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Speaker 1: I have something I want to pitch to you guys.

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Speaker 2: Okay, we've seen you pitch. You're good. I saw you

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Speaker 2: in Philly.

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Speaker 1: Not that kind of pitch. I thought you were going

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Speaker 1: to talk about like TV show pitching. I was like,

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Speaker 1: we've all pitched those together. So this came to me

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Speaker 1: the other day and I don't even know. Oh no,

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Speaker 1: I do know how it came to me when we

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Speaker 1: were thinking about a podcast name. Okay, okay, so I

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Speaker 1: have a long name. I have two last names. My

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Speaker 1: my legal name is Danielle Christine Fischel Carp that's a lot.

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Speaker 3: I knew the middle name Christine Christine.

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Speaker 1: Yeah, and so wonderful that you say that Christine means

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Speaker 1: nothing to my family. The name means yeah, Like it's

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Speaker 1: not it's not a family name. I think it's just

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Speaker 1: I was named.

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Speaker 3: Hold on, your brother's name is.

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Speaker 1: Christopher, Christopher, right, so they just And by the way,

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Speaker 1: my dad's wife is Christine, so he is he is,

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Speaker 1: he has got in his in his world. So Christine

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Speaker 1: doesn't mean anything to me. My my parents could not

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Speaker 1: agree on a name when they were pregnant with me,

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Speaker 1: and then after I was born. My name came from

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Speaker 1: a Danielle Steel book that was literally on the on.

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Speaker 4: The dresser in the hospital.

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Speaker 1: My mom looked over and was like, what about Danielle,

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Speaker 1: And my dad was like, great, I love it. And

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Speaker 1: that's where Danielle came from. Okay, Christine doesn't really mean

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Speaker 1: anything to me, and my name is already long. When

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Speaker 1: I got married, I wanted to have Carp in my

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Speaker 1: name because I wanted to have the same last name

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Speaker 1: as my son's. But I when I direct, I go

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Speaker 1: by Danielle Fischel. When I'm doing things with my kids' school,

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Speaker 1: I just go by Danielle Karp. When I'm getting on

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Speaker 1: a flight, I have to have, you know, all my

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Speaker 1: names on there.

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Speaker 2: And so you just told me your name is Mandy.

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Speaker 2: So you are your mixing stuff up all the time.

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Speaker 2: We don't even know what you're called. Don't know.

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Speaker 1: But what if I just save everyone at Google Search?

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Speaker 1: What if I changed my middle name to Topanga so

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Speaker 1: that I could also.

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Speaker 3: Just so you want to you legally take the name.

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Speaker 1: To listen, I'm already being called to Penga all the time.

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Speaker 1: What if when I directed something, it just said directed

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Speaker 1: by Topega, like instead.

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Speaker 4: Of like share you want to be you want to

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Speaker 4: be I want to be share.

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Speaker 3: Can you retroactively get residuals for the episode of Boy

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Speaker 3: Meets World where it's at executive executive Penga go back

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Speaker 3: into that. That's funny. So you're just you're just thinking, like, embrace,

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Speaker 3: embrace the aspect of your life.

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Speaker 2: Are you being serious or is this a bit? I

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Speaker 2: guess this is not a bit.

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Speaker 1: I'm dead serious because Chris, like I said, Christine doesn't mean.

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Speaker 4: Anything to me.

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Speaker 1: I already have a long name. I wouldn't do it

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Speaker 1: if it was going to be like Danielle Christine to

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Speaker 1: I just.

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Speaker 3: Had like a very clear vision that I have to

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Speaker 3: This is kind of off subject, but I want and

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Speaker 3: you know, the obey image like the I want that

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Speaker 3: with the face.

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Speaker 4: Can we just make that.

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Speaker 3: The giants face. It's shepherd fairy. Shepherd Fairy created this

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Speaker 3: like infamy. I want that with that would be a

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Speaker 3: stencil I could start spraying everywhere anyway, A lot.

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Speaker 1: Of that idea, but I think all I would need

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Speaker 1: to do to legally do it. By the way, it also,

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Speaker 1: like I said, how I answer to it all the time.

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Speaker 4: Anyway, it doesn't.

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Speaker 3: Bother you in the slightest no, I want to slip

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Speaker 3: and call you to Panga you no. For example, when

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Speaker 3: somebody I'm like, okay, I'm not mad, I understand, but

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Speaker 3: I'm definitely not excited or like I'm willing to embrace it.

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Speaker 1: I'm like one of our really good friend's wives said

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Speaker 1: to me once, oh.

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Speaker 4: My gosh, I didn't know you guys were going to

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Speaker 4: be here. It's so good to see you. Jensen gave

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Speaker 4: him a Huggin was like bye to Panga, was great

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Speaker 4: to see you, and literally then turned around and started

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Speaker 4: to walk away.

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Speaker 1: And then she slow turned around and she was like,

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Speaker 1: oh my god, I can't believe I just did that.

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Speaker 4: It's to me.

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Speaker 1: It isn't about It's so much more memorable. It is

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Speaker 1: an absolute brand. It is a brand, and there's no

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Speaker 1: denying that, other than to Panga Canyon, which isn't as

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Speaker 1: well defined of a brand. If you have me, no,

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Speaker 1: my face is synonymous with that word, and I I

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Speaker 1: don't know.

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Speaker 3: I'm just like, why not, just well, what you really

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Speaker 3: need to do? I mean, yeah, sure, change your name yourself,

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Speaker 3: but then y'all also need to like trademark to Panga.

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Speaker 3: Can you can you trade rand it? I don't know. Yeah,

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Speaker 3: like it's a it's a name. She should become to Panga, inc.

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Speaker 3: And yes, you should own has.

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Speaker 2: Has Jensen ever called you to Panga in bed?

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Speaker 5: Oh?

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Speaker 4: God, that's uh watched the show?

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Speaker 1: Jensen didn't watch the show so to like he had

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Speaker 1: only seen two episodes before this before we started the podcast,

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Speaker 1: and I and he may have even seen zero episodes.

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Speaker 1: Maybe he saw two episodes when before we started the podcast,

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Speaker 1: but only those two episodes after we started dating.

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Speaker 4: He had never seen the show.

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Speaker 3: I've never seen the show. I thought Matthew Lawrence was

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Speaker 3: on the show the whole time. I thought he was

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Speaker 3: the second lead.

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Speaker 6: Oh geez, I think matt was writer. Yeah, yeah, I'm

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Speaker 6: all for it for the joke. I mean, you just

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Speaker 6: like it for the bit I do.

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Speaker 3: I do.

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Speaker 2: It's like, but I mean, that's you're that's it's you're

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Speaker 2: changing your name. You're legally changing your name.

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Speaker 1: I think I'd have to put it in the I

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Speaker 1: think i'd have to like put it in the newspaper.

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Speaker 1: I think part of legally changing your name is you

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Speaker 1: have to publicly announce it, Like I'm you.

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Speaker 2: Have to change all your documents.

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Speaker 3: There's this thing as a newspaper. You have to publicly

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Speaker 3: announce you do.

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Speaker 4: You have to publicly announce it.

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Speaker 3: Put it on a blog somewhere exactly.

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Speaker 4: That's what I'm saying.

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Speaker 1: You can put it on the Internet whatever, but you

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Speaker 1: do have to like write it somewhere that Danielle Christine

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Speaker 1: Fisher Karp is now going to be known as Danielle

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Speaker 1: Topanga Fish.

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Speaker 3: I think I'm going for myself.

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Speaker 2: I'm going to do it with myself before you get there.

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Speaker 2: I'm going to trademark it myself. You have to buy

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Speaker 2: it for me, don't you will? Why don't you change

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Speaker 2: your name? How important is Alan? How important is Alan?

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Speaker 4: Why don't you don't? Why don't you just become.

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Speaker 2: Four C for?

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Speaker 3: I should?

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Speaker 2: I should? That's what I should. Trademark is Will Will

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Speaker 2: FIHENI yes for Dell, Yeah.

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Speaker 3: No, Ill said Will set out loud like, oh, then

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Speaker 3: you have to change your name as if people don't

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Speaker 3: say it every day.

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Speaker 2: It's already her name. And like Susan when we when

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Speaker 2: we got already talked about changing her last name to

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Speaker 2: my name, and I was like, she was.

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Speaker 3: Like, I don't know if I want to do. Just like, dude,

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Speaker 3: you don't have to do it. She's going to change

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Speaker 3: your passports. You got change its like I love you,

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Speaker 3: you love me, We get it.

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Speaker 2: You don't have to change your name, so, I mean,

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Speaker 2: there's just a lot that goes in with having to

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Speaker 2: do it.

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Speaker 4: I don't know.

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Speaker 2: That said, it's kind of worth the bit. But also,

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Speaker 2: your initials now are d c.

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Speaker 4: F c's kind of sounds like carp is a K,

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Speaker 4: d c f.

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Speaker 2: K d c K that sounds more like a clothing brand,

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Speaker 2: like you were in d c f K. That's so

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Speaker 2: last year.

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Speaker 7: But that would be d tw F Oh god, it

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Speaker 7: would god d t f K. Got did you just

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Speaker 7: realize you'd be d t S.

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Speaker 5: I'd be d I mean we've but you'd be t

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Speaker 5: T I would be d t F Wow d t

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Speaker 5: f K wow Wow.

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Speaker 2: Now I'm for it.

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Speaker 4: Wow, Welcome to Pau meets World. I'm Topanga.

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Speaker 3: No, no, no, I don't like it that it was

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Speaker 3: like a visceral reaction. I don't like it. I don't

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Speaker 3: like it. I want you to be Danielle. I want

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Speaker 3: you to be my friend. I don't you're just like

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Speaker 3: messed like now I can't be rider, like I can't

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Speaker 3: relate to you I'm never gonna call you to Panga

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Speaker 3: I am. That just made my skin crawl so much.

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Speaker 3: I'm so sorry.

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Speaker 4: You literally vomited it, like I can't.

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Speaker 3: I'm leaving the show if we do that. I can't.

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Speaker 3: That is so weird. I was like, oh, this is

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Speaker 3: fun hypothetical the second I heard you say that and finish. No,

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Speaker 3: Oh my god.

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Speaker 2: He's like using bright red.

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Speaker 3: Oh you are Daniel Fishal and I am righter strong

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Speaker 3: your own friend.

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Speaker 2: I'm Wilfordell.

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Speaker 8: Never my gosh.

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Speaker 1: Jumping into today's recap, we are recapping season six, episode six,

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Speaker 1: Hogs and Kisses. It originally aired October thirtieth, nineteen ninety eight.

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Speaker 4: The synopsis.

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Speaker 1: After a director casts Sean to play Tipega's boyfriend in

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Speaker 1: a promotional film, Corey is certain the duo or harboring

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Speaker 1: romantic feelings for one another. When he forces them to

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Speaker 1: go on a date and explore their emotions, things get

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Speaker 1: even more complicated. Meanwhile, Eric and Jack adjust their manners

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Speaker 1: for the sake of Rachel. This one was directed by

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Speaker 1: Jeff McCracken. It was written by David Brownfield, a new name.

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Speaker 1: He began his career as a writer on the Drew

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Speaker 1: Carey Show and a Tim Curry show called Over the Top.

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Speaker 1: But he went on to become the senior Vice President

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Speaker 1: of Current Programming at CBS, and he oversaw the development

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Speaker 1: of shows like CSI and Cis, The Good Wife, Big

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Speaker 1: Bang Theory, and How I Met Your Other And as

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Speaker 1: if that wasn't enough, he would go on to become

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Speaker 1: an executive producer at Dick Wolfe Entertainment and he led

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Speaker 1: the creative team first seven prime time series YEP.

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Speaker 4: So before I jump into I'm sorry, I just.

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Speaker 2: Just quickly about Brownfield. You know, he he wasn't a

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Speaker 2: writer when he came on our show. He was our

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Speaker 2: ABC rep. Oh so ABC would center represent representative to

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Speaker 2: be on all the run throughs and all the stuff.

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Speaker 2: He was our ABC rep. And then he joined our cast,

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Speaker 2: joined our writers, which rarely happens.

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Speaker 3: Yeah, line.

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Speaker 2: And then when I was watching, I was like, David Brownfield,

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Speaker 2: is that the same guy?

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Speaker 3: And it's the same.

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Speaker 2: We should totally have him on because he's kind of

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Speaker 2: in charge, like in charge of TV. Now.

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Speaker 4: That would be wonderful if we could have him on.

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Speaker 3: Yeah, I him.

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Speaker 4: We will reach out to him, see if he wants

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Speaker 4: to join us.

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Speaker 1: Before I jump into our guest stars who would like

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Speaker 1: to share their overall thoughts.

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Speaker 2: I went first last time rider, uh I.

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Speaker 3: It's a It's a really mind melting episode for me,

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Speaker 3: Like just watching it, it was like, how did this come about?

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Speaker 3: Why is this here?

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Speaker 4: Yeah?

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Speaker 3: Ben is so funny, so I don't care. I don't care,

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Speaker 3: Like Ben's just so funny. I think this is like

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Speaker 3: again like after last week, I'm like Ben's performances are

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Speaker 3: just making what is you know? And and it's also

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Speaker 3: and Corey right, it's also the Corey character. I love neurotics,

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Speaker 3: stressed out Corey and this is pure that. So I

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Speaker 3: was I was like, oh, I'm fine with that. The

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Speaker 3: Bet story is just to me, you know, kind of

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Speaker 3: a joke.

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Speaker 9: At this point, it's like, why are you.

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Speaker 3: Even doing this? This is like kind of a waste set. Yeah,

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Speaker 3: so it's a bummer, but but no, it was fun.

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Speaker 3: You know, it's weird. It's a weird episode, and I

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Speaker 3: have all my personal feelings, which I'm sure you do

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Speaker 3: to Danielle, like why are they making us kissing? And

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Speaker 3: why is everybody gas like poor Corey about this terror?

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Speaker 9: Man, Like just say no, I don't know. So that

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Speaker 9: the whole like, yeah, we'll get into it.

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Speaker 3: I'm sure about how we how we feel about kissing

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Speaker 3: and people kissing, and like how different it is now

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Speaker 3: than it was for us then, you know, both personally

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Speaker 3: but also culturally.

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Speaker 9: It seems like it seems like I.

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Speaker 3: Don't know, so there's there's weirdness there, but there's some

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Speaker 3: classic moments in this episode that are really good and

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Speaker 3: they're mostly bet there, mostly Bent's performance.

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Speaker 9: I just yeah, but yeah. When it came to the

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Speaker 9: food fight stuff, I was like, really, really we did

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Speaker 9: a food fight.

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Speaker 3: I barely remember this. I think we did, and that's

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Speaker 3: the whole point of this whole thing is to set

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Speaker 3: up that food I was like, that's a lot, okay,

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Speaker 3: but everyone's good.

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Speaker 9: It's fun, you know.

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Speaker 3: Yeah, well, I agree with everything you said.

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Speaker 2: I get. I could watch Ben do that version of

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Speaker 2: Corey for five hundred episodes. He's so funny, just ridiculously fun.

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Speaker 2: The story makes no sense. It's also a story we've

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Speaker 2: done now a number of times. How many times? Can

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Speaker 2: the kiss? Does the kiss mean anything? Can you not

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Speaker 2: kiss without it meaning something? Wait a second, we did this.

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Speaker 3: We did this though it's but it's not we did

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Speaker 3: this with you kissed the French, you kissed me before

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Speaker 3: we went to friends, and I.

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Speaker 2: Felt nothing like we've literally done this exact same thing already.

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Speaker 2: But none of that mattered because Ben was making me

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Speaker 2: laugh out loud almost every time he spoke, and so

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Speaker 2: it was just I didn't care the food fight stuff.

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Speaker 2: We had a producer on the show that had a

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Speaker 2: very strange food fetish when it came it was almost

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Speaker 2: like a sexuality when it came to food. So that's

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Speaker 2: where he was going with this. It's hey, really, yeah, yes, so.

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Speaker 3: We did multiple food I don't remember there was more.

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Speaker 4: But it's also like qureantapanga have one too, Panga have one?

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Speaker 4: And I remember them.

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Speaker 1: I think the movie is called nine and a half

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Speaker 1: Weeks where there's like some they have sex in a

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Speaker 1: food fight, and that movie was mentioned to me during

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Speaker 1: that episode about seventy five times.

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Speaker 2: Yeah, and the feet in the Marin era. Then on

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Speaker 2: my face, that's all.

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Speaker 9: It is kind of but the food fight thing is

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Speaker 9: kind of a standard kids show it is.

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Speaker 2: That was like I was on Nickelodeon that was like

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Speaker 2: my ten food.

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Speaker 1: Nothing about this episode that says we are still a

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Speaker 1: kid's show.

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Speaker 2: That's true, except maybe the food.

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Speaker 3: No, even the food fights because it's sexualized. So no.

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Speaker 2: But if I I don't even care what the story

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Speaker 2: is anymore, I'm over it for the b story. But

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Speaker 2: if I have to see Jack and Eric and Rachel

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Speaker 2: just in the apartment for another episode, I'm gonna lose it.

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Speaker 2: It's like, are you kidding me? Now? We're just the

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Speaker 2: three of us in that one little space trying to

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Speaker 2: move this.

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Speaker 3: Girl still it at the time, right, like maybe from.

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Speaker 2: An standpoint because you don't have to, yeah, exactly, like.

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Speaker 3: You're trying to make again, you're trying to make Matt

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Speaker 3: laugh constantly, exactly, I can tell that You're like, we

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Speaker 3: broke a bunch of times in the middle of the

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Speaker 3: of this of the scene.

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Speaker 2: So again, the story is just a side the a story.

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Speaker 2: I could watch that Ben all the time. He was

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Speaker 2: so funny. It might be my favorite Ben Savage performance

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Speaker 2: I've ever seen.

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Speaker 3: He's just so good. He's as an elder season six,

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Speaker 3: he's also.

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Speaker 2: Shredded, like he looks when he comes in and then

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Speaker 2: when he rips off, he's like, damn, I mean, yeah,

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Speaker 2: you don't remember that.

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Speaker 3: I remember that on the day I remember him being

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Speaker 3: Oh god, Ben is I mean, we always because he

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Speaker 3: would like do push ups and stuff like he would

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Speaker 3: work out.

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Speaker 9: But I remember like when that happened to everyone was like,

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Speaker 9: oh my god.

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Speaker 3: I was like, yeah, that's Ben's body.

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Speaker 2: Yeah, no, it was no. So overall I liked it. Again,

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Speaker 2: the kissing thing absurd. Just everything you said I agree

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Speaker 2: with one hundred percent.

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Speaker 4: Couldn't agree more about Ben's performance.

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Speaker 1: Yeah, I don't need to be the third person to

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Speaker 1: say the exact same things. It's perfect. I love this

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Speaker 1: version of Corey. I think it's so funny. Every every

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Speaker 1: other aspect of this episode is maybe the worst episode

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Speaker 1: of television I've ever seen ever in my life.

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Speaker 3: Because you're in it. Is that because you feel so

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Speaker 3: awkward about like the kissing and the no you actually

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Speaker 3: think it's performances too.

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Speaker 1: Everybody else but Ben I think, Yeah, I think it's terrible.

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Speaker 4: I don't. There's not one redeeming quality other than Ben.

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Speaker 3: It is.

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Speaker 1: It makes no sense, it's stupid and it is not funny.

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Speaker 1: It's if I have to watch, if I have to

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Speaker 1: watch this be storyline, Oh I can't.

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Speaker 2: I can't with the b storyline. One more episode.

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Speaker 1: Yeah, Also, we had somebody right in and I said,

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Speaker 1: I would absolutely let you know the moment when I

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Speaker 1: realized that as Danielle, I was done with the show

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Speaker 1: and I checked out my soul off my body.

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Speaker 4: It's this episode, is it?

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Speaker 2: I that a little bit of a writer in this episode?

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Speaker 3: I'm already gone, but I mean, you're a writer. Was

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Speaker 3: like I went to college and I was like, yeah,

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Speaker 3: you're a.

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Speaker 2: Different Sean in this because Sean is just like, hey, Corey,

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Speaker 2: what's it like, He's a totally normal There's nothing Sean

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Speaker 2: about Sean anymore. Is just now a guy?

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Speaker 3: Well, yeah, we can get into it. But it was

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Speaker 3: interesting how little the rest of us had to do.

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Speaker 3: Like it's like, once they came up with this Corey

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Speaker 3: being this Corey, which is hysterical and is killing it,

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Speaker 3: the rest of us are just like sounding boards, Like

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Speaker 3: we're just like normal people reacting the way normal people do,

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Speaker 3: so we don't get to be funny or interesting. And

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Speaker 3: you know, Trina has probably more dialogue than she's ever

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Speaker 3: had in an episode, and it's all about Corey, which

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Speaker 3: nothing she is no if anything, she becomes aggressive sexually

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Speaker 3: and kisses him, which is kind of course, what is happening.

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Speaker 1: Also, she says this the only she has more dialogue,

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Speaker 1: but it's one sentence with different words over and over again.

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Speaker 4: Corey, You're crazy, Corey. They would never do that, Corey.

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Speaker 4: These are the same people, Corey. There, there's no.

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Speaker 1: Way it's the same thing, said six different ways. They

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Speaker 1: gave her nothing of real like and she's great, she's wonderful, like,

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Speaker 1: she's she totally of her going let me show you

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Speaker 1: how I can kiss you and it won't mean anything

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Speaker 1: when Corey is the person who's already kissed seven other

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Speaker 1: people and been the one trying to explain to Tapanga

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Speaker 1: how when they kissed him it meant nothing.

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Speaker 3: We've done We've.

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Speaker 4: Already done this.

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Speaker 3: Yeah, oh my god.

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00:17:45,960 --> 00:17:48,399
Speaker 4: For and then are we are you serious?

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Speaker 1: There's a college video and they it's a couple, and

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Speaker 1: then they're gonna have a makeout hotter hotter, and there's

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Speaker 1: no hesitation between two friends who have have been platonic

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Speaker 1: friends supposedly since they were toddlers.

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Speaker 4: To just be like, yes, this man, and I'm on

390
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Speaker 4: camera and I gotta do it.

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Speaker 1: I'm suddenly a paid actor for real, Who's like, this

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Speaker 1: is my job?

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Speaker 4: It is so.

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Speaker 1: I Honestly, I watched the episode and I was like,

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Speaker 1: I can't believe I have to do the rest of

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Speaker 1: this podcast, Like, I can't this is it, this is it.

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Speaker 4: I can't believe. I can't believe I have to if

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Speaker 4: this is it.

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Speaker 1: I have questioned before, is this the moment Boy means

400
00:18:26,040 --> 00:18:27,639
Speaker 1: World Jump the Shark, and then been like watch the

401
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Speaker 1: next episode and been like, Nope, absolutely not.

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Speaker 4: This is it.

403
00:18:31,920 --> 00:18:35,520
Speaker 1: There had better be even one redeeming moment for Boy

404
00:18:35,560 --> 00:18:37,520
Speaker 1: Meets World for the rest of this But I think

405
00:18:37,560 --> 00:18:39,479
Speaker 1: we should have been canceled after this episode, rib them

406
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Speaker 1: off the air.

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Speaker 2: Tommy, maybe Tommy stuff you are extreme, Yeah, this is

408
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Speaker 2: this is a big one for you.

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Speaker 3: It is totally like Ben's. It's all just Corey and

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00:18:48,680 --> 00:18:51,040
Speaker 3: Corey's story, and Corey's performed like it is so funny

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Speaker 3: to me, and they just got off on that joke,

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Speaker 3: like they were just like, oh my god, what if

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Speaker 3: Corey just keeps freaking out and we keep you know

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Speaker 3: that is It's just they were just upset.

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Speaker 1: It was good, give him that all of that, keep

416
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Speaker 1: it the same and have it be even he actually

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Speaker 1: has a reason.

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Speaker 4: It's not funny when the man is we're gaslighting him.

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Speaker 1: It's a little less funny when I'm like, he should

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Speaker 1: be freaking out.

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Speaker 4: I'd been pissed.

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Speaker 1: Off too, Like give him a given, just the underpants,

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Speaker 1: give have him walk in and have that situation.

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Speaker 4: He rips, he pulls up the blanket.

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Speaker 1: He's like, underpants, have you always had feelings for each other?

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Speaker 8: Make it?

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Speaker 4: Make it a little.

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Speaker 9: But also just at any point if Sean and Panga

429
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Speaker 9: recognize this is a little awkward, but yes, you're like

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Speaker 9: just just just a slipping nothing bops. Okay, I guess

431
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Speaker 9: we have to kiss because it's our job, which we're

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Speaker 9: getting paid.

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Speaker 3: I don't know, okay job. But like if there was

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Speaker 3: just a little bit of like sorry Corey and then

435
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Speaker 3: we did it, and then we were like, yeah, we

436
00:19:49,119 --> 00:19:51,879
Speaker 3: shouldn't have done that, or any of any acknowledgment, you

437
00:19:52,000 --> 00:19:53,880
Speaker 3: still could have had the same story with us being

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Speaker 3: like grown ups about it, like, oh, yeah, you see

439
00:19:56,200 --> 00:19:58,280
Speaker 3: your point of view, dude, like that, does you know

440
00:19:58,320 --> 00:19:58,880
Speaker 3: what would.

441
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Speaker 4: Have solved all of this?

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Speaker 3: For to go kiss I'm not kissing him. Are you

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00:20:03,280 --> 00:20:03,760
Speaker 3: okay with it?

444
00:20:03,840 --> 00:20:05,480
Speaker 4: Yeah? I guess so, Corey, are you okay with it?

445
00:20:05,520 --> 00:20:08,840
Speaker 1: And for him to go oh, yeah, sure, Yeah, what's

446
00:20:08,840 --> 00:20:10,840
Speaker 1: the big deal? And then we do it and he's

447
00:20:10,880 --> 00:20:13,240
Speaker 1: like it spins him out of control, and we're like,

448
00:20:13,280 --> 00:20:16,600
Speaker 1: oh gosh, how did we you know? Then okay, then

449
00:20:16,720 --> 00:20:19,280
Speaker 1: I even I can buy all of it, none of it.

450
00:20:19,359 --> 00:20:23,080
Speaker 1: We all are just like the whole world is operating

451
00:20:23,119 --> 00:20:26,520
Speaker 1: on some weird level where this is just totally fine,

452
00:20:26,600 --> 00:20:27,240
Speaker 1: and you're not.

453
00:20:27,119 --> 00:20:29,880
Speaker 3: How much of that is because we were a TV

454
00:20:30,000 --> 00:20:33,479
Speaker 3: show where we had to make out with people that

455
00:20:33,520 --> 00:20:35,960
Speaker 3: we just met, that we barely knew as a job

456
00:20:36,000 --> 00:20:37,679
Speaker 3: all the time, Like, how much of this is the

457
00:20:37,720 --> 00:20:41,640
Speaker 3: result of TV writers and TV actors trying to write

458
00:20:41,640 --> 00:20:44,040
Speaker 3: a storyline that just really doesn't make sense?

459
00:20:44,080 --> 00:20:48,119
Speaker 1: Actually, are our TV writers so out of touch with

460
00:20:48,200 --> 00:20:49,560
Speaker 1: what it's like to be a.

461
00:20:49,560 --> 00:20:52,600
Speaker 3: Huge human to kiss a person? I mean.

462
00:20:55,400 --> 00:20:59,840
Speaker 2: Talking about that, talking about the kiss just I love

463
00:20:59,840 --> 00:21:02,400
Speaker 2: you both so much. It's one of the worst TV

464
00:21:02,520 --> 00:21:05,760
Speaker 2: kisses I think I've ever seen. It's like you're both

465
00:21:05,840 --> 00:21:09,679
Speaker 2: listening to two different songs and trying to make it

466
00:21:09,880 --> 00:21:10,560
Speaker 2: make a mash up.

467
00:21:10,760 --> 00:21:12,440
Speaker 3: It was like, that is a You don't think we

468
00:21:12,520 --> 00:21:13,760
Speaker 3: have old magic chemistry.

469
00:21:13,920 --> 00:21:14,439
Speaker 9: You do not.

470
00:21:20,720 --> 00:21:23,720
Speaker 2: It's like you guys hadn't rehearsed you hadn't done anything.

471
00:21:23,920 --> 00:21:27,600
Speaker 1: You probably game together. We probably didn't. We probably. I

472
00:21:27,600 --> 00:21:29,000
Speaker 1: don't remember making out all week.

473
00:21:29,800 --> 00:21:32,800
Speaker 3: I don't only remember this episode because at some point

474
00:21:33,160 --> 00:21:35,160
Speaker 3: in our lives over the last you know, eight years

475
00:21:35,240 --> 00:21:37,040
Speaker 3: or whatever you mentioned we had an episode where we

476
00:21:37,119 --> 00:21:38,840
Speaker 3: kissed and I was like, what are you talking. I

477
00:21:38,840 --> 00:21:41,320
Speaker 3: don't remember no recollection. But once you said it, I

478
00:21:41,359 --> 00:21:43,199
Speaker 3: was like, oh, right, because I replaced Corey in some

479
00:21:43,280 --> 00:21:45,720
Speaker 3: weird thing and I have to kiss you. I was like, Okay,

480
00:21:45,720 --> 00:21:48,080
Speaker 3: I guess that makes sense. But watching it, I'm like, no, this,

481
00:21:48,160 --> 00:21:48,800
Speaker 3: this doesn't.

482
00:21:48,600 --> 00:21:49,919
Speaker 4: Make sense, doesn't make any sense.

483
00:21:50,520 --> 00:21:51,240
Speaker 3: Yeah, I don't get it.

484
00:21:51,240 --> 00:21:54,320
Speaker 2: Also, but it is very real though, that a college

485
00:21:54,359 --> 00:21:56,960
Speaker 2: puts out a video saying come to this college because

486
00:21:57,000 --> 00:21:58,560
Speaker 2: you can meet somebody that you're going to fall in

487
00:21:58,560 --> 00:21:58,840
Speaker 2: love with.

488
00:21:58,920 --> 00:22:01,080
Speaker 3: That's a real thing, totally obvious.

489
00:22:01,119 --> 00:22:02,480
Speaker 2: I don't know everyone's going.

490
00:22:03,800 --> 00:22:04,520
Speaker 3: In that video.

491
00:22:04,720 --> 00:22:05,679
Speaker 2: Yeah, that's they.

492
00:22:05,520 --> 00:22:08,320
Speaker 4: Send those out for elementary school. Now we're getting them.

493
00:22:08,440 --> 00:22:10,560
Speaker 1: We're trying to get Adler into you know, first grade,

494
00:22:10,560 --> 00:22:12,360
Speaker 1: and they're they're sending out you.

495
00:22:12,359 --> 00:22:12,800
Speaker 2: Might meet you.

496
00:22:14,040 --> 00:22:15,960
Speaker 1: Yeah, you want to meet your Corey, come here, you

497
00:22:16,000 --> 00:22:17,200
Speaker 1: want to meet your Topanga, come to this.

498
00:22:18,000 --> 00:22:21,359
Speaker 3: I'm so you know, like I feel like there's a

499
00:22:21,920 --> 00:22:26,439
Speaker 3: like a three or four hundred page book, like a

500
00:22:26,480 --> 00:22:29,159
Speaker 3: PhD thesis to be written about the magic of kissing

501
00:22:29,320 --> 00:22:32,399
Speaker 3: on point and how all the nuances right because we

502
00:22:32,560 --> 00:22:34,480
Speaker 3: kiss and it's clearly magnetic.

503
00:22:34,520 --> 00:22:36,400
Speaker 9: For Corey, it's it's it says the thing.

504
00:22:36,960 --> 00:22:40,520
Speaker 3: We we don't feel the magic consoorcealment of our kiss now, uh,

505
00:22:40,920 --> 00:22:43,040
Speaker 3: but we don't. We don't acknowledge that. But but then

506
00:22:43,080 --> 00:22:46,520
Speaker 3: when he and Trina kiss, they clearly don't feel it,

507
00:22:46,600 --> 00:22:50,320
Speaker 3: they clearly don't end it. But but I can't look

508
00:22:50,320 --> 00:22:53,119
Speaker 3: what's going on. It's like when does a kiss magically

509
00:22:53,359 --> 00:22:55,680
Speaker 3: in sourceal somebody to be like, oh mama, I want

510
00:22:55,680 --> 00:22:57,120
Speaker 3: to marry you. You're in love.

511
00:22:57,680 --> 00:22:59,960
Speaker 2: When when the universe says that it's okay for you

512
00:23:00,160 --> 00:23:02,040
Speaker 2: guys to be together, the kiss works.

513
00:23:01,920 --> 00:23:03,840
Speaker 3: Right, So you have to try it out kissing everybody

514
00:23:03,840 --> 00:23:06,600
Speaker 3: to get that, and then you really know when when

515
00:23:06,640 --> 00:23:08,679
Speaker 3: you kiss Ricky don't get to France.

516
00:23:09,119 --> 00:23:10,800
Speaker 2: Is that the old saying how many frogs you have

517
00:23:10,840 --> 00:23:12,400
Speaker 2: to kiss before you see you get a prince?

518
00:23:12,480 --> 00:23:14,040
Speaker 3: That's what this is. That's what it is.

519
00:23:14,119 --> 00:23:15,600
Speaker 2: You know, how many frogs you have to kiss before

520
00:23:15,600 --> 00:23:16,200
Speaker 2: you kiss.

521
00:23:15,960 --> 00:23:17,960
Speaker 3: Prince, the logic and the magic. It's like, it's just

522
00:23:18,080 --> 00:23:20,639
Speaker 3: the twists and the turns, and it's like, I feel

523
00:23:20,640 --> 00:23:23,600
Speaker 3: like maybe our writers just wanted to watch us make

524
00:23:23,600 --> 00:23:25,959
Speaker 3: out in different combinations. Like they literally were like, how

525
00:23:25,960 --> 00:23:28,400
Speaker 3: can we get a situation where we're writer and Danielle kiss,

526
00:23:28,440 --> 00:23:30,320
Speaker 3: and how do we get a situation where where Trina

527
00:23:30,480 --> 00:23:32,359
Speaker 3: then kiss. Let's let's just mix them up.

528
00:23:32,440 --> 00:23:34,280
Speaker 2: And then they stot on me entirely. I don't think

529
00:23:34,320 --> 00:23:36,000
Speaker 2: I kiss a person for the rest of like for

530
00:23:36,119 --> 00:23:39,200
Speaker 2: at some point, you're not going to give anything. Yeah,

531
00:23:39,200 --> 00:23:40,919
Speaker 2: we're not. We're not going to have him kiss anybody

532
00:23:41,040 --> 00:23:42,640
Speaker 2: or do anything. We're just we're done with that.

533
00:23:42,760 --> 00:23:44,640
Speaker 3: You have many romantic partners after this.

534
00:23:44,840 --> 00:23:47,640
Speaker 2: No, I don't think. I think it's all all Maitland

535
00:23:47,640 --> 00:23:50,520
Speaker 2: all the Time's a pretty big turn from where we start.

536
00:23:50,560 --> 00:23:53,560
Speaker 3: I mean, you're romantic desires and then.

537
00:23:53,880 --> 00:23:55,840
Speaker 2: I could be wrong, but I don't believe I have

538
00:23:56,000 --> 00:23:57,800
Speaker 2: any romantic We have at.

539
00:23:57,840 --> 00:24:00,840
Speaker 1: Least fifteen, if not sixteen more episodes left in this season,

540
00:24:01,000 --> 00:24:03,480
Speaker 1: plus twenty two of next season, so we're looking at

541
00:24:03,600 --> 00:24:07,760
Speaker 1: like thirty eight episodes of All You Do is Think

542
00:24:07,800 --> 00:24:08,679
Speaker 1: and Talk about Rachel.

543
00:24:09,119 --> 00:24:11,800
Speaker 2: No, because I think by next season. I'm also thinking

544
00:24:11,800 --> 00:24:12,960
Speaker 2: about food quite a bit.

545
00:24:13,920 --> 00:24:16,800
Speaker 3: Well what, I don't know what I'm saying.

546
00:24:16,840 --> 00:24:18,719
Speaker 2: They have me with the pizza and they have like

547
00:24:18,760 --> 00:24:20,080
Speaker 2: it becomes a thing.

548
00:24:20,200 --> 00:24:21,880
Speaker 3: Are you serious? Yeah? I think so.

549
00:24:22,080 --> 00:24:23,560
Speaker 2: I mean you got it right to the fact that

550
00:24:23,600 --> 00:24:26,480
Speaker 2: I don't fit in my clothes anymore. So I mean, gosh,

551
00:24:26,520 --> 00:24:29,159
Speaker 2: but I think that's what that and then I just

552
00:24:29,240 --> 00:24:32,119
Speaker 2: become the fun It's like, make him so crazy. I

553
00:24:32,119 --> 00:24:35,040
Speaker 2: think we're going to be as amazed as you guys

554
00:24:35,080 --> 00:24:37,240
Speaker 2: are with seeing yourself checked out. I think we're going

555
00:24:37,320 --> 00:24:41,760
Speaker 2: to be amazed at how big Eric gets comically in

556
00:24:41,960 --> 00:24:45,800
Speaker 2: season seven. It's real, and I think it even jumps

557
00:24:45,960 --> 00:24:49,280
Speaker 2: farther than that to where it's becomes a caricature of

558
00:24:49,320 --> 00:24:50,320
Speaker 2: even this caricature.

559
00:24:50,560 --> 00:24:53,600
Speaker 3: Well, it's funny because I was thinking watching this, I

560
00:24:53,640 --> 00:24:55,879
Speaker 3: was I was thinking, how much of a kind of

561
00:24:55,880 --> 00:25:00,239
Speaker 3: a new level of comedic acting you have achieved by

562
00:25:00,240 --> 00:25:02,800
Speaker 3: this season, Like because I was there was someone there

563
00:25:02,840 --> 00:25:04,720
Speaker 3: was one line that was very clearly like a Jim

564
00:25:04,760 --> 00:25:07,680
Speaker 3: Carrey rip offline. I forget what it was, and you

565
00:25:07,760 --> 00:25:09,919
Speaker 3: delivered it. It was like you gave them what they wanted,

566
00:25:10,040 --> 00:25:13,000
Speaker 3: but you also made it your own, whereas like season four,

567
00:25:13,080 --> 00:25:16,480
Speaker 3: Will would have and it would have been fine, it

568
00:25:16,520 --> 00:25:18,000
Speaker 3: would have been what they thought, you know when they

569
00:25:18,000 --> 00:25:19,439
Speaker 3: wrote it like it was just and I had this

570
00:25:19,440 --> 00:25:21,680
Speaker 3: more when it was like Will's like on, He's like

571
00:25:21,720 --> 00:25:22,439
Speaker 3: above it now, you.

572
00:25:22,480 --> 00:25:22,920
Speaker 9: Know what I mean?

573
00:25:22,920 --> 00:25:24,960
Speaker 3: It was like it was like you were the expert

574
00:25:25,000 --> 00:25:27,000
Speaker 3: who was now just like dabbling, like let me just

575
00:25:27,000 --> 00:25:29,640
Speaker 3: do a little joke because you just got it, you know, yeah,

576
00:25:29,680 --> 00:25:32,240
Speaker 3: and you're so comfortable like that. That's what that's there's

577
00:25:32,320 --> 00:25:34,840
Speaker 3: part of it that's enjoyable for me just because I'm

578
00:25:34,880 --> 00:25:37,760
Speaker 3: like Will, because you know so much. And I didn't

579
00:25:37,760 --> 00:25:39,480
Speaker 3: get to see this, like I never watched these scenes.

580
00:25:39,720 --> 00:25:42,240
Speaker 3: I never watched these rehearsals. So I'm sitting there going wow,

581
00:25:42,440 --> 00:25:44,000
Speaker 3: well and mass spend a lot of time to get

582
00:25:44,119 --> 00:25:46,560
Speaker 3: because I just never I missed that. I didn't actually

583
00:25:46,560 --> 00:25:48,439
Speaker 3: spend that much time with Matt. It was two shows.

584
00:25:48,560 --> 00:25:50,960
Speaker 1: It was too we talked, he didn't get to didn't

585
00:25:51,040 --> 00:25:53,040
Speaker 1: the A and the B storylines, didn't get to spend

586
00:25:53,080 --> 00:25:53,560
Speaker 1: time together.

587
00:25:53,640 --> 00:25:54,639
Speaker 4: So it's really.

588
00:25:54,359 --> 00:25:57,280
Speaker 3: Fun to just see you having fun with Matt. Rachel

589
00:25:57,440 --> 00:25:59,920
Speaker 3: hasn't met anybody else in the cast yet.

590
00:26:00,200 --> 00:26:00,800
Speaker 2: Mister Foenie.

591
00:26:00,920 --> 00:26:03,520
Speaker 3: Correct, what we'll think about it? Who there have you?

592
00:26:03,760 --> 00:26:07,000
Speaker 2: Have you done any scenes or anyone We've not even seen.

593
00:26:06,840 --> 00:26:09,600
Speaker 1: The whole person, which means also on our day to day,

594
00:26:10,520 --> 00:26:14,000
Speaker 1: I was spending zero minutes, zero minutes with you, even.

595
00:26:13,760 --> 00:26:18,080
Speaker 2: Matt and and Mayland now season six, where you weren't

596
00:26:18,119 --> 00:26:18,600
Speaker 2: dating Matt.

597
00:26:18,600 --> 00:26:20,960
Speaker 3: Still at this point season.

598
00:26:20,720 --> 00:26:24,280
Speaker 1: Six, nineteen ninety eight, Matt and I had just gone

599
00:26:24,280 --> 00:26:27,080
Speaker 1: to prom together in June of ninety eight.

600
00:26:28,040 --> 00:26:31,120
Speaker 3: Weren't you dating Lance? It's a problem with Matt, Yeah,

601
00:26:31,359 --> 00:26:33,200
Speaker 3: problem with l and Lance.

602
00:26:34,359 --> 00:26:34,919
Speaker 4: Came with me.

603
00:26:35,200 --> 00:26:38,840
Speaker 1: I went to Matt's prom. Yeah, oh okay, I went

604
00:26:38,840 --> 00:26:41,240
Speaker 1: to Matt's. I was Matt's prom date. Lance was my

605
00:26:41,400 --> 00:26:43,520
Speaker 1: prom date. And then and I took it when you.

606
00:26:43,520 --> 00:26:47,040
Speaker 3: Kissed, did you feel them? Let's talk about with Land.

607
00:26:47,440 --> 00:26:51,080
Speaker 10: Ironically, I would have thought the magic like you wouldn't

608
00:26:51,080 --> 00:26:56,719
Speaker 10: have any watching you can get that kiss your own podcast.

609
00:26:57,119 --> 00:27:01,639
Speaker 3: I think that's well because he knows, he knows that

610
00:27:01,680 --> 00:27:04,480
Speaker 3: he's in love. So it's fine, Jenson, What is wrong

611
00:27:04,480 --> 00:27:07,800
Speaker 3: with you? She's just making out on the podcast. It's

612
00:27:08,119 --> 00:27:08,480
Speaker 3: the job.

613
00:27:08,520 --> 00:27:11,880
Speaker 6: So anything it was was Lance before Matt or after

614
00:27:11,960 --> 00:27:13,320
Speaker 6: Matt after Matt?

615
00:27:13,880 --> 00:27:16,080
Speaker 2: Right, So then you would buy season six. You're probably

616
00:27:16,119 --> 00:27:18,359
Speaker 2: dating Lance by now right this fall?

617
00:27:18,520 --> 00:27:21,280
Speaker 1: Yeah, yes, I started dating Lance at this point because

618
00:27:21,280 --> 00:27:25,840
Speaker 1: this is October aired October thirtieth. Yeah, somewhere somewhere around

619
00:27:25,840 --> 00:27:26,560
Speaker 1: here meet and.

620
00:27:26,600 --> 00:27:29,600
Speaker 2: Lance, right, But you and Matt, we didn't even know

621
00:27:29,640 --> 00:27:31,560
Speaker 2: you guys dated, so even if you broke up, there

622
00:27:31,680 --> 00:27:34,000
Speaker 2: was like you guys didn't act differently up.

623
00:27:34,080 --> 00:27:38,800
Speaker 4: He didn't a very mature Yeah, we.

624
00:27:38,720 --> 00:27:40,879
Speaker 3: Can actually date the moment that you met Lance, right,

625
00:27:40,880 --> 00:27:44,440
Speaker 3: because they it was a it was and you guys. Yeah,

626
00:27:45,320 --> 00:27:45,840
Speaker 3: I don't know.

627
00:27:45,720 --> 00:27:47,280
Speaker 1: Exactly what date that was, but I know it was

628
00:27:47,359 --> 00:27:50,600
Speaker 1: fall of ninety eight because then Prom of ninety nine.

629
00:27:50,840 --> 00:27:52,959
Speaker 1: He was my prom date and then he broke up

630
00:27:52,960 --> 00:27:57,200
Speaker 1: with me after Prom. So that's that's that, okay. Jumping

631
00:27:57,200 --> 00:28:00,040
Speaker 1: into our guest stars, Tom Gallup as Simon Gallup, a

632
00:28:00,200 --> 00:28:04,160
Speaker 1: TV regular in the nineties, appearing on shows like Murphy, Brown, Blossom, and.

633
00:28:06,359 --> 00:28:08,440
Speaker 2: Hey goes well with the bumping your nose. So that's

634
00:28:08,480 --> 00:28:09,600
Speaker 2: his line.

635
00:28:10,000 --> 00:28:12,760
Speaker 4: Was My question is Will who was he on Seinfeld?

636
00:28:12,800 --> 00:28:15,040
Speaker 2: I can't believe raise. Yeah, he plays the guy who

637
00:28:15,240 --> 00:28:17,560
Speaker 2: uh Elaine Days who says she has a big head

638
00:28:17,600 --> 00:28:19,640
Speaker 2: and she's like, that's it. He's a bad break upper.

639
00:28:19,760 --> 00:28:20,399
Speaker 3: That's okay.

640
00:28:20,600 --> 00:28:23,440
Speaker 1: His name is Alan and it's the episode is called

641
00:28:23,560 --> 00:28:25,080
Speaker 1: the Andrea Doria yep.

642
00:28:25,680 --> 00:28:27,800
Speaker 4: But you probably recognize.

643
00:28:27,320 --> 00:28:30,480
Speaker 1: Him from The Bourne Ultimatum and The Bourne Supremacy as

644
00:28:30,560 --> 00:28:33,960
Speaker 1: Tom Cronin or Will and Grace, where he played Rob

645
00:28:34,160 --> 00:28:35,399
Speaker 1: for seventeen episodes.

646
00:28:35,680 --> 00:28:36,920
Speaker 4: This guy worked a.

647
00:28:36,840 --> 00:28:39,320
Speaker 1: Lot and still shows up on TV, most recently on

648
00:28:39,360 --> 00:28:43,400
Speaker 1: the TV drama All Rise. And then we have Brian Turk,

649
00:28:43,440 --> 00:28:46,080
Speaker 1: who played Isaac. He appeared on a ton of TV

650
00:28:46,160 --> 00:28:49,160
Speaker 1: shows also from Wings to Sybil to The Jamie Foxx Show,

651
00:28:49,280 --> 00:28:52,120
Speaker 1: and he shows up in Jurassic Park, The Lost World

652
00:28:52,280 --> 00:28:55,920
Speaker 1: and a real classic big Fat Liar. He was also

653
00:28:56,080 --> 00:28:59,840
Speaker 1: on the show Carnival. Sadly, Brian passed away from brain

654
00:29:00,120 --> 00:29:03,400
Speaker 1: cancer in twenty nineteen at the very young age of

655
00:29:03,480 --> 00:29:08,920
Speaker 1: forty nine. Now, before we jump into the true recap,

656
00:29:09,240 --> 00:29:14,280
Speaker 1: we wanted to first celebrate a very special cameo seen

657
00:29:14,480 --> 00:29:16,760
Speaker 1: in a very special scene.

658
00:29:16,960 --> 00:29:18,800
Speaker 4: Of this episode Hogs and Kisses.

659
00:29:19,520 --> 00:29:21,440
Speaker 1: I want to give a special thank you to Mariah

660
00:29:21,520 --> 00:29:25,440
Speaker 1: mccarsky and her brother in law, Scott for first alerting

661
00:29:25,520 --> 00:29:29,480
Speaker 1: us to this background actor. It is Matt Foster of Buffalo,

662
00:29:29,840 --> 00:29:33,040
Speaker 1: New York. It was his only appearance on the show,

663
00:29:33,120 --> 00:29:35,200
Speaker 1: and he can be seen sitting in the student union

664
00:29:35,440 --> 00:29:38,960
Speaker 1: playing chess right as writer enters setting up the very

665
00:29:39,000 --> 00:29:43,400
Speaker 1: memorable moment and a line read we still hear today underpants.

666
00:29:44,320 --> 00:29:46,600
Speaker 1: Matt Foster was on that Boy Meets World set in

667
00:29:46,640 --> 00:29:49,360
Speaker 1: September of nineteen ninety eight through the Make a Wish

668
00:29:49,360 --> 00:29:52,680
Speaker 1: Foundation of Western New York. The seventeen year old had

669
00:29:52,840 --> 00:29:57,479
Speaker 1: Rabdo Mayo sarcoma, an extremely aggressive and unusual muscular and

670
00:29:57,520 --> 00:30:01,360
Speaker 1: soft tissue cancer. He was diagnosed to just fifteen, and

671
00:30:01,440 --> 00:30:04,040
Speaker 1: after months of treatment, the family knew that things were

672
00:30:04,040 --> 00:30:06,240
Speaker 1: not looking good. He was offered to make a wish trip,

673
00:30:06,360 --> 00:30:08,400
Speaker 1: something he could do to get away from the harsh

674
00:30:08,400 --> 00:30:11,120
Speaker 1: reality he was living, and he was told he could

675
00:30:11,120 --> 00:30:14,440
Speaker 1: pick anything, and he chose to come to see his

676
00:30:14,440 --> 00:30:18,200
Speaker 1: favorite show, Boy Meets World, being taped, and so his family,

677
00:30:18,200 --> 00:30:21,760
Speaker 1: which included two parents and five siblings, and with the

678
00:30:21,760 --> 00:30:24,640
Speaker 1: help of producer Karen McCain, made the trip to Los

679
00:30:24,680 --> 00:30:27,200
Speaker 1: Angeles to sit in the audience. They sat in on

680
00:30:27,240 --> 00:30:29,720
Speaker 1: the table read they were offered to have lunch with

681
00:30:29,760 --> 00:30:32,640
Speaker 1: a star of their choice, and Matt shyly grinned with

682
00:30:32,680 --> 00:30:33,200
Speaker 1: his answer.

683
00:30:33,720 --> 00:30:35,760
Speaker 4: To Panga, we.

684
00:30:35,680 --> 00:30:38,440
Speaker 1: Took pictures, We laughed at the size of his family

685
00:30:38,480 --> 00:30:40,520
Speaker 1: who was on the trip with him, And even though

686
00:30:40,560 --> 00:30:42,560
Speaker 1: I messed with him a little for being so nervous

687
00:30:42,600 --> 00:30:45,880
Speaker 1: and shy, I remember cherishing the time I had with

688
00:30:45,960 --> 00:30:48,600
Speaker 1: Matt and his family, and really any make a wish

689
00:30:48,640 --> 00:30:50,360
Speaker 1: kid we were lucky enough to meet during our time

690
00:30:50,360 --> 00:30:53,080
Speaker 1: on the show. The Fosters took pictures with the rest

691
00:30:53,080 --> 00:30:54,640
Speaker 1: of the cast, and when it was time to return

692
00:30:54,720 --> 00:30:57,120
Speaker 1: to the audience, matt and his dad took the liberty

693
00:30:57,160 --> 00:30:59,600
Speaker 1: of staying on the floor, interested in seeing how things

694
00:30:59,600 --> 00:31:02,320
Speaker 1: worked by behind the scenes, and that gutsy decision is

695
00:31:02,320 --> 00:31:04,480
Speaker 1: what led Karen to ask if Matthew would like to

696
00:31:04,480 --> 00:31:05,760
Speaker 1: be an extra in one of the.

697
00:31:05,680 --> 00:31:07,680
Speaker 4: Scenes, and of course he said yes.

698
00:31:08,000 --> 00:31:11,120
Speaker 1: And so Matthew is right there during an iconic boy

699
00:31:11,160 --> 00:31:14,440
Speaker 1: meets World exchange, visible in at least three shots. You

700
00:31:14,480 --> 00:31:17,080
Speaker 1: can't miss him. He's wearing his backwards green hat to

701
00:31:17,120 --> 00:31:20,520
Speaker 1: cover his bald head. And then right before he left

702
00:31:20,560 --> 00:31:25,440
Speaker 1: for the day, Ben handed him the torn tank top, yes,

703
00:31:26,080 --> 00:31:31,160
Speaker 1: the one Cory rips off while yelling to Banga, but

704
00:31:31,320 --> 00:31:34,840
Speaker 1: now it was emblazoned with his autograph. The cast signed

705
00:31:34,920 --> 00:31:37,440
Speaker 1: enough scripts for Matt and his siblings, and Will promised

706
00:31:37,480 --> 00:31:39,520
Speaker 1: him the next time he was in LA he would

707
00:31:39,560 --> 00:31:42,640
Speaker 1: give him a grand tour of the area. Matt's favorite

708
00:31:42,680 --> 00:31:44,400
Speaker 1: picture from that day was the one he took with

709
00:31:44,480 --> 00:31:47,520
Speaker 1: his fore co stars Ben and Me and Writer and Trina,

710
00:31:47,960 --> 00:31:50,000
Speaker 1: and when he got back to school, he even decided

711
00:31:50,000 --> 00:31:53,080
Speaker 1: to draw it, but he removed everyone except me and him.

712
00:31:53,520 --> 00:31:53,840
Speaker 3: Sorry.

713
00:31:53,840 --> 00:31:54,080
Speaker 8: Writer.

714
00:31:55,560 --> 00:31:57,720
Speaker 1: He asked his dad to send it to me, but

715
00:31:57,800 --> 00:32:00,400
Speaker 1: the family wanted to keep it, and I don't blame them.

716
00:32:00,920 --> 00:32:02,440
Speaker 1: It still hangs in their living room.

717
00:32:04,000 --> 00:32:04,680
Speaker 4: Karen sent the.

718
00:32:04,600 --> 00:32:07,280
Speaker 1: Fosters a VHS tape of the episode before it aired,

719
00:32:07,840 --> 00:32:09,720
Speaker 1: and for a dance at Matt's school, they set up

720
00:32:09,720 --> 00:32:11,640
Speaker 1: a special room so he could show all of his

721
00:32:11,720 --> 00:32:16,040
Speaker 1: friends his big TV debut. But despite the happiness Matt

722
00:32:16,040 --> 00:32:18,840
Speaker 1: had in Los Angeles, things changed on December seventh, when

723
00:32:18,960 --> 00:32:21,160
Speaker 1: the hospital informed his family there was nothing else they

724
00:32:21,200 --> 00:32:23,480
Speaker 1: could do. It was time to make sure he was

725
00:32:23,520 --> 00:32:26,320
Speaker 1: as comfortable as possible, and on the way home from

726
00:32:26,320 --> 00:32:28,360
Speaker 1: the hospital that day, Matt's dad asked him if there

727
00:32:28,400 --> 00:32:31,240
Speaker 1: was anything he wanted to do, and he said he

728
00:32:31,320 --> 00:32:33,680
Speaker 1: wanted to return to the Boy Meets World set. They

729
00:32:33,680 --> 00:32:36,320
Speaker 1: called Karen immediately, and she said she would make it happen.

730
00:32:36,920 --> 00:32:39,680
Speaker 1: But then when a last ditch clinical trial opened up

731
00:32:39,720 --> 00:32:43,160
Speaker 1: in Houston, plans changed. The family wanted to try whatever

732
00:32:43,160 --> 00:32:46,040
Speaker 1: they could to prolong Matt's life, and then it was

733
00:32:46,040 --> 00:32:49,640
Speaker 1: impossible to visit during the show's tape schedule. On January

734
00:32:49,680 --> 00:32:52,560
Speaker 1: twenty ninth, nineteen ninety nine, less than a month before

735
00:32:52,560 --> 00:32:56,800
Speaker 1: his eighteenth birthday, Matt Foster lost his battle with cancer.

736
00:32:57,800 --> 00:33:00,720
Speaker 1: Friends and family packed the Immaculate Conception Haffolic Church in

737
00:33:00,760 --> 00:33:03,920
Speaker 1: East Aurora, standing room only to pay tribute to a

738
00:33:03,920 --> 00:33:06,800
Speaker 1: boy who had become a symbol of strength and determination

739
00:33:06,880 --> 00:33:10,120
Speaker 1: for his community, and nearby his coffin lay a wreath

740
00:33:10,320 --> 00:33:14,040
Speaker 1: from the casting crew of Boymets World. His mom told

741
00:33:14,080 --> 00:33:16,680
Speaker 1: the Buffalo News that week, one of the saddest things

742
00:33:16,760 --> 00:33:18,440
Speaker 1: is that he never had a chance to decide what

743
00:33:18,480 --> 00:33:20,600
Speaker 1: he wanted to do with his life. It all happened

744
00:33:20,640 --> 00:33:23,240
Speaker 1: so fast for him. But he did love his trip

745
00:33:23,240 --> 00:33:24,960
Speaker 1: to Los Angeles and meeting with the cast and the

746
00:33:24,960 --> 00:33:27,320
Speaker 1: crew of Boymets World. That really was a dream come

747
00:33:27,320 --> 00:33:29,719
Speaker 1: true for him. It was something he would not have

748
00:33:29,760 --> 00:33:34,400
Speaker 1: ever forgotten, and now we can all remember it too.

749
00:33:34,720 --> 00:33:37,480
Speaker 1: One month After his passing, the Matthew Foster Foundation was

750
00:33:37,600 --> 00:33:41,120
Speaker 1: established to continue his positive impact on those experiencing a

751
00:33:41,120 --> 00:33:44,320
Speaker 1: similar battle. The foundation's mission is to help families with

752
00:33:44,400 --> 00:33:48,080
Speaker 1: children who are suffering from cancer by providing financial assistance

753
00:33:48,120 --> 00:33:51,479
Speaker 1: to cover some of their extraordinary costs. These expenses can

754
00:33:51,480 --> 00:33:55,000
Speaker 1: include rent payments, medical expenses, insurance, gift cards for food

755
00:33:55,040 --> 00:33:58,680
Speaker 1: and gas, and funeral expenses. They assist an average of

756
00:33:58,880 --> 00:34:02,680
Speaker 1: forty two West New York families each year, including six

757
00:34:02,720 --> 00:34:05,640
Speaker 1: to seven families with funeral expenses. But we want to

758
00:34:05,640 --> 00:34:09,080
Speaker 1: get that number even higher, so we are releasing a

759
00:34:09,120 --> 00:34:12,280
Speaker 1: new T shirt in Matthew's honor, with one hundred percent

760
00:34:12,360 --> 00:34:14,360
Speaker 1: of the profits to be donated to the foundation.

761
00:34:15,000 --> 00:34:16,239
Speaker 4: Across the shirt, it.

762
00:34:16,320 --> 00:34:20,719
Speaker 1: Loudly reads underpants, a classic straight from Boy Meets World

763
00:34:20,719 --> 00:34:24,080
Speaker 1: Season six, and in honor of our scene partner, we've

764
00:34:24,080 --> 00:34:27,640
Speaker 1: included a backwards green cap hanging from the exclamation point.

765
00:34:28,120 --> 00:34:30,440
Speaker 1: It can be purchased now at Podmets Worldshow dot com,

766
00:34:30,440 --> 00:34:32,880
Speaker 1: and again, one hundred percent of proceeds will go to

767
00:34:32,920 --> 00:34:35,280
Speaker 1: the Matthew Foster Foundation, which you can learn more about

768
00:34:35,320 --> 00:34:39,520
Speaker 1: at Matthew Foster Foundation dot com. Also worth noting they

769
00:34:39,560 --> 00:34:43,120
Speaker 1: are an all volunteer organization, so almost every penny of

770
00:34:43,160 --> 00:34:46,160
Speaker 1: every dollar goes right to their mission. Rest in peace.

771
00:34:46,200 --> 00:34:49,040
Speaker 1: Matthew Foster, our fellow boy, meets world cast member in

772
00:34:49,080 --> 00:34:50,080
Speaker 1: the backwards green hat.

773
00:34:51,000 --> 00:34:52,400
Speaker 4: We would also like to thank.

774
00:34:52,239 --> 00:34:55,279
Speaker 1: Matthew's dad, Bert Foster, for helping us with this tribute,

775
00:34:55,440 --> 00:34:57,399
Speaker 1: and we will post some pictures from the family's trip

776
00:34:57,440 --> 00:35:00,200
Speaker 1: on our Instagram. We'll be back with the recap after

777
00:35:00,239 --> 00:35:15,880
Speaker 1: a short break. All right, jumping into our recap. We

778
00:35:15,920 --> 00:35:18,520
Speaker 1: are in the Penbrook student Union. We are zoomed in

779
00:35:18,560 --> 00:35:22,600
Speaker 1: on a clapboard, feeling very meta. Here calls out action

780
00:35:23,040 --> 00:35:26,600
Speaker 1: and we're camera camera, How.

781
00:35:26,440 --> 00:35:29,200
Speaker 3: Do we do this? What's happening? I was ready?

782
00:35:29,200 --> 00:35:30,799
Speaker 2: Did you pause it to see if any of the

783
00:35:30,880 --> 00:35:33,000
Speaker 2: names on there, like they put it like a manel.

784
00:35:32,840 --> 00:35:33,719
Speaker 9: Or something like that.

785
00:35:33,840 --> 00:35:36,440
Speaker 2: No, it's I thought it was going to be something

786
00:35:36,840 --> 00:35:39,120
Speaker 2: something kind of you know, in joke, but it wasn't.

787
00:35:39,160 --> 00:35:41,440
Speaker 4: Yeah, so funny.

788
00:35:41,719 --> 00:35:43,680
Speaker 1: A director calls out action and we're in a video

789
00:35:43,719 --> 00:35:47,200
Speaker 1: for possible incoming Penbrook freshmen to Panga and Corey enter

790
00:35:47,239 --> 00:35:49,719
Speaker 1: the building, both staring directly at the camera, performing a

791
00:35:49,719 --> 00:35:52,800
Speaker 1: little walk and talk. Tapanga introduces herself to the camera

792
00:35:52,840 --> 00:35:55,960
Speaker 1: and Corey follows suit, but he's so awkward and fumbling

793
00:35:56,080 --> 00:35:57,040
Speaker 1: over his words.

794
00:35:58,320 --> 00:36:00,600
Speaker 2: Purpose of the bad acting from his favorites.

795
00:36:01,200 --> 00:36:02,640
Speaker 3: I can go back in time, but we do a

796
00:36:02,640 --> 00:36:06,239
Speaker 3: whole episode of Justice and Ben would love it. He

797
00:36:06,280 --> 00:36:09,040
Speaker 3: would have been this is his favorite thing to do

798
00:36:09,160 --> 00:36:13,359
Speaker 3: and he's so good at So it's perfect. It's like

799
00:36:13,480 --> 00:36:15,920
Speaker 3: it's it's not over the top. It's actually like some

800
00:36:15,960 --> 00:36:19,839
Speaker 3: of the most realistic performers world has ever had. Yeah,

801
00:36:19,920 --> 00:36:23,839
Speaker 3: like Ben has, He's he's not indicating, he's just being about.

802
00:36:23,840 --> 00:36:25,879
Speaker 3: It's like, it's so perfect, it's so good.

803
00:36:26,880 --> 00:36:29,440
Speaker 2: Just the walking, even if he didn't speak, just the

804
00:36:29,560 --> 00:36:31,359
Speaker 2: walking is so uncomfortable.

805
00:36:31,440 --> 00:36:33,480
Speaker 3: All the way he looks, the way he looks at you.

806
00:36:33,960 --> 00:36:36,480
Speaker 3: He can't do anything normal. He knows how to be

807
00:36:37,400 --> 00:36:40,439
Speaker 3: is it's so funny, Like and I know exactly where

808
00:36:40,440 --> 00:36:43,000
Speaker 3: that comes from. That comes from being a kid actor

809
00:36:43,600 --> 00:36:46,120
Speaker 3: who knows that you can do the thing and having

810
00:36:46,160 --> 00:36:49,759
Speaker 3: to sit through other kids auditioning or watching because we

811
00:36:49,840 --> 00:36:51,720
Speaker 3: used to talk about it. We used to talk about

812
00:36:51,760 --> 00:36:53,719
Speaker 3: like how you if you knew how to act as

813
00:36:53,719 --> 00:36:55,759
Speaker 3: a kid and somebody couldn't, you would be like, oh god,

814
00:36:55,760 --> 00:36:57,920
Speaker 3: they're really They're just never gonna get They just don't know.

815
00:36:58,600 --> 00:36:59,680
Speaker 3: They don't know what to do with their mouth. They

816
00:36:59,680 --> 00:37:01,879
Speaker 3: don't know, and it's like it's just never gonna happen,

817
00:37:01,920 --> 00:37:04,720
Speaker 3: Like a certain level of comfort is just like necessary,

818
00:37:04,880 --> 00:37:09,239
Speaker 3: and then gives himself that discomfort better than any actor.

819
00:37:09,719 --> 00:37:11,520
Speaker 3: And you know, he's having the most fun of his life.

820
00:37:12,360 --> 00:37:16,439
Speaker 3: He's the fun this entire episode, This is god yeah fun.

821
00:37:16,480 --> 00:37:20,080
Speaker 1: Topanga flawlessly delivers her lines, but Corey's mistakes are never ending,

822
00:37:20,120 --> 00:37:23,520
Speaker 1: and he's giving off incredible bad acting, a journey that

823
00:37:23,640 --> 00:37:30,959
Speaker 1: takes them to a ugaverse of exciting experiments. After Corey

824
00:37:31,080 --> 00:37:34,640
Speaker 1: robotically tells the students to come on, the director finally

825
00:37:34,680 --> 00:37:36,040
Speaker 1: tells everyone to cut.

826
00:37:36,120 --> 00:37:38,960
Speaker 3: Come on, come on, so come on, come on.

827
00:37:46,160 --> 00:37:49,240
Speaker 1: The director finally tells everyone to cut. Corey shouts back.

828
00:37:49,160 --> 00:37:51,600
Speaker 4: You think, where have you been? I stink.

829
00:37:52,000 --> 00:37:54,479
Speaker 1: The director asks the couple to try it one more time,

830
00:37:54,560 --> 00:37:57,960
Speaker 1: than sarcastically scoffs, maybe take fifty nine will be the jarm.

831
00:37:58,400 --> 00:38:00,680
Speaker 1: Corey disagrees he knew back at take thirty three he

832
00:38:00,760 --> 00:38:03,600
Speaker 1: was sucko, so he quits. Everyone in the building cheers

833
00:38:03,600 --> 00:38:06,800
Speaker 1: at the news. Besides, Tapanga, I don't understand Corey and

834
00:38:06,840 --> 00:38:08,840
Speaker 1: I were picked as the perfect freshman couple because of

835
00:38:08,840 --> 00:38:12,480
Speaker 1: our natural chemistry. The director wonders, Yeah, where'd that go.

836
00:38:13,080 --> 00:38:15,600
Speaker 1: Sean decides to intervene and urges Corey not to leave.

837
00:38:15,640 --> 00:38:17,960
Speaker 1: He still wants to hear him butcher the word curriculum.

838
00:38:18,239 --> 00:38:22,960
Speaker 1: Corey glares back, Oh yeah, if curric you comes, I

839
00:38:22,960 --> 00:38:24,719
Speaker 1: don't even know what he says, but he's gonna sit

840
00:38:24,800 --> 00:38:27,799
Speaker 1: up there. It's such an easy word, then let's hear

841
00:38:27,880 --> 00:38:30,160
Speaker 1: you say it. Sean recites the word with ease, and

842
00:38:30,200 --> 00:38:32,520
Speaker 1: Corey looks at him in awe, and it caught the

843
00:38:32,560 --> 00:38:35,720
Speaker 1: attention of the director. He asks Sean to do that again,

844
00:38:36,160 --> 00:38:40,400
Speaker 1: so Sean innocently repeats curriculum. The director is intrigued. Corey

845
00:38:40,440 --> 00:38:42,640
Speaker 1: knows where this is going and agrees Shawn should take

846
00:38:42,640 --> 00:38:43,040
Speaker 1: his place.

847
00:38:43,320 --> 00:38:45,880
Speaker 4: Shawn and Topanga are both visibly hesitant.

848
00:38:45,480 --> 00:38:47,200
Speaker 1: But Corey tells his friend, I don't want to be

849
00:38:47,239 --> 00:38:50,719
Speaker 1: responsible for ruining this film. Topanga will make Sean feel comfortable.

850
00:38:50,960 --> 00:38:51,800
Speaker 1: Shawn isn't sold.

851
00:38:51,840 --> 00:38:52,440
Speaker 4: I think it's about it.

852
00:38:52,760 --> 00:38:54,759
Speaker 3: Yes, so important.

853
00:38:54,960 --> 00:38:58,360
Speaker 4: I'm go find another couple.

854
00:38:59,239 --> 00:39:02,200
Speaker 3: Girlfriend to get the movie done. Yeah, what is this

855
00:39:02,320 --> 00:39:02,719
Speaker 3: a job?

856
00:39:03,160 --> 00:39:03,279
Speaker 10: Like?

857
00:39:03,320 --> 00:39:04,160
Speaker 3: What is like?

858
00:39:04,640 --> 00:39:06,799
Speaker 4: Where are we definitely not getting paid. I don't know,

859
00:39:07,400 --> 00:39:07,839
Speaker 4: I don't know.

860
00:39:09,239 --> 00:39:11,880
Speaker 3: I just this is where I'm like, what reality, where

861
00:39:11,920 --> 00:39:14,839
Speaker 3: are writers leaning in? They're just they're they're like, how

862
00:39:14,880 --> 00:39:17,280
Speaker 3: do we get this? Like what where did this pitch

863
00:39:17,320 --> 00:39:17,800
Speaker 3: come from?

864
00:39:17,840 --> 00:39:21,720
Speaker 2: But also this becomes a thing this season because remember

865
00:39:21,800 --> 00:39:26,040
Speaker 2: this is also the Truman Show season where we're we

866
00:39:26,200 --> 00:39:28,000
Speaker 2: do a takeoff on The Truman Show where Eric is

867
00:39:28,040 --> 00:39:30,719
Speaker 2: just filming Rachel everywhere and all the people in the

868
00:39:30,719 --> 00:39:32,840
Speaker 2: student union are watching her.

869
00:39:33,960 --> 00:39:35,480
Speaker 3: So when you said that, I was thinking, we already

870
00:39:35,480 --> 00:39:37,319
Speaker 3: did that episode when Corey was running around the camera

871
00:39:37,360 --> 00:39:39,919
Speaker 3: and season one where.

872
00:39:39,400 --> 00:39:41,919
Speaker 2: It's a straight up take of The Truman Show. Eric

873
00:39:42,040 --> 00:39:45,160
Speaker 2: is operating all these cameras that he hides in the

874
00:39:45,239 --> 00:39:49,400
Speaker 2: apartment like you do. And and so this kind of

875
00:39:49,600 --> 00:39:52,640
Speaker 2: weird videos that pop up are a thing in this season.

876
00:39:52,680 --> 00:39:54,880
Speaker 3: It's really strange. Well, I mean to be fair, like

877
00:39:54,960 --> 00:39:57,800
Speaker 3: videos and like that, you know, being able to film

878
00:39:57,920 --> 00:40:00,439
Speaker 3: your friends and stuff was relatively new, like was still

879
00:40:00,480 --> 00:40:02,799
Speaker 3: like a thing that young people were doing for the

880
00:40:02,800 --> 00:40:05,120
Speaker 3: first time, and our writers were probably like, well, that's cool,

881
00:40:05,200 --> 00:40:07,480
Speaker 3: that's what the young's are doing. Let's let's write to it.

882
00:40:07,800 --> 00:40:09,799
Speaker 3: But I just can't like what were they like, how

883
00:40:09,800 --> 00:40:12,680
Speaker 3: can we get Corey jealous of Sean and to Panga like,

884
00:40:12,920 --> 00:40:14,919
Speaker 3: is that what they were hoping? Because that is kind

885
00:40:14,920 --> 00:40:16,959
Speaker 3: of funny, Like him freaking out is funny, But.

886
00:40:18,040 --> 00:40:18,440
Speaker 6: I don't know.

887
00:40:18,800 --> 00:40:21,560
Speaker 4: I don't know either. Sewn isn't sold.

888
00:40:21,600 --> 00:40:23,479
Speaker 1: He says, I think it's a bad idea. Corey waves

889
00:40:23,520 --> 00:40:25,520
Speaker 1: him off. Oh when did I ever have a bad idea?

890
00:40:25,600 --> 00:40:29,800
Speaker 1: And I overact a response like a facial reaction.

891
00:40:30,200 --> 00:40:34,640
Speaker 3: It's pretty great though, because it's pretty big. Yeah, it's

892
00:40:34,680 --> 00:40:35,440
Speaker 3: like it's.

893
00:40:35,239 --> 00:40:36,680
Speaker 4: Like the moment I died.

894
00:40:38,080 --> 00:40:44,799
Speaker 2: Yeah, it is a sitcom facial express.

895
00:40:45,480 --> 00:40:48,160
Speaker 4: Somebody fire me, Someone fire me.

896
00:40:48,360 --> 00:40:49,720
Speaker 2: You are retroactively fired.

897
00:40:50,920 --> 00:40:53,960
Speaker 3: Well, What's what I can't stand is what happens next,

898
00:40:54,040 --> 00:40:58,040
Speaker 3: which is me being a good host. I can't speak.

899
00:40:58,160 --> 00:41:01,239
Speaker 3: I'm awful, Like I literally misprint's the second or third word.

900
00:41:01,280 --> 00:41:04,319
Speaker 3: I was like, wait, writer, you had one job, Like

901
00:41:04,440 --> 00:41:06,520
Speaker 3: the joke is that you're good at this and I

902
00:41:06,600 --> 00:41:08,319
Speaker 3: couldn't do It's.

903
00:41:07,960 --> 00:41:13,600
Speaker 2: What There's nothing like taking two actors who have checked out,

904
00:41:13,800 --> 00:41:16,240
Speaker 2: who don't want to be in the show the scene anymore,

905
00:41:16,600 --> 00:41:19,120
Speaker 2: and having them carry the scene.

906
00:41:20,520 --> 00:41:23,000
Speaker 3: Like we are. All this episode is doing is interrupting

907
00:41:23,120 --> 00:41:26,319
Speaker 3: my dairy dog reading like that's like literally all that's

908
00:41:26,320 --> 00:41:29,520
Speaker 3: happening right now is I'm like deep in a phone

909
00:41:29,560 --> 00:41:32,319
Speaker 3: call from Lance and yeah, I'm like, oh, I have

910
00:41:32,360 --> 00:41:35,080
Speaker 3: to show up and do that TV show still because man.

911
00:41:35,040 --> 00:41:36,280
Speaker 4: As all of the stuff.

912
00:41:36,320 --> 00:41:38,680
Speaker 1: Remember my one of my big complaints about like Tapega's

913
00:41:38,719 --> 00:41:40,640
Speaker 1: date with Ricky was that could could we give them

914
00:41:40,680 --> 00:41:41,440
Speaker 1: something fun to do?

915
00:41:41,520 --> 00:41:41,840
Speaker 4: Please?

916
00:41:42,200 --> 00:41:45,120
Speaker 1: What if this video wasn't just about a kiss, but

917
00:41:45,160 --> 00:41:46,920
Speaker 1: it was about like, look how much.

918
00:41:46,760 --> 00:41:48,560
Speaker 4: Fun there is? What are all the things there are

919
00:41:48,600 --> 00:41:49,440
Speaker 4: to do in Penbrook?

920
00:41:49,520 --> 00:41:53,880
Speaker 1: And it's Sean and Tapanga having a blast together and

921
00:41:54,000 --> 00:41:56,440
Speaker 1: like actually having good chemistry or.

922
00:41:57,360 --> 00:41:59,120
Speaker 3: Your hand at one point, like if I literally if

923
00:41:59,120 --> 00:42:01,239
Speaker 3: it was just and Corey watching the video where like

924
00:42:01,280 --> 00:42:04,520
Speaker 3: my hand goes, then it's even funnier because a decent.

925
00:42:04,280 --> 00:42:08,399
Speaker 1: Conversation about something where then it's like then that we realized, wow,

926
00:42:08,440 --> 00:42:10,239
Speaker 1: I didn't know you liked that, And there's like a

927
00:42:10,280 --> 00:42:12,080
Speaker 1: moment of looking into each other's eyes.

928
00:42:11,920 --> 00:42:14,239
Speaker 3: Or just the reality of other people thinking we make

929
00:42:14,280 --> 00:42:16,360
Speaker 3: a cute couple. Like that is all it could be

930
00:42:16,600 --> 00:42:18,600
Speaker 3: is the director being like, you guys make such a

931
00:42:18,640 --> 00:42:20,680
Speaker 3: cute couple and they walk away or he walks away

932
00:42:20,800 --> 00:42:24,359
Speaker 3: and Corey goes, they do with me, and then it's over,

933
00:42:24,400 --> 00:42:25,440
Speaker 3: And then the whole episode is.

934
00:42:25,440 --> 00:42:27,759
Speaker 2: Except hand the hand touching thing would be funny if

935
00:42:27,760 --> 00:42:29,839
Speaker 2: it was literally like your hands just brushed each other.

936
00:42:29,880 --> 00:42:31,440
Speaker 2: He keeps watching it. At the end, he's like, you're

937
00:42:31,440 --> 00:42:32,480
Speaker 2: sleeping with my wife.

938
00:42:33,000 --> 00:42:33,960
Speaker 4: Look at your hands.

939
00:42:34,080 --> 00:42:37,880
Speaker 3: Hey you're not married, and b what are you talking like?

940
00:42:37,920 --> 00:42:39,839
Speaker 3: You wonder why why they needed it to be an

941
00:42:39,880 --> 00:42:41,000
Speaker 3: actual like kids.

942
00:42:41,040 --> 00:42:43,239
Speaker 2: Because they wanted to because they wanted to see these

943
00:42:43,320 --> 00:42:45,440
Speaker 2: two teen heart throbs makeup.

944
00:42:46,920 --> 00:42:49,000
Speaker 3: Yeah, I guess they wanted to create a sort of

945
00:42:49,080 --> 00:42:51,239
Speaker 3: a scene. It's why it's a scene. It's like, oh,

946
00:42:51,239 --> 00:42:53,960
Speaker 3: there's a Sean and Pang are going to kis the episode?

947
00:42:53,960 --> 00:42:55,839
Speaker 4: We can use this in the promos true.

948
00:42:56,760 --> 00:42:59,040
Speaker 1: Sean is officially joined to Panga to film a couple

949
00:42:59,160 --> 00:43:01,520
Speaker 1: scene in front of the fire place. Topanga tells incoming

950
00:43:01,560 --> 00:43:04,640
Speaker 1: students they can build lifelong friendships or maybe more.

951
00:43:04,640 --> 00:43:06,719
Speaker 4: Than looks at Sean with a smile. He puts an

952
00:43:06,800 --> 00:43:09,200
Speaker 4: arm around her and nods, that's right. Schnoo comes.

953
00:43:09,920 --> 00:43:12,279
Speaker 1: He recalls a fake story of the night they met

954
00:43:12,320 --> 00:43:15,200
Speaker 1: at the newly remodeled student union, paid for by missus

955
00:43:15,280 --> 00:43:25,840
Speaker 1: Stanley Kandleman class. Corey is admiring their performance, standing with

956
00:43:25,880 --> 00:43:28,720
Speaker 1: the director something to look great together. The director agrees

957
00:43:28,840 --> 00:43:31,920
Speaker 1: they really do, he says. Corey clarifies, I just mean

958
00:43:31,960 --> 00:43:34,000
Speaker 1: they do. I don't mean they really do.

959
00:43:34,320 --> 00:43:36,000
Speaker 3: Which is enough done?

960
00:43:37,719 --> 00:43:40,399
Speaker 1: Like that's it, that's it to Panga and Sean wrap

961
00:43:40,440 --> 00:43:42,960
Speaker 1: it up, talking about their lifelong mates at Penbrook, and

962
00:43:43,000 --> 00:43:45,520
Speaker 1: Corey claps his hand together and to film. But the

963
00:43:45,560 --> 00:43:48,160
Speaker 1: director has a better idea. He wants Topanga and Sean

964
00:43:48,200 --> 00:43:53,879
Speaker 1: to kiss. Corey adamantly shouts no, don't, and we Sean and.

965
00:43:53,840 --> 00:43:56,880
Speaker 2: Tapanga do it with that, with nothing, with nothing, with

966
00:43:57,000 --> 00:43:59,919
Speaker 2: no hesitation. They both turn to each other like they've

967
00:44:00,120 --> 00:44:01,839
Speaker 2: wanted to do this since the playground.

968
00:44:02,760 --> 00:44:03,319
Speaker 3: Let's go.

969
00:44:03,600 --> 00:44:06,759
Speaker 1: Let's go, because if it would be so natural for us,

970
00:44:06,960 --> 00:44:10,600
Speaker 1: as just regular college students to suddenly be yelled at

971
00:44:10,719 --> 00:44:14,000
Speaker 1: about on camera kiss that person and just being like, is.

972
00:44:13,920 --> 00:44:14,319
Speaker 4: What I do?

973
00:44:14,440 --> 00:44:16,279
Speaker 2: Okay, there you go. I'm going to make out with

974
00:44:16,320 --> 00:44:19,600
Speaker 2: my my best my my fiance's best friend because someone

975
00:44:19,640 --> 00:44:20,319
Speaker 2: else told me to.

976
00:44:21,239 --> 00:44:23,120
Speaker 3: I mean, I guess that's the way they thought of actors,

977
00:44:23,719 --> 00:44:25,920
Speaker 3: that's the way thought of us. They literally were like,

978
00:44:25,920 --> 00:44:27,760
Speaker 3: they don't care, they'll do anything, do it, do anything,

979
00:44:28,640 --> 00:44:30,120
Speaker 3: take your shirt off, guts her.

980
00:44:30,160 --> 00:44:33,040
Speaker 2: No, somebody older than you, with powder, with power told

981
00:44:33,080 --> 00:44:34,120
Speaker 2: you to do that, so go get that.

982
00:44:35,440 --> 00:44:38,759
Speaker 3: So in their fictional imagination, like in their fictional world,

983
00:44:39,080 --> 00:44:41,080
Speaker 3: that's what college kids will do. They'll just somebody will

984
00:44:41,080 --> 00:44:42,560
Speaker 3: tell them, director should tell them what to do, and

985
00:44:42,600 --> 00:44:44,800
Speaker 3: they'll just do it. That's that's actually kind of disturbing

986
00:44:44,880 --> 00:44:47,480
Speaker 3: to think about it. That the level of reality that

987
00:44:47,520 --> 00:44:51,399
Speaker 3: this fiction requires has a logic buy in that is

988
00:44:51,560 --> 00:44:53,920
Speaker 3: that you an older person in power should just be

989
00:44:53,960 --> 00:44:55,239
Speaker 3: able to tell people to make out and they just

990
00:44:55,280 --> 00:44:55,640
Speaker 3: do it, and.

991
00:44:55,560 --> 00:44:57,319
Speaker 1: They just do the no question way it should tell

992
00:44:57,360 --> 00:45:01,239
Speaker 1: them to do anything. If that person, whatever it is,

993
00:45:01,520 --> 00:45:02,520
Speaker 1: just just do it.

994
00:45:02,560 --> 00:45:05,800
Speaker 3: Well we did. I mean that's what we did every week.

995
00:45:06,880 --> 00:45:09,680
Speaker 1: Actually, the director and gives them, instructs them to give

996
00:45:09,719 --> 00:45:12,719
Speaker 1: out more heat. They're in love, so to Panga and

997
00:45:12,760 --> 00:45:17,320
Speaker 1: Sean really start making out. Corey's watching on in pure terror,

998
00:45:17,480 --> 00:45:20,120
Speaker 1: less heat, lesser tongue.

999
00:45:20,120 --> 00:45:22,120
Speaker 3: Though we aren't we aren't open, we're not. We're just

1000
00:45:22,239 --> 00:45:23,720
Speaker 3: kind of like, well.

1001
00:45:23,840 --> 00:45:25,439
Speaker 2: Both of you are doing two different things.

1002
00:45:27,200 --> 00:45:30,799
Speaker 10: Your mouth is open, but mine is yes, and then

1003
00:45:30,880 --> 00:45:33,319
Speaker 10: you close your mouth and then you kind of open

1004
00:45:33,440 --> 00:45:36,759
Speaker 10: your and I was like, one of you is doing

1005
00:45:36,800 --> 00:45:38,240
Speaker 10: this also the others doing the marengue.

1006
00:45:38,360 --> 00:45:41,239
Speaker 2: You are just doing two different dances at the same time.

1007
00:45:41,280 --> 00:45:44,640
Speaker 3: It's weird. The whole point of the episode is that

1008
00:45:44,680 --> 00:45:46,640
Speaker 3: we have chemistry and we kiss and we couldn't do it.

1009
00:45:46,760 --> 00:45:49,879
Speaker 4: We would both have too big of lips. Is that

1010
00:45:49,920 --> 00:45:50,320
Speaker 4: what it is?

1011
00:45:52,880 --> 00:45:55,719
Speaker 1: You can't take pillow mouths? Were like, I'm supposed to

1012
00:45:55,760 --> 00:45:58,480
Speaker 1: be the pillow princess. What are you doing?

1013
00:45:59,520 --> 00:46:02,799
Speaker 2: It was really strange to watch, and not just because

1014
00:46:02,800 --> 00:46:04,239
Speaker 2: I know you so well, just because it was like

1015
00:46:04,640 --> 00:46:06,880
Speaker 2: it was like neither of you had ever.

1016
00:46:06,800 --> 00:46:08,000
Speaker 4: Ever kid before.

1017
00:46:09,360 --> 00:46:11,600
Speaker 2: For both of us, so weird.

1018
00:46:11,760 --> 00:46:13,959
Speaker 3: I watched this. I watched this with my friend Sean,

1019
00:46:14,000 --> 00:46:16,520
Speaker 3: who I've met up with because I'm out of town

1020
00:46:16,600 --> 00:46:18,880
Speaker 3: and he hasn't. He's never watched the show, but he

1021
00:46:18,960 --> 00:46:20,840
Speaker 3: was on set for a lot of episodes, especially in

1022
00:46:20,840 --> 00:46:22,600
Speaker 3: this period because he lived in la and was one

1023
00:46:22,640 --> 00:46:24,960
Speaker 3: of college and would come all the time. It was

1024
00:46:25,000 --> 00:46:27,040
Speaker 3: so funny to watch his reaction to watching this episode.

1025
00:46:27,040 --> 00:46:28,279
Speaker 3: I mean, he has so many cops, but one of

1026
00:46:28,320 --> 00:46:31,600
Speaker 3: them was like, man, are like women obsessed with lip filler?

1027
00:46:31,640 --> 00:46:34,640
Speaker 3: Because of Danielle's lips like they're just He's like, I

1028
00:46:34,640 --> 00:46:37,960
Speaker 3: mean that's intense, Like this is did she start this trend?

1029
00:46:38,080 --> 00:46:40,920
Speaker 3: I was like, yeah, you're right, it's like they're just giant,

1030
00:46:40,960 --> 00:46:41,600
Speaker 3: they're beautiful.

1031
00:46:41,640 --> 00:46:43,359
Speaker 4: I was like, yeah, it's a really fair day.

1032
00:46:46,040 --> 00:46:46,360
Speaker 3: People.

1033
00:46:46,400 --> 00:46:48,919
Speaker 1: Still nobody's ever I think people know that I don't

1034
00:46:48,960 --> 00:46:50,359
Speaker 1: have lip filler, because.

1035
00:46:51,520 --> 00:46:53,160
Speaker 4: Yeah, my entire life.

1036
00:46:53,280 --> 00:46:55,960
Speaker 1: But it was literally the very first thing my grandfather

1037
00:46:56,040 --> 00:46:57,680
Speaker 1: ever said about me on the day I was born.

1038
00:46:57,760 --> 00:46:59,160
Speaker 4: I was a newborn.

1039
00:46:58,719 --> 00:47:02,120
Speaker 1: Baby, and he went, oh my god, look at that mouth.

1040
00:47:02,520 --> 00:47:05,560
Speaker 1: It was like literally from the moment I was born.

1041
00:47:05,600 --> 00:47:06,560
Speaker 1: I was just like whoop.

1042
00:47:08,560 --> 00:47:09,960
Speaker 4: So yeah.

1043
00:47:11,840 --> 00:47:14,959
Speaker 1: So Corey frantically grabs a megaphone, runs into the shot

1044
00:47:15,000 --> 00:47:16,160
Speaker 1: and yells cut cut.

1045
00:47:16,239 --> 00:47:18,200
Speaker 4: Also tell Sean. I said, thank you. That's very sweet.

1046
00:47:18,440 --> 00:47:19,600
Speaker 4: He instructs Sean.

1047
00:47:19,360 --> 00:47:22,440
Speaker 1: To back away from the girlfriend, and then there is

1048
00:47:22,480 --> 00:47:25,160
Speaker 1: a tense commercial break and we are still at the

1049
00:47:25,200 --> 00:47:25,880
Speaker 1: student union.

1050
00:47:25,960 --> 00:47:27,399
Speaker 4: We're right where we left off.

1051
00:47:27,560 --> 00:47:31,520
Speaker 2: Corey girlfriend, by the way, girlfriend not fiance, which is strange.

1052
00:47:31,719 --> 00:47:33,279
Speaker 1: That's what I said. I said that out loud when

1053
00:47:33,280 --> 00:47:34,719
Speaker 1: I watched it. Forgot to make the note, but I

1054
00:47:34,960 --> 00:47:37,200
Speaker 1: said it. I was like, actually your fiance.

1055
00:47:37,080 --> 00:47:40,440
Speaker 2: Yeah, Yeah, you're engaged. That's right, he says, back away

1056
00:47:40,440 --> 00:47:41,760
Speaker 2: from the girlfriend, which is weird.

1057
00:47:41,960 --> 00:47:44,879
Speaker 4: Yeah, maybe they were they shout out of order.

1058
00:47:45,000 --> 00:47:49,120
Speaker 1: No, how could they have been, because later, okay, weird,

1059
00:47:50,480 --> 00:47:52,480
Speaker 1: Corey is still shouting into the megaphone despite being a

1060
00:47:52,480 --> 00:47:54,120
Speaker 1: few feet away from Tapega and Sean.

1061
00:47:54,200 --> 00:47:57,520
Speaker 4: What was that? Sean says he was directed to do it.

1062
00:47:58,920 --> 00:48:03,760
Speaker 3: I'm just doing my job, man, I'm a good actor.

1063
00:48:04,520 --> 00:48:06,440
Speaker 3: You got it, you got it.

1064
00:48:07,840 --> 00:48:11,120
Speaker 4: Cory asks a logical question, if he.

1065
00:48:11,200 --> 00:48:13,760
Speaker 1: Told you to put a knife through my heart, would

1066
00:48:13,800 --> 00:48:17,919
Speaker 1: you do it? Sean thinks about it. It depends would

1067
00:48:17,960 --> 00:48:20,640
Speaker 1: you be yelling in my ear through a bullhorn at

1068
00:48:20,640 --> 00:48:23,399
Speaker 1: the time. Sean assures him that the kiss meant nothing,

1069
00:48:23,440 --> 00:48:25,680
Speaker 1: and to Panga agrees, begging Cory not.

1070
00:48:25,719 --> 00:48:27,560
Speaker 4: To go crazy over this.

1071
00:48:28,160 --> 00:48:32,560
Speaker 1: Oh no, not you and you're weirdo beliefs again.

1072
00:48:34,080 --> 00:48:36,440
Speaker 3: I wonder, I have no idea, but like, there was

1073
00:48:36,480 --> 00:48:38,719
Speaker 3: a vibe in acting classes where people were supposed to

1074
00:48:38,800 --> 00:48:41,240
Speaker 3: kiss if a scene like I remember, there was pressure

1075
00:48:41,640 --> 00:48:44,480
Speaker 3: to kiss. It was sort of like, yeah, this is

1076
00:48:44,640 --> 00:48:47,239
Speaker 3: part of your what do you mean? I wonder if

1077
00:48:47,239 --> 00:48:49,480
Speaker 3: that's yeah, I mean, I wonder if that's still a

1078
00:48:49,480 --> 00:48:53,960
Speaker 3: pressure that actors in acting class field, Like obviously I think.

1079
00:48:53,840 --> 00:48:57,520
Speaker 2: The intimacy thing has become more talked about on sets

1080
00:48:57,520 --> 00:49:00,000
Speaker 2: with intimacy coordinators, and also so it's in the zeitgeys

1081
00:49:00,120 --> 00:49:02,560
Speaker 2: enough now where I think probably even in acting classes

1082
00:49:02,600 --> 00:49:07,400
Speaker 2: they're being more careful with random touching and intimacy as.

1083
00:49:07,480 --> 00:49:09,720
Speaker 1: I feel like it would have to be that there's

1084
00:49:10,360 --> 00:49:14,520
Speaker 1: there should be. I would hope fewer acting instructors who

1085
00:49:14,600 --> 00:49:17,440
Speaker 1: are comfortable saying, oh, no, if a scene calls for it,

1086
00:49:17,480 --> 00:49:19,359
Speaker 1: you have to do it. And then it's left up

1087
00:49:19,400 --> 00:49:22,280
Speaker 1: to the actors to say are you comfortable with kissing?

1088
00:49:22,400 --> 00:49:24,440
Speaker 1: And if the person says no, okay, how can we

1089
00:49:24,560 --> 00:49:27,000
Speaker 1: how can we fake it for Let's figure this out,

1090
00:49:27,080 --> 00:49:30,080
Speaker 1: let's work something out, and if both people are say yeah,

1091
00:49:30,120 --> 00:49:32,279
Speaker 1: I'm comfortable with it, then great, then go ahead and

1092
00:49:32,280 --> 00:49:32,560
Speaker 1: do it.

1093
00:49:33,640 --> 00:49:35,799
Speaker 3: But you love to hear from acting teachers. Actually, if

1094
00:49:35,800 --> 00:49:39,200
Speaker 3: anybody's in acting class or knows an acting teacher or

1095
00:49:39,280 --> 00:49:40,920
Speaker 3: is an acting teacher, I'd love to hear how you

1096
00:49:40,960 --> 00:49:42,920
Speaker 3: deal with it right now, because it's somebody that was

1097
00:49:43,000 --> 00:49:44,719
Speaker 3: just I haven't thought about cause I've been in an

1098
00:49:44,719 --> 00:49:47,880
Speaker 3: acting class, but like it was part of the culture

1099
00:49:47,920 --> 00:49:49,800
Speaker 3: of acting for sure. Like it was like if you

1100
00:49:50,080 --> 00:49:51,279
Speaker 3: go to acting class and you have to do a

1101
00:49:51,280 --> 00:49:53,080
Speaker 3: make up sne and you do it, and like why

1102
00:49:53,239 --> 00:49:54,680
Speaker 3: right now? I would be like, really do we have to?

1103
00:49:54,800 --> 00:49:56,120
Speaker 3: Like is it so interesting?

1104
00:50:08,239 --> 00:50:11,959
Speaker 1: Corey clenches his fists intensely walks away, repeating please don't

1105
00:50:11,960 --> 00:50:15,040
Speaker 1: go crazy over this, please, And then we're in Corey

1106
00:50:15,040 --> 00:50:18,440
Speaker 1: and Shawn's dorm. Corey is replaying Sean and Tapanga's awful

1107
00:50:18,520 --> 00:50:22,040
Speaker 1: kiss over and over again on his TV. He sees, oh,

1108
00:50:22,040 --> 00:50:24,759
Speaker 1: that's right, kiss him again, you little Oh you hurt

1109
00:50:24,800 --> 00:50:28,840
Speaker 1: me so bad? And you my best friend, Jigglow homewrecker.

1110
00:50:29,120 --> 00:50:31,120
Speaker 1: Why don't you have take her back to your tornado

1111
00:50:31,200 --> 00:50:32,680
Speaker 1: infested trailer park.

1112
00:50:33,120 --> 00:50:35,200
Speaker 3: I cannot believe how much we are in the set

1113
00:50:35,280 --> 00:50:37,280
Speaker 3: because I never remember being in the set. I don't

1114
00:50:37,320 --> 00:50:41,279
Speaker 3: remember anything about this set. I remember the studio union,

1115
00:50:41,680 --> 00:50:44,399
Speaker 3: but like this dorm room, I'm like what And even

1116
00:50:44,920 --> 00:50:46,719
Speaker 3: memory when I was like, oh yeah, Corey gets sound

1117
00:50:46,760 --> 00:50:48,200
Speaker 3: on his knees and he rips his shirt in my

1118
00:50:48,239 --> 00:50:52,080
Speaker 3: memory was in the boy's bedroom, right, But where was

1119
00:50:52,120 --> 00:50:55,000
Speaker 3: the set? Literally? I can't remember it down the so

1120
00:50:55,600 --> 00:50:59,000
Speaker 3: audience is here, you're facing the audience you're facing the audience.

1121
00:50:58,680 --> 00:50:59,280
Speaker 2: To the left.

1122
00:50:59,520 --> 00:50:59,840
Speaker 7: It was.

1123
00:51:00,040 --> 00:51:01,960
Speaker 3: It was the same side as the audience.

1124
00:51:02,800 --> 00:51:05,680
Speaker 2: I just have no I remember this because this is

1125
00:51:05,719 --> 00:51:07,880
Speaker 2: the one we light on fire with your chopping up

1126
00:51:07,920 --> 00:51:10,040
Speaker 2: the dorm room. I remember that because I.

1127
00:51:10,000 --> 00:51:12,320
Speaker 3: Remember that you just said things in a different language.

1128
00:51:12,320 --> 00:51:15,799
Speaker 1: I don't know what you're talking about, likes the I

1129
00:51:15,800 --> 00:51:17,040
Speaker 1: do remember the scene.

1130
00:51:17,080 --> 00:51:19,319
Speaker 2: I pick up Corey and I'm not he knocks the

1131
00:51:19,360 --> 00:51:20,720
Speaker 2: candles over and no idea.

1132
00:51:20,880 --> 00:51:23,879
Speaker 3: Then the fire department breaks in, and I don't remember

1133
00:51:23,920 --> 00:51:25,640
Speaker 3: being in the set, and like the fact that we

1134
00:51:25,719 --> 00:51:27,200
Speaker 3: have seeing myself.

1135
00:51:27,440 --> 00:51:29,759
Speaker 2: Really, Yes, this is where they live. This is where

1136
00:51:29,840 --> 00:51:32,680
Speaker 2: you where Sewn and Corey live until they get married.

1137
00:51:32,960 --> 00:51:34,840
Speaker 1: Is this where the prom set used to be? The

1138
00:51:35,160 --> 00:51:39,120
Speaker 1: hotel room? Do you remember where the hotel remember that?

1139
00:51:39,160 --> 00:51:40,319
Speaker 2: I remember that one at all.

1140
00:51:40,520 --> 00:51:42,560
Speaker 3: I thought that was I thought the audience was facing

1141
00:51:42,560 --> 00:51:42,960
Speaker 3: that set.

1142
00:51:43,360 --> 00:51:45,319
Speaker 1: No, I think it's I think it's exactly where Will's

1143
00:51:45,320 --> 00:51:47,560
Speaker 1: talking about. If you're looking at the audience to the right,

1144
00:51:47,560 --> 00:51:47,920
Speaker 1: Oh did.

1145
00:51:47,880 --> 00:51:48,920
Speaker 3: You say to that to the left.

1146
00:51:48,960 --> 00:51:50,600
Speaker 2: If you're looking at the audience, it was down to the.

1147
00:51:50,600 --> 00:51:53,080
Speaker 4: Left where that's where your hallway was.

1148
00:51:54,239 --> 00:51:57,600
Speaker 2: Yes, it was on the No, the hallway was right

1149
00:51:57,640 --> 00:52:00,320
Speaker 2: on the same side as when the audience is looking

1150
00:52:00,520 --> 00:52:03,560
Speaker 2: straight ahead. The hallway was to their left looking straight ahead.

1151
00:52:03,600 --> 00:52:06,480
Speaker 3: It was the first you're basically looking at the apartment

1152
00:52:06,680 --> 00:52:09,200
Speaker 3: and the kitchen when the kitchen was still around. But

1153
00:52:09,239 --> 00:52:11,399
Speaker 3: there's no living room anymore, right this season, we don't

1154
00:52:11,400 --> 00:52:12,160
Speaker 3: have any living room.

1155
00:52:12,640 --> 00:52:15,080
Speaker 1: Oh, so it took the So the hallway took the hallway,

1156
00:52:15,080 --> 00:52:16,520
Speaker 1: and the apartment took the place of the living room.

1157
00:52:16,600 --> 00:52:19,120
Speaker 4: Basically, yes, it was okay, I don't remember that.

1158
00:52:19,760 --> 00:52:23,760
Speaker 1: And then he screams in agony and falls to his knees.

1159
00:52:24,120 --> 00:52:28,200
Speaker 1: He rips his white tank top apart and shouts stop banger.

1160
00:52:28,520 --> 00:52:33,239
Speaker 2: Looking like in a DNIS can't like laugh at the joke.

1161
00:52:33,280 --> 00:52:37,040
Speaker 3: They end up cheering for Ben's body because shade almost

1162
00:52:37,080 --> 00:52:39,759
Speaker 3: like wrong, Like it's like Corey shouldn't be this the

1163
00:52:39,800 --> 00:52:42,120
Speaker 3: good looking like this is it doesn't really fit Corey

1164
00:52:42,160 --> 00:52:42,880
Speaker 3: to be this buff.

1165
00:52:43,200 --> 00:52:45,239
Speaker 2: You know, we know why Tipanga likes him. We got

1166
00:52:45,280 --> 00:52:46,960
Speaker 2: me finally figured out one of the answers.

1167
00:52:47,239 --> 00:52:50,560
Speaker 1: This is honestly one of arguably one of the most

1168
00:52:50,680 --> 00:52:51,959
Speaker 1: used gifts ever.

1169
00:52:52,840 --> 00:52:55,120
Speaker 4: This You will see this everywhere.

1170
00:52:55,320 --> 00:52:55,520
Speaker 2: Yep.

1171
00:52:55,800 --> 00:52:59,040
Speaker 1: It's also a great reminder for everyone how buff Ben

1172
00:52:59,239 --> 00:53:02,880
Speaker 1: was he's just people work and.

1173
00:53:02,760 --> 00:53:04,640
Speaker 4: The inmates wood.

1174
00:53:05,320 --> 00:53:07,560
Speaker 1: A neighbor yells at Corey to shut up, and Corey

1175
00:53:07,640 --> 00:53:10,160
Speaker 1: yells back, you shut up, and he goes back and

1176
00:53:10,200 --> 00:53:12,160
Speaker 1: forth with the neighbor until I start going at it

1177
00:53:12,200 --> 00:53:14,560
Speaker 1: intensifying but with the goal of getting each other to

1178
00:53:14,640 --> 00:53:18,040
Speaker 1: shut up. Eventually, Corey yells to come and get a

1179
00:53:18,080 --> 00:53:20,879
Speaker 1: piece of him, and then his door gets kicked down

1180
00:53:20,880 --> 00:53:23,560
Speaker 1: and an extremely buff man is standing in the doorway.

1181
00:53:23,719 --> 00:53:25,920
Speaker 1: He's also, I don't know, thirty five years old.

1182
00:53:25,960 --> 00:53:28,160
Speaker 3: Maybe yeah, yeah, he's up there.

1183
00:53:29,080 --> 00:53:34,200
Speaker 1: He's giving Cory a death glare. Corey's tone quickly changes hello,

1184
00:53:34,400 --> 00:53:38,800
Speaker 1: which was such a ben. He such a ben read

1185
00:53:39,000 --> 00:53:41,040
Speaker 1: for Hello, and I love it. And then we're back

1186
00:53:41,040 --> 00:53:43,200
Speaker 1: in the apartment. Eric, Jack, and Rachel are sitting together

1187
00:53:43,239 --> 00:53:46,120
Speaker 1: eating a formal breakfast. The boys are acting more sophisticated

1188
00:53:46,160 --> 00:53:49,360
Speaker 1: than normal, and Rachel is noticing the difference. Eric politely

1189
00:53:49,400 --> 00:53:53,000
Speaker 1: offers Rachel another splash of tomato, but she declines she

1190
00:53:53,040 --> 00:53:55,360
Speaker 1: needs to leave for class, and as soon as she stands,

1191
00:53:55,400 --> 00:53:57,000
Speaker 1: the guy's rush to clean up her plates.

1192
00:53:57,200 --> 00:53:59,759
Speaker 3: And then this is the second episode. Now where I went?

1193
00:54:00,320 --> 00:54:01,120
Speaker 3: Did I miss something?

1194
00:54:01,360 --> 00:54:01,440
Speaker 8: Like?

1195
00:54:01,480 --> 00:54:04,360
Speaker 3: What set this up? I remember I had this problem with

1196
00:54:04,440 --> 00:54:06,959
Speaker 3: this last episode. Oh, we're in a we're like mid

1197
00:54:07,360 --> 00:54:10,200
Speaker 3: conflict already, Like they've already decided to do something that

1198
00:54:10,280 --> 00:54:12,880
Speaker 3: never was set up. It's like it's like they just

1199
00:54:12,920 --> 00:54:15,280
Speaker 3: decided to skip to the second part of the story.

1200
00:54:15,320 --> 00:54:16,719
Speaker 3: It's it's so weird. I was like, we did I

1201
00:54:16,760 --> 00:54:17,440
Speaker 3: miss it?

1202
00:54:18,000 --> 00:54:19,920
Speaker 2: Why now, all of a sudden, do we need.

1203
00:54:19,760 --> 00:54:22,840
Speaker 1: To episode All of a sudden, you pick, you decide

1204
00:54:22,840 --> 00:54:24,960
Speaker 1: that women need manners in order to live with you.

1205
00:54:25,040 --> 00:54:27,640
Speaker 3: Yeah, that's why it should have been precipitated by just

1206
00:54:27,680 --> 00:54:29,439
Speaker 3: one little moment, you know, where she makes a calm.

1207
00:54:29,480 --> 00:54:30,759
Speaker 3: I don't, but I guess I would have required a

1208
00:54:30,760 --> 00:54:33,399
Speaker 3: whole scene. Like it's weird, it's it's it's it's it's

1209
00:54:33,440 --> 00:54:36,000
Speaker 3: like they don't care. It's like the writers were like, well,

1210
00:54:36,000 --> 00:54:38,839
Speaker 3: we want to get this situation. Do we need to explain? Now,

1211
00:54:38,920 --> 00:54:42,400
Speaker 3: let's just do something.

1212
00:54:42,640 --> 00:54:44,879
Speaker 2: They'll get there. They'll get there, And that's that's how

1213
00:54:44,920 --> 00:54:46,640
Speaker 2: it kind of comes off. It's bad.

1214
00:54:46,920 --> 00:54:49,480
Speaker 1: She tries to stop them, but they insist Jack's class

1215
00:54:49,480 --> 00:54:51,760
Speaker 1: doesn't start for another hour, and Eric says his class

1216
00:54:51,800 --> 00:54:52,919
Speaker 1: is probably over by now.

1217
00:54:53,360 --> 00:54:55,560
Speaker 4: I love the way you say that. Will It was

1218
00:54:55,640 --> 00:55:00,879
Speaker 4: so funny where you just drive right there done.

1219
00:55:02,400 --> 00:55:05,840
Speaker 1: Eric even meticulously cleans the bright blue tablecloth with a

1220
00:55:05,960 --> 00:55:08,040
Speaker 1: table crumb sweeper.

1221
00:55:10,840 --> 00:55:13,160
Speaker 3: Because those things are like, yeah, it was the perfect

1222
00:55:13,200 --> 00:55:15,799
Speaker 3: touch her. Do you think it was written? Do you

1223
00:55:15,800 --> 00:55:16,359
Speaker 3: think it was like.

1224
00:55:16,280 --> 00:55:18,840
Speaker 2: A I was probably written. I imagine I did not

1225
00:55:18,880 --> 00:55:20,560
Speaker 2: go to props and say can I get a table

1226
00:55:20,600 --> 00:55:21,280
Speaker 2: crumb sweeper?

1227
00:55:22,120 --> 00:55:24,319
Speaker 3: Such a nice touch. It's like a perfect way to

1228
00:55:24,360 --> 00:55:26,440
Speaker 3: be like, I'm fancy, you know. It's like if you

1229
00:55:26,480 --> 00:55:29,120
Speaker 3: have one of those, you are you are killing it. Yeah,

1230
00:55:29,160 --> 00:55:31,440
Speaker 3: it's like and the way you do it so pervios,

1231
00:55:31,840 --> 00:55:32,120
Speaker 3: so good.

1232
00:55:32,640 --> 00:55:34,600
Speaker 1: Rachel says that if this is for her benefit, it

1233
00:55:34,680 --> 00:55:35,600
Speaker 1: is unnecessary.

1234
00:55:35,760 --> 00:55:37,759
Speaker 4: Both of them scoff. It has nothing to do with her.

1235
00:55:37,960 --> 00:55:39,239
Speaker 4: They're doing this for themselves.

1236
00:55:39,480 --> 00:55:41,880
Speaker 1: They change out the tablecloth instead of vasive flowers on

1237
00:55:41,880 --> 00:55:44,960
Speaker 1: the island. Rachel awkwardly tells them she's going to class,

1238
00:55:44,960 --> 00:55:47,640
Speaker 1: and the boys jump to help. Eric hanser a lunch bag.

1239
00:55:47,800 --> 00:55:50,399
Speaker 1: Jack tells her to make friends. Jack opens the door

1240
00:55:50,440 --> 00:55:52,319
Speaker 1: for her as she leaves, and as soon as she's

1241
00:55:52,360 --> 00:55:54,440
Speaker 1: out the door, Eric lets out a loud belch.

1242
00:55:54,680 --> 00:55:55,640
Speaker 3: I've been holding it in.

1243
00:55:55,600 --> 00:55:56,360
Speaker 4: For three weeks.

1244
00:55:56,480 --> 00:55:58,600
Speaker 2: I can see myself with my like my lips close.

1245
00:55:58,719 --> 00:56:01,440
Speaker 2: I'm just swallowing you, right, I can see myself doing.

1246
00:56:01,280 --> 00:56:04,719
Speaker 1: It yet, so funny Jack size, she's killing us with

1247
00:56:04,760 --> 00:56:06,080
Speaker 1: this cleaning and consideration.

1248
00:56:06,600 --> 00:56:08,000
Speaker 4: Eric agrees manners blow.

1249
00:56:08,400 --> 00:56:11,000
Speaker 1: They are replacing the table sophistication with an array of

1250
00:56:11,040 --> 00:56:14,239
Speaker 1: snacks like cheeseballs and donuts.

1251
00:56:14,600 --> 00:56:16,759
Speaker 11: Which, by the way, even the donuts are on like

1252
00:56:16,800 --> 00:56:21,080
Speaker 11: a cake plate. Why didn't they just have to be

1253
00:56:21,200 --> 00:56:24,640
Speaker 11: like even that is just sophisticated, Like why didn't you

1254
00:56:24,680 --> 00:56:26,239
Speaker 11: just like open a drawer and pull out a half

1255
00:56:26,280 --> 00:56:29,200
Speaker 11: eaten donut like a beautiful cake.

1256
00:56:30,480 --> 00:56:34,000
Speaker 4: Beautifully displayed on a cake plate. It's weird anyway.

1257
00:56:34,760 --> 00:56:36,439
Speaker 1: Eric opens a cart and the milk and drinks straight

1258
00:56:36,480 --> 00:56:38,400
Speaker 1: from it. We know what women expact. I lived with

1259
00:56:38,440 --> 00:56:42,200
Speaker 1: my mother for eighteen years. Eric tosses the flowers out

1260
00:56:42,480 --> 00:56:43,520
Speaker 1: of the vase.

1261
00:56:43,920 --> 00:56:46,120
Speaker 2: I lived this, so I remember the first time I

1262
00:56:46,160 --> 00:56:49,560
Speaker 2: did this. Really Yeah, during the run through, I just

1263
00:56:49,719 --> 00:56:51,400
Speaker 2: tossed the flowers and I drink from the vase and

1264
00:56:51,440 --> 00:56:53,799
Speaker 2: they had that blue dye stuff in it that like

1265
00:56:53,880 --> 00:56:57,040
Speaker 2: keeps flowers alive, and so Glazer came up. He's like,

1266
00:56:57,040 --> 00:56:58,080
Speaker 2: I didn't know you're gonna do it, is like I

1267
00:56:58,120 --> 00:56:59,719
Speaker 2: didn't know I was gonna do anything, like it'll be

1268
00:56:59,800 --> 00:57:01,520
Speaker 2: just water from now. And I was like, so I

1269
00:57:01,560 --> 00:57:03,320
Speaker 2: like drank like the poison.

1270
00:57:03,320 --> 00:57:08,000
Speaker 4: My flower the first will because.

1271
00:57:07,719 --> 00:57:08,640
Speaker 2: I didn't even think about it.

1272
00:57:08,640 --> 00:57:10,040
Speaker 3: I was like, oh, yeah, that's.

1273
00:57:09,920 --> 00:57:11,600
Speaker 4: Where you have a glass eye.

1274
00:57:11,840 --> 00:57:14,320
Speaker 2: No I had before that. It could have caused my

1275
00:57:14,360 --> 00:57:18,400
Speaker 2: anxiety though, you never know. This could have been stuff

1276
00:57:18,640 --> 00:57:22,800
Speaker 2: flower food anxiety. It's flower food connection. Yeah, ffa, it's big.

1277
00:57:26,200 --> 00:57:28,280
Speaker 1: Jack says they can never show their real selves if

1278
00:57:28,280 --> 00:57:30,840
Speaker 1: they want Rachel to stay there. Eric simply responds, I

1279
00:57:30,920 --> 00:57:31,560
Speaker 1: love your mother.

1280
00:57:32,920 --> 00:57:35,160
Speaker 3: I don't get the stake it either, don't get And

1281
00:57:35,160 --> 00:57:38,640
Speaker 3: then there's a callback joke later right about about the grandma. Yeah,

1282
00:57:38,680 --> 00:57:41,680
Speaker 3: you say something later that I was to the mom joke.

1283
00:57:42,360 --> 00:57:44,800
Speaker 4: Jack says, I lived with Nana Boo boo once.

1284
00:57:44,880 --> 00:57:45,600
Speaker 3: Now that's a woman.

1285
00:57:45,680 --> 00:57:47,280
Speaker 2: Now that's a woman. I don't I don't get it.

1286
00:57:47,400 --> 00:57:50,000
Speaker 2: I think it's just supposed to be like they're now

1287
00:57:50,040 --> 00:57:52,000
Speaker 2: doing things. Remember the last episode, it was Eric coming

1288
00:57:52,040 --> 00:57:54,240
Speaker 2: up like, dude, you got to try these cheeseballs. I

1289
00:57:54,240 --> 00:57:58,440
Speaker 2: think it's just he's doing they're now just throwing random stuff.

1290
00:57:58,920 --> 00:58:01,720
Speaker 3: Okay, yeah, but we have there is a whole like

1291
00:58:01,840 --> 00:58:04,280
Speaker 3: mom thing, like you know, basically you want her to be.

1292
00:58:04,920 --> 00:58:06,640
Speaker 3: You say mommy a couple times in this episode.

1293
00:58:06,680 --> 00:58:08,640
Speaker 1: I feel like, yeah, you said, you said the I

1294
00:58:08,680 --> 00:58:10,280
Speaker 1: lived with my mommy for eighteen years.

1295
00:58:10,480 --> 00:58:13,040
Speaker 4: Yeah, and then she says other than your mother's.

1296
00:58:13,400 --> 00:58:15,280
Speaker 3: Right, and then you say yes mom when she yells

1297
00:58:15,280 --> 00:58:15,480
Speaker 3: at you.

1298
00:58:15,480 --> 00:58:17,200
Speaker 2: After you said yes mommy, yeah or whatever.

1299
00:58:17,280 --> 00:58:19,920
Speaker 3: Yes. So I thought maybe I was missing like some

1300
00:58:20,000 --> 00:58:22,040
Speaker 3: setup from this. Don't you remember, No, we did this.

1301
00:58:22,040 --> 00:58:23,360
Speaker 3: This was for her answer.

1302
00:58:23,680 --> 00:58:26,520
Speaker 2: The second you start dating, the woman becomes the mom.

1303
00:58:26,840 --> 00:58:29,800
Speaker 3: Yeah. We did this with Tpanga and it was a big.

1304
00:58:31,240 --> 00:58:31,880
Speaker 4: By their mothers.

1305
00:58:32,120 --> 00:58:33,120
Speaker 2: Yeah, oh god.

1306
00:58:33,760 --> 00:58:36,160
Speaker 1: Jack ignores the comment and reminds Eric that Rachel isn't

1307
00:58:36,200 --> 00:58:38,480
Speaker 1: there anymore. What are they still doing with their pants on?

1308
00:58:38,800 --> 00:58:40,840
Speaker 1: They both fall back onto the couch and unzip their

1309
00:58:40,840 --> 00:58:41,680
Speaker 1: pants with relief.

1310
00:58:42,040 --> 00:58:47,160
Speaker 3: That is another big yeah, I like, but I rip

1311
00:58:47,200 --> 00:58:48,920
Speaker 3: them off because you already had done an episode where

1312
00:58:48,920 --> 00:58:52,160
Speaker 3: we're like my pants, which is which was really very funny.

1313
00:58:52,120 --> 00:58:53,640
Speaker 3: I was waiting for it to happen again.

1314
00:58:53,760 --> 00:58:55,880
Speaker 2: Yeah, that was funny, and it's like an Eric thing,

1315
00:58:55,960 --> 00:58:57,720
Speaker 2: but just a bunch of dudes like we're alone.

1316
00:58:57,720 --> 00:59:00,360
Speaker 3: Now, let's take off our pants. I find that range.

1317
00:59:00,440 --> 00:59:02,120
Speaker 4: I just I don't think that's a real thing.

1318
00:59:02,280 --> 00:59:06,360
Speaker 3: I don't know. A bunch of dudes, audience, let's take

1319
00:59:06,360 --> 00:59:07,800
Speaker 3: it off and let's just let's just air it out.

1320
00:59:07,920 --> 00:59:08,520
Speaker 3: Let's air it out.

1321
00:59:08,720 --> 00:59:09,320
Speaker 2: What happens.

1322
00:59:09,440 --> 00:59:18,440
Speaker 4: Let's just we air it out out. Come on class,

1323
00:59:19,360 --> 00:59:20,360
Speaker 4: Why it's over here?

1324
00:59:21,160 --> 00:59:23,440
Speaker 3: You're talking about somebody. This is literally probably the last

1325
00:59:23,480 --> 00:59:26,480
Speaker 3: time I wore shorts was on this episode, because and

1326
00:59:27,720 --> 00:59:30,240
Speaker 3: God right, or cover them up like those Those legs

1327
00:59:30,280 --> 00:59:31,480
Speaker 3: should never see the light a day.

1328
00:59:31,640 --> 00:59:33,600
Speaker 4: I disagree with you. You have very nice legs.

1329
00:59:33,880 --> 00:59:37,080
Speaker 3: No, I don't know. I don't you have ma hobbit feet.

1330
00:59:37,240 --> 00:59:40,720
Speaker 4: No one's talking about your hobbits. It's about your feet.

1331
00:59:42,200 --> 00:59:44,640
Speaker 3: I know you're telling the truth. Nice.

1332
00:59:45,400 --> 00:59:49,840
Speaker 1: Nice, you've got hobbit feet, very nice legs to walk

1333
00:59:49,920 --> 00:59:50,720
Speaker 1: to shirts.

1334
00:59:52,640 --> 00:59:55,120
Speaker 3: I could wear shorts at the beach with with my boots.

1335
00:59:55,160 --> 01:00:01,320
Speaker 2: You're good, got your mother.

1336
01:00:07,440 --> 01:00:09,360
Speaker 4: And then we're back in Corey and Sean's dorm.

1337
01:00:09,440 --> 01:00:11,640
Speaker 1: The muscly neighbor is now holding Corey and they are

1338
01:00:11,640 --> 01:00:15,400
Speaker 1: both crying watching the kiss footage. Corey pauses the TV

1339
01:00:15,840 --> 01:00:20,640
Speaker 1: tramp man. The neighbor agrees through his tears, I hear you, brother, Corey.

1340
01:00:20,640 --> 01:00:22,920
Speaker 1: Says he never saw it coming. His new friend, Isaac

1341
01:00:22,960 --> 01:00:25,400
Speaker 1: assures Corey that he can't blame himself. The same thing

1342
01:00:25,440 --> 01:00:30,440
Speaker 1: happened to him once. Corey again shouts Stopanga in response,

1343
01:00:30,520 --> 01:00:34,800
Speaker 1: and Isaac follows his lead by shouting fred. Corey's eyes

1344
01:00:34,840 --> 01:00:37,480
Speaker 1: go wide as he notices Isaac's arm around his shoulder

1345
01:00:37,560 --> 01:00:42,919
Speaker 1: and some panic panic, but the audience the inmates seem

1346
01:00:42,960 --> 01:00:44,800
Speaker 1: to find it very funny at the time, and then

1347
01:00:44,880 --> 01:00:47,000
Speaker 1: in the student union we see Matt Foster and his

1348
01:00:47,000 --> 01:00:50,040
Speaker 1: green hat sitting in the back playing chess while students

1349
01:00:50,160 --> 01:00:52,600
Speaker 1: bustle about. Sean is asleep on one of the couches.

1350
01:00:52,680 --> 01:00:55,680
Speaker 1: Tapanga enters and tells him to wake up. Sean sits up,

1351
01:00:55,720 --> 01:00:57,760
Speaker 1: screaming no clown, no.

1352
01:00:59,080 --> 01:01:00,720
Speaker 3: Again it.

1353
01:01:02,200 --> 01:01:04,520
Speaker 1: Tepenga takes a seat and asks if he really slept

1354
01:01:04,560 --> 01:01:07,280
Speaker 1: on the couch. Sean nods, I had to. He installed

1355
01:01:07,320 --> 01:01:09,919
Speaker 1: a dead bolt. She says Corey's been avoiding her too.

1356
01:01:10,280 --> 01:01:12,760
Speaker 1: They're both now under Shawn's comforter, and thinks he's probably

1357
01:01:12,800 --> 01:01:15,040
Speaker 1: been letting it eat at him all night. He's probably

1358
01:01:15,040 --> 01:01:17,800
Speaker 1: out of control at this point. Then, on cue a

1359
01:01:17,920 --> 01:01:20,800
Speaker 1: very calm, Corey enters the room with his head held high.

1360
01:01:20,920 --> 01:01:23,680
Speaker 1: He addresses the two, It's probably no surprise to you

1361
01:01:23,720 --> 01:01:25,920
Speaker 1: that I've had a long, hard night and a lot

1362
01:01:25,920 --> 01:01:27,840
Speaker 1: of time to think. I know you too are thinking

1363
01:01:27,920 --> 01:01:30,400
Speaker 1: that the crazy little man would dwell and stew and

1364
01:01:30,440 --> 01:01:33,200
Speaker 1: blow this horribly out of proportion. But I've worked through it.

1365
01:01:33,280 --> 01:01:36,560
Speaker 1: I'm fine, and i am a happy, healthy Corey. He

1366
01:01:36,600 --> 01:01:39,320
Speaker 1: then notices their positions on the couch under the covers.

1367
01:01:39,760 --> 01:01:43,360
Speaker 3: What's this that turn of just god, it's just one thing.

1368
01:01:43,840 --> 01:01:44,560
Speaker 3: What's this?

1369
01:01:44,840 --> 01:01:46,840
Speaker 2: Oh my god, I was I were round out like

1370
01:01:46,880 --> 01:01:49,960
Speaker 2: five times. It's just it's this hole walking in in

1371
01:01:50,080 --> 01:01:51,920
Speaker 2: him like all primate, proper, like I've been fine, and

1372
01:01:51,920 --> 01:01:54,280
Speaker 2: then that turns. It's so good.

1373
01:01:54,480 --> 01:01:56,040
Speaker 4: It is so good, so good.

1374
01:01:56,240 --> 01:01:57,160
Speaker 2: Oh god, I love it.

1375
01:01:57,280 --> 01:01:59,760
Speaker 3: Joe the barely holding it together, jilted lover.

1376
01:02:00,520 --> 01:02:03,320
Speaker 9: It's so perfect and like it's so good.

1377
01:02:03,720 --> 01:02:05,480
Speaker 3: I mean the way the way he plays it is

1378
01:02:05,520 --> 01:02:08,040
Speaker 3: to play against the emotions, right, like he's just just

1379
01:02:08,120 --> 01:02:09,840
Speaker 3: keeping it all together. So he's just going to it's

1380
01:02:09,960 --> 01:02:13,439
Speaker 3: so good. Turn What this off?

1381
01:02:13,640 --> 01:02:17,320
Speaker 1: This so good Tapega tries to explain, but Corey snatches

1382
01:02:17,360 --> 01:02:19,520
Speaker 1: the comforter right off them to Pang is fully dressed,

1383
01:02:19,560 --> 01:02:22,360
Speaker 1: but Sean is wearing a Seattle Wrestling T shirt.

1384
01:02:23,080 --> 01:02:25,280
Speaker 4: You're into wrestling. I mean you notice that I can

1385
01:02:25,360 --> 01:02:27,840
Speaker 4: see that Seattle Wrestling. Well, that's what we always said.

1386
01:02:28,160 --> 01:02:29,440
Speaker 4: He's the one wh would always sayl it. I'm not

1387
01:02:29,440 --> 01:02:32,600
Speaker 4: into wrestling, but Corey Corey was and his underwear.

1388
01:02:32,960 --> 01:02:37,320
Speaker 1: Corey gasps underpants. Sean says he always sleeps like this,

1389
01:02:37,440 --> 01:02:41,479
Speaker 1: but Corey rages on underpants. Corey knows exactly how they're

1390
01:02:41,480 --> 01:02:43,440
Speaker 1: going to handle this. It's very clear that the two

1391
01:02:43,480 --> 01:02:45,520
Speaker 1: of you have had a lot of hidden sexual tension

1392
01:02:45,560 --> 01:02:46,760
Speaker 1: for the last fifteen years.

1393
01:02:47,040 --> 01:02:48,920
Speaker 4: Sean shakes his head. No, we haven't.

1394
01:02:49,320 --> 01:02:52,000
Speaker 1: Corey yells, I am speaking now. There is one solution

1395
01:02:52,080 --> 01:02:55,560
Speaker 1: to this, and one solution only, and then channeling old Topanga,

1396
01:02:55,760 --> 01:02:59,320
Speaker 1: she growls. Knowing where this is going, Corey demands I

1397
01:02:59,360 --> 01:03:00,560
Speaker 1: want you to go out.

1398
01:03:00,440 --> 01:03:03,120
Speaker 4: On a date. Sean and Tapega are flabbergasted, but Corey

1399
01:03:03,120 --> 01:03:05,360
Speaker 4: insists he believes there are feelings.

1400
01:03:04,920 --> 01:03:07,760
Speaker 1: Between them, and the tape backs him up. He should know,

1401
01:03:07,880 --> 01:03:11,480
Speaker 1: he watched it five hundred and twelve times. Corey tells them,

1402
01:03:11,520 --> 01:03:14,240
Speaker 1: when you kissed, you felt something. You both did.

1403
01:03:14,760 --> 01:03:16,680
Speaker 4: Sean says they are not going on a date.

1404
01:03:16,960 --> 01:03:18,680
Speaker 1: Corey is not backing down. If they don't go on

1405
01:03:18,680 --> 01:03:20,160
Speaker 1: a date, it's gonna haunt all of them for the

1406
01:03:20,160 --> 01:03:23,600
Speaker 1: rest of their lives. Tapega responds through gritted teeth, Why

1407
01:03:23,600 --> 01:03:25,320
Speaker 1: does everything have to haunt us for the rest of

1408
01:03:25,360 --> 01:03:26,000
Speaker 1: our lives?

1409
01:03:26,760 --> 01:03:28,680
Speaker 4: Corey yells back underpants.

1410
01:03:29,400 --> 01:03:32,240
Speaker 1: Sean turns to Topanga and goes through the motions, will

1411
01:03:32,320 --> 01:03:34,600
Speaker 1: you go on a date with me? Tapega crosses her

1412
01:03:34,680 --> 01:03:38,160
Speaker 1: arms and reluctantly says yes. Corey is falsely vindicated.

1413
01:03:38,320 --> 01:03:39,320
Speaker 4: I knew it.

1414
01:03:40,800 --> 01:03:43,880
Speaker 3: None of us makes any sense. It is a good scene,

1415
01:03:44,280 --> 01:03:45,680
Speaker 3: it's a great scene, but it.

1416
01:03:45,600 --> 01:03:48,000
Speaker 2: Doesn't the story doesn't make any sense. Again, I could

1417
01:03:48,000 --> 01:03:51,080
Speaker 2: watch Ben do this yew five thousand episodes and.

1418
01:03:52,400 --> 01:03:56,280
Speaker 4: To watch Sean and Tapega have to cater to him.

1419
01:03:56,440 --> 01:03:57,800
Speaker 4: It's in They're always is.

1420
01:03:57,880 --> 01:03:58,640
Speaker 3: It's awesome.

1421
01:04:10,560 --> 01:04:12,680
Speaker 1: So then we're into Pega and Angela's dorm. Angela is

1422
01:04:12,760 --> 01:04:14,240
Speaker 1: lying on her bed doing homework when there was a

1423
01:04:14,320 --> 01:04:14,840
Speaker 1: knock at the door.

1424
01:04:14,920 --> 01:04:15,440
Speaker 4: It's Corey.

1425
01:04:15,520 --> 01:04:19,040
Speaker 1: He asks what she's studying. Angela responds, white history. You

1426
01:04:19,080 --> 01:04:21,080
Speaker 1: know you people contributed quite a bit.

1427
01:04:20,880 --> 01:04:24,960
Speaker 4: To this country. Cory smiles and says, thanks.

1428
01:04:28,560 --> 01:04:33,560
Speaker 1: Just it's funny though Corey closes her book, I've kept

1429
01:04:33,560 --> 01:04:35,160
Speaker 1: you in the dark about this because even though you

1430
01:04:35,200 --> 01:04:37,080
Speaker 1: and Sean broke up, I know how much you still

1431
01:04:37,080 --> 01:04:38,800
Speaker 1: care about him, and you know how much I care

1432
01:04:38,840 --> 01:04:41,440
Speaker 1: about that betraying which of a girl.

1433
01:04:41,320 --> 01:04:47,360
Speaker 4: Angela were broken up? By the way, really, there's.

1434
01:04:47,120 --> 01:04:49,320
Speaker 2: Angela in all this, and I was doing the same things, like.

1435
01:04:50,280 --> 01:04:52,880
Speaker 3: Well, that's right, we were broken up, and I don't remember,

1436
01:04:52,960 --> 01:04:55,160
Speaker 3: like why, I've already lost.

1437
01:04:55,280 --> 01:04:57,360
Speaker 1: So it's so weird to me that there has not

1438
01:04:57,600 --> 01:05:01,240
Speaker 1: been since that first episode where disc everard Angela's feelings

1439
01:05:01,280 --> 01:05:05,320
Speaker 1: about Seawan, that Sean has truly acted as though Angela

1440
01:05:05,640 --> 01:05:08,400
Speaker 1: meant nothing to him and that relationship meant nothing. He's

1441
01:05:08,480 --> 01:05:11,280
Speaker 1: just every episode is just like living my best life.

1442
01:05:11,440 --> 01:05:11,680
Speaker 4: Yep.

1443
01:05:12,120 --> 01:05:14,800
Speaker 3: It's just in such a weird space, like I'm in

1444
01:05:14,840 --> 01:05:17,480
Speaker 3: weird space performance wise, but as a character too. I

1445
01:05:17,480 --> 01:05:20,760
Speaker 3: don't understand this season at all. It's like, I'm with

1446
01:05:20,800 --> 01:05:23,200
Speaker 3: him there, You're a normal bro all of a sudden.

1447
01:05:23,360 --> 01:05:25,240
Speaker 2: It's just it's I think it's the haircut.

1448
01:05:25,280 --> 01:05:28,240
Speaker 3: I think the second I lost the floppy middle party,

1449
01:05:28,440 --> 01:05:30,280
Speaker 3: they could they were like, who is this person?

1450
01:05:30,320 --> 01:05:30,960
Speaker 4: Who is this guy?

1451
01:05:31,280 --> 01:05:36,080
Speaker 3: Who is this He's done with it's so weird. It's

1452
01:05:36,080 --> 01:05:38,960
Speaker 3: like I'm Samson. I've just lost all my shondness. It's

1453
01:05:39,040 --> 01:05:42,800
Speaker 3: so I'm so boring, Like every time I open my mouth,

1454
01:05:42,840 --> 01:05:44,520
Speaker 3: I'm like, who cares?

1455
01:05:44,760 --> 01:05:48,280
Speaker 2: I also have no recollection, and I mean none of

1456
01:05:48,320 --> 01:05:50,120
Speaker 2: How Sean and Angela.

1457
01:05:49,720 --> 01:05:53,160
Speaker 3: Get back neither, I don't know. I don't remember none

1458
01:05:53,200 --> 01:05:53,360
Speaker 3: of it.

1459
01:05:53,440 --> 01:05:56,240
Speaker 1: Ye, Angela begs him to get to the point. Corey

1460
01:05:56,280 --> 01:05:57,919
Speaker 1: blurts out Shawn and de Banger are on a date.

1461
01:05:58,200 --> 01:06:00,880
Speaker 1: Angela is confused they would never do that, but Corey

1462
01:06:00,880 --> 01:06:03,560
Speaker 1: tells her it's true. Angela wonders why they do that,

1463
01:06:03,680 --> 01:06:06,400
Speaker 1: and Corey reveals because I made the reservation. She tries

1464
01:06:06,440 --> 01:06:08,000
Speaker 1: to ask why, but Corey cuts her off, and I

1465
01:06:08,000 --> 01:06:11,000
Speaker 1: paid for it. She asks why again, and Corey adds.

1466
01:06:10,800 --> 01:06:12,320
Speaker 4: I ordered the souffle in advance.

1467
01:06:12,720 --> 01:06:15,680
Speaker 1: Angela still doesn't get why, so Corey explains, because you

1468
01:06:15,720 --> 01:06:18,920
Speaker 1: gotta do that kind of thing, Angela. Angela again asks

1469
01:06:18,920 --> 01:06:21,320
Speaker 1: why one last time, and Corey has had enough. I

1470
01:06:21,400 --> 01:06:24,080
Speaker 1: don't know, call the restaurant. The love of my life

1471
01:06:24,160 --> 01:06:25,520
Speaker 1: is out with my best friend and you want to

1472
01:06:25,520 --> 01:06:26,880
Speaker 1: discuss dessert policy.

1473
01:06:27,080 --> 01:06:28,919
Speaker 4: Geez, you're annoyed.

1474
01:06:30,720 --> 01:06:33,240
Speaker 3: He's so good at this episode so funny.

1475
01:06:35,120 --> 01:06:36,440
Speaker 4: It's always my favorite.

1476
01:06:36,600 --> 01:06:39,720
Speaker 1: One of my favorite things when someone isn't being very

1477
01:06:39,720 --> 01:06:41,840
Speaker 1: annoying and they aren't getting it and then they think

1478
01:06:41,880 --> 01:06:43,080
Speaker 1: the other person's being annoying.

1479
01:06:43,160 --> 01:06:46,320
Speaker 4: I find that so funny every time, Like, I.

1480
01:06:46,240 --> 01:06:47,880
Speaker 2: Thought they missed a joke too. It should have been

1481
01:06:47,920 --> 01:06:49,720
Speaker 2: the person I love more than anything in the world

1482
01:06:49,760 --> 01:06:52,080
Speaker 2: is out with my fiance, right is exactly.

1483
01:06:55,680 --> 01:06:58,600
Speaker 3: So. So I'm trying to think, like, was the first

1484
01:06:58,600 --> 01:07:01,480
Speaker 3: episode where this Corey merged? There was one where he

1485
01:07:01,720 --> 01:07:03,240
Speaker 3: There was the episode I think it was season three

1486
01:07:03,240 --> 01:07:05,120
Speaker 3: where he like gets into real estate he's looking for

1487
01:07:05,160 --> 01:07:07,800
Speaker 3: an apartment for Turner. Yes, was that the first one

1488
01:07:07,880 --> 01:07:12,880
Speaker 3: that like fussy overthinking Corey? Because this really isn't the

1489
01:07:12,880 --> 01:07:15,000
Speaker 3: Corey from season one. Like season one, Corey was like

1490
01:07:15,720 --> 01:07:18,320
Speaker 3: fucking get overconfident, like he's going to talk his way

1491
01:07:18,320 --> 01:07:21,640
Speaker 3: out of every situation, the you know nothing, and yet

1492
01:07:21,720 --> 01:07:24,600
Speaker 3: this Cory emerges and is now kind of the Corey. Right,

1493
01:07:24,640 --> 01:07:27,240
Speaker 3: it's like our favorite Corey, but it's very different. It's

1494
01:07:27,280 --> 01:07:29,960
Speaker 3: so different, and it's worsely because Ben could play this

1495
01:07:30,000 --> 01:07:31,520
Speaker 3: so well and it's very funny.

1496
01:07:31,600 --> 01:07:33,960
Speaker 2: Well, this is now they're writing to who we are now,

1497
01:07:34,280 --> 01:07:39,400
Speaker 2: I mean, Eric, isn't I just know you're just you're

1498
01:07:39,680 --> 01:07:43,760
Speaker 2: faring interesting intellectual. I think they're starting to make right

1499
01:07:44,520 --> 01:07:45,520
Speaker 2: more of an intellectual.

1500
01:07:45,880 --> 01:07:50,800
Speaker 3: You're the one who just or whoever youre talking about. Yes,

1501
01:07:51,280 --> 01:07:51,720
Speaker 3: you're right.

1502
01:07:52,440 --> 01:07:54,240
Speaker 9: I was so boring in real life and they just

1503
01:07:54,240 --> 01:07:55,200
Speaker 9: started to write to it.

1504
01:07:55,760 --> 01:08:03,760
Speaker 3: I said intellectual, you said boring, snobby pretends just and boring. Yeah, but.

1505
01:08:11,040 --> 01:08:13,720
Speaker 2: Way is what it is.

1506
01:08:18,360 --> 01:08:20,760
Speaker 1: Angela asks if this is still about the kiss, and

1507
01:08:20,840 --> 01:08:23,519
Speaker 1: Corey can't believe she knows about it. That must mean

1508
01:08:23,560 --> 01:08:25,960
Speaker 1: it meant something to her, he asks, Angela, and all

1509
01:08:26,000 --> 01:08:27,880
Speaker 1: that time you were with Sean, did he ever call

1510
01:08:27,920 --> 01:08:31,160
Speaker 1: out the name Topanga? Angela says no, but he called

1511
01:08:31,160 --> 01:08:34,760
Speaker 1: out the name Corey. Corey's eyes light up. In what context?

1512
01:08:35,080 --> 01:08:37,720
Speaker 1: She explains, in the context of how stupid you are?

1513
01:08:38,280 --> 01:08:40,920
Speaker 1: Angela reminds him that it was for a movie, a

1514
01:08:41,040 --> 01:08:45,320
Speaker 1: very important features.

1515
01:08:45,360 --> 01:08:48,360
Speaker 4: Anderson, we're talking about this. It's not this is not

1516
01:08:48,840 --> 01:08:54,639
Speaker 4: just over submit this.

1517
01:09:01,360 --> 01:09:03,599
Speaker 1: Angela reminds him that it was for a movie. They

1518
01:09:03,600 --> 01:09:07,400
Speaker 1: were pretending. Corey argues, they weren't pretending. I know when

1519
01:09:07,400 --> 01:09:12,479
Speaker 1: Topanga pretends I've been there, wow, not even.

1520
01:09:12,320 --> 01:09:15,040
Speaker 2: Having sex and already faking you already pretended that is

1521
01:09:15,080 --> 01:09:15,920
Speaker 2: that possible?

1522
01:09:16,080 --> 01:09:16,320
Speaker 3: Yep.

1523
01:09:17,240 --> 01:09:20,080
Speaker 1: Angela assures him there's nothing to worry about. They'll spend

1524
01:09:20,080 --> 01:09:22,439
Speaker 1: the whole day talking about him and have a terrible time.

1525
01:09:22,680 --> 01:09:23,840
Speaker 4: Corey is relieved to hear this.

1526
01:09:24,040 --> 01:09:26,760
Speaker 1: He thanks Angela for the reassurance and tells her she's

1527
01:09:26,840 --> 01:09:29,639
Speaker 1: just really great to talk to. Then we hear Tapega

1528
01:09:29,760 --> 01:09:34,200
Speaker 1: giggling in the hallway. You're so funny, Sean, He responds, oh, stop,

1529
01:09:34,479 --> 01:09:37,400
Speaker 1: while giggling along. Corey turns to Angela.

1530
01:09:37,080 --> 01:09:37,759
Speaker 4: You moron.

1531
01:09:38,200 --> 01:09:40,599
Speaker 1: He bolts towards the door and peeks out. We see

1532
01:09:40,600 --> 01:09:42,960
Speaker 1: Sean opening the door to the boy's dorm room. He

1533
01:09:43,080 --> 01:09:45,920
Speaker 1: peers inside. Corey isn't there, so he tells Tapega they

1534
01:09:45,960 --> 01:09:48,720
Speaker 1: should go in. Corey is listening from across the hall

1535
01:09:48,720 --> 01:09:51,080
Speaker 1: when Topega says we should put a rubber band on

1536
01:09:51,120 --> 01:09:53,760
Speaker 1: the door just in case he comes back. Sean does

1537
01:09:53,800 --> 01:09:57,960
Speaker 1: and follows Topanga inside. Corey sneaks over to listen. In

1538
01:09:58,040 --> 01:10:00,120
Speaker 1: he hears Sean admit, this is the greatest night I've

1539
01:10:00,160 --> 01:10:02,200
Speaker 1: had in a long time, and to realize how we

1540
01:10:02,240 --> 01:10:05,759
Speaker 1: feel about each other after all these years. Topanga adds,

1541
01:10:05,800 --> 01:10:08,599
Speaker 1: we should thank Corey and Sean says, I'm not sure

1542
01:10:08,600 --> 01:10:11,320
Speaker 1: we should be doing this. After all, he's my best friend.

1543
01:10:11,720 --> 01:10:14,680
Speaker 1: Tapanga assures him he's my fiance and I'm fine with it.

1544
01:10:15,080 --> 01:10:18,080
Speaker 1: Corey is devastated at what he's hearing, but inside we

1545
01:10:18,120 --> 01:10:22,600
Speaker 1: see that Sean and Tapanga are reading from scripts. Sean continues,

1546
01:10:23,040 --> 01:10:25,639
Speaker 1: you're right, we can't fight what we've been fighting for

1547
01:10:25,680 --> 01:10:29,479
Speaker 1: fifteen years. Topanga reads, I'm just not strong enough anymore.

1548
01:10:29,920 --> 01:10:33,240
Speaker 1: Sean rattles off compliments about Topanga's skin, hair, face, and

1549
01:10:33,320 --> 01:10:36,759
Speaker 1: long long legs, but then he accidentally drops the pages

1550
01:10:36,760 --> 01:10:38,160
Speaker 1: of a script and he can't figure out where he

1551
01:10:38,240 --> 01:10:40,880
Speaker 1: left off. Tapega wonders what he likes about her eyes,

1552
01:10:40,920 --> 01:10:49,639
Speaker 1: and he stumbles, yes, this is the number of Corey's

1553
01:10:49,640 --> 01:10:52,479
Speaker 1: face is frozen into a frown. Outside the door, Sean

1554
01:10:52,479 --> 01:10:54,559
Speaker 1: ditches the script. How do you like what I'm doing

1555
01:10:54,560 --> 01:10:57,400
Speaker 1: to you right now? He hits a paddleball for sound effects,

1556
01:10:57,439 --> 01:10:58,600
Speaker 1: and she grins.

1557
01:10:58,280 --> 01:11:07,720
Speaker 3: Ooh to a like pankakey. Do you remember doing this, Daniel, No,

1558
01:11:08,479 --> 01:11:10,559
Speaker 3: I kind of do. Like I was. I was watching.

1559
01:11:10,600 --> 01:11:13,240
Speaker 3: They just gave us a bunch of objects, and I

1560
01:11:13,320 --> 01:11:16,479
Speaker 3: remember you found the one that recorded whatever you said okay,

1561
01:11:16,640 --> 01:11:20,080
Speaker 3: you know the one that says, oh, Sean. We discovered

1562
01:11:20,120 --> 01:11:22,880
Speaker 3: that during rehearsal. I remember finding that because they just

1563
01:11:23,120 --> 01:11:24,680
Speaker 3: had a bunch of things and they were like play

1564
01:11:24,720 --> 01:11:24,960
Speaker 3: with them.

1565
01:11:25,280 --> 01:11:25,400
Speaker 5: You know.

1566
01:11:25,479 --> 01:11:28,960
Speaker 3: It was McCracken just like, go do something. It's still

1567
01:11:29,040 --> 01:11:29,519
Speaker 3: not good.

1568
01:11:30,439 --> 01:11:32,559
Speaker 4: We tried. McCracken did his very best.

1569
01:11:34,360 --> 01:11:36,879
Speaker 3: Of that magic. If Will had been in there, imagine

1570
01:11:38,680 --> 01:11:39,640
Speaker 3: you could do with the move thing?

1571
01:11:41,280 --> 01:11:44,040
Speaker 2: Are they the whole thing is they're just supposed to

1572
01:11:44,080 --> 01:11:44,760
Speaker 2: be pranking Corey?

1573
01:11:44,880 --> 01:11:45,000
Speaker 3: Right?

1574
01:11:45,080 --> 01:11:46,000
Speaker 2: That's just point.

1575
01:11:46,120 --> 01:11:46,800
Speaker 4: What's the point of this?

1576
01:11:46,920 --> 01:11:47,920
Speaker 2: I don't get the point.

1577
01:11:48,040 --> 01:11:50,599
Speaker 1: If we really let's like, let's get to the bottom

1578
01:11:50,640 --> 01:11:53,240
Speaker 1: of it. If we really wanted we agreed to go

1579
01:11:53,320 --> 01:11:55,040
Speaker 1: on the date because we knew Corey wasn't gonna let

1580
01:11:55,120 --> 01:11:57,599
Speaker 1: up unless we did. Why didn't we then come home

1581
01:11:57,640 --> 01:12:00,960
Speaker 1: from the date and say, Corey, we talked about you

1582
01:12:01,080 --> 01:12:03,720
Speaker 1: all night, we didn't have a good time, we missed you.

1583
01:12:04,640 --> 01:12:08,639
Speaker 4: We did what you asked us to know how much

1584
01:12:08,720 --> 01:12:09,160
Speaker 4: you love this.

1585
01:12:10,160 --> 01:12:13,080
Speaker 1: Why isn't that the solution? Instead we go to dinner

1586
01:12:13,160 --> 01:12:15,240
Speaker 1: and we go you know what would be hilarious if

1587
01:12:15,280 --> 01:12:17,439
Speaker 1: we ramp this up again. Even though in the last

1588
01:12:17,439 --> 01:12:18,680
Speaker 1: scene when he begged us to go on a date.

1589
01:12:18,760 --> 01:12:20,760
Speaker 1: We were like, I can't believe you're making us do this.

1590
01:12:21,360 --> 01:12:22,840
Speaker 1: Now we're like, okay, if he's going to make us

1591
01:12:22,840 --> 01:12:24,400
Speaker 1: do it, let's have fun with it. Let me write

1592
01:12:24,400 --> 01:12:24,840
Speaker 1: a script.

1593
01:12:25,000 --> 01:12:25,600
Speaker 4: Then we'll do this.

1594
01:12:25,840 --> 01:12:27,800
Speaker 1: He'll be listening, we'll know it, and then he'll think

1595
01:12:27,800 --> 01:12:31,920
Speaker 1: it's hilarious when we throw open the door and say surprise.

1596
01:12:32,360 --> 01:12:33,800
Speaker 2: I don't get it. Well, do you remember the action?

1597
01:12:33,880 --> 01:12:36,080
Speaker 2: Do you remember the first draft? Because the first draft

1598
01:12:36,200 --> 01:12:37,960
Speaker 2: was he walks in and you guys are having sex.

1599
01:12:39,479 --> 01:12:41,280
Speaker 2: Do you not remember that you're reading that?

1600
01:12:42,960 --> 01:12:43,240
Speaker 3: I am.

1601
01:12:43,360 --> 01:12:44,040
Speaker 2: I'm totally.

1602
01:12:50,600 --> 01:12:55,680
Speaker 3: Kiss I just know what what Will would have done.

1603
01:12:55,680 --> 01:12:57,920
Speaker 3: I'm trying to imagine Will with those objects, in all

1604
01:12:57,960 --> 01:12:59,880
Speaker 3: the sounds he would have made, It would have been great.

1605
01:13:00,160 --> 01:13:03,360
Speaker 3: I don't know. We're just so such an average.

1606
01:13:04,160 --> 01:13:05,280
Speaker 4: It's such a boring scene.

1607
01:13:08,240 --> 01:13:09,600
Speaker 2: You've got two people who have checked out of the

1608
01:13:09,640 --> 01:13:11,000
Speaker 2: show carrying the scene.

1609
01:13:23,680 --> 01:13:25,479
Speaker 4: Tamenga stands up to join in on the phone. How

1610
01:13:25,479 --> 01:13:26,560
Speaker 4: do you like what I'm doing to you?

1611
01:13:26,840 --> 01:13:29,679
Speaker 1: She turns a toy over and it blasts a cow's moo.

1612
01:13:30,920 --> 01:13:33,439
Speaker 1: Sean pretends to beg for more as they just start

1613
01:13:33,479 --> 01:13:36,000
Speaker 1: to mess around with various loud objects around the room,

1614
01:13:36,439 --> 01:13:39,240
Speaker 1: like a cow bell. Why do you guys have these

1615
01:13:39,280 --> 01:13:41,960
Speaker 1: things in your room? What is what's going on with

1616
01:13:42,080 --> 01:13:48,519
Speaker 1: this joke? They slowly sneak up to the door and

1617
01:13:48,600 --> 01:13:51,000
Speaker 1: on the other side, Corey sadly walks away in defeat.

1618
01:13:51,320 --> 01:13:53,120
Speaker 1: So when to Panga and Sean open the door and

1619
01:13:53,200 --> 01:13:58,160
Speaker 1: shouts surprise. They're confused to see he's disappeared. And we

1620
01:13:58,360 --> 01:14:01,519
Speaker 1: know that he had been there because we assume we

1621
01:14:01,600 --> 01:14:03,680
Speaker 1: know him so well that there's no chance he just

1622
01:14:03,800 --> 01:14:07,120
Speaker 1: wasn't actually there. So I actually say, where'd he go? Ye,

1623
01:14:07,600 --> 01:14:10,599
Speaker 1: even though there's no way we would have known whether

1624
01:14:10,680 --> 01:14:11,360
Speaker 1: or not he was there.

1625
01:14:11,360 --> 01:14:13,960
Speaker 3: Ever, couldn't have gotten a text from Angela because text

1626
01:14:14,040 --> 01:14:14,759
Speaker 3: and didn't exist.

1627
01:14:14,960 --> 01:14:15,160
Speaker 2: Nope.

1628
01:14:15,240 --> 01:14:16,920
Speaker 4: Fact weird, thought, very weird.

1629
01:14:18,040 --> 01:14:20,960
Speaker 1: At the boys apartment, the guys have prepared another formal

1630
01:14:21,080 --> 01:14:23,360
Speaker 1: meal for Rachel, still on their best behavior for her,

1631
01:14:23,479 --> 01:14:26,120
Speaker 1: but she looks bored at the performance. Jack takes the

1632
01:14:26,200 --> 01:14:28,599
Speaker 1: conversation to a new level he learned from a Martha

1633
01:14:28,680 --> 01:14:32,840
Speaker 1: Stewart episode on how to freshen up their potpourris. Eric exclaims, oh, yes, I.

1634
01:14:32,920 --> 01:14:33,519
Speaker 4: Saw that one.

1635
01:14:34,080 --> 01:14:36,479
Speaker 1: Eric asks Rachel how her day was, and she frowns,

1636
01:14:36,680 --> 01:14:38,519
Speaker 1: I had lunch with a friend. We put our elbows

1637
01:14:38,560 --> 01:14:39,920
Speaker 1: on the table and ate with our fingers.

1638
01:14:40,439 --> 01:14:42,680
Speaker 4: She wonders, you don't think I know what you're doing.

1639
01:14:42,880 --> 01:14:45,200
Speaker 4: You actually think that I think you live like this.

1640
01:14:45,880 --> 01:14:46,920
Speaker 4: Eric and Jack are startled.

1641
01:14:47,240 --> 01:14:49,759
Speaker 1: She continues, you're just treating me differently because I'm a woman.

1642
01:14:50,120 --> 01:14:52,559
Speaker 1: The boys scoff and Jack argues, shows you how much

1643
01:14:52,640 --> 01:14:54,639
Speaker 1: you know? You think you're the first woman we've ever

1644
01:14:54,720 --> 01:14:58,800
Speaker 1: lived with. Rachel confidently nods, besides your mother's yes. Eric

1645
01:14:58,880 --> 01:15:01,280
Speaker 1: asks his friend if that's an your account. Jack admits,

1646
01:15:01,439 --> 01:15:02,760
Speaker 1: I stayed with Nana Booba once.

1647
01:15:03,160 --> 01:15:05,400
Speaker 4: Now there's a woman that.

1648
01:15:05,439 --> 01:15:07,519
Speaker 3: We've said Nana booboo before on the show, right, and

1649
01:15:07,600 --> 01:15:10,479
Speaker 3: we say it again Cory's and we say it was Cory. Yeah,

1650
01:15:11,400 --> 01:15:14,720
Speaker 3: he does that that when the when the wedding. Yeah,

1651
01:15:14,720 --> 01:15:15,759
Speaker 3: because he goes Nana.

1652
01:15:15,600 --> 01:15:20,719
Speaker 4: Boo boo And you're like, no, So why doesn't would Jack.

1653
01:15:20,680 --> 01:15:22,760
Speaker 3: Funny st it's funny sounds?

1654
01:15:23,120 --> 01:15:25,720
Speaker 1: So Rachel tells them she hates this. She feels like

1655
01:15:25,800 --> 01:15:27,439
Speaker 1: she has to be on her best behavior. It's like

1656
01:15:27,479 --> 01:15:30,200
Speaker 1: she's living with her own mother. Eric's interest is piqued.

1657
01:15:30,360 --> 01:15:32,479
Speaker 1: Do you have a picture of your mom, no reason.

1658
01:15:32,360 --> 01:15:35,040
Speaker 3: Other thing. It's another mother thing, mother and kissing.

1659
01:15:36,280 --> 01:15:37,760
Speaker 4: Rachel has had it. I can't do this.

1660
01:15:38,040 --> 01:15:40,040
Speaker 1: You have to be yourself so I can be myself.

1661
01:15:40,439 --> 01:15:42,200
Speaker 1: Eric tells Jack they have to stick to the plan.

1662
01:15:42,680 --> 01:15:45,000
Speaker 1: Rachel begs them to stop with the planning and stop

1663
01:15:45,040 --> 01:15:46,280
Speaker 1: acting like she can't hear them.

1664
01:15:46,760 --> 01:15:47,479
Speaker 4: I'm clean.

1665
01:15:49,640 --> 01:15:52,040
Speaker 2: The joke is I want a picture of her mother

1666
01:15:52,120 --> 01:15:53,439
Speaker 2: to see what she's going to look like when she

1667
01:15:53,479 --> 01:15:53,920
Speaker 2: gets older.

1668
01:15:54,000 --> 01:15:56,360
Speaker 3: Right, that's the joke. It's not just do you want

1669
01:15:56,400 --> 01:15:58,200
Speaker 3: to make out with her mom? Yeah? I think you

1670
01:15:58,280 --> 01:16:00,120
Speaker 3: just want to see her hot move because marm what

1671
01:16:00,200 --> 01:16:01,000
Speaker 3: it is? Okay?

1672
01:16:01,160 --> 01:16:02,680
Speaker 2: I thought it was like I want to see I

1673
01:16:02,720 --> 01:16:04,280
Speaker 2: want to see how you're going to age. So do

1674
01:16:04,320 --> 01:16:05,160
Speaker 2: you have a picture of your mother?

1675
01:16:05,520 --> 01:16:05,760
Speaker 8: Maybe?

1676
01:16:06,160 --> 01:16:08,680
Speaker 4: But it's no matter what it's but.

1677
01:16:08,760 --> 01:16:10,600
Speaker 2: Yeah, let's okay, all right. I was just curious what

1678
01:16:10,680 --> 01:16:11,200
Speaker 2: the joke was.

1679
01:16:11,600 --> 01:16:13,840
Speaker 1: The guys come clean. They're scared to be themselves because

1680
01:16:13,880 --> 01:16:16,840
Speaker 1: they're slobs. She asks, And you're afraid I can't handle it, right,

1681
01:16:17,120 --> 01:16:19,879
Speaker 1: Eric scoffs, you could never handle it. Rachel gets defensive

1682
01:16:19,920 --> 01:16:22,120
Speaker 1: because I'm a woman. Well, I can be just as

1683
01:16:22,200 --> 01:16:24,400
Speaker 1: big of a slob as the two of you. Eric

1684
01:16:24,520 --> 01:16:28,400
Speaker 1: Intensley challenges her statement, that's insane. Your read there is

1685
01:16:28,520 --> 01:16:30,680
Speaker 1: so funny. That's insane.

1686
01:16:31,000 --> 01:16:33,200
Speaker 2: That's insane, Rachel.

1687
01:16:33,320 --> 01:16:35,000
Speaker 3: This was the one where I was like, that's the

1688
01:16:35,560 --> 01:16:39,120
Speaker 3: Jim Carrey read, but he's doing extra that's funny.

1689
01:16:40,479 --> 01:16:41,720
Speaker 4: It was a great read too.

1690
01:16:42,000 --> 01:16:44,559
Speaker 3: I didn't quite like there's an easy Jim Carrey read

1691
01:16:44,600 --> 01:16:47,160
Speaker 3: that season four Will would have done. Right now, we're

1692
01:16:47,280 --> 01:16:48,880
Speaker 3: like elevated, like he's.

1693
01:16:48,760 --> 01:16:53,760
Speaker 4: Got You're right. So Rachel picks up a saucy meat

1694
01:16:53,840 --> 01:16:56,439
Speaker 4: ball and rubs it all over Eric's face.

1695
01:16:56,920 --> 01:17:00,400
Speaker 3: The inmates ketchup. I was like, no, this is right.

1696
01:17:00,439 --> 01:17:04,320
Speaker 3: There's also lots of close ups down it's it's we're pushing.

1697
01:17:05,280 --> 01:17:09,760
Speaker 3: But that was so you could do multiple takes, right yeah, ife, okay, but.

1698
01:17:09,840 --> 01:17:12,840
Speaker 2: We did it once in for like we pre shot

1699
01:17:12,880 --> 01:17:14,400
Speaker 2: it and then we did it. What this was live

1700
01:17:14,439 --> 01:17:15,200
Speaker 2: in front of the audience.

1701
01:17:15,520 --> 01:17:18,080
Speaker 3: I could imagine that McCracken was just staying close up

1702
01:17:18,080 --> 01:17:20,320
Speaker 3: in case something went wrong with the meatball. Maybe maybe

1703
01:17:20,360 --> 01:17:22,160
Speaker 3: you could reset and not have to I don't.

1704
01:17:22,040 --> 01:17:23,960
Speaker 2: Know, yeah maybe, although why why would.

1705
01:17:23,800 --> 01:17:27,840
Speaker 1: It be or if afterward, like say say the leader

1706
01:17:27,880 --> 01:17:29,439
Speaker 1: they wanted to pick up of the meatball so she's

1707
01:17:29,439 --> 01:17:31,960
Speaker 1: already covered in dirt. If you're super close up on him,

1708
01:17:32,000 --> 01:17:33,599
Speaker 1: you don't know that she's already covered in sauce.

1709
01:17:33,720 --> 01:17:35,880
Speaker 2: Yeah, or I'm covered in sauce or whatever. So yeah,

1710
01:17:35,880 --> 01:17:37,559
Speaker 2: maybe it's that. Maybe it's that. Maybe that was a pickup.

1711
01:17:37,560 --> 01:17:39,200
Speaker 3: Who knows, Maybe it was a pickup. Yeah, could have been,

1712
01:17:39,240 --> 01:17:39,880
Speaker 3: and they just pushed in.

1713
01:17:41,200 --> 01:17:43,519
Speaker 1: So Rachel picks up a saucy meatball and rubs it

1714
01:17:43,600 --> 01:17:47,000
Speaker 1: all over Eric's face. The inmates even say ew He

1715
01:17:47,120 --> 01:17:50,400
Speaker 1: calmly states, apparently I've got meatball on my face.

1716
01:17:51,280 --> 01:17:54,160
Speaker 4: Jack tells him. Martha Stewart says, A lovely blend of

1717
01:17:54,280 --> 01:17:58,559
Speaker 4: bleach and turpentine really clears that up. Suddenly, Rachel dumps

1718
01:17:58,600 --> 01:18:02,160
Speaker 4: her entire plate of spaghetti on Jack's head. The inmates

1719
01:18:02,600 --> 01:18:04,120
Speaker 4: love this, She.

1720
01:18:04,240 --> 01:18:09,280
Speaker 3: Rubs, don't care. Just don't find this funny. It's weird.

1721
01:18:09,800 --> 01:18:13,519
Speaker 2: It's it's a sexualized to fight, is what it is.

1722
01:18:13,840 --> 01:18:17,160
Speaker 3: Yeah, I was just like, what is She rubs.

1723
01:18:16,840 --> 01:18:18,160
Speaker 4: The tomato sauce into his hair.

1724
01:18:18,240 --> 01:18:20,479
Speaker 1: More hoots and hollers, and Rachel just stares at them

1725
01:18:20,520 --> 01:18:23,320
Speaker 1: with a smirk. Jack's eyes trying not to break yet,

1726
01:18:23,479 --> 01:18:25,759
Speaker 1: Eric reminds him to stick with the plan. So Rachel

1727
01:18:25,840 --> 01:18:29,040
Speaker 1: throws a meatball at Eric in response, but Eric still insists,

1728
01:18:29,240 --> 01:18:30,880
Speaker 1: no matter what happens.

1729
01:18:30,800 --> 01:18:37,439
Speaker 2: This next hurt so much. What every time she it

1730
01:18:37,560 --> 01:18:41,160
Speaker 2: was like throwing a baseball. She whipped it, and every

1731
01:18:41,880 --> 01:18:45,800
Speaker 2: single time it hit me right in the ear. Whoa

1732
01:18:46,439 --> 01:18:49,240
Speaker 2: it like right in the ear, like you were getting

1733
01:18:49,360 --> 01:18:51,080
Speaker 2: punched in the side of the face.

1734
01:18:51,200 --> 01:18:51,680
Speaker 3: It hurt.

1735
01:18:53,160 --> 01:18:56,280
Speaker 2: I have no idea where what kind of meatball they got,

1736
01:18:56,360 --> 01:18:57,719
Speaker 2: but it never broke.

1737
01:18:57,880 --> 01:19:02,519
Speaker 3: It was just like bricks in it. My god, every

1738
01:19:03,040 --> 01:19:05,840
Speaker 3: single time, just to the side of my head.

1739
01:19:06,120 --> 01:19:07,680
Speaker 2: Oh my, I just remember, like right, I had a

1740
01:19:07,760 --> 01:19:09,320
Speaker 2: visceral reaction watching and I was like, oh my god,

1741
01:19:09,360 --> 01:19:11,679
Speaker 2: I remember how much that hurt. It hurts so much.

1742
01:19:12,000 --> 01:19:12,759
Speaker 3: Oh my gosh.

1743
01:19:13,680 --> 01:19:17,240
Speaker 1: Next, Rachel sticks her feet right into the bowl of

1744
01:19:17,320 --> 01:19:20,840
Speaker 1: meatballs and tomato sauce. My mother always says to never

1745
01:19:20,920 --> 01:19:23,519
Speaker 1: put your feet on the table and less they're in

1746
01:19:23,800 --> 01:19:28,160
Speaker 1: mare nara sauce. She then places her feet onto Eric's

1747
01:19:28,160 --> 01:19:31,000
Speaker 1: blative pasta and coats them thoroughly before rubbing her feet.

1748
01:19:31,400 --> 01:19:32,160
Speaker 3: I'm just gonna say it.

1749
01:19:32,520 --> 01:19:34,560
Speaker 9: She doesn't ever had a strong feet, you know, she

1750
01:19:34,760 --> 01:19:35,240
Speaker 9: just doesn't.

1751
01:19:35,479 --> 01:19:38,920
Speaker 4: She does She does not have hobbit feet. She's adorable feet.

1752
01:19:39,240 --> 01:19:39,720
Speaker 3: They should not.

1753
01:19:40,800 --> 01:19:43,200
Speaker 4: She rubs them all over his sweater and face. The

1754
01:19:43,280 --> 01:19:44,080
Speaker 4: crowd erupts.

1755
01:19:44,320 --> 01:19:46,559
Speaker 1: Eric admits right away, I don't like where this is going.

1756
01:19:47,040 --> 01:19:48,599
Speaker 1: Rachel throws more food at.

1757
01:19:48,640 --> 01:19:53,719
Speaker 2: Jack and at this point you can see you trying

1758
01:19:53,800 --> 01:19:54,920
Speaker 2: not to laugh this whole time.

1759
01:19:55,000 --> 01:19:57,200
Speaker 3: And it's mostly the anticipation. That's what I love. It's like,

1760
01:19:57,280 --> 01:19:59,559
Speaker 3: it's not the actual thing. It's always when it's about

1761
01:19:59,600 --> 01:20:03,400
Speaker 3: to happen. You guys are like spaghetti, like all the

1762
01:20:03,479 --> 01:20:05,320
Speaker 3: way down, and it was just we just couldn't hold

1763
01:20:05,320 --> 01:20:05,679
Speaker 3: it together.

1764
01:20:05,800 --> 01:20:08,599
Speaker 1: Yeah, Eric shout's new plan, and they start to throw

1765
01:20:08,720 --> 01:20:10,880
Speaker 1: food back at her, causing a full on food fight.

1766
01:20:11,200 --> 01:20:14,120
Speaker 1: They're throwing pasta and salad and Eric rubbed something into

1767
01:20:14,160 --> 01:20:17,120
Speaker 1: her hair. Jack dumps an entire bottle of soda onto her.

1768
01:20:17,560 --> 01:20:20,880
Speaker 1: They all have now broken and chaos has erupted, both

1769
01:20:20,960 --> 01:20:22,679
Speaker 1: on the show and on the set.

1770
01:20:23,320 --> 01:20:26,720
Speaker 2: I remember before we did this, I called the like

1771
01:20:26,840 --> 01:20:29,120
Speaker 2: paps in and a bunch of the set decks in

1772
01:20:29,760 --> 01:20:31,640
Speaker 2: and I was like, guys, I was on Nickelodeon for

1773
01:20:31,720 --> 01:20:35,280
Speaker 2: six years. I've done these a thousand times. The thing

1774
01:20:35,439 --> 01:20:38,799
Speaker 2: people forget is it gets ice slippers slippery.

1775
01:20:39,080 --> 01:20:39,280
Speaker 4: Yeah.

1776
01:20:39,400 --> 01:20:42,479
Speaker 2: I was like, we did, is this this most slippery

1777
01:20:42,479 --> 01:20:43,640
Speaker 2: thing in the world, Like, well, what should we do?

1778
01:20:43,720 --> 01:20:46,320
Speaker 2: I was like, we've got to make every set. You've

1779
01:20:46,320 --> 01:20:49,479
Speaker 2: got to make every corner of every table safe. So

1780
01:20:49,640 --> 01:20:50,880
Speaker 2: they went around and they.

1781
01:20:51,040 --> 01:20:55,240
Speaker 3: Foamed all of the corners because it's you like you

1782
01:20:55,360 --> 01:20:55,920
Speaker 3: can't stand.

1783
01:20:55,960 --> 01:20:58,000
Speaker 2: I was like, I've done these before. It's gonna get bad,

1784
01:20:58,320 --> 01:20:59,600
Speaker 2: So like, all right, cool, so that if you go

1785
01:20:59,680 --> 01:21:01,320
Speaker 2: and you look, you can see like all the corners

1786
01:21:01,320 --> 01:21:05,240
Speaker 2: are foamed over, You're slipping around. Yeah, it's amazing how

1787
01:21:05,280 --> 01:21:06,000
Speaker 2: slippery it gets.

1788
01:21:06,400 --> 01:21:09,679
Speaker 1: Rachel dunks Jack's head into the remaining bowl of Marinara sauce,

1789
01:21:09,720 --> 01:21:12,880
Speaker 1: and Jack shouts pire. Rachel doesn't want to be treated

1790
01:21:12,920 --> 01:21:15,920
Speaker 1: differently just because she's a woman than she tells Eric

1791
01:21:16,000 --> 01:21:18,919
Speaker 1: to pie Jack. Eric does as he's told and slams

1792
01:21:18,960 --> 01:21:21,400
Speaker 1: the pie directly into Jack's face.

1793
01:21:21,479 --> 01:21:23,000
Speaker 4: This was a very good pie take.

1794
01:21:23,280 --> 01:21:25,000
Speaker 2: It was a great pie take. You can also tell

1795
01:21:25,040 --> 01:21:27,840
Speaker 2: that both Maitland and Matt have sauce in their eyes.

1796
01:21:28,080 --> 01:21:28,920
Speaker 4: Oh yeah, they can't.

1797
01:21:30,520 --> 01:21:32,599
Speaker 2: Trying to like wipe the sauce out of their eyes.

1798
01:21:32,600 --> 01:21:34,599
Speaker 2: And it's just like you've been maced, like you can't.

1799
01:21:35,200 --> 01:21:37,800
Speaker 2: And I actually even Sue was like, well, you don't

1800
01:21:37,840 --> 01:21:39,639
Speaker 2: have that much stuff on you, Like they were both

1801
01:21:40,000 --> 01:21:43,680
Speaker 2: covered and I got through a little lot, is you know,

1802
01:21:43,800 --> 01:21:44,200
Speaker 2: not the worst.

1803
01:21:44,640 --> 01:21:46,360
Speaker 1: It was much on your face because it started on

1804
01:21:46,439 --> 01:21:48,439
Speaker 1: your face, but she did it around your eyes and

1805
01:21:48,520 --> 01:21:50,320
Speaker 1: then when she rubs stuff, it was just into.

1806
01:21:50,160 --> 01:21:51,280
Speaker 4: Your hair, so you did.

1807
01:21:51,360 --> 01:21:54,080
Speaker 3: And of course in the white sweater, so so the

1808
01:21:54,160 --> 01:21:55,519
Speaker 3: marin aera sauce with her feet.

1809
01:21:55,600 --> 01:21:56,519
Speaker 2: Yeah, all that kind of stuff.

1810
01:21:57,080 --> 01:21:59,880
Speaker 1: Eric is covered in various food items. Rachel demands, one,

1811
01:22:00,080 --> 01:22:02,479
Speaker 1: I get out of the shower. I expect this place clean.

1812
01:22:02,840 --> 01:22:06,400
Speaker 1: The boys respond in unison, yes, mommy. Rachel drags her

1813
01:22:06,439 --> 01:22:09,200
Speaker 1: finger across Jack's forehead and then licks the whip cream.

1814
01:22:09,040 --> 01:22:11,479
Speaker 4: Off of it. She admits goodbye, and then walks off,

1815
01:22:11,960 --> 01:22:15,240
Speaker 4: now alone. Jack can't believe it. What happened. Eric scoops

1816
01:22:15,280 --> 01:22:17,479
Speaker 4: and whipped cream off of Jack's forehead. I don't know,

1817
01:22:17,720 --> 01:22:18,559
Speaker 4: but I think we won.

1818
01:22:21,120 --> 01:22:22,560
Speaker 3: There you go. He did it.

1819
01:22:22,680 --> 01:22:25,360
Speaker 1: He did it twice once hecaped, and then the one

1820
01:22:25,400 --> 01:22:26,719
Speaker 1: that they actually used was the one.

1821
01:22:26,560 --> 01:22:28,680
Speaker 4: That he did in front of the audience. Absolutely, yeah, yeah,

1822
01:22:28,880 --> 01:22:29,800
Speaker 4: they liked the energy of it.

1823
01:22:30,640 --> 01:22:32,280
Speaker 1: All right, Well, then we're back in the dorm hallway.

1824
01:22:32,360 --> 01:22:35,120
Speaker 1: Corey drags Angela into the hallway, insisting that he hears

1825
01:22:35,240 --> 01:22:38,200
Speaker 1: sounds from his room, forbidden sounds. In fact, he thinks

1826
01:22:38,240 --> 01:22:39,040
Speaker 1: there was a cown there.

1827
01:22:39,200 --> 01:22:42,839
Speaker 9: So wait, hold on, So Corey left, he was sneaking

1828
01:22:42,880 --> 01:22:43,760
Speaker 9: and listening to us.

1829
01:22:44,640 --> 01:22:48,120
Speaker 1: Left left, the others came out, said surprise, don't know

1830
01:22:48,160 --> 01:22:50,800
Speaker 1: where he was, but then at some point to come,

1831
01:22:50,880 --> 01:22:52,240
Speaker 1: But he went a different way from the room.

1832
01:22:52,280 --> 01:22:55,080
Speaker 3: But yes, doesn't make any sense, like now and he

1833
01:22:55,200 --> 01:22:56,320
Speaker 3: is upset about then.

1834
01:22:56,720 --> 01:22:58,280
Speaker 4: No, I can't believe that's your problem with this.

1835
01:22:58,479 --> 01:23:02,280
Speaker 2: I mean, I also love with all the stuff that

1836
01:23:02,320 --> 01:23:04,120
Speaker 2: you have in your dorm room, the only thing missing

1837
01:23:04,200 --> 01:23:05,880
Speaker 2: is a slinky, a hula hoop. It's like, how many

1838
01:23:05,960 --> 01:23:09,519
Speaker 2: fifties toys you got? The paddle thing, you've got the

1839
01:23:09,640 --> 01:23:10,120
Speaker 2: ray gun?

1840
01:23:10,320 --> 01:23:12,120
Speaker 3: Like, how many toys from the fifties can you have

1841
01:23:12,200 --> 01:23:12,639
Speaker 3: in that room?

1842
01:23:13,200 --> 01:23:16,559
Speaker 1: Oh, Angela's pretty sure he's letting his imagination run wild,

1843
01:23:16,600 --> 01:23:19,080
Speaker 1: but Corey suggests she listened through the door and find

1844
01:23:19,120 --> 01:23:21,840
Speaker 1: out for herself. Angela leans in into Clare's there's nothing

1845
01:23:21,920 --> 01:23:24,759
Speaker 1: going on in there, Corey wines, oh no, they're nestling.

1846
01:23:25,240 --> 01:23:28,040
Speaker 1: Angela just opens the door and Corey shields his eyes.

1847
01:23:28,200 --> 01:23:31,080
Speaker 1: I don't want to see in reality, there's no one there.

1848
01:23:31,320 --> 01:23:33,880
Speaker 1: Angela explains that Sewan and Tpanga don't care about each other.

1849
01:23:33,960 --> 01:23:37,400
Speaker 1: They care about Corey. Corey tells Angela she's thinking too logically,

1850
01:23:37,520 --> 01:23:41,920
Speaker 1: and this defies logic. This is raw hot, unfiltered passion,

1851
01:23:42,080 --> 01:23:45,439
Speaker 1: and that kiss opened the gates. Angela asks him, haven't

1852
01:23:45,439 --> 01:23:47,360
Speaker 1: we known each other a long time? Is there any

1853
01:23:47,439 --> 01:23:49,240
Speaker 1: tension between us? Oh?

1854
01:23:49,840 --> 01:23:51,439
Speaker 4: Ben is so funny when he goes.

1855
01:23:51,400 --> 01:23:54,400
Speaker 1: Oh, well, there was that one time you didn't get

1856
01:23:54,439 --> 01:23:57,320
Speaker 1: me a gift for my birthday. I didn't say anything,

1857
01:23:57,479 --> 01:24:03,320
Speaker 1: but oh, it's so bad, so funny, it's so great.

1858
01:24:04,000 --> 01:24:05,880
Speaker 3: I'm just and so bad.

1859
01:24:06,400 --> 01:24:10,240
Speaker 1: Oh, Angela didn't mean that kind of tension, so Corey

1860
01:24:10,320 --> 01:24:14,040
Speaker 1: catches on. He exclaims never, and Angela raises an eyebrow.

1861
01:24:14,360 --> 01:24:15,000
Speaker 1: Tell the truth.

1862
01:24:15,439 --> 01:24:18,439
Speaker 4: Corey admits one time it wasn't my fault. I had

1863
01:24:18,479 --> 01:24:20,880
Speaker 4: a dream and you were in it. Angela asks was

1864
01:24:20,920 --> 01:24:21,559
Speaker 4: it a good dream?

1865
01:24:21,840 --> 01:24:25,720
Speaker 1: And Corey nods enthusiastically yes, but Angela reminds him it

1866
01:24:25,880 --> 01:24:28,479
Speaker 1: wasn't real, just like the kiss. Corey is sure they

1867
01:24:28,520 --> 01:24:31,040
Speaker 1: felt something, though, because you can't do that when you're

1868
01:24:31,160 --> 01:24:34,600
Speaker 1: just friends. So Angela decides to prove him wrong. She

1869
01:24:34,800 --> 01:24:37,240
Speaker 1: pushes Corey onto the bed. Cory is terrified.

1870
01:24:37,600 --> 01:24:39,160
Speaker 4: Oh no, it's the dream.

1871
01:24:40,080 --> 01:24:42,360
Speaker 3: She would have backfire. What if he was like, yeah,

1872
01:24:42,400 --> 01:24:46,400
Speaker 3: let's make out, let's go do it, I could have

1873
01:24:46,439 --> 01:24:50,160
Speaker 3: an ensourcelled kiss because they're meant for each other. Yeah,

1874
01:24:50,520 --> 01:24:52,160
Speaker 3: but it's also we did this.

1875
01:24:53,000 --> 01:24:55,639
Speaker 2: I keep saying that, but this is the same exact

1876
01:24:56,160 --> 01:24:59,000
Speaker 2: kissing Ricky and kissing Lauren Lauren.

1877
01:24:58,680 --> 01:24:59,880
Speaker 3: And kiss what is the kiss?

1878
01:25:00,240 --> 01:25:01,920
Speaker 2: And it didn't mean anything, and that.

1879
01:25:02,000 --> 01:25:05,360
Speaker 3: We literally did this exact thing already.

1880
01:25:05,880 --> 01:25:09,479
Speaker 1: It's so it's and it's so weird that, like Ryder said,

1881
01:25:10,680 --> 01:25:12,680
Speaker 1: it's because as we talked about very early on in

1882
01:25:12,720 --> 01:25:14,600
Speaker 1: the show, where I mentioned, like steaks, you have to

1883
01:25:14,680 --> 01:25:16,600
Speaker 1: have steaks, but like, what kind of stakes can you

1884
01:25:16,640 --> 01:25:18,320
Speaker 1: have for a kid's show this, If this were an

1885
01:25:18,360 --> 01:25:21,840
Speaker 1: adult show, would be sleeping with people. But because we

1886
01:25:21,960 --> 01:25:24,720
Speaker 1: are a family show on Friday nights, the only thing

1887
01:25:24,800 --> 01:25:27,800
Speaker 1: we can do is kissing. And so now they're just

1888
01:25:27,960 --> 01:25:33,080
Speaker 1: trying to ramp up kissing in as many possible ways

1889
01:25:33,120 --> 01:25:34,960
Speaker 1: as they can to keep it.

1890
01:25:35,560 --> 01:25:38,960
Speaker 4: I guess sexy. It's just I don't know, I don't

1891
01:25:39,320 --> 01:25:39,640
Speaker 4: enjoy it.

1892
01:25:40,439 --> 01:25:42,080
Speaker 2: It's weird. It's just weird. Yeah.

1893
01:25:42,439 --> 01:25:44,719
Speaker 4: She grabs his face and kisses him as the audience

1894
01:25:44,840 --> 01:25:47,479
Speaker 4: cheers them on. Angela pulls away. Corey is frozen.

1895
01:25:47,840 --> 01:25:48,080
Speaker 2: Wow.

1896
01:25:48,600 --> 01:25:52,280
Speaker 4: Angela asks what, and Corey responds nothing. I felt nothing.

1897
01:25:53,080 --> 01:25:55,599
Speaker 1: It was nothing like him into Panga because he loves

1898
01:25:55,640 --> 01:25:57,320
Speaker 1: Tapanga and he doesn't love Angela.

1899
01:25:57,760 --> 01:26:00,679
Speaker 2: He tried just real something. I'm sorry, I just realize something.

1900
01:26:01,280 --> 01:26:08,760
Speaker 2: I'm the only cast member, excluding Lily or Lindsay, I'm

1901
01:26:08,800 --> 01:26:12,000
Speaker 2: the who didn't kiss anybody else in the cast.

1902
01:26:12,840 --> 01:26:16,360
Speaker 4: You're right, everybody else did a kiss.

1903
01:26:18,240 --> 01:26:19,240
Speaker 3: Bill kisses Bonnie.

1904
01:26:19,640 --> 01:26:20,719
Speaker 4: Bill kisses Bonnie.

1905
01:26:22,880 --> 01:26:27,360
Speaker 2: You guys kiss Maitland kisses Jack, Angela kisses now Corey

1906
01:26:27,479 --> 01:26:28,240
Speaker 2: and Sean.

1907
01:26:28,120 --> 01:26:31,519
Speaker 4: Jack, and I kiss with three. I've kissed three people

1908
01:26:31,760 --> 01:26:32,679
Speaker 4: kissed every.

1909
01:26:32,520 --> 01:26:33,479
Speaker 3: Guy on the show but me.

1910
01:26:34,200 --> 01:26:36,720
Speaker 2: There's not a single I'm the.

1911
01:26:36,880 --> 01:26:39,240
Speaker 3: Only It just says guest stars only.

1912
01:26:39,560 --> 01:26:44,040
Speaker 2: Yeah, exactly, I'm not a single person. How they never

1913
01:26:44,120 --> 01:26:46,240
Speaker 2: have me kiss Maitland, They never have me kiss Trina,

1914
01:26:46,320 --> 01:26:48,720
Speaker 2: they never have me kiss Danielle. Obviously, so there's not

1915
01:26:49,120 --> 01:26:51,519
Speaker 2: I'm the only cast member that did not kiss another

1916
01:26:51,560 --> 01:26:53,120
Speaker 2: member of it. They tried to have me kiss you

1917
01:26:54,240 --> 01:26:56,560
Speaker 2: get right back when I stop it. Yeah, yeah, but

1918
01:26:56,680 --> 01:26:59,439
Speaker 2: that's that's a weird thing that I'm the only one

1919
01:26:59,520 --> 01:27:00,160
Speaker 2: that is a.

1920
01:27:01,800 --> 01:27:05,160
Speaker 3: Very interesting but entirely like why are we talking about

1921
01:27:05,160 --> 01:27:08,000
Speaker 3: this because that means so much about it. It means

1922
01:27:08,120 --> 01:27:09,080
Speaker 3: so much to show.

1923
01:27:09,640 --> 01:27:12,400
Speaker 2: It means so much to the show that out of

1924
01:27:12,479 --> 01:27:14,640
Speaker 2: the eleven or twelve cast members, only one of us

1925
01:27:14,720 --> 01:27:18,719
Speaker 2: didn't make out with somebody else on the show. And interestingly,

1926
01:27:18,760 --> 01:27:21,080
Speaker 2: you were probably the first to make out on the show, right,

1927
01:27:21,280 --> 01:27:23,720
Speaker 2: like Eric was making out girls in season one when

1928
01:27:23,880 --> 01:27:26,600
Speaker 2: no one else was kissing. Yes, well no, no, the

1929
01:27:26,720 --> 01:27:29,720
Speaker 2: first kiss on the show was Corey Topanga against the

1930
01:27:29,720 --> 01:27:32,720
Speaker 2: locker because that was episode four, right, yeah, yeah, so

1931
01:27:32,840 --> 01:27:36,000
Speaker 2: that was but that was before Phoene's niece comes on.

1932
01:27:36,120 --> 01:27:38,320
Speaker 2: That was Programma was a rolling Stone. So yeah, they

1933
01:27:38,400 --> 01:27:39,439
Speaker 2: had the first kiss in the show.

1934
01:27:39,520 --> 01:27:39,720
Speaker 3: Wow.

1935
01:27:40,640 --> 01:27:44,320
Speaker 1: So he shrugs and tells her sorry. Angela responds, it's okay,

1936
01:27:44,520 --> 01:27:46,880
Speaker 1: I've been getting a lot of that lately. Corey says

1937
01:27:46,920 --> 01:27:48,920
Speaker 1: she doesn't deserve it because she is a great person.

1938
01:27:49,240 --> 01:27:51,400
Speaker 1: He thanks her and they embrace in a cuddle, which

1939
01:27:52,120 --> 01:27:52,880
Speaker 1: is also just weird.

1940
01:27:53,520 --> 01:27:55,200
Speaker 3: You know, the way she puts her leg around him,

1941
01:27:55,360 --> 01:27:58,040
Speaker 3: Like I was like if do people do that, well,

1942
01:27:58,560 --> 01:27:59,640
Speaker 3: that would make me uncomfortable.

1943
01:27:59,680 --> 01:28:01,600
Speaker 2: If I guess friends could cuddle like that. I mean,

1944
01:28:01,640 --> 01:28:04,080
Speaker 2: when you're in your like late teens, early twenties, you've

1945
01:28:04,080 --> 01:28:06,240
Speaker 2: got a close friend, you would cuddle. I mean that's

1946
01:28:06,320 --> 01:28:09,120
Speaker 2: not that weird a thing. I don't think, right, Yeah,

1947
01:28:09,120 --> 01:28:09,719
Speaker 2: I guess maybe.

1948
01:28:09,880 --> 01:28:13,240
Speaker 3: I mean I think I think obviously so like she did,

1949
01:28:13,400 --> 01:28:15,679
Speaker 3: you know, like friends just cuddle?

1950
01:28:17,040 --> 01:28:18,479
Speaker 4: I mean I would I do.

1951
01:28:18,680 --> 01:28:21,040
Speaker 1: I do think maybe it's possible that like writer and

1952
01:28:21,120 --> 01:28:24,240
Speaker 1: I were extra affectionate as friends, Like I don't know

1953
01:28:24,320 --> 01:28:25,680
Speaker 1: that I would have that we would have ever had

1954
01:28:25,680 --> 01:28:28,000
Speaker 1: a reason to lay on a bed and then for

1955
01:28:28,120 --> 01:28:29,759
Speaker 1: me to put my leg on you. But I do remember,

1956
01:28:29,880 --> 01:28:31,519
Speaker 1: like I wouldn't have thought anything of like sitting on

1957
01:28:31,560 --> 01:28:34,200
Speaker 1: your lap, right yeah, if my kind of situation and

1958
01:28:34,360 --> 01:28:35,960
Speaker 1: there was like a shared chair and there was no

1959
01:28:36,040 --> 01:28:37,800
Speaker 1: reference for me to sit, I would see me coming

1960
01:28:37,800 --> 01:28:39,160
Speaker 1: and like sitting on your leg and you put your

1961
01:28:39,200 --> 01:28:39,720
Speaker 1: arm around me.

1962
01:28:39,840 --> 01:28:42,960
Speaker 4: The way there, No, I wouldn't now I would like

1963
01:28:43,000 --> 01:28:43,639
Speaker 4: there's no where to say.

1964
01:28:44,920 --> 01:28:46,920
Speaker 3: I guess do you think that's an age thing or

1965
01:28:47,160 --> 01:28:50,320
Speaker 3: a generational like like was it a decade thing?

1966
01:28:50,439 --> 01:28:52,720
Speaker 2: Like? Is it just I think it's us acceptable for people,

1967
01:28:52,800 --> 01:28:53,920
Speaker 2: or I think it's an year younger.

1968
01:28:54,000 --> 01:28:56,640
Speaker 3: You just yeah, they're lying on.

1969
01:28:56,720 --> 01:28:59,800
Speaker 2: The bed cuddling. I remember us as cast members do

1970
01:29:00,160 --> 01:29:02,200
Speaker 2: that at times wheth like the scene is open, we're

1971
01:29:02,200 --> 01:29:04,599
Speaker 2: talking about something, one of us lies in the bed,

1972
01:29:04,720 --> 01:29:06,880
Speaker 2: somebody else lies next to them, and arm goes around them,

1973
01:29:07,040 --> 01:29:09,040
Speaker 2: Like I remember us doing that stuff, which.

1974
01:29:08,840 --> 01:29:14,439
Speaker 1: Is definitely yes, touchy feelings people. And part of it

1975
01:29:14,680 --> 01:29:17,040
Speaker 1: is exactly what writer and what we've been joking about,

1976
01:29:17,080 --> 01:29:20,800
Speaker 1: which is like there is this feeling of like, well,

1977
01:29:20,800 --> 01:29:22,400
Speaker 1: if somebody tells me to do something, I just kind

1978
01:29:22,400 --> 01:29:25,120
Speaker 1: of have to do it. And part of also acting

1979
01:29:25,280 --> 01:29:27,920
Speaker 1: is using your body and being in close proximity and

1980
01:29:28,080 --> 01:29:29,800
Speaker 1: like working things out with other people.

1981
01:29:29,880 --> 01:29:30,640
Speaker 4: So there's a lot of.

1982
01:29:30,640 --> 01:29:34,720
Speaker 1: Boundary crossing that we don't think much about, but I

1983
01:29:34,840 --> 01:29:38,639
Speaker 1: know that, Like the difference I felt between Boy Meets

1984
01:29:38,680 --> 01:29:42,120
Speaker 1: World and Girl Meets World was like night and day.

1985
01:29:42,200 --> 01:29:45,280
Speaker 1: It was like, wait a minute, this all feels way

1986
01:29:45,400 --> 01:29:48,320
Speaker 1: different now than it did when I was a teenager,

1987
01:29:48,400 --> 01:29:50,760
Speaker 1: and I know that like teenagers run.

1988
01:29:50,840 --> 01:29:52,080
Speaker 4: I see it at the mall. You know, I'm a

1989
01:29:52,120 --> 01:29:54,479
Speaker 4: big mall person. I love them all and the teens

1990
01:29:54,880 --> 01:29:57,439
Speaker 4: love them all. The mall's having a research that's still

1991
01:29:57,439 --> 01:29:57,680
Speaker 4: a thing.

1992
01:29:57,760 --> 01:29:57,960
Speaker 1: Really.

1993
01:29:58,040 --> 01:29:58,240
Speaker 3: Yeah.

1994
01:29:58,640 --> 01:30:01,720
Speaker 1: It is the first generation, multiple generations to love them

1995
01:30:01,720 --> 01:30:07,240
Speaker 1: all again. And so there are lots of kids in

1996
01:30:07,400 --> 01:30:10,040
Speaker 1: friend groups on dates at the malls I go to,

1997
01:30:10,240 --> 01:30:15,479
Speaker 1: and they are always holding hands, giving each other piggyback rides. Uh,

1998
01:30:15,800 --> 01:30:17,000
Speaker 1: you know, it's hanging all over.

1999
01:30:16,880 --> 01:30:17,760
Speaker 4: Each It's an age thing.

2000
01:30:17,840 --> 01:30:21,360
Speaker 1: I think your hormones are raging and you have this

2001
01:30:21,479 --> 01:30:24,120
Speaker 1: ability to have close proximity to somebody without it really

2002
01:30:24,200 --> 01:30:28,640
Speaker 1: meaning anything, and it's like platonic but also like just endorphins.

2003
01:30:29,200 --> 01:30:30,400
Speaker 4: I don't know. I think it's an age thing.

2004
01:30:30,720 --> 01:30:32,360
Speaker 2: I think so too. I think you're also at that

2005
01:30:32,439 --> 01:30:35,080
Speaker 2: age starting to get less physical affection from your parents

2006
01:30:35,080 --> 01:30:36,960
Speaker 2: because you don't want it because you're a teenager. So

2007
01:30:37,080 --> 01:30:39,000
Speaker 2: you're seeking it elsewhere with like your friends. I think

2008
01:30:39,040 --> 01:30:40,480
Speaker 2: that's another possible.

2009
01:30:40,120 --> 01:30:42,320
Speaker 3: Way, right, But I mean the interesting wrinkle to me

2010
01:30:42,400 --> 01:30:43,840
Speaker 3: is like, will you and I would never lay down

2011
01:30:43,840 --> 01:30:44,800
Speaker 3: in the bed like that together?

2012
01:30:45,200 --> 01:30:45,640
Speaker 2: Right? No?

2013
01:30:45,760 --> 01:30:46,479
Speaker 4: True, it was.

2014
01:30:46,560 --> 01:30:49,400
Speaker 3: Always hetero and it was all you know, that's super interest.

2015
01:30:50,160 --> 01:30:52,080
Speaker 3: There's not like there was not. Me and Ben were

2016
01:30:52,120 --> 01:30:54,439
Speaker 3: not I mean actually Ben and I would like wrestle

2017
01:30:54,520 --> 01:30:56,720
Speaker 3: like push like we do that kind of yeah, but

2018
01:30:56,720 --> 01:30:59,479
Speaker 3: we would never lay in a bed like this cuddled,

2019
01:30:59,560 --> 01:31:02,400
Speaker 3: whereas like Danielle and I would write like and Danielle, yeah,

2020
01:31:02,439 --> 01:31:03,639
Speaker 3: well we're also.

2021
01:31:04,360 --> 01:31:06,639
Speaker 2: Was intersexual though that I mean we were born straight.

2022
01:31:06,880 --> 01:31:10,599
Speaker 3: So but but it obviously has some work.

2023
01:31:10,520 --> 01:31:12,960
Speaker 4: And it can't be totally platonic, not totally platonic.

2024
01:31:13,000 --> 01:31:15,080
Speaker 3: Like it's not like you and I are just purely

2025
01:31:15,240 --> 01:31:17,320
Speaker 3: like our bodies want to be around each other, because

2026
01:31:17,320 --> 01:31:19,080
Speaker 3: that would have been like whoa, we would have had

2027
01:31:19,160 --> 01:31:22,040
Speaker 3: a gay panic moment right, Like it's not even in

2028
01:31:22,080 --> 01:31:23,960
Speaker 3: this episode, like the guy puts his arm around Corey

2029
01:31:24,000 --> 01:31:25,920
Speaker 3: and then it's suddenly, oh god, that might So it's

2030
01:31:25,920 --> 01:31:28,080
Speaker 3: interesting that like, yeah, it's totally platonic, but it was

2031
01:31:28,120 --> 01:31:29,640
Speaker 3: also boys and girls.

2032
01:31:29,439 --> 01:31:30,919
Speaker 4: Like and hormones.

2033
01:31:30,920 --> 01:31:32,679
Speaker 1: That's what I'm saying is like hormones at that time,

2034
01:31:33,040 --> 01:31:36,400
Speaker 1: whether you realize it or not, being that physically close

2035
01:31:36,520 --> 01:31:40,439
Speaker 1: to the opposite sex is like fulfilling some sort of

2036
01:31:40,560 --> 01:31:44,840
Speaker 1: like endorphin, you know, like fields good, but also like

2037
01:31:45,080 --> 01:31:47,479
Speaker 1: not because I'm trying to like sleep with you or anything.

2038
01:31:47,560 --> 01:31:50,839
Speaker 1: But just you know, I don't know it is platonic,

2039
01:31:50,920 --> 01:31:55,960
Speaker 1: but it's just not. Yes, Corey starts to spiral again.

2040
01:31:56,000 --> 01:31:57,479
Speaker 1: What about when I walked in and Sean was in

2041
01:31:57,520 --> 01:31:59,800
Speaker 1: his underbands? Angela laughs, If you're going to be with

2042
01:31:59,840 --> 01:32:01,799
Speaker 1: THEA for the rest of your life, don't you think.

2043
01:32:01,680 --> 01:32:02,599
Speaker 4: You should trust her more.

2044
01:32:03,120 --> 01:32:06,200
Speaker 1: Corey insists nobody would trust anybody if they were caught

2045
01:32:06,240 --> 01:32:11,479
Speaker 1: in such a compromising position set up set up on

2046
01:32:11,760 --> 01:32:14,120
Speaker 1: cue and walks to Panga. She lets out a sigh

2047
01:32:14,120 --> 01:32:14,599
Speaker 1: of relief.

2048
01:32:14,720 --> 01:32:16,479
Speaker 4: There you are. We've been looking all over for you.

2049
01:32:17,080 --> 01:32:18,599
Speaker 4: He blurts out, I can explain.

2050
01:32:19,080 --> 01:32:21,400
Speaker 1: But Tapanga doesn't even think twice about it. She calls

2051
01:32:21,400 --> 01:32:23,880
Speaker 1: out to Sean. She's found Corey in bed with Angela.

2052
01:32:24,080 --> 01:32:25,840
Speaker 2: It's a funny life. It was great the way he

2053
01:32:25,840 --> 01:32:27,600
Speaker 2: said is he's in bed with Angela like it was

2054
01:32:27,680 --> 01:32:30,200
Speaker 2: just normal. They're in bed together, totally normal.

2055
01:32:30,360 --> 01:32:33,800
Speaker 4: Yeah, Sean enters and smiles. They're so cute.

2056
01:32:34,000 --> 01:32:35,960
Speaker 1: Then he and to Panga give each other a quick

2057
01:32:36,040 --> 01:32:38,720
Speaker 1: look before jumping on the bed to join as well,

2058
01:32:38,840 --> 01:32:41,760
Speaker 1: and we freeze right before they land on the bed.

2059
01:32:42,080 --> 01:32:43,720
Speaker 2: And here's the thing I thought about with that. The

2060
01:32:43,840 --> 01:32:47,920
Speaker 2: second so rider you jump. Ben's wearing boots, but he

2061
01:32:48,120 --> 01:32:51,200
Speaker 2: brings his feet in to protect himself, and I just thought, Oh,

2062
01:32:51,240 --> 01:32:53,400
Speaker 2: if they kept this going, those boots are gonna up

2063
01:32:53,479 --> 01:32:56,120
Speaker 2: right in Rider's ribs like you were just about to

2064
01:32:56,160 --> 01:32:58,800
Speaker 2: get smacked, and they freeze framed it. That's all I thought,

2065
01:32:58,920 --> 01:32:59,920
Speaker 2: was like, oh God, he's gonna get her.

2066
01:33:00,439 --> 01:33:02,680
Speaker 1: I have no memory of leaping into the air and

2067
01:33:02,760 --> 01:33:04,479
Speaker 1: landing on the bed or landing on top of tre

2068
01:33:04,560 --> 01:33:06,360
Speaker 1: and I don't know where I landed, don't remember it.

2069
01:33:07,240 --> 01:33:09,320
Speaker 3: Hey, the taggle, save it the tagle.

2070
01:33:10,080 --> 01:33:10,799
Speaker 4: We're in the apartment.

2071
01:33:11,040 --> 01:33:15,800
Speaker 3: How can we get skeletons involved? Just I just if

2072
01:33:15,880 --> 01:33:17,680
Speaker 3: the only way this episode is going to be any

2073
01:33:17,720 --> 01:33:20,479
Speaker 3: good is if we can get skeletons with pies.

2074
01:33:22,720 --> 01:33:24,599
Speaker 2: It's like they'd rented them. It's like, well, they're due

2075
01:33:24,640 --> 01:33:26,080
Speaker 2: back next week, so we might as well use them

2076
01:33:26,120 --> 01:33:29,080
Speaker 2: somewhere because it's like, we what is this?

2077
01:33:29,840 --> 01:33:32,479
Speaker 4: This is just a comment on how long women spend

2078
01:33:32,560 --> 01:33:34,639
Speaker 4: in the bathroom. We're in the apartment.

2079
01:33:34,760 --> 01:33:37,280
Speaker 1: The kitchen is still in food fight shambles, and Eric

2080
01:33:37,280 --> 01:33:39,920
Speaker 1: and Jack are still covered. They're standing by Rachel's doorway

2081
01:33:39,960 --> 01:33:44,120
Speaker 1: holding two pies. Also, let's just talk about again the reality.

2082
01:33:43,760 --> 01:33:46,440
Speaker 4: Of the situation. Why did they have three pies.

2083
01:33:48,080 --> 01:33:49,000
Speaker 2: Pie for each person?

2084
01:33:50,400 --> 01:33:51,519
Speaker 4: So as part of their fancy.

2085
01:33:52,800 --> 01:33:54,800
Speaker 3: They're just whipped cream in a pan, right, that's all

2086
01:33:54,840 --> 01:33:55,360
Speaker 3: these pies are?

2087
01:33:55,479 --> 01:33:59,200
Speaker 1: So sure they couldn't just gone and we don't know that.

2088
01:33:59,439 --> 01:34:02,760
Speaker 1: The idea is that they're pies. Really, yeah, he says,

2089
01:34:02,880 --> 01:34:04,920
Speaker 1: She says pie pie Jack.

2090
01:34:05,280 --> 01:34:08,120
Speaker 4: And and then and maybe.

2091
01:34:08,000 --> 01:34:11,680
Speaker 2: Maybe maybe they went out and got new pies covered in.

2092
01:34:11,720 --> 01:34:13,880
Speaker 1: Sauce, left the house while she's in the bath. They

2093
01:34:14,000 --> 01:34:16,479
Speaker 1: left covered in their food, yes, and went and got

2094
01:34:16,560 --> 01:34:17,280
Speaker 1: two new pies.

2095
01:34:17,360 --> 01:34:19,040
Speaker 2: Well, what the thing you don't know about this building

2096
01:34:19,120 --> 01:34:20,400
Speaker 2: is it's above a pie shop.

2097
01:34:20,520 --> 01:34:20,760
Speaker 3: Got it?

2098
01:34:21,000 --> 01:34:21,519
Speaker 4: That makes sense?

2099
01:34:21,720 --> 01:34:24,879
Speaker 3: So they went down, they got to the completely believable

2100
01:34:24,920 --> 01:34:27,679
Speaker 3: I mean, you know, yes, just yeah, this is fine.

2101
01:34:29,360 --> 01:34:33,240
Speaker 3: The pitches they rejected for the tech. It's like now

2102
01:34:33,280 --> 01:34:34,040
Speaker 3: that no one will buy that.

2103
01:34:34,280 --> 01:34:36,240
Speaker 1: They're gonna surprise her once she's out of the shower,

2104
01:34:36,320 --> 01:34:38,280
Speaker 1: but Jack admits she's been in there an awful long time.

2105
01:34:38,479 --> 01:34:40,160
Speaker 2: They're gonna surpise her.

2106
01:34:42,960 --> 01:34:44,639
Speaker 3: This episode, this episode.

2107
01:34:45,320 --> 01:34:48,640
Speaker 1: Eric nods, well, you know, women they like Telufa. Eric

2108
01:34:48,720 --> 01:34:50,800
Speaker 1: finds the bright side. The cleaner she is, the better

2109
01:34:50,880 --> 01:34:52,720
Speaker 1: this is going to be. They are giddy about this

2110
01:34:52,840 --> 01:34:55,120
Speaker 1: awesome prank they're about to pull, but Jack can't help

2111
01:34:55,160 --> 01:34:57,439
Speaker 1: but notice how long it's truly been. Eric assures him

2112
01:34:57,439 --> 01:34:59,759
Speaker 1: it'll be worth it. They'll wait there one hundred years

2113
01:35:00,120 --> 01:35:03,400
Speaker 1: they have to. The screen fades and the words one

2114
01:35:03,520 --> 01:35:07,000
Speaker 1: hundred years later appear on the screen. On screen, we

2115
01:35:07,160 --> 01:35:10,920
Speaker 1: now see two skeletons standing at the doorway holding the

2116
01:35:11,080 --> 01:35:11,920
Speaker 1: same pies.

2117
01:35:12,800 --> 01:35:15,559
Speaker 4: Rachel yells out, is up.

2118
01:35:16,680 --> 01:35:21,400
Speaker 1: This skeletons collapse shark in the background, resulting in a

2119
01:35:21,439 --> 01:35:27,519
Speaker 1: puff of smoke. Well, you can join us for our

2120
01:35:27,600 --> 01:35:31,599
Speaker 1: next episode, Season six, episode seven, Everybody Loves Stewart, which

2121
01:35:31,640 --> 01:35:36,120
Speaker 1: originally aired November sixth, nineteen ninety eight. Thank you all

2122
01:35:36,160 --> 01:35:37,920
Speaker 1: for joining us for this episode of Pod Meets World.

2123
01:35:38,000 --> 01:35:40,200
Speaker 1: As always, you can follow us on Instagram pod Meets

2124
01:35:40,240 --> 01:35:42,599
Speaker 1: World Show. You can send us your emails pod meets

2125
01:35:42,640 --> 01:35:44,280
Speaker 1: World Show at gmail dot com.

2126
01:35:44,680 --> 01:35:48,040
Speaker 3: And we've got merch Merchu pants.

2127
01:35:49,200 --> 01:35:52,800
Speaker 1: Friendly reminder that our Matt Foster Foundation shirt can be

2128
01:35:52,880 --> 01:35:56,120
Speaker 1: found now. You can get that at Podmeets Worldshow dot com.

2129
01:35:56,400 --> 01:35:57,479
Speaker 1: Writer send us out.

2130
01:35:57,880 --> 01:36:02,880
Speaker 3: We love you all, pod dismissed. Podmeats World is an

2131
01:36:02,920 --> 01:36:06,439
Speaker 3: iHeart podcast producer hosted by Danielle Fischel, Wilfridell and Ryder

2132
01:36:06,520 --> 01:36:10,200
Speaker 3: Straw Executive producers Jensen Karp and Amy Sugarman, Executive in

2133
01:36:10,280 --> 01:36:14,280
Speaker 3: charge of production, Danielle Romo, producer and editor, Taras Subasch producer,

2134
01:36:14,400 --> 01:36:17,639
Speaker 3: Maddi Moore, engineer and boy Mets World Superman Easton Allen.

2135
01:36:17,760 --> 01:36:20,880
Speaker 3: Our theme song is by Kyle Morton of Typhoon. Follow

2136
01:36:21,000 --> 01:36:23,760
Speaker 3: us on Instagram at Podmeats World Show or email us

2137
01:36:23,840 --> 01:36:26,479
Speaker 3: at Podmeats World Show at gmail dot com