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Speaker 1: My entire room. Got I'm in right now, and the

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Speaker 1: adjoining just smell like you're horribly, horribly smell like you're

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Speaker 1: and they have for the last So that was the question, Danielle.

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Speaker 1: And it's I think an important question. Question why why

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Speaker 1: is all of a sudden, one room in my home

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Speaker 1: smell like you're in? It's also the only room that

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Speaker 1: only you go into. It's true. Well, okay, so and

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Speaker 1: the dog. Why does the dog go in there? Does

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Speaker 1: the dog dog like the bed? No? No, no, no no,

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Speaker 1: not this little room. There's also it's attached that my

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Speaker 1: dog is doesn't like voice over work. She really wants

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Speaker 1: on camera. She's trying very she should see her jump

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Speaker 1: photos and everything. They're great. She also wears rollerblades she's

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Speaker 1: got and she's just like this, it's great. She's doing

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Speaker 1: really well. Well, you're also your bedroom then, I mean

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Speaker 1: we my bed, right, what's not We're wondering what it was? No,

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Speaker 1: Sue does, she goes in the other room. So I'm like,

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Speaker 1: we're wondering, what the heck it is? What? What what

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Speaker 1: is going on? What is going on? And we go

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Speaker 1: over and we find this huge patch on the carpet

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Speaker 1: in the last rainstorm, water must have slipped underneath part

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Speaker 1: of the house and under the carpet and has been

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Speaker 1: sitting in a giant muddle under the carpet. It's it's

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Speaker 1: just nasty, mildewy smell. That's horrifying. So it's occasionally go

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Speaker 1: it's probably not the episode that we're watching, or maybe

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Speaker 1: it or maybe it is. You know, it is that

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Speaker 1: I am sitting right now in a giant urnal cake

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Speaker 1: at a baseball stadium, sipping coffee enjoyment day. So just

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Speaker 1: just so you know, it's that horrible pre shown. Man,

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Speaker 1: that's really gross. I'm sorry you're dealing with that. It

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Speaker 1: is what it is. I think we should have a

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Speaker 1: pre show chatter song, and I think some so one

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Speaker 1: of us should write it. I'm gonna be honest with you.

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Speaker 1: I don't know if we sing it, if it's another

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Speaker 1: kind of pre show chat, but I think there should

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Speaker 1: be something that we talk about food and stuff and

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Speaker 1: stuff I can we is. I think it's a great idea. Well, well,

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Speaker 1: you've been thinking a lot about musicals. I have been

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Speaker 1: thinking a lot about musicals lately. I haven't and it's

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Speaker 1: because i'm what I consider a phenomenal singer what most

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Speaker 1: would consider awful. Always been a good singer. Man do

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Speaker 1: it that often. But I remember you singing back in

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Speaker 1: the day and being like a really good good voice. Yes,

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Speaker 1: and you always like no, no, no, I don't, but

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Speaker 1: you do. I think a Boy Meets World musical or

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Speaker 1: some kind of version of it would be actually very funny.

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Speaker 1: It would think it could be done. I've never seen

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Speaker 1: high school musical, but isn't that kind of what high

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Speaker 1: school musical is. It's like a coming of age story

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Speaker 1: with songs. Yeah, where they kind of they all of

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Speaker 1: a sudden, you're like, I'm on the basketball gave yeah,

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Speaker 1: like dancing for no reason kind of thing. Yeah, yeah,

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Speaker 1: it's interesting. That's how you would want to do a

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Speaker 1: Boy's World musical. No, frankly, what I was thinking of

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Speaker 1: doing is animated m I want to do an animated

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Speaker 1: Disney kind of special that is like a Boy Meets

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Speaker 1: World because again, when you're animated, the joy of animation

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Speaker 1: is you could make it any time because we're just

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Speaker 1: using our voices, so we could go back and do

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Speaker 1: like the summer between never changed. You sound the same

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Speaker 1: as you did when you're eight months old, never dropped,

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Speaker 1: and I can still talk like I'm doing a micro

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Speaker 1: machine commercial, so I can pop right back in getting funny.

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Speaker 1: Writer came out of the womb going Mama, Mama, and

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Speaker 1: his voice just never changed. Wild Times Things. Welcome to

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Speaker 1: Pod Meets World. I'm Danielle Fishal Strong and I'm Wilfred So.

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Speaker 1: Today we are recapping season two, episode five, The Uninvited.

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Speaker 1: It originally aired October twenty one, and the synopsis is

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Speaker 1: that Corey's reputation hangs in the balance over whether or

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Speaker 1: not he'll be invited to a very cool party at school.

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Speaker 1: Corey is relieved when he finally does score an invite,

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Speaker 1: but is shocked when Sean does not. Also Alan throws

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Speaker 1: out his back. It was directed by David Trainer was

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Speaker 1: written by Susan Astell Jansen. It guest stars Danny McNulty

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Speaker 1: as Harvey Harley Kiner, Blake Soaper as Joseph Joey the

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Speaker 1: ratt Epstein, Ethan Supply as Frankie Stackino. I think, I

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Speaker 1: think I don't know how you say her name. Jonah

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Speaker 1: Stewart Bowden as Melissa Jonah Jonah Joanna, but it's spelled

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Speaker 1: j o h n A I Joanna with an E

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Speaker 1: j O H n A. It's John. I've heard of

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Speaker 1: women named Jonah before, so okay Jonah Jonah Stewart Bowden,

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Speaker 1: I had not heard that name. Jessica Bowman as Jennifer,

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Speaker 1: who would later start as Colleen Cooper and Dr Quinn

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Speaker 1: Medicine Woman. And Philip Glasser as Ubaldo, who went on

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Speaker 1: to be the voice of Fiful Mouskowitz in American Tale.

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Speaker 1: He was also I knew him, or I didn't know.

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Speaker 1: I didn't really know him. I guess I met him

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Speaker 1: during this episode, but I knew of him because he

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Speaker 1: did gav roch Um in The Layman in the Los

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Speaker 1: Angeles production of Lamas Rob, which predated my production of

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Speaker 1: Lamous Rob that it did in San Francisco, so a

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Speaker 1: lot of the same cast from l A came up.

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Speaker 1: So I always heard about this kid, Philip when I

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Speaker 1: was doing LAMS when I was tanned, so we must

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Speaker 1: have been slightly older than me. But yeah, is the

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Speaker 1: California version of La Miss that stealing the bread is

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Speaker 1: no longer a crime. I was just curious. I'm just

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Speaker 1: runnering what's under nine hundred bucks, So I was just

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Speaker 1: curious how they did that. The layers of this joke. Man,

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Speaker 1: it's almost too much for me to respond, very telling.

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Speaker 1: I'm just curious. And Danielle, I'm sorry not to interrupt.

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Speaker 1: Did you say Harvey Harley Kiner? Was that his name

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Speaker 1: was Harley a nickname? I mean, that's what's written here.

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Speaker 1: I just read Wood's written. Huh, didn't I didn't know

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Speaker 1: if Harley was his first name or that's the first

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Speaker 1: I thought that they changed when that's exactly what all

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Speaker 1: their actor they changed it to Harvey. That's exactly what

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Speaker 1: I thought that all along. He was Harley Kiner when

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Speaker 1: it was Danny, and then when they brought in the

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Speaker 1: you're no, yeah, you're a Harvey, not a Harley. And

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Speaker 1: maybe people won't notice, but but this says that Danny

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Speaker 1: McNulty was Harvey Harley Kinner. So I don't know if

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Speaker 1: maybe in IMDb on this episode that's what he's credited as.

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Speaker 1: UM So, yeah, it says it says that on IMDb. UM.

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Speaker 1: And then going back to our guest stars, Jonathan C.

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Speaker 1: Kaplan returns as Alvin and so we have our little

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Speaker 1: cartoon open where the world rolls over boy and we

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Speaker 1: are in the Matthews kitchen. Alan is going through the

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Speaker 1: mail and noticing catalogs that are making him feel old.

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Speaker 1: Alan admits that he has been getting high potency vitamin

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Speaker 1: E supplements, which make him more durable, and maybe that's

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Speaker 1: why he's getting old people's mail. Can I admit something

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Speaker 1: very very quickly right off the bat, which just shocked

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Speaker 1: me until you Danielle just said the world rolls over? Boy,

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Speaker 1: I didn't get it. What do you mean? I mean,

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Speaker 1: I never got that's what it is. It was just

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Speaker 1: this cartoon that popped up the idea that's the world

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Speaker 1: crushing him. I never got that. Intake just said it

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Speaker 1: never got so what do you think? He just thought

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Speaker 1: it was jazzy music. I was thinking about the music

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Speaker 1: this time. I was like, Oh, we really changed moods

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Speaker 1: with our like as opposed to But I love that

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Speaker 1: you can notice a speck of dust in the back

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Speaker 1: us what. Yeah, he's gonna tell us what posters in

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Speaker 1: what's her name? The catch up? He's gonna know what

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Speaker 1: the kids were eating at the geek party. But and

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Speaker 1: why half of the sodas everything there was like a

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Speaker 1: quarter of every bottle like they'd already been four team

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Speaker 1: models in just got that Danielle so totally different from me.

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Speaker 1: That makes sense. Oh man. So Amy wants to know

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Speaker 1: how much does he take and he says all of it.

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Speaker 1: Corey and Sean then come come into the kitchen and

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Speaker 1: Alan says, dudes, he's trying to be all young. He

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Speaker 1: wants to go outside and play basketball, and then he

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Speaker 1: throws the mail to Amy and asking her if she

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Speaker 1: could get them off this mailing list. And as he

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Speaker 1: does it, he suddenly can't move, and Amy wants to

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Speaker 1: call the doctor and Alan says, no, there's no way.

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Speaker 1: He couldn't have possibly thrown out his back. He's way

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Speaker 1: too young. So I guess when you're forty, that's you're

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Speaker 1: just done. So that's what I said. When he said forty,

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Speaker 1: I was like, he's supposed to be six years younger

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Speaker 1: than me right now? Really? Yeah? Man? Do you remember

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Speaker 1: this scene? Do you remember during run through how Rusty

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Speaker 1: originally did it? No? You do, I do? Oh yeah, absolutely,

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Speaker 1: so Rusty originally did it kind of loud and funny,

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Speaker 1: which I thought was great, Like he went like, yeah,

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Speaker 1: he goes out his back and goes like he made

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Speaker 1: these noises. And I remember Michael saying, have you ever

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Speaker 1: thrown at your back. Have you ever thrown out your back?

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Speaker 1: You can't you can't move, you can't make any noise,

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Speaker 1: you can't do anything. It's just that you can't do anything.

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Speaker 1: So that's what Rusty did, and in my head I

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Speaker 1: remembered his original performance, which I thought was funnier because

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Speaker 1: a sitcom, you know, you throw out your back, given

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Speaker 1: at it's me. It's noise guy, so it's good, which

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Speaker 1: is what Rusty did. And was pulled back from that

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Speaker 1: almost instantly. Yeah, it's because I was barely in this episode,

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Speaker 1: and the episodes I was barely in. I would then

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Speaker 1: walk around, and because by this point Tony and I

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Speaker 1: were getting to know each other. You guys were in school,

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Speaker 1: so I was kind of watching the show start to

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Speaker 1: take wings. Also, like you said, you're a noise guy,

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Speaker 1: So for you, when you saw Rusty dowit, you were like,

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Speaker 1: that's funny, and then to see it get changed, you

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Speaker 1: were like, wait a minute, why would you change that? Yeah,

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Speaker 1: So then we are in Mr Phenie's classroom. Phoenie is

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Speaker 1: mid lecture about the Transcontinental Railroad, though the map pulled

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Speaker 1: down behind him on the blackboard is of Europe. I

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Speaker 1: don't notice any of this stuff. Really, Yes, the department

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Speaker 1: just couldn't find it really hard. They'll never figure it out.

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Speaker 1: They won't be talking about this in thirty years. It's

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Speaker 1: Mark Patson. What were you thinking, is writer? That's a

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Speaker 1: good So that's a good question that I would have

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Speaker 1: for you, and both you and Daniel would know this

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Speaker 1: as directors. Mark Patson was our prop guy. Is props

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Speaker 1: different than set decoration? Would that be Mark or would

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Speaker 1: that have been someone else that would have done the

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Speaker 1: map props? Or whenever somebody an actor engages with something,

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Speaker 1: whenever an actor touches something that's considered a prop or

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Speaker 1: uses something and it's not, then it's set deck. But

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Speaker 1: there's a little bit of you know, crossover. They're all

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Speaker 1: art department, so um, I mean on our show like ours, gosh,

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Speaker 1: I don't know how it works with the set decks.

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Speaker 1: I mean I'm assuming because the art department is usually

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Speaker 1: there's like a prop master who does everything. That was

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Speaker 1: David David Blazer, right, and then Mark would have been

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Speaker 1: the guy on set actually managing all the props and

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Speaker 1: like making sure everybody has everything they need. But yeah,

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Speaker 1: if he doesn't touch the map, he never touches the map. Huh,

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Speaker 1: so it's probably just part of the set. Yeah, But

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Speaker 1: on the sitcom, I feel like they decorate the set

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Speaker 1: and then they don't touch it ever again, you know

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Speaker 1: what I mean the rest of the season, it kind

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Speaker 1: of stays. I mean, at least on Boy Meets World

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Speaker 1: it was that way because we went back to the

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Speaker 1: same classrooms all the time. On other shows I direct

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Speaker 1: now or they want it to seem as though they

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Speaker 1: are four or five different classrooms and they bring in

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Speaker 1: different guest stars to be different teachers. They rotate, they

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Speaker 1: redress all the time. Um. But yeah, I just I

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Speaker 1: thought that was pretty funny. It's also crazy to think about,

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Speaker 1: like something that we had no idea. What's going on

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Speaker 1: is that those departments are working all through the night.

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Speaker 1: So then when we get the right so like our

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Speaker 1: department like set construction, like they build these sets, but

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Speaker 1: they can only do it when we're not working, which

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Speaker 1: is we're working five days a week. It wasn't until

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Speaker 1: I think I was on Girl that I really fully

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Speaker 1: grasp that when we'd be like leaving at the end

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Speaker 1: of the day and I'd be like making my shot

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Speaker 1: list or whatever, and then I'd see like this whole

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Speaker 1: crew of people arriving to like work through the night

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Speaker 1: building our sets. It's crazy, it's not magic. It's it's

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Speaker 1: actual people doing work as there's little But it's true

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Speaker 1: because that that is a department that we would never

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Speaker 1: have even met as actors, do you know what I mean,

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Speaker 1: Like we would like there's a whole like crew of

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Speaker 1: people building all of the Boy Meets World sets who

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Speaker 1: we've never met. I mean even down to painting the floors.

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Speaker 1: You know, they come in and they repaint the floors

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Speaker 1: because the are scuffed things up and our shoes scuffed

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Speaker 1: things up, and they're you know, moving different sets in

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Speaker 1: and out. Yeah. As a director, you're right, writer, you

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Speaker 1: see it all the time because I'm usually one of

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Speaker 1: the first people to arrive on a set. They're like

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Speaker 1: just finishing up there, and they're finishing up, they're cleaning up,

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Speaker 1: they've got fans going, they're drying paint and it's like,

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Speaker 1: you know, it's good morning for me, and it's really

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Speaker 1: like good night for them, and you know we're crossing

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Speaker 1: paths in that way. So yeah, so much so much

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Speaker 1: magic that is not actually magic. It's blood, sweat and

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Speaker 1: cheers and creating shots shout those. Yeah. Absolutely, So the

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Speaker 1: students are not paying attention and they're passing notes and

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Speaker 1: they always watching fever. Like, I guess passing notes is

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Speaker 1: going to become a thing because we're all doing it everything.

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Speaker 1: Like the kids are gonna throw paper airplanes. Give them.

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Speaker 1: Everybody has a paper airplane. Remember that episode, like in

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Speaker 1: the first season, was taking it. It was like throw

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Speaker 1: stuff and yeah, uh Sophonie easily picks them off. He

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Speaker 1: starts eating the notes, which are all about an upcoming party.

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Speaker 1: Corey's note asks if it's going to be a makeup party,

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Speaker 1: but he really he misread it. It's supposed to be

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Speaker 1: a makeout party, and so Corey corrects him. And then

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Speaker 1: we are in the school hallway and Corey says Melissa

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Speaker 1: isn't going to invite him anymore because of his note,

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Speaker 1: but Sean says people will forget and he's going to

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Speaker 1: get invited. And Harley walks up with his gang and

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Speaker 1: says Corey was sitting in his chair last Tuesday in

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Speaker 1: the cafeteria and he owes him one in typical Frankie fashion.

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Speaker 1: He and Joey have a misunderstanding which leads Frankie to

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Speaker 1: want to call home. This is so did you guys

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Speaker 1: get the feeling that this was like clearly written right

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Speaker 1: after the first episode of the season, Yeah, or if

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Speaker 1: it was just written right after, you know, because we

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Speaker 1: went they would have been writing scripts like a week

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Speaker 1: or two out. But yeah, it was just so funny

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Speaker 1: that this one sort of reverted back to all the

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Speaker 1: same storyline tropes of the first episode of the season

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Speaker 1: that I was like, oh, maybe that was like they

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Speaker 1: because you know, the this becomes a recurring joke, like

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Speaker 1: I gotta call my sister. Um, it's funny. I was

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Speaker 1: just it's an interesting runner. It's and now all I'm

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Speaker 1: watching is Ethan's performance after we talked about it, where

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Speaker 1: he is taking everything so seriously and he's just taking

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Speaker 1: it in. It's it's great. I also really love the

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Speaker 1: I just I do love the dynamic between Joey and

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Speaker 1: Frankie and how Joey is always very concerned for Frankie, supportive.

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Speaker 1: He's like the most loving and supportive friend and because

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Speaker 1: sometimes sticks his foot in his mouth, but then he

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Speaker 1: just he just can feel better. I don't know, let's

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Speaker 1: talk about it. It's it's so cute. It's such a

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Speaker 1: cute friend dynamic that I just yeah. Um, So, Harley

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Speaker 1: says he looks at Corey's face and he wants to

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Speaker 1: hit it. Is that so wrong? Then two nerds walk

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Speaker 1: by talking about chess, and Harley follows them, which saves Corey.

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Speaker 1: Corey says he wishes Harley would kill him so he

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Speaker 1: doesn't have to be humiliated because he's not invited to

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Speaker 1: the party, and Corey suggests he will move into a

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Speaker 1: clock tower and live the hunchback, but Shawn says there

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Speaker 1: will always be room on his couch for Corey. Well,

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Speaker 1: then Corey asks, but isn't your uncle Frank on the

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Speaker 1: couch and Sean explains he moved out when he won

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Speaker 1: the lottery. He won six dollars. Did you it looked

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Speaker 1: like you were about to break there? Really? Yeah, it

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Speaker 1: looked like on the six because six bucks. It's a

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Speaker 1: funny line, and the way you delivered it was great,

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Speaker 1: and I just saw the up turn of the mouth.

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Speaker 1: There's another line. There's another line on here that I

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Speaker 1: was right, I'll talk about you. But I was like,

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Speaker 1: that's so funny. I didn't notice it. Melissa is now

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Speaker 1: going around hounding out handing out the party invitations and

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Speaker 1: we enter a slow Moore was great. Yeah, we've got

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Speaker 1: dramatic music and kids are celebrating when they get an

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Speaker 1: invite and then wincing in pain when they don't get one.

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Speaker 1: Talk about some incredible background acting. Yeah, speaking of background acting,

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Speaker 1: I could be wrong. The guy she hands it is

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Speaker 1: Josh right, it's his name. Back then he's credited actually

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Speaker 1: because he is. He doesn't end up saying a line

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Speaker 1: I think, or maybe he said a line I got

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Speaker 1: cut because his name is in the credits. But back

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Speaker 1: then he was Joshua Wiener. Okay, but yeah, so that's

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Speaker 1: his real name, his first name, and then he changed

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Speaker 1: his name shortly after doing Boy Meat the World. But

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Speaker 1: we hung out, we became friends for a little while.

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Speaker 1: I saw him not now long. Josh is a great

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Speaker 1: Guy's a huge voice over actor. And his sister was

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Speaker 1: in Nobody's Angel, which he came back to our show

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Speaker 1: and he uh, three sisters, two or three sisters, yeah, um,

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Speaker 1: and they're all like super talented. And I did a

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Speaker 1: movie with his other sister, his younger sister, Danielle. I

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Speaker 1: did a movie with like fifteen years ago. Yeah, that's

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Speaker 1: so much movie. It's called Darkening Sky. Oh yeah, it's

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Speaker 1: an alien alien movie, so it's not Summertimes switched to

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Speaker 1: Darkness Sky. There's a twist that I I I'm going crazy.

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Speaker 1: I think aliens are landing, but I'm actually murdering people.

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Speaker 1: Did you just give away the ending of the film

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Speaker 1: that I hadn't seen yet? Seriously, Yeah, you're gonna go

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Speaker 1: rent Darkening Sky? And of course I am. Wow, he

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Speaker 1: just gave it away. And Rosebud was a sled thanks writer.

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Speaker 1: So Melissa hands an invitation to Corey, but not one

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Speaker 1: to Sean. Corey is thrilled, turns around excitedly, talks to Sean,

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Speaker 1: and Sean says he didn't get one. No big deal.

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Speaker 1: So Corey asks Melissa about Shawn's invite and she confirms

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Speaker 1: he's not invited. Corey breaks the news to Sean, not

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Speaker 1: understanding why Sean didn't get invited even though he's so

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Speaker 1: much cooler than Corey. So now Corey is on a

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Speaker 1: mission to make sure Sean gets an invite. He says

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Speaker 1: he's going to use the pay phone to pull some

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Speaker 1: strings now that he's cool, and then realizes his only

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Speaker 1: call is really to Sean, so this isn't really looking good.

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Speaker 1: I thought you're you're sad, but also no big deal.

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Speaker 1: Performance was really great writer, it was great, Thank you.

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Speaker 1: This was in general, I really liked this episode. I

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Speaker 1: really like this scene and other scenes which just me

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Speaker 1: and Ben, you know, just like talking and feeling scenes too.

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Speaker 1: They're long scenes and they're like I was just I

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Speaker 1: was like, oh, this feels cool, like and I mean,

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Speaker 1: I just remember some kinds of stuff I love doing,

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Speaker 1: Like you're just acting like two people talking and you know,

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Speaker 1: like not doing bits, not doing like jokes, just kind

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Speaker 1: of having conversation. Um, I loved and this is this

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Speaker 1: is the kind of work I love doing with Ben

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Speaker 1: and and I remember always we always had so much fun,

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Speaker 1: you know, if I'm not mistaken. Was this not the

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Speaker 1: first Chubbies reference ever? Yeah, Chubbies is the first. This

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Speaker 1: is the first time we see Chubbies. But I know,

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Speaker 1: but you I know, but you also say, this is

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Speaker 1: the first time you say the word Chubbies. You just

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Speaker 1: this is thrown into the universe for the first time.

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Speaker 1: Every like, oh god, Chubbies is back. They but they

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Speaker 1: started Chubbies so great? Is this This is the scene

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Speaker 1: where I say the Janitor bud Eyeline. Yes, yeah, so

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Speaker 1: that's the one that I'm breaking on is that could

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Speaker 1: you tell? Will? It was that? I think so I have.

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Speaker 1: But and then the second I saw myself saying that,

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Speaker 1: I could, I could feel the words coming out of

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Speaker 1: my mouth. Bennett, I could not get through this scene

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Speaker 1: because at that line, because I kept breaking. It was

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00:20:14,400 --> 00:20:17,440
Speaker 1: one of those school mysteries like how Geninger Bud lost this.

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Speaker 1: I could never finish the word I and you can

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Speaker 1: see I only barely make it through. But and Ben

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Speaker 1: can't look at me because this is because we had

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Speaker 1: like all week I guess I had been breaking on

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Speaker 1: this line or for whatever reason. It just becomes one

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Speaker 1: of those things that we're gonna We're never going to

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Speaker 1: get through it. I remember, And it was so funny

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Speaker 1: because I totally forgot the line till I heard it

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Speaker 1: and I was like, yep, I remember, just not through it.

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Speaker 1: I really like that this get talking about this episode

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Speaker 1: in the storyline between you and Corey. I really like

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Speaker 1: that it's exactly one of the things we classically love

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Speaker 1: about boy Meat's world. That's really like a real friendship situation.

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Speaker 1: This kind of stuff happens, what happens when one friend

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Speaker 1: is like moving on from another friend. What happens to

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Speaker 1: the relationship? Are we still friends? Is it cool that

387
00:20:59,800 --> 00:21:04,080
Speaker 1: we hang out? It's like a real teen tween problem

388
00:21:04,280 --> 00:21:06,800
Speaker 1: that comes up and it's you guys just figuring it

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Speaker 1: out by talking. And then the other thing I loved

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Speaker 1: is we don't see this cool blocking anymore where you

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Speaker 1: guys sat down with your backs to camera, but because

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Speaker 1: of the way you guys were facing each other, it

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Speaker 1: still worked. I miss the reality of not needing to

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Speaker 1: see two full eyes all the time. I love that

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Speaker 1: blocking you were saying. You're saying the janitor bideline as

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Speaker 1: you're sitting down mostly with kind of like your back

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Speaker 1: to camera, which I just loved. It was probably also

398
00:21:34,040 --> 00:21:35,560
Speaker 1: because you couldn't keep it together, so they were like,

399
00:21:35,640 --> 00:21:43,000
Speaker 1: let's just but honestly with you. And this is something

400
00:21:43,080 --> 00:21:45,160
Speaker 1: that drives that drove me crazy about directing A Girl

401
00:21:45,240 --> 00:21:47,879
Speaker 1: Meets World. Is this new obsession with trying to make

402
00:21:48,000 --> 00:21:50,800
Speaker 1: multi camera shows look like they're not multi camera, and

403
00:21:51,000 --> 00:21:53,840
Speaker 1: like it's something that like I guess Disney Channel or

404
00:21:54,000 --> 00:21:55,960
Speaker 1: you know whatever, on high the decision was made we

405
00:21:56,000 --> 00:21:58,240
Speaker 1: always need to see two eyes. But if you watch

406
00:21:58,920 --> 00:22:02,320
Speaker 1: traditional sitcoms, people are in profile, people turning back all

407
00:22:02,400 --> 00:22:05,040
Speaker 1: the time like cheers. You look at the outline the

408
00:22:05,119 --> 00:22:08,280
Speaker 1: way that sets outline. People are constantly in profile or

409
00:22:08,400 --> 00:22:13,480
Speaker 1: talking in profile, watching watching. You don't need to see

410
00:22:13,520 --> 00:22:16,600
Speaker 1: two eyes to understand. Sometimes you want to see somebody's body,

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Speaker 1: you want to see how they move. So I agree,

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Speaker 1: it's like a weird like basically, I think because technology

413
00:22:22,119 --> 00:22:24,879
Speaker 1: has gotten so good, and you know, being able to

414
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Speaker 1: shoot in sets has gotten so easy, much easier, Like

415
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Speaker 1: there's just this desire now to like make everything basically

416
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Speaker 1: a perfect single, you know, so you always have like

417
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Speaker 1: a single with two eyes of every character, and it

418
00:22:35,640 --> 00:22:39,159
Speaker 1: ruins naturalistic blocking. I hate it. Yeah, I like it

419
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Speaker 1: was one of the things I noticed. I was like, man,

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Speaker 1: that feels good. I feel like you really are two

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Speaker 1: kids in a hallway sitting down on this bench that's here,

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Speaker 1: and you guys are talking about, well, why do you

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Speaker 1: think I wasn't invited to the party, and and you

424
00:22:50,920 --> 00:22:53,240
Speaker 1: didn't like have to awkwardly turn yourself overad. Yeah, I

425
00:22:53,280 --> 00:22:55,800
Speaker 1: just loved it if the old classroom scenes used to

426
00:22:55,880 --> 00:22:58,600
Speaker 1: not be a pain to shoot, Like shooting classroom scenes

427
00:22:58,640 --> 00:23:00,600
Speaker 1: on Girl MEAs world where a night mayor that would

428
00:23:00,600 --> 00:23:03,000
Speaker 1: take so much at your time because they would be like, well,

429
00:23:03,080 --> 00:23:04,359
Speaker 1: let's get in here. We got and we'd have to

430
00:23:04,520 --> 00:23:06,359
Speaker 1: like basically pull out walls and get the camera in

431
00:23:06,440 --> 00:23:08,920
Speaker 1: to get singles of everybody, whereas back then they just

432
00:23:09,000 --> 00:23:11,520
Speaker 1: like staggered our desks and shot like let it go,

433
00:23:11,920 --> 00:23:13,760
Speaker 1: and that's how it should be. And if you had to,

434
00:23:14,000 --> 00:23:15,800
Speaker 1: if you had to say a line looking upstage, you'd

435
00:23:15,840 --> 00:23:17,359
Speaker 1: say the line and then look back and give your

436
00:23:17,400 --> 00:23:20,040
Speaker 1: reaction downstage. You'd go, yeah, leave me alone, and look

437
00:23:20,080 --> 00:23:22,680
Speaker 1: like it's like you'd figure it out. You split the difference,

438
00:23:22,720 --> 00:23:25,280
Speaker 1: and now it's yeah, it is. The camera was supposed

439
00:23:25,280 --> 00:23:27,360
Speaker 1: to be the audience. And when you wait in life,

440
00:23:27,400 --> 00:23:29,480
Speaker 1: when you're watching two people talk, you're not moving around

441
00:23:29,520 --> 00:23:31,760
Speaker 1: with every line to watch what one. It's just yeah.

442
00:23:31,840 --> 00:23:33,920
Speaker 1: So so you still get that pressure. Daniel. It wasn't

443
00:23:33,960 --> 00:23:35,919
Speaker 1: just a girl meets World thing. It's like a network

444
00:23:36,000 --> 00:23:39,040
Speaker 1: wide or a it's just in general, I don't necessarily

445
00:23:39,119 --> 00:23:40,800
Speaker 1: know how much of it is network and how much

446
00:23:40,840 --> 00:23:43,800
Speaker 1: of it is associate directors. I think a lot of

447
00:23:43,840 --> 00:23:48,080
Speaker 1: associate directors just feel like, you know, as much coverage

448
00:23:48,119 --> 00:23:50,720
Speaker 1: as possible and let's have the option for two eyes,

449
00:23:51,080 --> 00:23:54,000
Speaker 1: and and so it becomes this thing where even if

450
00:23:54,200 --> 00:23:57,080
Speaker 1: even if you're really happy with what you have, they're

451
00:23:57,119 --> 00:23:59,159
Speaker 1: pushing for, well, let's go ahead. You know, we've got

452
00:23:59,240 --> 00:24:01,160
Speaker 1: the time, let's go in it. But I don't. Most

453
00:24:01,200 --> 00:24:02,520
Speaker 1: of the time, I'm like, I'm not going to want

454
00:24:02,560 --> 00:24:04,840
Speaker 1: to use it. I like this stuff that feels more real.

455
00:24:04,960 --> 00:24:07,080
Speaker 1: But it is, you know, as far as having options,

456
00:24:07,119 --> 00:24:09,639
Speaker 1: and if you do have the time, which is you know,

457
00:24:09,880 --> 00:24:13,360
Speaker 1: a commodity and children's TV, sure go ahead and get

458
00:24:13,400 --> 00:24:14,840
Speaker 1: it so that when you're in the editing room you

459
00:24:14,920 --> 00:24:16,840
Speaker 1: have the option. Lord knows, there's nothing I wish I

460
00:24:16,920 --> 00:24:19,040
Speaker 1: had more of than time when I did my single

461
00:24:19,160 --> 00:24:23,120
Speaker 1: camera project. So you had like four days. Stop complaint.

462
00:24:23,920 --> 00:24:26,359
Speaker 1: If you can't shoot a feature film in four days,

463
00:24:26,480 --> 00:24:31,200
Speaker 1: you're not trying hard enough. Oh my gosh, I just

464
00:24:31,320 --> 00:24:34,480
Speaker 1: broke out dies just thinking about it. We are in

465
00:24:34,560 --> 00:24:37,919
Speaker 1: the school cafeteria. Mr. Turner helps Corey kick the temperamental

466
00:24:38,080 --> 00:24:41,040
Speaker 1: vending machine to get his soda, and the crowd woos

467
00:24:41,160 --> 00:24:46,879
Speaker 1: him like he's the he's cool man. Also, what is

468
00:24:46,960 --> 00:24:49,440
Speaker 1: this tie? Is it a bunch of gum drops? That's

469
00:24:49,440 --> 00:24:52,600
Speaker 1: what I thought, Well, did some type of candy. Yeah,

470
00:24:52,600 --> 00:24:55,040
Speaker 1: it looks like a gum drop tie. I was, yeah,

471
00:24:55,080 --> 00:24:57,199
Speaker 1: I'm not sure. It feels a little odd for him

472
00:24:57,240 --> 00:24:59,119
Speaker 1: to be wearing a gum gum drop tie, but it

473
00:24:59,200 --> 00:25:00,840
Speaker 1: did look kind of like that to me. Did you

474
00:25:00,880 --> 00:25:04,200
Speaker 1: also notice the two two other famous actor business that

475
00:25:04,320 --> 00:25:08,640
Speaker 1: always happens? Now now now we're doing soda acting happened

476
00:25:08,880 --> 00:25:11,119
Speaker 1: and you're playing with the tab or your SODA's not

477
00:25:11,280 --> 00:25:13,240
Speaker 1: open and you're kind of tapping the top and kind

478
00:25:13,280 --> 00:25:18,360
Speaker 1: of moving the soda around as you're doing tapping. So yeah,

479
00:25:18,640 --> 00:25:21,359
Speaker 1: it works, the whole shaking and Tony just kept playing

480
00:25:21,400 --> 00:25:26,280
Speaker 1: with the tab. Yeah, the whole time business. Again. I

481
00:25:26,440 --> 00:25:29,600
Speaker 1: loved the thing. I just love It's like just it's

482
00:25:29,960 --> 00:25:32,520
Speaker 1: I mean all this whole episode is just a classic.

483
00:25:33,480 --> 00:25:36,280
Speaker 1: It's just good writing. Like it's a really well written episode.

484
00:25:36,680 --> 00:25:39,840
Speaker 1: It's funny, and the characters are just having conversations. You know.

485
00:25:40,160 --> 00:25:41,840
Speaker 1: I loved it. I thought it was And this was

486
00:25:41,880 --> 00:25:43,800
Speaker 1: another one where I was like, Tony is such an

487
00:25:43,800 --> 00:25:46,920
Speaker 1: integral part of the show, and like Mr Turner and

488
00:25:47,040 --> 00:25:48,960
Speaker 1: like the different kind of advice that he can give.

489
00:25:49,000 --> 00:25:51,240
Speaker 1: And then of course Bill coming into the end, like

490
00:25:51,760 --> 00:25:54,399
Speaker 1: seeing the contrast between the two too. It's just great.

491
00:25:54,680 --> 00:25:58,000
Speaker 1: It worked, It actually works. Yeah, it's I couldn't agree

492
00:25:58,000 --> 00:26:00,960
Speaker 1: with you more. Corey asks her for advice about the

493
00:26:01,040 --> 00:26:05,199
Speaker 1: party invite situation. They have very fast, snappy dialogue. Uh,

494
00:26:05,359 --> 00:26:08,280
Speaker 1: and Corey admits he's never cool and it would be

495
00:26:08,359 --> 00:26:10,680
Speaker 1: cool because it wouldn't be cool. Great little button. Yeah,

496
00:26:11,040 --> 00:26:13,480
Speaker 1: Corey admits he's never been cool before, so he's confused,

497
00:26:13,520 --> 00:26:15,600
Speaker 1: but he does feel good, and Turner says, even though

498
00:26:15,640 --> 00:26:17,560
Speaker 1: it feels good, don't get carried away by what other

499
00:26:17,600 --> 00:26:20,600
Speaker 1: people think, because that wouldn't be cool. And then Corey

500
00:26:20,840 --> 00:26:23,919
Speaker 1: kicks the vending machine again and he gets another soda,

501
00:26:24,240 --> 00:26:27,040
Speaker 1: and of course, right at that moment, Mr Feeney seems

502
00:26:27,160 --> 00:26:31,120
Speaker 1: him yeah, and he gives him one soda before White

503
00:26:31,160 --> 00:26:37,639
Speaker 1: Claw thought, can what is going on with this white, white,

504
00:26:37,880 --> 00:26:45,479
Speaker 1: and brown concoction that has now become a brand of think.

505
00:26:45,760 --> 00:26:48,320
Speaker 1: I feel like there was like a Seltzer, like a

506
00:26:49,080 --> 00:26:52,120
Speaker 1: like a white and pink Seltzer that like we used

507
00:26:52,119 --> 00:26:54,280
Speaker 1: to get his kids. Um, was it? Yeah? Yeah, I

508
00:26:54,320 --> 00:26:56,800
Speaker 1: don't think it's around. Canadian was in bottles, so it

509
00:26:56,880 --> 00:27:03,960
Speaker 1: wasn't that. Bartles and James parts in the sixth grade exactly.

510
00:27:04,560 --> 00:27:06,560
Speaker 1: All I thought was like, ah, yes, the white and

511
00:27:06,720 --> 00:27:10,440
Speaker 1: brown soda that kids are so yeah. I loved the

512
00:27:10,480 --> 00:27:13,520
Speaker 1: way Bill opened the soda and took a sip. He

513
00:27:13,960 --> 00:27:19,680
Speaker 1: sipped it like it was like a classy Yeah, so cute.

514
00:27:20,320 --> 00:27:22,440
Speaker 1: So then we're in the Matthews living room. Alan is

515
00:27:22,480 --> 00:27:25,520
Speaker 1: on the couch. He's still reading his Old People catalogs

516
00:27:25,720 --> 00:27:27,760
Speaker 1: when Phoene comes in to asks if he wants to

517
00:27:27,880 --> 00:27:29,960
Speaker 1: join him for a workout at the health club. And

518
00:27:30,119 --> 00:27:34,640
Speaker 1: I would give a limb for the for the suit

519
00:27:34,720 --> 00:27:40,600
Speaker 1: he's wearing. Yes, yes, I love it. I love it.

520
00:27:40,760 --> 00:27:42,560
Speaker 1: I love that that's what he works out in. I

521
00:27:42,880 --> 00:27:45,000
Speaker 1: want one. Yeah. I also think we should start a

522
00:27:45,040 --> 00:27:47,600
Speaker 1: drinking game where you have to take a shot every

523
00:27:47,640 --> 00:27:53,600
Speaker 1: time there's a Buddy Epson reference. Be sober the entire time,

524
00:27:53,640 --> 00:27:55,399
Speaker 1: because Rusty when he walks and he goes a Buddy

525
00:27:55,440 --> 00:27:59,760
Speaker 1: Epson video, which you like you do, Buddy Epson was

526
00:27:59,800 --> 00:28:03,800
Speaker 1: an like an old time actor, and so it's another

527
00:28:03,880 --> 00:28:06,479
Speaker 1: Michael reference. And when he walks in, that's he's going

528
00:28:06,560 --> 00:28:13,199
Speaker 1: to Buddy EPs in low lo lo lo word and sweet.

529
00:28:13,359 --> 00:28:15,640
Speaker 1: I think Buddy Epson and I'm we're gonna be wrong.

530
00:28:15,800 --> 00:28:21,159
Speaker 1: So hopefully we ever the like Daniels red Gelapi might not.

531
00:28:21,520 --> 00:28:23,560
Speaker 1: I don't think we've quite fully explained it. So what

532
00:28:23,680 --> 00:28:28,000
Speaker 1: it is, Michael used to make the most obscure references,

533
00:28:28,400 --> 00:28:31,240
Speaker 1: not only to What was crazy is that he would

534
00:28:31,240 --> 00:28:35,359
Speaker 1: make references to like, uh, you know, old timey TV shows,

535
00:28:35,520 --> 00:28:37,480
Speaker 1: movies we had never heard of. But then he would

536
00:28:37,480 --> 00:28:39,000
Speaker 1: also he would have the memory to be able to

537
00:28:39,040 --> 00:28:41,400
Speaker 1: be like there was one episode of Taxi that are

538
00:28:41,480 --> 00:28:44,560
Speaker 1: in nineteen seventy six where they did and his memory

539
00:28:44,640 --> 00:28:46,560
Speaker 1: was just insane, but yeah, and then he would also

540
00:28:46,600 --> 00:28:49,800
Speaker 1: have literary references, like there's a Nold Coward play. It

541
00:28:49,960 --> 00:28:51,520
Speaker 1: was like, those are the only ones I ever got.

542
00:28:51,560 --> 00:28:53,120
Speaker 1: I remember he pointed that out one time. He's like,

543
00:28:53,400 --> 00:28:55,240
Speaker 1: so because I had never I didn't know any TV

544
00:28:55,360 --> 00:28:58,320
Speaker 1: references that he made budd references, but I knew all

545
00:28:58,360 --> 00:29:05,280
Speaker 1: he's like school literary reference. He was okay, and clamp it, Jesus,

546
00:29:05,920 --> 00:29:08,520
Speaker 1: That's what I mean. Yeah, but I so so we

547
00:29:08,640 --> 00:29:11,440
Speaker 1: were will you and I were writing a fake mockumentary

548
00:29:11,600 --> 00:29:14,280
Speaker 1: for what Where Are They Now? When boy me towards

549
00:29:14,320 --> 00:29:16,000
Speaker 1: us ended, we decided to do a joke thing where

550
00:29:16,040 --> 00:29:18,320
Speaker 1: we pretended to It's ten years in the future and

551
00:29:18,360 --> 00:29:20,200
Speaker 1: we're interviewing all the cast for where are they Now?

552
00:29:20,240 --> 00:29:22,640
Speaker 1: It became this like epic in joke video that was

553
00:29:22,760 --> 00:29:26,080
Speaker 1: like fifty minutes long. Crazy, but we did the joke

554
00:29:26,160 --> 00:29:28,680
Speaker 1: that Ben becomes Michael and that he's giving notes, So

555
00:29:28,760 --> 00:29:31,880
Speaker 1: we had to write a fake Michael's note session. And

556
00:29:32,440 --> 00:29:35,680
Speaker 1: you who wrote this line that just lives in infamy,

557
00:29:35,760 --> 00:29:38,840
Speaker 1: which is you gotta do it more like Daniel's red

558
00:29:38,920 --> 00:29:43,920
Speaker 1: Gelapi in seven remake of Know What wasn't run rum

559
00:29:43,920 --> 00:29:47,080
Speaker 1: Cowboy run him, Cowboy run him? Run Um run him,

560
00:29:47,080 --> 00:29:49,520
Speaker 1: Cowboy run him, Cowboy run him. You know, it's like

561
00:29:49,600 --> 00:29:53,080
Speaker 1: the thirties Daniels redloppy. Come on. Nobody gets this, nobody

562
00:29:53,120 --> 00:29:54,760
Speaker 1: and it's that it cuts to the people going, wait,

563
00:29:55,040 --> 00:29:57,920
Speaker 1: who's been going I'm getting so old? I mean that

564
00:29:58,080 --> 00:30:01,160
Speaker 1: was Michael. He would just give us ridiculous And this

565
00:30:01,320 --> 00:30:04,080
Speaker 1: was Buddy So again, you're on a kid show and

566
00:30:04,240 --> 00:30:07,000
Speaker 1: you're throwing out a Buddy epsoin reference for all the

567
00:30:07,080 --> 00:30:09,760
Speaker 1: kids out there, are you whacky kids with your Buddy Epson?

568
00:30:10,320 --> 00:30:12,680
Speaker 1: The only thing that made me feel better about it

569
00:30:12,720 --> 00:30:14,200
Speaker 1: when I was a kid. And we don't look around

570
00:30:14,280 --> 00:30:17,120
Speaker 1: like does anyone know, even the other writers and other

571
00:30:17,960 --> 00:30:20,840
Speaker 1: we'd look at them and they don't. Yeah, no idea,

572
00:30:21,000 --> 00:30:23,280
Speaker 1: no idea what he's talking about. So yes, if you

573
00:30:23,320 --> 00:30:26,040
Speaker 1: want to stay sober, play the Buddy Epsom drinking game.

574
00:30:28,520 --> 00:30:31,320
Speaker 1: Alan admits that he turned forty and now that he's old,

575
00:30:31,360 --> 00:30:33,800
Speaker 1: all he can do is just shocking. I thought he

576
00:30:33,840 --> 00:30:37,560
Speaker 1: was supposed to be right, I mean, hey, but you know,

577
00:30:37,880 --> 00:30:39,760
Speaker 1: I mean, this is the thing, is like TV parents

578
00:30:39,840 --> 00:30:44,520
Speaker 1: were just younger, like the idea, because Rusty was actually

579
00:30:44,600 --> 00:30:48,160
Speaker 1: forty five in real life. Right, yeah, he's younger than me.

580
00:30:48,360 --> 00:30:50,280
Speaker 1: Oh that's the thing that I mean. So you know,

581
00:30:50,560 --> 00:30:55,760
Speaker 1: Eric is what seventeen? So they had you? Which is

582
00:30:56,120 --> 00:31:02,840
Speaker 1: which is the Ah? She at me? So yikes. I

583
00:31:02,920 --> 00:31:06,240
Speaker 1: mean when when I started on Boy Meats World, my

584
00:31:06,360 --> 00:31:10,920
Speaker 1: mom was thirty five. That blows my mind. I'm six

585
00:31:11,080 --> 00:31:15,480
Speaker 1: years older now then my mother was when she was

586
00:31:15,600 --> 00:31:20,440
Speaker 1: being a stage mom to little Danielle. So crazy it is.

587
00:31:21,560 --> 00:31:24,960
Speaker 1: I know, I know time has done weird things. I'm

588
00:31:25,000 --> 00:31:27,880
Speaker 1: not sure that's true. So crazy. Remember, daniel we had

589
00:31:27,920 --> 00:31:29,720
Speaker 1: this conversation because we found a photo of our parents

590
00:31:29,800 --> 00:31:32,400
Speaker 1: together and I was like, how old were they? Because

591
00:31:32,440 --> 00:31:35,240
Speaker 1: my parents were actually older. My mom was thirty five

592
00:31:35,360 --> 00:31:39,640
Speaker 1: when I was born, so so for their generation, they were,

593
00:31:39,760 --> 00:31:42,120
Speaker 1: you know, on the older side, so which meant that

594
00:31:42,200 --> 00:31:43,840
Speaker 1: when when they were when our parents were hanging out,

595
00:31:43,840 --> 00:31:45,560
Speaker 1: when our moms were hanging out on set, my mom

596
00:31:45,680 --> 00:31:48,760
Speaker 1: was actually like fifteen years older than your mom, which

597
00:31:49,080 --> 00:31:51,120
Speaker 1: you know, in our minds, they were all the same age, right,

598
00:31:52,160 --> 00:31:54,120
Speaker 1: so was my mom then, No, my mom got married

599
00:31:54,160 --> 00:31:55,520
Speaker 1: when she was twenty three. I think she was like

600
00:31:55,600 --> 00:31:59,600
Speaker 1: thirty five when she had me. I was surprised, So yeah,

601
00:31:59,640 --> 00:32:01,479
Speaker 1: I think the same thing. My parents were older as well,

602
00:32:01,480 --> 00:32:02,720
Speaker 1: but I was also older than you, and I have

603
00:32:02,840 --> 00:32:05,160
Speaker 1: older brothers that are my oldest brothers eight years older

604
00:32:05,160 --> 00:32:17,840
Speaker 1: than me. So fat, I don't even know where we

605
00:32:17,960 --> 00:32:22,160
Speaker 1: were anymore. On the couch r he says. All he

606
00:32:22,200 --> 00:32:24,880
Speaker 1: can do is watch Angela Lansbury wonder, you know, wondering

607
00:32:24,920 --> 00:32:27,360
Speaker 1: how she solves all those crimes, and he tries to

608
00:32:27,400 --> 00:32:28,920
Speaker 1: help him up. I know I did too. I thought

609
00:32:28,960 --> 00:32:30,640
Speaker 1: he was creating this episode it was a little over

610
00:32:30,680 --> 00:32:33,040
Speaker 1: the top because he's playing the old guy, but Rusty

611
00:32:33,160 --> 00:32:34,520
Speaker 1: is so fun. No, I didn't think it was over

612
00:32:34,560 --> 00:32:36,160
Speaker 1: the top at all. I know, I met over the

613
00:32:36,240 --> 00:32:38,320
Speaker 1: top of the fact that he's forty, so that means

614
00:32:38,400 --> 00:32:43,440
Speaker 1: he's working down right, But that I mean, we've talked

615
00:32:43,440 --> 00:32:45,680
Speaker 1: about how old we feel on this show, so I

616
00:32:45,760 --> 00:32:48,680
Speaker 1: just love it, honestly, not gonna lie. I'm so close

617
00:32:48,760 --> 00:32:51,400
Speaker 1: to throwing out my back today I'm having I'm not kidding.

618
00:32:51,480 --> 00:32:54,200
Speaker 1: I woke up this morning and for a solid hour

619
00:32:54,360 --> 00:32:57,280
Speaker 1: I just have been massaging my back, trying desperately to

620
00:32:57,360 --> 00:32:59,280
Speaker 1: do anything I can to keep it from going out.

621
00:32:59,400 --> 00:33:03,400
Speaker 1: So I I texted you. I texted you guys when

622
00:33:03,400 --> 00:33:05,880
Speaker 1: I threw out a muscle in my bicep playing street

623
00:33:05,880 --> 00:33:10,760
Speaker 1: Fighter too with my son, I texted him like, I

624
00:33:10,880 --> 00:33:17,000
Speaker 1: seriously just just pulled my arm out, Like yeah, yeah,

625
00:33:17,160 --> 00:33:20,680
Speaker 1: it's terrible. So um Amy tries to get him up,

626
00:33:20,720 --> 00:33:23,600
Speaker 1: but it's unsuccessful. Corey walks in seeing Amy trying to

627
00:33:23,680 --> 00:33:27,000
Speaker 1: pull Alan off the couch and says, mom, Dad, it's

628
00:33:27,040 --> 00:33:29,280
Speaker 1: not even dark outside yet, which I thought was funny.

629
00:33:29,880 --> 00:33:32,560
Speaker 1: He then tells them all about Melissa's party, and they

630
00:33:32,600 --> 00:33:36,200
Speaker 1: give him permission to go, and that's funny. Corey and

631
00:33:36,360 --> 00:33:38,840
Speaker 1: Eric there in the Corey and Eric's bedroom. Corey walks

632
00:33:38,840 --> 00:33:42,080
Speaker 1: into his room, gurgling and swallowing mouthwash. He tells Eric

633
00:33:42,160 --> 00:33:45,080
Speaker 1: all about the party and his preparations. Eric is playing

634
00:33:45,080 --> 00:33:48,080
Speaker 1: along with Corey, calling himself so cool for being invited

635
00:33:48,120 --> 00:33:49,800
Speaker 1: to this part. I love you in this scene. Well,

636
00:33:49,880 --> 00:33:52,120
Speaker 1: it's so funny. I just I guess I really love it.

637
00:33:52,200 --> 00:33:56,760
Speaker 1: When you make fun of Bed is one of my

638
00:33:56,880 --> 00:33:59,440
Speaker 1: favorite bits, and like just mocking him, like when you

639
00:33:59,520 --> 00:34:02,720
Speaker 1: take the set can look oh so cool. I was like, listen,

640
00:34:02,760 --> 00:34:05,400
Speaker 1: I just love anything. Anytime you're mocking Ben, I'm in

641
00:34:06,080 --> 00:34:08,200
Speaker 1: It was fun. You know what I remember about? First

642
00:34:08,200 --> 00:34:10,600
Speaker 1: of all, my wife wanted me to point out she said,

643
00:34:10,680 --> 00:34:13,480
Speaker 1: you could cut bread on the pleats in my pants.

644
00:34:13,920 --> 00:34:16,640
Speaker 1: She was very happy with the sharpness of my pos.

645
00:34:17,520 --> 00:34:22,239
Speaker 1: We're starting collar over collar for talking about clothes over. Yeah.

646
00:34:22,520 --> 00:34:25,279
Speaker 1: But the thing I remember most about this scene was

647
00:34:25,360 --> 00:34:28,360
Speaker 1: the line I say, so you're cool to now, and

648
00:34:28,440 --> 00:34:32,720
Speaker 1: I it never sounded right in my head. I couldn't

649
00:34:32,800 --> 00:34:34,879
Speaker 1: get the cadence right. So when you actually go back

650
00:34:34,920 --> 00:34:37,879
Speaker 1: to listen to it, you're so you're cool too. It's

651
00:34:37,880 --> 00:34:39,919
Speaker 1: still rings in my ears. It's one of those lines

652
00:34:40,000 --> 00:34:42,680
Speaker 1: that will forever. It's the nightmare scenario where you you're

653
00:34:42,800 --> 00:34:44,160
Speaker 1: you wake up in your dream and you don't know

654
00:34:44,280 --> 00:34:47,520
Speaker 1: the lines and you're supposed. I couldn't get it right ever,

655
00:34:47,760 --> 00:34:49,800
Speaker 1: and I still had the adjuta when I saw it

656
00:34:49,960 --> 00:34:52,920
Speaker 1: last night. All that line. I can't get that line out.

657
00:34:53,080 --> 00:34:56,040
Speaker 1: It was so strange. Yeah, you're so you're cool too,

658
00:34:56,160 --> 00:34:59,799
Speaker 1: now huh? Or something that was cool too cool now huh?

659
00:35:00,120 --> 00:35:02,239
Speaker 1: It was weird. Yeah, I couldn't get it well. Also

660
00:35:02,840 --> 00:35:09,280
Speaker 1: coolio Iglesias and do the double the double thumbs. Corey

661
00:35:09,360 --> 00:35:12,160
Speaker 1: steals Eric's cologne and says that now that he's cool,

662
00:35:12,239 --> 00:35:17,920
Speaker 1: he can use cool cologne. Rampaging stallion was did it

663
00:35:18,000 --> 00:35:20,080
Speaker 1: bump anyone that he put the cologne on his face?

664
00:35:20,920 --> 00:35:23,760
Speaker 1: I didn't get that either. It's maybe because he didn't

665
00:35:24,000 --> 00:35:27,719
Speaker 1: don't guess. Okay, yeah, that's what I was thinking. I

666
00:35:27,760 --> 00:35:29,520
Speaker 1: thought he is he because he's like, I'm gonna use

667
00:35:29,560 --> 00:35:30,759
Speaker 1: this cool clone and then he puts it on his

668
00:35:30,840 --> 00:35:35,080
Speaker 1: hands and he just like, I think, yeah, I think

669
00:35:35,120 --> 00:35:37,560
Speaker 1: he doesn't know. Okay, Okay, that makes sense. I'll buy

670
00:35:37,600 --> 00:35:39,920
Speaker 1: that he has a nowhere clone goes uh. Then we're

671
00:35:39,920 --> 00:35:42,120
Speaker 1: in the Matthews living room. Alan, still on the couch,

672
00:35:42,239 --> 00:35:45,160
Speaker 1: is disgusted by Corey's coloone. Amy is ready to take

673
00:35:45,200 --> 00:35:46,960
Speaker 1: Corey to the party and pick up Sean on the way,

674
00:35:47,000 --> 00:35:51,080
Speaker 1: but Corey breaks the news that Sean wasn't invited. Alan

675
00:35:51,120 --> 00:35:54,080
Speaker 1: and Amy are very concerned that he's ditching his real friend.

676
00:35:59,440 --> 00:36:02,120
Speaker 1: What do you think do that go into a party

677
00:36:02,239 --> 00:36:04,520
Speaker 1: that your friend wasn't invited to? Is enough of the

678
00:36:04,600 --> 00:36:06,520
Speaker 1: thing that your parents would make they would even think

679
00:36:06,520 --> 00:36:10,479
Speaker 1: about it or just assumed that Sean is definitely going

680
00:36:10,600 --> 00:36:12,640
Speaker 1: like it seems to me like the better lesson is

681
00:36:13,160 --> 00:36:16,000
Speaker 1: it's okay to have different friend friends and think not

682
00:36:16,280 --> 00:36:20,280
Speaker 1: be like one friend for life always. Yeah, it's totally

683
00:36:20,360 --> 00:36:22,960
Speaker 1: bumped me too, because I never have this moment, you know,

684
00:36:23,040 --> 00:36:24,799
Speaker 1: as a kid, I never had this moment, And then

685
00:36:24,920 --> 00:36:27,439
Speaker 1: as a parent, I can't imagine being like I think

686
00:36:27,560 --> 00:36:30,359
Speaker 1: what it was probably trying to do, and I could

687
00:36:30,400 --> 00:36:33,600
Speaker 1: be wrong, was you've been inseparable with Sean for all

688
00:36:33,640 --> 00:36:36,080
Speaker 1: these years? Is in my head? And now you're going

689
00:36:36,160 --> 00:36:38,879
Speaker 1: to your first party and you're going to go without Sean,

690
00:36:39,160 --> 00:36:42,120
Speaker 1: right because because Corey is just basically doesn't have much

691
00:36:42,160 --> 00:36:44,520
Speaker 1: of a social life outside, right, and if yours maybe

692
00:36:44,560 --> 00:36:46,600
Speaker 1: your first party you're ever going to, and the guy

693
00:36:46,680 --> 00:36:48,840
Speaker 1: you've been attached to the hip with isn't invited and

694
00:36:48,920 --> 00:36:50,640
Speaker 1: you're still going to go to that party, like maybe

695
00:36:50,680 --> 00:36:52,200
Speaker 1: that's kind of what they were going for. I get

696
00:36:52,239 --> 00:36:54,520
Speaker 1: a little bit. I mean, it just makes for the story, right,

697
00:36:54,880 --> 00:36:58,200
Speaker 1: just to make story work, highlight what's happening, and you know,

698
00:36:58,320 --> 00:36:59,759
Speaker 1: make it a point. And so I just felt a

699
00:36:59,800 --> 00:37:02,960
Speaker 1: little heavy handed to me. But yeah, I think more

700
00:37:03,040 --> 00:37:05,960
Speaker 1: than it being even heavy handed to me, what I

701
00:37:06,120 --> 00:37:09,160
Speaker 1: was thinking is is that the lesson we want to

702
00:37:09,239 --> 00:37:11,640
Speaker 1: really be taking from it. I like the overall lesson

703
00:37:11,880 --> 00:37:14,960
Speaker 1: of you know, don't act too cool for the friends

704
00:37:15,000 --> 00:37:17,840
Speaker 1: that have always been there for you. But all this

705
00:37:18,080 --> 00:37:20,759
Speaker 1: idea of like it's very weird that you would go

706
00:37:20,880 --> 00:37:23,319
Speaker 1: anywhere without that, or even in Mr. Turner scene, they

707
00:37:23,320 --> 00:37:25,399
Speaker 1: have the conversation like you know, it wouldn't be cool

708
00:37:25,440 --> 00:37:27,440
Speaker 1: to go to a party without It's like why why not?

709
00:37:27,640 --> 00:37:30,040
Speaker 1: Like it should totally I agree because it took me,

710
00:37:30,160 --> 00:37:34,279
Speaker 1: like really long in life to learn what I now

711
00:37:34,320 --> 00:37:37,200
Speaker 1: consider very valuable lessons, which is that you have different

712
00:37:37,280 --> 00:37:40,120
Speaker 1: types of friends. Yeah, Like I always sort of like

713
00:37:40,520 --> 00:37:42,200
Speaker 1: I used to cut people out of my life if

714
00:37:42,239 --> 00:37:44,880
Speaker 1: they weren't like a certain you know, quality of friendship

715
00:37:45,040 --> 00:37:47,120
Speaker 1: or didn't give me a And it's like in retrospect,

716
00:37:47,239 --> 00:37:49,680
Speaker 1: like why not that It wasn't like literally until my

717
00:37:49,800 --> 00:37:52,759
Speaker 1: late twenties early thirties that I like realized that and

718
00:37:52,880 --> 00:37:54,880
Speaker 1: learned And I wish that somebody had told me the

719
00:37:54,960 --> 00:37:57,840
Speaker 1: opposite of this lesson earlier on. And we almost did that, remember,

720
00:37:58,440 --> 00:38:00,800
Speaker 1: you and I almost did that in our friendship because

721
00:38:00,840 --> 00:38:04,240
Speaker 1: I was that guy who wasn't I was just flaky

722
00:38:04,480 --> 00:38:06,600
Speaker 1: and I didn't like to go places and I didn't

723
00:38:06,600 --> 00:38:08,719
Speaker 1: like to do anything. And then after a while you

724
00:38:08,800 --> 00:38:10,480
Speaker 1: were like, I'm just not gonna invite you places and

725
00:38:10,640 --> 00:38:12,600
Speaker 1: we're not probably not gonna talk as much, and then

726
00:38:12,640 --> 00:38:16,560
Speaker 1: it and then it changed. We did. Yeah, it was

727
00:38:16,600 --> 00:38:18,480
Speaker 1: something I had to learn to be like me to

728
00:38:18,800 --> 00:38:21,239
Speaker 1: let Will be Will and just be his friend in

729
00:38:21,280 --> 00:38:23,359
Speaker 1: the way that you're going to be his. Yeah, because

730
00:38:23,360 --> 00:38:24,960
Speaker 1: like I used to want you to like show up

731
00:38:25,000 --> 00:38:27,359
Speaker 1: at every party I threw or whatever. I mean, even

732
00:38:27,400 --> 00:38:28,800
Speaker 1: back in the boy mean's world days, I remember you

733
00:38:28,840 --> 00:38:31,000
Speaker 1: would be like, no, I'm good, and that would But

734
00:38:31,080 --> 00:38:34,000
Speaker 1: it's also the friendship. You've also have to realize that

735
00:38:34,440 --> 00:38:36,359
Speaker 1: you also have to give. So I had to learn

736
00:38:36,400 --> 00:38:38,320
Speaker 1: more where it's like I can't just say no to

737
00:38:38,400 --> 00:38:40,480
Speaker 1: everything all the time and just expect this guy to

738
00:38:40,560 --> 00:38:42,359
Speaker 1: be my friend all the time. You know, you've also

739
00:38:42,400 --> 00:38:44,160
Speaker 1: got to given the friendship and that's what a friendship is.

740
00:38:44,200 --> 00:38:46,879
Speaker 1: A good friendship is a living, breathing, growing, changing thing.

741
00:38:47,719 --> 00:38:51,319
Speaker 1: So and maybe that's kind of the lesson of the show.

742
00:38:51,400 --> 00:38:53,879
Speaker 1: And I think, right, I think Sean kind of gives

743
00:38:53,920 --> 00:38:56,480
Speaker 1: him that lesson later where he's like he cares well,

744
00:38:56,520 --> 00:39:00,120
Speaker 1: think where the episode lands is really cool. Yeah, over

745
00:39:00,239 --> 00:39:02,920
Speaker 1: use that word because it gets but I but I

746
00:39:03,000 --> 00:39:04,719
Speaker 1: do think that, like in a scene like this, it

747
00:39:04,880 --> 00:39:06,879
Speaker 1: does seem a little weird that this is so much

748
00:39:06,920 --> 00:39:10,080
Speaker 1: of a conflict to everybody. Um, and yeah, I would Yeah,

749
00:39:10,880 --> 00:39:13,480
Speaker 1: I like the opposite lesson better, that you can have different,

750
00:39:13,560 --> 00:39:15,759
Speaker 1: different types of friends. I think about it in terms

751
00:39:15,800 --> 00:39:19,960
Speaker 1: of my kids, Like I don't want Keaton already at

752
00:39:20,040 --> 00:39:23,800
Speaker 1: sixteen months old, thinks everything Adler does is so cool

753
00:39:24,080 --> 00:39:26,160
Speaker 1: and he wants he sees Adler do something and he's

754
00:39:26,160 --> 00:39:28,920
Speaker 1: like immediately wants to try it, and that's great and

755
00:39:29,000 --> 00:39:30,680
Speaker 1: I love it and I want them to be friends.

756
00:39:30,880 --> 00:39:33,920
Speaker 1: But they're two years apart, and it's totally fine that

757
00:39:34,040 --> 00:39:36,719
Speaker 1: they're going to have interests that are different. That Adler's

758
00:39:36,760 --> 00:39:38,719
Speaker 1: going to have friends that he's just going to be

759
00:39:38,800 --> 00:39:41,600
Speaker 1: able to hang out with Alane. Keaton is not always

760
00:39:41,640 --> 00:39:43,920
Speaker 1: going to be allowed to hang out with Adler's friends

761
00:39:44,040 --> 00:39:46,600
Speaker 1: just because he's his brother. I don't want to force

762
00:39:46,719 --> 00:39:48,640
Speaker 1: them on each other, and I don't ever want to

763
00:39:48,680 --> 00:39:50,719
Speaker 1: be saying to add their like. But Keaton loves you

764
00:39:50,960 --> 00:39:54,160
Speaker 1: so much, you know what about Keaton Like? Keaton can

765
00:39:54,239 --> 00:39:55,960
Speaker 1: have his own life, and it's okay for Adler to

766
00:39:56,000 --> 00:39:57,480
Speaker 1: have his own life. So I think about it, even

767
00:39:57,520 --> 00:40:01,880
Speaker 1: in terms of siblings, It's okay for you to have

768
00:40:02,120 --> 00:40:04,120
Speaker 1: different things going on, and you don't have to be

769
00:40:04,160 --> 00:40:06,040
Speaker 1: doing the same thing all the time, and certainly with

770
00:40:06,160 --> 00:40:09,440
Speaker 1: your friends it should be the same thing you You

771
00:40:09,520 --> 00:40:11,600
Speaker 1: could attribute it to dating. My mom used always tell me,

772
00:40:11,680 --> 00:40:14,239
Speaker 1: especially at that age fourteen, you shouldn't be dating one person.

773
00:40:14,239 --> 00:40:17,360
Speaker 1: You should be dating a bunch of different people. And

774
00:40:17,960 --> 00:40:19,600
Speaker 1: where yeah where It's like, you know, you should be

775
00:40:19,719 --> 00:40:21,360
Speaker 1: dating a bunch of different people. So I get, I

776
00:40:21,480 --> 00:40:23,879
Speaker 1: get that you should be expanding your horizons. And maybe

777
00:40:24,480 --> 00:40:26,600
Speaker 1: my mom used to say, if you waste your time

778
00:40:26,680 --> 00:40:29,480
Speaker 1: with Mr Wrong, you won't be available when Mr Wright

779
00:40:29,600 --> 00:40:34,640
Speaker 1: comes around. Interesting. So back to boy meets World. Well,

780
00:40:34,680 --> 00:40:37,960
Speaker 1: I'm so glad we went on that little rampage. Uh

781
00:40:38,640 --> 00:40:45,200
Speaker 1: so listening to so wait a second, the globe is

782
00:40:45,280 --> 00:40:49,480
Speaker 1: running over him that I didn't understand that, and I

783
00:40:49,640 --> 00:40:56,239
Speaker 1: still smell like great. We are now at Melissa's party.

784
00:40:56,320 --> 00:40:59,000
Speaker 1: Corey tries talking to Melissa after entering the party and

785
00:40:59,080 --> 00:41:02,040
Speaker 1: then looks around and realizes he's the coolest guy at

786
00:41:02,080 --> 00:41:08,200
Speaker 1: the party. Oh he got invited to a deep car party. Look,

787
00:41:08,360 --> 00:41:11,719
Speaker 1: just screams it out. What and then like when we

788
00:41:11,760 --> 00:41:14,160
Speaker 1: come back to the next scene, like no, just you know,

789
00:41:14,320 --> 00:41:17,040
Speaker 1: it's like it's a complete break for reality, which is fine,

790
00:41:17,200 --> 00:41:19,719
Speaker 1: we've already gone into slow mo, but like just what

791
00:41:19,840 --> 00:41:22,080
Speaker 1: a sitcom moment, you know, like only can you you

792
00:41:22,120 --> 00:41:24,320
Speaker 1: can only get away with this and four camera sitcom

793
00:41:24,640 --> 00:41:26,680
Speaker 1: because like nowadays, if somebody did that on a TV

794
00:41:26,719 --> 00:41:29,160
Speaker 1: show where they just turn out and go geep party,

795
00:41:29,600 --> 00:41:31,560
Speaker 1: it was like the camera just keep rolling. The person

796
00:41:31,640 --> 00:41:36,160
Speaker 1: would be like, why did you just scream that? Like exactly, Well,

797
00:41:36,480 --> 00:41:38,759
Speaker 1: the break does help because then you can come back

798
00:41:38,840 --> 00:41:42,440
Speaker 1: from it and it's like time past. It never really happened. Um.

799
00:41:42,880 --> 00:41:46,080
Speaker 1: By the way, I directed a sitcom and multi camera

800
00:41:46,160 --> 00:41:49,359
Speaker 1: sitcom where we somebody said something out loud like they

801
00:41:49,400 --> 00:41:51,560
Speaker 1: were looking at across the room to somebody was like, well,

802
00:41:51,680 --> 00:41:54,120
Speaker 1: that's what you think, and the character from across the

803
00:41:54,200 --> 00:41:56,520
Speaker 1: room said, are you are you talking to me? Because

804
00:41:56,560 --> 00:41:58,640
Speaker 1: she was like, no, no, I wasn't talking to you.

805
00:42:00,120 --> 00:42:04,560
Speaker 1: Maybe I was, and I'm looking at you like it's

806
00:42:04,600 --> 00:42:08,800
Speaker 1: actually really funny. Yeah, once you realize how often like

807
00:42:09,000 --> 00:42:12,319
Speaker 1: screenwriters get, they like back themselves into a corner where

808
00:42:12,320 --> 00:42:14,120
Speaker 1: they have to have a character talking to themselves. You'll

809
00:42:14,120 --> 00:42:16,160
Speaker 1: see it all the time, especially in romantic comedies for

810
00:42:16,239 --> 00:42:18,279
Speaker 1: some reason, like they'll always be like a woman by

811
00:42:18,320 --> 00:42:20,880
Speaker 1: herself talking to herself like oh but now what am

812
00:42:20,880 --> 00:42:22,040
Speaker 1: I going to do If I go over there, He's

813
00:42:22,080 --> 00:42:23,960
Speaker 1: not gonna like me? And what about this? And it's like,

814
00:42:24,080 --> 00:42:26,879
Speaker 1: once you notice it, it will drive you crazy because

815
00:42:26,920 --> 00:42:29,200
Speaker 1: it's such a crutch because writers will be writing to

816
00:42:29,200 --> 00:42:31,000
Speaker 1: see and they packed themselves into a quarter. Really, I

817
00:42:31,040 --> 00:42:32,840
Speaker 1: have nobody for this main character to talk to you

818
00:42:32,880 --> 00:42:35,080
Speaker 1: to express what's happening in our script right now. But

819
00:42:35,160 --> 00:42:36,799
Speaker 1: I need the audience to know what they're going through,

820
00:42:36,920 --> 00:42:39,200
Speaker 1: so I'll just have them talk to themselves. Oh god,

821
00:42:48,680 --> 00:42:54,759
Speaker 1: can we talk very briefly about the basement. Okay, I

822
00:42:54,880 --> 00:42:58,840
Speaker 1: remember the set? Well, we have a similar set because

823
00:42:58,840 --> 00:43:00,600
Speaker 1: we do another episode. I don't think it was until

824
00:43:00,640 --> 00:43:02,480
Speaker 1: third season where we're making on the closet. I think

825
00:43:02,520 --> 00:43:04,560
Speaker 1: it's like the first episode of the third season, like

826
00:43:04,600 --> 00:43:08,960
Speaker 1: seven minutes in Heaven. Do you remember that, Daniel. I

827
00:43:09,080 --> 00:43:11,040
Speaker 1: think it's the same basement. I mean it looked exactly.

828
00:43:11,080 --> 00:43:12,600
Speaker 1: That's why I was like, we I started getting the

829
00:43:12,640 --> 00:43:19,560
Speaker 1: episodes Eagles and the Patriot stickers everywhere, that giant gold

830
00:43:19,840 --> 00:43:24,480
Speaker 1: eagles on the wall up. It is an odd basement.

831
00:43:24,800 --> 00:43:27,560
Speaker 1: It just made me wonder about this family. That coupled

832
00:43:27,640 --> 00:43:31,680
Speaker 1: with the fact that she then says, my parents took

833
00:43:31,719 --> 00:43:35,000
Speaker 1: all the cool people off the list. How the hell

834
00:43:35,239 --> 00:43:38,560
Speaker 1: do you do your parents know who the cool kids

835
00:43:38,640 --> 00:43:42,000
Speaker 1: are at your school enough to be like, well, we're

836
00:43:42,080 --> 00:43:46,120
Speaker 1: dinging Sean Ray. He can't come not with what he did.

837
00:43:46,640 --> 00:43:50,120
Speaker 1: How the hell would they know who the daughter's school

838
00:43:52,080 --> 00:43:54,880
Speaker 1: If it's a small enough like suburb, they're supposed to

839
00:43:54,920 --> 00:43:58,040
Speaker 1: be two thousand kids at that high school. We've talked

840
00:43:58,080 --> 00:44:00,920
Speaker 1: about that. In two thousand kids, the parents know the

841
00:44:01,040 --> 00:44:04,200
Speaker 1: kids that are popular enough. Maybe they don't know all

842
00:44:04,320 --> 00:44:06,680
Speaker 1: of them, but also assume these kids have gone to

843
00:44:06,719 --> 00:44:09,080
Speaker 1: school together for years. But that's what I love because

844
00:44:09,120 --> 00:44:12,279
Speaker 1: he introduced Corey introduces himself to her every time he

845
00:44:12,360 --> 00:44:16,200
Speaker 1: sees her, Corey Matthews, they was just in the classroom

846
00:44:16,280 --> 00:44:17,920
Speaker 1: and then he's at the party. Who was about it?

847
00:44:18,120 --> 00:44:20,680
Speaker 1: I thought it was hysterically keeps introducing himself. I feel

848
00:44:20,680 --> 00:44:23,480
Speaker 1: like it's part of the whole, like you know, insular

849
00:44:24,719 --> 00:44:27,160
Speaker 1: nature of of the sitcom world. Like you know, we

850
00:44:27,200 --> 00:44:29,200
Speaker 1: talked about how like Sean could just walk to and

851
00:44:29,320 --> 00:44:33,000
Speaker 1: from his house to Corey's house, like there's a like

852
00:44:33,640 --> 00:44:35,680
Speaker 1: like in the first season, Mincus would just walk to

853
00:44:35,840 --> 00:44:37,880
Speaker 1: his house like they were just like this. You know,

854
00:44:37,960 --> 00:44:39,879
Speaker 1: it's it's kind of I don't know, it's it's also

855
00:44:39,960 --> 00:44:41,719
Speaker 1: kind of nice. Remember in the first season when like

856
00:44:42,080 --> 00:44:44,600
Speaker 1: they knew who Topanga was. You know, it's like that

857
00:44:45,760 --> 00:44:48,000
Speaker 1: his group, you know, it's like people that he's talked

858
00:44:48,000 --> 00:44:51,680
Speaker 1: about at home. I can't imagine a you know, in

859
00:44:51,719 --> 00:44:55,000
Speaker 1: a school of two thousand parents knowing the class well

860
00:44:55,160 --> 00:44:58,360
Speaker 1: enough to just let her invite the quote unquote nerds

861
00:44:58,680 --> 00:45:01,040
Speaker 1: and take all the cool kids. They just have to

862
00:45:01,080 --> 00:45:02,680
Speaker 1: be they would just have to be kids that they

863
00:45:02,719 --> 00:45:05,040
Speaker 1: didn't know, like all the nerds. Because if she's like

864
00:45:05,080 --> 00:45:06,960
Speaker 1: a super popular it would just be like none of

865
00:45:07,000 --> 00:45:09,279
Speaker 1: your regular friends, because we know that those boys are

866
00:45:09,760 --> 00:45:14,240
Speaker 1: also you have a better idea. Just cancel the party, yeah, instead,

867
00:45:14,920 --> 00:45:21,680
Speaker 1: are your parents forcing you to have exactly with just

868
00:45:21,840 --> 00:45:26,560
Speaker 1: you five guys that's the whole party? Never mind? Then

869
00:45:26,760 --> 00:45:28,800
Speaker 1: I won't do it. It was so strange to me,

870
00:45:29,120 --> 00:45:32,000
Speaker 1: but it was it's a it's a good party, and

871
00:45:32,080 --> 00:45:34,040
Speaker 1: it's it's a nice front of a giant sign that

872
00:45:34,120 --> 00:45:37,160
Speaker 1: says Paul Bunyan's covered. I saw that. I was like,

873
00:45:38,800 --> 00:45:46,239
Speaker 1: it absolutely does. Yeah. So Sean was apparently the first

874
00:45:46,320 --> 00:45:48,360
Speaker 1: one off the list because her parents said guys like

875
00:45:48,480 --> 00:45:52,120
Speaker 1: Sean are a little unpredictable. She's furious at her parents.

876
00:45:52,520 --> 00:45:55,360
Speaker 1: The girls aren't even gonna come. Melissa says her parents

877
00:45:55,480 --> 00:45:58,520
Speaker 1: love Corey because he's a nice young man. So Corey

878
00:45:58,600 --> 00:46:01,160
Speaker 1: grabs her close and very aggressively, like he's going to

879
00:46:01,239 --> 00:46:05,040
Speaker 1: kiss her, but then he's in over his head. She

880
00:46:05,200 --> 00:46:08,480
Speaker 1: calls him a p A, which stands for parentally acceptable.

881
00:46:09,640 --> 00:46:12,319
Speaker 1: I know, I wasn't. I wasn't expecting it, and when

882
00:46:12,360 --> 00:46:18,400
Speaker 1: he grabbed I was like, whoa yet either, That's what

883
00:46:18,440 --> 00:46:19,719
Speaker 1: I thought. For a second. I was like, is he

884
00:46:19,800 --> 00:46:23,120
Speaker 1: getta kisser? And then he didn't right, that's I mean,

885
00:46:23,200 --> 00:46:26,399
Speaker 1: that's the joke, right, of course, trying to be yeah, yeah,

886
00:46:26,719 --> 00:46:29,320
Speaker 1: but but boy, it was it was shocking. I was like,

887
00:46:29,360 --> 00:46:31,200
Speaker 1: it got the point across where he was trying to

888
00:46:31,239 --> 00:46:33,680
Speaker 1: act not parentally acceptable, and I was like, oh he

889
00:46:33,760 --> 00:46:38,640
Speaker 1: did it. Yeah, a little uh will tend to jealousy

890
00:46:39,520 --> 00:46:41,480
Speaker 1: coming from you, Dan Yelle, I'm curious, were you jealous

891
00:46:41,640 --> 00:46:43,480
Speaker 1: that he grabs it somebody else other than to pang

892
00:46:43,719 --> 00:46:46,279
Speaker 1: that hit hit it all? Like, what what the hell

893
00:46:46,320 --> 00:46:48,200
Speaker 1: is this guy doing? No, because I knew he was

894
00:46:48,239 --> 00:46:50,440
Speaker 1: trying to be cool. It wasn't like it wasn't like

895
00:46:51,040 --> 00:46:53,320
Speaker 1: I like you. It was more like watch what I

896
00:46:53,400 --> 00:46:55,840
Speaker 1: can do? But it was I did think it was.

897
00:46:56,600 --> 00:46:59,000
Speaker 1: I didn't expect it from Corey. I mean, of course,

898
00:46:59,440 --> 00:47:01,399
Speaker 1: what then I did expect is the way it ended,

899
00:47:01,440 --> 00:47:03,319
Speaker 1: which is okay, I'm in over my head. I don't

900
00:47:03,360 --> 00:47:05,239
Speaker 1: know what I but I thought I thought it was

901
00:47:05,320 --> 00:47:09,320
Speaker 1: a good um way of like shocking. Yeah, it was shocked.

902
00:47:09,560 --> 00:47:12,239
Speaker 1: It shocked me too. Um. And then a girl comes

903
00:47:12,280 --> 00:47:14,560
Speaker 1: in to tell Melissa there's a cool party somewhere else

904
00:47:14,680 --> 00:47:17,279
Speaker 1: and Melissa Justica Bowman. Do you guys remember her at all?

905
00:47:18,920 --> 00:47:21,000
Speaker 1: I knew her name, you knew her, well, I knew

906
00:47:21,040 --> 00:47:23,680
Speaker 1: her before this. She I knew that she was on

907
00:47:23,719 --> 00:47:25,359
Speaker 1: an episode, but I didn't realize it was this early.

908
00:47:25,680 --> 00:47:27,399
Speaker 1: But yeah, I've known her. I had known her since

909
00:47:27,480 --> 00:47:29,840
Speaker 1: I was like eleven. She was friends with Marla Sokoloff,

910
00:47:30,280 --> 00:47:32,520
Speaker 1: and she lived at the oak Woods. She's from northern California.

911
00:47:32,600 --> 00:47:36,400
Speaker 1: She one of the people who gave you the haircut. Yes, yes, exactly.

912
00:47:36,719 --> 00:47:39,120
Speaker 1: So she was around Um yeah, exactly. So she was

913
00:47:39,239 --> 00:47:41,040
Speaker 1: always around the oak Woods and like one of her

914
00:47:41,120 --> 00:47:43,319
Speaker 1: And then she ended up on Dr Quinn Medicine Woman.

915
00:47:43,360 --> 00:47:47,080
Speaker 1: For a while, she was a regular on that show. Um, yeah,

916
00:47:47,160 --> 00:47:48,839
Speaker 1: I lost touch with her. I think she stopped acting

917
00:47:48,880 --> 00:47:51,120
Speaker 1: as a teenager, like by the time we were sixteen seventeen.

918
00:47:51,160 --> 00:47:53,240
Speaker 1: I think she just went back to school and stopped acting.

919
00:47:53,320 --> 00:47:54,759
Speaker 1: But she was like a part of my life for

920
00:47:54,760 --> 00:47:57,200
Speaker 1: a while. Yeah. I remember the name, and she looked

921
00:47:57,239 --> 00:47:58,920
Speaker 1: familiar I for some reason, I do know why. I

922
00:47:59,000 --> 00:48:03,080
Speaker 1: thought I remember the name in circle. Yeah, yeah she was. Yeah.

923
00:48:03,719 --> 00:48:06,480
Speaker 1: It's it's so funny how small the world, you know,

924
00:48:06,600 --> 00:48:09,160
Speaker 1: like back then, like the pool of child actors, like

925
00:48:09,200 --> 00:48:11,200
Speaker 1: we all knew each other even before they were like

926
00:48:11,280 --> 00:48:13,520
Speaker 1: when we talked about Hillary Talk and like these people

927
00:48:13,560 --> 00:48:15,560
Speaker 1: that only have like one or two lines on boy Betorld,

928
00:48:15,560 --> 00:48:17,800
Speaker 1: but they were huge parts of our personal lives. So

929
00:48:19,360 --> 00:48:21,560
Speaker 1: so Corey walks up to the nerds who are practicing

930
00:48:21,640 --> 00:48:24,600
Speaker 1: Spin the Bottle and they're actually pretty happy just hanging

931
00:48:24,600 --> 00:48:28,239
Speaker 1: out with each other. And then we see Chubbies for

932
00:48:28,360 --> 00:48:36,759
Speaker 1: the first time. So comforting to see it. I felt like, oh, there,

933
00:48:36,920 --> 00:48:39,959
Speaker 1: now I recognized this show, Like I felt like seeing

934
00:48:40,000 --> 00:48:43,600
Speaker 1: the Chubby set like great, now we're getting into parts

935
00:48:43,640 --> 00:48:46,560
Speaker 1: of the show. We're all remember like really being in

936
00:48:46,640 --> 00:48:49,759
Speaker 1: these sets, and and yeah it was. It felt great.

937
00:48:49,960 --> 00:48:53,000
Speaker 1: It's way more comforting than Turner's Classroom, right, Like what

938
00:48:53,160 --> 00:48:55,359
Speaker 1: is that? Like, I don't I don't know. Yeah, every

939
00:48:55,400 --> 00:48:57,480
Speaker 1: time still when I see Turner's class rooar, I want

940
00:48:57,520 --> 00:49:00,640
Speaker 1: to turn it around in my mind. Last Room it

941
00:49:00,760 --> 00:49:03,719
Speaker 1: never feels right, and Chubbies just felt so right. But

942
00:49:03,840 --> 00:49:06,400
Speaker 1: it also it's so funny like this, you know, we

943
00:49:06,480 --> 00:49:10,080
Speaker 1: talked about this sort of like nineteen fifties New York

944
00:49:10,280 --> 00:49:13,680
Speaker 1: thing that like came into season and Chubbies is so

945
00:49:13,920 --> 00:49:16,600
Speaker 1: part of that, Like Chubby's is like the local bug

946
00:49:16,640 --> 00:49:23,600
Speaker 1: and joy you know, like hang out and cause exactly

947
00:49:23,880 --> 00:49:26,920
Speaker 1: where everyone hangs out. You might see Phoenie there, you

948
00:49:27,040 --> 00:49:29,960
Speaker 1: might see your parents there. You also mur yeah, the

949
00:49:30,120 --> 00:49:32,799
Speaker 1: turner and the kids. It's like every it's the cool place,

950
00:49:32,880 --> 00:49:35,560
Speaker 1: but like also the only place apparently to go. Well,

951
00:49:35,640 --> 00:49:37,880
Speaker 1: did you guys have a chubbies when you were growing up?

952
00:49:37,920 --> 00:49:39,839
Speaker 1: Did you have any sort of chubbies? I mean, you writer,

953
00:49:40,000 --> 00:49:41,200
Speaker 1: you grew up in a small town. I grew up

954
00:49:41,200 --> 00:49:42,960
Speaker 1: in a small town, so I mean Coffee Cats. It

955
00:49:43,040 --> 00:49:45,960
Speaker 1: was a coffee shop. It's still in Sabastopol. And yeah,

956
00:49:46,040 --> 00:49:48,839
Speaker 1: by the time we were thirteen fourteen, like we would

957
00:49:48,880 --> 00:49:51,160
Speaker 1: get rides or like I would even ride my bike

958
00:49:51,360 --> 00:49:54,560
Speaker 1: the you know, four miles into town or however far

959
00:49:54,640 --> 00:49:57,080
Speaker 1: it was um and hang out of Coffee Cats and

960
00:49:57,120 --> 00:50:00,439
Speaker 1: just sit there drinking coffee and uh playing key sack

961
00:50:00,760 --> 00:50:04,000
Speaker 1: and magical gathering. But it was like where everybody would

962
00:50:04,040 --> 00:50:06,280
Speaker 1: hang out. I remember the woman who ran it hated

963
00:50:06,320 --> 00:50:09,240
Speaker 1: the fact that all these teenagers had like descended upon her. Really,

964
00:50:09,440 --> 00:50:11,560
Speaker 1: oh yeah, she wanted like a real, like a nice

965
00:50:11,640 --> 00:50:13,920
Speaker 1: upscale coffee shop, you know, with a piano and like,

966
00:50:14,400 --> 00:50:17,040
Speaker 1: and instead it was like just infused with like little

967
00:50:17,080 --> 00:50:20,040
Speaker 1: hippie dirty Hippi, kids playing hacky sack, a lot of

968
00:50:20,120 --> 00:50:22,359
Speaker 1: kids smoking cigarettes like it was you know, I could

969
00:50:22,400 --> 00:50:25,160
Speaker 1: sound now, but for us it was a haven. It

970
00:50:25,239 --> 00:50:27,520
Speaker 1: was it was converted train depot, so it had like

971
00:50:27,640 --> 00:50:30,120
Speaker 1: old train cars to really cool spot and there was

972
00:50:30,120 --> 00:50:34,640
Speaker 1: like an abandoned building that some kids would sleep like yeah, alright,

973
00:50:35,239 --> 00:50:38,480
Speaker 1: So we just had the parking lot at McDonald's. Yeah,

974
00:50:38,560 --> 00:50:40,520
Speaker 1: and it wasn't even McDonald's in our town because our

975
00:50:40,560 --> 00:50:44,200
Speaker 1: town did not allow fast food restaurants by like by law,

976
00:50:44,960 --> 00:50:47,359
Speaker 1: we had to cross the border into Simsbury to hang

977
00:50:47,400 --> 00:50:49,359
Speaker 1: out at their McDonald's was not but it would get

978
00:50:49,360 --> 00:50:54,120
Speaker 1: packed right like, everybody would be there. And ape kids

979
00:50:54,160 --> 00:50:56,399
Speaker 1: still have that because I feel like the Internet kills

980
00:50:56,440 --> 00:50:58,160
Speaker 1: the need for that, because you'd just be like, I'm

981
00:50:58,160 --> 00:51:00,360
Speaker 1: gonna be here, but you wouldn't know who is going

982
00:51:00,400 --> 00:51:02,440
Speaker 1: to be somewhere. You just have to show up and

983
00:51:02,600 --> 00:51:04,640
Speaker 1: hope to run into your friends or people you knew.

984
00:51:05,040 --> 00:51:09,680
Speaker 1: Now we have wait, what's exactly Alsade Meadows. So there

985
00:51:09,719 --> 00:51:12,320
Speaker 1: were every every Friday or Saturday, a whole bunch of

986
00:51:12,320 --> 00:51:14,239
Speaker 1: people would just gather and light a bonfire and you'd

987
00:51:14,239 --> 00:51:15,680
Speaker 1: be in the woods with a bunch of people we do. Yeah,

988
00:51:15,719 --> 00:51:16,960
Speaker 1: we did that in the woods behind my house. We

989
00:51:17,040 --> 00:51:18,600
Speaker 1: had like you know, we used to have parties and stuff.

990
00:51:18,600 --> 00:51:21,120
Speaker 1: But um, but Coffeects was like the social like during

991
00:51:21,160 --> 00:51:22,960
Speaker 1: the day or after school, everybody would just sort of

992
00:51:23,040 --> 00:51:25,880
Speaker 1: go there. Um. I wanted to point out something that

993
00:51:25,920 --> 00:51:28,360
Speaker 1: people probably don't realize. It's like they may notice a

994
00:51:28,480 --> 00:51:32,400
Speaker 1: preponderance of basements in the in boy met world or

995
00:51:32,600 --> 00:51:35,200
Speaker 1: in sitcoms in general. And it's an easy way to

996
00:51:35,320 --> 00:51:38,920
Speaker 1: avoid having to have windows because windows mean that you

997
00:51:39,040 --> 00:51:41,839
Speaker 1: have to windows mean you have to light it more

998
00:51:42,000 --> 00:51:44,640
Speaker 1: from behind the windows. And you know, when you have

999
00:51:44,719 --> 00:51:46,680
Speaker 1: a basement, it makes sense that there's no windows. So

1000
00:51:46,760 --> 00:51:49,960
Speaker 1: it rationalizes not having to have, um the backdrops like

1001
00:51:50,000 --> 00:51:52,000
Speaker 1: the big photo backdrops that cost a lot of money

1002
00:51:52,040 --> 00:51:53,880
Speaker 1: to produce back then, and then you wouldn't have to

1003
00:51:53,960 --> 00:51:55,600
Speaker 1: light that to make it look like it's day or

1004
00:51:55,719 --> 00:51:58,360
Speaker 1: night or whatever. So sets where there are no windows

1005
00:51:58,400 --> 00:52:01,120
Speaker 1: are great swing sets. And that's what Abbies has no windows,

1006
00:52:01,480 --> 00:52:03,440
Speaker 1: and that's why it's a basement for her party too.

1007
00:52:03,560 --> 00:52:05,400
Speaker 1: It makes it so much easier to light it's so

1008
00:52:05,520 --> 00:52:08,320
Speaker 1: it's a way way to have a set. It's whatever

1009
00:52:08,440 --> 00:52:10,680
Speaker 1: time we say it is, it doesn't mean you don't

1010
00:52:10,680 --> 00:52:12,680
Speaker 1: have to look out the window and argue. Did you

1011
00:52:12,760 --> 00:52:16,879
Speaker 1: have a place to hang out Daniel Red Robin Yum, yeah,

1012
00:52:17,000 --> 00:52:19,319
Speaker 1: exactly just with my parents. No, we didn't. I didn't

1013
00:52:19,320 --> 00:52:21,759
Speaker 1: have like a friend a friend spot. Really the mall.

1014
00:52:22,400 --> 00:52:26,000
Speaker 1: On Sunday mornings, Jamie left and I would go to

1015
00:52:26,640 --> 00:52:29,160
Speaker 1: the Promenade Mall, which was next to the Tapanga Mall,

1016
00:52:31,200 --> 00:52:35,839
Speaker 1: and we would get very large vanilla ice blended's from

1017
00:52:35,880 --> 00:52:38,480
Speaker 1: Coffee Bean, and then we would go shop at Victoria's

1018
00:52:38,480 --> 00:52:42,680
Speaker 1: Secret where we would never buy anything because we were teenagers.

1019
00:52:43,120 --> 00:52:45,200
Speaker 1: Don't ask, but it was like just raw shopping. But

1020
00:52:45,239 --> 00:52:46,960
Speaker 1: would you run into people you know? Or was it

1021
00:52:47,080 --> 00:52:48,800
Speaker 1: more like about being out in the city and like

1022
00:52:49,160 --> 00:52:50,719
Speaker 1: people know it was it was the people we went

1023
00:52:50,760 --> 00:52:53,240
Speaker 1: to school with. Basically we run into other kids at school,

1024
00:52:53,239 --> 00:52:55,600
Speaker 1: but it was like the mall was our spot. That's

1025
00:52:55,719 --> 00:53:00,880
Speaker 1: very shout out to Jamie. Yeah, Jamie. Um. So Harley

1026
00:53:01,000 --> 00:53:03,400
Speaker 1: is playing pinball with his gang, and once again Frankie

1027
00:53:03,480 --> 00:53:05,560
Speaker 1: is in his own head thinking. Joey said, he writes

1028
00:53:05,600 --> 00:53:09,080
Speaker 1: poetry and leaves and this comes back because exactly this

1029
00:53:09,280 --> 00:53:11,440
Speaker 1: kind of becomes a runner for him because poetry is

1030
00:53:11,800 --> 00:53:13,880
Speaker 1: ends up being an important part of his character, and

1031
00:53:13,960 --> 00:53:15,719
Speaker 1: that's what you're saying about him being supportive, where he

1032
00:53:15,800 --> 00:53:22,000
Speaker 1: was like, what is it? Sonnets so cute? Then Corey

1033
00:53:22,040 --> 00:53:24,360
Speaker 1: walks in, sees Harley and goes to leave, but backs

1034
00:53:24,360 --> 00:53:27,000
Speaker 1: into Mr Turner, who's not wearing a tie. He was

1035
00:53:27,040 --> 00:53:30,000
Speaker 1: wearing a cool jacket and a white T shirt. Man

1036
00:53:31,480 --> 00:53:33,560
Speaker 1: getting a double chubbies. I'm surprised he didn't have his

1037
00:53:33,880 --> 00:53:37,360
Speaker 1: helmet with him. Should have been just framed it perfectly

1038
00:53:37,400 --> 00:53:39,960
Speaker 1: in his arm, sitting on the edge of the table.

1039
00:53:40,040 --> 00:53:43,200
Speaker 1: Heck yeah. Corey says he can't find Sean, but Turner

1040
00:53:43,239 --> 00:53:44,839
Speaker 1: points him out sitting in a booth with a group

1041
00:53:44,880 --> 00:53:47,560
Speaker 1: of cool kids, and Corey says he made a mistake

1042
00:53:47,600 --> 00:53:50,279
Speaker 1: going to the party, and Turner agrees and says if

1043
00:53:50,320 --> 00:53:52,680
Speaker 1: he doesn't listen in class, he's not going to listen

1044
00:53:52,760 --> 00:53:56,440
Speaker 1: in life. And then Mr Turner gets everyone to everyone's

1045
00:53:56,480 --> 00:53:59,359
Speaker 1: attention by saying turn in your homework, but then says

1046
00:53:59,400 --> 00:54:02,560
Speaker 1: he's kidding and tell Sean his friend is here, and

1047
00:54:02,640 --> 00:54:05,440
Speaker 1: then says good night everybody. I was confused by this.

1048
00:54:05,680 --> 00:54:09,399
Speaker 1: I think the good night everybody, but I remember because

1049
00:54:09,440 --> 00:54:11,440
Speaker 1: I had done it. You don't remember when I did it,

1050
00:54:11,480 --> 00:54:13,600
Speaker 1: I was like this, either I said this again or

1051
00:54:13,640 --> 00:54:15,520
Speaker 1: it became a recurring line, and sure enough, here it

1052
00:54:15,600 --> 00:54:17,960
Speaker 1: is again, although Mr Turner does it, so it was

1053
00:54:18,040 --> 00:54:20,839
Speaker 1: a it was a Johnny Carson thing right that. Yeah, okay,

1054
00:54:20,920 --> 00:54:22,600
Speaker 1: I see, I didn't even know that. I only knew

1055
00:54:22,600 --> 00:54:25,839
Speaker 1: it as a boy's world thing. But everybody isn't even

1056
00:54:25,920 --> 00:54:28,400
Speaker 1: The confusing part to me, what I don't understand is

1057
00:54:28,560 --> 00:54:31,360
Speaker 1: why does he say everybody? Why does he get everyone's

1058
00:54:31,360 --> 00:54:34,960
Speaker 1: attention by saying turn in your homework? And then I

1059
00:54:35,080 --> 00:54:37,680
Speaker 1: was just here is not in class? So he doesn't,

1060
00:54:37,760 --> 00:54:39,920
Speaker 1: you know, like they make a reference to being in class,

1061
00:54:39,960 --> 00:54:41,759
Speaker 1: and he's like, oh, I'm not. And then so that

1062
00:54:41,920 --> 00:54:43,480
Speaker 1: is what it is, because he says, if you're not

1063
00:54:43,560 --> 00:54:45,919
Speaker 1: going to listen in class, why would you listen in life?

1064
00:54:46,520 --> 00:54:48,520
Speaker 1: And then he is that the point that then he says,

1065
00:54:48,560 --> 00:54:51,400
Speaker 1: watch this. If I say to these kids right now, hey,

1066
00:54:51,520 --> 00:54:55,440
Speaker 1: turning your homework, nobody wants to budget. But then it

1067
00:54:55,480 --> 00:54:58,080
Speaker 1: serves a secondary purpose of getting Shawn's attention, which you know,

1068
00:54:58,200 --> 00:55:01,120
Speaker 1: to help Coreyo. Okay, it's a little bit of a

1069
00:55:01,480 --> 00:55:04,000
Speaker 1: little bit of a thinker. For me, I just was like, okay,

1070
00:55:04,239 --> 00:55:06,279
Speaker 1: but love the good Night. Everybody remembered you doing it.

1071
00:55:06,520 --> 00:55:08,919
Speaker 1: Sean says he got an extra order of chili cheese

1072
00:55:09,000 --> 00:55:11,440
Speaker 1: fries for Corey, but Corey says Sean is probably too

1073
00:55:11,480 --> 00:55:13,719
Speaker 1: busy with his cool friends and so he's going to leave.

1074
00:55:14,000 --> 00:55:16,279
Speaker 1: But Shawan says the people at his table will just

1075
00:55:16,360 --> 00:55:19,120
Speaker 1: make room for Corey. Corey says they'll see Sean talking

1076
00:55:19,200 --> 00:55:21,560
Speaker 1: to him, and that's bad because he's a geek. Shan

1077
00:55:21,640 --> 00:55:23,600
Speaker 1: doesn't get it. He says Corey is his best friend.

1078
00:55:23,760 --> 00:55:25,200
Speaker 1: He doesn't think he's a geek. He just has to

1079
00:55:25,280 --> 00:55:27,759
Speaker 1: loosen up. Corey wants to be cool like Sean, but

1080
00:55:27,840 --> 00:55:30,600
Speaker 1: Sean doesn't think he's cool at all. Corey points out

1081
00:55:30,640 --> 00:55:33,920
Speaker 1: that Sean is actually at the cool party. He's actually

1082
00:55:33,960 --> 00:55:36,600
Speaker 1: the center of the cool party. And when Sean realizes

1083
00:55:36,680 --> 00:55:38,680
Speaker 1: he's at the cool party, he decides to leave, taking

1084
00:55:38,719 --> 00:55:41,719
Speaker 1: his best friend Corey with him. Such a nice scene, man,

1085
00:55:42,360 --> 00:55:47,000
Speaker 1: It's like just a cool like yeah, and I love it.

1086
00:55:47,040 --> 00:55:49,759
Speaker 1: It's a perfect development of the themes of season one,

1087
00:55:49,920 --> 00:55:51,200
Speaker 1: you know, because again, in a lot of ways this

1088
00:55:51,360 --> 00:55:54,000
Speaker 1: could have been like a season one episode, you know,

1089
00:55:54,280 --> 00:55:58,320
Speaker 1: like there's nothing obviously the makeout party factor, but like

1090
00:55:58,719 --> 00:56:01,520
Speaker 1: it's building on like all the tensions that Corey felt

1091
00:56:01,520 --> 00:56:03,440
Speaker 1: in the first season where you know, I'm on the

1092
00:56:03,480 --> 00:56:06,320
Speaker 1: B team, I'm you know, like and and it's a

1093
00:56:06,400 --> 00:56:08,319
Speaker 1: classic Corey thing to be like, there are two types

1094
00:56:08,360 --> 00:56:10,160
Speaker 1: of people in the world, you know, the people who

1095
00:56:10,239 --> 00:56:11,680
Speaker 1: make the A team, people make the B team. In

1096
00:56:11,719 --> 00:56:13,480
Speaker 1: this episode is there's the two types of people, the

1097
00:56:13,560 --> 00:56:16,040
Speaker 1: invited or the uninvited. And I just love that, Like,

1098
00:56:16,239 --> 00:56:20,400
Speaker 1: you know, basically, Corey is this anxious person, like that

1099
00:56:20,560 --> 00:56:24,239
Speaker 1: his anxieties create situations that aren't really there. Like I

1100
00:56:24,360 --> 00:56:27,120
Speaker 1: just think that's great because every kid can relate to that. Yeah,

1101
00:56:27,280 --> 00:56:29,120
Speaker 1: but I mean everybody feels this at some point, right,

1102
00:56:29,200 --> 00:56:31,879
Speaker 1: like in some version of this, and so Corey as

1103
00:56:31,960 --> 00:56:35,560
Speaker 1: a stand in for all the young people of America.

1104
00:56:35,760 --> 00:56:37,560
Speaker 1: Like when you're watching it, you're like, yeah, like I've

1105
00:56:37,560 --> 00:56:39,399
Speaker 1: definitely felt that way at times, and I just love

1106
00:56:39,600 --> 00:56:41,319
Speaker 1: you know, and then that it plays out and it's

1107
00:56:41,320 --> 00:56:43,640
Speaker 1: just a conversation between two friends and then this I

1108
00:56:44,080 --> 00:56:46,400
Speaker 1: think that this is probably the best, like one of

1109
00:56:46,440 --> 00:56:49,920
Speaker 1: the best moments with Corey and Sean where he's like,

1110
00:56:50,000 --> 00:56:53,640
Speaker 1: are you know, am I cool? No? My no? Nerd

1111
00:56:53,719 --> 00:56:56,080
Speaker 1: or geek? No? Who what am I you know, I

1112
00:56:56,120 --> 00:56:58,120
Speaker 1: just love that. That's like one of the best exchanges.

1113
00:56:58,200 --> 00:57:00,279
Speaker 1: It's so you're your Corey, You're always going and we're

1114
00:57:01,680 --> 00:57:05,080
Speaker 1: so comforting. It's so it's like that that you know

1115
00:57:05,200 --> 00:57:07,759
Speaker 1: that Sean can be a good friend, Like he doesn't

1116
00:57:07,760 --> 00:57:09,239
Speaker 1: have to be smart or whatever, he just has to

1117
00:57:09,320 --> 00:57:12,000
Speaker 1: be a good friend. And like it's so nice. It

1118
00:57:12,080 --> 00:57:15,120
Speaker 1: just made me. It's also very right though, to look

1119
00:57:15,160 --> 00:57:17,760
Speaker 1: around and kind of say, oh, this is the cool place.

1120
00:57:18,080 --> 00:57:22,120
Speaker 1: Come on, let's bailing very well, let's just let's just go.

1121
00:57:22,280 --> 00:57:23,440
Speaker 1: We don't need like, we don't need to be here.

1122
00:57:23,560 --> 00:57:26,960
Speaker 1: I just also love any opportunity where Sean gets to

1123
00:57:27,040 --> 00:57:31,160
Speaker 1: be the grounding force. Yes, yes, you know, where Shawn

1124
00:57:31,280 --> 00:57:34,520
Speaker 1: gets to be the one saying listen, man, I'm always

1125
00:57:34,560 --> 00:57:38,080
Speaker 1: here for you and we're gonna be it's you and me,

1126
00:57:38,200 --> 00:57:40,040
Speaker 1: It's you and me for life. I just it was

1127
00:57:40,120 --> 00:57:44,640
Speaker 1: such a nice payoff for your friendship. Um and uh

1128
00:57:44,880 --> 00:57:48,880
Speaker 1: and yeah, nice little reminder of that core friendship we

1129
00:57:48,920 --> 00:57:50,720
Speaker 1: fell in love with in season one. That was the

1130
00:57:51,080 --> 00:57:52,760
Speaker 1: the you know, the focal point of season one, and

1131
00:57:52,800 --> 00:57:55,080
Speaker 1: now we've gotten a kind of away from it with

1132
00:57:55,160 --> 00:57:57,120
Speaker 1: all these other characters. This was a nice episode of

1133
00:57:57,160 --> 00:57:59,640
Speaker 1: bringing it back. Yeah, and and it's also developing it too,

1134
00:57:59,680 --> 00:58:02,120
Speaker 1: because not the same thing where you know, in the

1135
00:58:02,560 --> 00:58:04,520
Speaker 1: first season it was a lot of like Sewan and Trouble,

1136
00:58:04,960 --> 00:58:08,560
Speaker 1: Sean needing Corey sport being needing Corey to ground him.

1137
00:58:08,760 --> 00:58:10,640
Speaker 1: And this is like Sean kind of paying that back

1138
00:58:10,920 --> 00:58:15,640
Speaker 1: socially by because he's more whatever, so older and girls

1139
00:58:15,680 --> 00:58:18,120
Speaker 1: are interested in him, and so he's able to like

1140
00:58:18,560 --> 00:58:21,080
Speaker 1: be there for Corey. And that's so nice. Man. This

1141
00:58:21,200 --> 00:58:23,600
Speaker 1: is that I mean, this episode is great. Yeah, I

1142
00:58:23,680 --> 00:58:26,200
Speaker 1: love it. So we're in the Matthews living room. Alan

1143
00:58:26,280 --> 00:58:28,640
Speaker 1: is still hurt on the couch, eating milk and cookies

1144
00:58:28,720 --> 00:58:32,120
Speaker 1: with one of those little pickup clothings man, and then

1145
00:58:32,240 --> 00:58:34,720
Speaker 1: Amy comes down in a robe, saying he got another

1146
00:58:34,840 --> 00:58:38,640
Speaker 1: catalog order and then reveals a sexy silk nightgown she

1147
00:58:38,800 --> 00:58:42,480
Speaker 1: bought for her Next I'd like to point out that

1148
00:58:42,600 --> 00:58:45,800
Speaker 1: on my on my notebook here I spelled neglig n

1149
00:58:45,880 --> 00:58:53,720
Speaker 1: E g l e s negligent. Yeah, I think at all.

1150
00:58:54,600 --> 00:58:58,200
Speaker 1: I think you just really liked the words. I did

1151
00:58:58,280 --> 00:59:01,959
Speaker 1: not remember that she actually opened the robe. I figured

1152
00:59:02,040 --> 00:59:03,680
Speaker 1: she was going to allude to the fact that there

1153
00:59:03,760 --> 00:59:06,280
Speaker 1: was something sexy underneath. I was like, that would be

1154
00:59:06,360 --> 00:59:10,080
Speaker 1: weird if you would assume that she was naked underneath.

1155
00:59:10,120 --> 00:59:12,160
Speaker 1: Well even that, but again kind of like hey even

1156
00:59:12,240 --> 00:59:14,880
Speaker 1: wrapped the package. More as a pause, she just go

1157
00:59:15,040 --> 00:59:18,440
Speaker 1: Betsy like, just what I got? It was great? Amy

1158
00:59:18,520 --> 00:59:20,520
Speaker 1: asks if he can get upstairs, and he says he

1159
00:59:20,600 --> 00:59:23,439
Speaker 1: doesn't know. She whispers in his ear about what's waiting

1160
00:59:23,520 --> 00:59:26,000
Speaker 1: for him, and Alan suddenly can get up off the couch.

1161
00:59:26,160 --> 00:59:30,120
Speaker 1: It's a miracle. And then on his way up he

1162
00:59:30,360 --> 00:59:38,240
Speaker 1: claused the vitamin E. Is that what it was? I

1163
00:59:38,360 --> 00:59:44,160
Speaker 1: thought it was a jar of peanut butter, and so

1164
00:59:44,360 --> 00:59:46,680
Speaker 1: all that was going through my head was where did

1165
00:59:47,160 --> 00:59:50,640
Speaker 1: this man have planned? Honestly thought it was a jar

1166
00:59:50,680 --> 01:00:02,160
Speaker 1: of peanut butter? Like what okay, yours more? Sen Okay,

1167
01:00:03,160 --> 01:00:08,320
Speaker 1: they're going to have many other people misinterpreted that getting

1168
01:00:08,360 --> 01:00:13,440
Speaker 1: the chocolate sauce. It was really they were going with that.

1169
01:00:13,920 --> 01:00:18,880
Speaker 1: There's too many make you a sandwich of stairs? What

1170
01:00:19,040 --> 01:00:21,560
Speaker 1: they were planning. I'm going to make a sandwich out

1171
01:00:21,640 --> 01:00:26,240
Speaker 1: of you? Okay, thank god? Alright, alright, good all different

1172
01:00:26,320 --> 01:00:31,440
Speaker 1: thing good? Good? Oh wow, Well, thank you for joining

1173
01:00:31,520 --> 01:00:34,000
Speaker 1: us for this episode of Pod Meets World. As always,

1174
01:00:34,040 --> 01:00:36,080
Speaker 1: you can follow us on Instagram pod Meets World Show.

1175
01:00:36,480 --> 01:00:38,480
Speaker 1: You can send us your emails at Pod Meets World

1176
01:00:38,520 --> 01:00:42,160
Speaker 1: Show at gmail dot com. And we have merch match

1177
01:00:43,280 --> 01:00:51,560
Speaker 1: pod Meats World Show. It's like it's match. I love it.

1178
01:00:51,920 --> 01:00:55,520
Speaker 1: Thank you well, We'll see you all next time. We

1179
01:00:55,640 --> 01:01:00,440
Speaker 1: love you all. Pod dismissed. Pod Meats were Worlds, an

1180
01:01:00,480 --> 01:01:03,880
Speaker 1: I Heart podcast produced and hosted by Daniel Fisher, Wilfred

1181
01:01:04,000 --> 01:01:07,720
Speaker 1: l And Writer Strong Executive producers Jensen Carp and Amy Sugarman,

1182
01:01:07,880 --> 01:01:11,360
Speaker 1: Executive in charge of production, Danielle Romo, producer and editor,

1183
01:01:11,520 --> 01:01:15,640
Speaker 1: Tara sud Batch, producer, Jackie Rodriguez, engineer and Boy Meets

1184
01:01:15,680 --> 01:01:18,560
Speaker 1: World super fan Easton Allen. Our theme song is by

1185
01:01:18,680 --> 01:01:21,640
Speaker 1: Kyle Morton of Typhoon. You can follow us on Instagram

1186
01:01:21,760 --> 01:01:24,240
Speaker 1: at Pod Meets World Show or email us at Pod

1187
01:01:24,280 --> 01:01:26,040
Speaker 1: Meets World Show at gmail dot com.