WEBVTT - The Dreams of R. Buckminster Fuller

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<v Speaker 1>Welcome to Stuff to Blow your Mind from how Stuff

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<v Speaker 1>Works dot com. Hey you're welcome to Stuff to Blow

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<v Speaker 1>your Mind. My name is Robert Lamb. Hey I'm Christian Seger,

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<v Speaker 1>and in this episode we're gonna talk about the work

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<v Speaker 1>of our Buckminster Fuller. Yeah, this guy was a real visionary,

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<v Speaker 1>primarily influential between the nineteen thirties and fifties. You may

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<v Speaker 1>have heard of him as a maybe an engineer or

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<v Speaker 1>a designer, or sometimes as an architect. He really wasn't

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<v Speaker 1>any of those things. Technically, he didn't have the training necessarily.

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<v Speaker 1>But what he was was a major symbol for counterculture

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<v Speaker 1>and influencing people to be creative. I think that's fair

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<v Speaker 1>to say. Yeah, yeah, as we researched him, and this

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<v Speaker 1>was a guy that I didn't know a lot about.

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<v Speaker 1>I mean, I grew up seeing the diodestic Dome. You

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<v Speaker 1>know some of the edific doum houses near where I lived.

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<v Speaker 1>Oh yeah, I didn't know that. Well there was one.

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<v Speaker 1>I say that as if there was a whole there,

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<v Speaker 1>but there was one up on the hill and there

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<v Speaker 1>where where my my parents lived. I always tried to

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<v Speaker 1>imagine what's going on, and yeah, yeah, well I think

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<v Speaker 1>I must have heard of him the first time when

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<v Speaker 1>I went to Epcot Center, because I believe that the

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<v Speaker 1>what do they call it Spaceship Earth at Epcot Center

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<v Speaker 1>is is a geodesic sphere. I believe it's based on

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<v Speaker 1>the principles. I don't think that Fuller was involved in

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<v Speaker 1>constructing it, but but yeah, but certainly the gudesic dome,

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<v Speaker 1>the guidestic sphere serves as a symbol for him. It's

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<v Speaker 1>this uh uh, the inspiration of what can be done

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<v Speaker 1>with engineering and ingenuity. Yeah, and and I think that's

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<v Speaker 1>very very stuff to blow your mind in terms of

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<v Speaker 1>how much this show has covered retro futurist kind of

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<v Speaker 1>aesthetics or engineering principles, ideas imagination in the past. Yeah, yeah, totally.

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<v Speaker 1>I mean, and so much of what's appealing about Fuller

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<v Speaker 1>is that he the audacity of some of his ideas,

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<v Speaker 1>Like some of the other visionaries that we've we've touched

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<v Speaker 1>on the show before and we'll touch on in the future.

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<v Speaker 1>You know, he really he really thought outside the box.

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<v Speaker 1>To use a very cliche term, he didn't he didn't

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<v Speaker 1>have all the filters that that that a lot of

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<v Speaker 1>us have been trying to envision what we can do

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<v Speaker 1>with technology and what the future could consist of. Yeah,

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<v Speaker 1>and my take on this, So I went into this

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<v Speaker 1>episode being a fan of our Buck Muster Fuller being

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<v Speaker 1>very excited about, in particular the Cloud nine ideas which

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<v Speaker 1>we'll talk about, which are basically flying cities. Um and

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<v Speaker 1>I had even written about him for How Stuff Works

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<v Speaker 1>before and then really doing a deep dive into the

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<v Speaker 1>research about him, and in particular there's an article uh

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<v Speaker 1>in The New Yorker that came out in two thousand

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<v Speaker 1>eight that's called the di Maxian Man, and it's by

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<v Speaker 1>a woman named Elizabeth Colbert. Uh not Colbert. I believe

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<v Speaker 1>it's Colbert because it's got okay, but um uh, it

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<v Speaker 1>really highlighted his life beyond just the you know, the

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<v Speaker 1>the big ideas that this guy came up with, and

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<v Speaker 1>I think that of him now more along the lines

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<v Speaker 1>of this generation of men who were big thinkers, but

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<v Speaker 1>we're also sort of con artists in a way. Joe

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<v Speaker 1>is not going to be delighted to know Joe. Yeah,

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<v Speaker 1>for those of you who know are our third host,

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<v Speaker 1>Joe is a a big buck Mr. Fuller fan has

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<v Speaker 1>also written about him. But but I'm gonna try to

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<v Speaker 1>convince him. Hopefully he'll listen to this and I'll change

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<v Speaker 1>his mind. So why don't we start just talking about that.

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<v Speaker 1>I'm gonna call him Bucky Buckminster. I think is gonna

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<v Speaker 1>be a little bit too much, and Mr Fuller seems

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<v Speaker 1>formal for where we're at, So let's call him Bucky.

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<v Speaker 1>That's what his friends and family called him. Uh. He

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<v Speaker 1>was born on July twelve in Milton, Massachusetts, which I'm

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<v Speaker 1>familiar with from the Boston area. Uh. And he died

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<v Speaker 1>on July one, in nine three in l a um.

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<v Speaker 1>He this is like right out of the gate like this,

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<v Speaker 1>This story of him as a little kid, I think

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<v Speaker 1>perfectly streets what kind of a human being he grew

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<v Speaker 1>up into. So he was nearsighted as a child, so

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<v Speaker 1>was I. I stared wearing glasses when I was five,

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<v Speaker 1>but it wasn't until he was actually fitted with glasses,

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<v Speaker 1>like his parents convinced him, Hey, you need glasses. He

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<v Speaker 1>didn't believe that the world wasn't blurry. He thought the

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<v Speaker 1>whole world was blurry because that's how he saw it.

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<v Speaker 1>So I know I presented that as a double negative.

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<v Speaker 1>So he thought the world was blurry, and when they

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<v Speaker 1>said to him, no, you have something wrong with your eyes,

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<v Speaker 1>he didn't believe them until somebody actually put glasses on

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<v Speaker 1>his head and he realized, Oh, this is how I'm

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<v Speaker 1>supposed to see the world. And I think that's a

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<v Speaker 1>perfect metaphor for this guy's life as it goes on. Basically,

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<v Speaker 1>I mean, I see some of that in my my

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<v Speaker 1>own toddler. To say that he's gonna, you know, grow

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<v Speaker 1>up to be such an iconic figure, but I wouldn't

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<v Speaker 1>be surper. But there's a stubbornness at times to to

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<v Speaker 1>a kid. You know, they think they know how the

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<v Speaker 1>world works, and they don't. They don't accept the counter

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<v Speaker 1>argument that you present them with. But but maybe that's

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<v Speaker 1>part of a Fuller's vibe. And why I resonate so

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<v Speaker 1>much is because he kept that that kind of childish

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<v Speaker 1>vision and assuredness. Yeah, yeah, I think you might be right.

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<v Speaker 1>Well here's another thing. Tell me if your son does

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<v Speaker 1>this yet? Okay, okay buck. Mr Fuller constantly collected throughout

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<v Speaker 1>his entire life scrap books of his letters, articles, everything

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<v Speaker 1>as a record of his life. This included receipts for

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<v Speaker 1>everything like dry cleaning, bills and we have all of

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<v Speaker 1>this today. He actually referred to it later on as

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<v Speaker 1>the Dymaxion Chronophile. He loved coming up with weird names

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<v Speaker 1>for things. Now that sounds a lot more impressive until

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<v Speaker 1>you realize it has like laundry receipts in it. Yeah, yeah,

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<v Speaker 1>so is um is your son keeping a Dymaxian chronofile.

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<v Speaker 1>He has a box of rocks. He comes home every

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<v Speaker 1>day with like six different rocks in his pockets. So

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<v Speaker 1>sort of an early early stage. Well, I could see

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<v Speaker 1>them keeping that in an archive someday, and that's what

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<v Speaker 1>they did with with Fuller. Actually, uh, it weighs forty

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<v Speaker 1>five tons this guy's archives. So I used to work

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<v Speaker 1>in an academic library and work a lot with archivists

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<v Speaker 1>and special collections, and forty five tons is a lot.

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<v Speaker 1>That's a lot of material. It's the largest personal archive

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<v Speaker 1>that's currently at Stanford University. So I mean, I think

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<v Speaker 1>it's basically everything this guy ever wrote down to paper

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<v Speaker 1>he thought was going to be important in some way

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<v Speaker 1>and kept a copy of it um And and it's, uh,

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<v Speaker 1>it's just kind of fascinating, Like I think about other

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<v Speaker 1>figures throughout history who even at a young age, were

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<v Speaker 1>convinced that whatever they had was going to be so

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<v Speaker 1>important that one day mankind was going to need to

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<v Speaker 1>go look back upon these papers, you know, even when

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<v Speaker 1>you're a child. Theodore Roosevelt was a guy like this,

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<v Speaker 1>kept kept a log of pretty much everything he did. Um.

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<v Speaker 1>And that also, I think there's a certain amount of

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<v Speaker 1>narcissism that comes into play there, I would think, so,

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<v Speaker 1>I mean, and yeah, we definitely see that with with Fuller,

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<v Speaker 1>and that he's from a from an early point keeping

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<v Speaker 1>keeping a file, a holy document of what he is

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<v Speaker 1>setting out with a chief. Yeah. Yeah, so you know,

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<v Speaker 1>that's that's the basics of what we have of him

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<v Speaker 1>as a child. But like many people and his family,

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<v Speaker 1>mostly men, Uh, he went to Harvard University. Unfortunately, halfway

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<v Speaker 1>through his freshman year, he took his tuition money and

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<v Speaker 1>he took it out of the bank and he said,

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<v Speaker 1>I'm going to use this to entertain chorus girls in Manhattan. Uh.

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<v Speaker 1>Story goes that Harvard wasn't pleased about this. He was expelled.

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<v Speaker 1>A year later, they reinstated him, and then he got

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<v Speaker 1>thrown out again. We don't know why. Maybe it was

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<v Speaker 1>chorus girls again who knows. But the gist of it

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<v Speaker 1>is that Bucking never graduated from any college. He doesn't

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<v Speaker 1>have a degree in engineering. He um, he really you know,

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<v Speaker 1>from what it sounds like, he was a book learning man,

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<v Speaker 1>you know, um, which is which is fine, but I think,

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<v Speaker 1>like when you see some of the large scale projects

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<v Speaker 1>he was hired for later on based on his hotspa,

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<v Speaker 1>it makes you, it makes you wonder. Um. So anyway,

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<v Speaker 1>so after this whole Harvard thing collapsed for him, he

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<v Speaker 1>went on, he took a meatpacking job, then he joined

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<v Speaker 1>the Navy. When he was in the Navy, this is

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<v Speaker 1>when he really started his whole like invention kick, right.

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<v Speaker 1>So he uh, he invented this device to rescue pilots

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<v Speaker 1>that had like you know, crashed at sea. And um,

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<v Speaker 1>what what ended up happening was this device often just

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<v Speaker 1>flipped them upside down and dunked them head first into

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<v Speaker 1>the water and held them under water. Right. Well you

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<v Speaker 1>know it it expedites the process, but it's just not

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<v Speaker 1>in the way, not the way I think the Navy

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<v Speaker 1>was looking at. Um. And then you know, after World

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<v Speaker 1>War rather during World War One, he got married and

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<v Speaker 1>he started a business with his wife's father, His wife's

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<v Speaker 1>father was an architect, and so I think that this

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<v Speaker 1>is where he you know, picked up a lot of

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<v Speaker 1>his nol but that the two of them started this

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<v Speaker 1>business together where they manufactured books out of wood shavings.

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<v Speaker 1>And I was trying to imagine what this even meant.

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<v Speaker 1>It's it's one thing to read that as a sentence

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<v Speaker 1>in an article. I don't know what does that mean.

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<v Speaker 1>They took the wood shavings and they they like pulped

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<v Speaker 1>them down. I guess it certainly makes me think of

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<v Speaker 1>sort of you know, homemade paper craft nowadays. But well,

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<v Speaker 1>it's hard to imagine. But the company went almost bankrupt

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<v Speaker 1>and uh then somebody bought it from the two of them.

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<v Speaker 1>In so at this point, this is this is an

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<v Speaker 1>interesting point in Buckey's life. Uh, and by different accounts

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<v Speaker 1>from what I read, Uh, it's acknowledged differently. Even stories

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<v Speaker 1>say that, like their interviews with his daughter saying this

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<v Speaker 1>what I'm about to tell you is is probably fictional. Basically,

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<v Speaker 1>he comes to a crossroads in his life. Oh yeah,

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<v Speaker 1>oh yeah, literally, like he his daughter was born. Um,

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<v Speaker 1>he claimed that at the time he became really depressed

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<v Speaker 1>because he didn't have a job. He couldn't provide for

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<v Speaker 1>his family. So he he was on a walk, and

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<v Speaker 1>he was walking alongside Lake Michigan, and he had suicidal thoughts.

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<v Speaker 1>And so some versions of this story say that he

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<v Speaker 1>claims suddenly he was suspended several feet above the air,

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<v Speaker 1>above the ground rather in the air, and saw light

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<v Speaker 1>and he heard a voice say, you do not have

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<v Speaker 1>the right to eliminate yourself. And then it said you

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<v Speaker 1>do not belong to you, You belong to the universe. Uh.

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<v Speaker 1>And so I presumably he was set back down and

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<v Speaker 1>he had this epiphany that this was a sign that

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<v Speaker 1>he should start a lifelong experiment uh, where basically he

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<v Speaker 1>should figure out how one person himself could benefit all

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<v Speaker 1>of humanity, could change all of humanity for the better.

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<v Speaker 1>And this is where he really started hitting the books, right,

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<v Speaker 1>hanging out in library, he's compiling notes and really trying

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<v Speaker 1>to figure out how he can transform the world. Right. Yeah,

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<v Speaker 1>and here again, so he's keeping like documentation of all

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<v Speaker 1>of this stuff. Right. So, rather than you get a

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<v Speaker 1>job and support his family, he goes to the library.

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<v Speaker 1>He refers to himself in the third person as guinea

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<v Speaker 1>pig b presumably be is Bucky uh and he starts

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<v Speaker 1>writing this booklet that he called The for d Timelock.

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<v Speaker 1>Uh and uh. From what I understood, it's apparently quite

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<v Speaker 1>hard to read. It's it's a the reviews rather of

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<v Speaker 1>it where that it was you know, the pros was dense,

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<v Speaker 1>it was it barely made any sense. But essentially it's

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<v Speaker 1>a diet tribe about how we were failing at that

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<v Speaker 1>time in how we constructed modern homes and how we

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<v Speaker 1>were basically like real estate and construction. Um. And he

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<v Speaker 1>felt like this was this was how he was going

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<v Speaker 1>to impact human He was going to change production basically

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<v Speaker 1>of home life. And this comes along at a at

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<v Speaker 1>a at a key point too, because we're seeing in

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<v Speaker 1>this industrialized world, we're seeing these uh, these sort of

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<v Speaker 1>cookie cutter designs roll out in the world around us,

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<v Speaker 1>but we're also seeing futuristic visions of what's possible showing

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<v Speaker 1>up in our our science fiction and advertising and uh

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<v Speaker 1>and and and Bucky's ideas kind of serve as a

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<v Speaker 1>as a bridge to that. Yeah, I think that's important

0:12:23.520 --> 0:12:25.640
<v Speaker 1>to remember is that, like there were a lot of

0:12:25.679 --> 0:12:29.600
<v Speaker 1>people at that time who were having amazing imaginative ideas

0:12:30.000 --> 0:12:33.679
<v Speaker 1>really that you know, I think that um formed what

0:12:33.720 --> 0:12:35.680
<v Speaker 1>we think of today as sort of our science fiction

0:12:35.800 --> 0:12:40.360
<v Speaker 1>fantasy uh conventions, I guess, right, like the aesthetics behind that.

0:12:40.880 --> 0:12:45.920
<v Speaker 1>And Fuller, Bucky rather sort of thought of himself not

0:12:46.360 --> 0:12:48.840
<v Speaker 1>you know, he wasn't in the fictional space. He saw

0:12:48.880 --> 0:12:50.920
<v Speaker 1>this as no, that this is how we're going to

0:12:51.040 --> 0:12:54.160
<v Speaker 1>change the real world, no matter how unrealistic it was

0:12:54.320 --> 0:12:56.840
<v Speaker 1>or even as we'll find out later that he came

0:12:56.920 --> 0:12:59.040
<v Speaker 1>up with ideas for things that hadn't been invented yet.

0:12:59.200 --> 0:13:01.640
<v Speaker 1>So his excuse for why he couldn't construct things was, well,

0:13:01.720 --> 0:13:04.640
<v Speaker 1>the materials aren't here. Yeah, sorry, this doesn't actually exist,

0:13:04.720 --> 0:13:06.520
<v Speaker 1>so I can't make it yet. Yeah. I mean he was,

0:13:06.720 --> 0:13:09.160
<v Speaker 1>like a lot of people at the time, riding that

0:13:09.240 --> 0:13:13.520
<v Speaker 1>wave of technological optimism where it seemed that all these

0:13:13.559 --> 0:13:16.800
<v Speaker 1>things would definitely come to fruition and uh and so

0:13:16.880 --> 0:13:21.720
<v Speaker 1>he's just sort of dreaming, dreaming ahead of that wave crashing. Yeah. Yeah, definitely.

0:13:22.040 --> 0:13:24.560
<v Speaker 1>So i'd like before we get into the first of

0:13:24.640 --> 0:13:28.959
<v Speaker 1>his his large, uh you know, scale inventions, here's a

0:13:29.000 --> 0:13:31.160
<v Speaker 1>couple other notes about him, just so we've we've got

0:13:31.160 --> 0:13:34.439
<v Speaker 1>a framework of Buck Mr Fuller as a man. Uh So,

0:13:34.520 --> 0:13:37.520
<v Speaker 1>later on in his life, after he gained some notoriety.

0:13:37.600 --> 0:13:42.080
<v Speaker 1>He was an academic uh and reportedly he could lecture

0:13:42.120 --> 0:13:45.600
<v Speaker 1>for ten hours at a time. UH, and that if

0:13:45.640 --> 0:13:48.160
<v Speaker 1>you had class with him, they lasted from nine am

0:13:48.240 --> 0:13:51.079
<v Speaker 1>until five pm. And this was not like the kind

0:13:51.120 --> 0:13:53.880
<v Speaker 1>of like a seminar where you broke out in a

0:13:53.960 --> 0:13:57.480
<v Speaker 1>group sessions and you were interacting with your classmates. Fuller

0:13:57.720 --> 0:14:01.000
<v Speaker 1>spoke the entire time. He basically just shared at people

0:14:01.160 --> 0:14:04.200
<v Speaker 1>for eight to ten hours at a time. But he

0:14:04.280 --> 0:14:07.920
<v Speaker 1>was very charismatics. I presumably this is it's not as

0:14:08.000 --> 0:14:10.760
<v Speaker 1>dreary attend it's as much as ten hour lecture. I

0:14:10.760 --> 0:14:13.520
<v Speaker 1>get the impression that people weren't falling asleep, that it

0:14:13.640 --> 0:14:17.800
<v Speaker 1>was a spectacle to behold. Um. Of course, he believed

0:14:17.840 --> 0:14:20.520
<v Speaker 1>all the world's problems could be solved by technology. That's

0:14:20.560 --> 0:14:24.960
<v Speaker 1>basically the philosophy behind a lot of what he saw. Yeah,

0:14:24.960 --> 0:14:29.000
<v Speaker 1>he also proposed a clear dome be constructed over Manhattan,

0:14:29.480 --> 0:14:33.280
<v Speaker 1>a tetra head drawn suburb in San Francisco Bay, and

0:14:33.360 --> 0:14:36.240
<v Speaker 1>he patented a scheme for an underwater city. So he's

0:14:36.320 --> 0:14:38.840
<v Speaker 1>really thinking about I guess, like what we would call

0:14:38.880 --> 0:14:42.600
<v Speaker 1>today urban studies, right like he was, he was thinking

0:14:42.640 --> 0:14:46.960
<v Speaker 1>about cities as microcosms of people and how we could

0:14:47.040 --> 0:14:51.120
<v Speaker 1>put them elsewhere, whether that be the sky, underwater. I

0:14:51.160 --> 0:14:53.840
<v Speaker 1>don't know why Manhattan would need a dome, but I

0:14:53.880 --> 0:14:55.800
<v Speaker 1>think this is something that's caught on in fiction because

0:14:55.800 --> 0:14:57.360
<v Speaker 1>I feel like I've seen it in a lot of

0:14:57.360 --> 0:14:59.640
<v Speaker 1>other Yeah, it definitely shows up in Futurama. There's a

0:15:00.000 --> 0:15:03.920
<v Speaker 1>really at some point the city of New York is

0:15:04.120 --> 0:15:06.680
<v Speaker 1>uh is covered in a dome. I don't recall exactly why,

0:15:06.800 --> 0:15:10.000
<v Speaker 1>but but it does happen. Yeah, maybe like acid rain

0:15:10.120 --> 0:15:11.760
<v Speaker 1>or something like that, although I don't know that that

0:15:11.800 --> 0:15:15.280
<v Speaker 1>was what his thinking was. Um, here's another interesting thing

0:15:15.280 --> 0:15:18.360
<v Speaker 1>about him. So, while he did believe that technology was

0:15:18.600 --> 0:15:21.040
<v Speaker 1>the you know, saving grace for all of humanity, he

0:15:21.080 --> 0:15:23.880
<v Speaker 1>didn't believe in evolution. What he actually thought were that

0:15:24.000 --> 0:15:26.800
<v Speaker 1>human beings had come from another part of the universe,

0:15:26.960 --> 0:15:30.600
<v Speaker 1>like another planet, uh, totally as we are right now,

0:15:31.040 --> 0:15:34.440
<v Speaker 1>and populated the planet Earth like somebody dropped us off here. Uh.

0:15:34.560 --> 0:15:38.560
<v Speaker 1>He also thought that dolphins were descendants from these like

0:15:38.960 --> 0:15:41.240
<v Speaker 1>proto humans that came to Earth and that they had

0:15:41.320 --> 0:15:45.840
<v Speaker 1>like become seafaring proto humans and eventually turned into dolphins.

0:15:46.520 --> 0:15:48.080
<v Speaker 1>I bet he. I wonder if you ever met up

0:15:48.120 --> 0:15:52.920
<v Speaker 1>with John C. Lily. They definitely lived at the same time. Yeah,

0:15:53.080 --> 0:15:55.240
<v Speaker 1>and you were telling me about Lily earlier, So I

0:15:55.280 --> 0:15:57.720
<v Speaker 1>think that, Um, he sounds like somebody who should definitely

0:15:57.760 --> 0:15:59.600
<v Speaker 1>talk about on the show, which I think we should

0:15:59.640 --> 0:16:02.280
<v Speaker 1>do a full episode on literally at some point, because

0:16:02.720 --> 0:16:05.160
<v Speaker 1>he's a fascinating dude and we've only we've only really

0:16:05.200 --> 0:16:09.120
<v Speaker 1>touched on some of his uh crazier ideas here on

0:16:09.200 --> 0:16:10.920
<v Speaker 1>the show in the past, and there's a lot more

0:16:10.960 --> 0:16:14.040
<v Speaker 1>to him than that. Well, well, we'll save that for

0:16:14.040 --> 0:16:17.680
<v Speaker 1>another episode. But here's the last thing I'll give you

0:16:18.120 --> 0:16:20.880
<v Speaker 1>on Bucky. This is one of my favorites before we

0:16:20.920 --> 0:16:24.920
<v Speaker 1>get into the diet Dymaxian inventions that he had. Okay, Um,

0:16:24.960 --> 0:16:28.000
<v Speaker 1>for many years, Bucky had a very specific diet and

0:16:28.040 --> 0:16:29.680
<v Speaker 1>there are only a few things he would eat and

0:16:29.720 --> 0:16:35.840
<v Speaker 1>they consisted of prunes, tea, steak, and jello. Those were

0:16:36.040 --> 0:16:41.200
<v Speaker 1>like his four food groups. Prunes, tea, steak, and jello. Wow. Well,

0:16:41.200 --> 0:16:44.640
<v Speaker 1>I I think you'd have to put a lot of

0:16:44.640 --> 0:16:49.000
<v Speaker 1>different things into that jello to really make that diet work.

0:16:49.200 --> 0:16:52.000
<v Speaker 1>But I'm trying to imagine. I know that there's a

0:16:52.040 --> 0:16:54.000
<v Speaker 1>recipe and I may be taking us off track here,

0:16:54.000 --> 0:16:56.080
<v Speaker 1>But isn't there something like where you there's like a

0:16:56.120 --> 0:16:59.320
<v Speaker 1>mold of jello where you embed other food products inside

0:16:59.320 --> 0:17:02.000
<v Speaker 1>the jello, like and suspended animation. Yeah, like a little

0:17:02.000 --> 0:17:04.720
<v Speaker 1>bits of fruit. Yeah yeah, yeah, yeah, But in his case,

0:17:04.760 --> 0:17:07.879
<v Speaker 1>it would just be like prunes and and steak, like

0:17:09.640 --> 0:17:12.280
<v Speaker 1>yeah yeah, he just had this one thing that he

0:17:12.280 --> 0:17:15.160
<v Speaker 1>would eat every day. Yeah yeah, yeah. I mean, because

0:17:15.200 --> 0:17:17.719
<v Speaker 1>he was very utilitarian, you want to make it as

0:17:17.720 --> 0:17:24.359
<v Speaker 1>simple as possible. Okay, So with this gives you an

0:17:24.359 --> 0:17:26.760
<v Speaker 1>idea of what kind of a person Fuller was he.

0:17:27.119 --> 0:17:28.840
<v Speaker 1>Like I said earlier, he liked to make up words

0:17:28.880 --> 0:17:31.560
<v Speaker 1>of his own. So this leads us to his favorite

0:17:31.560 --> 0:17:33.600
<v Speaker 1>word that he made up. But he didn't make it up, actually,

0:17:33.600 --> 0:17:36.960
<v Speaker 1>but it was made up maxian. Uh. There was a

0:17:37.000 --> 0:17:40.040
<v Speaker 1>consultant who was working to sell model homes and they

0:17:40.080 --> 0:17:42.480
<v Speaker 1>came up with it. And it's a mash of three

0:17:42.520 --> 0:17:46.200
<v Speaker 1>words that they thought sounded exciting at the time, dynamic

0:17:46.840 --> 0:17:53.400
<v Speaker 1>maximum and ion is good is good marketing maxion? Yeah yeah,

0:17:53.400 --> 0:17:55.800
<v Speaker 1>I'd buy that. But it's perfect for Fuller, right, because

0:17:55.800 --> 0:17:58.520
<v Speaker 1>so so many of these ideas are are about the

0:17:58.600 --> 0:18:02.000
<v Speaker 1>marketing of the dream, not so much about the realization

0:18:02.040 --> 0:18:04.600
<v Speaker 1>of it. Yeah, I think if he were alive today,

0:18:04.640 --> 0:18:07.160
<v Speaker 1>he would very much be like the kind of mad

0:18:07.240 --> 0:18:10.200
<v Speaker 1>men that would that would work in advertising or marketing

0:18:10.720 --> 0:18:12.800
<v Speaker 1>or just do a lot of Ted talks. May definitely

0:18:13.080 --> 0:18:15.199
<v Speaker 1>he would be a Ted talker for sure, You're right.

0:18:15.960 --> 0:18:18.960
<v Speaker 1>Uh so. So he took this word dymaxie and he

0:18:19.000 --> 0:18:20.679
<v Speaker 1>just applied it to a lot of his you know,

0:18:20.720 --> 0:18:24.520
<v Speaker 1>invention ideas. Um. The first one was the Dymaxion vehicle.

0:18:24.760 --> 0:18:28.000
<v Speaker 1>So this was a car that had three wheels, there

0:18:28.000 --> 0:18:30.359
<v Speaker 1>were two in the front, one in the back, and

0:18:30.400 --> 0:18:33.359
<v Speaker 1>instead of a rear view mirror, it had a periscope.

0:18:34.200 --> 0:18:36.919
<v Speaker 1>I tried imagining how that would work. So you're you

0:18:37.000 --> 0:18:38.960
<v Speaker 1>would like, what, lean over and put your eye in

0:18:39.040 --> 0:18:41.679
<v Speaker 1>the periscope to see behind you? I guess so. But

0:18:41.680 --> 0:18:43.879
<v Speaker 1>of course it's that's not really two different from what

0:18:43.920 --> 0:18:48.040
<v Speaker 1>we have now with the rear view video, right. Oh, yeah,

0:18:48.119 --> 0:18:50.880
<v Speaker 1>that's true. That's true. Yeah, I've never driven a car

0:18:50.920 --> 0:18:53.760
<v Speaker 1>with one of those before, but yeah, it works, you know,

0:18:53.840 --> 0:18:56.240
<v Speaker 1>ultimately not too different from a periscope. So I'm gonna

0:18:56.240 --> 0:18:58.920
<v Speaker 1>give him, I'm gonna give a break pass on that. Well,

0:18:58.920 --> 0:19:01.800
<v Speaker 1>apparently this car was really good for for like, you know,

0:19:01.920 --> 0:19:05.120
<v Speaker 1>odd parking maneuvers. So if you're the kind of person

0:19:05.119 --> 0:19:08.040
<v Speaker 1>who has trouble parallel parking, I think the Dymaxian vehicle

0:19:08.200 --> 0:19:10.679
<v Speaker 1>was for you, and it was apparently very good at

0:19:11.800 --> 0:19:16.879
<v Speaker 1>degree turns. Uh. But it caused a lot of controversy

0:19:16.880 --> 0:19:18.680
<v Speaker 1>when it was first introduced. The very first time you

0:19:19.280 --> 0:19:21.600
<v Speaker 1>put it out on the road in nine three, there

0:19:21.640 --> 0:19:24.479
<v Speaker 1>was so much hype and people were so surprised by

0:19:24.480 --> 0:19:26.720
<v Speaker 1>seeing it on the road that it caused gridlock. That

0:19:27.280 --> 0:19:29.520
<v Speaker 1>people just weren't driving because they were up staring at

0:19:29.560 --> 0:19:32.560
<v Speaker 1>this thing. Yeah, I can definitely understand. I mean I

0:19:31.920 --> 0:19:34.480
<v Speaker 1>I I feel like when I see a vehicle that's

0:19:34.480 --> 0:19:37.919
<v Speaker 1>particularly futuristic driving around town here in Atlanta, and it

0:19:37.960 --> 0:19:40.240
<v Speaker 1>throws me off for a minute and I almost wrecked

0:19:40.240 --> 0:19:43.960
<v Speaker 1>the car. Yeah. In fact, there's somebody near the office here.

0:19:44.000 --> 0:19:45.640
<v Speaker 1>I see him coming in and out of the Whole

0:19:45.640 --> 0:19:48.800
<v Speaker 1>Foods parking lot in some sort I don't even know

0:19:48.880 --> 0:19:50.240
<v Speaker 1>what you call them these days, but it has to

0:19:50.680 --> 0:19:52.080
<v Speaker 1>two wheels in the front and one in the back.

0:19:52.640 --> 0:19:57.520
<v Speaker 1>Really it's kind of vehicle. Oh, now I'm curious. You

0:19:57.560 --> 0:19:59.200
<v Speaker 1>know who we should ask about this? As the car

0:19:59.200 --> 0:20:03.080
<v Speaker 1>stuff guys, would I wonder, Yeah, yeah, I I even

0:20:03.119 --> 0:20:06.560
<v Speaker 1>considered asking them if they had already covered the Dymaxine vehicle.

0:20:06.600 --> 0:20:08.120
<v Speaker 1>I'm not sure if they have or not, but I'm

0:20:08.119 --> 0:20:12.240
<v Speaker 1>sure Scott's heard of it before. Um So, Fuller basically

0:20:12.320 --> 0:20:14.959
<v Speaker 1>envisioned that this vehicle would go beyond the three wheel

0:20:14.960 --> 0:20:17.080
<v Speaker 1>model that he had built. He wanted it to fly.

0:20:17.560 --> 0:20:20.120
<v Speaker 1>He wanted basically, he wanted everything he made to fly.

0:20:20.359 --> 0:20:22.480
<v Speaker 1>That was kind of his thing. Um. But he he

0:20:22.480 --> 0:20:24.000
<v Speaker 1>thought it would be kind of like a duck the

0:20:24.000 --> 0:20:26.159
<v Speaker 1>way that it would take off, uh, And that it

0:20:26.200 --> 0:20:28.399
<v Speaker 1>would also be built in such a way so that

0:20:28.440 --> 0:20:30.040
<v Speaker 1>like when it was on land, it could travel on

0:20:30.119 --> 0:20:32.560
<v Speaker 1>the roughest roads, but then when there was terrain that

0:20:32.600 --> 0:20:35.240
<v Speaker 1>you couldn't necessarily get over with you know, the three

0:20:35.240 --> 0:20:37.480
<v Speaker 1>wheels on on the Dymaxine vehicle, it would just take

0:20:37.480 --> 0:20:42.440
<v Speaker 1>off and fly over the stuff. Um he. So here's

0:20:42.440 --> 0:20:46.120
<v Speaker 1>what happened with the Dymaxine vehicle. They built one prototype

0:20:46.480 --> 0:20:48.359
<v Speaker 1>and as this one that caused the grid block. I

0:20:48.400 --> 0:20:52.320
<v Speaker 1>believe three months after it was released, it crashed. The

0:20:52.440 --> 0:20:57.800
<v Speaker 1>driver was killed, the one of the passengers was seriously injured.

0:20:58.640 --> 0:21:01.520
<v Speaker 1>But later on and they determined. I believe it was

0:21:01.560 --> 0:21:04.320
<v Speaker 1>at like a World's Fair that this happened or something

0:21:04.359 --> 0:21:08.040
<v Speaker 1>similar to that, like one of these big exhibitions of technology. Uh,

0:21:08.080 --> 0:21:11.440
<v Speaker 1>they determined another car was found responsible for the accident,

0:21:11.800 --> 0:21:14.400
<v Speaker 1>and they only produced two more of these, and then

0:21:14.640 --> 0:21:17.560
<v Speaker 1>the whole thing was just put on hold because you know,

0:21:17.600 --> 0:21:21.440
<v Speaker 1>it's just it was again like many of his ideas,

0:21:21.480 --> 0:21:23.359
<v Speaker 1>it was a it was a cool idea, but it

0:21:23.400 --> 0:21:26.440
<v Speaker 1>wasn't exactly practical or functional. Yeah, as a as an

0:21:26.440 --> 0:21:30.080
<v Speaker 1>inspiration and as an argument, it totally works because it's

0:21:30.080 --> 0:21:33.199
<v Speaker 1>it's Bucky saying, Hey, why does a car have to

0:21:33.200 --> 0:21:36.880
<v Speaker 1>be this? Let's think outside of the timeline so far.

0:21:37.080 --> 0:21:39.959
<v Speaker 1>Let's think about what is what's possible, and not just

0:21:40.000 --> 0:21:43.160
<v Speaker 1>what we have to work with. But when you start actually,

0:21:43.280 --> 0:21:47.439
<v Speaker 1>you know, putting a tire to the road, Uh, it

0:21:47.480 --> 0:21:49.800
<v Speaker 1>doesn't always work out. And I imagine that like the

0:21:49.880 --> 0:21:52.560
<v Speaker 1>investors involved, you know, he must have had to have

0:21:53.280 --> 0:21:56.160
<v Speaker 1>he must have been a very charming man in order

0:21:56.200 --> 0:21:59.679
<v Speaker 1>to convince people to put their money into these projects. Um.

0:21:59.760 --> 0:22:03.840
<v Speaker 1>And so that leads us to the next Dymaxion invention,

0:22:03.880 --> 0:22:07.840
<v Speaker 1>which was the Dymaxion house. So that, like like the

0:22:07.960 --> 0:22:09.720
<v Speaker 1>car and some of the other stuff we're gonna see

0:22:09.720 --> 0:22:11.560
<v Speaker 1>you later on. He very much had this idea I

0:22:11.600 --> 0:22:15.520
<v Speaker 1>think of like everything being kind of like uh, what

0:22:15.560 --> 0:22:19.200
<v Speaker 1>we would refer to now as plug in play right right. Yeah,

0:22:19.320 --> 0:22:21.160
<v Speaker 1>you buy it and it's just right out of the box,

0:22:21.200 --> 0:22:23.280
<v Speaker 1>good to go. And so that's what he wanted this

0:22:23.359 --> 0:22:25.399
<v Speaker 1>house to be. It was something that you could erect

0:22:25.400 --> 0:22:29.239
<v Speaker 1>in one day, totally complete. Like I think furniture and

0:22:29.280 --> 0:22:32.280
<v Speaker 1>definitely appliances were all built into the structure and they

0:22:32.280 --> 0:22:36.240
<v Speaker 1>just sort of like unfold and be there. He called

0:22:36.240 --> 0:22:39.240
<v Speaker 1>it drudge y proof. I don't know what that necessarily

0:22:39.280 --> 0:22:41.120
<v Speaker 1>meant other than that, like maybe he thought it would

0:22:41.119 --> 0:22:45.520
<v Speaker 1>be aesthetically pleasing when the roll of building up. Yeah,

0:22:46.000 --> 0:22:48.239
<v Speaker 1>so I guess that's true. Yeah, I thought more of

0:22:48.280 --> 0:22:50.600
<v Speaker 1>that it was like the drudgery of everyday life, you

0:22:50.640 --> 0:22:53.159
<v Speaker 1>know that that there was something about the home that

0:22:53.200 --> 0:22:55.600
<v Speaker 1>would kind of put a little spring in your step. Well,

0:22:55.640 --> 0:22:58.439
<v Speaker 1>I mean as as a homeown, right does like that

0:22:58.520 --> 0:23:01.080
<v Speaker 1>the home comes to you kind of broken, even if

0:23:01.280 --> 0:23:03.240
<v Speaker 1>even if you had to build the damn thing, it's

0:23:03.440 --> 0:23:06.400
<v Speaker 1>it's it's in a constant state of breaking. So this

0:23:06.480 --> 0:23:08.720
<v Speaker 1>is uh, and you're having to repair it and then

0:23:09.160 --> 0:23:12.480
<v Speaker 1>so maybe the drudgery free home. It's just simply this this,

0:23:13.040 --> 0:23:15.800
<v Speaker 1>like if you're microwave of breaks, you just buy a

0:23:15.880 --> 0:23:18.800
<v Speaker 1>new home. Yeah yeah, I think the complete modular home

0:23:18.880 --> 0:23:22.000
<v Speaker 1>is a complete insert. It's just if you're this one's broken,

0:23:22.040 --> 0:23:24.840
<v Speaker 1>well great, just tear tear the fresh strip off the

0:23:24.880 --> 0:23:26.840
<v Speaker 1>new one, plug it into your lot, and you're good

0:23:26.840 --> 0:23:29.119
<v Speaker 1>to go. Yeah. Yeah, I think that's how he was thinking.

0:23:29.240 --> 0:23:33.080
<v Speaker 1>I mean, it only really made it to sketch stages

0:23:33.119 --> 0:23:35.840
<v Speaker 1>and at the beginning, what he envisioned was that there

0:23:35.840 --> 0:23:38.440
<v Speaker 1>are these ultra lightweight towers and that they would be

0:23:38.480 --> 0:23:40.639
<v Speaker 1>assembled at a particular location. I guess there would be

0:23:40.640 --> 0:23:44.280
<v Speaker 1>like a factory or something or they're making these, and

0:23:44.280 --> 0:23:47.080
<v Speaker 1>then they would have Zeppelin's transport them around the world.

0:23:47.119 --> 0:23:49.640
<v Speaker 1>I love that that detail of it. Yes, it's it's

0:23:49.640 --> 0:23:51.760
<v Speaker 1>just go ahead and throw airships in there, like like

0:23:51.840 --> 0:23:55.680
<v Speaker 1>every every idea that he has is is tailor made

0:23:55.920 --> 0:23:59.400
<v Speaker 1>for one of those old popular science covers, right yeah,

0:23:59.440 --> 0:24:02.960
<v Speaker 1>and this is straight out of like a pulp pulp

0:24:03.040 --> 0:24:05.560
<v Speaker 1>novel from the thirties two, Like like the way that

0:24:05.640 --> 0:24:09.959
<v Speaker 1>they would excavate this didn't actually happen, but theoretically they

0:24:09.960 --> 0:24:12.879
<v Speaker 1>would excavate sites to place these homes and by just

0:24:13.000 --> 0:24:15.560
<v Speaker 1>you know, dropping bombs from the zeppelin. Just drop a

0:24:15.600 --> 0:24:18.240
<v Speaker 1>small bomb, just a small one, blow up the area,

0:24:18.400 --> 0:24:20.520
<v Speaker 1>flatten it out, and then you could put your dimaxi

0:24:20.560 --> 0:24:24.960
<v Speaker 1>in home down. Yeah again, just completely thinking outside of

0:24:25.200 --> 0:24:28.840
<v Speaker 1>existing context. You know, why not why can't we dig

0:24:28.840 --> 0:24:32.640
<v Speaker 1>a hole in a neighborhood by the use of smart bomb, Yeah, yeah, exactly,

0:24:32.680 --> 0:24:34.479
<v Speaker 1>and then just drop it, drop the house in there.

0:24:34.480 --> 0:24:36.520
<v Speaker 1>From his I wouldn't be surprised if it came back

0:24:36.520 --> 0:24:39.560
<v Speaker 1>around again, you know, with the at least here in Atlanta,

0:24:39.600 --> 0:24:42.560
<v Speaker 1>with the way real estates are, real estate prices are going,

0:24:42.600 --> 0:24:45.359
<v Speaker 1>you know, it's just yeah, we'll just drop a bomb,

0:24:45.720 --> 0:24:47.560
<v Speaker 1>knocked down the whole neighborhood and then put a bunch

0:24:47.600 --> 0:24:49.760
<v Speaker 1>of these. That's basically what does happen. You know when

0:24:49.760 --> 0:24:51.600
<v Speaker 1>you when you think about these like a live work

0:24:51.680 --> 0:24:53.760
<v Speaker 1>play units that go up in like a year, you know,

0:24:53.880 --> 0:24:58.440
<v Speaker 1>they're just really quickly built. Maybe he did inspire some

0:24:58.440 --> 0:25:03.720
<v Speaker 1>some engineers and architects. So the second version of this,

0:25:03.720 --> 0:25:06.280
<v Speaker 1>this is the one that that ended up like being built,

0:25:06.960 --> 0:25:09.560
<v Speaker 1>was it was shaped like a hexagon and it was

0:25:09.600 --> 0:25:13.080
<v Speaker 1>made out of stamped metal and it was suspended on

0:25:13.160 --> 0:25:16.800
<v Speaker 1>a mast. The mast this way I'm envisioning it was

0:25:16.840 --> 0:25:20.080
<v Speaker 1>like this was sort of like a telephone pole maybe. Um.

0:25:20.119 --> 0:25:22.560
<v Speaker 1>And this mask contained all the wiring and plumbing and

0:25:22.560 --> 0:25:24.560
<v Speaker 1>stuff like that. Today that's where we'd have our you know,

0:25:24.640 --> 0:25:27.600
<v Speaker 1>internet chords and stuff like that. Uh. And then when

0:25:27.640 --> 0:25:31.080
<v Speaker 1>a family moved, they would just disassemble the house uh

0:25:31.119 --> 0:25:33.680
<v Speaker 1>and pack it up and move it with them. It

0:25:33.680 --> 0:25:36.399
<v Speaker 1>would it basically like another piece of furniture or something

0:25:36.440 --> 0:25:41.159
<v Speaker 1>like that. Um. And he really only built the scale

0:25:41.200 --> 0:25:44.960
<v Speaker 1>model that was exhibited in There was no full sized

0:25:45.040 --> 0:25:49.320
<v Speaker 1>version ever built because Fuller said the components weren't made yet.

0:25:49.480 --> 0:25:52.359
<v Speaker 1>There was you know, the stuff didn't exist yet. I

0:25:52.400 --> 0:25:55.240
<v Speaker 1>think it went beyond just like the stamped metal and

0:25:55.240 --> 0:25:58.600
<v Speaker 1>and the structure of the thing. I think he was

0:25:58.640 --> 0:26:01.760
<v Speaker 1>thinking along the lines of sort of science fiction e

0:26:01.960 --> 0:26:06.359
<v Speaker 1>type technology that would come as part of this home, uh,

0:26:06.480 --> 0:26:09.639
<v Speaker 1>stuff that we probably considered you know normal nowadays, like

0:26:10.600 --> 0:26:13.320
<v Speaker 1>you know, entertainment center or something like that. Yeah. Yeah,

0:26:13.600 --> 0:26:15.400
<v Speaker 1>And you know, you could of course say the same

0:26:15.400 --> 0:26:18.760
<v Speaker 1>thing for the the Zeppelin's and the bomb dropping, right

0:26:18.800 --> 0:26:21.360
<v Speaker 1>if you could say that, well, technology just wasn't there yet,

0:26:21.400 --> 0:26:24.200
<v Speaker 1>and still wasn't there yet enough to where we would trust,

0:26:24.200 --> 0:26:28.280
<v Speaker 1>say a drone to deliver an explosive device to a

0:26:28.320 --> 0:26:31.840
<v Speaker 1>neighborhood or you know, or or be able to adequately

0:26:31.880 --> 0:26:34.600
<v Speaker 1>deliver things via some sort of you know, a drone

0:26:34.720 --> 0:26:39.080
<v Speaker 1>Zeppelin scenario. So okay, so he didn't have the materials.

0:26:39.160 --> 0:26:43.640
<v Speaker 1>Then we're talking this is like late thirties. I think, um,

0:26:43.800 --> 0:26:48.000
<v Speaker 1>we probably do now. Uh So is this feasible? Is

0:26:48.000 --> 0:26:50.440
<v Speaker 1>this something that we could do today? Well? I think

0:26:50.440 --> 0:26:53.680
<v Speaker 1>one of the big things is that it is Fuller

0:26:53.800 --> 0:26:57.040
<v Speaker 1>is very much rebelling against existing notions of what we

0:26:57.080 --> 0:26:59.639
<v Speaker 1>should have, and he's saying, what what can we have?

0:26:59.680 --> 0:27:02.160
<v Speaker 1>What we can what can we create that will fulfill

0:27:02.200 --> 0:27:05.840
<v Speaker 1>those needs? When clearly we're the rest of us that

0:27:06.040 --> 0:27:09.359
<v Speaker 1>the non BUCkies out there are are mostly tied to

0:27:09.400 --> 0:27:12.800
<v Speaker 1>tradition too strongly to say, you know what, I'm not

0:27:12.800 --> 0:27:14.560
<v Speaker 1>going to live in a house. I'm not even gonna

0:27:14.560 --> 0:27:15.879
<v Speaker 1>live in a modern house. I'm gonna live in some

0:27:15.920 --> 0:27:19.720
<v Speaker 1>sort of space age tent that I fold up and

0:27:19.720 --> 0:27:21.399
<v Speaker 1>take with me when I move. You know, you know,

0:27:21.520 --> 0:27:24.320
<v Speaker 1>you occasionally see these like kind of articles in science

0:27:24.320 --> 0:27:26.880
<v Speaker 1>magazines where it's like, hey, look at this this home

0:27:26.960 --> 0:27:28.720
<v Speaker 1>that this one person is built, and it's very much

0:27:28.760 --> 0:27:31.000
<v Speaker 1>kind of like this, but there's only one of them,

0:27:31.040 --> 0:27:34.080
<v Speaker 1>you know what I mean. It's like a um some

0:27:34.280 --> 0:27:36.399
<v Speaker 1>sort of like cross between a Winnebago and like a

0:27:36.440 --> 0:27:40.159
<v Speaker 1>hobbit hole. It's like this, you know, amazing idea for

0:27:40.200 --> 0:27:43.840
<v Speaker 1>a custom built home. Um. Yeah, I just I wonder

0:27:43.880 --> 0:27:46.800
<v Speaker 1>if it's feasible to mass produce them the way that

0:27:46.840 --> 0:27:48.960
<v Speaker 1>he was imagining. You know, you gotta have demand be

0:27:49.040 --> 0:27:51.359
<v Speaker 1>there or or it's got to be a situation where

0:27:51.520 --> 0:27:53.879
<v Speaker 1>there's a real need for it. Because one of the

0:27:53.920 --> 0:27:56.920
<v Speaker 1>applications that that has come up at times with some

0:27:56.960 --> 0:27:58.320
<v Speaker 1>of these designs is why you could use it for

0:27:58.359 --> 0:28:02.520
<v Speaker 1>emergency housing. You could you essentially a better take ons

0:28:02.760 --> 0:28:06.760
<v Speaker 1>FEMA trailer on time of scenario. Yeah, that's true. And

0:28:06.760 --> 0:28:10.000
<v Speaker 1>and um here's what I think of it. As you

0:28:10.160 --> 0:28:13.960
<v Speaker 1>remember in the fifth element, the apartment that Bruce Willis

0:28:14.000 --> 0:28:16.600
<v Speaker 1>lives in and that I don't remember, I remember it

0:28:16.640 --> 0:28:19.520
<v Speaker 1>was vaguely blade runner any bed. Yeah, So it's basically

0:28:19.600 --> 0:28:23.600
<v Speaker 1>like all the apartments are just like a bed and

0:28:23.640 --> 0:28:26.240
<v Speaker 1>then like that folds out of a wall and everything

0:28:26.280 --> 0:28:28.000
<v Speaker 1>else folds out of a wall. You're basically in like

0:28:28.040 --> 0:28:30.240
<v Speaker 1>a room that's the size of like a walking closet.

0:28:30.560 --> 0:28:32.840
<v Speaker 1>It's got one window and a door, and they're kind

0:28:32.880 --> 0:28:35.600
<v Speaker 1>of like stacked on top of each other like um,

0:28:35.680 --> 0:28:39.360
<v Speaker 1>like crates. Most Um. That's that's That's what I keep

0:28:39.360 --> 0:28:41.840
<v Speaker 1>thinking of when I'm thinking of like the buck MMR.

0:28:41.840 --> 0:28:45.760
<v Speaker 1>Fuller Dymaxian house. You know, like your shower head pops

0:28:45.760 --> 0:28:47.960
<v Speaker 1>out of the wall in the corner, and then like

0:28:48.000 --> 0:28:50.000
<v Speaker 1>the house is somehow designed so that all the water

0:28:50.120 --> 0:28:54.640
<v Speaker 1>drains down immediately, you know, your your kitchen surfaces pop

0:28:54.680 --> 0:28:56.600
<v Speaker 1>out of the sides of the wall. Whatever, whatever you

0:28:56.640 --> 0:28:59.920
<v Speaker 1>need is available. But basically the space is very compact

0:29:00.080 --> 0:29:05.200
<v Speaker 1>and small, and the the the actual structure itself is utilitarian,

0:29:05.440 --> 0:29:08.400
<v Speaker 1>so the space transforms to meet your needs. And ye

0:29:08.640 --> 0:29:10.440
<v Speaker 1>so if it needs to be a bathroom with toilet

0:29:10.440 --> 0:29:14.440
<v Speaker 1>pops up, comes down, Yeah you just need to do yoga.

0:29:14.480 --> 0:29:18.240
<v Speaker 1>Everything goes into the wall, right, yeah, yeah exactly. Um.

0:29:18.320 --> 0:29:20.640
<v Speaker 1>And I don't know if that's visible either, but but

0:29:21.360 --> 0:29:23.240
<v Speaker 1>like some of some of the architecture, I think that

0:29:23.280 --> 0:29:25.720
<v Speaker 1>we're seeing people experiment with today, we might we might

0:29:25.720 --> 0:29:30.000
<v Speaker 1>be heading towards something like that. Um. So okay, So

0:29:30.160 --> 0:29:32.280
<v Speaker 1>he tried to mass produce these, even though they never

0:29:32.320 --> 0:29:34.400
<v Speaker 1>really got off the ground. He worked together with this

0:29:34.440 --> 0:29:38.360
<v Speaker 1>aircraft company in Wichita. So this was sorry, so not

0:29:38.440 --> 0:29:42.560
<v Speaker 1>the late thirties, mid mid forties. Um, he did try

0:29:42.600 --> 0:29:47.200
<v Speaker 1>to build two examples. They collapsed. Uh. The only surviving

0:29:47.560 --> 0:29:50.440
<v Speaker 1>version of this actually is in the Henry Ford Museum

0:29:50.440 --> 0:29:53.800
<v Speaker 1>in Dearborn, Michigan. So if you're out in Dearborn, you

0:29:53.840 --> 0:29:56.480
<v Speaker 1>can go see one of these things see how it worked.

0:29:56.560 --> 0:29:59.880
<v Speaker 1>We'd love to hear from you, guys, if you've seen

0:30:00.040 --> 0:30:03.760
<v Speaker 1>us before in action. I'm sure some listeners have seen

0:30:03.840 --> 0:30:05.960
<v Speaker 1>one of these, or maybe they'll have seen some of

0:30:05.960 --> 0:30:10.440
<v Speaker 1>the geodesic domes. We're gonna talk about it shortly. Um,

0:30:10.520 --> 0:30:15.120
<v Speaker 1>he applied dymaxion too, almost everything. I'm surprised there wasn't

0:30:15.160 --> 0:30:19.000
<v Speaker 1>a Dymaxian dome. But there was a bathroom. Yeah, we're

0:30:19.000 --> 0:30:21.680
<v Speaker 1>already talking about fifth element bathrooms, and he got in

0:30:21.720 --> 0:30:23.640
<v Speaker 1>there as well. So the bathroom was just this single

0:30:23.760 --> 0:30:27.040
<v Speaker 1>unit that had a built in shower, toilet, and sink, etcetera.

0:30:27.120 --> 0:30:29.040
<v Speaker 1>It was just all you know, it's basically like a

0:30:29.480 --> 0:30:32.160
<v Speaker 1>porta potty with like a sink and a shower built

0:30:32.160 --> 0:30:35.400
<v Speaker 1>into it. Yeah, and you know, I'm I'm kind of

0:30:35.400 --> 0:30:39.440
<v Speaker 1>sold on this because there's so much goes into the

0:30:39.480 --> 0:30:42.960
<v Speaker 1>modern bathroom. Like there's like if you build a bathroom

0:30:43.440 --> 0:30:47.160
<v Speaker 1>onto your house, um, like it just it gets really

0:30:47.160 --> 0:30:49.960
<v Speaker 1>complicated really fast, and you have to worry about like

0:30:49.960 --> 0:30:51.280
<v Speaker 1>how far is it or you're gonna have to have

0:30:51.320 --> 0:30:54.640
<v Speaker 1>additional pumps and there's so many pipes going into it.

0:30:54.680 --> 0:30:56.520
<v Speaker 1>But if you could just drop something in, if there

0:30:56.600 --> 0:30:59.480
<v Speaker 1>was just this module like Lego, Yeah, it's just this

0:30:59.680 --> 0:31:03.680
<v Speaker 1>Lego block your your your House project by a Zeppelin,

0:31:04.280 --> 0:31:08.360
<v Speaker 1>then why not? Yeah? And the bath room is another

0:31:08.600 --> 0:31:10.760
<v Speaker 1>is one of those key areas where we really don't

0:31:10.800 --> 0:31:12.920
<v Speaker 1>do a lot of rethinking of the bathroom. So it's

0:31:13.080 --> 0:31:17.280
<v Speaker 1>time for a full Bucky redo. Yeah. Yeah, that's true.

0:31:17.720 --> 0:31:20.160
<v Speaker 1>Oh that could we could do a whole episode on that. Yeah.

0:31:20.200 --> 0:31:22.959
<v Speaker 1>I mean, the the audacity of the modern toilet is

0:31:23.280 --> 0:31:25.960
<v Speaker 1>I mean, it's just ridiculous. So we should be rethinking

0:31:25.960 --> 0:31:28.160
<v Speaker 1>the toilet more than we do, which makes me wonder

0:31:28.440 --> 0:31:33.800
<v Speaker 1>to what extent he actually changed how we pooped. Yeah,

0:31:33.920 --> 0:31:36.440
<v Speaker 1>I'm sure that there was a Dymaxian toilet out there

0:31:36.520 --> 0:31:40.880
<v Speaker 1>somewhere that reimagined that whole scenario. I know you and

0:31:40.960 --> 0:31:43.960
<v Speaker 1>Juliet covered something like that previously, right, Yeah, we talked

0:31:43.960 --> 0:31:47.880
<v Speaker 1>a bit about about the science of pooping and uh yeah,

0:31:48.320 --> 0:31:51.080
<v Speaker 1>since that episode, I've become a big advocate of the

0:31:51.120 --> 0:31:54.520
<v Speaker 1>squat potty. So yeah, yeah, well, who knows. I'm sure

0:31:54.520 --> 0:31:57.120
<v Speaker 1>if he were here today, Bucky would listen. Yeah, I

0:31:57.440 --> 0:31:59.880
<v Speaker 1>can imagine he would be a squatter if he were here.

0:32:00.120 --> 0:32:01.640
<v Speaker 1>You're around now. But at the time, it just the

0:32:01.920 --> 0:32:04.200
<v Speaker 1>concept might not have been out there enough for Yeah,

0:32:04.240 --> 0:32:05.880
<v Speaker 1>it could have been a little too riskue. I mean,

0:32:05.920 --> 0:32:08.000
<v Speaker 1>flying cities was pretty much as hard as far as

0:32:08.000 --> 0:32:09.800
<v Speaker 1>he could push it and just run through. A couple

0:32:09.800 --> 0:32:12.960
<v Speaker 1>of other Dimaxian ideas he had. It was the Dimxician

0:32:13.000 --> 0:32:17.360
<v Speaker 1>development unit, which was essentially a mobile shelter also described

0:32:17.360 --> 0:32:19.920
<v Speaker 1>as a grain bin with windows, and I believe this

0:32:19.960 --> 0:32:22.520
<v Speaker 1>was something that like the military would use right deploy

0:32:22.600 --> 0:32:26.200
<v Speaker 1>this in scenario essentially like a FEMA trailers situation um.

0:32:26.360 --> 0:32:28.560
<v Speaker 1>And then he also had a Dimaxian map, which is

0:32:28.640 --> 0:32:31.800
<v Speaker 1>projection of the world map onto the surface, and then

0:32:33.640 --> 0:32:36.880
<v Speaker 1>so he drin a There was the twenty sided polygon,

0:32:37.320 --> 0:32:40.960
<v Speaker 1>which can be unfolded and flattened to two dimensions, which

0:32:41.040 --> 0:32:42.880
<v Speaker 1>also didn't catch up. So I'm trying to imagine this

0:32:42.960 --> 0:32:45.440
<v Speaker 1>basically looks like a large twenty sided die for D

0:32:45.520 --> 0:32:50.720
<v Speaker 1>and D eat. It unfolds into a map. Why why

0:32:51.080 --> 0:32:54.959
<v Speaker 1>because because it's cool? Okay, But but that, just like

0:32:55.000 --> 0:32:58.040
<v Speaker 1>the flat map didn't work for him. He needed flat

0:32:58.280 --> 0:33:00.760
<v Speaker 1>He wanted to carry it around. The dime Axion man

0:33:01.320 --> 0:33:04.520
<v Speaker 1>can't really roll with a traditional map. He needs a

0:33:04.560 --> 0:33:07.080
<v Speaker 1>map that uh that that looks like it was given

0:33:07.080 --> 0:33:09.920
<v Speaker 1>to us by you're already like thinking in the Madison

0:33:09.960 --> 0:33:14.360
<v Speaker 1>Avenue like version of Dymaxian Man sales. I like that.

0:33:14.400 --> 0:33:15.480
<v Speaker 1>I think it would be a great name for a

0:33:15.520 --> 0:33:20.080
<v Speaker 1>store shop, a Dymaxion Man. I would not be surprised

0:33:20.120 --> 0:33:23.600
<v Speaker 1>because when I was doing research for this, the A

0:33:23.760 --> 0:33:27.520
<v Speaker 1>state of our Buckminster Fuller is kept up pretty well.

0:33:27.560 --> 0:33:29.720
<v Speaker 1>The website is pretty interesting and has a lot of

0:33:29.760 --> 0:33:33.640
<v Speaker 1>information of it on him of its own. Um. But

0:33:33.680 --> 0:33:36.800
<v Speaker 1>I wouldn't be surprised if there is somebody who's holding

0:33:36.840 --> 0:33:39.560
<v Speaker 1>the copyright to Dymaxion right now and just waiting for

0:33:39.600 --> 0:33:41.720
<v Speaker 1>the opportunity. Oh yeah, because I mean again, a lot

0:33:41.720 --> 0:33:44.920
<v Speaker 1>of these ideas were, according to the man himself, ahead

0:33:44.920 --> 0:33:47.440
<v Speaker 1>of their time. And ahead of a head of ahead

0:33:47.480 --> 0:33:50.080
<v Speaker 1>of even our time. So maybe it's just about waiting

0:33:50.120 --> 0:33:53.600
<v Speaker 1>for them to come to fruition. Yeah, yeah, it could be. Well,

0:33:53.720 --> 0:33:57.280
<v Speaker 1>here's one that sort of worked. This. He didn't use

0:33:57.360 --> 0:34:00.479
<v Speaker 1>dymaxion for this. This is the geodesic home. So this

0:34:00.520 --> 0:34:05.640
<v Speaker 1>is what most of us, uh probably recognize Bucky's contributions from.

0:34:06.000 --> 0:34:10.080
<v Speaker 1>Uh So the Dymaxian stuff wasn't wasn't successful. Um So

0:34:10.200 --> 0:34:12.759
<v Speaker 1>he said that didn't work. You know what I'm gonna do.

0:34:12.800 --> 0:34:16.400
<v Speaker 1>I'm gonna invent my own system of geometry. Uh and

0:34:16.600 --> 0:34:20.320
<v Speaker 1>I'm gonna call it synergetic geometry. Uh. And he decided

0:34:20.320 --> 0:34:23.040
<v Speaker 1>that ninety degree angles he's going to throw those out.

0:34:23.239 --> 0:34:25.879
<v Speaker 1>It's all gonna be based on sixty degree angles. And

0:34:25.960 --> 0:34:29.960
<v Speaker 1>apparently he hated the number pie, so he didn't He

0:34:30.000 --> 0:34:33.960
<v Speaker 1>didn't like the idea of using that ungainly number to represent,

0:34:34.239 --> 0:34:39.000
<v Speaker 1>you know, the tree with circles. So he even though

0:34:39.040 --> 0:34:42.000
<v Speaker 1>it works, he said, nope, let's throw that away. We're

0:34:42.000 --> 0:34:45.279
<v Speaker 1>gonna use the tetrahedron as this basic building block for

0:34:45.320 --> 0:34:47.680
<v Speaker 1>the universe and everything's gonna stem out of that. Yeah,

0:34:47.680 --> 0:34:50.719
<v Speaker 1>this is interesting because it brings them behind a number

0:34:50.719 --> 0:34:54.640
<v Speaker 1>of these different threads and mysticism that that apply a

0:34:54.640 --> 0:34:58.000
<v Speaker 1>lot of mystic significance to the tetra he drawn, you know,

0:34:58.040 --> 0:35:03.000
<v Speaker 1>like the he drawn his God. The tetrahedron is having uh,

0:35:03.040 --> 0:35:08.279
<v Speaker 1>some sort of mathematical mystic significance. I wonder why that is.

0:35:08.320 --> 0:35:11.919
<v Speaker 1>I'm sure, I'm sure. Again we're this episode. I feel

0:35:11.960 --> 0:35:14.360
<v Speaker 1>like it's leading us into like a spider web of

0:35:14.360 --> 0:35:17.600
<v Speaker 1>other future episodes. But there's got to be some connection

0:35:17.680 --> 0:35:21.640
<v Speaker 1>there that makes it um cross cultural, right, like that

0:35:21.680 --> 0:35:25.360
<v Speaker 1>it's something that that other um groups of humans have

0:35:25.400 --> 0:35:29.160
<v Speaker 1>all come up on their own, separately. So he's into

0:35:29.160 --> 0:35:33.040
<v Speaker 1>the tetrahedron. He decides that he's going to invent this

0:35:33.080 --> 0:35:35.520
<v Speaker 1>thing that he calls the geodesic dome, and basically what

0:35:35.560 --> 0:35:39.240
<v Speaker 1>it is is a series of struts, like metallic I believe,

0:35:39.320 --> 0:35:43.200
<v Speaker 1>struts that support a skin kind of covering, not not

0:35:43.280 --> 0:35:45.880
<v Speaker 1>actual skin. He's not Buffalo Bill here. It's it's you know,

0:35:46.000 --> 0:35:49.640
<v Speaker 1>some kind of a material he's using. But basically this

0:35:49.640 --> 0:35:52.560
<v Speaker 1>looks like a sphere cut in half, but it's composed

0:35:52.640 --> 0:35:57.480
<v Speaker 1>of triangular support. So that's where this tetrahedron stuff comes in. UM.

0:35:57.520 --> 0:36:00.800
<v Speaker 1>So at the time, you know, he actually managed to

0:36:00.840 --> 0:36:05.279
<v Speaker 1>parlay the whole Dymaxian failure into a teaching position at

0:36:05.320 --> 0:36:08.200
<v Speaker 1>Black Mountain College in North Carolina. And he was working

0:36:08.200 --> 0:36:10.680
<v Speaker 1>with a team of students. Uh. And they built one

0:36:10.719 --> 0:36:13.080
<v Speaker 1>of these as like you know, I think part of

0:36:13.239 --> 0:36:15.960
<v Speaker 1>one of his classes or something like that, and uh,

0:36:16.080 --> 0:36:20.120
<v Speaker 1>immediately it sagged and fell in on itself. So we

0:36:20.120 --> 0:36:23.799
<v Speaker 1>were looking at the Dymaxian home all over again. Um.

0:36:24.080 --> 0:36:27.359
<v Speaker 1>And he claimed the he intentionally wanted this to happen because,

0:36:27.400 --> 0:36:29.200
<v Speaker 1>you know, a bunch of the faculty at the school like, oh,

0:36:29.239 --> 0:36:32.839
<v Speaker 1>there's this this wacko fuller. He just had the whole

0:36:32.840 --> 0:36:35.960
<v Speaker 1>class build a crazy dome for semester and then collapsed.

0:36:36.000 --> 0:36:38.520
<v Speaker 1>What's going on? Yeah, and he apparently they were referring

0:36:38.560 --> 0:36:41.960
<v Speaker 1>to it on campus as a flapahedron. Uh and uh

0:36:42.160 --> 0:36:45.200
<v Speaker 1>so he says, no, I intentionally did that because I

0:36:45.280 --> 0:36:47.640
<v Speaker 1>wanted to know at what point the dome would collapse.

0:36:47.800 --> 0:36:50.600
<v Speaker 1>You know, he had to figure out the weak structural

0:36:50.640 --> 0:36:52.799
<v Speaker 1>points of this thing. He reminds me a lot of

0:36:52.800 --> 0:36:55.680
<v Speaker 1>the Cat in the Hat at this point, because the

0:36:56.040 --> 0:36:58.560
<v Speaker 1>Cat in the Hat, who I've been reading a lot recently. Um,

0:36:58.600 --> 0:37:02.400
<v Speaker 1>you know, he's always causing a mess. But is that

0:37:02.480 --> 0:37:04.840
<v Speaker 1>it that keeps reframing it as being a part of

0:37:04.880 --> 0:37:07.160
<v Speaker 1>the plan. Yeah, I knew this would happen. I knew

0:37:07.200 --> 0:37:11.440
<v Speaker 1>that the multiple cats would turn the yard into pink google.

0:37:11.440 --> 0:37:13.799
<v Speaker 1>I knew that the Thing one and Thing too would

0:37:13.840 --> 0:37:16.280
<v Speaker 1>run wild. But but there's a plan here, and everything's

0:37:16.280 --> 0:37:17.600
<v Speaker 1>gonna work out in the end because I know what

0:37:17.640 --> 0:37:19.720
<v Speaker 1>I'm and I know what I'm doing here. Yeah, Fuller

0:37:19.760 --> 0:37:23.360
<v Speaker 1>doesn't strike me as a man that was capable of

0:37:23.520 --> 0:37:27.759
<v Speaker 1>mitting when he was wrong very easily. Um. And and

0:37:27.800 --> 0:37:30.160
<v Speaker 1>that leads us into there was there was some controversy

0:37:30.200 --> 0:37:34.600
<v Speaker 1>around all of this, So he actually didn't invent these domes. Um.

0:37:34.640 --> 0:37:38.600
<v Speaker 1>A guy named Walter bowers Field had already designed something

0:37:38.640 --> 0:37:44.719
<v Speaker 1>like this for a planetarium in Germany, but Fuller got

0:37:44.719 --> 0:37:48.200
<v Speaker 1>the paperwork done first, so he basically filed you know,

0:37:48.440 --> 0:37:51.840
<v Speaker 1>the copyright registration whatever it was at the time that

0:37:51.880 --> 0:37:54.839
<v Speaker 1>he was using for this. Uh. And so even though

0:37:55.120 --> 0:37:58.200
<v Speaker 1>you know, the Goodesic domes basically used this method method

0:37:58.239 --> 0:38:01.880
<v Speaker 1>that Bowersfeld had come with, Bucky held the u S

0:38:01.920 --> 0:38:05.839
<v Speaker 1>patent and popularized the whole idea, and so we think

0:38:05.840 --> 0:38:08.440
<v Speaker 1>of him as being the inventor for this thing. Um.

0:38:08.480 --> 0:38:11.000
<v Speaker 1>Having worked on our show Stuff of Genius here at

0:38:11.000 --> 0:38:13.359
<v Speaker 1>How Stuff Works, which is largely about inventors and things

0:38:13.360 --> 0:38:17.520
<v Speaker 1>they've invented. That is a common story with almost all

0:38:17.560 --> 0:38:21.440
<v Speaker 1>inventions that yes, somebody else invented it, but this person

0:38:21.560 --> 0:38:24.680
<v Speaker 1>got to the copyright office first. So there was another

0:38:24.719 --> 0:38:29.879
<v Speaker 1>person as well that that Bucky Uh essentially took an

0:38:29.880 --> 0:38:32.520
<v Speaker 1>idea from. Uh. This was one of his students who

0:38:32.560 --> 0:38:36.080
<v Speaker 1>is at Black Mountain College. Um. So, so part of

0:38:36.080 --> 0:38:38.200
<v Speaker 1>the idea of these geodesic domes was that they were

0:38:38.200 --> 0:38:43.480
<v Speaker 1>held together by something that he called tense segrity. I

0:38:43.520 --> 0:38:47.799
<v Speaker 1>don't I don't know because what I from what I

0:38:47.840 --> 0:38:50.239
<v Speaker 1>read he the way he used the term was that

0:38:50.280 --> 0:38:54.319
<v Speaker 1>it was a combination of tension and integrity. Yeah, I'm not.

0:38:54.440 --> 0:38:57.319
<v Speaker 1>I think he just like takes words and slams them together. Well,

0:38:57.360 --> 0:38:59.120
<v Speaker 1>you know, there's there's a there's a fine art to

0:38:59.160 --> 0:39:02.960
<v Speaker 1>creating a good poor too. But yeah, exactly. Um. But

0:39:03.239 --> 0:39:07.240
<v Speaker 1>one of the students from that program, Kenneth Snelson, claimed

0:39:07.239 --> 0:39:09.200
<v Speaker 1>that he was actually the one who came up with

0:39:09.239 --> 0:39:13.399
<v Speaker 1>the whole idea for these sculptures, these geodesic dome sculptures. Uh,

0:39:13.400 --> 0:39:15.480
<v Speaker 1>and that he worked on it while he was a

0:39:15.520 --> 0:39:18.360
<v Speaker 1>student there, but he was under Fuller at the time,

0:39:18.880 --> 0:39:22.319
<v Speaker 1>and that Fuller than was like, okay, well here's this.

0:39:22.320 --> 0:39:24.120
<v Speaker 1>This is ten segrity, that's what we're gonna call it.

0:39:24.160 --> 0:39:26.240
<v Speaker 1>And yeah, you know, he just took off with the idea.

0:39:26.480 --> 0:39:29.520
<v Speaker 1>So there is again some controversy about whether or not

0:39:29.560 --> 0:39:31.040
<v Speaker 1>any of this. Now keep in mind, this is like

0:39:31.080 --> 0:39:32.880
<v Speaker 1>one of the only things that he did that actually

0:39:33.480 --> 0:39:38.080
<v Speaker 1>sort of worked, um, and and so there's controversy about

0:39:38.080 --> 0:39:39.520
<v Speaker 1>whether or not he even came up with it in

0:39:39.520 --> 0:39:41.759
<v Speaker 1>the first place himself, but he did work. And you

0:39:41.800 --> 0:39:46.040
<v Speaker 1>do see these domes yeah, around the country. Yeah, in fact,

0:39:46.080 --> 0:39:48.440
<v Speaker 1>you can, you know, you can very easily do a

0:39:48.480 --> 0:39:51.439
<v Speaker 1>search and look up geodesic domes and see they're they're

0:39:51.520 --> 0:39:54.120
<v Speaker 1>used all over the world. Actually, you know, um, the

0:39:54.160 --> 0:39:59.000
<v Speaker 1>one that is the most famous, I believe it's the

0:39:59.080 --> 0:40:03.640
<v Speaker 1>US Pavilion for the Expo sixties seven in Montreal. Um

0:40:03.719 --> 0:40:06.560
<v Speaker 1>they built that, they built this geodesic dome structure, and

0:40:06.600 --> 0:40:08.359
<v Speaker 1>there's a lot of people that you know, it's it's

0:40:08.400 --> 0:40:10.840
<v Speaker 1>fairly noteworthy. But I believe that there's some in Japan.

0:40:10.960 --> 0:40:14.560
<v Speaker 1>You said, you're even seeing some in your neighborhood. Growing up. Yeah. Yeah,

0:40:14.640 --> 0:40:16.800
<v Speaker 1>just down the middle of nowhere in Tennessee, there's a

0:40:16.880 --> 0:40:21.680
<v Speaker 1>Judesic domehouse up on the hill. Well apparently, uh, you know,

0:40:22.400 --> 0:40:25.200
<v Speaker 1>there was a little bit of problems with these, uh

0:40:25.200 --> 0:40:29.400
<v Speaker 1>and one of which was that they all leaked. So

0:40:29.440 --> 0:40:33.680
<v Speaker 1>I'm curious if people that lived nearby you had problems

0:40:33.760 --> 0:40:38.440
<v Speaker 1>with leaking, especially like in heavy rain seasons. You couldn't

0:40:38.440 --> 0:40:41.200
<v Speaker 1>seal them successfully the way that they were designed. Um.

0:40:41.760 --> 0:40:44.560
<v Speaker 1>Some people even said about um ones that they built

0:40:44.640 --> 0:40:48.200
<v Speaker 1>under Fuller's guidance, that they would you know add um,

0:40:48.640 --> 0:40:50.680
<v Speaker 1>what would you call it, like hulking or some kind

0:40:50.719 --> 0:40:52.719
<v Speaker 1>of you know, material in order to cover up the

0:40:52.719 --> 0:40:56.200
<v Speaker 1>spaces in between the triangles and and that would just

0:40:56.320 --> 0:40:58.279
<v Speaker 1>make it even worse. All right. So part of the

0:40:58.280 --> 0:41:01.440
<v Speaker 1>problem here is that you're creating you're creating a drastically

0:41:01.480 --> 0:41:05.560
<v Speaker 1>new house, but and with that comes drastically new problems

0:41:05.600 --> 0:41:08.719
<v Speaker 1>perhaps you know, I mean it is it's separate from

0:41:08.760 --> 0:41:13.240
<v Speaker 1>the sort of evolution of the existing house design. So yeah, yeah,

0:41:13.360 --> 0:41:15.520
<v Speaker 1>and think about it. You've got you know, what kind

0:41:15.520 --> 0:41:17.680
<v Speaker 1>of a home would that be? Like you're basically just

0:41:18.520 --> 0:41:20.840
<v Speaker 1>under one huge dome. Like there's not a lot of

0:41:20.840 --> 0:41:23.560
<v Speaker 1>ways that you can subdivide that up. I mean you could,

0:41:24.080 --> 0:41:26.040
<v Speaker 1>but um, from what a lot of people have said

0:41:26.040 --> 0:41:28.319
<v Speaker 1>who have worked on these things, that the acoustics are

0:41:28.560 --> 0:41:31.160
<v Speaker 1>as you would imagine, you know, pretty terrible. They just

0:41:31.200 --> 0:41:35.000
<v Speaker 1>broadcast everything that one person says over to the other house.

0:41:35.000 --> 0:41:37.600
<v Speaker 1>So there's not necessarily a whole lot of privacy there.

0:41:37.840 --> 0:41:40.120
<v Speaker 1>One of those structures that it looks great I'm sure

0:41:40.160 --> 0:41:42.040
<v Speaker 1>as a as a set for science fiction movie, but

0:41:42.040 --> 0:41:43.880
<v Speaker 1>then you start asking questions, well like, well, how do

0:41:43.920 --> 0:41:45.920
<v Speaker 1>we divide these rooms out? And then you have you're

0:41:45.920 --> 0:41:48.000
<v Speaker 1>gonna have these weird rooms where everything just sort of

0:41:48.680 --> 0:41:53.960
<v Speaker 1>caves off and into the corner. Um. Yeah, so again,

0:41:54.200 --> 0:41:56.880
<v Speaker 1>wonderful concept. But then when you start applying it to

0:41:57.680 --> 0:42:00.560
<v Speaker 1>the to real life and reality and our extations and

0:42:00.600 --> 0:42:03.360
<v Speaker 1>demands of real life and reality, uh, some of the

0:42:03.760 --> 0:42:06.400
<v Speaker 1>some of the potholes began to show. But you know,

0:42:06.920 --> 0:42:09.279
<v Speaker 1>he was able to get people to invest money in this,

0:42:09.680 --> 0:42:13.160
<v Speaker 1>including his wife. His wife sold thirty thousand dollars in

0:42:13.200 --> 0:42:15.960
<v Speaker 1>stocks that she had to help fund his research so

0:42:16.000 --> 0:42:18.080
<v Speaker 1>he could keep working on these things. And eventually he

0:42:18.200 --> 0:42:22.600
<v Speaker 1>built a fifty foot diameter dome that worked, you know,

0:42:22.640 --> 0:42:25.560
<v Speaker 1>other than the leaking. Today it is known as quote,

0:42:25.640 --> 0:42:28.359
<v Speaker 1>the only large dome that can be set directly on

0:42:28.400 --> 0:42:32.200
<v Speaker 1>the ground as a complete structure, and the only practical

0:42:32.280 --> 0:42:35.720
<v Speaker 1>kind of building that has no limiting dimensions beyond which

0:42:35.719 --> 0:42:42.919
<v Speaker 1>the structural strength must be insufficient. So that sounds architecturally fascinating. Yeah,

0:42:42.920 --> 0:42:46.359
<v Speaker 1>I mean it definitely, And it definitely lines up with

0:42:46.560 --> 0:42:50.040
<v Speaker 1>his his outlook on life that technology can achieve all things.

0:42:50.040 --> 0:42:54.239
<v Speaker 1>And here he has achieved essentially a perfect form. Right,

0:42:54.320 --> 0:42:57.600
<v Speaker 1>it can it works at at any given size. Yeah,

0:42:57.960 --> 0:43:00.520
<v Speaker 1>And and and I think the thing out these that

0:43:00.640 --> 0:43:04.040
<v Speaker 1>is we should point out that somewhat marvelous is how

0:43:04.160 --> 0:43:06.960
<v Speaker 1>light they are for their size. Right. So he built

0:43:07.000 --> 0:43:10.319
<v Speaker 1>one for the Ford More Motor Company in ninety three.

0:43:10.880 --> 0:43:13.879
<v Speaker 1>It was to this is I assume why a lot

0:43:13.880 --> 0:43:17.640
<v Speaker 1>of his stuff is in the Dearborn, Michigan Museum. There. Um,

0:43:17.680 --> 0:43:21.360
<v Speaker 1>he used aluminum and fitted it with fiberglass, and it

0:43:21.480 --> 0:43:23.719
<v Speaker 1>was ninety three ft dome and it only weighed eight

0:43:23.800 --> 0:43:28.040
<v Speaker 1>point five tons. So you know, I'm not a structural engineer,

0:43:28.080 --> 0:43:33.160
<v Speaker 1>but that sounds uh fairly light. Yeah. Um. And and

0:43:33.200 --> 0:43:35.680
<v Speaker 1>then that so okay, So his wife puts in thirty

0:43:35.680 --> 0:43:38.880
<v Speaker 1>grand Ford Motor Company hires him, and then the Pentagon

0:43:39.200 --> 0:43:42.320
<v Speaker 1>hires him and they say, build us this protective housing

0:43:43.000 --> 0:43:46.880
<v Speaker 1>unit for our radar, So another dome structure that you know, basically,

0:43:47.000 --> 0:43:48.920
<v Speaker 1>I think they wanted to keep their radar, so it

0:43:48.960 --> 0:43:52.880
<v Speaker 1>wasn't the equipment wasn't so obvious from basically instead of

0:43:52.880 --> 0:43:55.799
<v Speaker 1>a traditional dome, des dome and then it will maybe

0:43:55.800 --> 0:43:58.960
<v Speaker 1>be a little more structural integrity to it. Yeah, possibly, uh,

0:43:58.960 --> 0:44:02.600
<v Speaker 1>And legend has it he even Nikita Khrushchev wanted Bucky

0:44:02.680 --> 0:44:06.040
<v Speaker 1>to come to Moscow and build one of these for him. Um.

0:44:06.080 --> 0:44:10.840
<v Speaker 1>And Bucky himself lived in one near Carbondale, Illinois, Illinois

0:44:10.920 --> 0:44:14.359
<v Speaker 1>while he was working at Southern Illinois University. So uh,

0:44:14.440 --> 0:44:17.640
<v Speaker 1>that's the one in particular that I know leaks really badly.

0:44:18.000 --> 0:44:20.880
<v Speaker 1>The the that was the one that that Uh. I

0:44:20.960 --> 0:44:23.839
<v Speaker 1>read interviews with people who worked on the construction of it,

0:44:24.120 --> 0:44:26.360
<v Speaker 1>and they were just saying, yeah, like you know, he

0:44:26.480 --> 0:44:30.279
<v Speaker 1>lived there, lived in quotations, but I think that it

0:44:30.400 --> 0:44:36.000
<v Speaker 1>wasn't necessarily habitable. So that brings us to the natural

0:44:36.040 --> 0:44:41.399
<v Speaker 1>extensive extension of the geodesic sphere, which is m I've

0:44:41.400 --> 0:44:43.759
<v Speaker 1>got this idea for this sphere thing. It's kind of

0:44:43.760 --> 0:44:46.280
<v Speaker 1>working out. Okay, I got car companies and the Pentagon

0:44:46.360 --> 0:44:48.719
<v Speaker 1>giving me money to make more of these What if

0:44:48.760 --> 0:44:52.719
<v Speaker 1>I could make these things fly? Yeah? I mean he's

0:44:52.760 --> 0:44:55.320
<v Speaker 1>and he's already expressed an interest in ceiling up cities

0:44:55.320 --> 0:44:58.160
<v Speaker 1>and domes and whatnot. And and so this is like

0:44:58.200 --> 0:45:02.520
<v Speaker 1>the perfect extension, perfect tention of his design philosophy. Enclose

0:45:02.680 --> 0:45:05.680
<v Speaker 1>us and close all of us and close a community

0:45:05.800 --> 0:45:08.399
<v Speaker 1>in this structure that he has dreamed up, and then

0:45:08.400 --> 0:45:11.239
<v Speaker 1>that structure will simply float up off the ground. Yeah.

0:45:11.239 --> 0:45:15.560
<v Speaker 1>So the idea here was that the temperature adjustments inside

0:45:15.719 --> 0:45:19.440
<v Speaker 1>the sphere would uh like sort of act like a

0:45:19.440 --> 0:45:22.239
<v Speaker 1>hot air balloon, like it would be warmer on the

0:45:22.239 --> 0:45:25.960
<v Speaker 1>inside and subsequently it would float upwards. Um. But but

0:45:26.080 --> 0:45:28.880
<v Speaker 1>that it would be large enough that it could float

0:45:29.000 --> 0:45:32.960
<v Speaker 1>and have the same quote unquote tense segrety of his

0:45:33.080 --> 0:45:38.040
<v Speaker 1>domes and also hows you know, an entire metropolis. Um.

0:45:38.080 --> 0:45:40.640
<v Speaker 1>This is I'm gonna read this part here because it's

0:45:40.719 --> 0:45:44.800
<v Speaker 1>this is his explanation of how it works technically, although

0:45:44.920 --> 0:45:49.160
<v Speaker 1>keep in mind nobody has ever actually built by cloud nine. Um.

0:45:49.200 --> 0:45:52.759
<v Speaker 1>So he sees it as a half mile diameter geodesic

0:45:52.840 --> 0:45:57.120
<v Speaker 1>sphere that would only weigh one thousandth of the weight

0:45:57.160 --> 0:45:59.440
<v Speaker 1>of the air inside of it, so that contributes to

0:45:59.480 --> 0:46:02.359
<v Speaker 1>why it's able to float. If the internal air were

0:46:02.400 --> 0:46:06.320
<v Speaker 1>heated by either solar energy or just you know, average

0:46:06.360 --> 0:46:10.160
<v Speaker 1>human activity inside producing heat, it would take only one

0:46:10.200 --> 0:46:14.080
<v Speaker 1>degree shift in fahrenheit over the external temperature of the

0:46:14.120 --> 0:46:17.680
<v Speaker 1>dome or sphere rather to make it float. So the

0:46:17.719 --> 0:46:19.800
<v Speaker 1>idea here is that the internal air would get denser

0:46:19.920 --> 0:46:23.239
<v Speaker 1>when it cooled, and Bucky figured, you know, he'd put

0:46:23.680 --> 0:46:27.319
<v Speaker 1>polyethylene curtains around the outside to slow the rate that

0:46:27.360 --> 0:46:31.040
<v Speaker 1>the air from outside was entering the sphere. So this

0:46:31.120 --> 0:46:33.640
<v Speaker 1>is his you know, he did actually think out some

0:46:33.680 --> 0:46:38.680
<v Speaker 1>of the math and science around this um. Essentially, it's

0:46:38.560 --> 0:46:41.520
<v Speaker 1>a it's a space age hot air ballint except much

0:46:41.640 --> 0:46:45.080
<v Speaker 1>larger and uh and would you know would would allow

0:46:45.160 --> 0:46:49.200
<v Speaker 1>us in theory to elevate small communities and not whole

0:46:49.280 --> 0:46:52.000
<v Speaker 1>metropolis is I don't don't think you ever actually argued that,

0:46:52.080 --> 0:46:56.400
<v Speaker 1>but but small towns, many cities, etcetera. Well, you know,

0:46:56.440 --> 0:46:59.200
<v Speaker 1>he took this idea basically because there was a game

0:46:59.280 --> 0:47:05.279
<v Speaker 1>name Matt Suturo Shariki in Japan who challenged him and said, hey,

0:47:05.360 --> 0:47:07.640
<v Speaker 1>you know you've got all these big ideas, here's what

0:47:07.719 --> 0:47:10.640
<v Speaker 1>I would like to see, um uh, you know, come

0:47:10.719 --> 0:47:14.200
<v Speaker 1>up with something that can float over Tokyo bay um.

0:47:14.280 --> 0:47:16.799
<v Speaker 1>And so that's where Bucky basically, you know, really put

0:47:16.920 --> 0:47:20.279
<v Speaker 1>his effort into this. I believe Shariki paid him to

0:47:20.520 --> 0:47:23.600
<v Speaker 1>sort of think this up. But so they had two names.

0:47:23.640 --> 0:47:25.440
<v Speaker 1>We were calling them cloud Nines. That was sort of

0:47:25.440 --> 0:47:28.160
<v Speaker 1>their nickname, but the the official name was the Spherical

0:47:28.239 --> 0:47:33.600
<v Speaker 1>Tin Secrity Atmosphere Research Station or STARS for short. Uh.

0:47:33.600 --> 0:47:35.759
<v Speaker 1>And his idea was basically, like you know, like with

0:47:35.800 --> 0:47:39.160
<v Speaker 1>all of his other sort of portable homes or or

0:47:39.200 --> 0:47:42.160
<v Speaker 1>gadgets and inventions, you take these things around, set them up.

0:47:42.400 --> 0:47:44.839
<v Speaker 1>You know. One idea was that you could anchor him

0:47:44.880 --> 0:47:47.520
<v Speaker 1>to a mountain, so you've just got this flying home

0:47:47.600 --> 0:47:49.759
<v Speaker 1>next to a mountain, or you just let him go,

0:47:50.120 --> 0:47:52.359
<v Speaker 1>like let him go like a balloon that flies out

0:47:52.360 --> 0:47:54.919
<v Speaker 1>of a child's hand, and just the inhabitants would see

0:47:54.960 --> 0:47:58.080
<v Speaker 1>the world like wherever the dome took them. It's a

0:47:58.080 --> 0:48:02.759
<v Speaker 1>wonderful optimistic vision. Yeah, technology has I mean, it's the

0:48:02.840 --> 0:48:07.000
<v Speaker 1>ultimate non drudgery home. Right, You're literally floating free of

0:48:07.080 --> 0:48:10.240
<v Speaker 1>the world. You're no longer limited by the confines of

0:48:10.239 --> 0:48:12.440
<v Speaker 1>of your environment. You don't have to worry about floods

0:48:12.600 --> 0:48:15.480
<v Speaker 1>or storms. Well, you probably have to worry about storms,

0:48:16.040 --> 0:48:18.640
<v Speaker 1>but but you know, you can do a little advanced notice.

0:48:18.680 --> 0:48:21.759
<v Speaker 1>You can just float to a storm free area, right, Yeah, yeah,

0:48:21.760 --> 0:48:23.520
<v Speaker 1>I mean I think that that's the idea all over

0:48:23.520 --> 0:48:28.240
<v Speaker 1>the nearest Zeppelin Zeppelin coming by to dropped some bombs,

0:48:28.239 --> 0:48:31.000
<v Speaker 1>to build some homes. They just zip by, tug you along.

0:48:31.320 --> 0:48:34.560
<v Speaker 1>I don't know, I don't know how he envisioned controlling

0:48:34.560 --> 0:48:36.520
<v Speaker 1>the direction these things went. And I didn't read anything

0:48:36.520 --> 0:48:38.640
<v Speaker 1>about like propulsion or anything like that. But maybe it

0:48:38.680 --> 0:48:43.120
<v Speaker 1>was just all that fascination of Zeppelin's at the time. Um,

0:48:43.160 --> 0:48:45.560
<v Speaker 1>he would have been like a steampunk cost player. Now

0:48:45.560 --> 0:48:47.720
<v Speaker 1>it is, Yeah, I mean, I'm I'm kind of surprised

0:48:47.719 --> 0:48:51.440
<v Speaker 1>that I don't see this idea replicated in uh in

0:48:51.560 --> 0:48:53.480
<v Speaker 1>science fiction. I mean, I assume it is. Is it

0:48:53.480 --> 0:48:57.480
<v Speaker 1>has been used somewhere because because Buckminster was just too influential,

0:48:57.560 --> 0:48:59.719
<v Speaker 1>not but you think it would be showing up in

0:48:59.800 --> 0:49:02.680
<v Speaker 1>video games left and right. I worked on something once

0:49:02.719 --> 0:49:04.759
<v Speaker 1>that wasn't published where there was a Cloud nine in

0:49:04.760 --> 0:49:08.839
<v Speaker 1>the story. And this was before I had started working here.

0:49:08.840 --> 0:49:11.960
<v Speaker 1>And done some really deep research on Fuller and I believe,

0:49:12.280 --> 0:49:14.680
<v Speaker 1>I want to say it was something by Warren Ellis

0:49:14.719 --> 0:49:17.680
<v Speaker 1>that I had read where he had envisioned using cloud

0:49:17.760 --> 0:49:21.160
<v Speaker 1>nines for something. Yeah, it sort of inspired me. And

0:49:21.239 --> 0:49:25.440
<v Speaker 1>you certainly see this concept employed elsewhere with other other

0:49:25.600 --> 0:49:30.399
<v Speaker 1>other individuals were thinking about the possible you know, applications

0:49:30.440 --> 0:49:34.240
<v Speaker 1>for this kind of technology. Uh, in particular nineteen seventy

0:49:34.320 --> 0:49:39.800
<v Speaker 1>one edition of Technica Mola Desi, which was a essentially

0:49:40.480 --> 0:49:45.279
<v Speaker 1>Soviet era popular science magazine, and uh, you see this

0:49:45.360 --> 0:49:50.120
<v Speaker 1>concept for colonies in the upper atmosphere of Venus. Because

0:49:50.800 --> 0:49:53.440
<v Speaker 1>of course, the planet Venus at surface level is just

0:49:53.520 --> 0:49:57.319
<v Speaker 1>a poisonous pressure cooker, you know, that's it's not hospitable

0:49:57.719 --> 0:50:01.360
<v Speaker 1>in the least for human life. But conceivably, if you

0:50:01.400 --> 0:50:03.680
<v Speaker 1>were to have some sort of a floating structure, you

0:50:03.719 --> 0:50:05.840
<v Speaker 1>could you could you could just place it in the

0:50:05.920 --> 0:50:08.279
<v Speaker 1>upper atmosphere and there we would be able to live

0:50:08.320 --> 0:50:11.040
<v Speaker 1>and you know, artificially not out in the open, but

0:50:11.040 --> 0:50:14.440
<v Speaker 1>but with a with a little more earthlike conditions. And

0:50:14.480 --> 0:50:18.000
<v Speaker 1>so cloud City and Empire strikes back. Yeah, I mean

0:50:18.040 --> 0:50:20.560
<v Speaker 1>I was never sure exactly how Cloud City was supposed

0:50:20.600 --> 0:50:24.400
<v Speaker 1>to float in that science magic propelling it. But this

0:50:24.440 --> 0:50:28.319
<v Speaker 1>particular concept in the in the Soviet publication would have

0:50:28.680 --> 0:50:32.640
<v Speaker 1>used a very similar design using uh, you know you

0:50:32.800 --> 0:50:35.960
<v Speaker 1>depending on the buoyant sea of the atmosphere enclosed in

0:50:36.040 --> 0:50:40.040
<v Speaker 1>a giant sphere. Okay, okay, yeah, the drawing for that

0:50:40.239 --> 0:50:42.759
<v Speaker 1>is fascinating. And you posted that onto the Stuff to

0:50:42.800 --> 0:50:45.040
<v Speaker 1>Boil your in mind site already, right, yes, and I'll

0:50:45.080 --> 0:50:47.799
<v Speaker 1>be sure to include a link to that post on

0:50:47.880 --> 0:50:51.080
<v Speaker 1>the landing page for this episode. Okay, great, Yeah, everybody

0:50:51.080 --> 0:50:52.680
<v Speaker 1>go take a look at that, because I think it

0:50:52.680 --> 0:50:57.839
<v Speaker 1>gives you a pretty good idea of how humans would

0:50:57.880 --> 0:51:02.200
<v Speaker 1>turn a flipping sphere like this into a little microcosm,

0:51:02.400 --> 0:51:04.200
<v Speaker 1>you know. Yeah, and he's kind of around me like

0:51:04.200 --> 0:51:07.080
<v Speaker 1>a submarine. Yeah, And he's very much in keeping with

0:51:07.120 --> 0:51:10.680
<v Speaker 1>the fuller design philosophy of like, here's something we could do,

0:51:11.360 --> 0:51:14.560
<v Speaker 1>potentially can do, but there are a lot of steps

0:51:14.800 --> 0:51:17.520
<v Speaker 1>that would need to get check off the list before

0:51:17.520 --> 0:51:20.279
<v Speaker 1>we actually got to floating cities. Well, and that that

0:51:20.320 --> 0:51:24.719
<v Speaker 1>was basically his you know, and thesis on the whole

0:51:24.760 --> 0:51:27.920
<v Speaker 1>thing was he even said like, all right, this is

0:51:27.960 --> 0:51:31.200
<v Speaker 1>not an idea that I know how to actually bring about.

0:51:31.600 --> 0:51:36.400
<v Speaker 1>He called it a exercise to stimulate imaginative thinking. Uh.

0:51:36.400 --> 0:51:38.840
<v Speaker 1>And so you know, he thought it would eventually be

0:51:38.880 --> 0:51:41.239
<v Speaker 1>possible to do this, but he didn't see how they

0:51:41.280 --> 0:51:44.279
<v Speaker 1>could be constructed until his far future. I don't know

0:51:44.320 --> 0:51:46.720
<v Speaker 1>how far in the future he meant. Maybe it's today,

0:51:46.800 --> 0:51:50.239
<v Speaker 1>maybe it's two hundred years from now, I don't know. Um. So,

0:51:50.440 --> 0:51:53.439
<v Speaker 1>you know that's basically that's a that's a good round,

0:51:53.760 --> 0:51:58.400
<v Speaker 1>uh summary of a fuller There's you know, more to

0:51:58.600 --> 0:52:00.799
<v Speaker 1>him than the wacky invention that we didn't really get

0:52:00.800 --> 0:52:04.399
<v Speaker 1>into today. He is noted as being what we refer

0:52:04.480 --> 0:52:06.560
<v Speaker 1>to today as somebody who would be like a green

0:52:06.719 --> 0:52:11.440
<v Speaker 1>philosopher like, uh, take note, like the solar energy aspect

0:52:11.600 --> 0:52:14.759
<v Speaker 1>of the of the cloud nines, that's how they would

0:52:14.800 --> 0:52:19.759
<v Speaker 1>be heated, not with gas or or other fossil fuels. Uh.

0:52:19.800 --> 0:52:22.600
<v Speaker 1>And he's also you know, seen as being a social

0:52:22.600 --> 0:52:25.440
<v Speaker 1>theorist too, so some people see him as really thinking

0:52:25.680 --> 0:52:28.960
<v Speaker 1>ahead of time about human again like what I was

0:52:28.960 --> 0:52:30.920
<v Speaker 1>saying earlier, like I think he would be like a

0:52:30.920 --> 0:52:33.800
<v Speaker 1>great urban studies professor today. Yeah. Yeah. He seemed to

0:52:33.800 --> 0:52:37.360
<v Speaker 1>think a lot about you know, where technology meets humanity

0:52:37.400 --> 0:52:39.880
<v Speaker 1>and not just you know, not just about what's come

0:52:39.920 --> 0:52:42.440
<v Speaker 1>before and but but also but what we can do

0:52:42.480 --> 0:52:45.279
<v Speaker 1>with it and and and and what needs need to

0:52:45.320 --> 0:52:49.759
<v Speaker 1>be met by a technology? Yeah. Yeah, Well, so okay,

0:52:50.040 --> 0:52:53.560
<v Speaker 1>I went into this, uh, you know, wanting to to

0:52:53.560 --> 0:52:55.600
<v Speaker 1>to love him. I think I learned a little bit

0:52:55.600 --> 0:52:58.160
<v Speaker 1>more about his background and it it made me less

0:52:58.160 --> 0:53:02.400
<v Speaker 1>convinced of him as an inventor necessarily. But uh, you know,

0:53:02.719 --> 0:53:04.799
<v Speaker 1>even though only a few of his ideas have come

0:53:04.840 --> 0:53:08.279
<v Speaker 1>to fruition, you know, he has influenced counterculture to quite

0:53:08.280 --> 0:53:12.200
<v Speaker 1>a degree, social thinking as well. And uh, you know,

0:53:12.280 --> 0:53:15.560
<v Speaker 1>a lot of Silicon Valleys pioneers list him as being

0:53:15.600 --> 0:53:18.879
<v Speaker 1>one of the biggest inspirations. Yeah, and ultimately that's that's

0:53:18.960 --> 0:53:22.480
<v Speaker 1>his contribution, is that he was a dreamer and he

0:53:22.640 --> 0:53:25.000
<v Speaker 1>and he was an optimist when it came to technology

0:53:25.320 --> 0:53:29.080
<v Speaker 1>and uh and design and uh and so yeah, that's

0:53:29.120 --> 0:53:32.680
<v Speaker 1>his greatest gifts. He passes this design philosophy onto individuals

0:53:32.680 --> 0:53:35.359
<v Speaker 1>who can either take those dreams a little further or

0:53:35.400 --> 0:53:40.040
<v Speaker 1>figure out how to realistically apply them in a beneficial way. Yeah,

0:53:40.080 --> 0:53:43.959
<v Speaker 1>the practical applications. Maybe that's something that comes after his life. Yeah,

0:53:44.000 --> 0:53:46.080
<v Speaker 1>you gotta have somebody throw out the dream and then

0:53:46.120 --> 0:53:48.239
<v Speaker 1>somebody else needs to make it, figure out how to

0:53:48.280 --> 0:53:50.200
<v Speaker 1>make Maybe he's not as much of a con artist

0:53:50.200 --> 0:53:51.440
<v Speaker 1>as I made him out to be at the beginning

0:53:51.480 --> 0:53:54.279
<v Speaker 1>of the episode. Man, yeah, I I don't think of

0:53:54.320 --> 0:53:57.520
<v Speaker 1>him as as a con artist as much as a

0:53:57.640 --> 0:54:01.719
<v Speaker 1>dreamer who like like his post Cloud nine is is

0:54:01.760 --> 0:54:03.719
<v Speaker 1>floating a little bit off of here. Well, they like

0:54:03.760 --> 0:54:06.920
<v Speaker 1>his vision that he experienced to floating and that his

0:54:07.080 --> 0:54:09.239
<v Speaker 1>life is not. Oh yeah, look at that, those all

0:54:09.280 --> 0:54:13.760
<v Speaker 1>connect floating. He's literally in this sense of an architect

0:54:13.800 --> 0:54:16.040
<v Speaker 1>and engineer who doesn't have both feet on the ground.

0:54:16.200 --> 0:54:19.279
<v Speaker 1>But that's all love him because he's he's thinking free

0:54:19.320 --> 0:54:22.839
<v Speaker 1>of those restraints. Absolutely. So there you have it. That

0:54:23.040 --> 0:54:26.000
<v Speaker 1>is our buckminster Fuller indeed, to dive into who he

0:54:26.160 --> 0:54:29.000
<v Speaker 1>was when we're still talking about him today and what

0:54:29.160 --> 0:54:33.360
<v Speaker 1>some of his more out there ideas and encouraging ideas

0:54:33.400 --> 0:54:36.399
<v Speaker 1>that consisted of. So if you are out there and

0:54:36.480 --> 0:54:39.359
<v Speaker 1>you have seen some of these inventions in real life,

0:54:39.360 --> 0:54:42.000
<v Speaker 1>I'd love to hear about it or even maybe you know,

0:54:42.080 --> 0:54:43.960
<v Speaker 1>see photos or something like that. If you could send

0:54:44.040 --> 0:54:46.400
<v Speaker 1>him to us on social media. You can find us

0:54:46.400 --> 0:54:49.680
<v Speaker 1>on Facebook, Twitter, and Tumbler, where we are Blow to

0:54:49.719 --> 0:54:52.480
<v Speaker 1>Mind on all of those platforms, and of course the

0:54:52.480 --> 0:54:56.640
<v Speaker 1>mothership floating high above the surface our cloud nine is

0:54:56.680 --> 0:54:58.520
<v Speaker 1>stuff to Blow your Mind dot com, so check that

0:54:58.560 --> 0:55:00.920
<v Speaker 1>out for all the podcast episode, it's all the videos,

0:55:01.120 --> 0:55:03.600
<v Speaker 1>all the blog posts, links out to those social media accounts,

0:55:03.680 --> 0:55:06.279
<v Speaker 1>you name it, and you can always contact us at

0:55:06.280 --> 0:55:12.840
<v Speaker 1>blow the Mind at how stuff works dot com. For

0:55:13.000 --> 0:55:15.520
<v Speaker 1>more on this and thousands of other topics, visit how

0:55:15.560 --> 0:55:22.480
<v Speaker 1>stuff works dot com.