WEBVTT - Music Saved Me with Darryl "DMC" McDaniels-Part Two

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<v Speaker 1>Music Saved Me. Welcome to the Music Saved Me Podcast.

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<v Speaker 1>I'm your host, Lynn Hoffman, and this is part two

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<v Speaker 1>of Music Saved Me, featuring the legendary iconic Darryl dmc

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<v Speaker 1>McDaniels from Run DMC. We're going to pick up where

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<v Speaker 1>we left off. I was just about to introduce Darryl

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<v Speaker 1>to a rising star in the music world who I

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<v Speaker 1>think is probably going to be a massive star. Let's

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<v Speaker 1>see if Darryl agrees. A couple of weeks ago, I

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<v Speaker 1>had a young man who's a huge rising star in

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<v Speaker 1>my book. His name is Dylan Cartlitch and a couple

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<v Speaker 1>of years well, let me just say, multi instrumentalist from

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<v Speaker 1>the UK a couple of years ago signed a deal

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<v Speaker 1>with Universal. He was raised on all kinds of music,

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<v Speaker 1>but he came up through the foster care system and

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<v Speaker 1>a really really tough life grown up and this young man,

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<v Speaker 1>I don't want to say kid, but I feel like

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<v Speaker 1>I'm old, so anyway means a kid. But he basically

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<v Speaker 1>took lemons and made them lemonade and and and sort

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<v Speaker 1>of beat the odds. And he's so positive and optimistic

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<v Speaker 1>and just amazing. So I was doing my research on

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<v Speaker 1>him and he had the single he just released in November.

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<v Speaker 1>It's called New Day. And so I read all about

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<v Speaker 1>his story and I'm already impressed because he's somehow, at

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<v Speaker 1>his young age, he figured out how to how to

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<v Speaker 1>be optimistic and to turn it around. I mean, there's

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<v Speaker 1>when you're when you're young and hungry. Yeah, maybe you're

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<v Speaker 1>exposed to stuff that you don't necessarily know how to

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<v Speaker 1>understand round pack and then later I could get you.

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<v Speaker 1>But he already sort of went through that, just coming

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<v Speaker 1>through what he went through as as a child, and

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<v Speaker 1>he was taken out of the home away fares stories.

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<v Speaker 2>That's why we started the Feelix organization.

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<v Speaker 1>Yeah, and so he and and so I listened to

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<v Speaker 1>his song, and every time I tell my husband this story,

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<v Speaker 1>I start to get teary because I listened to his

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<v Speaker 1>song and I could hear the smile on his face

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<v Speaker 1>and the optimism and the hope and the light and

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<v Speaker 1>all of this stuff, and it just burst into tears.

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<v Speaker 1>And I'm thinking postmenopausal. No, it has to be you know,

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<v Speaker 1>this young man just has it all and that.

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<v Speaker 2>But so they do have it at an early age,

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<v Speaker 2>they do.

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<v Speaker 1>So I said, I finally get him on the show.

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<v Speaker 2>It's bold and he's able to just express him now too.

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<v Speaker 1>Oh yeah. And they had this like documentary follow him around.

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<v Speaker 1>He was a waiter at night. He would DJ and

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<v Speaker 1>rap and do hip hop and all this stuff so

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<v Speaker 1>much fun. So I say to him, I think he's

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<v Speaker 1>in his early thirties right now. And I said to him,

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<v Speaker 1>so tell me about your earliest influences and your earliest

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<v Speaker 1>experiences with music. And he started to tell me about

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<v Speaker 1>some of the artists that he listened to, and let

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<v Speaker 1>me just I'm gonna play for you. I have a

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<v Speaker 1>cute up here, are you ready.

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<v Speaker 3>I remember going to my one of my older brothers

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<v Speaker 3>from my you know, adoptive family. I went to one

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<v Speaker 3>of his wedding and I never forget the first time

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<v Speaker 3>that I heard It's Tricky by run DMC.

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<v Speaker 2>I must have.

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<v Speaker 3>I must have been about six years old, right, and

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<v Speaker 3>I was. I was allowed to go to the party

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<v Speaker 3>my brother, you know, it was his wedding, and so

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<v Speaker 3>one of my older brothers like, Okay, we're gonna look

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<v Speaker 3>after you and you can stay till late, so like

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<v Speaker 3>get in no bedtime today, and then that song I

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<v Speaker 3>just requested over and over again and was dancing and

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<v Speaker 3>dancing and dances run.

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<v Speaker 1>DMC was a huge band for me too, So I

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<v Speaker 1>totally I can hear that song right now. It's it's

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<v Speaker 1>okay and then yes, that's d MC. I bet it

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<v Speaker 1>would just make him so thrilled to note that he

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<v Speaker 1>influenced you.

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<v Speaker 2>Wow, that's crazy.

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<v Speaker 1>So can I just say.

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<v Speaker 2>All of it?

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<v Speaker 4>It's all connected, It's so connected, it's all connected.

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<v Speaker 1>Let me can I play this chorus from the song

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<v Speaker 1>for you? Okay? This is this is Dylan?

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<v Speaker 4>Listen, it's a smile.

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<v Speaker 2>Wow.

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<v Speaker 1>I mean just amazing. So as soon as I found

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<v Speaker 1>out coming on this show, won't and that's okay, that's okay.

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<v Speaker 1>Who figures that out? That's amazing. So I'm just curious

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<v Speaker 1>if if I were to beam one Dylan Cartilage with

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<v Speaker 1>his new record deal and all of his amazing music

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<v Speaker 1>in here to ask you a couple of questions, would

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<v Speaker 1>that be okay?

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<v Speaker 2>Yes? Whoa, that's amazing.

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<v Speaker 1>He's standing by in the UK right now, it's like

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<v Speaker 1>seven hours ahead and I offered this, so.

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<v Speaker 2>Look, we have adopted family.

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<v Speaker 4>Yeah, we have a lot of people have more in

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<v Speaker 4>common than we don't.

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<v Speaker 1>Yeah, do you want to bring that over here, that's crazy.

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<v Speaker 2>Yeah, but what I was gonna say.

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<v Speaker 4>I do a lot with elementary school kids, and Yellen's

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<v Speaker 4>a prime example of they have all the they have

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<v Speaker 4>all the capabilities and abilities to deal with emotional problems

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<v Speaker 4>early in their lives. But a lot of times we

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<v Speaker 4>do this. Don't think like that, don't talk like that.

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<v Speaker 4>You're too young to talk like that. Now you just

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<v Speaker 4>scarred this kid for life because you just told them

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<v Speaker 4>that that emotion that I was suppressed was the wrong

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<v Speaker 4>thing to have. Yes, So when they get in their

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<v Speaker 4>teens and adolescence, when that same thing comes up for

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<v Speaker 4>them to end because the mom and dad ain't around,

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<v Speaker 4>they're gonna cut, they're gonna drink because they're subconsciously pushing it.

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<v Speaker 4>If they come at you three and four years old,

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<v Speaker 4>you're supposed to send them down and say why are

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<v Speaker 4>you talking like that?

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<v Speaker 2>Where'd you get that?

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<v Speaker 5>And they won't explain it, but we go you're too

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<v Speaker 5>young to talk about that, don't do that anymore. So

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<v Speaker 5>they hold it and when it comes to them later

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<v Speaker 5>or they remember, no, that's the wrong thing. So for

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<v Speaker 5>him to be go through hell, yeah, I was a

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<v Speaker 5>forster kid for five years.

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<v Speaker 2>My brother.

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<v Speaker 4>Once all of this came out, my brother tells me,

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<v Speaker 4>d don't you know if you never asked him that,

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<v Speaker 4>they would have never told you. What happened was my

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<v Speaker 4>birth mother didn't come back to get me. And when

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<v Speaker 4>my brother told me that, I remember this kid named

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<v Speaker 4>Oscar who I thought was my cousin. And I remember

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<v Speaker 4>one day Alfred's telling me Oscar's mother here to gain him.

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<v Speaker 4>I think it's my aunt. I remember the day Oscar left.

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<v Speaker 4>He never came back. He was a foster kid that

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<v Speaker 4>got played because the whole idea is to get you

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<v Speaker 4>back with the family, but a lot of times the

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<v Speaker 4>kids can't go back to the families.

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<v Speaker 2>So there was this other girl. She came.

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<v Speaker 4>I think she probably was like I probably was four,

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<v Speaker 4>she probably was two or three.

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<v Speaker 2>Then she cried all night. I'm talking, and I.

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<v Speaker 4>Remember I was trying to stay off, thinking I was

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<v Speaker 4>going to stay off four to sea.

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<v Speaker 2>I woke up the next morning she was gone.

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<v Speaker 4>But my brother saiddee, there was a lot of people

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<v Speaker 4>you thought you was your cousins. Who the reason why

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<v Speaker 4>he don't see him no more? Those are fussy.

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<v Speaker 2>Kids like you.

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<v Speaker 4>Oh.

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<v Speaker 2>So my brother tells me he heard my mother and father.

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<v Speaker 2>This one be in my movie too.

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<v Speaker 4>I mean, I'm doing a series because I got so

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<v Speaker 4>much stuff I need to doing.

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<v Speaker 2>Okay, so I got to do a series about this kid.

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<v Speaker 4>But long story short, my father goes to my my

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<v Speaker 4>mother goes to my father.

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<v Speaker 2>There's a true story.

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<v Speaker 4>My brother tells me, I'm in the room playing with

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<v Speaker 4>my toys, and my mama goes.

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<v Speaker 2>What are we going to do with this one? Yeah,

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<v Speaker 2>you hear them? No, I don't hear.

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<v Speaker 4>My brother hears it, and my father goes, you know what,

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<v Speaker 4>I think we're going to adopt this just like this.

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<v Speaker 2>What are we gonna do with this one?

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<v Speaker 4>I think we're going to adopt this one because you

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<v Speaker 4>never know, he might grow up to change the world.

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<v Speaker 1>Oh goosebumps.

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<v Speaker 2>So these kids, no matter how.

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<v Speaker 1>Here's this wonderful, amazing I'm trying to make him bigger.

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<v Speaker 1>Scream here Dylan me Darryl, Hello Dylan DMC. And I

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<v Speaker 1>can't believe I'm not crying.

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<v Speaker 3>Hello DMC?

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<v Speaker 2>How are you? How are you doing? I'm doing good?

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<v Speaker 2>Telling us honor to meet you, man.

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<v Speaker 3>No, the honor is all mine. Link couldn't have explained

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<v Speaker 3>it better. So I yeah, I grew up in the

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<v Speaker 3>foster cair system. I had so many different families that

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<v Speaker 3>I went to stay with. I got it at one

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<v Speaker 3>point and didn't work out. My foster mom is an

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<v Speaker 3>amazing woman. She's fostered over forty six kids. She's had kids,

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<v Speaker 3>and I'm one of those kids. And I was saying

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<v Speaker 3>at my foster brother's wedding, I was only six years old,

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<v Speaker 3>and I somehow managed to beg and plead that I

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<v Speaker 3>could go, and then yeah, one of my brother foster

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<v Speaker 3>brother's friends had to look after me. And it was

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<v Speaker 3>a lovely day. It was obviously all about my foster

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<v Speaker 3>brother getting married, but it was the day that I

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<v Speaker 3>got struck by lightning and discovered hip hop when I

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<v Speaker 3>heard it tricky, and so the whole wedding then became

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<v Speaker 3>about me requesting the DJ to play over again.

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<v Speaker 2>I was dancing.

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<v Speaker 3>It was crazy, but yeah, that's the story.

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<v Speaker 1>Wow, it's only six, like you when you started, you

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<v Speaker 1>were telling me years old.

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<v Speaker 2>Yeah, wow, that we got a lot in common.

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<v Speaker 4>I was six years old when I heard on the

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<v Speaker 4>Doobie Brothers and stuff like that.

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<v Speaker 3>Wow, it's crazy how it goes full circle like that, right,

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<v Speaker 3>And it really set me off on a journey and

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<v Speaker 3>to discovering that music, and although I was only six

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<v Speaker 3>years old, I feel like and it was really hilarious

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<v Speaker 3>because I saw an interview that you did where you

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<v Speaker 3>said that that song was something that you wanted to

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<v Speaker 3>impress Paul McCartney.

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<v Speaker 1>With and kind of like all the white people.

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<v Speaker 3>It's hilarious because my foster family are old white people,

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<v Speaker 3>so young black kid adopted by old white people.

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<v Speaker 1>And even the laughs infections.

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<v Speaker 4>I know.

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<v Speaker 1>I told Dylan how special you were, and I just

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<v Speaker 1>I could feel him right through the screen, and I

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<v Speaker 1>just I needed to connect you to Dylan. Did you

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<v Speaker 1>have any questions that you wanted to ask Yeah.

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<v Speaker 3>Yeah, I've got a couple of questions, if that's okay, okay.

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<v Speaker 3>One of the questions is you've touched on it a

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<v Speaker 3>little bit, so for me, one of the questions I

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<v Speaker 3>wanted to ask you is a lot of artists struggle

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<v Speaker 3>with identity and belonging. It's kind of like a you know,

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<v Speaker 3>the running joke, the kind of weird kid at the

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<v Speaker 3>back of the class of the NPC making beats and yeah, lap,

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<v Speaker 3>when did you did you have a moment where you

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<v Speaker 3>were like, this is who I want to be as

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<v Speaker 3>an artist, and this is who. Like what I want

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<v Speaker 3>to say, like, what was that eureka moment for you

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<v Speaker 3>in your like in your life, in your career.

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<v Speaker 4>Well, prior to the music, I felt prior to the music,

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<v Speaker 4>I felt like I didn't belong in this universe or whatever.

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<v Speaker 4>But the thing that gave me a place for myself

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<v Speaker 4>was comic books. Because when I was growing up, I

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<v Speaker 4>went to Catholic school, I was a straight A student,

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<v Speaker 4>I woke, I read comic books. So I was this geeky,

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<v Speaker 4>nerdy kid that got teased, bullied and picked on and

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<v Speaker 4>growing up in Hollis Queens. You know, if you ain't

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<v Speaker 4>in the gang, if you ain't selling drugs, if you

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<v Speaker 4>don't steal the bikes, if you don't steal the candy

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<v Speaker 4>bars and stuff like that, if you're not doing what

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<v Speaker 4>everybody else is doing. And I didn't want to do that,

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<v Speaker 4>you fill out a place. So the only time I

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<v Speaker 4>saw geeky, nerdy, awkward, confused people, people who were trying

0:11:01.280 --> 0:11:03.960
<v Speaker 4>to figure life out but were bad, as was the

0:11:04.040 --> 0:11:08.439
<v Speaker 4>comic books. Peter Parker, doctor Bruce Banner and all of

0:11:08.480 --> 0:11:11.520
<v Speaker 4>these guys were educated. But even Clark Kent had to

0:11:11.559 --> 0:11:14.400
<v Speaker 4>play clumsy and stuff like that even though he was Superman.

0:11:14.800 --> 0:11:20.320
<v Speaker 4>So my Eureka moment was when hip hop came along.

0:11:20.440 --> 0:11:23.000
<v Speaker 2>Like I was telling you, Lynn, I can't.

0:11:22.840 --> 0:11:25.760
<v Speaker 4>Yo, I'm gang banging, and I'm Darryl Meck you know more,

0:11:26.200 --> 0:11:29.880
<v Speaker 4>I don't do that. So with the same confidence that

0:11:30.040 --> 0:11:35.120
<v Speaker 4>people was expressing a false sense of power in a

0:11:35.160 --> 0:11:38.960
<v Speaker 4>negative way, I said, I'm gonna take my family in

0:11:39.200 --> 0:11:44.439
<v Speaker 4>school and wearing glasses and eating chicken and colic greens,

0:11:44.480 --> 0:11:48.800
<v Speaker 4>And with the same attitude enthusiasm that they brag about

0:11:48.840 --> 0:11:52.160
<v Speaker 4>all of this rough, so called rough negative stuff, I'm

0:11:52.160 --> 0:11:55.959
<v Speaker 4>gonna talk about, you know, going to Saint John's University

0:11:56.040 --> 0:11:58.360
<v Speaker 4>and my mother and father in the same way. So

0:11:58.640 --> 0:12:01.480
<v Speaker 4>when I'm trying to say, Dylan, my secret is this,

0:12:01.559 --> 0:12:03.760
<v Speaker 4>and I tell kids when I go to speak at school,

0:12:04.240 --> 0:12:09.040
<v Speaker 4>my whole life on stage Persona was me just pretending

0:12:09.120 --> 0:12:12.120
<v Speaker 4>to be for the most powerful entergy in the hip

0:12:12.160 --> 0:12:15.640
<v Speaker 4>hop universe. I was pretending to be a superhero on

0:12:15.640 --> 0:12:18.920
<v Speaker 4>the microphone because I'm not a gang bang, I'm not

0:12:19.000 --> 0:12:21.480
<v Speaker 4>a villain, I'm not a thug, I'm not a pimphanyer.

0:12:21.760 --> 0:12:25.079
<v Speaker 4>But with the same attitude enthusiasm that they do that

0:12:25.200 --> 0:12:28.920
<v Speaker 4>negative stuff. I'm gonna put that to all my positive stuff.

0:12:29.240 --> 0:12:32.080
<v Speaker 4>But the only reason I had confidence to do that

0:12:32.160 --> 0:12:35.080
<v Speaker 4>it was I looked at the superheroes.

0:12:35.120 --> 0:12:36.720
<v Speaker 2>This is gonna blow your mind, Dylan.

0:12:37.400 --> 0:12:40.640
<v Speaker 4>Most superheroes have adopted or forced to.

0:12:40.679 --> 0:12:42.840
<v Speaker 2>Care situation in their lives.

0:12:43.400 --> 0:12:46.960
<v Speaker 4>Superman saw his whole He didn't just lose his parents,

0:12:46.960 --> 0:12:48.280
<v Speaker 4>he lost his whole world.

0:12:49.080 --> 0:12:50.080
<v Speaker 2>Came here to Earth.

0:12:50.440 --> 0:12:53.480
<v Speaker 4>His parents said Clark when he was of age, Sit down,

0:12:53.520 --> 0:12:54.920
<v Speaker 4>there's something we need to tell you.

0:12:55.000 --> 0:12:57.640
<v Speaker 2>Like my mama didn't me. What do you mean, Clark?

0:12:57.840 --> 0:13:00.240
<v Speaker 4>We love you, but you're not really from here, and

0:13:00.280 --> 0:13:03.680
<v Speaker 4>that gave him a sense of purpose. Peter Parker lost

0:13:03.720 --> 0:13:07.240
<v Speaker 4>his parents, had to be raised by Aunt May Batman.

0:13:07.360 --> 0:13:10.120
<v Speaker 4>Bruce Wayne saw his parents getting murdered in front of him,

0:13:10.160 --> 0:13:12.320
<v Speaker 4>so he had to be raised. So all of these

0:13:12.360 --> 0:13:17.360
<v Speaker 4>superheroes have forced the care and adoption situation, and even

0:13:17.400 --> 0:13:18.280
<v Speaker 4>goes deeper than that.

0:13:18.920 --> 0:13:20.960
<v Speaker 2>Two of the most infamous people in.

0:13:20.880 --> 0:13:24.040
<v Speaker 4>The history of our existence of this planet have the

0:13:24.080 --> 0:13:25.280
<v Speaker 4>same situations.

0:13:25.280 --> 0:13:28.480
<v Speaker 2>Me and you have who you're talking about, d Moses.

0:13:29.080 --> 0:13:32.080
<v Speaker 4>Moses' stories mother put him in the river because they

0:13:32.080 --> 0:13:35.160
<v Speaker 4>were killing people in his town. He floated down the river,

0:13:35.520 --> 0:13:39.120
<v Speaker 4>got picked up, but Pharaoh's daughter took into the palace.

0:13:39.440 --> 0:13:42.480
<v Speaker 4>And then when Moses gives up age, this happens to him, Dylan,

0:13:42.640 --> 0:13:45.960
<v Speaker 4>and this gives me the confidence to do what you

0:13:46.120 --> 0:13:48.080
<v Speaker 4>was doing to me with the record I just heard.

0:13:48.679 --> 0:13:53.320
<v Speaker 4>Moses gets a call from up above, Yo, yo yo, Moses,

0:13:53.480 --> 0:13:54.000
<v Speaker 4>who's that.

0:13:54.320 --> 0:13:56.760
<v Speaker 2>Not down here? Up here? Huh is God?

0:13:56.880 --> 0:14:00.680
<v Speaker 4>Moses, I need you to go tell Pharaoh letting my

0:14:00.760 --> 0:14:03.920
<v Speaker 4>people go. Now, if you think about Moses, people forget

0:14:04.280 --> 0:14:05.680
<v Speaker 4>Moses murdered a man.

0:14:06.520 --> 0:14:07.440
<v Speaker 2>He was a murderer.

0:14:07.559 --> 0:14:11.959
<v Speaker 4>He killed a man in self defense and Moses needed

0:14:12.720 --> 0:14:17.400
<v Speaker 4>Aaron to dictate for him because Moses had a speech impediment. See,

0:14:17.440 --> 0:14:21.520
<v Speaker 4>people don't remember that. So God read the Bible. Moses

0:14:21.560 --> 0:14:25.160
<v Speaker 4>had issues. He was a murderer. Number one, he wasn't

0:14:25.200 --> 0:14:28.680
<v Speaker 4>from Egypt. He's an outcast like most of us feel.

0:14:29.160 --> 0:14:32.040
<v Speaker 4>And he couldn't talk. He had a speech stuttering problem.

0:14:32.560 --> 0:14:36.200
<v Speaker 4>So God told him to go there. And his other one, Jesus,

0:14:37.200 --> 0:14:41.680
<v Speaker 4>Mary comes home and says, excuse.

0:14:41.240 --> 0:14:42.960
<v Speaker 2>Me, Joe, that something I need to tell you. What.

0:14:44.360 --> 0:14:46.240
<v Speaker 4>So Joe could have said get out of here, this

0:14:46.280 --> 0:14:49.680
<v Speaker 4>and that, but he said, all right, this kid must

0:14:49.720 --> 0:14:52.240
<v Speaker 4>have a purpose and he raised them. So I from

0:14:52.320 --> 0:14:56.920
<v Speaker 4>my Eureka moment was comic books. But and it gave

0:14:56.960 --> 0:14:59.800
<v Speaker 4>me the confidence to want to get on the mic

0:15:00.360 --> 0:15:03.160
<v Speaker 4>and tell people. If I didn't have hip hop and

0:15:03.240 --> 0:15:09.000
<v Speaker 4>rock and roll to express myself without the confidence that

0:15:09.200 --> 0:15:12.040
<v Speaker 4>comic books gave me, I probably want to never started

0:15:12.080 --> 0:15:15.080
<v Speaker 4>saying rhymes up on stage in front of people, because

0:15:15.120 --> 0:15:16.520
<v Speaker 4>for me, it was just in my basement.

0:15:16.680 --> 0:15:17.160
<v Speaker 2>Was for me.

0:15:17.640 --> 0:15:20.320
<v Speaker 4>I didn't know what I was doing would touch a

0:15:20.320 --> 0:15:21.320
<v Speaker 4>lot of other people.

0:15:21.760 --> 0:15:23.720
<v Speaker 3>No, And I think it's amazing. I think I really

0:15:24.640 --> 0:15:27.120
<v Speaker 3>really really vibe with that because it resonates to me

0:15:27.120 --> 0:15:29.960
<v Speaker 3>how you talk about faith and also as storytelling, but

0:15:30.000 --> 0:15:33.640
<v Speaker 3>also how storytelling and comic books can give you those

0:15:33.640 --> 0:15:36.040
<v Speaker 3>stories out reaching your potential and like you know, not

0:15:36.320 --> 0:15:39.240
<v Speaker 3>holding on, you know, not being seen to kind of

0:15:39.240 --> 0:15:41.920
<v Speaker 3>have to aspire to this perfect life or this perfect person.

0:15:42.720 --> 0:15:45.240
<v Speaker 3>Everybody has problems and everybody can reach the potential.

0:15:45.560 --> 0:15:45.760
<v Speaker 2>You know.

0:15:45.960 --> 0:15:47.680
<v Speaker 3>It's more about like what you do with what you've

0:15:47.720 --> 0:15:49.640
<v Speaker 3>got as opposed to like how it started, you know, And.

0:15:49.720 --> 0:15:52.400
<v Speaker 4>Yeah, we are perfect just the way we are, no

0:15:52.480 --> 0:15:56.320
<v Speaker 4>matter even if we had traumatic situations in our lives,

0:15:56.520 --> 0:16:00.240
<v Speaker 4>our situations not to find who we are we do

0:16:00.280 --> 0:16:01.400
<v Speaker 4>you know what I'm saying.

0:16:02.680 --> 0:16:05.960
<v Speaker 3>And I'm I'm a massive, massive like I massively resonates

0:16:05.960 --> 0:16:07.920
<v Speaker 3>with me too. I've been there. I was listening to

0:16:08.200 --> 0:16:09.200
<v Speaker 3>you know, when we were in the waiting room, I

0:16:09.240 --> 0:16:10.880
<v Speaker 3>was having to listened to you know obviously what you

0:16:10.880 --> 0:16:13.080
<v Speaker 3>were saying about being in that room and getting pancread dieders.

0:16:13.200 --> 0:16:16.560
<v Speaker 3>I've been in that a similar situation where I've been there,

0:16:16.640 --> 0:16:18.680
<v Speaker 3>had those you know, addictions, going on those things, and

0:16:18.720 --> 0:16:21.280
<v Speaker 3>then where somebody's sitting down and saying, listen, if you

0:16:21.280 --> 0:16:23.200
<v Speaker 3>don't stop drinking, like you know, this is this is

0:16:23.360 --> 0:16:24.720
<v Speaker 3>this You're.

0:16:24.680 --> 0:16:26.800
<v Speaker 2>Not on the head now, you know, And yeah, for real,

0:16:27.360 --> 0:16:27.600
<v Speaker 2>you know.

0:16:27.720 --> 0:16:30.240
<v Speaker 3>Self medicator and going through that stuff that I really yeah,

0:16:30.320 --> 0:16:32.320
<v Speaker 3>really really it's really inspiring to you talk about that

0:16:32.320 --> 0:16:34.200
<v Speaker 3>that darylne I just want you to know that, Yeah,

0:16:34.240 --> 0:16:35.960
<v Speaker 3>your music, even though I was six years old and

0:16:36.000 --> 0:16:39.240
<v Speaker 3>I couldn't yet form you know, crazy sentences or understand

0:16:39.280 --> 0:16:43.080
<v Speaker 3>contexts like it hit me and I felt it, and yeah,

0:16:43.120 --> 0:16:45.360
<v Speaker 3>it goes bigger beyond that. Money is Dylan Michael Cartage

0:16:45.440 --> 0:16:46.960
<v Speaker 3>DMC initials you know.

0:16:47.040 --> 0:16:53.520
<v Speaker 4>Oh why not both the wow guess even deeper whoa.

0:16:53.080 --> 0:16:53.680
<v Speaker 2>The levels though?

0:16:53.720 --> 0:16:56.120
<v Speaker 3>And I also definitely think there should be a comic

0:16:56.120 --> 0:16:59.960
<v Speaker 3>book now, like, definitely a comic book where the super

0:17:00.080 --> 0:17:02.440
<v Speaker 3>hero is a black samurai and it's like coming down

0:17:02.440 --> 0:17:04.360
<v Speaker 3>from Moses and it's you he goes on his thing.

0:17:04.359 --> 0:17:05.879
<v Speaker 3>I want to see an anime of this now, like

0:17:06.200 --> 0:17:06.679
<v Speaker 3>a DMC.

0:17:06.920 --> 0:17:09.520
<v Speaker 2>That would be brilliant. Helling right, wow, they know your

0:17:09.520 --> 0:17:14.160
<v Speaker 2>initials a DMC too, yeah, yeah, ceiling wow.

0:17:14.920 --> 0:17:17.480
<v Speaker 1>We'll be right back with more of the Music Saved

0:17:17.520 --> 0:17:20.639
<v Speaker 1>Me Podcast. And by the way, if you like this podcast,

0:17:20.720 --> 0:17:23.680
<v Speaker 1>you are going to love our companion podcast called Taking

0:17:23.760 --> 0:17:26.680
<v Speaker 1>a Walk. It's hosted by my dear friend buzz Night

0:17:26.720 --> 0:17:29.280
<v Speaker 1>and you can find it wherever you get your podcasts.

0:17:33.440 --> 0:17:36.879
<v Speaker 1>Welcome back to the Music Saved Me Podcast, the podcast

0:17:36.880 --> 0:17:39.800
<v Speaker 1>where we discuss the healing powers of music with some

0:17:39.880 --> 0:17:42.679
<v Speaker 1>of the biggest names in music as well as up

0:17:42.720 --> 0:17:43.240
<v Speaker 1>and comers.

0:17:44.320 --> 0:17:46.320
<v Speaker 3>I have one more question for you, if that's okay,

0:17:46.440 --> 0:17:50.080
<v Speaker 3>Elynn and Daryl, Yes, okay, because I think this is

0:17:50.119 --> 0:17:53.000
<v Speaker 3>a really important question because, like you say, I really

0:17:53.240 --> 0:17:55.000
<v Speaker 3>love what you do with the foundation and everything, and

0:17:55.000 --> 0:17:58.880
<v Speaker 3>obviously you know your music and even like the what

0:17:58.920 --> 0:18:00.880
<v Speaker 3>it's done for hip hop and where it's taken hip

0:18:00.880 --> 0:18:02.800
<v Speaker 3>hop too, and I think I'm a recipient of that.

0:18:02.840 --> 0:18:05.320
<v Speaker 3>I think I've been able to enjoy the blend of

0:18:05.359 --> 0:18:07.920
<v Speaker 3>so many different styles and so many different cultures because

0:18:07.960 --> 0:18:10.439
<v Speaker 3>it's been popularized by amazing people like yourself and the

0:18:10.440 --> 0:18:13.560
<v Speaker 3>forefathers of the game, you know, essentially, you know, the

0:18:13.640 --> 0:18:15.560
<v Speaker 3>question that I have is that, like you know, there's

0:18:15.560 --> 0:18:17.399
<v Speaker 3>a lot of people that come through, whether it be

0:18:17.400 --> 0:18:19.399
<v Speaker 3>the projects that come through adversity, that come through you

0:18:19.400 --> 0:18:21.520
<v Speaker 3>know again, that want to find culture, that want to

0:18:21.520 --> 0:18:24.560
<v Speaker 3>find belonging. And I think that's particularly prominent to you know,

0:18:24.720 --> 0:18:28.680
<v Speaker 3>children who have been fostered or have been adopted, and

0:18:28.840 --> 0:18:31.360
<v Speaker 3>you know, you found out you're adopted when you're thirty five,

0:18:31.400 --> 0:18:35.800
<v Speaker 3>you know, after already you know, reinventing yourself artistically, you know,

0:18:35.920 --> 0:18:38.879
<v Speaker 3>personally over times in your life, and when what happened

0:18:38.880 --> 0:18:41.960
<v Speaker 3>for you spiritually, like in yourself, when you found out

0:18:41.960 --> 0:18:43.880
<v Speaker 3>that the people that had showed you what the world

0:18:43.880 --> 0:18:46.240
<v Speaker 3>has to offer, kindness, love, compassion, all the things that

0:18:46.280 --> 0:18:48.080
<v Speaker 3>you'd you know, that showed you right from wrong, all

0:18:48.119 --> 0:18:50.400
<v Speaker 3>these different things that you didn't those weren't the people

0:18:50.440 --> 0:18:52.840
<v Speaker 3>that necessarily brought you into this world, you know, genetically

0:18:52.880 --> 0:18:54.280
<v Speaker 3>or whatever, like, what did they do?

0:18:55.160 --> 0:18:55.400
<v Speaker 2>Well?

0:18:56.440 --> 0:19:00.879
<v Speaker 4>The first thing is I look at my birth mother

0:19:01.520 --> 0:19:07.440
<v Speaker 4>and my adoptive mother as one entity of motherhood.

0:19:08.560 --> 0:19:10.440
<v Speaker 2>But I didn't know that until I had to go

0:19:10.480 --> 0:19:11.439
<v Speaker 2>through this to see that.

0:19:12.200 --> 0:19:16.400
<v Speaker 4>It was my birth mother's job just to get me here,

0:19:17.720 --> 0:19:20.760
<v Speaker 4>but it was my adoptive mother and my mother who

0:19:20.840 --> 0:19:23.600
<v Speaker 4>raised me to get me where I was supposed to go,

0:19:23.920 --> 0:19:26.280
<v Speaker 4>just like with you with your foster Kima. But that's

0:19:26.320 --> 0:19:29.639
<v Speaker 4>your mom. I love that that's your mom. They're the

0:19:29.680 --> 0:19:33.119
<v Speaker 4>ones that knew you had a purpose and a destiny.

0:19:33.440 --> 0:19:35.879
<v Speaker 4>And every time I tell people that, they're blown away

0:19:35.960 --> 0:19:38.639
<v Speaker 4>by that it was my birth mother's job just to

0:19:38.680 --> 0:19:41.959
<v Speaker 4>get me here, but my adoptive parents to get me

0:19:42.000 --> 0:19:46.000
<v Speaker 4>where I was supposed to go. So without both of

0:19:46.040 --> 0:19:49.240
<v Speaker 4>those situations, I would have never made it where I

0:19:49.320 --> 0:19:53.080
<v Speaker 4>was supposed to go. So it's a huge, huge, huge

0:19:53.600 --> 0:19:57.880
<v Speaker 4>example of purpose and destiny. It's a huge example of

0:19:58.320 --> 0:20:03.320
<v Speaker 4>your situation doesn't find who you are. But also it's

0:20:03.359 --> 0:20:08.040
<v Speaker 4>also an example of none of your victories come by

0:20:08.280 --> 0:20:13.960
<v Speaker 4>just you. Now, we have everything necessary for us to succeed,

0:20:14.640 --> 0:20:19.960
<v Speaker 4>but a lot of times because of drugs, because of

0:20:20.040 --> 0:20:24.520
<v Speaker 4>a lack of self esteem because of not having an

0:20:24.680 --> 0:20:29.879
<v Speaker 4>understanding of how this universe works. Sometimes we don't achieve

0:20:29.960 --> 0:20:32.639
<v Speaker 4>those goals and we end up in the grave or

0:20:32.680 --> 0:20:37.200
<v Speaker 4>the crazy house or the jail. And when you look

0:20:37.240 --> 0:20:40.080
<v Speaker 4>at the places that we all come from, I don't

0:20:40.160 --> 0:20:44.040
<v Speaker 4>care whether it's America or if it's the UK or

0:20:44.080 --> 0:20:48.080
<v Speaker 4>in Asia. All of the circumstances are the same. It's

0:20:48.160 --> 0:20:51.760
<v Speaker 4>just different different stories. But most of these kids have

0:20:51.920 --> 0:20:55.200
<v Speaker 4>everything necessary to succeed. And what I mean by that

0:20:55.480 --> 0:20:59.600
<v Speaker 4>is it's important that you said the forefathers. Now when

0:20:59.640 --> 0:21:04.200
<v Speaker 4>you listen into the message, it's like a jungle. Sometimes

0:21:04.240 --> 0:21:08.440
<v Speaker 4>it makes me wonder how I keep from going under. Oh,

0:21:08.520 --> 0:21:12.160
<v Speaker 4>the message is a mental health record. People overlook, don't

0:21:12.440 --> 0:21:14.959
<v Speaker 4>push the anger that we have in the violence and

0:21:14.960 --> 0:21:17.920
<v Speaker 4>then reaching out and attacking everybody. But look what hip

0:21:17.920 --> 0:21:21.399
<v Speaker 4>hop was able to do because of all of the

0:21:21.880 --> 0:21:26.520
<v Speaker 4>different styles and culture of music that we sample, from

0:21:26.640 --> 0:21:29.800
<v Speaker 4>jash to R and B to disco to funking, all

0:21:29.800 --> 0:21:33.399
<v Speaker 4>of that. When the message came out, mostly every record

0:21:33.560 --> 0:21:37.000
<v Speaker 4>was a message record. Here's what it is, broken glass

0:21:37.080 --> 0:21:40.560
<v Speaker 4>and is that? But if you remember correctly, Dylan, when

0:21:40.600 --> 0:21:43.760
<v Speaker 4>the soul sonic force in Africa. Bamboda came out with

0:21:43.880 --> 0:21:48.840
<v Speaker 4>Planet Rock. The message was, here's what it is, But

0:21:48.960 --> 0:21:52.240
<v Speaker 4>the Planet Rock, we know a place where everybody's eating

0:21:52.280 --> 0:21:55.840
<v Speaker 4>and there's no fighting. Soul, Sonic Force, mister Biggs, Pow

0:21:55.920 --> 0:21:57.119
<v Speaker 4>Wow and mc globe.

0:21:57.160 --> 0:21:58.760
<v Speaker 2>We emphasized to show.

0:21:58.600 --> 0:22:02.320
<v Speaker 4>We got ego, make thish not crocket by day as

0:22:02.359 --> 0:22:06.000
<v Speaker 4>the people say, live it up, shuck snow, work or play.

0:22:06.040 --> 0:22:08.240
<v Speaker 2>Our world is free, be what you want. Just be

0:22:08.880 --> 0:22:09.560
<v Speaker 2>that record.

0:22:09.680 --> 0:22:13.000
<v Speaker 4>The message was the record of the message, but Planet

0:22:13.119 --> 0:22:19.439
<v Speaker 4>Rock was the vision which gave those kids. The Zulu

0:22:19.520 --> 0:22:21.960
<v Speaker 4>Nation was the biggest street gang in New York City,

0:22:22.000 --> 0:22:25.080
<v Speaker 4>the Black Spade, but they changed their name from the

0:22:25.119 --> 0:22:28.840
<v Speaker 4>Black Space to the Zulu Nation and started doing things

0:22:28.880 --> 0:22:32.760
<v Speaker 4>for the culture themselves in their society. So out of

0:22:32.960 --> 0:22:36.000
<v Speaker 4>the negativity that they were inflicting upon their own, their

0:22:36.119 --> 0:22:40.040
<v Speaker 4>neighborhoods and themselves, they turned that and took that power

0:22:40.080 --> 0:22:44.000
<v Speaker 4>and started sharing it with everybody else. So me, Run DMC,

0:22:44.520 --> 0:22:49.000
<v Speaker 4>ll COOJ Public Enemy Dayla Soul, we are offsprings of that.

0:22:49.480 --> 0:22:53.240
<v Speaker 4>But it was Run DMC who had the boldness to

0:22:53.320 --> 0:22:57.199
<v Speaker 4>put that on the forefront which touched you. But what

0:22:57.240 --> 0:23:00.000
<v Speaker 4>I'm trying to say is I always tell these kids,

0:23:00.160 --> 0:23:03.800
<v Speaker 4>is this hip hop culture or even the music business

0:23:03.960 --> 0:23:07.760
<v Speaker 4>and stuff like that, It wasn't created by the executives

0:23:08.000 --> 0:23:11.560
<v Speaker 4>and CEOs that run it. They have nothing without us,

0:23:11.840 --> 0:23:14.639
<v Speaker 4>and most all from the even from the blues. The

0:23:14.720 --> 0:23:18.200
<v Speaker 4>blues is the roots. Everything else is the fruits, who

0:23:18.320 --> 0:23:23.240
<v Speaker 4>is created by individuals just like you did it from

0:23:23.280 --> 0:23:26.200
<v Speaker 4>the same situations and circumstances.

0:23:26.440 --> 0:23:30.280
<v Speaker 2>It's just that the music, turn the mic on, turn

0:23:30.359 --> 0:23:31.080
<v Speaker 2>up the music.

0:23:31.440 --> 0:23:34.679
<v Speaker 4>The music, the art form of it gives us the

0:23:35.000 --> 0:23:39.240
<v Speaker 4>courage to not be ashamed of who we are, where

0:23:39.280 --> 0:23:40.119
<v Speaker 4>we come from.

0:23:40.160 --> 0:23:43.480
<v Speaker 2>But more importantly, by doing that, it shows.

0:23:43.200 --> 0:23:45.760
<v Speaker 4>Us where we are able to go if we want

0:23:45.760 --> 0:23:47.359
<v Speaker 4>to go there.

0:23:47.720 --> 0:23:50.879
<v Speaker 3>And I cannot thank you enough that I really appreciate it.

0:23:50.920 --> 0:23:52.359
<v Speaker 3>And I literally got to talk to you until the

0:23:52.359 --> 0:23:56.040
<v Speaker 3>couch come home. The last thing I will say because

0:23:56.119 --> 0:23:57.760
<v Speaker 3>I'm a bit of a gibby job, but I will

0:23:57.760 --> 0:23:58.800
<v Speaker 3>talk it till the couch come home.

0:23:58.800 --> 0:23:59.440
<v Speaker 2>But I love it.

0:23:59.720 --> 0:24:01.720
<v Speaker 3>And one of the things that I have to ask

0:24:01.760 --> 0:24:04.520
<v Speaker 3>you is is anything on a musical tip as an artist,

0:24:04.600 --> 0:24:07.360
<v Speaker 3>is there anything that you feel like the new school

0:24:07.520 --> 0:24:10.399
<v Speaker 3>has lost or that you feel like is the responsibility

0:24:10.440 --> 0:24:11.879
<v Speaker 3>to get taken through to the next generation.

0:24:11.960 --> 0:24:14.720
<v Speaker 2>You just said the word it's all good us.

0:24:14.760 --> 0:24:17.680
<v Speaker 4>Oh geez, we are not mad at what the new

0:24:17.800 --> 0:24:21.560
<v Speaker 4>school or we're not mad at what the younger generation

0:24:21.800 --> 0:24:22.240
<v Speaker 4>is doing.

0:24:22.280 --> 0:24:24.840
<v Speaker 2>I'm not mad at what they're doing. I'm mad at

0:24:24.920 --> 0:24:26.320
<v Speaker 2>what they're not doing.

0:24:26.440 --> 0:24:29.920
<v Speaker 4>And what I mean by that is the typical rapper

0:24:30.119 --> 0:24:34.439
<v Speaker 4>or MC, the typical hip hop person dealing the typical

0:24:34.560 --> 0:24:37.000
<v Speaker 4>before we started getting these record deals, and even when

0:24:37.000 --> 0:24:40.399
<v Speaker 4>we got these record deals, before it became part of

0:24:40.440 --> 0:24:48.760
<v Speaker 4>the music business, the typical rapper was twelve to twenty

0:24:48.800 --> 0:24:53.080
<v Speaker 4>five years old. We were young, but we were talking

0:24:53.119 --> 0:24:59.960
<v Speaker 4>about history, economics, society, social issues. You said the word

0:25:00.119 --> 0:25:03.360
<v Speaker 4>the only thing that's wrong with this generation of hip

0:25:03.440 --> 0:25:07.720
<v Speaker 4>hop is that they're not being responsible and even as

0:25:07.720 --> 0:25:10.520
<v Speaker 4>an artist overall, you know what I'm saying, and what

0:25:10.560 --> 0:25:15.600
<v Speaker 4>I mean by that is generationally the perfect examples of

0:25:15.680 --> 0:25:17.840
<v Speaker 4>who to look up to how to do this was

0:25:17.880 --> 0:25:22.040
<v Speaker 4>always there. Let's take Neil Young for example. There was

0:25:22.080 --> 0:25:26.119
<v Speaker 4>a shooting at Kent State University where the soldiers killed

0:25:26.160 --> 0:25:29.720
<v Speaker 4>four college students. Neil Young woke up the next morning,

0:25:29.800 --> 0:25:33.160
<v Speaker 4>not because of his manager, not because of his publicist.

0:25:33.440 --> 0:25:36.400
<v Speaker 4>He ran to the studio and he wrote Ohio ten

0:25:36.560 --> 0:25:40.280
<v Speaker 4>Soldiers and Nickson's Coming. That song is a hip hop song.

0:25:40.320 --> 0:25:44.040
<v Speaker 4>Go listen to Neil Young's Ohio. He knew I got

0:25:44.040 --> 0:25:48.560
<v Speaker 4>a responsibility. Another person, John Fogerty. They wrote records like

0:25:48.720 --> 0:25:52.280
<v Speaker 4>Fortunate Son, because when I was a kid, I'm hearing

0:25:52.359 --> 0:25:58.080
<v Speaker 4>presidents and governments. They wasn't disrespecting nobody. Their most important,

0:25:58.800 --> 0:26:04.159
<v Speaker 4>their most important in entity and in the business is

0:26:04.200 --> 0:26:08.160
<v Speaker 4>the people in the audience. And the nine times out

0:26:08.200 --> 0:26:11.000
<v Speaker 4>of ten people look at me now, Like I tell kids,

0:26:11.200 --> 0:26:14.600
<v Speaker 4>I wasn't I'm sixty now. I wasn't sixty when I

0:26:14.720 --> 0:26:17.760
<v Speaker 4>changed the world. I wasn't fifty when I changed the world.

0:26:18.000 --> 0:26:20.520
<v Speaker 4>I wasn't forty when I changed the world. I wasn't

0:26:20.560 --> 0:26:21.880
<v Speaker 4>thirty when I changed the world.

0:26:21.880 --> 0:26:22.640
<v Speaker 2>I wasn't twenty.

0:26:22.880 --> 0:26:25.240
<v Speaker 4>Me and running Jay was fresh out of high school,

0:26:25.480 --> 0:26:28.360
<v Speaker 4>and we were change, not just making videos and selling records.

0:26:28.560 --> 0:26:34.000
<v Speaker 4>Unemployment that a record high, people coming, people going, people

0:26:34.119 --> 0:26:38.960
<v Speaker 4>born to die. We learned that from people like Marvin Gaye,

0:26:39.000 --> 0:26:41.000
<v Speaker 4>who was only known for love and sex.

0:26:41.359 --> 0:26:44.159
<v Speaker 2>But he had to make What's going on and he

0:26:44.200 --> 0:26:48.680
<v Speaker 2>did it against Barry people. Notice Berry Gard. He said,

0:26:48.720 --> 0:26:50.439
<v Speaker 2>don't do that. Marvin is going to ruin you.

0:26:50.720 --> 0:26:52.480
<v Speaker 4>But when he went out there and sung that for

0:26:52.560 --> 0:26:54.560
<v Speaker 4>that first audience, they gave him a standing ovation.

0:26:55.119 --> 0:26:57.879
<v Speaker 2>So the only thing but it's a mumble wrap.

0:26:58.320 --> 0:27:00.280
<v Speaker 4>I was speaking in the school in the bron and

0:27:00.320 --> 0:27:03.000
<v Speaker 4>the kids asked me, because I'm fifty now that I

0:27:03.080 --> 0:27:05.480
<v Speaker 4>was fifty at the time, DMC, what do you think

0:27:05.520 --> 0:27:06.440
<v Speaker 4>about mumble rap?

0:27:06.680 --> 0:27:07.800
<v Speaker 2>They want me to hate it?

0:27:07.840 --> 0:27:10.000
<v Speaker 4>Oh, you kids ain't saying nothing and this and that

0:27:10.320 --> 0:27:13.040
<v Speaker 4>you're young, you young whipper snappers. But I hit and

0:27:13.119 --> 0:27:15.200
<v Speaker 4>went I could relate to it, and you should have

0:27:15.280 --> 0:27:18.760
<v Speaker 4>seen the whole attitude of the class chains I said,

0:27:18.880 --> 0:27:20.679
<v Speaker 4>what do you mean by that? How could you supposed

0:27:20.720 --> 0:27:22.399
<v Speaker 4>to hate it? I said no, I could relate to

0:27:22.480 --> 0:27:25.159
<v Speaker 4>mumbo map mumble rap. And they said, why you're saying that, DMC.

0:27:25.520 --> 0:27:28.080
<v Speaker 4>I said, you gotta understand something. The only difference between

0:27:28.080 --> 0:27:30.879
<v Speaker 4>my generation and your generation is this. They said the

0:27:30.960 --> 0:27:34.439
<v Speaker 4>same thing about us hip hop to Hibbit to Hibbit

0:27:34.440 --> 0:27:37.040
<v Speaker 4>Dibby hip. They ain't say nothing. I said, when we

0:27:37.119 --> 0:27:41.520
<v Speaker 4>got criticized, we stopped the music and the fun and

0:27:41.560 --> 0:27:42.720
<v Speaker 4>we wrote it's like that.

0:27:42.920 --> 0:27:45.360
<v Speaker 2>We wrote hard times. We wrote the message.

0:27:45.400 --> 0:27:49.399
<v Speaker 4>I said, Tupac isn't celebrating in hip hop because he

0:27:49.440 --> 0:27:52.119
<v Speaker 4>had Doug Life tattooed on him and he went to

0:27:52.200 --> 0:27:54.080
<v Speaker 4>jail and the kids were, what do you mean by that?

0:27:54.359 --> 0:27:56.960
<v Speaker 4>I said, Toothpock is love for two reasons. And this

0:27:57.040 --> 0:27:59.280
<v Speaker 4>blew my mind when I said it, because the kids know,

0:27:59.760 --> 0:28:02.440
<v Speaker 4>but they're afraid to do it because they're worried about

0:28:02.440 --> 0:28:06.359
<v Speaker 4>how somebody's gonna think about them about being cool. I said,

0:28:06.400 --> 0:28:09.919
<v Speaker 4>Tupac is worship than hip hop for two reasons. Damn

0:28:09.960 --> 0:28:13.400
<v Speaker 4>Mama and Brenda had a baby and they said yo,

0:28:13.960 --> 0:28:17.480
<v Speaker 4>and the kids said, dish yo. Those records sound ill.

0:28:17.840 --> 0:28:21.280
<v Speaker 4>They went to that emotional state and they realized that,

0:28:21.400 --> 0:28:25.359
<v Speaker 4>oh wow, we forgot Tupac did something that was important

0:28:25.400 --> 0:28:28.440
<v Speaker 4>and responsible in the midst of all of fame, fortune

0:28:28.480 --> 0:28:31.400
<v Speaker 4>and the money. So the only thing that's missing right

0:28:31.440 --> 0:28:35.080
<v Speaker 4>now is get your money, have your fun. But what's

0:28:35.119 --> 0:28:38.800
<v Speaker 4>going on, Dylan, is they're making records about sipping the

0:28:38.920 --> 0:28:42.800
<v Speaker 4>syrup or shooting or taking the drugs and driving a

0:28:42.840 --> 0:28:46.400
<v Speaker 4>fancy car and having a sex. When the next single

0:28:46.440 --> 0:28:48.760
<v Speaker 4>we talked about this. You can make a record about

0:28:48.760 --> 0:28:51.960
<v Speaker 4>the strip club, but why your next record isn't about

0:28:51.960 --> 0:28:55.800
<v Speaker 4>fully clothed women like your aunts and your grandmothers, or

0:28:55.800 --> 0:28:58.960
<v Speaker 4>your force to care mother who raised forty six forced

0:28:58.960 --> 0:29:02.120
<v Speaker 4>the kids and put them on through coll They're shamed

0:29:02.160 --> 0:29:06.280
<v Speaker 4>of rhyme about those reality things that exist because they're

0:29:06.320 --> 0:29:09.600
<v Speaker 4>worried about their street Craig, and you know this dealing

0:29:09.720 --> 0:29:13.080
<v Speaker 4>in the streets. When I was coming up, the pimps,

0:29:13.120 --> 0:29:16.160
<v Speaker 4>the pushers in the gang bangers. If you could play

0:29:16.160 --> 0:29:19.040
<v Speaker 4>a violin, if you could do ballet, if you could

0:29:19.080 --> 0:29:22.200
<v Speaker 4>play some basketball, or if you were smart as hell.

0:29:22.600 --> 0:29:26.480
<v Speaker 4>The pimps, pushes and the drug dealers were responsible too,

0:29:26.800 --> 0:29:29.600
<v Speaker 4>because when they saw that in those young people, they say, yo,

0:29:29.640 --> 0:29:31.520
<v Speaker 4>young buck, get your ass off this corner.

0:29:31.600 --> 0:29:33.000
<v Speaker 2>You don't need to be out here.

0:29:33.520 --> 0:29:38.160
<v Speaker 4>So now, in the music business, anything that's diluted, polluted,

0:29:38.360 --> 0:29:43.160
<v Speaker 4>anything holy or sacred with power in our communities or

0:29:43.160 --> 0:29:47.000
<v Speaker 4>cultures will get diluted, polluted and destroyed. Once you're in

0:29:47.040 --> 0:29:50.560
<v Speaker 4>the entertainment business. What I mean by this, there's tupax

0:29:50.600 --> 0:29:54.000
<v Speaker 4>out there, there's tretches and Naughty by Natures out there.

0:29:54.240 --> 0:29:56.800
<v Speaker 4>Naughty by Nature made a whole song about sex in

0:29:56.840 --> 0:30:01.280
<v Speaker 4>it and use one profane word. Yeah, you know it's

0:30:01.320 --> 0:30:03.880
<v Speaker 4>a record about sex in it. But it's done in

0:30:03.920 --> 0:30:07.080
<v Speaker 4>a creative, artistic manner where people look at Tretch and

0:30:07.120 --> 0:30:10.520
<v Speaker 4>say you made this record, and trusted say you goddamn right.

0:30:10.880 --> 0:30:16.160
<v Speaker 4>There's a lack of responsibility with the artists. Why arts

0:30:16.200 --> 0:30:20.959
<v Speaker 4>succeeds where politics and religion fails. So the first thing

0:30:21.200 --> 0:30:23.040
<v Speaker 4>they're gonna do one and you want to take over

0:30:23.080 --> 0:30:28.200
<v Speaker 4>the world. Kill Dylan, kill dmc kill the songwriters, kill

0:30:28.280 --> 0:30:32.200
<v Speaker 4>the playwrights, clear the journalists, clear to clear anybody that's

0:30:32.280 --> 0:30:35.280
<v Speaker 4>creating dialogue and content and stuff like that about the

0:30:35.400 --> 0:30:39.720
<v Speaker 4>real issues, like this talk show here, this brings people together.

0:30:39.880 --> 0:30:41.920
<v Speaker 4>They don't want that, so they're gonna get rid of

0:30:42.000 --> 0:30:44.920
<v Speaker 4>us so they can control us. We know, hip hop

0:30:45.040 --> 0:30:49.280
<v Speaker 4>like punk rock, fuck the establishment. We're gonna address the

0:30:49.320 --> 0:30:51.800
<v Speaker 4>way that we dress, were gonna make the music.

0:30:52.120 --> 0:30:53.280
<v Speaker 2>It's the same thing.

0:30:53.640 --> 0:30:56.840
<v Speaker 4>So you gotta have somebody explain to me you gotta

0:30:56.880 --> 0:30:59.480
<v Speaker 4>have guts to be an artist.

0:30:59.600 --> 0:30:59.800
<v Speaker 2>Yeah.

0:31:00.040 --> 0:31:01.840
<v Speaker 3>I love that, Thank you, Thank you so much. And

0:31:01.920 --> 0:31:04.040
<v Speaker 3>it's really interesting that you because I feel like there

0:31:04.080 --> 0:31:07.480
<v Speaker 3>was a real romance between hip hop and rock music

0:31:07.520 --> 0:31:10.640
<v Speaker 3>in the nies because it was an energy, like you said,

0:31:11.280 --> 0:31:15.240
<v Speaker 3>never spirit spirit, that's the kindred spirits, you know, like

0:31:15.680 --> 0:31:18.320
<v Speaker 3>I almost feel like hip hop has maybe recently been

0:31:18.360 --> 0:31:20.080
<v Speaker 3>a little bit spoilt because there are people that put

0:31:20.080 --> 0:31:21.920
<v Speaker 3>them on from that struggle that, like you say, it's

0:31:21.960 --> 0:31:23.920
<v Speaker 3>kind of like been popular for so long in the mainstream.

0:31:23.960 --> 0:31:25.200
<v Speaker 3>It has been like the biggest music genre in the

0:31:25.240 --> 0:31:27.240
<v Speaker 3>world for like the last forty years. Yeah, I feel

0:31:27.280 --> 0:31:29.680
<v Speaker 3>like almost there's it's almost had a little bit too good.

0:31:29.720 --> 0:31:31.560
<v Speaker 3>You know, it's over genres like country or whatever that're

0:31:31.600 --> 0:31:33.720
<v Speaker 3>coming back in a new way. Yeah, And I really

0:31:33.760 --> 0:31:36.200
<v Speaker 3>hope that that that friction, you know, spouts up that

0:31:36.240 --> 0:31:39.000
<v Speaker 3>pressure to you know, get that more socially conscious responsible.

0:31:39.000 --> 0:31:42.760
<v Speaker 4>Well, for sure, I think that, Yeah, the way that

0:31:42.840 --> 0:31:45.360
<v Speaker 4>you do it, you just you can't do it as

0:31:45.400 --> 0:31:48.040
<v Speaker 4>an a gender. You just have to do it, you

0:31:48.040 --> 0:31:50.520
<v Speaker 4>know what I'm saying. Because there was a time, you know,

0:31:50.760 --> 0:31:55.200
<v Speaker 4>once one Cube, when ice Cube left n w A.

0:31:56.120 --> 0:31:59.360
<v Speaker 4>Remember when he went solo. Now, everybody was like n

0:31:59.480 --> 0:32:01.640
<v Speaker 4>w A was it's necessary, but we didn't need a

0:32:01.760 --> 0:32:03.120
<v Speaker 4>hundred NWA groups.

0:32:04.160 --> 0:32:05.600
<v Speaker 2>But when ice Cube.

0:32:05.320 --> 0:32:09.560
<v Speaker 4>Left NWA and did America's Most Warning, he was brilliant

0:32:09.600 --> 0:32:14.240
<v Speaker 4>because now he explained the emotional feeling of what he

0:32:14.360 --> 0:32:17.320
<v Speaker 4>was saying on the NWA record. He said, if you

0:32:17.360 --> 0:32:20.440
<v Speaker 4>go listen to America's most warning he was he was

0:32:20.520 --> 0:32:25.240
<v Speaker 4>explaining what this individual who wasn't born that way was

0:32:25.280 --> 0:32:28.160
<v Speaker 4>going through and why. Perfect example is the ghetto Boys.

0:32:28.200 --> 0:32:32.360
<v Speaker 4>My mind playing see everything is mental, my mind playing

0:32:32.400 --> 0:32:35.680
<v Speaker 4>tricks on me. Scarface wasn't like these rappers of the

0:32:35.760 --> 0:32:39.160
<v Speaker 4>day praise me because I'm moving weight and selling coke

0:32:39.240 --> 0:32:42.520
<v Speaker 4>and cracking guns. Most of the hip hop records were like, yes,

0:32:42.640 --> 0:32:44.960
<v Speaker 4>that's a bitch ho motherfucking nigga.

0:32:45.040 --> 0:32:47.720
<v Speaker 2>Nigga do we celebrate that like it's cool?

0:32:47.920 --> 0:32:48.080
<v Speaker 1>Right?

0:32:48.240 --> 0:32:51.480
<v Speaker 4>Think about it, and a lot of these young kids

0:32:51.560 --> 0:32:53.120
<v Speaker 4>think they got to do that to be liked and

0:32:53.160 --> 0:32:55.600
<v Speaker 4>be successful. But if you listen to the ghetto Boys,

0:32:55.680 --> 0:33:00.200
<v Speaker 4>my mind playing tricks on me. Scarface was saying, at night,

0:33:00.280 --> 0:33:03.280
<v Speaker 4>I can't sleep, Lord, show me another way. I don't

0:33:03.320 --> 0:33:05.600
<v Speaker 4>want to do this, will it is Rhyme is saying,

0:33:05.600 --> 0:33:08.560
<v Speaker 4>I'm paranoid. I'm about to shoot the old women in

0:33:08.600 --> 0:33:12.880
<v Speaker 4>their car just ordering Popeyes like me. Bushwick Bill thought

0:33:12.880 --> 0:33:15.080
<v Speaker 4>he was fighting somebody on Halloween and it was the

0:33:15.160 --> 0:33:19.400
<v Speaker 4>drugs overtaking him. So they were telling stories that resonated

0:33:19.440 --> 0:33:22.080
<v Speaker 4>with people's spirit and souls, which.

0:33:21.920 --> 0:33:23.040
<v Speaker 2>Freedom a lot of us.

0:33:23.280 --> 0:33:27.400
<v Speaker 4>But now it's being promoted that shoe in killing and

0:33:27.440 --> 0:33:30.560
<v Speaker 4>selling drugs is cool. So these kids don't know no better.

0:33:30.640 --> 0:33:34.440
<v Speaker 4>Why because the people like your songs ain't being heard

0:33:34.440 --> 0:33:37.640
<v Speaker 4>in my songs ain't being heard. They exist. So it's

0:33:37.720 --> 0:33:40.720
<v Speaker 4>up to us to fight the good fight. All we

0:33:40.760 --> 0:33:43.400
<v Speaker 4>gotta do, Dylan is just keep on showing up. That's

0:33:43.440 --> 0:33:44.000
<v Speaker 4>how we win.

0:33:44.680 --> 0:33:46.880
<v Speaker 3>Will thank you, Dalla. It's been honoring a pleasure. And

0:33:47.120 --> 0:33:48.880
<v Speaker 3>I have to send you through the new album too.

0:33:48.880 --> 0:33:51.520
<v Speaker 3>It's in fact, please it's going to show up and

0:33:51.560 --> 0:33:53.480
<v Speaker 3>it's all about responsibility and again wow.

0:33:53.720 --> 0:33:57.280
<v Speaker 4>See look see you know all of this, yes, right

0:33:57.360 --> 0:34:01.200
<v Speaker 4>you and you know all of this because you are that.

0:34:01.200 --> 0:34:03.840
<v Speaker 2>That's so crazy every time I say something that he's

0:34:03.880 --> 0:34:04.720
<v Speaker 2>already doing it.

0:34:04.760 --> 0:34:07.880
<v Speaker 1>All right. So the weirdest thing is is and I'm

0:34:07.880 --> 0:34:10.640
<v Speaker 1>getting the wrap signal because I have I have to

0:34:10.680 --> 0:34:13.640
<v Speaker 1>say I knew this was going to happen. I saw

0:34:13.640 --> 0:34:16.360
<v Speaker 1>it when he started talking and he started telling me

0:34:16.400 --> 0:34:18.920
<v Speaker 1>a story, and I thought back to the story that

0:34:19.000 --> 0:34:21.640
<v Speaker 1>you had. I you know, we've known each other twenty

0:34:21.880 --> 0:34:25.440
<v Speaker 1>plus years, so I know. I just I had this

0:34:25.560 --> 0:34:28.040
<v Speaker 1>feeling that you would connect like that and that he

0:34:28.120 --> 0:34:30.480
<v Speaker 1>needed to hear what you had to say, and you

0:34:30.560 --> 0:34:31.319
<v Speaker 1>need to hear him.

0:34:31.560 --> 0:34:34.000
<v Speaker 2>This song is sick too, man. I want to cannot

0:34:34.760 --> 0:34:35.279
<v Speaker 2>that song.

0:34:35.560 --> 0:34:37.200
<v Speaker 1>I have a link. I want to think.

0:34:37.200 --> 0:34:40.359
<v Speaker 4>Pete is incredible in everything in your flow, Oh my god.

0:34:40.600 --> 0:34:43.839
<v Speaker 1>Last Note Records is pretty special and they're the ones

0:34:43.880 --> 0:34:46.480
<v Speaker 1>that helped us make this happen today, and they were

0:34:46.600 --> 0:34:48.360
<v Speaker 1>very excited about it as well, so I wanted to

0:34:48.440 --> 0:34:51.239
<v Speaker 1>thank them for helping it and Dylan. Sorry, I'm taking

0:34:51.280 --> 0:34:52.280
<v Speaker 1>the camera just for a second.

0:34:52.360 --> 0:34:54.560
<v Speaker 2>Hi, Hellolyn, how are we doing?

0:34:54.600 --> 0:34:56.120
<v Speaker 3>Going good?

0:34:56.320 --> 0:34:57.400
<v Speaker 1>Doesn't he have a great studio?

0:34:57.520 --> 0:34:57.759
<v Speaker 2>Yes?

0:34:58.239 --> 0:35:01.520
<v Speaker 3>That was absolutely and it's been amazing. So it's been

0:35:01.600 --> 0:35:04.040
<v Speaker 3>such a cool experience for me. I'm a fun girl

0:35:04.120 --> 0:35:04.560
<v Speaker 3>too much.

0:35:05.560 --> 0:35:08.680
<v Speaker 4>I know it's all good man. We are fans of

0:35:08.880 --> 0:35:12.399
<v Speaker 4>all each other. Yeah, because lyrics were just that little

0:35:12.440 --> 0:35:15.600
<v Speaker 4>bit wait too here you've only delved in a little bit. Daryl,

0:35:15.680 --> 0:35:17.560
<v Speaker 4>thank you so much for coming on the show.

0:35:17.760 --> 0:35:19.720
<v Speaker 2>I'm inspired by coming here today.

0:35:19.880 --> 0:35:21.440
<v Speaker 1>I was inspired by him.

0:35:21.360 --> 0:35:23.840
<v Speaker 4>And then I know, really know if the lyrics in

0:35:23.920 --> 0:35:26.239
<v Speaker 4>his song you know what I'm saying, because everybody got

0:35:26.320 --> 0:35:28.239
<v Speaker 4>somewhere that little bit just made me.

0:35:28.480 --> 0:35:32.160
<v Speaker 2>Realize it ain't that bad. Matter of fact, it's good.

0:35:32.200 --> 0:35:34.680
<v Speaker 1>It's nothing wrong, that's right, you know what I'm saying.

0:35:35.080 --> 0:35:38.920
<v Speaker 2>The bill's late, it's late, but everything's beautiful. Right.

0:35:39.400 --> 0:35:42.440
<v Speaker 1>You're beautiful, Daryl. You're such a beautiful person. Oh, thank

0:35:42.520 --> 0:35:45.359
<v Speaker 1>you your spirit and everything. And now I know why

0:35:45.480 --> 0:35:48.080
<v Speaker 1>I enjoyed myself so much. Thank you so much, and

0:35:48.880 --> 0:35:50.320
<v Speaker 1>just keep doing what you're doing. I didn't get a

0:35:50.400 --> 0:35:52.239
<v Speaker 1>chance to talk to you about your children's book. You

0:35:52.360 --> 0:35:53.960
<v Speaker 1>are on your way to Boston two years ago and

0:35:54.080 --> 0:35:57.239
<v Speaker 1>you were going listen to this and you're going to

0:35:57.360 --> 0:36:01.560
<v Speaker 1>my nephew's school. My brother, who also plays in a band,

0:36:01.640 --> 0:36:04.719
<v Speaker 1>the Macharette Band, he said to me, you're going to

0:36:04.760 --> 0:36:07.000
<v Speaker 1>have who come to your house, to your to your studio.

0:36:07.080 --> 0:36:10.000
<v Speaker 1>And I said Darryl, And he said they spoke at

0:36:10.040 --> 0:36:12.600
<v Speaker 1>our school. He came to speak it and my nephew

0:36:12.840 --> 0:36:15.000
<v Speaker 1>was in sixth grade and he heard you speak and

0:36:15.040 --> 0:36:16.960
<v Speaker 1>he was so inspired by you. And I thought, that's

0:36:17.000 --> 0:36:20.000
<v Speaker 1>so weird, because I called you and you texted and

0:36:20.040 --> 0:36:22.279
<v Speaker 1>you said, I'm on my way to Boston because of

0:36:22.320 --> 0:36:23.759
<v Speaker 1>the book. This was just two years ago.

0:36:23.840 --> 0:36:26.440
<v Speaker 2>Yes, wow, going to his school.

0:36:26.840 --> 0:36:29.719
<v Speaker 1>That's crazy schools in the city of Boston. You could

0:36:29.719 --> 0:36:31.080
<v Speaker 1>have gone to you went to my nephew.

0:36:31.239 --> 0:36:32.200
<v Speaker 2>That's crazy.

0:36:32.440 --> 0:36:35.400
<v Speaker 1>Oh my good real, Yeah, that was so nuts.

0:36:35.400 --> 0:36:37.960
<v Speaker 2>So yeah, yeah, I'll go to a lot of schools

0:36:38.000 --> 0:36:38.839
<v Speaker 2>to speak to the kids.

0:36:38.920 --> 0:36:41.359
<v Speaker 1>Yeah, you do, and you're amazing for it. And that's

0:36:41.360 --> 0:36:42.840
<v Speaker 1>why I wanted to connect you because I felt like

0:36:42.880 --> 0:36:44.719
<v Speaker 1>he needed to take Well, you had to put down

0:36:45.120 --> 0:36:47.719
<v Speaker 1>that was that was happening. Well, thank you for being

0:36:47.760 --> 0:36:50.200
<v Speaker 1>on music save me. And I might have to have

0:36:50.320 --> 0:36:51.040
<v Speaker 1>you come back again.

0:36:51.360 --> 0:36:52.480
<v Speaker 2>I will, yeah, I will.

0:36:52.600 --> 0:36:53.120
<v Speaker 4>You might have to