WEBVTT - Slush Fund (“Mash-Up” S.1 E.8)

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<v Speaker 1>And That's what you really missed with Jenna and Kevin

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<v Speaker 1>and I Heart Radio Podcast. Welcome back for another episode.

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<v Speaker 1>I'm Jenna, I'm Kevin, and this is and That's what

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<v Speaker 1>you really missed, where we recap Glee, rewatch Glee and

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<v Speaker 1>talk about it and things. And today we are recapping

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<v Speaker 1>mash Up episode eight, season one, where there aren't actually

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<v Speaker 1>any mashups. So that's there's a theme though. Yes, there's

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<v Speaker 1>a theme of mashing up without actually music, mashing, unlikely

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<v Speaker 1>characters mashing, yes, unlikely songs that are supposed to be

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<v Speaker 1>mashed up but are not being mashed. Yes, And narratively

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<v Speaker 1>we are mashing. We're straight up mashing um. This episode

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<v Speaker 1>aired on October two thousand and nine. We sort of

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<v Speaker 1>had our first like magazine cover. It was Matt and

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<v Speaker 1>Corey and Leah on the cover of Entertey Weekly. Enter

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<v Speaker 1>Tune Weekly was very nice to us along the journey

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<v Speaker 1>of Glee was becoming very famous. We had a cover

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<v Speaker 1>and Kevin. This week in Glean News, John Graff was

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<v Speaker 1>announced that he was going to come on and do

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<v Speaker 1>a couple of episodes. That's right, Good Old Sweet Sweet Um.

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<v Speaker 1>The number one movie in America at this time was

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<v Speaker 1>Paranormal Activity. And do you remember some time later after

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<v Speaker 1>this movie was out of the theaters. I did not

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<v Speaker 1>watch horror movies at all at this time. I hated there,

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<v Speaker 1>and Leah forced me to watch it. She had a

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<v Speaker 1>movie right at her house. Did I watch it with

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<v Speaker 1>you guys? Don't you might not have gone. I may

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<v Speaker 1>have actually opted out because I don't watch. Yeah, and

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<v Speaker 1>I was like fine, She's like, if I have a

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<v Speaker 1>movie night, you're coming and you're gonna watch panor Normal

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<v Speaker 1>Activity because it's so good. I was like, okay, fine,

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<v Speaker 1>and so we went over and I watched it. I

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<v Speaker 1>think Chris is there, and yeah, it was terrifying, but

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<v Speaker 1>I did it. Remember you could have been there. And

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<v Speaker 1>I don't like scary movies. Do you still not like

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<v Speaker 1>scaring movies? Or you watch them now? I watched him

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<v Speaker 1>now because um, Austin has trained me how to appreciate

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<v Speaker 1>them because he loves them. Got it? So now I

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<v Speaker 1>enjoyed that. I can appreciate that, all right. This episode

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<v Speaker 1>was directed by returning director Aldie Keene. It was written

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<v Speaker 1>by Ian Brennan. And we have some weird songs. Yeah,

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<v Speaker 1>that don't in fact mash up dynamic list um, and

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<v Speaker 1>we've got Boston Moog got Thuang song and of course

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<v Speaker 1>Sweet Caroline, which do you remember what happened? The day

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<v Speaker 1>after this one aired, Neil Diamond tweeted Mark, Oh, yeah,

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<v Speaker 1>this was like the first time we had like a

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<v Speaker 1>direct line. Um. And then an artist reached out after

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<v Speaker 1>their song was covered and like said, what great job,

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<v Speaker 1>and it was great to see my song and bloody

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<v Speaker 1>bolah that's right. We were all shocked. Yeah, we hadn't

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<v Speaker 1>had any direct response from any of the artists yet,

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<v Speaker 1>so that was great. It was our first and we

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<v Speaker 1>get to see Jama sing this episode. Isn't it such

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<v Speaker 1>a pretty voice? Um? So there's really three big things

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<v Speaker 1>going on this episode. There's Emma and Ken preparing for

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<v Speaker 1>the wedding. Then there's um the football team is really

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<v Speaker 1>revolting against the gleanness of it all and Kin's part

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<v Speaker 1>and that, and then there's Rachel and Puck, which is

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<v Speaker 1>is I feel like it's how I feel about that

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<v Speaker 1>is how I felt about Joey and Rachel dating and friends.

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<v Speaker 1>It feels weird. Anyway, Let's let's let's go back and

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<v Speaker 1>start with I never thought about it like that very good, Kevin. Okay,

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<v Speaker 1>let's start to think, well, Rachel, her name was inspired

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<v Speaker 1>by friends, wasn't it? Was it not? I believe it was?

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<v Speaker 1>Was it? I think? So? Yes? So? Um, I guess

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<v Speaker 1>I could ask I could ask Ryan. Maybe I send

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<v Speaker 1>a text. So Emma and Ken are planning to have

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<v Speaker 1>a wedding, very wedding and why where nobody can attend basically,

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<v Speaker 1>and then they after they're very very private event, they're

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<v Speaker 1>going to have a first dance and they share this

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<v Speaker 1>with Will that they can't They each want a very

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<v Speaker 1>unique and different song and they can't quite figure it out.

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<v Speaker 1>So they're thinking about, Yeah, Emma wants I could have

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<v Speaker 1>danced all night and a classic, and Ken Tanaka wants

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<v Speaker 1>the song which is also a classic. Jenna, don't you

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<v Speaker 1>dare try to say otherwise? Will says, Okay, let's let's

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<v Speaker 1>do this. I can teach you. I can get these

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<v Speaker 1>songs together. I want to be my wedding gift to

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<v Speaker 1>you guys, a nice person, being a nice person. Emma

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<v Speaker 1>shows up to dance rehearsal um and princess dies wedding dress,

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<v Speaker 1>which it is a it is it is very similar.

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<v Speaker 1>I will say, Um, go and look at Princess Di's

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<v Speaker 1>wedding dress. Jamie is so little. Yes, this dress swallows

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<v Speaker 1>her up a hole. And I think the idea is

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<v Speaker 1>that it's supposed to be not not the dress. So

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<v Speaker 1>but but Mr Shoe does dance lessons with her and

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<v Speaker 1>we get into the our favorite number of the Thong song,

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<v Speaker 1>and I feel like, so this episode is a lot

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<v Speaker 1>of cringe e Shoe and I feel like this is

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<v Speaker 1>AKA Fella's Part two because there's a lot of adults

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<v Speaker 1>and it um and it just a lot of this

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<v Speaker 1>makes me uncomfortable little cringe e because it's also happening

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<v Speaker 1>in a school where she a teacher, is dancing around

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<v Speaker 1>a counselor and who's in a wedding dress and one

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<v Speaker 1>of the classrooms at the school and they're dancing too. Yes,

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<v Speaker 1>but it's a weird I feel like there are many

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<v Speaker 1>boundaries that are being crossed well and then I mean

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<v Speaker 1>where this gets into the different part of the storyline.

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<v Speaker 1>But um, Mr Shoe doing bust to Move, which happens

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<v Speaker 1>early in the episode. Mr Shoe unbuttoned stead his shirt

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<v Speaker 1>during class, he dances around, he touches students faces. Um,

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<v Speaker 1>he's singing a weird song and it's a weird number. Yeah,

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<v Speaker 1>and the so sorry. So getting back to Thong song,

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<v Speaker 1>we're continuing the cringe and they trip, and the trips

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<v Speaker 1>and falls on top of Will. They have a moment

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<v Speaker 1>where they're on top of each other on the floor

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<v Speaker 1>in the classroom and Can, of course happens to be

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<v Speaker 1>outside peering through the window at that exact moment. Do

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<v Speaker 1>you think the Hunger Games when they fall they took

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<v Speaker 1>that from Will and Emma? Definitely, Yeah, Yeah, that definitely

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<v Speaker 1>is a direct correlation. Fully believe that. Yeah. And um,

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<v Speaker 1>I will say Kevin, this this was I think last

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<v Speaker 1>week or maybe we didn't talk about it, but there's

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<v Speaker 1>a website that has the Weirdest performances Glee's Weirdest Performances. Um.

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<v Speaker 1>And also there's another article it's like Glee's Weirdest Performances

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<v Speaker 1>and this made it on. Thong Song made it on

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<v Speaker 1>because it is it's very strange, but here we are,

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<v Speaker 1>And I wonder if the writers thought like it'd be

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<v Speaker 1>funny to see them do this. Yeah, I also love

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<v Speaker 1>that Thong song was used. Yeah, and that's just the weirdest,

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<v Speaker 1>wildly popular song in our Day, Yeah, because it was

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<v Speaker 1>great remember making the video. I watched it for that. Okay,

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<v Speaker 1>that's what I learned about shooting Day for Night. Anyway,

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<v Speaker 1>the educational series, and then they go to a bridle

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<v Speaker 1>shop where they then they realized that maybe she needs

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<v Speaker 1>a smaller dress, right, a more fitted dress. So Emma

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<v Speaker 1>is at the bridle shop and she's trying on a

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<v Speaker 1>new dress that's going to be easier to dance in,

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<v Speaker 1>and Will's like, oh, that, do you want to practice?

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<v Speaker 1>So he puts her in. Um. He puts on an

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<v Speaker 1>instrumental version of I Could Have Danced All night, and

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<v Speaker 1>we see Emma Pillsbury's first musical number, Jama May's first

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<v Speaker 1>number is very exciting. Um. And and then after the dance,

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<v Speaker 1>Will tells Emma that Ken is making the guys choose

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<v Speaker 1>between glee and the football. Um. Brings us to Slushy Gate.

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<v Speaker 1>So let's let's backtrack. Yes, So what's what's also happening

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<v Speaker 1>in this episode is everybody is getting slushy, but like

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<v Speaker 1>the jobs are getting slushy, the popular girls are getting slushy.

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<v Speaker 1>Everyone who's in Glee club that is part of the

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<v Speaker 1>popular crowd is getting slushy. Um. This is where we

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<v Speaker 1>see Kurowski and his emio. Um. We talked about this

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<v Speaker 1>the ship we found on TikTok where where Kross he

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<v Speaker 1>says he was on the hockey team lies. Um. Yeah,

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<v Speaker 1>and there's all this rebellion amongst all the jocks, the

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<v Speaker 1>dudes being the dudes, and all these gay jokes and

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<v Speaker 1>YadA YadA YadA. Um. It's also where we do all

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<v Speaker 1>these tracking shots of the big slushy cups going down

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<v Speaker 1>and Amber yelling out my weave slide of the bumble bees. Yes. Um,

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<v Speaker 1>I think that was improv. I know, and I originally

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<v Speaker 1>thought it was written. I'm like, I don't know about that,

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<v Speaker 1>but Amber, Amber, Yes, Amber improv. That made it up,

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<v Speaker 1>So I feel better about that. And then, um, I

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<v Speaker 1>don't know if you guys noticed, but this is the

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<v Speaker 1>start of the fake slushy and the very short lived

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<v Speaker 1>fake slushies at that. Um. It was made of silicone

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<v Speaker 1>and some color food coloring and whatnot. And I believe

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<v Speaker 1>they used it because it was faster to reset, Is

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<v Speaker 1>that right? Yeah? And also it's just it's faster to reset,

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<v Speaker 1>easier clean up. You didn't have to reset the people.

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<v Speaker 1>But it was also not as good. It was not

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<v Speaker 1>as good the actual like when you get slushy. The

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<v Speaker 1>shot wasn't like I was good because it never stuck

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<v Speaker 1>on your face like like a real flash she did.

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<v Speaker 1>We have to go back and talk about Bust to

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<v Speaker 1>Move for a second. Besides it being like super cringe

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<v Speaker 1>and shoe touching everybody's face and I'm buttoning a shirt

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<v Speaker 1>and doing and wrapping and doing breakdancing. I remember for us,

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<v Speaker 1>um we had a great time because we didn't have

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<v Speaker 1>to do anything. I remember the rehearsal where everybody was like, yeah,

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<v Speaker 1>we're just going to sort of dance around and vibe

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<v Speaker 1>sort of like um ride with me, like the Nelly song.

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<v Speaker 1>We're just having fun. It was sort of the same thing.

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<v Speaker 1>But Matt had to do so much this episode. I

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<v Speaker 1>mean so much between the thongs song, Bust Move, Jane's number,

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<v Speaker 1>it was he was I could have danced all night.

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<v Speaker 1>I do remember him kind of being exhausted. It was

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<v Speaker 1>really really crazy. And then I was there playing the

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<v Speaker 1>bass like an idiot, pretending I had lessons to learn

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<v Speaker 1>how to fake play these instruments. I never actually learned that. Yeah,

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<v Speaker 1>so I did that in the in the trailer you remember.

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<v Speaker 1>I remember you going and being like I had to

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<v Speaker 1>go rehearst the basis. Yeah, I had a teacher who

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<v Speaker 1>taught me how to do these things. Wow, well, at

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<v Speaker 1>least you weren't like breaking breaking. I also feel like,

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<v Speaker 1>I know, like, looking back now, it's sort of all

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<v Speaker 1>this is sort of cringe the Shoe doing all this,

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<v Speaker 1>But at the time, I don't think we necessarily realize

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<v Speaker 1>that it was cringe. No, not at all. And here's

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<v Speaker 1>the thing. I think it was also because the way

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<v Speaker 1>we saw Matt was different than the way that people

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<v Speaker 1>saw Mr Shoe to the kids, correct now is our friend, Like,

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<v Speaker 1>of course I saw him grab Diana's face because like

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<v Speaker 1>that's what we did. We were all pretty much the

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<v Speaker 1>same age. So it's a little weird because I think

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<v Speaker 1>people now are when I'm watching it now and like, oh,

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<v Speaker 1>I'm watching it as Mr Shoe and the kids not

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<v Speaker 1>in us, and it was definitely, um not, that's not appropriate,

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<v Speaker 1>even more so now so. I but I do remember

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<v Speaker 1>this episode being very free and easy for us. Yeah,

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<v Speaker 1>we didn't do much, which we got to hang out.

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<v Speaker 1>Um so after us to move, Finn and Quinn go

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<v Speaker 1>get advice from Emma on how to be visit Emma

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<v Speaker 1>to asker for us and how to be cool, and

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<v Speaker 1>Emma tells me to wear sunglasses because she's obviously distracted

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<v Speaker 1>by Will passing by um, and so Finn and Quinn,

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<v Speaker 1>especially Quinn's they were shears sunglasses the rest of the episode.

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<v Speaker 1>And then Finn and Quinn get slushy by the football

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<v Speaker 1>team and your favorite quote which one bros before high hoss.

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<v Speaker 1>Did you also notice how the football player is falling

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<v Speaker 1>because of the slushy as the scene was ending, Um No,

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<v Speaker 1>I definitely did not like he slipped on the slushy. Ye,

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<v Speaker 1>just just a little weirdness going out at the end

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<v Speaker 1>of the scene. Yes, Um. So there's a fight at

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<v Speaker 1>football practice because Ken Tanaka is now very upset in

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<v Speaker 1>Mr Shoe and is getting revenge basically and putting extra

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<v Speaker 1>glue rehearsals during extra football rehearsal during you rehearse football

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<v Speaker 1>half time is intermission right exactly, So I can to

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<v Speaker 1>get revenge about seeing you know, Will and Emma laying

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<v Speaker 1>on the ground together. He decides to throw a Thursday

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<v Speaker 1>one pm um football rehearsal, Um, and so then the

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<v Speaker 1>people who are in glee club and also in football

0:14:49.960 --> 0:14:52.720
<v Speaker 1>have to make the ultimate decision about where they're going

0:14:52.760 --> 0:14:57.800
<v Speaker 1>to be because it's a mandatory practice. He's pissed. And

0:14:57.880 --> 0:15:03.080
<v Speaker 1>this is the scene that I thought I remembered shooting.

0:15:03.960 --> 0:15:06.480
<v Speaker 1>Remember last week we talked about or not last week,

0:15:06.480 --> 0:15:10.600
<v Speaker 1>but Invitamin D when Sue we did that choir room

0:15:10.640 --> 0:15:15.240
<v Speaker 1>scene when Sue becomes um CO captain. Right, Yeah, this

0:15:15.400 --> 0:15:17.560
<v Speaker 1>felt very similar to me. And maybe it was because

0:15:17.640 --> 0:15:24.720
<v Speaker 1>Led directed, uh, both of them, but I was like, oh,

0:15:24.880 --> 0:15:27.040
<v Speaker 1>this is the scene that I remember so vividly of

0:15:27.160 --> 0:15:32.280
<v Speaker 1>us like waiting for the people to come in. Yeah. Same,

0:15:32.880 --> 0:15:36.320
<v Speaker 1>And I feel like we're constantly just like waiting in

0:15:36.400 --> 0:15:41.400
<v Speaker 1>the choir room. Recently, um So, Mike and Matt and

0:15:41.560 --> 0:15:48.280
<v Speaker 1>shockingly Puck show up, Book shows up because of Rachel,

0:15:48.520 --> 0:15:52.880
<v Speaker 1>because of Rachel, but Finn doesn't show up. So Finn

0:15:52.920 --> 0:15:57.960
<v Speaker 1>stays at the football practice, and we're all kind of bewildered,

0:15:58.000 --> 0:16:02.760
<v Speaker 1>like why already definitely pissed, already's pissed, already think works

0:16:02.800 --> 0:16:08.360
<v Speaker 1>thin And then we're waiting and Finn doesn't come back,

0:16:10.080 --> 0:16:12.400
<v Speaker 1>like a weird slip up of editing here. It's like

0:16:12.480 --> 0:16:16.120
<v Speaker 1>after the after they come in, they'll all turn to

0:16:16.160 --> 0:16:18.000
<v Speaker 1>look at the door. After the camera cuts to the door,

0:16:18.560 --> 0:16:20.440
<v Speaker 1>then back to the glee club the same clip. It's

0:16:20.480 --> 0:16:25.240
<v Speaker 1>the same clip of us really yeah, m hmm, I

0:16:25.240 --> 0:16:29.400
<v Speaker 1>believe it was. I think so, I don't know. Maybe

0:16:29.400 --> 0:16:34.040
<v Speaker 1>people can message us because it looks it looks funny

0:16:34.200 --> 0:16:36.800
<v Speaker 1>and we just mark that because we'll address something similar

0:16:36.840 --> 0:16:40.280
<v Speaker 1>to that later as well. So this next the next

0:16:40.280 --> 0:16:45.120
<v Speaker 1>part where finn Um has to go and slushy Kurt

0:16:45.280 --> 0:16:50.960
<v Speaker 1>right because the football team will, you know, have his hoss.

0:16:51.040 --> 0:16:56.160
<v Speaker 1>If not, he doesn't do it. Um and Kurt and

0:16:56.400 --> 0:17:03.800
<v Speaker 1>his ring jacket, his wonderful mark, Jacob's range acid Um

0:17:03.840 --> 0:17:05.959
<v Speaker 1>and He's like, look, I'll do it. I know you

0:17:05.960 --> 0:17:07.359
<v Speaker 1>have to do it. Just do it, and feels like

0:17:07.400 --> 0:17:09.479
<v Speaker 1>I don't really want to you. So Kurt's like, let

0:17:09.480 --> 0:17:10.959
<v Speaker 1>me just do it for you. Then let me make

0:17:11.000 --> 0:17:13.520
<v Speaker 1>your job really hazy. And Kurt does it to himself

0:17:13.560 --> 0:17:16.040
<v Speaker 1>and Chris does it to himself, and I remember being

0:17:16.119 --> 0:17:21.160
<v Speaker 1>at that um watching Chris do that and doing my

0:17:21.440 --> 0:17:25.199
<v Speaker 1>damnedest not to laugh, and all of us not, and

0:17:25.240 --> 0:17:28.080
<v Speaker 1>I think he was like, please don't laugh, because I can't.

0:17:28.640 --> 0:17:32.920
<v Speaker 1>We can't mess this up. Once you slushy yourself that's it, right, Um,

0:17:33.000 --> 0:17:37.400
<v Speaker 1>But I remember him slushy himself and it went behind

0:17:37.480 --> 0:17:40.080
<v Speaker 1>him all the way up onto the light. Right, it

0:17:40.119 --> 0:17:42.560
<v Speaker 1>went like up and behind him and then rocked down

0:17:42.760 --> 0:17:45.000
<v Speaker 1>and got Leah, that's right, and then we all had

0:17:45.000 --> 0:17:48.040
<v Speaker 1>to run into the girl's room. But I remember that

0:17:48.160 --> 0:17:51.280
<v Speaker 1>it seemed very vividly in my mind, especially because of

0:17:51.359 --> 0:17:55.080
<v Speaker 1>Chris's beautiful raincoat. Also, how amazing is Chris that you're

0:17:55.119 --> 0:17:57.360
<v Speaker 1>doing the scene that's absolutely insane that after he slashes

0:17:57.440 --> 0:18:03.520
<v Speaker 1>himself switches it, he's like almost on the ridge of tears.

0:18:04.040 --> 0:18:07.520
<v Speaker 1>That's a that's a Golden Globe winner. Yeah, you're right,

0:18:09.119 --> 0:18:14.040
<v Speaker 1>and that's a Golden Globe winner. And so here's brings

0:18:14.080 --> 0:18:21.200
<v Speaker 1>us back to basically, when Shoe tells Emma that Ken

0:18:21.359 --> 0:18:23.400
<v Speaker 1>is doing this, you know, after they do, I could

0:18:23.440 --> 0:18:28.080
<v Speaker 1>have danced all night. Um you see her being like huh,

0:18:28.200 --> 0:18:33.639
<v Speaker 1>she had no idea And so then um, now cut

0:18:33.760 --> 0:18:37.040
<v Speaker 1>back to here. Finn is now telling coach Tanaka that

0:18:37.119 --> 0:18:40.960
<v Speaker 1>he doesn't want to have to choose, and clearly there's

0:18:41.000 --> 0:18:43.240
<v Speaker 1>been some of you know, some behind the scenes talking

0:18:43.880 --> 0:18:46.959
<v Speaker 1>between some characters, and he's like, okay, because Will has

0:18:47.000 --> 0:18:50.320
<v Speaker 1>also apologized to Ken in this time, where Will is like,

0:18:50.400 --> 0:18:52.960
<v Speaker 1>you're right, you know, I didn't necessarily encourage it, but

0:18:53.000 --> 0:18:57.440
<v Speaker 1>I didn't stop it, and so yeah, and so all

0:18:57.480 --> 0:19:02.080
<v Speaker 1>these things have lined up where Ken then hansels Thursday

0:19:02.080 --> 0:19:07.080
<v Speaker 1>practices or Senna says Thursday rehearsals, so then everybody can

0:19:07.119 --> 0:19:13.720
<v Speaker 1>participate in both exactly. And Finn returns to the glee

0:19:13.760 --> 0:19:16.520
<v Speaker 1>club and brings everyone slushies. Do you remember the film?

0:19:16.520 --> 0:19:21.399
<v Speaker 1>I remember filming this. This is really fun. This was

0:19:21.840 --> 0:19:24.400
<v Speaker 1>at the end of the night. It was I think

0:19:24.400 --> 0:19:28.679
<v Speaker 1>it was a Friday, and Finn in this scene brings

0:19:28.680 --> 0:19:31.399
<v Speaker 1>slushies to the glee club to make up for not

0:19:31.560 --> 0:19:37.199
<v Speaker 1>showing up. And um and did or did Mr shubring

0:19:37.280 --> 0:19:42.960
<v Speaker 1>slushy Finn and then Mr Shoes like, okay, well, unfortunately

0:19:43.000 --> 0:19:45.880
<v Speaker 1>weren't able to find a song too, um mash up,

0:19:46.400 --> 0:19:51.959
<v Speaker 1>leaving us with no mashup. Um and wet. Sweet Quinn

0:19:52.040 --> 0:19:56.520
<v Speaker 1>has been exiled from the Cheerios. She's been kicked off

0:19:56.560 --> 0:20:00.159
<v Speaker 1>because she's pregnant. She's prego and um, we'll get to

0:20:00.240 --> 0:20:02.400
<v Speaker 1>that part of why she was kicked off the Cheerios,

0:20:02.880 --> 0:20:05.679
<v Speaker 1>but she Um, we see her in regular clothes. We

0:20:05.720 --> 0:20:09.320
<v Speaker 1>start to see Diana in her regular clothes. And I

0:20:09.400 --> 0:20:16.639
<v Speaker 1>have to say, Quinn's clothes just subtly mirror Diana um wardrobe.

0:20:18.400 --> 0:20:21.040
<v Speaker 1>She's just a little bit they would shop at the

0:20:21.080 --> 0:20:24.760
<v Speaker 1>same places. Um. So we get to start to see

0:20:24.800 --> 0:20:28.280
<v Speaker 1>Quinn and regular clothes and cherio fits. And then I

0:20:28.320 --> 0:20:32.960
<v Speaker 1>also love that Corey's like drinking the slushy during this scene. Yeah,

0:20:33.680 --> 0:20:35.520
<v Speaker 1>but yeah, I remember we had I think it was

0:20:35.600 --> 0:20:39.879
<v Speaker 1>late Friday night. We had basically one chance to do this, yes, yes,

0:20:40.400 --> 0:20:44.119
<v Speaker 1>And the camera was covered in like plastics so that

0:20:44.200 --> 0:20:46.560
<v Speaker 1>it wouldn't get dirty because there were so many of

0:20:46.640 --> 0:20:51.200
<v Speaker 1>us throwing slashy. There was the floor when you watched.

0:20:51.640 --> 0:20:55.399
<v Speaker 1>When you watch the the slushy hit like the camera.

0:20:55.480 --> 0:20:57.000
<v Speaker 1>We do it to the camera. There's like a piece

0:20:57.040 --> 0:20:59.880
<v Speaker 1>of plastic in front of the cameras see it like war.

0:21:00.040 --> 0:21:02.440
<v Speaker 1>It just happens. So it's fast, it's hard to it's

0:21:02.440 --> 0:21:07.080
<v Speaker 1>hard to tell. Very good catch. Um. And I remember

0:21:07.119 --> 0:21:11.080
<v Speaker 1>mapp being like very nervous. Yes, that getting slushy. So yeah,

0:21:11.119 --> 0:21:13.720
<v Speaker 1>the Glee club kids they learned, they learned that Mr.

0:21:13.760 --> 0:21:16.800
<v Speaker 1>She has never been slushy before. And so it is

0:21:16.840 --> 0:21:20.520
<v Speaker 1>a twelve slushy facial, which is the most amount of Slushies,

0:21:20.560 --> 0:21:24.400
<v Speaker 1>that anybody has been slushy yet a date to date

0:21:24.920 --> 0:21:32.359
<v Speaker 1>which will change sure well, Ken, I was also like

0:21:32.440 --> 0:21:35.119
<v Speaker 1>during this time when you say the character hasn't been

0:21:35.119 --> 0:21:38.800
<v Speaker 1>slushy and noverybody's realizing it in real life. I was

0:21:38.840 --> 0:21:42.480
<v Speaker 1>also we were also sort of like, neither have we.

0:21:42.960 --> 0:21:47.080
<v Speaker 1>That's we tried not to anybody. We didn't. We were

0:21:47.080 --> 0:21:49.520
<v Speaker 1>trying to hide it from brad Ian and Ryan that

0:21:49.880 --> 0:21:51.919
<v Speaker 1>I don't think they were keeping track yet, but no,

0:21:52.480 --> 0:21:54.920
<v Speaker 1>we got we're getting close. I think it happened soon

0:21:55.160 --> 0:21:58.160
<v Speaker 1>for me. I think I get I get slushy pretty soon.

0:21:58.320 --> 0:22:00.119
<v Speaker 1>Somebody ratted me out, and that's how it happened me.

0:22:01.400 --> 0:22:04.560
<v Speaker 1>You really got the the super Bowl of Slushies. Um,

0:22:04.800 --> 0:22:08.880
<v Speaker 1>I did, literally. So the Glee Club was supposed to find,

0:22:08.920 --> 0:22:11.719
<v Speaker 1>you know, something to mash up and like you said, well,

0:22:12.119 --> 0:22:14.480
<v Speaker 1>well it's like, you know, nobody found them. But it's

0:22:14.480 --> 0:22:18.120
<v Speaker 1>okay because we still learned the lesson. And then Will

0:22:18.200 --> 0:22:21.879
<v Speaker 1>has also told Emma that he can't mash up. I

0:22:21.920 --> 0:22:23.480
<v Speaker 1>could have danced all night and thong so long. They

0:22:23.520 --> 0:22:28.280
<v Speaker 1>just don't go together right, So the mashups aren't working out,

0:22:28.400 --> 0:22:32.120
<v Speaker 1>but they're teaching us valuable lessons. They know they're not

0:22:32.160 --> 0:22:35.760
<v Speaker 1>necessarily supposed to be. Yes, they're they're great songs on

0:22:35.800 --> 0:22:39.000
<v Speaker 1>their own. They're not necessarily complimentary of one another, which

0:22:39.080 --> 0:22:42.160
<v Speaker 1>might be a metaphor. It was a metaphor, and I

0:22:42.200 --> 0:22:45.920
<v Speaker 1>was wondering. I was honestly like, are they talking about

0:22:46.000 --> 0:22:48.200
<v Speaker 1>Emma and Ken? Are we talking about Emma and Will?

0:22:50.240 --> 0:22:54.560
<v Speaker 1>Because when she's saying like we don't necessarily match, I

0:22:54.680 --> 0:22:57.760
<v Speaker 1>was like, Oh, she's talking about Ken. And then when

0:22:57.760 --> 0:22:59.560
<v Speaker 1>Will said it, I was like, oh, no, it's about

0:22:59.640 --> 0:23:01.919
<v Speaker 1>him and how they're not supposed to be together. Well,

0:23:01.920 --> 0:23:04.119
<v Speaker 1>it's both. I think you're from her perspective, it's one

0:23:04.119 --> 0:23:09.840
<v Speaker 1>thing from his, it's another. Oh, very good. Everybody is

0:23:09.960 --> 0:23:13.879
<v Speaker 1>looking at the thing from their own point of Beu Jenna.

0:23:14.680 --> 0:23:17.399
<v Speaker 1>It's about that's how life is. It's your own movie,

0:23:17.440 --> 0:23:20.000
<v Speaker 1>and everyone else is just a supporting character. You know.

0:23:20.720 --> 0:23:22.919
<v Speaker 1>There was an article that called the Will Emma and

0:23:23.000 --> 0:23:29.000
<v Speaker 1>Can love triangle the Bermuda love triangle, which is great.

0:23:29.440 --> 0:23:34.800
<v Speaker 1>That's funny. Imagine Howard Bamboo can Can playing a Kentanaka.

0:23:34.880 --> 0:23:38.320
<v Speaker 1>What a different, like a totally different vibe would have given.

0:23:40.000 --> 0:23:43.040
<v Speaker 1>They're so good. So the reason why let's go backwards.

0:23:43.040 --> 0:23:45.320
<v Speaker 1>So the reason why Quinn got kicked out of the

0:23:45.400 --> 0:23:52.040
<v Speaker 1>Cheerios was because Sue is on a tirade. Um. Earlier

0:23:52.080 --> 0:23:57.240
<v Speaker 1>in the episode, Rod Remington hits on Sue, she gets excited,

0:23:57.840 --> 0:24:02.040
<v Speaker 1>They go on a date, they play battleship. She says,

0:24:02.160 --> 0:24:08.520
<v Speaker 1>you've sunk my battleship hard, and he invites her to

0:24:08.560 --> 0:24:12.879
<v Speaker 1>go swinging, which I was like, when Rod's like, I

0:24:12.960 --> 0:24:15.640
<v Speaker 1>like to swing, I was like, it's Sue gonna get

0:24:15.640 --> 0:24:18.800
<v Speaker 1>confused and like, end of it a swingers party. She

0:24:18.840 --> 0:24:22.399
<v Speaker 1>seemed down for it either way. No, totally um, but

0:24:22.600 --> 0:24:25.159
<v Speaker 1>it was an actual swinging event. So that's where we

0:24:25.240 --> 0:24:28.879
<v Speaker 1>see Matt Mr. Shoe and Sue getting along, which is

0:24:28.920 --> 0:24:32.239
<v Speaker 1>also very weird. Um, but love watching them do their

0:24:32.280 --> 0:24:34.679
<v Speaker 1>little number. It's always fun to see Jane get to

0:24:34.720 --> 0:24:37.520
<v Speaker 1>do stuff, and I like seeing Sue sort of vulnerable,

0:24:38.040 --> 0:24:41.240
<v Speaker 1>excited for the prospect of love just for a moment,

0:24:41.720 --> 0:24:44.399
<v Speaker 1>just for a second. I almost got too uncomfortable. We

0:24:44.440 --> 0:24:47.440
<v Speaker 1>saw her too vulnerable for a second. I was like, no, no,

0:24:47.880 --> 0:24:49.639
<v Speaker 1>this is not the Sue that I like to see.

0:24:50.080 --> 0:24:54.800
<v Speaker 1>But of course Jane is like the polar opposite. So um.

0:24:54.880 --> 0:24:58.880
<v Speaker 1>So they teach each other, you know, their their will

0:24:58.960 --> 0:25:02.040
<v Speaker 1>is teaching Sue the dance to sing Sing, which is

0:25:02.080 --> 0:25:04.479
<v Speaker 1>such a great little number. And then and also a

0:25:04.480 --> 0:25:07.560
<v Speaker 1>side note, Zach Woodley was also being put through the

0:25:07.640 --> 0:25:11.960
<v Speaker 1>ringer during this episode. I remember as well because while yes,

0:25:12.080 --> 0:25:18.240
<v Speaker 1>while having to teach Mad and Jane these numbers, he

0:25:18.359 --> 0:25:21.920
<v Speaker 1>also had to choreograph them. Yeah, and then when we're

0:25:21.920 --> 0:25:24.840
<v Speaker 1>shooting them, he has to be on set while we're

0:25:24.880 --> 0:25:28.000
<v Speaker 1>doing it when he should also be like coming up

0:25:28.119 --> 0:25:31.240
<v Speaker 1>with and teaching other people other things. This is where Brooke,

0:25:31.320 --> 0:25:36.040
<v Speaker 1>also assistant choreographer, who was also amazing um came in

0:25:36.119 --> 0:25:38.639
<v Speaker 1>handy because they would tag team really well because they

0:25:38.640 --> 0:25:45.160
<v Speaker 1>had such a shorthand. So anyway, um Rod, Sue gets

0:25:45.520 --> 0:25:50.520
<v Speaker 1>is ready for her date. She shows up Rod, is she,

0:25:50.760 --> 0:25:54.080
<v Speaker 1>I guess cheating on her although he, according to him

0:25:54.560 --> 0:25:58.359
<v Speaker 1>they weren't exclusive. Was making out with Andrea the other

0:25:59.040 --> 0:26:06.560
<v Speaker 1>um an newscaster news anchor. And and then that's it,

0:26:06.760 --> 0:26:10.320
<v Speaker 1>that's the that's the vulnerable side of student. Yeah. And

0:26:10.359 --> 0:26:12.560
<v Speaker 1>then Sue goes back to her ways of I want

0:26:12.600 --> 0:26:14.320
<v Speaker 1>the set list because you know she's gonna be up

0:26:14.359 --> 0:26:18.160
<v Speaker 1>to know good with it and demanding things. But it's

0:26:18.160 --> 0:26:20.639
<v Speaker 1>good to see her return to her evil self. I

0:26:20.720 --> 0:26:24.480
<v Speaker 1>missed it. I did miss it as well, and also like,

0:26:24.640 --> 0:26:28.040
<v Speaker 1>is there anything that's you that Jane Lynch can't do. No,

0:26:30.119 --> 0:26:33.000
<v Speaker 1>I've been watching um The Marvelous Mrs Masil for the

0:26:33.040 --> 0:26:36.040
<v Speaker 1>first time. I know, I'm very late to it. Yeah,

0:26:36.080 --> 0:26:39.600
<v Speaker 1>you texted me last night because some of our glee

0:26:39.640 --> 0:26:42.639
<v Speaker 1>dancers are in it the new season. I haven't seen. No,

0:26:43.000 --> 0:26:46.119
<v Speaker 1>I'm just in the past week I've watched two and

0:26:46.160 --> 0:26:49.639
<v Speaker 1>a half seasons and seeing Jane on it. If you

0:26:49.640 --> 0:26:51.960
<v Speaker 1>haven't watched The Marvelous Mrs Mazel on Amazon, you should

0:26:51.960 --> 0:26:55.919
<v Speaker 1>go watch it. Jane has an incredible role on a

0:26:56.000 --> 0:26:59.080
<v Speaker 1>really fun role. But you know, every now and then

0:26:59.119 --> 0:27:04.000
<v Speaker 1>I'm like, there's some Sue, there's that sneaking through and

0:27:04.040 --> 0:27:06.640
<v Speaker 1>it's great. She's just so good. She's so so good.

0:27:06.840 --> 0:27:10.880
<v Speaker 1>So this this Puck and Rachel storyline really makes me uncomfortable.

0:27:12.080 --> 0:27:16.080
<v Speaker 1>I don't like it. Puck is getting into his you

0:27:16.119 --> 0:27:19.639
<v Speaker 1>know his he wants it it. A Jewish girl is

0:27:19.680 --> 0:27:22.320
<v Speaker 1>getting in touch with Jewish roots. I do. I will

0:27:22.359 --> 0:27:25.480
<v Speaker 1>say that his like little montage monologue with his the

0:27:25.600 --> 0:27:28.200
<v Speaker 1>dream where she comes through the window is pretty funny. Good.

0:27:28.400 --> 0:27:32.400
<v Speaker 1>It's very funny. I think they're very funny together. Yeah, totally.

0:27:32.440 --> 0:27:35.800
<v Speaker 1>It's just that Puck and Rachel and Rachel make me uncomfortable.

0:27:35.920 --> 0:27:41.080
<v Speaker 1>I get nervous and I feel not warming and gooey inside. Now,

0:27:41.119 --> 0:27:44.520
<v Speaker 1>did you like Rachel and Joey on Friends? I didn't

0:27:44.600 --> 0:27:47.360
<v Speaker 1>hate it. It didn't make me uncomfortable. I didn't want

0:27:47.400 --> 0:27:49.280
<v Speaker 1>them to end up together. But I didn't write a

0:27:49.359 --> 0:27:52.280
<v Speaker 1>storyline because they're so good. I mean, the actors and

0:27:52.280 --> 0:27:55.000
<v Speaker 1>the characters are so charming and so good together. Like,

0:27:55.040 --> 0:27:57.119
<v Speaker 1>I don't think we had enough time with Rachel and

0:27:57.440 --> 0:28:01.480
<v Speaker 1>and Finn or any of that to really fall, like

0:28:01.640 --> 0:28:03.560
<v Speaker 1>so deeply in love with them for them to be

0:28:03.680 --> 0:28:07.679
<v Speaker 1>together yet, Like it's so early on that we're already

0:28:08.000 --> 0:28:11.800
<v Speaker 1>mixing and matching, and it just it felt a little soon,

0:28:12.359 --> 0:28:18.959
<v Speaker 1>I think, yeah, yeah, but uh, Puck after his I

0:28:18.960 --> 0:28:22.640
<v Speaker 1>mean number one, this is like the beginning of Puckleberry,

0:28:23.480 --> 0:28:27.960
<v Speaker 1>which I think is all these nicknames coming up. Um,

0:28:28.080 --> 0:28:31.840
<v Speaker 1>then we get to Puck actually helping Rachel perform to

0:28:31.960 --> 0:28:35.439
<v Speaker 1>rehearse in her room. Also, I forgot that we did

0:28:35.520 --> 0:28:37.880
<v Speaker 1>what a girl wants that had to be live, right,

0:28:38.120 --> 0:28:43.040
<v Speaker 1>I forgot that too. Um. But then they make out.

0:28:43.360 --> 0:28:45.320
<v Speaker 1>They're making out, He's like, can we take a break,

0:28:45.360 --> 0:28:51.720
<v Speaker 1>and then it's weird. Um, and then Rachel sees Finn. Yeah,

0:28:51.760 --> 0:28:59.960
<v Speaker 1>she's dreaming a fin everybody everybody is cheating mentally Rachel

0:29:00.040 --> 0:29:03.080
<v Speaker 1>things that she she says to he can't, she can't

0:29:03.080 --> 0:29:05.760
<v Speaker 1>be with him unless he's a leading man in like

0:29:05.880 --> 0:29:08.160
<v Speaker 1>man enough to sing a solo. So here we go.

0:29:08.400 --> 0:29:11.560
<v Speaker 1>What does he do? Sweet Caroline, Ladies and Gentlemen, which

0:29:11.800 --> 0:29:18.360
<v Speaker 1>Neil Diamond loved and and this number was definitely a

0:29:18.360 --> 0:29:21.160
<v Speaker 1>fan favorite for a long time. Um. We did it

0:29:21.200 --> 0:29:25.880
<v Speaker 1>on tour and I enjoyed doing this number because fun

0:29:25.960 --> 0:29:29.320
<v Speaker 1>fact we would do when when somebody had a solo

0:29:29.480 --> 0:29:32.200
<v Speaker 1>and they were backup vocals as there usually were that

0:29:32.280 --> 0:29:35.800
<v Speaker 1>we were no longer recording ourselves, we'd have to learn

0:29:35.840 --> 0:29:38.840
<v Speaker 1>them on the day we were daring him in the

0:29:38.880 --> 0:29:41.120
<v Speaker 1>morning and we would we'd have to learn them, and

0:29:41.160 --> 0:29:43.200
<v Speaker 1>we'd have to make sure they look right, and if not,

0:29:43.280 --> 0:29:46.320
<v Speaker 1>Tim Davis would come and have our throats and um

0:29:46.360 --> 0:29:50.160
<v Speaker 1>in the nicest way possible. And So to do a

0:29:50.240 --> 0:29:53.440
<v Speaker 1>number that you knew so well, you're like, oh, I

0:29:53.520 --> 0:29:57.320
<v Speaker 1>got this, I actually recorded this. This is great, This

0:29:57.400 --> 0:30:00.800
<v Speaker 1>is really fun. So it was a fun number two

0:30:01.800 --> 0:30:06.719
<v Speaker 1>shoot and it was again easy. Do you remember recording

0:30:06.720 --> 0:30:10.440
<v Speaker 1>the backgrounds to this? Oh? Did we record the background?

0:30:10.840 --> 0:30:15.560
<v Speaker 1>Is you? Me and Amber? I believe we still were

0:30:15.640 --> 0:30:17.760
<v Speaker 1>recording back That's why I liked it so much. Yeah,

0:30:17.760 --> 0:30:20.480
<v Speaker 1>because we knew it it was. I remember we had

0:30:20.520 --> 0:30:22.320
<v Speaker 1>to like space around to make it sound like there

0:30:22.360 --> 0:30:24.000
<v Speaker 1>are more people and like some of us are standing

0:30:24.000 --> 0:30:28.400
<v Speaker 1>on a chair. We recorded, Yes, were you not there? No?

0:30:28.560 --> 0:30:32.320
<v Speaker 1>I was there doing your royalties? Say are you getting

0:30:32.320 --> 0:30:35.520
<v Speaker 1>paid for this box? Still? Yes? Then yes, so it

0:30:35.560 --> 0:30:41.120
<v Speaker 1>was you, me and Amber. Oops, well I just contradicted myself.

0:30:41.200 --> 0:30:43.960
<v Speaker 1>Thanks Kevin for that. That the reason why you did

0:30:44.120 --> 0:30:53.480
<v Speaker 1>know it was because we actually all right, well that's sweet, Caroline.

0:30:54.840 --> 0:31:00.200
<v Speaker 1>It's it goes down in England history. But um pocket slushy,

0:31:00.480 --> 0:31:02.640
<v Speaker 1>And then the whole football thing happens where he's supposed

0:31:02.640 --> 0:31:06.120
<v Speaker 1>to choose and gets in a fight and gets hit

0:31:06.120 --> 0:31:10.160
<v Speaker 1>in the face by such by Kurowski um and like

0:31:10.280 --> 0:31:12.520
<v Speaker 1>Rachel helps him clean up and blah blah blah. Then

0:31:12.560 --> 0:31:16.200
<v Speaker 1>all that stuff sort of happens where he chooses glee

0:31:16.240 --> 0:31:21.160
<v Speaker 1>club over football, and then there's that very nice like

0:31:21.240 --> 0:31:23.840
<v Speaker 1>scene on the bleachers between which we never see, by

0:31:23.880 --> 0:31:26.200
<v Speaker 1>the way, like scenes on the bleachers anymore, which I

0:31:26.280 --> 0:31:30.080
<v Speaker 1>really appreciate. Yeah, the scene was really nice. It was.

0:31:30.120 --> 0:31:32.840
<v Speaker 1>And they're both sort of, you know, opening up about

0:31:32.880 --> 0:31:35.480
<v Speaker 1>how they're sort of like settling for not settling for

0:31:35.520 --> 0:31:38.440
<v Speaker 1>each other, but they both want different things. He clearly wants,

0:31:38.520 --> 0:31:42.520
<v Speaker 1>Quinn she wants and they're both sort of like the

0:31:42.520 --> 0:31:45.960
<v Speaker 1>second Prize the runners up for one another. And then

0:31:46.000 --> 0:31:48.520
<v Speaker 1>looks back to his normal self of like, no, we're

0:31:48.560 --> 0:31:50.480
<v Speaker 1>not going to be friends. That it's just not what

0:31:50.560 --> 0:31:55.520
<v Speaker 1>it is, and and they says they never were friends exactly,

0:31:56.200 --> 0:32:01.120
<v Speaker 1>burn burn, and and that's that's the episode. That's it.

0:32:01.440 --> 0:32:05.240
<v Speaker 1>We have these unlikely mashups, these mashups that never happened,

0:32:05.480 --> 0:32:13.520
<v Speaker 1>and unlikely hearings, mashing songs that do not go together. Um,

0:32:13.520 --> 0:32:17.320
<v Speaker 1>it was. It's not my favorite episode, no, And I

0:32:18.080 --> 0:32:20.800
<v Speaker 1>don't remember it all that much because I think we

0:32:20.800 --> 0:32:23.800
<v Speaker 1>weren't in a ton of it, so it's not in

0:32:23.840 --> 0:32:29.160
<v Speaker 1>my memory. And I also I don't love it. Gold

0:32:29.160 --> 0:32:35.400
<v Speaker 1>Star for Matt for working and also like what a yeah,

0:32:36.000 --> 0:32:39.640
<v Speaker 1>what a talent, what a talent. I also we'll talk

0:32:39.680 --> 0:32:42.000
<v Speaker 1>about my favorite line in a second, but yeah, I

0:32:42.040 --> 0:32:53.920
<v Speaker 1>do remember, I know what you're saying. Great, Okay, Tarty

0:32:54.000 --> 0:33:00.200
<v Speaker 1>takes Tarty Ta Tarty takes cringe moment. I mean the

0:33:00.240 --> 0:33:03.360
<v Speaker 1>episode is the cringe episode for sure. But like Thong song,

0:33:03.520 --> 0:33:08.479
<v Speaker 1>bust a move, shoe on, buttoning a shirt for the students,

0:33:08.800 --> 0:33:13.880
<v Speaker 1>it's yeah, yeah, okay. To say much more, where Ken

0:33:14.040 --> 0:33:16.200
<v Speaker 1>says to Finn, you have an itch down there or

0:33:16.200 --> 0:33:22.160
<v Speaker 1>something that's also a little weird um teacher's dance move,

0:33:24.840 --> 0:33:30.160
<v Speaker 1>I think that has gotta go. It's just weird. It's

0:33:30.200 --> 0:33:32.360
<v Speaker 1>just weird. Okay, we'll go with you. Song. What was

0:33:32.360 --> 0:33:35.680
<v Speaker 1>your favorite dance? Oh well, yeah, because there are a

0:33:35.720 --> 0:33:37.880
<v Speaker 1>lot of dance members, I think sing Things has to

0:33:37.920 --> 0:33:40.080
<v Speaker 1>be the best. It was really good. I like watching

0:33:40.120 --> 0:33:43.000
<v Speaker 1>them together, polished and good and yeah, it was really

0:33:43.000 --> 0:33:45.680
<v Speaker 1>fun to watch. And I remember Jean having like just

0:33:45.760 --> 0:33:48.600
<v Speaker 1>a blast doing it, just so she was always such

0:33:48.760 --> 0:33:54.440
<v Speaker 1>like such a team player. The best song, I mean,

0:33:54.920 --> 0:33:58.960
<v Speaker 1>I think in terms of like Glee history, Sweet Caroline,

0:33:59.000 --> 0:34:02.520
<v Speaker 1>Sweet Caroline. Yeah, and just because like also Neil Diamond,

0:34:02.760 --> 0:34:06.880
<v Speaker 1>you know, and also me you and Amber that's right

0:34:07.080 --> 0:34:12.080
<v Speaker 1>that you don't remember looks best performance by a prop

0:34:12.200 --> 0:34:19.040
<v Speaker 1>Kevin Yeah, yeah, yeah, yeah, and also I think in

0:34:19.160 --> 0:34:23.200
<v Speaker 1>terms of the score, the flight of the bumblebee as

0:34:23.280 --> 0:34:27.879
<v Speaker 1>this is happening is absolutely brilliant. Yes, that was really good.

0:34:27.960 --> 0:34:29.400
<v Speaker 1>I wonder how much they had to pay for that.

0:34:29.520 --> 0:34:35.040
<v Speaker 1>Oh my gosh, right, really good, really really good. Um,

0:34:35.080 --> 0:34:36.919
<v Speaker 1>and that's not the last time we'll see that either.

0:34:36.960 --> 0:34:39.600
<v Speaker 1>At the p O B of the right, I don't

0:34:39.640 --> 0:34:42.440
<v Speaker 1>I doubt it. No, I think Paris Barclay does it

0:34:42.640 --> 0:34:47.560
<v Speaker 1>sound all right? And then things that age well or

0:34:47.600 --> 0:34:52.080
<v Speaker 1>didn't age well. Um, there's a line that Finn says.

0:34:53.239 --> 0:34:55.480
<v Speaker 1>He says, I don't think anyone decision makes your life

0:34:55.520 --> 0:34:58.400
<v Speaker 1>unless you accidentally invent some kind of zombie virus or something.

0:34:58.680 --> 0:35:09.080
<v Speaker 1>Oh oh yeah, that didn't Okay, well here we are. Yeah,

0:35:10.120 --> 0:35:12.319
<v Speaker 1>that's very good. There's a lot of great lines in

0:35:12.360 --> 0:35:15.360
<v Speaker 1>this though. There's a lot of great lines, but I

0:35:15.760 --> 0:35:19.839
<v Speaker 1>think I think what it always ends up being for

0:35:19.960 --> 0:35:25.640
<v Speaker 1>us is Sue. Yes, and it is when Sue has

0:35:25.719 --> 0:35:31.479
<v Speaker 1>finally lost her love and she gets mad, the best thing.

0:35:32.080 --> 0:35:34.160
<v Speaker 1>One of my favorite lines ever, it's one of my

0:35:34.239 --> 0:35:37.960
<v Speaker 1>frt lines ever in the show. Okay, do you want

0:35:37.960 --> 0:35:39.160
<v Speaker 1>to say? Do you want to? Do you want to

0:35:39.160 --> 0:35:42.239
<v Speaker 1>read it? She says, I'll need the set list for sectionals,

0:35:42.280 --> 0:35:44.680
<v Speaker 1>after all, I want them on my desk, warm from

0:35:44.680 --> 0:35:47.120
<v Speaker 1>a laminator at five pm. If it is one minute late,

0:35:47.440 --> 0:35:49.600
<v Speaker 1>I will go to the animal shelter and get you

0:35:49.600 --> 0:35:51.560
<v Speaker 1>a kittie cat. I will let you fall in love

0:35:51.600 --> 0:35:54.000
<v Speaker 1>with that kitty cat. Then on some dark, cold night,

0:35:54.040 --> 0:35:55.840
<v Speaker 1>I will still wait into your home and punch you

0:35:55.880 --> 0:36:00.640
<v Speaker 1>in the face. And and then he even better the

0:36:00.719 --> 0:36:04.040
<v Speaker 1>robuttal when when Mr Sho says didn't work out with

0:36:04.120 --> 0:36:11.120
<v Speaker 1>Rod and I was like, it's really good, really good.

0:36:11.200 --> 0:36:14.960
<v Speaker 1>Both the deliveries are really really good. Um. And then

0:36:16.040 --> 0:36:19.520
<v Speaker 1>the other great line from the episode. I love the

0:36:19.520 --> 0:36:22.200
<v Speaker 1>fact that Emma does not want anybody to see her

0:36:22.239 --> 0:36:25.279
<v Speaker 1>get married to Kent Kanaka, and so she says, um

0:36:25.520 --> 0:36:27.319
<v Speaker 1>Ken convinced me we need to at least be in

0:36:27.320 --> 0:36:32.880
<v Speaker 1>the same room when America is certified. So I also

0:36:32.920 --> 0:36:36.319
<v Speaker 1>wanted to because they're like a little fun fact about

0:36:36.320 --> 0:36:39.160
<v Speaker 1>this episode because there were so many slushies that there was.

0:36:39.200 --> 0:36:42.839
<v Speaker 1>I think we did Oprah, you see um our props guy,

0:36:42.920 --> 0:36:48.080
<v Speaker 1>Paul Paul props um did we had that stunt man,

0:36:48.239 --> 0:36:52.680
<v Speaker 1>the stunt guy looking thing like fake. It's like the

0:36:52.680 --> 0:36:56.080
<v Speaker 1>body you using the karate yes, that thing I clearly

0:36:56.320 --> 0:37:00.160
<v Speaker 1>work out, um, and we'd use it to people who

0:37:00.200 --> 0:37:02.080
<v Speaker 1>are before you would sushy someone, you would use that

0:37:02.600 --> 0:37:05.759
<v Speaker 1>the dummy to slushy. Yes. So if you go look

0:37:05.800 --> 0:37:08.520
<v Speaker 1>up started behind the scenes on like the Oprah appearance

0:37:08.560 --> 0:37:12.880
<v Speaker 1>we did, you can see the whole process behind making

0:37:12.880 --> 0:37:14.400
<v Speaker 1>the slushy happened. So we didn't have to do a

0:37:14.440 --> 0:37:19.040
<v Speaker 1>billion takes each time Jenna ship we found on TikTok.

0:37:20.239 --> 0:37:24.120
<v Speaker 1>There's quite a reference. UM. I would first like to

0:37:24.120 --> 0:37:25.960
<v Speaker 1>start out with a shout out to the one only

0:37:26.000 --> 0:37:30.680
<v Speaker 1>christ and Chenowith who made a Glee TikTok what um

0:37:30.800 --> 0:37:34.600
<v Speaker 1>where it says April Roads to the students at McKinley

0:37:34.680 --> 0:37:41.960
<v Speaker 1>and she's singing popular what like in the mirror popular Popular? Yes? Stop.

0:37:42.520 --> 0:37:45.439
<v Speaker 1>It was really cute and it was really really great, um.

0:37:45.560 --> 0:37:47.759
<v Speaker 1>So many fans sent it to us. By the way,

0:37:47.840 --> 0:37:50.440
<v Speaker 1>I love that you guys are tagging me and tagging

0:37:50.480 --> 0:37:52.879
<v Speaker 1>the show and these things. We watch all of them

0:37:52.960 --> 0:37:55.160
<v Speaker 1>and we're going to talk about all of them. It's

0:37:55.280 --> 0:38:02.759
<v Speaker 1>absolutely wonderful now and particular um, the TikTok's that have

0:38:02.840 --> 0:38:07.240
<v Speaker 1>to do with this episode. Um. There are two things.

0:38:08.600 --> 0:38:12.239
<v Speaker 1>One is someone found a mistake, UM, which I think

0:38:12.280 --> 0:38:15.200
<v Speaker 1>sort of mirrors an editing thing that I mentioned earlier

0:38:16.480 --> 0:38:20.759
<v Speaker 1>during Sweet Caroline, when we are clapping at the end

0:38:20.760 --> 0:38:27.200
<v Speaker 1>of the performance. Um Fu foo po on TikTok shoutout

0:38:27.560 --> 0:38:34.200
<v Speaker 1>is the one who uploaded this. It's the same shot twice,

0:38:35.680 --> 0:38:38.200
<v Speaker 1>so they cut to us. We're all clapping, clapping, clapping

0:38:38.280 --> 0:38:40.160
<v Speaker 1>is going They cut back to market, cut back to us,

0:38:40.239 --> 0:38:43.920
<v Speaker 1>and then that clip starts over again because you notice

0:38:44.440 --> 0:38:46.239
<v Speaker 1>Amber turns her head to look and then you turn

0:38:46.280 --> 0:38:50.040
<v Speaker 1>your head to look and it's the same thing both times. Um.

0:38:50.080 --> 0:38:56.600
<v Speaker 1>So that's fun. They couldn't get enough footage of us clapping.

0:38:57.880 --> 0:38:59.719
<v Speaker 1>We must have been so bad that they had to

0:38:59.800 --> 0:39:04.920
<v Speaker 1>use the same clip twice. That's funny. That's really good. Now.

0:39:06.200 --> 0:39:11.800
<v Speaker 1>Other TikTok user crebub I don't know if that's a

0:39:11.960 --> 0:39:19.719
<v Speaker 1>Kirby Um. They made this incredible, incredible TikTok of. It's

0:39:19.719 --> 0:39:22.800
<v Speaker 1>a shot of Riverdale. The cast of Riverdale during an episode,

0:39:23.280 --> 0:39:27.440
<v Speaker 1>like horrified, very disturbed, watching something on a laptop, and

0:39:27.440 --> 0:39:30.400
<v Speaker 1>then it cuts the laptop and it's bust move the

0:39:30.440 --> 0:39:35.799
<v Speaker 1>Glee performance. It's Mr shoe breakdancing on the floor and

0:39:35.880 --> 0:39:40.239
<v Speaker 1>they're like upset and crying and very disturbed and it's

0:39:40.360 --> 0:39:43.920
<v Speaker 1>absolutely incredible, and can you send me that one? Yeah,

0:39:44.520 --> 0:39:56.120
<v Speaker 1>it's really funny. Um, it's very good, really good. Okay, okay, um,

0:39:56.160 --> 0:39:59.200
<v Speaker 1>but thank you so so much for sending these things in.

0:39:59.239 --> 0:40:03.799
<v Speaker 1>And also, like Kirby, thank you for making that. It's incredible.

0:40:03.960 --> 0:40:06.200
<v Speaker 1>I love to see the thought in the creativity. And

0:40:06.239 --> 0:40:10.160
<v Speaker 1>also people just noticing things. Now, our next episode is Wheels.

0:40:10.600 --> 0:40:14.160
<v Speaker 1>So challenge, if you choose to accept it, is go

0:40:14.320 --> 0:40:17.600
<v Speaker 1>find some things you noticed on Wheels that might be

0:40:17.640 --> 0:40:20.799
<v Speaker 1>on TikTok. You know, I don't know. Let's see what's

0:40:20.800 --> 0:40:23.560
<v Speaker 1>out there, but keep tagging us. This is great. I

0:40:23.560 --> 0:40:30.719
<v Speaker 1>love this Glee talk is weird watching it? Yeah, that's

0:40:30.760 --> 0:40:34.160
<v Speaker 1>really really great. Um, that's our show, you guys. That's it.

0:40:36.040 --> 0:40:39.080
<v Speaker 1>We will have a lot to recap next week for Wheels,

0:40:39.480 --> 0:40:42.719
<v Speaker 1>a lot, yes, a lot of memories. Um might as

0:40:42.760 --> 0:40:48.200
<v Speaker 1>well be a three part episode. I'm kidding. Maybe. Uh. Well,

0:40:48.200 --> 0:40:51.440
<v Speaker 1>thanks for thanks for joining us, thanks for listening to mash.

0:40:51.480 --> 0:40:54.120
<v Speaker 1>You let us know what you think. Leave us a

0:40:54.239 --> 0:40:57.600
<v Speaker 1>nice review. Um. Also you can leave us a shitty

0:40:57.640 --> 0:41:00.400
<v Speaker 1>review and just tell us how we're doing. And no,

0:41:00.480 --> 0:41:02.200
<v Speaker 1>don't do that. Don't see to Jenna, she's lying to you.

0:41:02.200 --> 0:41:06.759
<v Speaker 1>Don't leave us a review, don't no, don't leaves notes. Yes,

0:41:06.800 --> 0:41:09.279
<v Speaker 1>okay great. Also there's people on Twitter who been like,

0:41:09.400 --> 0:41:11.240
<v Speaker 1>you said this, but you were wrong. It's this character

0:41:11.440 --> 0:41:13.880
<v Speaker 1>I love that I keep doing it because you just

0:41:13.920 --> 0:41:16.880
<v Speaker 1>don't do it in the reviews. Make us sound perfect

0:41:16.880 --> 0:41:19.720
<v Speaker 1>to the people reading reviews. Thanks for coming and listening

0:41:19.800 --> 0:41:21.919
<v Speaker 1>and hanging out with us, and we really appreciate it. Yeah,

0:41:21.920 --> 0:41:25.520
<v Speaker 1>see you soon, and that's what you really missed by

0:41:25.560 --> 0:41:28.680
<v Speaker 1>Thanks for listening and follow us on Instagram at and

0:41:28.760 --> 0:41:31.000
<v Speaker 1>that's what you really miss pod. Make sure to write

0:41:31.040 --> 0:41:33.279
<v Speaker 1>us a review and leave us five stars. See you

0:41:33.360 --> 0:41:33.759
<v Speaker 1>next time.