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Speaker 1: Hello the Internet, and welcome to season one, thirty eight,

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Speaker 1: Episode one of J Daily Like Guys, the production of

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Speaker 1: I Heart Radio. This is a podcast where we take

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Speaker 1: a deep dive into America's share consciousness and say, officially,

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Speaker 1: off the top, fuck the Koch Brothers, fuck Fox News,

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Speaker 1: fuck Rush Limbaugh, fuck Buck Sexton, fuck Sean Hannity. It's Monday, Rowling,

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Speaker 1: JK Rowling. It's Monday, June. My name is Jack O'Brien

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Speaker 1: ak Potatoes O'Brien, and I'm thrilled to be joined as

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Speaker 1: always by my co host, Mr Miles Gray of gray

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Speaker 1: is the color of my energy. WHOA but you can

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Speaker 1: call me Mr Maso. Thank you too, Hannah Saultis this

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Speaker 1: time actually wrote his game, not like yesterday where I

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Speaker 1: just pulled the just or the last week when I

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Speaker 1: pulled the energy out of the ether to get that.

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Speaker 1: Thank you to assaulted Hannah for that hammer three your

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Speaker 1: left Well. We are thrilled to be joined in our

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Speaker 1: third seat. It's the end of a long band. Uh.

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Speaker 1: We are thrilled to have him back. He is the

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Speaker 1: co host one of my favorite podcasts, The Flagrant Ones

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Speaker 1: on Patreon. He is Mr Carl Tart I'm bad Clan

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Speaker 1: Dottle Clink. Most of your new listeners don't know who I.

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Speaker 1: Oh they do if they listen to podcasts. Come on

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Speaker 1: call baby, Baby, don't be too modest. Now I've missed

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Speaker 1: you fellas so much of man Carl. How have you been, man,

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Speaker 1: because I've been a year and a half. It's been

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Speaker 1: a year and a half. I've been good. Uh, you know,

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Speaker 1: eating vegetables, trying to drink some water. Uh, you know

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Speaker 1: kind of vegetables. Uh, you know, broccoli, steaming the broccoli,

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Speaker 1: putting like a three three centimeters of water in the

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Speaker 1: big gass pot and throwing the broccoli in there. I

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Speaker 1: like my broccoli soft, which means not nutritious. Yeah. Oh,

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Speaker 1: you're just cooking all the nutrients out of it. With

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Speaker 1: cooking all the nutrients oide of the damnage. Because that's

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Speaker 1: like the first broccoli I was able to stomach was

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Speaker 1: over a microwave frozen broccoli. Uh. And sometimes I love

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Speaker 1: just mushy. I like broccoli. I like cheddar cheese with

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Speaker 1: little pieces of broccoli in it. That's the type of

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Speaker 1: broccoli that I prefer more in the cheese. Yeah, you're

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Speaker 1: in the cheese like broccoli cheese soup. When they make that,

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Speaker 1: yeah exactly, I'll always be down up for a bowl

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Speaker 1: of broccoli cheese soup. For some reason, it's probably the

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Speaker 1: worst decision you can make, but there are times when

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Speaker 1: I see it on a menu and I'm like trying,

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Speaker 1: I gotta get into broccoli cheese soup. Broccoli cheese soup

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Speaker 1: is something that I've never It's something about eating cheese

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Speaker 1: with a spoon that has never quite mesh for me.

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Speaker 1: And I love nachos, I love, I love cheese sauce,

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Speaker 1: but for some reason, when it's like it with a spoon,

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Speaker 1: it's like give me a chip. Yeah. No, that's called dignity.

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Speaker 1: That's the thing that is preventing you from wanting to

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Speaker 1: eat melted cheese with the spa Because usually when I

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Speaker 1: order it at Subway, they always say, oh, you're serious, Yes,

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Speaker 1: from us, from us, from this one behind me. Yeah,

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Speaker 1: And and you wanted a foot long tune us up.

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Speaker 1: I'm like yes, Like, ok, I'm gonna call Okay, you

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Speaker 1: might need an intervention, but they helped me on Carl,

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Speaker 1: You've also been eating a lot of fast food. On

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Speaker 1: dough Boys, well, another one of our favorite podcasts. What

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Speaker 1: what's the what's the best thing you've eaten? Uh? In

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Speaker 1: your time as a as a guest on Dough Boys

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Speaker 1: with the dough Boys, the best thing I had? Uh? Well,

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Speaker 1: I mean, you know, waffle house is my favorite restaurant

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Speaker 1: in America, and we did. I did a waffle House

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Speaker 1: with those cats. Um. I definitely had um. Culver's was good.

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Speaker 1: That was in Milwaukee. I enjoyed that. Um Detroit, Detroit.

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Speaker 1: I still I still got a bone to pick with

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Speaker 1: Detroit because I went and I put cheese on my

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Speaker 1: Coney Dog. Because I didn't grow up. The only conies

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Speaker 1: I had growing up was Sonic and it's a chili

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Speaker 1: cheese County. So and also I like when I eat

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Speaker 1: something with chili, I want cheese with it. This is

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Speaker 1: the cheese cheese cast. And when I like, I put

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Speaker 1: cheese on it. And the audience like started to boo

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Speaker 1: me when I said that. I'm like, hey man, all

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Speaker 1: of y'all could kiss my cheesy at wait, so like

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Speaker 1: you because you mentioned that you so it's a it's

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Speaker 1: a violation to put cheese on any because when I've

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Speaker 1: had like Coney's, like Cincinnati style chili, like Skyline or

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Speaker 1: gold Star Cheese is on there, and it didn't seem

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Speaker 1: like a transgression. But I guess it's all it's all regional, regional,

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Speaker 1: that's it's probably them trying to separate themselves from that.

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Speaker 1: But you know, like how in Chicago they get mad

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Speaker 1: at you if you put ketchup on your hot dog.

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Speaker 1: And I'm a catch up, amha dog. I'm going to

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Speaker 1: the South Side and telling everybody I ain't scared into

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Speaker 1: l a h. Alright, We're gonna we're gonna get to

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Speaker 1: know you a little bit better in a moment. First,

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Speaker 1: we are going to tell the listeners a couple of

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Speaker 1: things we're talking about. Uh, we're gonna just remind you

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Speaker 1: guys not to be fooled by the Uh you know,

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Speaker 1: the the symbolic stuff is cool. The tearing the statues

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Speaker 1: down is cool, but there's still a bunch of a

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Speaker 1: bunch of work to do structural change to pursue. We're

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Speaker 1: gonna talk about the economic outlook. Uh. This dude at

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Speaker 1: BuzzFeed News just like wrote this piece that is I

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Speaker 1: don't know if he's trying to terrify people, but uh

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Speaker 1: is it's scary, just like what not not like years

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Speaker 1: in the future, like a couple of months, like I think,

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Speaker 1: he said August, like our Uh. He said that the

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Speaker 1: American economy is like a a jetliner that's engines have

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Speaker 1: flamed out and now we're just coasting and we will

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Speaker 1: likely crash into the side of the mountain. Is the

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Speaker 1: metaphor that he used. Um, we'll talk about q uh.

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Speaker 1: We'll talk about the Chappelle special. We'll talk about the

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Speaker 1: number two movie on Netflix, the number two piece of content,

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Speaker 1: the number one movie on Netflix, a film called three

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Speaker 1: and sixty five dnny deny uh five days. Uh. It

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Speaker 1: is exactly alwriter Jam McNab said. It looks like a

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Speaker 1: horny bank commercial. Uh. And that's pretty accurate. It's but

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Speaker 1: it is. It is wild. Uh. So we're gonna talk

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Speaker 1: about all of that plenty more. But first, Carl, we

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Speaker 1: like to ask our guest, what is something from your

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Speaker 1: search history that is revealing about who you are. I'm

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Speaker 1: a band A M A B E N D. You

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Speaker 1: know what that is? That is the first recorded adult

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Speaker 1: film evert from like eighteen ninety six. And here's the

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Speaker 1: thing with that, I'm not even I'm not a I'm

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Speaker 1: not a porn toe guy, I don't really watch the

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Speaker 1: porn toe, but I'm like I was, I was thinking

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Speaker 1: to myself, like, what when did your first powerful imagination?

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Speaker 1: When did yeah, when do people first started getting freaky

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Speaker 1: on camera? And I looked it up and it was

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Speaker 1: this film, and I'm like that probably wasn't a good

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Speaker 1: situation for the women involved. I mean, yeah, I can't

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Speaker 1: imagine what the tactics were of the first pornography producer. Yeah,

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Speaker 1: in the game, So this is what country? Was it? German? German?

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Speaker 1: You know, you know it was Germany? Baby, you know,

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Speaker 1: you know how they get down What is the title mean?

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Speaker 1: Is it like in the evening something in the evening? Yeah,

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Speaker 1: that's what you're doing ten minutes long and uh hardcore hardcore. Yeah,

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Speaker 1: that was the first. That was the first hardcore one,

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Speaker 1: because before that it was like women showing ankles and

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Speaker 1: stuff like right, but yeah, this this director was like no, no, no, no, no,

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Speaker 1: women got moting ankles. Maybe he's like no, no, no no,

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Speaker 1: I aim the camera down there. That movie where the

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Speaker 1: Train Comes at You was actually considered pornography at the

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Speaker 1: time because just like, come on, well did you watch

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Speaker 1: the movie or you know, you can't find you can't

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Speaker 1: find it. Really, it hasn't I feel like, because I

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Speaker 1: know you can find like literally pornography, every piece of

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Speaker 1: pornography on the internet. That's yeah, come on, come on,

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Speaker 1: but not every there are people who are like diligently

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Speaker 1: trying to archive as many VHS old porn VHS tapes

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Speaker 1: to try and have a digitized like record. Yeah. Fortunately,

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Speaker 1: posterity is not something that the community is thinking about.

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Speaker 1: The Wikipedia page for this is uh is pretty wild,

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Speaker 1: Like they just they do a plo description like it

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Speaker 1: has a plot synopsis section where it's just like you know,

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Speaker 1: depicting a man peeing through a key way into a

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Speaker 1: woman's bedroom. The woman lies alone in a bed in

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Speaker 1: masterbates for some minutes. Then the man enters the woman's bedroom,

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Speaker 1: undresses himself, and the two partners engage in different sexual

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Speaker 1: activities and multiple positions. Uh so, and then they go

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Speaker 1: into that wasn't he didn't have a pizza or anything

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Speaker 1: to deliver? Yeah, I'm sorry, he was like through guy,

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Speaker 1: not peed, which is how I misread that. And I

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Speaker 1: was like, damn, they got freaky right away, and I'm

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Speaker 1: on my first behavior, best behavior. Never loved us first,

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Speaker 1: you know, you know, now, uh, what is something you

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Speaker 1: think is underrated? Carl uh putting jelly on breakfast sandwiches?

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Speaker 1: M I don't. And here's here's the deal. So a

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Speaker 1: lot of people like this. But when you when you

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Speaker 1: go to McDonald's and you get a biscuit, egg and

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Speaker 1: cheese sausag jag and cheese biscuit, you got to throw

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Speaker 1: that jelly on there and you got to drown it

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Speaker 1: in jelly. And people something I've said this before, People

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Speaker 1: been like, what boy, are you crazy? And then they

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Speaker 1: come back and they go, what, boy, you're genius? And

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Speaker 1: I go, first of all, don't call me boy. Uh,

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Speaker 1: don't call me boy, white lady, I, but I hope

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Speaker 1: you enjoyed. And I definitely you know jelly. I don't

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Speaker 1: think people I don't think people talk about it enough.

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Speaker 1: I don't think people understand. I know, I know it

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Speaker 1: might be a Southern thing, but all McDonald's got jelly,

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Speaker 1: and they got it for a reason. It's for those

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Speaker 1: breakfast sandwiches. I put jelly on my macgriddle, which people say,

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Speaker 1: you're gonna get your foot cut off eventually because a

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Speaker 1: lot of sugar, and I respect it. Do you do it?

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Speaker 1: Because I've I know people who like the biscuit with jelly.

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Speaker 1: Do you ever do with a McMuffin with cheese. I'm

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Speaker 1: gonna be real with you. I don't eat mcmuffins. Something

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Speaker 1: about the McMuffin, don't. It doesn't move me. I go,

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Speaker 1: I'm a biscuit or m grittle guy. However, if I

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Speaker 1: am forced to eat at McMuffin, if somebody brings me

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Speaker 1: somebody kidnap because they've been in love with you from

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Speaker 1: Afar and trapped you in their home for three day exactly,

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Speaker 1: and make me move to Sicily, if I'm going to

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Speaker 1: the Sicilian McDonald's and I'm being like Jehan, Yeah, the

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Speaker 1: jelly thing, I'm gonna have to try that because I

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Speaker 1: always see it. I'm just I don't like sweet and savory,

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Speaker 1: but whenever I have it together, I'm always like, this

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Speaker 1: is pretty good. Yeah, you like puto, you like priscutto

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Speaker 1: and cantaloup stuff like that. Oh, yes, I will say this.

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Speaker 1: So that was when I was eating. I lived in

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Speaker 1: Amsterdam for a year. When I was over there, I

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Speaker 1: don't think they had biscuits, so it was it was

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Speaker 1: mcmuffins over there, and I had to put my own

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Speaker 1: jelly on it because they didn't have jelly at the

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Speaker 1: McDonald's and they would always be like, what, I hate

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Speaker 1: this place, but uh, and then I will go back

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Speaker 1: to my house and put my own jelly on it.

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Speaker 1: There you go. I just realized I was about to

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Speaker 1: call you, uh, italy ophile, because there's francophile, there's an anglophile,

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Speaker 1: but there's it's apparently taliphilia is the is the word

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Speaker 1: for that? Nobody ever uses that? You got tile, I'm

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Speaker 1: gonna telephile a tallephile. Yeah. Man, sucks. They need they

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Speaker 1: need a better one than that. And there's nobody more

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Speaker 1: ready to go support that economy when they reopen. Mm

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Speaker 1: hmm uh Carl, what is something you think is overrated? Uh?

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Speaker 1: Soreness after leg day at the gym? What do you

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Speaker 1: mean overrated? In what way? Over? Like? Who wants to

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Speaker 1: be sore? That's stupid? Maybe like, oh man, it's working.

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Speaker 1: I can't barely get out of bed. I gotta go

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Speaker 1: to the bathroom and pete. But I just failed by

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Speaker 1: my bed because my legs are so sore. What do

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Speaker 1: you have this? Save an old woman from a burning

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Speaker 1: building and you're just like I can't do it, And

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Speaker 1: I'm like, but you be in the gym, and I'll

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Speaker 1: be like, but I just yesterday you just gotta drop

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Speaker 1: her and watch a burn. Are you have you? Have

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Speaker 1: you been recently taking a more aggressive approach to your

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Speaker 1: leg muscle development. Well, here's the deal. So we've been

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Speaker 1: out of the We've been out of working out for

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Speaker 1: I don't do homeworkouts. I just can't do it. I

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Speaker 1: can't get motivated to work out in my house. And

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Speaker 1: so I, uh, you know, have been off for the

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Speaker 1: past you know what, two and a half three months,

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Speaker 1: and due to the events of the last few weeks,

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Speaker 1: needed to release some steam and talk to I talked

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Speaker 1: to my actual therapist, but I also needed that gym therapy,

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Speaker 1: which I trained with this marine who's a crazy guy

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Speaker 1: but I love him, and he he had a set

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Speaker 1: up in his backyard that he's been trying to give

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Speaker 1: me to come through for the whole quarantine. And I'm like, no, no,

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Speaker 1: I'm not. I told you, I'm not. I'm not doing it.

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Speaker 1: But I broke it. Last weekend was just like, all right, man,

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Speaker 1: if everybody out here testing and stuff like that, I

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Speaker 1: guess I can go to my trainer's backyard, and it

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Speaker 1: actually was. Yeah, it was like really nice and really soothing,

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Speaker 1: and I needed it. I mean I definitely needed that outlet.

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Speaker 1: But now legs is weak out here. Boy. Oh man,

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Speaker 1: I was shaking. Man, I was shaking like a Morocca

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Speaker 1: in a damn gym. Everything I worked out core, everything

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Speaker 1: is gone from two months. That's why people be addicted

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Speaker 1: to the gym. Yeah. I think it's funny because I

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Speaker 1: had the opposite effects. I just hated gems and I

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Speaker 1: also couldn't get motivated enough to work out at home.

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Speaker 1: But once I was just at home, I was like,

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Speaker 1: I have to I have to move like it just

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Speaker 1: it just became like naturally. My body I think, was

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Speaker 1: just like, you have to do something because your butt

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Speaker 1: is shrinking from recording podcasts all day. Yeah. Yeah, straight up,

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Speaker 1: You're gonna ask no more Miles. That's what I've been

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Speaker 1: meaning to say. I was like, you're sitting a little low,

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Speaker 1: I know, a lot lower than normal. I was gonna

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Speaker 1: put my booster seat up. But I feel like Anna

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Speaker 1: and Jack and Dan would all call me out because

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Speaker 1: they know where my head usually sit in the frame. Carl,

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Speaker 1: what is a myth? What's something people think it's true,

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Speaker 1: you know, to be false. Public transportation is good in

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Speaker 1: this city. In this city is absolutely dog shit, but

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Speaker 1: people people try to say that it's good anywhere. My

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Speaker 1: the myth that I have is that public transportation is

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Speaker 1: bad everywhere. Everybody should have a car. Controversial with the

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Speaker 1: with the environmentalists, but okay, right, we'll get to a

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Speaker 1: place where we all have electronic cars. Yeah, let them

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Speaker 1: be electronic, allectric, whatever you wanted to be, water powered,

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Speaker 1: solar powered, but everybody needs a car. Public tranzation is

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Speaker 1: terrible everywhere people go. Oh but New York, the public

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Speaker 1: transportation is like, no, man, if I have to risk

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Speaker 1: getting robbed, like so of course I'm I'm a West

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Speaker 1: Coast guy. The bus here sucks because it's just't traffic,

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Speaker 1: just like everybody else does. You're gonna be late. You

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Speaker 1: gotta leave four hours in advance to get somewhere ten

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Speaker 1: minutes late. And so I've a car. This is a

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Speaker 1: car city is better with cars here. I hate getting

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Speaker 1: on the train. It's always some some bullshit going on

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Speaker 1: on the train. Somebody somebody doing something that they shouldn't

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Speaker 1: be doing, smoking meth, hitting somebody with a bicycle, like

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Speaker 1: it's always something that shouldn't be going on on the train,

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Speaker 1: and I'm just like, I'm stuck underground in the city

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Speaker 1: that has earthquakes with this dude smoking math and beating

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Speaker 1: people up with a bicycle. I don't like this. And

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Speaker 1: the bus, of course, it is terrible. I grew up

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Speaker 1: taking the bus here. Uh. I had to take the

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Speaker 1: bus until I was twenty three years old. When I

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Speaker 1: was able to buy my own car. My mom was like,

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Speaker 1: I ain't no money to buy you a car, and

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Speaker 1: so I'm very I'm I plan on having twelve cars

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Speaker 1: one day, so if one breaks the whole fleet, yeah,

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Speaker 1: because I'll never never get back on a damn bus.

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Speaker 1: I hate the bus. So the thing too with like

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Speaker 1: New York is I remember when we were when we

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Speaker 1: were on tour for our show, we were like, remember Jack,

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Speaker 1: we were trying to make we had we had to

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Speaker 1: get it to like make another train, and at some

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Speaker 1: point the train we were waiting for god delayed. In

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Speaker 1: true New York fashion, We're like, oh, the train we

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Speaker 1: were counting on to get us there in time is

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Speaker 1: now delayed, and now all this stress of like would

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Speaker 1: it be faster if we ran, would it be faster

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Speaker 1: if we tried to hal a cab all that extra

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Speaker 1: stress I was not feeling good about because comparatively, also

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Speaker 1: being Japanese in Japan, my fucking god, I'm telling you, Carl,

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Speaker 1: take those trains because they're never late, they're on time,

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Speaker 1: they're more accurate, like in terms of like staying on

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Speaker 1: scheduled and like the sun rising and setting. Uh. And

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Speaker 1: in that way, I feel good on public transport like that,

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Speaker 1: but I do wonder, like you know, busses and also

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Speaker 1: like uber like all the all the different things where

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Speaker 1: you're sharing space with other people. I wonder how those

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Speaker 1: are going to bounce back, because like I don't, I

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Speaker 1: don't feel good about like well right now. Unfortunately it's

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Speaker 1: about necessity though, you know what I mean. Like if

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Speaker 1: you don't the train, the subway, the bus, that is

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Speaker 1: your only option. So you know, for a large a

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Speaker 1: large group of people, that is that that's just gonna

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Speaker 1: have to be how it is. But I think it's

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Speaker 1: I think with l A, though we just have our

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Speaker 1: our our systems could be so much better if we

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Speaker 1: were able to build through wealthier areas because those are

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Speaker 1: like sort of the things that are holding up connecting

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Speaker 1: like truly downtown to the west side or the valley, ETCeteras,

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Speaker 1: Like because people in Beverly Hills are like, well, if

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Speaker 1: there's a subway station, then working people will get off

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Speaker 1: here and then they will be in my view. And

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Speaker 1: I don't like that. I don't like to acknowledge that

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Speaker 1: the world might be different than my bubble. Yeah, listen,

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Speaker 1: I ain't worried about getting no COVID in old train

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Speaker 1: station because it's already discussing enough. Something else is eating

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Speaker 1: up that COVID, like pec man somehow. Like subway stations

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Speaker 1: are like this safe place. They're like, there's actually a

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Speaker 1: more predatory virus that just just diminishes, demolishes all the molecules. Unfortunately,

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Speaker 1: it will devour your skin, so you won't have skin

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Speaker 1: by the end of it. But oh, it's also a

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Speaker 1: giant literal monster that could also eat you. Hoole to,

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Speaker 1: that's the thrill. Alright, let's take a quick break and

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Speaker 1: we'll be right back. And we're back. So first off, miles,

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Speaker 1: you have this uh section here titled don't be fooled.

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Speaker 1: There is still work to do, And I think that's

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Speaker 1: a that's a good point to make. I think there's

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Speaker 1: been a lot of tremendous progress in the last couple

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Speaker 1: of weeks in terms of seeing people get into the

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Speaker 1: streets get in touch with their power and their ability

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Speaker 1: to affect change by showing up UM. And I think

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Speaker 1: at the end of last week it was really cool

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Speaker 1: to see things like you know, NASCAR saying they're done

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Speaker 1: flying the stars and bars, or if you know, uh,

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Speaker 1: seeing watching statue of slavers go down across the world.

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Speaker 1: I think it was really powerful and these are great

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Speaker 1: um symbolic moments. But I want, you know, as much

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Speaker 1: as that feels good, and we're reclaiming fort like the

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Speaker 1: names of our forts so they're not named after Confederate

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Speaker 1: traders and things like that, I think it's important to

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Speaker 1: realize that, like the purpose of of everything that we're

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Speaker 1: doing and what we're drawing our attention to is that

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Speaker 1: we actually have to pursue deep structural change UM. And

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Speaker 1: while these are good like visual things that help us

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Speaker 1: stay engaged, like, we also have to keep our eye

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Speaker 1: on the prize because l A, the budget is not

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Speaker 1: final in l A. That's just that's that's just been

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Speaker 1: one thing we have not actually see how that will

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Speaker 1: play out in terms of how much less funding the

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Speaker 1: police will receive, because right normally they get I think

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Speaker 1: last year is one point eight six billion, and they're

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Speaker 1: asking for three this year. So a hundred fifty million

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Speaker 1: dollars isn't that significant when we're talking about all the

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Speaker 1: other services that are going by the wayside because of

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Speaker 1: these lopsided budgets. So you know, as I know, it

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Speaker 1: looks like there's all kinds of things happening, and there are,

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Speaker 1: but we also need to be really really aware that

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Speaker 1: this was all set up because people really hadn't began

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Speaker 1: to understand what black folks have been talking about in

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Speaker 1: terms of systemic oppression in this country over policing and

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Speaker 1: white supremacy. And I think if we're gonna have a reckoning,

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Speaker 1: let's make sure we are we're always keeping our eye

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Speaker 1: on that. Yeah. The the fact that, like, I think

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Speaker 1: we need to get more involved, like at a local level.

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Speaker 1: I feel like culturally, um, you know, because everybody is

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Speaker 1: connected by social media now, everybody's like kind of focused

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Speaker 1: on the same pop culture. Like people in the Midwest

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Speaker 1: who are hipsters look like people who are hipsters in Brooklyn,

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Speaker 1: like everything's like this one big, massive culture that I

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Speaker 1: don't think we I think we've kind of abandoned the

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Speaker 1: local a little bit um And I think like the

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Speaker 1: the fact that it was the city council that voted

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Speaker 1: to dissolve the Minneapolis Police Department over the objection and

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Speaker 1: like had a veto proof majority, Like that was kind

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Speaker 1: of eye opening to me that, like the city council

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Speaker 1: is not something that I was paying that much attention to,

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Speaker 1: like in my neighborhood. I was paying attention to it

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Speaker 1: when I knew somebody who's involved with a race or something.

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Speaker 1: But uh, it's like the the local, the things that

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Speaker 1: you can do, like to involve yourself as a as

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Speaker 1: a citizen in your community, are you know. That's that's

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Speaker 1: where we're gonna have to like continue to push and

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Speaker 1: continue to you know, fight for change. It seems like,

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Speaker 1: all right, well, let's talk about the economic outlook, uh

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Speaker 1: and why it's bleak. You just you wrote lava and

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Speaker 1: mushroom clouds as a description. Is that the name of

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Speaker 1: the article or that was your description of what? That

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Speaker 1: was my description of? What of the the visual this

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Speaker 1: guy has given us? Yeah, I mean he's basically I mean,

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Speaker 1: he used, I don't know which one is more dramatic,

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Speaker 1: because he he used the jetliner that's engines have flamed out,

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Speaker 1: that's coasting and is about to crash into the side

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Speaker 1: of a mountain in August as the metaphor, which is

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Speaker 1: pretty dramatical also. But you know, he talks about how

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Speaker 1: our day to day economic lives are being propped up

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Speaker 1: by like emergency legislation, the um twelve thousand dollars or

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Speaker 1: twelve hundred dollar checks, twelve thousand dollars check, the eviction freezes,

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Speaker 1: the increased unemployment benefits. But he points out that that

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Speaker 1: ships all scheduled to expire in July and August UM,

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Speaker 1: and none of those things are as of right now

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Speaker 1: going to be replaced unless the Republicans have a complete

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Speaker 1: and total like change of I wrote change of heart,

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Speaker 1: but it seems like it would be more like change

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Speaker 1: of humans, like all the all the humans become different

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Speaker 1: humans who are in the Republican Party, because like it

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Speaker 1: just seems like it's counter to everything that they care

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Speaker 1: of us. Hum. Yeah, the Democrats tried to pass a

422
00:24:16,080 --> 00:24:20,239
Speaker 1: comprehensive aid package and it was just considered d o

423
00:24:20,280 --> 00:24:24,040
Speaker 1: A by the Republican Senate. The freeze on student loans

424
00:24:24,520 --> 00:24:27,879
Speaker 1: is set to expire in the fall. We're getting by

425
00:24:27,920 --> 00:24:30,919
Speaker 1: on food banks and stimulus checks that are about to

426
00:24:31,000 --> 00:24:34,840
Speaker 1: run out, and it's gonna run out as we're like

427
00:24:34,920 --> 00:24:38,199
Speaker 1: closing in on election that was already probably going to

428
00:24:38,240 --> 00:24:42,000
Speaker 1: be apocalyptic without any of this stuff, just because of

429
00:24:42,400 --> 00:24:46,280
Speaker 1: who the president is and who his supporters are, uh

430
00:24:46,320 --> 00:24:50,879
Speaker 1: and you know the open ways he's courting foreign interference

431
00:24:51,160 --> 00:24:54,800
Speaker 1: and I don't know, it's just the people have talked

432
00:24:54,840 --> 00:24:58,879
Speaker 1: about how all these different things are a perfect storm,

433
00:24:58,960 --> 00:25:01,119
Speaker 1: but I mean it seemed like we might be headed

434
00:25:01,160 --> 00:25:06,040
Speaker 1: for a bigger one coming up. I mean, this is

435
00:25:06,080 --> 00:25:10,840
Speaker 1: the thing. The Republicans used that jobs report last week

436
00:25:10,880 --> 00:25:13,760
Speaker 1: that was completely like They're like, no, that that wasn't accurate.

437
00:25:14,000 --> 00:25:15,640
Speaker 1: You know, They're like, oh, we're actually we're doing better

438
00:25:15,680 --> 00:25:18,439
Speaker 1: now that's that wasn't the case and there and you

439
00:25:18,440 --> 00:25:21,080
Speaker 1: could tell that was all they needed because they just

440
00:25:21,119 --> 00:25:23,320
Speaker 1: needed the logical argument to them be like, well, if

441
00:25:23,320 --> 00:25:24,760
Speaker 1: the economy is improved, I don't think we need to

442
00:25:24,800 --> 00:25:28,000
Speaker 1: talk about another round of financial aid for for America

443
00:25:28,320 --> 00:25:30,199
Speaker 1: considering what we're looking at, you know, the stock more,

444
00:25:30,520 --> 00:25:35,000
Speaker 1: it's it's really it's dark because you also have people

445
00:25:35,040 --> 00:25:37,280
Speaker 1: who have not really been in touch with what it's

446
00:25:37,320 --> 00:25:40,639
Speaker 1: like to be a working class person, to work minimum wage,

447
00:25:40,760 --> 00:25:45,920
Speaker 1: to live check to check, deciding on their behalf what's best, um,

448
00:25:45,960 --> 00:25:50,040
Speaker 1: without any idea of what the stressors actually are. Uh,

449
00:25:50,040 --> 00:25:54,640
Speaker 1: and then you get this shitty legislation where but this

450
00:25:54,680 --> 00:25:56,600
Speaker 1: is kind of like the whole thing right at the

451
00:25:57,320 --> 00:26:00,080
Speaker 1: government fails to actually support people. So then it's thee

452
00:26:00,080 --> 00:26:02,760
Speaker 1: can dary like private citizens are basically having to support

453
00:26:02,760 --> 00:26:05,239
Speaker 1: each other by donating to food banks or charities and

454
00:26:05,280 --> 00:26:07,960
Speaker 1: things like that, and that's taking up a lot of

455
00:26:07,960 --> 00:26:10,440
Speaker 1: the slack when I mean, yeah, like he says, it's

456
00:26:11,280 --> 00:26:13,240
Speaker 1: I think, you know, we've been coasting for a while

457
00:26:13,920 --> 00:26:16,879
Speaker 1: when you just look at how the disparities between like

458
00:26:17,119 --> 00:26:19,240
Speaker 1: you know, CEO and worker pay has been gone up.

459
00:26:19,320 --> 00:26:23,000
Speaker 1: Like this doesn't end with somehow working people discovering more

460
00:26:23,119 --> 00:26:27,000
Speaker 1: money at the bottom of their heads or something. That's

461
00:26:27,080 --> 00:26:29,320
Speaker 1: that's not how it works. They've they've they're hoarding all

462
00:26:29,359 --> 00:26:32,400
Speaker 1: the wealth. So I think what this is also saying

463
00:26:32,440 --> 00:26:36,240
Speaker 1: is like we're reaching an end game point, uh, with

464
00:26:37,000 --> 00:26:39,080
Speaker 1: all this wealth being siphoned up at the top with

465
00:26:39,160 --> 00:26:42,240
Speaker 1: nothing left for the masses, and now there's quite quite

466
00:26:42,240 --> 00:26:44,919
Speaker 1: literally like you're saying, we're like running on fumes where

467
00:26:44,920 --> 00:26:49,639
Speaker 1: people need food banks now, and we're also saying, man, no,

468
00:26:49,640 --> 00:26:52,280
Speaker 1: no stimulus checks, no no help anymore. Let's see how

469
00:26:52,280 --> 00:26:55,800
Speaker 1: it pans out. But I don't know what their response

470
00:26:55,840 --> 00:26:57,960
Speaker 1: is going to be. They're just gonna there's just gonna

471
00:26:57,960 --> 00:27:03,600
Speaker 1: be mass evictions and then trigger a second like diabolical

472
00:27:03,680 --> 00:27:07,200
Speaker 1: housing crisis where not even any like I guess that's

473
00:27:07,240 --> 00:27:10,199
Speaker 1: what happens. And then rich like the wealthier people come

474
00:27:10,280 --> 00:27:12,320
Speaker 1: up and buy all the homes that have been foreclosed

475
00:27:12,320 --> 00:27:14,280
Speaker 1: on and then create some new way to rent it

476
00:27:14,280 --> 00:27:17,040
Speaker 1: out to people who are struggling. Yeah, by time to

477
00:27:17,040 --> 00:27:21,600
Speaker 1: get guns. It really everybody, I mean, especially my black brothers,

478
00:27:21,640 --> 00:27:28,479
Speaker 1: get just straps legally. The Yeah, I don't see like

479
00:27:28,560 --> 00:27:32,679
Speaker 1: I think, I think people are underestimating how much of

480
00:27:32,720 --> 00:27:35,280
Speaker 1: a crisis were headed for, and like how easily it

481
00:27:35,320 --> 00:27:40,440
Speaker 1: could evolve into something like more violent than we've ever

482
00:27:40,480 --> 00:27:44,160
Speaker 1: seen before in the history of our country. Like maybe

483
00:27:44,200 --> 00:27:45,760
Speaker 1: not in the history of our country, but in the

484
00:27:45,800 --> 00:27:49,600
Speaker 1: modern history of our country. The Q thing scares the

485
00:27:49,640 --> 00:27:53,800
Speaker 1: ship out of me. Like I'm seeing people there's a

486
00:27:54,000 --> 00:27:58,520
Speaker 1: doctor friend, kind of former friend who I haven't really

487
00:27:58,560 --> 00:28:02,840
Speaker 1: spoken to in ten years. But she's a black woman.

488
00:28:03,000 --> 00:28:07,479
Speaker 1: She's a surgeon. Uh. She's like very smart and like,

489
00:28:07,920 --> 00:28:10,560
Speaker 1: in my memory, one of the sweetest human beings like

490
00:28:10,600 --> 00:28:13,560
Speaker 1: I've ever met. And she's like begun dog whistling qu

491
00:28:13,720 --> 00:28:18,440
Speaker 1: shit on on social media. She like thinks all coronavirus

492
00:28:18,480 --> 00:28:21,719
Speaker 1: stuff and Black Lives Matter protests are part of a

493
00:28:21,720 --> 00:28:25,800
Speaker 1: conspiracy to take support away from Trump. She's like talking

494
00:28:25,800 --> 00:28:30,600
Speaker 1: about George Soros. She's talking about like pedophiles and like

495
00:28:30,720 --> 00:28:35,320
Speaker 1: combating pedophiles and killing pedophiles. Like there, she's a doctor,

496
00:28:35,840 --> 00:28:44,360
Speaker 1: Like that's yeah, yeah, yeah, that's right. So what's your point?

497
00:28:44,480 --> 00:28:47,920
Speaker 1: What's your point? What are you trying to say about doctors? So?

498
00:28:47,920 --> 00:28:51,920
Speaker 1: So was that? So was that Ohio doctor who was like,

499
00:28:52,280 --> 00:28:57,240
Speaker 1: isn't it possible that coronavirus is disproportionately impacting black people

500
00:28:57,440 --> 00:29:02,000
Speaker 1: because colored people don't wash their hands as well? An

501
00:29:02,160 --> 00:29:06,360
Speaker 1: emergency doctor? Did you see him? I saw that headline,

502
00:29:06,400 --> 00:29:08,440
Speaker 1: but I was like, I don't know, it's that seems

503
00:29:08,440 --> 00:29:11,040
Speaker 1: part for the course for America, especially right now. I mean,

504
00:29:11,040 --> 00:29:14,400
Speaker 1: but this is really it's interesting because it's almost like

505
00:29:15,200 --> 00:29:18,080
Speaker 1: there are these are just ways of dealing with your oppression,

506
00:29:18,120 --> 00:29:22,120
Speaker 1: oppression or your perceived depression or perceived feeling that things

507
00:29:22,160 --> 00:29:27,200
Speaker 1: aren't right. And so for most people, I think people

508
00:29:27,240 --> 00:29:29,520
Speaker 1: who have lived actually in America and have seen the

509
00:29:29,560 --> 00:29:33,280
Speaker 1: destructive force of systemic oppression and capitalism and how that works,

510
00:29:33,280 --> 00:29:35,720
Speaker 1: you go, oh, I think I know why it's like this,

511
00:29:36,240 --> 00:29:39,440
Speaker 1: because in fact, I'm looking, I'm I'm I'm experiencing it

512
00:29:39,480 --> 00:29:41,680
Speaker 1: every day. But I think for a group of people

513
00:29:41,720 --> 00:29:45,920
Speaker 1: who maybe aren't as familiar, it's easier to create these

514
00:29:45,960 --> 00:29:50,000
Speaker 1: things like planned demic that the five G towers went up,

515
00:29:50,000 --> 00:29:54,120
Speaker 1: because if you think about every subsequent radio technology that's

516
00:29:54,160 --> 00:29:58,640
Speaker 1: come out, whether that's UH and the Spanish flu or

517
00:29:59,000 --> 00:30:02,520
Speaker 1: UH three G and or like regular cellular phones and

518
00:30:02,560 --> 00:30:04,440
Speaker 1: the advent of a d h D, like there, this

519
00:30:04,560 --> 00:30:07,640
Speaker 1: logic path that they follow is like very it's a

520
00:30:07,720 --> 00:30:09,960
Speaker 1: lot of it just to explain that they're like why

521
00:30:10,000 --> 00:30:13,000
Speaker 1: they are lacking because I see a lot of I

522
00:30:13,040 --> 00:30:15,680
Speaker 1: see a lot of people commenting on like all kinds

523
00:30:15,680 --> 00:30:18,120
Speaker 1: of social media posts where people are talking about you know,

524
00:30:18,440 --> 00:30:21,880
Speaker 1: like actual black lives matters issues, UH, and they come

525
00:30:21,920 --> 00:30:23,840
Speaker 1: in and you see like these George Soros things come

526
00:30:23,880 --> 00:30:27,080
Speaker 1: in and when you click, everyone's like planned debt hashtag plandemic.

527
00:30:27,200 --> 00:30:30,920
Speaker 1: I'm out of work because of planned demmic. Thanks George Soros,

528
00:30:30,920 --> 00:30:35,040
Speaker 1: planned demics working. Uh, my job's gone. So I also

529
00:30:35,080 --> 00:30:38,160
Speaker 1: see a lot of white people using this to explain

530
00:30:38,240 --> 00:30:41,400
Speaker 1: what's happening. Like I feel like maybe it's increased because

531
00:30:41,400 --> 00:30:43,720
Speaker 1: I see a lot of connection between plandemic and people's

532
00:30:43,760 --> 00:30:47,240
Speaker 1: unemployment now, like being brought pumped out of people's social

533
00:30:47,280 --> 00:30:50,440
Speaker 1: media accounts who are like following this conspiracy theory. Is

534
00:30:50,480 --> 00:30:53,600
Speaker 1: this what's going on with ice Cube right now? Now

535
00:30:53,680 --> 00:30:57,600
Speaker 1: he's more on like just like hotel memes and you know,

536
00:30:58,120 --> 00:31:01,120
Speaker 1: like that because Q and on, like that whole conspiracy

537
00:31:01,200 --> 00:31:04,920
Speaker 1: about Q and this there's a cabal of pedophiles that

538
00:31:05,040 --> 00:31:08,280
Speaker 1: run the world and Donald Trump is is combating them.

539
00:31:08,480 --> 00:31:11,080
Speaker 1: Could and also these pedophiles are part of what they

540
00:31:11,120 --> 00:31:13,640
Speaker 1: call the deep state, which is really pulling the strings

541
00:31:13,640 --> 00:31:16,480
Speaker 1: and Donald Trump is the only one fighting them. That's

542
00:31:16,520 --> 00:31:20,040
Speaker 1: why everyone's against him when really he's trying to awaken

543
00:31:20,040 --> 00:31:22,600
Speaker 1: the world to the truth about the evil pedophiles and

544
00:31:22,680 --> 00:31:26,320
Speaker 1: human trafficking and five G and like who's actually running

545
00:31:26,320 --> 00:31:29,320
Speaker 1: the world The Jews? Uh, you know, like it's all

546
00:31:29,560 --> 00:31:34,520
Speaker 1: just really dark dark ship. That is, it doesn't explain

547
00:31:34,640 --> 00:31:36,640
Speaker 1: much unless like you have a lot of time to

548
00:31:36,720 --> 00:31:39,320
Speaker 1: connect the dots in your own mind and follow other

549
00:31:39,360 --> 00:31:42,520
Speaker 1: conspiracy theorists on YouTube. Well, it looks like I got

550
00:31:42,560 --> 00:31:52,400
Speaker 1: some YouTube homework. We go one, we go all. But

551
00:31:52,480 --> 00:31:55,320
Speaker 1: I think to your point, like the you know ice

552
00:31:55,400 --> 00:31:58,640
Speaker 1: cube there there was a rise in exorcisms last year,

553
00:31:58,760 --> 00:32:02,560
Speaker 1: like people are louse, Like this is how people are

554
00:32:02,600 --> 00:32:04,920
Speaker 1: dealing with reality, like you said, Miles, and like the

555
00:32:05,480 --> 00:32:09,560
Speaker 1: Q thing is one just kind of giant sandbox of

556
00:32:09,640 --> 00:32:13,600
Speaker 1: like kind of pseudo facts to like kind of bury

557
00:32:13,640 --> 00:32:15,800
Speaker 1: your head in. But I think there's a lot of

558
00:32:15,800 --> 00:32:21,000
Speaker 1: people doing that because reality as as it currently is

559
00:32:21,040 --> 00:32:26,480
Speaker 1: constituted is fucking hard to deal with. Yeah, it's funny

560
00:32:27,280 --> 00:32:29,440
Speaker 1: when you read these, like you know I sent you

561
00:32:29,480 --> 00:32:31,400
Speaker 1: when you were first writing this up about how you

562
00:32:31,440 --> 00:32:33,640
Speaker 1: do some with Q, I sent you one of their

563
00:32:33,960 --> 00:32:37,600
Speaker 1: like vision boards, which it's like I think what's called

564
00:32:37,600 --> 00:32:40,560
Speaker 1: like a deep state map that most followers of Q

565
00:32:40,800 --> 00:32:43,560
Speaker 1: look at, which helps people make sense of everything. When

566
00:32:43,600 --> 00:32:46,120
Speaker 1: you look at it, it is so visually chaotic that

567
00:32:46,160 --> 00:32:50,080
Speaker 1: it makes no sense. Um. And what's funny though, too

568
00:32:50,240 --> 00:32:54,240
Speaker 1: is absent. Are the terms capitalism or white supremacy, right,

569
00:32:54,960 --> 00:32:57,320
Speaker 1: so you know, and I think those are things that

570
00:32:57,880 --> 00:33:01,200
Speaker 1: it's allowed. This offers people a way to make sense

571
00:33:01,240 --> 00:33:04,280
Speaker 1: of the world without actually maybe looking at those things.

572
00:33:05,120 --> 00:33:07,800
Speaker 1: Mm hmm. But it's also a great way to explain

573
00:33:07,840 --> 00:33:12,280
Speaker 1: it away. Yeah, there's like you know, Silicon Valley, DARPA,

574
00:33:12,440 --> 00:33:17,040
Speaker 1: COVID five G. Then they also have like satellites, just

575
00:33:17,240 --> 00:33:22,520
Speaker 1: satellites as a concept, polio vaccine, baby boomers. Yeah, it's

576
00:33:22,760 --> 00:33:28,360
Speaker 1: just as mail in ballots like okay, um, anyways, people

577
00:33:28,400 --> 00:33:30,520
Speaker 1: should check it out. There's a lot to learn in

578
00:33:30,560 --> 00:33:34,400
Speaker 1: this uh, in this spreadsheet. But like that's I wonder

579
00:33:34,440 --> 00:33:38,200
Speaker 1: if there's a thing where too much information you can

580
00:33:38,240 --> 00:33:41,560
Speaker 1: like kind of make yourself less efficient or dumber with

581
00:33:41,600 --> 00:33:44,320
Speaker 1: too much information as we have as a species since

582
00:33:44,360 --> 00:33:48,840
Speaker 1: the invention of the internet, like this whole like spreadsheet

583
00:33:49,000 --> 00:33:50,720
Speaker 1: makes it clear to me at least one of the

584
00:33:50,760 --> 00:33:54,120
Speaker 1: reasons that the whole que thing is is so popular

585
00:33:54,200 --> 00:33:57,640
Speaker 1: is because you, like you, it would take you decades

586
00:33:57,680 --> 00:34:00,920
Speaker 1: to like work your way through all the all the

587
00:34:00,960 --> 00:34:04,560
Speaker 1: bullshit that's on this page. Somebody type that up. Can

588
00:34:04,600 --> 00:34:09,000
Speaker 1: you believe that a living, breathing human invented that somebody

589
00:34:09,000 --> 00:34:11,600
Speaker 1: who was born just like you and I, who has

590
00:34:12,040 --> 00:34:15,640
Speaker 1: a respiratory system, who eats food, a brain and a

591
00:34:15,760 --> 00:34:19,080
Speaker 1: brain type that up. And there are people who believe it,

592
00:34:19,160 --> 00:34:22,040
Speaker 1: and man, we are going down that I you know

593
00:34:22,080 --> 00:34:25,359
Speaker 1: what I this is a it's not a hot take,

594
00:34:25,480 --> 00:34:28,880
Speaker 1: but I'm assuming we can all agree. I think Twitter

595
00:34:28,880 --> 00:34:33,719
Speaker 1: should be eliminated. Twitter should. I think it's I think

596
00:34:33,719 --> 00:34:36,839
Speaker 1: it's the worst thing ever. And I know people gonna

597
00:34:36,840 --> 00:34:39,760
Speaker 1: be like, well, some good things missing people were found

598
00:34:39,800 --> 00:34:43,560
Speaker 1: and I don't care it's it's poisoned. They need something

599
00:34:43,640 --> 00:34:46,560
Speaker 1: or they need to seriously, just if just use it

600
00:34:46,600 --> 00:34:49,240
Speaker 1: to communicate rather than if you're going to just spread

601
00:34:49,440 --> 00:34:52,080
Speaker 1: this kind of nonsense, because that's really I mean, it's

602
00:34:52,080 --> 00:34:54,760
Speaker 1: so easy to get go down one of these rabbit holes.

603
00:34:54,920 --> 00:34:57,080
Speaker 1: But when I look at this, this diagram of the

604
00:34:57,120 --> 00:34:59,840
Speaker 1: deep state, it just looks like bad improv, you know

605
00:34:59,840 --> 00:35:03,480
Speaker 1: what I mean? And I feel like, no, no, no no,

606
00:35:03,640 --> 00:35:07,080
Speaker 1: I said bad not masterful improv from the gods such

607
00:35:07,080 --> 00:35:09,280
Speaker 1: as yourself, Carl. But I mean like in this sense,

608
00:35:09,280 --> 00:35:13,040
Speaker 1: where any good improviser, if I say, Carl, do a

609
00:35:13,080 --> 00:35:16,520
Speaker 1: scene real quick where you connect five G two. Obama's

610
00:35:16,600 --> 00:35:19,960
Speaker 1: left shoe. You know, like that's the kind of things

611
00:35:20,000 --> 00:35:23,440
Speaker 1: they're connecting. But it's just the loosest ship they used

612
00:35:23,440 --> 00:35:25,920
Speaker 1: to connect those dots. I think anybody with a like

613
00:35:26,320 --> 00:35:29,239
Speaker 1: a certain confirmation bias, I mean, damn, you can make

614
00:35:29,280 --> 00:35:31,920
Speaker 1: any of this true. If as long as you're so

615
00:35:32,040 --> 00:35:35,239
Speaker 1: against maybe looking at what's happening in the world and

616
00:35:35,280 --> 00:35:37,520
Speaker 1: see that for what it is, maybe it's as easier

617
00:35:37,560 --> 00:35:39,359
Speaker 1: to look at this. Well, think about a mile. See,

618
00:35:39,440 --> 00:35:43,240
Speaker 1: we did not see five G until Obama came into office.

619
00:35:43,560 --> 00:35:46,520
Speaker 1: But here was the deal. That day he came into office,

620
00:35:46,840 --> 00:35:49,239
Speaker 1: he his car was broken down, and so he had

621
00:35:49,280 --> 00:35:51,879
Speaker 1: to get on public transportation. But it was in New York.

622
00:35:52,080 --> 00:35:54,000
Speaker 1: It was really late at night. He was wearing a

623
00:35:54,120 --> 00:35:56,799
Speaker 1: disguise because he was Barack Obama. He chose to put

624
00:35:56,840 --> 00:36:00,839
Speaker 1: that prototype five G phone in his left side, which

625
00:36:00,920 --> 00:36:03,480
Speaker 1: the sock was bad. The phone slipped down to his

626
00:36:03,600 --> 00:36:07,000
Speaker 1: left shoe. You got to think, brother, you got to think, sorry,

627
00:36:07,160 --> 00:36:08,960
Speaker 1: c priests, man, See, this is why we have you

628
00:36:09,000 --> 00:36:11,359
Speaker 1: wanted to teach, to teach these listeners you know what's

629
00:36:11,400 --> 00:36:13,719
Speaker 1: really going on. But I think, but when you watch

630
00:36:13,800 --> 00:36:17,120
Speaker 1: some of these videos, I mean, it's it's it's rough man.

631
00:36:17,239 --> 00:36:20,760
Speaker 1: And again the idea that the thing that really catches

632
00:36:20,800 --> 00:36:22,160
Speaker 1: me about all this is when you see a lot

633
00:36:22,200 --> 00:36:25,359
Speaker 1: of these Q supporters confront Black Lives Matters protesters and

634
00:36:25,400 --> 00:36:29,160
Speaker 1: just say you're here because of George Soros, like, which

635
00:36:29,200 --> 00:36:32,040
Speaker 1: means that it's easier for this person to believe that

636
00:36:32,239 --> 00:36:36,359
Speaker 1: some boogeyman uh is causing people to you know, fight

637
00:36:36,560 --> 00:36:39,640
Speaker 1: racism than the idea that racism could be so repugnant

638
00:36:39,640 --> 00:36:41,200
Speaker 1: to a lot of people that they just got out

639
00:36:41,200 --> 00:36:45,000
Speaker 1: in the streets. Yeah, and I think I think you're

640
00:36:45,000 --> 00:36:48,200
Speaker 1: seeing that on the other side with with people trying

641
00:36:48,200 --> 00:36:53,759
Speaker 1: to blame Trump for everything, like the Trump's obviously a

642
00:36:53,880 --> 00:36:55,840
Speaker 1: terrible leader and we wouldn't be in a lot of

643
00:36:55,880 --> 00:36:59,600
Speaker 1: this mess if like we didn't have the worst leader

644
00:36:59,600 --> 00:37:02,799
Speaker 1: in his the country. But he's also not like none

645
00:37:02,800 --> 00:37:06,919
Speaker 1: of this ship started with him. No, no, and they're

646
00:37:06,960 --> 00:37:09,279
Speaker 1: so I mean, the bottom line is you have to

647
00:37:09,280 --> 00:37:12,680
Speaker 1: throw every president on the fire. Nobody's safe. That's it.

648
00:37:12,760 --> 00:37:14,680
Speaker 1: But that's just part and parcel of what it means

649
00:37:14,719 --> 00:37:17,120
Speaker 1: to be president of the United States because this is

650
00:37:17,120 --> 00:37:20,560
Speaker 1: our This country's a racket, so already you're a mob

651
00:37:20,600 --> 00:37:22,680
Speaker 1: boss by default, So that you're not going to really

652
00:37:22,719 --> 00:37:27,160
Speaker 1: be able to do anything with your hands clean mhm.

653
00:37:27,200 --> 00:37:29,399
Speaker 1: Except Nix and we like Nix and more pro Nix

654
00:37:29,440 --> 00:37:35,840
Speaker 1: and podcast everybody coming who played the piano Nix and

655
00:37:35,880 --> 00:37:39,239
Speaker 1: playing the piano? What did he play? Well? Yeah, yeah, yeah,

656
00:37:39,239 --> 00:37:44,040
Speaker 1: he was getting it in. By the way, Carl, I

657
00:37:44,040 --> 00:37:46,719
Speaker 1: didn't know you were like such a good singer on

658
00:37:46,800 --> 00:37:49,600
Speaker 1: the on the Flagrant Ones. You guys do ah like

659
00:37:49,760 --> 00:37:55,359
Speaker 1: musical parody songs and oh really hits those notes. Oh

660
00:37:55,440 --> 00:37:57,320
Speaker 1: thanks me. The impressive ship man that came out of

661
00:37:57,360 --> 00:37:59,000
Speaker 1: what we did the first episode and we didn't have

662
00:37:59,040 --> 00:38:01,000
Speaker 1: any type of theme song or anything like that, and

663
00:38:01,000 --> 00:38:02,360
Speaker 1: so I was just like, all right, I'm just about

664
00:38:02,360 --> 00:38:05,439
Speaker 1: to make up a song. Uh, and I just kept

665
00:38:05,480 --> 00:38:09,920
Speaker 1: doing it every episode. Yeah. Yeah, there there are some

666
00:38:10,040 --> 00:38:14,040
Speaker 1: songs that I've like rediscovered because you guys parodied them,

667
00:38:14,080 --> 00:38:18,520
Speaker 1: and I was like, damn, that song is really good. Alright,

668
00:38:18,600 --> 00:38:20,600
Speaker 1: let's take a quick break and we'll be back to

669
00:38:20,680 --> 00:38:34,800
Speaker 1: talk about the number one movie on netfork And we're back,

670
00:38:35,880 --> 00:38:39,319
Speaker 1: and we all watched at least some of Three and

671
00:38:39,360 --> 00:38:42,960
Speaker 1: sixty five Days, which is the number one movie on Netflix.

672
00:38:43,719 --> 00:38:45,560
Speaker 1: Real quick, before we get to that, did you guys,

673
00:38:45,600 --> 00:38:50,600
Speaker 1: watch the Chappelle special that dropped. I think last week

674
00:38:50,880 --> 00:38:54,879
Speaker 1: I saw the first fifteen minutes of it. Mm hmm.

675
00:38:56,640 --> 00:38:59,759
Speaker 1: I watched it and it was it was great. I

676
00:39:00,040 --> 00:39:03,799
Speaker 1: used to last night. I've never seen him that passionate.

677
00:39:04,480 --> 00:39:08,560
Speaker 1: I've never seen him that like. Man, He's just I

678
00:39:08,600 --> 00:39:11,440
Speaker 1: wanted to include him and my underrated because I feel

679
00:39:11,480 --> 00:39:16,200
Speaker 1: like there's still a contingency of people who don't consider

680
00:39:16,280 --> 00:39:19,799
Speaker 1: him the goat. And I know goat conversations are redundant

681
00:39:20,160 --> 00:39:26,040
Speaker 1: and comedy is subjective, and but that guy is is

682
00:39:26,600 --> 00:39:31,439
Speaker 1: at least of like of the past thirty years. I'll

683
00:39:31,480 --> 00:39:33,560
Speaker 1: give I'll give him the crown if you want to

684
00:39:33,600 --> 00:39:38,440
Speaker 1: give Eddie the crown. Raw came out like, that's thirty

685
00:39:38,560 --> 00:39:43,399
Speaker 1: three years. I'm I'm rocking with with with Chappelle over

686
00:39:43,440 --> 00:39:45,399
Speaker 1: the like the go of the past thirty three years,

687
00:39:45,440 --> 00:39:48,200
Speaker 1: and that's with Chris and other people. And I'm and

688
00:39:48,239 --> 00:39:51,239
Speaker 1: I'm I'm giving him my crown of of all. Like

689
00:39:51,840 --> 00:39:54,360
Speaker 1: I think he's the best one. I think with evolution

690
00:39:54,400 --> 00:39:57,360
Speaker 1: because I am a big believer in evolution and George

691
00:39:57,360 --> 00:40:02,839
Speaker 1: Soros and I uh, I'm you know, Lebron's my guy.

692
00:40:03,040 --> 00:40:05,840
Speaker 1: Lebron's my goat. And at that moment when he was

693
00:40:05,880 --> 00:40:08,480
Speaker 1: giving lebron Is ro Man, I was in I was

694
00:40:08,520 --> 00:40:11,200
Speaker 1: in this couch. I was on the couch crying, crying

695
00:40:11,200 --> 00:40:16,360
Speaker 1: and jacking off the same time. There's there's something about

696
00:40:16,440 --> 00:40:20,719
Speaker 1: Dave Chappelle, you know, like he has you know, a

697
00:40:20,760 --> 00:40:23,080
Speaker 1: lot of people choose to focus on things that he

698
00:40:23,160 --> 00:40:26,840
Speaker 1: says that are controversial, but there's a lot, like he

699
00:40:26,880 --> 00:40:30,240
Speaker 1: says in his special, it's like he's been speaking about

700
00:40:31,280 --> 00:40:34,560
Speaker 1: this for a long time. And I think the beauty

701
00:40:34,600 --> 00:40:37,880
Speaker 1: of his work is that it's almost like his shows

702
00:40:37,880 --> 00:40:40,080
Speaker 1: and stuff had just laid the groundwork for people to

703
00:40:40,120 --> 00:40:43,359
Speaker 1: wake up. Because people are familiar with the humor of

704
00:40:43,600 --> 00:40:46,880
Speaker 1: like the sort of nihilistic attitudes black people have in

705
00:40:47,000 --> 00:40:49,560
Speaker 1: terms of existing in this country, or the nihilism we

706
00:40:49,560 --> 00:40:52,600
Speaker 1: feel about racism, and when that ends that it's always

707
00:40:52,600 --> 00:40:55,040
Speaker 1: become a way to just make jokes that make some

708
00:40:55,040 --> 00:40:58,320
Speaker 1: people uncomfortable other people really laugh um and then to

709
00:40:58,440 --> 00:41:01,840
Speaker 1: watch him sort of really he's just becoming such a

710
00:41:02,520 --> 00:41:05,360
Speaker 1: like a I don't know, the the way he was

711
00:41:05,400 --> 00:41:09,040
Speaker 1: talking about everything, uh, that was just going beyond his

712
00:41:09,080 --> 00:41:11,440
Speaker 1: ability to be a comedian. I think it was just

713
00:41:11,520 --> 00:41:14,440
Speaker 1: impressive I think seeing a lot of people evolving that way,

714
00:41:14,440 --> 00:41:16,360
Speaker 1: it's kind of interesting right now. He's just such a

715
00:41:16,440 --> 00:41:19,960
Speaker 1: smart dude man, Like, like I wish I had the

716
00:41:20,000 --> 00:41:23,200
Speaker 1: brain capacity that he does. Over the Quarantine, I used

717
00:41:23,239 --> 00:41:25,640
Speaker 1: him as an example as I watched his uh uh

718
00:41:26,239 --> 00:41:28,320
Speaker 1: Kennedy Center Honors What was that? What that was? Or

719
00:41:29,040 --> 00:41:32,080
Speaker 1: like and just talking about how much he reads and

720
00:41:32,080 --> 00:41:33,160
Speaker 1: stuff like that. So I was like, you know, I'm

721
00:41:33,160 --> 00:41:34,799
Speaker 1: gonna start reading. I'm gonna start reading some of these

722
00:41:34,840 --> 00:41:36,560
Speaker 1: books that he talks about and stuff like that, and

723
00:41:36,600 --> 00:41:38,600
Speaker 1: I'm still dumb as hell. And it was just like,

724
00:41:39,360 --> 00:41:42,520
Speaker 1: but he's such a smart dude, and the way, like

725
00:41:43,560 --> 00:41:46,520
Speaker 1: the way he does stand up comedy, I feel like

726
00:41:46,560 --> 00:41:48,759
Speaker 1: the way it is supposed to be where you take

727
00:41:48,840 --> 00:41:51,040
Speaker 1: something and you have a take on it that makes

728
00:41:51,200 --> 00:41:56,600
Speaker 1: everybody think. And like, he's just hands down man, he's

729
00:41:56,760 --> 00:41:59,560
Speaker 1: he's the go. He's the living, the living legend man

730
00:42:00,880 --> 00:42:03,200
Speaker 1: him going on. I ran about Lebron like, I was

731
00:42:03,239 --> 00:42:05,800
Speaker 1: just like, oh my gosh, this is my worlds colliding.

732
00:42:06,640 --> 00:42:10,560
Speaker 1: You getting chatted now that s logo, yeah, yeah, yeah, yeah,

733
00:42:10,560 --> 00:42:14,800
Speaker 1: he gets I always talk about that though, the fact

734
00:42:14,840 --> 00:42:18,880
Speaker 1: that Lebron at seventeen was on the cover of s I.

735
00:42:19,080 --> 00:42:20,960
Speaker 1: The fact that I always bring up is that he

736
00:42:22,080 --> 00:42:28,000
Speaker 1: Nike and Adidas had billboards in his hometown that were

737
00:42:28,080 --> 00:42:31,240
Speaker 1: aimed only at him. They were trying to recruit him,

738
00:42:31,280 --> 00:42:35,759
Speaker 1: Like imagine having advertisements where like like growing up in

739
00:42:35,760 --> 00:42:41,560
Speaker 1: The Truman Show, except bigger, because like everybody is openly

740
00:42:41,840 --> 00:42:46,640
Speaker 1: like creating the world around your your reality. And then

741
00:42:46,680 --> 00:42:49,480
Speaker 1: he became the best player of It's like, what the

742
00:42:50,000 --> 00:42:54,000
Speaker 1: how does anybody do that? And how? And then people

743
00:42:54,160 --> 00:42:56,800
Speaker 1: like hated on him for so long they still do, Yeah,

744
00:42:56,840 --> 00:42:59,200
Speaker 1: they do. It took him to come to the Lakers

745
00:42:59,239 --> 00:43:02,480
Speaker 1: for me to really open up, which I still I

746
00:43:02,560 --> 00:43:08,840
Speaker 1: can't stand. Y'all, dog, I cannot. We're spoiled. We're spoiled,

747
00:43:09,000 --> 00:43:13,280
Speaker 1: shitty people. I'm sorry, that's what Laker fans are. We're spoiled, shitty,

748
00:43:13,400 --> 00:43:17,320
Speaker 1: shitty people. But not even It's not like I didn't

749
00:43:17,680 --> 00:43:20,680
Speaker 1: I didn't. I didn't dislike him. I was just more

750
00:43:20,920 --> 00:43:22,960
Speaker 1: like I was like, this man is the best player

751
00:43:23,040 --> 00:43:26,680
Speaker 1: in the league. But there just wasn't I something didn't

752
00:43:26,840 --> 00:43:30,160
Speaker 1: resonate with me aside from objectively being able to be like,

753
00:43:30,560 --> 00:43:34,360
Speaker 1: this guy's just phenomenal basketball players, Like no way to

754
00:43:34,400 --> 00:43:36,560
Speaker 1: doubt that. I was never in doubt about that. It

755
00:43:36,640 --> 00:43:38,279
Speaker 1: was just you know, it's just your own bullshit as

756
00:43:38,320 --> 00:43:41,640
Speaker 1: a fan where you're like, no, like the greats are like,

757
00:43:41,719 --> 00:43:44,319
Speaker 1: you know, I'm a nineties kid. So for a long

758
00:43:44,480 --> 00:43:46,759
Speaker 1: for a long time, I held on to Jordan's uh.

759
00:43:46,800 --> 00:43:48,279
Speaker 1: And it took me a while where I was like, man,

760
00:43:48,320 --> 00:43:50,480
Speaker 1: funk Kobe and as even as a Laker fan, I

761
00:43:50,520 --> 00:43:53,480
Speaker 1: was just more loyal to Jordan's even though and I

762
00:43:53,520 --> 00:43:55,719
Speaker 1: didn't like Kobe when he first started because he didn't

763
00:43:55,719 --> 00:43:57,120
Speaker 1: pass the ball and I was like, you're sucking our

764
00:43:57,120 --> 00:44:00,080
Speaker 1: whole team up. Get to learn something, uh, And and

765
00:44:00,160 --> 00:44:02,799
Speaker 1: he ended up doing his thing. But I don't know,

766
00:44:02,840 --> 00:44:05,840
Speaker 1: I think it's just a weird thing too. Or sometimes

767
00:44:05,840 --> 00:44:08,600
Speaker 1: you're so blinded by this like one dimensional ship that

768
00:44:08,680 --> 00:44:10,840
Speaker 1: like I can't you know. And I felt bad that

769
00:44:10,880 --> 00:44:13,240
Speaker 1: I was, like it took that for me to say,

770
00:44:13,280 --> 00:44:16,280
Speaker 1: like I really really like, I really funk with Lebron

771
00:44:16,360 --> 00:44:19,239
Speaker 1: James just being ambivalent. That's one thing about him that

772
00:44:19,239 --> 00:44:22,640
Speaker 1: I really I figured out that's he wants, that he needs,

773
00:44:22,680 --> 00:44:24,520
Speaker 1: that he needs to be liked by everybody. And he

774
00:44:24,560 --> 00:44:26,560
Speaker 1: came to the fan base that hated him the most,

775
00:44:26,680 --> 00:44:29,800
Speaker 1: which pissed me off royally because I was happy to

776
00:44:29,840 --> 00:44:32,799
Speaker 1: have him in l A. But I'm just like, Bro,

777
00:44:32,920 --> 00:44:35,239
Speaker 1: you could have carved out. Imagine the legacy that you

778
00:44:35,239 --> 00:44:38,239
Speaker 1: could have had if you won a championship with the Clippers. Like,

779
00:44:38,880 --> 00:44:40,400
Speaker 1: you're still in your city, You're still doing what you

780
00:44:40,440 --> 00:44:42,319
Speaker 1: want to do. What are you chasing? What do you?

781
00:44:42,480 --> 00:44:44,600
Speaker 1: Why are you Why did you have to come to

782
00:44:44,719 --> 00:44:47,040
Speaker 1: the Lakes, Like what what legacy are you chasing? Coming

783
00:44:47,040 --> 00:44:49,319
Speaker 1: to the Lakers, And like, oh, it's the name, Mr

784
00:44:49,560 --> 00:44:53,120
Speaker 1: oh Man, forget all that, like and this is this

785
00:44:53,160 --> 00:44:56,480
Speaker 1: is dumb. But like you know, listen, Jack wants to

786
00:44:56,520 --> 00:44:58,160
Speaker 1: move on. He's looking at me like, wrap it up,

787
00:44:58,560 --> 00:45:03,160
Speaker 1: wrap it up. Chapelle's not But seriously, I was like, imagine,

788
00:45:03,239 --> 00:45:05,560
Speaker 1: imagine Lebron coming to the Los Angeles Clippers and winning

789
00:45:05,640 --> 00:45:08,080
Speaker 1: US a championship. And I'm not I'm saying that biasedly

790
00:45:08,120 --> 00:45:11,200
Speaker 1: as a Clipper fan, but also as just NBA fan.

791
00:45:11,200 --> 00:45:14,080
Speaker 1: It will be extremely impressive. He will that like he

792
00:45:14,920 --> 00:45:18,440
Speaker 1: like would would have won two champion two like lowly

793
00:45:18,480 --> 00:45:21,440
Speaker 1: franchise is a championship winning Cleveland won and winning the

794
00:45:21,480 --> 00:45:24,719
Speaker 1: Clippers one. And he had to come to the Lakers, Like,

795
00:45:24,719 --> 00:45:26,640
Speaker 1: are you trying to one up Kobe? Are you trying

796
00:45:26,640 --> 00:45:30,000
Speaker 1: to be be called magic? Two points? You're You're always

797
00:45:30,000 --> 00:45:32,320
Speaker 1: going to be in a shadow doing that. You're always

798
00:45:32,360 --> 00:45:34,359
Speaker 1: going to be in a shadow. And I think that's

799
00:45:34,400 --> 00:45:37,120
Speaker 1: why initially, like for Laker fans, it's like, what do

800
00:45:37,200 --> 00:45:40,359
Speaker 1: you like this? This teams? For people who are like

801
00:45:40,600 --> 00:45:43,680
Speaker 1: gonna be down for a few years, you know, they

802
00:45:43,680 --> 00:45:48,200
Speaker 1: don't give me away about watching him this this season,

803
00:45:48,320 --> 00:45:51,120
Speaker 1: and then they you know, in the Quarantine were playing

804
00:45:51,239 --> 00:45:53,960
Speaker 1: a bunch of like classic games and I was watching

805
00:45:54,000 --> 00:45:58,799
Speaker 1: like his second title with the Heat. He's like so

806
00:45:58,880 --> 00:46:02,000
Speaker 1: much better now than he was at what should have

807
00:46:02,040 --> 00:46:04,640
Speaker 1: been his physical prime. Just like all the ship he

808
00:46:04,680 --> 00:46:08,560
Speaker 1: adds to his game is is truly truly incredible. Like

809
00:46:08,640 --> 00:46:14,759
Speaker 1: he's just literally a genius. Yeah, speaking of geniuses, let's

810
00:46:14,760 --> 00:46:22,280
Speaker 1: talk about three sixty or five days. Um. So uh,

811
00:46:22,320 --> 00:46:25,760
Speaker 1: Like I said, I was curious about this movie because

812
00:46:25,800 --> 00:46:28,480
Speaker 1: it was number two, It was the number one movie,

813
00:46:28,560 --> 00:46:32,600
Speaker 1: number one piece of content was like thirteen reasons why. Um,

814
00:46:32,640 --> 00:46:37,160
Speaker 1: but it's so it's a Polish movie, and I guess

815
00:46:37,200 --> 00:46:41,359
Speaker 1: people are just really horny because they're in Quarantine and

816
00:46:41,400 --> 00:46:46,160
Speaker 1: they miss human touch. Um. I also think it like

817
00:46:46,239 --> 00:46:51,440
Speaker 1: started getting like picking up a little viral, uh you know, attention,

818
00:46:51,560 --> 00:46:54,600
Speaker 1: because people would accidentally turn it on in front of

819
00:46:54,600 --> 00:46:58,280
Speaker 1: their parents. Um, so that was like something that went viral.

820
00:46:58,480 --> 00:47:05,320
Speaker 1: But the movie itself is wild, it's trash. Yeah, I

821
00:47:05,840 --> 00:47:08,120
Speaker 1: was on you know, I tell her I'm an airplane

822
00:47:08,120 --> 00:47:11,200
Speaker 1: mode where everything is good. I couldn't get I couldn't

823
00:47:11,200 --> 00:47:14,920
Speaker 1: get through this, like it started to repeat itself. Speaking

824
00:47:14,960 --> 00:47:19,000
Speaker 1: of airplane mode, there's a lot of really aggressive sex

825
00:47:19,040 --> 00:47:24,400
Speaker 1: scenes on airplanes. Um. But the I felt like I

826
00:47:24,440 --> 00:47:28,279
Speaker 1: was watching something that was like in code that was

827
00:47:28,320 --> 00:47:31,839
Speaker 1: like dog whistling to somebody who's not me, because there

828
00:47:31,880 --> 00:47:35,520
Speaker 1: was like all this all this stuff about bondage. But

829
00:47:35,640 --> 00:47:39,200
Speaker 1: then like you know, just even the last line of

830
00:47:39,239 --> 00:47:41,239
Speaker 1: the movie is like her friend being like you're in

831
00:47:41,280 --> 00:47:44,160
Speaker 1: a cage, Like they just really wanted her to be

832
00:47:44,320 --> 00:47:48,560
Speaker 1: like locked in somewhere. It was just very like they

833
00:47:48,920 --> 00:47:52,239
Speaker 1: were driving at something that was really I don't know,

834
00:47:52,280 --> 00:47:54,160
Speaker 1: And I think it must be the same thing as

835
00:47:54,200 --> 00:47:57,080
Speaker 1: fifty Shades, because I know that I didn't see fifty Shades,

836
00:47:57,120 --> 00:47:59,759
Speaker 1: but I know that has like people being locked up.

837
00:47:59,800 --> 00:48:02,880
Speaker 1: The has like a lot of similar stuff with people

838
00:48:02,920 --> 00:48:06,719
Speaker 1: being like tied up and ship. But um, there's a

839
00:48:06,719 --> 00:48:11,000
Speaker 1: lot of head in that movie, or you know, in

840
00:48:11,040 --> 00:48:14,320
Speaker 1: this movie, Denise, a lot of a lot of filatio

841
00:48:14,560 --> 00:48:18,279
Speaker 1: going on. The funniest moment, the funniest moment in the

842
00:48:18,320 --> 00:48:22,160
Speaker 1: movie is he has the girl he's trying to seduce

843
00:48:22,200 --> 00:48:24,560
Speaker 1: tied up in bed and he goes, I'm gonna show

844
00:48:24,600 --> 00:48:27,160
Speaker 1: you what you're missing, and then he just sits down

845
00:48:27,280 --> 00:48:29,960
Speaker 1: and a woman comes in and gives him a blowjob,

846
00:48:31,719 --> 00:48:35,919
Speaker 1: like like this could be you girl. So I don't

847
00:48:35,920 --> 00:48:39,440
Speaker 1: know who the Okay, I think it's popular because it

848
00:48:39,440 --> 00:48:42,359
Speaker 1: has like shark Nado vibes where it's so all over

849
00:48:42,360 --> 00:48:45,360
Speaker 1: the place where like this thing is absurd that you

850
00:48:45,400 --> 00:48:48,680
Speaker 1: have to see it because the cycle of like fighting

851
00:48:48,680 --> 00:48:51,920
Speaker 1: and fucking like it gets boring. But then like the

852
00:48:52,000 --> 00:48:55,080
Speaker 1: person who I'm really curious about who wrote this because

853
00:48:55,120 --> 00:48:59,120
Speaker 1: it comes from the perspective it's so fucked like there's

854
00:48:59,280 --> 00:49:02,200
Speaker 1: there's no such his consent, there's no such thing as

855
00:49:02,239 --> 00:49:06,440
Speaker 1: like understanding what the power dynamics between these people. If

856
00:49:06,480 --> 00:49:10,080
Speaker 1: you haven't watched it, it's about a mobster who like

857
00:49:10,239 --> 00:49:13,120
Speaker 1: I saw a woman through binoculars the day his father

858
00:49:13,200 --> 00:49:16,359
Speaker 1: gets like assassinated who's like the mob boss and he's

859
00:49:16,360 --> 00:49:19,640
Speaker 1: so obsessed with her, he like endeavors to capture her

860
00:49:19,680 --> 00:49:22,719
Speaker 1: to make her fall in love with him. Uh, and

861
00:49:22,800 --> 00:49:26,520
Speaker 1: like steals her away on a trip and then shows

862
00:49:25,760 --> 00:49:28,960
Speaker 1: drug yeah, by drugging her. Then when she comes to

863
00:49:29,120 --> 00:49:32,640
Speaker 1: shows him shows her images of her current boyfriend having

864
00:49:32,640 --> 00:49:34,919
Speaker 1: an affair, and he's like, you see, so you don't

865
00:49:34,920 --> 00:49:37,160
Speaker 1: want to be with him. Already got my goons, already

866
00:49:37,160 --> 00:49:40,160
Speaker 1: took the shift from your from your hotel, left a note, uh,

867
00:49:40,160 --> 00:49:42,000
Speaker 1: and you live with me now. And she's like what

868
00:49:42,440 --> 00:49:44,000
Speaker 1: And he's like yeah, and I'll give you one year

869
00:49:44,040 --> 00:49:46,160
Speaker 1: to fall in love with me. And that's where that's

870
00:49:46,160 --> 00:49:51,080
Speaker 1: how we're starting something like this. Miles, congratulations, you got

871
00:49:51,160 --> 00:49:55,640
Speaker 1: the writer sitting right in front of you. Yeah. You guys,

872
00:49:55,680 --> 00:49:59,040
Speaker 1: got any questions, I will answer them. So the movie

873
00:49:59,120 --> 00:50:02,759
Speaker 1: is titled You d d n I, which stands but

874
00:50:02,960 --> 00:50:08,400
Speaker 1: do not is Suscitate. Yeah, it's that is a that

875
00:50:08,560 --> 00:50:10,719
Speaker 1: is the thing. D n I is do not intibate

876
00:50:10,840 --> 00:50:14,000
Speaker 1: And it's basically the like a version of do not

877
00:50:14,120 --> 00:50:18,080
Speaker 1: resuscitate in the medical community. So it's ah, it is

878
00:50:18,120 --> 00:50:22,000
Speaker 1: a very morbid thing that that you put in your title,

879
00:50:22,520 --> 00:50:24,719
Speaker 1: Carl as the writer of the movie, and it was

880
00:50:24,760 --> 00:50:27,239
Speaker 1: just the Polish word for days. No no, no no.

881
00:50:29,040 --> 00:50:32,880
Speaker 1: As the writer, I have to ask you. The male

882
00:50:33,160 --> 00:50:38,239
Speaker 1: protagonist keeps, uh Massimo keeps sneaking up behind the girl

883
00:50:38,280 --> 00:50:42,440
Speaker 1: and going are you lost? Baby girl? And uh and

884
00:50:42,480 --> 00:50:46,560
Speaker 1: then he disappears like uh, date rape batman at one point,

885
00:50:46,600 --> 00:50:49,399
Speaker 1: but like that that is like the recurring thing. Did

886
00:50:49,440 --> 00:50:52,760
Speaker 1: you think that that was like a a cool line?

887
00:50:53,520 --> 00:50:56,600
Speaker 1: I did. And now his his original man was Key

888
00:50:58,800 --> 00:51:01,440
Speaker 1: and they the network wanted to change into massy Mo,

889
00:51:02,280 --> 00:51:05,560
Speaker 1: you know, a little more accurate. Yeah. Yeah, I was, like,

890
00:51:05,560 --> 00:51:09,680
Speaker 1: his name is Keith Baker and uh, oh cool Keith

891
00:51:11,280 --> 00:51:13,680
Speaker 1: and uh. When I when I thought of the line,

892
00:51:13,760 --> 00:51:17,560
Speaker 1: do not are you lost baby girl? You know I was.

893
00:51:17,360 --> 00:51:22,239
Speaker 1: I wanted to show you know, him being patronizing and

894
00:51:22,320 --> 00:51:26,080
Speaker 1: also loving, because what's who who do you love more

895
00:51:26,120 --> 00:51:29,920
Speaker 1: than a baby girl? And uh yeah baby deer or

896
00:51:29,960 --> 00:51:31,760
Speaker 1: anything like that. You know, it was it was originally

897
00:51:31,760 --> 00:51:36,360
Speaker 1: are you lost, Baby Deer? But the network and I

898
00:51:36,400 --> 00:51:39,279
Speaker 1: was I would say the my my favorite scene that

899
00:51:39,320 --> 00:51:43,960
Speaker 1: I wrote was the initial plane blow job scene where

900
00:51:43,960 --> 00:51:48,520
Speaker 1: it is the pressure because a plane gets pressurized when

901
00:51:48,560 --> 00:51:51,400
Speaker 1: it takes off and the pressure turns his penis into

902
00:51:51,480 --> 00:51:55,640
Speaker 1: a rubber uh kind of phallic and you call glimpses

903
00:51:55,680 --> 00:51:59,440
Speaker 1: of it and uh yeah. And that to me, that

904
00:51:59,520 --> 00:52:02,880
Speaker 1: was the end of the movie right there that I

905
00:52:02,880 --> 00:52:05,399
Speaker 1: got there. They wanted me to add a ninety more pages. Yeah,

906
00:52:05,400 --> 00:52:08,959
Speaker 1: I was like, what, I'm a genius. They're like, Carl,

907
00:52:09,000 --> 00:52:11,480
Speaker 1: these scripts are just guys getting head on airplanes. And

908
00:52:11,560 --> 00:52:14,400
Speaker 1: the last five movies you just and they end at

909
00:52:14,400 --> 00:52:16,680
Speaker 1: page fifteen and I go, have you ever gotten hit

910
00:52:16,719 --> 00:52:19,920
Speaker 1: on the airplane? They go, will well no, would you

911
00:52:20,040 --> 00:52:23,640
Speaker 1: like me either? But I gotta know it. The the

912
00:52:23,719 --> 00:52:26,320
Speaker 1: whole thing, too, is the other things, aesthetic things that

913
00:52:26,520 --> 00:52:28,839
Speaker 1: really kind of just made me laugh, aside from how

914
00:52:28,920 --> 00:52:33,320
Speaker 1: problematic and just gross the whole setup is for the relationship.

915
00:52:33,840 --> 00:52:38,840
Speaker 1: The music is all like this European Royalty free covers

916
00:52:39,120 --> 00:52:42,080
Speaker 1: where it's clearly European people singing in English, where they're like,

917
00:52:42,840 --> 00:52:46,560
Speaker 1: treat me like your boot, treat gonna take you out

918
00:52:46,680 --> 00:52:51,440
Speaker 1: because I love you, and You're like it was exactly

919
00:52:51,520 --> 00:52:54,680
Speaker 1: like that always, and I was like, bro, I can't

920
00:52:54,719 --> 00:52:57,279
Speaker 1: like in a way, I'm like laughing. But also then

921
00:52:57,600 --> 00:53:01,920
Speaker 1: the dialogue was written motherfucking like if when you watch

922
00:53:01,960 --> 00:53:04,920
Speaker 1: cut scenes and video games and it's like like a

923
00:53:05,000 --> 00:53:07,839
Speaker 1: Japanese game being translated into English and you say cut

924
00:53:07,880 --> 00:53:11,000
Speaker 1: scene like it's all off, like the nuance of the language.

925
00:53:11,520 --> 00:53:14,320
Speaker 1: There's one moment where she's like, and what the fuck

926
00:53:14,400 --> 00:53:18,360
Speaker 1: you're gonna you're gonna do army to you know? And

927
00:53:18,400 --> 00:53:22,920
Speaker 1: he's like, I do anything, don't be disobedient, And you're like,

928
00:53:23,400 --> 00:53:25,759
Speaker 1: what are even saying to each other? And I can

929
00:53:25,840 --> 00:53:32,279
Speaker 1: explain what the funk are you gonna do? Like me

930
00:53:32,360 --> 00:53:35,200
Speaker 1: to you? Meaning are you are you not looking within

931
00:53:35,480 --> 00:53:40,720
Speaker 1: when we are you not understanding what you are putting

932
00:53:40,760 --> 00:53:43,319
Speaker 1: me to? Imagine if imagine if this was done to you?

933
00:53:44,280 --> 00:53:46,239
Speaker 1: And then he says, I don't have time to look within.

934
00:53:47,200 --> 00:53:50,040
Speaker 1: We have an assignment. Please don't be disobedient, and then

935
00:53:50,080 --> 00:53:53,799
Speaker 1: the song cuts in. Do your love Making Love, Do

936
00:53:53,880 --> 00:54:01,160
Speaker 1: your love making Love? Treat Treat Carl? Were you writing

937
00:54:01,200 --> 00:54:04,280
Speaker 1: this just as you had like a mix on shuffle

938
00:54:04,560 --> 00:54:08,359
Speaker 1: and you just like wrote to the songs that came in. Yeah,

939
00:54:08,520 --> 00:54:14,080
Speaker 1: so I listened. There's a Spotify playlist, uh called bullshit,

940
00:54:14,800 --> 00:54:17,920
Speaker 1: and I listened to that and just I got inspired

941
00:54:19,440 --> 00:54:23,000
Speaker 1: Eurovision bull I gotta this soundtrack I'm just I gotta

942
00:54:23,040 --> 00:54:26,560
Speaker 1: find this soundtrack because there are some just gems on there,

943
00:54:26,719 --> 00:54:30,760
Speaker 1: like make no lyrical sense at all. Yeah, I kept

944
00:54:31,080 --> 00:54:33,440
Speaker 1: I kept the subtitles on because I couldn't believe what

945
00:54:33,520 --> 00:54:37,320
Speaker 1: I was hearing. Um and like they have the songs

946
00:54:37,360 --> 00:54:40,360
Speaker 1: have titles and like the artist's name next year, like

947
00:54:40,400 --> 00:54:44,479
Speaker 1: they do the same thing. Yeah, it would be like, now,

948
00:54:45,480 --> 00:54:47,400
Speaker 1: what was the one that got me? It said you

949
00:54:47,600 --> 00:54:51,399
Speaker 1: by Alex Condolff and Lamb Hands, and I'm like, what

950
00:54:51,440 --> 00:54:56,279
Speaker 1: the who funck is lamb Hands down tempo? It's like, oh,

951
00:54:56,360 --> 00:54:58,799
Speaker 1: his lamb hands like a dubstep DJ or some sh it.

952
00:54:58,920 --> 00:55:01,440
Speaker 1: And maybe it just means because the piano was so

953
00:55:01,480 --> 00:55:04,279
Speaker 1: fucking gentle, that's what they meant by lamb hands. I

954
00:55:04,320 --> 00:55:07,760
Speaker 1: don't know. But it's the other ones Watch Me Burn

955
00:55:08,200 --> 00:55:13,399
Speaker 1: Kiss Me by Molo. Uh please, if anything, just check

956
00:55:13,400 --> 00:55:16,200
Speaker 1: out some of the soundtrack because the lyrics are they're

957
00:55:16,239 --> 00:55:18,960
Speaker 1: awesome and like the accents really made me laugh. In

958
00:55:19,040 --> 00:55:21,959
Speaker 1: terms of the musical choices, I'll tell you how Lamb

959
00:55:21,960 --> 00:55:25,239
Speaker 1: Hands got his name. You're at a barbecue, but it

960
00:55:25,320 --> 00:55:27,319
Speaker 1: was a fancy barbecue. A bunch of lamb shanks on

961
00:55:27,360 --> 00:55:30,440
Speaker 1: the table. He picked one up. He picked one up

962
00:55:30,480 --> 00:55:32,399
Speaker 1: and he ate it. He's like, man, it's a good

963
00:55:32,440 --> 00:55:34,840
Speaker 1: ass lamp. And he kept picking them up. This is

964
00:55:34,880 --> 00:55:37,160
Speaker 1: a good ass lamb. And then it was like, we

965
00:55:37,239 --> 00:55:39,240
Speaker 1: have to get out of here. Our car is waiting

966
00:55:39,280 --> 00:55:41,000
Speaker 1: for us, and he had all his lamb in his

967
00:55:41,080 --> 00:55:45,000
Speaker 1: hands and we were like lamb hands huh and the

968
00:55:45,000 --> 00:55:48,040
Speaker 1: rest of this And that's how he got on the

969
00:55:48,040 --> 00:55:54,680
Speaker 1: soundtrack for What End, because I once they was like

970
00:55:54,760 --> 00:55:59,239
Speaker 1: the yacht fuck montages like didn't end. It's wild too,

971
00:55:59,280 --> 00:56:01,640
Speaker 1: because this film also just has like three minutes sex

972
00:56:01,680 --> 00:56:05,000
Speaker 1: scenes that will make you yawn, Like I think they're

973
00:56:05,280 --> 00:56:07,840
Speaker 1: they're only hot for Americans because so many Americans so

974
00:56:07,920 --> 00:56:10,760
Speaker 1: puritanical and buttoned up that the idea that a woman

975
00:56:10,840 --> 00:56:15,520
Speaker 1: using a vibrator is like and they're like, my parents

976
00:56:15,520 --> 00:56:18,640
Speaker 1: are watching people kissing. Do you kind of see the

977
00:56:18,680 --> 00:56:22,239
Speaker 1: base of a guy's shaft? Like that's all I feel

978
00:56:22,239 --> 00:56:24,920
Speaker 1: like people are talking about just responding to that. If

979
00:56:24,960 --> 00:56:27,920
Speaker 1: you're trying to get freaky on Netflix, check out the

980
00:56:27,960 --> 00:56:32,520
Speaker 1: movie Love I Believe It or something like that first

981
00:56:32,640 --> 00:56:36,440
Speaker 1: out the gate. It's I think it's I think it's

982
00:56:36,440 --> 00:56:39,160
Speaker 1: one of those movies where they actually are actually having

983
00:56:39,160 --> 00:56:44,319
Speaker 1: sex like the two people like it's actual pornography on Netflix. Yeah. Yeah, this,

984
00:56:44,440 --> 00:56:47,560
Speaker 1: I mean this felt like cinemax. Uh. And the dude

985
00:56:47,640 --> 00:56:53,759
Speaker 1: from that is dating. Uh what's Lenny Kravitz's daughters, Zoe Kravitz. Yeah,

986
00:56:53,840 --> 00:56:57,279
Speaker 1: Zoe Kravitz. The dude from that is dating Zoe Kravitz.

987
00:56:57,520 --> 00:57:02,200
Speaker 1: The dude from Love I was like Massimo from this

988
00:57:03,040 --> 00:57:05,960
Speaker 1: movie was actually like came out in theaters, right, and

989
00:57:06,000 --> 00:57:09,279
Speaker 1: it was one of those like in the UK. Right.

990
00:57:10,760 --> 00:57:13,920
Speaker 1: So this yeah, this is uh, this is just the

991
00:57:14,000 --> 00:57:18,480
Speaker 1: first film in a trilogy actually that it's going to be. Yeah.

992
00:57:18,520 --> 00:57:21,840
Speaker 1: So it's it's based on a novel. The director is

993
00:57:21,880 --> 00:57:26,320
Speaker 1: the author of the novel. Uh, and yeah, this is

994
00:57:26,360 --> 00:57:30,200
Speaker 1: gonna be a trilogy. Uh, probably with like a prequel

995
00:57:30,280 --> 00:57:33,080
Speaker 1: trilogy as well, like Lord of the Rings Star Wars style,

996
00:57:33,200 --> 00:57:36,760
Speaker 1: because you can't just leave these movies where they are.

997
00:57:36,840 --> 00:57:40,720
Speaker 1: But um, sorry, so you made it to the yacht

998
00:57:40,800 --> 00:57:44,520
Speaker 1: fuck montage. Yes, Okay, there's an old man on the

999
00:57:44,560 --> 00:57:51,080
Speaker 1: boat when that starts. Yeah, that's true. Is he just

1000
00:57:51,160 --> 00:57:56,280
Speaker 1: like hiding or are they are? They like it because

1001
00:57:56,760 --> 00:58:00,480
Speaker 1: they in every corner of the boat by Yeah, even

1002
00:58:00,480 --> 00:58:03,800
Speaker 1: in the engine room and like the fucking It's like,

1003
00:58:03,840 --> 00:58:05,920
Speaker 1: what So the thing is that whole scene is so

1004
00:58:05,960 --> 00:58:09,360
Speaker 1: weird because prior to that he's basically slut shaming her,

1005
00:58:09,480 --> 00:58:12,400
Speaker 1: slash blaming her for a man trying to rape her

1006
00:58:12,480 --> 00:58:16,960
Speaker 1: because of how she dressed, and then things go on

1007
00:58:17,400 --> 00:58:19,720
Speaker 1: dot dot dot. Suddenly they're fucking all over the boat

1008
00:58:19,760 --> 00:58:23,040
Speaker 1: and all their like whole mob entourage is gone. I

1009
00:58:23,080 --> 00:58:25,480
Speaker 1: don't know. I guess this is who is is the author?

1010
00:58:25,520 --> 00:58:27,760
Speaker 1: A man? A woman? Do we know? I think it's

1011
00:58:27,760 --> 00:58:36,240
Speaker 1: the worst, right, Blanca? Yeah, what is my stage name? Right?

1012
00:58:37,680 --> 00:58:40,960
Speaker 1: That's your character? And you asked, you asked how the

1013
00:58:40,960 --> 00:58:45,720
Speaker 1: movie ends? My house? The movie ends with one plane

1014
00:58:46,320 --> 00:58:49,320
Speaker 1: flying into another plane that's kind of mouth shaped and

1015
00:58:49,400 --> 00:58:53,720
Speaker 1: just kind of has to reverse and then it has

1016
00:58:53,760 --> 00:59:01,040
Speaker 1: to go back. Those fallacious were wild. Yeah, Like there's

1017
00:59:01,080 --> 00:59:04,960
Speaker 1: like there's gagging noises on a movie that like here's

1018
00:59:05,240 --> 00:59:07,600
Speaker 1: I mean, look I get it. Look if I guess

1019
00:59:07,600 --> 00:59:11,040
Speaker 1: it's really look if you need something to activate your libido,

1020
00:59:11,120 --> 00:59:13,720
Speaker 1: I guess this is it. It's just weird what they choose,

1021
00:59:15,000 --> 00:59:17,480
Speaker 1: Like some of it is softcore porn ish, and some

1022
00:59:17,640 --> 00:59:20,520
Speaker 1: of it is like has the details of a of

1023
00:59:20,600 --> 00:59:27,800
Speaker 1: like really aggressive, violent hardcore poor um. Anyways, the movie

1024
00:59:27,920 --> 00:59:32,280
Speaker 1: ends with what we think is the woman character's death,

1025
00:59:32,320 --> 00:59:36,160
Speaker 1: but it turns out it's not. According to summaries of

1026
00:59:36,160 --> 00:59:40,120
Speaker 1: the second novel, that ship ends with you thinking though

1027
00:59:40,280 --> 00:59:45,480
Speaker 1: that character Laura dies the movie. The ending is so

1028
00:59:46,000 --> 00:59:48,400
Speaker 1: like it's worth sticking through the ending if you if

1029
00:59:48,400 --> 00:59:51,840
Speaker 1: you watched like you can fast forward. I was fast

1030
00:59:51,880 --> 00:59:54,680
Speaker 1: forwarding through the sex scenes and just to like see

1031
00:59:55,000 --> 00:59:59,040
Speaker 1: what happened, making you nervous, and and also because I

1032
00:59:59,080 --> 01:00:00,960
Speaker 1: was like watching it by my myself on my phone

1033
01:00:01,040 --> 01:00:03,960
Speaker 1: and I just felt like weird, like my wife is

1034
01:00:04,000 --> 01:00:07,720
Speaker 1: gonna catch me. Um. But yeah, it ends with just

1035
01:00:08,640 --> 01:00:12,240
Speaker 1: the old man gets a call on his cell phone

1036
01:00:12,560 --> 01:00:16,680
Speaker 1: spoilers guys um old man who who was like they're

1037
01:00:16,840 --> 01:00:19,240
Speaker 1: hiding on the boat while they had their Yeah montage.

1038
01:00:19,400 --> 01:00:21,360
Speaker 1: He gets a call and they're like they're going to

1039
01:00:21,480 --> 01:00:25,880
Speaker 1: kill Anah or Laura or whichever one she is Laura

1040
01:00:26,080 --> 01:00:29,840
Speaker 1: and then he's like what but it seems like he

1041
01:00:29,920 --> 01:00:32,840
Speaker 1: might have ordered it, and then he runs over and

1042
01:00:32,840 --> 01:00:36,520
Speaker 1: then we see her car drive into a tunnel and

1043
01:00:36,600 --> 01:00:39,680
Speaker 1: it doesn't come out the other side. And then the

1044
01:00:39,720 --> 01:00:43,040
Speaker 1: guy he just like it's really strange, Like the guy

1045
01:00:43,120 --> 01:00:47,840
Speaker 1: automatically assumes she's dead. Massimo does because the guy just

1046
01:00:47,880 --> 01:00:51,360
Speaker 1: shows up and it's like, doesn't say any I don't know, man,

1047
01:00:52,600 --> 01:00:56,520
Speaker 1: it's very very confusing. I don't know. And even as

1048
01:00:56,560 --> 01:00:58,080
Speaker 1: I mentioned like, I guess I have to watch it,

1049
01:00:58,120 --> 01:01:02,360
Speaker 1: I'm just like, I don't fucking us know what boring? Yeah,

1050
01:01:02,360 --> 01:01:07,160
Speaker 1: it's very Yeah, even with all that, the gratuitous sex

1051
01:01:07,360 --> 01:01:09,720
Speaker 1: like that should have propped it up to make somebody

1052
01:01:09,760 --> 01:01:13,000
Speaker 1: to think, I'm like, just even the sex scenes retired. Yeah,

1053
01:01:13,280 --> 01:01:15,240
Speaker 1: I wanted to make those boring because I wanted to

1054
01:01:15,280 --> 01:01:18,880
Speaker 1: make people realize, you know, love is not about passion,

1055
01:01:20,000 --> 01:01:27,160
Speaker 1: about how mundane love can be. Plane. Yeah you thought

1056
01:01:27,240 --> 01:01:31,360
Speaker 1: it was cool? I guess, yeah, I guess we have

1057
01:01:31,440 --> 01:01:37,080
Speaker 1: to fucking trilogy. Wow. Wow, wow, Carl. It's been a

1058
01:01:37,120 --> 01:01:39,640
Speaker 1: pleasure of having you on to talk about your film

1059
01:01:39,800 --> 01:01:43,320
Speaker 1: three six or five days. Where can people find you

1060
01:01:43,640 --> 01:01:47,480
Speaker 1: and follow you? You can follow me on Twitter and

1061
01:01:47,920 --> 01:01:52,520
Speaker 1: Instagram at damn It call D A M M I

1062
01:01:52,720 --> 01:01:56,200
Speaker 1: T C A R L and listen to the Flavoring Ones,

1063
01:01:56,240 --> 01:01:59,560
Speaker 1: which is on Patreon. After all this economy talk, how

1064
01:01:59,560 --> 01:02:02,080
Speaker 1: about and in an extra five dollars a month on

1065
01:02:02,200 --> 01:02:05,840
Speaker 1: a podcast loosely based on basketball, which is not being

1066
01:02:05,880 --> 01:02:13,000
Speaker 1: played right now. It's maybe we all know, yeah, we

1067
01:02:13,160 --> 01:02:17,160
Speaker 1: will see. It's really strange because there's definitely players who

1068
01:02:17,200 --> 01:02:19,240
Speaker 1: have come out and said that they don't know how

1069
01:02:19,320 --> 01:02:21,880
Speaker 1: they feel about it. But then there's I think, like

1070
01:02:22,080 --> 01:02:25,000
Speaker 1: Lebron is like pushing for them to complete the season

1071
01:02:25,040 --> 01:02:27,560
Speaker 1: because he knows they have a good shot at winning

1072
01:02:27,600 --> 01:02:30,560
Speaker 1: the title, but like, I don't know, Like I know,

1073
01:02:31,120 --> 01:02:35,640
Speaker 1: Damian Lillard was like, I don't fucking wanna play. I'm

1074
01:02:35,680 --> 01:02:37,640
Speaker 1: not gonna win the title, and like I'm gonna risk

1075
01:02:37,720 --> 01:02:41,240
Speaker 1: my life. Kyrie was saying that the optics of of

1076
01:02:41,480 --> 01:02:44,200
Speaker 1: of these black men being forced to entertain during a

1077
01:02:44,280 --> 01:02:47,440
Speaker 1: pandemic that is killing mostly black people just doesn't look good.

1078
01:02:47,480 --> 01:02:49,400
Speaker 1: And you know, me and Kyrie think on a higher plane.

1079
01:02:49,480 --> 01:02:53,840
Speaker 1: We were on a different wavelength than most people. Oh yeah,

1080
01:02:53,840 --> 01:02:56,200
Speaker 1: you're on that flat earth ship way before him. Yeah yeah, yeah,

1081
01:02:56,280 --> 01:02:59,360
Speaker 1: he got that from me, He got that from the

1082
01:02:59,480 --> 01:03:03,080
Speaker 1: original the race. How would be if the Lakers won, though,

1083
01:03:03,960 --> 01:03:07,800
Speaker 1: I mean, I'm already like planning for it, But I

1084
01:03:07,920 --> 01:03:11,800
Speaker 1: tell you this, I Uh, I read something on Reddit

1085
01:03:11,880 --> 01:03:19,160
Speaker 1: that I thought was very very very like uh, Poignan

1086
01:03:19,360 --> 01:03:21,720
Speaker 1: in our in the history of the Clippers, because, as

1087
01:03:21,760 --> 01:03:23,880
Speaker 1: you know, the clips gonna clip in some sort of way.

1088
01:03:24,160 --> 01:03:26,240
Speaker 1: How clipper would it be that the year that we're

1089
01:03:26,320 --> 01:03:28,360
Speaker 1: having one of our best seasons and got two great

1090
01:03:28,400 --> 01:03:33,120
Speaker 1: players and very like the odds of us winning is

1091
01:03:33,200 --> 01:03:37,440
Speaker 1: very high, that the season gets canceled by some unforeseeable pandemic,

1092
01:03:38,200 --> 01:03:41,200
Speaker 1: and then when they decided to bring basketball back, we

1093
01:03:41,320 --> 01:03:43,640
Speaker 1: win the title where none of the fans can be

1094
01:03:43,760 --> 01:03:46,680
Speaker 1: in attendance to watch it and we can't have a

1095
01:03:46,760 --> 01:03:50,920
Speaker 1: parade because there's a pandemic going on and also protest

1096
01:03:51,000 --> 01:03:53,520
Speaker 1: and everything like that. So big gathering in large groups

1097
01:03:53,640 --> 01:03:56,720
Speaker 1: is just a not a great idea And that's just

1098
01:03:56,920 --> 01:04:00,320
Speaker 1: very Clipper. That's very like that, Like for us to

1099
01:04:00,400 --> 01:04:04,120
Speaker 1: win our first title in a ridiculous, a ridiculous season,

1100
01:04:04,680 --> 01:04:07,680
Speaker 1: and on top of that ridiculous season, not being able

1101
01:04:07,720 --> 01:04:09,600
Speaker 1: to celebrate it and not being able to see it.

1102
01:04:09,880 --> 01:04:11,600
Speaker 1: I feel like, if it's gonna be fully a good

1103
01:04:11,640 --> 01:04:14,560
Speaker 1: Clipper story, Keith class has to factor into this somehow.

1104
01:04:14,800 --> 01:04:16,520
Speaker 1: He'll be the main one. Be like, we should have

1105
01:04:16,640 --> 01:04:19,720
Speaker 1: a parade because five G I ain't scared of that.

1106
01:04:20,440 --> 01:04:22,320
Speaker 1: I remember when he got knocked out outside of that club.

1107
01:04:22,640 --> 01:04:26,880
Speaker 1: Keith class Baby interesting fella he is. And is there

1108
01:04:26,880 --> 01:04:29,960
Speaker 1: a tweet or some other work of social media you've

1109
01:04:29,960 --> 01:04:35,000
Speaker 1: been enjoying, Carl Yeah. Um. Vince Staples tweeted, I would

1110
01:04:35,040 --> 01:04:40,160
Speaker 1: have beat George Washington's ass, And that's that's something to

1111
01:04:40,200 --> 01:04:42,680
Speaker 1: really think about right there, because I also feel like

1112
01:04:42,760 --> 01:04:45,400
Speaker 1: I would have beat his ass too. Knocked his wood

1113
01:04:45,440 --> 01:04:48,280
Speaker 1: teeth out. Hell yeah, knocked autumn wood teeth out, put

1114
01:04:48,360 --> 01:04:51,440
Speaker 1: him in my barbecue grill using some hickory, put up

1115
01:04:51,480 --> 01:04:53,800
Speaker 1: some brisket. Miles. Where can people find you? What's the

1116
01:04:53,800 --> 01:04:56,120
Speaker 1: tweet you've been enjoying? Uh? You can find me on

1117
01:04:56,240 --> 01:05:01,120
Speaker 1: Twitter and Instagram at Miles of Gray, also PlayStation Network.

1118
01:05:01,760 --> 01:05:04,160
Speaker 1: You can also find me on my other podcast for

1119
01:05:04,320 --> 01:05:07,880
Speaker 1: twenty Day Fiance, where you know, we talk about ninety

1120
01:05:07,920 --> 01:05:11,840
Speaker 1: day Fiance. But you know, so if you want to, Um,

1121
01:05:12,280 --> 01:05:14,920
Speaker 1: this is a tweet I like. It's actually from Ben Collins,

1122
01:05:14,960 --> 01:05:17,840
Speaker 1: who's like on the you know, Digital Beat over at

1123
01:05:17,960 --> 01:05:20,320
Speaker 1: m MSNBC, who like, he talks a lot about like

1124
01:05:20,920 --> 01:05:22,920
Speaker 1: four Chin and the things that are going on Internet

1125
01:05:23,080 --> 01:05:28,840
Speaker 1: radicalization heat Um. He was basically talking during the Antiphopanic

1126
01:05:29,320 --> 01:05:31,400
Speaker 1: and was talking about this. He said quote. So many

1127
01:05:31,440 --> 01:05:33,960
Speaker 1: people responding to the nationwide antipopanic have pointed me to

1128
01:05:34,000 --> 01:05:36,360
Speaker 1: the Twilight Zone episode quote the monsters are due on

1129
01:05:36,440 --> 01:05:39,200
Speaker 1: Maple Street end quote. It concludes with this monologue, and

1130
01:05:39,280 --> 01:05:42,160
Speaker 1: it's chilling, right this is from the Twilight Zone. The

1131
01:05:42,240 --> 01:05:44,520
Speaker 1: tools of conquests do not necessarily come with bombs and

1132
01:05:44,560 --> 01:05:47,720
Speaker 1: explosions and fall out. There are weapons that are simply thoughts, attitudes,

1133
01:05:47,760 --> 01:05:50,160
Speaker 1: prejudices to be found only in the minds of man.

1134
01:05:50,440 --> 01:05:53,760
Speaker 1: For the record, prejudices can kill, and suspicion can destroy,

1135
01:05:54,000 --> 01:05:57,040
Speaker 1: and a thoughtless, frightened search for a scapegoat has has

1136
01:05:57,080 --> 01:05:59,520
Speaker 1: a fallout all of its own for the children and

1137
01:05:59,560 --> 01:06:01,960
Speaker 1: the children and yet unborn. And the pity of it

1138
01:06:02,360 --> 01:06:05,919
Speaker 1: is that these things cannot be confined to the Twilight Zone.

1139
01:06:06,240 --> 01:06:09,800
Speaker 1: But very interesting thing when you talk about people fighting

1140
01:06:10,280 --> 01:06:14,840
Speaker 1: invisible enemies, uh and getting together like we saw a

1141
01:06:14,960 --> 01:06:18,560
Speaker 1: few weeks ago. All right, you can find me on

1142
01:06:18,640 --> 01:06:21,440
Speaker 1: Twitter at Jack under Square O'Brien. You can find us

1143
01:06:21,560 --> 01:06:24,720
Speaker 1: on Twitter at daily zeitgeis for at the daily zeygeis

1144
01:06:24,800 --> 01:06:27,680
Speaker 1: on Instagram. We have a Facebook fan page and a website,

1145
01:06:27,760 --> 01:06:31,520
Speaker 1: Daily zeitgeis dot com where post our episodes and our

1146
01:06:31,640 --> 01:06:34,560
Speaker 1: Footnoe square link off to the information that we talked

1147
01:06:34,560 --> 01:06:37,920
Speaker 1: about in today's episode, as well as the song we

1148
01:06:38,400 --> 01:06:41,720
Speaker 1: ride out on myl What is that gonna be today?

1149
01:06:42,640 --> 01:06:45,440
Speaker 1: Oh man, I've you haven't been listening to that uh

1150
01:06:45,640 --> 01:06:50,120
Speaker 1: from the Jewels album Pretty good and it's started the

1151
01:06:50,200 --> 01:06:52,720
Speaker 1: first off of the riff. The first track Yankee in

1152
01:06:52,760 --> 01:06:55,960
Speaker 1: the Brave Uh is just a great track. So we're

1153
01:06:55,960 --> 01:06:57,560
Speaker 1: gonna go out on that one from on the Jewels

1154
01:06:57,800 --> 01:07:01,400
Speaker 1: Thanky in the Brave got LP killing All right, Well,

1155
01:07:01,480 --> 01:07:04,720
Speaker 1: we are going to ride out on that. Daily Zeitgeist

1156
01:07:04,800 --> 01:07:07,320
Speaker 1: is a production of I Heart Radio. For more podcasts

1157
01:07:07,360 --> 01:07:09,760
Speaker 1: for my heart Radio, visit the I Heart Radio app

1158
01:07:09,840 --> 01:07:13,040
Speaker 1: Apple podcast wherever you listen to your favorite shows. That's

1159
01:07:13,080 --> 01:07:16,560
Speaker 1: gonna do it for this morning, we'll be back to

1160
01:07:16,640 --> 01:07:18,480
Speaker 1: sefron end to tell you what's trending and we'll tuck

1161
01:07:18,560 --> 01:07:21,960
Speaker 1: you them by by shamble Bliss. When you put in

1162
01:07:22,040 --> 01:07:24,840
Speaker 1: for this shot ship, all of us longing, all we

1163
01:07:24,960 --> 01:07:27,479
Speaker 1: do in it's arguing heart and a missing work until

1164
01:07:27,560 --> 01:07:30,200
Speaker 1: every pocket you pickt to so many harvest and ready

1165
01:07:30,240 --> 01:07:33,840
Speaker 1: to mom. But he's fucking Charlatan saw the start scart

1166
01:07:34,240 --> 01:07:47,120
Speaker 1: scart Scarlat, I'm allowed to the shot, the motives moving

1167
01:07:47,160 --> 01:07:50,160
Speaker 1: the minia in the city to slot part spot. All

1168
01:07:50,280 --> 01:07:53,160
Speaker 1: this meat, honest, ripping us up the side. Immortality s

1169
01:07:53,160 --> 01:07:56,160
Speaker 1: out of bosses on one round rode, got one round.

1170
01:07:56,280 --> 01:07:56,840
Speaker 1: Applet