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Speaker 1: What was your favorite book growing up when you were little?

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Speaker 2: Little?

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Speaker 1: Like what did somebody have to read to you over

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Speaker 1: and over again?

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Speaker 3: I loved a lot of the Doctor Seuss books. Oh yeah,

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Speaker 3: And I don't know why I now remember this or

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Speaker 3: if it's just because, but my mother in law told

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Speaker 3: me that Jordan's favorite was the Caterpillar one, The Hungry Caterpillar.

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Speaker 1: Is that a Doctor Seuss or is that a regular suit?

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Speaker 3: No, it's a regular book, okay. And I love reading

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Speaker 3: that one to my kids, and I don't I don't know,

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Speaker 3: I don't have the nostalgia, but just like I don't know,

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Speaker 3: it's just such a good little book and like of course,

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Speaker 3: like Ledgers, just like a hungry little monster. So it

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Speaker 3: makes me think of him, like it's just cute. What

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Speaker 3: about you?

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Speaker 2: The first book I remember being you know, that was

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Speaker 2: read to me when I was little. I then started

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Speaker 2: to read myself when I got older, which is still

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Speaker 2: one of my favorite books of all time, which is

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Speaker 2: The Indian in the Cupboard by Lynn read Banks.

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Speaker 3: Oh okay, we're not talking about like little books.

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Speaker 2: We're talking about No, I don't so I didn't have

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Speaker 2: a lot of little books when I was growing up.

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Speaker 1: My parents told me stories.

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Speaker 2: I got stored. My mom would sing to me, and

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Speaker 2: my dad would tell me story, like cool stories that

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Speaker 2: he made up, and he would do voices. My grandfather

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Speaker 2: did the same, so they did more of that stuff.

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Speaker 2: But then when I was in like, you know, kindergarten,

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Speaker 2: first grade, my mom started reading me novels and so

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Speaker 2: that was Yeah, Indian the Cupboard was one of the

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Speaker 2: first novels in the cover.

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Speaker 3: I remember that I loved the box Car series. Oh yeah, sure,

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Speaker 3: what would that be like? Second grade?

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Speaker 2: Yeah? Grade is that kind of thing.

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Speaker 3: I loved that series, and then later on the goose

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Speaker 3: Bumps I.

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Speaker 2: Get Yeah, elf Quest was big for me too when

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Speaker 2: I was little, So that all that kind of stuff. Yeah,

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Speaker 2: there's there's some great stuff out there, which segues us

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Speaker 2: perfectly into today's movie that we're going to talk about.

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Speaker 2: But first of all, welcome back to Magical Rewind, the

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Speaker 2: show that makes you want to grab your friends, your PJS,

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Speaker 2: and your popcorn and go back to a time and

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Speaker 2: all the Housers are smart, the Wave Tsunamis and the

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Speaker 2: high School's musical. I'm Wilford Dell.

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Speaker 3: And I'm Sabrina Brian.

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Speaker 2: Before I start this episode, I want to let everyone

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Speaker 2: out there know that there's three things that I know

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Speaker 2: about this author and writer of this perfectly.

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Speaker 1: The first is she was obviously a big Superman fan.

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Speaker 2: The second is that she really loved kids and to

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Speaker 2: kind of give them the spooks. And the third is

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Speaker 2: that she was a fan of strong acid. I could

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Speaker 2: be wrong about the third one, but man, it seemed

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Speaker 2: like it. Because Wow, this week we look to the

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Speaker 2: skies because we are not alone. That's right, We're joined

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Speaker 2: by terrifying puppets and a nineteen ninety nine sci fi

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Speaker 2: comedy Can of Worms, which is our newest dcom to

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Speaker 2: recap Sabrina. Let's get this out of the way right now.

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Speaker 2: Do you believe in aliens? I think we've kind of

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Speaker 2: talked about this, but do you believe in aliens?

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Speaker 3: I believe there's something out there.

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Speaker 2: Do you believe we've been visited yet? Yeah?

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Speaker 3: But I feel like they probably quickly go away. I

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Speaker 3: think that's what I told you to like, have no interest.

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Speaker 3: Once they kind of like see us, They're like, oh no,

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Speaker 3: we're a pass hard pass on the interesting.

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Speaker 2: Nice. I think I've told you this. Believe in them

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Speaker 2: one hundred percent that new documentary age of disclosure was crazy.

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Speaker 2: And I believe not only in our lifetime, but in

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Speaker 2: the next year or two, a major leader, either our

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Speaker 2: president the president in other country is going to stand

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Speaker 2: up and say, yes, we have in fact been visited,

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Speaker 2: we have the proof. Here it is, and I think

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Speaker 2: it's going to happen relatively soon. All this stuff we're

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Speaker 2: seeing on the news about it. They did congressional meetings

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Speaker 2: about it. Was your open congressional meeting. These are always

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Speaker 2: of softening us up for when the actual announcement comes,

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Speaker 2: so it's not a shock.

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Speaker 3: Okay, then what kind of actual Well it sounds like

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Speaker 3: you would really take what they give you, but like

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Speaker 3: I'm trying to think of what it would be like.

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Speaker 3: Would it be one held captive?

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Speaker 2: Oh no, I think oh no, I think we probably.

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Speaker 3: The kind of evidence would it be for people? Well,

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Speaker 3: it's a really true. I think it's gonna have to

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Speaker 3: be some Like I believe.

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Speaker 2: I believe ships have actually crashed, that we have actual spacecraft,

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Speaker 2: and I wouldn't doubt that there were biological entities as

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Speaker 2: well that were probably killed in the spacecraft. Okay crashes,

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Speaker 2: there are too many high level people now standing up,

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Speaker 2: People that have been pilots for you know, we're military

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Speaker 2: pilots for thirty years.

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Speaker 1: People that have video proof of we followed this thing.

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Speaker 2: It went from zero, It went from eighty thousand feet

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Speaker 2: to twenty thousand feet and half a second.

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Speaker 3: Do you think that the characters of what we have

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Speaker 3: as far as what a quote unquote spaceship would be,

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Speaker 3: what are going to add up or are they going

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Speaker 3: to look like planes that's my thing, look like us?

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Speaker 3: Well I think they.

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Speaker 2: Is.

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Speaker 3: Yes, I don't think it's going to be like you

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Speaker 3: know what the characterture is like the green little people

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Speaker 3: like that.

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Speaker 1: I don't think they won't get playing like that.

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Speaker 2: They won't be planes because planes, the planes are designed

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Speaker 2: to fly in our atmosphere, which show the wings that

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Speaker 2: the wings that we have catched the air. It's all.

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Speaker 2: It's all very much done this way where it looks

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Speaker 2: like the spacecraft that they have pictures of move four dimensionally.

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Speaker 2: You know. They they can go from underwater to air.

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Speaker 2: They go immediately from a pressure underwater pressurized zone to

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Speaker 2: outer space, which is a whole different type of pressure.

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Speaker 2: So I think there's gonna be it's gonna be a

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Speaker 2: whole type of energy. And I wouldn't doubt that there

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Speaker 2: will they will announce proof that certain things we have,

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Speaker 2: cell phones and things like that are all reverse engineered

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Speaker 2: from things that were found in a crash. Oh wow.

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Speaker 2: And I'm not an I'm not a weird conspiracy guy

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Speaker 2: like at all.

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Speaker 1: I just think that it's we.

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Speaker 2: We'd be so egotistical of people, which human beings are anyway,

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Speaker 2: to think we're the only people out there.

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Speaker 3: No, that's what I'm saying. I don't think that. I

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Speaker 3: just don't know how much it's actually possible for us

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Speaker 3: to be going in and out of the different places.

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Speaker 3: Do you know what?

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Speaker 2: I bet you.

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Speaker 3: God that you're not right, only because then I would

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Speaker 3: have to personally call an ex boyfriend of mine and

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Speaker 3: apologized because he was this conspiracy crazed. He's from El Paso, Texas,

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Speaker 3: so like you know, they've got they've had sure supposedly

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Speaker 3: a lot of sightings there, sure, And he would go

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Speaker 3: so deep into this world, and I just could not

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Speaker 3: roll my eyes big enough. I wanted him to always

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Speaker 3: stop talking when he would say and he always thought

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Speaker 3: the government was in on it. And so if this

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Speaker 3: is all true, and I have to call him and apologize.

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Speaker 2: I think you're gonna have to. Yes, my guess is

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Speaker 2: you're gonna have to. Have you noticed that there's more

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Speaker 2: of it in the news, there's more people talking UAPs

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Speaker 2: and also this is that's typical of major governments softening

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Speaker 2: people up to then announce a major thing right and

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Speaker 2: say what you want about the president we have now

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Speaker 2: I could say plenty, Most people could say plenty, but

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Speaker 2: this man likes to put his name on things. If

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Speaker 2: aliens are ever announced, he's going to be to want

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Speaker 2: to be the person that does it.

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Speaker 1: So before he leaves office, my guess.

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Speaker 2: Is he's gonna want to try that is going to

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Speaker 2: announce that there that we've been Now what that means, Hey,

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Speaker 2: have we shook hands and we have we have a

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Speaker 2: you know, a treaty with Rigel seven. No, it's not

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Speaker 2: gonna be any of that stuff, but it's gonna be, Yeah,

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Speaker 2: we found something from somewhere. We don't know what it is.

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Speaker 2: It's gonna be that kind of thing that's just hard.

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Speaker 3: I wonder what it will be for me personally, Like

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Speaker 3: I don't know what it's gonna be, Like, what kind

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Speaker 3: of hard evidence it's gonna be that's gonna make me go, Okay,

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Speaker 3: all right, I think I'm.

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Speaker 2: Maybe you have to see. You'll have to see.

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Speaker 1: We'll have to see, We'll have to see.

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Speaker 2: Either way, scary, it's scary, but you know, you know,

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Speaker 2: it could also be a wonderful thing for a number

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Speaker 2: of reasons. First of all, not you know, uh uh,

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Speaker 2: it could lead to massive technological advances.

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Speaker 1: It could lead to massive health advantage.

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Speaker 3: Health can be all stuff.

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Speaker 2: Nothing brings us together as a species as and I

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Speaker 2: don't want to use the word enemy, but a common antagonist.

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Speaker 2: So when when you know, if there is something else

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Speaker 2: out there, it might bring our planet together closer than

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Speaker 2: it ever has been, because now we realize we're actually

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Speaker 2: all on the same team, which we are anyway, but

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Speaker 2: no one seems to get we're tribal. I mean, human

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Speaker 2: beings are tribal by nature, and if our tribe can

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Speaker 2: be Earth, that would be a good tribe to be

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Speaker 2: a part of because it will just bring us all together.

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Speaker 2: So I'm looking for that. But anyway, what does that

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Speaker 2: have to do with toys movie? Well, we'll get into

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Speaker 2: it because uh can of worms, my friend. The movie

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Speaker 2: originally aired on Disney Channel April tenth, nineteen ninety nine.

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Speaker 2: It was based on a novel of the same name

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Speaker 2: written by Katie mackel or it's Mackel, but I think

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Speaker 2: it's Mackael. The book was a Young Reader's Choice nominee

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Speaker 2: in twenty twenty two and the bigger feat here. This

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Speaker 2: was the first d com. And I want to talk

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Speaker 2: about this because I don't get it to be rated TVPG,

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Speaker 2: so they they're all g up till this point rated

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Speaker 2: for everybody. This is PG, which means the parental guidance

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Speaker 2: is suggested. And I have to wonder did it feel

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Speaker 2: edgier to you than some of the others, because it didn't.

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Speaker 2: To me, it.

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Speaker 3: Felt grosser, okay, like a little bit more like like

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Speaker 3: you know, over the edge of like you know, the

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Speaker 3: slime and the goop and the things splattering and things

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Speaker 3: like that. And I would say, we have to think

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Speaker 3: this was done in nineteen ninety nine. This was definitely

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Speaker 3: a little bit more scary in the sense of like

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Speaker 3: kids getting kidnapped, right, yeah, the kids getting kidnapped and

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Speaker 3: there were no parents, now about the parents the parents

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Speaker 3: like so quick and so yeah. I mean I think

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Speaker 3: in that sense, the idea of kidnapping. We've never really

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Speaker 3: come across like kids getting kidnapped. Well, the luck of

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Speaker 3: the Irish, no, the yeah, no, the he was just

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Speaker 3: ires No. I'm trying to think of like what they

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Speaker 3: followed the guy into they were following.

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Speaker 2: But I was, I mean napped, the dad getting kidnapped

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Speaker 2: and dad napped.

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Speaker 3: Dad napped.

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Speaker 2: But yeah, but so.

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Speaker 3: Getting kidnapped, we're actually getting kidnapped.

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Speaker 2: Dis kind of no, but maybe that's what it is

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Speaker 2: because there wasn't harsher language, there wasn't anything weird sections,

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Speaker 2: there wasn't any drinking, there wasn't any smoking, so it

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Speaker 2: was I was kind of like, ah, weird, but anyway.

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Speaker 2: Author Katie mackel wrote a lot of kids books, but

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Speaker 2: on the film side, she might be best known as

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Speaker 2: the screenwriter of Kirk Cameron's Christian apocalyptic thriller from two

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Speaker 2: thousand Left Behind the movie. The movie was shot in

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Speaker 2: good old Vancouver, and it does include both animatronics and prosthetics,

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Speaker 2: a combo you don't see much in dcoms. They were

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Speaker 2: all handled by the world renowned Steve Johnson, who was

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Speaker 2: the man behind Slimer in Ghostbusters, Awesome doc Ock Arms

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Speaker 2: in Spider Man, two and much much more so you're

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Speaker 2: talking about creepy. Let's talk about the puppets, because there's

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Speaker 2: no way to avoid them. Did you did you kind

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Speaker 2: of dig the puppets in the puppet tree? Was it weird?

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Speaker 3: We're gonna then have to just shoot to first thoughts.

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Speaker 3: This was not up my alley in any sense. This

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Speaker 3: was not my lane that I liked to stay in.

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Speaker 3: And that's okay, because God knows, we have had a

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Speaker 3: lot of dcon's that are girl driven, you know, girl

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Speaker 3: topics things like that. This wasn't it at all for me, Okay,

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Speaker 3: I just I and I didn't like that these kinds

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Speaker 3: of shows or anything when I was younger, Like, this

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Speaker 3: wasn't what I would have like leaned towards anyway.

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Speaker 2: Yeah, this did lean towards more of a boy kind

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Speaker 2: of almost like Men in blackie, yes, kind of schlimer

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Speaker 2: from from.

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Speaker 3: Love the music of Men in Black. Didn't love the movie.

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Speaker 3: I thought I got the parts of it was funny,

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Speaker 3: but that I just just not my thing.

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Speaker 1: It's not I get it now.

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Speaker 2: Here's the thing, which is surprising after what Sabrina said,

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Speaker 2: because I don't wholly disagree with her in any way,

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Speaker 2: shape or form. So we haven't talked about the best

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Speaker 2: lists in a minute. But Can of Worms did find

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Speaker 2: itself on some of those prestigious articles. Entertainment Really had

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Speaker 2: it number twenty five on their top thirty, and Collider

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Speaker 2: placed it at number thirty eight, which I that's amazing

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Speaker 2: to me, frankly. And this was for a long time

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Speaker 2: a quote unquote unseen dcom. It was shelld for years

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Speaker 2: at the Disney Channel, finally resurrected in two thousand and

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Speaker 2: six for their hotber Fest programming. Whoa say that five

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Speaker 2: times flast flat? I can't even say fast five times flast?

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Speaker 2: You know what, people, let's just go to the ratings.

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Speaker 2: When did you give Can of Worms? Oh? God? And

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Speaker 2: then it was used pretty consistently in Octobers through twenty sixteen,

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Speaker 2: when it also appeared in the one hundred dcom celebration,

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Speaker 2: so they played it there as well, Wow, did you

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Speaker 2: know this movie existed before we did it?

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Speaker 3: No?

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Speaker 2: No, me, neither. Well you, and by you I mean

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Speaker 2: the Royal you pointing right etch. People can watch the

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Speaker 2: movie right now thanks to its return on Disney Plus,

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Speaker 2: where it will always be available to stream. I suggest

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Speaker 2: you watch it well, completely submerged in water. No scuba

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Speaker 2: gear either, you cheater. I know this will complicate your breathing.

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Speaker 2: I get it, but I do trust you. Put your

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Speaker 2: safety first. Good luck counting on you. Now hold your breath.

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Speaker 2: Let's not wasting more time. It's time to open the

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Speaker 2: portal to the synopsis. Mike, a lonely teenager, sends a

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Speaker 2: message into space, hoping aliens will rescue him from his

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Speaker 2: miserable life, but instead he accidentally summons bizarre intergalactic problem

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Speaker 2: solvers that unleash chaos on his town. So we know

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Speaker 2: what you thought. Here's what I think it was. Okay,

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Speaker 2: it wasn't my favorite t com. It wasn't my least

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Speaker 2: favorite t com. It's a brilliant idea, Like I really

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Speaker 2: like to read this book. The idea that a kid

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Speaker 2: feels like an alien that he hasn't, doesn't feel like

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Speaker 2: he belongs, and sends just in a moment of anger,

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Speaker 2: sends a message into space that is then intercepted by

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Speaker 2: a whole bunch of weird aliens that come to either

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Speaker 2: rescue him or sign him as an agent or that

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Speaker 2: really clever, very clever idea. The execution at times wasn't

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Speaker 2: the best. But I sat there going like, this is

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Speaker 2: a this is a great idea for a children's book.

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Speaker 2: I mean, just a great idea for a children's book.

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Speaker 3: And we've got to think too, we're back in nineteen

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Speaker 3: ninety nine, right, So it felt very aged as we

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Speaker 3: were watching it in general. So then in that sense

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Speaker 3: for me, I don't that doesn't take marks away from

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Speaker 3: the movie with me, it gives it marks a little

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Speaker 3: bit more like I'm thinking of like Honey, I shrunk

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Speaker 3: the kids and like that when we were looking at

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Speaker 3: those like Anatomics and things like that, Like it wasn't great,

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Speaker 3: but then also it's very clever and it works for

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Speaker 3: that time.

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Speaker 2: So Canna Worbs was directed by Paul Schneider. We've dealt

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Speaker 2: with Paul before in the dcom podcast here with the

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Speaker 2: Dog Daddy. He's not a dcom daddy. Daddy, there's one

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Speaker 2: Paul dcom daddy. We bowed before, only one Paul on

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Speaker 2: the show. And as much as we like Schneider, it

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Speaker 2: is not Ball Schneider. He did You Lucky Dog, which

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Speaker 2: we didn't like, and The Wonderful World of Disney Orphan

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Speaker 2: Picture The Leftovers, which we did like, but Schneider was

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Speaker 2: mostly a TV director for shows like Beverly Hills nine

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Speaker 2: O two and Oh, Baywatch and La Law, and a

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Speaker 2: ton of tea movies like the Unauthorized Biography of Roseanne

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Speaker 2: Barr and the nineteen eighty nine cult favorite Baby Cakes.

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Speaker 2: His last credit was in the early aughts, and the

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Speaker 2: star of cannav Worms is a recognizable face to most

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Speaker 2: of my generation, even if they think it's somebody else's face.

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Speaker 2: That's actress Erica Christiansen. She plays Caitlin Sandman. Erica was

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Speaker 2: in the award winning film Traffic. She's Brilliant and also

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Speaker 2: started in movies like Swim Fan, The Perfect Score, and

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Speaker 2: Disney's twenty twenty two Cheaper by the Dozen, but has

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Speaker 2: done most of her work on TV. She played Julia

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Speaker 2: on Parenthood and most recently was one of the stars

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Speaker 2: of the show Will Trent. And yes, she looks a

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Speaker 2: lot like Julia styles and she does, but two different people.

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Speaker 2: Michael Schuman is Mike Pillsbury. Schumann was a young child

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Speaker 2: star in Broadways Ley Miz and Steven Stephen Sondheim's Assassins,

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Speaker 2: and I have to say that showed I just I'm

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Speaker 2: not bashing anybody's performance. He was great, but he was

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Speaker 2: very big in this And when I then learn that

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Speaker 2: he's a Broadway and stage actor, it made perfect sense

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Speaker 2: to me because it's you're always playing to the back

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Speaker 2: of the house in Broadway and on film. Sometimes that

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Speaker 2: reads is very big, and I thought a lot of

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Speaker 2: his choices were very big. Not bad, but big. Uh. Yes.

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Speaker 2: But he also won a Daytime Emmy for his role

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Speaker 2: in the nineteen ninety six TV movie Someone had to

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Speaker 2: Be Benny. I'm gonna say that against It's a great title.

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Speaker 2: Someone had to be Benny. No idea what that is,

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Speaker 2: but oh my god, do I want to watch it.

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Speaker 2: He also appeared on Party of five, Law and Order

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Speaker 2: in the movie Little Man Tate great movie, but his

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Speaker 2: last credit was back in twenty thirteen. Also, he reminds

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Speaker 2: me a lot of a young Rider Strong, although h

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Speaker 2: Rider underplayed everything, whereas Michael Michael.

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Speaker 3: He looked very familiar to me, and I thought he

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Speaker 3: was someone from like Pirates of the Caribbean. I felt

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Speaker 3: like there was like or no, I've tried, there's where

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Speaker 3: he has? Where's shrubs? I don't know. I tried to

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Speaker 3: figure out who this kid was the whole time without

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Speaker 3: imdban And then I looked up his IMDb and it

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Speaker 3: was nothing of what I thought so and.

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Speaker 2: It wasn't the guy I thought it all so I was.

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Speaker 2: And then our and friend of the podcast, Adam Wiley,

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Speaker 2: plays Nick. We interviewed Adam because of his role in

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Speaker 2: his first dcom ever, the first dcom ever, under Wraps.

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Speaker 2: He was also the star of the TV show Picket

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Speaker 2: Fences and appeared on other shows like Gilmour Girls, Castle,

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Speaker 2: and Boy Meets World. He is an always working voiceover

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Speaker 2: actor these days, and made a cameo in the recent

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Speaker 2: dcom reboot of under Wraps. Garrett M. Brown plays Dana Pillsbury.

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Speaker 2: He's a recognizable character actor best known for the movies

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Speaker 2: Uncle Buck, Kicked, and Gridiron Gang, but he also appeared

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Speaker 2: on TV shows like The O c Roswell and most

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Speaker 2: recently Good Trouble and another character actor, Lee Garlington plays

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Speaker 2: Pamela Pillsbury, a name I will now check into hotels

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Speaker 2: under because it's great. Gardington has hundreds of credits, even

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Speaker 2: just this past year appearing on the Disney show Electric Bloom.

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Speaker 2: But she's been in so much stuff, from Field of

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Speaker 2: Dreams to the West Wing, to Everwood, to the Sum

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Speaker 2: of All Fears. She also received a twenty eighteen Emmy

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Speaker 2: nomination for the series Broken But she will always be

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Speaker 2: the Crazy Killer Lady from the Crazy Killer Gang in

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Speaker 2: Sylvester Stallone's Cobra You the Disease the great movie in

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Speaker 2: a way, and that it's an awful movie, but a

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Speaker 2: great And I'm gonna put this person in the Dabney

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Speaker 2: Reynolds chair, although we're kind of skating by, but we're

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Speaker 2: gonna do it, even though he's barely in this. It's

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Speaker 2: Malcolm McDowell as the voice of Barnabas. The British actor

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Speaker 2: has had a five decade long career, but is best

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Speaker 2: known as the star of Stanley Kubrick's A Clockwork Orange.

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Speaker 2: How many times I said A clockwork orange on this thing.

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Speaker 2: You've got to watch it. You'll freak out. It's crazy.

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Speaker 2: Other highlights include Time after Time Caligula. That is one

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Speaker 2: that maybe you shouldn't watch with your kids. Cat people,

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Speaker 2: have you heard of Caligula? So Caligula was a He

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Speaker 2: was an emperor in Rome and he was famous for

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Speaker 2: his debauchery, you know, like he made his horse one

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Speaker 2: of the senators. He would sleep with all the senators

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Speaker 2: wives and sometimes with the men. And so they made

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Speaker 2: a movie called Caligula, which at the time I think

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Speaker 2: was put out by either Penthouse or Playboy, which they

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Speaker 2: shot scenes that were basically porn, but they had real

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Speaker 2: actors doing it.

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Speaker 3: Wow.

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Speaker 2: So I mean Caligula, Google Caligula when you're in a

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Speaker 2: dark and not around. Yeah, exactly. And then cat People

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Speaker 2: and Star Trek Generations, along with TV roles in Entourage

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Speaker 2: and Franklin and Bash his iconic turn as Alex and

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Speaker 2: Clockwork Orange however will forever be an example of legendary cinema,

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Speaker 2: and it is, and we have a very talented voice

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Speaker 2: cast around in playing the aliens. Some names include Bruce Lanoil,

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Speaker 2: Wally Wingert, David Coburn, and my good friend Tara Strong.

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Speaker 2: But as we know by this point in the podcast,

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Speaker 2: none of this will mean anything if for some reason

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Speaker 2: they decided.

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Speaker 1: To make the movie longer than ninety minutes. Because we

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Speaker 1: hear it magical.

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Speaker 2: Rewind believe all stories can be told in exactly ninety minutes.

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Speaker 2: Hit the target to go home, people, So canniff worms,

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Speaker 2: let's see it comes in at eighty three minutes.

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Speaker 1: Okay, it's not on target, but it's history.

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Speaker 3: Yep.

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Speaker 2: So there we go, and we know when it comes

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Speaker 2: to aliens leaving wanting more. Although Sabrina texted me in

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Speaker 2: the middle of watching this movie saying, why couldn't we

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Speaker 2: have had seven minutes more of pupp it didn't actually happen. Now.

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Speaker 2: On the writer's side, I mentioned that the movie was

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Speaker 2: based on a book by author Katie Mackel. Well, she

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Speaker 2: also wrote the movie, but not without protest. It seems

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Speaker 2: that after her first rewrite on the script, Mackel was

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Speaker 2: replaced by a new writer who did three rewrites.

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Speaker 1: However, Disney was not impressed with that script and.

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Speaker 2: Rehired Mackel, although very few of her suggestions were ultimately

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Speaker 2: used in the end. Mackel subsequently contested to get soul

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Speaker 2: screenwriting credit and won through the Writer's Guild arbitration process,

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Speaker 2: so she was the only named credit.

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Speaker 1: But it wasn't without a fight. So yes, very very strange.

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Speaker 2: So guys, here we go, get your cages and let's

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Speaker 2: feed the thode. It's time for can of worms. It

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Speaker 2: kicks off with some real stress intention. There's a storm

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Speaker 2: and a boy in a weathered tuxedo Mike Pillsbury rushes

433
00:20:54,800 --> 00:20:57,560
Speaker 2: to a satellite dish in his backyard. He starts feverishly

434
00:20:57,600 --> 00:21:00,440
Speaker 2: plugging things in and setting up a computer to the contraption.

435
00:21:00,840 --> 00:21:03,600
Speaker 2: He puts on a headset and announces, fellow citizens of

436
00:21:03,640 --> 00:21:05,679
Speaker 2: the galaxy, I do not belong on this planet. I

437
00:21:05,680 --> 00:21:07,879
Speaker 2: am one of you. I'm being held against my will.

438
00:21:08,200 --> 00:21:10,240
Speaker 2: He then begs to be saved so he can realize

439
00:21:10,280 --> 00:21:13,399
Speaker 2: his happy and fulfilled life away from planet Earth. With that,

440
00:21:13,440 --> 00:21:15,520
Speaker 2: he sends the message, causing the satellite dish to move.

441
00:21:15,520 --> 00:21:18,240
Speaker 2: We see electricity shoot through the wires and he screams, yes,

442
00:21:18,680 --> 00:21:21,960
Speaker 2: come and get me. Then lightning strikes the satellite dish

443
00:21:22,000 --> 00:21:25,080
Speaker 2: and the screen goes black. We then return to Mike's house.

444
00:21:25,200 --> 00:21:27,200
Speaker 2: We find out it is two weeks earlier, the weather's

445
00:21:27,240 --> 00:21:29,160
Speaker 2: now clear, and Mike is with two other boys, Nick

446
00:21:29,160 --> 00:21:32,000
Speaker 2: and Jay, in the backyard treehouse. We see the satellite

447
00:21:32,040 --> 00:21:35,199
Speaker 2: dish is fully intact. Weird random question, when is it

448
00:21:35,200 --> 00:21:36,480
Speaker 2: too old to have a treehouse.

449
00:21:37,280 --> 00:21:41,520
Speaker 3: I think your treehouse kind of just morphs.

450
00:21:41,960 --> 00:21:44,480
Speaker 1: I agree, like you should be smoking weed in it

451
00:21:44,520 --> 00:21:45,520
Speaker 1: by this age.

452
00:21:46,840 --> 00:21:52,440
Speaker 3: Yes, some kids went to such things. Yeah, I had

453
00:21:52,480 --> 00:21:55,160
Speaker 3: a dollhouse like I had a big. We've talked about

454
00:21:55,200 --> 00:21:57,240
Speaker 3: this before. I had a big dollhouse that I played

455
00:21:57,520 --> 00:21:59,480
Speaker 3: house sin and I had a kitchenett and all that stuff.

456
00:21:59,520 --> 00:22:02,400
Speaker 3: But like by the time it was like nine or ten,

457
00:22:03,200 --> 00:22:05,639
Speaker 3: it was more created into like I had stuff on

458
00:22:05,720 --> 00:22:07,200
Speaker 3: top of the roof and I was like hanging on

459
00:22:07,240 --> 00:22:09,359
Speaker 3: the roof of it. Right, Like it kind of changes

460
00:22:09,400 --> 00:22:11,720
Speaker 3: because it's a big thing. I don't think your parents

461
00:22:11,720 --> 00:22:14,879
Speaker 3: are gonna take it down. Like it kind of just

462
00:22:15,000 --> 00:22:16,960
Speaker 3: morse into like I get it, you know. But I

463
00:22:17,000 --> 00:22:20,120
Speaker 3: think at least by I would think by high school,

464
00:22:20,760 --> 00:22:23,280
Speaker 3: you're not really hanging out and unless you're doing it

465
00:22:23,359 --> 00:22:26,960
Speaker 3: too yeah, unless you're doing things away from the house

466
00:22:26,960 --> 00:22:28,480
Speaker 3: that you don't want your parents to see.

467
00:22:28,560 --> 00:22:30,520
Speaker 2: And I think then you skip a time, you skip

468
00:22:30,520 --> 00:22:32,520
Speaker 2: a couple decades, and then you come back. Like there's

469
00:22:32,560 --> 00:22:35,120
Speaker 2: a there's a big show that I watch occasionally. It's

470
00:22:35,119 --> 00:22:36,959
Speaker 2: just a guilty pleasure show where it's all these adults

471
00:22:37,000 --> 00:22:39,640
Speaker 2: that have these amazing treehouses built and it's like a

472
00:22:39,680 --> 00:22:44,560
Speaker 2: bar or I have these and I'm like, oh my god,

473
00:22:44,600 --> 00:22:46,320
Speaker 2: I want one of these treehouses. So I'm back in

474
00:22:46,359 --> 00:22:47,280
Speaker 2: the treehouse land.

475
00:22:47,440 --> 00:22:51,720
Speaker 3: They okay, perfect love for you. You don't have that dumb.

476
00:22:51,760 --> 00:22:54,280
Speaker 3: By the time I finally get to Comesy where you live,

477
00:22:54,920 --> 00:22:56,120
Speaker 3: I'm gonna be pretty disappointed.

478
00:22:56,160 --> 00:22:57,359
Speaker 2: Well, I can't have it here, I'll have it when

479
00:22:57,400 --> 00:22:58,920
Speaker 2: I moved to Montana or something like that. I'm gonna

480
00:22:58,920 --> 00:23:01,560
Speaker 2: have a past treehouse going to be great. Anyway, Mike

481
00:23:01,640 --> 00:23:03,800
Speaker 2: is telling them a story about another planet with two

482
00:23:03,880 --> 00:23:06,320
Speaker 2: moons in a purple sun and a race called the Hansels.

483
00:23:06,720 --> 00:23:09,240
Speaker 2: It was a perfect place until the Jongs attacked and

484
00:23:09,280 --> 00:23:12,280
Speaker 2: the Aliens were overrun. And this is where I was like, Okay,

485
00:23:12,320 --> 00:23:16,000
Speaker 2: the story he's telling. He thinks he's Clark Kent, so

486
00:23:16,119 --> 00:23:18,920
Speaker 2: it was very Superman based, and then Mader will get

487
00:23:18,920 --> 00:23:22,040
Speaker 2: into more Superman, so it starts Superman and continues Superman.

488
00:23:22,080 --> 00:23:26,840
Speaker 3: This is I'm not not a fan of Superman. I'm

489
00:23:26,880 --> 00:23:28,840
Speaker 3: just not a giant fan of it to where I

490
00:23:28,880 --> 00:23:29,880
Speaker 3: didn't any of them.

491
00:23:31,000 --> 00:23:32,679
Speaker 2: I know enough to know a lot of the stories.

492
00:23:32,720 --> 00:23:36,080
Speaker 2: So anyway, Young Jay is super into the story, asking

493
00:23:36,119 --> 00:23:38,439
Speaker 2: a bunch of questions focused on the youngest baby Hansel.

494
00:23:38,680 --> 00:23:40,359
Speaker 2: Mike tells him that the baby Hansel was putting a

495
00:23:40,400 --> 00:23:42,440
Speaker 2: space pod to Earth to be raised as an Earthling,

496
00:23:42,520 --> 00:23:44,840
Speaker 2: again like Clark Kent, but he'll never really fill at

497
00:23:44,840 --> 00:23:47,159
Speaker 2: home like he belongs again like Clark Kent. And with that,

498
00:23:47,240 --> 00:23:50,160
Speaker 2: Mike gets very sad because he seems to think that

499
00:23:50,320 --> 00:23:53,480
Speaker 2: Mike is actually maybe the alien and talking about himself,

500
00:23:53,480 --> 00:23:57,240
Speaker 2: and we think that too, but again it's Superman. Nick

501
00:23:57,280 --> 00:23:59,120
Speaker 2: thinks Jason just accept the fact that he's a normal

502
00:23:59,200 --> 00:24:01,640
Speaker 2: human being like everybody else. Then Mike's dad comes out

503
00:24:01,640 --> 00:24:03,199
Speaker 2: to get them. They need to get to the field

504
00:24:03,320 --> 00:24:05,760
Speaker 2: by four. Uh oh, we got a sports dad. People

505
00:24:06,480 --> 00:24:08,280
Speaker 2: now in the football field mid game. This is where

506
00:24:08,280 --> 00:24:11,560
Speaker 2: I started going, Wait, what position is he actually playing?

507
00:24:12,080 --> 00:24:13,760
Speaker 2: It's raining, and we see Mike get slammed to the

508
00:24:13,800 --> 00:24:17,000
Speaker 2: muddy ground. His teammates, Scott Schreiber picks him up, sarcastically

509
00:24:17,080 --> 00:24:20,960
Speaker 2: yelling great defensive work, Pillsbury. Yet he's wearing the number

510
00:24:20,960 --> 00:24:24,000
Speaker 2: eleven and they keep calling him a halfback, so he's

511
00:24:24,000 --> 00:24:27,440
Speaker 2: playing defense. But he's wearing an offensive number and being

512
00:24:27,480 --> 00:24:30,960
Speaker 2: called an offensive player. So none of that made.

513
00:24:30,800 --> 00:24:34,000
Speaker 3: Sense right over my head. I have no idea.

514
00:24:34,080 --> 00:24:37,040
Speaker 2: Still, the numbers, the numbers that the football players wear,

515
00:24:37,480 --> 00:24:39,399
Speaker 2: actually determine where they are in the field. There's a

516
00:24:39,440 --> 00:24:42,040
Speaker 2: reason why all quarterbacks are eleven and are twelve and

517
00:24:42,119 --> 00:24:44,199
Speaker 2: under right, you know, there's that kind of thing and

518
00:24:44,240 --> 00:24:46,199
Speaker 2: that you know, linemen are in the seventies and the

519
00:24:46,240 --> 00:24:50,800
Speaker 2: eighties are usually your your your tight ends, and then

520
00:24:50,800 --> 00:24:53,280
Speaker 2: you've got running backs and half backs. That's offense. They've

521
00:24:53,320 --> 00:24:56,280
Speaker 2: got him on defense, but they're calling him a fullback

522
00:24:56,400 --> 00:24:59,240
Speaker 2: or a halfback, which is an offensive player, but he's

523
00:24:59,240 --> 00:25:01,399
Speaker 2: catching inter None of it made any sense from a

524
00:25:01,400 --> 00:25:04,480
Speaker 2: football standpoint. So, though embarrassed, Mike looks over to see

525
00:25:04,480 --> 00:25:06,880
Speaker 2: the cheerleaders and is obviously crushing on the head. Captain

526
00:25:07,119 --> 00:25:09,239
Speaker 2: Schreiber tells him it's a lost cause and drags him

527
00:25:09,280 --> 00:25:11,320
Speaker 2: back to the game. The very next play, Mike finds

528
00:25:11,400 --> 00:25:13,800
Speaker 2: himself perfectly placed to catch a misguided pass, even though

529
00:25:13,800 --> 00:25:16,159
Speaker 2: he's supposed to be on offense. He intercepts it and

530
00:25:16,160 --> 00:25:18,160
Speaker 2: the crowd goes wild. He runs with it, completely out

531
00:25:18,160 --> 00:25:20,280
Speaker 2: of control and being hounded by a dozen players from

532
00:25:20,320 --> 00:25:22,280
Speaker 2: the other team. His dad is so excited in the

533
00:25:22,320 --> 00:25:24,720
Speaker 2: stands and even weaves in and out, even then turning

534
00:25:24,760 --> 00:25:27,520
Speaker 2: around and going the wrong way for a bit. Eventually,

535
00:25:27,600 --> 00:25:30,119
Speaker 2: Mike gets tackled to the ground, then hallucinates an alien

536
00:25:30,160 --> 00:25:33,159
Speaker 2: creature in nashnaut suit. He asks what planet this creature

537
00:25:33,200 --> 00:25:35,600
Speaker 2: is from but instead of an answer, that being just

538
00:25:35,680 --> 00:25:37,840
Speaker 2: reaches out with a slimy little hand. Mike's screams, don't

539
00:25:37,920 --> 00:25:40,679
Speaker 2: let them get me. They want my brain. Is it

540
00:25:40,720 --> 00:25:43,560
Speaker 2: seems like this that made it PG? You think.

541
00:25:44,920 --> 00:25:45,880
Speaker 3: No?

542
00:25:45,880 --> 00:25:47,480
Speaker 1: No, I don't think so Okay.

543
00:25:47,520 --> 00:25:49,960
Speaker 2: Now there is a sudden flash of light and Mike

544
00:25:50,000 --> 00:25:52,520
Speaker 2: returns to reality. His coach and parents are looking over him,

545
00:25:52,560 --> 00:25:54,960
Speaker 2: and his sister asks if he's dead. She wants his

546
00:25:55,040 --> 00:25:57,879
Speaker 2: CD collection. So they're standing over him on the field.

547
00:25:59,400 --> 00:26:01,960
Speaker 2: His mom she's proud of him. His dad says he'll

548
00:26:01,960 --> 00:26:04,200
Speaker 2: never claim a varsity jacket by trying to score touchdowns

549
00:26:04,200 --> 00:26:06,280
Speaker 2: for the team. They say they love him and leave

550
00:26:06,359 --> 00:26:08,760
Speaker 2: him on the ground to die. Yes, they don't try

551
00:26:08,800 --> 00:26:10,600
Speaker 2: to pick him up or anything. Now, in the backyard,

552
00:26:10,680 --> 00:26:13,119
Speaker 2: Mike is repositioning a satellite to new coordinates when his

553
00:26:13,160 --> 00:26:15,800
Speaker 2: mom calls out for help, so he's in the kitchen.

554
00:26:15,840 --> 00:26:17,640
Speaker 2: Mike makes himself a bowl of cereal while his mom

555
00:26:17,720 --> 00:26:20,679
Speaker 2: is fixing the TV reception and on the phone speaking German.

556
00:26:20,920 --> 00:26:23,120
Speaker 2: It is worth noting why she speaks German is never

557
00:26:23,200 --> 00:26:24,240
Speaker 2: once again referenced.

558
00:26:24,400 --> 00:26:27,240
Speaker 3: Ever, Ever, don't have a clue what she does don't

559
00:26:27,240 --> 00:26:27,760
Speaker 3: have a clue.

560
00:26:27,920 --> 00:26:30,520
Speaker 2: No, I kind of maybe think I know what it is,

561
00:26:30,560 --> 00:26:33,120
Speaker 2: but none of it makes any sense anyway. His little

562
00:26:33,119 --> 00:26:36,000
Speaker 2: sister Jill asks what a bio service routine is, and

563
00:26:36,160 --> 00:26:40,200
Speaker 2: he gives a very, very computer heavy, detailed description and

564
00:26:40,280 --> 00:26:44,159
Speaker 2: she is sure he is in fact from another planet.

565
00:26:44,560 --> 00:26:47,520
Speaker 2: Oh my god, little sister alert. Yes.

566
00:26:48,680 --> 00:26:51,000
Speaker 1: Now we're in the parents' bedroom to start his day.

567
00:26:51,040 --> 00:26:53,159
Speaker 2: Mike's dad sits his computer to check on his stocks,

568
00:26:53,200 --> 00:26:56,040
Speaker 2: when out of nowhere, a giant, oinking pig pops up

569
00:26:56,040 --> 00:26:58,520
Speaker 2: on the screen. Dad yells from Mike what's going on.

570
00:26:58,600 --> 00:27:01,960
Speaker 2: Apparently Mike needed some extra ram for a programming project.

571
00:27:02,160 --> 00:27:03,880
Speaker 2: His dad is creeped out by how nerdy his son

572
00:27:03,960 --> 00:27:07,440
Speaker 2: is and suggests he needs more fresh air. They can even,

573
00:27:07,560 --> 00:27:10,720
Speaker 2: you know, practice football, but Mike's worried that football isn't

574
00:27:10,720 --> 00:27:12,480
Speaker 2: for him. His dad thinks he could do anything he

575
00:27:12,520 --> 00:27:14,240
Speaker 2: puts his mind to and won't take no for an answer.

576
00:27:14,280 --> 00:27:16,240
Speaker 2: And that's when I was like, Okay, this is can't

577
00:27:16,240 --> 00:27:18,159
Speaker 2: push your kid into sports. If your kid likes sports,

578
00:27:18,160 --> 00:27:20,960
Speaker 2: your kid likes sports. He's obviously a computer genius. And

579
00:27:21,040 --> 00:27:24,000
Speaker 2: in nineteen ninety nine, a guy who sits there looks

580
00:27:24,000 --> 00:27:26,480
Speaker 2: at his stocks already on his computer and is obviously

581
00:27:26,680 --> 00:27:29,919
Speaker 2: concerned about making money. You would think he'd be like,

582
00:27:31,080 --> 00:27:34,280
Speaker 2: oh my god, become a computer genius, go invent Amazon

583
00:27:34,359 --> 00:27:35,320
Speaker 2: or what the next thing is?

584
00:27:35,440 --> 00:27:38,159
Speaker 3: Exactly. I had to pause and like write all of

585
00:27:38,200 --> 00:27:41,640
Speaker 3: that noting down like this makes zero sense. You are

586
00:27:41,680 --> 00:27:46,240
Speaker 3: a stock guy who knows that computers are like the

587
00:27:46,320 --> 00:27:48,160
Speaker 3: up and coming in here in this day and age

588
00:27:48,160 --> 00:27:51,440
Speaker 3: of where you're living, And like, how are you not stoked,

589
00:27:51,520 --> 00:27:56,560
Speaker 3: like become a coder, Like I mean, like make money, son.

590
00:27:56,760 --> 00:27:59,760
Speaker 2: Yeah, you and your friends go start Google two or

591
00:27:59,800 --> 00:28:03,720
Speaker 2: what the hell aious? Yeah, so you're a genius in

592
00:28:03,760 --> 00:28:05,720
Speaker 2: this field that's gonna be the next cutting edge thing

593
00:28:05,760 --> 00:28:06,880
Speaker 2: for the next fifty years.

594
00:28:08,080 --> 00:28:10,480
Speaker 3: Playing well, there's a million kids that are trying to

595
00:28:10,520 --> 00:28:11,600
Speaker 3: be pro football start.

596
00:28:11,720 --> 00:28:14,919
Speaker 2: Yeah, it doesn't make any sense, But we're in a

597
00:28:15,000 --> 00:28:17,320
Speaker 2: computer class and this is where Shreibner from the football

598
00:28:17,359 --> 00:28:19,320
Speaker 2: team bullies Mike by hitting him over the head with

599
00:28:19,359 --> 00:28:21,959
Speaker 2: a pen, and the cute cheerleader from the game, Caitlin,

600
00:28:22,040 --> 00:28:24,720
Speaker 2: walks into class. Schreibner offers her the seat next to him,

601
00:28:24,720 --> 00:28:27,840
Speaker 2: but she says no and instead sits next to a

602
00:28:27,920 --> 00:28:29,520
Speaker 2: shocked Mic, and I was like, oh, we might have

603
00:28:29,560 --> 00:28:30,680
Speaker 2: a cool girl here.

604
00:28:30,920 --> 00:28:31,360
Speaker 3: Yeah.

605
00:28:31,400 --> 00:28:33,639
Speaker 2: Schreibner looks angry by this chain of events and slides

606
00:28:33,640 --> 00:28:35,800
Speaker 2: a disc into his computer. By the way, kids, discs

607
00:28:35,800 --> 00:28:37,600
Speaker 2: were things you would put into your computer that held

608
00:28:37,640 --> 00:28:39,920
Speaker 2: a lot of information. Sometimes they were floppy, sometimes they

609
00:28:39,920 --> 00:28:41,520
Speaker 2: were a little harder like that, but they were discs,

610
00:28:41,560 --> 00:28:45,440
Speaker 2: my friend. So he puts it in his computer and

611
00:28:45,520 --> 00:28:48,360
Speaker 2: makes Mike's screen read I've got your brain, but I'll

612
00:28:48,360 --> 00:28:50,560
Speaker 2: give it back. And this is not how computers work

613
00:28:50,560 --> 00:28:52,640
Speaker 2: in any way, shape or form, but still decent bullying

614
00:28:52,640 --> 00:28:56,239
Speaker 2: on his part. Shreibner sends a second virus. It's an

615
00:28:56,240 --> 00:28:58,840
Speaker 2: overflowing trash can that says, don't let a good mind

616
00:28:58,880 --> 00:29:02,200
Speaker 2: go to waste. Mike puts a disk in his computer,

617
00:29:02,280 --> 00:29:04,400
Speaker 2: and we hear you've got mail, which I still hear

618
00:29:04,440 --> 00:29:06,320
Speaker 2: every time I turn on my computer because I'm AOL

619
00:29:06,400 --> 00:29:09,280
Speaker 2: rider to always will be thank you very much, just

620
00:29:09,320 --> 00:29:11,120
Speaker 2: me and my mom. It's the easiest way to find us.

621
00:29:12,080 --> 00:29:13,600
Speaker 2: So yeah, he puts it in his computer and we

622
00:29:13,640 --> 00:29:16,200
Speaker 2: hear you've got mail. But from the teacher's desk, she

623
00:29:16,320 --> 00:29:18,440
Speaker 2: opens the email that reads I think of you day

624
00:29:18,440 --> 00:29:21,400
Speaker 2: and night. Come see me your principal, mister Haynes ps,

625
00:29:21,440 --> 00:29:22,440
Speaker 2: you can call me Doug.

626
00:29:22,920 --> 00:29:23,960
Speaker 1: She's shocked but intrigued.

627
00:29:24,000 --> 00:29:25,640
Speaker 2: She tells the class she must attend to something in

628
00:29:25,640 --> 00:29:26,960
Speaker 2: the office and excuses herself.

629
00:29:27,160 --> 00:29:30,040
Speaker 3: And my favorite part of the story life teacher.

630
00:29:30,200 --> 00:29:32,720
Speaker 2: Everybody's a floozy teacher. But then how they bring this

631
00:29:32,840 --> 00:29:35,200
Speaker 2: back throughout the entire movie to where she'd nope, never

632
00:29:35,280 --> 00:29:37,520
Speaker 2: hear mouse, never ever in any way, shape or form

633
00:29:37,560 --> 00:29:38,120
Speaker 2: that it.

634
00:29:38,920 --> 00:29:41,640
Speaker 3: Don't the principle of any sort.

635
00:29:41,920 --> 00:29:43,719
Speaker 1: No, I think she walks into the dance with him.

636
00:29:43,720 --> 00:29:44,440
Speaker 1: But that's about it.

637
00:29:44,840 --> 00:29:46,640
Speaker 3: Oh really, I think I think.

638
00:29:46,440 --> 00:29:49,520
Speaker 2: They do yes anyway. Mike then sends a graphic of

639
00:29:49,520 --> 00:29:51,560
Speaker 2: a pig rolling in the mud to every student screen in.

640
00:29:51,600 --> 00:29:54,040
Speaker 2: The pig's face turns around and it's this It's got

641
00:29:54,040 --> 00:29:57,280
Speaker 2: the bully. The entire class laughs, and Scott's embarrassed. Cute

642
00:29:57,280 --> 00:29:59,479
Speaker 2: Caitlyn seems impressed. In my favorite is one of the extras,

643
00:29:59,480 --> 00:30:03,440
Speaker 2: goes and goes, hey, Scott, it's your face, as if

644
00:30:03,480 --> 00:30:08,000
Speaker 2: we didn't get that. It's like we need one of

645
00:30:08,040 --> 00:30:09,360
Speaker 2: the background.

646
00:30:08,880 --> 00:30:11,880
Speaker 3: To just say, hey, good for that background. You know

647
00:30:11,960 --> 00:30:14,080
Speaker 3: he was stoked to book yes.

648
00:30:15,480 --> 00:30:18,320
Speaker 2: That day. I hope he got a sack card because

649
00:30:18,320 --> 00:30:18,959
Speaker 2: he had it.

650
00:30:19,000 --> 00:30:21,040
Speaker 3: I hope so too good for Scott.

651
00:30:21,200 --> 00:30:24,680
Speaker 2: It's your face. We are now back in Mike's weed

652
00:30:24,760 --> 00:30:26,600
Speaker 2: smoking girl hooking up treehouse.

653
00:30:26,880 --> 00:30:29,240
Speaker 1: He's telling the weed or the girls I.

654
00:30:29,200 --> 00:30:32,520
Speaker 2: Know, I know, still just a treehouse. He's telling more

655
00:30:32,560 --> 00:30:34,920
Speaker 2: alien stories to a very interested Jay, now wearing a

656
00:30:34,960 --> 00:30:37,480
Speaker 2: helmet wrapped in tinfoil, so he's probably smoking some weed.

657
00:30:37,920 --> 00:30:40,880
Speaker 2: Mid story, Mike's sister Jill appears. He has a visitor,

658
00:30:40,920 --> 00:30:43,680
Speaker 2: someone named Caitlyn. He doesn't believe her, as if Caitlyn

659
00:30:43,760 --> 00:30:45,880
Speaker 2: Sandmon would come over and his house and wait in

660
00:30:45,920 --> 00:30:49,000
Speaker 2: his room Paul Lee's. But Jay isn't so sure. He

661
00:30:49,040 --> 00:30:51,520
Speaker 2: thinks Mike is an interesting person. What if she really

662
00:30:51,600 --> 00:30:53,800
Speaker 2: is there waiting for one of his stories. With that,

663
00:30:53,960 --> 00:30:56,400
Speaker 2: Mike sprints down the ladder and into his house. We're

664
00:30:56,400 --> 00:30:59,240
Speaker 2: now inside and lo and behold, Caitlyn is in his bedroom.

665
00:30:59,440 --> 00:31:02,080
Speaker 2: She's in by his little Frankenstein lab and asks what

666
00:31:02,120 --> 00:31:05,320
Speaker 2: one of his transmitters does. He explains it sends data

667
00:31:05,360 --> 00:31:08,200
Speaker 2: to the farthest reaches of the universe. He hasn't perfected

668
00:31:08,240 --> 00:31:10,280
Speaker 2: it yet, though. Mike looks out the window to see

669
00:31:10,320 --> 00:31:12,920
Speaker 2: Nick and Jay spying with binoculars. He signals for them

670
00:31:12,960 --> 00:31:15,600
Speaker 2: to go away. Caitlyn says the prank Mike Pulden class

671
00:31:15,640 --> 00:31:18,600
Speaker 2: was brilliant, and she's in charge of the Halloween dance

672
00:31:18,680 --> 00:31:22,280
Speaker 2: decorations and wants help on something new, high tech and creative.

673
00:31:22,840 --> 00:31:26,320
Speaker 1: He's her man, and he is thrilled. Of course he'll

674
00:31:26,320 --> 00:31:28,560
Speaker 1: do it. Now we're in the school gym.

675
00:31:28,600 --> 00:31:32,200
Speaker 2: We get him montage Love Me, a montage of.

676
00:31:32,080 --> 00:31:34,160
Speaker 1: Mike and Caitlyn. Well, I'm gonna have a new montage

677
00:31:34,160 --> 00:31:34,680
Speaker 1: song every.

678
00:31:34,600 --> 00:31:38,200
Speaker 3: Time we yes, Yes, I love it.

679
00:31:38,600 --> 00:31:40,840
Speaker 1: You should because I'm obviously a brilliant singer.

680
00:31:41,440 --> 00:31:42,840
Speaker 2: I could have been a cheetah girl. I could have

681
00:31:42,840 --> 00:31:44,680
Speaker 2: been the bad cheetah that they needed to put down,

682
00:31:47,120 --> 00:31:55,840
Speaker 2: exactly walking and smoking. What are we doing today, ladies, Yeah,

683
00:31:55,880 --> 00:32:01,800
Speaker 2: we gotta put this cheetah down. Uh no, no, does

684
00:32:01,800 --> 00:32:03,880
Speaker 2: that not work? We get the montage, which I just

685
00:32:03,920 --> 00:32:05,680
Speaker 2: did my song of of Mike and Caitlyn working on

686
00:32:05,720 --> 00:32:08,840
Speaker 2: the dance floor gathering lights, decoration, streamers, and scary masks,

687
00:32:09,120 --> 00:32:12,560
Speaker 2: all while becoming unlikely pals and making pretty cool stuff.

688
00:32:12,640 --> 00:32:15,120
Speaker 2: Caitlyn says they make a great team. Mike calls the

689
00:32:15,200 --> 00:32:18,520
Speaker 2: duo surprising. She's the head cheerleader and he's just Mike Pillsbury.

690
00:32:18,840 --> 00:32:20,840
Speaker 2: She smiles and says for being such a genius, he's

691
00:32:20,840 --> 00:32:22,480
Speaker 2: sure as an idiot, which I like. She's like, she

692
00:32:22,640 --> 00:32:25,400
Speaker 2: likes you, bro. Also, she's heard he tells great stories,

693
00:32:25,440 --> 00:32:27,640
Speaker 2: So when is he gonna tell her one? Now? Who's

694
00:32:28,160 --> 00:32:31,080
Speaker 2: talking about him being a good storyteller in high school?

695
00:32:31,120 --> 00:32:34,560
Speaker 2: I'm curious. It's like, oh, dude, that guy gives great stories.

696
00:32:34,680 --> 00:32:39,240
Speaker 3: Right, I yeah, I don't know. I don't know, because

697
00:32:39,280 --> 00:32:41,880
Speaker 3: she doesn't spend any time with like his friends at

698
00:32:41,880 --> 00:32:45,880
Speaker 3: that point, no to know. And it the way his

699
00:32:46,120 --> 00:32:48,760
Speaker 3: character is put through this movie is that he's like

700
00:32:48,800 --> 00:32:51,760
Speaker 3: an outcast of some sort, right, so no one really

701
00:32:51,800 --> 00:32:53,200
Speaker 3: one hundred percent knows him.

702
00:32:53,400 --> 00:32:55,920
Speaker 2: Maybe he's like a writer and they like know that he,

703
00:32:56,280 --> 00:32:58,520
Speaker 2: you know, does stories for creative writing or something like that,

704
00:32:58,560 --> 00:33:00,440
Speaker 2: and most people think it's weird. But he's like, I

705
00:33:00,440 --> 00:33:02,360
Speaker 2: hear you actually tell pretty great stories.

706
00:33:02,400 --> 00:33:04,480
Speaker 3: You never don't maybe.

707
00:33:04,680 --> 00:33:06,560
Speaker 2: But with the invitation, he sits her down and starts

708
00:33:06,560 --> 00:33:08,640
Speaker 2: to tell her one of his beloved alien yarns.

709
00:33:08,680 --> 00:33:12,280
Speaker 1: But right at the beginning, Schreibner that barges in.

710
00:33:12,560 --> 00:33:14,440
Speaker 2: He's been looking all over for Caitlin the team is

711
00:33:14,480 --> 00:33:16,720
Speaker 2: going out to eat and wants her to join. She

712
00:33:17,400 --> 00:33:19,720
Speaker 2: says sure and asks Mike if he's hungry, but Shreibner

713
00:33:19,760 --> 00:33:22,120
Speaker 2: says he didn't invite Mike. This turns into a war

714
00:33:22,160 --> 00:33:24,280
Speaker 2: of words between the brainiac and the jock, but just

715
00:33:24,320 --> 00:33:27,320
Speaker 2: as it gets serious, Caitlyn speaks up she's not gonna eat.

716
00:33:27,480 --> 00:33:30,160
Speaker 2: She's staying with Mike. Happy with her decision, Mike is

717
00:33:30,160 --> 00:33:33,120
Speaker 2: now strangely hungry, and they decide to go and eat

718
00:33:33,200 --> 00:33:34,960
Speaker 2: on their own. I also, I thought it was interesting

719
00:33:34,960 --> 00:33:37,400
Speaker 2: because they had to do this for later. They had

720
00:33:37,440 --> 00:33:42,320
Speaker 2: to make Schreibner also a computer genius, yes, because he

721
00:33:42,400 --> 00:33:44,360
Speaker 2: needed to be able to screw with the stuff there.

722
00:33:44,400 --> 00:33:46,240
Speaker 2: I was like, Oh, so he's the football jock and

723
00:33:46,280 --> 00:33:48,719
Speaker 2: the computer genius. So he's actually pretty awesome.

724
00:33:49,840 --> 00:33:52,800
Speaker 3: Yes, he can do both. He's like a brainiac and athletic.

725
00:33:52,880 --> 00:33:55,840
Speaker 2: Yeah, he got it all. We're now outside the gym

726
00:33:55,880 --> 00:33:58,680
Speaker 2: that night, we see two nefarious students sneak back in.

727
00:33:58,720 --> 00:34:00,960
Speaker 2: One of them is, of course, the jerk Scott Schreibner

728
00:34:01,520 --> 00:34:03,480
Speaker 2: get back at Mike and his new friendship with Katelyn.

729
00:34:03,560 --> 00:34:07,080
Speaker 2: He starts messing with his laptop, sabotaging the decorations that

730
00:34:07,120 --> 00:34:09,239
Speaker 2: they just made for the dance, and we're now back

731
00:34:09,280 --> 00:34:11,040
Speaker 2: at Mike's house. That day, he's in a tux getting

732
00:34:11,040 --> 00:34:13,400
Speaker 2: ready for the big school event, soldering some wires and

733
00:34:13,440 --> 00:34:15,319
Speaker 2: attaching lights to his cumber bond, which is the only

734
00:34:15,360 --> 00:34:17,600
Speaker 2: way a cumber bunch should be worn. His parents realize

735
00:34:17,600 --> 00:34:19,200
Speaker 2: that they never taught him how to dance, so his

736
00:34:19,200 --> 00:34:21,840
Speaker 2: mom pulls out a VHS tape with ten easy lessons

737
00:34:22,040 --> 00:34:24,680
Speaker 2: and starts dancing around the kitchen. And again it's worth

738
00:34:24,719 --> 00:34:26,760
Speaker 2: noting that the VHS tape or the dancing is never

739
00:34:26,880 --> 00:34:30,239
Speaker 2: once mentioned again. And I think she says, like, I

740
00:34:30,480 --> 00:34:33,960
Speaker 2: sold this tape or tapes like this to a cruise ship,

741
00:34:34,080 --> 00:34:35,640
Speaker 2: so she sells tapes to c.

742
00:34:35,880 --> 00:34:37,960
Speaker 1: It was they're trying to explain what she does, but

743
00:34:38,000 --> 00:34:38,880
Speaker 1: it made no sense.

744
00:34:39,000 --> 00:34:43,239
Speaker 3: It didn't It was hard to follow, Like it was, yeah, really,

745
00:34:43,239 --> 00:34:46,239
Speaker 3: I don't know, because it's she a dance instructor. But

746
00:34:46,280 --> 00:34:48,280
Speaker 3: then like why would they make her?

747
00:34:49,520 --> 00:34:50,160
Speaker 2: Yeah, I don't.

748
00:34:50,320 --> 00:34:52,520
Speaker 3: At the beginning, I don't know.

749
00:34:52,640 --> 00:34:53,600
Speaker 1: It didn't make any because it.

750
00:34:53,640 --> 00:34:57,640
Speaker 3: Wasn't like Latin dancing where it is you know, big

751
00:34:57,680 --> 00:35:01,960
Speaker 3: in the like European countries. But I don't know, it

752
00:35:02,040 --> 00:35:04,399
Speaker 3: just didn't I have a hard time.

753
00:35:04,800 --> 00:35:06,400
Speaker 2: I mean too, but either way, we're now at the

754
00:35:06,480 --> 00:35:08,960
Speaker 2: dance and we're outside the gym. Caitlyn meets up with

755
00:35:09,000 --> 00:35:11,440
Speaker 2: Mike to go inside together and they start up the decorations.

756
00:35:11,480 --> 00:35:14,839
Speaker 2: He seemed to be getting really closer, getting along very

757
00:35:14,920 --> 00:35:16,880
Speaker 2: very well. They also are throwing a dance for at

758
00:35:16,960 --> 00:35:19,840
Speaker 2: least thirty people. She even makes sure they can dance

759
00:35:19,880 --> 00:35:21,239
Speaker 2: together at some point in the night. And this is

760
00:35:21,239 --> 00:35:22,360
Speaker 2: where I was like, ooh, this is one of the

761
00:35:22,360 --> 00:35:23,960
Speaker 2: lost d coms where they still don't have the money,

762
00:35:23,960 --> 00:35:25,759
Speaker 2: where it's not like high school Musical where it's there's

763
00:35:26,239 --> 00:35:29,120
Speaker 2: five hundred background actors. No, it's like, this are the

764
00:35:29,160 --> 00:35:30,720
Speaker 2: thirty people that could get They.

765
00:35:30,600 --> 00:35:31,960
Speaker 3: Keep moving them around the room.

766
00:35:32,120 --> 00:35:35,000
Speaker 2: Yep, but it's like redressing them, and that's what you

767
00:35:35,080 --> 00:35:37,000
Speaker 2: have to do when you're you're working on a budget.

768
00:35:37,000 --> 00:35:40,160
Speaker 2: People yep, yep. Mike tests out the mic, say that

769
00:35:40,239 --> 00:35:42,480
Speaker 2: three times fast, and starts the equipment, but we see

770
00:35:42,480 --> 00:35:45,400
Speaker 2: that that idiot shrib nurse spying on them from behind

771
00:35:45,520 --> 00:35:48,279
Speaker 2: the curtains. Mike presses start and welcomes everyone in the dance,

772
00:35:48,320 --> 00:35:52,000
Speaker 2: doubling as the MC detailing this evening's presentation. He even

773
00:35:52,000 --> 00:35:54,920
Speaker 2: performs a magic trick with flowers for Caitlin again apparently

774
00:35:54,960 --> 00:35:58,680
Speaker 2: also a magician never seen before since. And with that,

775
00:35:58,760 --> 00:36:01,879
Speaker 2: everyone starts dancing and zombies fly around, and an odd

776
00:36:01,960 --> 00:36:03,959
Speaker 2: rotating decoration he built in the middle of the gym

777
00:36:04,040 --> 00:36:07,880
Speaker 2: spins effortlessly, but then oh that jerk Scott presses his

778
00:36:07,920 --> 00:36:10,719
Speaker 2: own button. Everything stops, and when it does eventually start

779
00:36:10,760 --> 00:36:13,319
Speaker 2: back up, the decorations go crazy. Mike does know how

780
00:36:13,320 --> 00:36:15,440
Speaker 2: to stop it. The flying zombie knocks down some students

781
00:36:15,480 --> 00:36:19,600
Speaker 2: and watches everything catch fire, causing the entire spinning display

782
00:36:19,640 --> 00:36:21,920
Speaker 2: to go up in flames. It's like he said a

783
00:36:22,000 --> 00:36:23,680
Speaker 2: bomb essentially in the middle of this.

784
00:36:23,719 --> 00:36:24,560
Speaker 3: School this.

785
00:36:26,440 --> 00:36:30,279
Speaker 2: I know, I know. At least it comes back at

786
00:36:30,280 --> 00:36:32,520
Speaker 2: the end and he apologizes for sabotaging everything.

787
00:36:32,520 --> 00:36:33,920
Speaker 1: People find out it was a sabotage.

788
00:36:34,000 --> 00:36:36,759
Speaker 2: Nope, never comes back in any way, shape or for him.

789
00:36:36,800 --> 00:36:42,240
Speaker 3: No one in trouble, including Mike and Caitlin, Like they're

790
00:36:42,280 --> 00:36:45,319
Speaker 3: not in trouble of any sort for this craziness.

791
00:36:45,400 --> 00:36:47,040
Speaker 2: Like it did lead to my favorite moment of the

792
00:36:47,040 --> 00:36:48,759
Speaker 2: film though, that we'll talk about that's coming up, which

793
00:36:48,800 --> 00:36:53,400
Speaker 2: is awesome. But yeah, so it's literally on fire. Their teacher,

794
00:36:53,640 --> 00:36:56,440
Speaker 2: missus Nickerson, puts out the blaze with an extinguisher, eventually

795
00:36:56,480 --> 00:36:59,920
Speaker 2: spraying Mike by accident as well, covering his beautiful tuxedo.

796
00:37:00,400 --> 00:37:02,080
Speaker 2: Caitlyn and nick try to comfort him, but the entire

797
00:37:02,120 --> 00:37:04,279
Speaker 2: school is laughing. Mike grabs his computer and runs out

798
00:37:04,280 --> 00:37:06,719
Speaker 2: of the dance. Scott and his friends watch on from

799
00:37:06,760 --> 00:37:09,040
Speaker 2: behind the curtain and high five each other like the

800
00:37:09,800 --> 00:37:11,600
Speaker 2: that they are. And I'm gonna keep saying that word.

801
00:37:11,600 --> 00:37:15,080
Speaker 2: It's one of my faves. Back at Mike's house. Yeah,

802
00:37:15,239 --> 00:37:18,840
Speaker 2: you like twerp the twerps that they are the twerps.

803
00:37:18,880 --> 00:37:20,360
Speaker 2: A bunch of twerps.

804
00:37:20,360 --> 00:37:22,359
Speaker 1: Back at Mike's house were thrown into a familiar scene.

805
00:37:22,400 --> 00:37:24,440
Speaker 2: He's back in that stormy yard in the talks from

806
00:37:24,480 --> 00:37:26,839
Speaker 2: the opening credits. He puts on the headset and tells

807
00:37:26,840 --> 00:37:28,960
Speaker 2: the aliens just to come and get him. Lightning strikes

808
00:37:28,960 --> 00:37:31,120
Speaker 2: the satellite and Mike is once again thrown to the ground.

809
00:37:31,120 --> 00:37:32,719
Speaker 2: I'd like to point out at this point in the film,

810
00:37:32,760 --> 00:37:35,640
Speaker 2: we're about almost a half hour in of an eighty

811
00:37:35,680 --> 00:37:37,680
Speaker 2: two or thirty minutes in of like an eighty two

812
00:37:37,719 --> 00:37:41,759
Speaker 2: minute movie. No aliens yet nothing nope, no aliens yet.

813
00:37:41,800 --> 00:37:43,040
Speaker 1: And I know they got to set it up, but

814
00:37:43,120 --> 00:37:44,040
Speaker 1: no aliens yet.

815
00:37:44,640 --> 00:37:46,560
Speaker 2: That's when we cut to the next morning and the

816
00:37:46,600 --> 00:37:48,719
Speaker 2: satellite is burnt to a crisp in the kitchen. Mike's

817
00:37:48,719 --> 00:37:50,800
Speaker 2: parents tell him to look at the positive. The insurance

818
00:37:50,800 --> 00:37:53,040
Speaker 2: company will cover the destroyed satellite and no one at

819
00:37:53,040 --> 00:37:55,759
Speaker 2: school was hurt. Mike doesn't want to face anyone, but

820
00:37:55,800 --> 00:37:57,480
Speaker 2: his dad encourages him to get back on the horse

821
00:37:57,520 --> 00:38:00,359
Speaker 2: and go to school. That varsity jacket awaits. I think

822
00:38:00,360 --> 00:38:03,440
Speaker 2: his dad is missing the point. So we're back at school,

823
00:38:03,520 --> 00:38:05,799
Speaker 2: and this was my favorite part of the of the thing.

824
00:38:06,120 --> 00:38:08,080
Speaker 2: Mike walks the halls and everyone staring at him, and

825
00:38:08,120 --> 00:38:11,680
Speaker 2: they're laughing at him, including the teacher. There's a shot

826
00:38:11,680 --> 00:38:13,560
Speaker 2: of missus Nickerson who walks by and looks at him

827
00:38:13,600 --> 00:38:15,520
Speaker 2: like you he ruined my dance.

828
00:38:15,560 --> 00:38:19,120
Speaker 3: It was I know she she and it's so noticeable

829
00:38:19,160 --> 00:38:21,439
Speaker 3: because it popped out at me as well, like oh

830
00:38:21,640 --> 00:38:24,480
Speaker 3: the teachers.

831
00:38:23,239 --> 00:38:25,960
Speaker 2: And you sprayed up with the thing like like my god,

832
00:38:26,400 --> 00:38:27,520
Speaker 2: hey it was an accident.

833
00:38:27,560 --> 00:38:31,760
Speaker 1: Hey, anything gonna happen, No, you little like, oh my god.

834
00:38:32,840 --> 00:38:35,000
Speaker 3: That's when she was gonna get down with the principle

835
00:38:35,040 --> 00:38:38,719
Speaker 3: that night, like you suck exactly.

836
00:38:38,880 --> 00:38:42,760
Speaker 2: She was about to get her some doug, but unbelievable.

837
00:38:43,040 --> 00:38:48,800
Speaker 2: Oh my god, he just wowt some doug. Nothing like

838
00:38:48,840 --> 00:38:52,600
Speaker 2: a good old piece of dog. His nightmares come true.

839
00:38:52,600 --> 00:38:55,640
Speaker 2: He can't handle it. Even Caitlyn is acting weird, Tim

840
00:38:55,680 --> 00:38:59,040
Speaker 2: because you know they Then after school, we're back in

841
00:38:59,040 --> 00:39:01,359
Speaker 2: the treehouse. Mike is still very upset defeated. He lays

842
00:39:01,360 --> 00:39:03,680
Speaker 2: on a bean bag and closes his eyes, and then

843
00:39:03,800 --> 00:39:06,040
Speaker 2: just as he dozes off, a bright light shines through

844
00:39:06,080 --> 00:39:08,920
Speaker 2: the window and the treehouse starts to shake. Mike awakens

845
00:39:08,960 --> 00:39:11,439
Speaker 2: to find a dog with a large electronic collar sitting

846
00:39:11,480 --> 00:39:12,040
Speaker 2: in the treehouse.

847
00:39:12,040 --> 00:39:15,239
Speaker 1: And that's where I went, Okay, my weed just kicked it.

848
00:39:17,440 --> 00:39:19,360
Speaker 2: When he asked the dog where he came from, the

849
00:39:19,360 --> 00:39:21,520
Speaker 2: dog answers in English. The voice is coming from a

850
00:39:21,560 --> 00:39:23,880
Speaker 2: translating device on his collar. It's in the shape of

851
00:39:24,000 --> 00:39:26,400
Speaker 2: lips that move and light up when the dog is talking.

852
00:39:26,760 --> 00:39:28,719
Speaker 2: The dog says, please don't touch me. My people are

853
00:39:28,760 --> 00:39:31,680
Speaker 2: a superior race and we ab poor casual contact with primitives.

854
00:39:31,680 --> 00:39:34,600
Speaker 2: And that's when I was like, is it a talking

855
00:39:34,640 --> 00:39:36,799
Speaker 2: dog movie? Did this become a talking dog movie? What's

856
00:39:36,800 --> 00:39:39,239
Speaker 2: happening were you. Were you confused at this point as well?

857
00:39:39,480 --> 00:39:42,799
Speaker 3: Yes, okay, because it wasn't an alien, it was a dog.

858
00:39:42,840 --> 00:39:47,080
Speaker 3: And of course I've never seen this movie, so I'm like, oh, okay,

859
00:39:48,160 --> 00:39:51,360
Speaker 3: I wasn't expecting this, but all right, then it was

860
00:39:51,400 --> 00:39:54,640
Speaker 3: also then quickly I've got to go through it instead

861
00:39:54,640 --> 00:39:58,280
Speaker 3: of doing it. Suverna sees the different kinds of talking

862
00:39:58,360 --> 00:40:01,880
Speaker 3: animals that we've now had. How many we've had ones

863
00:40:01,920 --> 00:40:04,360
Speaker 3: that you just like assume you see what they're saying

864
00:40:04,360 --> 00:40:07,799
Speaker 3: with like the Kirk Kirk Cameron right ones where their

865
00:40:07,840 --> 00:40:10,239
Speaker 3: lips are moving, and that doesn't like work. Now we've

866
00:40:10,280 --> 00:40:12,640
Speaker 3: got like a dog that like just looks at you

867
00:40:12,719 --> 00:40:13,440
Speaker 3: and shake.

868
00:40:13,840 --> 00:40:17,160
Speaker 2: Like courses that talk in your head. That's another one, right, yep.

869
00:40:17,239 --> 00:40:19,640
Speaker 3: And then now we've got him with this like giant

870
00:40:19,800 --> 00:40:20,799
Speaker 3: that giant.

871
00:40:20,560 --> 00:40:23,719
Speaker 2: Lips, the big old lips that are right there?

872
00:40:24,880 --> 00:40:28,000
Speaker 3: Wow, which one is worse?

873
00:40:28,120 --> 00:40:30,799
Speaker 2: I think I hate them? I know, I think we

874
00:40:30,880 --> 00:40:32,920
Speaker 2: just stay away from talking talking dog tropes.

875
00:40:33,520 --> 00:40:36,640
Speaker 3: I just I'm just finding that it doesn't work.

876
00:40:36,840 --> 00:40:39,880
Speaker 2: Yeah, I agree, I agree, talking dogs are weird unless

877
00:40:39,880 --> 00:40:42,680
Speaker 2: you go super high budget like a Doctor Doolittle, where

878
00:40:42,680 --> 00:40:45,880
Speaker 2: it's like yes, animation is impeccable kind of thing, right.

879
00:40:45,800 --> 00:40:48,440
Speaker 3: But we have not seen that. So I think, just

880
00:40:48,440 --> 00:40:51,160
Speaker 3: like on the DCOM level, like the talking dog does

881
00:40:51,200 --> 00:40:52,280
Speaker 3: not work, we need.

882
00:40:52,280 --> 00:40:55,520
Speaker 2: Low budget talking animal movies are not working well, great,

883
00:40:55,520 --> 00:40:58,719
Speaker 2: shut it down, people, shut it down, Shut it down.

884
00:40:59,440 --> 00:41:01,120
Speaker 2: If there's a dog in a d com, he needs

885
00:41:01,120 --> 00:41:03,160
Speaker 2: to be in a hole being two to be saved.

886
00:41:03,200 --> 00:41:04,080
Speaker 2: Everybody knows that.

887
00:41:04,200 --> 00:41:06,640
Speaker 3: Another failed attempt at a dogging time.

888
00:41:06,760 --> 00:41:13,879
Speaker 2: I'm clitting, I'm done, I'm done. I love it. Mike,

889
00:41:14,000 --> 00:41:16,160
Speaker 2: by the way, like us, thinks he's finally snapped, but

890
00:41:16,200 --> 00:41:18,960
Speaker 2: the dog assures him he's sane and gifted with intelligence.

891
00:41:19,000 --> 00:41:21,680
Speaker 2: Otherwise he wouldn't have been able to open the Stargate,

892
00:41:21,880 --> 00:41:23,920
Speaker 2: which I actually checked in the movie. Stargate actually came

893
00:41:23,960 --> 00:41:26,919
Speaker 2: out in nineteen ninety seven, so they're using Stargate. Mike

894
00:41:26,960 --> 00:41:29,719
Speaker 2: spots a doghouse shaped portal that quickly disappears. The dog

895
00:41:29,760 --> 00:41:35,239
Speaker 2: says his name is Barnabas from the Star System Puppish okay,

896
00:41:35,719 --> 00:41:40,799
Speaker 2: he represents a Galactarian disaster relief and right organization nonprofit.

897
00:41:40,840 --> 00:41:43,040
Speaker 2: Of course, Mike wants to lie down, but Barnabas says

898
00:41:43,040 --> 00:41:45,600
Speaker 2: that's impossible. They must leave the planet at once. Mike

899
00:41:45,640 --> 00:41:47,840
Speaker 2: tells Barnabas he appreciates him coming all this way, but

900
00:41:47,960 --> 00:41:50,360
Speaker 2: now he has to go. Mike climbs down the treehouse

901
00:41:50,400 --> 00:41:53,000
Speaker 2: to escape, but Barnabas magically appears on the ground, reminding

902
00:41:53,040 --> 00:41:55,520
Speaker 2: Mike that he's the one who begged to leave. The

903
00:41:55,560 --> 00:41:57,600
Speaker 2: dog warns him that others from all over the galaxy

904
00:41:57,640 --> 00:41:59,480
Speaker 2: are traveling through the gate now and they won't have

905
00:41:59,560 --> 00:42:02,279
Speaker 2: his best interests at heart. Mike runs back into the

906
00:42:02,280 --> 00:42:05,799
Speaker 2: house as Barnabas tells him to trust only him and

907
00:42:05,880 --> 00:42:08,200
Speaker 2: be ready to leave the next time they meet. Mike

908
00:42:08,280 --> 00:42:11,360
Speaker 2: is now completely freaking out. He thinks he's totally delirious

909
00:42:11,440 --> 00:42:13,360
Speaker 2: or maybe just hungry. He checks to see if he

910
00:42:13,400 --> 00:42:15,719
Speaker 2: has a fever. He runs off to his bedroom, now

911
00:42:15,800 --> 00:42:17,959
Speaker 2: much calmer, reading a book and holding a plate of food.

912
00:42:18,200 --> 00:42:20,360
Speaker 2: He sits and turns out his computer, just as globs

913
00:42:20,360 --> 00:42:22,640
Speaker 2: of green slime fall from the ceiling and land onto

914
00:42:22,640 --> 00:42:25,000
Speaker 2: his plate without him noticing. He reaches for his burger,

915
00:42:25,040 --> 00:42:27,319
Speaker 2: and just before taking a bite, notices the smelly goo.

916
00:42:27,760 --> 00:42:29,440
Speaker 2: He looks up to see a huge pipe on his

917
00:42:29,440 --> 00:42:32,520
Speaker 2: ceiling with an open portal leaking green slime. A blob

918
00:42:32,600 --> 00:42:35,120
Speaker 2: covered in slime with eyes, nose and human teeth, pops

919
00:42:35,160 --> 00:42:38,239
Speaker 2: out his head and says, I am Bomb your new

920
00:42:38,280 --> 00:42:42,520
Speaker 2: best friend again. Kind of scary, very gross. It's kind

921
00:42:42,520 --> 00:42:44,919
Speaker 2: of the best puppetry we've had in a dcom though,

922
00:42:45,320 --> 00:42:47,200
Speaker 2: especially for this time. It's like, if you're gonna have

923
00:42:47,239 --> 00:42:50,239
Speaker 2: these kind of slimer Askana puppets.

924
00:42:50,400 --> 00:42:53,640
Speaker 3: This did take me back. I'm not nostalgic about it,

925
00:42:53,719 --> 00:42:56,440
Speaker 3: but it does just remind me of like the kinds

926
00:42:56,480 --> 00:42:59,920
Speaker 3: of shows that were on the air during like the nineties,

927
00:43:00,120 --> 00:43:02,920
Speaker 3: in the late nineties, of these kinds of puppetrees. So

928
00:43:02,960 --> 00:43:07,000
Speaker 3: it it made sense, it just was not in my lane.

929
00:43:07,120 --> 00:43:09,000
Speaker 3: I went, oh, this is what I was afraid of.

930
00:43:09,040 --> 00:43:13,080
Speaker 3: Here we go, right, the goop, the gross. Ugh, this

931
00:43:13,200 --> 00:43:16,000
Speaker 3: isn't the same as getting slimed on Nickelodeon. This is

932
00:43:16,080 --> 00:43:17,439
Speaker 3: just like Disgusting's line.

933
00:43:17,719 --> 00:43:21,560
Speaker 2: I know, it's uh, it's very interesting, but the puppetry

934
00:43:21,600 --> 00:43:22,120
Speaker 2: is not bad.

935
00:43:22,400 --> 00:43:25,239
Speaker 3: No, it's actually pretty like it's actually pretty good.

936
00:43:25,400 --> 00:43:28,560
Speaker 2: Yep, I agree. Bomb tells Mike he's arrived to handle

937
00:43:28,600 --> 00:43:30,720
Speaker 2: his case and he can get him millions. In galacted

938
00:43:30,800 --> 00:43:34,320
Speaker 2: credits and Mike's phone rings it's Caitlin. She apologizes for everything.

939
00:43:34,360 --> 00:43:36,680
Speaker 2: What happened wasn't his fault, and she thinks maybe someone

940
00:43:36,800 --> 00:43:40,080
Speaker 2: sabotaged him. Oh that's coming back. Nope, never again said,

941
00:43:40,760 --> 00:43:43,440
Speaker 2: and while Mike's on the phone, Bomb steals Mike's burger

942
00:43:44,000 --> 00:43:47,000
Speaker 2: and disgustingly scarves it down. Though distracted, Caitlyn tells Mike

943
00:43:47,040 --> 00:43:48,719
Speaker 2: he's a great guy and wants to get past this

944
00:43:48,880 --> 00:43:51,759
Speaker 2: to try again. Then perfectly time, Bomb lets out a

945
00:43:51,760 --> 00:43:55,240
Speaker 2: loud burp and releases a stinky fart again kids movie.

946
00:43:55,360 --> 00:43:57,520
Speaker 2: Caitlyn wonders what's going on, and Mike blames it on

947
00:43:57,600 --> 00:43:59,799
Speaker 2: the plumber. He lies and says that the bathrooms all

948
00:43:59,800 --> 00:44:02,280
Speaker 2: back up. She says gross, but admits that she misses

949
00:44:02,320 --> 00:44:03,840
Speaker 2: him and hopes there's some other way they can be

950
00:44:03,840 --> 00:44:06,400
Speaker 2: friends again. But just when you think things have calmed down,

951
00:44:06,480 --> 00:44:08,160
Speaker 2: Bomb is now eating a corn in the cob and

952
00:44:08,200 --> 00:44:12,160
Speaker 2: turns it into popcorn, distracting Mike with the snacks firing

953
00:44:12,239 --> 00:44:14,759
Speaker 2: him from every direction. Sensing something's wrong, Caitlyn doesn't feel

954
00:44:14,800 --> 00:44:17,160
Speaker 2: like he's even paying attention to her and says, forget it,

955
00:44:17,680 --> 00:44:20,520
Speaker 2: just forget I called, and hangs up the phone. Mike

956
00:44:20,640 --> 00:44:22,680
Speaker 2: is furious the alien wrecked the phone call, but Bomb

957
00:44:22,680 --> 00:44:25,439
Speaker 2: doesn't care. He's actually a lawyer. He reveals that Mike

958
00:44:25,480 --> 00:44:27,360
Speaker 2: has an open and shut lawsuit. He can sue the

959
00:44:27,400 --> 00:44:29,319
Speaker 2: pants off planet Earth. And again, this is one of

960
00:44:29,320 --> 00:44:33,000
Speaker 2: those typical movie TV tropes that the lawyer is obviously

961
00:44:33,000 --> 00:44:35,440
Speaker 2: slimy and as the son of two very talented and

962
00:44:35,480 --> 00:44:37,399
Speaker 2: amazing lawyers who just wanted to help people. I hate

963
00:44:37,400 --> 00:44:41,520
Speaker 2: these things, but that's just yes, it is just what

964
00:44:43,200 --> 00:44:45,000
Speaker 2: he can sue the pants off a planet Earth. Mike

965
00:44:45,000 --> 00:44:47,040
Speaker 2: doesn't want to sue anyone. He apologizes he never thought

966
00:44:47,080 --> 00:44:49,520
Speaker 2: the aliens would actually come. Bomb warns him if he

967
00:44:49,560 --> 00:44:51,600
Speaker 2: thinks he's sorry, now wait till he sues Mike for

968
00:44:51,680 --> 00:44:54,480
Speaker 2: wasting his time. Then he disappears back into the pipe portal.

969
00:44:54,960 --> 00:44:57,120
Speaker 2: Then Nick enters shock at what he sees. The room

970
00:44:57,280 --> 00:44:59,799
Speaker 2: is a mess. Mike tries to explain the portal and

971
00:44:59,800 --> 00:45:02,160
Speaker 2: the hype and the blob, but Nick assumes he's making

972
00:45:02,200 --> 00:45:05,680
Speaker 2: up a story to cover for barfing everywhere. Of course,

973
00:45:06,080 --> 00:45:08,000
Speaker 2: Mike promises he's telling the truth, but now Nick is

974
00:45:08,040 --> 00:45:10,200
Speaker 2: worried that his friend can't tell the difference between real

975
00:45:10,239 --> 00:45:12,920
Speaker 2: and imagination. We're now outside A little bit later, Mike

976
00:45:12,960 --> 00:45:15,160
Speaker 2: is walking the neighborhood. When he sees Kaitlyn across the street.

977
00:45:15,320 --> 00:45:17,200
Speaker 2: She says goodbye to some friends, and when she looks up,

978
00:45:17,239 --> 00:45:19,360
Speaker 2: she sees Mike hiding behind a tree, which isn't creepy

979
00:45:19,360 --> 00:45:22,640
Speaker 2: at all, but she just turns and walks away. Before

980
00:45:22,680 --> 00:45:25,120
Speaker 2: Mike can even pout about it, Barnabas appears. He informs

981
00:45:25,160 --> 00:45:27,880
Speaker 2: Mike that they really need to go. Mike says he

982
00:45:27,920 --> 00:45:29,880
Speaker 2: can't just leave for a distant planet. He couldn't even

983
00:45:29,920 --> 00:45:32,760
Speaker 2: make it a sleep away camp. Barnabas begs him to understand,

984
00:45:32,840 --> 00:45:35,000
Speaker 2: but Mike has seen too much between a talking dog

985
00:45:35,040 --> 00:45:37,200
Speaker 2: and a slime bucket alien lawyer. He has no idea

986
00:45:37,239 --> 00:45:39,960
Speaker 2: how this happened. Barnabas tells Mike that he has opened

987
00:45:40,040 --> 00:45:44,400
Speaker 2: a can of worms. It's the movie title People, Here

988
00:45:44,440 --> 00:45:47,960
Speaker 2: You Go. Barnabas explains that when Mike sent out his SOS,

989
00:45:48,200 --> 00:45:50,400
Speaker 2: it signaled to the universe that his planet has advanced

990
00:45:50,440 --> 00:45:53,640
Speaker 2: to a new technological level. This development means Earth no

991
00:45:53,719 --> 00:45:57,640
Speaker 2: longer falls under the intergalactic protection for primitive life. Mike

992
00:45:57,680 --> 00:45:59,560
Speaker 2: swears this whole thing was just an accident. He doesn't

993
00:45:59,560 --> 00:46:02,080
Speaker 2: even know how really worked. Barnabas assures Mike that he

994
00:46:02,080 --> 00:46:03,360
Speaker 2: can take him to a planet where he can be

995
00:46:03,440 --> 00:46:06,319
Speaker 2: himself and be by himself. And again this is where

996
00:46:06,360 --> 00:46:08,080
Speaker 2: I was like, Ah, this isn't my favorite movie, but

997
00:46:08,120 --> 00:46:12,360
Speaker 2: the premise is great, and it really really is great.

998
00:46:13,080 --> 00:46:14,719
Speaker 2: Mike does actually like the sound of that, but he

999
00:46:14,760 --> 00:46:16,640
Speaker 2: just wants to say goodbye to somebody before they leave.

1000
00:46:16,719 --> 00:46:19,840
Speaker 2: His mom, his dad, his sister, no, the girl. He

1001
00:46:19,880 --> 00:46:23,000
Speaker 2: finally talked to you once. So Barnabas says he'll return soon,

1002
00:46:23,600 --> 00:46:26,600
Speaker 2: and Mike runs off over at Caitlin's house. Now, Mike

1003
00:46:26,640 --> 00:46:28,799
Speaker 2: calls for her at her bedroom window, and luckily she's

1004
00:46:28,840 --> 00:46:30,400
Speaker 2: just pacing back and forth in front of it, like

1005
00:46:30,440 --> 00:46:32,920
Speaker 2: you do. She says, she tried to make this right,

1006
00:46:33,040 --> 00:46:35,560
Speaker 2: but he was rude and disgusting on the phone. Mike

1007
00:46:35,600 --> 00:46:38,719
Speaker 2: says he's sorry, he just wants a second chance. She says, fine,

1008
00:46:38,760 --> 00:46:41,360
Speaker 2: she'll come downstairs, but this is his last chance. So

1009
00:46:41,400 --> 00:46:44,160
Speaker 2: as Mike approaches her front steps, something is right behind him.

1010
00:46:44,200 --> 00:46:47,080
Speaker 2: It's a new alien with periscope eyes, who eventually rushes

1011
00:46:47,080 --> 00:46:50,319
Speaker 2: off to the brush undetected. So as Mike patiently waits

1012
00:46:50,320 --> 00:46:52,239
Speaker 2: for his crush at the door, the alien zaps him

1013
00:46:52,280 --> 00:46:55,360
Speaker 2: with gold glitter which forces him to the ground. The alien,

1014
00:46:55,360 --> 00:46:57,239
Speaker 2: who has a bright orange body and is covered in

1015
00:46:57,280 --> 00:46:58,720
Speaker 2: blue stripes, comes out of hiding.

1016
00:46:58,960 --> 00:47:01,560
Speaker 1: He has an almost try or poisonous creature look.

1017
00:47:01,560 --> 00:47:03,680
Speaker 2: His body is short, but he has very long eyes

1018
00:47:03,719 --> 00:47:06,560
Speaker 2: with a large permanent smile, with again large human like

1019
00:47:06,600 --> 00:47:10,000
Speaker 2: teeth like I again thought of Slimer. He's also wearing

1020
00:47:10,000 --> 00:47:13,040
Speaker 2: socks and loafers, and it is really another great puppet.

1021
00:47:13,280 --> 00:47:15,440
Speaker 2: He tells Mike that he would like to represent him

1022
00:47:15,440 --> 00:47:18,080
Speaker 2: as a talent agent. Just then Caitlyn opens a door

1023
00:47:18,080 --> 00:47:20,080
Speaker 2: and the alien freezes her with even more glitter. He

1024
00:47:20,160 --> 00:47:22,600
Speaker 2: suggests they go somewhere private, so he transports them across

1025
00:47:22,600 --> 00:47:25,440
Speaker 2: the street. Now alone, Mike, who still can't move, begs

1026
00:47:25,440 --> 00:47:27,240
Speaker 2: to be let go, but the alien has a pitch.

1027
00:47:27,480 --> 00:47:29,760
Speaker 2: He wants to make Mike's life story into a Fish

1028
00:47:29,760 --> 00:47:32,319
Speaker 2: out of Water weekly TV series, but Mike tells him

1029
00:47:32,360 --> 00:47:34,920
Speaker 2: to shut up and aggressively grabs his weird tentacle eyes.

1030
00:47:35,160 --> 00:47:37,120
Speaker 2: They wrestle until the alien finally gets out of the

1031
00:47:37,120 --> 00:47:40,240
Speaker 2: hold and disappears. Caitlin, now on the porch across the street,

1032
00:47:40,280 --> 00:47:42,279
Speaker 2: is confused. She doesn't see Mike, so she just goes

1033
00:47:42,320 --> 00:47:44,799
Speaker 2: back inside. Mike yells for her, but it's just too late.

1034
00:47:45,120 --> 00:47:46,840
Speaker 2: And this is when I realized this movie has a

1035
00:47:46,880 --> 00:47:51,120
Speaker 2: real fuzzbucket kind of feel, and it does this break.

1036
00:47:51,160 --> 00:47:53,120
Speaker 2: Did this harken you to fuzzbucket at all? Where you

1037
00:47:53,120 --> 00:47:57,799
Speaker 2: bucketed back? A little bit, tiny bit yep of, like

1038
00:47:58,239 --> 00:48:00,400
Speaker 2: a little twitch in the eye, like, oh god, he's

1039
00:48:00,520 --> 00:48:01,120
Speaker 2: going on.

1040
00:48:01,480 --> 00:48:03,200
Speaker 3: Oh my gosh.

1041
00:48:03,239 --> 00:48:04,200
Speaker 2: It's a strange one.

1042
00:48:04,320 --> 00:48:10,680
Speaker 1: It is a strange one.

1043
00:48:12,000 --> 00:48:14,000
Speaker 2: It's now dinner time at Mike's house. He's worried that

1044
00:48:14,040 --> 00:48:16,719
Speaker 2: he was adopted. His parents promise him he wasn't, but

1045
00:48:16,760 --> 00:48:19,120
Speaker 2: his sister insists he's from another planet and a plastic

1046
00:48:19,160 --> 00:48:22,440
Speaker 2: surgeon removed his intenne. Mike wonders if he was switched

1047
00:48:22,440 --> 00:48:24,200
Speaker 2: at birth then, so they offered to show him his

1048
00:48:24,200 --> 00:48:26,920
Speaker 2: birth certificate and assume he's going through some separation anxiety

1049
00:48:26,920 --> 00:48:29,640
Speaker 2: about growing up. Now, outside, Mike is walking down the

1050
00:48:29,680 --> 00:48:32,879
Speaker 2: street and he runs into Nick. Mike says, it's been

1051
00:48:32,960 --> 00:48:35,040
Speaker 2: hard to sleep with everything going on with the Aliens.

1052
00:48:35,120 --> 00:48:37,239
Speaker 2: Nick gets it his uncle Luther was convinced that a

1053
00:48:37,239 --> 00:48:39,280
Speaker 2: Martian took up residence in the tank of his toilet.

1054
00:48:39,560 --> 00:48:42,440
Speaker 2: Mike promises he's not crazy, and Nick suggests he needs

1055
00:48:42,480 --> 00:48:45,320
Speaker 2: a vacation, so they climb into the weed treehouse, still

1056
00:48:45,440 --> 00:48:48,560
Speaker 2: chatting about the possibility of aliens, and then a burst

1057
00:48:48,640 --> 00:48:50,960
Speaker 2: of green light appears, leaving a handful of aliens behind,

1058
00:48:51,040 --> 00:48:53,480
Speaker 2: all trying to convince Mike to leave with them. He

1059
00:48:53,600 --> 00:48:57,120
Speaker 2: gets some new puppets here, including a floating fishead Lady,

1060
00:48:57,520 --> 00:49:00,360
Speaker 2: and Frankly, I kind of loved all of them. I

1061
00:49:00,440 --> 00:49:02,480
Speaker 2: liked the puppets of this movie, I really did. Nick's

1062
00:49:02,520 --> 00:49:04,359
Speaker 2: mind is blown. What the hell is going on here?

1063
00:49:04,400 --> 00:49:07,359
Speaker 2: The aliens are pitching their individual services, with floating fish

1064
00:49:07,440 --> 00:49:10,160
Speaker 2: Lady asking him out on a date. These aliens are

1065
00:49:10,239 --> 00:49:12,800
Speaker 2: just salesmen, and I think the fish lady is Tara strong.

1066
00:49:13,320 --> 00:49:14,319
Speaker 3: Yeah, I think so.

1067
00:49:14,680 --> 00:49:16,759
Speaker 2: Amongst the bickering and pleased to leave Earth, Mike and

1068
00:49:16,840 --> 00:49:19,520
Speaker 2: Nick escape the treehouse. Mike wonders where Barnabas is and

1069
00:49:19,560 --> 00:49:21,759
Speaker 2: returns to his house, leaving the maniac aliens in the

1070
00:49:21,800 --> 00:49:24,640
Speaker 2: tree That night, in Mike's bedroom, he's packing his stuff

1071
00:49:24,680 --> 00:49:27,200
Speaker 2: while Nick begs him not to leave, but Mike thinks

1072
00:49:27,200 --> 00:49:28,960
Speaker 2: the aliens were right. He was never meant to live

1073
00:49:28,960 --> 00:49:31,160
Speaker 2: on this planet. They had downstairs, and when Mike goes

1074
00:49:31,160 --> 00:49:33,520
Speaker 2: to leave, Caitlyn is at the door, returning his jacket.

1075
00:49:33,800 --> 00:49:36,480
Speaker 2: He tells her he'll be leaving for another planet like

1076
00:49:36,520 --> 00:49:39,080
Speaker 2: you do, and she correctly responds by saying he is

1077
00:49:39,320 --> 00:49:41,960
Speaker 2: just too much. Mike insists there's a group of pushy

1078
00:49:41,960 --> 00:49:45,120
Speaker 2: aliens in his backyard waiting, and Nick actually vouches for him.

1079
00:49:45,360 --> 00:49:48,160
Speaker 2: Mike apologizes to Caitlin about the dance, especially because she

1080
00:49:48,160 --> 00:49:48,880
Speaker 2: gave him a feeling.

1081
00:49:48,920 --> 00:49:51,279
Speaker 1: No one else ever did that, feeling that.

1082
00:49:51,280 --> 00:49:55,040
Speaker 2: He belonged here. Oh did you get a little awe there?

1083
00:49:55,280 --> 00:49:55,759
Speaker 2: He dead.

1084
00:49:56,480 --> 00:49:57,680
Speaker 3: I liked the two of them.

1085
00:49:57,719 --> 00:49:58,640
Speaker 1: They were kid too.

1086
00:49:58,680 --> 00:50:01,600
Speaker 2: Actually, she's great by on the movie, and I say

1087
00:50:01,640 --> 00:50:03,439
Speaker 2: that being a big Adam Wiley fan. She was great

1088
00:50:03,440 --> 00:50:06,480
Speaker 2: in this movie. He says his goodbyes and heads to

1089
00:50:06,520 --> 00:50:08,839
Speaker 2: the backyard. The aliens are still screaming at each other,

1090
00:50:08,880 --> 00:50:11,080
Speaker 2: so Mike demands they work it out. He's throwing a

1091
00:50:11,080 --> 00:50:13,560
Speaker 2: contract by the tentacle eyed alien, but everyone is still

1092
00:50:13,600 --> 00:50:16,160
Speaker 2: in full pitch mode, including one idea for something called

1093
00:50:16,160 --> 00:50:19,080
Speaker 2: a jarmonica. We also find out here the floating fish

1094
00:50:19,160 --> 00:50:23,920
Speaker 2: Lady is very horny. It's true. Mike begs them to

1095
00:50:23,920 --> 00:50:26,239
Speaker 2: get along, and then Barnabas the Dog shows up. He

1096
00:50:26,320 --> 00:50:28,600
Speaker 2: reiterates how important the decision is, he will have to

1097
00:50:28,640 --> 00:50:30,319
Speaker 2: live with it for the rest of his life. Now,

1098
00:50:30,440 --> 00:50:32,919
Speaker 2: Caitlyn walks outside just as a big explosion of bright

1099
00:50:32,960 --> 00:50:35,719
Speaker 2: light in the treehouse floating fishead. Lady screams about a

1100
00:50:35,840 --> 00:50:39,160
Speaker 2: thod and runs for the hill. She screams about a

1101
00:50:39,200 --> 00:50:41,520
Speaker 2: thod and tells everyone to run for the hills. The

1102
00:50:41,560 --> 00:50:44,320
Speaker 2: aliens all jump into their own portals and escape. Caitlyn

1103
00:50:44,360 --> 00:50:47,239
Speaker 2: can't believe what she just saw. Barnabas then says, a

1104
00:50:47,400 --> 00:50:49,680
Speaker 2: thod is the worst worm to crawl out of the

1105
00:50:49,719 --> 00:50:53,120
Speaker 2: cans he opened again. Movie title people. A thoad will

1106
00:50:53,160 --> 00:50:56,160
Speaker 2: find the choicest specimens and snatch them up. Then he'll

1107
00:50:56,200 --> 00:50:58,839
Speaker 2: tell his friends, and more and more thoads will arrive.

1108
00:50:59,600 --> 00:51:01,799
Speaker 2: Mike he can't help but blame himself. He never thought

1109
00:51:01,800 --> 00:51:04,560
Speaker 2: his satellite would actually work. Barbaba says that if the

1110
00:51:04,600 --> 00:51:06,719
Speaker 2: beam for the satellite was actually just an accident, they

1111
00:51:06,719 --> 00:51:10,480
Speaker 2: could appeal the case. But there's another treehouse boom. As

1112
00:51:10,480 --> 00:51:11,920
Speaker 2: they sprint for the house. Jay arrives.

1113
00:51:11,960 --> 00:51:13,879
Speaker 1: He thinks everything looks so cool and starts to climb

1114
00:51:13,960 --> 00:51:14,520
Speaker 1: up the treehouse.

1115
00:51:14,560 --> 00:51:16,799
Speaker 2: No one stops him. For some reason. Mike yells at

1116
00:51:16,840 --> 00:51:18,919
Speaker 2: him to come down, but the third growls and Jay

1117
00:51:18,960 --> 00:51:21,400
Speaker 2: flies right through the portal, which was actually a pretty

1118
00:51:21,400 --> 00:51:23,439
Speaker 2: cool effect for a decomm and they like latch onto

1119
00:51:23,480 --> 00:51:25,879
Speaker 2: him and pull him up this thing. Maybe that's the PG.

1120
00:51:26,040 --> 00:51:29,920
Speaker 2: I think you're right. Maybe it is like snatching kids. Yes,

1121
00:51:30,120 --> 00:51:31,120
Speaker 2: is what trying out to beat.

1122
00:51:31,160 --> 00:51:33,160
Speaker 3: Now though like the more we're going through it too

1123
00:51:33,280 --> 00:51:34,479
Speaker 3: now I'm seeing that more.

1124
00:51:34,719 --> 00:51:36,880
Speaker 2: Yeah, Or maybe it's just the principal one, you know,

1125
00:51:36,920 --> 00:51:38,280
Speaker 2: the woman wanted to hop on a dog.

1126
00:51:38,600 --> 00:51:44,680
Speaker 3: Maybe one time hop on a dog is a dog.

1127
00:51:47,840 --> 00:51:51,040
Speaker 2: Frantic Mike climbs into the treehouse after Jay and sees

1128
00:51:51,040 --> 00:51:54,120
Speaker 2: a new giant portal quickly disappear. Mike wants to call

1129
00:51:54,120 --> 00:51:56,600
Speaker 2: the police, but it's too late. There's nothing they can do.

1130
00:51:56,960 --> 00:51:59,080
Speaker 2: Barbiba says that Jay is completely safe as long as

1131
00:51:59,080 --> 00:52:01,400
Speaker 2: he never leaves his homework. The bigger issue now is

1132
00:52:01,400 --> 00:52:04,160
Speaker 2: that the Thod will return, but this time with friends,

1133
00:52:04,200 --> 00:52:06,320
Speaker 2: and they'll take human after human until they find the

1134
00:52:06,360 --> 00:52:08,960
Speaker 2: perfect specimen. So they're not going to stop till they

1135
00:52:09,000 --> 00:52:15,480
Speaker 2: come to Will's house. Boom, that was for me. And

1136
00:52:15,600 --> 00:52:23,640
Speaker 2: with that, Mike has a play it's Scott exactly, thanks, Sabrina. No,

1137
00:52:23,840 --> 00:52:27,279
Speaker 2: it's Scott me good looking football player who's also a

1138
00:52:27,360 --> 00:52:31,760
Speaker 2: genius with computers. We're in Scott Schreibner's bedroom and Scott

1139
00:52:31,800 --> 00:52:34,680
Speaker 2: is sleeping. Nick, who's wearing an alien costume and pig

1140
00:52:34,760 --> 00:52:38,399
Speaker 2: mask okay, puts his hand over Scott's mouth, abruptly waking

1141
00:52:38,480 --> 00:52:41,239
Speaker 2: the jock up. Nick immediately reveals himself and says that

1142
00:52:41,320 --> 00:52:44,320
Speaker 2: Mike sent him to seek revenge for sabotaging the dance.

1143
00:52:44,400 --> 00:52:46,680
Speaker 2: So apparently they figured out it was him that sabotage

1144
00:52:46,719 --> 00:52:49,359
Speaker 2: the dance, but we never get into that. Scott says

1145
00:52:49,360 --> 00:52:51,640
Speaker 2: he's gotta be kidding, but they head to Mike's house anyway,

1146
00:52:52,000 --> 00:52:54,000
Speaker 2: and once they arrived, Barnabas is waiting for them on

1147
00:52:54,040 --> 00:52:56,400
Speaker 2: the lawn. The dog tells Shreibner that he should prepare

1148
00:52:56,440 --> 00:52:58,759
Speaker 2: for the task that lies ahead. He's about to see

1149
00:52:58,760 --> 00:53:01,520
Speaker 2: things that will be difficult for earthly mind to comprehend.

1150
00:53:01,920 --> 00:53:03,799
Speaker 2: Scott can't believe a dog is talking and thinks they're

1151
00:53:03,800 --> 00:53:06,400
Speaker 2: playing some sort of trick on him. Their Caitlin and

1152
00:53:06,440 --> 00:53:08,760
Speaker 2: Mike revealed themselves and promise they're not joking. They actually

1153
00:53:08,840 --> 00:53:11,040
Speaker 2: need Shreibner's help to get through the stargate to the

1154
00:53:11,040 --> 00:53:14,640
Speaker 2: Thod's planet and Jay they need him as bait. Shreibner

1155
00:53:14,680 --> 00:53:16,719
Speaker 2: doesn't understand what's going on, but he doesn't love this

1156
00:53:16,800 --> 00:53:18,640
Speaker 2: idea and wonders why he should help them at all.

1157
00:53:18,880 --> 00:53:21,320
Speaker 2: Mike pushes him to be a hero, but also wonders

1158
00:53:21,360 --> 00:53:25,520
Speaker 2: if he's just too scared to do it. Oh with that,

1159
00:53:25,600 --> 00:53:27,800
Speaker 2: Scott says, no sweat and they head to the backyard.

1160
00:53:27,800 --> 00:53:31,760
Speaker 2: Scott sees what's happening and his stun aliens do exist.

1161
00:53:32,200 --> 00:53:34,360
Speaker 2: They enter the treehouse and the dog tells Shreivener the

1162
00:53:34,400 --> 00:53:37,400
Speaker 2: Thod senses his presence, and then the Thoad's tongue shoots

1163
00:53:37,400 --> 00:53:39,960
Speaker 2: out from the portal and snatches Scott. He's pulled right

1164
00:53:40,000 --> 00:53:41,920
Speaker 2: into the hole and they all jump in after just

1165
00:53:41,920 --> 00:53:45,880
Speaker 2: as the portal closes. So I think I get the logic.

1166
00:53:46,280 --> 00:53:49,399
Speaker 2: They needed somebody to be snatched because that person will

1167
00:53:49,400 --> 00:53:52,680
Speaker 2: go directly into the zoo, but.

1168
00:53:52,640 --> 00:53:56,080
Speaker 3: They to know that even when they get in there,

1169
00:53:56,120 --> 00:53:59,160
Speaker 3: they don't know. I know what's going on, and the

1170
00:53:59,280 --> 00:54:04,560
Speaker 3: dog's not really explaining it, so they just kind of

1171
00:54:05,600 --> 00:54:07,640
Speaker 3: put this guy up for bait, but then go right

1172
00:54:07,640 --> 00:54:10,560
Speaker 3: into I don't know I was going okay, I think

1173
00:54:11,880 --> 00:54:15,080
Speaker 3: literally took a break right here. I also realize we

1174
00:54:15,120 --> 00:54:17,880
Speaker 3: have twenty five minutes and we are just now getting

1175
00:54:18,000 --> 00:54:20,200
Speaker 3: into like the thick of, like what's actually happening.

1176
00:54:20,440 --> 00:54:23,040
Speaker 2: It's about to go really is going to be.

1177
00:54:22,920 --> 00:54:25,200
Speaker 3: The third act is going to be fast because we're

1178
00:54:25,360 --> 00:54:28,000
Speaker 3: just getting into like the thick of.

1179
00:54:28,280 --> 00:54:31,480
Speaker 2: I agree it's so, but I think what it was

1180
00:54:31,520 --> 00:54:34,719
Speaker 2: from a logic standpoint. I think whoever gets snatched by

1181
00:54:34,719 --> 00:54:39,520
Speaker 2: the actual tentacle goes into the zoo, but as they're

1182
00:54:39,560 --> 00:54:42,359
Speaker 2: pulling it in, it leaves the portal open long enough

1183
00:54:42,360 --> 00:54:43,400
Speaker 2: for other people to jump in.

1184
00:54:43,920 --> 00:54:47,719
Speaker 3: But we don't know that. It's not a figure it

1185
00:54:47,760 --> 00:54:50,520
Speaker 3: out as you're going in after this part, but it

1186
00:54:50,600 --> 00:54:53,759
Speaker 3: is not explained like correct Dog could have. Even at

1187
00:54:53,840 --> 00:54:57,120
Speaker 3: least we need to find someone who we can not

1188
00:54:57,280 --> 00:54:59,880
Speaker 3: just bait but like do some.

1189
00:55:00,160 --> 00:55:03,160
Speaker 2: Indeed yeah, and also who can do something to help.

1190
00:55:03,880 --> 00:55:06,080
Speaker 2: It's like you're gonna go in one side of the

1191
00:55:06,120 --> 00:55:08,080
Speaker 2: thump thing and do a thing, and we're gonna go

1192
00:55:08,120 --> 00:55:09,440
Speaker 2: the other side and do a thing, and then we'll

1193
00:55:09,440 --> 00:55:10,880
Speaker 2: meet up and do a thing. But that none of

1194
00:55:10,880 --> 00:55:11,440
Speaker 2: that happened.

1195
00:55:11,560 --> 00:55:15,520
Speaker 3: Nothing, No, it's just like bait okay, and they go.

1196
00:55:15,680 --> 00:55:19,440
Speaker 2: Yeah, So now we're on planet Taint, which is uh

1197
00:55:19,600 --> 00:55:22,640
Speaker 2: with the toads. No, it's Planet Thod whatever it is.

1198
00:55:22,680 --> 00:55:25,160
Speaker 2: It has a dark and scary forest vibe, almost like

1199
00:55:25,200 --> 00:55:28,000
Speaker 2: where Yoda lives in Star Wars, which of course is

1200
00:55:28,080 --> 00:55:31,600
Speaker 2: Empire Strikes Back Sabrina, and the planet system that Yoda

1201
00:55:31,680 --> 00:55:41,200
Speaker 2: is from is called Yodaville. Yodaville, God with you?

1202
00:55:41,719 --> 00:55:44,400
Speaker 3: Why are you? Do you know that I don't know

1203
00:55:44,960 --> 00:55:46,680
Speaker 3: anything about the Star Wars.

1204
00:55:46,520 --> 00:55:48,759
Speaker 2: Assume you've watched it since then, Jordan and I have

1205
00:55:48,800 --> 00:55:50,480
Speaker 2: to have a serious talk. Is he a Star Wars fan?

1206
00:55:50,800 --> 00:55:55,799
Speaker 3: No? What? No? I honestly I go to Disneyland all

1207
00:55:55,840 --> 00:55:58,560
Speaker 3: the time, and I if I go through that Star

1208
00:55:58,600 --> 00:56:00,680
Speaker 3: Wars Land, it is to just walk through and there

1209
00:56:00,760 --> 00:56:05,800
Speaker 3: is a coffee thing that I like? Anything?

1210
00:56:07,120 --> 00:56:07,279
Speaker 4: Is that?

1211
00:56:07,440 --> 00:56:10,640
Speaker 2: Oh my god? Okay, yes, I might stop in.

1212
00:56:10,600 --> 00:56:13,560
Speaker 3: That canteena if there's availability, but like other than that,

1213
00:56:13,880 --> 00:56:15,719
Speaker 3: I'm not hanging out in Star Wars Land. I don't

1214
00:56:15,800 --> 00:56:17,200
Speaker 3: understand anything in there.

1215
00:56:17,440 --> 00:56:20,560
Speaker 2: Soul so much. Yoda was in the Daga bass system

1216
00:56:20,920 --> 00:56:24,760
Speaker 2: for the record Sabrina. He was in the days.

1217
00:56:24,960 --> 00:56:27,640
Speaker 3: Daga bass system. Okay, let me write that down.

1218
00:56:28,200 --> 00:56:30,200
Speaker 2: Yodare you will go train with Yoda?

1219
00:56:31,000 --> 00:56:34,320
Speaker 3: Not called Yoda.

1220
00:56:35,520 --> 00:56:38,359
Speaker 1: You're confusing him with Margaritaville, which is a much different.

1221
00:56:38,040 --> 00:56:40,800
Speaker 3: Place that sounds like a lot more fun.

1222
00:56:40,840 --> 00:56:51,240
Speaker 2: There you go, So he's in there on this new planet.

1223
00:56:51,280 --> 00:56:53,480
Speaker 2: Doesn't explain why there's dinosaur skeletons there at all. I

1224
00:56:53,480 --> 00:56:55,160
Speaker 2: don't know if they're but I guess if they're trying

1225
00:56:55,160 --> 00:56:58,080
Speaker 2: to Okay, so this is also very well, well, I'll

1226
00:56:58,080 --> 00:57:00,640
Speaker 2: get into it a bit. Barnabas thinks they should keep moving,

1227
00:57:00,640 --> 00:57:04,399
Speaker 2: so they quickly run off two Mike's backyard. It's now

1228
00:57:04,480 --> 00:57:06,520
Speaker 2: light out, is it? The next morning? It feels weird.

1229
00:57:06,520 --> 00:57:09,120
Speaker 2: Shrivener's lying flat on the ground. He wakes up, assuming

1230
00:57:09,120 --> 00:57:11,480
Speaker 2: it's still just a prank because nothing's happened. But then

1231
00:57:11,520 --> 00:57:13,960
Speaker 2: we see Jay on the treehouse ladder. He tells Scott

1232
00:57:14,000 --> 00:57:15,920
Speaker 2: not to worry. Mike will get them out of here,

1233
00:57:15,960 --> 00:57:17,720
Speaker 2: and points off to the distance, where we see a

1234
00:57:17,760 --> 00:57:21,120
Speaker 2: looming steel wall with a round window. Scott runs over

1235
00:57:21,160 --> 00:57:24,880
Speaker 2: and looks inside, only to see the third Forest. He

1236
00:57:25,000 --> 00:57:28,240
Speaker 2: knocks in the glass. But where are they? Back in

1237
00:57:28,280 --> 00:57:30,600
Speaker 2: the forest, Mike, Caitlyn, Nick, and Barnabas have stumbled onto

1238
00:57:30,640 --> 00:57:33,439
Speaker 2: a bubbling swamp. They find a stand with a bunch

1239
00:57:33,480 --> 00:57:36,440
Speaker 2: of red crystals inside, and Barnabas says it's a master control.

1240
00:57:36,920 --> 00:57:39,919
Speaker 2: Caitlyn's still wandering around, noticing more dinosaur bones and calls

1241
00:57:39,960 --> 00:57:41,720
Speaker 2: the guys over to check out the large window. It

1242
00:57:41,800 --> 00:57:44,840
Speaker 2: looks like a cage. Inside there's a flame with a

1243
00:57:44,880 --> 00:57:47,160
Speaker 2: large piece of molten rock floating around. They press a

1244
00:57:47,160 --> 00:57:49,800
Speaker 2: button and the rock develops eyes and a mouth. These

1245
00:57:49,880 --> 00:57:55,200
Speaker 2: are the gone arcs native to the Solar system, batelgeist.

1246
00:57:55,640 --> 00:57:57,720
Speaker 2: They shift to another cage with a new type of

1247
00:57:57,760 --> 00:58:02,600
Speaker 2: flesh alien, the handsles from Pegacy. Mike recognizes them from

1248
00:58:02,600 --> 00:58:05,200
Speaker 2: the stories he tells. He feels a connection. He longley

1249
00:58:05,240 --> 00:58:07,240
Speaker 2: puts his hand up to the glass. He assumes Jay

1250
00:58:07,240 --> 00:58:08,680
Speaker 2: and Scott are in a cage just like this, so

1251
00:58:08,720 --> 00:58:10,080
Speaker 2: they head out to find it. And this is where

1252
00:58:10,120 --> 00:58:12,440
Speaker 2: I was like, Okay, so she's obviously a Superman fan

1253
00:58:12,520 --> 00:58:15,480
Speaker 2: because there was a very famous Superman story from the comics.

1254
00:58:15,480 --> 00:58:21,160
Speaker 2: They've also made into movies and animated series called the Collector,

1255
00:58:21,680 --> 00:58:25,920
Speaker 2: who goes around and collects the best specimens, usually the

1256
00:58:26,000 --> 00:58:28,080
Speaker 2: last of their kind, from all around, and one of

1257
00:58:28,120 --> 00:58:29,680
Speaker 2: the people she brings in is the last or he

1258
00:58:29,680 --> 00:58:32,680
Speaker 2: brings in is the last Kryptonian, he captures Superman, puts

1259
00:58:32,680 --> 00:58:35,160
Speaker 2: Superman in the cage. Superman obviously escape speats the crap

1260
00:58:35,160 --> 00:58:37,360
Speaker 2: out of the thing. So this is like a famous

1261
00:58:37,680 --> 00:58:41,520
Speaker 2: Superman story the Collector. Okay, and so couple by itself,

1262
00:58:41,560 --> 00:58:44,160
Speaker 2: maybe it wouldn't be Superman, but couple at the beginning

1263
00:58:44,240 --> 00:58:46,320
Speaker 2: with the story of then he's telling of the one

1264
00:58:46,480 --> 00:58:49,120
Speaker 2: last child put in the pod sent away growing up

1265
00:58:49,120 --> 00:58:50,640
Speaker 2: on Earth. I was like, Oh, so this person is

1266
00:58:50,680 --> 00:58:51,680
Speaker 2: a big Superman fan.

1267
00:58:52,000 --> 00:58:55,000
Speaker 3: But this is like a big question that I was

1268
00:58:55,000 --> 00:58:58,480
Speaker 3: going to ask her, And so is he an alien?

1269
00:58:59,080 --> 00:59:01,439
Speaker 2: That's I don't don't know. Is he telling the true

1270
00:59:01,440 --> 00:59:02,520
Speaker 2: story of being an alien?

1271
00:59:02,640 --> 00:59:09,800
Speaker 3: I like about this specific correct Handseel species and the

1272
00:59:09,840 --> 00:59:12,000
Speaker 3: Handsels have been fighting the Gretels for centuries.

1273
00:59:13,880 --> 00:59:15,800
Speaker 1: No, it's I agree with you, one hundred percent.

1274
00:59:17,480 --> 00:59:18,640
Speaker 3: He is one of them.

1275
00:59:18,840 --> 00:59:21,160
Speaker 2: Okay. I was like, is it? But then I was

1276
00:59:21,200 --> 00:59:25,200
Speaker 2: hoping he would have they give him some hour or yes,

1277
00:59:25,400 --> 00:59:26,000
Speaker 2: I thought.

1278
00:59:25,760 --> 00:59:28,320
Speaker 3: There was gonna be some kind of power that was happening.

1279
00:59:28,600 --> 00:59:33,439
Speaker 2: No, nope, But maybe he's an alien. I don't know. Yeah,

1280
00:59:33,600 --> 00:59:37,880
Speaker 2: I don't know. A loss I agree with you, I

1281
00:59:37,920 --> 00:59:38,360
Speaker 2: agree with you.

1282
00:59:39,360 --> 00:59:40,000
Speaker 1: I agree with you.

1283
00:59:40,160 --> 00:59:41,600
Speaker 3: A lost opportunity here.

1284
00:59:41,840 --> 00:59:43,440
Speaker 2: I agree with you. I didn't know what was going on,

1285
00:59:44,640 --> 00:59:47,120
Speaker 2: No I was. I was a little loss at this point.

1286
00:59:47,600 --> 00:59:49,880
Speaker 2: But we're back in the cage version of Mike's Backyard.

1287
00:59:49,920 --> 00:59:52,080
Speaker 2: Scott says this is his worst nightmare, being stuck at

1288
00:59:52,080 --> 00:59:53,120
Speaker 2: the Pillsbury's forever.

1289
00:59:53,240 --> 00:59:56,360
Speaker 1: By the way, if it's a Pillsbury bakery, I'm in.

1290
00:59:56,880 --> 00:59:57,440
Speaker 3: I am in.

1291
00:59:57,760 --> 01:00:01,040
Speaker 2: Oh, by the way, if you press me right here

1292
01:00:01,040 --> 01:00:05,400
Speaker 2: I go. He j tells him not to worry. Micha

1293
01:00:05,400 --> 01:00:07,360
Speaker 2: will find a way to get them out. Back inside

1294
01:00:07,360 --> 01:00:09,560
Speaker 2: the forest, the gang do find Jay and Scott's cage

1295
01:00:09,560 --> 01:00:11,320
Speaker 2: and start yelling, but the boys can't hear them. They

1296
01:00:11,320 --> 01:00:13,680
Speaker 2: need to figure out how to open it. Barnabas says

1297
01:00:13,680 --> 01:00:16,360
Speaker 2: a thod would have a key, and that's when the

1298
01:00:16,400 --> 01:00:19,640
Speaker 2: Thod arrives. It's just a dude with a glowing necklace.

1299
01:00:19,720 --> 01:00:21,720
Speaker 2: That's it. That's a thoad. He looks like he used

1300
01:00:21,760 --> 01:00:24,240
Speaker 2: car salesman and is looking to ten to his specimens.

1301
01:00:24,840 --> 01:00:26,720
Speaker 2: The Thoad says the boys will be taken care of

1302
01:00:26,720 --> 01:00:28,720
Speaker 2: and their life spans will be longer than on Dangerous

1303
01:00:28,720 --> 01:00:31,160
Speaker 2: Old Earth. This is a sanctuary, not a prison. He

1304
01:00:31,240 --> 01:00:34,200
Speaker 2: thanks them for becoming part of his collection. Barnabas is

1305
01:00:34,240 --> 01:00:38,200
Speaker 2: now his very first puppy in and with that his

1306
01:00:38,280 --> 01:00:40,560
Speaker 2: voice deepens to evil and he reaches for Caitlin with

1307
01:00:40,600 --> 01:00:45,800
Speaker 2: his long tongue, but oh, Mike's tongue got there first. Nomt.

1308
01:00:45,800 --> 01:00:48,360
Speaker 2: I'm sorry, but they just run away in time. The

1309
01:00:48,440 --> 01:00:51,520
Speaker 2: human car salesman quickly transforms into a terrifying toad alien

1310
01:00:51,560 --> 01:00:53,400
Speaker 2: bursting out of his linen jacket, which again is the

1311
01:00:53,440 --> 01:00:56,880
Speaker 2: same exact story for the collector. The collector looks like

1312
01:00:56,920 --> 01:00:59,520
Speaker 2: this frail, old, little floating guy and then breaks into

1313
01:00:59,520 --> 01:01:02,520
Speaker 2: this huge alien to fight Superman. This is all wow,

1314
01:01:02,880 --> 01:01:05,320
Speaker 2: WHOA Mike doesn't have a plan, so the gang decides

1315
01:01:05,360 --> 01:01:07,840
Speaker 2: to hide behind some rocks, but when the Thoad arrives,

1316
01:01:07,880 --> 01:01:09,480
Speaker 2: Mike just comes right out and asks if they could

1317
01:01:09,480 --> 01:01:12,720
Speaker 2: discuss this, which frankly seems like a horrible plant. The

1318
01:01:12,720 --> 01:01:14,600
Speaker 2: Thoad ignores his a quest and jumps through the air,

1319
01:01:14,680 --> 01:01:16,360
Speaker 2: landing right in front of him, But just when it

1320
01:01:16,360 --> 01:01:18,640
Speaker 2: looks like there's no escape, Mike reveals that Caitlin and

1321
01:01:18,720 --> 01:01:20,560
Speaker 2: Nick are right behind the alien, and they drop a

1322
01:01:20,560 --> 01:01:25,240
Speaker 2: cage on the Thode, capturing them. They celebrate, but Barnabas

1323
01:01:25,240 --> 01:01:29,240
Speaker 2: warns it won't hold him for long. With the thoad

1324
01:01:29,320 --> 01:01:32,080
Speaker 2: now captive, Caitlyn gets his key and runs off. Mike

1325
01:01:32,120 --> 01:01:35,400
Speaker 2: stops at the Hanzel's cage to help free him, and

1326
01:01:35,440 --> 01:01:39,960
Speaker 2: then the handle comes up, closes his eyes, puts his

1327
01:01:40,000 --> 01:01:44,479
Speaker 2: hand up, and so telepathically teaches Mike how to use

1328
01:01:44,560 --> 01:01:46,920
Speaker 2: the crystal to open use the key, which is the

1329
01:01:46,960 --> 01:01:48,360
Speaker 2: crystal to open the cage.

1330
01:01:48,840 --> 01:01:51,600
Speaker 3: Yes. So then I'm like, okay, so he is a handle,

1331
01:01:51,960 --> 01:01:56,240
Speaker 3: right or I feel a handle and a human or something.

1332
01:01:56,280 --> 01:01:58,000
Speaker 2: Is the And everyone keeps telling him he's an alien.

1333
01:01:58,040 --> 01:01:59,680
Speaker 2: He thinks he's an alien. He feels like an alien.

1334
01:01:59,680 --> 01:02:01,960
Speaker 2: He's telling stories about really iron plant, I think.

1335
01:02:01,920 --> 01:02:03,120
Speaker 3: And now he can alien.

1336
01:02:03,520 --> 01:02:06,800
Speaker 2: Now he can, yeah, telepathically speak with them. Maybe he

1337
01:02:06,880 --> 01:02:09,000
Speaker 2: is an alien, that's what they're getting at. I don't know.

1338
01:02:09,040 --> 01:02:12,520
Speaker 2: Maybe it's just about kids always feeling like they're an alien, right.

1339
01:02:12,280 --> 01:02:15,280
Speaker 3: Which I get that too. I get that that version.

1340
01:02:15,520 --> 01:02:17,080
Speaker 2: And I think he really is an alien.

1341
01:02:17,400 --> 01:02:19,720
Speaker 3: Don't know if the script is even quite sure.

1342
01:02:19,600 --> 01:02:22,400
Speaker 2: No, exactly, I don't understand what's going on.

1343
01:02:22,480 --> 01:02:23,760
Speaker 3: There's a lot of question marks.

1344
01:02:24,000 --> 01:02:27,800
Speaker 2: Yeah, so yeah, he then opens the Hansel's cage now

1345
01:02:27,840 --> 01:02:30,760
Speaker 2: because he had the information of how to do it somehow,

1346
01:02:30,760 --> 01:02:33,360
Speaker 2: knowing what to do from the stories. Next up, they

1347
01:02:33,400 --> 01:02:35,200
Speaker 2: open Scott and Jay's cage, and Nick and his brother

1348
01:02:35,280 --> 01:02:37,600
Speaker 2: rio nite. Now, Barnabas explains that they need to go

1349
01:02:37,640 --> 01:02:39,840
Speaker 2: back through the third gate, but Mike stops at the

1350
01:02:39,880 --> 01:02:42,200
Speaker 2: Red Crystals first. There's one more thing that he has

1351
01:02:42,280 --> 01:02:44,440
Speaker 2: to do. He unlocks all the cages, and with that,

1352
01:02:44,440 --> 01:02:46,520
Speaker 2: the kids jump into the portal and end up back

1353
01:02:46,520 --> 01:02:49,320
Speaker 2: in Mike's real backyard. But then they don't get why

1354
01:02:49,360 --> 01:02:52,040
Speaker 2: the stargate isn't closing. Barnabas says, you can't close the

1355
01:02:52,080 --> 01:02:55,000
Speaker 2: stargate if someone or something is traveling inside of it.

1356
01:02:55,360 --> 01:02:59,400
Speaker 2: Barnabas needs to contact the intergalactic police, maybe do that earlier,

1357
01:02:59,640 --> 01:03:03,520
Speaker 2: but is busy okay, and.

1358
01:03:03,760 --> 01:03:05,840
Speaker 1: That's also an issue, frankly, we have here on Earth.

1359
01:03:06,640 --> 01:03:09,840
Speaker 2: Then the Thod appears, now an angry alien frog, mad

1360
01:03:09,840 --> 01:03:12,160
Speaker 2: as hell that Mike is Frieda's entire collection. He's ready

1361
01:03:12,200 --> 01:03:14,360
Speaker 2: to make the boy pay. Mike tries to talk him down,

1362
01:03:14,360 --> 01:03:16,640
Speaker 2: but the Thoad is too mad for reasoning. He tongues

1363
01:03:16,680 --> 01:03:20,240
Speaker 2: Mike's leg say that one more time. He tongues Mike's

1364
01:03:20,280 --> 01:03:23,560
Speaker 2: leg and then drags him through the portal. The gang

1365
01:03:23,640 --> 01:03:26,320
Speaker 2: jumps to action, holding Mike back on Earth, and that's

1366
01:03:26,360 --> 01:03:30,560
Speaker 2: when the Intergalactic Policeman arrives. One guy.

1367
01:03:31,320 --> 01:03:35,720
Speaker 3: One guy is his portal shuts right behind him.

1368
01:03:36,760 --> 01:03:40,400
Speaker 2: Yes, it's just it's portals just shuts and you're like

1369
01:03:40,920 --> 01:03:41,680
Speaker 2: so strange.

1370
01:03:41,800 --> 01:03:44,000
Speaker 3: Where are you going to take this guy? Where do

1371
01:03:44,040 --> 01:03:46,120
Speaker 3: you take him? Your portals? Just laughed.

1372
01:03:46,360 --> 01:03:49,600
Speaker 2: Yeah, he's but he's it's just one guy with a laser.

1373
01:03:50,600 --> 01:03:52,800
Speaker 2: He says. There's hundreds of warrants against the Thod. He

1374
01:03:52,840 --> 01:03:55,120
Speaker 2: takes the creature away. There's no cuffing, there's no get

1375
01:03:55,160 --> 01:03:57,960
Speaker 2: your hands up. He's just hey, I got you, you scoundrel,

1376
01:03:58,160 --> 01:04:09,840
Speaker 2: and one god, yeah, man here I come. Yeah, yeah

1377
01:04:06,680 --> 01:04:13,680
Speaker 2: I don't. It just took one cop. It was so weirdly,

1378
01:04:15,040 --> 01:04:15,479
Speaker 2: it was.

1379
01:04:15,400 --> 01:04:19,120
Speaker 3: So but the cops make up and like this, like

1380
01:04:19,640 --> 01:04:21,720
Speaker 3: all of the stuff that they have on him was

1381
01:04:21,760 --> 01:04:23,640
Speaker 3: pretty good at the top.

1382
01:04:23,680 --> 01:04:25,200
Speaker 2: It was good. But send two or three of them,

1383
01:04:25,520 --> 01:04:27,480
Speaker 2: like yeah, that was the budget.

1384
01:04:27,560 --> 01:04:28,560
Speaker 1: Will yeah, I.

1385
01:04:28,560 --> 01:04:31,720
Speaker 2: Know, then hold up your gun and capture them with

1386
01:04:31,760 --> 01:04:32,880
Speaker 2: your raygun as.

1387
01:04:32,720 --> 01:04:35,040
Speaker 1: Opposed to like a yes, scoundrel like that was it?

1388
01:04:35,120 --> 01:04:38,920
Speaker 2: Like do something? They literally did nothing.

1389
01:04:40,200 --> 01:04:43,920
Speaker 3: Well that's I guess why Barnaby didn't call him earlier

1390
01:04:43,920 --> 01:04:45,680
Speaker 3: because he knew he'd only.

1391
01:04:45,480 --> 01:04:50,680
Speaker 2: Send one exactly, so it was weird. So they arrest

1392
01:04:50,760 --> 01:04:53,120
Speaker 2: him and the cop takes him away. Caitlin then tells

1393
01:04:53,160 --> 01:04:55,360
Speaker 2: Mike they really do make a great team. It seems

1394
01:04:55,360 --> 01:04:57,439
Speaker 2: like they might hook up after all. He says, come

1395
01:04:57,480 --> 01:04:59,480
Speaker 2: into my treehouse and let me show you my f

1396
01:05:03,800 --> 01:05:08,200
Speaker 2: With the Toad in custody, the Phae's now in custody,

1397
01:05:08,440 --> 01:05:10,840
Speaker 2: the officer shifts his attention to the kids. He wants

1398
01:05:10,840 --> 01:05:13,400
Speaker 2: an explanation and a better be good. That's when we

1399
01:05:13,440 --> 01:05:15,960
Speaker 2: cut to the big football game and he's still playing football.

1400
01:05:16,280 --> 01:05:17,840
Speaker 2: Mike is sitting on the far d of the bench

1401
01:05:17,880 --> 01:05:20,280
Speaker 2: while the game rage is on. Barnabas stops to tell

1402
01:05:20,320 --> 01:05:23,360
Speaker 2: Mike that his initial satellite communication has been deemed accidental

1403
01:05:23,400 --> 01:05:25,960
Speaker 2: and Earth is once again classified as a protected planet.

1404
01:05:26,240 --> 01:05:28,720
Speaker 2: The Thoad has also been sentenced to serve two eons

1405
01:05:28,760 --> 01:05:31,320
Speaker 2: in a penitentiary, which we all know on another planet

1406
01:05:31,400 --> 01:05:33,800
Speaker 2: is actually in six months with time served, and all

1407
01:05:33,840 --> 01:05:37,200
Speaker 2: the hostage specimens, including the Hanzl, have been returned to

1408
01:05:37,240 --> 01:05:40,360
Speaker 2: their home planet. Mike thanks Barnabas for everything, but Barnabas

1409
01:05:40,360 --> 01:05:43,320
Speaker 2: says they have unfinished business. It's not too late for

1410
01:05:43,400 --> 01:05:45,919
Speaker 2: Mike to go with him. Mike says, Earth is his home,

1411
01:05:45,960 --> 01:05:48,040
Speaker 2: even though it doesn't always feel like it. It's where

1412
01:05:48,080 --> 01:05:51,400
Speaker 2: he belongs. And Barnabas gives my permission to scratch him

1413
01:05:51,400 --> 01:05:52,920
Speaker 2: behind the ears, which, as we all know, is a

1414
01:05:52,920 --> 01:05:55,320
Speaker 2: big deal for their species. The dog says farewell, and

1415
01:05:55,360 --> 01:05:57,520
Speaker 2: Mike promises he will never forget him, which seems like

1416
01:05:57,520 --> 01:05:59,760
Speaker 2: a pretty small ask when dealing with the talking dog.

1417
01:06:00,680 --> 01:06:02,760
Speaker 2: With that, Mike's coach puts him in the game and

1418
01:06:02,760 --> 01:06:05,720
Speaker 2: he's tackled almost immediately, which again, he's on defense, So

1419
01:06:05,800 --> 01:06:08,800
Speaker 2: why is he tackled? Scott doesn't get it. Why does

1420
01:06:08,840 --> 01:06:11,200
Speaker 2: Mike even play on the team? Fair question. Mike is,

1421
01:06:11,200 --> 01:06:13,120
Speaker 2: of course on phaze. It's where he belongs and he'll

1422
01:06:13,200 --> 01:06:15,920
Speaker 2: prove it to him one day. Schreibner isn't sold. He

1423
01:06:15,920 --> 01:06:17,920
Speaker 2: smiles and tells him to dream on, something Mike is

1424
01:06:18,560 --> 01:06:21,080
Speaker 2: more than willing to do, though flat like a pancake.

1425
01:06:21,160 --> 01:06:24,000
Speaker 2: Caitlin and the cheerleaders route Mike on. He's earned everyone's respect,

1426
01:06:24,240 --> 01:06:26,440
Speaker 2: and with that, Shribder helps him up, puts his arm

1427
01:06:26,480 --> 01:06:28,680
Speaker 2: around him, and gets him back into the huddle. And

1428
01:06:28,800 --> 01:06:38,160
Speaker 2: that is our movie. Do you think he's nailing?

1429
01:06:38,720 --> 01:06:39,480
Speaker 3: I don't know.

1430
01:06:40,080 --> 01:06:42,520
Speaker 1: I don't know either, I don't The.

1431
01:06:42,560 --> 01:06:44,840
Speaker 3: Thing I think could have happened is if he did

1432
01:06:44,880 --> 01:06:49,080
Speaker 3: get his special power that and he goes back to Earth. Right,

1433
01:06:49,120 --> 01:06:51,200
Speaker 3: he still goes back to Earth, but that you see

1434
01:06:51,200 --> 01:06:55,000
Speaker 3: some little remnants of like if it was something that

1435
01:06:55,040 --> 01:06:58,520
Speaker 3: he could throw, you know, like some kind of idea

1436
01:06:58,560 --> 01:07:02,000
Speaker 3: that he now is a a human but has found

1437
01:07:02,040 --> 01:07:05,600
Speaker 3: his actual power something. Yeah, I mean, that makes it

1438
01:07:05,640 --> 01:07:09,160
Speaker 3: make all sense why he feels different, why you know

1439
01:07:09,200 --> 01:07:09,840
Speaker 3: what I mean.

1440
01:07:09,800 --> 01:07:12,080
Speaker 2: Like I didn't understand. I think you might be one

1441
01:07:12,120 --> 01:07:14,400
Speaker 2: hundred percent right, by the way, and maybe again, this

1442
01:07:14,440 --> 01:07:16,760
Speaker 2: is why books are always better than the movies. At

1443
01:07:16,840 --> 01:07:18,800
Speaker 2: least nine point nine percent of the time, the books

1444
01:07:18,800 --> 01:07:21,160
Speaker 2: are better than the movies. Maybe the book gets more

1445
01:07:21,160 --> 01:07:24,160
Speaker 2: into it and you really come away with an idea

1446
01:07:24,160 --> 01:07:26,400
Speaker 2: of whether or maybe they even at least set it

1447
01:07:26,480 --> 01:07:28,800
Speaker 2: up to where you're not supposed to know this. They

1448
01:07:28,800 --> 01:07:32,240
Speaker 2: don't even really kind of address the possibility. It's weird.

1449
01:07:32,280 --> 01:07:34,360
Speaker 2: It's like we don't know, so you don't know as

1450
01:07:34,360 --> 01:07:37,520
Speaker 2: opposed to isy or isn't he which they don't really

1451
01:07:37,520 --> 01:07:39,360
Speaker 2: do easy, or isn't he in this book. They just

1452
01:07:39,520 --> 01:07:41,520
Speaker 2: are in the movie where in the book? Maybe they do.

1453
01:07:41,640 --> 01:07:44,840
Speaker 2: I don't know. Anyway, let's do some real reviews and

1454
01:07:45,600 --> 01:07:49,880
Speaker 2: I have the five star this week. I'm very happy. Yay,

1455
01:07:50,240 --> 01:07:50,920
Speaker 2: this is a five star.

1456
01:07:50,960 --> 01:07:52,560
Speaker 3: I feel like you don't get the five stars.

1457
01:07:52,600 --> 01:07:54,040
Speaker 2: I don't. I feel like I get the one stars

1458
01:07:54,080 --> 01:07:55,960
Speaker 2: a lot, and I'm glad to get a five star review.

1459
01:07:55,960 --> 01:07:57,400
Speaker 1: This is from Brianna Kraus.

1460
01:07:58,280 --> 01:08:00,360
Speaker 2: When I was a child, only at the age of eight,

1461
01:08:00,480 --> 01:08:02,240
Speaker 2: I woke up in a cold sweat while this movie

1462
01:08:02,280 --> 01:08:04,600
Speaker 2: was playing. Traumatic, if I do say so, I only

1463
01:08:04,600 --> 01:08:06,640
Speaker 2: saw the last thirty minutes, but I had nightmares for

1464
01:08:06,640 --> 01:08:09,520
Speaker 2: the next two years. Fast forward ten years. I've not

1465
01:08:09,560 --> 01:08:12,200
Speaker 2: stopped thinking about this movie my every waking moment. Every

1466
01:08:12,200 --> 01:08:14,320
Speaker 2: time someone brings up the Critters franchise, I have to

1467
01:08:14,360 --> 01:08:16,360
Speaker 2: relish in the fact that it's not the movie that

1468
01:08:16,400 --> 01:08:20,599
Speaker 2: has been haunting my thoughts for twelve years. Also, Mike

1469
01:08:20,920 --> 01:08:23,200
Speaker 2: is literally the definition of an incel and does not

1470
01:08:23,280 --> 01:08:28,240
Speaker 2: deserve Caitlin. Well, that's about five stars. Okay, Well you

1471
01:08:28,280 --> 01:08:30,120
Speaker 2: took us on a ride there, Brianna then took a

1472
01:08:30,200 --> 01:08:31,240
Speaker 2: left right at the last second.

1473
01:08:31,240 --> 01:08:34,240
Speaker 1: Okay, gotcha. What do we got for the one star Sabrina.

1474
01:08:34,560 --> 01:08:39,240
Speaker 3: Okay, this is our one star from Zanatos or Xanatos.

1475
01:08:39,320 --> 01:08:43,280
Speaker 3: We'll see did the rider die before they finished it?

1476
01:08:43,680 --> 01:08:46,360
Speaker 3: The first two thirds of this movie are funny and

1477
01:08:46,400 --> 01:08:52,200
Speaker 3: the final third is downright stupid and remedial. The writing

1478
01:08:52,280 --> 01:08:54,880
Speaker 3: screws up when the boy and his friends team up

1479
01:08:54,920 --> 01:08:58,679
Speaker 3: with the school bully to face an evil zoo keeper alien.

1480
01:08:58,920 --> 01:09:02,880
Speaker 3: This bully befriend and the cliche evil alien makes me

1481
01:09:03,080 --> 01:09:07,280
Speaker 3: really wonder if we change writers within the movie. He's

1482
01:09:07,320 --> 01:09:08,880
Speaker 3: not wrong, No, he was right.

1483
01:09:09,479 --> 01:09:12,040
Speaker 2: They change writers, right.

1484
01:09:12,560 --> 01:09:16,759
Speaker 3: I honestly, when the bully becomes part of the group

1485
01:09:17,880 --> 01:09:21,439
Speaker 3: I kind of raised my eyebroll to that too, like really,

1486
01:09:22,080 --> 01:09:23,120
Speaker 3: oh all right.

1487
01:09:24,439 --> 01:09:27,519
Speaker 2: All right, okay, so we are now at you know, well,

1488
01:09:27,560 --> 01:09:30,600
Speaker 2: not mine, but Sabrina is certainly favorite part of the program.

1489
01:09:30,880 --> 01:09:32,800
Speaker 2: That is, of course, our feature game, and this week

1490
01:09:32,840 --> 01:09:36,559
Speaker 2: we're playing a game called Location, Location, Location. Our movie

1491
01:09:36,560 --> 01:09:38,799
Speaker 2: this week deals with some of the weirdest alien sidings

1492
01:09:38,840 --> 01:09:41,120
Speaker 2: ever captured on film. So to honor its unique take

1493
01:09:41,160 --> 01:09:44,080
Speaker 2: on extraterrestrials, we're going to find out which US states

1494
01:09:44,080 --> 01:09:46,920
Speaker 2: have the highest total of alien sidings. Will be given

1495
01:09:46,960 --> 01:09:48,880
Speaker 2: five states, and we must place them in order from

1496
01:09:48,880 --> 01:09:52,600
Speaker 2: most sightings to least. We'll work together and if we

1497
01:09:52,640 --> 01:09:55,679
Speaker 2: can get them all right, then we win. So here

1498
01:09:55,720 --> 01:09:58,360
Speaker 2: we go. The states are these, so again we got

1499
01:09:58,520 --> 01:10:00,639
Speaker 2: we got to place them in order from most sightings

1500
01:10:00,680 --> 01:10:05,560
Speaker 2: to least Texas, Florida, New York, California, Washington.

1501
01:10:07,320 --> 01:10:15,160
Speaker 3: I would say Texas and Florida would be like the most,

1502
01:10:15,320 --> 01:10:17,720
Speaker 3: so they'd be what would they be up top or

1503
01:10:17,720 --> 01:10:19,639
Speaker 3: would they be down below? Like one to five?

1504
01:10:19,760 --> 01:10:22,320
Speaker 1: We gotta be we gotta, we gotta go from most

1505
01:10:22,360 --> 01:10:22,760
Speaker 1: to lease.

1506
01:10:23,000 --> 01:10:25,400
Speaker 2: Who are we playing with? By the way, Oh get Lisa. Yay,

1507
01:10:25,439 --> 01:10:27,680
Speaker 2: we got pretty ser Lisa today. Okay, So I.

1508
01:10:27,680 --> 01:10:30,000
Speaker 3: Would wouldn't you think? Would it be Florida or Texas

1509
01:10:30,040 --> 01:10:32,599
Speaker 3: would be one? Will?

1510
01:10:33,240 --> 01:10:34,479
Speaker 2: I think Texas would be one.

1511
01:10:34,640 --> 01:10:35,439
Speaker 3: I think so too.

1512
01:10:36,280 --> 01:10:38,200
Speaker 2: Here's what I would do. I'm gonna I'm gonna throw

1513
01:10:38,240 --> 01:10:40,640
Speaker 2: something crazy out at you from somebody who believes in

1514
01:10:40,680 --> 01:10:43,640
Speaker 2: all this alien stuff. Okay, I think the states that

1515
01:10:43,680 --> 01:10:46,360
Speaker 2: are gonna have the most sightings are the states with

1516
01:10:46,400 --> 01:10:47,599
Speaker 2: the most military bases.

1517
01:10:48,920 --> 01:10:50,479
Speaker 3: Oh well, I don't really know that either.

1518
01:10:50,720 --> 01:10:52,280
Speaker 2: Well, I think it's good. I think it would go

1519
01:10:52,320 --> 01:11:00,439
Speaker 2: something like Texas than maybe California. Oh really, then I

1520
01:11:00,479 --> 01:11:02,920
Speaker 2: think so my you could tell you from I would

1521
01:11:02,920 --> 01:11:07,439
Speaker 2: say Texas, California, Florida, Washington, New York.

1522
01:11:09,360 --> 01:11:11,400
Speaker 1: Okay. I would you agree with that?

1523
01:11:11,560 --> 01:11:14,160
Speaker 3: Yeah? The only thing I would the only thing that

1524
01:11:14,240 --> 01:11:16,599
Speaker 3: I would not know. For some reason in my head,

1525
01:11:17,560 --> 01:11:23,360
Speaker 3: I have this lots of alien activity, you know, being

1526
01:11:23,439 --> 01:11:28,639
Speaker 3: seen or whatever supposed I don't know in Texas said no, yes,

1527
01:11:28,680 --> 01:11:31,280
Speaker 3: in Texas. I definitely think Texas is. The ones I'm

1528
01:11:31,320 --> 01:11:33,720
Speaker 3: flipping back and forth would be Florida and California.

1529
01:11:33,840 --> 01:11:37,680
Speaker 2: Okay, So what do you want to say Texas? Do

1530
01:11:37,720 --> 01:11:40,000
Speaker 2: you want to say Texas, Florida, California, That's what that

1531
01:11:40,000 --> 01:11:43,679
Speaker 2: will be yours? And I say Texas, California, Florida, Okay,

1532
01:11:43,880 --> 01:11:44,759
Speaker 2: New York Washington.

1533
01:11:44,960 --> 01:11:46,799
Speaker 3: Then I think you're right with New York Washington.

1534
01:11:46,880 --> 01:11:54,400
Speaker 2: Yeah, I'm going to say mine is going to be Texas, California, Florida, Washington,

1535
01:11:54,439 --> 01:11:56,040
Speaker 2: New York Okay.

1536
01:11:56,080 --> 01:12:04,160
Speaker 3: And Sabrina, I'm going to do Texas, California or no, Texas, Florida, California, Washington,

1537
01:12:04,200 --> 01:12:04,599
Speaker 3: New York.

1538
01:12:05,880 --> 01:12:08,800
Speaker 4: I will say, only you got one right, and that

1539
01:12:08,960 --> 01:12:10,920
Speaker 4: was Sabrino with Florida at number two.

1540
01:12:11,360 --> 01:12:13,000
Speaker 2: What are they? So?

1541
01:12:13,160 --> 01:12:15,960
Speaker 4: I have going from the bottom up, so least up

1542
01:12:16,000 --> 01:12:20,440
Speaker 4: we have Washington, then New York, Texas, in the middle Florida,

1543
01:12:20,840 --> 01:12:24,120
Speaker 4: and then California with almost double what Florida has reported.

1544
01:12:24,400 --> 01:12:29,280
Speaker 2: Wow, So California Sabrina at least got one. Yeah, one.

1545
01:12:29,960 --> 01:12:32,000
Speaker 1: Aliens are never going to abduct me if I don't know.

1546
01:12:32,000 --> 01:12:36,600
Speaker 3: The anti California is the most. That's so crazy to me,

1547
01:12:36,640 --> 01:12:39,120
Speaker 3: because I mean, I feel like there's many parts of

1548
01:12:39,160 --> 01:12:43,040
Speaker 3: Texas that I have heard, you know, sightings being done

1549
01:12:43,040 --> 01:12:44,839
Speaker 3: at that's wow.

1550
01:12:45,000 --> 01:12:46,920
Speaker 4: All right, you need an alien movie to watch. Go

1551
01:12:46,960 --> 01:12:48,080
Speaker 4: watch Project Hill Mary.

1552
01:12:48,200 --> 01:12:51,600
Speaker 2: Okay, bye. I liked Project Hill Mary. I thought The

1553
01:12:51,600 --> 01:12:53,280
Speaker 2: Martian was better. I'm one of the few people I

1554
01:12:53,320 --> 01:12:55,479
Speaker 2: thought that that's all the same, the same guys saying

1555
01:12:55,640 --> 01:12:57,360
Speaker 2: guys yeah, yeah, And I thought The Martian was better

1556
01:12:57,400 --> 01:12:59,400
Speaker 2: than Project Hill Mary. But I really enjoyed Project Till Mary.

1557
01:12:59,400 --> 01:13:00,000
Speaker 2: But I liked the Marshall.

1558
01:13:00,720 --> 01:13:03,559
Speaker 3: I think I'm good with keeping at the can of worms.

1559
01:13:03,840 --> 01:13:09,680
Speaker 2: Thanks, No, yeah, exactly. Can we do some Sabrina ses?

1560
01:13:12,360 --> 01:13:17,200
Speaker 3: Yes, all right, so right away? Obviously very quick one.

1561
01:13:17,479 --> 01:13:21,600
Speaker 3: The dad in the like varsity looking jacket always kills me.

1562
01:13:21,840 --> 01:13:25,639
Speaker 3: It still happens today. The moms at football games wearing

1563
01:13:25,640 --> 01:13:28,840
Speaker 3: their kids, you know, letterman jackets. They even wear our

1564
01:13:29,439 --> 01:13:31,559
Speaker 3: some of our cheer and song moms even still wear

1565
01:13:31,640 --> 01:13:34,719
Speaker 3: their girls letterman jackets. It's it's something that just always

1566
01:13:34,720 --> 01:13:37,160
Speaker 3: makes me giggle. I think when it gets to my time,

1567
01:13:37,240 --> 01:13:39,360
Speaker 3: if if Ledger's on a team and he lets me

1568
01:13:39,400 --> 01:13:42,240
Speaker 3: wear his lenimon jacket, I probably will, but it's gonna

1569
01:13:42,240 --> 01:13:44,080
Speaker 3: make me laugh at myself. At that point.

1570
01:13:44,280 --> 01:13:46,080
Speaker 1: You know you're gonna wear it, of course you are.

1571
01:13:48,439 --> 01:13:51,799
Speaker 3: Okay, one thing you started to go into but didn't

1572
01:13:52,040 --> 01:13:56,840
Speaker 3: one hundred percent lean into Shreibner our canoes. Okay. Did

1573
01:13:56,880 --> 01:13:59,920
Speaker 3: you notice though they tried to make him like this,

1574
01:14:00,439 --> 01:14:05,200
Speaker 3: you know, techy kind of you know, genius kind of guy. However,

1575
01:14:05,520 --> 01:14:10,760
Speaker 3: every time he does anything, it's literally one button that

1576
01:14:10,800 --> 01:14:14,240
Speaker 3: he does. He doesn't like click, it's literally like one

1577
01:14:14,280 --> 01:14:16,960
Speaker 3: button yep. And then he like does it again in

1578
01:14:16,960 --> 01:14:21,280
Speaker 3: the classroom, and then when he's at the dance one button.

1579
01:14:21,120 --> 01:14:23,519
Speaker 2: Like it's just enters. I noticed that too.

1580
01:14:23,760 --> 01:14:26,559
Speaker 3: I'm just gonna not believable. You do not know what

1581
01:14:26,600 --> 01:14:32,680
Speaker 3: you're doing, sir. That is yes. One thing to the

1582
01:14:32,800 --> 01:14:36,200
Speaker 3: dad said, which I thought kind of twinged. When he

1583
01:14:36,240 --> 01:14:38,759
Speaker 3: clogs on to look at his like data or whatever.

1584
01:14:38,840 --> 01:14:41,160
Speaker 3: He says at and T what you got from me

1585
01:14:41,320 --> 01:14:43,639
Speaker 3: or something like that, and he like shouted out at

1586
01:14:43,760 --> 01:14:46,439
Speaker 3: and T, which I thought was different. We don't hear

1587
01:14:46,600 --> 01:14:47,599
Speaker 3: any company names.

1588
01:14:47,680 --> 01:14:49,880
Speaker 2: That's true. Disney likes to avoid the company names.

1589
01:14:49,880 --> 01:14:53,360
Speaker 3: Void out all costs. Uh. The note that I wrote

1590
01:14:53,360 --> 01:14:56,559
Speaker 3: down while we were speaking when you got me with

1591
01:14:56,760 --> 01:15:03,000
Speaker 3: there's stuff was why is Caitlyn in his room? That is,

1592
01:15:03,080 --> 01:15:06,120
Speaker 3: you know, that's such a thing for me, Like you've

1593
01:15:06,200 --> 01:15:11,559
Speaker 3: been invited to the house. Why is anyone wandering or

1594
01:15:11,960 --> 01:15:14,640
Speaker 3: his little sister allowing or knowing that she can't have

1595
01:15:14,720 --> 01:15:17,280
Speaker 3: boys in her room. Caitlyn should not be in his room.

1596
01:15:17,360 --> 01:15:19,240
Speaker 2: I agree, inappropriate.

1597
01:15:19,320 --> 01:15:23,080
Speaker 3: Don't like it. Then, Caitlyn has we talked about the

1598
01:15:23,120 --> 01:15:27,559
Speaker 3: magic flowers. He became a magician for one hot second

1599
01:15:27,600 --> 01:15:32,360
Speaker 3: and then that never And then I thought that I

1600
01:15:32,400 --> 01:15:36,400
Speaker 3: don't know if it was done differently or weirdly, but hurt.

1601
01:15:36,479 --> 01:15:40,080
Speaker 3: Caitlyn's line of what when she sees him in the

1602
01:15:40,120 --> 01:15:44,280
Speaker 3: hallway threw me off. I didn't because it wasn't done

1603
01:15:44,320 --> 01:15:45,720
Speaker 3: like she was being a like a.

1604
01:15:46,760 --> 01:15:49,720
Speaker 1: She wasn't being me trying to ignore him.

1605
01:15:50,160 --> 01:15:50,679
Speaker 2: She was friends.

1606
01:15:51,120 --> 01:15:54,160
Speaker 3: Yeah, but she didn't seem really embarrassed. She just it

1607
01:15:54,200 --> 01:15:56,360
Speaker 3: was like, I don't know. I was like, A, it

1608
01:15:56,400 --> 01:15:59,040
Speaker 3: was a weird situation. I didn't understand what that was.

1609
01:16:00,360 --> 01:16:03,760
Speaker 3: I didn't like my grossest part. I was typing down

1610
01:16:03,800 --> 01:16:06,799
Speaker 3: the ones that you know, the grossness of this movie

1611
01:16:06,880 --> 01:16:09,720
Speaker 3: was not up Mike Ali and I did not love that.

1612
01:16:10,160 --> 01:16:14,360
Speaker 3: The gross one though, was the guy being birthed from

1613
01:16:14,479 --> 01:16:15,599
Speaker 3: the pipe the first.

1614
01:16:15,520 --> 01:16:17,599
Speaker 1: Yea, yeah, the slimy guy.

1615
01:16:17,680 --> 01:16:22,640
Speaker 3: That made me like, like, I hated the slimer. I

1616
01:16:22,720 --> 01:16:25,519
Speaker 3: talked about us being fifty to twenty five minutes left

1617
01:16:25,520 --> 01:16:27,960
Speaker 3: and we've not even really hit third act yet, so

1618
01:16:28,000 --> 01:16:29,840
Speaker 3: I knew we were gonna fly by, which is one

1619
01:16:29,880 --> 01:16:32,040
Speaker 3: of the things that I think happened at the end.

1620
01:16:32,160 --> 01:16:36,759
Speaker 3: That they had time. Yeah, they could have made things,

1621
01:16:37,320 --> 01:16:40,960
Speaker 3: talked about things, explain things. We didn't have any rules

1622
01:16:41,000 --> 01:16:41,320
Speaker 3: in this.

1623
01:16:41,360 --> 01:16:43,400
Speaker 2: Movie at all. I gotta read the book.

1624
01:16:44,040 --> 01:16:44,960
Speaker 3: We got to get the book.

1625
01:16:45,240 --> 01:16:45,360
Speaker 2: Uh.

1626
01:16:45,560 --> 01:16:48,960
Speaker 3: And then that leads me to where the hell did

1627
01:16:48,960 --> 01:16:52,559
Speaker 3: this cage come from? Why was it there? How did

1628
01:16:52,560 --> 01:16:54,599
Speaker 3: they know how to use it? How did they know

1629
01:16:54,680 --> 01:16:59,559
Speaker 3: how to read into like the portals going into the

1630
01:16:59,600 --> 01:17:02,120
Speaker 3: like peron in cages, Like, how did they know how

1631
01:17:02,160 --> 01:17:05,240
Speaker 3: to push the button that they did. How did he

1632
01:17:05,400 --> 01:17:08,599
Speaker 3: honestly understand how to use the rock that he was done?

1633
01:17:10,520 --> 01:17:12,080
Speaker 1: It was the Hansle. The Hansel is the one who

1634
01:17:12,080 --> 01:17:12,479
Speaker 1: taught him that.

1635
01:17:13,479 --> 01:17:15,800
Speaker 3: How did he know that? I had to go twitch.

1636
01:17:15,560 --> 01:17:18,000
Speaker 2: Twitchuse I handled the Hansle told.

1637
01:17:17,760 --> 01:17:20,160
Speaker 3: Them that, and that was it, And then I will

1638
01:17:20,320 --> 01:17:23,679
Speaker 3: leave you with this and it made sense. The next

1639
01:17:23,720 --> 01:17:27,400
Speaker 3: movie that Disney Plus tried to force me to watch

1640
01:17:27,600 --> 01:17:30,880
Speaker 3: again and I said, no, thank you, was Stepsister from

1641
01:17:30,880 --> 01:17:32,320
Speaker 3: Planet You, not me too.

1642
01:17:32,560 --> 01:17:33,519
Speaker 2: So there you go.

1643
01:17:33,600 --> 01:17:35,720
Speaker 1: They're trying, they're trying to foist it on us and

1644
01:17:35,760 --> 01:17:36,599
Speaker 1: it's not going to work.

1645
01:17:36,840 --> 01:17:38,880
Speaker 2: No, well, thank you. And it is now, of course,

1646
01:17:38,920 --> 01:17:43,160
Speaker 2: time for us to rate our film. Uh, we're gonna

1647
01:17:43,160 --> 01:17:44,880
Speaker 2: do one out of ten. We're gonna be tend the best,

1648
01:17:44,960 --> 01:17:47,080
Speaker 2: one the worst. Here options for the week one out

1649
01:17:47,080 --> 01:17:50,639
Speaker 2: of ten Kirk Cameron Christian apocalyptic thrillers, Scott pig Faces,

1650
01:17:51,560 --> 01:17:54,160
Speaker 2: globs of green slime, one out of ten, human teeth,

1651
01:17:54,479 --> 01:17:59,519
Speaker 2: one attend, Socks and loafers, fuzzbucket vibes, floating fish head ladies,

1652
01:18:00,200 --> 01:18:04,360
Speaker 2: jarmonicas are one out of ten. Car salesman thods and

1653
01:18:04,400 --> 01:18:06,000
Speaker 2: I'm going to do one out of ten taints too,

1654
01:18:06,200 --> 01:18:07,200
Speaker 2: Which would you like to pick?

1655
01:18:07,240 --> 01:18:09,160
Speaker 1: Sabrina, your pick, your pick.

1656
01:18:10,280 --> 01:18:12,360
Speaker 3: I know you love this. It's I want to do

1657
01:18:14,160 --> 01:18:16,839
Speaker 3: what it taints taints.

1658
01:18:16,960 --> 01:18:20,759
Speaker 2: Just yeah, keep it simple, always keep your taints simple.

1659
01:18:22,080 --> 01:18:25,040
Speaker 2: I think I go first this time. Look, I didn't

1660
01:18:25,040 --> 01:18:27,640
Speaker 2: know what this movie was. It's not awful. The puppetry

1661
01:18:27,720 --> 01:18:33,240
Speaker 2: was good. This the story is strange. It's fast at least,

1662
01:18:33,640 --> 01:18:35,720
Speaker 2: but yes, for a story, it's very strange. And I

1663
01:18:35,720 --> 01:18:38,000
Speaker 2: think I'm I think I'm being generous when I give

1664
01:18:38,040 --> 01:18:40,320
Speaker 2: this six taints.

1665
01:18:41,400 --> 01:18:42,800
Speaker 3: Yes, I agree, fair.

1666
01:18:42,880 --> 01:18:43,639
Speaker 2: I think that's fair.

1667
01:18:43,840 --> 01:18:47,519
Speaker 3: I I same thing. This was not up my alley,

1668
01:18:47,720 --> 01:18:50,719
Speaker 3: I honestly, because it's just so out of my realm.

1669
01:18:50,760 --> 01:18:53,240
Speaker 3: I really, I just watched it for what it was.

1670
01:18:53,320 --> 01:18:56,320
Speaker 3: It was. Some parts were very, like I said, creative.

1671
01:18:56,840 --> 01:19:00,400
Speaker 3: The monsters were really good. I liked the voiceover work

1672
01:19:00,400 --> 01:19:04,600
Speaker 3: that they did. I thought that the realms going in

1673
01:19:04,640 --> 01:19:07,720
Speaker 3: and out of it were actually very impressive, thinking that

1674
01:19:07,760 --> 01:19:10,800
Speaker 3: we're in the you know, nineteen ninety nine realm of

1675
01:19:10,920 --> 01:19:13,360
Speaker 3: d coms. So it was what it was for me.

1676
01:19:13,400 --> 01:19:15,519
Speaker 3: It was just kind of a middle liner. And I'm

1677
01:19:15,560 --> 01:19:17,080
Speaker 3: going to meet your six taints.

1678
01:19:17,400 --> 01:19:19,400
Speaker 2: I think that's fair. That's a total of twelve taints,

1679
01:19:19,400 --> 01:19:22,519
Speaker 2: which is a lot of tants. People, that's a lot

1680
01:19:22,560 --> 01:19:25,840
Speaker 2: of taints. Well, our next movie is gonna be significantly

1681
01:19:25,920 --> 01:19:28,040
Speaker 2: less funny than Can of Worms, but we hear it's

1682
01:19:28,080 --> 01:19:30,519
Speaker 2: a good one. We are watching nineteen ninety eight's coming

1683
01:19:30,520 --> 01:19:33,240
Speaker 2: of age drama Ruby Bridges, a true story about a

1684
01:19:33,240 --> 01:19:34,840
Speaker 2: six year old girl who was chosen to be the

1685
01:19:34,840 --> 01:19:37,719
Speaker 2: first African American student to integrate into her New Orleans

1686
01:19:37,720 --> 01:19:40,960
Speaker 2: elementary school in nineteen sixty. It's currently available right now

1687
01:19:40,960 --> 01:19:43,800
Speaker 2: on Disney Plus, so please go watch it before we

1688
01:19:43,840 --> 01:19:46,120
Speaker 2: do if you want to. I have high hopes for

1689
01:19:46,160 --> 01:19:48,040
Speaker 2: this because all of these movies that they that Disney

1690
01:19:48,040 --> 01:19:50,439
Speaker 2: does based on true stories all seem to be really good.

1691
01:19:50,720 --> 01:19:52,360
Speaker 3: I'm really excited for this one.

1692
01:19:52,439 --> 01:19:54,559
Speaker 2: Me too. And as always, we have a litany of

1693
01:19:54,560 --> 01:19:57,600
Speaker 2: interviews and dcom recaps available right now on Apple Podcasts,

1694
01:19:57,640 --> 01:20:00,519
Speaker 2: the iHeartRadio app, and wherever you get your podcast. Just

1695
01:20:00,560 --> 01:20:03,120
Speaker 2: make sure you are subscribed to the dedicated magical Rewind

1696
01:20:03,160 --> 01:20:05,960
Speaker 2: podcast feed by searching for it and just locking it in.

1697
01:20:06,120 --> 01:20:08,240
Speaker 1: Become a rewinder. You'll thank us for it.

1698
01:20:08,400 --> 01:20:09,160
Speaker 2: By everybody.

1699
01:20:09,360 --> 01:20:20,599
Speaker 3: Bye.