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Speaker 1: First of all, you don't know me.

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Speaker 2: All about that high school drama girl, drama girl, all

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Speaker 2: about them high school queens.

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Speaker 3: We'll take you for a ride.

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Speaker 2: And our comic girl cheering for the right teams, Drama

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Speaker 2: queens jails, my girl girl fashion, which your tough girl,

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Speaker 2: You could sit with us?

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Speaker 1: Girl drama, Queens Drama, Queens Drama, Queens Drama, Drama, Queens

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Speaker 1: Drama Queens.

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Speaker 2: Hey, friends, we're back and we're live. We are here,

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Speaker 2: live together. Robert Hello, Hello, Hello, We're in Wilmington.

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Speaker 4: What is special about Wilmington?

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Speaker 2: You know what's the most special at Wilmington Checkers.

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Speaker 3: No, it's not Checkers food.

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Speaker 2: Well, today it is that we are at a wintre

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Speaker 2: Hill convention and we get to see all of our

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Speaker 2: friends as we do every year. It's like a family reunion.

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Speaker 2: But one of my favorite things is being able to

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Speaker 2: see family members that we don't always get to connect with.

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Speaker 2: And for me, one of the people I always seem

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Speaker 2: to miss whenever we come into town is Barry corbyin

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Speaker 2: and we finally got him. He's finally here to talk

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Speaker 2: with us about his life and experience and about One

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Speaker 2: Tree Hill.

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Speaker 4: Yeah, welcome Barry.

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Speaker 5: Welcome, thank you, thank you for having me, and we're

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Speaker 5: going to have a good time here.

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Speaker 2: What was your first job, like professional gig? I feel

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Speaker 2: like maybe you told so for those listeners who don't know,

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Speaker 2: Barry's got this. It's a one man show, really right

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Speaker 2: that you're just talking about the stories of your life

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Speaker 2: and career and he's doing this show. He's testing it

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Speaker 2: out in different markets around the country and you I

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Speaker 2: was at the first one that you ever did in Texas.

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Speaker 2: And I don't remember if you talked about this in

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Speaker 2: particular story like the first job that you ever got,

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Speaker 2: but would you remind me if you did tell it.

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Speaker 5: Any very first job that was actually not you know,

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Speaker 5: I used to put on a little plays that I

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Speaker 5: wrote and directed with my brother and sister. They didn't

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Speaker 5: want to do it. They oh no, they were both

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Speaker 5: younger than I am, and uh so I'd put these

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Speaker 5: plays on that and I'd start. I'd charge a penny

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Speaker 5: of peace for anybody to come in to watch, and

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Speaker 5: then pretty ship, before too long, I'm up to a

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Speaker 5: nickel and then I think, well, this is worth a dime,

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Speaker 5: and so I'd charge a dime and then uh, who.

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Speaker 4: Are you getting besides.

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Speaker 5: Neighborhood kids, my parents, my grandparents, yeah, anybody, any relative.

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Speaker 5: I'd broke them in, make them pay me a dime

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Speaker 5: to do the play. And I'd do it at any time.

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Speaker 5: I mean, it wasn't like I was. I'd have a

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Speaker 5: time to do it. If if I could get a

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Speaker 5: crowd together, you know, like five or six people wouldn't

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Speaker 5: do a play.

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Speaker 2: Then you'd have to find actual at some point, you

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Speaker 2: had to find an actual director and producer and people

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Speaker 2: who were going to hire you and say, you know what,

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Speaker 2: you come do our thing.

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Speaker 5: Well I did that the Colorado Shakespeare Festival all right

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Speaker 5: in uh in Boulder, Colorado, and it was that was

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Speaker 5: the first time I was in a uh A festival

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Speaker 5: plays that played in in repertory. You know, we do

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Speaker 5: Henry the Fifth one day and King John the next day,

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Speaker 5: and as you like it the next day, and then

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Speaker 5: go in and rep like that. So uh you know,

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Speaker 5: you had to remember what play you were doing, so

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Speaker 5: you put on the right costume to start.

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Speaker 2: With, he comes out of his pocket, go out and.

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Speaker 5: Do the play. You know. I always managed to to

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Speaker 5: know we were doing troil Is and crested the night

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Speaker 5: and we were doing doing King John and next night

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Speaker 5: and uh it was it was fun, you know. But

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Speaker 5: I was also working on a ranch in the daytime

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Speaker 5: because he weren't taying me enough to live. Really, I

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Speaker 5: was really living on cornmeal and mashed up and fried

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Speaker 5: in the oil.

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Speaker 2: Wait this, you're like every young girl's dream man. You

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Speaker 2: worked on a ranch during the day and you did

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Speaker 2: Shakespeare by night.

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Speaker 6: That's right, word shirtless sunshine.

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Speaker 5: I also also studied, uh ballet. What there was a

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Speaker 5: man there, there was an oil man in love but

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Speaker 5: whose daughter wanted to be a ballerina. He was a

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Speaker 5: very rich guy, and much richer than he had brains.

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Speaker 5: So he went over and scouted around in eastern Europe

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Speaker 5: and found a Lithuanian ballet master by the name of

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Speaker 5: Eugene Banzavisius and hired him to come over and live

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Speaker 5: in Lubbock and open a ballet studio. He was an

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Speaker 5: old man. He'd been a he'd been at ballet dancer

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Speaker 5: when he was younger, and he but he was probably

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Speaker 5: it was not old to me now, but he was

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Speaker 5: probably sixty years old again. And uh, he'd he'd go

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Speaker 5: out and demonstrate things and how you how you how

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Speaker 5: you did you know? And and he couldn't find anybody

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Speaker 5: that lift the girls in the boys because the boys

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Speaker 5: were all slight and they I was working on oil

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Speaker 5: rigs at so I was strong and I could lift

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Speaker 5: the girls, and I could also do these.

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Speaker 2: The gesticulations for the listener at home.

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Speaker 4: Barry is performing many a graceful, gorgeous.

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Speaker 5: Played prayed played the prench in Swan Lake. You did,

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Speaker 5: Oh yeah, I was. I was. I'm real pistol.

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Speaker 2: Them off with a stick.

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Speaker 4: I was going to you as a young man.

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Speaker 6: Sounds like if the c W had a show about

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Speaker 6: like living on a Ranch, you would have been the

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Speaker 6: like hot, heartwarming Lucas Scott.

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Speaker 5: I would have been the outcast, even more likable online,

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Speaker 5: I can I can fit in with ranch people. I'm

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Speaker 5: going once in a while I go out to a

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Speaker 5: ranch and help them get the cattle. Yeah, just prove

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Speaker 5: that I can still get on a horse and still.

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Speaker 2: Well, you were just on Yellowstone not two years ago.

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Speaker 5: Well, I was out to four six in ranch last year.

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Speaker 5: I helped to gather cattle. I said, I might need

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Speaker 5: a little help getting up, but once I get on,

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Speaker 5: I know what I'm doing. Something. I went out there

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Speaker 5: and they shoved me up on a horse and I

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Speaker 5: was horse back for about about six and a half hours.

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Speaker 5: What and we're going out together and cattle bringing the

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Speaker 5: cattle in. Then I worked the cattle and then I

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Speaker 5: got back to the the place where we started and

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Speaker 5: got the cattle pinned and everything. And then I called

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Speaker 5: this cowboy over theng guy about six foot five, and

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Speaker 5: I said, I said, I want you to stand right here,

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Speaker 5: and I'm going to fall off his horse and you

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Speaker 5: catch me. And so that's what I did, and then

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Speaker 5: he caught me.

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Speaker 6: You are of the generation where when you say like

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Speaker 6: a jack of all trades, they're actually legitimate trades. Like

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Speaker 6: you are you you have experience and the ability to

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Speaker 6: like actually perform job functions and useful things.

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Speaker 4: Whereas like my generation, like I'm a jack of all trades.

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Speaker 6: It's like I can hacky sack, I co host a

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Speaker 6: podcast and I play make Believe.

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Speaker 5: Well. I used to do almost anything.

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Speaker 2: I believe it now.

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Speaker 5: Uh. When I turned six, Yeah, I forgot about half

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Speaker 5: of what I ever knew. When I turned seventy, I

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Speaker 5: lost about a quarter more of that. When I turned eighty,

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Speaker 5: I forgot anything. Had to hit my marks and change

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Speaker 5: my lines. I don't even know how to run anymore.

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Speaker 2: Oh man, Brett, you are, you're so versatile. How did that?

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Speaker 2: How did that translate into into basketball? When you were

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Speaker 2: asked to come play coach Whitey on one Truth?

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Speaker 5: Yes, well apparently, and all those boys saw every old

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Speaker 5: man in California and they couldn't find anybody. It was

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Speaker 5: tough that they were happening, happy with it to be

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Speaker 5: the coach.

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Speaker 2: Yeah.

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Speaker 5: And I guess they expanded. Maybe they saw people over

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Speaker 5: in Arizona too, I don't know. But they finally called

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Speaker 5: my manager and said, would Barry Corbin come into town

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Speaker 5: and talk to us about a part in our television

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Speaker 5: show One Tree Hill. And he called me and I said,

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Speaker 5: are they paying the way? He said yeah? And I

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Speaker 5: said they're going to put me in the hotel and

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Speaker 5: give me a rent car? He said yeah. I said,

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Speaker 5: all right, I'll be there. There's that kind of thing

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Speaker 5: that all ate gents have.

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Speaker 6: It.

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Speaker 5: It's your line of what I call shaker and bs sure,

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Speaker 5: and I've got that in Spade. I mean, it's something

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Speaker 5: that I learned from New York agents when I was

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Speaker 5: in New York.

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Speaker 2: I was gonna say because that's not that doesn't feel

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Speaker 2: like a vibe that would be on a ranch a lot.

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Speaker 2: It seems like a New York you gotta yeah.

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Speaker 5: Yeah. So I sat in and uh and just bluffed

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Speaker 5: talk to them. I never mentioned I've never seen a

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Speaker 5: basketball game. Yes, I know you mentioned that. I knew

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Speaker 5: nothing about basketball except your bounce this ball around and

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Speaker 5: trying to get it over here and try to get

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Speaker 5: into it. I don't, but I never cared anything about that.

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Speaker 6: Which is so funny about that is that you did

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Speaker 6: the opposite of what most actors do.

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Speaker 5: Right.

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Speaker 6: There's the thing actors do when they're like up for

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Speaker 6: a job, like especially commercial acting. I'll be like, great,

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Speaker 6: we're only gonna audition you if you can ride a horse,

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Speaker 6: and every actor goes, I can ride a horse.

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Speaker 5: That's the last thing that you ought to say. Yeah,

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Speaker 5: what what you ought to say? And what Ben Johnson

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Speaker 5: always said. Ben Johnson was the best horseman in the movies.

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Speaker 5: He see, yeah, I ride a little bit. Yeah, and

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Speaker 5: that's what you that's what you need to say. Now,

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Speaker 5: I've got a story about a guy who who.

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Speaker 6: It was your wife just shook her head in the background,

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Speaker 6: which makes me think this is going to be a

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Speaker 6: good thing.

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Speaker 5: It is. It is a good story. She doesn't know

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Speaker 5: this story really, but this was a fellow that was

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Speaker 5: that he told him he could ride. And I was

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Speaker 5: playing the bad guy in this thing, in this Magnificent seven.

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Speaker 5: It was it was not it was not the movie.

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Speaker 5: It was a television cheeri and I was playing the

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Speaker 5: bad guy in this episode. And I had a There

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Speaker 5: was one scene where we're chasing a wagon and me

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Speaker 5: and my gang and my accomplished the head of my

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Speaker 5: uh you know, my operation. I was running a body house.

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Speaker 5: Uh but it was like a traveling body house, a

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Speaker 5: bunch of tents and uh.

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Speaker 2: Yeah, okay, just clarifying.

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Speaker 5: And I was being made to the girls and all that, okay,

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Speaker 5: But they were trying to trying to rescue the girls

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Speaker 5: from men. They had them all in this wagon. So

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Speaker 5: I got my gang together and I'm out and we're

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Speaker 5: out horseback. We got to come off a hill and

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Speaker 5: run down this hill and run beside the wagon. The

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Speaker 5: camera car on the other side of the wagon. They're

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Speaker 5: shooting across the driver on onto us chasing the wagon

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Speaker 5: and uh, my uh head henchman has said he could ride,

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Speaker 5: and uh, I watched him walk up to the horse

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Speaker 5: and that wasn't going to work. And uh, I said,

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Speaker 5: you know, he might really ought to be doubled in

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Speaker 5: this scene. And he said, what do you mean. I said, well,

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Speaker 5: we're going to come off this hill and I'm going

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Speaker 5: to have to be riding pretty fast catch this wagon

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Speaker 5: because he's running pretty fast and we're pretty far behind,

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Speaker 5: so I'm going to have to really give him a

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Speaker 5: little little nudge.

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Speaker 2: And you know your horse.

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Speaker 5: Yeah, And I'm not sure that you want to do

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Speaker 5: that and he said, oh no, no, it'll be it'll

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Speaker 5: be fine, and it'll be good. All right. We'll stay

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Speaker 5: behind me, don't get in front of me because I

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Speaker 5: can't help you if you're in front of me. And

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Speaker 5: the okay, so here we come. We did did a

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Speaker 5: half half speed rehearsal. You know, you come off kind

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Speaker 5: of just a little little past trot, a little lope

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Speaker 5: down the hill. That's okay. He did fine. I said, okay,

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Speaker 5: now this is going to be a picture here and

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Speaker 5: I'm gonna I'm gonna kind of put the steel to him,

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Speaker 5: so be ready, I said, okay, I said, now remember

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Speaker 5: what they told you. You want to you want to

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Speaker 5: hold the reins in your left hand and you hold

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Speaker 5: them the tail of the reins because you're gonna have

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Speaker 5: to do something with your other hand with and your

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Speaker 5: in your right hand, and you just kind of pretend

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Speaker 5: to be whipping your horse. Don't do it, but just

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Speaker 5: kind of pretend to do it, just to give you

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Speaker 5: something to do. Well, I knew that wasn't gonna work.

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Speaker 5: But what happened was I I got to gave my

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Speaker 5: horse spur and he jumped off, and he started running

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Speaker 5: down that hill you know, pretty fast.

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Speaker 2: Especially to horses going downhill, And I.

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Speaker 5: Said, stay stayed behind me. Well, all of a sudden,

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Speaker 5: I heard this thundering noise coming up to my right

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Speaker 5: wagons to my left. I kind of glanced over there,

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Speaker 5: and this guy is sitting up there and he's got

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Speaker 5: shaddle horn like that with both hands. Oh, rains are

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Speaker 5: flopping side. That horse is run away. He's got his

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Speaker 5: head stuck out in front of him, and he was

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Speaker 5: we're in seeing me valley. I thought he was going

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Speaker 5: to be in Los Angeles downtown before I could catch him.

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Speaker 5: I mean, he was going, but he was on flat

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Speaker 5: out run away.

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Speaker 2: Sure. He had a terrified expression on his face.

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Speaker 4: Oh oh.

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Speaker 5: His eyes were bugging out of his head, and he.

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Speaker 6: Scario, Yeah, scream of the school does not make for

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Speaker 6: the best henchman.

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Speaker 5: They said, cut. And then now I saw. I saw

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Speaker 5: two wranglers down there behind two trees, and he was

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Speaker 5: going right between those trees, and they came out and

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Speaker 5: stopped his horse. My gosh, But I told him then,

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Speaker 5: I said, you know, anytime you have to ride pasted

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Speaker 5: a walk, get a double.

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Speaker 4: Get a double.

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Speaker 2: Well, you didn't need a double, as coach White, even

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Speaker 2: though you knew nothing about basketball.

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Speaker 5: But what I did this was this was the middle

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Speaker 5: of March madness when they when I went and talked

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Speaker 5: to him.

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Speaker 2: Okay, So I.

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Speaker 5: Came home and went to my favorite bar, sat there

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Speaker 5: drinking beer and watching basketball. But I wasn't watching the players.

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Speaker 5: I was watching the coaches. Yeah, and they all looked

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Speaker 5: like they had their cholesterol sticking out of their ears,

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Speaker 5: and they were screaming and carrying on hollering. I thought, well,

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Speaker 5: nobody can live past thirty five if they're going to

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Speaker 5: be act that way all the time. So I decided, well,

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Speaker 5: this coach is going to be kind of like Yoda

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Speaker 5: off the court, but on the court, he's going to

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Speaker 5: be absolutely the most terrible person in the world. And

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Speaker 5: so that's what I did. Wow when I got here,

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Speaker 5: when I got here, when I first got here, Yeah,

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Speaker 5: the coach that actually put the play together, and I

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Speaker 5: forgot his name now, but anyway, he did the one

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Speaker 5: with Gene Hackman Hoosiers and well, yeah, but he said,

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Speaker 5: do you want to come and watch us run some

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Speaker 5: plays in the morning? And I said no, And he said, well,

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Speaker 5: if you don't watch us run plays, you're not going

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Speaker 5: to know what's happening. I said, I can watch you

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Speaker 5: run plays from now Christmas and I still don't want

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Speaker 5: to know. But I don't have to know what's happening.

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Speaker 5: All I've got to know is is how to look

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Speaker 5: like I know what's happening. Yeah, because I've played jet pilots,

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Speaker 5: I've played brain surgeons. I've planned all kinds of things.

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Speaker 5: But you wouldn't want to get on the plane that

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Speaker 5: I'm piloting. You wouldn't want to let me do brain

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Speaker 5: surgery on you. You wouldn't want me to do anything.

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Speaker 5: You wouldn't want me to fix your plumbing. But I'm

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Speaker 5: not you know, I do know how to look like

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Speaker 5: I can do anything. Yeah, and he's okay.

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Speaker 2: So that's a secret. You just got to set.

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Speaker 3: And you got it.

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Speaker 5: You gotta look like you know, you know, pilot. You've

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Speaker 5: got to know which switches to switch first, and you

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Speaker 5: gotta know yeah, old old stuff work, and then it's

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Speaker 5: it's easy.

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Speaker 4: Get this gang.

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Speaker 6: Ray, the founder of Friends with Benefits, the convention company

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Speaker 6: that runs these amazing events that we are currently at,

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Speaker 6: has been working on and designed a one Tree Hill

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Speaker 6: themed Airbnb set and where else but Wilmington, North Carolina

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Speaker 6: and get this gang. It is available for booking now

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Speaker 6: on the Airbnb app.

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Speaker 2: This is such a cool idea. I remember us talking

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Speaker 2: about this a while ago and we never actually followed

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Speaker 2: through that. I'm so glad somebody else did.

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Speaker 3: Guys.

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Speaker 2: The FWBT team, led by Ray, Brittany and Wanita, along

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Speaker 2: with a ton of help from volunteers, are officially turning

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Speaker 2: Trick back into the actual trick, like the nightclub in

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Speaker 2: the show. For more updates about that and other events,

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Speaker 2: follow f WB on Instagram at f w B Charity Events.

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Speaker 2: Had you filmed anything in Wilmington before, Yes, because I

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Speaker 2: know there was a lot of things happening in this town,

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Speaker 2: especially Yeah.

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Speaker 5: I did a movie of the Week with them with

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Speaker 5: Dane Lad not not dyinge Cheryl led Cheryl Ladd Yeah,

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Speaker 5: and I was I was going to kill her. I

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Speaker 5: was killer.

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Speaker 2: So was this a show then one of the really

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Speaker 2: great like good guy roles that you'd gotten, because it

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Speaker 2: sounds like maybe you were cast a lot as the

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Speaker 2: villain or.

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Speaker 5: The mostly not not bad guy. I'm not really good

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Speaker 5: bad guy because I can I don't look really look

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Speaker 5: like I'm cruel.

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Speaker 6: And if I can jump in here, you you have

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Speaker 6: played two of my favorite good guy historical figures, Lyndon

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Speaker 6: Johnson and Santa Claus.

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Speaker 5: Yeah.

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Speaker 6: My question is which one did you feel more pressure

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Speaker 6: to get right?

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Speaker 5: Uh? Well, I knew that it didn't look like Lyndon Johnson,

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Speaker 5: and I knew I was I got alopecia, so I

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Speaker 5: don't have any hair, So I knew I didn't want

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Speaker 5: to wear a wig, so I just wore the hat

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Speaker 5: all the time. And I knew I didn't want to

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Speaker 5: put on a big nose hanging down over my mouth,

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Speaker 5: you know, And I mean that really disrupted my lunch

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Speaker 5: real bad. Yeah, So, uh, I just I just kind

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Speaker 5: of played I kind of got his voice, you know,

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Speaker 5: but I didn't didn't look like him. But this was

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Speaker 5: a fictional thing anyway. It was it was about if

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Speaker 5: if Kennedy had had not been assassinated, and uh so

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Speaker 5: that was that was that, and the Santa Claus thing,

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Speaker 5: that was well, I did play play a man playing

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Speaker 5: like he was Santa Claus one time. I was in

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Speaker 5: Christmas and the smokey I put on a little Santa

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Speaker 5: Claus beard hung over my ears and stuff. But the

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Speaker 5: Shanta Claus thing was a cartoon, so I could just.

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Speaker 4: It's like he's in the rocket.

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Speaker 2: Gosh, I was just six years old all over again.

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Speaker 2: That's fantastic, that's great.

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Speaker 5: Man.

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Speaker 6: So obviously you had been working steadily for so long

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Speaker 6: when One Tree Hill came along, and then you were

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Speaker 6: on this show with all of these relatively green actors

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Speaker 6: and the show becomes a hit. What was it like

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Speaker 6: for you, because this wasn't your first go around, But

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Speaker 6: what was it like watching these very fresh young actors

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Speaker 6: and getting thrown into this big, successful show.

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Speaker 5: Well, I knew there were gonna be some mistakes made,

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Speaker 5: and I knew that I couldn't I could not warn

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Speaker 5: anybody about those mistakes, so I just I pretty much

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Speaker 5: acted like the coach with the cash.

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Speaker 2: You know you're talking about like just on set mistakes

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Speaker 2: of like within filmmaking or what kind of mistakes you're

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Speaker 2: talking about, And why did you feel like you.

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Speaker 5: Were Well, I knew that they they were to it.

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Speaker 5: When you're doing your first television show, you're nervous. Yeah,

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Speaker 5: and uh, in order to make you not be nervous,

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Speaker 5: it's for me not to be nervous. Yeah, And uh

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Speaker 5: so what what I would do? I just I just

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Speaker 5: kind of, uh make a little hint of it by Yeah,

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Speaker 5: unless somebody just came and asked.

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Speaker 2: Me something I wish i'd asked you for more.

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Speaker 5: Chad did a few times.

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Speaker 2: That's great, and uh.

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Speaker 5: Uh I think I helped him. I don't know whether

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Speaker 5: I did or not.

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Speaker 2: I'm sure you did. So let's talk about Wilmington real quick,

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Speaker 2: because you know you had been here once before to film.

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Speaker 2: Then you came to to Wilmington and lived here in

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Speaker 2: between here and Texas for the ten years that well,

401
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Speaker 2: I guess how many seasons did you do with us?

402
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Speaker 5: Three?

403
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Speaker 6: Six?

404
00:25:00,760 --> 00:25:01,320
Speaker 2: Only three?

405
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Speaker 5: Three?

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Speaker 2: Oh my gosh, that blows my mind. Berry. You just

407
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Speaker 2: are such an integral part of this show. I imagine

408
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Speaker 2: you with us for so much longer.

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Speaker 6: It's also because we saw Whitey in an episode in

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Speaker 6: season six.

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Speaker 2: Oh that's true.

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Speaker 6: I guess before we get in to the Wilming time

413
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Speaker 6: at all, I wanted to ask when you signed on

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Speaker 6: to the show, what was sort of the expectation. Where

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Speaker 6: did they tell you were going to be around for

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Speaker 6: a long time? Was the idea that it was sort

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Speaker 6: of a smaller arc?

418
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Speaker 3: What was No?

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Speaker 5: I was a regular in the show in the first

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Speaker 5: three seasons.

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Speaker 3: And that was the expectation.

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Speaker 4: They let you know, Okay, oh yeah, that's so great.

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Speaker 5: Yeah. So I mean if they if they don't have

424
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Speaker 5: you as a recurring character, they can't expect you to

425
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Speaker 5: drop all your other vision issues. Yeah.

426
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Speaker 2: So when you were living here then, did you go

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Speaker 2: find a ranch nearby, some sort of local place you

428
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Speaker 2: could go ride horses? Did you miss it? What did

429
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Speaker 2: you do? What was your first like to play?

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Speaker 5: And sometimes I'd drive them the carriage, you know, those

431
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Speaker 5: big old perch from the horses.

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Speaker 4: Yeah, I had to go as one does on the

433
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Speaker 4: drive for the guy.

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Speaker 5: You know.

435
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Speaker 4: That's great.

436
00:26:16,080 --> 00:26:19,320
Speaker 5: They just let you right on. Once in a while,

437
00:26:19,359 --> 00:26:23,960
Speaker 5: i'd see a cop wearing riding one of those Australian saddles,

438
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Speaker 5: and I say, letting me, let me try that saddle

439
00:26:26,200 --> 00:26:28,399
Speaker 5: and get up on his horse and ride up and

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Speaker 5: down Front Street.

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Speaker 6: Could you imagine just walking up to a car park,

442
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Speaker 6: like a cop car in a parking.

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Speaker 4: Lot, being like, hey, let me get in that explore.

444
00:26:36,920 --> 00:26:40,280
Speaker 2: It one of those let me see how that rides.

445
00:26:41,119 --> 00:26:45,120
Speaker 5: You know, I'd find places to ride and do stuff.

446
00:26:45,760 --> 00:26:48,159
Speaker 6: Imagine if you didn't return the police horse and that

447
00:26:48,240 --> 00:26:50,680
Speaker 6: cop has to go back to the station and they're like.

448
00:26:50,760 --> 00:26:52,400
Speaker 4: How how did you lose your horse?

449
00:26:52,440 --> 00:26:55,480
Speaker 6: And the cops like he just had a beautiful western mustache,

450
00:26:55,520 --> 00:27:12,560
Speaker 6: and he asked really politely, exactly you were here full

451
00:27:12,560 --> 00:27:15,000
Speaker 6: time for three seasons. Where did you end up living

452
00:27:15,000 --> 00:27:16,560
Speaker 6: in Wilmington whereabouts?

453
00:27:16,760 --> 00:27:20,280
Speaker 5: I was at the at the little condos over there,

454
00:27:20,400 --> 00:27:21,880
Speaker 5: right across from the battleship.

455
00:27:22,760 --> 00:27:24,560
Speaker 2: Oh yeah, yeah, it's so nice.

456
00:27:24,880 --> 00:27:26,920
Speaker 5: I'd go out and shut on the balcony and look

457
00:27:26,960 --> 00:27:30,280
Speaker 5: at the battleship and wave with the sailers and stuff.

458
00:27:30,880 --> 00:27:33,680
Speaker 6: And when you come back for conventions or anything else,

459
00:27:33,720 --> 00:27:36,520
Speaker 6: do you have any sort of favorite go to spots

460
00:27:36,600 --> 00:27:37,480
Speaker 6: or places you like?

461
00:27:37,720 --> 00:27:42,840
Speaker 5: Oh, they're all going now, oh, Charlie Brown. Charlie Brown

462
00:27:43,280 --> 00:27:44,840
Speaker 5: place I used to like to go.

463
00:27:45,280 --> 00:27:46,440
Speaker 2: It's changed a lot here.

464
00:27:46,680 --> 00:27:51,720
Speaker 5: I'd go in there and play trivia and bade him.

465
00:27:51,720 --> 00:27:54,440
Speaker 5: I remember when I think I was in my sixties

466
00:27:54,480 --> 00:27:57,480
Speaker 5: when I was playing Whitey.

467
00:27:57,720 --> 00:28:00,479
Speaker 4: That was before you had lost fifty percent of everything,

468
00:28:00,520 --> 00:28:00,920
Speaker 4: you know.

469
00:28:01,040 --> 00:28:02,680
Speaker 3: Yeah, okay, so this was a good time for you.

470
00:28:03,040 --> 00:28:08,000
Speaker 5: One of the bartenders, uh, shed shed do me? Uh

471
00:28:08,640 --> 00:28:13,720
Speaker 5: you want another one? Pop? And I should What do

472
00:28:13,800 --> 00:28:18,040
Speaker 5: you want another one? Pop? And I climbed over the

473
00:28:18,080 --> 00:28:22,880
Speaker 5: bar cha chased them back into low be you did?

474
00:28:25,080 --> 00:28:28,680
Speaker 5: And then I grabbed me and scrubbed his head real good.

475
00:28:29,640 --> 00:28:32,960
Speaker 2: Did you feel like the you know, it was such

476
00:28:33,040 --> 00:28:35,119
Speaker 2: an age difference on our show. It's one of the

477
00:28:35,200 --> 00:28:36,800
Speaker 2: I think one of the things that was made the

478
00:28:36,840 --> 00:28:40,200
Speaker 2: show great too, is that there were really legitimate adult

479
00:28:40,200 --> 00:28:43,880
Speaker 2: storylines and then legitimate young young people's storylines that we

480
00:28:43,880 --> 00:28:45,760
Speaker 2: were in a you know, the big the age gap

481
00:28:45,800 --> 00:28:49,040
Speaker 2: between us and the generational gaps. I think actually really

482
00:28:49,040 --> 00:28:51,240
Speaker 2: helped because it drew in a whole bunch of different audiences.

483
00:28:51,280 --> 00:28:54,840
Speaker 2: But on set, you're working so closely with these boys

484
00:28:54,840 --> 00:28:57,160
Speaker 2: that are so much younger than you, And of course

485
00:28:57,200 --> 00:29:01,280
Speaker 2: when we're in our early twenties and late teens. There's

486
00:29:01,320 --> 00:29:04,720
Speaker 2: a in general and American culture anyway. I think there's

487
00:29:04,760 --> 00:29:08,480
Speaker 2: a general sense of like disconnect and not knowing how

488
00:29:08,520 --> 00:29:11,440
Speaker 2: to ask for advice or wanting to, you know, looking

489
00:29:11,440 --> 00:29:13,360
Speaker 2: at someone who's so much older and being like, well,

490
00:29:14,040 --> 00:29:16,320
Speaker 2: you're not interesting to me. That's what you're boring because

491
00:29:16,360 --> 00:29:19,719
Speaker 2: I'm all about my young, exciting life, not realizing how

492
00:29:19,800 --> 00:29:23,080
Speaker 2: much wisdom, how much you mean, great stories, how interesting.

493
00:29:23,240 --> 00:29:26,240
Speaker 2: I don't case that relationship between you and the boys

494
00:29:27,160 --> 00:29:27,960
Speaker 2: on the team that you.

495
00:29:27,840 --> 00:29:32,280
Speaker 5: Were was, was on the whole good?

496
00:29:32,600 --> 00:29:35,000
Speaker 2: You know, did they ask did you guys get time

497
00:29:35,080 --> 00:29:36,840
Speaker 2: to spend together where you got to tell them stories

498
00:29:36,840 --> 00:29:39,840
Speaker 2: and they would engage with you, or was it like once.

499
00:29:39,680 --> 00:29:43,520
Speaker 5: In a while but rarely because I you know, I

500
00:29:43,560 --> 00:29:47,400
Speaker 5: had my own group of people, not a bunch of

501
00:29:47,440 --> 00:29:48,479
Speaker 5: old drunks. You know.

502
00:29:50,040 --> 00:29:52,240
Speaker 2: So you found your people. You got to Wilmington and

503
00:29:52,280 --> 00:29:53,280
Speaker 2: you found your crew.

504
00:29:53,520 --> 00:29:56,520
Speaker 6: Yeah, they're gonna have infinitely better stories than a bunch

505
00:29:56,560 --> 00:29:59,080
Speaker 6: of eighteen year old Oh absolutely absolutely.

506
00:30:00,000 --> 00:30:02,240
Speaker 5: I did to go down to the Barbary coast once

507
00:30:02,280 --> 00:30:06,080
Speaker 5: in a while. No, oh yeah, dateman, Old Steve Mashini

508
00:30:06,240 --> 00:30:07,360
Speaker 5: got stabbed in there.

509
00:30:07,520 --> 00:30:09,520
Speaker 2: My god, that's right. I forgot that happened in Wilmington.

510
00:30:09,560 --> 00:30:10,840
Speaker 2: I always forget that's happened here.

511
00:30:11,280 --> 00:30:11,720
Speaker 5: Yeah.

512
00:30:11,800 --> 00:30:14,800
Speaker 2: Yeah, I just wondered because I always look back on

513
00:30:14,880 --> 00:30:18,240
Speaker 2: that time and wish that I had had the wherewithal

514
00:30:18,360 --> 00:30:22,160
Speaker 2: to ask for to ask like Moira and Barbara and you,

515
00:30:22,360 --> 00:30:24,880
Speaker 2: and just to ask you about your advice and your

516
00:30:25,160 --> 00:30:28,040
Speaker 2: life story and just take advantage of that mentorship opportunity.

517
00:30:28,120 --> 00:30:30,080
Speaker 2: But I didn't know how at that age. I know

518
00:30:30,120 --> 00:30:30,760
Speaker 2: it's sure of any of.

519
00:30:30,760 --> 00:30:33,480
Speaker 5: The boys in basketball, but you were also going through

520
00:30:33,520 --> 00:30:36,040
Speaker 5: a whole bunch of things you tell. Yeah, that's true,

521
00:30:36,080 --> 00:30:38,840
Speaker 5: which I wasn't aware of until I listened to your

522
00:30:38,880 --> 00:30:42,440
Speaker 5: book on a road trip experience. And I want to

523
00:30:43,160 --> 00:30:45,640
Speaker 5: tell anybody who's listening to this thing, if you have

524
00:30:45,880 --> 00:30:53,000
Speaker 5: not read George's book, don't read it. Get the recorded version,

525
00:30:53,680 --> 00:30:55,960
Speaker 5: listen to it on a road trip, or just turn

526
00:30:56,040 --> 00:30:59,920
Speaker 5: it on and listen to it at home, because you're

527
00:31:00,160 --> 00:31:03,280
Speaker 5: mission half of it. If you're just reading it yourself.

528
00:31:03,440 --> 00:31:05,400
Speaker 2: Oh, thank you. Thanks.

529
00:31:06,000 --> 00:31:10,280
Speaker 5: It's a wonderful it's wonderful writing, and you read it

530
00:31:10,800 --> 00:31:11,760
Speaker 5: so beautifully.

531
00:31:12,120 --> 00:31:12,400
Speaker 2: Thanks.

532
00:31:12,600 --> 00:31:15,640
Speaker 5: I've heard, I've heard a lot of actors reading their

533
00:31:15,680 --> 00:31:20,560
Speaker 5: own books. Yeah, and they and they shine like they're

534
00:31:21,000 --> 00:31:30,000
Speaker 5: reading some kind of commercial. Oh.

535
00:31:30,360 --> 00:31:33,000
Speaker 2: Thanks, Yeah, it felt good to read that. Just get

536
00:31:33,040 --> 00:31:33,760
Speaker 2: it out of my body.

537
00:31:33,800 --> 00:31:36,640
Speaker 5: And you did. You did a wonderful job. And it's

538
00:31:37,160 --> 00:31:42,760
Speaker 5: it's also a wonderful lesson for for young women particularly. Yeah,

539
00:31:43,360 --> 00:31:48,560
Speaker 5: and it Oh you you you bring your tears out.

540
00:31:49,440 --> 00:31:49,960
Speaker 5: You're good.

541
00:31:50,400 --> 00:31:53,280
Speaker 2: Thanks, Perry. I really appreciate you reading it. Thanks.

542
00:31:53,320 --> 00:31:59,480
Speaker 5: Well, you're wonderful, Thank you, thank you. I wish we'd

543
00:31:59,520 --> 00:32:02,200
Speaker 5: got no each other better when when I was here.

544
00:32:02,480 --> 00:32:03,000
Speaker 1: I do too.

545
00:32:03,640 --> 00:32:06,680
Speaker 2: It's hard. It's hard when you're for me. I was

546
00:32:06,760 --> 00:32:09,800
Speaker 2: so young, you know, we hard.

547
00:32:10,360 --> 00:32:15,040
Speaker 5: I mean, not only change we had was Ashamba stuff.

548
00:32:15,480 --> 00:32:18,360
Speaker 2: There was a couple I think in your office when

549
00:32:18,440 --> 00:32:20,880
Speaker 2: I was I don't know if it was when I

550
00:32:20,960 --> 00:32:22,400
Speaker 2: was a student or a teacher. I think it was

551
00:32:22,440 --> 00:32:24,080
Speaker 2: when I was a student, I guess, and you called me.

552
00:32:24,200 --> 00:32:26,160
Speaker 2: You would have called me in to give me advice,

553
00:32:26,320 --> 00:32:30,800
Speaker 2: and you know, i've and I did always really enjoy

554
00:32:30,920 --> 00:32:36,040
Speaker 2: those those scenes. But yeah, I'm that's one of the

555
00:32:36,080 --> 00:32:39,160
Speaker 2: beautiful things about doing these conventions and having time to

556
00:32:39,360 --> 00:32:41,840
Speaker 2: come back to Wilmington and continue to see each other.

557
00:32:43,760 --> 00:32:46,120
Speaker 2: And now that I'm in touch with your grandson Jordan,

558
00:32:46,240 --> 00:32:49,280
Speaker 2: who's just such a lovely, wonderful person. I get to

559
00:32:49,280 --> 00:32:53,320
Speaker 2: spend time more with you. I'm so grateful that through

560
00:32:53,440 --> 00:32:56,240
Speaker 2: the years we were still in touch and the relationship

561
00:32:56,320 --> 00:32:58,680
Speaker 2: is more meaningful now that we're more older.

562
00:32:58,960 --> 00:33:02,480
Speaker 5: Well and why yeah, yeah, well I don't know that

563
00:33:02,560 --> 00:33:07,680
Speaker 5: I'm any wiser. I think maybe wisdom starts leaking out

564
00:33:07,760 --> 00:33:09,240
Speaker 5: when you get to be about ad.

565
00:33:11,600 --> 00:33:13,000
Speaker 3: That's part of that last quarter ago.

566
00:33:13,760 --> 00:33:17,480
Speaker 5: Yeah, I told I told Chad today, I said, well,

567
00:33:19,520 --> 00:33:22,120
Speaker 5: when you get to be eighty four, you're not feeble.

568
00:33:23,440 --> 00:33:25,240
Speaker 5: I'll let you know about eighty five.

569
00:33:28,760 --> 00:33:31,400
Speaker 2: When you look at your life right now, you've done

570
00:33:31,480 --> 00:33:34,440
Speaker 2: so much, You've accomplished so many things you're still moving

571
00:33:34,480 --> 00:33:36,200
Speaker 2: forward to. They said, you've got this show that you're

572
00:33:36,280 --> 00:33:39,480
Speaker 2: going around telling your stories. What are things that are

573
00:33:39,560 --> 00:33:42,560
Speaker 2: still on your bucket list? Like what's on the Berry

574
00:33:42,560 --> 00:33:43,120
Speaker 2: bucket list?

575
00:33:43,240 --> 00:33:46,040
Speaker 5: We just keep working as long as I can. I mean,

576
00:33:46,240 --> 00:33:51,200
Speaker 5: that's a I don't have any particular You're.

577
00:33:50,680 --> 00:33:52,280
Speaker 2: Not desperate to go up in a hot air balloon

578
00:33:52,400 --> 00:33:53,440
Speaker 2: or jump out of a plane.

579
00:33:53,520 --> 00:33:56,080
Speaker 5: Oh no, I've been up in the hot air balloon

580
00:33:56,200 --> 00:33:59,760
Speaker 5: and I have jumped out of planes one anymore.

581
00:34:00,240 --> 00:34:04,040
Speaker 6: Yeah, Hey, when you do these conventions, is there a

582
00:34:04,160 --> 00:34:08,440
Speaker 6: particular scene or quote that the fans want to talk

583
00:34:08,480 --> 00:34:08,920
Speaker 6: to you about?

584
00:34:10,719 --> 00:34:17,359
Speaker 5: There was one woman came in and she had a uh,

585
00:34:18,120 --> 00:34:22,920
Speaker 5: one of these like a like an undershirt, you know,

586
00:34:23,560 --> 00:34:29,800
Speaker 5: strapped thing. She pulled off her jacket and she pointed

587
00:34:30,360 --> 00:34:34,040
Speaker 5: she had tattoo up and down her arms of quote

588
00:34:36,280 --> 00:34:40,440
Speaker 5: on both arms, and she said, do you remember saying this?

589
00:34:42,440 --> 00:34:47,000
Speaker 5: I looked at him, no, and she said, well, you

590
00:34:47,120 --> 00:34:53,600
Speaker 5: did an episode showing should Oh oh yeah, No I

591
00:34:53,680 --> 00:34:57,399
Speaker 5: didn't say that. Lydie Durham said that, oh right, yes,

592
00:34:57,840 --> 00:35:03,480
Speaker 5: And then I looked and all those things were things

593
00:35:03,560 --> 00:35:05,760
Speaker 5: that why did Durham and said.

594
00:35:07,920 --> 00:35:10,719
Speaker 2: You were like a mentor to her through the TV. Yeah,

595
00:35:12,160 --> 00:35:13,000
Speaker 2: she's kind of sweet.

596
00:35:13,280 --> 00:35:17,960
Speaker 5: Yeah, so you know that that was that kind of

597
00:35:18,040 --> 00:35:20,600
Speaker 5: took me back a little bit. Yeah.

598
00:35:33,400 --> 00:35:36,440
Speaker 6: When you think about it, you know, it's been like

599
00:35:36,560 --> 00:35:39,920
Speaker 6: over six decades that you've been working. Is there i

600
00:35:40,000 --> 00:35:41,839
Speaker 6: mean the whole like your favorite job thing.

601
00:35:41,880 --> 00:35:42,239
Speaker 3: It's such a.

602
00:35:42,200 --> 00:35:45,759
Speaker 6: Tricky question, but is there is there a job that

603
00:35:46,080 --> 00:35:50,320
Speaker 6: just was it like an especially joyful or special experience?

604
00:35:52,280 --> 00:35:55,800
Speaker 5: Well, there was there was one particular series that I

605
00:35:55,920 --> 00:36:00,920
Speaker 5: did that it was probably probably the most joy and

606
00:36:01,960 --> 00:36:07,319
Speaker 5: ultimately the most depressing northern exposure.

607
00:36:07,560 --> 00:36:09,919
Speaker 4: Oh sure, that's right.

608
00:36:10,080 --> 00:36:14,000
Speaker 2: Berry and Dad had that show on all the time.

609
00:36:14,160 --> 00:36:19,759
Speaker 5: Same. Yes, it was a fun show to do for

610
00:36:19,920 --> 00:36:25,520
Speaker 5: the first three seasons, first, well three and a half seasons,

611
00:36:27,120 --> 00:36:32,640
Speaker 5: and then they changed producers. They brought in a producer

612
00:36:32,719 --> 00:36:34,000
Speaker 5: who didn't like the show.

613
00:36:34,560 --> 00:36:36,240
Speaker 3: Oh, smart business choice.

614
00:36:36,280 --> 00:36:42,440
Speaker 5: And he said, well, it was a deliberate oh and

615
00:36:42,560 --> 00:36:47,600
Speaker 5: he said when they after the show was canceled, he said,

616
00:36:47,640 --> 00:36:52,000
Speaker 5: one never liked the show anyway, it's too precious and

617
00:36:53,440 --> 00:36:57,200
Speaker 5: so you know that. But anyhow, there was a lawsuit

618
00:36:57,360 --> 00:37:02,520
Speaker 5: between the guy that broke your genal script and and

619
00:37:03,280 --> 00:37:10,480
Speaker 5: Universal and CBS and the producers and writers and everybody

620
00:37:10,560 --> 00:37:13,799
Speaker 5: a mass And I didn't know anything about it because

621
00:37:13,880 --> 00:37:16,600
Speaker 5: we were shooting the show in Washington. Yeah.

622
00:37:16,600 --> 00:37:18,360
Speaker 2: Where were you guys? Where did you shoot that?

623
00:37:18,960 --> 00:37:20,040
Speaker 5: Outside Seattle?

624
00:37:20,239 --> 00:37:20,560
Speaker 2: Okay?

625
00:37:20,760 --> 00:37:21,840
Speaker 4: It was supposed to be Alaska?

626
00:37:22,040 --> 00:37:25,120
Speaker 5: Yeah, yeah, man, we couldn't shoot in Alaska because we

627
00:37:25,200 --> 00:37:27,919
Speaker 5: were shooting in the wintertime. You know, it's all dark

628
00:37:28,040 --> 00:37:31,680
Speaker 5: all the time. So we shot in Seattle, where you

629
00:37:31,840 --> 00:37:36,719
Speaker 5: got maybe eight hours of light, you know.

630
00:37:37,680 --> 00:37:40,200
Speaker 2: But what was so joyful about that experience?

631
00:37:40,719 --> 00:37:41,000
Speaker 6: It was.

632
00:37:41,280 --> 00:37:44,520
Speaker 5: It was just so much, so much fun to explore

633
00:37:45,160 --> 00:37:48,840
Speaker 5: the character and the and the town and all the

634
00:37:49,160 --> 00:37:52,600
Speaker 5: you know, all the all the ramifications of it. Yeah,

635
00:37:53,360 --> 00:37:57,080
Speaker 5: and all the people, you know, and how we changed

636
00:37:57,400 --> 00:38:02,480
Speaker 5: throughout the pross this. And then they brought in this

637
00:38:02,680 --> 00:38:07,520
Speaker 5: guy who didn't like it and started messing with it.

638
00:38:08,560 --> 00:38:15,880
Speaker 5: The scripts started getting I mean they were not undecipherable.

639
00:38:16,000 --> 00:38:18,680
Speaker 5: You couldn't figure out what the hell anybody was doing.

640
00:38:20,440 --> 00:38:25,800
Speaker 5: One year we were nominated for the Best Ensemble Cast

641
00:38:26,000 --> 00:38:32,839
Speaker 5: in Television for the SAG Awards. Yeah, And he sent

642
00:38:32,920 --> 00:38:39,279
Speaker 5: a directive up to the set up in Washington, Washington said,

643
00:38:40,200 --> 00:38:43,000
Speaker 5: none of the actors are allowed to speak during the

644
00:38:43,760 --> 00:38:48,319
Speaker 5: during the Screen Actors Guild Awards. The producers will accept the.

645
00:38:49,239 --> 00:38:51,640
Speaker 3: Award because that's who the audience wants to see.

646
00:38:53,120 --> 00:38:55,520
Speaker 5: And I was the only one nominated for an Emmy

647
00:38:55,600 --> 00:38:59,840
Speaker 5: the last in the last season.

648
00:39:00,280 --> 00:39:00,560
Speaker 4: Wow.

649
00:39:00,960 --> 00:39:04,720
Speaker 5: And they said you can't go, and I said, gosh,

650
00:39:05,040 --> 00:39:07,560
Speaker 5: I said, oh I can't. And he said no, you'll

651
00:39:07,600 --> 00:39:10,800
Speaker 5: be working on Monday. You'll be working early Monday, so

652
00:39:10,960 --> 00:39:14,520
Speaker 5: you can't go. And I said, well, I'll tell you

653
00:39:14,680 --> 00:39:19,680
Speaker 5: what that is going to look awful good on this

654
00:39:21,120 --> 00:39:29,200
Speaker 5: on the tabloid that the producers have told Nominee that

655
00:39:29,280 --> 00:39:33,360
Speaker 5: he cannot be at the awards. He said, what do

656
00:39:33,440 --> 00:39:40,840
Speaker 5: you mean. I mean I have a publishist too, and

657
00:39:40,960 --> 00:39:46,520
Speaker 5: he said uh. He he hung up, and then he

658
00:39:46,640 --> 00:39:49,560
Speaker 5: called back letter and said, you can go. So we

659
00:39:49,680 --> 00:39:54,880
Speaker 5: don't have it in the budget for limousine or hotel or.

660
00:39:56,160 --> 00:39:57,600
Speaker 3: Flat down over here.

661
00:39:57,719 --> 00:40:00,160
Speaker 5: Huh. I said, well, I'll tell you what I I'll

662
00:40:01,000 --> 00:40:04,000
Speaker 5: I'll fly down there on the last Carolines and I'll

663
00:40:04,080 --> 00:40:07,880
Speaker 5: stay in Motel six or whatever, the cheapest one I

664
00:40:07,960 --> 00:40:12,040
Speaker 5: can find, and I'll take the cheapest transport I can

665
00:40:12,160 --> 00:40:17,279
Speaker 5: find to the Emmy. And he said what does that mean?

666
00:40:17,440 --> 00:40:21,480
Speaker 5: I said, well, you'll find out. So I called a

667
00:40:21,560 --> 00:40:28,239
Speaker 5: friend of mine who'd been the wrangler. No no, I

668
00:40:29,040 --> 00:40:35,480
Speaker 5: called the wrangler up. Jimmy Madeiras and I said, Jimmy, uh,

669
00:40:36,440 --> 00:40:41,799
Speaker 5: have you got a couple of matching horses that kind

670
00:40:41,840 --> 00:40:47,399
Speaker 5: of flashy looking and uh maybe uh one I'm absolutely

671
00:40:47,560 --> 00:40:52,480
Speaker 5: bomb proof, the other one needs to be used to crowd.

672
00:40:53,880 --> 00:40:54,240
Speaker 2: Stop.

673
00:40:55,600 --> 00:40:57,200
Speaker 5: He said, what are you going to do? I said,

674
00:40:57,320 --> 00:40:59,439
Speaker 5: I'm me and my daughter are going to ride into

675
00:40:59,520 --> 00:40:59,880
Speaker 5: the Emmy.

676
00:41:02,640 --> 00:41:03,400
Speaker 3: Tell me you did this.

677
00:41:03,880 --> 00:41:05,840
Speaker 5: So I told Jimmy that I had to have a

678
00:41:06,920 --> 00:41:10,600
Speaker 5: uh two good one of them one of them can't

679
00:41:10,680 --> 00:41:13,279
Speaker 5: be can't be wild in anyway. The other one I

680
00:41:13,360 --> 00:41:18,840
Speaker 5: don't care. But uh we we need also need to

681
00:41:18,960 --> 00:41:23,440
Speaker 5: pass our license to ride our horses in Pasadena on

682
00:41:23,680 --> 00:41:27,880
Speaker 5: that Sunday and he said, what are you going to do?

683
00:41:27,960 --> 00:41:29,919
Speaker 5: I said, we're going to ride the horse back into

684
00:41:30,000 --> 00:41:34,239
Speaker 5: the image and he said, oh well, I said, how

685
00:41:34,360 --> 00:41:36,160
Speaker 5: much is it going to cost me? And he said,

686
00:41:36,840 --> 00:41:38,840
Speaker 5: not a damn thing. I want to see you do it.

687
00:41:40,480 --> 00:41:44,839
Speaker 5: And so they arranged for it. And at the last

688
00:41:44,960 --> 00:41:48,720
Speaker 5: minute they arranged me to have a flight first class

689
00:41:48,880 --> 00:41:55,000
Speaker 5: down to and the hotel room and the uh and

690
00:41:55,160 --> 00:41:59,239
Speaker 5: the limo. Well that was good because I didn't know

691
00:41:59,320 --> 00:42:01,359
Speaker 5: what I was going to do with the horses when

692
00:42:01,440 --> 00:42:01,920
Speaker 5: I got.

693
00:42:01,840 --> 00:42:04,759
Speaker 3: To the car, the red carpet, imagine that.

694
00:42:05,360 --> 00:42:10,000
Speaker 5: And so I put the wranglers in the limo. That's great,

695
00:42:10,160 --> 00:42:12,400
Speaker 5: and they followed us in.

696
00:42:13,000 --> 00:42:13,600
Speaker 2: So you did this?

697
00:42:15,520 --> 00:42:15,719
Speaker 5: Yeah?

698
00:42:16,440 --> 00:42:16,480
Speaker 6: What?

699
00:42:17,040 --> 00:42:18,719
Speaker 5: Yeah? Shannon rode in with me.

700
00:42:19,600 --> 00:42:21,239
Speaker 2: Please tell me there are photographs of this?

701
00:42:21,719 --> 00:42:25,359
Speaker 5: Well we got was all over the news that day,

702
00:42:25,520 --> 00:42:30,680
Speaker 5: but then then it completely disappeared. It did there there's

703
00:42:32,360 --> 00:42:36,200
Speaker 5: they did an interview with me. Why well, they didn't.

704
00:42:36,320 --> 00:42:39,200
Speaker 5: They didn't want to. They didn't want any publishity.

705
00:42:39,440 --> 00:42:40,840
Speaker 2: Som yeah, I get it.

706
00:42:41,280 --> 00:42:43,520
Speaker 5: They wanted to cancel the show. They didn't want to

707
00:42:43,719 --> 00:42:48,239
Speaker 5: publish they so they so my my horse took a

708
00:42:48,360 --> 00:42:50,760
Speaker 5: dump on them on the carpet.

709
00:42:51,920 --> 00:42:53,839
Speaker 3: Couldn't write it any better, and uh.

710
00:42:54,040 --> 00:42:58,360
Speaker 5: And and the wrangler jumped out of the limo and

711
00:42:58,560 --> 00:43:03,560
Speaker 5: ran off with the horses. And we walked up people cheering,

712
00:43:04,040 --> 00:43:10,360
Speaker 5: laughing and waving to them. You know, Shannon was slinking

713
00:43:10,480 --> 00:43:13,640
Speaker 5: up the side trying to keep out of out of

714
00:43:13,840 --> 00:43:22,600
Speaker 5: sight because she thought I was crazy. And so I

715
00:43:22,719 --> 00:43:26,840
Speaker 5: got up to Army Archard at the at the standing

716
00:43:26,960 --> 00:43:31,480
Speaker 5: there where he's interviewing celebrity arrivals, and he said, well,

717
00:43:31,560 --> 00:43:34,360
Speaker 5: you picked an interesting way to come into the immies.

718
00:43:34,600 --> 00:43:36,279
Speaker 5: Is there a story behind that?

719
00:43:36,920 --> 00:43:39,160
Speaker 2: And your producer held his brad and I.

720
00:43:39,280 --> 00:43:44,959
Speaker 5: Said, well, yeah, apparently there wasn't there. They're not making

721
00:43:45,120 --> 00:43:48,879
Speaker 5: enough money selling coffee cups and sweatshirts and one thing

722
00:43:48,960 --> 00:43:52,359
Speaker 5: and another to be able to cover my expenses down here.

723
00:43:52,480 --> 00:43:58,200
Speaker 5: So I took the cheapest transport I could find, I said,

724
00:43:58,360 --> 00:44:05,080
Speaker 5: CBS and Universe leand there somewhere. So I hadn't worked

725
00:44:05,120 --> 00:44:07,080
Speaker 5: for Universal or CBS.

726
00:44:09,160 --> 00:44:13,239
Speaker 2: You know what the world is not you isn't a

727
00:44:13,280 --> 00:44:16,000
Speaker 2: better place for it, and you are not hurting for work.

728
00:44:16,040 --> 00:44:19,200
Speaker 2: You've continue to ges. I mean, your career has been amazing.

729
00:44:19,280 --> 00:44:20,800
Speaker 6: Well, I can't think of a better story to go

730
00:44:20,920 --> 00:44:25,400
Speaker 6: out on and taking a dump the horse, not on

731
00:44:25,480 --> 00:44:25,839
Speaker 6: the red.

732
00:44:25,760 --> 00:44:28,640
Speaker 2: Carpet, on the red carpet. Well, before we wrap up, Barry,

733
00:44:29,000 --> 00:44:30,440
Speaker 2: is there anything you want to say to the One

734
00:44:30,480 --> 00:44:32,879
Speaker 2: Tree Hill fans that you know have been a part

735
00:44:32,920 --> 00:44:35,120
Speaker 2: of this experience with us and with you.

736
00:44:35,760 --> 00:44:39,640
Speaker 5: Yes, I would like to say to the old One

737
00:44:39,760 --> 00:44:46,360
Speaker 5: Tree Hill fan thank you for your loyalty. When I

738
00:44:46,520 --> 00:44:51,640
Speaker 5: first did this show, I thought, well, this is is

739
00:44:51,760 --> 00:44:57,000
Speaker 5: going to be disposable because it's a number one. That's

740
00:44:57,000 --> 00:45:02,040
Speaker 5: your teenage drama, right, I've been through high school. I

741
00:45:02,120 --> 00:45:07,000
Speaker 5: don't want to go through that angst anymore, and so

742
00:45:07,320 --> 00:45:13,800
Speaker 5: I thought this is not a good idea. But I

743
00:45:13,920 --> 00:45:16,520
Speaker 5: did it, and I'm glad I did and it was

744
00:45:16,640 --> 00:45:22,480
Speaker 5: a wonderful experience, the whole thing, and I've made some

745
00:45:23,440 --> 00:45:31,080
Speaker 5: beautiful lifelong friends here. So thank you for all your loyalty,

746
00:45:31,200 --> 00:45:35,719
Speaker 5: and stay loyal. Bring bring in your grandchildren, get them,

747
00:45:36,560 --> 00:45:40,040
Speaker 5: get them to watching it. I've got We've We've got

748
00:45:40,160 --> 00:45:46,319
Speaker 5: people here, mothers and daughters who were grown people now

749
00:45:47,360 --> 00:45:51,879
Speaker 5: and the main thing it brings them together is reruns

750
00:45:52,000 --> 00:45:57,839
Speaker 5: of One Tree. Hell yeah, and thank you, thank you, Erry.

751
00:45:58,440 --> 00:45:59,960
Speaker 6: This is the longest we've ever got to sit and check,

752
00:46:00,200 --> 00:46:02,320
Speaker 6: but I can do it for a lot longer. You

753
00:46:02,440 --> 00:46:07,000
Speaker 6: are a delight to speak to and your stories are tremendous.

754
00:46:07,320 --> 00:46:07,520
Speaker 4: Yes.

755
00:46:07,719 --> 00:46:10,040
Speaker 2: Is there any place people can follow along with the

756
00:46:10,120 --> 00:46:11,759
Speaker 2: next things that you have going on? Do you have

757
00:46:11,840 --> 00:46:12,440
Speaker 2: a website or.

758
00:46:12,520 --> 00:46:23,360
Speaker 5: Instagram Www dot Barrycorbin dot com. Great, and go to

759
00:46:23,440 --> 00:46:26,520
Speaker 5: the event when you get when you get a picture

760
00:46:26,640 --> 00:46:29,440
Speaker 5: may shutting on a horse, go to right, Just go

761
00:46:29,920 --> 00:46:33,319
Speaker 5: go to the advent and you'll see where I'm I'm

762
00:46:33,600 --> 00:46:36,279
Speaker 5: I'm bearing so fantastic.

763
00:46:38,239 --> 00:46:40,799
Speaker 3: Www dot Barrycorbin dot com.

764
00:46:41,880 --> 00:46:44,920
Speaker 2: Thanks Berry, Thanks Berry, Hey, thanks for listening.

765
00:46:45,080 --> 00:46:47,279
Speaker 4: Don't forget to leave us a review. You can also

766
00:46:47,360 --> 00:46:50,000
Speaker 4: follow us on Instagram at Drama Queen's o.

767
00:46:50,120 --> 00:46:54,280
Speaker 2: T H or email us at Drama Queens at iHeartRadio

768
00:46:54,400 --> 00:46:54,839
Speaker 2: dot com.

769
00:46:55,440 --> 00:46:56,399
Speaker 4: See you next time.

770
00:46:57,680 --> 00:47:01,000
Speaker 1: We all about that High school Drama Girl, Drama Girl,

771
00:47:01,120 --> 00:47:04,080
Speaker 1: all about them High School Queens Forever will take you

772
00:47:04,160 --> 00:47:06,040
Speaker 1: for a ride and our comic girl.

773
00:47:06,560 --> 00:47:09,879
Speaker 2: Cheering for the right teams. Drama queens duise my girl

774
00:47:09,960 --> 00:47:10,960
Speaker 2: of girl Fashion.

775
00:47:11,000 --> 00:47:11,879
Speaker 4: What's your tough girl?

776
00:47:12,000 --> 00:47:17,040
Speaker 1: You could sit with us, Girl Drama, Queens, Drama, Queens, Drama, Queens, Drama, Drama, Queens,

777
00:47:17,160 --> 00:47:18,040
Speaker 1: Drama Queens