1 00:00:00,120 --> 00:00:03,240 Speaker 1: Sunday Hang is brought to you by Chalk Natural Supplements 2 00:00:03,279 --> 00:00:06,920 Speaker 1: for guys, gals, and nothing in between. Fuel your day 3 00:00:06,960 --> 00:00:08,720 Speaker 1: at Chalk dot Com. 4 00:00:08,760 --> 00:00:11,520 Speaker 2: Sunday Hang with Clay and Bucks. 5 00:00:12,640 --> 00:00:18,200 Speaker 1: It is Friday the thirteenth. Do not walk under any ladders. 6 00:00:19,000 --> 00:00:22,440 Speaker 1: Make sure you dodge any black cats in your path. 7 00:00:23,239 --> 00:00:27,479 Speaker 1: Do not say candy man and then repeat that same 8 00:00:27,520 --> 00:00:30,440 Speaker 1: thing several times into a mirror in the dark. What 9 00:00:30,480 --> 00:00:31,160 Speaker 1: else am I missing? 10 00:00:31,200 --> 00:00:31,400 Speaker 3: Clay? 11 00:00:31,440 --> 00:00:37,120 Speaker 1: What are the other rules for superstition? The occult and 12 00:00:37,440 --> 00:00:38,800 Speaker 1: Friday the thirteenth? 13 00:00:39,200 --> 00:00:41,880 Speaker 4: For those of us who grew up in a certain region, 14 00:00:41,920 --> 00:00:45,280 Speaker 4: I don't think it was well known. We were told, 15 00:00:45,400 --> 00:00:48,479 Speaker 4: don't screw around with the bell Witch. Have you ever 16 00:00:48,520 --> 00:00:50,400 Speaker 4: heard of the Bellwitch legend? 17 00:00:50,479 --> 00:00:51,440 Speaker 1: B E L L. 18 00:00:51,640 --> 00:00:56,600 Speaker 4: They kind of based you remember the movie, the handheld 19 00:00:57,280 --> 00:01:01,880 Speaker 4: movie back in the day, I mean Blair. 20 00:01:01,600 --> 00:01:03,840 Speaker 1: Real talk here for a second, real talk here, Clay, 21 00:01:03,840 --> 00:01:06,399 Speaker 1: we're friends. Did you have a banjo growing up? Like 22 00:01:06,680 --> 00:01:07,440 Speaker 1: I feel like I did? 23 00:01:09,360 --> 00:01:13,360 Speaker 4: They made the They based the Blair Witch project to 24 00:01:13,440 --> 00:01:17,480 Speaker 4: a certain extent, on some of the legacy of the Bellwitch. 25 00:01:17,880 --> 00:01:20,240 Speaker 4: But back in the day when the Bellwitch was the 26 00:01:20,280 --> 00:01:23,600 Speaker 4: one that we focused on the most and actually the Bell. 27 00:01:23,520 --> 00:01:25,240 Speaker 1: What's the story of the Belwich. I don't know anything. 28 00:01:25,400 --> 00:01:25,600 Speaker 1: Tell me. 29 00:01:25,800 --> 00:01:29,920 Speaker 4: Bellewitch is very famous. In fact, Andrew Jackson back in 30 00:01:29,959 --> 00:01:33,320 Speaker 4: the day went to the home where the Bellwitch was 31 00:01:33,400 --> 00:01:37,959 Speaker 4: supposedly haunting, and there's a Belwitch Cave which you can 32 00:01:38,000 --> 00:01:40,000 Speaker 4: still tour. I think it's kind of had a new 33 00:01:40,080 --> 00:01:43,160 Speaker 4: life on YouTube because there's a lot of these kids, 34 00:01:43,240 --> 00:01:45,839 Speaker 4: you know this, that go to the most haunted places 35 00:01:45,959 --> 00:01:49,600 Speaker 4: and just take their own personal YouTube paraphernalia, you have 36 00:01:49,720 --> 00:01:52,840 Speaker 4: film it. It's super popular, you know. I know they've 37 00:01:52,840 --> 00:01:55,680 Speaker 4: done television shows about this, but it's there's a certain 38 00:01:55,760 --> 00:01:59,000 Speaker 4: genre of it on YouTube that my teenage boys have 39 00:01:59,160 --> 00:02:01,240 Speaker 4: ended up following that has gotten a lot of attention. 40 00:02:01,280 --> 00:02:04,320 Speaker 4: And so there's been part in the term, a resurrection 41 00:02:04,680 --> 00:02:07,320 Speaker 4: of some of these old, uh you know, sort of 42 00:02:07,320 --> 00:02:09,800 Speaker 4: ghost stories back in the day that have found a 43 00:02:09,880 --> 00:02:12,239 Speaker 4: new life on on social media at the Internet. 44 00:02:12,639 --> 00:02:16,400 Speaker 1: I think well written. So I'm not a horror genre 45 00:02:16,480 --> 00:02:20,320 Speaker 1: guy in general, but I and I a lot of 46 00:02:20,320 --> 00:02:22,680 Speaker 1: it too. First of all, the older I get, actually, 47 00:02:22,680 --> 00:02:26,080 Speaker 1: the less I'm okay with like really extreme violence in 48 00:02:26,200 --> 00:02:29,760 Speaker 1: movies and things. I just I don't want that negativity, 49 00:02:29,919 --> 00:02:33,639 Speaker 1: like entering my consciousness in my sphere. So I I 50 00:02:34,240 --> 00:02:36,520 Speaker 1: anything that I don't like. The slasher genre is what 51 00:02:36,560 --> 00:02:41,120 Speaker 1: I'm saying, the more a cult. It's eerie. The writing 52 00:02:41,280 --> 00:02:45,200 Speaker 1: that stuff I think can be can be very well done. 53 00:02:45,680 --> 00:02:48,239 Speaker 1: Uh and I think as far more effective as actual 54 00:02:48,400 --> 00:02:51,320 Speaker 1: horror than the like you know guy with like the 55 00:02:51,320 --> 00:02:53,840 Speaker 1: front of the classical. They don't really make those movies anymore, 56 00:02:53,880 --> 00:02:57,440 Speaker 1: but the Slash thirteen back in the day slasher films, 57 00:02:57,480 --> 00:03:03,120 Speaker 1: Freddy Krueger, Michael Meyers all that that was a huge 58 00:03:03,160 --> 00:03:06,560 Speaker 1: genre for a while because dollars in, dollars out. It 59 00:03:06,760 --> 00:03:08,799 Speaker 1: may still be the case. I know it was the 60 00:03:08,919 --> 00:03:13,200 Speaker 1: case that horror movies were the most profitable genre of 61 00:03:13,360 --> 00:03:15,680 Speaker 1: film to be involved Inase think about it. What are 62 00:03:15,720 --> 00:03:19,360 Speaker 1: your costs like fake blood? You know, a hockey mask? People? 63 00:03:19,480 --> 00:03:23,000 Speaker 4: Yeah, the bloom I think it's Jason Bloomhouse has made 64 00:03:23,240 --> 00:03:25,600 Speaker 4: a It might be Blumhouse. I've read all about it. 65 00:03:25,720 --> 00:03:29,760 Speaker 4: You're still right the horror universe is the most profitable. 66 00:03:29,840 --> 00:03:32,959 Speaker 4: Let me give you a couple of things here. The 67 00:03:33,120 --> 00:03:36,440 Speaker 4: Conjuring movies are incredible. Have you watched the Conjuring. 68 00:03:36,040 --> 00:03:38,080 Speaker 1: Movies and have not seen those? Have not seen them? 69 00:03:38,240 --> 00:03:41,760 Speaker 4: I think you would like them because they're basically it's 70 00:03:41,760 --> 00:03:45,800 Speaker 4: about a husband and a wife. They are so well done, 71 00:03:45,960 --> 00:03:48,160 Speaker 4: and it's really about their marriage as much, but they 72 00:03:48,280 --> 00:03:54,600 Speaker 4: are they're basically exorcists. They're investigating on behalf of religion, 73 00:03:55,120 --> 00:03:58,400 Speaker 4: the idea of evil in the world. And I'm sure 74 00:03:58,440 --> 00:04:01,960 Speaker 4: they're hollywooded up, but they're based in reality on this 75 00:04:02,160 --> 00:04:05,120 Speaker 4: husband and wife couple that this is what they did. 76 00:04:05,280 --> 00:04:09,720 Speaker 4: They went and they investigated evil of a of a 77 00:04:09,840 --> 00:04:12,640 Speaker 4: vile nature from a religious perspective. 78 00:04:12,680 --> 00:04:15,400 Speaker 1: And the movies are supremely positive. It actually sounds like 79 00:04:15,480 --> 00:04:17,160 Speaker 1: it's pretty good, Like I actually sounds. 80 00:04:16,920 --> 00:04:20,000 Speaker 4: Like they are really well done. I don't know what 81 00:04:20,200 --> 00:04:22,920 Speaker 4: percentage of this audience would have watched them. They're scary. 82 00:04:23,760 --> 00:04:25,480 Speaker 1: Was there ever a movie that you watched when you 83 00:04:25,560 --> 00:04:28,280 Speaker 1: were younger as a kid that was so scary that 84 00:04:28,360 --> 00:04:29,840 Speaker 1: you had to turn it off? Or like you're like, 85 00:04:29,920 --> 00:04:31,960 Speaker 1: I can't, I can't sit, I can't do this. Oh 86 00:04:31,960 --> 00:04:35,280 Speaker 1: it's Friday the thirteenth. I mean sorry, no, sorry, Nightmare 87 00:04:35,320 --> 00:04:37,880 Speaker 1: on Elm Street when I was a little kid, because 88 00:04:38,360 --> 00:04:42,160 Speaker 1: Freddy came to you while you were sleeping. So if 89 00:04:42,240 --> 00:04:43,920 Speaker 1: you were a kid and you got in bed and 90 00:04:44,000 --> 00:04:47,080 Speaker 1: you had a wild imagination like I did. Uh, and 91 00:04:48,160 --> 00:04:49,920 Speaker 1: you would be trying to go to sleep and you 92 00:04:49,960 --> 00:04:51,640 Speaker 1: would think. I mean, that was what made I think 93 00:04:51,680 --> 00:04:54,680 Speaker 1: the Nightmare on elm Street movie so particularly well done. 94 00:04:55,400 --> 00:04:58,520 Speaker 4: Was they were going to get you when you went 95 00:04:58,640 --> 00:05:02,120 Speaker 4: to sleep, so you weren't even safe once you fell asleep. 96 00:05:02,200 --> 00:05:03,080 Speaker 3: It was that was the danger. 97 00:05:03,240 --> 00:05:05,960 Speaker 4: Let me give you the conjuring are really good. Since 98 00:05:05,960 --> 00:05:09,760 Speaker 4: it's Friday, the thirteenth. Scream movies, I still really like 99 00:05:09,839 --> 00:05:10,559 Speaker 4: the scream movies. 100 00:05:10,720 --> 00:05:14,880 Speaker 1: I think those are more crime thriller than they are horror. 101 00:05:15,000 --> 00:05:17,280 Speaker 1: There's nothing super natal. It's really just a serial killer. 102 00:05:17,920 --> 00:05:21,120 Speaker 4: Yeah, I mean there's it's typically stabbing, so I mean 103 00:05:21,200 --> 00:05:23,359 Speaker 4: it's kind of nasty in the sense that you're getting 104 00:05:23,400 --> 00:05:24,400 Speaker 4: stabbed with a knife. 105 00:05:24,480 --> 00:05:25,799 Speaker 1: Yes I'm stabbing. 106 00:05:27,800 --> 00:05:31,640 Speaker 4: They're not supremely gory to your point. So they're they're 107 00:05:31,720 --> 00:05:34,920 Speaker 4: coming out with a new scream, Scream seven. This is 108 00:05:35,040 --> 00:05:38,640 Speaker 4: the seventh version of it. So I would say, to 109 00:05:38,800 --> 00:05:41,040 Speaker 4: a large extent, you're right, like the night would you 110 00:05:41,120 --> 00:05:43,920 Speaker 4: make a cameo, mister Thespian and Scream seven is if 111 00:05:43,960 --> 00:05:47,080 Speaker 4: a see people are coming after me. For people think 112 00:05:47,160 --> 00:05:50,360 Speaker 4: that acting is awesome, that's what I thought. I was like, man, 113 00:05:50,440 --> 00:05:54,040 Speaker 4: there's nothing cooler than being in a movie. It's really boring. 114 00:05:54,600 --> 00:05:56,560 Speaker 4: You sit in a can, you sit in like your 115 00:05:56,640 --> 00:05:59,640 Speaker 4: little uh you know, on set, you go out, you 116 00:05:59,760 --> 00:06:03,480 Speaker 4: do the same thing forty different times from eighty different angles. 117 00:06:04,000 --> 00:06:06,400 Speaker 3: It's and I was like, this is not it's not 118 00:06:06,480 --> 00:06:07,800 Speaker 3: as fast paced as I thought about. 119 00:06:07,880 --> 00:06:10,599 Speaker 1: My mom is gonna is gonna chuckle right now. But uh, 120 00:06:10,720 --> 00:06:13,400 Speaker 1: before she had to just do the mom thing full time. 121 00:06:13,920 --> 00:06:17,320 Speaker 1: When she was early on married to my dad. She uh, 122 00:06:17,600 --> 00:06:20,080 Speaker 1: she was on a soap opera, Doctors, which I told 123 00:06:20,080 --> 00:06:21,840 Speaker 1: you about, for a season. She was a she was 124 00:06:21,880 --> 00:06:24,560 Speaker 1: a cast regular for a season. She was the starring 125 00:06:24,720 --> 00:06:27,840 Speaker 1: role in a Hallmark movie Summer of My German Soldier. 126 00:06:28,440 --> 00:06:30,440 Speaker 1: She was in and I mean these were real like 127 00:06:30,880 --> 00:06:32,440 Speaker 1: probably you know kind of Uh. 128 00:06:33,040 --> 00:06:36,400 Speaker 4: Was she the one who dated the German soldier? Yes, Yeah, 129 00:06:36,480 --> 00:06:38,000 Speaker 4: she was the love interest for the German soldier. 130 00:06:38,160 --> 00:06:40,920 Speaker 1: Yeah. And so she was in a number of these things. 131 00:06:40,920 --> 00:06:42,680 Speaker 1: So she did. She was a working actress, like a 132 00:06:42,760 --> 00:06:45,440 Speaker 1: person that was making a living acting. She says, his 133 00:06:45,520 --> 00:06:48,960 Speaker 1: work it's a brutal it's a brutal profession because it's 134 00:06:48,960 --> 00:06:51,160 Speaker 1: so fickle and it was work. It's not all the 135 00:06:51,200 --> 00:06:53,960 Speaker 1: stuff that people think about, the like red carpet and 136 00:06:54,000 --> 00:06:57,560 Speaker 1: everything else. That's the very end process. That's that's signing 137 00:06:57,640 --> 00:06:58,919 Speaker 1: the books at Barnes and Noble. 138 00:06:59,320 --> 00:07:03,560 Speaker 4: My very limited yeah, that's yeah, my very limited time 139 00:07:03,839 --> 00:07:07,599 Speaker 4: as involved in doing acting. And again I've only done 140 00:07:07,640 --> 00:07:09,480 Speaker 4: it in the context of being an adult. 141 00:07:10,240 --> 00:07:13,000 Speaker 1: You're even talking about you doing acting. You played yourself? 142 00:07:15,080 --> 00:07:19,680 Speaker 4: Come on, come on, But I've played myself. But I 143 00:07:20,360 --> 00:07:24,920 Speaker 4: have to say I did an incredible job playing is 144 00:07:26,120 --> 00:07:28,000 Speaker 4: that's really very funny. I had never thought that I've 145 00:07:28,080 --> 00:07:31,640 Speaker 4: only played myself in in film and movie. I don't 146 00:07:31,640 --> 00:07:33,800 Speaker 4: think I've ever played anybody else but this mustache. There's 147 00:07:33,840 --> 00:07:37,000 Speaker 4: no telling who I could play. But my point on 148 00:07:37,080 --> 00:07:39,920 Speaker 4: it is, having done a limited amount of it, the 149 00:07:40,080 --> 00:07:44,400 Speaker 4: idea that we give credence to actors. I spent one 150 00:07:44,480 --> 00:07:46,880 Speaker 4: day in a trailer, you know, like everybody goes and 151 00:07:46,920 --> 00:07:48,560 Speaker 4: sits in their trailers or whatever. The first time I 152 00:07:48,600 --> 00:07:50,760 Speaker 4: ever did it, and I was like, why have I 153 00:07:50,920 --> 00:07:54,520 Speaker 4: ever cared what anybody who did this for their for 154 00:07:54,640 --> 00:07:57,400 Speaker 4: a living. I'm not saying, look, there's great, you know, 155 00:07:57,960 --> 00:08:00,200 Speaker 4: art that can be produced all those things, but the 156 00:08:00,320 --> 00:08:03,720 Speaker 4: idea that I would desperately care what somebody who sits 157 00:08:03,720 --> 00:08:06,160 Speaker 4: around at a trailer and says the same line from 158 00:08:06,240 --> 00:08:10,160 Speaker 4: forty different angles thinks about politics. I remember having that 159 00:08:10,280 --> 00:08:13,400 Speaker 4: revelation where I thought it was way more challenging and 160 00:08:13,560 --> 00:08:16,640 Speaker 4: impressive of a thing to do until Clay. 161 00:08:16,800 --> 00:08:18,680 Speaker 1: This is where I get to remind everybody, this is 162 00:08:18,720 --> 00:08:24,200 Speaker 1: where the history nerd comes out. Actors throughout history were 163 00:08:24,320 --> 00:08:27,000 Speaker 1: like a step above clowns and prostitutes. Yeah, and I'm 164 00:08:27,040 --> 00:08:29,720 Speaker 1: not even sure a step above the clowns. Like actors 165 00:08:30,440 --> 00:08:34,200 Speaker 1: for thousands of years, going back to ancient Greece were 166 00:08:34,679 --> 00:08:37,760 Speaker 1: kind of a disreputable bunch. And it was really only 167 00:08:37,880 --> 00:08:40,959 Speaker 1: with the rise of cinema in the twentieth century, and 168 00:08:41,080 --> 00:08:43,599 Speaker 1: then I would say, in our I think actors and 169 00:08:44,400 --> 00:08:48,680 Speaker 1: music acts in our lifetime were elevated to their absolute 170 00:08:48,760 --> 00:08:52,040 Speaker 1: pinnacle of prestigean power. And I think in the last 171 00:08:52,120 --> 00:08:56,120 Speaker 1: decade we have seen a dramatic decline because there's also 172 00:08:56,320 --> 00:08:58,240 Speaker 1: so many other ways and so many other people who 173 00:08:58,320 --> 00:09:01,160 Speaker 1: get famous now because the online world we live in, 174 00:09:01,520 --> 00:09:02,959 Speaker 1: so it has dispersed a lot. But I wanted to 175 00:09:02,960 --> 00:09:04,720 Speaker 1: go back to horror for a second. So you said 176 00:09:04,760 --> 00:09:08,480 Speaker 1: Friday thirteenth movies were scary. What is Nightmare on the 177 00:09:08,679 --> 00:09:11,560 Speaker 1: Street scary? That was the one that I couldn't sleep 178 00:09:11,600 --> 00:09:14,679 Speaker 1: after watching. Friday thirteenth was fine, And Freddy Krueger was 179 00:09:14,720 --> 00:09:17,240 Speaker 1: the one that I was like, I'm terrified of ice. 180 00:09:17,280 --> 00:09:19,160 Speaker 1: Whenever in one of these movies would come on, even 181 00:09:19,160 --> 00:09:20,719 Speaker 1: I just flashed on for a second. If I was 182 00:09:21,160 --> 00:09:22,679 Speaker 1: my dad was around, he was always like, oh, just 183 00:09:22,760 --> 00:09:24,959 Speaker 1: take my double out book and I'd finished this guy. 184 00:09:25,200 --> 00:09:27,199 Speaker 1: He was always like. He was always like, Chase is 185 00:09:27,240 --> 00:09:29,240 Speaker 1: not that scary. I'd take my forty five. The guy 186 00:09:29,320 --> 00:09:30,839 Speaker 1: would be toast. I'm like, yeah, but that's like not 187 00:09:30,960 --> 00:09:34,679 Speaker 1: really the point. But anyway, tell me the scary for you, 188 00:09:34,840 --> 00:09:39,040 Speaker 1: the scariest movie that you have ever seen? Is that 189 00:09:39,240 --> 00:09:42,880 Speaker 1: really hits the peak of the sort of fear center 190 00:09:43,040 --> 00:09:45,559 Speaker 1: in your brain when you're watching that movie. For me, 191 00:09:45,760 --> 00:09:49,439 Speaker 1: there is one my mom actually my mom read to 192 00:09:49,640 --> 00:09:52,600 Speaker 1: be in the movie as the starring role. By the way, 193 00:09:52,679 --> 00:09:55,559 Speaker 1: Oh wow, And I yeah, what was the movie for you? 194 00:09:56,440 --> 00:10:01,040 Speaker 1: The Exorcist? No question number one still by the Exorcist. 195 00:10:02,679 --> 00:10:11,000 Speaker 4: So I watched Paranormal Activity and I was afraid to 196 00:10:11,080 --> 00:10:13,960 Speaker 4: go to sleep after watching it. This has probably been 197 00:10:14,040 --> 00:10:15,040 Speaker 4: like fifteen years ago. 198 00:10:15,160 --> 00:10:16,080 Speaker 3: I was a grown up. 199 00:10:17,040 --> 00:10:18,520 Speaker 4: I mean back in the day when I was a kid. 200 00:10:18,600 --> 00:10:20,559 Speaker 4: It was Freddy Krueger. But I watched I think it 201 00:10:20,600 --> 00:10:25,439 Speaker 4: was Paranormal Activity. And my wife and kids, and again 202 00:10:25,520 --> 00:10:28,920 Speaker 4: this was fifteen years ago, were out of the house 203 00:10:29,720 --> 00:10:32,199 Speaker 4: and I was sleeping in the house by myself. So 204 00:10:32,720 --> 00:10:34,920 Speaker 4: I went to go watch the movie by myself. My 205 00:10:35,040 --> 00:10:36,880 Speaker 4: kids were out of town, my wife was out of town. 206 00:10:37,480 --> 00:10:40,480 Speaker 4: And then I came back home and I turned on 207 00:10:40,880 --> 00:10:45,559 Speaker 4: every light in the house and I barricaded the bedroom 208 00:10:45,679 --> 00:10:48,160 Speaker 4: door before I went to sleep that night. 209 00:10:48,480 --> 00:10:54,680 Speaker 3: As an adult, Oh yeah, I was probably Oh yeah, dude, 210 00:10:55,400 --> 00:10:57,199 Speaker 3: probably seriously. 211 00:10:56,880 --> 00:11:00,920 Speaker 4: I was probably probably thirty, probably fifteen years ago. 212 00:11:01,080 --> 00:11:02,880 Speaker 1: Now I know, I was the one doing all the 213 00:11:02,960 --> 00:11:03,839 Speaker 1: firearms training. 214 00:11:04,480 --> 00:11:07,240 Speaker 4: Lara's Lara's on the ball with the firearms trade. I 215 00:11:07,360 --> 00:11:11,520 Speaker 4: turned on every light in the house, and I put 216 00:11:11,600 --> 00:11:14,680 Speaker 4: something in front of the bedroom door. That was thirty 217 00:11:14,760 --> 00:11:17,559 Speaker 4: I watched the Paranormal Activity movie. It was really really scary. 218 00:11:17,720 --> 00:11:21,800 Speaker 1: Wasn't that The most successful financial Again, not most, there's 219 00:11:21,840 --> 00:11:24,319 Speaker 1: not the most money that's like Avatar in these big movies, 220 00:11:24,320 --> 00:11:28,160 Speaker 1: but dollars in dollars out as a percentage of profits. 221 00:11:27,920 --> 00:11:32,800 Speaker 4: Nothing to make, and it was insanely profitable as a hit. 222 00:11:33,760 --> 00:11:36,120 Speaker 1: I always my story about the Blair Witch Project is 223 00:11:36,200 --> 00:11:39,319 Speaker 1: I was a junior counselor, so I think I was 224 00:11:39,400 --> 00:11:43,280 Speaker 1: like sixteen at a camp in Vermont, and when it 225 00:11:43,280 --> 00:11:45,560 Speaker 1: would rain, it was all outdoor stuff. We get these 226 00:11:45,559 --> 00:11:47,559 Speaker 1: little when it would rain, what do we do? We 227 00:11:47,679 --> 00:11:49,839 Speaker 1: go into Burlington, we go into town and we go 228 00:11:49,920 --> 00:11:53,000 Speaker 1: to a movie. And the older counselor who was like 229 00:11:53,120 --> 00:11:56,040 Speaker 1: nineteen or twenty, who was like the main counselor. He 230 00:11:56,640 --> 00:11:59,000 Speaker 1: was a crazy guy from New Zealand who was definitely 231 00:11:59,080 --> 00:12:01,920 Speaker 1: like a little nuts and he was like, oh, let's go, 232 00:12:02,960 --> 00:12:05,480 Speaker 1: let's go take a case to play a wish project. 233 00:12:06,400 --> 00:12:08,920 Speaker 1: And I was like, they're like fourteen, dude, Like you 234 00:12:09,000 --> 00:12:11,079 Speaker 1: really were going to take all these fourteen year old 235 00:12:11,160 --> 00:12:11,800 Speaker 1: kids to player? 236 00:12:12,120 --> 00:12:12,920 Speaker 2: He was the adult. 237 00:12:13,320 --> 00:12:17,040 Speaker 1: I was still in a camp, and he almost, I 238 00:12:17,040 --> 00:12:19,400 Speaker 1: will tell you, he almost got fired and like sent 239 00:12:19,480 --> 00:12:21,240 Speaker 1: home over it. Because I actually, I will not just 240 00:12:21,280 --> 00:12:23,360 Speaker 1: say this now. I was like I think I'm not 241 00:12:23,360 --> 00:12:25,040 Speaker 1: gonna say his name, but like I was like, I think, dude, 242 00:12:25,040 --> 00:12:26,400 Speaker 1: this is not a good idea, and he's like, oh, 243 00:12:26,760 --> 00:12:28,520 Speaker 1: he basically pulled rank on me. He's like, it's fine, 244 00:12:28,559 --> 00:12:30,880 Speaker 1: these kids are boos, will be good. Let's go. And 245 00:12:30,960 --> 00:12:33,800 Speaker 1: I was like, I don't know, Clay. We had to 246 00:12:33,840 --> 00:12:38,079 Speaker 1: go back to a dark, rainy campsite that night, and 247 00:12:38,200 --> 00:12:40,920 Speaker 1: the kids, the thirteen and fourteen year old kids were 248 00:12:41,000 --> 00:12:43,800 Speaker 1: shaking like leaves after watching. 249 00:12:44,360 --> 00:12:46,240 Speaker 4: Without that at all, that seems like by the way 250 00:12:46,320 --> 00:12:49,000 Speaker 4: Brian and Florida is with us, he's a former actor. 251 00:12:50,000 --> 00:12:52,719 Speaker 4: I mean, if let me put it this way, if 252 00:12:52,760 --> 00:12:57,000 Speaker 4: you're a professional baseball player or a basketball player, football player, 253 00:12:57,080 --> 00:13:01,240 Speaker 4: it's awesome, right A profess that that job is really cool. 254 00:13:01,280 --> 00:13:03,640 Speaker 4: You get to play games, golfer whatever. It is. Like, 255 00:13:03,760 --> 00:13:05,959 Speaker 4: I can see why people would aspire to it. I've 256 00:13:05,960 --> 00:13:08,080 Speaker 4: gotten to cover it. I've thought to myself, this would 257 00:13:08,080 --> 00:13:10,720 Speaker 4: be something really fun to do. I'm not kidding. Acting, 258 00:13:10,840 --> 00:13:14,240 Speaker 4: I don't think would be a very funny, very fun job. Ryan, 259 00:13:14,400 --> 00:13:16,920 Speaker 4: my most actors are weirdos. But Brian, go ahead, Yes, 260 00:13:18,400 --> 00:13:18,880 Speaker 4: first all you. 261 00:13:18,880 --> 00:13:21,040 Speaker 5: Guys got me crack it up there. You brought up 262 00:13:21,080 --> 00:13:24,120 Speaker 5: Jason Blum. I actually did productions with Jason Blum. But Clay, 263 00:13:24,160 --> 00:13:26,719 Speaker 5: I will say I chased both of those dreams. I 264 00:13:26,840 --> 00:13:29,679 Speaker 5: was a college athlete. I did try to pursue playing 265 00:13:29,760 --> 00:13:32,040 Speaker 5: Major League baseball. I fell short. I was a little older. 266 00:13:32,960 --> 00:13:34,840 Speaker 5: I came out and out of high school to the military. 267 00:13:35,480 --> 00:13:38,439 Speaker 5: But I was doing like modeling down in Miami where 268 00:13:38,480 --> 00:13:41,720 Speaker 5: Buck is before as a teenager. Then got into business, 269 00:13:41,760 --> 00:13:43,920 Speaker 5: and then when I came home from a military I 270 00:13:44,040 --> 00:13:46,679 Speaker 5: was like, oh, let me go. I you know, went 271 00:13:46,720 --> 00:13:50,040 Speaker 5: to junior college in lacc started playing ball, and then 272 00:13:50,080 --> 00:13:53,560 Speaker 5: I was doing my Hollywood stuff and you're so right, 273 00:13:53,760 --> 00:13:56,559 Speaker 5: like I was just caught up in it, trying to 274 00:13:56,640 --> 00:13:59,160 Speaker 5: chase the dream really for my family. And then you 275 00:13:59,360 --> 00:14:02,439 Speaker 5: learn like these people are a bunch of communists, idiots 276 00:14:03,040 --> 00:14:07,680 Speaker 5: and demonic and it was just, yeah, it's not fun. 277 00:14:07,800 --> 00:14:10,719 Speaker 5: It's not the like how they put on that perspective 278 00:14:10,760 --> 00:14:14,320 Speaker 5: of oh it's such as it's holly lit. No, it's man, 279 00:14:14,400 --> 00:14:17,760 Speaker 5: it's brutal. It's everything you guys were saying was wanted 280 00:14:17,840 --> 00:14:21,960 Speaker 5: on the money and low key. When I you know, well, 281 00:14:22,240 --> 00:14:24,960 Speaker 5: let me tell you. I played on a baseball league 282 00:14:24,960 --> 00:14:27,520 Speaker 5: with James Vanderbeek. He was very kind, He's a very 283 00:14:27,600 --> 00:14:30,880 Speaker 5: humble man. He actually never acted like he was better 284 00:14:30,880 --> 00:14:32,640 Speaker 5: than anybody. He was a short stop on our team. 285 00:14:32,680 --> 00:14:35,480 Speaker 5: I was first base but and so a lot like 286 00:14:35,800 --> 00:14:38,640 Speaker 5: you kind of talk to these guys a little, and 287 00:14:38,760 --> 00:14:41,600 Speaker 5: you like me, I was kind of open about being served. 288 00:14:41,600 --> 00:14:43,800 Speaker 5: I didn't care. Like my career ended pretty quick once 289 00:14:43,880 --> 00:14:46,320 Speaker 5: President Trump was coming down the escalators. I was a 290 00:14:46,880 --> 00:14:50,000 Speaker 5: avid voice and Hollywood's like, well, we can't have this 291 00:14:50,440 --> 00:14:53,640 Speaker 5: crazy maga guy in here. And then I ran when 292 00:14:53,680 --> 00:14:56,120 Speaker 5: I found out really the undercover is when I ran 293 00:14:56,160 --> 00:14:59,560 Speaker 5: for United States Congress during the China virus in twenty twenty, 294 00:15:00,080 --> 00:15:02,680 Speaker 5: and I was never wearing a mask, and in California, 295 00:15:02,880 --> 00:15:04,880 Speaker 5: I would have a lot of these actors like I'm 296 00:15:04,920 --> 00:15:07,280 Speaker 5: send me a message, bro, Like that's awesome. Man, Like 297 00:15:07,400 --> 00:15:10,480 Speaker 5: I can't really come out publicly and support you because 298 00:15:10,760 --> 00:15:13,000 Speaker 5: my career will be over, but like, go for it. 299 00:15:13,120 --> 00:15:16,160 Speaker 5: But you guys are so right. You guys are cracking 300 00:15:16,200 --> 00:15:18,480 Speaker 5: me up because it is like who I wanted to 301 00:15:18,520 --> 00:15:21,360 Speaker 5: be a baseball player? That was my Like, like like 302 00:15:21,480 --> 00:15:24,440 Speaker 5: you said, Clay, You're you're out there playing ball. You're 303 00:15:24,480 --> 00:15:28,520 Speaker 5: playing the game, doing something you love to do. Acting. Yeah, 304 00:15:29,080 --> 00:15:31,440 Speaker 5: it's fun being different characters and different things like that. 305 00:15:31,560 --> 00:15:34,080 Speaker 5: But like you said, you're sitting sometimes on the set 306 00:15:34,160 --> 00:15:38,080 Speaker 5: for hours, bro, Like you're seeing you're seeing they like, 307 00:15:38,200 --> 00:15:39,840 Speaker 5: they're oh, let's cut, and then we got to do 308 00:15:39,920 --> 00:15:42,120 Speaker 5: it again, and then you didn't even get to really 309 00:15:42,160 --> 00:15:43,840 Speaker 5: get in there, and then you gotta wait again for 310 00:15:43,960 --> 00:15:46,840 Speaker 5: that scene. And sometimes the actor could not even say 311 00:15:46,840 --> 00:15:49,720 Speaker 5: this stupid line or two right. Then they got to 312 00:15:49,760 --> 00:15:51,480 Speaker 5: cut that, and then you're waiting for them to redo 313 00:15:51,560 --> 00:15:54,160 Speaker 5: the lighting, or even if you're outside, then you gotta 314 00:15:54,200 --> 00:15:56,960 Speaker 5: wait for the lighting even outside to get I'm like, 315 00:15:57,120 --> 00:15:58,240 Speaker 5: oh my gosh. 316 00:15:58,320 --> 00:15:59,640 Speaker 3: Yeah, thank you, thank you for the call. 317 00:15:59,760 --> 00:16:02,400 Speaker 4: Look, if you could do a scene one time and 318 00:16:02,560 --> 00:16:04,720 Speaker 4: be done with it, I would say, Okay, this is better. 319 00:16:04,880 --> 00:16:08,800 Speaker 4: I can understand why doing a like Broadway play would 320 00:16:08,800 --> 00:16:11,400 Speaker 4: be pure because you do it for two hours, that's it, 321 00:16:11,640 --> 00:16:15,240 Speaker 4: you're gone. But the actual production of movies for people 322 00:16:15,240 --> 00:16:17,640 Speaker 4: who dream of being an actor in Hollywood and stuff 323 00:16:17,680 --> 00:16:21,360 Speaker 4: like that, the actual mechanics of it, and my limited 324 00:16:21,400 --> 00:16:22,440 Speaker 4: experience is awful. 325 00:16:23,520 --> 00:16:25,200 Speaker 2: Sundays with Clay and Buck. 326 00:16:27,200 --> 00:16:29,760 Speaker 1: All right, Clay, I you know I don't want you 327 00:16:29,840 --> 00:16:31,960 Speaker 1: to miss out on this one. You're very excited to 328 00:16:32,040 --> 00:16:37,280 Speaker 1: tell everybody that our crack team of researchers has found 329 00:16:37,360 --> 00:16:41,600 Speaker 1: something that you think is an argument dender. You you 330 00:16:41,760 --> 00:16:45,280 Speaker 1: are of the mind that this is just pure vindication 331 00:16:45,720 --> 00:16:51,040 Speaker 1: of your position on a controversial topic recently. I will 332 00:16:51,120 --> 00:16:52,520 Speaker 1: let you take it away from here, but I will 333 00:16:52,560 --> 00:16:55,360 Speaker 1: just let you know Buck Island is not so easily 334 00:16:55,440 --> 00:16:59,920 Speaker 1: submerged under the lapis blue waves of the ocean. 335 00:17:00,640 --> 00:17:04,760 Speaker 4: I got to give credit to the diligent production team 336 00:17:05,000 --> 00:17:08,600 Speaker 4: at Clay and Buck because I had no idea that 337 00:17:08,920 --> 00:17:12,200 Speaker 4: this was even out there, and so I want to 338 00:17:12,840 --> 00:17:14,120 Speaker 4: make sure that I get this right. 339 00:17:14,240 --> 00:17:16,040 Speaker 3: But I said, last was it last week? 340 00:17:16,080 --> 00:17:19,800 Speaker 4: I think last week I made the indisputable argument that 341 00:17:20,119 --> 00:17:23,920 Speaker 4: Taylor Swift was the Beatles of her era, and many 342 00:17:24,000 --> 00:17:26,840 Speaker 4: of you you disagreed with that because you. 343 00:17:26,920 --> 00:17:28,280 Speaker 3: Were wrong and I was right. 344 00:17:28,440 --> 00:17:31,000 Speaker 4: But I was willing to take the slings and arrows 345 00:17:31,119 --> 00:17:33,400 Speaker 4: of disagreement, as I generally am. 346 00:17:34,359 --> 00:17:37,160 Speaker 3: But then guess what has happened. 347 00:17:38,800 --> 00:17:43,560 Speaker 4: Ringo Star, kind of a famous guy, former Beatle Ringo Starr, 348 00:17:44,119 --> 00:17:47,919 Speaker 4: Ringo Star came out Buck and he said, Taylor Swift 349 00:17:48,280 --> 00:17:51,840 Speaker 4: is this generation's Beatles cut twenty three. 350 00:17:55,400 --> 00:17:57,800 Speaker 2: Do you think what's happening with Taylor Swift could be 351 00:17:57,920 --> 00:18:01,879 Speaker 2: the closest thing to better this generation? I do. 352 00:18:02,520 --> 00:18:07,159 Speaker 6: I think Taylor Swift is great anyway, and she's pulling 353 00:18:07,200 --> 00:18:11,359 Speaker 6: them in, you know. And when we talk about her, 354 00:18:11,440 --> 00:18:13,480 Speaker 6: I always have to mention that the first time I 355 00:18:13,560 --> 00:18:16,440 Speaker 6: met her, she was fourteen and she was at the 356 00:18:16,480 --> 00:18:20,160 Speaker 6: Grammys with the mother. Taylor is the now one. 357 00:18:23,800 --> 00:18:28,159 Speaker 1: The Beatles themselves do hold on, hold On, Hold on 358 00:18:28,760 --> 00:18:32,960 Speaker 1: a Beatle. A Beatle said the closest thing today. Have 359 00:18:33,080 --> 00:18:36,120 Speaker 1: you heard music today, Clay? I mean, like it's yes, 360 00:18:36,480 --> 00:18:39,560 Speaker 1: is Taylor Swift closer to the Beatles than Bad Bunny? Sure? 361 00:18:39,960 --> 00:18:42,400 Speaker 1: I'm closer to the Beatles than Bad Bunny. All right, 362 00:18:42,800 --> 00:18:46,960 Speaker 1: so it's it's not quite as cut and dry as 363 00:18:47,000 --> 00:18:48,520 Speaker 1: you want to say. I'm also I'm not trying to 364 00:18:48,560 --> 00:18:51,640 Speaker 1: get rough here with Ringo, but I mean of the Beatles. 365 00:18:51,800 --> 00:18:54,920 Speaker 1: Like really, Paul McCartney comes out and says this, I'd 366 00:18:54,960 --> 00:18:57,040 Speaker 1: put a little more stuff Ringo. It's like, does that 367 00:18:57,119 --> 00:18:58,920 Speaker 1: even even remember this guy was in the Beatles? 368 00:18:59,119 --> 00:19:02,600 Speaker 4: Come on, get If Ringo had no idea he was 369 00:19:02,640 --> 00:19:05,000 Speaker 4: going to take this kind of attack, can we put 370 00:19:05,080 --> 00:19:08,359 Speaker 4: in probably did not anticipate me saying this, They probably 371 00:19:08,400 --> 00:19:10,440 Speaker 4: won't come on, But can we put a request to 372 00:19:10,640 --> 00:19:14,399 Speaker 4: Ringo star, Paul McCartney and any other member of the 373 00:19:14,480 --> 00:19:18,359 Speaker 4: Beatles to come on the show and analyze whether Taylor 374 00:19:18,400 --> 00:19:20,160 Speaker 4: Swift is a modern day Beatle By the way, we're 375 00:19:20,160 --> 00:19:24,040 Speaker 4: going to break but we have another popular musician that 376 00:19:24,240 --> 00:19:28,080 Speaker 4: is also on team, Clay Travis, about Taylor Swift as 377 00:19:28,400 --> 00:19:31,399 Speaker 4: the Beatles modern day and we will play that for 378 00:19:31,760 --> 00:19:34,119 Speaker 4: everyone out there when we return. 379 00:19:34,200 --> 00:19:34,400 Speaker 3: Buck. 380 00:19:34,480 --> 00:19:37,800 Speaker 1: But to see the frenzy of like a Beatlemania, that 381 00:19:38,640 --> 00:19:41,080 Speaker 1: is a temporal That is a temporary situation. The real 382 00:19:41,200 --> 00:19:43,560 Speaker 1: question is does it stand the test of time as 383 00:19:43,640 --> 00:19:46,879 Speaker 1: a giant of the music genre with enormous influence on 384 00:19:47,040 --> 00:19:48,000 Speaker 1: countless other bands. 385 00:19:48,080 --> 00:19:50,160 Speaker 4: He just said he met her when she was fourteen. 386 00:19:50,280 --> 00:19:53,600 Speaker 4: She's already had a twenty year career. It's extraordinary. 387 00:19:55,320 --> 00:19:57,439 Speaker 1: I mean, look, it's this is not like a controversial 388 00:19:57,520 --> 00:19:59,760 Speaker 1: position for someone who lives in Nashville. I'm just gonna say, 389 00:20:00,240 --> 00:20:02,680 Speaker 1: a lot of a lot of Tennessee love come in 390 00:20:02,720 --> 00:20:05,840 Speaker 1: Taylor Swift's way. That's that's not a shock. Sunday Hang 391 00:20:06,040 --> 00:20:08,879 Speaker 1: is brought to you by Chalk Natural Supplements for guys, 392 00:20:09,040 --> 00:20:12,600 Speaker 1: gals and nothing in between. Fuel your day at Chalk 393 00:20:12,720 --> 00:20:13,160 Speaker 1: dot Com. 394 00:20:14,080 --> 00:20:16,280 Speaker 2: Sunday Drop with clayon Buck. 395 00:20:18,520 --> 00:20:24,159 Speaker 4: Before I eviscerate you with more brilliant analysis here of 396 00:20:24,760 --> 00:20:29,480 Speaker 4: Taylor Swift's career. This is actually pretty funny. My youngest son, 397 00:20:30,960 --> 00:20:34,840 Speaker 4: he asked me this week. This is a quote from him. 398 00:20:35,480 --> 00:20:39,159 Speaker 4: Is Valentine's Day just a day where boys have to 399 00:20:39,240 --> 00:20:42,080 Speaker 4: get girls things and if we don't, we're in trouble. 400 00:20:42,800 --> 00:20:46,560 Speaker 4: And I absolutely love this because when you're a little kid, 401 00:20:46,600 --> 00:20:50,560 Speaker 4: if you remember, Valentine's Day is actually pretty even, right, 402 00:20:50,840 --> 00:20:52,680 Speaker 4: Like you're a little boy, you're a little girl. You 403 00:20:52,760 --> 00:20:55,879 Speaker 4: get to go exchange Valentine's Day, you. 404 00:20:55,920 --> 00:21:00,440 Speaker 3: Know, cards notes, the little cool cards back in the day. 405 00:21:01,119 --> 00:21:05,400 Speaker 4: Everybody boys and girls, Mom and dad primarily Mom may 406 00:21:05,480 --> 00:21:08,879 Speaker 4: get you, like a chocolate of some sort, like the 407 00:21:09,119 --> 00:21:13,320 Speaker 4: ten pound bunny which you saw that I bought at Costco, 408 00:21:13,760 --> 00:21:16,959 Speaker 4: which is not technically Valentine's it's an Easter bunny. Uh, 409 00:21:17,240 --> 00:21:21,760 Speaker 4: But there's lots of cool chocolate gifts and bunny rabbits 410 00:21:21,840 --> 00:21:25,480 Speaker 4: and whatever is going on for Easter, for sorry for 411 00:21:25,560 --> 00:21:28,480 Speaker 4: Valentine's Day. And then as you get older you realize, 412 00:21:28,560 --> 00:21:31,920 Speaker 4: wait a minute, Valentine's Day is just a test for 413 00:21:32,080 --> 00:21:36,320 Speaker 4: all men where basically there is no real reward. You 414 00:21:36,600 --> 00:21:39,919 Speaker 4: just try to avoid disaster. And I don't know how 415 00:21:40,000 --> 00:21:43,360 Speaker 4: many Valentine's Day dates did you have as a single man? 416 00:21:43,480 --> 00:21:45,959 Speaker 4: Were you a Valentine's Day date guy? Or how did 417 00:21:46,000 --> 00:21:46,960 Speaker 4: you get married? 418 00:21:47,040 --> 00:21:49,320 Speaker 3: For so long? I never really had to go through 419 00:21:49,359 --> 00:21:51,399 Speaker 3: a ton of these, but what did. 420 00:21:51,440 --> 00:21:55,480 Speaker 1: It's treacherous. It's treacherous ground for the single man because 421 00:21:56,400 --> 00:22:00,840 Speaker 1: if you're you know, at what phase is it versus 422 00:22:00,920 --> 00:22:03,200 Speaker 1: when is it clingy for you to do something on 423 00:22:03,320 --> 00:22:05,119 Speaker 1: valentine Like if it's you know, if it's like a 424 00:22:05,200 --> 00:22:07,920 Speaker 1: third date. I don't think you do anything on Valentine's Day. 425 00:22:08,240 --> 00:22:10,119 Speaker 1: You know, if you're at like that third date phase, 426 00:22:10,280 --> 00:22:13,760 Speaker 1: maybe right, you can overdo it if you're right. I mean, 427 00:22:13,800 --> 00:22:15,400 Speaker 1: you don't want to be the guy who's like, hey, 428 00:22:15,560 --> 00:22:18,320 Speaker 1: next week's Valentine's and I'm sending you know, four hundred 429 00:22:18,359 --> 00:22:20,800 Speaker 1: dollars of roses to your front door. That's a little weird. 430 00:22:21,160 --> 00:22:23,760 Speaker 1: So you know, it's tough. I'll just tell you guys this, 431 00:22:23,880 --> 00:22:26,280 Speaker 1: though Kerry and I already had our Valentine's Day dinner. 432 00:22:26,840 --> 00:22:30,200 Speaker 1: I refuse. I'm willing to celebrate the romance with the 433 00:22:30,280 --> 00:22:32,720 Speaker 1: one that you know matters matters most to you in 434 00:22:32,760 --> 00:22:35,640 Speaker 1: the in the world, and your romantic partner. I'm I'm 435 00:22:35,720 --> 00:22:38,360 Speaker 1: willing to play this game. Okay, so people don't feel 436 00:22:38,400 --> 00:22:40,600 Speaker 1: left out, that's fine. But this notion that I have 437 00:22:40,720 --> 00:22:43,880 Speaker 1: to do it on the same Saturday night as every 438 00:22:44,000 --> 00:22:47,280 Speaker 1: other poor schlub in the country like me who would 439 00:22:47,320 --> 00:22:50,960 Speaker 1: be dragged out to restaurants that this is This is 440 00:22:51,119 --> 00:22:55,520 Speaker 1: the true reality of Valentine's Day. Restaurants give you their 441 00:22:55,600 --> 00:23:00,320 Speaker 1: c game. At best, they roll out prefixed menus, so 442 00:23:00,440 --> 00:23:02,920 Speaker 1: all of a sudden, you're paying twice as much for 443 00:23:03,080 --> 00:23:05,840 Speaker 1: some cheap sparkling white wine that they're gonna call champagne 444 00:23:05,880 --> 00:23:08,280 Speaker 1: and a tiny little glass and some rubber chicken that 445 00:23:08,320 --> 00:23:11,479 Speaker 1: you have no choice. It's rubber chicken or like pasta 446 00:23:11,560 --> 00:23:13,480 Speaker 1: that they brought in. All of a sudden, you're having 447 00:23:13,520 --> 00:23:16,840 Speaker 1: banquet food. Whatever restaurant you go to, they're downscaling you, 448 00:23:16,920 --> 00:23:19,639 Speaker 1: but they're up charging you and you have no choice. 449 00:23:19,720 --> 00:23:22,159 Speaker 1: In fact, you're supposed to be grateful for getting the 450 00:23:22,240 --> 00:23:26,200 Speaker 1: reservation because it's Valentine's Day. My friends, this is a scam. 451 00:23:26,680 --> 00:23:27,359 Speaker 1: This is a scam. 452 00:23:27,480 --> 00:23:27,840 Speaker 7: Gentlemen. 453 00:23:28,160 --> 00:23:31,040 Speaker 1: Don't fall for it. Take your woman or take your 454 00:23:31,080 --> 00:23:35,199 Speaker 1: man whatever, take him out tonight. Make Valentine's Day Friday 455 00:23:35,240 --> 00:23:37,520 Speaker 1: your move, because if you're going out to restaurants anywhere 456 00:23:37,520 --> 00:23:39,960 Speaker 1: across the country. You're gonna have people trying to sell 457 00:23:40,040 --> 00:23:42,080 Speaker 1: you roses at the table that you don't want to 458 00:23:42,119 --> 00:23:44,080 Speaker 1: deal with. You're gonna have people that are trying to 459 00:23:44,119 --> 00:23:46,880 Speaker 1: get you on the prefixed menu. You're paying a lot more. 460 00:23:46,960 --> 00:23:49,280 Speaker 1: You're gonna wait. And but you know what happens when 461 00:23:49,280 --> 00:23:51,480 Speaker 1: the service is bad on Valentine's Day? Do you have 462 00:23:51,520 --> 00:23:54,240 Speaker 1: a salty server? They go, m sorry, it's Valentine's Day. 463 00:23:54,520 --> 00:23:57,080 Speaker 1: They think it's amateur night, and they treat it as such. 464 00:23:57,240 --> 00:23:59,240 Speaker 1: It's like going out on New Year's Eve to dinner. 465 00:23:59,440 --> 00:24:02,440 Speaker 1: You're getting scammed. And I'm here to tell you go 466 00:24:02,600 --> 00:24:07,000 Speaker 1: out tonight or go out for Valentine's Day brunch on Sunday. Value, baby, 467 00:24:07,160 --> 00:24:08,000 Speaker 1: get your value. 468 00:24:08,400 --> 00:24:10,320 Speaker 4: I hope that some of the men that do not 469 00:24:10,480 --> 00:24:15,280 Speaker 4: have Valentine's Day dinner dates booked use that buck argument 470 00:24:15,640 --> 00:24:17,399 Speaker 4: and take your girls. 471 00:24:17,200 --> 00:24:21,159 Speaker 3: On Friday or Sunday. I always say this, it is 472 00:24:21,760 --> 00:24:22,440 Speaker 3: never ending. 473 00:24:24,000 --> 00:24:26,399 Speaker 4: The guy who goes into the restaurant and tries to 474 00:24:26,440 --> 00:24:31,320 Speaker 4: get seated without a reservation on Valentine's Day. I may 475 00:24:31,440 --> 00:24:34,920 Speaker 4: have been that guy before. You go to like eight 476 00:24:35,040 --> 00:24:37,520 Speaker 4: different restaurants and you're like how long's the wait And 477 00:24:37,520 --> 00:24:40,439 Speaker 4: they're like four hours and we can seat you at 478 00:24:40,520 --> 00:24:43,520 Speaker 4: ten forty five. Like that doesn't seem very good, and 479 00:24:43,600 --> 00:24:45,879 Speaker 4: you have to keep getting back in the car. She's like, Oh, 480 00:24:45,960 --> 00:24:49,600 Speaker 4: look at all these other guys who thought ahead and 481 00:24:49,800 --> 00:24:54,240 Speaker 4: made a plan and they actually like their wives or girlfriends. 482 00:24:54,760 --> 00:24:57,560 Speaker 4: It's just I want to thank my friend Chad, who 483 00:24:57,720 --> 00:25:01,040 Speaker 4: was a listener of the program. I've got a Valentine's 484 00:25:01,119 --> 00:25:03,840 Speaker 4: Day dinner down here because of him. He's a big 485 00:25:03,920 --> 00:25:06,359 Speaker 4: fan of the show. I appreciate him taking care of me. 486 00:25:06,560 --> 00:25:10,000 Speaker 4: So I am going out on Valentine's Day. But I 487 00:25:10,080 --> 00:25:12,840 Speaker 4: got to tell you, if you didn't get reservations months 488 00:25:12,880 --> 00:25:15,960 Speaker 4: ago at a lot of places, you're basically done for, 489 00:25:16,600 --> 00:25:18,240 Speaker 4: and so telling you there's gonna be a lot of 490 00:25:18,280 --> 00:25:19,800 Speaker 4: guys that are in a tough spot here. 491 00:25:20,320 --> 00:25:25,080 Speaker 1: You know. And honestly, if you're a big Olive Garden guy, fine, 492 00:25:25,520 --> 00:25:27,800 Speaker 1: but like, don't feel like you have to just do 493 00:25:27,960 --> 00:25:30,480 Speaker 1: whatever and go to the Olive Gardener on Valentine's Day 494 00:25:30,480 --> 00:25:33,760 Speaker 1: because everything else is booked. Tell your wife, tell your husband. 495 00:25:33,880 --> 00:25:37,480 Speaker 1: Whatever we're dealing with here, Hey, why don't we celebrate tomorrow? 496 00:25:38,080 --> 00:25:41,480 Speaker 1: It's not actually anyone's birthday, okay, or rather, you're not 497 00:25:41,560 --> 00:25:45,159 Speaker 1: celebrating someone's birthday, you can move the day and have 498 00:25:45,240 --> 00:25:48,479 Speaker 1: your own beautiful celebration and not pay fifty to one 499 00:25:48,560 --> 00:25:50,600 Speaker 1: hundred percent more for whatever it is that you're doing. 500 00:25:50,880 --> 00:25:52,320 Speaker 1: Trying to go to the spa. But what do you 501 00:25:52,359 --> 00:25:54,000 Speaker 1: think it's like trying to get a spa appointment on 502 00:25:54,080 --> 00:25:57,000 Speaker 1: Valentine's Day? Clay, Not that I would know, but it's 503 00:25:57,080 --> 00:25:57,720 Speaker 1: really hard. 504 00:25:58,080 --> 00:25:58,919 Speaker 3: It's impossible. 505 00:25:59,000 --> 00:26:00,960 Speaker 4: I mean, you basically had to make a paw appointment 506 00:26:01,000 --> 00:26:04,320 Speaker 4: a year ago, which is why I think my youngest 507 00:26:04,440 --> 00:26:10,080 Speaker 4: son is right. Ultimately, all Valentine's Day is designed. 508 00:26:09,720 --> 00:26:13,640 Speaker 3: To do is blow men up. Now there's very little benefit. 509 00:26:14,600 --> 00:26:17,760 Speaker 4: And so anyway, it's Friday the thirteenth, which also may 510 00:26:17,800 --> 00:26:22,520 Speaker 4: be ominously accurately is the eve of Valentine's Day if 511 00:26:22,600 --> 00:26:25,320 Speaker 4: you have not already made your plans, all right, it's 512 00:26:25,320 --> 00:26:27,879 Speaker 4: also ominous for buck. We just heard from the legendary 513 00:26:28,000 --> 00:26:31,320 Speaker 4: musician Ringo star endorsing my argument that Taylor Swift is 514 00:26:31,359 --> 00:26:34,080 Speaker 4: the modern day Beatle. But some people said, well, what 515 00:26:34,160 --> 00:26:36,159 Speaker 4: do we care about Ringo? He's only a Beatle? 516 00:26:36,240 --> 00:26:36,879 Speaker 3: What could he know? 517 00:26:37,520 --> 00:26:43,800 Speaker 4: How about Gene Simmons, how about Gene Simmons, legendary rock star, 518 00:26:44,200 --> 00:26:47,520 Speaker 4: all whining up behind me cut twenty two. 519 00:26:49,040 --> 00:26:53,080 Speaker 8: Nothing, And I think it's true for most bands to 520 00:26:53,280 --> 00:26:57,800 Speaker 8: see the lights come on in the eyes of a 521 00:26:57,920 --> 00:27:03,399 Speaker 8: young child who just becomes enthralled, just like like in 522 00:27:03,480 --> 00:27:07,240 Speaker 8: the Exorcist when the demon enters your whole bounty. You live, 523 00:27:07,400 --> 00:27:11,200 Speaker 8: kiss you, breathe, kiss you. It's more than music. And 524 00:27:11,320 --> 00:27:14,359 Speaker 8: the only analogy I can point to is the Swifties 525 00:27:14,440 --> 00:27:18,240 Speaker 8: of today. Yes, the songs are cool, and she's wonderful, 526 00:27:18,320 --> 00:27:21,639 Speaker 8: we know her, but it's more than that. It's almost 527 00:27:21,720 --> 00:27:24,920 Speaker 8: the gathering of the tribes. The Beatles had that. It 528 00:27:25,000 --> 00:27:28,560 Speaker 8: was called Beatlemania. We love the Stones, we loved Hendrych 529 00:27:29,280 --> 00:27:33,879 Speaker 8: that didn't exist. They were just popular, really popular. But 530 00:27:34,000 --> 00:27:37,360 Speaker 8: when there's something else going on, it is a it's 531 00:27:37,440 --> 00:27:38,400 Speaker 8: almost cultish. 532 00:27:40,200 --> 00:27:42,480 Speaker 1: A lot of people have cold fogs and music. Fish 533 00:27:42,560 --> 00:27:45,320 Speaker 1: has a cult following. Dave Matthew's band has a cult following. 534 00:27:45,920 --> 00:27:48,520 Speaker 1: Give Me the Grateful Dad as a cult following. Yeah, 535 00:27:48,560 --> 00:27:50,800 Speaker 1: they don't have fifteen year old girls all thinking that 536 00:27:51,480 --> 00:27:53,280 Speaker 1: Dave Matthews is like the you know, the Queen of 537 00:27:53,320 --> 00:27:57,360 Speaker 1: the Princesses or whatever. But this is you know, first 538 00:27:57,359 --> 00:27:59,960 Speaker 1: of all, Gene Simmons. Now I'm just gonna start stepping 539 00:28:00,080 --> 00:28:03,160 Speaker 1: in it. But Kiss, is that even really a music act? 540 00:28:03,240 --> 00:28:05,720 Speaker 1: This is a kind of more of like a you know, 541 00:28:06,560 --> 00:28:09,560 Speaker 1: like musical theaters, like some theatrical thing with the face 542 00:28:09,640 --> 00:28:11,960 Speaker 1: pain and everything. I don't think anyone's like, wow, the 543 00:28:12,080 --> 00:28:14,800 Speaker 1: music of Kiss really endures. Get out of here. 544 00:28:14,920 --> 00:28:19,040 Speaker 4: I just think when you consider legendary musicians and they 545 00:28:19,240 --> 00:28:23,440 Speaker 4: line up with me, it just proves the legitimacy of 546 00:28:23,560 --> 00:28:24,280 Speaker 4: my argument here. 547 00:28:24,400 --> 00:28:26,120 Speaker 1: No, I think that these are old guys who want 548 00:28:26,200 --> 00:28:28,520 Speaker 1: relevancy today, and so of course they're going to lean 549 00:28:28,560 --> 00:28:29,920 Speaker 1: in on what the big act of the moment is. 550 00:28:30,000 --> 00:28:33,080 Speaker 1: But the timelessness argument that is being made here, I mean, 551 00:28:33,119 --> 00:28:35,840 Speaker 1: I'm just that that's really And also the impact on 552 00:28:36,000 --> 00:28:39,120 Speaker 1: music as a genre, I just I don't see it. 553 00:28:39,280 --> 00:28:42,480 Speaker 1: I don't see it. I'm sorry. I wish I could 554 00:28:42,520 --> 00:28:44,600 Speaker 1: go along on this one. By the way, I don't 555 00:28:44,600 --> 00:28:46,640 Speaker 1: think Taylor Shrift is bad. I just think she's overrated. 556 00:28:47,120 --> 00:28:52,720 Speaker 4: Well because also our illustrious team of researchers pointed out you. 557 00:28:54,200 --> 00:28:55,560 Speaker 3: Used to be a swift forms. 558 00:28:55,800 --> 00:28:58,120 Speaker 1: I mean, I like when I was a single guy, 559 00:28:59,400 --> 00:29:01,400 Speaker 1: he's kind of pretty. I thought she was kind of pretty, 560 00:29:01,440 --> 00:29:04,360 Speaker 1: so I was a little, uh, you know, a little bit. 561 00:29:04,640 --> 00:29:07,000 Speaker 1: I love game that we had with this. 562 00:29:07,480 --> 00:29:09,560 Speaker 4: It took a few days, but then coming out of 563 00:29:09,560 --> 00:29:12,280 Speaker 4: the woodwork, you know, old school buck listeners and they're like, 564 00:29:12,320 --> 00:29:14,880 Speaker 4: wait a minute, this is he's singing a different tune here. 565 00:29:15,640 --> 00:29:18,160 Speaker 3: Yes, Taylor, I say, why you got to be so mean? 566 00:29:18,680 --> 00:29:21,560 Speaker 1: Wait? Jay in Bloomfield Hills, Michigan wants to weigh in 567 00:29:21,600 --> 00:29:23,520 Speaker 1: on RINGO Star Jay let it rip. 568 00:29:25,520 --> 00:29:30,480 Speaker 9: Hey, Clay, I thought you were a common sense conservative, 569 00:29:31,400 --> 00:29:36,040 Speaker 9: but clearly you sound like AOCA with this argument. The Beatles, 570 00:29:37,440 --> 00:29:41,240 Speaker 9: I could name seven or eight albums, every single song 571 00:29:41,360 --> 00:29:44,440 Speaker 9: on that album. You asked someone walking down the street 572 00:29:44,560 --> 00:29:46,920 Speaker 9: to say a couple of lines, they'll be able to 573 00:29:47,000 --> 00:29:51,000 Speaker 9: say a line, Taylor Swift, are you kidding? I? The 574 00:29:51,080 --> 00:29:53,320 Speaker 9: only song I know is one that you mentioned on 575 00:29:53,480 --> 00:29:55,200 Speaker 9: the radio, and I couldn't name. 576 00:29:55,240 --> 00:29:55,920 Speaker 7: One of the lines. 577 00:29:57,040 --> 00:29:58,400 Speaker 3: To be fair, j how old are you? 578 00:29:59,200 --> 00:29:59,640 Speaker 9: Argument? 579 00:30:00,200 --> 00:30:04,280 Speaker 4: How old are you? J? Okay, you're fifty seven? Every 580 00:30:04,520 --> 00:30:05,560 Speaker 4: single woman. 581 00:30:06,440 --> 00:30:09,760 Speaker 9: Star RINGO star is let them light them up, Jay, 582 00:30:11,320 --> 00:30:15,400 Speaker 9: Octogenarians who are just trying to pease their host. 583 00:30:16,880 --> 00:30:21,239 Speaker 1: Get him, Jay, get him Jay ty Jy. I'm with you, Jay, Jay, 584 00:30:21,320 --> 00:30:23,040 Speaker 1: don't let anyone take away your fire. 585 00:30:23,120 --> 00:30:25,560 Speaker 4: My friend, you Jay got so fired up there going 586 00:30:25,560 --> 00:30:28,120 Speaker 4: after Ringo Star. By the way, Bloomfield Hills, Michigan great 587 00:30:28,160 --> 00:30:31,040 Speaker 4: place happens to be the hometown of one Laura Travis, 588 00:30:32,040 --> 00:30:34,680 Speaker 4: just north in Oakland County. She went to school in Bloomfield. 589 00:30:35,200 --> 00:30:37,680 Speaker 4: But let me let me say this, Jay, you're one 590 00:30:37,720 --> 00:30:43,480 Speaker 4: hundred percent wrong. And every every single woman, every young 591 00:30:43,600 --> 00:30:49,840 Speaker 4: girl you go, fifteen to forty five, every single one 592 00:30:49,920 --> 00:30:52,840 Speaker 4: of them can name a Taylor Swift song. There is 593 00:30:52,960 --> 00:30:55,840 Speaker 4: not a fifteen to forty five year old woman girl 594 00:30:56,040 --> 00:30:59,200 Speaker 4: in America that cannot name a Taylor Swift song. It's 595 00:30:59,360 --> 00:31:01,280 Speaker 4: just Jay is fifty seven in male. 596 00:31:01,720 --> 00:31:03,600 Speaker 3: I get it. This is not his wheelhouse. 597 00:31:03,720 --> 00:31:06,920 Speaker 4: I happened as a forty seven year forty six, forty 598 00:31:06,960 --> 00:31:09,400 Speaker 4: seven year old man to just be able to channel well. 599 00:31:09,480 --> 00:31:11,760 Speaker 1: But can I point out, though, Clay, you're actually making 600 00:31:11,840 --> 00:31:13,640 Speaker 1: a problem I think for your own argument here, which 601 00:31:13,640 --> 00:31:15,280 Speaker 1: is you're saying all these women, all these women listening 602 00:31:15,280 --> 00:31:18,720 Speaker 1: to Taylor Swift, everybody listened to the Beatles, It wasn't 603 00:31:18,760 --> 00:31:21,560 Speaker 1: a male veron You're you're referring more to beatle Mania 604 00:31:21,760 --> 00:31:25,160 Speaker 1: and sort of taking that as a The Beatles as 605 00:31:25,360 --> 00:31:30,000 Speaker 1: a musical phenomenon were both global and but both gen. 606 00:31:29,920 --> 00:31:33,360 Speaker 4: Beetles would have been more popular with women back in 607 00:31:33,440 --> 00:31:35,480 Speaker 4: the day than they were men too, right, probably a 608 00:31:35,560 --> 00:31:38,800 Speaker 4: seventy to thirty fan base in the early days. 609 00:31:38,840 --> 00:31:40,640 Speaker 1: I don't think. I don't think when you get to 610 00:31:40,840 --> 00:31:43,760 Speaker 1: like Abbey Road and you get to the White Album, 611 00:31:43,960 --> 00:31:46,200 Speaker 1: I wouldn't say it was necessarily a lot more women 612 00:31:46,280 --> 00:31:46,560 Speaker 1: than men. 613 00:31:47,480 --> 00:31:50,320 Speaker 4: Yeah, maybe not maybe, I mean I think they're to 614 00:31:50,400 --> 00:31:51,920 Speaker 4: be fair, there are a lot of men in that 615 00:31:52,080 --> 00:31:54,480 Speaker 4: fifteen to forty five year old window, such as Buck 616 00:31:54,520 --> 00:31:57,160 Speaker 4: Sexton himself, who were also fans of Taylor Swift at 617 00:31:57,200 --> 00:31:58,200 Speaker 4: some point during that window. 618 00:31:58,480 --> 00:32:02,240 Speaker 1: Well, she had it advantage before this Kelsey, this Travis 619 00:32:02,320 --> 00:32:05,200 Speaker 1: Kelcey fellow came along with his big muscles and his 620 00:32:05,320 --> 00:32:06,080 Speaker 1: manly beard. 621 00:32:07,040 --> 00:32:10,719 Speaker 3: Grant in Minnesota, Grant what you got for us? 622 00:32:13,120 --> 00:32:15,520 Speaker 10: First of all, I want to apologize for Minnesota. 623 00:32:17,280 --> 00:32:17,800 Speaker 3: Well, thank you. 624 00:32:18,720 --> 00:32:23,080 Speaker 10: You guys talk about the Beatles, you know, they're fabulous musicians. 625 00:32:23,480 --> 00:32:26,200 Speaker 10: When they broke up, so all four of them went 626 00:32:26,240 --> 00:32:30,440 Speaker 10: their separate ways. Ringo Starr had the most number one 627 00:32:30,520 --> 00:32:32,160 Speaker 10: hits on the charts. 628 00:32:33,640 --> 00:32:36,960 Speaker 4: He was the most successful of the post Beatles. I 629 00:32:37,040 --> 00:32:38,760 Speaker 4: don't know that to be true. I appreciate the call. 630 00:32:38,880 --> 00:32:43,480 Speaker 4: That is Grant's argument. We'll look into that. Monty says. Look, 631 00:32:43,560 --> 00:32:45,719 Speaker 4: I said we could get Paul McCartney, We could get 632 00:32:45,800 --> 00:32:48,760 Speaker 4: Ringo Starr on Monty talkback, g. 633 00:32:53,160 --> 00:32:54,480 Speaker 2: Clay, the other Beatles. 634 00:32:54,720 --> 00:32:58,320 Speaker 7: John Lennon died in nineteen eighty and George Harrison died 635 00:32:58,360 --> 00:32:59,960 Speaker 7: in two thousand and one, So I don't think you're 636 00:33:00,000 --> 00:33:02,240 Speaker 7: are going to have any luck getting in a hold 637 00:33:02,280 --> 00:33:02,560 Speaker 7: of them. 638 00:33:03,280 --> 00:33:05,360 Speaker 3: Paul McCartney and Rino Star are still alive. 639 00:33:05,400 --> 00:33:06,560 Speaker 4: That's what I'm saying. We got to get one of 640 00:33:06,600 --> 00:33:09,200 Speaker 4: those two guys. By the way, do you know how 641 00:33:09,280 --> 00:33:14,240 Speaker 4: America became by and large aware that John Lennon died? 642 00:33:15,360 --> 00:33:18,960 Speaker 4: Do you know who announced live on television that John 643 00:33:19,080 --> 00:33:22,280 Speaker 4: Lennon had been killed? And when it happened in nineteen 644 00:33:22,360 --> 00:33:26,600 Speaker 4: eighty four, huge swaths of the American population any probably 645 00:33:26,640 --> 00:33:32,360 Speaker 4: not going to know buck any guests about how who 646 00:33:32,720 --> 00:33:35,960 Speaker 4: delivered the news of John Lennon's death to the largest 647 00:33:36,040 --> 00:33:38,200 Speaker 4: audience of Americans when it occurred. 648 00:33:39,960 --> 00:33:40,320 Speaker 1: I don't know. 649 00:33:40,880 --> 00:33:43,920 Speaker 3: Good you were in your thirties. I was not yet born. 650 00:33:45,680 --> 00:33:47,480 Speaker 3: Good trivia, I was a baby. 651 00:33:48,720 --> 00:33:54,400 Speaker 4: John Lennon's death announced by Howard Cosell on Monday Night Football. 652 00:33:54,920 --> 00:33:57,680 Speaker 4: During the course of that Monday night football game, he 653 00:33:57,840 --> 00:34:01,360 Speaker 4: came on and said, Hey, basically, I have this. 654 00:34:01,480 --> 00:34:03,440 Speaker 3: Awful news to report to all of you. 655 00:34:04,080 --> 00:34:06,320 Speaker 4: Howard Cosell, A lot of people wouldn't anticipate that that 656 00:34:06,480 --> 00:34:09,319 Speaker 4: was the case. Was the guy who broke the news 657 00:34:09,400 --> 00:34:12,480 Speaker 4: to the largest group of Americans that John Lennon had 658 00:34:12,520 --> 00:34:12,879 Speaker 4: been killed. 659 00:34:15,800 --> 00:34:18,200 Speaker 1: That's it's kind of a tough turn from me here. 660 00:34:18,280 --> 00:34:21,480 Speaker 1: But okay, okay, thanks Clay for that trivia. It's a 661 00:34:21,600 --> 00:34:22,520 Speaker 1: real bummer. 662 00:34:22,800 --> 00:34:27,160 Speaker 2: You know, three seconds remaining. John Smith is on the line. 663 00:34:27,280 --> 00:34:29,640 Speaker 2: I don't care what's on the line, Howard. You want 664 00:34:29,800 --> 00:34:32,879 Speaker 2: got to say, but we know in the book, yes 665 00:34:33,080 --> 00:34:33,960 Speaker 2: we have to say it. 666 00:34:34,120 --> 00:34:37,960 Speaker 7: Remember this is just a football game, no matter who wins. 667 00:34:38,080 --> 00:34:42,800 Speaker 7: Aw Less an unspeakable tragedy confirmed to us by ABC 668 00:34:43,040 --> 00:34:46,520 Speaker 7: News in New York City. John Lennon outside of his 669 00:34:46,640 --> 00:34:49,359 Speaker 7: apartment building on the West side of New York City, 670 00:34:49,640 --> 00:34:53,000 Speaker 7: the most famous, perhaps of all of the Beatles, shot 671 00:34:53,120 --> 00:34:59,040 Speaker 7: twice in the back rush the Roosevelt Hospital, dead on arrival. 672 00:35:00,840 --> 00:35:04,680 Speaker 2: Oh to go back to the game after that newsquash. 673 00:35:07,640 --> 00:35:10,200 Speaker 1: Do you do you agree that is Is that really 674 00:35:10,200 --> 00:35:12,040 Speaker 1: an announcement you make during a football game? 675 00:35:12,800 --> 00:35:13,239 Speaker 3: It's a time. 676 00:35:13,239 --> 00:35:16,839 Speaker 4: I don't think it's a tough transition to expect an announcer. 677 00:35:17,400 --> 00:35:19,680 Speaker 1: I mean, it's the pre social media era, So I 678 00:35:19,719 --> 00:35:21,880 Speaker 1: guess you could say that maybe people were expecting to 679 00:35:22,000 --> 00:35:25,160 Speaker 1: get news from wherever they were of something of that 680 00:35:25,400 --> 00:35:29,880 Speaker 1: kind of you know, flash breaking news magnitude. But you 681 00:35:29,960 --> 00:35:31,719 Speaker 1: know what I'm saying, it's a little bit like remember 682 00:35:31,760 --> 00:35:32,440 Speaker 1: when they broke. 683 00:35:32,320 --> 00:35:34,920 Speaker 4: In with OJ duringbe You think what they would do today, 684 00:35:35,080 --> 00:35:36,880 Speaker 4: and they may not have had the technology to do 685 00:35:37,000 --> 00:35:39,400 Speaker 4: it in nineteen eighty is if they felt compelled to 686 00:35:39,560 --> 00:35:41,680 Speaker 4: break in and give that news, they would go to 687 00:35:41,840 --> 00:35:44,719 Speaker 4: a newscaster. They would say, Hey, we're going to go 688 00:35:44,920 --> 00:35:49,000 Speaker 4: live to insert location here. I would point out that 689 00:35:49,160 --> 00:35:51,279 Speaker 4: this came on the heels buck if you remember, I 690 00:35:51,360 --> 00:35:53,400 Speaker 4: mean the Winter Olympics are going on right now, but 691 00:35:53,600 --> 00:35:56,760 Speaker 4: nineteen seventy four in Munich, much of that was largely 692 00:35:56,920 --> 00:36:03,600 Speaker 4: covered by sports people. When the Jewish the Israeli uh 693 00:36:04,000 --> 00:36:07,680 Speaker 4: Olympic Olympians were taken hostage, people who were there to 694 00:36:07,840 --> 00:36:11,239 Speaker 4: cover that event were sports people, and suddenly they had 695 00:36:11,280 --> 00:36:14,000 Speaker 4: to pivot in real time to being on air for 696 00:36:14,160 --> 00:36:17,600 Speaker 4: massive amounts of hours to cover a truly serious story. 697 00:36:18,200 --> 00:36:21,759 Speaker 4: I think sports would get exposed far faster today than 698 00:36:21,800 --> 00:36:24,879 Speaker 4: it did back then, because I think the average newsperson 699 00:36:25,200 --> 00:36:29,359 Speaker 4: was more intelligent and well versed in larger society than 700 00:36:29,400 --> 00:36:30,120 Speaker 4: they are today. 701 00:36:30,640 --> 00:36:34,680 Speaker 1: Well thanks Captain Wampwomp, Happy Friday the thirteenth, everybody. Great 702 00:36:34,719 --> 00:36:36,440 Speaker 1: way to end the show here with Clay getting some 703 00:36:36,560 --> 00:36:40,120 Speaker 1: really intense stuff. We got assassinations, we got terrorist attacks,