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Speaker 1: Time to ask the CLO our Chief Love Officer, Steve Harvey.

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Speaker 1: Here we go with Jamie in Springfield. Jamie writes, I

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Speaker 1: am I'm a thirty three year old married woman. I

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Speaker 1: had an argument with my husband and he said he

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Speaker 1: regrets marrying me. Later on, he apologized and said he

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Speaker 1: didn't mean it. Did he really mean it? Don't people

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Speaker 1: say what they truly feel when they're moved?

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Speaker 2: He said, no, No, people don't really truly me say

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Speaker 2: what they mean when they mad. Sometimes you less some

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Speaker 2: stuff out at the particular moment. He did regret, man,

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Speaker 2: and he meant it at that particular moment. Yeah, he

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Speaker 2: regretted it at that particular moment. But he came back

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Speaker 2: and apologized to you.

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Speaker 3: And she's supposed to let that go.

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Speaker 2: That's pretty well, you know, I ain't never said it

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Speaker 2: out loud.

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Speaker 3: All right, Here you go with the truth. Finally. Yeah,

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Speaker 3: that's pretty bad. That's very hurtful.

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Speaker 2: But that's why, man, you have to be careful in anger. Man,

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Speaker 2: you have to be careful when you're angry. The best

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Speaker 2: thing to do for fellas when you're angry, walk away,

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Speaker 2: because you can't take back a lot of stuff you said.

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Speaker 2: And that goes for women too, because women have very

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Speaker 2: very sharp tongues. Man, because y'all can cut, y'all can

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Speaker 2: cut deep, y'all, y'all got a machete, and y'all y'all

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Speaker 2: can say someff to a man that can damage him

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Speaker 2: and you can't get it back. And we know it's

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Speaker 2: you know, and you should never say something to your

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Speaker 2: partner that you know will hurt them. You can't go

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Speaker 2: to that vulnerable place because now the one person that

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Speaker 2: I love and trust and depend on is out to

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Speaker 2: hurt me.

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Speaker 4: Oh come on, man, you shouldn't do that.

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Speaker 3: You're absolutely right read y h.

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Speaker 4: Okay, because you know your man's weak spot.

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Speaker 3: Yeah, oh yeah, yep, all right, moving on.

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Speaker 1: So so he shouldn't He should apologize and they should

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Speaker 1: try to make it work.

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Speaker 3: That's what you're saying.

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Speaker 4: Well, anger, but he made a big mistake. He shouldn't

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Speaker 4: have said No, he should not have hate our marriage.

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Speaker 3: I don't never say that.

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Speaker 4: That's thing right there.

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Speaker 3: Yeah, you know I.

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Speaker 2: Wish I had never married you.

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Speaker 4: Just saying it makes something.

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Speaker 2: Yeah, Lord, I don't know how you go get that

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Speaker 2: one back.

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Speaker 3: I've never said that one, but you've said it.

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Speaker 4: But but you know you need to say that as

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Speaker 4: you pack it.

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Speaker 2: That's what you say after you signed the least at

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Speaker 2: your other apartment.

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Speaker 3: As from that.

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Speaker 2: Yeah, that's how I'm gone and on the way out here,

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Speaker 2: let me give you something.

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Speaker 4: Yeah, it's like a parting gift.

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Speaker 3: Yeah, exit all right.

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Speaker 1: Oh, Moving on to Gloria in Atlantic City, Gloria says,

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Speaker 1: I'm in a singing group. My boyfriend and my close

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Speaker 1: friends have stopped coming to support me because I sing

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Speaker 1: the same songs every time I perform. They think I

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Speaker 1: need to switch up my songs. Should I switch up

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Speaker 1: my songs or my friends? Is what she wants to know.

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Speaker 4: Gloria and Atlantic, Well, baby, listen to me. You sang

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Speaker 4: the same song.

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Speaker 2: Now, your boyfriend Neil ain't the only one that's hearing

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Speaker 2: these songs. It just some people that go to stuff

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Speaker 2: regular night, and you know they waitt on you to

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Speaker 2: sing some most songs too. What's the matter, you don't

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Speaker 2: know no more.

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Speaker 1: A repertoire.

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Speaker 2: I mean, if we're gonna go down here and all

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Speaker 2: you gonna sing, is it same song?

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Speaker 4: You know what I mean? Songs is out there you

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Speaker 4: can learn. Get your band together, you say she had

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Speaker 4: a group. Yeah, yeah, yeah, but they ain't that good. Thought,

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Speaker 4: take care of anybody.

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Speaker 2: We ain't coming down here here the same song, Yeah,

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Speaker 2: it ain't that good in the same same song.

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Speaker 4: Yeah.

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Speaker 3: So she she's thinking about quitting her friends over.

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Speaker 2: This, Well, you're gonna have to quit a whole You're

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Speaker 2: gonna have to quit going down to that club in

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Speaker 2: a minute because you don't get a new show.

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Speaker 4: Yeah, you gotta get a new show you need.

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Speaker 2: Yeah, you're sitting up in the here and that we're

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Speaker 2: gonna do. If she if she, I know, she finished same,

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Speaker 2: that's supreme till she came.

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Speaker 1: A Broadway show, does the same thing every night for

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Speaker 1: months and months.

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Speaker 4: Residence in Vegas.

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Speaker 2: Yeah, yeah, yeah, she ain't got none of that. She

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Speaker 2: ain't got none of that. She ain't on Broadways. She

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Speaker 2: ain't got no residency. She down there Piccolos all right.

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Speaker 1: Moving on to Avenel and Tyler, Avenel writes, I love

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Speaker 1: to drink and have a good time, and when I drink,

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Speaker 1: I get flirty. My husband knows how I am, and

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Speaker 1: after twenty two years of marriage, it shouldn't bother him.

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Speaker 1: He said that he does not trust me, and is

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Speaker 1: this just an excuse? Avanel wants to know to keep

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Speaker 1: me out of the club so he can just go.

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Speaker 4: Avenel.

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Speaker 3: You don't seething?

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Speaker 4: None wrong you're doing?

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Speaker 1: You're doing?

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Speaker 4: Is this just here? He know how I am? Is

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Speaker 4: this his way of keeping me out the clubs so

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Speaker 4: he can go by hisself? Avenel? He tired of?

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Speaker 2: You know? Yes with Avenel, guys an Avenel?

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Speaker 4: You own an Avenel.

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Speaker 3: Because of the name Avenel.

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Speaker 4: Maxine Jackson.

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Speaker 3: What is her husband's name?

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Speaker 2: Beautfut Beautford Rolling Jackson.

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Speaker 3: Jenail Maxine and Buford Rolling. Okay, wow, so he doesn't.

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Speaker 4: You need to quit drinking?

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Speaker 3: Yeah, and stop flirting in the club? Husband, What are

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Speaker 3: you doing?

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Speaker 2: He don't trust you? Why y'all still at the club?

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Speaker 2: The name Avenue? Y'all at a tavern.

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Speaker 3: Of marriage?

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Speaker 4: Yeah?

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Speaker 1: All right, last one, Steve, Here we go. This is

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Speaker 1: from Morris in Baton Rouge. Morris says, my wife and

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Speaker 1: I see a lot of men going in and out

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Speaker 1: of the neighbor's house. She just moved in and told

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Speaker 1: us that she's a massage therapist. She only massages men.

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Speaker 1: From what we can see.

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Speaker 3: Is she doing more than rubbing on.

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Speaker 1: Those men.

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Speaker 4: Who wrote this letter?

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Speaker 1: The husband Morris Morris, you know what's happening over there.

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Speaker 3: And he wants to go over there.

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Speaker 2: What is Morris Morris trying to find figure out before

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Speaker 2: he signed up for his massage?

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Speaker 4: Is in more to it? And Morris, you know good

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Speaker 4: and well. If I'm over your house and I'm laying

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Speaker 4: on the table, okay, and you rubbing me.

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Speaker 3: Come on, that's the scene. That's the scene.

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Speaker 4: Uh huh, I hear. I'm all involved your thumb. You're

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Speaker 4: doing glutes. You're doing glutes.

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Speaker 3: Massage.

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Speaker 4: Eventually, I'm gonna have to turn over.

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Speaker 1: All right on that note, Thank god, we're out of time.

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Speaker 3: You're listening Steve Harvey Morning Show