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Speaker 1: This is your wake up call, Breakfast Club to show

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Speaker 1: you love to hate from the A to the West Coast.

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Speaker 1: DJ mvy Angela Ye, Charlomagne the God, the rule is

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Speaker 1: show on the planet. This is where I respect this

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Speaker 1: show because this is a voice of society, says in

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Speaker 1: the day, guys are the coveted morning show that y'all earn,

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Speaker 1: impacting the culture in the morning. And want to hear

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Speaker 1: that Breakfast the world's most dangerous morning show. That was

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Speaker 1: Draper Control the morning. Everybody's DJ mvy Angela Yee, Charlomagne

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Speaker 1: the God. We are the Breakfast Club. We got a

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Speaker 1: special guest in the building, Andy Cohen. Good morning, fel.

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Speaker 1: How's it going talk about the Real Housewives? Okay, so

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Speaker 1: now you created my favorite show, executive producers favorite show. Yeah,

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Speaker 1: how did you get the idea of the show? How

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Speaker 1: did it come about? I worked with a great team

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Speaker 1: of people and this guy brought us video of these

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Speaker 1: women in Orange County. This was years ago, you know,

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Speaker 1: whatever his idea for the show was, whatever ours was.

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Speaker 1: I'm a big fan of soap operas, and in my mind,

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Speaker 1: I was like, these women, their hair is blonder than

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Speaker 1: I've ever seen their boobs are bigger, they talk to

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Speaker 1: each other differently than I've ever seen, and they all

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Speaker 1: live on the same block and the same cool exact.

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Speaker 1: I was like, this could be a soap opera, a

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Speaker 1: reality soap opera in some weird way, and that's what

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Speaker 1: it became, you know. And and with the success of

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Speaker 1: Orange County, we had casting for other shows in other cities.

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Speaker 1: I think Atlanta was originally called The Girls of Hotlanta

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Speaker 1: or something Hotlanta, and we were like, wait a minute,

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Speaker 1: these are doing so well. What if this is the

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Speaker 1: Real Housewives of Atlanta? And that's how we turned casting

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Speaker 1: tape into something totally different. At one point, Aby, wasn't

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Speaker 1: your wife supposed to be on Real Housewives of New Jersey?

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Speaker 1: They reached out a couple of times, that is trying

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Speaker 1: remember this from the casting Yeah, remind me what you're watching. Yes, yes,

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Speaker 1: well we didn't decide to do it. I've never even

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Speaker 1: asked you because I remember you guys. Yeah, she I

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Speaker 1: remember this from the casting. Absolutely came by neighbors with

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Speaker 1: Teresa yep before Yeah, I'll do it. Yeah she does.

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Speaker 1: But has any cast member had to ask for money?

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Speaker 1: Because it seems like when you when they go on

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Speaker 1: she had to ask for money. They all get paid.

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Speaker 1: Oh so there's no advances or anything like that, because no,

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Speaker 1: no, no no, no, they get paid at a very specific

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Speaker 1: time and there are no advances. It's not can you

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Speaker 1: cut me a check for the reunion? Now? Percent is wise?

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Speaker 1: How many people really be stunting? Like if you could say,

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Speaker 1: rented a house just for this take of Oh, that's

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Speaker 1: a good question. Well, you know, it's interesting because it's

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Speaker 1: hard to lie in New York and Beverly Hills, okay,

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Speaker 1: because if you see the home just the real estate

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Speaker 1: prices are higher. But I mean I feel like in

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Speaker 1: Atlanta you could get more a lot more for less,

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Speaker 1: and you could rent more for less. So but in

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Speaker 1: the case of kind of Chateau Cheray on Atlanta, if

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Speaker 1: you now see that house, she owns it, she built it.

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Speaker 1: It's by the way, it's like six years in the making,

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Speaker 1: so maybe it hasn't gone as quickly as she would

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Speaker 1: have liked. But that's a huge that I think she

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Speaker 1: said it was like fifteen thousand square it's a crazy

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Speaker 1: huge house. And that house is hers. Now, what's your

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Speaker 1: favorite one? You know what? It's usually the one that

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Speaker 1: I'm watching as a producer. So right now I'm watching

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Speaker 1: Atlanta and Beverly Hills. Atlanta is the highest rated. Atlanta

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Speaker 1: makes me laugh. Atlanta in New York make me laugh

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Speaker 1: the most. There's something about them that I just can't

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Speaker 1: get over. I think Nani and Bethany and Lisa vander Pump, Uh,

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Speaker 1: Teresa Vicky Ramona. I think if you look at some

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Speaker 1: of the ogs who have been on, you know, for

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Speaker 1: the longest, those are the ones that are most identifiable.

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Speaker 1: But you know, you've You've got you. It's a strong bench.

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Speaker 1: You got Kyle, you got Gigi adds mommyl on the foster.

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Speaker 1: I mean there are people who are really, you know,

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Speaker 1: have become very famous from the show. Candy by the way,

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Speaker 1: you know Candy is like, uh, Candy's got like four

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Speaker 1: million Instagram followers. I was like, well, like Candy was

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Speaker 1: popular before with Escape, and she's someone who is really

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Speaker 1: you cannot her popularity on the show, She's huge. I

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Speaker 1: wish your contracts, like do you do you get a

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Speaker 1: piece of everything? Like when Bethany god to do daytime

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Speaker 1: TV and meeting no. I think they are different with everybody,

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Speaker 1: but the cool thing for the women about the shows

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Speaker 1: is that they wind up being able to capitalize on

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Speaker 1: the platform in many, many ways. I think that Bravo

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Speaker 1: celebrates that husbands get paid. No, no husbands, it's about

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Speaker 1: the women. Why don't you get flack? Fla Jasse Mona

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Speaker 1: Scott Young would get flack. O Shani O'Neil would get flack.

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Speaker 1: They don't have to give you fleck when people are

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Speaker 1: on your show. Wild such a stigma with reality shows,

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Speaker 1: and I feel I think it's it's not as bad

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Speaker 1: because I think and by the way, I haven't really

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Speaker 1: to be totally honest with you. Ever seen Love in

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Speaker 1: Himp Hop? Yeah, no, of course, Yeah, of course. I

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Speaker 1: get the sense that that show is a little more

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Speaker 1: intense ratchet than than the outside of Atlanta. So I

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Speaker 1: don't know. It's not a racial all right, Yeah, no,

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Speaker 1: I don't. I'm just not going to be quoted. Yeah,

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Speaker 1: you know, Palo was a little No, I'm not listen,

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Speaker 1: I have not seen the show. I am not saying that. So,

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Speaker 1: but you're asking me why I don't care more flak.

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Speaker 1: I don't know. Listen, I've gotten my share of flack.

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Speaker 1: I think the other thing is there is a moment

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Speaker 1: of ratchet in every city. So this is so. In

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Speaker 1: other words, if it was like, oh no, the only

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Speaker 1: ratchet is happening, you listen, we all have ratchet in

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Speaker 1: our lives at one moment or another. It's not only

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Speaker 1: women of color that have you know. So we have

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Speaker 1: more with Andy Cohen when we come back. Keep it locked.

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Speaker 1: This to Breakfast Club. Good morning, the Breakfast Club, Tony.

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Speaker 1: Everybody is DJ mvy angela Ye, Charlomagne, the guy. We

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Speaker 1: are the Breakfast Club. We have Andy Cohen in the building. Now, Charlomagne,

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Speaker 1: let's talk about watch what happen a lot for Yeah,

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Speaker 1: but you told Entertainment to Night that you feel like

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Speaker 1: you went too far with Oprah when you asked her

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Speaker 1: if she's ever been with a woman. Don't ever feel

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Speaker 1: bad about asking questions? Everybody think, yeah, no, listen, that's

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Speaker 1: what I do, That's what I like to do. And

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Speaker 1: yeah no, there was just a moment where I asked

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Speaker 1: the question. It was my interview with her was going

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Speaker 1: so well, and then I was like, you know what,

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Speaker 1: I ask all these women this, I'm just gonna go

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Speaker 1: for it. This is going so great. I'm like, Oprah,

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Speaker 1: have you ever swamming the Lady Ponds. Well, I mean,

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Speaker 1: my words hung in the air there for a second.

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Speaker 1: And then Gail emailed me the next day and said,

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Speaker 1: I don't think she knew what that meant. She goes

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Speaker 1: because Oprah, there is this quizzical look on Oprah's face.

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Speaker 1: You see it and then and I was like, oh no,

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Speaker 1: oh no, did I just ruin it? And She's like no,

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Speaker 1: she goes, uh no, And I said, Okay, that's cool.

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Speaker 1: I ask everybody, and then I moved on. But yeah,

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Speaker 1: you have a guy. Oprah irritated before it too, because

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Speaker 1: you told her she told you one interview. Oh that

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Speaker 1: was yeah, that was many that was in my first book.

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Speaker 1: That was That's kind of a long story, but I did. Yeah,

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Speaker 1: but she uh, she's in the new book, which is

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Speaker 1: called Superficial. More Adventures from the andyko and Diaries. I'm

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Speaker 1: on tour with Anderson Cooper. He and I go around

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Speaker 1: the country in this Q and A. Yeah, we're good

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Speaker 1: buddies and we kind of interview each other on stage,

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Speaker 1: just like a night out drinking with us basically, And

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Speaker 1: we were in Santa Barbara and I've gotten tickets through

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Speaker 1: Gail for Oprah's flight attendant to see my show. Yes,

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Speaker 1: Oprah has a flight attendant, okay, because she's got a plane.

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Speaker 1: And so we were in Santa Barbara and I was

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Speaker 1: saying to Anderson, I was looking at Oprah's Instagram and

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Speaker 1: I was like, dude, she's here. I saw a picture

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Speaker 1: from her porch in Santa Barbara. I was like, I

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Speaker 1: recognized that from the Legends ball like, I want to

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Speaker 1: go there. Well, I want her to invite me for

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Speaker 1: a shot of tequila. And then next morning we wake

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Speaker 1: up separately. But I woke up and I know and uh,

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Speaker 1: that sounded weird. I woke up and there was an

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Speaker 1: email and a text from Gail saying Oprah wants you

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Speaker 1: to come over for brunch today to the house. I

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Speaker 1: was like, this is like my complete and total fantasy

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Speaker 1: going to Oprah's for brunch. I get to like see

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Speaker 1: she and Steadman interacting at close range. And uh, and no, dude,

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Speaker 1: I had to fly back to New York because I

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Speaker 1: had my show is live. My show is live. No, no, no, dude,

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Speaker 1: I cannot miss my show to go to drop another name.

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Speaker 1: I was emailing Sarah Jessica Parker, who was a good

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Speaker 1: friend of mine. I go, I got invited Oprah's and

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Speaker 1: I go and I couldn't go. She goes, don't worry,

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Speaker 1: you'll be invited again. I go. You don't understand, I won't.

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Speaker 1: This is not I'm never gonna be in Santa Barbara

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Speaker 1: with Anderson where she is like, this is never happening again. No,

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Speaker 1: we have never we were. The way that he and

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Speaker 1: I met is that we were set up on a

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Speaker 1: blind date, like twenty something years ago, and we spoke

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Speaker 1: on the phone and he said that I was too um.

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Speaker 1: He could tell that I was gesticulating wildly on the

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Speaker 1: phone and that was too much for him, which is

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Speaker 1: my reading that I was like being too queenie or

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Speaker 1: something for him on the phone. And uh, And I

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Speaker 1: was like, all right, well I thought it went well,

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Speaker 1: you know, but whatever, we you know what, we were

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Speaker 1: not meant. We're good buddies. We're good No, no, no,

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Speaker 1: and you know what, we could probably have gotten into

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Speaker 1: some really fun things, but no, no, no, no, no no

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Speaker 1: no no. Yeah, it would be a train I guess

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Speaker 1: we wouldn't. We wouldn't be our cars wouldn't be connected.

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Speaker 1: Did you ever have to do anything sexual for career? Advancement.

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Speaker 1: Unfortunately not No. I mean I've always been open for business.

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Speaker 1: You know what I mean to be like I wish

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Speaker 1: someone view like Oh man, thanks you guys, get back

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Speaker 1: on the show man. I want to see NBA ge

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Speaker 1: on Real Housewives. I know, I don't know about that.

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Speaker 1: They don't do a lot of problems over there, boy

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Speaker 1: now putting it on block. I don't know if I'm

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Speaker 1: built yeah, yeah, and then I'll be texting you all

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Speaker 1: the time, Yes you will. I don't know if I

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Speaker 1: need that, all right, guys, niko in it is the

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Speaker 1: Breakfast Club. Good morning, the Breakfast Club. Yeah, it's the

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Speaker 1: world most dangerous. Wanting to show the Breakfast Club. Charlomagne

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Speaker 1: and God Angelie. We have a special guest here. We've

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Speaker 1: been waiting for this young lady. That's right. We conquested

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Speaker 1: because we are fans of the show Instcure on HBO.

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Speaker 1: And I'm not gonna mess up your name. Yes, good

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Speaker 1: for you. Boom Now who is easy rap for people

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Speaker 1: who don't know? Uh? The self proclaim Aukwera black Girl

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Speaker 1: who as a show on HBO. Now that's a big writer,

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Speaker 1: producer aquer black girls. They don't usually give black people

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Speaker 1: in general, but black women on HBO show that you're

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Speaker 1: starting in you created. I mean, it's been a long

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Speaker 1: ass journey. Well with them three years, but like you know,

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Speaker 1: I've been doing this for about nine years YouTube series,

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Speaker 1: but well my youth. The first YouTube series I ever

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Speaker 1: created was in two thousand and seven when I was

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Speaker 1: a senior in college. And then Aquare Black Girl is

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Speaker 1: the series that kind of defined me and launched my career,

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Speaker 1: and that was in two thousand and eleven. But I

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Speaker 1: had two other ones before that one that you know,

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Speaker 1: we're moderately successful, but this one, by far is what

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Speaker 1: launched my career. So like an you kind of like

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Speaker 1: an Internet star, we don't give it in a net

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Speaker 1: stars enough credit because it's always like the Eight Hounds

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Speaker 1: and it is. I'm just saying, like he's just certified,

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Speaker 1: Like you got an HBO show out of this, Yeah,

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Speaker 1: but I still don't. I'm never an Internet start because

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Speaker 1: they have like out like millions of viewers every day,

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Speaker 1: Like people don't really check for series in the same

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Speaker 1: way that they do like one offs or blogs or

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Speaker 1: so we very much had to build from the ground up,

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Speaker 1: and I credit you know, for sure, the viewers of

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Speaker 1: this show of Awkward Black Girl for the reason that

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Speaker 1: I have shown HBO now for sure. So, when you're

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Speaker 1: gonna start acting regular but you still on social media,

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Speaker 1: you still be talking to you. I mean, when you're

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Speaker 1: gonna stop acting is pretty regular. Um, I don't know

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Speaker 1: it's gonna come a point season two and three. You

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Speaker 1: can be like, all right, I can't just tweet with you.

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Speaker 1: When did you stop acting regular? You still do this?

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Speaker 1: He's still be going back and forth. Listen, Schanleman gets

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Speaker 1: too upset about things. You can. I see you like

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Speaker 1: in your book you analyze people's tweets. I saw you

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Speaker 1: wrote about how you got upset because stripper got mad

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Speaker 1: at you. Yeah, and I didn't even read the book.

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Speaker 1: I got to read the book. Man, that's mom about

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Speaker 1: to do this this weekend. I was, I was. I

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Speaker 1: was watching the Grammys, and I tweeted something where I

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Speaker 1: was saying, oh, someone, if you would be a stripper,

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Speaker 1: you would come out to you and I t y

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Speaker 1: and you would be a UM and I would come

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Speaker 1: out in a pants suit. Yeah, because I can't remember.

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Speaker 1: I think I said I respect but she didn't like

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Speaker 1: a respectable stripper, which in hindsight, Okay, maybe I shouldn't

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Speaker 1: have said that, but she was like, oh, how brave

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Speaker 1: of you to come out, not like all of us whores.

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Speaker 1: And she just went in and I didn't understand it

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Speaker 1: at the time. I was like, I wasn't coming for you.

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Speaker 1: And then she went there and pae and saw who

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Speaker 1: she was and then said, listen when you guess, because

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Speaker 1: I guess. She had said she was sleep deprived and

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Speaker 1: couldn't sleep. Yeah, so I was trying to be empathetic.

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Speaker 1: I was like, I wanted to her page about her tweets,

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Speaker 1: and she was like, you know, talking about how she

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Speaker 1: hadn't gotten sleep, and so I was like, hey, we

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Speaker 1: should talk about this when you get some sleep and

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Speaker 1: trump I said, and she was like, we should talk

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Speaker 1: about this when you get some empathy, you horrf phobic ass,

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Speaker 1: And then she blocked me. There's a thing called horror

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Speaker 1: phobia to this. Not only not only did she get blocked,

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Speaker 1: then she went to another page to go look at

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Speaker 1: her tweets because she was blocked. You really would up.

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Speaker 1: I was just like, why did she do that? I

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Speaker 1: didn't understand why, but she I made her upset, And like,

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Speaker 1: now three years later I'm like, okay, like I get

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Speaker 1: why you were upset, and you had a right to

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Speaker 1: be upset. It's because this I'm coming at your world,

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Speaker 1: and I'm coming in a way from like speaking like

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Speaker 1: I'm above it. But of course, like I don't. I

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Speaker 1: don't like to upset people. Now I'm realizing, like a lease,

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Speaker 1: everybody ever in life, there's always going to be people

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Speaker 1: to say real stuff to you. If I go to

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Speaker 1: everybody's page, sometimes I do just to be like somebody like, oh,

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Speaker 1: you're so ugly, and then you go look at their

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Speaker 1: page and you're like your life all right now I

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Speaker 1: feel better. Yeah. I don't think y'all two accepting as

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Speaker 1: women though sometimes because it's okay for like, growing up,

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Speaker 1: moms and grandmas would be like yo, they wouldn't want

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Speaker 1: you to be no scriphood. They would tell you respect yourself?

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Speaker 1: So what's wrong with you? Telling that? Does somebody because

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Speaker 1: that's one of the one that's not my place, and

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Speaker 1: there's an assumption there that she doesn't have respect for herself.

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Speaker 1: I think plenty of strippers and ex strippers who are

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Speaker 1: cool people popping yeah, who just want to do that,

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Speaker 1: and like there is a talent associated with stripping. Like, yeah,

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Speaker 1: I don't like strippers that don't have talent though, because

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Speaker 1: that's stippers is just like walking around. I like when

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Speaker 1: they can do stuff like have trads. I don't like

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Speaker 1: strips that don't have goals. Seriously, like you have to

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Speaker 1: have a goal. I have to be forever saying. Way

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Speaker 1: you tell drug dealers you can't sell, don't fell where

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Speaker 1: you can't be a script. There's like at least like

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Speaker 1: promotions in drug dealing, right you can get you can

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Speaker 1: aspire to. You don't want to be like the one

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Speaker 1: on the corner. You rather be the one if that

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Speaker 1: supplies the one on the right, right right, But like

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Speaker 1: what is the I guess what's the Kingpins strip? There's

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Speaker 1: no Queen Pin script whatever, because you could be the

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Speaker 1: featured act and you can also travel to other places

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Speaker 1: and Dubai or like for some and you don't want

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Speaker 1: to be like the morning stripper you Friday night featured

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Speaker 1: when everyone comes to her they're big if they have

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Speaker 1: a big night that night. You want to be the

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Speaker 1: one that you still do the same way when rappers

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Speaker 1: come here and they over forty and they're still acting

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Speaker 1: like thugs and street dudes. I'm like, bra yeah, you

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Speaker 1: got you gotta elevate. Come on, right, So you just

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Speaker 1: answered your own question. There is a level of respect,

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Speaker 1: all right. We got more with Easta Ray when we

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Speaker 1: come back. Please watch Insecu on HBO every Sunday at

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Speaker 1: ten thirty. It's the world most dangerous Morning to show

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Speaker 1: to breakfast club. The breakfast Club. Yeah, it's the world

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Speaker 1: most dangerous. Want to show the breakfast Club. We're here

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Speaker 1: with Easta Ray. You can watch her every Sunday at

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Speaker 1: ten thirty on HBO with her show Insecure. I have

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Speaker 1: a level of respect for you because you're so dope

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Speaker 1: and you're smart, but I have my level. Just what

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Speaker 1: becauld You still have to tag on your coat and

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Speaker 1: the type person I am that you gave me this

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Speaker 1: to wear for the parents came in New York, but

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Speaker 1: I do love this clothing company. They Now I wanted

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Speaker 1: your opinion on this. You gotta get these Spanish and

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Speaker 1: he's white holes. They just start getting fine than the mother, y'all.

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Speaker 1: Black hood's better. Tighten up, y'all doing all that extra

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Speaker 1: for nothing. You get your ass done, get done, and

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Speaker 1: you're paying one fifty to get your makeup done just

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Speaker 1: to go to your mother a local club. These Spanish

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Speaker 1: and the white holes just getting very spiffy on y'all,

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Speaker 1: brown fed chicken. You old. It is useless. Let's just

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Speaker 1: media training and working. How you feel about that? I mean,

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Speaker 1: I just want to know what black woman listen to

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Speaker 1: that and was like, oh, got to tighten up, like

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Speaker 1: you know. Yeah. So I'm just like, who's this message?

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Speaker 1: Listen to that and who did it get through too?

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Speaker 1: Because I didn't listen to it and go up. Well,

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Speaker 1: he's spoken. He doesn't want me. He doesn't want me.

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Speaker 1: God dang it, I'm gonna lose. Trick daddy. I gave

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Speaker 1: don't get the daya trick. But I was actually I

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Speaker 1: was talking to women to him, like why do y'all?

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Speaker 1: It's trick daddy. He's gonna say what he says, and

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Speaker 1: I don't agree. Kid, also don't care. He lets the kid, y'all.

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Speaker 1: So lets the holes and people constantly come for us,

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Speaker 1: people constantly come from black woman. Yes, I can. I

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Speaker 1: can understand the anger because it's like all the time

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Speaker 1: people are coming from us, but he does not matter. Listen,

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Speaker 1: we can sound like this. You got this clip. I

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Speaker 1: love playing problematic stuff for you. I just got into

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Speaker 1: a big debate with this female because I'm on speaker

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Speaker 1: phone with my nick and he say where the holes that?

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Speaker 1: And I'm like, it's a couple over here right now.

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Speaker 1: She get mad, talk ain't no holes over here. But

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Speaker 1: I'm like, look, I wasn't calling y'all holes individually. The

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Speaker 1: holes is any group of females. I don't give its

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Speaker 1: oprahing Gail as WB if it's If it's a group

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Speaker 1: of holes, it could be cc one and her sisters

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Speaker 1: if they together, day the hole. Stop getting mad because

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Speaker 1: we use the right term. Like when a goose by itself,

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Speaker 1: it's a goose, but when it's a bunch of gooses

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Speaker 1: them as geese. So you think it's a goose out

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Speaker 1: here mad as hell when I tell you look at

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Speaker 1: them geese And she's like, no, I ain't, No geese

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Speaker 1: is over here. Bit it's a little it's really really stupid.

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Speaker 1: It's a really really stupid but but that's his logic,

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Speaker 1: that's his stud I don't understand that at all. I

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Speaker 1: didn't get that at I mean, I like it because

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Speaker 1: there's nothing more entertaining than me than that type of

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Speaker 1: that is but no, oh, but yeah he's functioning in life.

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Speaker 1: Good for him. I just pray HBO is giving you

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Speaker 1: the support you need. They're giving me one hundred percent

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Speaker 1: of com like all my LA friends have hit me like, oh,

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Speaker 1: I just see a billboard. Yeah, definitely, um and even

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Speaker 1: out here play on a bus. I just saw me

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Speaker 1: on a bus this morning. This was my first time

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Speaker 1: seeing me on and I had a lot of people

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Speaker 1: hit me up about it too, even before. Yeah, it's good.

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Speaker 1: The work like, it's a great show like me and

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Speaker 1: my wife. I don't I don't do too much appointment

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Speaker 1: TV and to kill every Sunday at ten thirty. Thank

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Speaker 1: you guys, all of the love come anytime. Promote whatever

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Speaker 1: you mean. Promote absolutely. We appreciate it. We know buy

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Speaker 1: season two. You might be over us, but you know

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Speaker 1: are you. I am a black fan, y'all. I watched

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Speaker 1: all the interviews, well most of them said, Mamma cry.

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Speaker 1: I did not do that. That was not one of

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Speaker 1: my proudest moments Black Black, Forget that, but it produced

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Speaker 1: one of the greatest memes ever. That mean where she

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Speaker 1: has the tears in her eyes is the best. See

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Speaker 1: this is why I think this is why it's confusing. Well,

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Speaker 1: I don't know. I still don't think you should have

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00:20:40,560 --> 00:20:45,040
Speaker 1: gone that you were very It was like if lemonade

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00:20:45,160 --> 00:20:47,680
Speaker 1: was made just vie that this is so appropriate for

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Speaker 1: so many things. I think I truly feel sorry now.

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Speaker 1: At the time she came back, I still wasn't like,

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Speaker 1: I don't feel like I did anything wrong, But now

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Speaker 1: I feel like I actually I was like, you know,

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Speaker 1: that was I was a little bit harsh. Yeah, we're growing. Yeah,

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00:21:01,320 --> 00:21:03,439
Speaker 1: I think that's part, and you're allowed to grow. Ye.

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Speaker 1: I don't know if I got two daughters or married,

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00:21:06,080 --> 00:21:08,600
Speaker 1: but I just think I really did not know black

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Speaker 1: women felt the way they felt. And I even think

404
00:21:10,920 --> 00:21:12,600
Speaker 1: about like my mom, right, my mom used to be

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00:21:12,720 --> 00:21:14,880
Speaker 1: in her room listening to Lauren Hill X Factor over

406
00:21:14,960 --> 00:21:16,920
Speaker 1: and over, and I think she just used to like

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Speaker 1: the song. But it's like get older, I realized, like damn,

408
00:21:19,200 --> 00:21:20,720
Speaker 1: my dad was really putting her through it. But she

409
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Speaker 1: would never show us that. So I think that's one

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Speaker 1: thing black women do. They don't show when they when

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Speaker 1: they are down like that, they don't show it. So

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Speaker 1: they're forced to always be a strong when Yeah, even

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00:21:32,840 --> 00:21:35,040
Speaker 1: if you're not going through nothing, it makes me want

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00:21:35,080 --> 00:21:37,719
Speaker 1: to go through something. Sometimes somebody hurt me other man.

415
00:21:37,760 --> 00:21:40,200
Speaker 1: We've been believing the illusion all these years that women

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Speaker 1: are just Black women are just indistruptible, unbeatable, but they

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00:21:43,720 --> 00:21:45,080
Speaker 1: go through it just like the rest of them. Yeah,

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00:21:45,080 --> 00:21:47,520
Speaker 1: because y'all put a man sometimes and you know you

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Speaker 1: do so all human. I don't know a black women

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00:21:50,840 --> 00:21:58,879
Speaker 1: are amazing trick daddy clip again. Okay, I don't know,

421
00:21:59,600 --> 00:22:01,920
Speaker 1: but I do think that, you know, we just want

422
00:22:01,960 --> 00:22:06,240
Speaker 1: to show them being vulnerable and regular women. Thank you,

423
00:22:06,520 --> 00:22:09,840
Speaker 1: say thank you for coming. It's the breakfast club that

424
00:22:10,080 --> 00:22:13,800
Speaker 1: was for free. DJ Callett Drake Morning. Everybody is DJ

425
00:22:14,160 --> 00:22:16,720
Speaker 1: m Vy Angela Yee, Charlemagne the God. We are the

426
00:22:16,800 --> 00:22:19,840
Speaker 1: Breakfast Club. We got a special guest in the building. Yea,

427
00:22:20,080 --> 00:22:23,360
Speaker 1: this Regina Hall. You're really finding person's damn it. Oh

428
00:22:23,480 --> 00:22:26,160
Speaker 1: thanks See waited to tell me that on air from now. Yeah,

429
00:22:26,359 --> 00:22:27,840
Speaker 1: I mean, I knew you would find on TV and

430
00:22:27,880 --> 00:22:29,760
Speaker 1: we always look at your pictures like damn you find No,

431
00:22:29,840 --> 00:22:31,879
Speaker 1: you really find in person. We actually both saw her.

432
00:22:31,960 --> 00:22:35,600
Speaker 1: I am moving, but not only I'm not going to

433
00:22:35,800 --> 00:22:39,200
Speaker 1: attractive and talented, but also funny with a good personality.

434
00:22:39,960 --> 00:22:42,400
Speaker 1: As we've seen you display time and time again. Yeah,

435
00:22:42,440 --> 00:22:45,240
Speaker 1: you gave a great speech. What was that the Wien Awards.

436
00:22:46,800 --> 00:22:48,879
Speaker 1: I had got into a really bad car accident on

437
00:22:49,000 --> 00:22:50,960
Speaker 1: the way there. I had to get my rock hers.

438
00:22:51,960 --> 00:22:54,159
Speaker 1: But I say, but I still showed up. But I

439
00:22:54,280 --> 00:23:00,840
Speaker 1: was real disheveled. Yeah, yes, did you, sue? No, no, no,

440
00:23:00,960 --> 00:23:02,520
Speaker 1: we took care of their insurance, took care of it.

441
00:23:02,640 --> 00:23:04,560
Speaker 1: It wasn't it wasn't that bad. It just had me,

442
00:23:05,280 --> 00:23:08,200
Speaker 1: I would have still been right, she said, I would

443
00:23:08,200 --> 00:23:11,440
Speaker 1: have been named get that money? Why not? Now the

444
00:23:11,840 --> 00:23:14,480
Speaker 1: movie when the bow breaks, tell us are you gonna

445
00:23:14,480 --> 00:23:16,720
Speaker 1: go see? I feel like they keep making the same

446
00:23:16,800 --> 00:23:22,400
Speaker 1: movie every two years. I asked you. I didn't ask him.

447
00:23:22,560 --> 00:23:24,320
Speaker 1: None of that I just said was a yes or no.

448
00:23:24,640 --> 00:23:28,840
Speaker 1: You could have even said made Now you gotta go?

449
00:23:29,040 --> 00:23:32,159
Speaker 1: You did of you crying? You know what, You've been

450
00:23:32,240 --> 00:23:34,520
Speaker 1: going to see the same superhero movie. I bet you

451
00:23:34,640 --> 00:23:40,800
Speaker 1: saw Captain a Man and Superman and Superman two and

452
00:23:41,040 --> 00:23:46,040
Speaker 1: Superman Versus Batman and Batman Hit Captain America. Like these movies,

453
00:23:46,200 --> 00:23:51,200
Speaker 1: I got the same plot. No, that's not what happens,

454
00:23:51,320 --> 00:23:54,520
Speaker 1: and this is ex actually not what happens. That which

455
00:23:54,720 --> 00:23:56,440
Speaker 1: explain to the people. How what the movie is about?

456
00:23:56,960 --> 00:24:01,400
Speaker 1: Are you gonna go see it? Not really that I'm

457
00:24:01,440 --> 00:24:07,639
Speaker 1: gonna can't get more black movies made. This again. I

458
00:24:07,680 --> 00:24:11,800
Speaker 1: don't have no date. You got a ring? I hope

459
00:24:11,840 --> 00:24:13,760
Speaker 1: your wife takes you to you just see it. Just

460
00:24:13,760 --> 00:24:16,359
Speaker 1: because he claims that he looks like Marris Chestnut, you

461
00:24:19,119 --> 00:24:22,800
Speaker 1: will claim that. Okay, claim that said it? Do he

462
00:24:22,880 --> 00:24:25,680
Speaker 1: look like Marris? Let's claim it up right now. Just

463
00:24:25,880 --> 00:24:29,760
Speaker 1: let me let me look, hold on, do it again,

464
00:24:31,960 --> 00:24:34,040
Speaker 1: do it again. Let me see if it changes something.

465
00:24:38,240 --> 00:24:41,119
Speaker 1: Tell us about the movie. Okay, okay, So when the

466
00:24:41,200 --> 00:24:45,000
Speaker 1: bout breaks, which everyone here is gonna see, it's actually

467
00:24:45,119 --> 00:24:47,600
Speaker 1: not what you think, and it's not the tenth time

468
00:24:47,680 --> 00:24:49,880
Speaker 1: it's been made. But it's actually a thriller. It's about

469
00:24:49,920 --> 00:24:52,600
Speaker 1: a couple who's been struggling with fertility, which is a

470
00:24:52,680 --> 00:24:54,920
Speaker 1: really big well you don't he don't want to see

471
00:24:54,920 --> 00:24:58,560
Speaker 1: because he got five kids. You can't even understand the plotline.

472
00:24:58,680 --> 00:25:01,560
Speaker 1: But this is about the woman in this case is

473
00:25:01,560 --> 00:25:05,000
Speaker 1: struggling with infertility. But uh so they decided to hire

474
00:25:05,040 --> 00:25:11,240
Speaker 1: a saragate. I guess not after this you know she?

475
00:25:11,680 --> 00:25:14,800
Speaker 1: I know she this Laura who I play. She's had

476
00:25:14,880 --> 00:25:17,600
Speaker 1: three mischaracters, so she's tried to carry her own child,

477
00:25:18,280 --> 00:25:21,320
Speaker 1: and that would be something I'm concerned about, though. You

478
00:25:21,359 --> 00:25:22,639
Speaker 1: get it said. I thought you were gonna say that

479
00:25:22,760 --> 00:25:25,800
Speaker 1: something I would do, Sarah getting attached to the child.

480
00:25:25,880 --> 00:25:30,600
Speaker 1: That's true, but actually, you know what happens is the

481
00:25:30,720 --> 00:25:32,879
Speaker 1: legalities of it, because the truth is why did she

482
00:25:32,960 --> 00:25:44,200
Speaker 1: take her jacket? Now like a pervert. I would't like

483
00:25:44,320 --> 00:25:46,520
Speaker 1: that shirt. When he stand up, she can see my

484
00:25:46,600 --> 00:25:51,680
Speaker 1: chest hold on. I just like that. That's a nice shirt.

485
00:25:51,760 --> 00:25:55,280
Speaker 1: Thank you. Love for free cost nothing to love. That's

486
00:25:55,359 --> 00:25:57,399
Speaker 1: why you won't take them to the movies. It costs

487
00:25:57,400 --> 00:25:59,720
Speaker 1: at least the movie to get some love at least

488
00:25:59,760 --> 00:26:02,480
Speaker 1: got You're not taking them on a date. No, I'm married.

489
00:26:02,520 --> 00:26:04,600
Speaker 1: I just know you're not gonna take your wife to

490
00:26:04,640 --> 00:26:06,119
Speaker 1: the movie. I would go see because you're in it.

491
00:26:07,320 --> 00:26:09,919
Speaker 1: I would see. I would go see it because it's

492
00:26:09,920 --> 00:26:12,040
Speaker 1: you and Mark Chester. But did you see how supportive

493
00:26:12,119 --> 00:26:20,720
Speaker 1: she is? She was like, I'm going with She had

494
00:26:20,800 --> 00:26:25,320
Speaker 1: the courtesy to at least say she was. Yeah, I

495
00:26:25,400 --> 00:26:27,719
Speaker 1: appreciate it. I do want to see it. The only

496
00:26:27,760 --> 00:26:30,000
Speaker 1: because you and mar Chester was the woman living in

497
00:26:30,040 --> 00:26:33,520
Speaker 1: the house with you. Guys, so this is a weird thing,

498
00:26:33,640 --> 00:26:38,040
Speaker 1: all right. The surrogate is actually engaged herself to be married,

499
00:26:38,560 --> 00:26:41,480
Speaker 1: and she has some she and her boyfriend have some issues.

500
00:26:41,880 --> 00:26:44,879
Speaker 1: So she comes to live in our guest house. So

501
00:26:45,080 --> 00:26:48,359
Speaker 1: let's let's but at that point, my last embryo is

502
00:26:48,440 --> 00:26:50,680
Speaker 1: in her body. So so y'all are rich. You guys

503
00:26:50,720 --> 00:26:52,800
Speaker 1: have a guest house and everything we do. Well, now

504
00:26:52,840 --> 00:26:55,760
Speaker 1: you asking for your man if you move her on

505
00:26:55,880 --> 00:26:58,000
Speaker 1: the property, Like, can you think so? That's a lot

506
00:26:58,040 --> 00:27:00,800
Speaker 1: of temptation? She's I don't think so. Now when I'm

507
00:27:00,840 --> 00:27:02,959
Speaker 1: in the room. Yeah, I mean, you're not really threatened

508
00:27:03,000 --> 00:27:07,040
Speaker 1: by looking at the preview? Or do you know where

509
00:27:07,040 --> 00:27:09,200
Speaker 1: you gotta go? Ask your friends who go see the movie?

510
00:27:09,200 --> 00:27:12,280
Speaker 1: Because I know, so when your friends go and they

511
00:27:12,359 --> 00:27:15,240
Speaker 1: come back, y'all can ask, you can ask her what happens.

512
00:27:17,080 --> 00:27:20,080
Speaker 1: Let's say, let's say you did you know with your man,

513
00:27:20,119 --> 00:27:22,560
Speaker 1: would you have an issue with somebody like another woman

514
00:27:22,640 --> 00:27:24,360
Speaker 1: being in the house with him if you're not home

515
00:27:24,960 --> 00:27:29,080
Speaker 1: in real life? Well, you know what the thing is? This?

516
00:27:29,359 --> 00:27:32,640
Speaker 1: The truth is, the intention was never that. The intention

517
00:27:32,760 --> 00:27:35,240
Speaker 1: is she's the woman, a young girl who's engaged and

518
00:27:35,320 --> 00:27:37,920
Speaker 1: she lives with her fiance and they have their own life.

519
00:27:38,000 --> 00:27:41,640
Speaker 1: But things that happen the movie which I cannot reveal

520
00:27:42,040 --> 00:27:44,359
Speaker 1: right now, she breaks up with her boyfriend or something. No,

521
00:27:44,600 --> 00:27:47,320
Speaker 1: it's it's actually not that, but she is forced and

522
00:27:47,440 --> 00:27:49,400
Speaker 1: we don't really have a choice because at that point

523
00:27:49,880 --> 00:27:51,880
Speaker 1: it's the safety of the baby. And like I said,

524
00:27:51,920 --> 00:27:54,119
Speaker 1: it is the last embryo. I think what it's more

525
00:27:54,160 --> 00:27:56,640
Speaker 1: a testament to is what a woman will do when

526
00:27:56,720 --> 00:27:59,520
Speaker 1: it comes to protecting or saving her child, whether it's

527
00:27:59,640 --> 00:28:02,200
Speaker 1: unborn or not. Okay, Right, when we come back, we

528
00:28:02,320 --> 00:28:05,119
Speaker 1: have more with Regina Hall. We're gonna talk about roles

529
00:28:05,240 --> 00:28:07,520
Speaker 1: in Hollywood. Is it bad for black women? We'll talk

530
00:28:07,560 --> 00:28:08,879
Speaker 1: about it when we come back. Keep a lot to

531
00:28:08,960 --> 00:28:13,840
Speaker 1: the Breakfast Local Morning Morning. Everybody is DJ M, v Angela, Ye,

532
00:28:14,040 --> 00:28:16,520
Speaker 1: Charlemagne and God we are the breakfast club. We have

533
00:28:16,640 --> 00:28:19,240
Speaker 1: Regina Hall in the building now, Charlemagne, is it a

534
00:28:19,320 --> 00:28:21,800
Speaker 1: lot of limited roles for black females like they say?

535
00:28:22,760 --> 00:28:25,400
Speaker 1: I mean, I'm sure if people say it, then it exists.

536
00:28:25,520 --> 00:28:27,920
Speaker 1: You know, I would never sit here even if my

537
00:28:28,040 --> 00:28:30,720
Speaker 1: experience wasn't that to say no. I mean, you know,

538
00:28:30,800 --> 00:28:34,200
Speaker 1: it's tough. It's competitive for any race, even when they're

539
00:28:34,240 --> 00:28:38,600
Speaker 1: more roles. It's a limited number of people that work white, black, male, female.

540
00:28:38,680 --> 00:28:41,320
Speaker 1: It's tough in general, but you wish there were more.

541
00:28:41,440 --> 00:28:43,680
Speaker 1: But it's hard to be more when the people who

542
00:28:44,120 --> 00:28:50,600
Speaker 1: look like you don't go see your movie. The problem

543
00:28:50,760 --> 00:28:53,560
Speaker 1: is right here. But you know what, I'm gonna say this,

544
00:28:54,080 --> 00:28:56,720
Speaker 1: that's not true. Like our movies actually do really well

545
00:28:57,400 --> 00:28:59,760
Speaker 1: and so our people really do support I mean, there

546
00:29:00,000 --> 00:29:03,040
Speaker 1: receptions every movie you see my hand. I don't mean

547
00:29:03,120 --> 00:29:07,400
Speaker 1: on cable. I can watch it on you thought about

548
00:29:07,480 --> 00:29:10,360
Speaker 1: last night and feeding, Okay, didn't go see the scary

549
00:29:10,440 --> 00:29:15,840
Speaker 1: movie like a Man. Definitely something like a Man, all right,

550
00:29:15,960 --> 00:29:18,240
Speaker 1: but just not this one. Okay. I'm not saying I'm

551
00:29:18,280 --> 00:29:20,360
Speaker 1: not going to see this one. You did. You did no.

552
00:29:20,600 --> 00:29:22,440
Speaker 1: I said, are you gonna see it? And you said no,

553
00:29:22,960 --> 00:29:25,000
Speaker 1: I've seen this one like seem like but I don't

554
00:29:25,040 --> 00:29:27,960
Speaker 1: understand what movie. It's nothing like. It's nothing like perfect guy.

555
00:29:28,000 --> 00:29:30,200
Speaker 1: You're just saying that you saw Morris. Did it have

556
00:29:30,360 --> 00:29:33,920
Speaker 1: to be these? Because I don't know why they're here now.

557
00:29:33,960 --> 00:29:35,520
Speaker 1: I'm not gonna lie. After I saw you at the

558
00:29:35,560 --> 00:29:37,720
Speaker 1: Wien Aboards and so you give your speech and everything,

559
00:29:37,760 --> 00:29:39,760
Speaker 1: I thought you were very engaging and very funny in

560
00:29:39,840 --> 00:29:41,320
Speaker 1: real life. So I was like, let me go back

561
00:29:41,640 --> 00:29:43,920
Speaker 1: and look at she didn't even know you. Last year.

562
00:29:45,320 --> 00:29:50,680
Speaker 1: I was knew Regina hard, but I never heard her

563
00:29:50,760 --> 00:29:54,240
Speaker 1: personally outside of her roles speak. I thought she was

564
00:29:54,360 --> 00:29:58,200
Speaker 1: very comedic, very funny, and very powerful. So I was like, Okay,

565
00:29:58,240 --> 00:30:00,680
Speaker 1: that's somebody I'm gonna follow up on. I agree with her,

566
00:30:01,840 --> 00:30:04,880
Speaker 1: and she's gonna continue. You actually even came back to

567
00:30:05,000 --> 00:30:06,560
Speaker 1: work and said that I thought she did a great

568
00:30:06,640 --> 00:30:09,280
Speaker 1: job and it and she really stood out. You did well,

569
00:30:09,360 --> 00:30:13,000
Speaker 1: you know what, you inspired some not all because these two.

570
00:30:14,600 --> 00:30:16,800
Speaker 1: That's true. But no, it's not like that. It's it's all.

571
00:30:16,840 --> 00:30:18,720
Speaker 1: I mean, it's the same. You know what, listen us

572
00:30:18,760 --> 00:30:21,040
Speaker 1: thriller as a thriller, But you know that doesn't mean

573
00:30:21,160 --> 00:30:23,280
Speaker 1: that they're that the plot lines are all the same.

574
00:30:23,320 --> 00:30:25,160
Speaker 1: You kind of have to see it to see what

575
00:30:25,320 --> 00:30:28,600
Speaker 1: the differences are. Do you like dramatic roles or comedic ross?

576
00:30:28,920 --> 00:30:30,720
Speaker 1: I mean I love both. I mean, you know, I

577
00:30:30,800 --> 00:30:33,080
Speaker 1: didn't act to just play one. Well the ever a

578
00:30:33,120 --> 00:30:34,960
Speaker 1: point when you was playing Brenda on Scary Movie that

579
00:30:35,000 --> 00:30:36,240
Speaker 1: she was like, I'm just gonna do this for the check.

580
00:30:36,760 --> 00:30:38,840
Speaker 1: This ain't really challenging. I'm just doing it. No, I

581
00:30:38,960 --> 00:30:41,360
Speaker 1: love playing Brenda. Some roles you do for fun, like

582
00:30:41,520 --> 00:30:44,040
Speaker 1: I love Anna Faris. You know at the first two,

583
00:30:44,080 --> 00:30:46,120
Speaker 1: I love to weigh in so you know, it doesn't

584
00:30:46,120 --> 00:30:48,360
Speaker 1: have to be grueling to be good. And I think

585
00:30:48,840 --> 00:30:50,680
Speaker 1: you know, me and Anna did the first four. When

586
00:30:50,680 --> 00:30:52,520
Speaker 1: they did the last one, you know I did not

587
00:30:52,680 --> 00:30:54,800
Speaker 1: do that one. That would have felt like it was

588
00:30:54,840 --> 00:30:57,600
Speaker 1: for the check because I didn't have you know, Cindy.

589
00:30:58,200 --> 00:31:01,840
Speaker 1: Brenda needs Cindy and I. That kind of inspiration that

590
00:31:01,960 --> 00:31:03,840
Speaker 1: we kind of get off of each other to be

591
00:31:03,920 --> 00:31:07,520
Speaker 1: able to work together and collaborate wasn't there. But no,

592
00:31:07,640 --> 00:31:09,560
Speaker 1: I have fun. I mean some things are just you know,

593
00:31:09,880 --> 00:31:11,160
Speaker 1: you're like, oh, I'm gonna go and get to have

594
00:31:11,240 --> 00:31:14,160
Speaker 1: a good time. Don't you think you outgrow some roles though,

595
00:31:14,160 --> 00:31:16,000
Speaker 1: But in people's mind you haven't, so like they still

596
00:31:16,080 --> 00:31:19,680
Speaker 1: run upon you, like you, Brenda. Somebody ran up on

597
00:31:19,760 --> 00:31:21,400
Speaker 1: me and they were like, oh my goodness, you Ace

598
00:31:21,440 --> 00:31:25,560
Speaker 1: Bookie's baby mom. And I was like, I said, oh no,

599
00:31:25,760 --> 00:31:28,000
Speaker 1: I'm sorry. You must have me confused someone else. I

600
00:31:28,040 --> 00:31:31,240
Speaker 1: had forgotten all about you. That role. You're cool, right, y'all?

601
00:31:31,280 --> 00:31:37,560
Speaker 1: Close what do you want to ask you who? No,

602
00:31:37,920 --> 00:31:41,600
Speaker 1: we are, No, we're not. You know what we have.

603
00:31:41,880 --> 00:31:43,560
Speaker 1: I'm sure we've been up for the same roles. But

604
00:31:43,640 --> 00:31:46,200
Speaker 1: we're really supportive, like you know for my friends in

605
00:31:46,240 --> 00:31:48,200
Speaker 1: the business, like I'm always happy when she gets something,

606
00:31:48,320 --> 00:31:51,480
Speaker 1: and because we kind of get I'll rock with you.

607
00:31:51,520 --> 00:31:54,400
Speaker 1: So I ain't gonna do this. We all put together

608
00:31:54,520 --> 00:31:57,080
Speaker 1: questions before the inter that's what he wanted to ask.

609
00:31:57,240 --> 00:32:02,840
Speaker 1: So we have never been in a lesbian relationship. I

610
00:32:02,960 --> 00:32:07,560
Speaker 1: have never ever heard. I have never We are like sisters.

611
00:32:07,720 --> 00:32:14,400
Speaker 1: The lesbian rumor started just because my house was being renovated,

612
00:32:14,520 --> 00:32:16,800
Speaker 1: Sona was away working. I ended up I think on

613
00:32:16,880 --> 00:32:19,520
Speaker 1: an interview I said I'm living with snaw, which I

614
00:32:19,640 --> 00:32:22,960
Speaker 1: was because my my house, which was supposed to take

615
00:32:23,720 --> 00:32:26,680
Speaker 1: a month, ended up taking three months. It's funny because

616
00:32:26,720 --> 00:32:29,239
Speaker 1: we actually laughed about the rumor. I think we made

617
00:32:29,320 --> 00:32:31,160
Speaker 1: jokes about it all the time. I never heard that

618
00:32:31,280 --> 00:32:32,880
Speaker 1: until I saw it on that paper when they bought

619
00:32:33,920 --> 00:32:38,800
Speaker 1: You never heard it, Well, let me see that paper.

620
00:32:38,960 --> 00:32:48,480
Speaker 1: You want to see two two daughters yours, I would hope.

621
00:32:48,520 --> 00:32:56,720
Speaker 1: So if not, that's no, that should what do you have? No?

622
00:32:56,880 --> 00:32:59,760
Speaker 1: Im gender? Gender? I have three girls, two boys. Okay,

623
00:33:00,000 --> 00:33:04,440
Speaker 1: I was no kids. I just was curious because you know,

624
00:33:04,480 --> 00:33:05,880
Speaker 1: I'd like to know what you are. I was a

625
00:33:05,960 --> 00:33:08,040
Speaker 1: hole in the past life. So holes get blessed with daughters.

626
00:33:09,120 --> 00:33:12,240
Speaker 1: Daughters are pretty amazing, yes, until we start having sex

627
00:33:12,320 --> 00:33:14,880
Speaker 1: and growing breasts and it's a guy an interview who

628
00:33:14,920 --> 00:33:19,040
Speaker 1: can't stop there? You know what? All right, Well, make

629
00:33:19,080 --> 00:33:23,960
Speaker 1: sure you guys go see them. Yes, please don't. No,

630
00:33:25,120 --> 00:33:31,520
Speaker 1: it's nationwide. I'm going to see it. We're gonna Are

631
00:33:31,520 --> 00:33:33,360
Speaker 1: you gonna go see it? Yes? All right, it's the

632
00:33:33,400 --> 00:33:37,680
Speaker 1: Breakfast Club is Miss Regina. Thank you, guys. That was

633
00:33:37,760 --> 00:33:41,120
Speaker 1: Brys until it with Dope Morning. Everybody is DJ m

634
00:33:41,200 --> 00:33:44,280
Speaker 1: vy Angela Yee, Charlomagne the guy. We are the Breakfast Club.

635
00:33:44,360 --> 00:33:46,880
Speaker 1: We got a special guest in the building goes by

636
00:33:46,920 --> 00:33:50,280
Speaker 1: the name of Common. Yeah. Black America again, Black American?

637
00:33:50,520 --> 00:33:52,440
Speaker 1: What exactly is Black America Again? I know that's the

638
00:33:52,440 --> 00:33:53,960
Speaker 1: title of your album, but it seemed like it's some

639
00:33:54,000 --> 00:33:56,440
Speaker 1: type of movement. It is. It's really a movement. It's

640
00:33:56,480 --> 00:33:59,320
Speaker 1: like a call to action. I called it Black America

641
00:33:59,360 --> 00:34:03,080
Speaker 1: a game because you know, all the injustices, the inequality

642
00:34:03,160 --> 00:34:06,040
Speaker 1: and the marginalizing of black people. We've been seeing that

643
00:34:06,120 --> 00:34:09,040
Speaker 1: over and over since we've been in this country. That's

644
00:34:09,080 --> 00:34:11,880
Speaker 1: how America treated us. But I'm also saying again because

645
00:34:11,920 --> 00:34:14,200
Speaker 1: we're writing a new story, and it's up for us

646
00:34:14,280 --> 00:34:17,319
Speaker 1: as black people and all people to support that new story,

647
00:34:17,400 --> 00:34:19,719
Speaker 1: which is like just showing who we are as black

648
00:34:19,800 --> 00:34:23,120
Speaker 1: people and showing the joy to love, the creativity, which

649
00:34:23,160 --> 00:34:25,400
Speaker 1: we always do. But I mean, it's just time for

650
00:34:25,480 --> 00:34:27,279
Speaker 1: us to highlight that and just put that out there.

651
00:34:27,520 --> 00:34:29,399
Speaker 1: And you've been very active in getting people to sign

652
00:34:29,520 --> 00:34:32,200
Speaker 1: up and register to vote and encouraging people to vote

653
00:34:32,239 --> 00:34:34,800
Speaker 1: in the election is next week. Does anything make you

654
00:34:34,880 --> 00:34:38,200
Speaker 1: nervous about this election? I mean not nervous, But the

655
00:34:38,320 --> 00:34:41,279
Speaker 1: things I'm just being aware of is like, look, it's

656
00:34:41,320 --> 00:34:45,080
Speaker 1: obvious that Hillary Clinton is the best candidate to be

657
00:34:45,239 --> 00:34:48,960
Speaker 1: president right now. It's just about for me and us

658
00:34:49,320 --> 00:34:51,959
Speaker 1: just holding her accountable for the things that she says

659
00:34:52,320 --> 00:34:54,040
Speaker 1: that she's going to do, Like we should hold all

660
00:34:54,200 --> 00:34:58,400
Speaker 1: politicians accountable, like local, state level, you know, like we

661
00:34:58,480 --> 00:35:01,120
Speaker 1: got to hold them all accountable. And that means like

662
00:35:01,239 --> 00:35:03,520
Speaker 1: showing up if she ain't doing something, we gotta we

663
00:35:03,640 --> 00:35:05,960
Speaker 1: gotta stand on that and let her know. Like but

664
00:35:06,200 --> 00:35:09,040
Speaker 1: I'm gonna try to have faith in the fact that

665
00:35:09,160 --> 00:35:12,000
Speaker 1: she's going to try to do some things because obviously

666
00:35:12,080 --> 00:35:14,560
Speaker 1: the masks and concerration was one thing that a lot

667
00:35:14,600 --> 00:35:17,360
Speaker 1: of people were concerned with, and you know, she acknowledged

668
00:35:17,400 --> 00:35:20,960
Speaker 1: that that was a misstep and it wasn't her particularly,

669
00:35:21,040 --> 00:35:23,600
Speaker 1: but she supported and was talking that super predator stuff.

670
00:35:24,040 --> 00:35:26,359
Speaker 1: But hopefully she trying to clear that up. We all

671
00:35:26,719 --> 00:35:29,040
Speaker 1: we all grow, right, you consciously say, let me put

672
00:35:29,080 --> 00:35:31,880
Speaker 1: out Black America again right before the election. Yeah, I

673
00:35:32,040 --> 00:35:34,680
Speaker 1: was because I wrote it like back in in March

674
00:35:35,239 --> 00:35:37,400
Speaker 1: and was and I was rapping in different places and

675
00:35:37,520 --> 00:35:40,480
Speaker 1: churches and different things. And actually I was talking with

676
00:35:40,600 --> 00:35:44,040
Speaker 1: Ava Douvan they who who directed them, Yeah, the thirteen

677
00:35:44,080 --> 00:35:47,640
Speaker 1: to thirteen for strong Um and and she was like, man,

678
00:35:47,719 --> 00:35:50,280
Speaker 1: this is man, it's powerful. You got this this music

679
00:35:50,600 --> 00:35:53,520
Speaker 1: coming election year, you should put it out around that time.

680
00:35:53,760 --> 00:35:56,239
Speaker 1: And it just honestly kind of worked out. You know.

681
00:35:56,320 --> 00:35:58,680
Speaker 1: I had to get everything together and get everything organized,

682
00:35:58,719 --> 00:36:00,799
Speaker 1: and it did. It was to Jack at that point

683
00:36:00,840 --> 00:36:02,720
Speaker 1: to be like, look, this needs to come out around

684
00:36:02,719 --> 00:36:05,600
Speaker 1: the election time. What's love Start? Your hashtag love start?

685
00:36:05,640 --> 00:36:07,719
Speaker 1: I seen? Yeah, I use that. I mean the Love

686
00:36:07,760 --> 00:36:09,719
Speaker 1: Star is a song I did on the album is

687
00:36:09,760 --> 00:36:13,000
Speaker 1: Me and Marsha and Brochs and this girl PJ very dope,

688
00:36:13,040 --> 00:36:15,440
Speaker 1: and uh, you know, it's just another way of calling

689
00:36:15,480 --> 00:36:18,360
Speaker 1: it's another term of affection to your girl or something like.

690
00:36:18,600 --> 00:36:20,680
Speaker 1: That's my love start right there. So I just it's

691
00:36:20,680 --> 00:36:25,960
Speaker 1: just the nah man, Regina, that's just my people, that's

692
00:36:26,000 --> 00:36:29,880
Speaker 1: just my my buddy. Yeah, you guys broke up already. No, No,

693
00:36:30,040 --> 00:36:33,000
Speaker 1: we never was like, we never was in that in

694
00:36:33,120 --> 00:36:35,839
Speaker 1: that space. You know, that's just like somebody I care

695
00:36:35,840 --> 00:36:38,480
Speaker 1: about as a friend. We worked together, and you know,

696
00:36:38,560 --> 00:36:41,000
Speaker 1: I'm right now, I'm just single. So you saw it

697
00:36:41,080 --> 00:36:45,080
Speaker 1: on the blogs, though I know I saw it and

698
00:36:45,200 --> 00:36:46,960
Speaker 1: broke up on the blogs the next time I've seen.

699
00:36:47,200 --> 00:36:48,560
Speaker 1: They didn't break up on the blog yet, but he

700
00:36:48,600 --> 00:36:52,040
Speaker 1: did say he's single, so they never. Yeah, it was

701
00:36:52,080 --> 00:36:54,440
Speaker 1: just like, you know, point blank, just friends. She's funny,

702
00:36:55,320 --> 00:36:58,600
Speaker 1: she's super cool, beautiful. My parents say she had a man. No,

703
00:36:59,040 --> 00:37:01,160
Speaker 1: yeah she was. Yeah. I mean, well I don't know

704
00:37:01,280 --> 00:37:05,040
Speaker 1: that she probably does. She probably does, but uh, you know,

705
00:37:05,120 --> 00:37:08,719
Speaker 1: that's my buddy. I'm single. So dude, know Jesus Christ,

706
00:37:10,120 --> 00:37:19,399
Speaker 1: that everybody boy. I said to Lord durn at one point,

707
00:37:19,440 --> 00:37:20,880
Speaker 1: and then you were like, look, we just worked on

708
00:37:21,000 --> 00:37:22,800
Speaker 1: something together. We went to dinner. You can't even go

709
00:37:22,840 --> 00:37:25,560
Speaker 1: to dinner. I mean yeah, I mean, let me tell you, like,

710
00:37:26,200 --> 00:37:28,879
Speaker 1: Laura dern Is is actually an actress that I worked

711
00:37:28,920 --> 00:37:31,279
Speaker 1: within the movie and she and I was in the

712
00:37:31,360 --> 00:37:34,400
Speaker 1: same acting class too, so um, and I've known her

713
00:37:34,440 --> 00:37:36,880
Speaker 1: for a while. So friends, you know you're gonna you

714
00:37:37,320 --> 00:37:39,399
Speaker 1: look at certain points when you're working with people, you're

715
00:37:39,400 --> 00:37:41,239
Speaker 1: gonna go out, you hang out with them. You know,

716
00:37:41,239 --> 00:37:44,839
Speaker 1: I don't necessarily mean you with him, Charlomage, French Montana Common?

717
00:37:44,880 --> 00:37:46,399
Speaker 1: Which one you'd rather be because you know, we talk

718
00:37:46,400 --> 00:37:49,759
Speaker 1: about French Monteana Common being linked to all these beautiful women,

719
00:37:49,800 --> 00:37:52,400
Speaker 1: which which Nah, Charlomagne, I got a good I got

720
00:37:52,520 --> 00:37:57,520
Speaker 1: a nice, nice group of women that I that I Oh, yeah,

721
00:37:57,520 --> 00:37:59,920
Speaker 1: you got a great thing. I got credit and credit.

722
00:38:00,680 --> 00:38:03,160
Speaker 1: Yeah yeah, yeah, I think I'd rather be comic because

723
00:38:03,200 --> 00:38:06,440
Speaker 1: Common more discreet with it. Yeah, you don't have the

724
00:38:06,520 --> 00:38:12,040
Speaker 1: reputation as a whole man. That's a good lot freehole,

725
00:38:14,440 --> 00:38:20,279
Speaker 1: he said, you know what I'm saying. Yeah, yeah, Look, look,

726
00:38:20,320 --> 00:38:21,880
Speaker 1: this is the thing you would have to It's the

727
00:38:21,960 --> 00:38:24,760
Speaker 1: thing you can ask any ext any of my exits

728
00:38:25,040 --> 00:38:27,520
Speaker 1: we're still cool with. It's still love. You know what

729
00:38:27,560 --> 00:38:30,480
Speaker 1: I'm saying. I talked to them and they it's always love,

730
00:38:30,560 --> 00:38:34,799
Speaker 1: whether it's Serena, Eric covered um to see. That's the thing.

731
00:38:34,840 --> 00:38:36,719
Speaker 1: You got more classics than French first only got one

732
00:38:36,760 --> 00:38:39,120
Speaker 1: classic on the belt. That's the note. You just named

733
00:38:39,160 --> 00:38:42,479
Speaker 1: three classics, like three classics that men that sat around

734
00:38:42,520 --> 00:38:45,160
Speaker 1: him be like, whoa, yeah, those are the ones. Do

735
00:38:45,239 --> 00:38:47,719
Speaker 1: you text after you see Serena dance with Beyonce? Do

736
00:38:47,760 --> 00:38:51,520
Speaker 1: you just text it? Be like, hey, big head, No,

737
00:38:51,640 --> 00:38:55,000
Speaker 1: I'll tell her she looked good, like yo, you snapped

738
00:38:55,040 --> 00:38:58,919
Speaker 1: in that Rihanna quote for common though that she said,

739
00:38:59,239 --> 00:39:03,040
Speaker 1: Rihanna said something coming to now. She said, none of

740
00:39:03,120 --> 00:39:05,279
Speaker 1: my exes are married her in happy relationships. So it's

741
00:39:05,280 --> 00:39:09,160
Speaker 1: safe to say I wasn't the problem. You gotta honor

742
00:39:09,239 --> 00:39:12,640
Speaker 1: that we got more with common when we come back,

743
00:39:12,680 --> 00:39:15,960
Speaker 1: don't go anywhere as the breakfast club. The morning that

744
00:39:16,280 --> 00:39:20,880
Speaker 1: was needed me, Rihanna morning. Everybody is DJ M v Angela, Yee, Charlomagne,

745
00:39:20,880 --> 00:39:24,160
Speaker 1: the guy. We all the breakfast club comments in the building.

746
00:39:24,320 --> 00:39:26,640
Speaker 1: You're producing a show about nineties rappers going through a

747
00:39:26,680 --> 00:39:30,799
Speaker 1: midlife crisis. Have you ever went through that? Man? Yeah,

748
00:39:30,840 --> 00:39:33,560
Speaker 1: for sure, I've been through some times when I'm like, man,

749
00:39:33,680 --> 00:39:36,720
Speaker 1: where you know, like where do I fit in? Because

750
00:39:36,760 --> 00:39:39,160
Speaker 1: it was one time when Brown it was a koufy

751
00:39:39,239 --> 00:39:43,880
Speaker 1: time when I was confused at that time. Man, But

752
00:39:44,040 --> 00:39:47,040
Speaker 1: you know, for me, I like your circus. Yeah yeah,

753
00:39:47,120 --> 00:39:55,600
Speaker 1: you always referenced always. But hey, but you know what

754
00:39:55,680 --> 00:39:57,880
Speaker 1: I can say about that if that's the one that

755
00:39:57,960 --> 00:40:00,600
Speaker 1: Charlemagnet bring up, that I'm good because because I gotta

756
00:40:02,040 --> 00:40:04,160
Speaker 1: I got you know, so so and you know every

757
00:40:04,239 --> 00:40:06,640
Speaker 1: piece is not gonna always get to people. But but

758
00:40:06,800 --> 00:40:09,000
Speaker 1: my thing is like, as a person, you gotta evolve

759
00:40:09,080 --> 00:40:11,719
Speaker 1: the way you evolved, Like you gotta grow into the things.

760
00:40:11,760 --> 00:40:13,719
Speaker 1: And sometimes you're gonna look back. I can look back

761
00:40:13,760 --> 00:40:15,400
Speaker 1: and laugh at some of the pictures that you know,

762
00:40:15,760 --> 00:40:20,040
Speaker 1: the way I was dressing this stuff. But it's still,

763
00:40:20,160 --> 00:40:21,920
Speaker 1: you know, it's still like, man, this is who I was.

764
00:40:22,000 --> 00:40:24,840
Speaker 1: I still embrace it. I still stand behind Electric Circus

765
00:40:24,920 --> 00:40:27,200
Speaker 1: like I do be or like I will with Black

766
00:40:27,239 --> 00:40:29,640
Speaker 1: America again, because that's who that's who I was at

767
00:40:29,680 --> 00:40:32,080
Speaker 1: that time. I always say it's easier for guys like

768
00:40:32,200 --> 00:40:34,239
Speaker 1: you to evolve in hip hop though, because you never

769
00:40:34,680 --> 00:40:36,799
Speaker 1: claim to be the street rappers. The street rappers are

770
00:40:36,800 --> 00:40:38,600
Speaker 1: the ones you see going through the middle life crisis

771
00:40:38,880 --> 00:40:40,919
Speaker 1: because they still got the hoodies on at forty five,

772
00:40:41,040 --> 00:40:44,200
Speaker 1: still like it's grilling, still mean, mugging, like you you're

773
00:40:44,200 --> 00:40:46,439
Speaker 1: an adult. You've been carrying yourself like an adult. Yeah,

774
00:40:46,440 --> 00:40:50,040
Speaker 1: I think that, man. I think that's like sometimes you

775
00:40:50,120 --> 00:40:52,719
Speaker 1: can get stuck in the thing, like when you like

776
00:40:53,040 --> 00:40:54,719
Speaker 1: first come out and you say, oh, this is who

777
00:40:54,800 --> 00:40:57,320
Speaker 1: I am, and if you don't show that true evolution

778
00:40:57,480 --> 00:40:59,359
Speaker 1: you like you started saying all right, I'm gonna make

779
00:40:59,400 --> 00:41:02,080
Speaker 1: this music because people already liked me doing that instead

780
00:41:02,120 --> 00:41:04,160
Speaker 1: of just going where you go with it. The artist

781
00:41:04,239 --> 00:41:07,600
Speaker 1: that I've seen evolved, they evolved like as human beings

782
00:41:07,719 --> 00:41:09,719
Speaker 1: like and then you see that coming out through their music.

783
00:41:09,840 --> 00:41:12,080
Speaker 1: So if you stand in here and where you truly are,

784
00:41:12,320 --> 00:41:14,120
Speaker 1: I think you can evolve and grow and be that

785
00:41:14,360 --> 00:41:16,560
Speaker 1: artist that has a career a lot of time in

786
00:41:16,600 --> 00:41:18,640
Speaker 1: the White House doing a lot of positive things. And

787
00:41:19,160 --> 00:41:21,239
Speaker 1: the black community, a lot of the black community and

788
00:41:21,360 --> 00:41:23,160
Speaker 1: not too happy with Barack Obama and they feel like

789
00:41:23,200 --> 00:41:25,600
Speaker 1: he really didn't hold down his community. What are your

790
00:41:25,600 --> 00:41:27,600
Speaker 1: thoughts from Barack Obama and how he did in eight years.

791
00:41:27,800 --> 00:41:31,120
Speaker 1: I feel that the President came in with the intention

792
00:41:31,200 --> 00:41:33,440
Speaker 1: to do a lot of great things for the community,

793
00:41:33,880 --> 00:41:36,400
Speaker 1: for black people, and I feel like he hit a

794
00:41:36,440 --> 00:41:40,360
Speaker 1: lot of walls dealing with the politics instead within Congress,

795
00:41:40,440 --> 00:41:42,480
Speaker 1: and I don't think he was even knew that it

796
00:41:42,640 --> 00:41:45,440
Speaker 1: was going to be that much resistance because people, you know,

797
00:41:45,480 --> 00:41:51,800
Speaker 1: it was like it down the Republicans. Yeah, So I

798
00:41:51,920 --> 00:41:53,799
Speaker 1: think he was there. I think he might at some point,

799
00:41:53,920 --> 00:41:55,920
Speaker 1: might have got tired some points he had to probably

800
00:41:56,000 --> 00:41:58,520
Speaker 1: deal with politics the way it goes. But I always

801
00:41:58,560 --> 00:42:01,160
Speaker 1: felt his intention in his heart to help black people

802
00:42:01,200 --> 00:42:03,560
Speaker 1: and he's still doing it. He had a meeting, he

803
00:42:03,640 --> 00:42:05,360
Speaker 1: had a meeting for My Brother's Keeper, which is his

804
00:42:05,440 --> 00:42:07,719
Speaker 1: initiative that's helping out young black people. It was me

805
00:42:08,360 --> 00:42:12,200
Speaker 1: Rick Ross asat Rocky Alicia Keys chance to wrap a

806
00:42:12,280 --> 00:42:15,760
Speaker 1: Nicki Minaj, all sitting in the White House talking about

807
00:42:15,840 --> 00:42:18,719
Speaker 1: like prison reform, talking real stuff. And then he sat

808
00:42:18,760 --> 00:42:20,600
Speaker 1: with us for like four hours, he said, with no

809
00:42:20,680 --> 00:42:23,560
Speaker 1: secret Service, no nothing. And Rick ross Ancle, who kept

810
00:42:23,600 --> 00:42:27,719
Speaker 1: going on. The President was like He's like, what's that.

811
00:42:28,120 --> 00:42:30,600
Speaker 1: And Rick Ross came out like that's my bracelet, you know,

812
00:42:30,719 --> 00:42:33,279
Speaker 1: Like and then President was like, man, you're really keeping

813
00:42:33,280 --> 00:42:38,840
Speaker 1: it real. And he was like, man, I need to

814
00:42:38,920 --> 00:42:40,880
Speaker 1: know because you know, you never know what's going on

815
00:42:41,000 --> 00:42:44,600
Speaker 1: when you hit these things. He's like, you could tell

816
00:42:44,600 --> 00:42:47,719
Speaker 1: he's in tune and really does care. So I think

817
00:42:47,760 --> 00:42:51,120
Speaker 1: his presidency, if you look at him, if what he's

818
00:42:51,160 --> 00:42:54,839
Speaker 1: done just symbolically too. Man, he's changed the world. Man,

819
00:42:55,120 --> 00:42:57,640
Speaker 1: not any kid feel like they could at least be president.

820
00:42:57,719 --> 00:43:01,200
Speaker 1: They at least they know that it could be president. Like, so,

821
00:43:01,840 --> 00:43:04,360
Speaker 1: I think you know that in itself is already a

822
00:43:04,480 --> 00:43:06,600
Speaker 1: change in the world. After. I feel like Hillary's president

823
00:43:06,680 --> 00:43:08,239
Speaker 1: will do too. I think about my daughter. My daughter

824
00:43:08,360 --> 00:43:10,759
Speaker 1: is eight, Yeah, so all she's seen is Barrock. Now

825
00:43:10,840 --> 00:43:13,160
Speaker 1: she sees Hillary. She don't even know that standard of

826
00:43:13,239 --> 00:43:16,120
Speaker 1: an old white man authority. That's what I love. I mean,

827
00:43:16,280 --> 00:43:18,680
Speaker 1: you know, I feel like, man, it'd be great to

828
00:43:18,760 --> 00:43:22,200
Speaker 1: see a woman rule, you know, and be the head

829
00:43:22,239 --> 00:43:24,640
Speaker 1: of the state. Like, I think things will be better

830
00:43:24,800 --> 00:43:27,520
Speaker 1: and we need that energy and we do want our

831
00:43:27,640 --> 00:43:30,480
Speaker 1: daughters to see that. Like, you've always been socially conscious,

832
00:43:30,480 --> 00:43:32,239
Speaker 1: but not that you're older and more mature. What do

833
00:43:32,320 --> 00:43:37,560
Speaker 1: you feel like your responsibility is My responsibility is to

834
00:43:38,160 --> 00:43:42,760
Speaker 1: speak the words of God to activate and inspire people

835
00:43:43,239 --> 00:43:46,399
Speaker 1: through the art and through being an activist. As long

836
00:43:46,480 --> 00:43:49,839
Speaker 1: as it's people that's hurting out there, or it's inequalities

837
00:43:49,880 --> 00:43:53,080
Speaker 1: out there, my responsibility is to speak up and be

838
00:43:53,280 --> 00:44:01,799
Speaker 1: active towards changing that situation. That's my responsibility. It's time

839
00:44:01,880 --> 00:44:07,040
Speaker 1: for Donkey of the Day being Dunky of the day,

840
00:44:07,640 --> 00:44:09,520
Speaker 1: a little bit of a mixed so like a dope

841
00:44:11,080 --> 00:44:17,040
Speaker 1: other day. Now, I've been called a lot of my

842
00:44:17,120 --> 00:44:19,120
Speaker 1: twenty three years that Donkey of the day is a

843
00:44:19,200 --> 00:44:24,000
Speaker 1: new wife. All right. Donkey of the Day goes to

844
00:44:24,120 --> 00:44:27,040
Speaker 1: a young lady named Malika, and all you desert thirsty

845
00:44:27,080 --> 00:44:28,759
Speaker 1: ass new girls who are trying to get dates with

846
00:44:28,840 --> 00:44:31,239
Speaker 1: Doodoo Girl. Oh you don't know who doodoo girl is, Well,

847
00:44:31,280 --> 00:44:33,600
Speaker 1: her name is Malika, ladies and gettlement Okay. She goes

848
00:44:33,680 --> 00:44:36,200
Speaker 1: by the name of at underscored Bloody on Twitter. Now.

849
00:44:36,280 --> 00:44:38,359
Speaker 1: I can't even do this story without feeling a little sick,

850
00:44:38,400 --> 00:44:40,600
Speaker 1: because if it's one thing I hate is seeing fieces

851
00:44:40,680 --> 00:44:42,600
Speaker 1: in the toilet ball I can't stand it. I hate

852
00:44:42,600 --> 00:44:44,800
Speaker 1: when I walk in a public restroom and somebody forgot

853
00:44:44,880 --> 00:44:48,000
Speaker 1: to flush. Just makes my skin crawl just thinking about it. Okay,

854
00:44:48,160 --> 00:44:49,800
Speaker 1: I don't even look at my own poop when I

855
00:44:49,880 --> 00:44:52,360
Speaker 1: handle my business. You know how, doctor I said you

856
00:44:52,400 --> 00:44:54,640
Speaker 1: poop should be s shaped in a normal color. I

857
00:44:54,680 --> 00:44:57,680
Speaker 1: wouldn't know if mine is, Okay, I don't care. To me,

858
00:44:57,760 --> 00:44:59,440
Speaker 1: it's called ways for a reason. I don't care what

859
00:44:59,560 --> 00:45:00,960
Speaker 1: it looks like. I don't want to see it, and

860
00:45:01,040 --> 00:45:02,840
Speaker 1: I damn sure don't want to see anyone else's. So

861
00:45:03,120 --> 00:45:05,719
Speaker 1: that said, you shouldn't know how much this story of

862
00:45:05,800 --> 00:45:08,600
Speaker 1: this young lady Malika discussed me. Now, if you haven't

863
00:45:08,640 --> 00:45:10,279
Speaker 1: heard the story, I'll give you a quick recap. Her

864
00:45:10,360 --> 00:45:13,320
Speaker 1: name it is mckella. Well whatever, okay, maybe I'm a

865
00:45:13,360 --> 00:45:17,640
Speaker 1: little dyslexic. Mckella met a man in the grocery store,

866
00:45:17,920 --> 00:45:20,200
Speaker 1: went back to his house, and decided she needed to

867
00:45:20,320 --> 00:45:23,120
Speaker 1: use that man's bathroom. She tweeted. I am a confident, calm,

868
00:45:23,400 --> 00:45:26,719
Speaker 1: self assured woman, so I felt comfortable pooping in his bathroom. Now,

869
00:45:27,520 --> 00:45:29,200
Speaker 1: how you just met a man in a grocery store,

870
00:45:29,760 --> 00:45:31,759
Speaker 1: don't know him from a candle lightsow and just go

871
00:45:31,880 --> 00:45:34,160
Speaker 1: back to his house. That's first and foremost. You can

872
00:45:34,200 --> 00:45:36,160
Speaker 1: be confident, calm, self reshow at all of that, But

873
00:45:36,239 --> 00:45:37,960
Speaker 1: don't be a donkey. You don't know this dude. He

874
00:45:38,000 --> 00:45:40,120
Speaker 1: could be a serial killer, a rapist. You just don't

875
00:45:40,160 --> 00:45:41,920
Speaker 1: go home with some man you met in the produce

876
00:45:41,960 --> 00:45:44,640
Speaker 1: section at Whole Foods. Okay, but the story doesn't stop there. No,

877
00:45:45,160 --> 00:45:48,520
Speaker 1: this trusting yass woman actually used this man's bathroom, not

878
00:45:48,680 --> 00:45:51,920
Speaker 1: just used this man bathroom, pooped in this man's toilet,

879
00:45:52,040 --> 00:45:53,840
Speaker 1: blew it up. And this is why you don't invite

880
00:45:53,880 --> 00:45:55,520
Speaker 1: random screens to your crib. I don't even prove my

881
00:45:55,600 --> 00:45:57,719
Speaker 1: friend's bathroom. So imagine how I'd feel if a total

882
00:45:57,760 --> 00:46:00,279
Speaker 1: scranger came in my crib, use my bathroo did it

883
00:46:00,400 --> 00:46:03,880
Speaker 1: number two in my toilet? That's just disrespectful. Okay, we

884
00:46:03,960 --> 00:46:06,239
Speaker 1: don't know each other like that. That would happen next

885
00:46:06,280 --> 00:46:10,680
Speaker 1: to me. It's just kind of calma. See old boys

886
00:46:10,760 --> 00:46:14,080
Speaker 1: toilet wasn't working, so Malika, in a panic, went and

887
00:46:14,160 --> 00:46:16,160
Speaker 1: got her purse, wrapped the poo up, put it in

888
00:46:16,239 --> 00:46:18,480
Speaker 1: her purse, and then she heard a toilet flush in

889
00:46:18,520 --> 00:46:19,960
Speaker 1: another part of the house, where she went to the

890
00:46:20,040 --> 00:46:22,680
Speaker 1: other bathroom in the house, dumped it in the toilet

891
00:46:22,920 --> 00:46:26,160
Speaker 1: and flushed it. It's just all too much, Okay. This

892
00:46:26,320 --> 00:46:29,760
Speaker 1: is the prime example of oversharing on social media. But whatever,

893
00:46:29,880 --> 00:46:32,000
Speaker 1: Thank you Malika for the content. Now let's get to

894
00:46:32,040 --> 00:46:34,879
Speaker 1: all you doesert thirsty negroes on social media After hearing

895
00:46:34,960 --> 00:46:38,200
Speaker 1: that story, I'm disgusted. Okay. All I keep thinking about

896
00:46:38,320 --> 00:46:40,160
Speaker 1: is what her purse mail is like? Did she wipe

897
00:46:40,200 --> 00:46:43,040
Speaker 1: her ass? I would bet know. Okay, any person who

898
00:46:43,120 --> 00:46:45,400
Speaker 1: randomly leaves a grocery store with a complete scranger and

899
00:46:45,400 --> 00:46:48,000
Speaker 1: then poops in that complete scranger's house probably didn't wipe

900
00:46:48,040 --> 00:46:50,560
Speaker 1: her ass. But that is not stopping you negroes from

901
00:46:50,560 --> 00:46:53,000
Speaker 1: shooting your shot. Okay. In the due New York Daily

902
00:46:53,080 --> 00:46:55,680
Speaker 1: News yesterday, it was an article with the headline woman

903
00:46:55,719 --> 00:46:59,120
Speaker 1: who hid poop in purse says, men keep asking her out?

904
00:47:00,320 --> 00:47:03,520
Speaker 1: Who are you guys? I'm reading these tweets. This One

905
00:47:03,560 --> 00:47:06,359
Speaker 1: guy from the UK named John Claude says, heard about

906
00:47:06,400 --> 00:47:09,120
Speaker 1: your date gone wrong? Can't stop laughing when you come

907
00:47:09,160 --> 00:47:11,680
Speaker 1: to the UK. I would love to buy you a cheeseburger. Now,

908
00:47:11,760 --> 00:47:16,680
Speaker 1: why would you offer anyone with loose bows dairy? Another

909
00:47:16,800 --> 00:47:20,200
Speaker 1: dude name at Hey Valo said, hey, you are my hero?

910
00:47:20,960 --> 00:47:24,600
Speaker 1: How I can name three women who are heroes before?

911
00:47:24,680 --> 00:47:27,400
Speaker 1: Doodoo girl? You got a lecture on Daredevil. You got

912
00:47:27,520 --> 00:47:30,200
Speaker 1: wonder Woman, you got Claire Hustable. How is Doodoo girl

913
00:47:30,239 --> 00:47:33,959
Speaker 1: your hero? Another dude on Twitter said, marry me best

914
00:47:34,040 --> 00:47:37,800
Speaker 1: story ever? In what world does a woman pooping in

915
00:47:37,840 --> 00:47:40,200
Speaker 1: the scrangest bath from wrapping up in a wrapping it up,

916
00:47:40,239 --> 00:47:41,960
Speaker 1: wrapping it up in a tissue, and then taking it

917
00:47:42,000 --> 00:47:44,600
Speaker 1: to another toilet? And what world does that make you

918
00:47:44,640 --> 00:47:48,880
Speaker 1: want to marry her? What's the girl name? Michaela? Michaela

919
00:47:49,040 --> 00:47:52,359
Speaker 1: Michaela tweeted, Wow, all of the hard work I put

920
00:47:52,400 --> 00:47:54,960
Speaker 1: into being a hot girl is tarnished by one teeny

921
00:47:55,040 --> 00:47:58,200
Speaker 1: tiny poop story. Now I'm just poop girl. Yes, yes

922
00:47:58,320 --> 00:48:00,239
Speaker 1: you are. That's exactly what you are. And all these

923
00:48:00,280 --> 00:48:02,279
Speaker 1: guys trying to date you a bunch of poop but

924
00:48:02,440 --> 00:48:04,960
Speaker 1: ass suckers with no standards, Like damn bro. I'm not

925
00:48:05,080 --> 00:48:07,120
Speaker 1: saying she's not cute. I see her picture, but this

926
00:48:07,280 --> 00:48:10,040
Speaker 1: story is not appealing. Nothing about this story would attract

927
00:48:10,040 --> 00:48:12,440
Speaker 1: me to her. Okay, at least let her purse air

928
00:48:12,480 --> 00:48:14,960
Speaker 1: out first, let her purse freshing up first. Okay I can't.

929
00:48:15,120 --> 00:48:17,080
Speaker 1: I can't say the S word, so I'll just say

930
00:48:17,120 --> 00:48:21,000
Speaker 1: the same way. Real recognizes real Doodoo recognizes Duodo. Okay,

931
00:48:21,080 --> 00:48:24,760
Speaker 1: please give what's the girl name, Michella? Please give Michaelay

932
00:48:24,760 --> 00:48:26,279
Speaker 1: and all the dudes who want to date her the

933
00:48:26,320 --> 00:48:31,480
Speaker 1: biggest heath Hall. Please. He's saying, there's plenty of other

934
00:48:31,600 --> 00:48:34,800
Speaker 1: chicks for y'all to fake proposed to on social media. Okay,

935
00:48:34,840 --> 00:48:39,239
Speaker 1: you got Beyonce's fake cousin, Christian Douglas out there. Yeah, shot, Val,

936
00:48:39,719 --> 00:48:42,480
Speaker 1: he got Burton, these burges go fake love them. You're

937
00:48:42,520 --> 00:48:45,160
Speaker 1: a purl, not dood girl, all right, not a perl.

938
00:48:45,200 --> 00:48:48,160
Speaker 1: I'm just the admirer of nice things. Okay, all right,

939
00:48:48,200 --> 00:48:51,640
Speaker 1: we don't kill Yeah, but everyone don't poop in random

940
00:48:51,680 --> 00:48:53,759
Speaker 1: scrangers houses that they met at the grocery store then

941
00:48:53,800 --> 00:48:55,360
Speaker 1: wrap it up in the tissue and take it to

942
00:48:55,400 --> 00:48:58,360
Speaker 1: another bathroom and flushing in the toilet and didn't tweet

943
00:48:58,400 --> 00:49:03,000
Speaker 1: about it. The breakfas Club I'm wanting everybody is DJ

944
00:49:03,360 --> 00:49:05,680
Speaker 1: m vy Angela yee Cholamine the guy we are the

945
00:49:05,719 --> 00:49:08,000
Speaker 1: breakfast club. We got a special guest in the building.

946
00:49:08,040 --> 00:49:10,520
Speaker 1: You got a really special guest. We always say special guests.

947
00:49:10,520 --> 00:49:12,160
Speaker 1: This is a really special It's a little late, but

948
00:49:12,200 --> 00:49:13,520
Speaker 1: there was a reason why he was a little late.

949
00:49:13,800 --> 00:49:15,920
Speaker 1: You couldn't find the Parkers about for the Lamborghini. I'm

950
00:49:15,960 --> 00:49:18,759
Speaker 1: not mad at him. I'm not mad he had right

951
00:49:18,760 --> 00:49:20,239
Speaker 1: in front of the building. But we made it work.

952
00:49:20,440 --> 00:49:24,919
Speaker 1: Thank you, Thank you guys. You drove your most humble

953
00:49:24,960 --> 00:49:29,080
Speaker 1: car here this. I ain't want to bring the bugatta y'all.

954
00:49:29,160 --> 00:49:31,880
Speaker 1: You know got potholes in New York, the sides of

955
00:49:31,960 --> 00:49:35,080
Speaker 1: vent tables. Man Tracy came in here with the four

956
00:49:35,160 --> 00:49:37,480
Speaker 1: finger ring. I ain't gonna front you. That's beautiful, brother,

957
00:49:38,000 --> 00:49:39,880
Speaker 1: that's that makes me want one at all. Well, ever

958
00:49:40,000 --> 00:49:42,439
Speaker 1: since I saw l L you know what I'm saying

959
00:49:42,480 --> 00:49:48,600
Speaker 1: that I always wanted one. I got one. Yeah, it's

960
00:49:48,640 --> 00:49:50,640
Speaker 1: glad to finally see you. Haven't seen you in such

961
00:49:50,640 --> 00:49:52,840
Speaker 1: a long time. Get you on the phone, but we

962
00:49:52,920 --> 00:49:54,800
Speaker 1: haven't had a chance to see down there. I'm so

963
00:49:55,040 --> 00:49:56,960
Speaker 1: glad to be in studio with you guys, because I

964
00:49:57,000 --> 00:49:58,920
Speaker 1: have a lot of phone when I'm here, and it's

965
00:49:58,960 --> 00:50:02,800
Speaker 1: interesting you all always speak my interests in all of

966
00:50:02,840 --> 00:50:04,839
Speaker 1: those questions and all of that. And I've just been

967
00:50:05,320 --> 00:50:07,719
Speaker 1: when I was on a couch for like a year

968
00:50:07,760 --> 00:50:11,239
Speaker 1: and a half, I was listening and watching. We appreciate that.

969
00:50:11,480 --> 00:50:13,120
Speaker 1: Thank you. Now I saw you on the view man

970
00:50:13,200 --> 00:50:15,480
Speaker 1: saying that you feel funnier than ever before, and you

971
00:50:15,520 --> 00:50:18,520
Speaker 1: said you feel like you talked to Richard. Yeah, I

972
00:50:18,719 --> 00:50:21,000
Speaker 1: like to say that. You know. I was up there

973
00:50:21,160 --> 00:50:24,560
Speaker 1: at the party and guard and Richard was there, and

974
00:50:24,719 --> 00:50:28,320
Speaker 1: Lucy A. Ball was there, and Gleason was there, George Garlin,

975
00:50:28,440 --> 00:50:30,800
Speaker 1: and then God said it was time to go, and

976
00:50:30,920 --> 00:50:33,440
Speaker 1: I looked back at Richard because I didn't want to

977
00:50:33,560 --> 00:50:36,080
Speaker 1: leave him, and he just winked his eyes to stay funny.

978
00:50:37,080 --> 00:50:39,200
Speaker 1: So I took that role with it. That was a

979
00:50:39,280 --> 00:50:41,920
Speaker 1: real vision, like you really yeah, wow, I don't know

980
00:50:41,960 --> 00:50:44,080
Speaker 1: if I was in a coma anything. I was highly

981
00:50:44,440 --> 00:50:47,840
Speaker 1: heavily sedated, you know, because I poverized my fema. I

982
00:50:47,960 --> 00:50:50,160
Speaker 1: broke every bone in my face so that it was

983
00:50:50,200 --> 00:50:52,120
Speaker 1: a lot of pain. It was a lot of pain.

984
00:50:52,200 --> 00:50:54,719
Speaker 1: So now you earn the Richard probably biopic, right, Yeah,

985
00:50:54,760 --> 00:51:02,480
Speaker 1: I'm playing red Fox jaz Ah. It's Hollywood. Yeah, but

986
00:51:02,600 --> 00:51:05,520
Speaker 1: I'm not trying to do an impression. I'm trying to

987
00:51:05,640 --> 00:51:09,520
Speaker 1: channel him, just like Jamie did Ray. He didn't do

988
00:51:09,600 --> 00:51:14,960
Speaker 1: an impression. He did. He did ray or hebron So

989
00:51:15,120 --> 00:51:17,719
Speaker 1: that's a dark place and you want to go to.

990
00:51:17,840 --> 00:51:19,600
Speaker 1: You got to know how to get to that dark place.

991
00:51:19,920 --> 00:51:23,160
Speaker 1: That's all emotion, that's create acting that has nothing to

992
00:51:23,239 --> 00:51:26,880
Speaker 1: do with makeup. Acting is great. You'll see past that,

993
00:51:27,239 --> 00:51:30,839
Speaker 1: You'll see the la You'll be like, whoa, you see

994
00:51:30,880 --> 00:51:36,359
Speaker 1: the spirit of that person all my life? Who didn't

995
00:51:36,360 --> 00:51:38,960
Speaker 1: watch here for the sun. But you have to study

996
00:51:39,120 --> 00:51:42,200
Speaker 1: him off the stage to know him. And you know,

997
00:51:42,400 --> 00:51:46,000
Speaker 1: people that provide me with footage and you know, and

998
00:51:46,200 --> 00:51:48,680
Speaker 1: introduced me to people and all those things. I'm quite

999
00:51:48,719 --> 00:51:54,919
Speaker 1: sure I never got to because was probably that was going.

1000
00:51:55,080 --> 00:51:58,080
Speaker 1: But I knew people did his taxes and knew him

1001
00:51:58,160 --> 00:52:00,879
Speaker 1: personally and Eddie and you know, you be around people

1002
00:52:00,920 --> 00:52:02,800
Speaker 1: like that to tell your stories. Is that why you

1003
00:52:02,800 --> 00:52:05,600
Speaker 1: can't in there clutching your heart? No, no, no, no,

1004
00:52:06,480 --> 00:52:08,120
Speaker 1: I was just cuting my heart because it's just a

1005
00:52:08,239 --> 00:52:10,200
Speaker 1: joy to be here. When you got into the to

1006
00:52:10,280 --> 00:52:12,440
Speaker 1: the accident, you were just telling us all the stuff

1007
00:52:12,480 --> 00:52:14,680
Speaker 1: that you broke. I didn't know you broke that much,

1008
00:52:14,960 --> 00:52:16,759
Speaker 1: all your things. A lot of people didn't know. I

1009
00:52:18,360 --> 00:52:22,480
Speaker 1: was well insulated. Nobody needed to know. Nobody needed to know.

1010
00:52:23,360 --> 00:52:25,960
Speaker 1: Let me heal nobody and I know we living in

1011
00:52:26,040 --> 00:52:30,919
Speaker 1: the age was all about information. No nobody needed needed

1012
00:52:31,000 --> 00:52:33,759
Speaker 1: to know that. Nobody needed to see no pictures of

1013
00:52:33,840 --> 00:52:36,080
Speaker 1: me and Nokoma. I don't care about none of that,

1014
00:52:37,400 --> 00:52:39,560
Speaker 1: and my family, my wife. You know I ain't having that.

1015
00:52:41,360 --> 00:52:43,920
Speaker 1: Ain't having that. Ain't nobody taking no pictures of nothing?

1016
00:52:44,600 --> 00:52:48,520
Speaker 1: Let that man heal damn right, absolutely period. But people

1017
00:52:48,600 --> 00:52:51,120
Speaker 1: don't take life serious enough. But if you're going to

1018
00:52:51,160 --> 00:52:55,480
Speaker 1: Comma ten days, you'll see, you'll see. Trust me. You

1019
00:52:55,640 --> 00:52:57,480
Speaker 1: think about it, You think about it, you think about

1020
00:52:57,560 --> 00:53:01,640
Speaker 1: not being no more. It's or your loved ones, or

1021
00:53:01,680 --> 00:53:03,719
Speaker 1: your family or your enemy. You ain't never gonna see

1022
00:53:03,760 --> 00:53:06,399
Speaker 1: them again. So I thank god I'm here. He would

1023
00:53:06,400 --> 00:53:08,799
Speaker 1: say all the time. God is good. I say you wrong.

1024
00:53:09,360 --> 00:53:12,439
Speaker 1: God is everything. He good, bad, and ugly. You don't

1025
00:53:12,440 --> 00:53:15,319
Speaker 1: want to mess with him. If you think Satan is bad,

1026
00:53:15,440 --> 00:53:18,480
Speaker 1: gets who created him. So any man or woman who

1027
00:53:18,560 --> 00:53:21,640
Speaker 1: hasn't made his decision has already made his decision. If

1028
00:53:21,680 --> 00:53:23,200
Speaker 1: I would have pass to that accident, I would have

1029
00:53:23,239 --> 00:53:25,040
Speaker 1: been on right because I know where I'm going after this,

1030
00:53:25,239 --> 00:53:27,759
Speaker 1: because I'm a good person. I'll treat people good, and

1031
00:53:27,840 --> 00:53:30,400
Speaker 1: I believe ain't had to take no accident. I've been

1032
00:53:30,480 --> 00:53:34,000
Speaker 1: believing I've been closer him. I just got closer with

1033
00:53:34,239 --> 00:53:36,239
Speaker 1: that said they always say everything happens for a reason.

1034
00:53:37,200 --> 00:53:40,200
Speaker 1: Did you find a reason? And that my purpose? Like

1035
00:53:40,360 --> 00:53:44,359
Speaker 1: Beyonce said, connect the dots, I spread love. I'm here

1036
00:53:45,080 --> 00:53:47,719
Speaker 1: to make those laugh, to be good to those and

1037
00:53:47,800 --> 00:53:50,960
Speaker 1: spread love and at times be living. And now that's

1038
00:53:51,000 --> 00:53:52,960
Speaker 1: what God said, go back down and spread love. Man.

1039
00:53:53,320 --> 00:53:55,120
Speaker 1: So that's what you enjoy doing that, that's what the person.

1040
00:53:55,120 --> 00:53:57,040
Speaker 1: That's my way of doing that, my vehicle doing that

1041
00:53:57,080 --> 00:53:59,399
Speaker 1: as my sense and humor. Nobody cared about my money.

1042
00:54:00,000 --> 00:54:03,200
Speaker 1: Nobody cared. So people came on the show and said,

1043
00:54:04,120 --> 00:54:06,440
Speaker 1: all they're thinking about now they've got ninety million. No,

1044
00:54:06,680 --> 00:54:09,880
Speaker 1: this wasn't this wasn't a career shift. This was a

1045
00:54:10,080 --> 00:54:13,440
Speaker 1: terrible accident. I listened to the interview with David Wayne's

1046
00:54:13,440 --> 00:54:15,759
Speaker 1: and Dave Wayne is a good man, great guy. He's

1047
00:54:15,800 --> 00:54:19,120
Speaker 1: one of the inspirations that made me want to do comedy.

1048
00:54:19,239 --> 00:54:22,480
Speaker 1: But as far as speaking on finances, nobody knows what's

1049
00:54:22,480 --> 00:54:24,759
Speaker 1: in my pocket, about my wife and me and the

1050
00:54:24,880 --> 00:54:28,360
Speaker 1: lawyer and my business manager. Nobody on his planet. And

1051
00:54:28,480 --> 00:54:30,640
Speaker 1: if that were true, if it was ninety million over

1052
00:54:30,760 --> 00:54:33,040
Speaker 1: five years, because it's spread all over the world, that

1053
00:54:33,200 --> 00:54:35,560
Speaker 1: Tracy Moore got ninety million. No nobody knows how much

1054
00:54:35,600 --> 00:54:37,919
Speaker 1: I got because that was true. Walmart would have sued

1055
00:54:37,960 --> 00:54:42,600
Speaker 1: the outside of me because that was confidential. That was confidential.

1056
00:54:42,680 --> 00:54:45,320
Speaker 1: I don't discuss financial with nobody that don't sleep in

1057
00:54:45,440 --> 00:54:48,920
Speaker 1: my bed. And when you discuss finances on stage and

1058
00:54:49,040 --> 00:54:52,920
Speaker 1: separate you from your audience, that's true. Disconnect you from

1059
00:54:52,960 --> 00:54:56,280
Speaker 1: your audience. So when I'm on stage, people just happy

1060
00:54:56,320 --> 00:54:59,120
Speaker 1: to see me. They don't care about what you gotta

1061
00:54:59,560 --> 00:55:02,400
Speaker 1: or the don't care about that. They're just happy you alive.

1062
00:55:02,800 --> 00:55:05,080
Speaker 1: Nobody wants to see nobody down. No accident like that,

1063
00:55:05,640 --> 00:55:08,480
Speaker 1: that's a lot of steal. Homeboy was doing sixty five

1064
00:55:08,560 --> 00:55:11,800
Speaker 1: miles per hour with eighty five thousand pounds of frozen

1065
00:55:11,840 --> 00:55:14,400
Speaker 1: food in the back. Damn and he woke up at

1066
00:55:14,440 --> 00:55:17,239
Speaker 1: the last minute and try to turn left. Now, you're

1067
00:55:17,280 --> 00:55:20,880
Speaker 1: not stopping that. Only going up hill could stop something

1068
00:55:20,960 --> 00:55:24,399
Speaker 1: that big and that fast. Guess what stopped it that night,

1069
00:55:24,840 --> 00:55:28,520
Speaker 1: My friend's life. That's how powerful life is. One life

1070
00:55:28,600 --> 00:55:31,640
Speaker 1: could put out the sun. Well we take it for granted.

1071
00:55:32,200 --> 00:55:35,040
Speaker 1: We don't try to help one another and do and

1072
00:55:35,200 --> 00:55:39,120
Speaker 1: be good to We just don't just don't. All right, Well,

1073
00:55:39,160 --> 00:55:40,960
Speaker 1: We got more with Tracy Morgan when we come back,

1074
00:55:41,040 --> 00:55:43,880
Speaker 1: keep it locked. It's the Breakfast Club. Good Morning. That

1075
00:55:44,080 --> 00:55:47,040
Speaker 1: was Tory Lanes with Love Morning Everybody as DJ m

1076
00:55:47,120 --> 00:55:50,120
Speaker 1: vy Angela Yee, Charlomagne, the God we all, the Breakfast Club.

1077
00:55:50,200 --> 00:55:52,239
Speaker 1: The botom at you in high school, you'd have been done.

1078
00:55:56,719 --> 00:56:01,520
Speaker 1: You like the mexotic tap. Yeah you you know your exactly.

1079
00:56:01,640 --> 00:56:06,360
Speaker 1: Come on, man, mine yo, come in man you in

1080
00:56:06,400 --> 00:56:08,200
Speaker 1: another eighth school lunch. I'll to send you up to

1081
00:56:08,280 --> 00:56:10,960
Speaker 1: the air. Get nick down with like ten dollars and

1082
00:56:11,080 --> 00:56:13,320
Speaker 1: some cute puns. Go get your girlfriends some big backs.

1083
00:56:13,560 --> 00:56:15,960
Speaker 1: Kind of a little condom, no condom, Okay, if you

1084
00:56:16,000 --> 00:56:17,880
Speaker 1: ain't willing to die for you really don't want to.

1085
00:56:18,520 --> 00:56:20,480
Speaker 1: You don't want it. You don't want you getting You

1086
00:56:20,560 --> 00:56:24,200
Speaker 1: ain't tied to rip open packages as you ain't want it.

1087
00:56:25,600 --> 00:56:32,880
Speaker 1: Rother he wear that woman who doesn't want you to

1088
00:56:32,960 --> 00:56:37,000
Speaker 1: wear right. I'm going word bo, I'm making babies. I'm

1089
00:56:37,040 --> 00:56:40,240
Speaker 1: trying to break bab Mardy wrecking you know my styn.

1090
00:56:40,680 --> 00:56:48,360
Speaker 1: I'm pulling out. I don't pull out what you pulled out. Brothers.

1091
00:56:50,719 --> 00:56:53,279
Speaker 1: You ain't even a decighther no more. I can't he

1092
00:56:53,360 --> 00:56:58,239
Speaker 1: talking about he pulled out in Africa and all of that. Africa, Man,

1093
00:56:58,800 --> 00:57:04,439
Speaker 1: I didn't you know with y'all. Yeah, that's my wife

1094
00:57:04,520 --> 00:57:07,640
Speaker 1: showed me that. But we're planning on going to Africa

1095
00:57:07,680 --> 00:57:10,440
Speaker 1: and de summer, I'll be the first one to go

1096
00:57:10,560 --> 00:57:13,439
Speaker 1: back in my generation and five hundred years I'm gonna

1097
00:57:13,440 --> 00:57:16,880
Speaker 1: curse somebody out. And then I saw my vacation. You're

1098
00:57:16,880 --> 00:57:19,600
Speaker 1: going because we waited. We're waiting for y'all to come

1099
00:57:19,720 --> 00:57:21,920
Speaker 1: get us that we talked about. You know why we

1100
00:57:22,000 --> 00:57:23,160
Speaker 1: do it? You said, I want to make sure my

1101
00:57:23,280 --> 00:57:25,520
Speaker 1: family is good, you know. And now that your family

1102
00:57:25,640 --> 00:57:28,479
Speaker 1: is good, is that still make you give you that hungry?

1103
00:57:28,480 --> 00:57:32,439
Speaker 1: I'm still hungry. Why Because I love making people laugh.

1104
00:57:33,600 --> 00:57:35,560
Speaker 1: I get a joy out of that. I'm still hungry.

1105
00:57:35,560 --> 00:57:37,640
Speaker 1: I still approach it like I ain't got nothing to lose,

1106
00:57:38,240 --> 00:57:40,800
Speaker 1: and I was from day won they won, when I

1107
00:57:40,880 --> 00:57:43,480
Speaker 1: was on death chair. I ain't got nothing to lose.

1108
00:57:43,560 --> 00:57:45,600
Speaker 1: I go out there, I let go and I let

1109
00:57:45,720 --> 00:57:48,320
Speaker 1: God because nobody could touch me in that world. That's

1110
00:57:48,440 --> 00:57:50,440
Speaker 1: my world. And I'm gonna paying a picture for you.

1111
00:57:50,680 --> 00:57:52,360
Speaker 1: If you come and see me, I'm gonna take you

1112
00:57:52,480 --> 00:57:55,640
Speaker 1: through a journey. My show ain't no comedy show minds

1113
00:57:55,720 --> 00:57:59,919
Speaker 1: is an experience. You know what makes us laugh the true.

1114
00:58:00,880 --> 00:58:03,960
Speaker 1: People don't laugh at lies. Lies hurt. People laugh at

1115
00:58:03,960 --> 00:58:06,200
Speaker 1: the truth because they can identify with it and relate

1116
00:58:06,280 --> 00:58:08,600
Speaker 1: with it. When you on stage and you tell Richard

1117
00:58:08,680 --> 00:58:11,680
Speaker 1: never lied to us, Trenched, why do you think we

1118
00:58:11,840 --> 00:58:15,280
Speaker 1: loved them because he never lied to us. He was

1119
00:58:15,360 --> 00:58:17,200
Speaker 1: that uncle that came over that your mother said, I

1120
00:58:17,200 --> 00:58:19,000
Speaker 1: don't want you over there with him. He gave you

1121
00:58:19,440 --> 00:58:21,720
Speaker 1: your first sipp of bell on his button, his button,

1122
00:58:21,800 --> 00:58:25,920
Speaker 1: nip some, carry up and give him some. He was

1123
00:58:26,000 --> 00:58:29,120
Speaker 1: that uncle. I'm not you come see me. It's not

1124
00:58:29,200 --> 00:58:31,120
Speaker 1: about me ripping into you because I got the mic.

1125
00:58:31,160 --> 00:58:33,520
Speaker 1: I don't use the stage as a bully pull pick

1126
00:58:34,000 --> 00:58:36,000
Speaker 1: to tear someone else down and make them feel bad.

1127
00:58:36,200 --> 00:58:38,000
Speaker 1: They didn't pay money to come see you for you

1128
00:58:38,160 --> 00:58:40,680
Speaker 1: to do that to them. I got enough mess up

1129
00:58:40,680 --> 00:58:44,320
Speaker 1: stuff about me. I can talk about me all day long.

1130
00:58:45,840 --> 00:58:49,200
Speaker 1: You got time. So that's how you know. That's how

1131
00:58:49,200 --> 00:58:52,480
Speaker 1: I get down. I want people living, leaving them feeling good,

1132
00:58:52,920 --> 00:58:54,960
Speaker 1: even if it's like the spens of me. I'm meant

1133
00:58:55,000 --> 00:58:56,840
Speaker 1: to people feeling good. That's why I only listen to

1134
00:58:56,880 --> 00:59:00,280
Speaker 1: feel good. Music, the unsung hero at the jam. You're

1135
00:59:00,320 --> 00:59:02,960
Speaker 1: riding around with the jam. Huh yeah, But I keep

1136
00:59:03,000 --> 00:59:04,959
Speaker 1: it good. You know what I'm saying, because I'm riding

1137
00:59:04,960 --> 00:59:08,880
Speaker 1: around looking good. The only way he has listening just

1138
00:59:09,000 --> 00:59:16,000
Speaker 1: like music. Yeah, he said, one song away, Yeah, happiness,

1139
00:59:16,400 --> 00:59:19,320
Speaker 1: one song away. Never mind, just put me back to

1140
00:59:19,400 --> 00:59:22,760
Speaker 1: my man. I started thinking about Kevin Hard. It's my

1141
00:59:22,840 --> 00:59:24,840
Speaker 1: man's my man. Me and him go back. I love him.

1142
00:59:25,120 --> 00:59:27,440
Speaker 1: People don't know about his struggle in the game, but

1143
00:59:27,600 --> 00:59:29,880
Speaker 1: I do. And I just said, I hope he stay

1144
00:59:29,960 --> 00:59:32,520
Speaker 1: with it because he's one joke away from being who

1145
00:59:32,600 --> 00:59:36,480
Speaker 1: he is now. You do your thing HOMEI I see

1146
00:59:36,560 --> 00:59:38,800
Speaker 1: guys out here that be having ten and twenty women.

1147
00:59:39,040 --> 00:59:45,280
Speaker 1: I said, you one woman away from happiness, one woman away, baby, woman,

1148
00:59:45,360 --> 00:59:51,280
Speaker 1: you gotta stick with it. She out there women twenty men. Yeah,

1149
00:59:51,360 --> 00:59:55,240
Speaker 1: you one man away from happiness, one man. Stick with it.

1150
00:59:55,560 --> 00:59:58,520
Speaker 1: You're gonna be out there. The man that's gonna love you,

1151
00:59:58,640 --> 01:00:02,600
Speaker 1: right he out there. You gotta unfold your own and

1152
01:00:04,520 --> 01:00:07,920
Speaker 1: let him. And because you're doing this, you're signified. Go

1153
01:00:08,120 --> 01:00:10,680
Speaker 1: into my space. What man want to approach you? He

1154
01:00:10,880 --> 01:00:13,880
Speaker 1: loved you already, He loved you from the last night

1155
01:00:14,120 --> 01:00:16,640
Speaker 1: but you like this and garden, don't don't approach me,

1156
01:00:16,760 --> 01:00:19,520
Speaker 1: and come on, man, let let the love member of

1157
01:00:19,560 --> 01:00:22,600
Speaker 1: Peppers and let the loves, let the sun shine in. Yeah,

1158
01:00:22,840 --> 01:00:25,200
Speaker 1: gotta let us shine in. That still fine, you see

1159
01:00:25,240 --> 01:00:28,320
Speaker 1: Pepper Lately, I ain't gonna speak on me. Me and

1160
01:00:28,360 --> 01:00:34,560
Speaker 1: Pepple go back bed rock, bed rock here, Pepper Barnie

1161
01:00:34,680 --> 01:00:37,120
Speaker 1: Bam bam. Gotta try to start beef for me. But

1162
01:00:37,280 --> 01:00:40,960
Speaker 1: got you gotta ask true, how hard is it for you? Though?

1163
01:00:41,120 --> 01:00:43,880
Speaker 1: Like you know, obviously you're very happily married and you're saying,

1164
01:00:43,960 --> 01:00:45,919
Speaker 1: just let love in. But it has to be hard

1165
01:00:45,920 --> 01:00:49,080
Speaker 1: because you're Tracy Morgan. So I'm sure when you've been dating,

1166
01:00:49,200 --> 01:00:51,200
Speaker 1: how do you know that's the one? How do you

1167
01:00:51,360 --> 01:00:56,480
Speaker 1: know that's the one? Only you know that. I couldn't

1168
01:00:56,520 --> 01:00:58,640
Speaker 1: tell you I feel the way she made me feel,

1169
01:00:59,280 --> 01:01:02,760
Speaker 1: That's all I can't speaker. You'll know when it's the one.

1170
01:01:03,400 --> 01:01:06,840
Speaker 1: You'll know he knew, he knows. We all know. That's

1171
01:01:06,880 --> 01:01:11,440
Speaker 1: something you got judge for yourself. You know. Just be patient,

1172
01:01:11,560 --> 01:01:16,280
Speaker 1: young lady, because everything in time will reveal itself. Friends,

1173
01:01:16,840 --> 01:01:19,440
Speaker 1: loved one, all that will reveal itself. But you have

1174
01:01:19,640 --> 01:01:21,400
Speaker 1: to be patient when you get to a certain age,

1175
01:01:21,720 --> 01:01:24,080
Speaker 1: you know it's a virtue. When you want to know

1176
01:01:24,200 --> 01:01:27,080
Speaker 1: something about somebody else, you learn to shut up because

1177
01:01:27,120 --> 01:01:30,000
Speaker 1: they can't wait to tell you what their intent is

1178
01:01:30,040 --> 01:01:32,520
Speaker 1: with you, what their plans are with you, how they

1179
01:01:32,560 --> 01:01:35,440
Speaker 1: plan on treating you. To be patient, just be quiet

1180
01:01:35,440 --> 01:01:37,600
Speaker 1: and listen. I used to go to clubs when I

1181
01:01:37,720 --> 01:01:39,920
Speaker 1: was single, and I get with a girl and I

1182
01:01:40,080 --> 01:01:42,800
Speaker 1: just listen. She'll let you know how much choice she is,

1183
01:01:43,280 --> 01:01:46,160
Speaker 1: and do you go. It was nice meeting, but this way.

1184
01:01:46,400 --> 01:01:48,760
Speaker 1: I never went to the clubs with intent. I'm going

1185
01:01:48,800 --> 01:01:51,720
Speaker 1: to club just to have a good time, not to

1186
01:01:51,880 --> 01:01:54,439
Speaker 1: chase nobody, have to pick nothing up. I'm just gonna

1187
01:01:54,480 --> 01:01:57,320
Speaker 1: have a good time by myself. And when women see

1188
01:01:57,320 --> 01:01:59,440
Speaker 1: you having a good time, they go, wow, I want

1189
01:01:59,480 --> 01:02:01,920
Speaker 1: to be a part of that. Man, Jack, Everything you

1190
01:02:02,040 --> 01:02:04,440
Speaker 1: want is when you standing the right lane and keep

1191
01:02:04,520 --> 01:02:07,480
Speaker 1: going first, everything your pretty little heart wants will gravitate

1192
01:02:07,720 --> 01:02:10,919
Speaker 1: right to you. I never chased nobody. It always came

1193
01:02:11,000 --> 01:02:12,880
Speaker 1: to me. I was gonna say I did see you

1194
01:02:13,000 --> 01:02:15,440
Speaker 1: one time a long time ago out back, say nothing

1195
01:02:15,480 --> 01:02:22,840
Speaker 1: to me. Then about two four kids, Now that I'm

1196
01:02:22,880 --> 01:02:26,000
Speaker 1: not gonna lie going babies, I put that Coca bet

1197
01:02:26,040 --> 01:02:29,360
Speaker 1: on your summer every night, Tracy, bring me up on

1198
01:02:29,640 --> 01:02:32,440
Speaker 1: them be fatties. But just how you describe that. I

1199
01:02:32,560 --> 01:02:34,240
Speaker 1: was with my friend one time. We were in Time

1200
01:02:34,280 --> 01:02:36,720
Speaker 1: Square and they had this twenty four hour arcade and

1201
01:02:36,880 --> 01:02:39,120
Speaker 1: remember Chasy Morgan was in there with his he took

1202
01:02:39,160 --> 01:02:44,280
Speaker 1: a shirt off. Oh that's when the party shot. The

1203
01:02:44,480 --> 01:02:47,520
Speaker 1: party just started, and that's how it was going down.

1204
01:02:47,800 --> 01:02:50,520
Speaker 1: That's just how it was going down. That's just how

1205
01:02:50,520 --> 01:02:52,720
Speaker 1: it went down. We were like, look there, go yan,

1206
01:02:54,040 --> 01:02:56,240
Speaker 1: I got that from being little and watch them on

1207
01:02:56,320 --> 01:02:58,800
Speaker 1: to my uncle's party back in the day and my

1208
01:02:58,920 --> 01:03:01,200
Speaker 1: uncle's fatty love. The shirt always came out and the

1209
01:03:01,280 --> 01:03:03,840
Speaker 1: party just started. You toned down on that. You're still

1210
01:03:03,840 --> 01:03:06,040
Speaker 1: doing that. No, I'll be in bed by nine thirty.

1211
01:03:07,440 --> 01:03:12,560
Speaker 1: I don't get the right party. I'm forty seven years old. Brother. No,

1212
01:03:12,680 --> 01:03:14,800
Speaker 1: I don't drink. I don't do none of that. I've

1213
01:03:14,840 --> 01:03:17,640
Speaker 1: been clean like eleven twelve years now. Nice, Okay, we

1214
01:03:17,720 --> 01:03:19,640
Speaker 1: got more with Tracy Morgan when we come back. Keep

1215
01:03:19,680 --> 01:03:22,880
Speaker 1: it locked. It's the breakfast club. Good Morning. The breakfast

1216
01:03:22,960 --> 01:03:29,040
Speaker 1: club that was Bryson Tiller would exchange morning. Everybody is

1217
01:03:29,120 --> 01:03:32,040
Speaker 1: DJ mvy Angela yee. Charlomagne the guy we are the

1218
01:03:32,080 --> 01:03:35,360
Speaker 1: breakfast club. Tracy Morgan is in the building. Now. You

1219
01:03:35,440 --> 01:03:39,040
Speaker 1: got a baby girl, right yeah? My daughter I'm three now.

1220
01:03:39,480 --> 01:03:42,120
Speaker 1: Oh she just started dance class two days ago. But

1221
01:03:42,280 --> 01:03:44,520
Speaker 1: that's what my world as my wife, my sons, and

1222
01:03:44,600 --> 01:03:47,240
Speaker 1: my daughter. You know, I almost lost them. You know,

1223
01:03:47,360 --> 01:03:50,160
Speaker 1: that's my trauma that I suffer. You know what I'm saying,

1224
01:03:50,160 --> 01:03:52,680
Speaker 1: that's my Vietnam. Because I was on tour. It was

1225
01:03:52,720 --> 01:03:55,680
Speaker 1: called the Making fun Turning Funny Tour because I was

1226
01:03:55,720 --> 01:03:57,919
Speaker 1: sitting down one day and I said, all these bad

1227
01:03:57,960 --> 01:03:59,920
Speaker 1: things that ever happened in my life, I'm gonna turn funny.

1228
01:04:00,440 --> 01:04:02,280
Speaker 1: So I called my agent and we set up a

1229
01:04:02,320 --> 01:04:04,040
Speaker 1: toll and we want, I want. I was on tour.

1230
01:04:04,480 --> 01:04:07,360
Speaker 1: She's teething, she had a fever, sail with the baby.

1231
01:04:07,400 --> 01:04:09,040
Speaker 1: I'll be right back and go drop a bag of

1232
01:04:09,120 --> 01:04:12,320
Speaker 1: funny and I'll bring back a bag of money. She said, cool,

1233
01:04:12,400 --> 01:04:16,080
Speaker 1: look what happened. You think about your family? So that's

1234
01:04:16,160 --> 01:04:18,520
Speaker 1: my trauma. So I was like, this is my wife

1235
01:04:18,560 --> 01:04:21,600
Speaker 1: and my kid. You know, I'm still working on it now,

1236
01:04:21,720 --> 01:04:24,800
Speaker 1: but I'm just so over protective because of that. You know,

1237
01:04:24,920 --> 01:04:27,400
Speaker 1: when I'm not there. I don't want nothing bad to happen.

1238
01:04:28,560 --> 01:04:32,560
Speaker 1: But that's where your faith has to come in. Your paranoia.

1239
01:04:32,800 --> 01:04:35,720
Speaker 1: That's a demon and it has to be dealt with

1240
01:04:35,800 --> 01:04:39,800
Speaker 1: with courage and faith. Yeah, but you can get over it.

1241
01:04:39,960 --> 01:04:43,800
Speaker 1: You know. Listen to me, I just said the word faith.

1242
01:04:44,360 --> 01:04:46,240
Speaker 1: I can't do that because you destroyed them with that.

1243
01:04:47,080 --> 01:04:50,520
Speaker 1: You hurt them with that. I understand. But God didn't

1244
01:04:50,520 --> 01:04:52,400
Speaker 1: give you. He didn't give you that to hurt you.

1245
01:04:53,040 --> 01:04:55,160
Speaker 1: He gave you that to settle you down and ground

1246
01:04:55,240 --> 01:04:57,640
Speaker 1: you and all those things. So you have that faith

1247
01:04:57,720 --> 01:05:01,120
Speaker 1: to him that he will protect them. It's way short shot.

1248
01:05:01,200 --> 01:05:03,120
Speaker 1: Ain't said it? Going and do your whole word. You

1249
01:05:03,160 --> 01:05:07,040
Speaker 1: used to listen to shot, have a good cry. I

1250
01:05:07,120 --> 01:05:09,080
Speaker 1: have a good cry because thing's been going so well

1251
01:05:09,200 --> 01:05:12,040
Speaker 1: for you in your life and you and you sometimes

1252
01:05:12,080 --> 01:05:14,600
Speaker 1: you just gotta have a good cry. Let you know

1253
01:05:14,720 --> 01:05:17,120
Speaker 1: you still got something inside of you. I cry all

1254
01:05:17,160 --> 01:05:20,240
Speaker 1: the time. Nobody. I don't want to see nobody suffering.

1255
01:05:20,560 --> 01:05:25,120
Speaker 1: There's too much beef. I don't know beef. Yeah, because

1256
01:05:25,160 --> 01:05:27,280
Speaker 1: we're coming around. Don't go around. We'll come around. It's

1257
01:05:27,320 --> 01:05:29,560
Speaker 1: coming back around. You can believe that, and it might

1258
01:05:29,640 --> 01:05:31,040
Speaker 1: not come back to you. It might come back to

1259
01:05:31,120 --> 01:05:33,520
Speaker 1: somebody close to you. So you live with it, but

1260
01:05:33,680 --> 01:05:36,640
Speaker 1: you put out into the world. It's coming back. You

1261
01:05:36,760 --> 01:05:40,160
Speaker 1: can believe that. Trust when I tell you so. It's

1262
01:05:40,200 --> 01:05:42,400
Speaker 1: all good to be good. Ain't nothing wrong with it.

1263
01:05:42,480 --> 01:05:45,760
Speaker 1: You ain't hurting nobody. It feels good. Just say I

1264
01:05:45,840 --> 01:05:49,120
Speaker 1: love you. I love you, man, It feels good. It

1265
01:05:49,320 --> 01:05:53,920
Speaker 1: just does. Believe me. That accident. It matures you. It

1266
01:05:54,040 --> 01:05:56,720
Speaker 1: can mature you. If you don't want to grow up,

1267
01:05:56,840 --> 01:05:58,960
Speaker 1: You want to still have arrested development, you still want

1268
01:05:58,960 --> 01:06:01,560
Speaker 1: to do the things you did at seventeen. Something wrong.

1269
01:06:01,920 --> 01:06:05,720
Speaker 1: Watch this, Tracy Morgan. Now, now let's end this with

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01:06:05,800 --> 01:06:10,720
Speaker 1: a prayer. Brother, my brother drover, please watch over us,

1271
01:06:10,800 --> 01:06:14,160
Speaker 1: please protect us, Please give us the strength, Please give

1272
01:06:14,240 --> 01:06:17,200
Speaker 1: us love, Please show us a different way in this world.

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01:06:17,800 --> 01:06:20,520
Speaker 1: Please guide us and protect us in Jesus name, I

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01:06:20,640 --> 01:06:24,440
Speaker 1: mean amen, Amen a brother, Tracy. Here you go. It's

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01:06:24,440 --> 01:06:26,320
Speaker 1: Tracy Morgan's the Breakfast Club. Good morning,