1 00:00:00,080 --> 00:00:02,800 Speaker 1: Welcome to the sixth and final episode of this limited 2 00:00:02,840 --> 00:00:07,240 Speaker 1: series podcast. It's called Unsigned and Independent with Kevin O'Connell. 3 00:00:07,480 --> 00:00:10,200 Speaker 1: On this episode, Kevin has a familiar face to everyone 4 00:00:10,280 --> 00:00:13,159 Speaker 1: here at the Bobby Bones Show, Lexie Hayden. Lexi was 5 00:00:13,200 --> 00:00:15,480 Speaker 1: once an intern here while in college before going back 6 00:00:15,520 --> 00:00:17,680 Speaker 1: to finish school and then moving back to Nashville for 7 00:00:17,760 --> 00:00:19,959 Speaker 1: good in order to chase her dreams of being a musician. 8 00:00:20,280 --> 00:00:22,680 Speaker 1: One thing Kevin has discovered with these independent artists is 9 00:00:22,960 --> 00:00:25,640 Speaker 1: their ability to remain independent and be proud to do so, 10 00:00:25,680 --> 00:00:28,000 Speaker 1: but also be striving for more, and Lexi is a 11 00:00:28,000 --> 00:00:30,960 Speaker 1: great example of that. Lexi still has held a full 12 00:00:30,960 --> 00:00:34,040 Speaker 1: time job while continuing to perform on nights and weekends. 13 00:00:34,200 --> 00:00:37,600 Speaker 1: She's appeared on an MTV reality show. She's most recently 14 00:00:37,680 --> 00:00:40,479 Speaker 1: teamed up with Pepsi and United Masters for a project 15 00:00:40,640 --> 00:00:43,440 Speaker 1: to highlight independent artists, which they talk about here. She's 16 00:00:43,479 --> 00:00:46,559 Speaker 1: also been out and opened for me on some shows. Now, 17 00:00:46,600 --> 00:00:48,960 Speaker 1: a lot of these artists don't have management teams. In 18 00:00:49,000 --> 00:00:52,120 Speaker 1: the next six months can vary for them because there 19 00:00:52,120 --> 00:00:54,600 Speaker 1: are no plans in place. They're just working trying to 20 00:00:54,600 --> 00:00:57,160 Speaker 1: go week to week, and Kevin finds that fascinating and 21 00:00:57,200 --> 00:01:00,040 Speaker 1: that's what he's here to do. So Lexie Hayden is 22 00:01:00,080 --> 00:01:04,640 Speaker 1: her name, and this is Unsigned and Independent with Kevin O'Connell. 23 00:01:14,400 --> 00:01:18,720 Speaker 1: Welcome to the sixth and final episode of Unsigned and Independent. 24 00:01:18,840 --> 00:01:21,039 Speaker 1: This is Kevin O'Connell. Thank you so much. If you 25 00:01:21,080 --> 00:01:23,119 Speaker 1: listen to any of the first five as well. We've 26 00:01:23,160 --> 00:01:26,080 Speaker 1: had some great artists, great bands, all tell their stories 27 00:01:26,160 --> 00:01:29,280 Speaker 1: also unique, and this one is no different. With Lexie Hayden. 28 00:01:29,480 --> 00:01:31,960 Speaker 1: Alexis great. She was an intern here Bobby Bone Show 29 00:01:32,000 --> 00:01:34,200 Speaker 1: a while ago, and now she's chasing her dream still 30 00:01:34,200 --> 00:01:35,679 Speaker 1: in Nashville. She's got a lot of things in the 31 00:01:35,680 --> 00:01:38,080 Speaker 1: works right now which we dive into, like an MTV 32 00:01:38,200 --> 00:01:40,440 Speaker 1: reality show that she did earlier this year, and how 33 00:01:40,480 --> 00:01:42,800 Speaker 1: she balances having another job while still trying to pursue 34 00:01:42,800 --> 00:01:45,319 Speaker 1: the music career. She's great, her story is great. You're 35 00:01:45,319 --> 00:01:47,880 Speaker 1: gonna really enjoy this. They'll follow her at Lexie Hayden, 36 00:01:48,040 --> 00:01:50,920 Speaker 1: follow me at Kickoff, Kevin. Make sure you share the episode, 37 00:01:50,920 --> 00:01:53,920 Speaker 1: share the artist, share the music, share it all. Thank 38 00:01:53,960 --> 00:01:56,559 Speaker 1: you so much for listening. Here's Lexie Hayden. Hey Lexie, 39 00:01:56,560 --> 00:01:59,520 Speaker 1: how you doing today? I'm good? How are you doing good? 40 00:01:59,560 --> 00:02:02,200 Speaker 1: Doing good it. So you used to be an intern 41 00:02:02,240 --> 00:02:04,720 Speaker 1: here for the show, is that correct? Yeah? And it's 42 00:02:04,760 --> 00:02:07,520 Speaker 1: always really weird being back in the studio because I 43 00:02:07,560 --> 00:02:10,800 Speaker 1: wasn't intern here in fourteen. I was twenty years old, 44 00:02:10,880 --> 00:02:13,120 Speaker 1: a long time ago. Yeah, so that makes me almost 45 00:02:13,160 --> 00:02:16,440 Speaker 1: thirty now. Well, I am over thirty and thirty one, 46 00:02:16,680 --> 00:02:19,480 Speaker 1: So don't worry. It's not as bad as they say. 47 00:02:19,520 --> 00:02:20,919 Speaker 1: It's not as good as they say. It's not as 48 00:02:20,919 --> 00:02:23,320 Speaker 1: bad as they say. Um, right around the corner. But 49 00:02:23,400 --> 00:02:25,200 Speaker 1: when did you or did you come here to Nashural 50 00:02:25,280 --> 00:02:28,360 Speaker 1: for the internship or did you come here for music 51 00:02:28,400 --> 00:02:30,360 Speaker 1: and that kind of landed in your lab? How did 52 00:02:30,400 --> 00:02:33,280 Speaker 1: that come about? I came here specifically for the internship 53 00:02:33,320 --> 00:02:35,800 Speaker 1: because I hadn't graduated college yet. It was like in 54 00:02:35,840 --> 00:02:38,919 Speaker 1: between junior and senior year, so the internship was actually 55 00:02:39,000 --> 00:02:43,239 Speaker 1: credits for my you know, my in music industry minor 56 00:02:43,280 --> 00:02:46,240 Speaker 1: in college. So I specifically moved here for this internship 57 00:02:46,240 --> 00:02:48,480 Speaker 1: and obviously to make connections and end to dip my 58 00:02:48,480 --> 00:02:51,240 Speaker 1: feet into Nashville because I'd never really been here or 59 00:02:51,560 --> 00:02:54,160 Speaker 1: connected with people, and you know, it was kind of 60 00:02:54,200 --> 00:02:57,000 Speaker 1: like taking someone who had really never been here or 61 00:02:57,560 --> 00:02:59,720 Speaker 1: like been in the industry and like throwing her in 62 00:02:59,800 --> 00:03:02,880 Speaker 1: like head first, like at the Bobby Bones Show, like 63 00:03:03,120 --> 00:03:07,000 Speaker 1: meeting like every country music star you could ever imagine. 64 00:03:07,240 --> 00:03:09,799 Speaker 1: And it was like it was almost like too much, 65 00:03:09,840 --> 00:03:13,040 Speaker 1: too fast, because then when I moved back to Nashville permanently, 66 00:03:13,120 --> 00:03:16,920 Speaker 1: like a year later, it was like whoa, I you know, 67 00:03:16,960 --> 00:03:20,200 Speaker 1: now I'm kind of starting from the very beginning. But 68 00:03:20,320 --> 00:03:23,280 Speaker 1: it was it was so so important for me to 69 00:03:23,400 --> 00:03:27,120 Speaker 1: have that internship and making those relationships with everyone at 70 00:03:27,160 --> 00:03:30,440 Speaker 1: the show was was so beneficial. And I still obviously 71 00:03:30,880 --> 00:03:35,120 Speaker 1: nurture those relationships today, right, right, And Bobby andself, I know, Bobby, 72 00:03:35,160 --> 00:03:36,480 Speaker 1: is you know a fan of yours? You were on 73 00:03:36,520 --> 00:03:38,760 Speaker 1: the show? You're here what back in April or May 74 00:03:38,840 --> 00:03:41,480 Speaker 1: maybe something like that, right, And Bobby has been such 75 00:03:41,480 --> 00:03:44,080 Speaker 1: a good help to you, pushing your music, pushing you 76 00:03:44,120 --> 00:03:46,880 Speaker 1: as an artist. And is that something that you still 77 00:03:46,920 --> 00:03:48,880 Speaker 1: have a good relationship with Bobby or is that now 78 00:03:48,960 --> 00:03:51,720 Speaker 1: more professional or is it also like a personal relationship 79 00:03:51,760 --> 00:03:53,040 Speaker 1: with him as well, because I know he's helped me 80 00:03:53,080 --> 00:03:54,920 Speaker 1: out in my year and a half that I've been 81 00:03:54,920 --> 00:03:57,240 Speaker 1: here tremendously with his podcast and a lot of things. 82 00:03:57,560 --> 00:03:59,200 Speaker 1: So I just kind of want you to talk about 83 00:03:59,240 --> 00:04:00,640 Speaker 1: that a little bit with him. Now he's helped you 84 00:04:00,720 --> 00:04:02,800 Speaker 1: push you a little bit as well. I think that 85 00:04:02,880 --> 00:04:05,440 Speaker 1: there was a big gap in between like me moving 86 00:04:05,480 --> 00:04:08,560 Speaker 1: here permanently like after the internship and then Bobby kind 87 00:04:08,560 --> 00:04:11,360 Speaker 1: of like me ending up back on Bobby's radar. I 88 00:04:11,400 --> 00:04:13,920 Speaker 1: think it was very Bobby of him to like let 89 00:04:13,960 --> 00:04:18,120 Speaker 1: me do everything myself and like righte and record and 90 00:04:18,160 --> 00:04:20,880 Speaker 1: get noticed and start like gaining all this traction. And 91 00:04:20,920 --> 00:04:24,280 Speaker 1: then Bobby was like, you know, I notice your hard 92 00:04:24,279 --> 00:04:26,720 Speaker 1: work and you're doing it the right way, and I 93 00:04:26,760 --> 00:04:30,640 Speaker 1: respect that, and I'm going to start helping push you 94 00:04:30,680 --> 00:04:32,919 Speaker 1: a little bit, which is kind of what he does, 95 00:04:33,000 --> 00:04:35,200 Speaker 1: Like he wants to see people do the work, and 96 00:04:35,240 --> 00:04:37,320 Speaker 1: then he wants to be like, Okay, I see you 97 00:04:37,320 --> 00:04:39,680 Speaker 1: did the work, and I respect that because Bobby loves 98 00:04:39,680 --> 00:04:42,400 Speaker 1: people who work hard. And then I think the first 99 00:04:42,440 --> 00:04:46,120 Speaker 1: time he had kind of like um recognized me like 100 00:04:46,240 --> 00:04:50,320 Speaker 1: publicly was on the Bobby Cast. I think in or 101 00:04:51,839 --> 00:04:53,880 Speaker 1: and I released an album and they highlighted it on 102 00:04:53,920 --> 00:04:56,880 Speaker 1: the Bobby Cast. And then after that it was just 103 00:04:57,000 --> 00:04:59,120 Speaker 1: kind of like full swing, like I was on the 104 00:04:59,160 --> 00:05:01,480 Speaker 1: Women of Our Heart con rougeau with like every single 105 00:05:01,560 --> 00:05:04,080 Speaker 1: song I released was pretty much on the Women of 106 00:05:04,160 --> 00:05:07,080 Speaker 1: Our Country Show, and then you know, opening for Bobby 107 00:05:07,200 --> 00:05:10,159 Speaker 1: coming on in the show. As an artist, I became 108 00:05:10,200 --> 00:05:12,640 Speaker 1: the National Spotlight Artist of the Week one week with 109 00:05:12,640 --> 00:05:15,360 Speaker 1: one of my songs, and it just kind of like 110 00:05:15,880 --> 00:05:18,680 Speaker 1: I think, from then on, he just continued to support me, 111 00:05:18,720 --> 00:05:23,360 Speaker 1: and it's been incredible, Like I can't ask for anything more. Yeah, 112 00:05:23,400 --> 00:05:26,599 Speaker 1: he's awesome. You moved from Virginia, is that right? And 113 00:05:26,640 --> 00:05:28,520 Speaker 1: you grew up did you grow up loving country music? 114 00:05:28,640 --> 00:05:30,440 Speaker 1: Is music something that you wanted to do forever? Did 115 00:05:30,480 --> 00:05:33,440 Speaker 1: you know Nashville is in the um back of your mind? Oh? Yeah, 116 00:05:33,560 --> 00:05:36,559 Speaker 1: Nashville was like number one for like most of my life. 117 00:05:36,640 --> 00:05:39,279 Speaker 1: I knew I wanted to be a country singer. I 118 00:05:39,320 --> 00:05:41,400 Speaker 1: loved country music. I never listened to anything else. It 119 00:05:41,480 --> 00:05:43,919 Speaker 1: was like in middle school, I would sing Martina McBride, 120 00:05:43,960 --> 00:05:46,839 Speaker 1: Tricia Yearwood, Faith Hill, Like I had a karaoke machine 121 00:05:46,880 --> 00:05:49,840 Speaker 1: and all the CDs were just female country. Every CD 122 00:05:50,160 --> 00:05:52,440 Speaker 1: that I had for karaoke, it was female country hits. 123 00:05:52,960 --> 00:05:56,040 Speaker 1: So it was like Sarah Evans, you know, all those 124 00:05:56,120 --> 00:06:00,000 Speaker 1: people that shaped me Um growing up, Shania Twain, everyone 125 00:05:59,880 --> 00:06:02,360 Speaker 1: like that, And so I knew I wanted to move 126 00:06:02,360 --> 00:06:05,320 Speaker 1: to Nashville. There was never there was never any other 127 00:06:05,400 --> 00:06:07,599 Speaker 1: plan for me. Um. But I did go to college 128 00:06:07,600 --> 00:06:10,359 Speaker 1: in Virginia, which I don't regret. I've I've loved my 129 00:06:10,440 --> 00:06:13,720 Speaker 1: four years at James Madison University, which is in southern Virginia, 130 00:06:13,800 --> 00:06:16,000 Speaker 1: and and then I moved here right after. So I 131 00:06:16,080 --> 00:06:17,800 Speaker 1: feel like I moved here at the perfect age I 132 00:06:17,839 --> 00:06:20,479 Speaker 1: had just I was like one month into being twenty two, 133 00:06:20,480 --> 00:06:23,800 Speaker 1: and um, it was the perfect age to move here. 134 00:06:24,080 --> 00:06:26,200 Speaker 1: And how much has changed for you in the what 135 00:06:26,320 --> 00:06:28,120 Speaker 1: is its six seven years that you've been here, I 136 00:06:28,160 --> 00:06:30,200 Speaker 1: guess as an artist, not because you said you intern 137 00:06:30,279 --> 00:06:32,560 Speaker 1: went back and then came back right correct, Okay, so 138 00:06:32,640 --> 00:06:36,400 Speaker 1: ever since you moved back, permanently everything has changed. I 139 00:06:37,000 --> 00:06:39,200 Speaker 1: look at where I am now, and I think it's 140 00:06:39,640 --> 00:06:43,040 Speaker 1: you get to an age like I'm twenty nine, where 141 00:06:43,520 --> 00:06:46,000 Speaker 1: you could you have to stop comparing your story to 142 00:06:46,040 --> 00:06:48,200 Speaker 1: everyone else is. And I think that's the most important 143 00:06:48,200 --> 00:06:50,480 Speaker 1: part of being in this industry, is that everyone's story 144 00:06:50,560 --> 00:06:53,279 Speaker 1: is different. And if you would have told me that 145 00:06:53,880 --> 00:06:56,240 Speaker 1: my year this year is probably the biggest year that 146 00:06:56,279 --> 00:06:58,240 Speaker 1: I've had as an artist. And if you would have 147 00:06:58,240 --> 00:07:00,279 Speaker 1: told me that this year I would have of a 148 00:07:00,360 --> 00:07:03,360 Speaker 1: song and country radio with Priscilla Block. If you told 149 00:07:03,400 --> 00:07:04,760 Speaker 1: me that, like five years, I would have been like, 150 00:07:05,640 --> 00:07:09,520 Speaker 1: I would never have guessed that, Like ever would I 151 00:07:09,560 --> 00:07:11,920 Speaker 1: have predicted that. I mean, she was like one of 152 00:07:11,920 --> 00:07:14,480 Speaker 1: my really good friends, and we wrote together as friends, 153 00:07:14,520 --> 00:07:17,480 Speaker 1: like neither of us had anything going on, like and 154 00:07:17,840 --> 00:07:19,520 Speaker 1: we wrote that song but none of us had nothing 155 00:07:19,560 --> 00:07:22,200 Speaker 1: going none of us had nothing going on. So like, 156 00:07:22,880 --> 00:07:24,760 Speaker 1: I just never could have predicted that that I would 157 00:07:24,760 --> 00:07:27,200 Speaker 1: have a top song with Priscilla Block, like as an 158 00:07:27,240 --> 00:07:29,840 Speaker 1: independent writer, never could have predicted that that I would 159 00:07:29,840 --> 00:07:33,480 Speaker 1: be on an MTV show this year. Never never was 160 00:07:33,520 --> 00:07:36,280 Speaker 1: that on my list of things I was gonna do 161 00:07:36,600 --> 00:07:38,120 Speaker 1: this year. I didn't wake up and be like, I 162 00:07:38,160 --> 00:07:41,280 Speaker 1: want to be on MTV um and then working with 163 00:07:41,320 --> 00:07:44,520 Speaker 1: Pepsi now as a one of the twelve Pepsi artists. 164 00:07:44,600 --> 00:07:47,680 Speaker 1: I just everything that's happened, I could have never predicted it. 165 00:07:47,720 --> 00:07:50,760 Speaker 1: So I think it's just you just stopped comparing your story, 166 00:07:50,760 --> 00:07:53,400 Speaker 1: and you stopped trying to like set these unrealistic goals 167 00:07:53,400 --> 00:07:56,800 Speaker 1: and expectations and and just write it and know that 168 00:07:56,920 --> 00:08:00,560 Speaker 1: your version of success is whatever you make it totally agree, 169 00:08:00,600 --> 00:08:02,239 Speaker 1: totally agree. I do want to go back to I'm 170 00:08:02,240 --> 00:08:03,880 Speaker 1: glad you brought up the MTV and the PEPSI I 171 00:08:03,920 --> 00:08:05,800 Speaker 1: do want to go back to the MTV and I 172 00:08:05,800 --> 00:08:07,680 Speaker 1: want to have you kind of explained on what this 173 00:08:07,680 --> 00:08:10,320 Speaker 1: show was. It was a reality show, right, a music show. 174 00:08:10,320 --> 00:08:13,640 Speaker 1: Because I don't watch MTV anymore, I'm like, I mean 175 00:08:13,840 --> 00:08:15,200 Speaker 1: we talked about it when he came on the show 176 00:08:15,280 --> 00:08:16,960 Speaker 1: six months ago, and I'm like, I don't really know 177 00:08:17,040 --> 00:08:19,600 Speaker 1: what this is, so kind of explain what that it's called? 178 00:08:19,600 --> 00:08:22,760 Speaker 1: Take uh sorry not take me on becoming a pop Star? Correct? 179 00:08:23,480 --> 00:08:25,520 Speaker 1: So what is becoming are you? Are you a pop star? 180 00:08:25,640 --> 00:08:28,480 Speaker 1: I don't know. You didn't become one. So when they 181 00:08:28,560 --> 00:08:30,920 Speaker 1: cast in me for the show, it was called the 182 00:08:31,040 --> 00:08:35,000 Speaker 1: MTV Music Video Project. It wasn't called Becoming a pop Star. 183 00:08:35,840 --> 00:08:38,040 Speaker 1: Like it had a totally different name, and it was 184 00:08:38,080 --> 00:08:40,199 Speaker 1: a new show, like first season, you know, things were 185 00:08:40,200 --> 00:08:43,240 Speaker 1: bound to change, so like obviously, like the name changed 186 00:08:43,280 --> 00:08:45,600 Speaker 1: a few times, I think before they like settled on 187 00:08:45,640 --> 00:08:49,160 Speaker 1: a name. But like I was so confused when I 188 00:08:49,200 --> 00:08:51,199 Speaker 1: hopped on the first zoom with like the producers and 189 00:08:51,200 --> 00:08:52,959 Speaker 1: they were like, our new show name is becoming a 190 00:08:53,000 --> 00:08:56,120 Speaker 1: pop star, and I was like, UM, should I be 191 00:08:56,280 --> 00:09:01,120 Speaker 1: here in this meeting like on the show UM? But 192 00:09:01,200 --> 00:09:03,880 Speaker 1: they casted me like a casting person I think went 193 00:09:03,960 --> 00:09:07,240 Speaker 1: to the Whiskey jam the head of Whiskey, jam Ward Gunther, 194 00:09:07,880 --> 00:09:09,960 Speaker 1: and said, you know, we want to represent all genres 195 00:09:10,000 --> 00:09:12,760 Speaker 1: of music on this new TV show on MTV, and 196 00:09:13,040 --> 00:09:15,040 Speaker 1: do you have up and coming country artists that you 197 00:09:15,080 --> 00:09:17,680 Speaker 1: could recommend? And Ward gave out a ton of names, 198 00:09:18,000 --> 00:09:20,520 Speaker 1: mine included, and I was one of the people that 199 00:09:20,800 --> 00:09:23,080 Speaker 1: UM was approached by casting and I kind of went 200 00:09:23,120 --> 00:09:25,200 Speaker 1: through casting even though I really never wanted to be 201 00:09:25,240 --> 00:09:27,679 Speaker 1: on a TV show like that. It was never something 202 00:09:27,720 --> 00:09:30,120 Speaker 1: I wanted to do, but you know, it was seemed 203 00:09:30,160 --> 00:09:33,320 Speaker 1: like too good of an opportunity to turn down and 204 00:09:33,440 --> 00:09:35,240 Speaker 1: something I felt like, you know, why would I not 205 00:09:35,360 --> 00:09:37,800 Speaker 1: do this? Like? And so I did it and I 206 00:09:37,840 --> 00:09:39,080 Speaker 1: was one of eight on the show. I was then 207 00:09:39,080 --> 00:09:42,360 Speaker 1: only country artist on the show. Everyone else was like pop, 208 00:09:42,440 --> 00:09:45,280 Speaker 1: hip hop, R and B RAP and so I really 209 00:09:45,320 --> 00:09:47,360 Speaker 1: stood out in that way. And you know, Joe Jonas 210 00:09:47,400 --> 00:09:51,360 Speaker 1: was one of the UM judges yes, which for me, 211 00:09:51,840 --> 00:09:53,480 Speaker 1: I didn't find that out until the day I got 212 00:09:53,520 --> 00:09:56,400 Speaker 1: to l a ex for you, Okay, Okay, I didn't 213 00:09:56,400 --> 00:09:57,880 Speaker 1: know if you met like, oh pop, I'm not really 214 00:09:57,880 --> 00:09:59,800 Speaker 1: but at the same time, I mean the Jonas brother 215 00:09:59,840 --> 00:10:02,760 Speaker 1: for a twentysothing year old girl, that's got to be exciting. Oh. So, 216 00:10:02,800 --> 00:10:04,720 Speaker 1: they didn't tell us who the judges were until we 217 00:10:04,720 --> 00:10:06,679 Speaker 1: got to l A and they have us in this room. 218 00:10:06,720 --> 00:10:08,320 Speaker 1: They have like a power point going and telling us 219 00:10:08,320 --> 00:10:10,200 Speaker 1: all about the show and what what we're gonna be doing, 220 00:10:10,200 --> 00:10:11,679 Speaker 1: because you know, it's still at this time. We're kind 221 00:10:11,679 --> 00:10:13,839 Speaker 1: of like, okay, we got to l A, like what's 222 00:10:13,880 --> 00:10:15,800 Speaker 1: going on? And then they're like, here's your judges, and 223 00:10:15,800 --> 00:10:19,040 Speaker 1: they showed Joe Jonas and I'm like, what, I'm like, 224 00:10:19,960 --> 00:10:22,640 Speaker 1: Joe Joan, I'm about to meet Joe Jonas. Not only that, 225 00:10:22,720 --> 00:10:26,000 Speaker 1: he's about to know who I am as a songwriter 226 00:10:26,080 --> 00:10:29,559 Speaker 1: and an artist. And at the very so, I guess 227 00:10:29,600 --> 00:10:31,640 Speaker 1: the I should tell you. The synopsis of the show 228 00:10:31,720 --> 00:10:34,439 Speaker 1: is that we had to write songs for each episode, 229 00:10:34,640 --> 00:10:36,440 Speaker 1: which is why I did want to do it, because 230 00:10:36,440 --> 00:10:39,720 Speaker 1: the show was based on original songs. So we wrote 231 00:10:39,720 --> 00:10:41,920 Speaker 1: a song for episode one, and our task was to 232 00:10:41,920 --> 00:10:43,720 Speaker 1: write about our hometown. So I wrote a song called 233 00:10:43,720 --> 00:10:46,920 Speaker 1: Dear Nashville, and that was my episode one song and 234 00:10:47,240 --> 00:10:49,080 Speaker 1: you had to create a music video at home for it, 235 00:10:49,200 --> 00:10:51,000 Speaker 1: and that's how they cast to the final eight. Is 236 00:10:51,720 --> 00:10:54,600 Speaker 1: based on your song, your hometown song and video. And 237 00:10:54,640 --> 00:10:56,719 Speaker 1: so that was on episode one, was my hometown song 238 00:10:56,760 --> 00:10:58,520 Speaker 1: and video. And then I made it to episode two 239 00:10:58,559 --> 00:11:01,040 Speaker 1: with that six of us, and it was duets week. 240 00:11:01,160 --> 00:11:05,560 Speaker 1: So then we went and did duets and um another contestant, Yeah, 241 00:11:05,800 --> 00:11:08,920 Speaker 1: and that was a grand name, Amira Daughtry and she 242 00:11:09,040 --> 00:11:13,560 Speaker 1: was a Muslim African American artist, and we created one 243 00:11:13,600 --> 00:11:16,080 Speaker 1: of my favorite songs of all time and it won 244 00:11:16,200 --> 00:11:19,200 Speaker 1: the fan favorite video for that episode. And you guys 245 00:11:19,280 --> 00:11:21,959 Speaker 1: just met on the show. That's awesome and and at 246 00:11:21,960 --> 00:11:24,000 Speaker 1: the finale, Joe Jonas said it was his favorite song 247 00:11:24,040 --> 00:11:26,360 Speaker 1: of the whole season. How cool is that? Did you 248 00:11:26,400 --> 00:11:28,959 Speaker 1: get it on recording? Did it's on the it's I 249 00:11:29,000 --> 00:11:31,200 Speaker 1: mean you could, I mean it's on the finale. And 250 00:11:31,400 --> 00:11:33,640 Speaker 1: they never released the songs, which is such a bummer. 251 00:11:33,679 --> 00:11:36,319 Speaker 1: But I have, I have, you know, hope that they 252 00:11:36,360 --> 00:11:39,679 Speaker 1: will release the songs to Spotify someday. But it's called 253 00:11:39,720 --> 00:11:42,760 Speaker 1: Sunshine and it's just a really powerful song. And we 254 00:11:42,800 --> 00:11:45,320 Speaker 1: actually just released another duet together, me and Amira two 255 00:11:45,360 --> 00:11:48,240 Speaker 1: weeks ago, so our relationship is still going strong. No way, 256 00:11:48,720 --> 00:11:51,000 Speaker 1: where is she in Nashville here or No, she's in Atlanta. 257 00:11:51,920 --> 00:11:53,959 Speaker 1: It's not too far. Yeah, I went to Atlanta and 258 00:11:54,000 --> 00:11:56,040 Speaker 1: we recorded in June, and then we went to California 259 00:11:56,080 --> 00:11:57,720 Speaker 1: and did all the content and it came out about 260 00:11:57,720 --> 00:12:00,000 Speaker 1: two weeks ago. It's called Work Till the Morning. That's awesome. 261 00:12:00,400 --> 00:12:02,400 Speaker 1: Good for you, good for you both. So what did 262 00:12:02,400 --> 00:12:06,000 Speaker 1: you take from that experience? Good and bad? Um, not 263 00:12:06,120 --> 00:12:09,319 Speaker 1: every TV show is going to make you famous, because 264 00:12:09,520 --> 00:12:12,679 Speaker 1: there's so many TV shows out there, and it was 265 00:12:13,040 --> 00:12:16,680 Speaker 1: an amazing experience. Um, I got comfortable being on camera. 266 00:12:17,080 --> 00:12:19,880 Speaker 1: I love I love being on camera. I love attention. 267 00:12:20,000 --> 00:12:22,600 Speaker 1: I love like I'm just a big personality. So it 268 00:12:22,640 --> 00:12:24,160 Speaker 1: was so much fun for me to be on TV 269 00:12:24,880 --> 00:12:27,520 Speaker 1: and to like learn what goes on behind the scenes. 270 00:12:27,640 --> 00:12:30,040 Speaker 1: Like now when I watch reality shows, I'm like, I 271 00:12:30,080 --> 00:12:34,360 Speaker 1: know exactly what y'all be doing behind the scenes. Now 272 00:12:34,760 --> 00:12:37,640 Speaker 1: I know how this works. Okay, they did this a 273 00:12:37,679 --> 00:12:40,640 Speaker 1: million times, Okay, and so I know that. I got 274 00:12:40,640 --> 00:12:42,720 Speaker 1: to meet Joe Jonas and Becky g was another one 275 00:12:42,720 --> 00:12:45,880 Speaker 1: of the judges, and I did I actually did choreography 276 00:12:45,960 --> 00:12:48,000 Speaker 1: and our video for Duets, which is so out of 277 00:12:48,040 --> 00:12:52,040 Speaker 1: my comfort zone. And I just you know, learned so 278 00:12:52,120 --> 00:12:54,040 Speaker 1: much and got so much credibility, I think for just 279 00:12:54,120 --> 00:12:57,440 Speaker 1: being on TV and MTV and meeting and I would 280 00:12:57,440 --> 00:12:59,640 Speaker 1: have never made a song with someone like Amira if 281 00:12:59,640 --> 00:13:02,480 Speaker 1: it wasn't for MTV. That's awesome, That's cool how that 282 00:13:02,520 --> 00:13:04,800 Speaker 1: all works out. It comes full circle of the good 283 00:13:04,840 --> 00:13:06,080 Speaker 1: and the bad. But at the end of the day 284 00:13:06,120 --> 00:13:08,240 Speaker 1: you look at the positive of it and you're like, well, yeah, 285 00:13:08,240 --> 00:13:10,000 Speaker 1: I would have never met this person or done this 286 00:13:10,200 --> 00:13:12,280 Speaker 1: or experience this, and it all I kind of molds 287 00:13:12,320 --> 00:13:14,960 Speaker 1: you into who you are today and take forward with you. Right. 288 00:13:15,800 --> 00:13:17,599 Speaker 1: What about social media? I want to touch on that 289 00:13:17,640 --> 00:13:20,120 Speaker 1: real quick with TikTok. Are you pretty popular on TikTok? 290 00:13:20,160 --> 00:13:21,800 Speaker 1: Because I like to talk about this with each artist 291 00:13:21,880 --> 00:13:23,920 Speaker 1: that comes in for this podcast, because you get a 292 00:13:23,960 --> 00:13:25,599 Speaker 1: little bit of the older crowd that are like, I 293 00:13:25,600 --> 00:13:28,240 Speaker 1: don't know about you know, social media, but for somebody 294 00:13:28,760 --> 00:13:30,800 Speaker 1: I know Charlie Reynolds. A few episodes ago, she talked 295 00:13:30,800 --> 00:13:32,880 Speaker 1: about how I found her on TikTok, that's how it 296 00:13:32,880 --> 00:13:34,800 Speaker 1: came across her and then she came in here. Is 297 00:13:34,800 --> 00:13:36,520 Speaker 1: that something that you use to your advantage, because I 298 00:13:36,559 --> 00:13:38,319 Speaker 1: know that you have a trend called take me Home? 299 00:13:38,400 --> 00:13:40,920 Speaker 1: Was that correct? Yeah? That will. When take Me Home 300 00:13:40,960 --> 00:13:45,040 Speaker 1: came out, it kind of went viral. I don't really 301 00:13:45,040 --> 00:13:47,439 Speaker 1: know what people can. I mean, viral has a different 302 00:13:47,520 --> 00:13:50,520 Speaker 1: sense of meaning for everybody, but I think it has 303 00:13:50,559 --> 00:13:54,040 Speaker 1: about four thou views and um, but on top of 304 00:13:54,080 --> 00:13:56,160 Speaker 1: the views, like what happened is that everyone started making 305 00:13:56,240 --> 00:13:59,800 Speaker 1: videos to the song, like lip syncing to it and 306 00:14:00,000 --> 00:14:02,480 Speaker 1: and so it was like I think seven plus videos 307 00:14:02,480 --> 00:14:05,080 Speaker 1: of people just making their own videos, which is so 308 00:14:05,160 --> 00:14:07,360 Speaker 1: cool because like I didn't tell any anyone like go 309 00:14:07,440 --> 00:14:09,600 Speaker 1: make a video to this song, like hey, show me 310 00:14:09,640 --> 00:14:11,959 Speaker 1: your video, none of that. It was just like people 311 00:14:12,000 --> 00:14:15,120 Speaker 1: made videos on their own, which was cool and um 312 00:14:15,440 --> 00:14:18,560 Speaker 1: that I think was the most fun part about that 313 00:14:18,600 --> 00:14:21,280 Speaker 1: song is how people related to their own stories of 314 00:14:21,520 --> 00:14:24,400 Speaker 1: like how they wanted you know, someone in their life 315 00:14:24,400 --> 00:14:28,520 Speaker 1: that you know didn't make them settle. And um, I 316 00:14:28,560 --> 00:14:32,080 Speaker 1: think TikTok is an amazing tool for independent artists. And 317 00:14:32,080 --> 00:14:34,560 Speaker 1: it's a struggle because it's like you put so much 318 00:14:34,600 --> 00:14:37,720 Speaker 1: weight in what you're posting and how many views you get, 319 00:14:37,800 --> 00:14:39,720 Speaker 1: and I think it's easy to get really caught up 320 00:14:39,720 --> 00:14:43,120 Speaker 1: into it. Um. But at the same time, like, I've 321 00:14:43,120 --> 00:14:45,560 Speaker 1: made so many fans and I've made so many like 322 00:14:45,600 --> 00:14:47,920 Speaker 1: I've had so much fun on TikTok, like, and I 323 00:14:47,920 --> 00:14:50,680 Speaker 1: try to post every single day. I try to do things. 324 00:14:50,680 --> 00:14:52,720 Speaker 1: If I see something's working, I try to run with 325 00:14:52,760 --> 00:14:55,800 Speaker 1: it and do that. Um. But it's been an amazing 326 00:14:55,800 --> 00:14:59,080 Speaker 1: way to share my music. And it's actually technically the 327 00:14:59,120 --> 00:15:03,240 Speaker 1: show was discovered by TikTok. That's MTV show Boy, So 328 00:15:03,400 --> 00:15:06,200 Speaker 1: technically TikTok is the reason I got on the show. 329 00:15:06,400 --> 00:15:08,200 Speaker 1: So you try to use it to your advantage, right, 330 00:15:08,200 --> 00:15:10,880 Speaker 1: not and not necessarily take advantage of it. But it's 331 00:15:10,880 --> 00:15:12,160 Speaker 1: a platform at the end of the day, at the 332 00:15:12,160 --> 00:15:14,120 Speaker 1: platform for your artist or for whoever is trying to 333 00:15:14,160 --> 00:15:16,760 Speaker 1: be creative and to use that to reach a bigger audience, 334 00:15:16,840 --> 00:15:19,920 Speaker 1: especially as an independent artist. I feel like nowadays, and 335 00:15:20,080 --> 00:15:22,760 Speaker 1: what I'm discovering while doing this podcast is you can 336 00:15:22,840 --> 00:15:25,560 Speaker 1: be independent more nowadays than you could maybe ten twenty 337 00:15:25,640 --> 00:15:28,640 Speaker 1: years ago because you have more platform and are you 338 00:15:29,560 --> 00:15:31,640 Speaker 1: do you love that aspect of it, being able to 339 00:15:31,680 --> 00:15:34,000 Speaker 1: do what you want, when you want and the music 340 00:15:34,040 --> 00:15:36,840 Speaker 1: that you want and still reaching a major platform because 341 00:15:36,840 --> 00:15:39,680 Speaker 1: of TikTok because of Instagram or Twitter or Facebook, whatever 342 00:15:39,680 --> 00:15:42,120 Speaker 1: it may be. Yeah, I mean you can reach so 343 00:15:42,160 --> 00:15:44,880 Speaker 1: many people. I mean when I had my actually one 344 00:15:44,920 --> 00:15:47,320 Speaker 1: of my most viral videos I think was like over 345 00:15:47,360 --> 00:15:49,560 Speaker 1: half a million views, was of me hearing sad songs 346 00:15:49,640 --> 00:15:52,000 Speaker 1: on the radio for the first time. Uh, and it 347 00:15:52,080 --> 00:15:54,240 Speaker 1: was the Women About Her Country show, And it was 348 00:15:54,280 --> 00:15:55,880 Speaker 1: the first song that had ever played on the Women 349 00:15:55,880 --> 00:15:57,920 Speaker 1: About Her Country Show. So it truly was the first 350 00:15:57,920 --> 00:15:59,840 Speaker 1: time hearing a song of mine on the radio and 351 00:16:00,040 --> 00:16:02,560 Speaker 1: it was just my reaction and it got It's the 352 00:16:02,600 --> 00:16:04,440 Speaker 1: reason I have, like I think a lot of the 353 00:16:04,480 --> 00:16:06,760 Speaker 1: followers I do now because people saw that video like 354 00:16:06,760 --> 00:16:11,000 Speaker 1: two years ago. Um, but I think people just love 355 00:16:11,040 --> 00:16:14,080 Speaker 1: to root for the underdog on TikTok. That's really what 356 00:16:14,320 --> 00:16:17,680 Speaker 1: it comes down to, as like you're you feel like 357 00:16:17,720 --> 00:16:21,960 Speaker 1: you're supporting somebody who didn't have that opportunity or doesn't 358 00:16:22,000 --> 00:16:23,680 Speaker 1: have someone to speak for them or a voice. Like 359 00:16:23,720 --> 00:16:25,120 Speaker 1: for me, I don't have a manager, I don't have 360 00:16:25,160 --> 00:16:27,920 Speaker 1: a publisher, I don't have an agent, I don't have anything. 361 00:16:27,960 --> 00:16:29,960 Speaker 1: But I've still been able to make this whole career 362 00:16:30,000 --> 00:16:33,520 Speaker 1: for myself and people on TikTok they see that, and 363 00:16:33,560 --> 00:16:35,560 Speaker 1: it's me saying I'm an independent artist. You know, I've 364 00:16:35,560 --> 00:16:37,600 Speaker 1: been here for you know, it's like five years at 365 00:16:37,600 --> 00:16:39,840 Speaker 1: the time, and this is my first time hearing myself 366 00:16:39,840 --> 00:16:43,400 Speaker 1: on the radio. And people want to see that. They 367 00:16:43,440 --> 00:16:45,400 Speaker 1: want to support you, they want to feel like they're 368 00:16:45,440 --> 00:16:48,160 Speaker 1: helping you make it. And is that something you want 369 00:16:48,160 --> 00:16:50,600 Speaker 1: to stay with as far as independent and you know, 370 00:16:50,640 --> 00:16:53,640 Speaker 1: the unsigned and independent road going down or is it 371 00:16:53,680 --> 00:16:56,760 Speaker 1: just one of those If offer or a deal or 372 00:16:56,760 --> 00:16:59,200 Speaker 1: whatever comes that's the right one, then maybe I'll think 373 00:16:59,240 --> 00:17:01,480 Speaker 1: about it. Yeah, I think I think it would be 374 00:17:01,560 --> 00:17:06,000 Speaker 1: the right deal. And I think that there is there's 375 00:17:06,040 --> 00:17:09,200 Speaker 1: pros and cons to both being independent and being not 376 00:17:09,359 --> 00:17:11,920 Speaker 1: and I think that, um, you know, you can ride 377 00:17:11,920 --> 00:17:14,520 Speaker 1: out the independent wave as long as you want. At 378 00:17:14,640 --> 00:17:17,040 Speaker 1: some point, if I had the right deal, I would 379 00:17:17,040 --> 00:17:19,359 Speaker 1: totally take it because there are just some things that 380 00:17:19,440 --> 00:17:22,960 Speaker 1: I probably would never be able to accomplish, especially as 381 00:17:23,000 --> 00:17:26,320 Speaker 1: a female independent artist, like without a label or without 382 00:17:26,359 --> 00:17:29,320 Speaker 1: a booking agent or something like that. In reality of 383 00:17:29,359 --> 00:17:32,000 Speaker 1: like taking a song to country radio, you know that's 384 00:17:32,040 --> 00:17:35,840 Speaker 1: millions of dollars and going on major tours. I mean 385 00:17:35,880 --> 00:17:38,399 Speaker 1: that takes a booking agent there's only so much I 386 00:17:38,440 --> 00:17:42,160 Speaker 1: think you can do up until a certain point. Um, 387 00:17:42,200 --> 00:17:43,880 Speaker 1: But I'm not going to go out and like make 388 00:17:43,880 --> 00:17:47,040 Speaker 1: my whole life searching for that deal. I'm gonna work 389 00:17:47,080 --> 00:17:51,600 Speaker 1: as hard as I can until somebody notices. And speaking 390 00:17:51,640 --> 00:17:54,520 Speaker 1: of independent artists, you yourself are doing some work that 391 00:17:54,520 --> 00:17:57,480 Speaker 1: correct with Pepsi and United Masters. Can you speak on 392 00:17:57,520 --> 00:17:59,959 Speaker 1: that a little bit and kind of describe or explain 393 00:18:00,080 --> 00:18:03,280 Speaker 1: what that is. So at the finale of the MTV show, 394 00:18:03,720 --> 00:18:05,679 Speaker 1: the whole show was put on by Pepsi, so it 395 00:18:05,760 --> 00:18:08,959 Speaker 1: was a Pepsi show. So the whole set was Pepsi. 396 00:18:09,119 --> 00:18:12,200 Speaker 1: We only drank and ate Pepsi products on set. I'm 397 00:18:12,200 --> 00:18:15,880 Speaker 1: not lying when I say no. That's why I'm laughing 398 00:18:15,920 --> 00:18:18,399 Speaker 1: because I know you are not exaggerating at all. You 399 00:18:18,400 --> 00:18:20,840 Speaker 1: were being dead serious and that is all that was 400 00:18:20,880 --> 00:18:23,159 Speaker 1: on that set, oh all, And even I mean, I 401 00:18:23,200 --> 00:18:24,800 Speaker 1: just went to New York with Pepsi and it was like, 402 00:18:25,119 --> 00:18:28,520 Speaker 1: no one brings any non Pepsi products into this room. 403 00:18:28,560 --> 00:18:30,719 Speaker 1: Because I've been around, like going to events. I'll be 404 00:18:30,800 --> 00:18:33,720 Speaker 1: with like Anheuser Busch rep or something right with but 405 00:18:33,920 --> 00:18:35,520 Speaker 1: light and all that, and They're like, dude, do not 406 00:18:35,640 --> 00:18:38,480 Speaker 1: even bring a course like near me and they are 407 00:18:38,640 --> 00:18:41,720 Speaker 1: dead serious. All my friends joke about it now. It's 408 00:18:41,720 --> 00:18:44,040 Speaker 1: like a huge running joke. It's like, don't you dare 409 00:18:44,080 --> 00:18:48,480 Speaker 1: bring that coke lexi? Okay um. But so at the 410 00:18:48,520 --> 00:18:51,000 Speaker 1: finale of the MTV show, they put us. They brought 411 00:18:51,000 --> 00:18:53,119 Speaker 1: all the contestants back for the finale to l A 412 00:18:53,240 --> 00:18:56,000 Speaker 1: to like be on the finale episode, which was really 413 00:18:56,000 --> 00:18:57,760 Speaker 1: cool because we got to see everyone again and be 414 00:18:57,800 --> 00:18:59,840 Speaker 1: on TV again. And then they brought us on stage 415 00:18:59,840 --> 00:19:02,560 Speaker 1: at veryan which is surprise, and they were like, PEPSI 416 00:19:02,600 --> 00:19:06,000 Speaker 1: wants to continue working with you, and we're offering um 417 00:19:06,040 --> 00:19:08,760 Speaker 1: these places in the Pepsi Music Lab for all eight 418 00:19:08,760 --> 00:19:12,439 Speaker 1: of you basically, and so through that, when you know, 419 00:19:12,560 --> 00:19:14,399 Speaker 1: a few months went, we had a lot of meetings 420 00:19:14,440 --> 00:19:17,719 Speaker 1: with the United Masters and Pepsi and then we all officially, 421 00:19:17,880 --> 00:19:19,760 Speaker 1: I think there's six of us from the show that 422 00:19:19,800 --> 00:19:22,280 Speaker 1: are officially in the program. And so we're gonna be 423 00:19:22,320 --> 00:19:26,080 Speaker 1: releasing two songs with Pepsi and United Masters, which if 424 00:19:26,280 --> 00:19:29,000 Speaker 1: you don't know who, United Masters is their distribution service, 425 00:19:29,600 --> 00:19:33,360 Speaker 1: So they're like tune Core or one RPM, like it's 426 00:19:33,400 --> 00:19:35,639 Speaker 1: what you used to distribute your music to Spotify and 427 00:19:35,640 --> 00:19:39,720 Speaker 1: Apple Music. So we we picked two songs. So I 428 00:19:39,760 --> 00:19:41,800 Speaker 1: have two songs that I nerve and heard before and 429 00:19:41,920 --> 00:19:44,680 Speaker 1: um I recorded them about a week and a half ago. 430 00:19:44,800 --> 00:19:47,560 Speaker 1: And then they'll go over to Pepsi and United Masters 431 00:19:47,600 --> 00:19:49,800 Speaker 1: and they're gonna come out next year UM with them, 432 00:19:49,880 --> 00:19:52,520 Speaker 1: and they're gonna do everything they can to create opportunities 433 00:19:52,560 --> 00:19:54,320 Speaker 1: for us in the next fifteen months that we're in 434 00:19:54,359 --> 00:19:57,800 Speaker 1: the program. Wow, that's super exciting. Yeah, that's that's that's awesome. 435 00:19:57,800 --> 00:19:59,760 Speaker 1: See another thing that came out of the MTV and 436 00:20:00,000 --> 00:20:02,960 Speaker 1: telling yeah you you just Yeah, I am so glad 437 00:20:03,000 --> 00:20:06,359 Speaker 1: I did that show. Um, I don't regret it at all. 438 00:20:06,800 --> 00:20:08,440 Speaker 1: That's awesome. Man, it sounds like it's leading to a 439 00:20:08,480 --> 00:20:10,359 Speaker 1: lot more opportunities, which at the end of the day, 440 00:20:10,359 --> 00:20:13,840 Speaker 1: it's all about the networking and creating more opportunities for yourself. Yes, um, well, 441 00:20:13,840 --> 00:20:17,040 Speaker 1: what what else future wise next six to twelve months 442 00:20:17,040 --> 00:20:19,359 Speaker 1: outside of that? Do you have planned? You have some 443 00:20:19,920 --> 00:20:22,040 Speaker 1: some singles coming out and the music that you want 444 00:20:22,040 --> 00:20:25,560 Speaker 1: to talk about or what's in the works. So next 445 00:20:25,640 --> 00:20:28,280 Speaker 1: year is kind of a mystery for me, But I 446 00:20:28,359 --> 00:20:30,000 Speaker 1: kind of like it that way because I feel like 447 00:20:30,040 --> 00:20:32,000 Speaker 1: that's what this year was for me and look what happened, 448 00:20:33,000 --> 00:20:37,040 Speaker 1: and um, I'm excited. I think that I'm finally ready, 449 00:20:37,520 --> 00:20:41,600 Speaker 1: like I'm getting to the point where, Um, this year, 450 00:20:42,480 --> 00:20:46,280 Speaker 1: I've been able to really live off my music financially, 451 00:20:46,440 --> 00:20:48,840 Speaker 1: which has been one of the coolest parts of this year, 452 00:20:49,119 --> 00:20:52,280 Speaker 1: especially with having a song country Radio, being on this 453 00:20:52,359 --> 00:20:54,919 Speaker 1: TV show, working with Pepsi, and I've had a lot 454 00:20:54,960 --> 00:20:58,720 Speaker 1: of sync opportunities with music as well. So it's really 455 00:20:58,920 --> 00:21:00,639 Speaker 1: something that I've been working where my whole life is 456 00:21:00,680 --> 00:21:03,200 Speaker 1: be able to financially depend on music. And I think 457 00:21:03,200 --> 00:21:05,479 Speaker 1: I'm finally next year will be that point where I 458 00:21:05,520 --> 00:21:08,520 Speaker 1: can do music full time because I still nanny a 459 00:21:08,560 --> 00:21:10,800 Speaker 1: little bit. That's what I wanted to ask you about that. 460 00:21:12,119 --> 00:21:14,280 Speaker 1: You're You're one of the few where I've talked to where, 461 00:21:14,640 --> 00:21:16,000 Speaker 1: you know, a lot of people move here and they 462 00:21:16,040 --> 00:21:18,359 Speaker 1: work another job until then, and a lot of people 463 00:21:18,359 --> 00:21:20,240 Speaker 1: I've talked to you so far they finally worked up 464 00:21:20,280 --> 00:21:22,040 Speaker 1: to where they only play music for the last couple 465 00:21:22,040 --> 00:21:24,880 Speaker 1: of years. But you're still working another job while doing 466 00:21:24,880 --> 00:21:27,160 Speaker 1: your music currently. Correct, And what do you You You said 467 00:21:27,160 --> 00:21:30,520 Speaker 1: you're a nanny, Yeah, but the nanny is like two hours, 468 00:21:30,560 --> 00:21:32,760 Speaker 1: like three or four days a week. Yeah, but two 469 00:21:32,760 --> 00:21:36,800 Speaker 1: hours with kids that can sometimes seem like it's and 470 00:21:37,359 --> 00:21:39,520 Speaker 1: you know, I really don't even know that I can 471 00:21:39,720 --> 00:21:42,600 Speaker 1: give up the kids like I and they're getting too 472 00:21:42,600 --> 00:21:44,480 Speaker 1: old now where it's like the perfect time where like 473 00:21:44,520 --> 00:21:47,280 Speaker 1: they're not even like the oldest is not thirteen, so 474 00:21:47,280 --> 00:21:49,080 Speaker 1: it's like they don't I mean the youngest is five, 475 00:21:49,160 --> 00:21:52,320 Speaker 1: but like it's like almost like the perfect time because 476 00:21:52,320 --> 00:21:53,720 Speaker 1: I'm not needed as much. I'm more of like an 477 00:21:53,800 --> 00:21:56,359 Speaker 1: uber driver, like I'm taking a gymnastics I do car 478 00:21:56,440 --> 00:21:58,359 Speaker 1: full line. I was joking the other day, I was 479 00:21:58,400 --> 00:22:00,399 Speaker 1: like I literally picked up the kids like harpal and 480 00:22:00,480 --> 00:22:02,240 Speaker 1: I went to c M a party. I was like, 481 00:22:02,280 --> 00:22:04,959 Speaker 1: from the carpal line to them, Really, that's what it is. 482 00:22:05,480 --> 00:22:07,640 Speaker 1: Do you ever have Did you ever have a lot 483 00:22:07,680 --> 00:22:10,440 Speaker 1: of trouble not necessarily now, but say a few years 484 00:22:10,440 --> 00:22:15,240 Speaker 1: ago juggling the balancing act And how many late nights 485 00:22:15,240 --> 00:22:16,919 Speaker 1: did you have doing music in early morning? Did you 486 00:22:16,920 --> 00:22:18,600 Speaker 1: have to do that a lot? It was it was 487 00:22:18,680 --> 00:22:21,159 Speaker 1: really hard. And now I finally feel like I'm at 488 00:22:21,160 --> 00:22:24,439 Speaker 1: a point where I have the perfect schedule and my 489 00:22:24,480 --> 00:22:26,479 Speaker 1: schedule is so flexible to like I went to New 490 00:22:26,560 --> 00:22:29,919 Speaker 1: York for the Pepsi stuff two weeks ago, and you know, 491 00:22:29,960 --> 00:22:31,520 Speaker 1: I just tell the mom and nanny. I'm like, she 492 00:22:31,640 --> 00:22:34,800 Speaker 1: knows my music opportunities come first. She's a manager as well, 493 00:22:34,920 --> 00:22:38,480 Speaker 1: she manages Phil Vasser, and she does a lot of 494 00:22:38,520 --> 00:22:42,240 Speaker 1: different stuff, so she knows, she knows the drill, she 495 00:22:42,280 --> 00:22:44,120 Speaker 1: knows what's up. So if I'm like, hey, i gotta 496 00:22:44,160 --> 00:22:46,160 Speaker 1: go to New York the whole week, She's like, go girl, 497 00:22:46,480 --> 00:22:50,400 Speaker 1: I love it. It helps to have that support, especially 498 00:22:50,400 --> 00:22:53,960 Speaker 1: somebody local. Do you have that back home as well 499 00:22:54,000 --> 00:22:56,480 Speaker 1: with your parents and your family? Are they're very supportive? Yeah? 500 00:22:56,600 --> 00:22:58,680 Speaker 1: My mom sent me was at spin class this morning 501 00:22:58,680 --> 00:23:00,520 Speaker 1: and she made her spin teacher play my new song 502 00:23:00,560 --> 00:23:02,639 Speaker 1: with a mirror work till the morning. They were spinning 503 00:23:02,640 --> 00:23:05,800 Speaker 1: to it this morning. Yeah, did ever everyone go crazy 504 00:23:05,880 --> 00:23:08,320 Speaker 1: for it? Yeah? And it's it's such a sink song, 505 00:23:08,359 --> 00:23:10,480 Speaker 1: so I'm really excited to see what It's so different 506 00:23:10,560 --> 00:23:13,960 Speaker 1: for me. It's it's like, uh, it really like it 507 00:23:13,960 --> 00:23:16,000 Speaker 1: sounds like some of you and hearing a commercial, it's 508 00:23:16,040 --> 00:23:19,239 Speaker 1: really not like country is my other stuff. But I 509 00:23:19,280 --> 00:23:21,720 Speaker 1: think it's to the point of my career where I've 510 00:23:21,760 --> 00:23:24,720 Speaker 1: thrown so much stuff at the wall to see what works. 511 00:23:24,720 --> 00:23:26,879 Speaker 1: I'm like, I'm just gonna throw everything at the wall 512 00:23:27,000 --> 00:23:30,600 Speaker 1: and see what sticks. It's called Work Till the Morning, 513 00:23:30,680 --> 00:23:32,560 Speaker 1: Work Till the Morning, and it is out correct. You 514 00:23:32,600 --> 00:23:34,200 Speaker 1: can go streaming if you're listening to this right now, 515 00:23:34,280 --> 00:23:36,920 Speaker 1: go stream it Work Till the Morning by Amra Unplugged 516 00:23:36,960 --> 00:23:39,439 Speaker 1: and Lexie Hayden, and listen to it when you're at 517 00:23:39,440 --> 00:23:41,359 Speaker 1: the gym. I promise it'll pump you up. I love that. 518 00:23:41,400 --> 00:23:43,719 Speaker 1: I love that, Lexie. I've had a great time doing this. 519 00:23:43,720 --> 00:23:45,600 Speaker 1: This has been awesome. Is there anything else you'd like 520 00:23:45,640 --> 00:23:48,760 Speaker 1: to say or promote talk about? Yeah, go listen to 521 00:23:48,760 --> 00:23:52,119 Speaker 1: Work Till the Morning. And I've got two Branny songs 522 00:23:52,160 --> 00:23:55,600 Speaker 1: coming out next year and I'm just super excited to 523 00:23:55,600 --> 00:23:58,800 Speaker 1: see what this next year brings. And go independent artists. 524 00:23:58,960 --> 00:24:00,520 Speaker 1: Love it, love it, keep push and for where can 525 00:24:00,520 --> 00:24:03,480 Speaker 1: they find you? On social media? Um, Lexi Hayden, Eli 526 00:24:03,760 --> 00:24:05,520 Speaker 1: x I E. You can't forget the E on the 527 00:24:05,560 --> 00:24:08,440 Speaker 1: end of Lexi and then Hayden and it's just Lexi 528 00:24:08,480 --> 00:24:11,560 Speaker 1: Haydden music on TikTok, I'm on Facebook, YouTube, I'm everywhere. 529 00:24:11,760 --> 00:24:14,960 Speaker 1: Go find her. Alexi Hayden, She's everywhere. You can find her. Lexi, 530 00:24:15,040 --> 00:24:16,639 Speaker 1: thanks a lot, Thank you so much for having me