1 00:00:01,120 --> 00:00:05,680 Speaker 1: Hello, becoming an icon and Nation Nation? 2 00:00:06,200 --> 00:00:07,280 Speaker 2: Is that what we're doing now? 3 00:00:07,440 --> 00:00:12,039 Speaker 3: Don't mess with my flow, and today we're switching things up. 4 00:00:12,320 --> 00:00:16,320 Speaker 4: That's right, Joseph, because we're discussing two icons, this time 5 00:00:16,600 --> 00:00:19,520 Speaker 4: for a roundup of their trail blazing careers. 6 00:00:20,000 --> 00:00:23,360 Speaker 3: Bruno Mars and Selena Gomez had an unapologetic choke hold 7 00:00:23,400 --> 00:00:24,280 Speaker 3: on the twenty. 8 00:00:24,000 --> 00:00:27,320 Speaker 4: Tens, so we've brought back our very special guest and girl, 9 00:00:27,520 --> 00:00:31,400 Speaker 4: Danny Sayan from Thetas Week of Podcasts to discuss both 10 00:00:31,680 --> 00:00:34,159 Speaker 4: of their impacts. 11 00:00:35,720 --> 00:00:38,800 Speaker 2: I'm your host, Lilianavoscaz. 12 00:00:37,880 --> 00:00:42,239 Speaker 3: And I'm Joseph Carrio and this is Becoming an Icon. 13 00:00:42,680 --> 00:00:45,199 Speaker 4: A weekly podcast where we give you the rundown on 14 00:00:45,200 --> 00:00:49,519 Speaker 4: how today's most famous latinv stars have shaped pop culture. 15 00:00:49,440 --> 00:00:51,640 Speaker 1: And given the world some extra level. 16 00:00:52,200 --> 00:00:54,400 Speaker 2: Sit back and get comfortable. 17 00:00:54,240 --> 00:00:58,200 Speaker 3: Because we are going in the only way we know how, 18 00:00:58,440 --> 00:01:02,920 Speaker 3: with Buena's beras, Gonas, reesas and a. 19 00:01:02,960 --> 00:01:06,440 Speaker 4: Lot of opinions as we relive their greatest achievements on 20 00:01:06,480 --> 00:01:09,520 Speaker 4: our journey to find out what makes them so iconic. 21 00:01:19,240 --> 00:01:22,679 Speaker 4: I cannot believe that we have come to the end 22 00:01:23,080 --> 00:01:25,480 Speaker 4: of both Bruno and Selena. 23 00:01:25,560 --> 00:01:27,400 Speaker 2: This is going way too fast and I need to 24 00:01:27,440 --> 00:01:29,280 Speaker 2: slow down. This is not good. This is like my child. 25 00:01:29,480 --> 00:01:31,520 Speaker 2: He's growing up too fast. The podcast is going by 26 00:01:31,520 --> 00:01:32,000 Speaker 2: too fast. 27 00:01:32,480 --> 00:01:37,320 Speaker 3: Honestly, becoming an icon will never be the same. It's 28 00:01:37,400 --> 00:01:40,640 Speaker 3: like a year without rain. I feel like I've been 29 00:01:40,680 --> 00:01:42,960 Speaker 3: locked out of heaven, Like who. 30 00:01:42,959 --> 00:01:47,440 Speaker 2: Says okay, Okay, my sympathy's Joseph. Same here. 31 00:01:48,120 --> 00:01:50,880 Speaker 4: But I have a little surprise for you that's going 32 00:01:50,960 --> 00:01:55,360 Speaker 4: to maybe cheer you up. Do you remember the gorgeous Danny. 33 00:01:55,120 --> 00:01:59,720 Speaker 3: Saym Exki yows me, the fabulous voice behind the mic 34 00:01:59,760 --> 00:02:05,240 Speaker 3: ofs RICA podcast, the young Peruvian and bad psychologist. 35 00:02:05,680 --> 00:02:07,680 Speaker 1: How can I forget Well? 36 00:02:07,880 --> 00:02:11,720 Speaker 4: Lucky for you and for our listeners, she is back, Danny. 37 00:02:11,800 --> 00:02:13,600 Speaker 5: It's so good to have you back on the show. 38 00:02:14,320 --> 00:02:18,200 Speaker 3: Hi, guys, and you'll be absolutely gorgeous with your makeup 39 00:02:18,240 --> 00:02:20,160 Speaker 3: and your eyeliner stop. 40 00:02:20,840 --> 00:02:23,359 Speaker 6: Thank you so much for having me again. I love 41 00:02:23,400 --> 00:02:24,680 Speaker 6: your podcast, by the way. 42 00:02:24,880 --> 00:02:26,800 Speaker 4: You are so kind, and we loved having you on 43 00:02:26,880 --> 00:02:30,840 Speaker 4: because you bring such a different layer to the conversation, 44 00:02:31,240 --> 00:02:34,639 Speaker 4: and we thought who better than to lead us through 45 00:02:34,639 --> 00:02:38,240 Speaker 4: the lives of two massive stars who are still I 46 00:02:38,320 --> 00:02:42,200 Speaker 4: want to say, on the young end of their careers, 47 00:02:42,240 --> 00:02:45,880 Speaker 4: like it's not over yet. Like they are baby icons, 48 00:02:45,919 --> 00:02:49,680 Speaker 4: but they are true icons in their own right. And 49 00:02:50,080 --> 00:02:53,680 Speaker 4: both of them are interesting because while they're fiercely proud 50 00:02:53,680 --> 00:02:59,119 Speaker 4: of their heritage, neither Selena nor Bruno were born in 51 00:02:59,200 --> 00:03:02,480 Speaker 4: Mexico or Puerto Rico, respectively, but they're so proud of 52 00:03:02,480 --> 00:03:06,240 Speaker 4: it and they're so vocal about it. So, from your perspective, Danny, 53 00:03:06,240 --> 00:03:09,680 Speaker 4: how does their culture and heritage impact their music and 54 00:03:09,760 --> 00:03:12,880 Speaker 4: who they are as individuals and personalities in the pop 55 00:03:12,919 --> 00:03:13,880 Speaker 4: culture world today. 56 00:03:14,520 --> 00:03:18,519 Speaker 6: I feel that it has allowed them to be really 57 00:03:18,720 --> 00:03:21,880 Speaker 6: truth and authentic in who they are and stay that 58 00:03:21,919 --> 00:03:23,200 Speaker 6: way throughout their career. 59 00:03:23,960 --> 00:03:25,920 Speaker 5: Because I love Selena Gomez. 60 00:03:26,240 --> 00:03:30,240 Speaker 1: Got me too. I love her so much. I couldn't 61 00:03:30,280 --> 00:03:31,000 Speaker 1: wait to talk about her. 62 00:03:31,120 --> 00:03:33,440 Speaker 4: You're in the right place, You're amongst friends. This is 63 00:03:33,480 --> 00:03:36,200 Speaker 4: the safe zone. This is a Selena safe zone. 64 00:03:36,840 --> 00:03:37,800 Speaker 5: Great, I love her. 65 00:03:38,760 --> 00:03:41,080 Speaker 4: Now We're gonna talk Bruno a little bit later, but 66 00:03:41,160 --> 00:03:43,840 Speaker 4: let's start with Selena, because I think when you hear 67 00:03:44,280 --> 00:03:48,480 Speaker 4: fame and you hear the word celebrity and paparazzi and 68 00:03:48,520 --> 00:03:51,480 Speaker 4: pop culture, I mean, she is the most followed woman 69 00:03:51,520 --> 00:03:58,040 Speaker 4: on Instagram, Selena has a really unique relationship with fame. 70 00:03:58,600 --> 00:04:01,400 Speaker 4: How would you characterize relationship with the Spotlight. 71 00:04:03,280 --> 00:04:05,680 Speaker 5: I think it has been really tough on her. 72 00:04:05,760 --> 00:04:08,160 Speaker 6: I love everything that she puts out there ever since 73 00:04:08,200 --> 00:04:09,360 Speaker 6: I was a kid and I watched her. 74 00:04:09,520 --> 00:04:11,920 Speaker 5: I watched her on Barney and. 75 00:04:12,320 --> 00:04:16,640 Speaker 6: Wizards of Waverly Plays and all throughout her starts on 76 00:04:16,920 --> 00:04:23,640 Speaker 6: her star career on Disney Channel. But I remember when 77 00:04:23,720 --> 00:04:26,240 Speaker 6: she came out with this statement of it was too 78 00:04:26,279 --> 00:04:29,720 Speaker 6: much for her. At first I didn't understand, but then 79 00:04:29,880 --> 00:04:33,719 Speaker 6: as I grew up, I realized how much she put 80 00:04:33,760 --> 00:04:36,960 Speaker 6: out there of her, like her personal life, everything that 81 00:04:37,040 --> 00:04:40,800 Speaker 6: she was doing, who she was dating, and everyone had 82 00:04:40,880 --> 00:04:43,599 Speaker 6: something to say about it. So I think that was 83 00:04:43,640 --> 00:04:47,880 Speaker 6: a lot. I can understand why she had to take 84 00:04:47,920 --> 00:04:51,120 Speaker 6: a break for a little bit and how she was 85 00:04:51,680 --> 00:04:52,360 Speaker 6: going through it. 86 00:04:52,920 --> 00:04:53,440 Speaker 1: I kind of. 87 00:04:53,360 --> 00:04:55,279 Speaker 3: Feel like the reason she is one of the most 88 00:04:55,920 --> 00:04:59,440 Speaker 3: famous people in the world and followed on Instagram is 89 00:04:59,440 --> 00:05:02,320 Speaker 3: because of that vulnerability that she let us all in 90 00:05:02,600 --> 00:05:06,120 Speaker 3: and there wasn't really like a protection layer like pr 91 00:05:06,160 --> 00:05:08,080 Speaker 3: and stuff. So we just kind of fell in love 92 00:05:08,120 --> 00:05:10,920 Speaker 3: with her, and she felt like our sister or cousin 93 00:05:11,080 --> 00:05:13,520 Speaker 3: or something related to us that we felt like we 94 00:05:13,560 --> 00:05:16,520 Speaker 3: could say whatever we wanted as well. She was so 95 00:05:16,680 --> 00:05:20,640 Speaker 3: relatable as opposed to someone like Kim Kardashian, like you 96 00:05:20,680 --> 00:05:22,440 Speaker 3: know that you'll never be in a room with her, 97 00:05:22,880 --> 00:05:25,640 Speaker 3: you know, so. I think her vulnerability also was just 98 00:05:25,720 --> 00:05:28,680 Speaker 3: kind of like why people fell in love with her. 99 00:05:29,640 --> 00:05:33,520 Speaker 6: Also, I think me growing up in Peru and watching 100 00:05:33,560 --> 00:05:36,800 Speaker 6: her and being and seeing her so proud of where 101 00:05:36,800 --> 00:05:39,120 Speaker 6: she came from, it made me believe it. 102 00:05:39,200 --> 00:05:40,080 Speaker 5: Oh I could do it. 103 00:05:40,480 --> 00:05:42,760 Speaker 6: Oh she may be believe that I was capable of 104 00:05:42,800 --> 00:05:43,840 Speaker 6: doing something. 105 00:05:44,720 --> 00:05:46,440 Speaker 4: I will say that I'm just going to play a 106 00:05:46,480 --> 00:05:49,000 Speaker 4: little bit of Devil's advocate because you know, as an 107 00:05:49,160 --> 00:05:52,880 Speaker 4: entertainment reporter, I see both sides of the coin, and 108 00:05:53,120 --> 00:05:56,239 Speaker 4: I think what happens, and you see this happening a lot. Now, 109 00:05:56,640 --> 00:05:58,520 Speaker 4: at least it's different because we have social media and 110 00:05:58,560 --> 00:06:00,359 Speaker 4: they can control the narrative a little bit more. But 111 00:06:00,400 --> 00:06:02,640 Speaker 4: back when Selena was coming up, and you know, the 112 00:06:02,680 --> 00:06:06,520 Speaker 4: first round with Justin, I think what happens is if 113 00:06:06,520 --> 00:06:12,240 Speaker 4: an entertainer lets you into their let's call a figurative house, right, 114 00:06:12,480 --> 00:06:15,920 Speaker 4: they open the doors, they invite you in, they share 115 00:06:16,120 --> 00:06:20,599 Speaker 4: a lot. It's very very hard to get the people 116 00:06:20,800 --> 00:06:22,000 Speaker 4: out of your house. You know, when you have a 117 00:06:22,000 --> 00:06:26,320 Speaker 4: party and those people overstay. Well, the world were the 118 00:06:26,360 --> 00:06:29,520 Speaker 4: people that overstayed with Selena. And so I think it's 119 00:06:29,600 --> 00:06:32,440 Speaker 4: hard because you want to invite people in, you want 120 00:06:32,440 --> 00:06:34,400 Speaker 4: to be vulnerable, you want to be connected to them, 121 00:06:34,440 --> 00:06:36,200 Speaker 4: you want to feel real. She wants to feel like 122 00:06:36,200 --> 00:06:38,279 Speaker 4: the little girl that grew up in Dallas, right, But 123 00:06:38,400 --> 00:06:42,240 Speaker 4: you're not. You are a global icon followed by you know, 124 00:06:42,360 --> 00:06:45,040 Speaker 4: millions and millions and millions and millions of people. And 125 00:06:45,120 --> 00:06:48,720 Speaker 4: so it works in your favor when you're on the 126 00:06:48,839 --> 00:06:51,680 Speaker 4: up and up and everything is golden and things are 127 00:06:51,800 --> 00:06:54,840 Speaker 4: fine and everyone's in love and it's rainbows and kittens 128 00:06:54,839 --> 00:06:58,679 Speaker 4: and butterflies. But what starts to happen when real life 129 00:06:58,720 --> 00:07:02,240 Speaker 4: happens to you. You don't want people in your house 130 00:07:02,400 --> 00:07:06,159 Speaker 4: observing you in those vulnerable states. And so that for me, 131 00:07:06,320 --> 00:07:09,960 Speaker 4: has been hard for her because she was so accessible 132 00:07:10,040 --> 00:07:12,440 Speaker 4: to all of us, But then on the flip side, 133 00:07:12,960 --> 00:07:15,000 Speaker 4: she didn't want us there when she didn't want us there, 134 00:07:15,040 --> 00:07:18,720 Speaker 4: And it's hard because we're an insatiable monster. That's what 135 00:07:18,800 --> 00:07:23,160 Speaker 4: happens with entertainment. We create this relationship that is a 136 00:07:23,200 --> 00:07:26,240 Speaker 4: false relationship. It is a false sense of closeness. And 137 00:07:26,240 --> 00:07:28,400 Speaker 4: I'm not trying to be Debbie Downer here, but like, 138 00:07:28,520 --> 00:07:31,080 Speaker 4: let's be honest, none of this is real. 139 00:07:31,160 --> 00:07:33,200 Speaker 2: These people don't know you, they're not your friends. 140 00:07:33,240 --> 00:07:34,600 Speaker 4: Like I see this a lot when I see like 141 00:07:34,640 --> 00:07:37,920 Speaker 4: these tailor girls at the concert, I'm like, it's a business. 142 00:07:37,920 --> 00:07:40,720 Speaker 4: Like she's not actually inviting you to her townhouse in 143 00:07:40,720 --> 00:07:43,680 Speaker 4: the West Village, Like you're not actually going to dinner 144 00:07:43,800 --> 00:07:47,280 Speaker 4: with her. And like Kara Della Vine, it is all 145 00:07:47,320 --> 00:07:51,280 Speaker 4: built to create a false sense of closeness. And I 146 00:07:51,360 --> 00:07:54,280 Speaker 4: think what was unique about Selena is she made that 147 00:07:54,320 --> 00:07:57,080 Speaker 4: false sense of closeness feel very real for us, and 148 00:07:57,160 --> 00:08:00,640 Speaker 4: so we were very invested in everything that she did, 149 00:08:00,720 --> 00:08:05,600 Speaker 4: including obviously her relationship with Justin, obviously her music, her films, 150 00:08:05,680 --> 00:08:06,480 Speaker 4: everything she did. 151 00:08:06,360 --> 00:08:07,040 Speaker 2: We wanted in on. 152 00:08:07,440 --> 00:08:11,200 Speaker 4: But at the same time, nobody can handle that level 153 00:08:11,320 --> 00:08:15,280 Speaker 4: of attention and access to strangers because we are strangers 154 00:08:15,280 --> 00:08:15,600 Speaker 4: to her. 155 00:08:15,920 --> 00:08:16,800 Speaker 1: That's so hard. 156 00:08:16,800 --> 00:08:19,440 Speaker 4: That's why when you see the show and you watch 157 00:08:19,480 --> 00:08:23,160 Speaker 4: the documentary, I, as an entertainment reporter, felt bad because 158 00:08:23,240 --> 00:08:25,720 Speaker 4: I was part of the system that caused her to crash. 159 00:08:26,040 --> 00:08:29,320 Speaker 6: A lot of people in the past, or people that 160 00:08:29,400 --> 00:08:33,480 Speaker 6: I grew up seeing, like celebrities didn't know how to 161 00:08:33,920 --> 00:08:36,760 Speaker 6: set boundaries to the fame. That's why we see so 162 00:08:36,840 --> 00:08:41,760 Speaker 6: many celebrities from that time opening up and being, oh, 163 00:08:41,840 --> 00:08:42,720 Speaker 6: this is my documentary. 164 00:08:42,720 --> 00:08:43,720 Speaker 5: I actually went through it. 165 00:08:43,760 --> 00:08:47,760 Speaker 6: But I think what was I guess harder for Selena 166 00:08:47,880 --> 00:08:51,640 Speaker 6: was that she was growing up. She grew up without 167 00:08:52,080 --> 00:08:55,480 Speaker 6: setting any type of boundary. I think now with social media, 168 00:08:55,520 --> 00:08:58,680 Speaker 6: it's easier for people to put themselves out there, but 169 00:08:58,760 --> 00:09:01,760 Speaker 6: to a certain degree of Okay, this is where I 170 00:09:01,880 --> 00:09:04,520 Speaker 6: draw the line of I'm not going to let people 171 00:09:04,600 --> 00:09:08,720 Speaker 6: into my privacy like that. But before fame was controlling 172 00:09:08,800 --> 00:09:13,040 Speaker 6: a completely different way where you needed to connect with 173 00:09:13,120 --> 00:09:16,720 Speaker 6: your audience in a more vulnerable way. 174 00:09:17,000 --> 00:09:21,600 Speaker 5: So you can draw the line. 175 00:09:26,840 --> 00:09:30,600 Speaker 3: So like bottom line right now with Selena's relationship with fame, 176 00:09:30,679 --> 00:09:33,440 Speaker 3: right now, where is she like after the documentary, now 177 00:09:33,480 --> 00:09:35,800 Speaker 3: that she has wear Beauty, now that she's like back 178 00:09:35,840 --> 00:09:38,400 Speaker 3: on Instagram and you know, like she has this new 179 00:09:38,480 --> 00:09:39,439 Speaker 3: music video. 180 00:09:39,840 --> 00:09:42,040 Speaker 1: Like, where where do you guys think she actually is? 181 00:09:42,440 --> 00:09:44,280 Speaker 4: I'm going to go back to Facebook. I think that's 182 00:09:44,280 --> 00:09:47,200 Speaker 4: a great question, Joseph. I think that my answer to 183 00:09:47,200 --> 00:09:49,920 Speaker 4: that is that remember when Facebook used to have a 184 00:09:49,960 --> 00:09:51,640 Speaker 4: status called It's complicated. 185 00:09:54,000 --> 00:09:57,120 Speaker 3: I think it's yes, it's my relationship status right now 186 00:09:57,160 --> 00:09:58,480 Speaker 3: with the person that I'm love, I'm. 187 00:09:58,360 --> 00:10:00,959 Speaker 2: Okay complicated for her. 188 00:10:01,040 --> 00:10:03,360 Speaker 4: For a lot of celebrities, being able to control the 189 00:10:03,440 --> 00:10:06,160 Speaker 4: narrative through their own social media has given them a 190 00:10:06,200 --> 00:10:08,520 Speaker 4: sense of stability, And I think for Selena it does 191 00:10:08,559 --> 00:10:10,079 Speaker 4: that she can turn it on and turn it off 192 00:10:10,120 --> 00:10:11,360 Speaker 4: whenever she wants, which, by. 193 00:10:11,280 --> 00:10:12,360 Speaker 2: The way, she does. 194 00:10:12,640 --> 00:10:15,160 Speaker 4: She goes dark on TikTok or on Instagram when she 195 00:10:15,200 --> 00:10:18,640 Speaker 4: needs a break, and what has happened is she doesn't 196 00:10:18,679 --> 00:10:21,480 Speaker 4: need mass media to speak to her fans anymore. 197 00:10:21,640 --> 00:10:24,040 Speaker 2: I always say this, like, you know, entertainment. 198 00:10:23,600 --> 00:10:25,920 Speaker 4: News shows like the shows I worked on for a 199 00:10:26,000 --> 00:10:28,360 Speaker 4: decade are a dying breed. We're like going to go 200 00:10:28,400 --> 00:10:31,280 Speaker 4: extinct soon because fans don't want to hear it through 201 00:10:31,320 --> 00:10:34,960 Speaker 4: the filter of Access Hollywood or E News or entertainment tonight. 202 00:10:35,120 --> 00:10:36,720 Speaker 4: They want to hear it from the source, and the 203 00:10:36,720 --> 00:10:39,800 Speaker 4: sources of the celebrity, and the celebrities control that microphone. 204 00:10:39,840 --> 00:10:41,000 Speaker 2: So I think it's complicated. 205 00:10:41,040 --> 00:10:43,480 Speaker 4: I think she turns up the mic when she needs 206 00:10:43,559 --> 00:10:46,520 Speaker 4: support for her projects, when she wants to get out 207 00:10:46,559 --> 00:10:48,000 Speaker 4: there and feel connected. 208 00:10:47,559 --> 00:10:49,200 Speaker 2: And then she turns it down when she needs a break. 209 00:10:49,200 --> 00:10:50,280 Speaker 2: And good for her. 210 00:10:50,720 --> 00:10:53,080 Speaker 4: I actually think this is an amazing thing, especially for 211 00:10:53,200 --> 00:10:56,840 Speaker 4: young women coming up in this industry, whether they're actors, 212 00:10:56,920 --> 00:11:00,160 Speaker 4: actresses or musicians. I think it's important for them to 213 00:11:00,200 --> 00:11:02,480 Speaker 4: hold those reins because for so long they didn't and 214 00:11:02,520 --> 00:11:03,480 Speaker 4: we saw what happened. 215 00:11:03,840 --> 00:11:07,959 Speaker 6: I feel like she especially recently with the whole TikTok 216 00:11:08,080 --> 00:11:11,440 Speaker 6: thing going on with Haley Beaber, and she turned on 217 00:11:11,480 --> 00:11:14,480 Speaker 6: the live and she said, well, I need a break, 218 00:11:14,800 --> 00:11:18,160 Speaker 6: and then she took the break. She was like, I 219 00:11:18,240 --> 00:11:21,120 Speaker 6: have to set a boundary, and she did it, and 220 00:11:21,640 --> 00:11:22,760 Speaker 6: I really respect that. 221 00:11:23,000 --> 00:11:25,600 Speaker 4: And I think that also shows her growth and maturity 222 00:11:25,640 --> 00:11:27,600 Speaker 4: as an artist, but more importantly, I think just as 223 00:11:27,600 --> 00:11:31,160 Speaker 4: a human being, just in her own self protection. And 224 00:11:31,400 --> 00:11:33,240 Speaker 4: that brings me to Bruno Marge, because I think they're 225 00:11:33,240 --> 00:11:35,559 Speaker 4: so different. Number one, I think men and women are 226 00:11:35,600 --> 00:11:39,120 Speaker 4: treated so differently in this industry. I think the grace 227 00:11:39,160 --> 00:11:41,280 Speaker 4: that we give men we do not give women. Danny, 228 00:11:41,360 --> 00:11:43,480 Speaker 4: how do you feel about that? Because Bruno has not 229 00:11:43,679 --> 00:11:47,040 Speaker 4: had the same attention, and he's as big, if not bigger, 230 00:11:47,080 --> 00:11:48,760 Speaker 4: of a musician than she is. 231 00:11:48,840 --> 00:11:52,240 Speaker 6: I feel like with men and women, there's always going 232 00:11:52,320 --> 00:11:56,400 Speaker 6: to be more attention drawn to women just because of 233 00:11:56,440 --> 00:12:01,160 Speaker 6: how much is expected from them with men. Well, I 234 00:12:01,200 --> 00:12:04,200 Speaker 6: feel Bruno Mars is so talented. I love everything that 235 00:12:04,240 --> 00:12:06,640 Speaker 6: he puts out there, but I really haven't heard that 236 00:12:06,800 --> 00:12:09,080 Speaker 6: much from him lately, Like. 237 00:12:09,000 --> 00:12:11,680 Speaker 1: In terms of like scandal, fame, YadA, YadA. 238 00:12:11,720 --> 00:12:14,200 Speaker 4: He's no drama, He's Mary J. Blige, no drama in 239 00:12:14,200 --> 00:12:18,120 Speaker 4: his life. No, Danny, I do want to talk to 240 00:12:18,120 --> 00:12:22,959 Speaker 4: you a little bit about how and why you consider 241 00:12:23,000 --> 00:12:25,240 Speaker 4: them icons, because Joseph and I go back and forth 242 00:12:25,320 --> 00:12:28,480 Speaker 4: on this show all the time. What makes somebody an icon? 243 00:12:28,600 --> 00:12:31,680 Speaker 4: How did they get on the list for you personally, Danny, 244 00:12:32,200 --> 00:12:35,080 Speaker 4: why would you consider Bruno Mars an icon? 245 00:12:36,080 --> 00:12:39,840 Speaker 5: I feel with him it's just been more with music. 246 00:12:40,000 --> 00:12:42,640 Speaker 5: I've always felt so beautiful with his songs. I'm going 247 00:12:42,720 --> 00:12:43,240 Speaker 5: to say. 248 00:12:43,040 --> 00:12:46,959 Speaker 6: That just the way you are, oh, this beautiful masterpiece. 249 00:12:47,679 --> 00:12:51,440 Speaker 6: I feel like he was one of the first artists 250 00:12:51,800 --> 00:12:58,400 Speaker 6: that made me cry from a song. I believe which song? 251 00:12:58,720 --> 00:13:01,199 Speaker 6: When I was your man, when I was your way? 252 00:13:01,440 --> 00:13:02,920 Speaker 6: Why what happened? 253 00:13:04,080 --> 00:13:07,240 Speaker 5: I was just not the thing, Nothing really happened. 254 00:13:07,240 --> 00:13:10,280 Speaker 6: It was just so much sentiment and so much That 255 00:13:10,360 --> 00:13:12,600 Speaker 6: song is just beautiful. I feel every song that he 256 00:13:12,640 --> 00:13:16,040 Speaker 6: puts out there has so much feeling and for the 257 00:13:16,160 --> 00:13:19,000 Speaker 6: time that I was growing up, I didn't see that 258 00:13:19,240 --> 00:13:21,440 Speaker 6: like much of it, and I feel he never lost 259 00:13:21,480 --> 00:13:25,080 Speaker 6: his thing for putting feeling into the songs. 260 00:13:25,679 --> 00:13:29,200 Speaker 4: Bruno Mars, to me, is going to go down as 261 00:13:29,280 --> 00:13:33,160 Speaker 4: one of the best musicians and performers in the history 262 00:13:33,280 --> 00:13:35,320 Speaker 4: of like pop, rock, whatever you want to call it. 263 00:13:35,400 --> 00:13:37,559 Speaker 4: I think that is what makes him an icon that 264 00:13:37,600 --> 00:13:39,360 Speaker 4: you can't define it right. 265 00:13:39,400 --> 00:13:42,040 Speaker 2: The music is undefinable because. 266 00:13:41,840 --> 00:13:48,439 Speaker 4: He is so lyrically and musically ahead of his contemporaries 267 00:13:48,480 --> 00:13:51,400 Speaker 4: in terms of how he understands, like you said, Danny, 268 00:13:51,440 --> 00:13:54,319 Speaker 4: the lyrics that will make somebody cry. But pairing that 269 00:13:54,559 --> 00:13:57,720 Speaker 4: with the history that he understands about music and his 270 00:13:57,960 --> 00:14:02,880 Speaker 4: sound is uniquely his. In a world where everything is derivative, 271 00:14:03,559 --> 00:14:08,280 Speaker 4: Bruno Mars is a unique sound. Nobody sounds like you know, 272 00:14:08,400 --> 00:14:13,000 Speaker 4: Nobody composes like Bruno, Nobody dances like Bruno, Nobody plays 273 00:14:13,000 --> 00:14:15,400 Speaker 4: instruments like Bruno. I will tell you this, I don't 274 00:14:15,480 --> 00:14:18,080 Speaker 4: let my son listen to a lot of pop music. 275 00:14:19,600 --> 00:14:21,720 Speaker 4: The artist that I let my son listen to is 276 00:14:21,760 --> 00:14:26,320 Speaker 4: Bruno Mars because I want Santi to have an appreciation 277 00:14:26,520 --> 00:14:31,440 Speaker 4: for music that goes across genre, across age across demographic 278 00:14:31,760 --> 00:14:34,520 Speaker 4: and to me, that is the perfect introduction to him 279 00:14:34,840 --> 00:14:38,120 Speaker 4: into music because it's such a complex sound. I want 280 00:14:38,120 --> 00:14:41,200 Speaker 4: my son's ears to train on that, and my son 281 00:14:41,280 --> 00:14:44,040 Speaker 4: can sing almost all of the lyrics to Treasure. It's 282 00:14:44,240 --> 00:14:47,800 Speaker 4: unbelievable at least two years old. Two years old, that's 283 00:14:47,840 --> 00:14:50,160 Speaker 4: the music I want him to understand. So for me, 284 00:14:50,280 --> 00:14:51,160 Speaker 4: he is such an icon. 285 00:14:51,440 --> 00:14:54,160 Speaker 3: I agree with you one million percent where I have 286 00:14:54,240 --> 00:14:57,040 Speaker 3: said it before. His sound is so unique. There is 287 00:14:57,120 --> 00:14:59,760 Speaker 3: nothing like it, just like there is nothing like Shakidas 288 00:15:00,640 --> 00:15:02,720 Speaker 3: before the sound in the nineties, there was just nothing. 289 00:15:02,760 --> 00:15:04,080 Speaker 1: Bruno mars Is has like a. 290 00:15:04,240 --> 00:15:07,720 Speaker 3: Separate category of music that you know, he's considered what 291 00:15:07,840 --> 00:15:09,760 Speaker 3: pop and R and B and it's like everything. 292 00:15:09,920 --> 00:15:12,400 Speaker 4: You're right because he has also not released new music 293 00:15:12,520 --> 00:15:17,360 Speaker 4: in a very long time. He's long overdue for an album, Denny, 294 00:15:17,360 --> 00:15:20,120 Speaker 4: Do you know anything about something forthcoming with him? 295 00:15:20,160 --> 00:15:23,920 Speaker 2: Have you heard any intel at least recently? 296 00:15:24,440 --> 00:15:24,840 Speaker 5: None? 297 00:15:24,960 --> 00:15:27,440 Speaker 3: But wait, hold on, I do know who else has 298 00:15:27,520 --> 00:15:34,080 Speaker 3: new music out right now? Ooh, Selena, Selena Gomez. I mean, 299 00:15:34,680 --> 00:15:35,680 Speaker 3: have you heard the song? 300 00:15:36,400 --> 00:15:36,680 Speaker 2: Yes? 301 00:15:37,440 --> 00:15:40,280 Speaker 3: What were the very first thoughts that you had as 302 00:15:40,320 --> 00:15:41,160 Speaker 3: you heard it? 303 00:15:41,240 --> 00:15:42,760 Speaker 1: Like it played and you were like. 304 00:15:44,120 --> 00:15:45,560 Speaker 4: Okay, So the name by the way, in case you 305 00:15:45,560 --> 00:15:47,800 Speaker 4: guys have not heard the song, so the song is 306 00:15:47,840 --> 00:15:50,960 Speaker 4: called single Soon. The first that I had was I 307 00:15:51,000 --> 00:15:54,960 Speaker 4: cannot wait to make a TikTok to this song. It's very, 308 00:15:55,120 --> 00:15:57,000 Speaker 4: very good. I actually really like it. I think it's 309 00:15:57,040 --> 00:15:59,200 Speaker 4: like it's that type of Selena song that I want 310 00:15:59,240 --> 00:16:01,200 Speaker 4: to hear. I feel that because every time she writes 311 00:16:01,240 --> 00:16:04,080 Speaker 4: a song, it all gets wrapped up in. 312 00:16:04,000 --> 00:16:05,320 Speaker 2: Her relationship history. 313 00:16:05,680 --> 00:16:05,840 Speaker 6: Heard. 314 00:16:06,160 --> 00:16:08,520 Speaker 4: Yeah, people heard this song and immediately thought it was 315 00:16:08,560 --> 00:16:11,520 Speaker 4: about the weekend. She has since set the record straight. 316 00:16:11,960 --> 00:16:17,600 Speaker 4: It is not about the weekend, so everybody calm down 317 00:16:18,280 --> 00:16:21,440 Speaker 4: and listen. It's relatable. The song is super relatable. I 318 00:16:21,480 --> 00:16:23,800 Speaker 4: think it's so good. And Danny, you said you had 319 00:16:23,840 --> 00:16:25,000 Speaker 4: heard it or you have not heard it. 320 00:16:25,160 --> 00:16:28,120 Speaker 6: No, I have not heard it, but I just want 321 00:16:28,160 --> 00:16:32,280 Speaker 6: to add to that. I hate how every time a 322 00:16:32,320 --> 00:16:37,320 Speaker 6: female singer is related to someone, she's always going to 323 00:16:37,360 --> 00:16:39,960 Speaker 6: be related to someone, and if it's not to that 324 00:16:40,080 --> 00:16:43,480 Speaker 6: specific person, it's just this stigma that oh relationships and 325 00:16:43,800 --> 00:16:48,080 Speaker 6: that person. So maybe the song is not about any 326 00:16:48,080 --> 00:16:50,720 Speaker 6: She just wanted to make a song. Why is everybody 327 00:16:50,800 --> 00:16:53,560 Speaker 6: just relating her to oh, this person or that other person. 328 00:16:53,600 --> 00:16:54,800 Speaker 5: Maybe she's just amazing at. 329 00:16:54,680 --> 00:16:56,880 Speaker 6: Whatever she does, like she doesn't need to be related 330 00:16:56,920 --> 00:16:59,280 Speaker 6: to anybody else but herself exactly. 331 00:16:59,360 --> 00:17:00,680 Speaker 1: Oh wait, you know what, Nanny, I'm going to give 332 00:17:00,680 --> 00:17:01,160 Speaker 1: you some advice. 333 00:17:01,440 --> 00:17:03,680 Speaker 3: Before you listen to the song and all of the 334 00:17:03,720 --> 00:17:06,720 Speaker 3: listeners and everybody out there, Before you listen to the song, 335 00:17:06,880 --> 00:17:10,600 Speaker 3: watch the video. I think when you watch the music video, 336 00:17:10,800 --> 00:17:13,639 Speaker 3: you're like, oh, I love it. It gives you something, 337 00:17:13,720 --> 00:17:15,840 Speaker 3: It gives you the visuals. So when you watch it, 338 00:17:15,840 --> 00:17:17,040 Speaker 3: you're just kind of like, oh. 339 00:17:16,840 --> 00:17:17,320 Speaker 1: I get it. 340 00:17:17,680 --> 00:17:20,840 Speaker 4: I'm into that. I like the idea of watching and 341 00:17:20,920 --> 00:17:22,600 Speaker 4: listening at the same time. We don't do it enough, 342 00:17:22,640 --> 00:17:24,640 Speaker 4: like it takes me back. I mean, Danny, you're way 343 00:17:24,640 --> 00:17:26,960 Speaker 4: too young to understand this. But when Joseph and I 344 00:17:27,760 --> 00:17:30,560 Speaker 4: were younger, there was a show called t R Yeah 345 00:17:30,600 --> 00:17:30,879 Speaker 4: to me. 346 00:17:31,000 --> 00:17:33,000 Speaker 3: Young hold on, but we used to be young, Daniel, Okay, 347 00:17:33,040 --> 00:17:34,359 Speaker 3: we did one time we were. 348 00:17:34,280 --> 00:17:36,199 Speaker 2: Young, well, one time we were young and hot. 349 00:17:36,800 --> 00:17:40,000 Speaker 1: I yes, wait, TRL, stop it. You're not going to 350 00:17:40,040 --> 00:17:40,560 Speaker 1: do this to us. 351 00:17:40,600 --> 00:17:42,719 Speaker 4: I am I'm going to do it. I'm the grandmother yo, 352 00:17:42,800 --> 00:17:47,399 Speaker 4: solve Jahita becoming an icon, and my ass was so 353 00:17:47,480 --> 00:17:51,320 Speaker 4: excited to watch TRL Total Request Live with Carson Daily 354 00:17:51,560 --> 00:17:54,359 Speaker 4: and all the stars would go to Times Square and 355 00:17:54,520 --> 00:17:57,720 Speaker 4: unleash like their new video, their new project, and we 356 00:17:57,840 --> 00:18:00,840 Speaker 4: would watch it on MTV at home and like root 357 00:18:00,880 --> 00:18:05,160 Speaker 4: for them. And it was where we consumed music videos. 358 00:18:05,160 --> 00:18:08,920 Speaker 4: That's how we didn't have VVO and YouTube. We watched 359 00:18:09,160 --> 00:18:12,920 Speaker 4: t RL And so I love that this new generation 360 00:18:13,119 --> 00:18:16,119 Speaker 4: is now like understanding the impact of not just listening 361 00:18:16,160 --> 00:18:19,199 Speaker 4: to a song on Spotify or on iHeart, but like 362 00:18:19,560 --> 00:18:22,919 Speaker 4: consuming the video as you're listening. It makes for a 363 00:18:23,080 --> 00:18:25,440 Speaker 4: very different first impression, don't you agree? 364 00:18:25,720 --> 00:18:28,760 Speaker 1: Yes, one thousand percent. It takes you there, It takes 365 00:18:28,760 --> 00:18:29,480 Speaker 1: you to the song. 366 00:18:29,840 --> 00:18:33,639 Speaker 6: I feel the visuals are so important to a song. 367 00:18:33,880 --> 00:18:37,760 Speaker 6: Every time I hear a song, I if it has 368 00:18:37,760 --> 00:18:40,119 Speaker 6: a video, I have to watch it like it's just 369 00:18:40,440 --> 00:18:43,360 Speaker 6: it's there for a reason. They put effort into directing 370 00:18:43,400 --> 00:18:46,000 Speaker 6: the video, editing the colors, the palette and mood bore. 371 00:18:46,080 --> 00:18:48,360 Speaker 5: Everything is for a reason. I always say that. 372 00:18:48,680 --> 00:18:51,400 Speaker 2: No, it's true. It's like your eye has to be trained. 373 00:18:51,440 --> 00:18:53,520 Speaker 4: You watch it multiple times cause you're like looking for 374 00:18:53,760 --> 00:18:56,000 Speaker 4: you know, not to like again give a Taylor Swift reference, 375 00:18:56,040 --> 00:18:58,120 Speaker 4: but you're looking for the Easter eggs throughout the video 376 00:18:58,160 --> 00:19:06,960 Speaker 4: and it's so fun to uncover that. Now we're talking 377 00:19:07,000 --> 00:19:09,080 Speaker 4: about Selena's new song, but I want to take us 378 00:19:09,160 --> 00:19:10,760 Speaker 4: back to recap. 379 00:19:11,440 --> 00:19:14,879 Speaker 2: What are each of your favorite Selena songs? 380 00:19:17,040 --> 00:19:17,560 Speaker 5: All of them? 381 00:19:18,640 --> 00:19:19,399 Speaker 2: Danny, I love you? 382 00:19:20,760 --> 00:19:24,919 Speaker 3: Okay, I'm going to go calm down. I just I 383 00:19:24,960 --> 00:19:27,560 Speaker 3: love it. I love it. I love that song so much, 384 00:19:28,600 --> 00:19:31,320 Speaker 3: Lose you to love Me because that was my like 385 00:19:32,040 --> 00:19:33,760 Speaker 3: it still is my relationship thing. 386 00:19:33,840 --> 00:19:35,280 Speaker 1: Like I have to hear it all. 387 00:19:35,119 --> 00:19:37,920 Speaker 2: The time, you know, some shit beautiful. 388 00:19:38,359 --> 00:19:38,920 Speaker 1: It's so good. 389 00:19:38,960 --> 00:19:41,920 Speaker 3: And my number one favorite song that she's ever came 390 00:19:41,960 --> 00:19:43,600 Speaker 3: out with is called who Says. 391 00:19:44,480 --> 00:19:47,000 Speaker 5: Oh My God, ever ever. 392 00:19:47,280 --> 00:19:51,320 Speaker 3: Ever ever on on planet Earth a kit like ever. 393 00:19:51,800 --> 00:19:55,919 Speaker 3: It's my favorite song on a planet. Who says? That's it? 394 00:19:56,000 --> 00:19:57,399 Speaker 1: That's me, Danny, Who's you? 395 00:19:58,040 --> 00:20:02,560 Speaker 5: Okay? I have to say love your like a love song. Yeah, 396 00:20:04,080 --> 00:20:07,840 Speaker 5: that's just the classic I love song. Baby. 397 00:20:07,920 --> 00:20:09,200 Speaker 2: It's like such an easy beat. 398 00:20:09,640 --> 00:20:11,560 Speaker 5: I just I grew up to that, So I love 399 00:20:11,600 --> 00:20:12,840 Speaker 5: that song. I just love it. 400 00:20:12,960 --> 00:20:16,639 Speaker 6: I still have it on my favorite playlist. I also 401 00:20:17,320 --> 00:20:20,960 Speaker 6: love Killing with Kindness. I feel like that was like 402 00:20:21,000 --> 00:20:25,360 Speaker 6: a whole new vibe era of her of like always 403 00:20:25,440 --> 00:20:29,080 Speaker 6: give kindness and that has stuck up with me for 404 00:20:29,800 --> 00:20:30,840 Speaker 6: the entire way of. 405 00:20:30,800 --> 00:20:31,720 Speaker 5: I just love her so much. 406 00:20:31,920 --> 00:20:36,399 Speaker 6: And also I mean, of course, the heart wants what 407 00:20:36,520 --> 00:20:37,120 Speaker 6: it wants. 408 00:20:37,320 --> 00:20:40,600 Speaker 2: Ooh, you guys picked such good ones. 409 00:20:42,560 --> 00:20:45,400 Speaker 1: Oh god, what are you gonna say? What are yours? No? 410 00:20:45,400 --> 00:20:45,800 Speaker 2: No, no no. 411 00:20:45,840 --> 00:20:48,440 Speaker 4: I mean going last is obviously the worst position because 412 00:20:48,440 --> 00:20:51,440 Speaker 4: you've already actually named two of my three. 413 00:20:51,920 --> 00:20:54,439 Speaker 2: So Joseph, lose you to love me? I agree. 414 00:20:54,600 --> 00:20:57,600 Speaker 4: Speaking of videos, I love that video. I cry when 415 00:20:57,600 --> 00:20:59,800 Speaker 4: I watch that. I think it's such a beautiful song. 416 00:20:59,840 --> 00:21:03,159 Speaker 4: It's raw, it's Selena. I also love her voice on 417 00:21:03,280 --> 00:21:07,600 Speaker 4: that on that particular track, love You Like a Love Song, 418 00:21:07,840 --> 00:21:10,480 Speaker 4: It's just there. It does not get more classic Selena 419 00:21:10,920 --> 00:21:15,080 Speaker 4: than that. And then I'm going to pick another one, 420 00:21:15,080 --> 00:21:18,080 Speaker 4: which you guys did not name, is Same Old Love. 421 00:21:18,240 --> 00:21:21,560 Speaker 4: And I'll tell you why. I got to listen to 422 00:21:21,840 --> 00:21:29,280 Speaker 4: her soundcheck on that song on Jimmy Fallen. Oh my god, Yes, Joseph, 423 00:21:29,280 --> 00:21:32,080 Speaker 4: when we worked at E News, she sang that song. 424 00:21:32,160 --> 00:21:34,080 Speaker 4: She did Same Old Love, and I got to sneak 425 00:21:34,080 --> 00:21:35,080 Speaker 4: into the sound check. 426 00:21:35,560 --> 00:21:38,280 Speaker 3: She would sneak in everywhere, Danny, she was always going 427 00:21:38,280 --> 00:21:40,600 Speaker 3: off limits. She snuck into Bad Bunny's room, and stole 428 00:21:40,640 --> 00:21:46,240 Speaker 3: his grapes. I'm serious, we have video. Anyways, Wait, she's crazy. 429 00:21:46,720 --> 00:21:49,840 Speaker 1: Oh my god. Wait so you were in there? Oh yes. 430 00:21:49,880 --> 00:21:52,040 Speaker 4: In my defense, Danny, the reason that I was able 431 00:21:52,119 --> 00:21:55,119 Speaker 4: to access these places, including Bad Bunnies dressing room and 432 00:21:55,160 --> 00:21:58,240 Speaker 4: Selena soundcheck, is that Joseph and I worked on E 433 00:21:58,359 --> 00:22:02,359 Speaker 4: News across the hall from Jimmy Fallon, So all of 434 00:22:02,400 --> 00:22:06,000 Speaker 4: these huge stars were coming through on a daily basis 435 00:22:06,040 --> 00:22:08,040 Speaker 4: and we shared a hallway with them, so it wasn't 436 00:22:08,080 --> 00:22:11,400 Speaker 4: like I was like putting on a disguise and breaking in. 437 00:22:11,720 --> 00:22:14,560 Speaker 4: Joseph made me sound like a criminal. I had an 438 00:22:14,640 --> 00:22:15,440 Speaker 4: NBC so bad. 439 00:22:15,520 --> 00:22:18,119 Speaker 1: Literally you could we could see them. You open the door, 440 00:22:18,520 --> 00:22:20,320 Speaker 1: You open the door and they're there. 441 00:22:22,119 --> 00:22:25,400 Speaker 5: You sound like a great badic Yah Bunny's. 442 00:22:26,600 --> 00:22:28,520 Speaker 4: So for me, I was like, Wow, I'd never seen 443 00:22:28,560 --> 00:22:31,159 Speaker 4: her concerts, I'd never seen her perform live, and she 444 00:22:31,320 --> 00:22:34,119 Speaker 4: was so good and so sweet, and like, I just 445 00:22:34,160 --> 00:22:36,320 Speaker 4: connected to that song because it's really cool to see 446 00:22:36,320 --> 00:22:39,040 Speaker 4: someone soundcheck a song like that and watch her. It's 447 00:22:39,040 --> 00:22:40,879 Speaker 4: not that I don't want to say perfectionism, because I 448 00:22:40,880 --> 00:22:42,520 Speaker 4: think that has a bad tone, but to see how 449 00:22:42,560 --> 00:22:47,119 Speaker 4: professional she was and how every single thing she wanted 450 00:22:47,160 --> 00:22:49,639 Speaker 4: to check off the list. She took it so seriously 451 00:22:49,680 --> 00:22:52,280 Speaker 4: and I was like, Wow, she is a fucking pro. 452 00:22:52,440 --> 00:22:54,480 Speaker 4: I love this girl like I love her and the 453 00:22:54,560 --> 00:22:56,679 Speaker 4: song killed it that night, and I remember watching the 454 00:22:56,680 --> 00:22:59,800 Speaker 4: show being like she performed it better than in soundcheck, 455 00:22:59,880 --> 00:23:02,359 Speaker 4: like she's she's amazing. So that's those are my three 456 00:23:02,720 --> 00:23:04,879 Speaker 4: top favorite Selena songs, which we have a lot of 457 00:23:04,920 --> 00:23:05,520 Speaker 4: crossover on. 458 00:23:05,920 --> 00:23:06,280 Speaker 1: Now. 459 00:23:06,640 --> 00:23:08,800 Speaker 2: I do want to get to Bruno songs. 460 00:23:08,480 --> 00:23:11,520 Speaker 4: Because he has a vast catalog, not a new catalog, 461 00:23:11,600 --> 00:23:15,000 Speaker 4: but a vast catalog. So I'm gonna go to Danny first, 462 00:23:15,359 --> 00:23:18,880 Speaker 4: top three Bruno Mars songs just the way you are. 463 00:23:19,840 --> 00:23:23,000 Speaker 5: Of course, I have a lot I don't. 464 00:23:25,160 --> 00:23:32,000 Speaker 6: I have treasure, of course, and I'm between the Lacy song, 465 00:23:32,440 --> 00:23:38,760 Speaker 6: m H and Uptown Funk. I'm between those, but I'm 466 00:23:38,760 --> 00:23:39,760 Speaker 6: gonna say the lazy song. 467 00:23:39,800 --> 00:23:40,600 Speaker 2: The lazy song. 468 00:23:42,760 --> 00:23:43,240 Speaker 1: Is simple. 469 00:23:43,359 --> 00:23:47,320 Speaker 3: I'm only gonna do one Bruno Mars song. It's Lucked 470 00:23:47,320 --> 00:23:49,560 Speaker 3: out of Heaven. That's it, just one. That's what I give. 471 00:23:50,200 --> 00:23:52,320 Speaker 1: That's all I have for the. 472 00:23:55,119 --> 00:23:57,000 Speaker 3: Your list is going to go on, just like Danny 473 00:23:57,080 --> 00:24:00,359 Speaker 3: was trying to flip fit in four, so give us too. 474 00:24:00,760 --> 00:24:03,639 Speaker 2: I mean I'll give you a stree Okay. Versace on 475 00:24:03,720 --> 00:24:04,240 Speaker 2: the floor. 476 00:24:04,720 --> 00:24:08,960 Speaker 4: Oh oh yes, like take off all my clothes. That 477 00:24:09,119 --> 00:24:12,000 Speaker 4: is like I hate again another word, panty dropper. I 478 00:24:12,040 --> 00:24:15,600 Speaker 4: hate that word. I hate that love that word. How 479 00:24:15,640 --> 00:24:18,160 Speaker 4: am I not surprised that Joseph Garriol loves the term 480 00:24:18,200 --> 00:24:22,800 Speaker 4: panty dropper. Versace on the floor. It's sensual, it's sexy, 481 00:24:23,080 --> 00:24:23,919 Speaker 4: it's giving like a. 482 00:24:24,000 --> 00:24:28,320 Speaker 5: Whole amazing, it's amazing. 483 00:24:29,640 --> 00:24:32,680 Speaker 4: Another song that I think people overlook all the time 484 00:24:32,760 --> 00:24:36,159 Speaker 4: and again to me like a masterful song is Runaway Baby. 485 00:24:37,280 --> 00:24:38,800 Speaker 2: He sang it at the super Bowl. 486 00:24:40,280 --> 00:24:44,440 Speaker 4: It's a full orchestra, the band is dancing, he's dancing. 487 00:24:44,800 --> 00:24:46,920 Speaker 2: He slows it down, he builds it up. 488 00:24:46,960 --> 00:24:49,600 Speaker 4: He shows you, like how important is cadence in a 489 00:24:49,640 --> 00:24:51,840 Speaker 4: song timing like it's to me. 490 00:24:51,880 --> 00:24:53,040 Speaker 2: That's like so good. 491 00:24:53,680 --> 00:24:58,840 Speaker 4: And then I love Treasure because my son sings it 492 00:24:59,160 --> 00:25:02,080 Speaker 4: and like forever for the rest of my life. Anytime 493 00:25:02,080 --> 00:25:03,399 Speaker 4: I hear it, I'm just going to think of like 494 00:25:03,480 --> 00:25:06,639 Speaker 4: Santi's little voice in his car seat singing Treasure in 495 00:25:06,680 --> 00:25:07,240 Speaker 4: the backseat. 496 00:25:07,240 --> 00:25:15,000 Speaker 2: He goes, that is what you are, Golden Star. Record 497 00:25:15,040 --> 00:25:18,680 Speaker 2: it well, Danny, before we let you go, I want 498 00:25:18,720 --> 00:25:21,560 Speaker 2: you to like, put your thinking cap on your fan 499 00:25:21,640 --> 00:25:24,480 Speaker 2: hat on. What do you think the future holds for 500 00:25:25,040 --> 00:25:26,640 Speaker 2: Bruno and Selena? 501 00:25:27,480 --> 00:25:32,280 Speaker 6: Hopefully I want to hear more songs from Bruno Mars. 502 00:25:33,440 --> 00:25:37,320 Speaker 6: I miss his songs even though I listen to them 503 00:25:37,359 --> 00:25:41,880 Speaker 6: probably on the daily, but I miss I want more songs, 504 00:25:42,400 --> 00:25:45,240 Speaker 6: So hopefully that and for Selena, I really hope. 505 00:25:45,320 --> 00:25:47,960 Speaker 5: I just I prayed to the gods that. 506 00:25:48,480 --> 00:25:53,159 Speaker 6: She maybe puts on some type of concert for I 507 00:25:53,200 --> 00:25:56,399 Speaker 6: know it's just like a long shot, okay. 508 00:25:56,119 --> 00:25:56,840 Speaker 5: But hear me out. 509 00:25:57,359 --> 00:26:01,400 Speaker 6: I really wish she would just put on a concert 510 00:26:01,600 --> 00:26:05,400 Speaker 6: with her new single, but also sing in her old songs. 511 00:26:05,760 --> 00:26:07,120 Speaker 6: Now that I think about it, that is a lot 512 00:26:07,119 --> 00:26:09,919 Speaker 6: of pressure. I just need her to sing live. I 513 00:26:10,000 --> 00:26:13,040 Speaker 6: just I just need her to sing live. I didn't 514 00:26:13,040 --> 00:26:14,720 Speaker 6: need to go see her because when I was a kid, 515 00:26:14,800 --> 00:26:17,560 Speaker 6: I would I wouldn't beg my parents be like, please, 516 00:26:17,600 --> 00:26:19,240 Speaker 6: can I go to a concert? My parents were like, 517 00:26:19,280 --> 00:26:20,920 Speaker 6: concerts are dangerous for little kids. 518 00:26:21,240 --> 00:26:25,000 Speaker 4: I was like, okay, well, I'm about to put something 519 00:26:25,080 --> 00:26:27,119 Speaker 4: out there that I think would be so major. 520 00:26:27,400 --> 00:26:29,679 Speaker 2: Okay, let's just speak it into existence. 521 00:26:30,160 --> 00:26:30,560 Speaker 1: Okay. 522 00:26:30,880 --> 00:26:35,240 Speaker 4: We know that Shakira is being honored at the VMA's. 523 00:26:36,680 --> 00:26:42,639 Speaker 4: Wouldn't it be amazing to hear Selina sing a Shakira song, 524 00:26:43,560 --> 00:26:46,600 Speaker 4: introducing Shakira, them duet together. 525 00:26:46,320 --> 00:26:47,800 Speaker 2: And then have Shakira take it from her. 526 00:26:47,960 --> 00:26:50,520 Speaker 3: Oh my god, how in the world did you even 527 00:26:50,640 --> 00:26:52,440 Speaker 3: just think of that right now? Or have you been 528 00:26:52,480 --> 00:26:55,320 Speaker 3: marinating on that? Because that is fucking wild and genius 529 00:26:55,359 --> 00:26:55,960 Speaker 3: at the same time. 530 00:26:56,720 --> 00:26:59,320 Speaker 2: Uh No, that just came to me and Danny's right. 531 00:26:59,400 --> 00:27:01,840 Speaker 4: We haven't heard Selena sing live in a long time, 532 00:27:02,240 --> 00:27:06,320 Speaker 4: and what better way to honor another fellow Latina icon 533 00:27:06,480 --> 00:27:07,800 Speaker 4: like Shakier than at the VMA's. 534 00:27:08,000 --> 00:27:08,920 Speaker 2: I'm just setting the state. 535 00:27:09,040 --> 00:27:11,919 Speaker 4: I don't have any insight, I don't have intel, but listen, 536 00:27:12,480 --> 00:27:15,440 Speaker 4: when you speak things into existence magic. 537 00:27:15,280 --> 00:27:18,520 Speaker 6: Please and yes magic manifest it, manifest it. 538 00:27:18,760 --> 00:27:23,320 Speaker 4: So Danny, thank you so much for being here. We 539 00:27:23,480 --> 00:27:25,920 Speaker 4: love chatting with you guys, and if you want more 540 00:27:26,000 --> 00:27:28,159 Speaker 4: from Danny, make sure you check out her. 541 00:27:28,200 --> 00:27:30,080 Speaker 2: Esthas Rika podcast. 542 00:27:30,560 --> 00:27:32,919 Speaker 4: We of course also want to say thank you to 543 00:27:33,000 --> 00:27:34,240 Speaker 4: you guys for listening. 544 00:27:34,600 --> 00:27:37,639 Speaker 3: Yes, thank you for listening, for reviewing, sharing, and supporting 545 00:27:37,680 --> 00:27:38,640 Speaker 3: becoming an Icon. 546 00:27:38,960 --> 00:27:41,400 Speaker 1: Hey, and stay tuned for our next icon. 547 00:27:43,240 --> 00:27:46,440 Speaker 4: On the next Becoming an Icon. We know a lot 548 00:27:46,440 --> 00:27:49,080 Speaker 4: of you have been waiting for this very moment, and 549 00:27:49,400 --> 00:27:51,199 Speaker 4: trust we have the DMS to prove it. 550 00:27:51,640 --> 00:27:55,880 Speaker 1: He is the moment and we're discussing it all. 551 00:27:56,080 --> 00:28:01,919 Speaker 4: Hey, it's time to talk about everything surrounding the legendary Mark. 552 00:28:01,720 --> 00:28:05,400 Speaker 3: Anthony and how he went from a Latin freestyle vocalist 553 00:28:05,680 --> 00:28:08,920 Speaker 3: to a change maker in the SATSA scene. 554 00:28:11,400 --> 00:28:15,119 Speaker 4: Becoming an Icon is presented by Sonoo and Iheart's Michael 555 00:28:15,160 --> 00:28:19,040 Speaker 4: dudda podcast network. Listen to Becoming an Icon on the 556 00:28:19,080 --> 00:28:23,639 Speaker 4: iHeartRadio app, Apple podcast, or wherever you get your podcast