1 00:00:01,680 --> 00:00:05,120 Speaker 1: And That's what you really missed with Jenna and Kevin 2 00:00:05,440 --> 00:00:10,400 Speaker 1: and I Heart Radio Podcast. Welcome back for another episode. 3 00:00:10,720 --> 00:00:13,680 Speaker 1: I'm Jenna, I'm Kevin, and this is and That's what 4 00:00:13,720 --> 00:00:17,079 Speaker 1: you really missed, where we recap Glee, rewatch Glee and 5 00:00:17,079 --> 00:00:20,560 Speaker 1: talk about it and things. And today we are recapping 6 00:00:21,000 --> 00:00:26,160 Speaker 1: mash Up episode eight, season one, where there aren't actually 7 00:00:26,160 --> 00:00:32,600 Speaker 1: any mashups. So that's there's a theme though. Yes, there's 8 00:00:32,640 --> 00:00:35,919 Speaker 1: a theme of mashing up without actually music, mashing, unlikely 9 00:00:36,040 --> 00:00:40,760 Speaker 1: characters mashing, yes, unlikely songs that are supposed to be 10 00:00:40,840 --> 00:00:44,520 Speaker 1: mashed up but are not being mashed. Yes, And narratively 11 00:00:44,760 --> 00:00:49,440 Speaker 1: we are mashing. We're straight up mashing um. This episode 12 00:00:49,520 --> 00:00:54,920 Speaker 1: aired on October two thousand and nine. We sort of 13 00:00:54,960 --> 00:00:58,360 Speaker 1: had our first like magazine cover. It was Matt and 14 00:00:58,560 --> 00:01:02,480 Speaker 1: Corey and Leah on the cover of Entertey Weekly. Enter 15 00:01:02,520 --> 00:01:06,160 Speaker 1: Tune Weekly was very nice to us along the journey 16 00:01:06,160 --> 00:01:08,800 Speaker 1: of Glee was becoming very famous. We had a cover 17 00:01:09,640 --> 00:01:14,680 Speaker 1: and Kevin. This week in Glean News, John Graff was 18 00:01:14,680 --> 00:01:16,600 Speaker 1: announced that he was going to come on and do 19 00:01:16,640 --> 00:01:24,480 Speaker 1: a couple of episodes. That's right, Good Old Sweet Sweet Um. 20 00:01:24,480 --> 00:01:26,319 Speaker 1: The number one movie in America at this time was 21 00:01:26,360 --> 00:01:32,000 Speaker 1: Paranormal Activity. And do you remember some time later after 22 00:01:32,040 --> 00:01:35,440 Speaker 1: this movie was out of the theaters. I did not 23 00:01:35,520 --> 00:01:38,240 Speaker 1: watch horror movies at all at this time. I hated there, 24 00:01:38,959 --> 00:01:42,240 Speaker 1: and Leah forced me to watch it. She had a 25 00:01:42,280 --> 00:01:44,360 Speaker 1: movie right at her house. Did I watch it with 26 00:01:44,400 --> 00:01:47,600 Speaker 1: you guys? Don't you might not have gone. I may 27 00:01:47,640 --> 00:01:50,960 Speaker 1: have actually opted out because I don't watch. Yeah, and 28 00:01:51,000 --> 00:01:52,600 Speaker 1: I was like fine, She's like, if I have a 29 00:01:52,640 --> 00:01:55,280 Speaker 1: movie night, you're coming and you're gonna watch panor Normal 30 00:01:55,320 --> 00:01:58,040 Speaker 1: Activity because it's so good. I was like, okay, fine, 31 00:01:58,280 --> 00:02:00,440 Speaker 1: and so we went over and I watched it. I 32 00:02:00,440 --> 00:02:04,120 Speaker 1: think Chris is there, and yeah, it was terrifying, but 33 00:02:04,200 --> 00:02:08,040 Speaker 1: I did it. Remember you could have been there. And 34 00:02:08,240 --> 00:02:10,360 Speaker 1: I don't like scary movies. Do you still not like 35 00:02:10,400 --> 00:02:12,880 Speaker 1: scaring movies? Or you watch them now? I watched him 36 00:02:12,880 --> 00:02:16,240 Speaker 1: now because um, Austin has trained me how to appreciate 37 00:02:16,280 --> 00:02:18,519 Speaker 1: them because he loves them. Got it? So now I 38 00:02:18,639 --> 00:02:22,840 Speaker 1: enjoyed that. I can appreciate that, all right. This episode 39 00:02:22,880 --> 00:02:26,880 Speaker 1: was directed by returning director Aldie Keene. It was written 40 00:02:26,880 --> 00:02:33,359 Speaker 1: by Ian Brennan. And we have some weird songs. Yeah, 41 00:02:33,400 --> 00:02:38,920 Speaker 1: that don't in fact mash up dynamic list um, and 42 00:02:39,040 --> 00:02:43,920 Speaker 1: we've got Boston Moog got Thuang song and of course 43 00:02:43,960 --> 00:02:47,880 Speaker 1: Sweet Caroline, which do you remember what happened? The day 44 00:02:47,919 --> 00:02:54,560 Speaker 1: after this one aired, Neil Diamond tweeted Mark, Oh, yeah, 45 00:02:54,919 --> 00:02:57,120 Speaker 1: this was like the first time we had like a 46 00:02:57,240 --> 00:03:01,520 Speaker 1: direct line. Um. And then an artist reached out after 47 00:03:01,560 --> 00:03:04,560 Speaker 1: their song was covered and like said, what great job, 48 00:03:04,680 --> 00:03:07,200 Speaker 1: and it was great to see my song and bloody 49 00:03:07,200 --> 00:03:10,480 Speaker 1: bolah that's right. We were all shocked. Yeah, we hadn't 50 00:03:10,480 --> 00:03:12,359 Speaker 1: had any direct response from any of the artists yet, 51 00:03:12,360 --> 00:03:14,960 Speaker 1: so that was great. It was our first and we 52 00:03:15,000 --> 00:03:19,880 Speaker 1: get to see Jama sing this episode. Isn't it such 53 00:03:19,919 --> 00:03:23,200 Speaker 1: a pretty voice? Um? So there's really three big things 54 00:03:23,200 --> 00:03:27,440 Speaker 1: going on this episode. There's Emma and Ken preparing for 55 00:03:27,520 --> 00:03:32,440 Speaker 1: the wedding. Then there's um the football team is really 56 00:03:32,600 --> 00:03:36,840 Speaker 1: revolting against the gleanness of it all and Kin's part 57 00:03:37,360 --> 00:03:41,400 Speaker 1: and that, and then there's Rachel and Puck, which is 58 00:03:42,560 --> 00:03:45,800 Speaker 1: is I feel like it's how I feel about that 59 00:03:45,840 --> 00:03:48,120 Speaker 1: is how I felt about Joey and Rachel dating and friends. 60 00:03:49,000 --> 00:03:55,720 Speaker 1: It feels weird. Anyway, Let's let's let's go back and 61 00:03:55,880 --> 00:03:59,280 Speaker 1: start with I never thought about it like that very good, Kevin. Okay, 62 00:03:59,320 --> 00:04:02,240 Speaker 1: let's start to think, well, Rachel, her name was inspired 63 00:04:02,280 --> 00:04:04,920 Speaker 1: by friends, wasn't it? Was it not? I believe it was? 64 00:04:04,920 --> 00:04:09,200 Speaker 1: Was it? I think? So? Yes? So? Um, I guess 65 00:04:09,240 --> 00:04:12,440 Speaker 1: I could ask I could ask Ryan. Maybe I send 66 00:04:12,560 --> 00:04:16,320 Speaker 1: a text. So Emma and Ken are planning to have 67 00:04:17,080 --> 00:04:22,200 Speaker 1: a wedding, very wedding and why where nobody can attend basically, 68 00:04:22,240 --> 00:04:25,520 Speaker 1: and then they after they're very very private event, they're 69 00:04:25,520 --> 00:04:27,760 Speaker 1: going to have a first dance and they share this 70 00:04:27,800 --> 00:04:31,919 Speaker 1: with Will that they can't They each want a very 71 00:04:32,200 --> 00:04:35,520 Speaker 1: unique and different song and they can't quite figure it out. 72 00:04:35,520 --> 00:04:39,120 Speaker 1: So they're thinking about, Yeah, Emma wants I could have 73 00:04:39,200 --> 00:04:43,920 Speaker 1: danced all night and a classic, and Ken Tanaka wants 74 00:04:44,000 --> 00:04:48,200 Speaker 1: the song which is also a classic. Jenna, don't you 75 00:04:48,279 --> 00:04:52,240 Speaker 1: dare try to say otherwise? Will says, Okay, let's let's 76 00:04:52,279 --> 00:04:54,040 Speaker 1: do this. I can teach you. I can get these 77 00:04:54,040 --> 00:04:56,800 Speaker 1: songs together. I want to be my wedding gift to 78 00:04:56,839 --> 00:05:01,520 Speaker 1: you guys, a nice person, being a nice person. Emma 79 00:05:01,640 --> 00:05:09,240 Speaker 1: shows up to dance rehearsal um and princess dies wedding dress, 80 00:05:11,880 --> 00:05:15,320 Speaker 1: which it is a it is it is very similar. 81 00:05:15,360 --> 00:05:19,000 Speaker 1: I will say, Um, go and look at Princess Di's 82 00:05:19,320 --> 00:05:25,719 Speaker 1: wedding dress. Jamie is so little. Yes, this dress swallows 83 00:05:25,720 --> 00:05:30,160 Speaker 1: her up a hole. And I think the idea is 84 00:05:30,200 --> 00:05:34,080 Speaker 1: that it's supposed to be not not the dress. So 85 00:05:35,000 --> 00:05:40,280 Speaker 1: but but Mr Shoe does dance lessons with her and 86 00:05:40,760 --> 00:05:43,600 Speaker 1: we get into the our favorite number of the Thong song, 87 00:05:44,160 --> 00:05:49,600 Speaker 1: and I feel like, so this episode is a lot 88 00:05:49,640 --> 00:05:55,279 Speaker 1: of cringe e Shoe and I feel like this is 89 00:05:55,320 --> 00:05:59,520 Speaker 1: AKA Fella's Part two because there's a lot of adults 90 00:06:00,360 --> 00:06:04,680 Speaker 1: and it um and it just a lot of this 91 00:06:04,760 --> 00:06:09,040 Speaker 1: makes me uncomfortable little cringe e because it's also happening 92 00:06:09,040 --> 00:06:13,800 Speaker 1: in a school where she a teacher, is dancing around 93 00:06:14,360 --> 00:06:19,080 Speaker 1: a counselor and who's in a wedding dress and one 94 00:06:19,080 --> 00:06:24,920 Speaker 1: of the classrooms at the school and they're dancing too. Yes, 95 00:06:25,080 --> 00:06:27,920 Speaker 1: but it's a weird I feel like there are many 96 00:06:27,920 --> 00:06:31,520 Speaker 1: boundaries that are being crossed well and then I mean 97 00:06:31,560 --> 00:06:34,599 Speaker 1: where this gets into the different part of the storyline. 98 00:06:34,640 --> 00:06:38,360 Speaker 1: But um, Mr Shoe doing bust to Move, which happens 99 00:06:38,400 --> 00:06:43,800 Speaker 1: early in the episode. Mr Shoe unbuttoned stead his shirt 100 00:06:44,520 --> 00:06:50,960 Speaker 1: during class, he dances around, he touches students faces. Um, 101 00:06:51,000 --> 00:06:56,000 Speaker 1: he's singing a weird song and it's a weird number. Yeah, 102 00:06:56,680 --> 00:07:01,840 Speaker 1: and the so sorry. So getting back to Thong song, 103 00:07:02,560 --> 00:07:08,159 Speaker 1: we're continuing the cringe and they trip, and the trips 104 00:07:08,200 --> 00:07:10,880 Speaker 1: and falls on top of Will. They have a moment 105 00:07:11,440 --> 00:07:13,200 Speaker 1: where they're on top of each other on the floor 106 00:07:13,200 --> 00:07:16,000 Speaker 1: in the classroom and Can, of course happens to be 107 00:07:16,520 --> 00:07:19,760 Speaker 1: outside peering through the window at that exact moment. Do 108 00:07:19,840 --> 00:07:22,360 Speaker 1: you think the Hunger Games when they fall they took 109 00:07:22,400 --> 00:07:26,080 Speaker 1: that from Will and Emma? Definitely, Yeah, Yeah, that definitely 110 00:07:26,080 --> 00:07:30,240 Speaker 1: is a direct correlation. Fully believe that. Yeah. And um, 111 00:07:30,240 --> 00:07:32,840 Speaker 1: I will say Kevin, this this was I think last 112 00:07:32,880 --> 00:07:35,000 Speaker 1: week or maybe we didn't talk about it, but there's 113 00:07:35,080 --> 00:07:41,560 Speaker 1: a website that has the Weirdest performances Glee's Weirdest Performances. Um. 114 00:07:41,600 --> 00:07:45,840 Speaker 1: And also there's another article it's like Glee's Weirdest Performances 115 00:07:45,880 --> 00:07:48,040 Speaker 1: and this made it on. Thong Song made it on 116 00:07:49,000 --> 00:07:53,240 Speaker 1: because it is it's very strange, but here we are, 117 00:07:53,400 --> 00:07:56,360 Speaker 1: And I wonder if the writers thought like it'd be 118 00:07:56,360 --> 00:07:58,880 Speaker 1: funny to see them do this. Yeah, I also love 119 00:07:58,960 --> 00:08:02,600 Speaker 1: that Thong song was used. Yeah, and that's just the weirdest, 120 00:08:02,640 --> 00:08:07,000 Speaker 1: wildly popular song in our Day, Yeah, because it was 121 00:08:07,040 --> 00:08:10,040 Speaker 1: great remember making the video. I watched it for that. Okay, 122 00:08:12,400 --> 00:08:14,600 Speaker 1: that's what I learned about shooting Day for Night. Anyway, 123 00:08:16,280 --> 00:08:19,720 Speaker 1: the educational series, and then they go to a bridle 124 00:08:19,760 --> 00:08:22,920 Speaker 1: shop where they then they realized that maybe she needs 125 00:08:22,960 --> 00:08:27,280 Speaker 1: a smaller dress, right, a more fitted dress. So Emma 126 00:08:27,480 --> 00:08:30,080 Speaker 1: is at the bridle shop and she's trying on a 127 00:08:30,120 --> 00:08:32,679 Speaker 1: new dress that's going to be easier to dance in, 128 00:08:33,600 --> 00:08:36,400 Speaker 1: and Will's like, oh, that, do you want to practice? 129 00:08:36,920 --> 00:08:40,280 Speaker 1: So he puts her in. Um. He puts on an 130 00:08:40,280 --> 00:08:43,160 Speaker 1: instrumental version of I Could Have Danced All night, and 131 00:08:43,240 --> 00:08:48,360 Speaker 1: we see Emma Pillsbury's first musical number, Jama May's first 132 00:08:48,440 --> 00:08:54,360 Speaker 1: number is very exciting. Um. And and then after the dance, 133 00:08:55,240 --> 00:08:58,079 Speaker 1: Will tells Emma that Ken is making the guys choose 134 00:08:58,080 --> 00:09:02,480 Speaker 1: between glee and the football. Um. Brings us to Slushy Gate. 135 00:09:03,559 --> 00:09:08,199 Speaker 1: So let's let's backtrack. Yes, So what's what's also happening 136 00:09:08,200 --> 00:09:13,640 Speaker 1: in this episode is everybody is getting slushy, but like 137 00:09:13,679 --> 00:09:16,840 Speaker 1: the jobs are getting slushy, the popular girls are getting slushy. 138 00:09:16,960 --> 00:09:19,320 Speaker 1: Everyone who's in Glee club that is part of the 139 00:09:19,320 --> 00:09:22,880 Speaker 1: popular crowd is getting slushy. Um. This is where we 140 00:09:23,120 --> 00:09:27,000 Speaker 1: see Kurowski and his emio. Um. We talked about this 141 00:09:27,559 --> 00:09:30,920 Speaker 1: the ship we found on TikTok where where Kross he 142 00:09:30,960 --> 00:09:35,800 Speaker 1: says he was on the hockey team lies. Um. Yeah, 143 00:09:35,880 --> 00:09:39,120 Speaker 1: and there's all this rebellion amongst all the jocks, the 144 00:09:39,240 --> 00:09:41,880 Speaker 1: dudes being the dudes, and all these gay jokes and 145 00:09:42,679 --> 00:09:45,880 Speaker 1: YadA YadA YadA. Um. It's also where we do all 146 00:09:45,920 --> 00:09:50,280 Speaker 1: these tracking shots of the big slushy cups going down 147 00:09:50,320 --> 00:09:56,320 Speaker 1: and Amber yelling out my weave slide of the bumble bees. Yes. Um, 148 00:09:57,000 --> 00:10:00,719 Speaker 1: I think that was improv. I know, and I originally 149 00:10:01,320 --> 00:10:04,360 Speaker 1: thought it was written. I'm like, I don't know about that, 150 00:10:04,559 --> 00:10:09,240 Speaker 1: but Amber, Amber, Yes, Amber improv. That made it up, 151 00:10:09,360 --> 00:10:13,200 Speaker 1: So I feel better about that. And then, um, I 152 00:10:13,200 --> 00:10:15,640 Speaker 1: don't know if you guys noticed, but this is the 153 00:10:15,800 --> 00:10:20,280 Speaker 1: start of the fake slushy and the very short lived 154 00:10:20,360 --> 00:10:25,240 Speaker 1: fake slushies at that. Um. It was made of silicone 155 00:10:25,720 --> 00:10:29,600 Speaker 1: and some color food coloring and whatnot. And I believe 156 00:10:29,679 --> 00:10:33,800 Speaker 1: they used it because it was faster to reset, Is 157 00:10:33,840 --> 00:10:37,760 Speaker 1: that right? Yeah? And also it's just it's faster to reset, 158 00:10:37,800 --> 00:10:40,920 Speaker 1: easier clean up. You didn't have to reset the people. 159 00:10:41,800 --> 00:10:44,840 Speaker 1: But it was also not as good. It was not 160 00:10:44,880 --> 00:10:48,640 Speaker 1: as good the actual like when you get slushy. The 161 00:10:48,720 --> 00:10:51,120 Speaker 1: shot wasn't like I was good because it never stuck 162 00:10:51,160 --> 00:10:53,800 Speaker 1: on your face like like a real flash she did. 163 00:11:02,880 --> 00:11:04,559 Speaker 1: We have to go back and talk about Bust to 164 00:11:04,600 --> 00:11:08,520 Speaker 1: Move for a second. Besides it being like super cringe 165 00:11:08,559 --> 00:11:12,600 Speaker 1: and shoe touching everybody's face and I'm buttoning a shirt 166 00:11:12,679 --> 00:11:18,319 Speaker 1: and doing and wrapping and doing breakdancing. I remember for us, 167 00:11:19,080 --> 00:11:22,560 Speaker 1: um we had a great time because we didn't have 168 00:11:22,559 --> 00:11:27,360 Speaker 1: to do anything. I remember the rehearsal where everybody was like, yeah, 169 00:11:27,400 --> 00:11:29,840 Speaker 1: we're just going to sort of dance around and vibe 170 00:11:29,920 --> 00:11:33,520 Speaker 1: sort of like um ride with me, like the Nelly song. 171 00:11:33,679 --> 00:11:35,480 Speaker 1: We're just having fun. It was sort of the same thing. 172 00:11:35,520 --> 00:11:39,160 Speaker 1: But Matt had to do so much this episode. I 173 00:11:39,240 --> 00:11:44,720 Speaker 1: mean so much between the thongs song, Bust Move, Jane's number, 174 00:11:44,760 --> 00:11:47,240 Speaker 1: it was he was I could have danced all night. 175 00:11:47,600 --> 00:11:52,000 Speaker 1: I do remember him kind of being exhausted. It was 176 00:11:52,160 --> 00:11:56,319 Speaker 1: really really crazy. And then I was there playing the 177 00:11:56,360 --> 00:11:59,960 Speaker 1: bass like an idiot, pretending I had lessons to learn 178 00:12:00,040 --> 00:12:04,840 Speaker 1: how to fake play these instruments. I never actually learned that. Yeah, 179 00:12:05,080 --> 00:12:08,440 Speaker 1: so I did that in the in the trailer you remember. 180 00:12:08,440 --> 00:12:10,200 Speaker 1: I remember you going and being like I had to 181 00:12:10,200 --> 00:12:12,880 Speaker 1: go rehearst the basis. Yeah, I had a teacher who 182 00:12:12,960 --> 00:12:16,480 Speaker 1: taught me how to do these things. Wow, well, at 183 00:12:16,520 --> 00:12:19,920 Speaker 1: least you weren't like breaking breaking. I also feel like, 184 00:12:21,360 --> 00:12:23,400 Speaker 1: I know, like, looking back now, it's sort of all 185 00:12:23,400 --> 00:12:26,120 Speaker 1: this is sort of cringe the Shoe doing all this, 186 00:12:26,160 --> 00:12:28,920 Speaker 1: But at the time, I don't think we necessarily realize 187 00:12:28,920 --> 00:12:31,640 Speaker 1: that it was cringe. No, not at all. And here's 188 00:12:31,640 --> 00:12:34,400 Speaker 1: the thing. I think it was also because the way 189 00:12:34,480 --> 00:12:37,840 Speaker 1: we saw Matt was different than the way that people 190 00:12:37,880 --> 00:12:41,640 Speaker 1: saw Mr Shoe to the kids, correct now is our friend, Like, 191 00:12:41,760 --> 00:12:43,960 Speaker 1: of course I saw him grab Diana's face because like 192 00:12:44,000 --> 00:12:46,360 Speaker 1: that's what we did. We were all pretty much the 193 00:12:46,400 --> 00:12:49,720 Speaker 1: same age. So it's a little weird because I think 194 00:12:49,760 --> 00:12:51,760 Speaker 1: people now are when I'm watching it now and like, oh, 195 00:12:51,800 --> 00:12:53,480 Speaker 1: I'm watching it as Mr Shoe and the kids not 196 00:12:53,920 --> 00:12:58,400 Speaker 1: in us, and it was definitely, um not, that's not appropriate, 197 00:12:59,760 --> 00:13:04,040 Speaker 1: even more so now so. I but I do remember 198 00:13:04,360 --> 00:13:07,640 Speaker 1: this episode being very free and easy for us. Yeah, 199 00:13:07,840 --> 00:13:11,560 Speaker 1: we didn't do much, which we got to hang out. 200 00:13:12,400 --> 00:13:14,880 Speaker 1: Um so after us to move, Finn and Quinn go 201 00:13:14,920 --> 00:13:20,840 Speaker 1: get advice from Emma on how to be visit Emma 202 00:13:20,840 --> 00:13:23,200 Speaker 1: to asker for us and how to be cool, and 203 00:13:23,920 --> 00:13:26,520 Speaker 1: Emma tells me to wear sunglasses because she's obviously distracted 204 00:13:26,520 --> 00:13:31,680 Speaker 1: by Will passing by um, and so Finn and Quinn, 205 00:13:31,760 --> 00:13:35,840 Speaker 1: especially Quinn's they were shears sunglasses the rest of the episode. 206 00:13:36,520 --> 00:13:39,480 Speaker 1: And then Finn and Quinn get slushy by the football 207 00:13:39,480 --> 00:13:46,520 Speaker 1: team and your favorite quote which one bros before high hoss. 208 00:13:47,679 --> 00:13:49,760 Speaker 1: Did you also notice how the football player is falling 209 00:13:49,760 --> 00:13:52,679 Speaker 1: because of the slushy as the scene was ending, Um No, 210 00:13:53,000 --> 00:13:56,840 Speaker 1: I definitely did not like he slipped on the slushy. Ye, 211 00:13:57,040 --> 00:13:58,960 Speaker 1: just just a little weirdness going out at the end 212 00:13:59,000 --> 00:14:04,839 Speaker 1: of the scene. Yes, Um. So there's a fight at 213 00:14:04,840 --> 00:14:09,079 Speaker 1: football practice because Ken Tanaka is now very upset in 214 00:14:09,200 --> 00:14:15,280 Speaker 1: Mr Shoe and is getting revenge basically and putting extra 215 00:14:15,360 --> 00:14:24,440 Speaker 1: glue rehearsals during extra football rehearsal during you rehearse football 216 00:14:27,880 --> 00:14:32,440 Speaker 1: half time is intermission right exactly, So I can to 217 00:14:32,480 --> 00:14:36,360 Speaker 1: get revenge about seeing you know, Will and Emma laying 218 00:14:36,360 --> 00:14:39,960 Speaker 1: on the ground together. He decides to throw a Thursday 219 00:14:40,160 --> 00:14:46,640 Speaker 1: one pm um football rehearsal, Um, and so then the 220 00:14:46,720 --> 00:14:49,600 Speaker 1: people who are in glee club and also in football 221 00:14:49,960 --> 00:14:52,720 Speaker 1: have to make the ultimate decision about where they're going 222 00:14:52,760 --> 00:14:57,800 Speaker 1: to be because it's a mandatory practice. He's pissed. And 223 00:14:57,880 --> 00:15:03,080 Speaker 1: this is the scene that I thought I remembered shooting. 224 00:15:03,960 --> 00:15:06,480 Speaker 1: Remember last week we talked about or not last week, 225 00:15:06,480 --> 00:15:10,600 Speaker 1: but Invitamin D when Sue we did that choir room 226 00:15:10,640 --> 00:15:15,240 Speaker 1: scene when Sue becomes um CO captain. Right, Yeah, this 227 00:15:15,400 --> 00:15:17,560 Speaker 1: felt very similar to me. And maybe it was because 228 00:15:17,640 --> 00:15:24,720 Speaker 1: Led directed, uh, both of them, but I was like, oh, 229 00:15:24,880 --> 00:15:27,040 Speaker 1: this is the scene that I remember so vividly of 230 00:15:27,160 --> 00:15:32,280 Speaker 1: us like waiting for the people to come in. Yeah. Same, 231 00:15:32,880 --> 00:15:36,320 Speaker 1: And I feel like we're constantly just like waiting in 232 00:15:36,400 --> 00:15:41,400 Speaker 1: the choir room. Recently, um So, Mike and Matt and 233 00:15:41,560 --> 00:15:48,280 Speaker 1: shockingly Puck show up, Book shows up because of Rachel, 234 00:15:48,520 --> 00:15:52,880 Speaker 1: because of Rachel, but Finn doesn't show up. So Finn 235 00:15:52,920 --> 00:15:57,960 Speaker 1: stays at the football practice, and we're all kind of bewildered, 236 00:15:58,000 --> 00:16:02,760 Speaker 1: like why already definitely pissed, already's pissed, already think works 237 00:16:02,800 --> 00:16:08,360 Speaker 1: thin And then we're waiting and Finn doesn't come back, 238 00:16:10,080 --> 00:16:12,400 Speaker 1: like a weird slip up of editing here. It's like 239 00:16:12,480 --> 00:16:16,120 Speaker 1: after the after they come in, they'll all turn to 240 00:16:16,160 --> 00:16:18,000 Speaker 1: look at the door. After the camera cuts to the door, 241 00:16:18,560 --> 00:16:20,440 Speaker 1: then back to the glee club the same clip. It's 242 00:16:20,480 --> 00:16:25,240 Speaker 1: the same clip of us really yeah, m hmm, I 243 00:16:25,240 --> 00:16:29,400 Speaker 1: believe it was. I think so, I don't know. Maybe 244 00:16:29,400 --> 00:16:34,040 Speaker 1: people can message us because it looks it looks funny 245 00:16:34,200 --> 00:16:36,800 Speaker 1: and we just mark that because we'll address something similar 246 00:16:36,840 --> 00:16:40,280 Speaker 1: to that later as well. So this next the next 247 00:16:40,280 --> 00:16:45,120 Speaker 1: part where finn Um has to go and slushy Kurt 248 00:16:45,280 --> 00:16:50,960 Speaker 1: right because the football team will, you know, have his hoss. 249 00:16:51,040 --> 00:16:56,160 Speaker 1: If not, he doesn't do it. Um and Kurt and 250 00:16:56,400 --> 00:17:03,800 Speaker 1: his ring jacket, his wonderful mark, Jacob's range acid Um 251 00:17:03,840 --> 00:17:05,959 Speaker 1: and He's like, look, I'll do it. I know you 252 00:17:05,960 --> 00:17:07,359 Speaker 1: have to do it. Just do it, and feels like 253 00:17:07,400 --> 00:17:09,479 Speaker 1: I don't really want to you. So Kurt's like, let 254 00:17:09,480 --> 00:17:10,959 Speaker 1: me just do it for you. Then let me make 255 00:17:11,000 --> 00:17:13,520 Speaker 1: your job really hazy. And Kurt does it to himself 256 00:17:13,560 --> 00:17:16,040 Speaker 1: and Chris does it to himself, and I remember being 257 00:17:16,119 --> 00:17:21,160 Speaker 1: at that um watching Chris do that and doing my 258 00:17:21,440 --> 00:17:25,199 Speaker 1: damnedest not to laugh, and all of us not, and 259 00:17:25,240 --> 00:17:28,080 Speaker 1: I think he was like, please don't laugh, because I can't. 260 00:17:28,640 --> 00:17:32,920 Speaker 1: We can't mess this up. Once you slushy yourself that's it, right, Um, 261 00:17:33,000 --> 00:17:37,400 Speaker 1: But I remember him slushy himself and it went behind 262 00:17:37,480 --> 00:17:40,080 Speaker 1: him all the way up onto the light. Right, it 263 00:17:40,119 --> 00:17:42,560 Speaker 1: went like up and behind him and then rocked down 264 00:17:42,760 --> 00:17:45,000 Speaker 1: and got Leah, that's right, and then we all had 265 00:17:45,000 --> 00:17:48,040 Speaker 1: to run into the girl's room. But I remember that 266 00:17:48,160 --> 00:17:51,280 Speaker 1: it seemed very vividly in my mind, especially because of 267 00:17:51,359 --> 00:17:55,080 Speaker 1: Chris's beautiful raincoat. Also, how amazing is Chris that you're 268 00:17:55,119 --> 00:17:57,360 Speaker 1: doing the scene that's absolutely insane that after he slashes 269 00:17:57,440 --> 00:18:03,520 Speaker 1: himself switches it, he's like almost on the ridge of tears. 270 00:18:04,040 --> 00:18:07,520 Speaker 1: That's a that's a Golden Globe winner. Yeah, you're right, 271 00:18:09,119 --> 00:18:14,040 Speaker 1: and that's a Golden Globe winner. And so here's brings 272 00:18:14,080 --> 00:18:21,200 Speaker 1: us back to basically, when Shoe tells Emma that Ken 273 00:18:21,359 --> 00:18:23,400 Speaker 1: is doing this, you know, after they do, I could 274 00:18:23,440 --> 00:18:28,080 Speaker 1: have danced all night. Um you see her being like huh, 275 00:18:28,200 --> 00:18:33,639 Speaker 1: she had no idea And so then um, now cut 276 00:18:33,760 --> 00:18:37,040 Speaker 1: back to here. Finn is now telling coach Tanaka that 277 00:18:37,119 --> 00:18:40,960 Speaker 1: he doesn't want to have to choose, and clearly there's 278 00:18:41,000 --> 00:18:43,240 Speaker 1: been some of you know, some behind the scenes talking 279 00:18:43,880 --> 00:18:46,959 Speaker 1: between some characters, and he's like, okay, because Will has 280 00:18:47,000 --> 00:18:50,320 Speaker 1: also apologized to Ken in this time, where Will is like, 281 00:18:50,400 --> 00:18:52,960 Speaker 1: you're right, you know, I didn't necessarily encourage it, but 282 00:18:53,000 --> 00:18:57,440 Speaker 1: I didn't stop it, and so yeah, and so all 283 00:18:57,480 --> 00:19:02,080 Speaker 1: these things have lined up where Ken then hansels Thursday 284 00:19:02,080 --> 00:19:07,080 Speaker 1: practices or Senna says Thursday rehearsals, so then everybody can 285 00:19:07,119 --> 00:19:13,720 Speaker 1: participate in both exactly. And Finn returns to the glee 286 00:19:13,760 --> 00:19:16,520 Speaker 1: club and brings everyone slushies. Do you remember the film? 287 00:19:16,520 --> 00:19:21,399 Speaker 1: I remember filming this. This is really fun. This was 288 00:19:21,840 --> 00:19:24,400 Speaker 1: at the end of the night. It was I think 289 00:19:24,400 --> 00:19:28,679 Speaker 1: it was a Friday, and Finn in this scene brings 290 00:19:28,680 --> 00:19:31,399 Speaker 1: slushies to the glee club to make up for not 291 00:19:31,560 --> 00:19:37,199 Speaker 1: showing up. And um and did or did Mr shubring 292 00:19:37,280 --> 00:19:42,960 Speaker 1: slushy Finn and then Mr Shoes like, okay, well, unfortunately 293 00:19:43,000 --> 00:19:45,880 Speaker 1: weren't able to find a song too, um mash up, 294 00:19:46,400 --> 00:19:51,959 Speaker 1: leaving us with no mashup. Um and wet. Sweet Quinn 295 00:19:52,040 --> 00:19:56,520 Speaker 1: has been exiled from the Cheerios. She's been kicked off 296 00:19:56,560 --> 00:20:00,159 Speaker 1: because she's pregnant. She's prego and um, we'll get to 297 00:20:00,240 --> 00:20:02,400 Speaker 1: that part of why she was kicked off the Cheerios, 298 00:20:02,880 --> 00:20:05,679 Speaker 1: but she Um, we see her in regular clothes. We 299 00:20:05,720 --> 00:20:09,320 Speaker 1: start to see Diana in her regular clothes. And I 300 00:20:09,400 --> 00:20:16,639 Speaker 1: have to say, Quinn's clothes just subtly mirror Diana um wardrobe. 301 00:20:18,400 --> 00:20:21,040 Speaker 1: She's just a little bit they would shop at the 302 00:20:21,080 --> 00:20:24,760 Speaker 1: same places. Um. So we get to start to see 303 00:20:24,800 --> 00:20:28,280 Speaker 1: Quinn and regular clothes and cherio fits. And then I 304 00:20:28,320 --> 00:20:32,960 Speaker 1: also love that Corey's like drinking the slushy during this scene. Yeah, 305 00:20:33,680 --> 00:20:35,520 Speaker 1: but yeah, I remember we had I think it was 306 00:20:35,600 --> 00:20:39,879 Speaker 1: late Friday night. We had basically one chance to do this, yes, yes, 307 00:20:40,400 --> 00:20:44,119 Speaker 1: And the camera was covered in like plastics so that 308 00:20:44,200 --> 00:20:46,560 Speaker 1: it wouldn't get dirty because there were so many of 309 00:20:46,640 --> 00:20:51,200 Speaker 1: us throwing slashy. There was the floor when you watched. 310 00:20:51,640 --> 00:20:55,399 Speaker 1: When you watch the the slushy hit like the camera. 311 00:20:55,480 --> 00:20:57,000 Speaker 1: We do it to the camera. There's like a piece 312 00:20:57,040 --> 00:20:59,880 Speaker 1: of plastic in front of the cameras see it like war. 313 00:21:00,040 --> 00:21:02,440 Speaker 1: It just happens. So it's fast, it's hard to it's 314 00:21:02,440 --> 00:21:07,080 Speaker 1: hard to tell. Very good catch. Um. And I remember 315 00:21:07,119 --> 00:21:11,080 Speaker 1: mapp being like very nervous. Yes, that getting slushy. So yeah, 316 00:21:11,119 --> 00:21:13,720 Speaker 1: the Glee club kids they learned, they learned that Mr. 317 00:21:13,760 --> 00:21:16,800 Speaker 1: She has never been slushy before. And so it is 318 00:21:16,840 --> 00:21:20,520 Speaker 1: a twelve slushy facial, which is the most amount of Slushies, 319 00:21:20,560 --> 00:21:24,400 Speaker 1: that anybody has been slushy yet a date to date 320 00:21:24,920 --> 00:21:32,359 Speaker 1: which will change sure well, Ken, I was also like 321 00:21:32,440 --> 00:21:35,119 Speaker 1: during this time when you say the character hasn't been 322 00:21:35,119 --> 00:21:38,800 Speaker 1: slushy and noverybody's realizing it in real life. I was 323 00:21:38,840 --> 00:21:42,480 Speaker 1: also we were also sort of like, neither have we. 324 00:21:42,960 --> 00:21:47,080 Speaker 1: That's we tried not to anybody. We didn't. We were 325 00:21:47,080 --> 00:21:49,520 Speaker 1: trying to hide it from brad Ian and Ryan that 326 00:21:49,880 --> 00:21:51,919 Speaker 1: I don't think they were keeping track yet, but no, 327 00:21:52,480 --> 00:21:54,920 Speaker 1: we got we're getting close. I think it happened soon 328 00:21:55,160 --> 00:21:58,160 Speaker 1: for me. I think I get I get slushy pretty soon. 329 00:21:58,320 --> 00:22:00,119 Speaker 1: Somebody ratted me out, and that's how it happened me. 330 00:22:01,400 --> 00:22:04,560 Speaker 1: You really got the the super Bowl of Slushies. Um, 331 00:22:04,800 --> 00:22:08,880 Speaker 1: I did, literally. So the Glee Club was supposed to find, 332 00:22:08,920 --> 00:22:11,719 Speaker 1: you know, something to mash up and like you said, well, 333 00:22:12,119 --> 00:22:14,480 Speaker 1: well it's like, you know, nobody found them. But it's 334 00:22:14,480 --> 00:22:18,120 Speaker 1: okay because we still learned the lesson. And then Will 335 00:22:18,200 --> 00:22:21,879 Speaker 1: has also told Emma that he can't mash up. I 336 00:22:21,920 --> 00:22:23,480 Speaker 1: could have danced all night and thong so long. They 337 00:22:23,520 --> 00:22:28,280 Speaker 1: just don't go together right, So the mashups aren't working out, 338 00:22:28,400 --> 00:22:32,120 Speaker 1: but they're teaching us valuable lessons. They know they're not 339 00:22:32,160 --> 00:22:35,760 Speaker 1: necessarily supposed to be. Yes, they're they're great songs on 340 00:22:35,800 --> 00:22:39,000 Speaker 1: their own. They're not necessarily complimentary of one another, which 341 00:22:39,080 --> 00:22:42,160 Speaker 1: might be a metaphor. It was a metaphor, and I 342 00:22:42,200 --> 00:22:45,920 Speaker 1: was wondering. I was honestly like, are they talking about 343 00:22:46,000 --> 00:22:48,200 Speaker 1: Emma and Ken? Are we talking about Emma and Will? 344 00:22:50,240 --> 00:22:54,560 Speaker 1: Because when she's saying like we don't necessarily match, I 345 00:22:54,680 --> 00:22:57,760 Speaker 1: was like, Oh, she's talking about Ken. And then when 346 00:22:57,760 --> 00:22:59,560 Speaker 1: Will said it, I was like, oh, no, it's about 347 00:22:59,640 --> 00:23:01,919 Speaker 1: him and how they're not supposed to be together. Well, 348 00:23:01,920 --> 00:23:04,119 Speaker 1: it's both. I think you're from her perspective, it's one 349 00:23:04,119 --> 00:23:09,840 Speaker 1: thing from his, it's another. Oh, very good. Everybody is 350 00:23:09,960 --> 00:23:13,879 Speaker 1: looking at the thing from their own point of Beu Jenna. 351 00:23:14,680 --> 00:23:17,399 Speaker 1: It's about that's how life is. It's your own movie, 352 00:23:17,440 --> 00:23:20,000 Speaker 1: and everyone else is just a supporting character. You know. 353 00:23:20,720 --> 00:23:22,919 Speaker 1: There was an article that called the Will Emma and 354 00:23:23,000 --> 00:23:29,000 Speaker 1: Can love triangle the Bermuda love triangle, which is great. 355 00:23:29,440 --> 00:23:34,800 Speaker 1: That's funny. Imagine Howard Bamboo can Can playing a Kentanaka. 356 00:23:34,880 --> 00:23:38,320 Speaker 1: What a different, like a totally different vibe would have given. 357 00:23:40,000 --> 00:23:43,040 Speaker 1: They're so good. So the reason why let's go backwards. 358 00:23:43,040 --> 00:23:45,320 Speaker 1: So the reason why Quinn got kicked out of the 359 00:23:45,400 --> 00:23:52,040 Speaker 1: Cheerios was because Sue is on a tirade. Um. Earlier 360 00:23:52,080 --> 00:23:57,240 Speaker 1: in the episode, Rod Remington hits on Sue, she gets excited, 361 00:23:57,840 --> 00:24:02,040 Speaker 1: They go on a date, they play battleship. She says, 362 00:24:02,160 --> 00:24:08,520 Speaker 1: you've sunk my battleship hard, and he invites her to 363 00:24:08,560 --> 00:24:12,879 Speaker 1: go swinging, which I was like, when Rod's like, I 364 00:24:12,960 --> 00:24:15,640 Speaker 1: like to swing, I was like, it's Sue gonna get 365 00:24:15,640 --> 00:24:18,800 Speaker 1: confused and like, end of it a swingers party. She 366 00:24:18,840 --> 00:24:22,399 Speaker 1: seemed down for it either way. No, totally um, but 367 00:24:22,600 --> 00:24:25,159 Speaker 1: it was an actual swinging event. So that's where we 368 00:24:25,240 --> 00:24:28,879 Speaker 1: see Matt Mr. Shoe and Sue getting along, which is 369 00:24:28,920 --> 00:24:32,239 Speaker 1: also very weird. Um, but love watching them do their 370 00:24:32,280 --> 00:24:34,679 Speaker 1: little number. It's always fun to see Jane get to 371 00:24:34,720 --> 00:24:37,520 Speaker 1: do stuff, and I like seeing Sue sort of vulnerable, 372 00:24:38,040 --> 00:24:41,240 Speaker 1: excited for the prospect of love just for a moment, 373 00:24:41,720 --> 00:24:44,399 Speaker 1: just for a second. I almost got too uncomfortable. We 374 00:24:44,440 --> 00:24:47,440 Speaker 1: saw her too vulnerable for a second. I was like, no, no, 375 00:24:47,880 --> 00:24:49,639 Speaker 1: this is not the Sue that I like to see. 376 00:24:50,080 --> 00:24:54,800 Speaker 1: But of course Jane is like the polar opposite. So um. 377 00:24:54,880 --> 00:24:58,880 Speaker 1: So they teach each other, you know, their their will 378 00:24:58,960 --> 00:25:02,040 Speaker 1: is teaching Sue the dance to sing Sing, which is 379 00:25:02,080 --> 00:25:04,479 Speaker 1: such a great little number. And then and also a 380 00:25:04,480 --> 00:25:07,560 Speaker 1: side note, Zach Woodley was also being put through the 381 00:25:07,640 --> 00:25:11,960 Speaker 1: ringer during this episode. I remember as well because while yes, 382 00:25:12,080 --> 00:25:18,240 Speaker 1: while having to teach Mad and Jane these numbers, he 383 00:25:18,359 --> 00:25:21,920 Speaker 1: also had to choreograph them. Yeah, and then when we're 384 00:25:21,920 --> 00:25:24,840 Speaker 1: shooting them, he has to be on set while we're 385 00:25:24,880 --> 00:25:28,000 Speaker 1: doing it when he should also be like coming up 386 00:25:28,119 --> 00:25:31,240 Speaker 1: with and teaching other people other things. This is where Brooke, 387 00:25:31,320 --> 00:25:36,040 Speaker 1: also assistant choreographer, who was also amazing um came in 388 00:25:36,119 --> 00:25:38,639 Speaker 1: handy because they would tag team really well because they 389 00:25:38,640 --> 00:25:45,160 Speaker 1: had such a shorthand. So anyway, um Rod, Sue gets 390 00:25:45,520 --> 00:25:50,520 Speaker 1: is ready for her date. She shows up Rod, is she, 391 00:25:50,760 --> 00:25:54,080 Speaker 1: I guess cheating on her although he, according to him 392 00:25:54,560 --> 00:25:58,359 Speaker 1: they weren't exclusive. Was making out with Andrea the other 393 00:25:59,040 --> 00:26:06,560 Speaker 1: um an newscaster news anchor. And and then that's it, 394 00:26:06,760 --> 00:26:10,320 Speaker 1: that's the that's the vulnerable side of student. Yeah. And 395 00:26:10,359 --> 00:26:12,560 Speaker 1: then Sue goes back to her ways of I want 396 00:26:12,600 --> 00:26:14,320 Speaker 1: the set list because you know she's gonna be up 397 00:26:14,359 --> 00:26:18,160 Speaker 1: to know good with it and demanding things. But it's 398 00:26:18,160 --> 00:26:20,639 Speaker 1: good to see her return to her evil self. I 399 00:26:20,720 --> 00:26:24,480 Speaker 1: missed it. I did miss it as well, and also like, 400 00:26:24,640 --> 00:26:28,040 Speaker 1: is there anything that's you that Jane Lynch can't do. No, 401 00:26:30,119 --> 00:26:33,000 Speaker 1: I've been watching um The Marvelous Mrs Masil for the 402 00:26:33,040 --> 00:26:36,040 Speaker 1: first time. I know, I'm very late to it. Yeah, 403 00:26:36,080 --> 00:26:39,600 Speaker 1: you texted me last night because some of our glee 404 00:26:39,640 --> 00:26:42,639 Speaker 1: dancers are in it the new season. I haven't seen. No, 405 00:26:43,000 --> 00:26:46,119 Speaker 1: I'm just in the past week I've watched two and 406 00:26:46,160 --> 00:26:49,639 Speaker 1: a half seasons and seeing Jane on it. If you 407 00:26:49,640 --> 00:26:51,960 Speaker 1: haven't watched The Marvelous Mrs Mazel on Amazon, you should 408 00:26:51,960 --> 00:26:55,919 Speaker 1: go watch it. Jane has an incredible role on a 409 00:26:56,000 --> 00:26:59,080 Speaker 1: really fun role. But you know, every now and then 410 00:26:59,119 --> 00:27:04,000 Speaker 1: I'm like, there's some Sue, there's that sneaking through and 411 00:27:04,040 --> 00:27:06,640 Speaker 1: it's great. She's just so good. She's so so good. 412 00:27:06,840 --> 00:27:10,880 Speaker 1: So this this Puck and Rachel storyline really makes me uncomfortable. 413 00:27:12,080 --> 00:27:16,080 Speaker 1: I don't like it. Puck is getting into his you 414 00:27:16,119 --> 00:27:19,639 Speaker 1: know his he wants it it. A Jewish girl is 415 00:27:19,680 --> 00:27:22,320 Speaker 1: getting in touch with Jewish roots. I do. I will 416 00:27:22,359 --> 00:27:25,480 Speaker 1: say that his like little montage monologue with his the 417 00:27:25,600 --> 00:27:28,200 Speaker 1: dream where she comes through the window is pretty funny. Good. 418 00:27:28,400 --> 00:27:32,400 Speaker 1: It's very funny. I think they're very funny together. Yeah, totally. 419 00:27:32,440 --> 00:27:35,800 Speaker 1: It's just that Puck and Rachel and Rachel make me uncomfortable. 420 00:27:35,920 --> 00:27:41,080 Speaker 1: I get nervous and I feel not warming and gooey inside. Now, 421 00:27:41,119 --> 00:27:44,520 Speaker 1: did you like Rachel and Joey on Friends? I didn't 422 00:27:44,600 --> 00:27:47,360 Speaker 1: hate it. It didn't make me uncomfortable. I didn't want 423 00:27:47,400 --> 00:27:49,280 Speaker 1: them to end up together. But I didn't write a 424 00:27:49,359 --> 00:27:52,280 Speaker 1: storyline because they're so good. I mean, the actors and 425 00:27:52,280 --> 00:27:55,000 Speaker 1: the characters are so charming and so good together. Like, 426 00:27:55,040 --> 00:27:57,119 Speaker 1: I don't think we had enough time with Rachel and 427 00:27:57,440 --> 00:28:01,480 Speaker 1: and Finn or any of that to really fall, like 428 00:28:01,640 --> 00:28:03,560 Speaker 1: so deeply in love with them for them to be 429 00:28:03,680 --> 00:28:07,679 Speaker 1: together yet, Like it's so early on that we're already 430 00:28:08,000 --> 00:28:11,800 Speaker 1: mixing and matching, and it just it felt a little soon, 431 00:28:12,359 --> 00:28:18,959 Speaker 1: I think, yeah, yeah, but uh, Puck after his I 432 00:28:18,960 --> 00:28:22,640 Speaker 1: mean number one, this is like the beginning of Puckleberry, 433 00:28:23,480 --> 00:28:27,960 Speaker 1: which I think is all these nicknames coming up. Um, 434 00:28:28,080 --> 00:28:31,840 Speaker 1: then we get to Puck actually helping Rachel perform to 435 00:28:31,960 --> 00:28:35,439 Speaker 1: rehearse in her room. Also, I forgot that we did 436 00:28:35,520 --> 00:28:37,880 Speaker 1: what a girl wants that had to be live, right, 437 00:28:38,120 --> 00:28:43,040 Speaker 1: I forgot that too. Um. But then they make out. 438 00:28:43,360 --> 00:28:45,320 Speaker 1: They're making out, He's like, can we take a break, 439 00:28:45,360 --> 00:28:51,720 Speaker 1: and then it's weird. Um, and then Rachel sees Finn. Yeah, 440 00:28:51,760 --> 00:28:59,960 Speaker 1: she's dreaming a fin everybody everybody is cheating mentally Rachel 441 00:29:00,040 --> 00:29:03,080 Speaker 1: things that she she says to he can't, she can't 442 00:29:03,080 --> 00:29:05,760 Speaker 1: be with him unless he's a leading man in like 443 00:29:05,880 --> 00:29:08,160 Speaker 1: man enough to sing a solo. So here we go. 444 00:29:08,400 --> 00:29:11,560 Speaker 1: What does he do? Sweet Caroline, Ladies and Gentlemen, which 445 00:29:11,800 --> 00:29:18,360 Speaker 1: Neil Diamond loved and and this number was definitely a 446 00:29:18,360 --> 00:29:21,160 Speaker 1: fan favorite for a long time. Um. We did it 447 00:29:21,200 --> 00:29:25,880 Speaker 1: on tour and I enjoyed doing this number because fun 448 00:29:25,960 --> 00:29:29,320 Speaker 1: fact we would do when when somebody had a solo 449 00:29:29,480 --> 00:29:32,200 Speaker 1: and they were backup vocals as there usually were that 450 00:29:32,280 --> 00:29:35,800 Speaker 1: we were no longer recording ourselves, we'd have to learn 451 00:29:35,840 --> 00:29:38,840 Speaker 1: them on the day we were daring him in the 452 00:29:38,880 --> 00:29:41,120 Speaker 1: morning and we would we'd have to learn them, and 453 00:29:41,160 --> 00:29:43,200 Speaker 1: we'd have to make sure they look right, and if not, 454 00:29:43,280 --> 00:29:46,320 Speaker 1: Tim Davis would come and have our throats and um 455 00:29:46,360 --> 00:29:50,160 Speaker 1: in the nicest way possible. And So to do a 456 00:29:50,240 --> 00:29:53,440 Speaker 1: number that you knew so well, you're like, oh, I 457 00:29:53,520 --> 00:29:57,320 Speaker 1: got this, I actually recorded this. This is great, This 458 00:29:57,400 --> 00:30:00,800 Speaker 1: is really fun. So it was a fun number two 459 00:30:01,800 --> 00:30:06,719 Speaker 1: shoot and it was again easy. Do you remember recording 460 00:30:06,720 --> 00:30:10,440 Speaker 1: the backgrounds to this? Oh? Did we record the background? 461 00:30:10,840 --> 00:30:15,560 Speaker 1: Is you? Me and Amber? I believe we still were 462 00:30:15,640 --> 00:30:17,760 Speaker 1: recording back That's why I liked it so much. Yeah, 463 00:30:17,760 --> 00:30:20,480 Speaker 1: because we knew it it was. I remember we had 464 00:30:20,520 --> 00:30:22,320 Speaker 1: to like space around to make it sound like there 465 00:30:22,360 --> 00:30:24,000 Speaker 1: are more people and like some of us are standing 466 00:30:24,000 --> 00:30:28,400 Speaker 1: on a chair. We recorded, Yes, were you not there? No? 467 00:30:28,560 --> 00:30:32,320 Speaker 1: I was there doing your royalties? Say are you getting 468 00:30:32,320 --> 00:30:35,520 Speaker 1: paid for this box? Still? Yes? Then yes, so it 469 00:30:35,560 --> 00:30:41,120 Speaker 1: was you, me and Amber. Oops, well I just contradicted myself. 470 00:30:41,200 --> 00:30:43,960 Speaker 1: Thanks Kevin for that. That the reason why you did 471 00:30:44,120 --> 00:30:53,480 Speaker 1: know it was because we actually all right, well that's sweet, Caroline. 472 00:30:54,840 --> 00:31:00,200 Speaker 1: It's it goes down in England history. But um pocket slushy, 473 00:31:00,480 --> 00:31:02,640 Speaker 1: And then the whole football thing happens where he's supposed 474 00:31:02,640 --> 00:31:06,120 Speaker 1: to choose and gets in a fight and gets hit 475 00:31:06,120 --> 00:31:10,160 Speaker 1: in the face by such by Kurowski um and like 476 00:31:10,280 --> 00:31:12,520 Speaker 1: Rachel helps him clean up and blah blah blah. Then 477 00:31:12,560 --> 00:31:16,200 Speaker 1: all that stuff sort of happens where he chooses glee 478 00:31:16,240 --> 00:31:21,160 Speaker 1: club over football, and then there's that very nice like 479 00:31:21,240 --> 00:31:23,840 Speaker 1: scene on the bleachers between which we never see, by 480 00:31:23,880 --> 00:31:26,200 Speaker 1: the way, like scenes on the bleachers anymore, which I 481 00:31:26,280 --> 00:31:30,080 Speaker 1: really appreciate. Yeah, the scene was really nice. It was. 482 00:31:30,120 --> 00:31:32,840 Speaker 1: And they're both sort of, you know, opening up about 483 00:31:32,880 --> 00:31:35,480 Speaker 1: how they're sort of like settling for not settling for 484 00:31:35,520 --> 00:31:38,440 Speaker 1: each other, but they both want different things. He clearly wants, 485 00:31:38,520 --> 00:31:42,520 Speaker 1: Quinn she wants and they're both sort of like the 486 00:31:42,520 --> 00:31:45,960 Speaker 1: second Prize the runners up for one another. And then 487 00:31:46,000 --> 00:31:48,520 Speaker 1: looks back to his normal self of like, no, we're 488 00:31:48,560 --> 00:31:50,480 Speaker 1: not going to be friends. That it's just not what 489 00:31:50,560 --> 00:31:55,520 Speaker 1: it is, and and they says they never were friends exactly, 490 00:31:56,200 --> 00:32:01,120 Speaker 1: burn burn, and and that's that's the episode. That's it. 491 00:32:01,440 --> 00:32:05,240 Speaker 1: We have these unlikely mashups, these mashups that never happened, 492 00:32:05,480 --> 00:32:13,520 Speaker 1: and unlikely hearings, mashing songs that do not go together. Um, 493 00:32:13,520 --> 00:32:17,320 Speaker 1: it was. It's not my favorite episode, no, And I 494 00:32:18,080 --> 00:32:20,800 Speaker 1: don't remember it all that much because I think we 495 00:32:20,800 --> 00:32:23,800 Speaker 1: weren't in a ton of it, so it's not in 496 00:32:23,840 --> 00:32:29,160 Speaker 1: my memory. And I also I don't love it. Gold 497 00:32:29,160 --> 00:32:35,400 Speaker 1: Star for Matt for working and also like what a yeah, 498 00:32:36,000 --> 00:32:39,640 Speaker 1: what a talent, what a talent. I also we'll talk 499 00:32:39,680 --> 00:32:42,000 Speaker 1: about my favorite line in a second, but yeah, I 500 00:32:42,040 --> 00:32:53,920 Speaker 1: do remember, I know what you're saying. Great, Okay, Tarty 501 00:32:54,000 --> 00:33:00,200 Speaker 1: takes Tarty Ta Tarty takes cringe moment. I mean the 502 00:33:00,240 --> 00:33:03,360 Speaker 1: episode is the cringe episode for sure. But like Thong song, 503 00:33:03,520 --> 00:33:08,479 Speaker 1: bust a move, shoe on, buttoning a shirt for the students, 504 00:33:08,800 --> 00:33:13,880 Speaker 1: it's yeah, yeah, okay. To say much more, where Ken 505 00:33:14,040 --> 00:33:16,200 Speaker 1: says to Finn, you have an itch down there or 506 00:33:16,200 --> 00:33:22,160 Speaker 1: something that's also a little weird um teacher's dance move, 507 00:33:24,840 --> 00:33:30,160 Speaker 1: I think that has gotta go. It's just weird. It's 508 00:33:30,200 --> 00:33:32,360 Speaker 1: just weird. Okay, we'll go with you. Song. What was 509 00:33:32,360 --> 00:33:35,680 Speaker 1: your favorite dance? Oh well, yeah, because there are a 510 00:33:35,720 --> 00:33:37,880 Speaker 1: lot of dance members, I think sing Things has to 511 00:33:37,920 --> 00:33:40,080 Speaker 1: be the best. It was really good. I like watching 512 00:33:40,120 --> 00:33:43,000 Speaker 1: them together, polished and good and yeah, it was really 513 00:33:43,000 --> 00:33:45,680 Speaker 1: fun to watch. And I remember Jean having like just 514 00:33:45,760 --> 00:33:48,600 Speaker 1: a blast doing it, just so she was always such 515 00:33:48,760 --> 00:33:54,440 Speaker 1: like such a team player. The best song, I mean, 516 00:33:54,920 --> 00:33:58,960 Speaker 1: I think in terms of like Glee history, Sweet Caroline, 517 00:33:59,000 --> 00:34:02,520 Speaker 1: Sweet Caroline. Yeah, and just because like also Neil Diamond, 518 00:34:02,760 --> 00:34:06,880 Speaker 1: you know, and also me you and Amber that's right 519 00:34:07,080 --> 00:34:12,080 Speaker 1: that you don't remember looks best performance by a prop 520 00:34:12,200 --> 00:34:19,040 Speaker 1: Kevin Yeah, yeah, yeah, yeah, and also I think in 521 00:34:19,160 --> 00:34:23,200 Speaker 1: terms of the score, the flight of the bumblebee as 522 00:34:23,280 --> 00:34:27,879 Speaker 1: this is happening is absolutely brilliant. Yes, that was really good. 523 00:34:27,960 --> 00:34:29,400 Speaker 1: I wonder how much they had to pay for that. 524 00:34:29,520 --> 00:34:35,040 Speaker 1: Oh my gosh, right, really good, really really good. Um, 525 00:34:35,080 --> 00:34:36,919 Speaker 1: and that's not the last time we'll see that either. 526 00:34:36,960 --> 00:34:39,600 Speaker 1: At the p O B of the right, I don't 527 00:34:39,640 --> 00:34:42,440 Speaker 1: I doubt it. No, I think Paris Barclay does it 528 00:34:42,640 --> 00:34:47,560 Speaker 1: sound all right? And then things that age well or 529 00:34:47,600 --> 00:34:52,080 Speaker 1: didn't age well. Um, there's a line that Finn says. 530 00:34:53,239 --> 00:34:55,480 Speaker 1: He says, I don't think anyone decision makes your life 531 00:34:55,520 --> 00:34:58,400 Speaker 1: unless you accidentally invent some kind of zombie virus or something. 532 00:34:58,680 --> 00:35:09,080 Speaker 1: Oh oh yeah, that didn't Okay, well here we are. Yeah, 533 00:35:10,120 --> 00:35:12,319 Speaker 1: that's very good. There's a lot of great lines in 534 00:35:12,360 --> 00:35:15,360 Speaker 1: this though. There's a lot of great lines, but I 535 00:35:15,760 --> 00:35:19,839 Speaker 1: think I think what it always ends up being for 536 00:35:19,960 --> 00:35:25,640 Speaker 1: us is Sue. Yes, and it is when Sue has 537 00:35:25,719 --> 00:35:31,479 Speaker 1: finally lost her love and she gets mad, the best thing. 538 00:35:32,080 --> 00:35:34,160 Speaker 1: One of my favorite lines ever, it's one of my 539 00:35:34,239 --> 00:35:37,960 Speaker 1: frt lines ever in the show. Okay, do you want 540 00:35:37,960 --> 00:35:39,160 Speaker 1: to say? Do you want to? Do you want to 541 00:35:39,160 --> 00:35:42,239 Speaker 1: read it? She says, I'll need the set list for sectionals, 542 00:35:42,280 --> 00:35:44,680 Speaker 1: after all, I want them on my desk, warm from 543 00:35:44,680 --> 00:35:47,120 Speaker 1: a laminator at five pm. If it is one minute late, 544 00:35:47,440 --> 00:35:49,600 Speaker 1: I will go to the animal shelter and get you 545 00:35:49,600 --> 00:35:51,560 Speaker 1: a kittie cat. I will let you fall in love 546 00:35:51,600 --> 00:35:54,000 Speaker 1: with that kitty cat. Then on some dark, cold night, 547 00:35:54,040 --> 00:35:55,840 Speaker 1: I will still wait into your home and punch you 548 00:35:55,880 --> 00:36:00,640 Speaker 1: in the face. And and then he even better the 549 00:36:00,719 --> 00:36:04,040 Speaker 1: robuttal when when Mr Sho says didn't work out with 550 00:36:04,120 --> 00:36:11,120 Speaker 1: Rod and I was like, it's really good, really good. 551 00:36:11,200 --> 00:36:14,960 Speaker 1: Both the deliveries are really really good. Um. And then 552 00:36:16,040 --> 00:36:19,520 Speaker 1: the other great line from the episode. I love the 553 00:36:19,520 --> 00:36:22,200 Speaker 1: fact that Emma does not want anybody to see her 554 00:36:22,239 --> 00:36:25,279 Speaker 1: get married to Kent Kanaka, and so she says, um 555 00:36:25,520 --> 00:36:27,319 Speaker 1: Ken convinced me we need to at least be in 556 00:36:27,320 --> 00:36:32,880 Speaker 1: the same room when America is certified. So I also 557 00:36:32,920 --> 00:36:36,319 Speaker 1: wanted to because they're like a little fun fact about 558 00:36:36,320 --> 00:36:39,160 Speaker 1: this episode because there were so many slushies that there was. 559 00:36:39,200 --> 00:36:42,839 Speaker 1: I think we did Oprah, you see um our props guy, 560 00:36:42,920 --> 00:36:48,080 Speaker 1: Paul Paul props um did we had that stunt man, 561 00:36:48,239 --> 00:36:52,680 Speaker 1: the stunt guy looking thing like fake. It's like the 562 00:36:52,680 --> 00:36:56,080 Speaker 1: body you using the karate yes, that thing I clearly 563 00:36:56,320 --> 00:37:00,160 Speaker 1: work out, um, and we'd use it to people who 564 00:37:00,200 --> 00:37:02,080 Speaker 1: are before you would sushy someone, you would use that 565 00:37:02,600 --> 00:37:05,759 Speaker 1: the dummy to slushy. Yes. So if you go look 566 00:37:05,800 --> 00:37:08,520 Speaker 1: up started behind the scenes on like the Oprah appearance 567 00:37:08,560 --> 00:37:12,880 Speaker 1: we did, you can see the whole process behind making 568 00:37:12,880 --> 00:37:14,400 Speaker 1: the slushy happened. So we didn't have to do a 569 00:37:14,440 --> 00:37:19,040 Speaker 1: billion takes each time Jenna ship we found on TikTok. 570 00:37:20,239 --> 00:37:24,120 Speaker 1: There's quite a reference. UM. I would first like to 571 00:37:24,120 --> 00:37:25,960 Speaker 1: start out with a shout out to the one only 572 00:37:26,000 --> 00:37:30,680 Speaker 1: christ and Chenowith who made a Glee TikTok what um 573 00:37:30,800 --> 00:37:34,600 Speaker 1: where it says April Roads to the students at McKinley 574 00:37:34,680 --> 00:37:41,960 Speaker 1: and she's singing popular what like in the mirror popular Popular? Yes? Stop. 575 00:37:42,520 --> 00:37:45,439 Speaker 1: It was really cute and it was really really great, um. 576 00:37:45,560 --> 00:37:47,759 Speaker 1: So many fans sent it to us. By the way, 577 00:37:47,840 --> 00:37:50,440 Speaker 1: I love that you guys are tagging me and tagging 578 00:37:50,480 --> 00:37:52,879 Speaker 1: the show and these things. We watch all of them 579 00:37:52,960 --> 00:37:55,160 Speaker 1: and we're going to talk about all of them. It's 580 00:37:55,280 --> 00:38:02,759 Speaker 1: absolutely wonderful now and particular um, the TikTok's that have 581 00:38:02,840 --> 00:38:07,240 Speaker 1: to do with this episode. Um. There are two things. 582 00:38:08,600 --> 00:38:12,239 Speaker 1: One is someone found a mistake, UM, which I think 583 00:38:12,280 --> 00:38:15,200 Speaker 1: sort of mirrors an editing thing that I mentioned earlier 584 00:38:16,480 --> 00:38:20,759 Speaker 1: during Sweet Caroline, when we are clapping at the end 585 00:38:20,760 --> 00:38:27,200 Speaker 1: of the performance. Um Fu foo po on TikTok shoutout 586 00:38:27,560 --> 00:38:34,200 Speaker 1: is the one who uploaded this. It's the same shot twice, 587 00:38:35,680 --> 00:38:38,200 Speaker 1: so they cut to us. We're all clapping, clapping, clapping 588 00:38:38,280 --> 00:38:40,160 Speaker 1: is going They cut back to market, cut back to us, 589 00:38:40,239 --> 00:38:43,920 Speaker 1: and then that clip starts over again because you notice 590 00:38:44,440 --> 00:38:46,239 Speaker 1: Amber turns her head to look and then you turn 591 00:38:46,280 --> 00:38:50,040 Speaker 1: your head to look and it's the same thing both times. Um. 592 00:38:50,080 --> 00:38:56,600 Speaker 1: So that's fun. They couldn't get enough footage of us clapping. 593 00:38:57,880 --> 00:38:59,719 Speaker 1: We must have been so bad that they had to 594 00:38:59,800 --> 00:39:04,920 Speaker 1: use the same clip twice. That's funny. That's really good. Now. 595 00:39:06,200 --> 00:39:11,800 Speaker 1: Other TikTok user crebub I don't know if that's a 596 00:39:11,960 --> 00:39:19,719 Speaker 1: Kirby Um. They made this incredible, incredible TikTok of. It's 597 00:39:19,719 --> 00:39:22,800 Speaker 1: a shot of Riverdale. The cast of Riverdale during an episode, 598 00:39:23,280 --> 00:39:27,440 Speaker 1: like horrified, very disturbed, watching something on a laptop, and 599 00:39:27,440 --> 00:39:30,400 Speaker 1: then it cuts the laptop and it's bust move the 600 00:39:30,440 --> 00:39:35,799 Speaker 1: Glee performance. It's Mr shoe breakdancing on the floor and 601 00:39:35,880 --> 00:39:40,239 Speaker 1: they're like upset and crying and very disturbed and it's 602 00:39:40,360 --> 00:39:43,920 Speaker 1: absolutely incredible, and can you send me that one? Yeah, 603 00:39:44,520 --> 00:39:56,120 Speaker 1: it's really funny. Um, it's very good, really good. Okay, okay, um, 604 00:39:56,160 --> 00:39:59,200 Speaker 1: but thank you so so much for sending these things in. 605 00:39:59,239 --> 00:40:03,799 Speaker 1: And also, like Kirby, thank you for making that. It's incredible. 606 00:40:03,960 --> 00:40:06,200 Speaker 1: I love to see the thought in the creativity. And 607 00:40:06,239 --> 00:40:10,160 Speaker 1: also people just noticing things. Now, our next episode is Wheels. 608 00:40:10,600 --> 00:40:14,160 Speaker 1: So challenge, if you choose to accept it, is go 609 00:40:14,320 --> 00:40:17,600 Speaker 1: find some things you noticed on Wheels that might be 610 00:40:17,640 --> 00:40:20,799 Speaker 1: on TikTok. You know, I don't know. Let's see what's 611 00:40:20,800 --> 00:40:23,560 Speaker 1: out there, but keep tagging us. This is great. I 612 00:40:23,560 --> 00:40:30,719 Speaker 1: love this Glee talk is weird watching it? Yeah, that's 613 00:40:30,760 --> 00:40:34,160 Speaker 1: really really great. Um, that's our show, you guys. That's it. 614 00:40:36,040 --> 00:40:39,080 Speaker 1: We will have a lot to recap next week for Wheels, 615 00:40:39,480 --> 00:40:42,719 Speaker 1: a lot, yes, a lot of memories. Um might as 616 00:40:42,760 --> 00:40:48,200 Speaker 1: well be a three part episode. I'm kidding. Maybe. Uh. Well, 617 00:40:48,200 --> 00:40:51,440 Speaker 1: thanks for thanks for joining us, thanks for listening to mash. 618 00:40:51,480 --> 00:40:54,120 Speaker 1: You let us know what you think. Leave us a 619 00:40:54,239 --> 00:40:57,600 Speaker 1: nice review. Um. Also you can leave us a shitty 620 00:40:57,640 --> 00:41:00,400 Speaker 1: review and just tell us how we're doing. And no, 621 00:41:00,480 --> 00:41:02,200 Speaker 1: don't do that. Don't see to Jenna, she's lying to you. 622 00:41:02,200 --> 00:41:06,759 Speaker 1: Don't leave us a review, don't no, don't leaves notes. Yes, 623 00:41:06,800 --> 00:41:09,279 Speaker 1: okay great. Also there's people on Twitter who been like, 624 00:41:09,400 --> 00:41:11,240 Speaker 1: you said this, but you were wrong. It's this character 625 00:41:11,440 --> 00:41:13,880 Speaker 1: I love that I keep doing it because you just 626 00:41:13,920 --> 00:41:16,880 Speaker 1: don't do it in the reviews. Make us sound perfect 627 00:41:16,880 --> 00:41:19,720 Speaker 1: to the people reading reviews. Thanks for coming and listening 628 00:41:19,800 --> 00:41:21,919 Speaker 1: and hanging out with us, and we really appreciate it. Yeah, 629 00:41:21,920 --> 00:41:25,520 Speaker 1: see you soon, and that's what you really missed by 630 00:41:25,560 --> 00:41:28,680 Speaker 1: Thanks for listening and follow us on Instagram at and 631 00:41:28,760 --> 00:41:31,000 Speaker 1: that's what you really miss pod. Make sure to write 632 00:41:31,040 --> 00:41:33,279 Speaker 1: us a review and leave us five stars. See you 633 00:41:33,360 --> 00:41:33,759 Speaker 1: next time.