetto ship,

59
00:03:54,240 --> 00:03:56,720
Speaker 1: you know what I'm saying. And the song that caught

60
00:03:56,840 --> 00:03:59,880
Speaker 1: his attention with a song I did in Kansas City

61
00:04:00,240 --> 00:04:02,839
Speaker 1: uh ninety six called Mitch Bade. You know, some bitch

62
00:04:02,920 --> 00:04:11,720
Speaker 1: made back with you know what I'm saying, uh Mitch Bade. Yeah.

63
00:04:15,600 --> 00:04:19,240
Speaker 1: So that got to Quincy somehow through some chick out

64
00:04:19,279 --> 00:04:21,240
Speaker 1: in l A. You know that used to do music

65
00:04:21,400 --> 00:04:24,720
Speaker 1: do business with U two D three had been a

66
00:04:24,760 --> 00:04:28,120
Speaker 1: at this time. Yeah, my first deal and was in

67
00:04:28,279 --> 00:04:37,600
Speaker 1: like uh ninety three with Jimmy Jimmy Terry Lewis y Yeah, yeah, yeah,

68
00:04:37,600 --> 00:04:39,479
Speaker 1: I would go back to that because you know they

69
00:04:39,560 --> 00:04:41,920
Speaker 1: did they did um Janet Jackson's music, and then I

70
00:04:41,960 --> 00:04:44,120
Speaker 1: signed with Quincy. He does Michael Jackson music. I've been

71
00:04:44,160 --> 00:04:47,640
Speaker 1: like in the little Jackson circle that they saw something special,

72
00:04:47,880 --> 00:04:50,159
Speaker 1: you know what I'm saying. So, but what a lot

73
00:04:50,200 --> 00:04:51,680
Speaker 1: of these record deals I had, you know what I mean?

74
00:04:51,760 --> 00:04:56,320
Speaker 1: When I was with Quincy and ninety seven Quest and Warner, uh,

75
00:04:56,960 --> 00:04:59,640
Speaker 1: nobody knew what to do with du with red spiked

76
00:04:59,680 --> 00:05:03,360
Speaker 1: hare and painted face and come out with a Bishops Road.

77
00:05:03,400 --> 00:05:04,720
Speaker 1: You know what I'm saying, What are you gonna put that?

78
00:05:06,279 --> 00:05:08,520
Speaker 1: So a lot of that ship didn't work and they

79
00:05:08,560 --> 00:05:10,400
Speaker 1: didn't know where to put. My music was a rock

80
00:05:10,560 --> 00:05:12,720
Speaker 1: you know what I'm saying, it's hip hop, it's the

81
00:05:12,880 --> 00:05:15,280
Speaker 1: jazz is everything, you know what I mean. But they

82
00:05:15,320 --> 00:05:18,680
Speaker 1: didn't know where to put me. So after ninety nine

83
00:05:19,400 --> 00:05:23,440
Speaker 1: um signing with Interscope on J Core, you know, they

84
00:05:23,520 --> 00:05:25,760
Speaker 1: sucked us over royally. So after that, man, it was

85
00:05:25,839 --> 00:05:28,720
Speaker 1: like time to show the motherfucker's how to market this

86
00:05:29,120 --> 00:05:31,480
Speaker 1: type of dude. So that's what the independent grind can

87
00:05:31,920 --> 00:05:34,840
Speaker 1: so a lot of people the major first, like the

88
00:05:36,000 --> 00:05:38,520
Speaker 1: uh in the industry, when your name comes up, everybody

89
00:05:38,600 --> 00:05:42,000
Speaker 1: always associates you with independent immediately. So let's let's talk

90
00:05:42,040 --> 00:05:44,080
Speaker 1: about it like the beginning parts of when he was

91
00:05:44,120 --> 00:05:46,920
Speaker 1: on these records being with Major. My first major deal

92
00:05:46,960 --> 00:05:48,960
Speaker 1: was ninety three with Jimmy Jim Terry Lewis, and that

93
00:05:49,040 --> 00:05:50,600
Speaker 1: didn't work, you know what I mean. You know it

94
00:05:50,839 --> 00:05:53,960
Speaker 1: wasn't thin Jackson. Yes, I went to the I went

95
00:05:54,000 --> 00:05:57,920
Speaker 1: to the Velvet I'm sorry story what happened when you

96
00:05:57,960 --> 00:06:01,240
Speaker 1: met Penny my niggah, Man, it was cool. She invited

97
00:06:01,320 --> 00:06:06,720
Speaker 1: us to u her Velvet Rope release party in l

98
00:06:06,800 --> 00:06:09,720
Speaker 1: a Man on the Sony a Lot and Michael Mike

99
00:06:09,800 --> 00:06:12,440
Speaker 1: Mike Tyson was there, you know, saying Seal was there.

100
00:06:12,600 --> 00:06:15,680
Speaker 1: Everybody you know, saying Brownstone was still popping, you know

101
00:06:15,720 --> 00:06:17,880
Speaker 1: what I mean. She smelled like cocoa butter in Hennessey.

102
00:06:19,200 --> 00:06:29,400
Speaker 1: She smelled like incense like Erica bud Yes, class fair one.

103
00:06:29,640 --> 00:06:31,760
Speaker 1: But how was it meeting? Like was you a fan

104
00:06:31,839 --> 00:06:35,680
Speaker 1: of her? Like yes, yes, I'm a penny guy like

105
00:06:36,160 --> 00:06:39,200
Speaker 1: from Good Times. Yeah, she gonna shoot me her handshake hug.

106
00:06:39,240 --> 00:06:41,440
Speaker 1: You know what I'm saying. It was like that handshake

107
00:06:41,520 --> 00:06:43,560
Speaker 1: first and pull it there, like how are you doing?

108
00:06:44,120 --> 00:06:48,040
Speaker 1: Like yeah, that's definitely I never got to Yeah, I

109
00:06:48,120 --> 00:06:53,400
Speaker 1: never got to meet Michael though. Never um met Pop. Yeah,

110
00:06:53,480 --> 00:06:58,520
Speaker 1: I met Popping a few occasions. I met Big in

111
00:06:58,680 --> 00:07:01,960
Speaker 1: Kansas City backstage when he not Kansas City, Kansas City, Kansas.

112
00:07:02,040 --> 00:07:05,680
Speaker 1: He played at a memorial hall or something like that,

113
00:07:05,920 --> 00:07:07,320
Speaker 1: you know, saying I forgot the name of the place

114
00:07:07,360 --> 00:07:09,720
Speaker 1: over there in k c K when Juicy first came out.

115
00:07:12,400 --> 00:07:14,760
Speaker 1: Yeah yeah, yeah, yeah, yeah. Yeah. But but let's take

116
00:07:14,800 --> 00:07:19,160
Speaker 1: it back right um to because see, like I said,

117
00:07:19,240 --> 00:07:21,640
Speaker 1: everybody always refers to you as the King of Independent,

118
00:07:21,760 --> 00:07:24,160
Speaker 1: Like I wanted to talk you to to why you

119
00:07:24,240 --> 00:07:27,120
Speaker 1: became independent, So like let's let's speak about those those

120
00:07:27,200 --> 00:07:28,360
Speaker 1: we were in the midst of it. When we were

121
00:07:28,400 --> 00:07:30,480
Speaker 1: talking about my my major deals, my first one with

122
00:07:30,600 --> 00:07:33,680
Speaker 1: Jimmy Jimmy Turrylisen, I need three, didn't work, seven with

123
00:07:34,040 --> 00:07:39,240
Speaker 1: Quincy Jones, doesn't work with Interscope and j Coorey. You

124
00:07:39,280 --> 00:07:41,280
Speaker 1: know what's gonna after that is when I came back

125
00:07:41,320 --> 00:07:44,440
Speaker 1: to Kansas City, was there something specific that wasn't working

126
00:07:44,480 --> 00:07:46,600
Speaker 1: with the majors, like something that they were doing wrong

127
00:07:46,800 --> 00:07:49,840
Speaker 1: or the I needed complete a time of me. I

128
00:07:49,880 --> 00:07:51,680
Speaker 1: couldn't have nobody telling me what the funk I couldn't

129
00:07:51,680 --> 00:07:53,320
Speaker 1: say or do you know what I'm saying, And they

130
00:07:53,360 --> 00:07:55,280
Speaker 1: wanted me to copy ship. Now when he was on

131
00:07:55,400 --> 00:07:58,280
Speaker 1: these labels, were you throwing out projects or these projects

132
00:07:58,360 --> 00:08:00,000
Speaker 1: never came out? No, no, no, no. I was recording

133
00:08:00,000 --> 00:08:01,600
Speaker 1: thing like a motherfucker. You know what I'm saying. We're

134
00:08:01,600 --> 00:08:04,080
Speaker 1: recording songs and they wanted to. They wanted to, like,

135
00:08:04,400 --> 00:08:07,520
Speaker 1: for instance, um, the people that Quincy Jones had working

136
00:08:07,560 --> 00:08:12,440
Speaker 1: for him, I have this song technic and uh Planet

137
00:08:12,520 --> 00:08:16,440
Speaker 1: Rock to k you know what I'm saying, And uh,

138
00:08:16,800 --> 00:08:20,080
Speaker 1: they wanted me to do something for I think it

139
00:08:20,280 --> 00:08:23,800
Speaker 1: was a shock movie called Steel, you know what I'm saying.

140
00:08:23,840 --> 00:08:25,240
Speaker 1: They wanted to do something. They wanted me to do

141
00:08:25,360 --> 00:08:27,440
Speaker 1: some poppy kind of music and I'm like, no, I

142
00:08:27,480 --> 00:08:29,560
Speaker 1: want to use Planet rock. So we would fight back

143
00:08:29,560 --> 00:08:31,200
Speaker 1: and forth. They wanted me to do the poppy ship,

144
00:08:31,560 --> 00:08:32,920
Speaker 1: and I didn't want to do poppy ship, you know

145
00:08:32,920 --> 00:08:34,640
Speaker 1: what I'm saying. And I wasn't gonna do the poppy ship.

146
00:08:34,640 --> 00:08:36,040
Speaker 1: You know I'm saying. They were sending me beasts that

147
00:08:36,120 --> 00:08:38,640
Speaker 1: were not me, you know what I mean. For producers,

148
00:08:38,679 --> 00:08:40,680
Speaker 1: I didn't know you know what I'm sizzling when they

149
00:08:40,720 --> 00:08:43,720
Speaker 1: signed you. They thought they were going to completely change you, totally, totally, totally.

150
00:08:43,800 --> 00:08:45,319
Speaker 1: I mean, that's that's what That's what I felt like,

151
00:08:45,960 --> 00:08:50,640
Speaker 1: you know what I mean when the yeah, but you

152
00:08:50,720 --> 00:08:53,599
Speaker 1: knew what The big has heard me and signed me,

153
00:08:53,800 --> 00:08:56,559
Speaker 1: just like uh, Jimmy Jimmy, Terry Lewis, just like Quincy Jones.

154
00:08:56,600 --> 00:08:58,439
Speaker 1: The Bigges has heard me. But it's the people that

155
00:08:58,520 --> 00:09:00,360
Speaker 1: didn't really know what to do what nine you know

156
00:09:00,360 --> 00:09:03,880
Speaker 1: what I'm saying that their staff, so um, we had

157
00:09:03,960 --> 00:09:06,040
Speaker 1: to fight a lot, you know what I mean. And

158
00:09:06,360 --> 00:09:07,920
Speaker 1: I couldn't do that no more, man, You know what

159
00:09:07,920 --> 00:09:10,240
Speaker 1: I mean. They didn't know where to put me, and

160
00:09:10,320 --> 00:09:12,880
Speaker 1: I knew I had something special. So I had to

161
00:09:12,960 --> 00:09:16,160
Speaker 1: show them when I met my partner, Travis, UM what

162
00:09:16,320 --> 00:09:20,079
Speaker 1: strange music is. And since we've been doing that for

163
00:09:20,280 --> 00:09:25,520
Speaker 1: eighteen years now, UM, we've we've acquired the title as

164
00:09:25,559 --> 00:09:32,920
Speaker 1: the number one independent label music mother, and we're still

165
00:09:32,960 --> 00:09:38,959
Speaker 1: going to show tonight Man the album. Years ago, when

166
00:09:39,000 --> 00:09:42,320
Speaker 1: I was doing a show in Orlando, UM, I saw

167
00:09:42,400 --> 00:09:46,520
Speaker 1: these guys on stage. We were opening, right and uh,

168
00:09:46,720 --> 00:09:48,800
Speaker 1: I remember one of my colleagues telling me, you have

169
00:09:48,920 --> 00:09:50,679
Speaker 1: to check out the open and acts may Day, you

170
00:09:50,720 --> 00:09:53,360
Speaker 1: know what I'm saying. So I watched this. I watched

171
00:09:53,400 --> 00:09:55,160
Speaker 1: the watch their show, and you know, they had this

172
00:09:55,240 --> 00:09:57,079
Speaker 1: don Nams that came out popping. You know, I'm a

173
00:09:57,160 --> 00:09:59,760
Speaker 1: b boy, you know what I'm saying. He's killing wa

174
00:10:00,000 --> 00:10:04,360
Speaker 1: that of the night like this motherfucker's hardcore. So I

175
00:10:04,440 --> 00:10:06,719
Speaker 1: got to listen to the music, like damn, you know

176
00:10:06,760 --> 00:10:09,000
Speaker 1: what I'm saying. It was so good that I asked

177
00:10:09,040 --> 00:10:10,839
Speaker 1: for one of their records and they signed it for me.

178
00:10:10,880 --> 00:10:12,760
Speaker 1: I still have it, you know what I mean. They

179
00:10:12,800 --> 00:10:14,839
Speaker 1: were so good. So I called Travis, like we have

180
00:10:15,040 --> 00:10:16,920
Speaker 1: to get these dudes. And I heard through the grapevine

181
00:10:17,320 --> 00:10:19,920
Speaker 1: that Wayne was looking at them, and you know, they

182
00:10:20,040 --> 00:10:22,440
Speaker 1: did some kind of thing on the lane tooth pain.

183
00:10:23,040 --> 00:10:24,920
Speaker 1: I said, they're gonna go. We had to heard him

184
00:10:24,960 --> 00:10:34,800
Speaker 1: get these guys. And we were lucky enough. I'm Coolah yeah, yeah,

185
00:10:35,400 --> 00:10:37,960
Speaker 1: but we were lucky enough to have made their own

186
00:10:38,000 --> 00:10:41,439
Speaker 1: strange music. Man, and uh when other people were trying

187
00:10:41,520 --> 00:10:43,520
Speaker 1: to snatch them, you know what I mean? And rightly so,

188
00:10:43,679 --> 00:10:50,800
Speaker 1: because sucking hardcore. Now you being independent? What was the moment?

189
00:10:50,880 --> 00:10:54,440
Speaker 1: Because being independent? I've been independent and it's hardest. Oh yes,

190
00:10:54,520 --> 00:10:58,679
Speaker 1: oh yes, it's Oh what is the thing that's the thing?

191
00:10:58,960 --> 00:11:01,719
Speaker 1: Um My, the Travis was already a millionaire, you know

192
00:11:01,760 --> 00:11:04,120
Speaker 1: what I'm saying. And when he when I had a

193
00:11:04,200 --> 00:11:07,760
Speaker 1: meeting with him after I did this, uh, this fashion

194
00:11:07,800 --> 00:11:10,920
Speaker 1: show that he was funding. You know what I'm saying.

195
00:11:10,960 --> 00:11:14,360
Speaker 1: These these this clothing line called Paradise Originals, And I

196
00:11:14,640 --> 00:11:17,040
Speaker 1: have that song Ti Technoga blew up in Kansas City,

197
00:11:17,040 --> 00:11:18,520
Speaker 1: you know what I'm saying. I had a few songs

198
00:11:18,520 --> 00:11:20,199
Speaker 1: blowing up, you know, saying let's get sucked up, and

199
00:11:20,520 --> 00:11:22,360
Speaker 1: Mitch bade all that ship was popping on the radio

200
00:11:22,760 --> 00:11:24,839
Speaker 1: at home. So when I had my meeting with Travis,

201
00:11:24,880 --> 00:11:26,319
Speaker 1: he said, hey, man, I've been following your music for

202
00:11:26,400 --> 00:11:28,760
Speaker 1: a long time, you know, And um, I just wonder

203
00:11:28,840 --> 00:11:31,120
Speaker 1: why you're not bigger than you are. You know, you're

204
00:11:31,160 --> 00:11:32,800
Speaker 1: better than a lot of people I see on TV

205
00:11:32,920 --> 00:11:35,880
Speaker 1: and radio. I was saying, man, it takes a lot.

206
00:11:35,960 --> 00:11:39,240
Speaker 1: He said, well, check I have a lot, right, He said,

207
00:11:39,280 --> 00:11:41,360
Speaker 1: what do you think about doing a joint venture? Man? Men?

208
00:11:41,440 --> 00:11:45,000
Speaker 1: You fifty um strength? Like he didn't say strange music

209
00:11:45,040 --> 00:11:46,559
Speaker 1: because I had it in my head. He was like

210
00:11:47,559 --> 00:11:49,280
Speaker 1: a record label, you know what I'm saying. So I

211
00:11:49,400 --> 00:11:51,079
Speaker 1: was like, I know exactly what I want to call it.

212
00:11:51,480 --> 00:11:53,040
Speaker 1: I want to call it strange music because I'm a

213
00:11:53,120 --> 00:11:56,240
Speaker 1: doors fan. You know what I'm saying. Strange days, people

214
00:11:56,280 --> 00:11:59,280
Speaker 1: are strange, you know what I mean. And I said

215
00:11:59,280 --> 00:12:01,640
Speaker 1: I wanted to be a snake. I got the snake

216
00:12:01,760 --> 00:12:09,000
Speaker 1: to be the s and the wind. Yeah, yeah, it

217
00:12:09,040 --> 00:12:11,319
Speaker 1: ain't say the maskis No, I don't. I don't be

218
00:12:11,800 --> 00:12:15,000
Speaker 1: bits up or nothing with you know what I'm saying

219
00:12:15,040 --> 00:12:17,920
Speaker 1: that the snake is the s and the bat wings

220
00:12:18,360 --> 00:12:20,320
Speaker 1: are the m strange music. You know what I'm saying.

221
00:12:20,640 --> 00:12:23,599
Speaker 1: And what happened was he got some artists together to

222
00:12:23,679 --> 00:12:27,520
Speaker 1: get that out of my head onto everything you can imagine,

223
00:12:27,679 --> 00:12:32,719
Speaker 1: like panties and belts and car decals. You know what

224
00:12:32,720 --> 00:12:36,480
Speaker 1: I'm saying, everything has shirts now it's on people's skin

225
00:12:36,720 --> 00:12:38,920
Speaker 1: for life. You know what I mean? That really believe

226
00:12:39,000 --> 00:12:41,760
Speaker 1: in the movement strange? You know what I mean? How

227
00:12:41,840 --> 00:12:44,120
Speaker 1: long before y'all got together did it take for that

228
00:12:44,200 --> 00:12:46,319
Speaker 1: to really start to pick up what you have to

229
00:12:46,400 --> 00:12:52,080
Speaker 1: go through? I'm sure tribulation before you found the mechanisms

230
00:12:52,120 --> 00:12:54,800
Speaker 1: that we're working for in order in order to get

231
00:12:54,920 --> 00:12:59,760
Speaker 1: me free of everything I was binded to from. Yeah, yeah,

232
00:13:00,240 --> 00:13:03,640
Speaker 1: like Quincy Jones. You know that's question Warner. You know

233
00:13:03,679 --> 00:13:08,720
Speaker 1: what I mean. Swint King Tech, you know what I'm saying. Yeah,

234
00:13:08,720 --> 00:13:11,640
Speaker 1: they were managing me. You know what I'm saying for

235
00:13:12,240 --> 00:13:18,520
Speaker 1: the youngest. Yeah, we used to be Yeah, my brother

236
00:13:18,720 --> 00:13:25,920
Speaker 1: and still doing the morning showing shade forty yea yeah,

237
00:13:26,520 --> 00:13:29,080
Speaker 1: Swant King Tech saw a lot in Tech nine way back.

238
00:13:29,200 --> 00:13:30,640
Speaker 1: You know what I mean. It was on the anthem

239
00:13:31,000 --> 00:13:32,920
Speaker 1: was on the anthem. You know what I'm saying. With

240
00:13:33,000 --> 00:13:38,640
Speaker 1: Eminem and uh you know co raps on it. Pharaoh

241
00:13:38,720 --> 00:13:44,040
Speaker 1: Mont she was saying, x jo Felony caress one was

242
00:13:44,120 --> 00:13:47,199
Speaker 1: on it. My you know what I'm saying, Like like

243
00:13:47,440 --> 00:13:50,320
Speaker 1: they did a lot for me, man, So they wanted

244
00:13:50,400 --> 00:13:56,520
Speaker 1: me to um push Q aside, let them take over.

245
00:13:56,600 --> 00:13:58,240
Speaker 1: You know, I can't do that, man. You know what

246
00:13:58,240 --> 00:14:01,040
Speaker 1: I'm saying that Quincy, you know what I'm saying. QT three,

247
00:14:01,120 --> 00:14:02,640
Speaker 1: you know what I'm saying. He's my boy. You know

248
00:14:02,800 --> 00:14:06,360
Speaker 1: he was doing this. I can't do aside. Well, you know,

249
00:14:06,480 --> 00:14:11,240
Speaker 1: it was you know, say, it was like, man, you

250
00:14:11,320 --> 00:14:14,200
Speaker 1: know this is a little right. I'm sure it's cool now. Yeah,

251
00:14:14,720 --> 00:14:16,679
Speaker 1: you know, I say with them, but they wanted me

252
00:14:16,760 --> 00:14:18,840
Speaker 1: to get everybody out the way. And I brought Travis

253
00:14:18,920 --> 00:14:20,600
Speaker 1: in and it was like, what's up there? What you do?

254
00:14:20,720 --> 00:14:24,720
Speaker 1: And I'm like this dude came in like, hey, you

255
00:14:24,840 --> 00:14:26,400
Speaker 1: want to start a label, and I'm like, I gotta

256
00:14:26,440 --> 00:14:28,320
Speaker 1: do something, man, you know what I'm saying. And there's

257
00:14:28,440 --> 00:14:30,720
Speaker 1: like they told Travis, you know, it's gonna take a

258
00:14:30,760 --> 00:14:33,480
Speaker 1: lot of money. And Travis like, ship, I'm about to

259
00:14:33,480 --> 00:14:36,240
Speaker 1: clean all this ship up. So we cleaned. So he

260
00:14:36,680 --> 00:14:39,400
Speaker 1: cleaned all that ship up, you know, yeah, yeah, yeah,

261
00:14:41,360 --> 00:14:43,400
Speaker 1: yeah yeah yeah. And then see I wasn't signed to

262
00:14:43,680 --> 00:14:45,920
Speaker 1: Swaying King Tech, but we were just a partnership, you

263
00:14:45,960 --> 00:14:48,320
Speaker 1: know what I'm saying. So yeah, so it was nothing,

264
00:14:48,360 --> 00:14:49,640
Speaker 1: you know, saying. They wanted to help, you know what

265
00:14:49,680 --> 00:14:51,280
Speaker 1: I mean. So it wasn't nothing like I had to

266
00:14:51,360 --> 00:14:53,000
Speaker 1: get off of what they had me on. You know

267
00:14:53,000 --> 00:14:55,760
Speaker 1: what I'm saying. It was just a weird partners So, um,

268
00:14:55,920 --> 00:14:57,760
Speaker 1: that was easy. That wasn't nothing, you know what I mean.

269
00:14:57,880 --> 00:15:00,360
Speaker 1: And me and Sway remained cool and Tech can Tech

270
00:15:00,400 --> 00:15:02,360
Speaker 1: whenever he wanted anything. I'm on the I'm on the

271
00:15:02,440 --> 00:15:05,480
Speaker 1: most recent uh wake up show anthem as well the

272
00:15:05,600 --> 00:15:07,000
Speaker 1: last one they did, you know what I'm saying. So

273
00:15:07,080 --> 00:15:09,440
Speaker 1: we're all still connected. But Travis had to do a

274
00:15:09,520 --> 00:15:12,440
Speaker 1: lot of cleaning to get me free because everybody was

275
00:15:12,480 --> 00:15:13,760
Speaker 1: connected to me, you know what I mean. I had

276
00:15:13,760 --> 00:15:15,720
Speaker 1: a lot of people connected to Tech nine. So was

277
00:15:15,840 --> 00:15:18,520
Speaker 1: that running through your mind? Was that any worries because like,

278
00:15:19,040 --> 00:15:20,360
Speaker 1: at the end of the day, you got a guy,

279
00:15:20,480 --> 00:15:22,200
Speaker 1: you know, pick up the Travis just coming in and

280
00:15:22,320 --> 00:15:25,200
Speaker 1: taking it out for you, and then you know, maybe

281
00:15:25,360 --> 00:15:28,280
Speaker 1: these projects didn't work over there? Did you ever at

282
00:15:28,360 --> 00:15:30,840
Speaker 1: one point doubt yourself and think it was you not?

283
00:15:31,080 --> 00:15:32,920
Speaker 1: And I don't think it was me. I just think

284
00:15:32,920 --> 00:15:35,440
Speaker 1: it was me saying yes too much to too many people,

285
00:15:36,200 --> 00:15:39,480
Speaker 1: know what I'm saying. Yeah, yeah, yeah, yeah, just me saying, yes,

286
00:15:39,520 --> 00:15:40,880
Speaker 1: let's do it. Let's do it, let's do it, Let's

287
00:15:40,880 --> 00:15:42,880
Speaker 1: get it, let's get it, let's get it. You know. Um,

288
00:15:43,440 --> 00:15:46,880
Speaker 1: but I knew that we would get through all that ship,

289
00:15:47,000 --> 00:15:49,040
Speaker 1: you know, saying four minute there, you know, saying like

290
00:15:49,120 --> 00:15:52,280
Speaker 1: in the late nineties, Ja, Prince rap a lot was

291
00:15:52,280 --> 00:15:53,920
Speaker 1: trying to get me out of the Warner. You know

292
00:15:53,960 --> 00:15:58,080
Speaker 1: what I'm saying, Yeah, yeah, he said he liked tech.

293
00:15:58,720 --> 00:16:00,400
Speaker 1: We're gonna take care of that. That is gonna be

294
00:16:00,520 --> 00:16:02,880
Speaker 1: taking care of You're gonna get We're gonna make sure

295
00:16:02,920 --> 00:16:05,479
Speaker 1: you off that and dang it won't be no problems.

296
00:16:05,760 --> 00:16:07,760
Speaker 1: I don't know what ended up happening, but it didn't happen,

297
00:16:07,760 --> 00:16:11,720
Speaker 1: you know. But you know, there's a lot of people

298
00:16:11,800 --> 00:16:13,160
Speaker 1: trying to help me. You know what I'm saying, a

299
00:16:13,200 --> 00:16:15,920
Speaker 1: lot of people believed in me. You know what I'm saying. Now,

300
00:16:16,040 --> 00:16:19,680
Speaker 1: you're coming from Kansas City CORRCT, Kansas City, Like, how

301
00:16:19,760 --> 00:16:24,400
Speaker 1: did you? Like? Yeah? Like like how did you? Because

302
00:16:24,480 --> 00:16:28,280
Speaker 1: you know us, Yeah, because the opportunity is none when

303
00:16:28,320 --> 00:16:31,000
Speaker 1: it comes to the record business there. You know what

304
00:16:31,000 --> 00:16:32,240
Speaker 1: I'm saying, Why why do you think we have to

305
00:16:32,280 --> 00:16:34,400
Speaker 1: start our own wayble. You know what I'm saying, we

306
00:16:34,440 --> 00:16:39,960
Speaker 1: don't have Sony Midwest, we don't have death Jam like.

307
00:16:40,040 --> 00:16:42,640
Speaker 1: I don't even think they were calling it Midwest like

308
00:16:42,760 --> 00:16:44,600
Speaker 1: back then. I think they were just saying over there

309
00:16:47,640 --> 00:16:50,960
Speaker 1: that they're saying, there's like, there's no place like home.

310
00:16:51,000 --> 00:16:55,200
Speaker 1: They'll make it up with jokes. We we could up to.

311
00:16:55,760 --> 00:16:57,640
Speaker 1: What I'm trying to ask you is like you know,

312
00:16:57,800 --> 00:16:59,680
Speaker 1: being from Kansas City like this is this is not

313
00:17:00,000 --> 00:17:01,600
Speaker 1: on for being hip hop, you know what I mean.

314
00:17:01,600 --> 00:17:04,680
Speaker 1: I took him out from you look at Miami perspective

315
00:17:04,680 --> 00:17:08,040
Speaker 1: of New York perspective. Yeah, it wasn't televised, It wasn't.

316
00:17:08,920 --> 00:17:11,040
Speaker 1: I it made you say, I'm gonna stick with this,

317
00:17:11,280 --> 00:17:13,600
Speaker 1: and I'm not going to give up because I'm hearing

318
00:17:13,640 --> 00:17:20,399
Speaker 1: a story right now. I'm done. It's my quick I

319
00:17:20,480 --> 00:17:23,800
Speaker 1: was with, Yeah, he's all the guys love that, the

320
00:17:23,920 --> 00:17:25,680
Speaker 1: time to age. So people just give it because of

321
00:17:25,760 --> 00:17:28,080
Speaker 1: age or whatever. So what made you stick with it?

322
00:17:28,600 --> 00:17:31,680
Speaker 1: When I had obligations my nigger, I had kids. You

323
00:17:31,720 --> 00:17:33,320
Speaker 1: know what I'm saying. I couldn't quit, you know, so

324
00:17:33,400 --> 00:17:35,120
Speaker 1: I didn't want to quit. I still don't want to quit,

325
00:17:35,520 --> 00:17:39,200
Speaker 1: you know, I'm still getting better and better, you know, yeah, yeah, yeah,

326
00:17:39,280 --> 00:17:42,720
Speaker 1: the people that they still they still want techno and

327
00:17:42,800 --> 00:17:44,080
Speaker 1: you know what I mean, And I give it to

328
00:17:44,160 --> 00:17:45,560
Speaker 1: him as hard as I can, dude, you know what

329
00:17:45,600 --> 00:17:49,040
Speaker 1: I mean. It's like being from Kansas City, Like I said,

330
00:17:49,080 --> 00:17:50,920
Speaker 1: the opportunity was like none when it came to music.

331
00:17:51,040 --> 00:17:52,680
Speaker 1: So it's like we had to build it, you know

332
00:17:52,680 --> 00:17:54,920
Speaker 1: what I mean. But don't get it funked up. A

333
00:17:55,040 --> 00:17:57,480
Speaker 1: lot of artists in Kansas City been working for a

334
00:17:57,640 --> 00:18:00,879
Speaker 1: long time, and a lot of rappers, lot of singers,

335
00:18:01,160 --> 00:18:03,560
Speaker 1: you know saying, just a lot of talent, and we

336
00:18:03,680 --> 00:18:06,119
Speaker 1: got a lot of them with us as well. You

337
00:18:06,160 --> 00:18:08,080
Speaker 1: know what I mean. There's a lot more new ones

338
00:18:08,200 --> 00:18:09,960
Speaker 1: that we're trying to work with. Two man, It's like

339
00:18:10,480 --> 00:18:14,080
Speaker 1: it's it's a hub for music. It just hasn't been televised.

340
00:18:14,160 --> 00:18:15,720
Speaker 1: People don't know about it, you know what I'm saying.

341
00:18:15,760 --> 00:18:19,000
Speaker 1: We we we saw we saw nas grow, you know

342
00:18:19,040 --> 00:18:22,000
Speaker 1: what I'm saying. We saw Will Smith grow from rapping

343
00:18:22,080 --> 00:18:25,760
Speaker 1: to a megastar. Same thing we watched j Lo Rides

344
00:18:25,840 --> 00:18:29,960
Speaker 1: from being a dancer and living being being the master

345
00:18:30,119 --> 00:18:31,920
Speaker 1: of her own universe, you know what I mean. But

346
00:18:32,000 --> 00:18:36,760
Speaker 1: see the Tech nine story still being written. All that ship,

347
00:18:37,520 --> 00:18:39,359
Speaker 1: they're gonna have to go back to it, you know

348
00:18:39,400 --> 00:18:41,239
Speaker 1: what I mean. And that's what the fans do when

349
00:18:41,280 --> 00:18:43,080
Speaker 1: they find a new song, like the New Fans, they

350
00:18:43,160 --> 00:18:48,240
Speaker 1: find like Fragile or word up for Me, the Biggs

351
00:18:48,359 --> 00:18:51,880
Speaker 1: song Lamar and Kinda Morgan. When they when they hear Fragile,

352
00:18:52,040 --> 00:18:58,600
Speaker 1: they hear um want to kill You Lamar's first features. Yeah,

353
00:18:58,640 --> 00:19:02,400
Speaker 1: the first time Lamar ever told it was with Strange Music. Yeah, yeah, yeah,

354
00:19:02,800 --> 00:19:06,040
Speaker 1: j Rock, how did that happen? We signed Jay Rock.

355
00:19:06,080 --> 00:19:09,240
Speaker 1: We got Jay Rock off of Warner They had him sitting,

356
00:19:09,400 --> 00:19:12,840
Speaker 1: they had him sitting for first artist. Was yes, yes, yes,

357
00:19:13,280 --> 00:19:15,480
Speaker 1: I heard that. I'm Jay Rock was TV's first artist.

358
00:19:17,320 --> 00:19:19,520
Speaker 1: Let me see that, man. That's how you come to

359
00:19:19,560 --> 00:19:21,800
Speaker 1: up and how you come to a podcast. It's called

360
00:19:21,840 --> 00:19:25,119
Speaker 1: happy All I got damn it. I might have to

361
00:19:25,160 --> 00:19:28,000
Speaker 1: hit one of these your own you got your own too,

362
00:19:28,320 --> 00:19:29,920
Speaker 1: you put it out or you know, you have a

363
00:19:29,960 --> 00:19:32,479
Speaker 1: couple with you you know even how you can come

364
00:19:32,520 --> 00:19:35,320
Speaker 1: to the joint. Because I got a flight later to

365
00:19:35,440 --> 00:19:38,159
Speaker 1: New York, so I thought I didn't pope it. I

366
00:19:38,240 --> 00:19:41,040
Speaker 1: was like, oh, this on me because hold on this now,

367
00:19:41,119 --> 00:19:52,359
Speaker 1: this is the pros um phere. Okay, let me see now, Hope,

368
00:19:52,440 --> 00:19:55,520
Speaker 1: just this Niggs for drinking that Mikey fresh from Vibe

369
00:19:55,600 --> 00:20:02,200
Speaker 1: was my witness period period. I'm just he just said,

370
00:20:02,880 --> 00:20:05,639
Speaker 1: you get peer rear you at Arry ain't listening to

371
00:20:05,640 --> 00:20:07,840
Speaker 1: the hole. Yeah, so what are you saying? Come on,

372
00:20:07,920 --> 00:20:11,000
Speaker 1: who's the full man? Come on? What do he said

373
00:20:11,040 --> 00:20:16,840
Speaker 1: drinking you? You ain't you learned from me or listening? Yeah,

374
00:20:16,920 --> 00:20:18,760
Speaker 1: because he's saying we shouldn't be dringing that because his

375
00:20:18,760 --> 00:20:20,840
Speaker 1: white companies black we should be drink I want to taste.

376
00:20:20,960 --> 00:20:23,000
Speaker 1: We gonna taste it. We gotta taste it. We said

377
00:20:23,040 --> 00:20:25,160
Speaker 1: we should the whole Well, how does he know about

378
00:20:25,160 --> 00:20:26,879
Speaker 1: it if he don't drink it? Because this is the

379
00:20:26,920 --> 00:20:31,480
Speaker 1: ship you said, you said he said we shouldn't drink it.

380
00:20:31,520 --> 00:20:33,360
Speaker 1: He said, yeah, because we're supposed to drinking his ship,

381
00:20:33,440 --> 00:20:36,280
Speaker 1: the Asian ship. Yeah, the space ship. We're gonna get

382
00:20:36,320 --> 00:20:41,760
Speaker 1: into that. I drink. Yeah, I just made what that is?

383
00:20:42,920 --> 00:20:46,359
Speaker 1: What's that white fit? Come on like like we're not

384
00:20:46,400 --> 00:20:52,160
Speaker 1: gonna sper I'm sorry, I wouldn't. I don't know where

385
00:20:52,160 --> 00:20:56,320
Speaker 1: I went with that one. This is we ain't working

386
00:20:56,359 --> 00:20:59,680
Speaker 1: with them, No, I I don't think so that's part

387
00:20:59,680 --> 00:21:05,080
Speaker 1: of the test to a champagne tasting party. Let's prays.

388
00:21:05,520 --> 00:21:09,560
Speaker 1: You know what this reminds me of what France. I

389
00:21:09,720 --> 00:21:16,120
Speaker 1: taste a bull. Okay, you don't know what about, guys,

390
00:21:16,200 --> 00:21:18,560
Speaker 1: but you know what I'm doing Next time I go

391
00:21:18,640 --> 00:21:20,120
Speaker 1: to France, I'm gonna take I'm gonna take the bike

392
00:21:20,160 --> 00:21:22,960
Speaker 1: and I'm just bob mad. I'm not gonna eat its

393
00:21:23,040 --> 00:21:25,280
Speaker 1: mad bred the look and sorry had a book and

394
00:21:25,320 --> 00:21:32,280
Speaker 1: I midn't get the baby. I got to do that wins.

395
00:21:34,800 --> 00:21:36,600
Speaker 1: I've been I've been the parents a couple of times. Man,

396
00:21:36,680 --> 00:21:38,080
Speaker 1: you know what I'm saying. I love that place. What

397
00:21:38,440 --> 00:21:41,280
Speaker 1: was your most like bugged out place you ever performed that?

398
00:21:41,440 --> 00:21:48,879
Speaker 1: You was like, Wow, Denmark Rocks killed the fast. Sixty

399
00:21:49,359 --> 00:21:52,240
Speaker 1: people came to the show. I've never seen that many

400
00:21:52,280 --> 00:21:55,240
Speaker 1: people you or you I was, I was. It was

401
00:21:55,480 --> 00:21:57,760
Speaker 1: not just me. It was another artist there by the

402
00:21:57,840 --> 00:22:00,520
Speaker 1: name of l Oc that's pretty big. We were going

403
00:22:00,560 --> 00:22:02,879
Speaker 1: on on his stage and it was And when we

404
00:22:03,000 --> 00:22:06,560
Speaker 1: came back after that, it was twenty thousand people to

405
00:22:06,640 --> 00:22:09,920
Speaker 1: come see us the next time, one of the biggest

406
00:22:10,119 --> 00:22:14,040
Speaker 1: tents they be having over there. And I just never

407
00:22:14,119 --> 00:22:18,720
Speaker 1: saw such love, you know what I'm saying. Um, back then,

408
00:22:19,119 --> 00:22:20,920
Speaker 1: you know what I mean, it was just so many

409
00:22:21,400 --> 00:22:24,480
Speaker 1: people with Tech nine banners and flags and ship and

410
00:22:24,560 --> 00:22:26,600
Speaker 1: I'm like, I didn't think it was gonna be two

411
00:22:26,680 --> 00:22:28,960
Speaker 1: hundred people out there, you know what I'm saying. I

412
00:22:29,040 --> 00:22:30,959
Speaker 1: walked out on the stage like Jesus Christ. And then

413
00:22:31,000 --> 00:22:34,080
Speaker 1: after the show, they took us to this place called

414
00:22:34,160 --> 00:22:38,159
Speaker 1: Christiania Push your Street. It's like the cops can't come in.

415
00:22:38,800 --> 00:22:41,639
Speaker 1: They're selling dope, all kind of crack they sell on everything.

416
00:22:42,160 --> 00:22:44,639
Speaker 1: Are smoking in the park and it's like we stayed there.

417
00:22:44,720 --> 00:22:46,720
Speaker 1: You can just go in there inside this place and

418
00:22:47,080 --> 00:22:49,440
Speaker 1: walking people's houses and everybody's like, come on in, you

419
00:22:49,520 --> 00:22:52,880
Speaker 1: know what I'm saying. So crazy, everybody's smoking. It was beautiful,

420
00:22:52,960 --> 00:22:54,080
Speaker 1: you know what I'm saying. We was there in a

421
00:22:54,160 --> 00:22:56,440
Speaker 1: nighttime too, when they saying it was dangerous. Wait wait wait,

422
00:22:56,520 --> 00:22:59,480
Speaker 1: I've been to this place. Hold on, Um, it's a

423
00:22:59,600 --> 00:23:05,639
Speaker 1: park like painting, But I've been in the daytime. I

424
00:23:05,720 --> 00:23:09,040
Speaker 1: wasn't as tough as we went in the daytime day

425
00:23:09,119 --> 00:23:12,920
Speaker 1: till night. Okay, yeah, definitely creepy yea. Like as I

426
00:23:13,119 --> 00:23:15,320
Speaker 1: was walking out because we were like you said, it's Denmark.

427
00:23:15,560 --> 00:23:18,440
Speaker 1: Yeah yeah, but it's like it's like you could smoke

428
00:23:18,520 --> 00:23:21,439
Speaker 1: old over. It's like everybody they got they got different stands.

429
00:23:21,480 --> 00:23:25,080
Speaker 1: And she walking and I'm saying. What he's saying is like,

430
00:23:25,520 --> 00:23:28,120
Speaker 1: I know you had to be. Yeah, that's crazy. I've

431
00:23:28,119 --> 00:23:30,160
Speaker 1: been so that was that was that was the craziest

432
00:23:30,200 --> 00:23:33,760
Speaker 1: back then. But what's back then? Like ship? I don't

433
00:23:33,800 --> 00:23:39,200
Speaker 1: know my niggers, like no, maybe like eight years ago

434
00:23:39,359 --> 00:23:41,159
Speaker 1: something like that. I don't know. But I actually a

435
00:23:41,200 --> 00:23:46,240
Speaker 1: crazy place in America. But um, did you did you

436
00:23:46,359 --> 00:23:48,840
Speaker 1: ever think that your music would would would would would

437
00:23:48,920 --> 00:23:51,560
Speaker 1: reach that far like in euro up in all these places.

438
00:23:52,359 --> 00:23:54,800
Speaker 1: I always knew, I keep on saying this. I always

439
00:23:54,840 --> 00:23:58,280
Speaker 1: knew I had something special and I knew I was

440
00:23:58,320 --> 00:24:01,520
Speaker 1: writing my music to travel. You know what I'm saying. Um,

441
00:24:02,000 --> 00:24:04,600
Speaker 1: I remember I said on the wake Up show, swam

442
00:24:04,680 --> 00:24:06,520
Speaker 1: tech heard me flow in its sealed. Now I got

443
00:24:06,560 --> 00:24:09,520
Speaker 1: Swedish women yelling tech nitis Vill you know, Bill is

444
00:24:09,560 --> 00:24:11,240
Speaker 1: like wild over there, you know what I'm saying. And

445
00:24:11,320 --> 00:24:12,880
Speaker 1: I ended up going to Sweden. You know what I'm

446
00:24:12,880 --> 00:24:14,280
Speaker 1: saying that it ended up having a lot of fans

447
00:24:14,320 --> 00:24:17,080
Speaker 1: in Sweeping. So I always knew that I wanted to travel,

448
00:24:17,359 --> 00:24:19,479
Speaker 1: you know what I'm saying. So it's like when they

449
00:24:19,560 --> 00:24:23,280
Speaker 1: asked Jim Carey, was he like super surprised when he

450
00:24:23,320 --> 00:24:25,760
Speaker 1: got that twenty five million to be the Joker or whatever,

451
00:24:25,960 --> 00:24:28,680
Speaker 1: you know, the Riddler, and uh, he said, no, I've

452
00:24:28,680 --> 00:24:31,200
Speaker 1: been planning this my whole life. And that's what I've

453
00:24:31,200 --> 00:24:36,399
Speaker 1: been doing. I've been planning this my whole life. And

454
00:24:36,520 --> 00:24:39,760
Speaker 1: let me ask you a question. Me as a person

455
00:24:39,880 --> 00:24:45,680
Speaker 1: that for my own career, when things uh got a

456
00:24:45,720 --> 00:24:48,120
Speaker 1: little south for me, like in America, I would spend

457
00:24:48,160 --> 00:24:50,600
Speaker 1: so much time in Europe. Oh yeah, they appreciate music

458
00:24:50,720 --> 00:24:56,119
Speaker 1: of the hip hop culture that that Europe actually that

459
00:24:56,280 --> 00:24:58,679
Speaker 1: posted hip hop might be beating a little bit harder

460
00:24:59,160 --> 00:25:03,840
Speaker 1: in Europe for yeah, for years to the people, I

461
00:25:03,880 --> 00:25:06,800
Speaker 1: don't understand why that would be because you know, well

462
00:25:06,880 --> 00:25:08,560
Speaker 1: this is this is my theory on it. You know,

463
00:25:09,320 --> 00:25:12,720
Speaker 1: once something happens so much like like Technine, for instance,

464
00:25:12,760 --> 00:25:16,440
Speaker 1: our eminem motherfucker swear, Eminem ain't the same, or he

465
00:25:16,440 --> 00:25:18,960
Speaker 1: ain't wrapping the same when he's still wrapping his heads off.

466
00:25:19,040 --> 00:25:21,280
Speaker 1: You know what I'm saying, People get used to it, like,

467
00:25:21,359 --> 00:25:23,440
Speaker 1: oh I expect that of technology. I expect him to

468
00:25:23,520 --> 00:25:26,520
Speaker 1: kill ship and it's not not a whow anymore because

469
00:25:26,560 --> 00:25:28,760
Speaker 1: they've had it for so long. That's what I think

470
00:25:28,800 --> 00:25:30,800
Speaker 1: it is with hip hop over here, you know what

471
00:25:30,880 --> 00:25:35,320
Speaker 1: I'm saying. Everybody's used to yeah, used like yeah, yeah,

472
00:25:36,160 --> 00:25:42,959
Speaker 1: dools whatever, yeah, yeah. But over there it's like holy ship. Yeah. Shows.

473
00:25:43,119 --> 00:25:46,879
Speaker 1: People be out there, breakdancing, graffiti right outside. They'll do

474
00:25:46,960 --> 00:25:49,600
Speaker 1: a piece for you right there. And I didn't see

475
00:25:50,520 --> 00:25:54,160
Speaker 1: m op do any any up in Zurich, Switzerland, dude.

476
00:25:54,200 --> 00:25:59,680
Speaker 1: And by the way, I love it. One of my

477
00:25:59,720 --> 00:26:02,200
Speaker 1: favorite Dominican restaurants in the world. So hip hop is

478
00:26:02,240 --> 00:26:06,200
Speaker 1: a lot of yeah, and uh, you know what I'm saying.

479
00:26:06,200 --> 00:26:09,000
Speaker 1: But tell them the MLP story. What happened when you

480
00:26:09,040 --> 00:26:11,640
Speaker 1: saw man, It's like we were staying at the same hotel, man,

481
00:26:12,119 --> 00:26:16,600
Speaker 1: and uh, they just had I don't know, I shouldn't

482
00:26:16,600 --> 00:26:19,200
Speaker 1: say this, but they had like a trail of fucking

483
00:26:19,280 --> 00:26:21,920
Speaker 1: women following them everybody they went there. I was like, damn,

484
00:26:21,920 --> 00:26:23,280
Speaker 1: We're sitting over to the bar, like, look at this

485
00:26:23,400 --> 00:26:27,640
Speaker 1: dick over there, and I got be just coming out everywhere.

486
00:26:27,720 --> 00:26:30,680
Speaker 1: You know, you see them same bites backstage when we

487
00:26:30,720 --> 00:26:33,000
Speaker 1: were about to go on. That's the same tim that

488
00:26:39,480 --> 00:26:42,040
Speaker 1: it's a business. For my eyes, what I'm saying, ain't

489
00:26:42,080 --> 00:26:44,639
Speaker 1: nobody else looking at everybody like hell yeah they got

490
00:26:44,680 --> 00:26:47,960
Speaker 1: bitches that you know, they didn't didn't get bitches, didn't

491
00:26:47,960 --> 00:26:49,639
Speaker 1: getting about us. They just wanted to hang with m

492
00:26:49,680 --> 00:26:54,200
Speaker 1: O P. You know. Yeah, So now then we go.

493
00:26:54,320 --> 00:26:57,200
Speaker 1: I want to get into your jiggalo is it? I

494
00:26:57,240 --> 00:27:02,800
Speaker 1: say it right? U juggalo jug. I was like, like,

495
00:27:03,720 --> 00:27:10,840
Speaker 1: I just think about that about the business technoga because

496
00:27:11,000 --> 00:27:14,399
Speaker 1: but we've all been connected. Yea. What I heard is

497
00:27:14,560 --> 00:27:17,320
Speaker 1: that is that something way I heard that that's how

498
00:27:17,400 --> 00:27:19,960
Speaker 1: you got your love for the role, like you know,

499
00:27:20,119 --> 00:27:22,439
Speaker 1: going on on the road with them? Is that correct?

500
00:27:22,520 --> 00:27:26,200
Speaker 1: On early on? No? No, no, you correct early on

501
00:27:27,280 --> 00:27:30,639
Speaker 1: UM two thousand and three, I think I went on

502
00:27:30,720 --> 00:27:32,200
Speaker 1: a tour with them. They called me to do a

503
00:27:32,240 --> 00:27:35,119
Speaker 1: tour called the Wicked Wanka Tour. I had some tours

504
00:27:35,240 --> 00:27:37,000
Speaker 1: before that, you know what I'm saying. I had the

505
00:27:37,760 --> 00:27:43,320
Speaker 1: UM Angelic Tour and the Absolute Power Tour and yeah,

506
00:27:44,240 --> 00:27:45,639
Speaker 1: strange music, you know what I'm saying. We had a

507
00:27:45,680 --> 00:27:47,040
Speaker 1: couple of tours. I don't know if it was called

508
00:27:47,080 --> 00:27:49,639
Speaker 1: and like I'm thinking it was called like strictly strange,

509
00:27:49,840 --> 00:27:51,879
Speaker 1: or maybe maybe it was strictly strange. I forgot what

510
00:27:52,200 --> 00:27:54,479
Speaker 1: it wasn't been so long ago. But then I did

511
00:27:54,600 --> 00:27:58,360
Speaker 1: the Spread Liquid Mixed Tour with Jay Z and three

512
00:27:58,400 --> 00:28:01,479
Speaker 1: eleven and let's make some noise for you. I've never

513
00:28:01,520 --> 00:28:06,520
Speaker 1: been in my life, I'm saying. I just counted all

514
00:28:06,600 --> 00:28:09,920
Speaker 1: that money out right. Yeah yeah. Any of our da

515
00:28:10,000 --> 00:28:11,520
Speaker 1: was on that. That's having that for real, you know,

516
00:28:11,640 --> 00:28:14,240
Speaker 1: show on that tour, you know, the Spright Liquid Mixed Tour,

517
00:28:14,920 --> 00:28:18,679
Speaker 1: and I think that was like two thousand two maybe

518
00:28:19,280 --> 00:28:22,159
Speaker 1: I think, you know what I mean. Nappy Roots was

519
00:28:22,280 --> 00:28:26,040
Speaker 1: on it, Tyler QUALLEYE Kanye was with Tyler Qualley. You

520
00:28:26,080 --> 00:28:28,560
Speaker 1: know what I'm saying. It was a beautiful tour. After that,

521
00:28:29,720 --> 00:28:32,080
Speaker 1: we were called to do the Wicked Wanka Tour and

522
00:28:32,480 --> 00:28:35,440
Speaker 1: it opened the juggalos up to me that I c

523
00:28:35,680 --> 00:28:40,840
Speaker 1: p started. Yeah yeah, yeah, yeah, yeah yeah. Now I

524
00:28:40,920 --> 00:28:43,840
Speaker 1: got some white My motherfucking dude, what the fund is that? Dude?

525
00:28:44,360 --> 00:28:47,720
Speaker 1: It looked like like donut like glaze or something. Yeah,

526
00:28:52,920 --> 00:28:56,640
Speaker 1: you know that. You know, I had to wash two it.

527
00:28:59,680 --> 00:29:05,120
Speaker 1: Let's be got blackbird right now, Jerry, wonder what talk

528
00:29:05,160 --> 00:29:06,840
Speaker 1: the bottom of all of the films at the bottom

529
00:29:06,880 --> 00:29:09,760
Speaker 1: of this is a real club. This is a real club.

530
00:29:10,040 --> 00:29:14,680
Speaker 1: This is where we started from this. Look, do remember

531
00:29:15,160 --> 00:29:17,360
Speaker 1: that roof out there is two million dollars. Let's make

532
00:29:17,400 --> 00:29:20,880
Speaker 1: some noise for that. Yeah, that wasn't here the last

533
00:29:20,880 --> 00:29:23,560
Speaker 1: time I was here. The first thing might not want

534
00:29:25,200 --> 00:29:28,520
Speaker 1: roof is on fire. Let's make a noise for blackbird.

535
00:29:31,920 --> 00:29:36,720
Speaker 1: But so so, now that's crazy because insane clown posse

536
00:29:37,400 --> 00:29:41,800
Speaker 1: just just mashing those two up. Like did you when

537
00:29:41,800 --> 00:29:43,760
Speaker 1: I went on that first tour, the you know what

538
00:29:43,760 --> 00:29:47,360
Speaker 1: I'm saying, wick relationship with them before, so I think

539
00:29:47,800 --> 00:29:55,240
Speaker 1: when from from Detroit, Okay, they have to Yeah, I

540
00:29:55,240 --> 00:30:00,200
Speaker 1: don't blow up dolls, yeah, ok yeah yeah, but uh

541
00:30:01,600 --> 00:30:03,520
Speaker 1: when I went on that tour the first day, man,

542
00:30:03,720 --> 00:30:06,840
Speaker 1: we were in Columbia. No, no, no, we was in Cleveland, Ohio.

543
00:30:08,040 --> 00:30:09,680
Speaker 1: I had never seen that show, and me and Travis

544
00:30:09,680 --> 00:30:11,280
Speaker 1: said on the start of the stage like, what the

545
00:30:11,480 --> 00:30:14,360
Speaker 1: fuck was throwing pop? And it was hiitting bitches in

546
00:30:14,440 --> 00:30:18,600
Speaker 1: the eye and then they was loving it. Yeah, shake

547
00:30:18,640 --> 00:30:27,640
Speaker 1: it up and yeah, yeah, yeah, everything I'm talking about.

548
00:30:27,640 --> 00:30:30,440
Speaker 1: But they always had a hard time getting shows in

549
00:30:30,520 --> 00:30:33,200
Speaker 1: certain places because of it. The venues used to have

550
00:30:33,320 --> 00:30:36,280
Speaker 1: to put up like plastic bags over all their ship

551
00:30:36,400 --> 00:30:38,680
Speaker 1: when they came. You know, it was that serious, you

552
00:30:38,720 --> 00:30:40,280
Speaker 1: know what I'm saying. I thought that was amazing, man,

553
00:30:40,360 --> 00:30:42,160
Speaker 1: you know what I mean. So we learned a lot

554
00:30:42,200 --> 00:30:43,920
Speaker 1: on that tour, you know what I'm saying. And that's

555
00:30:43,960 --> 00:30:48,960
Speaker 1: when the bond happened with the Juggalos. Now since then,

556
00:30:49,640 --> 00:30:58,400
Speaker 1: UM ships went on to where the guys thought. When

557
00:30:58,480 --> 00:31:05,520
Speaker 1: I was wing on ebro uh, Peter Rosenberg said something

558
00:31:05,760 --> 00:31:08,720
Speaker 1: they asked me about something about you know, you and

559
00:31:08,800 --> 00:31:10,120
Speaker 1: I c P are like the same. I'm like, no,

560
00:31:10,200 --> 00:31:12,920
Speaker 1: we're not the same. We're different, but we're connected, you know,

561
00:31:13,000 --> 00:31:20,640
Speaker 1: I'm sizzling. And the leaders of the I c P movement, Yeah, yeah,

562
00:31:22,160 --> 00:31:26,120
Speaker 1: they felt like I didn't say enough about the Juggalos,

563
00:31:26,320 --> 00:31:28,680
Speaker 1: like like I just said, like funk y'all. And I

564
00:31:28,800 --> 00:31:30,920
Speaker 1: never would, you know what I'm saying, because Tech nine

565
00:31:31,000 --> 00:31:32,720
Speaker 1: belongs to everybody, you know what I'm saying. It started

566
00:31:32,760 --> 00:31:35,240
Speaker 1: with the gangsters, and then the school kids, then the

567
00:31:35,280 --> 00:31:37,400
Speaker 1: college kids, then the metal heads and all that kind

568
00:31:37,400 --> 00:31:38,880
Speaker 1: of ship, and then the Juggalos. You know what, I'm

569
00:31:38,880 --> 00:31:42,960
Speaker 1: sizzling in Kansas City. So UM I never counted them

570
00:31:42,960 --> 00:31:47,080
Speaker 1: out because they helped build Tech nine, all the other

571
00:31:47,160 --> 00:31:50,000
Speaker 1: people that helped build all the technicians at the beginning,

572
00:31:50,040 --> 00:31:53,000
Speaker 1: you know what I'm sizzling, they helped build nine. Yeah yeah, yeah,

573
00:31:53,000 --> 00:31:57,080
Speaker 1: they're probably the story. But they were claiming me whole,

574
00:31:57,760 --> 00:32:00,800
Speaker 1: you know, saying technolog is ours. And they're mad at

575
00:32:00,840 --> 00:32:03,440
Speaker 1: me because they loved me, you know what I'm saying,

576
00:32:03,720 --> 00:32:06,840
Speaker 1: Like they felt like that when they if if your

577
00:32:06,960 --> 00:32:09,880
Speaker 1: leader says text not showing enough love, everybody's gonna say

578
00:32:09,920 --> 00:32:12,920
Speaker 1: fun Tech nine. And it turned against me, and uh,

579
00:32:13,280 --> 00:32:15,280
Speaker 1: you know, I got like a few death threats lately,

580
00:32:15,360 --> 00:32:18,440
Speaker 1: you know what I'm saying. Yeah, yeah, yeah, yeah, when

581
00:32:18,440 --> 00:32:19,960
Speaker 1: I was on the last tour, you know what I'm saying.

582
00:32:20,040 --> 00:32:23,640
Speaker 1: So we didn't do the recent gathering of the Juggalos

583
00:32:24,200 --> 00:32:26,040
Speaker 1: and we usually do it year after year, you know

584
00:32:26,080 --> 00:32:27,920
Speaker 1: what I'm saying. I even cut my price down to

585
00:32:27,960 --> 00:32:30,440
Speaker 1: do it because I love doing that for their motherfucker's

586
00:32:30,480 --> 00:32:32,520
Speaker 1: you know. So because of the death threats and all

587
00:32:32,560 --> 00:32:34,680
Speaker 1: that kind of ship, um, I didn't do it, and

588
00:32:35,040 --> 00:32:38,160
Speaker 1: they're mad. They're like, oh, he can do these fucking festivals,

589
00:32:38,320 --> 00:32:40,600
Speaker 1: but won't fucking come together. And you pupposed to be

590
00:32:40,680 --> 00:32:43,960
Speaker 1: a blood and you're scared of Juggalos. Now, it's not

591
00:32:44,080 --> 00:32:48,400
Speaker 1: about being scared, it's about being aware. I know what

592
00:32:48,480 --> 00:32:50,480
Speaker 1: happened to dine back Darrel and why you know what

593
00:32:50,520 --> 00:32:52,880
Speaker 1: I'm saying in Columbus, Ohio. You know what I'm saying

594
00:32:52,920 --> 00:32:56,560
Speaker 1: That that bullshit ask venue Alarosa Villa. You know what

595
00:32:56,600 --> 00:33:03,240
Speaker 1: I'm saying. But you cannot discount fanatic motherfucker's. Yeah, like

596
00:33:03,360 --> 00:33:09,240
Speaker 1: you're not talking my other fans. Yeah, they don't understand business.

597
00:33:09,240 --> 00:33:12,760
Speaker 1: You know, mother's motherfucker's will say that about people they

598
00:33:12,840 --> 00:33:15,560
Speaker 1: think are punks, like that nigga ain't tripping on it,

599
00:33:15,640 --> 00:33:17,959
Speaker 1: he's a bit and then getting smoke by that bit.

600
00:33:18,720 --> 00:33:21,960
Speaker 1: You can't discount nobody. So we didn't. We didn't do it,

601
00:33:22,520 --> 00:33:25,280
Speaker 1: you know what I'm saying. And there's kind of been

602
00:33:25,320 --> 00:33:29,320
Speaker 1: a wedge because of it and because of my fame,

603
00:33:29,520 --> 00:33:31,920
Speaker 1: my new fans. When you're doing this ship for so

604
00:33:32,080 --> 00:33:35,840
Speaker 1: long like I do, you're being it long enough to

605
00:33:36,000 --> 00:33:39,240
Speaker 1: become the enemy. You know what I'm saying. The hero

606
00:33:40,600 --> 00:33:42,920
Speaker 1: somehow becomes the enemy somehow, you know what I'm saying.

607
00:33:42,920 --> 00:33:46,720
Speaker 1: The outer So yeah, yeah, you know what I'm saying,

608
00:33:47,080 --> 00:33:49,520
Speaker 1: Because it all hard flicks. The hero has a downfall.

609
00:33:49,680 --> 00:33:51,720
Speaker 1: If you don't have a downfall, they want to create you.

610
00:33:51,880 --> 00:33:54,760
Speaker 1: Yeah yeah, yeah, so so so a lot of them

611
00:33:54,880 --> 00:33:57,640
Speaker 1: like fucking win't buy no more records. And I was like, well,

612
00:33:57,680 --> 00:33:59,560
Speaker 1: if you feel like that and then you do that,

613
00:34:00,160 --> 00:34:03,120
Speaker 1: you know what, I'm sizzling. But never have I done

614
00:34:03,240 --> 00:34:06,040
Speaker 1: anything wrong or said anything wrong, even on the song

615
00:34:06,600 --> 00:34:09,440
Speaker 1: when I had to address it, you know what I mean,

616
00:34:09,520 --> 00:34:11,879
Speaker 1: I just told the truth, you know, And you said

617
00:34:12,040 --> 00:34:15,000
Speaker 1: he started from what like, what was the miscommunication with

618
00:34:15,040 --> 00:34:20,560
Speaker 1: the I c P. What you mean said on interview? Yeah,

619
00:34:21,200 --> 00:34:24,320
Speaker 1: because the thing about it, and this is what I

620
00:34:24,400 --> 00:34:27,000
Speaker 1: gotta say about that, you know what I'm saying. I

621
00:34:27,080 --> 00:34:30,840
Speaker 1: don't think ebro Abril got love for me, but I

622
00:34:30,880 --> 00:34:32,759
Speaker 1: don't think he's really up on my music like that.

623
00:34:33,640 --> 00:34:35,920
Speaker 1: You know what I'm saying. I think movement or just

624
00:34:36,000 --> 00:34:38,080
Speaker 1: the music, the music, you know what I'm saying. He

625
00:34:38,239 --> 00:34:42,239
Speaker 1: just I think he because once before he say your

626
00:34:42,320 --> 00:34:44,640
Speaker 1: style is like dec and I'm like, no, it's not

627
00:34:44,800 --> 00:34:48,120
Speaker 1: like you know is my nigga? But no, we might

628
00:34:48,160 --> 00:34:50,279
Speaker 1: have this, you know what I'm saying. We we might

629
00:34:50,320 --> 00:34:52,120
Speaker 1: have the same chin here. But that's about it. And

630
00:34:52,160 --> 00:34:53,880
Speaker 1: I had to take that from me bro, and I'm like,

631
00:34:54,040 --> 00:34:56,080
Speaker 1: because I got love from him, like this nigga compared

632
00:34:56,120 --> 00:34:59,600
Speaker 1: to me to one more motherfucker. So when I went

633
00:34:59,680 --> 00:35:02,360
Speaker 1: in and because I'm Tech nine, my nigger, you know

634
00:35:02,360 --> 00:35:04,600
Speaker 1: what I'm saying, Like if you hear, if you hear,

635
00:35:05,280 --> 00:35:09,279
Speaker 1: like maybe he here's some kind of connection like can

636
00:35:09,360 --> 00:35:11,719
Speaker 1: that gang gang bang banger stuff. I don't know. You know,

637
00:35:12,040 --> 00:35:14,520
Speaker 1: I don't do that. That's I wouldn't take that from see.

638
00:35:14,560 --> 00:35:18,200
Speaker 1: You know what I'm saying. Yeah, sir, you know I'm saying.

639
00:35:18,200 --> 00:35:19,680
Speaker 1: So when he said that to me, I was kind

640
00:35:19,680 --> 00:35:21,399
Speaker 1: of like, you know, you can't say that to a rapper.

641
00:35:21,440 --> 00:35:23,600
Speaker 1: You know what I'm saying that you sound like a

642
00:35:23,760 --> 00:35:25,719
Speaker 1: duf c. You know you got your stuff from Douvec right,

643
00:35:25,760 --> 00:35:29,080
Speaker 1: I'm like, yeah, I love seeing the Mad Circle. Yes,

644
00:35:29,680 --> 00:35:32,239
Speaker 1: you know what I'm saying, but you know I'm Tech nine,

645
00:35:32,239 --> 00:35:33,560
Speaker 1: you know what I'm saying. That was the first time

646
00:35:33,600 --> 00:35:36,320
Speaker 1: he says something. Next time I came back, he compared

647
00:35:36,360 --> 00:35:38,480
Speaker 1: me to I c P. Now, when I was going

648
00:35:38,520 --> 00:35:41,640
Speaker 1: in there, I told my people, I said, I love you, bro,

649
00:35:41,840 --> 00:35:44,520
Speaker 1: but if this nigga can compare me to one more

650
00:35:44,560 --> 00:35:47,799
Speaker 1: mother cucker, I'm gonna let him have it. So when

651
00:35:47,840 --> 00:35:51,799
Speaker 1: he said, when Peter first kicked it off, Peter said,

652
00:35:52,160 --> 00:35:54,480
Speaker 1: your ship is like I c P meets something. I'm

653
00:35:54,480 --> 00:36:00,719
Speaker 1: like he would I think he knows, but he said

654
00:36:00,760 --> 00:36:02,879
Speaker 1: he knows more about Ritz. He's more of a rich fan.

655
00:36:03,600 --> 00:36:05,920
Speaker 1: You know what I'm saying. So when Peter said it,

656
00:36:07,120 --> 00:36:10,000
Speaker 1: I did like this, and then he bro continued with it.

657
00:36:10,120 --> 00:36:11,839
Speaker 1: So the icy P ship, you know what I'm saying,

658
00:36:11,880 --> 00:36:14,880
Speaker 1: tell us about that. I'm like, I was just like

659
00:36:14,960 --> 00:36:18,799
Speaker 1: a mother, Like, are you gonna compare me to another mother?

660
00:36:20,440 --> 00:36:24,160
Speaker 1: Nine nigger? Nobody raps like me? Nobody, But I don't

661
00:36:24,200 --> 00:36:26,800
Speaker 1: think they know that. I don't think they listen to Fragile.

662
00:36:27,239 --> 00:36:29,400
Speaker 1: Listen to Fragile. Some of the people appointed to give

663
00:36:29,400 --> 00:36:30,560
Speaker 1: an a pennic and never to get it. I wanted

664
00:36:30,560 --> 00:36:32,799
Speaker 1: to come up and jim me, that sounds like dove

665
00:36:32,880 --> 00:36:35,880
Speaker 1: see my name? What then are you talking about? Crazy?

666
00:36:35,960 --> 00:36:37,719
Speaker 1: Sounds like du see What then are you talking about?

667
00:36:37,760 --> 00:36:40,000
Speaker 1: He bro and I'm gonna have to see him after this?

668
00:36:40,120 --> 00:36:43,080
Speaker 1: And I don't give an I'm thinking was I was?

669
00:36:43,480 --> 00:36:47,680
Speaker 1: I was really beside myself when they because of the

670
00:36:47,760 --> 00:36:50,880
Speaker 1: d C ship the time before in New York and

671
00:36:50,920 --> 00:36:52,960
Speaker 1: then when I came back then they compared me to

672
00:36:53,000 --> 00:36:59,040
Speaker 1: another motherfucker. Sound was like, I know that as fuck y'all.

673
00:36:59,800 --> 00:37:01,640
Speaker 1: When it was really I was tripping with these niggas.

674
00:37:02,440 --> 00:37:03,640
Speaker 1: You know what I'm saying. They didn't know. I'm a

675
00:37:03,800 --> 00:37:05,600
Speaker 1: nice guy. Man, I'm a nice guy. But all you

676
00:37:05,719 --> 00:37:10,799
Speaker 1: say it's just I'm different from like like like I'm

677
00:37:10,840 --> 00:37:13,080
Speaker 1: on the incline, my nigga, you can't just say that

678
00:37:13,880 --> 00:37:15,920
Speaker 1: I'm other than motherfucker's you know what I'm saying, Like

679
00:37:16,440 --> 00:37:18,120
Speaker 1: niggers don't wrap like me. You know what I'm saying,

680
00:37:18,160 --> 00:37:22,480
Speaker 1: like Twister reps fast, fucking um bone thugs wrap fast

681
00:37:22,640 --> 00:37:25,719
Speaker 1: and the cruisial conflict and ludicrous and them and them

682
00:37:25,719 --> 00:37:27,120
Speaker 1: and all them, but none of them sound like me,

683
00:37:27,280 --> 00:37:28,920
Speaker 1: my nigga. You know what I'm saying, that's all we

684
00:37:29,000 --> 00:37:31,239
Speaker 1: have in common, Like niggas get you know, I say,

685
00:37:33,480 --> 00:37:36,520
Speaker 1: that's all we have a guy. Nobody has their face painted,

686
00:37:36,600 --> 00:37:39,120
Speaker 1: but I CP you know, and that's that's a comparison.

687
00:37:39,200 --> 00:37:41,000
Speaker 1: But I've been to kill it clowns and sucking ninety

688
00:37:41,080 --> 00:37:43,120
Speaker 1: four before I knew who they were, you know, to

689
00:37:43,160 --> 00:37:46,080
Speaker 1: explain that to the boss, to the jego boss, like

690
00:37:46,160 --> 00:37:48,480
Speaker 1: my nigga, I've gotta give you a tech nine. Listen,

691
00:37:49,320 --> 00:37:52,960
Speaker 1: don't go on fucking no. They were don't hunt nine

692
00:37:53,000 --> 00:37:55,319
Speaker 1: seven like check nine. That's what started the whole ship

693
00:37:58,760 --> 00:38:03,840
Speaker 1: because of that, That's what I think Peter and repawned

694
00:38:03,880 --> 00:38:09,000
Speaker 1: into that to that your interview on there, yeah yeah,

695
00:38:09,680 --> 00:38:14,680
Speaker 1: yeah yeah. And my brother Chris kind of showing me

696
00:38:14,760 --> 00:38:16,400
Speaker 1: on the on the last two and I'm looking at

697
00:38:16,880 --> 00:38:20,080
Speaker 1: they're saying all the wrong things like yeah, like we

698
00:38:20,200 --> 00:38:21,960
Speaker 1: took shipped from them and all that kind of ship.

699
00:38:22,000 --> 00:38:26,719
Speaker 1: And I'm like a nigger that tries his best to

700
00:38:26,880 --> 00:38:29,759
Speaker 1: do his own thing, and motherfucker's a point in the finger,

701
00:38:29,840 --> 00:38:32,520
Speaker 1: like you bit something. Are you fucking crazy, my nigga,

702
00:38:33,400 --> 00:38:37,160
Speaker 1: Are you crazy? Yeah, we've seen your fucking uh merch

703
00:38:37,320 --> 00:38:38,879
Speaker 1: on your tour and we're like, yeah, we gotta step

704
00:38:38,920 --> 00:38:43,279
Speaker 1: our game up. Okay. They said I wouldn't painting my

705
00:38:43,320 --> 00:38:45,040
Speaker 1: face until I got on the tour. I'm like, no,

706
00:38:45,280 --> 00:38:48,120
Speaker 1: my nigga, I was painting in the night four I

707
00:38:48,200 --> 00:38:51,680
Speaker 1: met you. Mother's in two thousand three that I was mad,

708
00:38:51,760 --> 00:38:54,200
Speaker 1: but I was I kept my cool because mother fucker's

709
00:38:54,239 --> 00:38:55,759
Speaker 1: always want to point the finger at you, like you

710
00:38:55,920 --> 00:38:58,520
Speaker 1: did something you did the hero all this and after

711
00:38:58,600 --> 00:39:01,040
Speaker 1: all the time. If if I wasn't in the game

712
00:39:01,200 --> 00:39:03,719
Speaker 1: this long, motherfucker's would not be able to say, I

713
00:39:03,760 --> 00:39:05,879
Speaker 1: don't like the new ship. The old ship is the best.

714
00:39:06,400 --> 00:39:09,480
Speaker 1: You know what I'm saying. You know, were probably the

715
00:39:09,560 --> 00:39:13,640
Speaker 1: only act of doing fucking records from the nineties for

716
00:39:13,719 --> 00:39:15,960
Speaker 1: our fans. You know what I'm saying. I go to

717
00:39:16,120 --> 00:39:17,719
Speaker 1: Drake Show, I don't hear. I just want to be

718
00:39:18,000 --> 00:39:22,439
Speaker 1: like says, I don't hear that they're doing this new ship.

719
00:39:24,320 --> 00:39:27,000
Speaker 1: We go back for the new fans and the old fans.

720
00:39:27,080 --> 00:39:29,040
Speaker 1: My nigga. You know what we've been in this motherfucker

721
00:39:29,360 --> 00:39:34,520
Speaker 1: nigga nigga. So when somebody points the finger at you

722
00:39:34,640 --> 00:39:37,560
Speaker 1: and you'd be like, huh So I wasn't tripping with

723
00:39:37,600 --> 00:39:39,879
Speaker 1: the Juggalos. They was just mad that I didn't say

724
00:39:39,880 --> 00:39:42,680
Speaker 1: more because I was already tripping to these niggas compared

725
00:39:42,719 --> 00:39:46,520
Speaker 1: me to somebody else understandable, Yeah, yeah, I hadn't never

726
00:39:46,600 --> 00:39:50,440
Speaker 1: knew none of this brand new, brand new. This is crazy.

727
00:39:51,000 --> 00:39:52,839
Speaker 1: Can you explain for people who are listening to us

728
00:39:52,840 --> 00:39:54,839
Speaker 1: and watch you know why you started to paint your face?

729
00:39:55,960 --> 00:39:58,640
Speaker 1: There was a myth in Kansas City when we were

730
00:39:58,760 --> 00:40:02,520
Speaker 1: kids that it was a thing called the Killer Clown

731
00:40:03,080 --> 00:40:07,160
Speaker 1: that drove a yellow van. The kidnapped kids and they

732
00:40:07,160 --> 00:40:12,320
Speaker 1: would disappear. Scared the funk out of us in grade school.

733
00:40:13,400 --> 00:40:15,560
Speaker 1: It lasted all the way through high school. My nigger,

734
00:40:15,920 --> 00:40:18,960
Speaker 1: the legend of the Killer Clown nigger. When I started

735
00:40:18,960 --> 00:40:27,799
Speaker 1: getting into wrap, I wanted that mystique because bit just like, oh,

736
00:40:27,880 --> 00:40:29,919
Speaker 1: Aaron is so cute and he's trying to wrap. I said,

737
00:40:29,920 --> 00:40:31,360
Speaker 1: I'm gonna cover my face up with the bit and

738
00:40:31,480 --> 00:40:33,080
Speaker 1: let you hear what I'm saying. You know what I'm saying.

739
00:40:33,360 --> 00:40:35,360
Speaker 1: I sucked my hair up and I had Curly Curly here.

740
00:40:35,400 --> 00:40:38,280
Speaker 1: I had the box with the kwam a Street everything,

741
00:40:39,960 --> 00:40:42,279
Speaker 1: all that ship I just fucked up and like like, okay,

742
00:40:42,320 --> 00:40:44,160
Speaker 1: y'all looking at how I look. Bit, listen to what

743
00:40:44,200 --> 00:40:46,880
Speaker 1: I'm saying. I said, you know that, So that was

744
00:40:46,960 --> 00:40:48,839
Speaker 1: my whole thing, you know, saying, become the Killer Clown.

745
00:40:49,120 --> 00:40:52,160
Speaker 1: I'm you know, I'm Michael Myers lyrically, you know what

746
00:40:52,200 --> 00:40:54,600
Speaker 1: I'm saying. And all that ship came together and ninety

747
00:40:54,640 --> 00:40:57,520
Speaker 1: four of my best friend, Brian Dennis rested, so he

748
00:40:57,600 --> 00:41:02,239
Speaker 1: got killed back in seven, Um he painted my face

749
00:41:02,320 --> 00:41:05,439
Speaker 1: in ninety four. Oh it was his idea. Yeah yeah,

750
00:41:05,560 --> 00:41:07,719
Speaker 1: yeah yeah, And I was like, because he knew about

751
00:41:07,719 --> 00:41:09,480
Speaker 1: my killer Clown. I had a song called Killer Clown

752
00:41:09,520 --> 00:41:11,400
Speaker 1: and all that kind of thing, and I became the

753
00:41:11,480 --> 00:41:15,200
Speaker 1: killer clown you know before you were painting your face

754
00:41:15,360 --> 00:41:17,840
Speaker 1: or yeah yeah yeah, and then he started he started.

755
00:41:17,920 --> 00:41:20,080
Speaker 1: Yeah yeah, My first round was in eighty five. You know,

756
00:41:20,160 --> 00:41:21,600
Speaker 1: so you're painted my face at night four. You know

757
00:41:21,640 --> 00:41:23,960
Speaker 1: what I'm saying. I was Technine was starting. You know

758
00:41:23,960 --> 00:41:25,840
Speaker 1: what I'm saying. It was up and running. You know

759
00:41:25,840 --> 00:41:27,359
Speaker 1: what I'm saying. I had my first deal of ninety three,

760
00:41:27,480 --> 00:41:29,400
Speaker 1: all that kind of ship. So you like dedicating it

761
00:41:29,480 --> 00:41:31,839
Speaker 1: to him now but still doing it. Oh yes, yes, yes,

762
00:41:31,920 --> 00:41:35,200
Speaker 1: it was always a dedication to Brian Beaesel, Dennis Man.

763
00:41:35,280 --> 00:41:37,520
Speaker 1: You know what I'm saying. Yeah, yeah, yeah and U.

764
00:41:38,320 --> 00:41:45,040
Speaker 1: And it's like motherfucker's saying that you took it from

765
00:41:45,120 --> 00:41:47,680
Speaker 1: somebody else. I mean, you took it like you got

766
00:41:47,800 --> 00:41:51,799
Speaker 1: you got your idea from somebody else. That's that's that's

767
00:41:51,840 --> 00:41:53,360
Speaker 1: fucked up, you know what I'm saying. And that's what

768
00:41:53,560 --> 00:41:59,600
Speaker 1: that's what Peter Rosenberger and uh hebro started and it

769
00:41:59,680 --> 00:42:02,880
Speaker 1: started it a lot of ship with me and I

770
00:42:03,000 --> 00:42:06,000
Speaker 1: c PO. They probably don't even know. They probably just

771
00:42:06,280 --> 00:42:09,640
Speaker 1: getting you know, tell about theory. No, it's about EB. Yeah,

772
00:42:09,800 --> 00:42:11,560
Speaker 1: I'm talking about they pably didn't even know it. Just

773
00:42:11,600 --> 00:42:16,360
Speaker 1: probably gonna find out M. So you think you'll be

774
00:42:16,440 --> 00:42:18,480
Speaker 1: able to mend it with i CP at some point

775
00:42:18,920 --> 00:42:21,320
Speaker 1: we did better? Yeah, we did better. You know what

776
00:42:21,320 --> 00:42:22,719
Speaker 1: I'm saying. It's like we've been about it. You know

777
00:42:22,719 --> 00:42:28,120
Speaker 1: I'm saying I called nigga. Oh yeah, yeah, ok, yeah, yeah.

778
00:42:28,600 --> 00:42:30,000
Speaker 1: They wanted me at together and you know what I'm saying.

779
00:42:30,000 --> 00:42:31,839
Speaker 1: They don't understand, like, oh, but he would do these

780
00:42:32,120 --> 00:42:34,040
Speaker 1: fucking E D M fest but he won't. He didn't

781
00:42:34,040 --> 00:42:37,759
Speaker 1: do together and check I'm like nigger. So it's because

782
00:42:37,760 --> 00:42:39,319
Speaker 1: I didn't do this one because the death threats don't

783
00:42:39,360 --> 00:42:41,640
Speaker 1: mean I won't do it again. Like it now, what's

784
00:42:41,680 --> 00:42:49,839
Speaker 1: your relationship with E forty? My family? By that, that's

785
00:42:49,880 --> 00:42:51,640
Speaker 1: my family, you know what I'm saying. And when I

786
00:42:51,840 --> 00:42:54,160
Speaker 1: just say it's my family, I didn't find out that

787
00:42:54,239 --> 00:42:57,959
Speaker 1: was my family to a recent family. All these years,

788
00:42:59,760 --> 00:43:06,200
Speaker 1: all these yeah, all these years I've been doing work

789
00:43:06,239 --> 00:43:10,160
Speaker 1: with forty, doing music. He's a cool cat whenever whenever

790
00:43:10,440 --> 00:43:12,440
Speaker 1: I'm up there, he showed up whenever he comes to

791
00:43:12,520 --> 00:43:15,360
Speaker 1: Kansas City. You know what I'm saying, I'm asking this

792
00:43:15,480 --> 00:43:21,080
Speaker 1: one together. But we've always been connected. We've been on

793
00:43:21,160 --> 00:43:26,960
Speaker 1: tour together everything, Like two tours ago. This motherfucker called

794
00:43:27,040 --> 00:43:30,399
Speaker 1: me like, hey, how you doing tech. I'm like, what's up? Man?

795
00:43:30,640 --> 00:43:32,320
Speaker 1: He said, put some on the phone. He put my

796
00:43:32,440 --> 00:43:36,000
Speaker 1: cousin Christopher on the phone, who we used to live

797
00:43:36,040 --> 00:43:38,319
Speaker 1: in the same house and Casey and when my mom

798
00:43:38,520 --> 00:43:42,040
Speaker 1: was in a battered relationship, we live out in case

799
00:43:42,239 --> 00:43:44,359
Speaker 1: Kansas City, Kansas with them. You know, she's running from

800
00:43:44,400 --> 00:43:47,440
Speaker 1: her boyfriend, you know, saying like that little Christopher. You know,

801
00:43:47,840 --> 00:43:49,719
Speaker 1: I said, what you doing with a forty? He said,

802
00:43:49,760 --> 00:43:53,000
Speaker 1: Dante's that's our family. You didn't know that all these years.

803
00:43:53,040 --> 00:43:57,759
Speaker 1: I'm like, no, nigga, you didn't tell me either. Yeah,

804
00:43:58,040 --> 00:44:01,640
Speaker 1: he was at the house, so he knew for years that, y'all.

805
00:44:03,800 --> 00:44:07,600
Speaker 1: I just got so when he found out because he

806
00:44:07,640 --> 00:44:09,640
Speaker 1: went to a family's house in the Midwest. You know

807
00:44:09,640 --> 00:44:11,800
Speaker 1: what I'm saying, and it happened to be my family.

808
00:44:12,920 --> 00:44:14,439
Speaker 1: He got back on the phone. I said, no wonder,

809
00:44:14,440 --> 00:44:17,840
Speaker 1: I like your punk as motherfuck crazy. He's not, no,

810
00:44:19,920 --> 00:44:23,799
Speaker 1: you know, yeah crazy. So what do y'all like third

811
00:44:23,880 --> 00:44:28,440
Speaker 1: cousins stuff like that? Yeah, but that's cousins so crazy.

812
00:44:28,520 --> 00:44:30,080
Speaker 1: Same thing with Nellie Man. You know I'm saying, my

813
00:44:30,600 --> 00:44:35,400
Speaker 1: great grandmother's name is Maud Haynes. Yeah. Yeah, So when

814
00:44:35,440 --> 00:44:37,480
Speaker 1: Higgins was talking bad about him, I'm like, don't talk

815
00:44:37,520 --> 00:44:40,040
Speaker 1: to me about it. Don't talk about you know, because

816
00:44:40,160 --> 00:44:44,920
Speaker 1: him and carress One had somewhere like yeah, don't think

817
00:44:45,080 --> 00:44:48,520
Speaker 1: nobody didn't know how you and side. You can't just

818
00:44:48,600 --> 00:44:53,319
Speaker 1: get over that. I'm saying, this is the mid West.

819
00:44:54,440 --> 00:44:58,840
Speaker 1: You know when I when I went to So I

820
00:44:58,960 --> 00:45:01,320
Speaker 1: went to a family union years ago, and all the

821
00:45:01,560 --> 00:45:03,680
Speaker 1: Haynes family was there. You know what I'm saying, That's

822
00:45:03,680 --> 00:45:05,160
Speaker 1: how I found out that we're connected. You know what

823
00:45:05,200 --> 00:45:10,120
Speaker 1: I'm saying through my uh my Auntie, um ain't Margared

824
00:45:10,400 --> 00:45:14,440
Speaker 1: and Red and Lamont and all the motherfucker's all my cousins.

825
00:45:14,480 --> 00:45:16,520
Speaker 1: Just like that's the hand side of the family. You

826
00:45:16,560 --> 00:45:18,520
Speaker 1: know what I'm saying. I don't like damn Cornell Haynes

827
00:45:19,480 --> 00:45:24,919
Speaker 1: and you know the Funnies ship is um I don't

828
00:45:24,920 --> 00:45:28,320
Speaker 1: got an awesome story like that, Like all old stories

829
00:45:28,440 --> 00:45:30,360
Speaker 1: is awesome. I gotta, I gotta, I gotta, I gotta

830
00:45:31,120 --> 00:45:34,520
Speaker 1: like a local story like it was like like a dude,

831
00:45:34,520 --> 00:45:37,359
Speaker 1: I got wrong with the hood for years and left

832
00:45:37,719 --> 00:45:40,040
Speaker 1: and left Rack, But man, Bobby were going to the

833
00:45:40,080 --> 00:45:42,400
Speaker 1: family union. I'm like, what are you doing here? You're like,

834
00:45:42,480 --> 00:45:46,839
Speaker 1: what are you doing here? Ship? And the whole time,

835
00:45:46,880 --> 00:45:48,440
Speaker 1: I know for twenty years to think it was my

836
00:45:48,520 --> 00:45:51,320
Speaker 1: cousin and I did not know that happens like that.

837
00:45:51,600 --> 00:46:03,279
Speaker 1: But but your stories wait more awesome? What I got

838
00:46:03,360 --> 00:46:08,439
Speaker 1: on you? Look tech? I don't know if you see

839
00:46:08,440 --> 00:46:11,279
Speaker 1: how I'm doing it. One is the pure wales will left,

840
00:46:11,960 --> 00:46:18,920
Speaker 1: and then one is the more Yeah, I'll put mine

841
00:46:18,960 --> 00:46:21,800
Speaker 1: over there. I'm I'm gonna hear some of that Prejude

842
00:46:22,960 --> 00:46:26,520
Speaker 1: I was about the Ashal line. Yeah, son to drink it.

843
00:46:26,800 --> 00:46:29,000
Speaker 1: I don't know if you know, um, Yeah, I'm possible

844
00:46:29,080 --> 00:46:32,160
Speaker 1: to go. The whole whole is preaching right now that

845
00:46:32,480 --> 00:46:35,360
Speaker 1: black should support black. And when he says black, he

846
00:46:35,440 --> 00:46:39,160
Speaker 1: doesn't mean me, he means Latino. He means he meets

847
00:46:39,200 --> 00:46:41,120
Speaker 1: white people too. He meets people off the culture like

848
00:46:41,239 --> 00:46:44,040
Speaker 1: hip hops and support hip hop. People need each other

849
00:46:44,320 --> 00:46:48,879
Speaker 1: to help each other up, and that's what because that's

850
00:46:48,920 --> 00:46:52,440
Speaker 1: what that's that's what idiotic supremacis and all the motherckers

851
00:46:52,440 --> 00:46:55,279
Speaker 1: don't understand that we need each other. You know what,

852
00:46:55,280 --> 00:47:00,440
Speaker 1: I'm sizzling see that you're going on right now? Yeah, Virginia,

853
00:47:00,480 --> 00:47:07,400
Speaker 1: isn't it Virginia? Virginia? Yeah? Ran over somebody, right, ran

854
00:47:07,480 --> 00:47:11,360
Speaker 1: over some people clashing in the streets and yeah, racial

855
00:47:11,440 --> 00:47:14,759
Speaker 1: ship looking crazy, like all the white supremacis groups got together. Yeah,

856
00:47:15,600 --> 00:47:18,200
Speaker 1: that's crazy. Somebody somebody sparked that ship. You know what

857
00:47:18,239 --> 00:47:20,680
Speaker 1: I'm saying when they said let's make America great again?

858
00:47:20,760 --> 00:47:25,959
Speaker 1: You know what. David was out there and he said,

859
00:47:26,040 --> 00:47:28,759
Speaker 1: and that's always we're living up Trump's ship, that's what

860
00:47:28,840 --> 00:47:30,960
Speaker 1: he said. He said, what he said something like that,

861
00:47:31,120 --> 00:47:35,399
Speaker 1: like you we live in this is Trump's wishes, Trump's dream. Yeah,

862
00:47:35,520 --> 00:47:37,480
Speaker 1: like to you know, make America white again? Was that

863
00:47:39,840 --> 00:47:44,200
Speaker 1: that's I mean trying to say that. Yeah, that's what

864
00:47:44,280 --> 00:47:47,719
Speaker 1: it's called. The rallies called put together the right or

865
00:47:47,800 --> 00:47:54,120
Speaker 1: something like that. Right something, come on, it's called right,

866
00:47:54,360 --> 00:48:00,560
Speaker 1: it's called hold on something like it's for the right. Yeah,

867
00:48:00,719 --> 00:48:04,120
Speaker 1: because one of the books right right to you what

868
00:48:04,640 --> 00:48:09,200
Speaker 1: right right to the right? Unite so it's like, ah,

869
00:48:09,640 --> 00:48:12,760
Speaker 1: what they really mean. You know, they don't know unite

870
00:48:12,800 --> 00:48:15,200
Speaker 1: the right and they're changing White lives lives matter, that's

871
00:48:15,200 --> 00:48:19,600
Speaker 1: what matter this case. It's just to counter Black lives matter.

872
00:48:19,719 --> 00:48:22,080
Speaker 1: And everybody wants to be the chosen one. Everybody wants

873
00:48:22,120 --> 00:48:25,040
Speaker 1: to be God's chosen you know what I mean. And

874
00:48:25,160 --> 00:48:28,000
Speaker 1: it's like we're all human beings and ship. You know,

875
00:48:28,160 --> 00:48:32,360
Speaker 1: somebody's man created barriers, man created you know what I'm saying,

876
00:48:32,600 --> 00:48:35,840
Speaker 1: like things that hold Black people should listen to this

877
00:48:35,960 --> 00:48:38,160
Speaker 1: kind of music, and white people should listen to metal

878
00:48:38,400 --> 00:48:41,080
Speaker 1: and and um, you know what I'm saying. Latino people

879
00:48:41,080 --> 00:48:43,560
Speaker 1: should listen to this kind of music. But you know,

880
00:48:43,840 --> 00:48:47,040
Speaker 1: when everything's integrated, its beautiful. Some people, a lot of

881
00:48:47,080 --> 00:48:50,799
Speaker 1: people don't want that. I love growing up in New York. Yeah,

882
00:48:50,960 --> 00:48:53,840
Speaker 1: I had a white person on my flaw, a Haitian

883
00:48:53,840 --> 00:48:57,319
Speaker 1: person on my flaw. Yeah person on my flaw. Yeah,

884
00:48:57,400 --> 00:49:01,680
Speaker 1: I had another white couple downstairs. Like we grew up

885
00:49:01,719 --> 00:49:05,160
Speaker 1: in every if you like from real New York, you

886
00:49:05,280 --> 00:49:08,680
Speaker 1: can't be racist exactly. It's like you grew up to

887
00:49:08,840 --> 00:49:12,800
Speaker 1: around too many people of every race and you realize

888
00:49:12,840 --> 00:49:16,080
Speaker 1: early on that you can't blame that person for that race.

889
00:49:16,719 --> 00:49:19,959
Speaker 1: It's just that person is a dick. You can't blame

890
00:49:20,000 --> 00:49:22,279
Speaker 1: his whole race from that. Like you can't just meet

891
00:49:22,320 --> 00:49:26,479
Speaker 1: the person to say he's Columbia, he loves a sniff coke,

892
00:49:27,239 --> 00:49:42,359
Speaker 1: you blame he's back. You can't. Just like it's more

893
00:49:42,440 --> 00:49:44,319
Speaker 1: divided in the middleway. I feel like, because if you're

894
00:49:44,320 --> 00:49:48,000
Speaker 1: looking at the coast, but see more integrated in terms

895
00:49:48,040 --> 00:49:51,120
Speaker 1: of like different cultures. But in the Midwest, it seems,

896
00:49:51,120 --> 00:49:52,480
Speaker 1: you know, I don't know, you get to Middle America,

897
00:49:52,560 --> 00:49:55,080
Speaker 1: that's the Maybe it's just ignorance of mine, but it

898
00:49:55,080 --> 00:49:58,120
Speaker 1: seems like Middle America is just more separated in terms

899
00:49:58,160 --> 00:50:03,480
Speaker 1: of racial divide. Well diversity, Well, it's it's diverse as

900
00:50:03,560 --> 00:50:08,280
Speaker 1: hell states bringing in like literally the people. Be honest.

901
00:50:08,880 --> 00:50:10,919
Speaker 1: When I listened to camp, when I hear Kansas City,

902
00:50:11,000 --> 00:50:14,600
Speaker 1: it does sound racist in my mind, Like it sounds

903
00:50:14,640 --> 00:50:16,560
Speaker 1: like somebody canna call me a nigger. I know where

904
00:50:16,560 --> 00:50:19,479
Speaker 1: I'm at. I know where I'm at. When Garth Brooks

905
00:50:19,600 --> 00:50:22,640
Speaker 1: can come to Kansas City and do ten sold out

906
00:50:22,680 --> 00:50:26,279
Speaker 1: shows at the Sprint Center, Sprint Center, Sprint Center holes

907
00:50:26,400 --> 00:50:29,440
Speaker 1: like uh Sprint Center, holes like twenty thod maybe I

908
00:50:29,480 --> 00:50:32,960
Speaker 1: don't know, maybe morelos out there kicking ass. What the

909
00:50:33,680 --> 00:50:36,840
Speaker 1: ten shows so that we know where you're at. You

910
00:50:36,880 --> 00:50:38,400
Speaker 1: know what I'm saying it to change them. Come. You

911
00:50:38,440 --> 00:50:39,880
Speaker 1: know what I'm saying it don't sell out. You know

912
00:50:39,880 --> 00:50:42,160
Speaker 1: what I mean, Wayne coming, don't sell out. There to

913
00:50:42,200 --> 00:50:44,960
Speaker 1: be a lot of people. You know what I'm saying. Um,

914
00:50:45,800 --> 00:50:47,960
Speaker 1: it's just let you know where you're at. Wow, you

915
00:50:48,040 --> 00:50:50,399
Speaker 1: know what I'm saying. But it's all types of people there.

916
00:50:50,840 --> 00:50:54,200
Speaker 1: But Guard Brooks can come there and sell out ten shows.

917
00:50:55,200 --> 00:50:59,040
Speaker 1: There's lots of lots of people. But other people like

918
00:50:59,400 --> 00:51:04,600
Speaker 1: Brooks that out there. Yeah, yeah, yeah, I know where

919
00:51:04,640 --> 00:51:07,000
Speaker 1: I'm at. You know what I'm saying. So what was

920
00:51:07,040 --> 00:51:10,840
Speaker 1: the best year? This is the thing. I did my

921
00:51:10,920 --> 00:51:15,080
Speaker 1: biggest show ever. Remember I said the biggest one was

922
00:51:15,120 --> 00:51:20,280
Speaker 1: like sixty people in Denmark. I did my biggest show

923
00:51:20,960 --> 00:51:24,439
Speaker 1: in my city when I did rock Fast year after

924
00:51:25,040 --> 00:51:29,640
Speaker 1: year before last, seventy people in my town. Man, and

925
00:51:29,800 --> 00:51:31,960
Speaker 1: the radio station was behind me like tech, this is

926
00:51:32,040 --> 00:51:33,360
Speaker 1: for you man, you know what I'm saying. Because I

927
00:51:33,440 --> 00:51:35,759
Speaker 1: was getting a lot of pushback like we don't want you.

928
00:51:35,840 --> 00:51:38,680
Speaker 1: Go on YouTube and see where they have all the

929
00:51:38,800 --> 00:51:41,359
Speaker 1: comments for all the artists that will come there coming.

930
00:51:41,400 --> 00:51:43,120
Speaker 1: You know it was me, it was Papa Road, she

931
00:51:43,280 --> 00:51:46,959
Speaker 1: was um Rob Zombie. You know. It was rock fast.

932
00:51:47,040 --> 00:51:50,120
Speaker 1: You know I'm sizzling. So it's like, uh, a lot

933
00:51:50,200 --> 00:51:52,080
Speaker 1: of people were on them comments. I read them too,

934
00:51:52,360 --> 00:51:54,080
Speaker 1: and they hurt. You know what I'm saying, like, we

935
00:51:54,160 --> 00:51:57,360
Speaker 1: don't this ain't hip hop fest. This is rock fast.

936
00:51:58,719 --> 00:52:00,560
Speaker 1: You know Tech nine is gonna bring all the fucking

937
00:52:00,640 --> 00:52:03,759
Speaker 1: black people there. I stopped me in the comments. I

938
00:52:03,800 --> 00:52:06,400
Speaker 1: know my people that strengths been telling me that you

939
00:52:06,480 --> 00:52:08,680
Speaker 1: gotta stop because I can see when you said that

940
00:52:08,719 --> 00:52:11,160
Speaker 1: he was dead man. It gives me a fuel. It

941
00:52:11,239 --> 00:52:13,880
Speaker 1: gives me a fuel. It gives me, It gives me fuel.

942
00:52:13,960 --> 00:52:19,880
Speaker 1: So you know, oh man, it ain't nothing worse than

943
00:52:19,960 --> 00:52:24,160
Speaker 1: world Star Star hip hop for med star hip hop.

944
00:52:24,239 --> 00:52:27,879
Speaker 1: For me, it's worse than YouTube, Oh my god star

945
00:52:28,040 --> 00:52:31,399
Speaker 1: be like funk that Niggy corny, you know, like damn yeah,

946
00:52:31,440 --> 00:52:36,800
Speaker 1: you definitely like I'm corny. I don't think it's a

947
00:52:36,840 --> 00:52:41,840
Speaker 1: face past Instagram commics. I just I just when I

948
00:52:41,920 --> 00:52:45,920
Speaker 1: was reading the com rock Fest before I did it,

949
00:52:46,920 --> 00:52:49,919
Speaker 1: motherfucker's didn't want me there, Like what is he doing

950
00:52:50,760 --> 00:52:53,520
Speaker 1: at rock Fest? This is a rapper. They didn't understand

951
00:52:53,520 --> 00:52:56,160
Speaker 1: that I did not fest with fucking slip Knot before,

952
00:52:56,200 --> 00:52:58,080
Speaker 1: and I did other ship with Rob Zombie before, and

953
00:52:58,080 --> 00:53:00,520
Speaker 1: I didn't work with Search talking of since him other down.

954
00:53:00,520 --> 00:53:02,480
Speaker 1: They don't know I did a song with the Doors

955
00:53:02,560 --> 00:53:04,799
Speaker 1: before Raymond's Eric died. They don't know all that. They

956
00:53:04,920 --> 00:53:09,000
Speaker 1: just nigga red gang bangers, you know what I'm saying.

957
00:53:09,080 --> 00:53:10,799
Speaker 1: That's how they saw. And that's like all the game

958
00:53:10,840 --> 00:53:13,640
Speaker 1: bangers gonna be. We're not going this year funk that

959
00:53:13,840 --> 00:53:17,479
Speaker 1: and don't have techno. He does not belong Kansas City,

960
00:53:18,040 --> 00:53:23,040
Speaker 1: in my hometown. So the rock they knew about all this.

961
00:53:23,239 --> 00:53:26,040
Speaker 1: They knew that people were saying this. And Johnny Dare

962
00:53:26,320 --> 00:53:28,800
Speaker 1: the motherfucker that made it happen, one of them, the

963
00:53:28,960 --> 00:53:33,840
Speaker 1: big radio guys there. He was like, um, he almost

964
00:53:33,880 --> 00:53:35,120
Speaker 1: had tears in his eyes when I was about to

965
00:53:35,120 --> 00:53:37,040
Speaker 1: go on. He knew. He's like tech this for you, man.

966
00:53:37,080 --> 00:53:38,560
Speaker 1: I was like, don't do this to me right now. Man,

967
00:53:38,560 --> 00:53:40,640
Speaker 1: I'm gonna go out and kill this bitch. And then

968
00:53:40,760 --> 00:53:44,080
Speaker 1: motherfucker's lit up nigga all seventy thousand. I have my

969
00:53:44,160 --> 00:53:48,000
Speaker 1: band with me. We tore down everything nigga tore down everything.

970
00:53:48,080 --> 00:53:50,520
Speaker 1: Papa Roach was right there, and nigga Rob Zombie was

971
00:53:50,560 --> 00:53:53,040
Speaker 1: over there. Seven Dust was up there. You know what

972
00:53:53,040 --> 00:54:01,239
Speaker 1: I'm saying. Everybody was watching this yo town. Yes, and

973
00:54:01,320 --> 00:54:05,680
Speaker 1: I was doing this because I never liked barriers. My nigger.

974
00:54:06,239 --> 00:54:09,600
Speaker 1: We can't do this because we're black. We can't go here.

975
00:54:09,680 --> 00:54:11,760
Speaker 1: We used to couldn't drink out of a fountain because

976
00:54:11,840 --> 00:54:15,040
Speaker 1: it was all white fountain funk. That nigga, you know, saying.

977
00:54:15,080 --> 00:54:17,560
Speaker 1: We need each other to help each other up. So

978
00:54:18,920 --> 00:54:22,600
Speaker 1: we do rock Fast, We do summer Jam with Kanye

979
00:54:22,840 --> 00:54:25,560
Speaker 1: and motherfucking l A. You know what I'm saying. We

980
00:54:25,760 --> 00:54:31,600
Speaker 1: do uh adim Fast with Excision and all the motherfucker's.

981
00:54:37,320 --> 00:54:40,399
Speaker 1: I haven't took Molly on show. I'm trying. I'm trying

982
00:54:40,440 --> 00:54:41,680
Speaker 1: to go, but I want to be in the idiom

983
00:54:41,760 --> 00:54:48,840
Speaker 1: I want. I can't take. I got Mr Theys, I

984
00:54:49,160 --> 00:54:56,040
Speaker 1: can come Mr Mr Molly. Yea, let's right back into

985
00:54:56,680 --> 00:54:59,759
Speaker 1: After I performed in Fast, all the comments changed, like wow,

986
00:55:00,280 --> 00:55:14,680
Speaker 1: Tech nine made us see, oh yeah, you're now part

987
00:55:14,719 --> 00:55:19,759
Speaker 1: of the pretty game. There was a lot of people

988
00:55:19,760 --> 00:55:26,000
Speaker 1: who admitted that part of the say because it's like

989
00:55:26,280 --> 00:55:29,400
Speaker 1: my fuel for what I rap about. You know what

990
00:55:29,440 --> 00:55:32,279
Speaker 1: I'm saying, And I need to see what motherfucker's is

991
00:55:32,360 --> 00:55:34,640
Speaker 1: saying because I'm still trying to stay afloat my you

992
00:55:34,680 --> 00:55:35,800
Speaker 1: know what I'm saying. But I do what I do.

993
00:55:36,400 --> 00:55:38,880
Speaker 1: I'm not doing it for nobody else. I just know

994
00:55:39,080 --> 00:55:41,560
Speaker 1: what Mother's saying. And sometimes I say something about in

995
00:55:41,640 --> 00:55:43,880
Speaker 1: the rhyme. You know what I'm saying. You know, motherfucker's

996
00:55:43,960 --> 00:55:46,200
Speaker 1: sometimes just say ship just to get a rise out

997
00:55:46,239 --> 00:55:47,920
Speaker 1: of you, so you will respond to him, and you

998
00:55:48,000 --> 00:55:49,640
Speaker 1: go to the page and they post it. Oh my god,

999
00:55:49,719 --> 00:55:51,360
Speaker 1: Tech nine said something to me even though it was

1000
00:55:51,400 --> 00:55:53,360
Speaker 1: fuck you leave me alone. Yeah, yeah, you know what.

1001
00:55:54,520 --> 00:55:56,920
Speaker 1: Yeah yeah, when people waste my time like that, I

1002
00:55:56,960 --> 00:55:59,360
Speaker 1: said you and when I do look at you by mistake,

1003
00:55:59,440 --> 00:56:03,920
Speaker 1: Oh you said something up block. I mean that ship

1004
00:56:04,640 --> 00:56:12,480
Speaker 1: Ti Tumbo nigger now to block on Twitter? Was iced?

1005
00:56:13,239 --> 00:56:14,960
Speaker 1: You said you can block without lem even knowing you

1006
00:56:15,320 --> 00:56:21,680
Speaker 1: like that, then you blocked them. So yeah, I made

1007
00:56:21,719 --> 00:56:25,680
Speaker 1: my I made my presence felt at rock Fest in Kancy.

1008
00:56:25,760 --> 00:56:27,680
Speaker 1: So that's been the biggest show I've ever done period,

1009
00:56:27,760 --> 00:56:31,080
Speaker 1: seventy thousand people in my hometown Kansas City. God damn it, man,

1010
00:56:31,239 --> 00:56:38,240
Speaker 1: let's make some noise, damn your affiliation with the blood

1011
00:56:39,000 --> 00:56:43,080
Speaker 1: coming from Kansas City. It always takes people back like

1012
00:56:43,200 --> 00:56:45,920
Speaker 1: it's like wow, because you know, for real, like when

1013
00:56:46,000 --> 00:56:49,279
Speaker 1: we heard in w A speak about Compton, that was

1014
00:56:49,320 --> 00:56:53,200
Speaker 1: the first time speaking from an East Coast perspective, obviously, Um,

1015
00:56:53,560 --> 00:56:55,279
Speaker 1: that's the first time we heard about content. That's the

1016
00:56:55,320 --> 00:56:57,759
Speaker 1: first time we heard about gang banging. So then it

1017
00:56:57,880 --> 00:57:02,319
Speaker 1: comes to sixty a round and then we hear Little Rock, Arkansas, right,

1018
00:57:02,840 --> 00:57:05,320
Speaker 1: how far is that from Kansas City some hours a

1019
00:57:05,360 --> 00:57:09,440
Speaker 1: couple of hours, and we hear about St. Louis, we

1020
00:57:09,520 --> 00:57:15,080
Speaker 1: hear and then we hear about Yeah. Yeah, it's just

1021
00:57:15,160 --> 00:57:17,880
Speaker 1: like yeah, just like can you describe that from from

1022
00:57:18,000 --> 00:57:20,680
Speaker 1: your perspective, because from our perspective, it was just like

1023
00:57:20,920 --> 00:57:23,160
Speaker 1: oh ship, But from we were like to have from

1024
00:57:23,240 --> 00:57:29,360
Speaker 1: York and the early eighties, some guys from thirty seven

1025
00:57:29,360 --> 00:57:36,240
Speaker 1: Street froughtown brom California, moved into the fifties. I stayed

1026
00:57:36,280 --> 00:57:41,080
Speaker 1: on fifty eight, explained focus. You know, fifties in Kansas City,

1027
00:57:41,160 --> 00:57:43,640
Speaker 1: the fifties of the street, the street number I stayed on.

1028
00:57:45,080 --> 00:57:51,040
Speaker 1: My brother's um school, uh docc the yes, that's my

1029
00:57:51,320 --> 00:57:57,880
Speaker 1: that's my big Homie Um School, doc Um Texas will

1030
00:57:58,320 --> 00:58:02,280
Speaker 1: short Nitty. All of them were in the area of

1031
00:58:02,360 --> 00:58:06,480
Speaker 1: fifty six and it was this group on the next

1032
00:58:06,520 --> 00:58:09,200
Speaker 1: block from fifty eight called the fifty seven Street Road Dogs.

1033
00:58:09,520 --> 00:58:12,920
Speaker 1: We all went to school together. These are all my niggas.

1034
00:58:12,960 --> 00:58:20,200
Speaker 1: I went to school with seven. Oh yeah, oh yeah

1035
00:58:20,320 --> 00:58:24,200
Speaker 1: yeah yeah seven seven, So seven that's in the family.

1036
00:58:24,320 --> 00:58:27,120
Speaker 1: These are the niggas that I grew up with, you

1037
00:58:27,200 --> 00:58:31,360
Speaker 1: know what I'm saying. And uh, the blood ship hit

1038
00:58:31,440 --> 00:58:36,440
Speaker 1: our neighborhood early eighties, like eighty four five migrated from

1039
00:58:36,440 --> 00:58:41,240
Speaker 1: the West like yeah yeah, thirty seven Street Foodtown, Brown,

1040
00:58:41,720 --> 00:58:46,600
Speaker 1: Dr Bob, nigga name Troy, his brother Troy, you know

1041
00:58:46,640 --> 00:58:49,880
Speaker 1: what I mean. Um, they were the niggas that had

1042
00:58:50,000 --> 00:58:51,920
Speaker 1: the money and they was the nigger that had the

1043
00:58:53,120 --> 00:58:56,400
Speaker 1: yeah yeah yeah yeah school purposes of coming to the

1044
00:58:56,480 --> 00:58:58,280
Speaker 1: Kansas City. I don't know what I don't know. I

1045
00:58:58,320 --> 00:59:00,000
Speaker 1: don't know. You have to ask my big Homi Big School.

1046
00:59:00,200 --> 00:59:01,919
Speaker 1: I think they have family there, you know what I'm saying.

1047
00:59:01,960 --> 00:59:05,760
Speaker 1: I think Doc I mean Bob had families. The family there,

1048
00:59:05,800 --> 00:59:08,400
Speaker 1: you know what I'm saying. And uh, whatever it was,

1049
00:59:08,520 --> 00:59:10,680
Speaker 1: they moved from thirty seven Street Foodtown Brown. You know

1050
00:59:10,680 --> 00:59:13,760
Speaker 1: what I'm saying to Kansas City, And that's how to blush.

1051
00:59:13,840 --> 00:59:16,440
Speaker 1: It happened in our neighborhood. You know, I'm sizzling and

1052
00:59:16,720 --> 00:59:22,160
Speaker 1: scooby them. Um, they're in the like the trenches in

1053
00:59:22,200 --> 00:59:25,160
Speaker 1: that ship. You know what I'm saying. Man, I moved

1054
00:59:25,160 --> 00:59:27,800
Speaker 1: away from the block when I was seventeen. I run

1055
00:59:27,840 --> 00:59:30,760
Speaker 1: away from home. I lived over there from twelve. My

1056
00:59:30,840 --> 00:59:33,960
Speaker 1: mom married a Muslim when I was twelve. Um, we

1057
00:59:34,120 --> 00:59:36,680
Speaker 1: moved on fifty eight and Forest, so I lived there

1058
00:59:36,760 --> 00:59:41,440
Speaker 1: from twelve to seventeen. Is when I witnessed Dr Botting

1059
00:59:41,480 --> 00:59:44,080
Speaker 1: him coming into our neighborhood. You know, I used to

1060
00:59:44,160 --> 00:59:46,640
Speaker 1: have a cock sportief jacket. You know what I'm saying.

1061
00:59:46,720 --> 00:59:51,440
Speaker 1: You never man with the little kangaroo on it. I'm

1062
00:59:51,440 --> 00:59:54,440
Speaker 1: not kangaroo, but con do to do? I don't. But

1063
00:59:55,840 --> 00:59:58,200
Speaker 1: I left my homeboy, Sean Gasaway, wear it up the

1064
00:59:58,240 --> 01:00:01,520
Speaker 1: street and he came aim to my house one day

1065
01:00:01,560 --> 01:00:04,480
Speaker 1: after schools like man and blood niggas took mine. You're

1066
01:00:04,520 --> 01:00:06,960
Speaker 1: jagging off me because I have read on it, you know.

1067
01:00:09,000 --> 01:00:10,640
Speaker 1: So I said, let's go find him, nigga. So I

1068
01:00:10,720 --> 01:00:17,040
Speaker 1: found when he was skinning. Okay, No, no, No, that's

1069
01:00:17,040 --> 01:00:20,600
Speaker 1: what this is. In the midst of that, I didn't

1070
01:00:20,600 --> 01:00:24,160
Speaker 1: know what. Yeah, Chris was to Ice Tea Records. Yeah, yeah,

1071
01:00:24,200 --> 01:00:26,760
Speaker 1: we knew. We knew. It was niggas. Like when we

1072
01:00:26,840 --> 01:00:29,320
Speaker 1: were breakdancing. It was dudes that was going back and forth,

1073
01:00:29,880 --> 01:00:33,400
Speaker 1: um to California getting mix tapes and ship are you

1074
01:00:33,520 --> 01:00:38,880
Speaker 1: talking probably like it's gotta be the eighties man, somewhere

1075
01:00:38,920 --> 01:00:40,720
Speaker 1: in the eighties and early eighties, you know what I'm saying,

1076
01:00:41,200 --> 01:00:44,200
Speaker 1: get bringing Iced Tea tapes back and they was talking

1077
01:00:44,200 --> 01:00:46,840
Speaker 1: about Playboy versus the Crip and all this ship before Colors,

1078
01:00:46,880 --> 01:00:51,680
Speaker 1: before all the tapes that they were making. Yeah, they grew.

1079
01:00:51,880 --> 01:00:55,800
Speaker 1: Well that was later on we got I don't know

1080
01:00:55,920 --> 01:00:58,960
Speaker 1: if if Paru Love was in the eighties though, I

1081
01:00:59,000 --> 01:01:02,600
Speaker 1: got looked at it like you got the tape that

1082
01:01:02,680 --> 01:01:05,280
Speaker 1: on tape gotta be you gotta be. They gotta be

1083
01:01:05,320 --> 01:01:09,640
Speaker 1: the nineties, I think, I think. Yeah, it was right

1084
01:01:09,680 --> 01:01:18,120
Speaker 1: after the Right Yeah, the Public Enemy and yeah, yeah,

1085
01:01:18,280 --> 01:01:22,800
Speaker 1: yeah yeah yeah. So um, long story short, they moved

1086
01:01:22,800 --> 01:01:24,600
Speaker 1: in our neighborhood, you know what I'm saying, and my

1087
01:01:24,760 --> 01:01:28,080
Speaker 1: niggas when I ran away from home, they got deep

1088
01:01:28,120 --> 01:01:33,000
Speaker 1: into it. The jacket story. Oh we got, we got

1089
01:01:33,600 --> 01:01:35,919
Speaker 1: so we was going to go find Bob, the leader

1090
01:01:36,000 --> 01:01:37,680
Speaker 1: of the blood game. You know what I'm saying. We

1091
01:01:37,840 --> 01:01:40,240
Speaker 1: was all young, you know. So I said, hey, man,

1092
01:01:40,800 --> 01:01:42,560
Speaker 1: that jacket you stole from him shouting gas away. It

1093
01:01:42,600 --> 01:01:43,919
Speaker 1: was taller than me. You know what I'm saying, Bop

1094
01:01:44,000 --> 01:01:45,600
Speaker 1: was shorter than him. You know what I mean, Like

1095
01:01:46,240 --> 01:01:49,040
Speaker 1: Bob said, you gotta buy it back, little nigger. I'm like,

1096
01:01:49,200 --> 01:01:53,800
Speaker 1: I'm not buying my jacket. You ain't getting anything. I

1097
01:01:53,920 --> 01:01:56,480
Speaker 1: turned away and walked away. You know what we're told.

1098
01:01:56,560 --> 01:01:58,880
Speaker 1: My father he's like, you should be working with them anyway.

1099
01:01:59,000 --> 01:02:01,439
Speaker 1: You know. So I never saw the cock sport teeth

1100
01:02:01,480 --> 01:02:14,800
Speaker 1: jacket to get it again. That's kind of rest in

1101
01:02:14,840 --> 01:02:18,919
Speaker 1: peace for his jacket. Yeah, but the story gets better.

1102
01:02:19,080 --> 01:02:21,240
Speaker 1: Hold on because I know that guy wished he would

1103
01:02:21,240 --> 01:02:23,439
Speaker 1: have give the jacket. Let's have a rescue peace moment.

1104
01:02:23,480 --> 01:02:26,919
Speaker 1: Three seconds one to three the cock sport teeth, cock

1105
01:02:26,960 --> 01:02:32,440
Speaker 1: sport teeth. So it gets better. So after I left, Um,

1106
01:02:32,640 --> 01:02:34,240
Speaker 1: I ran away from home at seventeen. I want to

1107
01:02:34,240 --> 01:02:36,000
Speaker 1: go live with my Auntie Zither. You know what I'm saying.

1108
01:02:36,040 --> 01:02:38,040
Speaker 1: My stepfather called he's a MUSLIMI like you better get

1109
01:02:38,040 --> 01:02:39,600
Speaker 1: your heads back home. And I give a phone with

1110
01:02:39,640 --> 01:02:42,600
Speaker 1: my auntie and at this time, I'm like seventeen, you

1111
01:02:42,640 --> 01:02:46,160
Speaker 1: know what, and uh, She's like, he ain't going nowhere.

1112
01:02:46,400 --> 01:02:48,880
Speaker 1: My family never liked him because my mom had epilepsy

1113
01:02:49,000 --> 01:02:51,840
Speaker 1: and you know, and they never liked him because they

1114
01:02:51,840 --> 01:02:54,800
Speaker 1: didn't understand the Alla was just a different language for

1115
01:02:54,880 --> 01:02:58,320
Speaker 1: the for the word guy. You know, arm leg lego

1116
01:02:58,360 --> 01:02:59,360
Speaker 1: on my head. You know what I'm saying, We just

1117
01:02:59,440 --> 01:03:03,960
Speaker 1: turned things turned into ship, you know. Um, they didn't know.

1118
01:03:04,080 --> 01:03:08,680
Speaker 1: They felt like that Ala was another guy, and so

1119
01:03:08,880 --> 01:03:11,280
Speaker 1: they didn't like that. My Christian mama married a Muslim,

1120
01:03:11,760 --> 01:03:16,840
Speaker 1: that's how yeah, yeah, yeah, yeah, yeah, oh yeah yeah yeah.

1121
01:03:17,720 --> 01:03:20,880
Speaker 1: So um, you know, my Christian family didn't agree with

1122
01:03:21,000 --> 01:03:24,160
Speaker 1: him putting her in the psychiatric ward when she had seizures,

1123
01:03:24,240 --> 01:03:26,720
Speaker 1: you know something. And I used to go visit her

1124
01:03:26,760 --> 01:03:28,440
Speaker 1: there and she's like that they hated him. So when

1125
01:03:28,480 --> 01:03:31,280
Speaker 1: I went, when I ran away, they kept me like,

1126
01:03:31,440 --> 01:03:33,840
Speaker 1: you're not getting Dante's back. That's my middle man, Dante,

1127
01:03:34,000 --> 01:03:37,360
Speaker 1: You're not getting done to back. So I stayed with

1128
01:03:37,480 --> 01:03:40,520
Speaker 1: her all that time. I started really working on my rap,

1129
01:03:40,640 --> 01:03:42,120
Speaker 1: you know what I'm saying. My wraps and ship. When

1130
01:03:42,160 --> 01:03:46,600
Speaker 1: I did that, and when I turned nineteen, I moved

1131
01:03:46,680 --> 01:03:50,040
Speaker 1: my auntie Ivy, and I started selling dope for her,

1132
01:03:50,320 --> 01:03:52,000
Speaker 1: you know what I'm saying. She she was selling little

1133
01:03:52,000 --> 01:03:54,720
Speaker 1: pieces for another naked you know, so I sell thirty

1134
01:03:54,720 --> 01:03:56,439
Speaker 1: dollar rocks when she wasn't there, you know I'm saying

1135
01:03:56,480 --> 01:03:57,880
Speaker 1: for her, and she like that. I was telling, no

1136
01:03:57,920 --> 01:04:01,360
Speaker 1: big ship, you know what I'm and uh, that wasn't

1137
01:04:01,360 --> 01:04:04,240
Speaker 1: from me. And I left there. I was a nomad.

1138
01:04:04,360 --> 01:04:07,000
Speaker 1: I moved in a lot of people's houses doing music.

1139
01:04:07,040 --> 01:04:08,520
Speaker 1: You know what I'm saying. I moved with my homie

1140
01:04:08,840 --> 01:04:13,400
Speaker 1: Icy Rock, a DJ. That's how I got how I

1141
01:04:13,480 --> 01:04:16,680
Speaker 1: got um that deal with Jimmy, Jimmy, Terry Lewis. You

1142
01:04:16,720 --> 01:04:19,720
Speaker 1: know what I'm saying. He knew a group called Loki

1143
01:04:19,840 --> 01:04:21,720
Speaker 1: who was signed to Jimmy, Jimmy, Terry Lewis, and they

1144
01:04:21,760 --> 01:04:23,960
Speaker 1: got my music to Jimmy and Terry. Like hell, yeah,

1145
01:04:24,080 --> 01:04:27,760
Speaker 1: you know what I'm saying. But somewhere in like Ve

1146
01:04:29,440 --> 01:04:32,200
Speaker 1: we lost that deal. I came back and my niggas

1147
01:04:32,240 --> 01:04:34,040
Speaker 1: that I went to school with schoolby and all them

1148
01:04:34,240 --> 01:04:37,000
Speaker 1: they got with me, along with this producer named Don Juan, Like, hey, man,

1149
01:04:37,040 --> 01:04:38,320
Speaker 1: what you doing then? Day man? You want to do

1150
01:04:38,360 --> 01:04:40,240
Speaker 1: a record? I'm like, yeah, man, we just got off

1151
01:04:40,280 --> 01:04:43,000
Speaker 1: a perspective wint doing ship. So I went back to

1152
01:04:43,120 --> 01:04:47,320
Speaker 1: my hood, back to my bloodhood, and we started doing music.

1153
01:04:48,400 --> 01:04:49,960
Speaker 1: You know what I mean. But you ain't never tell

1154
01:04:50,080 --> 01:04:52,760
Speaker 1: us how did that? Um? Because you said you said

1155
01:04:52,800 --> 01:04:56,400
Speaker 1: the jacket? How how did how did that hit Kansas City?

1156
01:04:56,680 --> 01:04:58,680
Speaker 1: Because you said they came and all that, How did

1157
01:04:58,760 --> 01:05:03,280
Speaker 1: you like this now when you went back? Is that one? No? No, no,

1158
01:05:03,520 --> 01:05:05,600
Speaker 1: I'm saying I'm saying in eighty five, that's how the

1159
01:05:05,600 --> 01:05:08,640
Speaker 1: ship got over here. Yeah yeah, yeah, and eighty five

1160
01:05:08,720 --> 01:05:11,360
Speaker 1: and and all those niggas, those are my niggas. Like

1161
01:05:11,720 --> 01:05:14,320
Speaker 1: with so I'm a ride with my family. You know

1162
01:05:14,360 --> 01:05:16,200
Speaker 1: what I'm saying, all right with my family. If my

1163
01:05:16,280 --> 01:05:18,800
Speaker 1: family was that's what we're doing. You know what I'm

1164
01:05:18,800 --> 01:05:20,760
Speaker 1: saying that these are my this, this, these are guys

1165
01:05:20,800 --> 01:05:23,760
Speaker 1: I love, point blank period. You know what I'm saying

1166
01:05:23,760 --> 01:05:25,880
Speaker 1: to this day, Scooby and all of them, whatever it is,

1167
01:05:26,000 --> 01:05:29,160
Speaker 1: it's like I'm with them. Can everybody know it? Has

1168
01:05:29,200 --> 01:05:33,120
Speaker 1: it ever been like uh yeah? Like like yes, because

1169
01:05:33,280 --> 01:05:37,760
Speaker 1: like when you perform like uh yeah, like talk yeah, yeah,

1170
01:05:37,840 --> 01:05:40,920
Speaker 1: it's beaches all cyah. But they love us though. They

1171
01:05:41,000 --> 01:05:43,120
Speaker 1: love us though. That's that's the blessing of check nine.

1172
01:05:43,520 --> 01:05:46,560
Speaker 1: They know my past and the niggas I'm with, but

1173
01:05:47,040 --> 01:05:49,080
Speaker 1: it ain't never been no ship with niggas like nigga.

1174
01:05:49,120 --> 01:05:50,560
Speaker 1: We don't kill you because of your color, you know,

1175
01:05:51,200 --> 01:05:53,000
Speaker 1: you know saying knock on wood. You know what I'm saying.

1176
01:05:53,040 --> 01:05:55,680
Speaker 1: It's it's like one time you feel all comfortable though,

1177
01:05:55,800 --> 01:06:04,160
Speaker 1: just because of your affiliation. Uncomfortable with crips, anybody or anybody, anybody,

1178
01:06:04,160 --> 01:06:07,880
Speaker 1: anybody who had bet foot blood because of gang ship.

1179
01:06:09,560 --> 01:06:13,680
Speaker 1: Somebody robbed my big homie school be at gunpoint in

1180
01:06:13,720 --> 01:06:17,000
Speaker 1: front of his kids and tied them up, tied them

1181
01:06:17,000 --> 01:06:21,320
Speaker 1: all up. Oh God bless So we rode looking for

1182
01:06:21,440 --> 01:06:25,520
Speaker 1: niggas after that, and I had to sleep on his

1183
01:06:25,640 --> 01:06:28,080
Speaker 1: couch for the a k in case somebody came back.

1184
01:06:29,280 --> 01:06:30,919
Speaker 1: And I just got married and ships and my wife

1185
01:06:31,000 --> 01:06:34,880
Speaker 1: was pissed at me and ship, but that's my nigga,

1186
01:06:35,200 --> 01:06:39,560
Speaker 1: and it sounds ignorant or whatever to people, but that's

1187
01:06:39,600 --> 01:06:43,800
Speaker 1: my brother though. And I didn't like that somebody would

1188
01:06:43,800 --> 01:06:47,320
Speaker 1: do that. And I happened to be some crips in

1189
01:06:47,400 --> 01:06:51,120
Speaker 1: the area, I guess, and thank the Lord, we didn't

1190
01:06:51,120 --> 01:06:55,280
Speaker 1: find him. You know what I'm saying. So but on

1191
01:06:55,400 --> 01:06:56,960
Speaker 1: the road and ship. You know what I'm saying, niggas

1192
01:06:57,000 --> 01:06:58,560
Speaker 1: are bang on you and ship trying to put seas

1193
01:06:58,600 --> 01:07:00,120
Speaker 1: on your chest and he stopped. Man, you know what

1194
01:07:00,240 --> 01:07:11,040
Speaker 1: sound You know what that means. It's like if you yeah, yeah, yeah,

1195
01:07:11,080 --> 01:07:15,160
Speaker 1: I tried to Yeah. You know no, that's just like nigga,

1196
01:07:15,320 --> 01:07:17,120
Speaker 1: That's what it is like. No, No, I know you

1197
01:07:17,200 --> 01:07:20,480
Speaker 1: were you from from It's all loving her. Let's keep going.

1198
01:07:21,760 --> 01:07:23,360
Speaker 1: You know what I'm saying. You gotta diffuse that ship

1199
01:07:23,440 --> 01:07:26,000
Speaker 1: because they could really go. You know what I'm saying, gangshi,

1200
01:07:26,000 --> 01:07:27,400
Speaker 1: it ain't no pump. You know what I'm saying. It's

1201
01:07:27,440 --> 01:07:29,040
Speaker 1: really you know I'm say nig is just trying to

1202
01:07:29,120 --> 01:07:31,760
Speaker 1: do it because they music and shoot. Oh list on

1203
01:07:31,880 --> 01:07:33,760
Speaker 1: that until they face with it and they were like, no,

1204
01:07:33,840 --> 01:07:36,360
Speaker 1: I'm not that. You know what I'm saying. I'm that

1205
01:07:36,640 --> 01:07:41,360
Speaker 1: because that's where I grew up. My mother, if she

1206
01:07:41,480 --> 01:07:46,480
Speaker 1: was still alive, she died from lupus, and if she

1207
01:07:46,600 --> 01:07:48,800
Speaker 1: was alive, she killed me. And she knew that. I

1208
01:07:48,960 --> 01:07:51,720
Speaker 1: chose a side because I was raised a Christian Boy,

1209
01:07:52,240 --> 01:07:55,040
Speaker 1: and then I had to study Islam from twelve and seventeen.

1210
01:07:55,160 --> 01:07:59,000
Speaker 1: So to choose something like that, we pissed them the

1211
01:07:59,040 --> 01:08:01,320
Speaker 1: funk off of my stuff. Father knew that he would

1212
01:08:01,760 --> 01:08:05,320
Speaker 1: kill me, you know back then, you know what I mean.

1213
01:08:05,560 --> 01:08:09,360
Speaker 1: But I chose that because I love them dudes. I

1214
01:08:09,480 --> 01:08:13,400
Speaker 1: was so you know what I'm saying, Yeah, I said,

1215
01:08:13,480 --> 01:08:18,679
Speaker 1: back in the music for a second. Yeah, yeah, yeah, yeah, yeah, Wayne, Yeah,

1216
01:08:19,560 --> 01:08:21,200
Speaker 1: I know you gotta love him. You actually went to

1217
01:08:21,240 --> 01:08:23,760
Speaker 1: go see him in jail Ricker's Island, Man, You went

1218
01:08:23,800 --> 01:08:26,720
Speaker 1: to Rikers Island. Yeah, I'm not even want to see

1219
01:08:29,200 --> 01:08:32,880
Speaker 1: I lived twelve minutes. It was a it was a

1220
01:08:34,640 --> 01:08:38,080
Speaker 1: it was a real sorry. It was a reason for

1221
01:08:38,160 --> 01:08:41,360
Speaker 1: it though, because when he first went in there, I

1222
01:08:41,439 --> 01:08:43,760
Speaker 1: guess phone Flex was interviewing him and he said, what

1223
01:08:43,800 --> 01:08:45,200
Speaker 1: you're gonna do when you get out? He said, I

1224
01:08:45,240 --> 01:08:47,280
Speaker 1: want to work with my man Techno and Andrew three thousand.

1225
01:08:47,320 --> 01:08:50,719
Speaker 1: I'm like, how does nigga know me? I'm the weird nigga.

1226
01:08:50,720 --> 01:08:51,840
Speaker 1: You know what I'm saying, Hey, you know me? You

1227
01:08:51,880 --> 01:08:55,479
Speaker 1: know what I'm saying. Music music travels, So I would

1228
01:08:55,560 --> 01:08:59,040
Speaker 1: we would do things in New York like, um, we do.

1229
01:08:59,200 --> 01:09:07,519
Speaker 1: We would do things. Look, that's the biggest roach. You

1230
01:09:08,240 --> 01:09:10,280
Speaker 1: don't worry about it. I'm trying not to be stupid.

1231
01:09:12,320 --> 01:09:15,000
Speaker 1: You went to this stupid so you heard that. Yes,

1232
01:09:15,280 --> 01:09:17,760
Speaker 1: so we would go to New York to do like

1233
01:09:17,880 --> 01:09:25,680
Speaker 1: press week. So my blood homies, uh Inglewood, Mugs, big

1234
01:09:25,760 --> 01:09:27,880
Speaker 1: him hooked up. Wouldn't they get down to here? You

1235
01:09:28,040 --> 01:09:31,439
Speaker 1: name my choke I'm saying, you know my choke. What

1236
01:09:31,439 --> 01:09:34,800
Speaker 1: I'm saying, my chom fat Joan them hooked it up

1237
01:09:35,040 --> 01:09:37,560
Speaker 1: for me to go see Wayne to tell me thank you.

1238
01:09:38,800 --> 01:09:40,200
Speaker 1: You know what I'm saying. So you went to the

1239
01:09:40,240 --> 01:09:43,479
Speaker 1: streets hook that up? You know what I'm saying. Really

1240
01:09:43,600 --> 01:09:47,160
Speaker 1: love man streets so much loved well, so much should

1241
01:09:47,160 --> 01:09:49,240
Speaker 1: happen even the first I just got from t I

1242
01:09:49,400 --> 01:09:51,439
Speaker 1: on my last record. You're not saying the streets got that?

1243
01:09:51,600 --> 01:09:53,920
Speaker 1: You know some big you and mugs a blood and

1244
01:09:54,160 --> 01:10:04,080
Speaker 1: working together. That's harmony. Yes, you know what I'm saying. Continue.

1245
01:10:05,040 --> 01:10:08,600
Speaker 1: So we got up there to Rikers. What do you

1246
01:10:08,640 --> 01:10:17,160
Speaker 1: say over here? Yeah? You go up there? So we went.

1247
01:10:17,240 --> 01:10:19,200
Speaker 1: We was up there for doing our press. So the

1248
01:10:19,240 --> 01:10:22,439
Speaker 1: first time we went up there, they blocked us and say, no,

1249
01:10:22,600 --> 01:10:25,360
Speaker 1: I can't get in. Sorry, some ship happened on the inside,

1250
01:10:25,439 --> 01:10:27,640
Speaker 1: some kind of right ship. Understand, can't go we have

1251
01:10:27,800 --> 01:10:31,599
Speaker 1: I'm like, so the powers that be said you can

1252
01:10:31,600 --> 01:10:34,720
Speaker 1: go up tomorrow. Being my partner, Shop has went up there,

1253
01:10:34,720 --> 01:10:36,519
Speaker 1: and I'm like, damn, man, I never met Wayne. I'm

1254
01:10:36,520 --> 01:10:37,840
Speaker 1: gonnaell him. Thank you man. You don't have to say

1255
01:10:37,880 --> 01:10:39,599
Speaker 1: my name. That's a big thing, my nigga. I would.

1256
01:10:39,640 --> 01:10:41,280
Speaker 1: I didn't expect nothing out of it. I just want

1257
01:10:41,280 --> 01:10:42,760
Speaker 1: to say thank you, my nigga. You know, I'm saying,

1258
01:10:42,760 --> 01:10:45,800
Speaker 1: you're showing some love. You know, what's the real? So um,

1259
01:10:46,960 --> 01:10:48,280
Speaker 1: we got in there and I was I was like,

1260
01:10:48,400 --> 01:10:50,439
Speaker 1: what am I gonna talk to this nigga? They said

1261
01:10:50,439 --> 01:10:52,479
Speaker 1: we got an hour? I said, what am I gonna

1262
01:10:52,479 --> 01:10:58,759
Speaker 1: say this nigga? We talked for three hours straight about

1263
01:10:59,000 --> 01:11:02,360
Speaker 1: everything about how Kanye came up there and did his

1264
01:11:02,439 --> 01:11:04,519
Speaker 1: whole album for me, was sweating. He took off his jacket,

1265
01:11:04,680 --> 01:11:07,840
Speaker 1: was doing all this ship, you know, he said, he

1266
01:11:07,880 --> 01:11:11,000
Speaker 1: was just watching them like, damn you it's the table

1267
01:11:11,120 --> 01:11:13,439
Speaker 1: like this, you're sitting over there, waynes over here. Were

1268
01:11:13,479 --> 01:11:14,760
Speaker 1: just right here. We get touch woo. You knows it

1269
01:11:14,920 --> 01:11:17,479
Speaker 1: was cool by about it wasn't no window or nothing.

1270
01:11:17,880 --> 01:11:20,240
Speaker 1: So he said, Kanye came in and performed his whole record.

1271
01:11:20,280 --> 01:11:22,200
Speaker 1: You know what, I forgot what record. It was a

1272
01:11:22,240 --> 01:11:25,000
Speaker 1: big record obviously, but he said he did every song

1273
01:11:25,120 --> 01:11:35,679
Speaker 1: for him a capella. My nigger yeah, yeah, the president. Yeah.

1274
01:11:36,360 --> 01:11:38,240
Speaker 1: So we ended up talking for three hours and the

1275
01:11:38,240 --> 01:11:40,720
Speaker 1: award and I had to say, okay, it's enough. So

1276
01:11:40,840 --> 01:11:43,040
Speaker 1: when we was walking away, he said, when I get out,

1277
01:11:43,120 --> 01:11:46,160
Speaker 1: my nigg gets on. I said, okay. When he got out,

1278
01:11:47,560 --> 01:11:50,360
Speaker 1: he told us to come down here to Miami to

1279
01:11:52,400 --> 01:11:55,240
Speaker 1: hit the factory. Hit factory. That's like, you know, I'm

1280
01:11:55,479 --> 01:12:01,479
Speaker 1: I'm like, yeah, hit factory. Yeah, I'm thinking I'm in

1281
01:12:01,520 --> 01:12:03,439
Speaker 1: New York. I gotta flight to New Yorker later. So

1282
01:12:03,479 --> 01:12:09,519
Speaker 1: I'm like, yeah, you're already, you already. I'm a relaxed

1283
01:12:09,600 --> 01:12:23,360
Speaker 1: high you know. Yeah. So the engineer was Mike Banger

1284
01:12:23,439 --> 01:12:28,240
Speaker 1: at the time. Yeah. So when I went there to

1285
01:12:28,280 --> 01:12:31,040
Speaker 1: do the reverse, Wayne was in there. You know what

1286
01:12:31,080 --> 01:12:33,040
Speaker 1: I'm saying. I was like, thank you. You know what

1287
01:12:33,080 --> 01:12:34,840
Speaker 1: I'm saying. He gave me the beat. I said, what

1288
01:12:34,960 --> 01:12:36,680
Speaker 1: can I go? Right there? He said, Baby Studios over

1289
01:12:36,680 --> 01:12:38,800
Speaker 1: there is the all Red Ones And I'm saying yeah,

1290
01:12:38,880 --> 01:12:43,000
Speaker 1: like all real little yeah. Yeah. So sat in there

1291
01:12:43,000 --> 01:12:45,000
Speaker 1: for a while. I was already tired. You know, I'm

1292
01:12:45,000 --> 01:12:46,920
Speaker 1: sharying running in. I'm like hot with the watch with

1293
01:12:46,960 --> 01:12:48,439
Speaker 1: the kid drives with a good problem and not with

1294
01:12:48,479 --> 01:12:50,280
Speaker 1: the bed not only get the reasons for the property creers.

1295
01:12:50,320 --> 01:12:52,160
Speaker 1: I hate motherfucker's better stop at the jil. I'll put

1296
01:12:52,200 --> 01:12:53,559
Speaker 1: up there with it. But you know, I'm writing the ship,

1297
01:12:53,640 --> 01:12:54,800
Speaker 1: you know what I'm saying, like right there, and I

1298
01:12:55,080 --> 01:12:57,280
Speaker 1: got tired and I was like, you write it fast too, No,

1299
01:12:58,320 --> 01:13:03,000
Speaker 1: it's just how I know it now. You started like

1300
01:13:03,360 --> 01:13:08,240
Speaker 1: how do you want to be like like like hots,

1301
01:13:08,240 --> 01:13:12,400
Speaker 1: what it is? Hots? What it is? Watch what the

1302
01:13:12,479 --> 01:13:14,600
Speaker 1: kid drops? And get the props if you're not with

1303
01:13:14,680 --> 01:13:18,040
Speaker 1: the bid, if you're not with the bill, not only

1304
01:13:18,120 --> 01:13:22,400
Speaker 1: other regions. I really popped at the career. So hating mother,

1305
01:13:22,760 --> 01:13:26,120
Speaker 1: better stop with the jibs. You know, it comes like

1306
01:13:26,280 --> 01:13:28,600
Speaker 1: you gotta think about that, you know, But it's mathematics.

1307
01:13:28,680 --> 01:13:30,800
Speaker 1: It's the hardest thing because you wanted to pop at

1308
01:13:30,840 --> 01:13:32,960
Speaker 1: the pop at the pop, pop at the poper. But

1309
01:13:33,080 --> 01:13:35,760
Speaker 1: you know what I'm saying, it's mathematics. So it took

1310
01:13:35,800 --> 01:13:38,120
Speaker 1: a minute. So it was three o'clock in the morning.

1311
01:13:38,160 --> 01:13:40,439
Speaker 1: I was like, I walked in the studio. They were

1312
01:13:40,439 --> 01:13:43,920
Speaker 1: still in there. It was Wayne, it was McMain, it

1313
01:13:44,000 --> 01:13:49,640
Speaker 1: was a nigger boo or somebody. Yeah, they was all

1314
01:13:49,720 --> 01:13:54,240
Speaker 1: in there session at twelve at night. They got, yeah,

1315
01:13:54,400 --> 01:13:59,240
Speaker 1: you know're tilling. I gonna stop my sessions. Me too,

1316
01:14:00,040 --> 01:14:12,160
Speaker 1: my early animal let go. But so I walked in there.

1317
01:14:12,200 --> 01:14:14,519
Speaker 1: I wouldn't finish with the wraps and booming. Them was

1318
01:14:14,560 --> 01:14:16,640
Speaker 1: in there and some light setting negative. Wayne called his

1319
01:14:16,680 --> 01:14:18,760
Speaker 1: brother with DRez I don't know who he was, and

1320
01:14:19,280 --> 01:14:21,240
Speaker 1: it was a chicken there. And I came in and

1321
01:14:21,320 --> 01:14:23,240
Speaker 1: they was all looking I told the story before you know,

1322
01:14:23,360 --> 01:14:25,880
Speaker 1: people heard the sert. They're all looking up in the

1323
01:14:26,000 --> 01:14:28,880
Speaker 1: air like this. All of them was like looking up

1324
01:14:28,880 --> 01:14:31,280
Speaker 1: in the air. There was like some alien ship. Dude.

1325
01:14:31,439 --> 01:14:33,400
Speaker 1: Because I walked in, I just looked at him for

1326
01:14:33,479 --> 01:14:36,240
Speaker 1: a while. McMahon was looking up like this, and Wayne

1327
01:14:36,280 --> 01:14:38,160
Speaker 1: was looking at like everybody boot All of them is

1328
01:14:38,200 --> 01:14:42,280
Speaker 1: looking up. And Wayne looks down to McMahon said what

1329
01:14:42,360 --> 01:14:49,040
Speaker 1: if I said, clear, does that make sense? And Blackman's here?

1330
01:14:50,800 --> 01:14:53,559
Speaker 1: And I said, they broke it. I broke this ship.

1331
01:14:53,720 --> 01:14:55,679
Speaker 1: Whatever it is doing, I say, man is it okay

1332
01:14:55,680 --> 01:14:57,720
Speaker 1: if I come back tomorrow. Man. He's like, oh yeah, man,

1333
01:14:57,800 --> 01:14:59,080
Speaker 1: come back, and I was like, thank you. That was

1334
01:14:59,120 --> 01:15:01,960
Speaker 1: the weirdest thing I ever said. I don't think it

1335
01:15:02,040 --> 01:15:04,680
Speaker 1: was getting words out of the sky. I saw this

1336
01:15:04,880 --> 01:15:06,960
Speaker 1: with my own her in Miami. Dude, I'm like, what

1337
01:15:07,120 --> 01:15:11,920
Speaker 1: the funk were they looking at? That is sod? No,

1338
01:15:13,320 --> 01:15:18,040
Speaker 1: so on it. I walked in on I was in

1339
01:15:18,080 --> 01:15:20,800
Speaker 1: the other student did walk in on them one time

1340
01:15:20,840 --> 01:15:24,200
Speaker 1: and they just booke. Yeah. I don't know what they're doing.

1341
01:15:24,840 --> 01:15:28,679
Speaker 1: They were getting words out the sky the sky, yeah, Marshan,

1342
01:15:28,760 --> 01:15:31,400
Speaker 1: he says in Martian right, Yeah, he was in all

1343
01:15:31,439 --> 01:15:35,040
Speaker 1: the galaxy. Yeah, yeah, little Wayne, that's my motherfucker brother.

1344
01:15:39,000 --> 01:15:41,600
Speaker 1: I got a flight to check. I can perfectly do

1345
01:15:41,720 --> 01:15:45,439
Speaker 1: this podcast without a shot. I don't understand why you

1346
01:15:45,880 --> 01:15:48,920
Speaker 1: are you the guy once to be sold a shot?

1347
01:15:49,479 --> 01:15:56,120
Speaker 1: Who's day? Who's day? Aliens took a piss something? All right,

1348
01:15:56,960 --> 01:15:58,920
Speaker 1: I'll take your shot. I don't shot, but I'll take

1349
01:15:58,920 --> 01:16:01,080
Speaker 1: a shot. Ye. Yeah, I'm not gonna lie. You give

1350
01:16:01,080 --> 01:16:05,400
Speaker 1: me yours the hottest bottle on the market. All right, listen,

1351
01:16:05,720 --> 01:16:13,439
Speaker 1: can you get somebody who gave you this bottles? Alright?

1352
01:16:13,479 --> 01:16:16,080
Speaker 1: So I'm gonna do my ice and my shot because

1353
01:16:16,120 --> 01:16:19,679
Speaker 1: I like my shot, right cool, I don't. I don't

1354
01:16:19,720 --> 01:16:22,320
Speaker 1: do no training wheels. I just take it. I need training.

1355
01:16:23,520 --> 01:16:26,000
Speaker 1: I got things to do to there, but not really.

1356
01:16:27,240 --> 01:16:29,960
Speaker 1: I'm glad it's not tequila though. All right, so you're

1357
01:16:29,960 --> 01:16:32,000
Speaker 1: gonna do the honest support the shot. Come on, is

1358
01:16:32,040 --> 01:16:36,320
Speaker 1: your motherfucker I did Dominican? I want to you're apparently

1359
01:16:36,360 --> 01:16:38,400
Speaker 1: trying to get you drunk. I don't mind. I don't

1360
01:16:38,439 --> 01:16:41,880
Speaker 1: want to get money. I don't be on here with y'all. Man,

1361
01:16:42,920 --> 01:16:46,160
Speaker 1: Come on, please come here. All the time that your

1362
01:16:47,000 --> 01:16:49,439
Speaker 1: big made and all your other artist we're bringing made

1363
01:16:49,479 --> 01:16:52,160
Speaker 1: it over there, to come over here and sit down

1364
01:16:52,200 --> 01:16:56,680
Speaker 1: and remember when we were here. I remember Kendrick was

1365
01:16:56,720 --> 01:16:58,160
Speaker 1: supposed to be on here, and you're supposed to give

1366
01:16:58,200 --> 01:17:03,120
Speaker 1: him the plaque or something I was supposed to have.

1367
01:17:04,120 --> 01:17:06,240
Speaker 1: We love you and we got got it, and we're

1368
01:17:06,240 --> 01:17:07,800
Speaker 1: gonna we gotta get back to the Kendry because I

1369
01:17:07,960 --> 01:17:10,560
Speaker 1: was supposed to happen more on drink chaps, because we

1370
01:17:10,720 --> 01:17:13,640
Speaker 1: don't get in the play yes from look, come on

1371
01:17:14,200 --> 01:17:17,519
Speaker 1: and to skim shots. Not Reckon's good. He's not taking

1372
01:17:17,560 --> 01:17:19,280
Speaker 1: a shot right, No, what n he's good. He's good,

1373
01:17:19,320 --> 01:17:22,439
Speaker 1: he's good. That's not fair that you have to ask

1374
01:17:22,520 --> 01:17:27,080
Speaker 1: on the exit. The camera's got fale drop fans, he's

1375
01:17:27,120 --> 01:17:28,960
Speaker 1: got he's got a baby coming. You are, yeah, I

1376
01:17:29,080 --> 01:17:33,160
Speaker 1: got six spades. It's like it's the hardest thing of everything.

1377
01:17:33,880 --> 01:17:37,400
Speaker 1: Prep right now, man, get your shot. It's not right now.

1378
01:17:37,920 --> 01:17:43,200
Speaker 1: Three months. You know alcohol, It's just like alcoholic whenever

1379
01:17:43,200 --> 01:17:48,840
Speaker 1: you got the stuff shot three months. This mony Jack Daniels. See,

1380
01:17:49,200 --> 01:17:55,479
Speaker 1: let's do it. Come on, he's a jack naa nameel.

1381
01:17:55,720 --> 01:18:02,360
Speaker 1: I would like, I'm not respecting the water shot right now.

1382
01:18:02,439 --> 01:18:05,360
Speaker 1: I'm not so you wouldn't none of that. I love you,

1383
01:18:05,680 --> 01:18:08,240
Speaker 1: you're my friend. But I told those one as I

1384
01:18:08,320 --> 01:18:10,000
Speaker 1: got his back on this why you got to be

1385
01:18:10,040 --> 01:18:12,479
Speaker 1: sold for a certain amount of time throughound the pregnancy.

1386
01:18:12,560 --> 01:18:16,559
Speaker 1: He's smith taking to it. How many months is three months?

1387
01:18:16,600 --> 01:18:28,360
Speaker 1: And you gotta relax. Listen, mother, listen, wi' not taking

1388
01:18:28,360 --> 01:18:30,800
Speaker 1: a shot. I'm about I'm about to go to the airport, y'all.

1389
01:18:31,040 --> 01:18:33,439
Speaker 1: Come on, Okay, this is the fragile. No, I'm not

1390
01:18:33,560 --> 01:18:35,920
Speaker 1: do not get the funk out of here. This is

1391
01:18:37,160 --> 01:18:40,720
Speaker 1: this is this fragile and the shop fragil and go

1392
01:18:41,200 --> 01:18:45,320
Speaker 1: such an airplane mode being and even better single. This

1393
01:18:45,400 --> 01:18:49,439
Speaker 1: is just gonna get me a dance, not like no

1394
01:18:49,600 --> 01:18:51,800
Speaker 1: Where's No that was smooth. I do another one man?

1395
01:18:52,240 --> 01:18:54,880
Speaker 1: Where you at? Let's do another one man? Come on, No,

1396
01:18:56,120 --> 01:19:00,200
Speaker 1: nobody can't take your shot. That's not what one you

1397
01:19:00,240 --> 01:19:02,040
Speaker 1: are made that you're sign the strange want to come

1398
01:19:02,080 --> 01:19:04,360
Speaker 1: take so I got his back? Please no, leave him

1399
01:19:04,360 --> 01:19:07,479
Speaker 1: a little. I'm sorry you're leaving. You never texted me

1400
01:19:07,560 --> 01:19:10,600
Speaker 1: that I'm just taking a shot for him. No, we

1401
01:19:10,680 --> 01:19:13,120
Speaker 1: don't do that. Okay, it's not the game. Show what

1402
01:19:13,280 --> 01:19:14,680
Speaker 1: you got right there? You can take your shot for

1403
01:19:14,720 --> 01:19:22,200
Speaker 1: you water, so you can stand up. I'm just playing.

1404
01:19:23,400 --> 01:19:24,960
Speaker 1: Let's do it. Let's do one more shot. Come on

1405
01:19:25,560 --> 01:19:28,760
Speaker 1: for may made a shoulder that made it show. You

1406
01:19:28,880 --> 01:19:33,000
Speaker 1: can't have somebody else take your shot, Blackbird, I need

1407
01:19:33,040 --> 01:19:36,679
Speaker 1: to get into this story. What why is your wife

1408
01:19:37,280 --> 01:19:42,840
Speaker 1: restricting you? Yeah? I just saw that they already mean

1409
01:19:42,840 --> 01:19:45,519
Speaker 1: I don't understand because she knows that Jack Daniels is

1410
01:19:45,600 --> 01:19:48,840
Speaker 1: his water. That's just this is admitted. This is a

1411
01:19:48,920 --> 01:19:51,600
Speaker 1: DREAMT even wanted. I wanted to do a detox and

1412
01:19:51,800 --> 01:19:53,559
Speaker 1: righting around the time we found out she was pregnant,

1413
01:19:53,600 --> 01:19:55,080
Speaker 1: I was like, you know what, the most important thing

1414
01:19:55,080 --> 01:19:57,760
Speaker 1: I could tie a dtox too. He's doing the pregnancy. Yeah,

1415
01:19:57,840 --> 01:20:00,400
Speaker 1: nine months a d to. I mean they need to.

1416
01:20:02,120 --> 01:20:04,320
Speaker 1: I'm pretty sad about a little. We're going on tour

1417
01:20:04,360 --> 01:20:07,880
Speaker 1: on Monday. I'm using my my drinking partner for two

1418
01:20:07,880 --> 01:20:09,680
Speaker 1: of them. It's gonna be hard. The two months on

1419
01:20:09,760 --> 01:20:12,160
Speaker 1: tour is gonna be the hardest thing I'm ever now drinking.

1420
01:20:12,200 --> 01:20:15,120
Speaker 1: How many more months you're gonna go? Man, bottling is

1421
01:20:15,120 --> 01:20:18,400
Speaker 1: gonna I'm proud to reck. Honestly, I went for a

1422
01:20:18,479 --> 01:20:20,000
Speaker 1: long time. I had to. You're the only one I

1423
01:20:20,040 --> 01:20:28,760
Speaker 1: had to mother to make. I'm not reading all this

1424
01:20:28,840 --> 01:20:33,200
Speaker 1: ship's like that stands my racket. I'm gonna say I

1425
01:20:33,320 --> 01:20:36,160
Speaker 1: am not. I am proud of you at all. I'm

1426
01:20:36,160 --> 01:20:38,320
Speaker 1: saying you're gonna make up for the partner. You're gonna

1427
01:20:38,640 --> 01:20:42,320
Speaker 1: come on. That's how I would do for them all.

1428
01:20:42,800 --> 01:20:47,559
Speaker 1: That's how I would dock. Are we ready? This strange music?

1429
01:20:47,840 --> 01:20:54,320
Speaker 1: A strange music music? No take nines click? I didn't

1430
01:20:54,360 --> 01:21:00,599
Speaker 1: got a whole blood as a roach. That's a ship.

1431
01:21:01,720 --> 01:21:06,320
Speaker 1: Do another one? They relaxed. You gotta drink for him.

1432
01:21:06,400 --> 01:21:08,800
Speaker 1: He wants to sleep on the plane. You gotta drink

1433
01:21:08,840 --> 01:21:13,880
Speaker 1: for him. Wait, but you're cheating with the ice man.

1434
01:21:14,240 --> 01:21:18,479
Speaker 1: Hey man, listen, I ain't never said. I never said

1435
01:21:18,560 --> 01:21:20,960
Speaker 1: I'm gonna do it y'all way. I'm gonna do it

1436
01:21:21,080 --> 01:21:23,560
Speaker 1: my way because I'm a I'm a different type of

1437
01:21:23,640 --> 01:21:27,000
Speaker 1: person if I'm ninety seven Dames, thirty seven appnue. It

1438
01:21:27,160 --> 01:21:29,800
Speaker 1: was the cross streets between what's your what's from New

1439
01:21:29,880 --> 01:21:32,519
Speaker 1: York one one six eight. I like to understand. I

1440
01:21:32,640 --> 01:21:39,479
Speaker 1: like respect, the technique I'm gonna make you back today.

1441
01:21:42,600 --> 01:21:47,439
Speaker 1: I got respect, my friend, But today just drink chance.

1442
01:21:47,479 --> 01:21:49,800
Speaker 1: We gotta salute it. That's strength right there, man, that's

1443
01:21:49,800 --> 01:21:53,479
Speaker 1: strength in front of drink chance. Like when the cameras

1444
01:21:53,520 --> 01:21:57,760
Speaker 1: go off home and salute you like you came in

1445
01:21:57,840 --> 01:21:59,639
Speaker 1: here to drink for him and you're not even drinking.

1446
01:22:00,280 --> 01:22:06,360
Speaker 1: What the fun is going? Mm hmm. Wait, but let's

1447
01:22:06,360 --> 01:22:08,519
Speaker 1: get back to something real quick. I want to go

1448
01:22:08,560 --> 01:22:11,840
Speaker 1: back to when Kendrick was touring. When he was he

1449
01:22:12,240 --> 01:22:14,120
Speaker 1: was so he was the hype man for Jay Rock

1450
01:22:14,200 --> 01:22:15,760
Speaker 1: that he was. It was. It was a hype man

1451
01:22:15,840 --> 01:22:21,200
Speaker 1: before um Kendrick came out. But the hype man that

1452
01:22:21,400 --> 01:22:25,640
Speaker 1: was with Jay Rock first, his name was m j

1453
01:22:26,479 --> 01:22:33,960
Speaker 1: J and he we were in Reno way after the show.

1454
01:22:34,040 --> 01:22:35,240
Speaker 1: You know what it was, you know if we were

1455
01:22:35,240 --> 01:22:37,640
Speaker 1: all connected, man, you know what I'm saying. And he

1456
01:22:37,720 --> 01:22:39,360
Speaker 1: went out to talk to his girl. You don't say

1457
01:22:39,479 --> 01:22:41,479
Speaker 1: late night, you know, saying after the show, it's like

1458
01:22:41,520 --> 01:22:45,719
Speaker 1: three talk in the morning, maybe yea, and some niggas

1459
01:22:45,800 --> 01:22:50,320
Speaker 1: that was across the street at the gas station. They

1460
01:22:50,360 --> 01:22:52,320
Speaker 1: must have saw he had on a red shirt, but

1461
01:22:52,560 --> 01:22:55,479
Speaker 1: actually MJ was a crip. He was just wanting Jay

1462
01:22:55,560 --> 01:23:00,519
Speaker 1: Rock shirt. Yeah. Yeah. So they walked to was on

1463
01:23:00,520 --> 01:23:03,240
Speaker 1: the phone and to say you're all ready, and he's like,

1464
01:23:03,320 --> 01:23:05,880
Speaker 1: what's up? And they tried to square up on them,

1465
01:23:05,880 --> 01:23:07,080
Speaker 1: all three of them, I think it was three of

1466
01:23:07,160 --> 01:23:11,240
Speaker 1: them get so cut. Calhoun came from the back of

1467
01:23:11,320 --> 01:23:13,200
Speaker 1: the bus and like you're trying to jump on my nigga,

1468
01:23:13,439 --> 01:23:16,599
Speaker 1: and then the dudes just start. One dude started shooting

1469
01:23:16,640 --> 01:23:19,720
Speaker 1: and hit him six times. He was still alive. I

1470
01:23:19,840 --> 01:23:22,439
Speaker 1: was talking to him like days after, like real niggas

1471
01:23:22,439 --> 01:23:24,200
Speaker 1: don't die. I'm like, you know what I'm saying, I

1472
01:23:24,400 --> 01:23:26,880
Speaker 1: just want to celebrate singing to him, He's like, we

1473
01:23:26,960 --> 01:23:28,360
Speaker 1: gotta do a song tech when I get out of

1474
01:23:28,400 --> 01:23:32,479
Speaker 1: this bitch and a blood clock took him away. So

1475
01:23:32,560 --> 01:23:34,320
Speaker 1: that's why Kendrick had to come out to fill in

1476
01:23:34,439 --> 01:23:38,120
Speaker 1: for m j Right. Yeah, rest in peace, m j R.

1477
01:23:38,880 --> 01:23:41,840
Speaker 1: The first time we had any lost anybody on tour, Nigga,

1478
01:23:42,600 --> 01:23:44,800
Speaker 1: We've been going to Reno for years, my nigga, that's

1479
01:23:44,840 --> 01:23:50,280
Speaker 1: never happened. You know, it's so crazy that yeah, man,

1480
01:23:50,400 --> 01:23:52,800
Speaker 1: how many? Wait? Wait wait wait, but before we get

1481
01:23:52,840 --> 01:23:55,320
Speaker 1: I just have the Kendrick. What I wanted to get

1482
01:23:55,360 --> 01:23:57,280
Speaker 1: and talk about wasn't. So Kendrick came out, did you

1483
01:23:57,400 --> 01:24:00,960
Speaker 1: did you see? Oh? Yes, what us to come from? Kendred?

1484
01:24:01,080 --> 01:24:03,200
Speaker 1: Oh yes, That's why people don't know that he was

1485
01:24:03,280 --> 01:24:05,760
Speaker 1: on a song before Fragile on All sixes and seven

1486
01:24:05,840 --> 01:24:07,479
Speaker 1: is called I Love Music. Because after he gave me

1487
01:24:07,560 --> 01:24:09,679
Speaker 1: that section eighty disc or whatever, I went home listen

1488
01:24:09,680 --> 01:24:11,560
Speaker 1: to him, like, damn, let's take it hard. So I

1489
01:24:11,600 --> 01:24:14,200
Speaker 1: sent him a song I Love Music. Nobody didn't know

1490
01:24:14,240 --> 01:24:17,519
Speaker 1: who he was, somebody from crazyhood. I could guarantee guarantee.

1491
01:24:17,560 --> 01:24:23,880
Speaker 1: It's not crazy. I think it's something from Okay. So

1492
01:24:24,320 --> 01:24:26,679
Speaker 1: nobody know who he was, but I knew he was talented.

1493
01:24:27,040 --> 01:24:28,920
Speaker 1: You know what I'm saying. And that's a little bit.

1494
01:24:29,040 --> 01:24:30,680
Speaker 1: Did you ever think about I want to sign him

1495
01:24:30,720 --> 01:24:33,360
Speaker 1: to Strange? Well, when we signed Jay Rock, we had everybody,

1496
01:24:33,800 --> 01:24:36,080
Speaker 1: you know what I'm saying. Yeah, yeah, yeah, we had everybody.

1497
01:24:36,160 --> 01:24:37,439
Speaker 1: You know what I'm saying. It's like we have first

1498
01:24:37,520 --> 01:24:39,800
Speaker 1: riding refusal all that ship. You know what I'm saying. So,

1499
01:24:40,080 --> 01:24:45,920
Speaker 1: which is which is Jay rockboar Q and Apps? And

1500
01:24:46,560 --> 01:24:48,920
Speaker 1: she said that man, no show on home to What

1501
01:24:49,040 --> 01:24:51,400
Speaker 1: did you just say? What I say? You just said

1502
01:24:51,439 --> 01:24:56,720
Speaker 1: you had first rider refusal? You know what I'm saying. Yea,

1503
01:24:57,439 --> 01:25:08,080
Speaker 1: which is Kendrick Jay Rock? App? So school yeah music. Well,

1504
01:25:08,120 --> 01:25:10,920
Speaker 1: they didn't have an album, the CD. We were connected

1505
01:25:10,960 --> 01:25:12,560
Speaker 1: to him, so it's like we could do whatever. But

1506
01:25:12,600 --> 01:25:14,600
Speaker 1: then when Dre came in and say we want that,

1507
01:25:15,320 --> 01:25:17,519
Speaker 1: he was like, yeah, do you know give us so

1508
01:25:17,560 --> 01:25:20,439
Speaker 1: many Yeah, we wouldn't get in the way, you know.

1509
01:25:20,439 --> 01:25:21,960
Speaker 1: So we're just helping Jay Rock out, you know what

1510
01:25:21,960 --> 01:25:23,439
Speaker 1: I'm saying, Get him up a warner, you know what

1511
01:25:23,479 --> 01:25:26,519
Speaker 1: I mean. And that's how it happened. I guess he

1512
01:25:26,600 --> 01:25:29,640
Speaker 1: met Dre at the the l A show on the

1513
01:25:29,760 --> 01:25:32,519
Speaker 1: same tour. He met on the tour, Yeah, when he

1514
01:25:32,600 --> 01:25:34,000
Speaker 1: was on the toy Yeah, but we did we play

1515
01:25:34,040 --> 01:25:36,200
Speaker 1: the House of Blues. We played the House of bluest

1516
01:25:36,280 --> 01:25:41,479
Speaker 1: him that j Rocks sister helped me out. Yeah. So

1517
01:25:41,680 --> 01:25:47,519
Speaker 1: after that, after he signed with DRE, I sent him,

1518
01:25:49,080 --> 01:25:52,920
Speaker 1: uh Fragile and Yellow Wolf was like, no, man, send

1519
01:25:52,920 --> 01:25:54,680
Speaker 1: it to me. Man, I got this, he said. I

1520
01:25:54,680 --> 01:25:57,840
Speaker 1: ain't been feeling music lately, man, and this really pushed me,

1521
01:25:58,360 --> 01:26:03,360
Speaker 1: he said. Yellow said. I said, I sent Kendrick, but

1522
01:26:03,400 --> 01:26:07,439
Speaker 1: he was on tour. Yea, they sent it. They came

1523
01:26:07,479 --> 01:26:10,519
Speaker 1: to Kansas City to play me beats. Before we had

1524
01:26:10,560 --> 01:26:13,720
Speaker 1: our studio, we were still in fucking tapman, dude. And

1525
01:26:13,800 --> 01:26:19,519
Speaker 1: now they have a city. Yeah. Yeah, so's got a city,

1526
01:26:19,640 --> 01:26:27,120
Speaker 1: we got we got land, we got Strange World, we

1527
01:26:27,200 --> 01:26:34,040
Speaker 1: got strange works. Now, So what then is I saying?

1528
01:26:34,160 --> 01:26:39,040
Speaker 1: Sucked up? So they came to Kansas City and they

1529
01:26:39,120 --> 01:26:41,640
Speaker 1: played me all these beats. I'm listening like damn, and

1530
01:26:41,960 --> 01:26:44,519
Speaker 1: Fragile came on. I said, who's beat is that? That's ours?

1531
01:26:44,600 --> 01:26:46,320
Speaker 1: But you can have it. I said, are y'all sure?

1532
01:26:47,120 --> 01:26:48,600
Speaker 1: Are y'all sure, y'all want to give this to me?

1533
01:26:49,320 --> 01:26:51,439
Speaker 1: Because I knew it when I heard it, Dude, Like,

1534
01:26:51,520 --> 01:26:55,280
Speaker 1: I got sure because they had kind and yeah, they

1535
01:26:55,360 --> 01:26:58,200
Speaker 1: just playing me beats so off this ship, like, if

1536
01:26:58,200 --> 01:26:59,960
Speaker 1: you want any this, you can have it. And I'm like,

1537
01:27:00,080 --> 01:27:03,200
Speaker 1: what that is so fucking love dude, you know what

1538
01:27:03,200 --> 01:27:04,960
Speaker 1: I'm saying. That gave me fucking fragile. You don't have

1539
01:27:05,000 --> 01:27:08,679
Speaker 1: to give me that ship. We own this record, right, yeah,

1540
01:27:09,080 --> 01:27:11,599
Speaker 1: you own this record right? What you're talking about your own?

1541
01:27:11,720 --> 01:27:14,080
Speaker 1: I mean because we can play it right now. Oh yeah,

1542
01:27:14,160 --> 01:27:17,559
Speaker 1: we don't get DJH. We don't need to like clear

1543
01:27:17,640 --> 01:27:23,120
Speaker 1: and clear and clear go through in Yeah, and them too.

1544
01:27:23,160 --> 01:27:24,840
Speaker 1: They're gonna say, yeah, you know what I'm saying. It's

1545
01:27:24,840 --> 01:27:28,240
Speaker 1: just hold on, hold on. We all got our first

1546
01:27:28,280 --> 01:27:31,679
Speaker 1: plaque off of this record. Yeah, we did an man Yeah,

1547
01:27:32,000 --> 01:27:37,680
Speaker 1: first of ago, I'm not the first black and second off. Yes,

1548
01:27:37,720 --> 01:27:44,639
Speaker 1: should have seen me a plaque from being friends strong record.

1549
01:27:44,720 --> 01:27:48,000
Speaker 1: Hold on, we're taking a bad but play the record though,

1550
01:27:48,120 --> 01:27:54,080
Speaker 1: right because we own them right now? To no no, no,

1551
01:27:54,120 --> 01:28:09,280
Speaker 1: no like that. It's a shame. It's okay, Okay, here

1552
01:28:09,320 --> 01:28:14,160
Speaker 1: we go the whole thing back. So Tech, what are

1553
01:28:14,200 --> 01:28:16,360
Speaker 1: you out here for the Mayday Show? All you was

1554
01:28:16,400 --> 01:28:18,360
Speaker 1: out here just because he was out here, I'm out

1555
01:28:18,400 --> 01:28:22,880
Speaker 1: here for this and the Mayday Show mission video as

1556
01:28:22,920 --> 01:28:32,000
Speaker 1: well you know what I'm saying. Goddamn you take shot shot. Brother,

1557
01:28:32,120 --> 01:28:35,760
Speaker 1: Let me find out, Let me find out you, let

1558
01:28:35,800 --> 01:28:40,880
Speaker 1: me look look at it yourself. Look, I'm trying to

1559
01:28:40,880 --> 01:28:43,360
Speaker 1: go to sleep on my plane, y'all you're gon sleep

1560
01:28:43,479 --> 01:28:46,559
Speaker 1: for she's gonna go to sleep. I'm like, I'm one

1561
01:28:48,520 --> 01:28:55,720
Speaker 1: that's to my three hours of sleep. I had brother,

1562
01:28:56,439 --> 01:28:58,519
Speaker 1: You know, I thought you can't get to help people out.

1563
01:28:58,560 --> 01:29:04,960
Speaker 1: Look at you. I did come to help a little

1564
01:29:04,960 --> 01:29:08,640
Speaker 1: about him. Oh, I'm not gonna lie and look at

1565
01:29:08,640 --> 01:29:13,240
Speaker 1: you about the fly? Play right now the plane for

1566
01:29:13,240 --> 01:29:17,479
Speaker 1: a half hour. What you use for your h your

1567
01:29:17,520 --> 01:29:20,479
Speaker 1: clean cut? Is it? Because I do it myself and

1568
01:29:20,520 --> 01:29:22,400
Speaker 1: sometimes miss spot some ship know his name is the

1569
01:29:22,960 --> 01:29:25,280
Speaker 1: Oh you have somebody do that. He's got dominic a person.

1570
01:29:25,840 --> 01:29:27,479
Speaker 1: You look like you'll still have your hairline if you

1571
01:29:27,520 --> 01:29:30,800
Speaker 1: grew your hair back. I tried to. It doesn't survive, no,

1572
01:29:32,200 --> 01:29:34,599
Speaker 1: you know, but my ship, my ship will grow though.

1573
01:29:34,640 --> 01:29:36,639
Speaker 1: Yeah I got I got full set ahead. Oh yeah, yeah,

1574
01:29:36,680 --> 01:29:38,639
Speaker 1: me too. But it was stalking back there a full

1575
01:29:38,720 --> 01:29:43,760
Speaker 1: set yeah out No mean dress no, no, no, you

1576
01:29:43,920 --> 01:29:52,640
Speaker 1: want dress you like I used to drink chat you

1577
01:29:59,320 --> 01:30:04,680
Speaker 1: the wagon to he used to be me Molly. He

1578
01:30:04,800 --> 01:30:06,720
Speaker 1: was still back then, but I don't know if you're

1579
01:30:06,760 --> 01:30:13,680
Speaker 1: talking about he was used to bringing Molly. He is

1580
01:30:15,479 --> 01:30:17,600
Speaker 1: that guy for what's half second in my hand, I

1581
01:30:18,800 --> 01:30:23,479
Speaker 1: got stories like that in the war report. Don't throw

1582
01:30:23,520 --> 01:30:28,800
Speaker 1: me in the port. It was terrible, terrible whatever. I'm

1583
01:30:28,800 --> 01:30:31,400
Speaker 1: so sorry we went We went totally left. Right now,

1584
01:30:31,640 --> 01:30:34,719
Speaker 1: It's okay, let's just have fun. Man, Yo, Strange music

1585
01:30:35,200 --> 01:30:38,160
Speaker 1: now made it. This is the direct question for you guys.

1586
01:30:39,240 --> 01:30:45,080
Speaker 1: This guy has set up this international independent hustle. How

1587
01:30:45,160 --> 01:30:49,439
Speaker 1: does it feel being a part of that conglomerate. I

1588
01:30:49,439 --> 01:30:55,760
Speaker 1: don't mean it feels amazing much. We're not that rich.

1589
01:30:57,160 --> 01:31:00,200
Speaker 1: I feel like we need to reach even more fans. Um.

1590
01:31:00,640 --> 01:31:03,920
Speaker 1: It feels like we were giving like a blueprint of

1591
01:31:04,120 --> 01:31:07,120
Speaker 1: like how to like make it and ship you know

1592
01:31:07,160 --> 01:31:10,840
Speaker 1: what I'm saying. Yeah, Like I feel like, um, when

1593
01:31:10,880 --> 01:31:13,360
Speaker 1: I watched when I watched Tech and them, like we

1594
01:31:13,560 --> 01:31:16,360
Speaker 1: try and basically tour as much as he does, and

1595
01:31:16,439 --> 01:31:18,439
Speaker 1: we try and like put out records as much as

1596
01:31:18,479 --> 01:31:21,240
Speaker 1: he does. And because we see that, like one of

1597
01:31:21,280 --> 01:31:25,160
Speaker 1: the main things that I think helped him was his consistency,

1598
01:31:25,840 --> 01:31:27,840
Speaker 1: you know, and fans could always depend on like a

1599
01:31:27,920 --> 01:31:32,439
Speaker 1: high quality, and yes, because the continuity, because that's a

1600
01:31:32,520 --> 01:31:40,439
Speaker 1: new world I learned personally, I love that I can,

1601
01:31:42,520 --> 01:31:45,519
Speaker 1: but yeah, no, so I mean I think that really

1602
01:31:45,640 --> 01:31:48,560
Speaker 1: like was like is the learning curve for us? Was

1603
01:31:48,640 --> 01:31:50,200
Speaker 1: like it's huge, you know what I'm saying, Like when

1604
01:31:50,240 --> 01:31:52,759
Speaker 1: we got there, you know, and then obviously being amongst

1605
01:31:52,840 --> 01:31:55,680
Speaker 1: like the fucking best rapper in the world, Like I

1606
01:31:55,800 --> 01:31:58,240
Speaker 1: really think he's one of the illistans. And it's just

1607
01:31:58,240 --> 01:32:01,880
Speaker 1: because we had already been you know, we we go back,

1608
01:32:01,920 --> 01:32:03,439
Speaker 1: we've been around the block a few times, and we

1609
01:32:03,600 --> 01:32:05,719
Speaker 1: run into a lot of people with you know, amazing

1610
01:32:05,800 --> 01:32:08,880
Speaker 1: talent level, but they're not genuine good people. Whereas that's

1611
01:32:08,920 --> 01:32:11,840
Speaker 1: strange from all the way from Tech to the newest

1612
01:32:11,920 --> 01:32:14,599
Speaker 1: artists that signed you get nothing but like very humbled

1613
01:32:14,640 --> 01:32:17,080
Speaker 1: down to earth, want to work like good motherfucker's that

1614
01:32:17,320 --> 01:32:19,160
Speaker 1: don't give a shit about like y'all let me get

1615
01:32:19,160 --> 01:32:20,720
Speaker 1: in front of you get this shot like they all

1616
01:32:20,800 --> 01:32:23,639
Speaker 1: want everybody to win, which is just a beautiful thing. Now,

1617
01:32:23,800 --> 01:32:26,240
Speaker 1: let me ask you something because Tech a little too

1618
01:32:26,360 --> 01:32:29,200
Speaker 1: or earlier where he was saying that Wayne was interested

1619
01:32:29,200 --> 01:32:31,880
Speaker 1: in y'all and we all seen the video when you guys,

1620
01:32:32,040 --> 01:32:37,920
Speaker 1: um together or whatever. Well no, no, with Wayne walking

1621
01:32:38,000 --> 01:32:40,120
Speaker 1: the may Days, No, they were innimated they were in

1622
01:32:40,160 --> 01:32:44,240
Speaker 1: the Wayne video. This is just it just comes to

1623
01:32:44,280 --> 01:32:46,519
Speaker 1: a testament how cool Way is as a person that

1624
01:32:47,760 --> 01:32:50,080
Speaker 1: they invited us there to basically be his band for

1625
01:32:50,160 --> 01:32:54,280
Speaker 1: the video and in between takes, like us not first

1626
01:32:54,320 --> 01:32:57,120
Speaker 1: of all, not being Hella Green, We like literally brought

1627
01:32:57,160 --> 01:32:59,519
Speaker 1: our our equipment to the video shoot, which you're just

1628
01:32:59,520 --> 01:33:02,360
Speaker 1: supposed to in your guitar and that's it, like even

1629
01:33:02,560 --> 01:33:04,559
Speaker 1: not an amp, and like really play, so we brought

1630
01:33:04,600 --> 01:33:07,120
Speaker 1: all our ship. So in between takes we would just

1631
01:33:07,280 --> 01:33:09,479
Speaker 1: play and he would rap with us, so he would

1632
01:33:09,520 --> 01:33:11,519
Speaker 1: just like have a Really he had a great time

1633
01:33:11,680 --> 01:33:13,960
Speaker 1: just vibbing with us. So he to the other video

1634
01:33:14,479 --> 01:33:16,439
Speaker 1: and then after that, when he saw the shirts there,

1635
01:33:16,479 --> 01:33:18,200
Speaker 1: he just for the video without even had some grabbed

1636
01:33:18,240 --> 01:33:20,080
Speaker 1: the shirt and put it on for the video. His

1637
01:33:20,160 --> 01:33:23,120
Speaker 1: stylist everybody was like okay, like you know what I mean,

1638
01:33:23,160 --> 01:33:25,599
Speaker 1: they had to change every the people at the at

1639
01:33:25,640 --> 01:33:28,200
Speaker 1: the at the label, We're like, who are these Mayday people?

1640
01:33:28,200 --> 01:33:30,040
Speaker 1: Why is he rapping them? Like do we need to

1641
01:33:30,080 --> 01:33:33,280
Speaker 1: funk with these people now? Because he is shirt and

1642
01:33:33,400 --> 01:33:37,599
Speaker 1: he put on the maida. Yeah, that man, I mean,

1643
01:33:37,720 --> 01:33:40,080
Speaker 1: and again it's just because he's just cool. Lest motherfucker

1644
01:33:40,200 --> 01:33:42,120
Speaker 1: doesn't care, and like I feel like it just goes

1645
01:33:42,240 --> 01:33:44,200
Speaker 1: up and into that story is that we we we

1646
01:33:44,360 --> 01:33:46,479
Speaker 1: opened up, we played a show our center. We opened

1647
01:33:46,560 --> 01:33:49,240
Speaker 1: up for Goodye Mom and nas amazing show. And then

1648
01:33:49,400 --> 01:33:51,160
Speaker 1: that was after the video shoot, and then that was

1649
01:33:51,200 --> 01:33:53,439
Speaker 1: a Saturday. Then Sunday it was Super Bowl Sunday. The

1650
01:33:53,520 --> 01:33:56,400
Speaker 1: next day we're at to create. Everybody's chilling watching super Bowl.

1651
01:33:56,520 --> 01:33:58,439
Speaker 1: We get a call. They're like, Wayne, he was about

1652
01:33:58,479 --> 01:33:59,880
Speaker 1: to go he was about to go away, and he

1653
01:34:00,080 --> 01:34:01,720
Speaker 1: was like, Wayne wants you to play his going away

1654
01:34:01,800 --> 01:34:04,439
Speaker 1: party Sunday night on the beach, Like it's in three hours.

1655
01:34:04,880 --> 01:34:06,400
Speaker 1: And we was like you know, we were like, okay,

1656
01:34:06,439 --> 01:34:08,280
Speaker 1: we got some time. Plex being the impulsive when that

1657
01:34:08,280 --> 01:34:10,200
Speaker 1: he is ran out like Loki ran out the door.

1658
01:34:10,320 --> 01:34:12,240
Speaker 1: He was like, let's go. What do I need? What

1659
01:34:12,320 --> 01:34:14,160
Speaker 1: equipment do we need? We ended up playing his going

1660
01:34:14,200 --> 01:34:16,559
Speaker 1: away party that night. It's crazy. He shows a lot

1661
01:34:16,600 --> 01:34:18,919
Speaker 1: of in one weekend. And these guys are so professional.

1662
01:34:19,160 --> 01:34:21,760
Speaker 1: They're rocking with instruments as well, they run. These are

1663
01:34:22,560 --> 01:34:24,679
Speaker 1: rappers you ever met in your life as well. Don't

1664
01:34:24,680 --> 01:34:27,720
Speaker 1: get it twisted. But they're rocking with equipment and we're

1665
01:34:27,760 --> 01:34:30,040
Speaker 1: going to a rap show where they would not expecting

1666
01:34:30,240 --> 01:34:33,960
Speaker 1: equipment at that show. And that was insane that these

1667
01:34:34,000 --> 01:34:36,439
Speaker 1: guys professionalism set up and we're able to do a

1668
01:34:36,479 --> 01:34:39,160
Speaker 1: show us against the room. Drake was in there, and

1669
01:34:39,240 --> 01:34:42,160
Speaker 1: Drake was just starting to get persis for me right now,

1670
01:34:46,360 --> 01:34:48,240
Speaker 1: Wait the fucking Luis and made it. Were supposed to

1671
01:34:48,240 --> 01:34:54,920
Speaker 1: make some looks a strange music. I supposed to night.

1672
01:34:58,800 --> 01:35:01,200
Speaker 1: You'll listen, man. We did what we had to do

1673
01:35:02,640 --> 01:35:04,599
Speaker 1: because we had to do it, and we love doing

1674
01:35:04,640 --> 01:35:07,040
Speaker 1: it doing it. I feel like it's one more shot.

1675
01:35:07,120 --> 01:35:11,920
Speaker 1: It's left, and it's definitely shot. One more shot. Yeah,

1676
01:35:11,920 --> 01:35:18,639
Speaker 1: because you gotta stop to relax relaxed, relaxed with yeah again,

1677
01:35:18,640 --> 01:35:20,280
Speaker 1: I don't give me back to chest, stop smoking her.

1678
01:35:20,360 --> 01:35:22,439
Speaker 1: And if you want to like another one nowhere because

1679
01:35:22,479 --> 01:35:25,000
Speaker 1: you know why you don't want that. Mother liked one

1680
01:35:25,120 --> 01:35:38,160
Speaker 1: for me. Yeah. We turned half to Jamabe. You know,

1681
01:35:38,240 --> 01:35:40,760
Speaker 1: you know you do you know? Do you know I

1682
01:35:40,800 --> 01:35:42,280
Speaker 1: did a song when I said we're in a club

1683
01:35:42,400 --> 01:35:45,080
Speaker 1: like that, I did I did that? Yeah, I did that.

1684
01:35:45,720 --> 01:35:48,400
Speaker 1: I forgot what song it was like, you've got like

1685
01:35:48,520 --> 01:35:54,240
Speaker 1: nine thousand saws. Yeah you y. I rhymed it thought

1686
01:35:54,280 --> 01:35:56,280
Speaker 1: like go out to dine. I got you got you

1687
01:35:56,360 --> 01:35:59,720
Speaker 1: getting naught out from mine? You know. Rhyme's gonna take

1688
01:35:59,880 --> 01:36:01,559
Speaker 1: this in me that man. But I don't know what's there.

1689
01:36:01,880 --> 01:36:04,160
Speaker 1: I forgot what you talked about on all on my

1690
01:36:04,360 --> 01:36:06,280
Speaker 1: song or I have with you and you was like

1691
01:36:06,439 --> 01:36:08,519
Speaker 1: Molly some ship. You and Molly have beet for a

1692
01:36:08,560 --> 01:36:11,000
Speaker 1: little while. Oh yeah we did. What happened? It almost

1693
01:36:11,080 --> 01:36:13,320
Speaker 1: killed me. I like Molly. She never did not even

1694
01:36:13,320 --> 01:36:15,519
Speaker 1: bad to me. But I say, I got. I got

1695
01:36:15,600 --> 01:36:18,080
Speaker 1: the money to keep it coming in abundance, and you

1696
01:36:18,160 --> 01:36:21,240
Speaker 1: do too, the same. But I didn't want it to stop.

1697
01:36:21,720 --> 01:36:23,960
Speaker 1: I don't want it to ever stop. You know, learn

1698
01:36:24,040 --> 01:36:26,599
Speaker 1: my lesson from Mexico coming flat Bush, I said, wait

1699
01:36:26,640 --> 01:36:31,080
Speaker 1: a minute, from taking singles to double stacks to triple

1700
01:36:31,120 --> 01:36:36,439
Speaker 1: stacks too, for triple stacks and all that kind of stacks. Yeah,

1701
01:36:36,479 --> 01:36:37,960
Speaker 1: I went to triple tacks, you know what I'm saying,

1702
01:36:38,360 --> 01:36:40,559
Speaker 1: triple stacks. After that, you go to pure m DNA,

1703
01:36:40,720 --> 01:36:42,680
Speaker 1: you know what I'm saying. The little capsules. Now, when

1704
01:36:42,720 --> 01:36:44,720
Speaker 1: we talk about that, are you talking about you? You're

1705
01:36:44,760 --> 01:36:46,800
Speaker 1: breaking pete because look I don't know if you're not

1706
01:36:47,360 --> 01:36:52,400
Speaker 1: chemist right now, take to the pace. Molly back then

1707
01:36:53,439 --> 01:36:56,479
Speaker 1: comes in like like a little capsule, you know what

1708
01:36:56,479 --> 01:36:58,639
Speaker 1: I'm saying, Like you're taking medicine and you can break

1709
01:36:58,680 --> 01:37:00,840
Speaker 1: it open. And if it's a group of people, we

1710
01:37:01,000 --> 01:37:02,680
Speaker 1: break it open and put it on the table. You

1711
01:37:02,720 --> 01:37:05,519
Speaker 1: know what I'm saying. You put lines as many lines

1712
01:37:05,560 --> 01:37:08,080
Speaker 1: you can make, and you lick your finger and you

1713
01:37:08,200 --> 01:37:11,080
Speaker 1: do your line bound. Your line is one thousand. Let's

1714
01:37:11,080 --> 01:37:21,920
Speaker 1: brought a line cocaine. Guys like yeah, yeah, it's like

1715
01:37:22,000 --> 01:37:23,800
Speaker 1: you know he real with it because he wiped it

1716
01:37:23,880 --> 01:37:32,599
Speaker 1: down like you know, like you Yeah, some people wouldn't

1717
01:37:32,600 --> 01:37:34,360
Speaker 1: like that. Some chips you like, put up their nose

1718
01:37:34,439 --> 01:37:36,200
Speaker 1: and ship like that. I never did that. I know

1719
01:37:36,320 --> 01:37:39,240
Speaker 1: people that they wanted benches, wanted their asks. Yeah, they

1720
01:37:39,320 --> 01:37:41,560
Speaker 1: wanted there. They want the pills in their ass. But

1721
01:37:41,680 --> 01:37:44,000
Speaker 1: it caused in the linkt and link its, you know

1722
01:37:44,040 --> 01:37:45,800
Speaker 1: what I'm saying. No, I haven't dealt with that. Yeah,

1723
01:37:45,840 --> 01:37:47,720
Speaker 1: I never. I'm just I know this has been just

1724
01:37:47,840 --> 01:37:49,320
Speaker 1: like this is one in the man asks. I think

1725
01:37:49,360 --> 01:37:51,040
Speaker 1: this is want of somebody to put it in their ass,

1726
01:37:51,760 --> 01:37:53,479
Speaker 1: you know what I'm saying. So they would have something

1727
01:37:53,560 --> 01:37:55,760
Speaker 1: in there, so I say, put something else in my

1728
01:37:55,840 --> 01:37:57,280
Speaker 1: ass if you put a pillar in my ass. For

1729
01:37:57,400 --> 01:37:59,360
Speaker 1: some reason, I feel like we've been in the same tour.

1730
01:38:02,600 --> 01:38:04,280
Speaker 1: I met a couple of chicks that in their ass,

1731
01:38:04,320 --> 01:38:06,400
Speaker 1: and I'm like, you gotta go do it, my nigga.

1732
01:38:06,960 --> 01:38:08,760
Speaker 1: I'm not going to put it in the guys. Hope

1733
01:38:08,760 --> 01:38:11,200
Speaker 1: for you guys right now. No, I never put it

1734
01:38:11,280 --> 01:38:22,439
Speaker 1: in the ass. I never never. It was just talk.

1735
01:38:22,520 --> 01:38:24,280
Speaker 1: I'm like, you never had it in that. I'm like, no,

1736
01:38:25,000 --> 01:38:38,880
Speaker 1: I never got a look at my look cheat, you

1737
01:38:38,920 --> 01:38:43,439
Speaker 1: you ain't get give me small. Let's telling my ship.

1738
01:38:43,520 --> 01:38:46,720
Speaker 1: That's I got you. That's an honor. That's nig pulled.

1739
01:38:46,800 --> 01:38:49,200
Speaker 1: My shot was pop Dad, you got yours over he had.

1740
01:38:49,320 --> 01:39:05,200
Speaker 1: Don't respect for me, you gotch respect, Vote TV, strange music,

1741
01:39:05,400 --> 01:39:09,760
Speaker 1: crazy hud entertainment, drink chance. This is what we do.

1742
01:39:10,240 --> 01:39:15,040
Speaker 1: We celebrate our motherfucking hip hop legends while they are alive.

1743
01:39:15,680 --> 01:39:17,920
Speaker 1: They flowers where they can smell them, give them their

1744
01:39:17,960 --> 01:39:20,200
Speaker 1: trees where they can help them, give them their thoughts

1745
01:39:20,240 --> 01:39:22,280
Speaker 1: where they can think them. We give them their drinks

1746
01:39:22,320 --> 01:39:30,280
Speaker 1: where they can't drink them. I want to break a lot.

1747
01:39:30,320 --> 01:39:41,840
Speaker 1: I think I want one more guys, you know what

1748
01:39:42,280 --> 01:39:47,519
Speaker 1: we're talking about, to forget about you know what, because

1749
01:39:48,560 --> 01:39:53,760
Speaker 1: nine they want to salute you guys. We want to

1750
01:39:53,800 --> 01:39:59,920
Speaker 1: respect you guys because a lot of us what happens there.

1751
01:40:00,200 --> 01:40:06,240
Speaker 1: People have success and when they humble themselves down and

1752
01:40:06,320 --> 01:40:10,840
Speaker 1: they gotta go independent, it's almost like, damn, I gotta

1753
01:40:10,880 --> 01:40:13,000
Speaker 1: pay for this. I gotta pay for this. I gotta

1754
01:40:13,000 --> 01:40:15,240
Speaker 1: pay for this, and a lot of us get distracted.

1755
01:40:15,439 --> 01:40:22,200
Speaker 1: Of course, I want to salute y'all. I want to

1756
01:40:22,200 --> 01:40:26,719
Speaker 1: show respect to y'all. I want to actually really salute

1757
01:40:26,800 --> 01:40:33,160
Speaker 1: y'all for sticking with it, believing in yourselves and going

1758
01:40:33,240 --> 01:40:35,840
Speaker 1: out there and doing what you gotta do to get

1759
01:40:35,880 --> 01:40:39,040
Speaker 1: what you gotta get. To make sure everybody and y'all

1760
01:40:39,640 --> 01:40:42,720
Speaker 1: you know, expect Strom is doing what they gotta do

1761
01:40:43,720 --> 01:40:46,400
Speaker 1: because a lot of people get distracted. I got distracted

1762
01:40:46,479 --> 01:40:50,759
Speaker 1: so many times being dependent. I really hate it because

1763
01:40:52,439 --> 01:40:56,360
Speaker 1: it's because I was so spoiled. I've been you know,

1764
01:40:56,479 --> 01:41:00,439
Speaker 1: flat gold albums, and after we lost that thousand on

1765
01:41:00,479 --> 01:41:02,720
Speaker 1: our first tour. You have to have you have to

1766
01:41:02,800 --> 01:41:04,280
Speaker 1: have the balls and to get up to say we're

1767
01:41:04,280 --> 01:41:07,000
Speaker 1: gonna do it again, do it again. Yeah, because if

1768
01:41:07,000 --> 01:41:11,080
Speaker 1: you lose that my money be like a tour buses

1769
01:41:11,120 --> 01:41:12,800
Speaker 1: and all that kind of ship. You know what I'm saying.

1770
01:41:13,200 --> 01:41:15,080
Speaker 1: Now we go out with so many tour busters. You

1771
01:41:15,120 --> 01:41:18,760
Speaker 1: know what I'm saying. It's beautiful saying yeah, but we

1772
01:41:18,840 --> 01:41:20,439
Speaker 1: want to thank you all. I want to thank you

1773
01:41:20,479 --> 01:41:25,000
Speaker 1: all for getting funked up a little. By the way,

1774
01:41:26,120 --> 01:41:31,000
Speaker 1: I still have my project. I still have my and

1775
01:41:31,400 --> 01:41:33,840
Speaker 1: I'll finish these two and we got two more. It's okay,

1776
01:41:34,680 --> 01:41:42,720
Speaker 1: it's okay. I'm so good, Okay, so good good. It's

1777
01:41:42,760 --> 01:41:46,840
Speaker 1: just a quarter Rican Cuban shape. We do listen man,

1778
01:41:47,040 --> 01:41:51,720
Speaker 1: drink champs. We are for the culture and by the

1779
01:41:51,800 --> 01:41:55,519
Speaker 1: culture with a new food book exactly. And then arab

1780
01:41:55,680 --> 01:41:58,840
Speaker 1: and Cameras podcasting and the Arab and came up podcasting,

1781
01:41:59,160 --> 01:42:02,360
Speaker 1: a dj MC got together and we wanted to celebrate

1782
01:42:02,400 --> 01:42:05,280
Speaker 1: our culture. The thing about our thing is we don't

1783
01:42:05,680 --> 01:42:07,560
Speaker 1: bring people here and try to take them down. We

1784
01:42:07,640 --> 01:42:09,519
Speaker 1: get fun with them. We have fun with them. But

1785
01:42:09,680 --> 01:42:11,920
Speaker 1: at the end of the day, our things about bick

1786
01:42:12,000 --> 01:42:14,840
Speaker 1: en up legends and can making people continue to to

1787
01:42:15,960 --> 01:42:19,240
Speaker 1: funk with our people because you know, they got Motley

1788
01:42:19,320 --> 01:42:21,960
Speaker 1: Cruel and they got entertainment tonight and they got all this,

1789
01:42:22,280 --> 01:42:24,840
Speaker 1: and I always thought, like, where the funk where his

1790
01:42:24,960 --> 01:42:28,040
Speaker 1: our ship? And then the offense the whiz our ship,

1791
01:42:28,120 --> 01:42:31,400
Speaker 1: And he said, we're already making this is what it is.

1792
01:42:31,479 --> 01:42:36,280
Speaker 1: This is a live source magazine. You get five mics

1793
01:42:36,400 --> 01:42:42,840
Speaker 1: right here time and we're gonna continue. You know, so

1794
01:42:42,880 --> 01:42:45,320
Speaker 1: many people hit me and we did these interviews and

1795
01:42:45,400 --> 01:42:47,640
Speaker 1: say my ship is charting again and that ship, but

1796
01:42:47,760 --> 01:42:49,160
Speaker 1: that's not what we're doing it before. We're doing it

1797
01:42:49,200 --> 01:42:53,920
Speaker 1: because we're sincerely believe in you. Yeah, I appreciate it.

1798
01:42:54,800 --> 01:42:58,639
Speaker 1: You understand we sincerely believe in you. So that's where

1799
01:42:58,720 --> 01:43:01,240
Speaker 1: we continue to do it. You can teue to pick

1800
01:43:01,360 --> 01:43:05,639
Speaker 1: up all legends may day. We love you wonderful. Sure,

1801
01:43:05,800 --> 01:43:08,080
Speaker 1: we wish you everything. I wish I could be here.

1802
01:43:08,400 --> 01:43:14,479
Speaker 1: I'm going on the right now before we get out

1803
01:43:14,479 --> 01:43:17,080
Speaker 1: of here. Thank you also because you've helped me as well.

1804
01:43:20,840 --> 01:43:26,479
Speaker 1: So it's really and tech is my tech. Um. I

1805
01:43:26,640 --> 01:43:28,960
Speaker 1: just I would like to bring you to this other

1806
01:43:29,600 --> 01:43:31,600
Speaker 1: like form of life. What I mean by that is,

1807
01:43:32,000 --> 01:43:34,719
Speaker 1: I'm sure you're sure seeing it all. For so many

1808
01:43:34,840 --> 01:43:40,240
Speaker 1: people that I know that are artists struggling on majors

1809
01:43:41,040 --> 01:43:44,519
Speaker 1: and they just don't know the other outlet. They don't

1810
01:43:44,560 --> 01:43:47,200
Speaker 1: know it. The thing is, you can't call them stupid,

1811
01:43:47,240 --> 01:43:49,360
Speaker 1: you can't call them dumb, you can't call them nothing,

1812
01:43:49,439 --> 01:43:52,080
Speaker 1: because they just don't know. They just feel like, all right, cool,

1813
01:43:52,240 --> 01:43:54,240
Speaker 1: I'll make a record. Gave it to such and such

1814
01:43:54,280 --> 01:44:11,240
Speaker 1: Tommy Sussa and Tommy smug, you know, and Tommy gets

1815
01:44:11,600 --> 01:44:17,960
Speaker 1: emotion emotion, and then they say, damn, my ship ain't work.

1816
01:44:18,680 --> 01:44:21,160
Speaker 1: The thing is you just hiring higher help. You're not

1817
01:44:21,280 --> 01:44:25,360
Speaker 1: having a whole structure to see why it works. And

1818
01:44:25,400 --> 01:44:27,200
Speaker 1: the thing is me looking from the outside and I

1819
01:44:27,360 --> 01:44:29,920
Speaker 1: know that's what it is. And the thing is we

1820
01:44:30,040 --> 01:44:32,800
Speaker 1: have to spread that. That's what thing to drink Champs.

1821
01:44:32,840 --> 01:44:35,240
Speaker 1: We've got to help each other, help each other, no doubt,

1822
01:44:35,479 --> 01:44:38,120
Speaker 1: we need each other. If you got the mastermind to

1823
01:44:38,240 --> 01:44:41,799
Speaker 1: being independent, I think that it's not only a becoming

1824
01:44:41,960 --> 01:44:47,000
Speaker 1: artist that coming see strange music, but it's also established artists,

1825
01:44:47,760 --> 01:44:53,040
Speaker 1: people that's legends and people that you respect. Yeah, you know,

1826
01:44:53,080 --> 01:44:55,240
Speaker 1: I'm saying we signed merge. You know some people would

1827
01:44:55,240 --> 01:44:57,040
Speaker 1: listen to for years. You know, I'm trying to say,

1828
01:44:57,200 --> 01:45:00,240
Speaker 1: we got to continue that because if you have the

1829
01:45:00,320 --> 01:45:03,200
Speaker 1: method to the madness, let's come over here. We'll be

1830
01:45:03,360 --> 01:45:06,519
Speaker 1: fair with you because this is what we this is

1831
01:45:07,280 --> 01:45:11,840
Speaker 1: what we're preaching, correct, and it should come to you.

1832
01:45:11,960 --> 01:45:15,800
Speaker 1: Why should there be these other independent I don't want

1833
01:45:15,840 --> 01:45:17,720
Speaker 1: to name all names because I got it right here.

1834
01:45:18,960 --> 01:45:26,720
Speaker 1: I don't please you're not name syllable exactly because I'm yeah,

1835
01:45:27,479 --> 01:45:31,720
Speaker 1: you know, but that's what I'm saying. We gotta keep

1836
01:45:32,720 --> 01:45:38,439
Speaker 1: the key, you know, representing that that this is there's

1837
01:45:38,439 --> 01:45:42,760
Speaker 1: a person and I have to say black man, but

1838
01:45:42,800 --> 01:45:44,080
Speaker 1: I don't want to say that. If this is a

1839
01:45:44,680 --> 01:45:49,479
Speaker 1: healthy entrepreneur that has the method to winning, and there's

1840
01:45:49,520 --> 01:45:52,200
Speaker 1: other people who have the method to wanting to win,

1841
01:45:53,520 --> 01:45:56,240
Speaker 1: they should be referred in your direction of my bucket.

1842
01:45:56,760 --> 01:45:58,960
Speaker 1: You're absolutely correct. Yeah, Hopson came out way. You know

1843
01:45:58,960 --> 01:46:00,439
Speaker 1: what I'm saying, before you fail that you can do

1844
01:46:00,560 --> 01:46:03,840
Speaker 1: his own you know what I'm saying, Um, did you

1845
01:46:03,880 --> 01:46:07,200
Speaker 1: almost good? Mother? I could have swore him was going

1846
01:46:07,640 --> 01:46:11,160
Speaker 1: to Strange at one point. Yeah, they made some statements

1847
01:46:11,240 --> 01:46:13,680
Speaker 1: like they wanted to write, you know, saying they were

1848
01:46:13,800 --> 01:46:16,720
Speaker 1: interested in coming to Strange, but it never did material life.

1849
01:46:17,479 --> 01:46:19,280
Speaker 1: You know what I mean? A lot of people come

1850
01:46:19,320 --> 01:46:20,600
Speaker 1: our way, you know what I'm saying with it, it

1851
01:46:20,760 --> 01:46:23,599
Speaker 1: has to be one thousand though. You know what I'm saying,

1852
01:46:24,520 --> 01:46:27,080
Speaker 1: What do you mean by that? It has to be good?

1853
01:46:27,320 --> 01:46:29,599
Speaker 1: You know what I'm saying, it's has You know, everybody

1854
01:46:29,680 --> 01:46:32,160
Speaker 1: we have on the labels because we love their music,

1855
01:46:33,160 --> 01:46:34,599
Speaker 1: we just put them on his own, just be put

1856
01:46:34,680 --> 01:46:37,120
Speaker 1: on his own. You know, it can't be just the name.

1857
01:46:37,600 --> 01:46:40,040
Speaker 1: You have to be doing the product at the same time.

1858
01:46:40,200 --> 01:46:45,679
Speaker 1: So right now, the hottest artists, bubble people people, people

1859
01:46:45,680 --> 01:46:50,599
Speaker 1: have been telling me to sign xx x tinsion or something. Yeah, yeah, yeah,

1860
01:46:50,600 --> 01:46:59,519
Speaker 1: how you say it's good? Yeah yeah, yeah, yeah yeah yeah. Uh.

1861
01:47:00,040 --> 01:47:04,479
Speaker 1: Vanessa Vanessa from double XL said you need to sign

1862
01:47:04,560 --> 01:47:05,960
Speaker 1: this kid, you need to sign his kid, and she

1863
01:47:06,040 --> 01:47:08,040
Speaker 1: turned me onto him because I'm in my own world.

1864
01:47:08,200 --> 01:47:09,760
Speaker 1: I heard about him, and I heard about the phone

1865
01:47:09,800 --> 01:47:11,479
Speaker 1: Ki's having and all that kind of ship. You think,

1866
01:47:11,479 --> 01:47:13,600
Speaker 1: all like, I don't want to he gotta stop this

1867
01:47:13,720 --> 01:47:17,559
Speaker 1: is Drake. Other than that he got to stop dicing Drake. Yeah,

1868
01:47:18,280 --> 01:47:21,759
Speaker 1: I think that's start. Yeah. You know, if he realized

1869
01:47:21,760 --> 01:47:23,200
Speaker 1: that he ain't got to just nobody to get his

1870
01:47:23,280 --> 01:47:26,280
Speaker 1: mother fucking momsy flow money. You know I'm saying, it's like,

1871
01:47:26,720 --> 01:47:29,120
Speaker 1: you ain't gotta do that ship and I think about that.

1872
01:47:29,240 --> 01:47:32,120
Speaker 1: That's a perfect fucking ship. Yeah that strange, Yeah, I

1873
01:47:32,160 --> 01:47:37,840
Speaker 1: mean that's what she said. Yeah, yes, she said. But

1874
01:47:37,880 --> 01:47:40,320
Speaker 1: I've been seeing him with Gus lately, so maybe maybe

1875
01:47:40,640 --> 01:47:46,080
Speaker 1: that's as an empire. Yeah yeah, all day me too.

1876
01:47:46,920 --> 01:47:50,080
Speaker 1: So maybe maybe that's what it is anybody part of

1877
01:47:50,479 --> 01:47:53,200
Speaker 1: because that's that's the thing that I got from four

1878
01:47:53,320 --> 01:47:56,679
Speaker 1: four four album, right, And I hate to keep bringing

1879
01:47:56,720 --> 01:47:58,920
Speaker 1: it up, but that's I love that album. That's an

1880
01:47:58,920 --> 01:48:03,760
Speaker 1: amazing album because what he's preaching is why should I

1881
01:48:03,840 --> 01:48:06,400
Speaker 1: compete with you when I could eat with you? And

1882
01:48:06,479 --> 01:48:12,559
Speaker 1: he's preaching maturity number one needs. So the thing about

1883
01:48:12,600 --> 01:48:17,719
Speaker 1: it this maybe guys that got him on the radio,

1884
01:48:18,800 --> 01:48:22,679
Speaker 1: but maybe guys you don't guy him on that tour circuit. Yeah,

1885
01:48:22,960 --> 01:48:25,800
Speaker 1: all of us play a part, play a part. That's

1886
01:48:25,840 --> 01:48:29,760
Speaker 1: a bit of thing. Like to me, that's what hip

1887
01:48:29,800 --> 01:48:33,479
Speaker 1: hop is missing, no doubt. Listen, you know what I

1888
01:48:34,240 --> 01:48:39,200
Speaker 1: you know, one day, all right, I'll tell the story.

1889
01:48:42,040 --> 01:48:46,240
Speaker 1: One day I go to Vegas. Right, So I got

1890
01:48:46,360 --> 01:48:50,080
Speaker 1: I gotta thinks, you know, handling my business? I know him,

1891
01:48:50,240 --> 01:48:55,120
Speaker 1: you know, I don't really So they're like, yo, Scarface

1892
01:48:55,200 --> 01:48:59,559
Speaker 1: wants to go last I've been through that, and I'm

1893
01:49:00,040 --> 01:49:05,080
Speaker 1: my people are like, Na, Mary's going last. I'm in

1894
01:49:05,200 --> 01:49:11,000
Speaker 1: Las Vegas. Yeah, what was wrong with me? He's not

1895
01:49:11,200 --> 01:49:21,120
Speaker 1: saying relax, scar face to yourself. This is this ecstasy days.

1896
01:49:23,360 --> 01:49:25,280
Speaker 1: This is ecstasy days. So I'm like, I got a

1897
01:49:25,320 --> 01:49:27,559
Speaker 1: story like that. They say some ship and I should

1898
01:49:27,560 --> 01:49:30,280
Speaker 1: have said no, no, let's go on, face go laps.

1899
01:49:31,320 --> 01:49:39,639
Speaker 1: But I'm you're shore alright, cool nigga can't know artists

1900
01:49:39,680 --> 01:49:45,880
Speaker 1: come on at the marry Mary Mary Mary Mary Mary

1901
01:49:46,040 --> 01:49:49,280
Speaker 1: Jane Mary. Man. You can't, Niki, you can't come on

1902
01:49:49,479 --> 01:49:54,160
Speaker 1: after that. Buster Marns might say you gotta relax, ship

1903
01:49:54,400 --> 01:49:56,320
Speaker 1: all you gotta do and say what what? What? What?

1904
01:49:57,680 --> 01:50:01,479
Speaker 1: I let that motherfuck cool off? I said, scar, I said,

1905
01:50:01,479 --> 01:50:11,280
Speaker 1: who said? This was just something handing me and say

1906
01:50:11,800 --> 01:50:13,920
Speaker 1: that word up And then he came back to me

1907
01:50:14,240 --> 01:50:18,800
Speaker 1: and you a found me. But this is what I'm

1908
01:50:18,800 --> 01:50:24,040
Speaker 1: trying to say. So, how do you go worldwide and

1909
01:50:24,120 --> 01:50:26,920
Speaker 1: you don't give a funk wherever you are? No, that's

1910
01:50:26,960 --> 01:50:30,000
Speaker 1: because you all the headliner. Let's keep it real. You

1911
01:50:30,120 --> 01:50:33,880
Speaker 1: had a story like Man's. It's good at yours keeps

1912
01:50:33,880 --> 01:50:42,240
Speaker 1: your cold. He's the cold body. Nobody don't watch this.

1913
01:50:42,520 --> 01:50:44,800
Speaker 1: She just wouldn't about to have go on from some

1914
01:50:44,960 --> 01:50:48,320
Speaker 1: nigger in Kansas City like she's the queen. She ain't.

1915
01:50:48,720 --> 01:50:52,000
Speaker 1: She ain't about to go on before no nigger but

1916
01:50:52,280 --> 01:50:54,479
Speaker 1: my town. And I wouldn't trip in, you know what

1917
01:50:54,520 --> 01:50:56,080
Speaker 1: I'm saying. I was like, ship, if she want to

1918
01:50:56,120 --> 01:50:59,040
Speaker 1: go on, let her, you know what, after me, it's cool,

1919
01:50:59,240 --> 01:51:00,840
Speaker 1: you know what I'm saying. I get a fuck, but

1920
01:51:00,920 --> 01:51:03,360
Speaker 1: I've seen it was like she said, and I went

1921
01:51:03,400 --> 01:51:06,000
Speaker 1: through that with rock Cam. I went through that with UM.

1922
01:51:08,000 --> 01:51:11,000
Speaker 1: I went to what got describe like mother fucker's didn't

1923
01:51:11,040 --> 01:51:15,560
Speaker 1: want to go on without me before yeah, yeah, before me,

1924
01:51:16,920 --> 01:51:19,680
Speaker 1: yeah yeah yeah. But was the hardest because you know,

1925
01:51:19,800 --> 01:51:23,040
Speaker 1: my mom was there and she wanted to hear her saying.

1926
01:51:23,120 --> 01:51:28,320
Speaker 1: You know what I'm saying. So I gave her the slot,

1927
01:51:28,880 --> 01:51:32,000
Speaker 1: but the slot where she was supposed to play, it

1928
01:51:32,120 --> 01:51:34,320
Speaker 1: was just an empty stage and everybody just had to

1929
01:51:34,360 --> 01:51:37,320
Speaker 1: wait for that tour, you know what I'm saying, the

1930
01:51:37,840 --> 01:51:40,840
Speaker 1: spot she was supposed to play, you know what I'm saying.

1931
01:51:40,920 --> 01:51:44,519
Speaker 1: And then I went on after that and gave her

1932
01:51:44,600 --> 01:51:46,680
Speaker 1: hers after that, you know what I'm saying. And then

1933
01:51:46,760 --> 01:51:49,479
Speaker 1: the security try to push this out and I'm like, nigga, no,

1934
01:51:49,800 --> 01:51:52,800
Speaker 1: we're not moving that my mom want to see. Go

1935
01:51:52,920 --> 01:51:56,479
Speaker 1: get your boss. You know what I'm saying. Even though

1936
01:51:56,560 --> 01:51:58,439
Speaker 1: she tried to pull a rank, you know what I'm saying,

1937
01:52:00,000 --> 01:52:02,320
Speaker 1: it was nothing. It was trying to kick you out. Yeah,

1938
01:52:02,600 --> 01:52:04,640
Speaker 1: like you gotta get off the stage. I'm like, no, no,

1939
01:52:04,720 --> 01:52:06,479
Speaker 1: I don't. This is my mom right there in the chair. No,

1940
01:52:06,960 --> 01:52:09,599
Speaker 1: we're not We're not moving. I gave up my spot

1941
01:52:09,840 --> 01:52:13,439
Speaker 1: for her. I'm not giving up my mom's spots. Sorry, y'all. Tank.

1942
01:52:13,560 --> 01:52:15,160
Speaker 1: We know who you are, we know who we're gonna know.

1943
01:52:15,240 --> 01:52:16,920
Speaker 1: I don't give a funk about Tech Night right now.

1944
01:52:17,160 --> 01:52:20,680
Speaker 1: I think I'm talking about my mom. Move. Oh just

1945
01:52:20,720 --> 01:52:23,120
Speaker 1: move all our way. So I'm wrong. You know what

1946
01:52:23,160 --> 01:52:30,040
Speaker 1: I'm saying, You Tech mom and mother, we gotta you,

1947
01:52:30,120 --> 01:52:32,720
Speaker 1: gotta gets you, gotta gi thank you, thank you, thank you.

1948
01:52:34,040 --> 01:52:37,880
Speaker 1: What is it? Three Champ shirt and Champs cup. Oh yeah,

1949
01:52:39,560 --> 01:52:42,080
Speaker 1: I'm wearing this ship. That's what y'all calling. That's form

1950
01:52:42,120 --> 01:52:49,320
Speaker 1: my side, that's type, that's room. We gave two sides

1951
01:52:49,400 --> 01:52:52,160
Speaker 1: just kids. I don't Oh yeah we got ship in

1952
01:52:52,240 --> 01:52:57,000
Speaker 1: here at homes By that album. Got damn it. You

1953
01:52:57,080 --> 01:53:02,880
Speaker 1: gotta you gotta listen to Yeah, this is going down

1954
01:53:02,920 --> 01:53:08,400
Speaker 1: to my bar man. You gotta take a smoke. You smoke,

1955
01:53:10,479 --> 01:53:14,160
Speaker 1: all right, so listen rightstand. I didn't understand how did

1956
01:53:14,240 --> 01:53:17,479
Speaker 1: this thing come off? What happened? Was you like you

1957
01:53:17,600 --> 01:53:20,760
Speaker 1: woke up drunk and cheeseburger, but you asked who would

1958
01:53:20,760 --> 01:53:24,640
Speaker 1: you ask? I gotta pent this question right now when

1959
01:53:24,680 --> 01:53:29,120
Speaker 1: your wife Okay, I got I got twins on the way.

1960
01:53:29,160 --> 01:53:32,760
Speaker 1: It's my first kids. Trying to compete with call Yeah,

1961
01:53:33,560 --> 01:53:36,479
Speaker 1: I guess it wasn't on purpose, but we got talks

1962
01:53:36,520 --> 01:53:38,280
Speaker 1: on the way, and I figured, for the first time

1963
01:53:38,360 --> 01:53:39,680
Speaker 1: ever in my life, I'm gonna go you know, I'm

1964
01:53:39,720 --> 01:53:41,560
Speaker 1: gonna go clean, I'm gonna go dry, sober. It was

1965
01:53:41,600 --> 01:53:45,320
Speaker 1: you on y'all. Yeah, yeah, definitely life at all. No, no, no,

1966
01:53:45,439 --> 01:53:48,559
Speaker 1: my life never Now she's a gee, but be honest,

1967
01:53:48,760 --> 01:53:51,519
Speaker 1: she challenge the pregnancy you did? You did? You were

1968
01:53:51,520 --> 01:53:52,960
Speaker 1: the first want to call it? Actually we had dinner

1969
01:53:53,000 --> 01:53:57,200
Speaker 1: and we we we met up at uh yeah yoakies,

1970
01:53:57,400 --> 01:53:59,080
Speaker 1: and you're like, yeah, let's list. Actually I was drinking

1971
01:53:59,080 --> 01:54:00,960
Speaker 1: still then I hadn't decide because it took me a

1972
01:54:00,960 --> 01:54:02,280
Speaker 1: little while to be like, am I gonna do this?

1973
01:54:02,320 --> 01:54:04,040
Speaker 1: And I could commit to this. You know, like I

1974
01:54:04,120 --> 01:54:06,120
Speaker 1: knew she was pregnant that night I was drinking. She

1975
01:54:06,280 --> 01:54:08,479
Speaker 1: wasn't drinking, and then she said, no, I'm not drinking.

1976
01:54:08,479 --> 01:54:10,280
Speaker 1: I got a headache. And he's like, or you're pregnant.

1977
01:54:10,479 --> 01:54:13,840
Speaker 1: I was like, goddamn, like right out the chill, or

1978
01:54:13,880 --> 01:54:16,240
Speaker 1: you're pregnant. I could tell if someone's not drinking. There's

1979
01:54:16,240 --> 01:54:19,280
Speaker 1: a yeah, you called. You were the first one to call.

1980
01:54:19,360 --> 01:54:24,200
Speaker 1: So are you're pregnant too? You gave me the out

1981
01:54:24,200 --> 01:54:25,880
Speaker 1: of you you gave me and you looked at me too,

1982
01:54:26,000 --> 01:54:31,960
Speaker 1: you look like, look, what is it? Drinks artificially, know,

1983
01:54:32,120 --> 01:54:34,920
Speaker 1: but but for real? So you feel like if you

1984
01:54:35,120 --> 01:54:39,520
Speaker 1: drink it messes up your white that's not I just figured,

1985
01:54:40,160 --> 01:54:42,640
Speaker 1: like my family's British, right, so we are drinking. Is

1986
01:54:42,680 --> 01:54:49,640
Speaker 1: in my family drink? Yeah? So that's you know, that's

1987
01:54:49,640 --> 01:54:51,480
Speaker 1: where you're drinking. That's where you love for drinking comes from,

1988
01:54:51,480 --> 01:54:54,040
Speaker 1: because that's what we do in England. You drink socially.

1989
01:54:54,160 --> 01:54:56,480
Speaker 1: It's just like when your pipes made. Oh yeah, you

1990
01:54:56,560 --> 01:54:58,480
Speaker 1: drink of pine. You're like, it's made, it's made. Is

1991
01:54:58,520 --> 01:55:07,760
Speaker 1: that that's a gotta Australia. I love I do love

1992
01:55:07,840 --> 01:55:09,760
Speaker 1: to drink. So when when I figured I was gonna

1993
01:55:10,160 --> 01:55:11,640
Speaker 1: if I was ever going to be able to go

1994
01:55:11,720 --> 01:55:13,960
Speaker 1: a little bit without drinking, because I do. I've been drinking,

1995
01:55:14,040 --> 01:55:15,760
Speaker 1: you know, since I started drinking, and you know, I've

1996
01:55:15,760 --> 01:55:18,880
Speaker 1: been drinking whatever, ten plus a year is easy, and um,

1997
01:55:19,080 --> 01:55:20,920
Speaker 1: I figured the only way for me to maybe take

1998
01:55:20,960 --> 01:55:22,920
Speaker 1: a real detox was to tie it to something that

1999
01:55:23,200 --> 01:55:25,840
Speaker 1: was as monumental as like the birth of my first kids,

2000
01:55:25,960 --> 01:55:27,520
Speaker 1: you know, at the twins that I got on the way.

2001
01:55:27,800 --> 01:55:29,840
Speaker 1: So I figured I'm gonna tie in to that, and

2002
01:55:29,920 --> 01:55:31,360
Speaker 1: then I'm gon, yeah, I'm gonna pray for the best

2003
01:55:31,360 --> 01:55:33,440
Speaker 1: because I'm three months in now, so I got six

2004
01:55:33,480 --> 01:55:38,600
Speaker 1: months left, respect, and then I'm back with events. Respect

2005
01:55:39,240 --> 01:55:42,400
Speaker 1: when we're drunking high enough for him, we drinking six kids.

2006
01:55:42,400 --> 01:55:43,920
Speaker 1: I just realized as I was telling you this, I'm

2007
01:55:43,920 --> 01:55:50,040
Speaker 1: telling listen, okay, respect, listen, Man, I got six kids.

2008
01:55:51,000 --> 01:56:00,840
Speaker 1: Do every pregnancy for all six kids. I'm not coping

2009
01:56:00,880 --> 01:56:05,600
Speaker 1: with me right now. Really, I don't like, man, You're

2010
01:56:05,600 --> 01:56:09,880
Speaker 1: the only one to did. Listen. Man, it was strange music.

2011
01:56:10,440 --> 01:56:18,320
Speaker 1: Mayde and my brother right here right burn like we

2012
01:56:18,440 --> 01:56:26,760
Speaker 1: got more champagne even and we got more. Listen man,

2013
01:56:27,680 --> 01:56:30,920
Speaker 1: hip hop. We don't have enough of hip hop celebrating

2014
01:56:31,000 --> 01:56:33,840
Speaker 1: hip hop. So instead of me and my partner d

2015
01:56:33,960 --> 01:56:38,800
Speaker 1: J e. Fen sitting around and complaining and saying people hip,

2016
01:56:39,200 --> 01:56:42,160
Speaker 1: why don't people sit around and you know, you know,

2017
01:56:42,320 --> 01:56:46,240
Speaker 1: salute Norty by Nature and care U's one man, you know,

2018
01:56:46,600 --> 01:56:50,960
Speaker 1: and Naas or Jay or Marb team. We didn't want

2019
01:56:50,960 --> 01:56:53,200
Speaker 1: to sit around and complain about that ship, you know

2020
01:56:53,360 --> 01:56:55,920
Speaker 1: we wanted to do. We wanted to do the exact

2021
01:56:55,960 --> 01:57:00,040
Speaker 1: opposite and just fucking sit around and we're here. We

2022
01:57:00,120 --> 01:57:04,440
Speaker 1: are showed them respect. So Tech nine, if you never

2023
01:57:04,560 --> 01:57:08,000
Speaker 1: heard it, you did hear it, You're gonna hear it again,

2024
01:57:09,120 --> 01:57:12,400
Speaker 1: your motherfucking legend. Thank you. We appreciate you, dude, for

2025
01:57:12,520 --> 01:57:15,920
Speaker 1: hip hop. We appreciate you set out for hip hop

2026
01:57:16,040 --> 01:57:19,040
Speaker 1: for everybody that if you want to be independent, it's

2027
01:57:19,040 --> 01:57:23,200
Speaker 1: a whole, a whole blueprint, it's a whole fucking format.

2028
01:57:24,080 --> 01:57:25,920
Speaker 1: Who want to thank you for that? You want to

2029
01:57:25,960 --> 01:57:28,920
Speaker 1: thank you for taking may Day and making them the

2030
01:57:29,120 --> 01:57:34,040
Speaker 1: international group. This is our local Miami family. When you're

2031
01:57:34,080 --> 01:57:36,040
Speaker 1: sitting there and making them, we want to thank you

2032
01:57:36,160 --> 01:57:39,320
Speaker 1: for that, and we want to thank you for being

2033
01:57:39,400 --> 01:57:49,200
Speaker 1: motherfucking technology. We will revote TV revote. I ain't gonna lie.

2034
01:57:49,240 --> 01:57:53,840
Speaker 1: I smoke like ten looking like a blood right now

2035
01:57:54,000 --> 01:57:58,400
Speaker 1: we do remote Yeah, yeah, yeah, you want to do

2036
01:57:59,200 --> 01:58:04,720
Speaker 1: I feel like you want to do someone. Okay, I

2037
01:58:04,760 --> 01:58:22,640
Speaker 1: got more. Come on, come on, come on. Before we

2038
01:58:22,720 --> 01:58:24,320
Speaker 1: get out of here, we just want to remind you

2039
01:58:24,560 --> 01:58:26,800
Speaker 1: that you can buy Drink Champs gear at your local

2040
01:58:26,920 --> 01:58:29,600
Speaker 1: dtl our store to look up the store nearest to you.

2041
01:58:29,960 --> 01:58:32,640
Speaker 1: You can also buy drink Champs gear and other merch

2042
01:58:32,920 --> 01:58:35,640
Speaker 1: at drink Champs dot com or eight and nine dot com.

2043
01:58:36,040 --> 01:58:39,040
Speaker 1: Check us on Revolt TV every Thursday night at ten pm,

2044
01:58:39,360 --> 01:58:43,560
Speaker 1: then unedited audio drops Monday nights going into Tuesday at midnight.

2045
01:58:43,960 --> 01:58:46,960
Speaker 1: Then check for the unnaited video Wednesday's on Revolt dot TV,

2046
01:58:47,520 --> 01:58:50,320
Speaker 1: drink Champs dot com, or you can go directly to YouTube.

2047
01:58:50,720 --> 01:58:53,600
Speaker 1: Look out for Nori's new food show coming soon as

2048
01:58:53,720 --> 01:58:57,200
Speaker 1: as new project featuring the upcoming single Uno mass produced

2049
01:58:57,320 --> 01:59:00,960
Speaker 1: and featuring Farrell. Check from my Coming Home documentaries Coming

2050
01:59:01,000 --> 01:59:04,320
Speaker 1: Home Vietnam documentary right now currently airing on Revolt TV

2051
01:59:04,840 --> 01:59:08,640
Speaker 1: and coming soon Coming Home Colombia. Follow us at Drink

2052
01:59:08,760 --> 01:59:12,280
Speaker 1: Champs on i G, Twitter, and Facebook, and Nori at

2053
01:59:12,320 --> 01:59:15,760
Speaker 1: the Real Noriega on Instagram, at Noriega on Twitter, and

2054
01:59:15,920 --> 01:59:18,480
Speaker 1: me e f n at Who's Crazy on I G

2055
01:59:18,840 --> 01:59:20,800
Speaker 1: and at d j e f n on Twitter, And

2056
01:59:20,920 --> 01:59:22,720
Speaker 1: until next week we had to hear peace